Sept. 28, 2025 - The Political Cesspool - James Edwards
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Radio Show Hour 3 – 2025/09/27
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You're listening to the Liberty News Radio Network, and this is the Political Cesspool.
The Political Cesspool, known across the South and worldwide as the South's foremost populist conservative radio program.
And here to guide you through the murky waters of the Political Cesspool is your host, James Edwards.
Another hour, another week, another year, almost 21 of them now behind our belts that it will be coming up next month, 21 years on the air.
Another adventure tonight in TPC, and it's wonderful to have with us now back with us, I should say, Kurt Seidel from Antelope Hill Publishing.
I guess, Kurt, we're going to be taking a victory lap over the course of the last month.
It was four weeks ago tonight that the author himself, our good friend, longtime friend, Dr. Kevin McDonald, was on this program, even a few days in advance of the official release date to announce the third edition of The Culture of Critique.
Antelope Hill Publishing made that possible.
And we are with you now.
Kurt is a long-standing member of the AHP publishing team and has translated and edited several books for the company with a focus on historical works.
That's his bio.
And it's great to have him back on tonight.
I was talking with Taylor Young of Antelope Hill, and we're going to do a book in October that's a little more fitting of the season with Halloween and whatnot a month from now.
But I said, you know, let's do one more week.
Let's do one more week on Culture of Critique, the third edition, because I think it's just that important.
And, well, we have Kurt now here to help us do just that.
Kurt, how are you tonight?
Hey, I'm doing well.
Thanks for having me back on the show.
Well, it's good to talk to you again.
Always good to talk to anyone from Antelope Hill.
And especially tonight, we're talking about the third edition of The Culture of Critique.
This is Kevin McDonald.
And it's really a new book.
People sleep on this, I think.
I mean, it's not just, and I think we mentioned it before a month ago.
It's not just a new preface or a new afterword or a little bit of tweaking.
This is, I mean, 40% of this book is new.
That is substantial.
And again, this is something that Antelope Hill Publishing made possible.
So let's take that behind the scenes now, Kurt, if we can.
What is the process that a book goes through when Antelope Hill chooses to publish it and add it to its catalog?
Because I can remember, well, I'll give you a little bit of a background.
Kevin called me back in January, and he said he was working.
He was about to finish up the manuscript on this third edition.
Oh, I said, Kevin, that's amazing.
You're going to do a third edition on Culture of Critique?
That's huge.
I mean, that's big news.
Who's publishing it?
He said, well, I think I'm going to self-publish.
We'll just do what we can.
I said, wait a minute.
Wait, Give me an hour.
I remember exactly where I was, Kurt.
My wife was at a hair appointment.
I remember exactly where I was.
You remember where you were when 9-11 happened, when JFK got assassinated?
You know, if you're Keith Alexander, you remember that one?
But I said, give me an hour.
Let me make a call.
Within an hour, Kevin McDonald was on the phone with Antelope Hill Publishing and the rest of history.
That was back in January.
What is the process, Kurt, of bringing a book to publication?
Because I'm looking at the face of this book right now, and I'm looking at the finished edition, and it is so good, and it takes a lot of work to make that happen.
Take it away.
Yeah, it really does look great.
Even just the cover, I think we were all really happy with how that came out.
Now, of course, for someone as eminent as Kevin McDonald, it's sort of, we couldn't say no.
As soon as that was put in front of us, we, of course, were very interested in it.
For most books, they're going to go through a little bit more of a review process to even get to that stage.
But for this, as soon as he asked us, we were interested, we wanted to go ahead with it.
And that process also is going to differ a little bit depending on what kind of book it is.
For things that are reprints or translations or even fiction works, that's going to be sort of its own process.
And we usually assign an editor sort of out of our pool to take the initial look at it, sort of bring a report back to us on what they think needs to be done with it, how close it is to being ready to publish, that sort of thing.
Now, with Culture of Critique, of course, something that we already knew to be high quality, we already knew to be something that we would want to publish.
We kind of skipped all of that and went right to assigning one of our expert editors to it, someone who had a lot of experience, someone who we knew would do a good job with everything.
And as you said, this really was almost an entirely new book.
There were quite a bit in the way of additions.
All of the citations were expanded.
It's got a completely new index.
We really wanted this to be the sort of definitive reference on all of these issues.
And I've got to say, my friend, if you would pardon the interruption and interjection, after having been around all these years, as I have, and as Anelope Hill has an illustrious career behind itself already and still so much more to come.
But I will tell you, if you don't mind me sharing this with the audience, I think this is one of the things where if you say, James, what were your some of the highlights you had with your work in radio?
I would say bringing Kevin McDonald, bringing the author to the publisher, Antelope Hill Publishing, and making that connection and letting them work this out.
And then now this book, because this book is the seminal, it is the book on Jewish evolutionary behavioral psychology.
You cannot understand anything until you understand what is in the pages of this book.
And now at 770 pages, it is 40% new content.
Antelope Hill Publishing made that happen.
Kevin McDonald made that happen.
And we were, you know, sort of a go-between.
But, man, I take a lot of pride in that.
And I am so, because I will tell you, folks, Anelope Hill doesn't always say yes.
There's been a couple of suggestions that I've passed along to Analope Hill.
They said, no, you know, we're not really interested.
But with this one, it happened.
And it is a game changer.
I don't think, Kurt, we can overstate the importance of this book and of this work and of this level of professionalism that your publishing house has brought to the content of Kevin McDonald.
Yeah, I would say the same thing regarding sort of the importance of this work.
It really is hard to overstate exactly how crucial it is for gaining a proper understanding on these issues.
And of course, you know, it's kind of a surprise even to me because when you're on the inside of these things and We're kind of trying to take it day by day and do what we can and keep up the quality as we go along.
The idea to me, like if you told me four years ago that we were going to be publishing the new edition of Culture of Critique, would have been a moonshot, to put it lightly.
But, you know, certainly we take a lot of pride in how far we've come to be able to put out something like this.
We've been putting out some amount of this sort of nonfiction, reference-heavy, more academic material in the past.
Other books have published like the Transgender Industrial Complex and the Open Society Project.
So that's sort of, I think, where we got our legs under us enough to even consider taking on a work like this.
And, you know, the experience that we built up doing those, I think it really does show with this new edition.
We're very happy with the final product here.
Well, you know, we feel a great deal of kind of ownership of being able to link you up and Kevin McDonald with you.
Also, it's part of our larger project of popularizing Kevin McDonald's and bringing it to the public because I really don't think there is anybody to compare with him in terms of expertise on this topic.
Well, in his last book that he did, it was a self-published thing, and it was wonderful.
And we've had him at conferences, and he spoke about it, and he did book signings on it, and it was great.
But, you know, Antelope Hill has just taken it to another level.
And so it is great.
I mean, and listen, I mean, all we did was facilitate a phone conversation between authors.
The author and the publishers made it happen.
Let's not overstate our role in this.
It was good for him and good for you.
Let's not overstate our role in this.
We made a connection.
They made it happen.
But I still remember where I was that day in January when this all started to begin to percolate.
And this was a book that just shot off the shelves.
Number one on Amazon in the evolutionary psychology subcategory.
I think astonishingly, number four in Jewish history.
If you can believe it, it's like Stephen Miller giving gerbil speeches at Charlie Kirk's Memorial.
This is where we're at now.
I know that, though, Kurt, Amazon now has, after three weeks, taken the book off the shelves.
And so we will let people know how they can answer to Amazon's censorship by going to antelopehillpublishing.com and buying it right now.
Buy it right now.
Even during this break, we'll be back with Kurt from the Antelope Hill Publishing Team to talk more about this after the break.
But AnelopehillPublishing.com, the third edition of Culture of Critique, buy it now, stick it to Jeff Bezos.
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Back with Kurt at AntelopeHillPublishing.com.
Stick it to Amazon.
It was just within the last couple of days.
If you're listening live tonight, that Amazon took it off their online marketplace a week ago tonight.
I know for sure it was still there because I would always look with interest at where it was in the bestseller rankings, and it was always astonishingly high.
And so, if you want to strike a blow against censorship, if you want to really know a fundamental understanding of why we are where we are and how we got there and what we need to do to overcome it, I mean, you have to get this third edition of the Culture of Critique because, I mean, it's 40% new content.
I was watching Kevin.
Kevin, I've been helping Kevin with some of his promotion of this book, and 40% of it is new content.
I mean, that is absolutely astonishing, Keith Alexander.
And another good thing about this is that you're not sharing money with censors like Jeff Bezos and she's made a lot more money than we've ever made.
Well, see, all of these people, I'm glad to be able to cut them out of the money stream and let that money go directly to Kevin McDonald and Analope Publishing.
AnalopePublishing.com, if you go there and you want to strike a blow against Amazon, you want to strike a blow against censorship and you want to know more, that's the place to go.
So, again, my friend, it is to you the process that a book goes through in route to publication because you're talking about graphic design, you're talking about editing.
I mean, I'll be interested to ask, how much editing did Dr. McDonald need?
Well, I wasn't handling the editing firsthand myself, but I do know that this was one of the more extensive projects that we've done in terms of the amount of hours committed and the amount of expertise committed to it.
This was something that we really wanted to get right.
You know, it's not just a translation or a reprint of an older historical text or something like that, where, you know, if there are a couple of mistakes, of course, we always try to send out all of our products as polished as they can be, but it's not the end of the world in those cases.
And with something like this, like I've said, we really want it to be sort of the definitive reference edition of this work.
We want this to be something that is in circulation for a very long time, that is being consulted by people who are addressing these kinds of issues.
And so it must have gone through four or five different editing passes at least.
At the same time, developing the index, new table of contents, expanding citations, all that kind of stuff.
There was a lot of back and forth with Dr. McDonald over all of that.
And it took us quite a long time.
I don't know if I could tell you off the top of my head exactly how long to spent in development, but it was considerably longer than most of our other works.
Well, I could tell you, my friend, I'm looking here now at 770 pages, 40% of that new content that was not included in the second edition or it was not available to the second edition.
And I mean, again, we go back to January with that initial phone call.
I was thinking, well, you know, we do something every March.
Maybe it would be available in March for us to offer to our audience.
And, you know, not March, not the summer, but only now and even barely now because we just got the shipment here this week.
Well, see, it's a new book.
He took a 400-page book and made it a 700-page book.
Well, I mean, that's about right.
But I mean, but it is, it pairs the preeminent scholar on this issue on Jewish evolutionary behavioral psychology with, for my money, and for in my opinion, the premier publishing house for this sort of content.
And you brought them together, and here they are now.
And I'm looking at it here.
I'm actually, as I speak here at the radio station, live on the air tonight, I am at antelopehillpublishing.com.
I have a photo of the cover of the Culture of Critique third edition.
And that, by the way, is not its entire title.
The Culture of Critique, an evolutionary analysis of Jewish involvement in 20th century intellectual and political movements is the title by Kevin McDonald.
This is the third edition made possible exclusively through antelopehillpublishing.com.
When did you find out that Amazon had banned you, Kurt?
Oh, it was just the other day, I recall.
And of course, it doesn't come as a surprise to us anymore.
Quite a few of our titles have been pulled off of Amazon.
It's not a universal ban against all of our products as we understand it.
It tends to be triggered when we fly a little bit too close to the sun, so to speak.
Well, really, it's your raison detre, isn't it?
That's why you exist.
Flying close to the sun is one thing.
You're burning at the center of it if you're publishing Kevin McDonald's third edition of Culture of Critique.
I mean, there is nothing, there is nothing that tops this when understanding how Jews have been able to subvert the West, understanding their bio-behavioral psychology, understanding how they were able to accomplish it.
Their techniques.
All of it.
I mean, it's right there.
And it is from the preeminent mind of our race in the last hundred years.
And Antelope Hill Publishing made this third edition possible.
Kevin McDonald has devoted his life, basically, his adult life to this project.
And God bless you for publishing it.
I don't know what surprised me more.
I don't guess either of them really surprised me, but I mean, either of the two could have gone awry for whatever reason.
You know, if it was, you know, when I called Kevin, I said, Kevin, I think Antelope Hill Publishing would be a good place to take this book to, or Antelope Hill Publishing saying, you know, we, you know, for whatever reason, we can't do it.
But it happened.
I mean, both sides were able to come to an accord.
And the rest is history.
It was number one on Amazon in one subcategory, number four in Jewish social studies, if you can believe it.
I mean, again, that's really incredible.
We like to play around with those Amazon tags.
But I mean, even in the all-time rankings, or even in the current bestseller rankings, it was very high in the list.
I mean, it was, you know, as far as Amazon rankings go.
And again, it was Kevin McDonald and it was Antelope Hill coming to a partnership.
And now they are doing what needed to be done.
There is some pushback and it is being censored.
And so we want you to go to antelopehillpublishing.com and get it, the Culture of Critique third edition.
Then make the money, not Amazon.
Yeah, that's it.
Well, if you had a choice, yeah, you would certainly want to go there to begin with.
But now it's the place to go.
So talk a little bit more about, if you can, I mean, this Odyssey, because it was nine months ago, a little bit more than nine months ago, when this whole thing got started.
And again, we played a little bit of a role in that.
But over the course of the eight months from concept to publication, what it goes through, I just, I really relish in the opportunity to peel back the curtain and let the audience hear about that process.
Sure.
Yeah.
I mean, in this case, of course, most of the heavy lifting on the sort of copy editing and on working with the new material, ensuring that everything fit in nicely and sort of dotting all the I's, crossing all the T's, was done by one of our very experienced staff editors.
And then, of course, as you pointed out, at the same time, all of that was being done.
We had our graphic designer working on the very attractive cover that we have on this that we shot for more of a more of an academic look with this one.
Maybe a slight departure from our usual style, but retaining the kind of modern design that we really go for in our works that sort of become our trademark look.
And then whenever we wrapped it up on there, basically sent it to the printer and brought it into our warehouse, which is, again, one of the important parts of the way that we set up Antelope Hill from the start.
We never intended to rely on all these Amazon services that a lot of new publishers will sort of lean into, the print on demand and everything.
And it's a very large temptation, I think, for new companies to do that because it is a lot easier.
But we sort of from day one set it up that we knew that we were going to get deplatformed.
We knew that Amazon and other companies like that were going to censor us and sort of built to be anti-fragile.
So when we do these print runs, it starts, of course, with a print proof.
Sometimes even at the rough draft stage, we're getting a print proof ready, ensuring that everything's coming out right, that all of the design parameters are in place, and then getting that print run in so that the day that we announce it, we can offer it for sale on our website out of our own inventory, cutting out all these middlemen that cause so much trouble with censorship and all that sort of thing.
Well, I mean, again, my friend, antelopehillpublishing.com is the place to go.
If you go there, you don't even have to put anything else to the URL, antelopehillpublishing.com.
You'll see this book.
You'll see its very attractive face.
It's graphic art.
Kevin McDonald wrote it, antelopehillpublishing.com and made it the final product.
They did all of it.
They brought it to market.
Okay.
What I'm telling you is, and this is a fact, we played the most menial role of connecting author to publisher.
But even in that third-tier role, I will say, in looking at this final product, it is one of the greatest things I've ever done in my life.
It is one of the greatest things I've ever done in my career to have a hand, so small as it may be, in the publishing of this book.
AntelopehillPublishing.com, folks, go get it.
Please go get it.
You cannot understand current and contemporary politics without knowing what motivates Jewish power and influence in the Antelope Hill Publishing Campaign.
McDonald made it possible.
One more segment with Kurt with AHP.
We'll be right back with you.
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News this hour from Town Hall.
I'm Mary Rose.
President Trump will deploy troops to Portland, Oregon.
Trump said he's authorizing full force, if necessary, to handle what he's calling domestic terrorists.
The ICE facility in Portland has been the target of frequent demonstrations, sometimes leading to violent clashes.
Some federal agents have been injured, and several protesters have been charged with assault.
Hayapenjwani, Washington.
Sinclair Broadcasting is returning Jimmy Kimmel live to its ABC stations.
The statement read, quote, our objective throughout this process has been to ensure that programming remains accurate and engaging for the widest possible audience.
We take seriously our responsibility as local broadcasters to provide programming that serves the interests of our communities while also honoring our obligations to air national network programming.
It was pressure from station owners Sinclair and Nexstar that initially forced Disney to take Kimmel's show off the air.
Bernie Bennett reporting.
New census data refutes the claim that America is systematically racist.
Correspondent Ken Lorman crunches the numbers.
The statistics come from the new Census Bureau report on household incomes.
It shows a rapid rise in incomes for Asian and Hispanic households over the past year, which continues a positive trend that dates back to the early 1980s.
In fact, one statistic indicates that Asian households now make on average $120,000 a year, or one-third more income than white households do.
The report also discovered that immigrants now make almost as much money as native-born Americans.
One of the latest original Tuskegee airmen who flew in World War II has passed away at the age of 100.
Lieutenant Colonel George Hardy was just 19 when he flew his first combat mission over Europe.
That accomplishment made him the youngest red-tailor fighter pilot to fly in combat.
More of these stories.
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Folks, we're back with Kurt Siedel of AntelopeHillPublishing.com.
I'll give you a very quick sneak peek on AHP's segment in October, a month from now.
It'll be just before Halloween, and they have a title perfect for that season, Stimulosis by Mark Time.
We have talked to Mark before about one of his previous works, but the description reads, well, we won't give all of it away, but just maybe the first sentence.
A horror festers beneath the Pentagon.
The Empire's sins and successes bubble from the same poisoned spring.
Lieutenant Commander Richard Mason, excuse me, Richard Malden found the truth down there, the rotten, detestable truth.
That is stimulosis.
That was a title made for Halloween.
And so the last program we have before Halloween in October, the last Saturday before Halloween.
We will be talking with the author Mark Time there of Antelope HillPublishing.com about that title.
That is one thing, Kurt, that Antelope Hill has been very, very, indeed, very good about is there is something for everybody there, whether it is works like the culture of critique about contemporary politics and culture, or whether it's Reprints of old books.
Yes, reprints and translations of old books, whether it is novels, fictitious novels, or even children's books.
There's a little bit of something for everybody at antelopehillpublishing.com, and you've been a big part of it.
Absolutely.
And I'll definitely take some personal credit for pushing for fiction works and novels.
That was something I was always very interested in.
It's, of course, a huge gap in literature for people like us.
The mainstream publishers, of course, won't even think about publishing fiction literature these days unless you check some sort of minority box.
I forget what the exact statistics were, but it was obviously absurd when you looked at published fiction authors in recent years.
White men are almost entirely absent.
And I'm sure I can tell you about that.
Quite frankly, you know, I used to practice law with John Grisham, and I can tell you how he broke through sometime when you have the time to talk about it.
But it is incredible.
You're right.
You have to be a toady.
Yeah, absolutely.
I'm sure even of the white men who were represented there, white men with our sort of political opinions are entirely absent.
Yeah, the fiction stuff, I've always been very happy about our contribution to that.
Mark Time has been great.
He's very prolific and quite a good author.
I mean, what else can I say?
Well, there's not much else you can say, except that you cover it all there, all the way up from very young boys and girls through teens and frontiersmanship, which is a book that I have read with my son at his bedside, and all the way up to, you know, really one of the most important works of the 21st century.
And I know Kevin goes back to the, you know, you know, the 90s, but he's been on a very aggressive blitzkrieg of appearances promoting this third edition of the culture of critique.
But going back to that, I mean, this is something that is very new and modern, and it's foundational.
Antelope Hill Publishing covers it all.
But let's talk a little bit more about some of the translations, you know, the editing of translations from a foreign language to bring it to an English-speaking and English-reading audience.
Kurt, you've had a very profound effect in that at AHP as well.
Yeah, absolutely.
The translations have always been a little bit tricky just to find people who speak the languages involved at a high level, or at least can read them, especially relevant to me.
I read quite a bit better than I can speak in the languages that I do translate from.
And then the additional difficulty of finding someone who then has a high level of English proficiency and can translate into English.
That's actually the more difficult part.
It's fairly easy to find someone who is competent enough in English to converse with you.
But when it comes down to the intricacies of translation, it's quite another story sometimes.
That's involved a lot of trial and error over the years and developing relationships with translators who we know to be reliable and to put out quality work.
So I did actually The first translation that we did, which was Leon de Grell's The Burning Souls.
And that was out of French.
And actually, just to sort of illustrate the point, the whole reason that I committed to it in the first place was that we had originally contracted a translator and I just didn't feel that it was up to quality and sort of stepped in myself to do it.
That was the beginning of my involvement in that side of things.
But those translations, we have a lot of excellent ones.
That's been, I think it'd be safe to say that's been our primary focus as a company is on producing those kinds of translations.
And then only somewhat more recently branching out into the fiction works, into academic works, into the children's books, and all of the other sort of other areas that we've dipped our toes into.
He just covered it all.
Children's books, fiction, books like what we're talking about tonight, The Culture of Critique third edition, 40% of it new content.
I mean, for God's sake, that is a new book.
And it is, believe me, you'll know at almost 800 pages, works of fiction, works of art, nonfiction translations, bringing to the English-speaking and English reading tongue for the first time things that were unbeknownst to them.
AnalopehillPublishing.com is doing it all.
But, you know, as I say, Kurt, as a father, I have three kids.
A 15-year-old, she's driving now.
I mean, it's unreal.
I mean, she's got her driver's permit and she drives me around now.
A 10-year-old son and a four-year-old daughter.
My son, we have read The Great Napoleon that you've put out.
We have read Thrilling Adventures among the early settlers.
A Fly in the Hive.
What kind of man will I be?
I mean, folks, it will bring you to tears if you care about your kids.
What kind of man will I be if you have a son?
The 12 dancing princesses if you have a daughter.
You need these books, folks.
If you're in that stage of your life, you know, the full nest stage, you know, not empty nest, but you've got kids still in the nest.
They've got books for you.
They've got books for everybody.
Just browse their catalog, antelopehillpublishing.com.
And I tell you this, this is not a paid spot.
I don't think I need to say that.
I mean, we don't partner with anybody that we don't think is doing great work, but it is an honor.
I will say this equally.
It's an honor to be able to work with Analope Hill Publishing because I don't know anybody on that side of the fence, the publishing side that's bringing books to fruition to the purchasing public.
I don't know anybody doing a better job, certainly on this continent.
Analopehillpublishing.com.
Kurt, a final word to you on all of that.
Yeah, well, of course, we're also equally honored to have your support and the support of everyone who does support us.
And to all the great authors and translators and people like Kevin McDonald who reach out to us, people like you who set up those interactions.
None of what we do would be even remotely possible if people like us had not made great strides in the last several years towards really getting out of the sort of ghetto that we've been placed in for the last several decades.
Getting out of that and producing things that'll last, things that will be influential beyond even our immediate circles.
All this is very critical if we're going to have any chance at a longer-term success for our people.
You know, it's great, Kurt, that you're doing this on fiction books, too.
Because just listening to you, I was thinking about what happened to Harper Lee with To Kill a Bockingbird.
Apparently, her version of To Kill a Mockingbird bore very little resemblance to what was actually published by her Jewish New York publishers.
And she was told basically if she knew what was good for, she'd shut up and live on the royalties.
But then after her death, they published her second novel, To Set a Watchman, which showed a more traditional southern outlook on the civil rights issue.
And of course, that shocked the public.
But see, she couldn't have gotten that published if it hadn't been rewritten.
The thing about John Grisham, let me just tell you this quickly.
His first book was called A Time to Kill.
And he said it's based on a true story, but he changed the races.
The victims in the real thing were white, and the criminal was black.
You went to school with him.
You went to school with him.
Well, he went to the same school, but he was not in my time of school.
But I knew about it because AnnelopeHillPublishing.com.
That's all we've got time to say.
Kurt, thank you.
Analopepublishing.com.
Anthelope Hill Publishing is America's foremost printer of dissident literature, challenging the politically correct status quo with books mainstream publishers would otherwise censor.
Their catalog includes original translations from 20th century Europe, some never before available in English.
However, Antelope Hill is also home to contemporary right-wing authors such as Dr. Ricardo Duchesne, whose recently released Magnum Opus, Greatness in Ruin, examines why European civilization was so uniquely successful, yet has fallen so far.
Others include Carrie Boltzen and our friend Paul Kersey, who have written on topics including the Cultural Revolution of the 1960s in Generation 68 and the impact of black crime and corruption in Escape from Detroit.
They also have books such as Faith and Heritage and The Sword of Christ, which defend nationalism from a Christian perspective and complete their catalog with novels and beautifully illustrated children's books.
Whatever your interests are, you'll find something you love at Antelope HillPublishing.com.
Antelope HillPublishing.com.
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Well, another great segment with another great representative of AntelopeHealthPublishing.com.
Folks, listen, stick it to the censorship machine by going to antelopepublishing.com.
Two or three days ago, you could still get it at Amazon where it was unbelievably high ranked.
Is that what I want to say?
The ranking of it in any category or in all categories was astronomically high.
You would have been proud to see its ranking.
But you can't get it there anymore.
It's been pulled.
But you can still get it at antelopehillpublishing.com.
And perhaps now more than ever, you should go to antelopehillpublishing.com, get the book you need.
I talked to Kevin.
Listen, I talked to Kevin about this a few months ago.
He said, you know, this, you know, who knows?
Who knows?
We're all getting older.
This may be the last thing I write.
If it is, and God forbid that it might be, but if it is, you need a copy of it because I don't think he's ever written anything better or more profound or more.
It's the definitive work on the subject.
100%.
Updated up until, you know, this summer.
Get it at antelopehillpublishing.com.
There's not a higher endorsement I could give, and I give it only because it's what's right and it's what's true.
I would never endorse something for pay.
Analope Publishing are partners.
They are not sponsors.
We run their ads.
We promote their stuff because it's the right thing to do.
So go to antelopehillpublishing.com and get the book and strike a blow against the left.
I mean, what else can I tell you?
You can't understand anything until you understand the Jewish question.
There is not a more preeminent expert or authority on the subject that is alive today than Kevin McDonald, Keith.
Yeah, and that is, you know, when you understand Jewish power and influence, you will understand everything that has happened that seems otherwise unexplainable in our modern world.
All right.
Now, that having been said, some more letters.
Consistently excellent.
Keep hitting it out of the park.
That comes from a listener in Wayne, Pennsylvania.
You never thought you'd live long enough to have a listener from Wayne, Pennsylvania.
Really?
Maybe from stately Wayne Manor, you know, Batman.
Listener from New Mexico writes that he loves the commentary and the repartee between you and I, Keith, and our various guests.
Well, thank you, David, for that.
You're going to get a very nice signed copy of Kevin McDonald's book.
And thank you, David, for your support of this program, quarter in and quarter out.
John in Hollywood, Hollywood.
I know you never thought you'd have one out there.
Hollywood, Florida, baby.
Hollywood, California.
This, John, exists and writes.
Sometimes I wish President Trump would have the guts to say we don't have a crime problem.
We have a, well, I'll say black problem.
A black problem.
He doesn't use the word black, but maybe someday we'll have leaders who will tell the truth.
But in the meantime, we have TPC, and here's your third quarter contribution.
Folks, if you want to support us before the third quarter runs out, between now and next Wednesday, October the 1st, September 30th, I guess you could say, we would appreciate your support.
Now, I'm going to take you behind the scenes.
We've been talking about it tonight.
Keith, how good was the TPC Will to Power conference and how good was the lineup of speakers we had?
We had some speakers there.
We had a sitting senator.
We had people we can't even tell you about.
But how close are we to actually affecting something?
Well, it was a breakthrough, basically.
I've never been to any conference where politicians actually showed up, not only American politicians, but European politicians in this type of setting and let their hair down and told us exactly what they really think and what's really going on.
Now, we're going to sing for our supper tonight because the third quarter fundraising drive ends.
I broke out in song in that conference after the Saturday night session because it was just such a high watermark.
And we had a piano player there, and without any practice, it was totally impromptu.
I sang Mac the Knife with this piano player.
You weren't even in the room, Keith.
You'd already gone to bed, but there were some left.
If you will donate to us before the end of the quarter, folks, I'm going to play me singing with our piano player.
It was trial and error.
We had to, in the middle of the song, adjust the key, but it went something like this.
Steve King recorded this.
Congressman Steve King, this is the audio from his iPhone.
He recorded me singing it and then texted it to me.
He said he listened to Mac the Knife 100 times after the conference.
Here it is.
Oh, the shock babe had such teeth dead.
It shows them pearly white.
Just a jackknife as old Mac Heath made.
And it keeps it out of sight.
You know, when the shot bites with this teeth babe, Scotland Billow starts to spread.
Fancy gloves, though, with old Magheath Babe.
So there's never, never a trace of red.
All the sidewalk on Sunday morning.
Lies a body just losing light.
And there's someone sneaking around the corner.
Could that someone be Mac the Knife?
There's a tugboat down by the river, don't you know?
Where that city bag just trooping on down.
Wait, are we switching keys?
I think you want to.
All right, let's just start back there.
The tugboat.
You ready?
Yeah, I can hear it.
I would shake your key.
Again, one, two, three.
There's a tugboat down by the river, don't you know?
Where this simp bag just trooping on down.
Oh, that simply just is there for the way down.
Five will get you ten.
Old Maggie's back in town and in the Louisville.
He disappeared, babe, after drawing out all his heart on cash.
And now Maggie fed like a sailor.
Let's be your boy's done something rash.
Now, Jenny Diver, oh, Suki Toddry, look out on this Lolly Lynya and old Lucy Brown.
Yes, sir.
Life forms for the right faith.
Now that Maggie is back in town.
Nice and Jenny Diver.
Oh, Super Dream.
Look out on this Lolly Lynn and old Lucy Brown.
Yes, that line for the right fame.
Hell that back in town.
That is Steve King's voice.
You're here laughing as he sent me that video.
He recorded that video.
That's the kind of fun we have at our conferences, Keith.
That was after hours.
That was Saturday night.
I mean, we had had a hell of a lineup.
Past my bedtime, probably.
Yeah, you were gone.
But a lot of people were still there.
But you sang at that conference, too.
And we don't want people to forget that.
This is.
Here's Keith singing.
He took the stage after me.
You remember that one?
No.
No, come on now.
You remember that one, don't you?
Hang on, listen.
I ain't got no money.
I ain't got a party.
Do we have fun at our conferences?
We have fun.
We have fun at all, folks.
Yeah, right. That's it.
That was the good stuff.
That was late 50s.
We're better off in the late 50s or now?
In the late 50s, by Paul.
Well, we sing, we dance, we make things happen.
Hey, folks, support us in the third quarter.
There's still time to do so before the deadline on September the 30th.
Your autographed copy of Culture of Critique, the third edition.
If nothing else, go to AnalopeilPublishing.com and get it.
We're all in this together, and we are striving towards something bigger and better than what we've ever had.
And we're working with people that, you know, 10 years ago, five years ago, two years ago, would have been locked out to us.
There's some things happening.
We'll talk to you about it.
We'll get to it.
We can't tell you yet, but I think by Christmas, we'll be able to talk a little bit about it.
And we will.
You're all a part of it, and you're all amazing.
And we love you.
And for Brad Griffin, for Kurt Seattle, Analope Hill Publishing, for bringing Kevin McDonald's third edition of The Culture of Critique to life, I am James Edwards, and we'll see you in October.
Fall is upon us.
The seasons have changed.
We are a show for all seasons, and we are ready for an awesome October and a wonderful autumn.
It's all going to happen starting next week, October.