| Time | Text |
|---|---|
|
Sitting In Luxury
00:12:06
|
|
| Good song and routine! | |
| My flight is delayed. | |
| But when my flight's delayed, it's not like when your flight's delayed. | |
| I'm not amongst a bunch of peasants, you know, a peasant holding area where there's a Starbucks in the corner with a line. | |
| No, I'm having coffee aboard the jet while the hostess is preparing Kentucky Fried Chicken because I'm a jean. | |
| And I'm sitting here, I'm doing work calls. | |
| And while I'm doing the work calls, I have a lot of people asking to borrow money from me. | |
| One million, two million, five million. | |
| Because I'm super liquid, right? | |
| And these are people who I know I can trust. | |
| I know they'll pay me back. But it's amazing how heavily people are leveraged into this crypto stuff. | |
| Now, I'm pro-crypto. | |
| I'm super pro-crypto. I love crypto in every single way. | |
| But if you've got to a point in your life where you have to sit and look at a number on a screen and pray it goes up or you're fucked, That's ridiculous because you've removed your own control and your own power from your own life, right? | |
| There's a degree of luck involved in all things. | |
| I'm not the kind of guy who wakes up and goes, I need to check this number because if it's not high, I'm in trouble. | |
| That's ridiculous. Never confuse the difference between an investor and someone who knows how to make money. | |
| All these crypto kids, they can invest and do this, whatever, but if the number doesn't change, they can't make money. | |
| I know how to make money. | |
| We teach people in Southern Pustos University how to make money. | |
| And this is important, not only in case things like this happen, where crypto goes down, you have to make some money. | |
| But more importantly, a lot of people are trying to invest their way to the top, but they haven't got any money to start with. | |
| If you can't make a bunch of money, Bitcoin's never going to save you. | |
| Bitcoin's never going to save you, no matter how low it goes and how high it goes, unless you learn to make a bunch of money. | |
| So if you're sitting there and the crypto prices hurt you, or you're sitting there and you're suffering, now is a good lesson in life for you. | |
| You need to learn how to actually make some money. | |
| And because I am so kind, I will actually teach you. | |
| Hustlers University. | |
| Hustlers University. | |
| Hustlers University. You want to learn about Hustlers University. | |
| There's a bunch of rooms to go into, and those rooms have millionaire professors. | |
| You are taught by millionaires that ask your questions. | |
| They give you everything on a silver lining. | |
| It's made it impossible to not make money if you follow what they say. | |
| Not only having contact with actual multi-millionaires, being part of a community of students. | |
| actual multi-millionaires, being part of a community of students. | |
| We all help each other. | |
| It's a community. People that are there for you. | |
| They're all in there for one thing, and that's the main body. | |
| I've already made my money back after the first day. | |
| I've made 5k this month from just joining. | |
| That's fucking crazy. I made 4k in my first month. | |
| I made $2000 in two weeks at 15. | |
| I just made a fucking $20,000 on Gridzone, so fucking cheers! | |
| All in all, I made about $3,000. | |
| My goal was to match my nine-to-five income. | |
| I shattered that by five times. | |
| I will have days where I made $2,000 or $3,000, and that's what I used to make in a month. | |
| That's what allowed me to quit my job. | |
| ♪♪ Such a feeling of purpose and fulfillment. | |
| It's pure freedom. It's great. | |
| You know, it's going hard when I'm on. | |
| On this call, I made 30 grand alone. | |
| What am I doing with the money now? | |
| What am I supposed to do now? | |
| You are finally in the right place at the right time. | |
| You are the only person who can make this work, and you're also the only person who can fuck this up. | |
| I say this all the time. | |
| Hustles University is the greatest thing that exists on the face of the planet for people who are trying to escape the matrix. | |
| I will show you how, but you still have to do the work. | |
| And if you only exist amongst the money, you're going to end up with some money. | |
| Welcome to Hustles University. So we're all becoming French maximalists. | |
| Look at all those mega yachts. | |
| That is a lot of mega yachts. | |
| I wonder how many are Russian. How about this? | |
| How about I get a mega yacht for us and we go around Croatia or something? | |
| Should I get a mega yacht? I'll buy a yacht. | |
| Should I buy a yacht? Tristan, should I buy a yacht? | |
| No. Why not? | |
| Yeah, I kind of lean towards no as well. | |
| I don't think we'd really use it. | |
| I only like the waves in the schmotions. | |
| This does look very nice though. | |
| So why doesn't everyone live here? | |
| What's my name? Top G? Snake Blisket. | |
| Snake Blisket. You know what that means? | |
| If you're too interested, you're going to fuck yourselves. | |
| And I'm getting us in my boat. | |
| And we're all going to get on it. Sooner or later. | |
| Sit here thinking, oh yeah, whatever. | |
| Thinking I'll forget. I need to escape New York. | |
| A boat wouldn't help you escape. | |
| I guess it would. You need to escape LA. Okay. | |
| How many eyes do I have? Four? | |
| One. One. | |
| Luke. Snake Plissken. | |
| Alright. This doesn't make sense. | |
| You'll see. Tristan, he's talking nonsense again. | |
| Sooner or later, you'll see. It'll all make sense. | |
| Snake Plissken has one eye. | |
| He makes perfect sense, Luke. | |
| I'm ignoring you guys, and I'm going to become a French maximalist, even though I hate cheese and I hate wine. | |
| And I hate people. So we're in France. | |
| You are. You are. | |
| Bonjour. I'm Luke. | |
| How many eyes does he have? | |
| One. I speak just in French. | |
| How long is his hair? Not very long. | |
| It's hot. Hello. | |
| Hello. Are you happy I took you from your hotel? | |
| No. No, it's good, right? | |
| It's very good. We're not looking at or talking to them. | |
| Bonjour! Bonjour! | |
| And you have your password? | |
| Yeah. Where? She just got me. | |
| She just got me. We're flying to Lou. | |
| This is awesome, guys. | |
| So Tristan doesn't know that he's upset I took his hotel room from him. | |
| He doesn't understand why. But the truth is, it's because we're here to see my movie. | |
| Top G. Top G. Top G the movie. | |
| It's about me being Top G, taking Scott Adams' wife, taking everyone's wives, just being fucking, just being Top G. Flying around on jets, Aikido. | |
| I can't believe they made a movie about you. | |
| Oh, probably. Top G, it's right there. | |
| It's been long in the making. It's been long in the making. | |
| Hollywood blockbuster, Cannes Film Festival. | |
| It's all about me, Top G. When Tristan complains, oh my hotel room, blah, blah, blah. | |
| Now you have to understand it was a worthy reason that we had to get on the Jets in an emergency. | |
| It comes to Top G, the Top G future film. | |
| How do you create such an empire while also making this movie? | |
| Yeah, I mean, it's not easy to do. | |
| I think a lot of people probably underestimate the kind of hard work and dedication that's required to be as creative as I am. | |
| And I always had to learn all the lines, write the script, produce the movie, direct the movie, write the theme tune, be head actor. | |
| Like, there was a lot to do. I just Aikido'd sleep away, got it all done. | |
| Ah, instead of sleep, makes sense. | |
| Instead of sleep, I decided to make Talk To You the movie, so... | |
| I super look forward to the movie. | |
| Yeah, it's gonna be good. It's gonna be good. | |
| Yeah, so I hope everyone enjoys it, and obviously we're here for Kent Film Festival. | |
| We're also gonna show it, stay confidential, the Talk To You official movie. | |
| Nice. | |
| Andrew, what is this? | |
| It's Amazula. | |
| Amazula. All while filming. | |
| So the hilltop's not that secure. | |
| Nothing's that secure. Well, I suppose they could have shot us by now. | |
| If it was grim up there we'd be shot I say money's not real and people are like what do you mean money's not real? | |
| When I say it's not real, I mean there are people who exist in a world where the price of things doesn't really matter, and big money isn't real. | |
| The people up here, no one's going broke. | |
| No one's going poor. | |
| No one's like, what's the price of this? | |
| Most of these people don't understand the concept of broke. | |
| I was broke. I understand what broke is and means. | |
| If you say to these people, I can't afford food, I have no money for food, they'll kind of understand you, but they won't really understand it. | |
| I'll be like, well maybe I don't have money for a new mirrored pool, but all in all, I can afford to eat. | |
| Surely there's no one out there who can't afford to eat. | |
| Even though there's lots of people who can't afford to eat, I was living. | |
| So money's not real. Once you surpass a certain threshold, you get to the point where money is just... | |
| It's the code in the matrix, but you Aikido the matrix. | |
| Like you have all these assets, you have land, you have houses, you have properties, you can lend against them, mortgage against them, move things around. | |
| Oh, I'm poor. Let me just move the pieces around. | |
| Haha, money's appeared. | |
| Go to the bank. Hi bank, I need money. | |
| Here's as much money as you want. | |
| Money's not real once you pass a certain threshold. | |
| You've really been in a world where you still think money is real than you were broking. | |
| They say this often. They say, you know what you've got? | |
| You ain't got much, and it's completely true. | |
| I have no idea how much money I have. | |
| I still can't calculate it. I don't know how much all my property's worth, all my crypto's worth, all the land I have is worth, my commercial properties are worth, inflation. | |
| I can't even work it out. I don't know what I have. | |
| All I know is that if I want something, I can have it because money's not real. | |
| I walk into the car dealership, give me it. | |
| I want this. I want a Bugatti. | |
| I want a jet. I want a boat. Give me this. | |
| Give me this. Give me this. Give me this. Where's the money come from? | |
| Oh, just talk to this guy and he'll move something inside of some fucking shadow conglomerate and then it appears. | |
| Money isn't real if you're sitting there thinking in terms of money numbers on a screen I have this much to buy this many things then you are a broke a What are we doing? We're doing the real world. Tristan, we | |
| gotta go back to the Metaverse. | |
|
Village Escape
00:07:03
|
|
| I'm a French maximalist. | |
| Maximalist. | |
| Maximalist! | |
| Maximal French! | |
| Maximal French! | |
| right. Maximal friends. | |
| Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. | |
| Yeah. Yeah. Yeah. Yeah. Yeah. | |
| It closed. | |
| It's closed. | |
| So while Andrew and Tristan are having fun in Cairns, I'm in a village. | |
| I'm a village man. So I've decided I'm a village person. | |
| It's no longer gonna be me, Andrew and Tristan. | |
| Just Luke. Just me and French people. | |
| Not gonna ever speak French, but I'm just gonna be a French person. | |
| In the small villages. | |
| I'm gonna go from village to village, just being the nomad. | |
| Perrier. | |
| French cappuccino. | |
| Life's good. No booze. | |
| Just nice, friendly villages. | |
| No booze, no clubs. | |
| No supercars. I mean, I kind of miss supercars, but that's okay. | |
| I can I can live nice architecture people think I'm crazy because I'm talking to camera okay. | |
| Luke Confidential I live here now So Andrew Dristin convinced me to leave my little small village my little French village Come here you | |
| I was really happy where I was. | |
| Tristan, why did you convince me to come here? | |
| I was very happy in my village. | |
| Yeah, I'm sure it's terrible here. | |
| Tristan I was extremely extremely happy I was extremely extremely happy | |
| Andrew, why did you tell me to come here? | |
| Andrew, why'd you tell me to come here? | |
| I was very happy in my little village. | |
| There's little French people. I was around a bunch of little French people. | |
| French people here? Yeah, but they're models. | |
| I meant like little French people, you know, like they cook croissants and stuff, not models. | |
| You live in Romania and everything's for sex traffickers. | |
| All the girls who message you on Instagram don't really want to come to my house, which is fine, besides the Romanians. | |
| But when I come to Cannes... | |
| This house. And all the girlfriends on Instagram. | |
| Hey, her and Ken. I'm like, come then. | |
| And then two days later, there's like 30 people in the house. | |
| It's just like that. That's what happens, isn't it? | |
| It's just what happens. All the brokeies and all the fucking losers on Instagram. | |
| Like, ooh, who put your girlfriend? Me, all I have to do is say, okay, address. | |
| To every single girl who's already DMing me first. | |
| And now, I literally don't even... | |
| I don't even know who they are. Look, I don't even know who they are. | |
| I haven't even spoken to anyone. | |
| I haven't even said it alone. Do you have this in your village? | |
| No. A pool? | |
| No, you do not. It's true, I don't. | |
| It's true there's no pool in my village. | |
| No pool, no woobies. It's true, there was no pool and there was no woobies. | |
| There was just old... There was no view. There was no view. | |
| No, there was. The village itself is a view. | |
| It's magnificent. I think I'm going back to my village. | |
| I don't think you can convince me. | |
| What, with the models and the nice scenery and millions of dollars, the supercars... | |
| Wait, wait, wait, wait. Tristan was happy in the hotel room, so I made us all get on a plane and leave. | |
| Yes. And you're happy in your little village. | |
| Yeah. It's really nice. | |
| You know, I've got... I can see, like, my neighbors, you know, like, through the window. | |
| Like, hi. I can see there's little restaurants underneath and cafe underneath where I'm staying. | |
| And why do you stay in the village with us? | |
| What do you mean? Why would I stay here? | |
| It's a bunch of whoopies and... | |
| Millions of dollars. Okay, so you're happy where you are. | |
| I'm super happy in the- Justin was happy where he was, we had to leave, and now you're happy where you are. | |
| No, wait. No, I'm unhappy. | |
| I'm unhappy actually. | |
| I was finally happy. | |
| Oh Oh I was finally happy. | |
| I was in my little village. | |
| Why did- why did we leave? | |
| Why? He was happy in his hotel, but what did we do? | |
| We left. | |