Well, what it shows is if you take currency that we use in the U.S. and you fold it into a pentagram. And you turn it upside down, it shows you images of what's on that. And some of those images that come up on certain bills are the Oklahoma City bombing. And what the video does is it shows.

But if you take, like, the $10 bill, for example, the new one, the one that came out with a different color that's orange, if you fold it. That one, it shows you a nuclear blast with a tidal wave going over a building.

If you take the $100 bill, it shows you another image of a tidal wave going over buildings, similar to the day after tomorrow, if you've ever seen that movie where they have the ocean flow into New York City and take out all the cars and everything. That's what the image shows.

So I'm thinking that maybe they set that off somewhere in the Atlantic and it shoots over New York City. And this is the image they're giving us before they do it, just so they don't get the negative blowback. And if we expose them, maybe they'll choose not to do it.

And of course, a lot of times fiction encodes and predicts through predictive programming, you could say, a lot of what comes about in reality.

I think that the template that's being used, and I get into steganography very often, as you know. I think that the template that's being used, believe it or not, is Breaking Bad. It's the television show Breaking Bad. Because if you go back into the pieces of that show, McCaslin's disappearance are almost exactly. Like Walter White's disappearance in the show. And this is the strange thing about it. He had worked at Los Alamos. Boo! All of this is McCaslin 20 some odd years later. So that show is going on, say, in 2010. And here we have 15, 16 years later, this guy disappearing. And the template for it there's actually a clip that's online that's available just about certain aspects of that show that have nothing to do with the McCaslin case. But one of the clips is about Walt's cell phone is missing. And there's this whole aspect about Walt's cell phone. If you go into those details and match them up with the McCaslin missing disappearance case, it's very strange because the facts almost line up directly.

But also, like if you, what they said back in the day was that they make these movies to predictive programming, tell us this stuff, lube up the zeitgeist.

I think that the template that's being used, believe it or not, is Breaking Bad. It's the television show Breaking Bad. Because if you go back into the pieces of that show, McCaslin's disappearance are almost exactly like Walter White's disappearance in the show. And this is the strange thing about it. He had worked at Los Alamos, he was in Albuquerque. All of this is McCaslin 20 some odd years later. So that show is going on, say, in 2010. And here we have 15, 16 years later, this guy disappearing. And the template for it there's actually a clip that's online that's available just about certain aspects of that show that have nothing to do with the McCaslin case. But one of the clips is about. Walt's cell phone is missing. And there's this whole aspect about Walt's cell phone. If you go into those details and match them up with the McCaslin missing disappearance case, it's very strange because the facts almost line up directly.

I think Ridley Scott knows things that and Corner McMcCarthy know things about the world that they put on film before everything was known. Like, I think if that movie was released today, people would be like, yeah, that's what's happening today.

And the movie itself is a manifesto. You know, it's a manifesto about bringing down the financial system.

That's exactly what it was.

And I looked at it and I thought, this movie is attempting to collapse our country. It's attempting to prepare everyone for this kind of this vision to occur.

It's predictive programming. And once you say it out loud and you put it out there and make fun of it and do a little skit, like they, like, Stephen Colbert did a little skit on his show where, oh, here's a baby. I'm going to take this baby and I'm going to give it to Moloch. And he goes into like a cloudy red furnace and hands the baby over. And he's, oh, the baby's going to be fine. And they make a joke about it, and the audience laughs. Okay, we're all now conditioned to it. We've all seen it. And by laughing at it, we're complicit.

You know, in 1999, a movie came out which was effectively a manifesto. And that movie was called Fight Club. And what's the end of that movie? The end of that movie is the collapsing of the buildings, which are the financial system of the future so that they can create a new future.

He's not predicting anything. He's just revealing how he would have done it the whole time.

Remember, produced three years ago, released a year and a half ago, Civil War, that is also the fantasy of antifa uprisings. The public joins it. The military joins against Trump, kills a Trump figure in the White House. That's what the left's calling for now. So they're literally predictive programming this.

And you watch that movie and the family's banned and virtual reality runs your life and you say, how did they predict this? Because they're telling you what they were going to build.

And at the very last scene, the main character gets thrown into an insane asylum. The number on his cell door, 3-911.

Crispin Glover did 9-11 in March. Is that the conspiracy? They were predicting. Predictive programming. Any number you see anywhere means things. Willard came out before 9-11? I'm pretty sure, yeah.

So the reason that this is something that would be interesting to a Don Salazar, now you might imagine that the obvious answer is because if somebody... Who worked on Batman, that had already come out, had changed the name of this place on the map to Sandy Hook as some kind of a message, and then later Sandy Hook happens, it would lead one to think, maybe they did that as a message. There's this whole idea of predictive programming that is really big in Alex's coverage of stuff. So the argument here, the shorthand, is very clear that it's trying to argue for foreknowledge.

And it's going on everywhere and now it's on the TV everywhere and it's in sitcoms and dramas and children's shows. Jakari Jackson did a report on it last year. Which shows all these cartoons, Green Lantern, the new Super Friends, all of it. All these shows where the militia is like wearing tri-corner hats going, we believe in America and the right to bear arms. We're going to blow up the dam and kill everybody in the town. This is mind control. They are scripting that we're the terrorist folks.

And Chris admitted the CIA came to him and told him what to say in a lot of these episodes. He wasn't sure why. He was asking me why. But it says predictive programming, injection with spike protein used to destroy people's immune systems and slowly kill them with a soft-kill weapon.

I don't think the X-Files predicted COVID vaccines.

Yeah, so apparently Buckaroo Banzai, predictive programming about how you could commune with the devil. You know... I knew it was always going to come down to RoboCop in one of his many roles. But I didn't expect it to be Buckaroo Banzai. That was too happy and joyful of film! Well, turns out it also was full of very subtle messages about the devil.

Psychologists and psychiatrists know at the high levels, not your pop psychologists and psychiatrists, that if you pre-program somebody and they've seen something in the comfort of their home, that a decade later when they actually see it happen, they'll be comfortable with it because they were eating chips and pizza and having sex with their girlfriend while they learned about something horrible, so their brain files in an area that's non-threatening.

I suggested that because of what we call Ready Player One, Ender's Game, and also the Halo series, there is a sort of push to have young people battle alien insectoids. What about Last Starfighter, lady? In some cases, beetle-like beings. Out there, and in games, and so on, and also in movies, and in books, and this seems to be preparing them for an alien invasion that involves insectoids. So I suggested that the gray aliens are too, there's too many races of them, that that wouldn't be a clear-cut enough enemy, because as they say, you know, there are good gray aliens and other versions, blue aliens. Gray aliens and other colors of aliens that are like grays and different sizes as well. So this would be a huge mishmash. But the aliens that have been depicted in these books and movies to kids may be the alien of choice if you're going to have a fake alien battle in which our military is going to come out victorious.

If you want to know the mindset of the globalist, I watched 12 Monkeys with Brad Pitt and Bruce Willis last night with my wife. And when you see the top biologist slash biochemist in there working on zoological viruses and one of his lab techs, who is a eugenicist, gets the weapon. And goes and basically releases it and kills 99% of the world population. You have to understand, movies like that are based on what they're really planning.

The government's not imitating Demolition Man now. Demolition Man is basically written along the lines of the type of world the system wants to build.

The government's not imitating Demolition Man now. Demolition Man is basically written along the lines of the type of world the system wants to build.

Wrote an article about how this prop master put Sandy Hook into the movie to tell the public about globalist plans that he had uncovered and then he was murdered in this car accident to silence him from telling anything else.

Space Command! Space Command! They're responsible for Interstellar as a movie because it's predictive programming. Right, right. It's getting all of us to believe that we can travel between the stars.

They've been keeping it secret. Now, National Geographic is allowed to trickle it out because they're getting us used to it using movies with predictive engineering like The Island of Dr. Moreau and Out of Time.

And they definitely believe they're channeling this stuff and then envisioned DNA, envisioned biometrics, envisioned all the major sciences, computers, and then went out and told their scientists to start developing it. So we've got to have the general public hear about this so that the inventors come forward. So they had H.G. Wells in the 1890s and things start and others start writing this, knowing that the elites couldn't come up with it, but they've been given the knowledge. So they believe that they put out basically the basic template in predictive programming that then, because we're made in the image of God, we're master builders, that there would be humans that would then build it because they heard about it.

But it comes back to what a lot of conspiracy theorists believe. And that is that culture and movies and all that stuff is what's known as predictive programming. So something comes out in a movie that's super true, but the powers that be don't want you to think it's true. So it comes out in a movie. So when it comes out in real life, you're like, I don't believe that. It's just like that stupid movie.