| Time | Text |
|---|---|
|
Russian Supercar Mystery
00:07:30
|
|
| What is this? So where's Andrew? | |
| Don't know. What are you doing? | |
| I'm squeezing a hand squeezer. | |
| If I do it a million times a day, I'll become powerful enough to crush a grapefruit with the power of my mind. | |
| Is God punishing us? | |
| The new Porsche is here and it's raining. | |
| So, I'm driving the rain. | |
| That's not exactly what you do when a new Porsche comes. | |
| The Porsche has been done and it's yours and you can drive any time you like. | |
| Yeah, but it's raining. So? | |
| Is that why Andrew left? | |
| He knew it was going to rain? | |
| Listen, Luke. If I squeeze this a million times a day, the grapefruit won't even need my hand to crush it. | |
| I can just crush it with the power of my mind. | |
| That's what you should do when it's raining. | |
| This is stupid. 999,999? | |
| A million. That's a million today. | |
| No, it's not. I have to do a million for a week. | |
| No, you've been doing it for a while, but that's not been a million. | |
| Did you count? No. | |
| Because I was counting. This is stupid. | |
| Why? I don't know. | |
| What? Andrew said, and you said, there were no more cars to buy. | |
| There are none. | |
| Build a magazine, we have all the cars. | |
| I have, while Andrew's away doing his shit, purchased a new car. | |
| The best car. | |
| We don't need cars in this. | |
| One of the best cars ever made. | |
| Pagani Shmagani. | |
| You know all the car brands, but are you familiar with Russian supercars? | |
| No. I don't think they make it. | |
| There is a Russian supercar. | |
| I don't think those exist. That exists. | |
| They absolutely do exist. | |
| I don't think they do. And with everything going on in Russia and Ukraine right now, I thought it would be difficult to get my hands on one of You didn't get a Russian supercar. | |
| I absolutely did. | |
| It's parked outside. | |
| For all of you guys who take confidential, and you can drive the Bugatti every day. | |
| The Rolls Royce, the Lambo. | |
| I don't want it. I have a new car that transcends every other vehicle in terms of coolness, speed, sleek design. | |
| The Russians do some things right, I'm telling you. | |
| They don't have a supercar brand. | |
| I've never heard of a supercar Russian brand ever. | |
| You're going to come outside and you're about to see. | |
| Welcome to big school. He doesn't, he's lying. | |
| So Tristan claims to have this super cool car. | |
| He kept saying, film me drive in, as if... | |
| He didn't buy a Pagani, and there's no such thing as a Russian supercar, so... | |
| It might be a joke, maybe he's trying to lock me out the house. | |
| Alright, it's definitely a car. | |
| Thanks for watching! | |
| Honk honk! | |
| What is this? | |
| What is that? | |
| Told you Luke. What is that? A supercar. | |
| That's not a Russian supercar. | |
| It's a Russian supercar. I was very close. | |
| That's all right. It's close, but it's fine. | |
| Russia's supercar, Lou. What do you think? | |
| It's not a Russia supercar. It is a Russia supercar. | |
| What is it? This is a Lada 1500. | |
| This is the coolest car in the world. | |
| What does that mean? Admit it's the coolest car that we own. | |
| It was made in the USSR. It's not the coolest car we own. | |
| Well, I'm driving it everywhere. Club, restaurant, Italy. | |
| We have a Bugatti. I'll drive it to Saint-Tropez. | |
| You could drive the Bugatti. Would it even get there? | |
| You could drive the Bugatti. | |
| This will get anywhere, mate. This came all the way here from Moscow. | |
| I don't think it'll get anywhere. | |
| I love it. I don't give a shit if you like it right now. | |
| It doesn't even have a mirror on this side. | |
| It doesn't need a mirror on that side. | |
| It's actually got really good visibility. | |
| To be fair, besides the Rolls-Royce, this car probably has the best visibility of any car that we own. | |
| That can't be true. It's completely true. | |
| Besides the Rolls-Royce, best visibility. | |
| It literally doesn't have a right mirror. | |
| But you can still see completely. | |
| So how could you see here where I'm standing? | |
| I don't need to. I don't want to look at you. | |
| Why would I try to look at you? | |
| Steel construction? Heavy steel? | |
| It's steel? None of this crappy carbon fiber these cars made out of. | |
| Yeah, but they're made out of carbon fiber for a reason. | |
| Yeah, this steel is stronger. | |
| No, but it's supposed to crunch up. | |
| It's not supposed to be strong. | |
| Otherwise, all the energy goes into you, the little person inside. | |
| I think the top automotive engineers of 1979 Moscow know a little bit more than you. | |
| That's right, 1979. | |
| That's when this car was built. | |
| All original parts. | |
| Paint, windows, the engine, the oil, brake fluid. | |
| All original. Okay, so to clarify, this is not a Russian supercar. | |
| Is it? Is it Russian? | |
| It might be Russian. Will this turn heads when you're driving down the street? | |
| I don't think so. | |
| I think it will. It's kind of just a plain car. | |
| It's not a plain car. It's very small. | |
| This is something special. This is something special. | |
| That is not something special. | |
| This is something special. | |
| I'm just trying to take confidential viewers the actual special things. | |
| Yeah, like the Bugatti. | |
| Lots of people have car collections in the world. | |
| Admit that I might be the only man in the world who has a Bugatti and a Lada 1500. | |
| You might be that man because no other Bugatti owner wants a Lada. | |
| Maybe he's a Russian oligarch who's rich enough and G enough to find himself a working Lada. | |
| Windscreen hypers work. | |
| It's a beautiful car, dude. I know you're jealous. | |
| I'm not jealous. I don't think Andrew's going to be jealous either. | |
| Andrew's going to be super jealous. I'm leaving it parked here. | |
| I moved the Lambo on purpose because I think this needs the premier parking spot so people see it when they walk into the house. | |
| The Ferrari's pretty cool. | |
| The Rolls, yes, and they're pretty cool. | |
| Boom! Right in the middle. | |
| So we're just going to have this parked here forever and it's just going to rot. | |
| It's my car. I know, but you're never going to actually drive it. | |
| That's a boss key. | |
| None of this fancy lights and buttons and switches like the fucking BMW and the Rolls. | |
| Doesn't that mean it's easy to steal? | |
| If someone tries to steal this lot out, they're fucking dead. | |
| This is my pride and joy. | |
| What is the War Room? | |
|
Leave the Room Upside Down
00:10:28
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|
| The War Room is the greatest global network which exists on planet Earth. | |
| The War Room is a global organization with members, bases, and influence in over 70 countries. | |
| The network contains varied expertise which allows them to exert influence globally. | |
| Every member has either achieved or is working towards the ultimate goal of all intelligent men. | |
| Freedom. In a world of slavery, despite heavy infiltration of media channels, attempts have been made to silence known leadership. | |
| However, their influence has increased. | |
| The spread is accelerating. | |
| We have identified a new suspect associated with the growth of the organization. | |
| The Matrix cannot allow these minds to be free. | |
| Once understood, the Matrix can be exploited. | |
| They know how to bend our rules. | |
| They know how to win the game. | |
| Our control mechanisms rely on ignorance, on isolation. | |
| This network is teaching the truth. | |
| They must be stopped. | |
| It is imperative we attempt to I put the table upside down. | |
| You did? Tristan put his stool upside down. | |
| Let me... So this is our table now. | |
| Okay. Put the remote upside down. | |
| It's true. Okay. | |
| I think I'm beginning to understand. | |
| Wait a second. Hey, hi. | |
| Hi. My table. | |
| Do you admit we loudly did an upside down vault? | |
| Do you admit we reversed gravity? | |
| Hey guys. | |
| Nice. | |
| I think I'm starting to understand. | |
| Luke, do you admit that we've reversed gravity? | |
| We may have. We might be able to. | |
| Wait a minute, wait a minute. Do you admit that gravity is now inversed? | |
| It might be. Look, my Walter is not leaving the mall. | |
| It's just what multi-millionaires do in suites in London. | |
| Why are we even in this hotel? | |
| Why are we even in London? Wait a second. | |
| That is a thing! I saw it! | |
| I'm thinking of opening a time vortex. | |
| That doesn't mean anything. If I open a hole in space-time, I'd open a time vortex. | |
| Okay. Because time doesn't exist, only clocks exist. | |
| Yes, true. So if I go back in time and destroy the clocks, then we can live in a world where no one ever dies. | |
| Do you agree with that, Luke? It sounds like nonsense, like you guys look at the tables. | |
| Like... If I open the time vortex and destroy all the clocks, we'll all live forever. | |
| But that's not time vortex, that's just alcohol. | |
| If you drink loads of alcohol, doesn't time pass quicker? | |
| No. Alright Luke, if you had to stay- If you passed out from booze, would time disappear? | |
| Sort of. Well let me ask you a question Luke. | |
| You can tell the time on this watch if I showed you the watch right now, correct? | |
| After 40 vodkas, It's blurry, correct? | |
| Okay. So all minutes and hours of the day fade into one another. | |
| No, but they still pass. No, they don't. | |
| So if I destroy all the clocks, we'll live forever. | |
| Time isn't real. Clocks are real. | |
| The problem is, when you open a time vortex, you need two points for the ions to travel between. | |
| Yeah, I hear you. Two! | |
| Ah! I see! | |
| I see where this is going! | |
| Okay, but why is booze involved? | |
| Luke, why does the booze need to open the ion port? | |
| Because if you had your space suit on, we could transcend through space time without the need for this boozing. | |
| But you never fucking do, do you, Luke? | |
| Ever, ever. What do geese do? | |
| They fly. Correct? | |
| Okay. And you walk like a stupid wingless duck. | |
| You walk? No, I fly. | |
| You don't fly. That's a lie. | |
| No, you just haven't drank enough. | |
| You're thinking in black and white, and I'm thinking in gray. | |
| Yeah. You moved, and you moved left. | |
| There's nothing more refreshing there is than meat gray goose. | |
| Refreshing. I don't even need a chaser. | |
| I don't want one. Come on, Luke. | |
| Drink your booze. Drink your booze, Luke. | |
| Drink your booze, yes it is. | |
| We have to open an iron portal, Luke. | |
| Drink your booze. | |
| It's not through booze. | |
| It is. It's not. | |
| It tastes like hairspray and it makes you want to vomit. | |
| It tastes like hairspray. | |
| Makes me want to walk. | |
| That's how you travel through time? | |
| Can you admit that we are now at a different time than we were a minute ago? | |
| The time has changed. Do you admit the time has changed? | |
| I do feel the eye off. I feel them. | |
| Alright, phone charger. | |
| We've got our iPhone charger here. | |
| So what are we doing? We're going downstairs with no phones. | |
| No work, no networks. | |
| I need the networks. So I'm taking this phone to film Tech Confidential and besides that we leave all of our phones here. | |
| Is that the plan? There's a time vortex, | |
| Luke! Which direction did I throw the spoon? | |
| You threw it that way. But it hit you. | |
| Because I bent it! | |
| No, because I bent it! | |
| Through the wormhole, out the other side. | |
| Out the other side. Come on, Luke. | |
| We're going with pints. Pints. Pints, let's go. | |
| We need drinking. Pints, let's go. | |
| Let's go. Let's go, Luke. | |
| Final thing I need to do. | |
| Final? Look at him on his laptop. | |
| You speak to the world through your fingers like a f***ing incel. | |
| Fuck this. No phones. | |
| Leave your phone here. Leave your phone here. | |
| Drop it, Luke. No phones. | |
| Take confidential filming only. | |
| This hotel costs £2,500 a day to stay in. | |
| Do you realize that, Luke? | |
| I do. I do realize that. | |
| You realize that this hotel costs £2,500? | |
| And you guys want me to leave the room. | |
| Per room, per night. You guys want me to leave the room. | |
| Waste the room. Waste the nice room. | |
| Go on, Luke. Handle it. | |
| Go wait for the emergency. What emergency? | |
| You have to press the button for the wheelchair for the people to come take you and push you. | |
| I press the button. Can't you hear it beeping? No. | |
| I'm in your wheelchair right now. | |
| I am. I admit it. | |
| What's this? Nothing. | |
| Knew it. Right, so loads and loads and loads and loads and loads of booze, yeah? | |
| No. Picking up money. | |
| I need it. There's two pints. | |
| Luke, what's your favorite animal? | |
| Bye. | |
| Bye! | |
| Bye! | |
| Luke is so upset that he has no electronic devices. | |
| Metaverse is inside of me. | |
| No, you can't exist in the Metaverse in your mind. | |
| I can't. You don't have access. I do. | |
| No, you don't. You can't communicate through your fingers. | |
| I don't need to communicate. I just need to think about what I'm going to communicate in the future. | |
| Saving me time now. | |
| What's your favorite animal? I'll be back to you in a sec. | |
| Is it a fish? One second. | |
| What is your favourite colour? | |
| One second, Tristan. Maybe he's the one we can plug into the mainframe, who's mine. | |
| Admit your favorite color is rainbow. | |
| London's alright in the sunshine. | |
| It is. He's in the shade. | |
| You're in the shade. Looks like he's in the shade. | |
| Clear sun. Shade. | |
| Do you know what shade's caused by? | |
| No. Homoerotic fantasies. | |
| Ah. It all makes sense now. | |
| It does, doesn't it? Yeah. Luke, you are in the shade. | |
| No, I'm in the sunlight. You're in the sunlight. | |
| I'm in the sunlight. You can't prove that. | |
| You know what? I can. Nope. | |
| Because I'm going to film you right back. | |
| I'm in the sunlight. I'm gonna film you right back being in the shade and I have sun on me. | |
| No. Your phone has been programmed by you to make it look like I'm in the shade when in fact I'm in the sun. | |
| The bright warm sun is healing me. | |
| Listen, I think we need to go somewhere that we haven't been in a long time. | |
| We always come to London. | |
| All we do is complain about it. We always end up here. | |
| Let's go to the moon. You don't have your space suit. | |
| I don't have my space suit but they might give me one. | |
| Let's get bikes and do as him and go cycling. | |
| That does not sound fun. | |
| Let's take the supercars and drive through Europe again. | |
| Tristan, what are we doing? | |
| I mean, I don't have to inform you because you heard him. | |
| Inform me of what? Tristan said he's not talking to you. | |
| Can you let Tristan know that even if he doesn't talk to me, I'll just talk to him through you. | |
| Hi, Tristan. Do you really want me to explain what Andrew said? | |
| I'm not talking to Andrew, but I'm not listening to you. | |
| Shit. Over here. | |
| Oh, caviar. Alright, so we agree. | |
| Caviar. So that means we have to go to... | |
|
Belarus Again?
00:00:13
|
|
| We're Belarus again? | |
| Thank you. What? | |
| You see what's wrong, right? | |
| It's not just me. I'm not going crazy. | |