June 16, 2012 - The Political Cesspool - James Edwards
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Welcome to the Political Cesspool, known across the South and worldwide as the South's foremost populous conservative radio program.
And here to guide you through the murky waters of the Political Cesspool is your host for tonight, James Edwards.
And welcome, everyone, to what promises to be another Sterling live installment of the award-winning Political Cesspool Radio Program.
I'm your host, James Edwards, coming to you on a hot and humid Saturday night, June 16th, from our flagship radio station, AM1380 WLRM Radio in downtown Memphis, Tennessee, going out to the AM FM affiliate stations of the Liberty News Radio Network and simulcasting online to a worldwide audience at thepoliticalcesspool.org.
And you know Keith talking, Keith Alexander, of course, with me tonight, folks, as he always is.
Talking about that audience, Keith, you know, we always try to do at least a tip of the hat to the audience at the top of each show.
Read just maybe one or two letters or emails that have come in during the week.
Folks, and I'll have to beg your pardon.
You know, if you've tried to write me in the last four or five years, I don't always have the time to reply, but I promise you this.
I love, respect, and cherish, and most importantly, read every single one of the emails that come in.
And by the grace of God, we've become so popular, it's a burden to respond to them all, but it's a glorious burden, and they all touch us more than you know.
And Keith, here's just a handwritten note that came in this week from listeners, a husband and wife in New Jersey.
So all the way up in New Jersey, political cesspool fans exist and they write to all at the cesspool.
Jeff and I appreciate your show.
We continue to listen every week and check out your website, keep up the good work.
That's from Karen and again, Jeff, up in New Jersey.
Nice little floral pattern on the card.
Nothing like a handwritten note, Keith.
Keith says it looks like a sampler of what a greeting card should look like.
Except, you know, I say there's nothing like a handwritten card unless you get a letter like this, one that's just so extraordinary that it's just one of those that makes you shake your head and smile a little bit.
This comes in from a listener in London, England.
His name is John, and this is what he has to say.
It says, hi, James, the political cesspool just gets better and better.
I nod, laugh, whoop, and cheer as I listen on my iPod.
I get weird looks as I walk in Piccadilly Circus.
Please accept my contribution in memory of Keith's late wife.
I truly wish I could add many zeros to this amount, but I'm also supporting other pro-white organizations.
And he goes on to talk about you a little bit, Keith, saying that you're so brilliant and brilliantly funny that he doesn't want to miss a single word you have to say each and every week.
Again, that comes from John, all the way in London, England.
So think about this, Keith.
Here's a fan that's tuning in to us from the UK who uses the great services provided to our audience by Liberty News Radio.
He downloads the podcast to his iPhone.
And so there you have it, Keith, a listener walking around Piccadilly Circus, the very famous Piccadilly Circus in London, England, listening to us, laughing, whooping, making hand gestures as he walks amongst the crowd.
Fist pumping, you name it.
And the political cesspool, truly a worldwide phenomenon.
And thank you, John.
Thank you, Karen.
Thank you to everyone who's written in this week, anyone who's ever written in at all.
Keith, what do you make of it?
Once again, as we start the show tonight, tip of the hat to the audience.
I'll tell you what, I think that the political cesspool is the ultimate guilty pleasure for people.
They know that the powers that be don't want them tuning in, but that makes it just that much more enticing, James.
What do you think?
Well, I'll tell you what, if we're enticing people like John from London, who also in that letter, by the way, I didn't get to read every word of it.
He is also a BBC performer, which means, of course, on the air with the BBC radio.
So that's why we don't give out his last name.
But at any rate, it's great to know that we have that support out there, that we're making a difference, that we're positively impacting our fans.
And we're going to try to give you folks another show.
Now, you all ready to rock and roll out there because we certainly are.
We've got a very busy show tonight as we continue to examine anti-white hypocrisy here at home and abroad.
I want to remind you, coming up later this year, on Christmas Day, no less, Christmas Day, Django Unchained is going to be coming soon to a theater near you.
Now, Merry Christmas, early Christmas present from the Hollywood moguls.
Now, we all know that Germans and white Southerners are the two types of people in this world who are hated above all others.
And we are especially hated by those who dominate Hollywood.
Now, a couple of years ago, those would be the French and the Irish, of course, Keith.
A couple of years ago, director Quentin Tarantino made a movie called Inglorious Bastards.
Now, this film was set in World War II France and features the sadistic butchering of scores of Germans by a character named the Bear Jew and his friends.
The climatic scene of this film shows a theater full of Germans burning alive.
In Glorious Bastards was nominated for eight Academy Awards in 2009 and it won one of them.
Interestingly enough, Eli Roth, who is the Jewish actor who plays Bear Jew, was typecasting, Keith said.
Eli Roth, a character in this movie that played Bear Jew, has publicly denounced our radio program in the past for our association with Hutton Gibson.
Nevertheless, now that the Germans got their comeuppance once again in Inglorious Bastards, it's time for white Southerners to take another turn at the whooping stand.
Another movie from Quentin Tarantino is coming out on Christmas Day.
It's called Django Unchained.
And what it's about, Keith, it's about a slave-turned bounty hunter played by Jamie Foxx who sets to rescue his wife from the brutal Calvin Candy played by Leonardo DiCaprio.
And in this movie, DiCaprio is a Mississippi plantation owner who puts Django in chains once more.
At least he seeks to do that.
Now, again, I can't emphasize this enough.
The release date has been set for Christmas Day, naturally.
One can only assume that Django will enjoy killing Confederates as much as Bear Jew enjoyed killing Germans.
And like Inglorious Bastards, this movie is being produced by the Weinstein Company.
Now, here's the thing.
Here's the thing.
And that's the truth.
But we got a trailer of this movie for you at thepolitical Successpool.org.
And I encourage you to go check out this trailer.
This is the teaser that's going to be airing on all the television stations in advance of the film's release.
If you pay special attention to a certain part of that official movie trailer, you get to see a white man being killed and having his blood splattered onto cotton with Jamie Foxx, who again plays the title character, stating with pleasure, kill white folks and they pay you for it.
What's not to like about that?
Once again, all in time for Christmas.
Keith, imagine, imagine in any movie, anytime whatsoever, a white character saying, killing Jews and getting paid for it.
I like that.
Killing blacks and getting paid for it.
Where do I sign up?
That's exactly what's said here in this film.
And it's supposed to be, well, it's supposed to generate a laugh.
It's a laugh line.
Yeah, it's an entertainment line.
Well, what they're doing and what Quentin Tarantino has done really since pulp fiction is model behavior for the coming race war.
What he did in pulp fiction, for example, where he had some white college kid that got behind in his payments to his drug dealer, and then the drug dealer, black guy and white guy, you know, John Schwolt and Samuel Jackson, come in and blow him away.
See, they want that to happen.
They want more and more of that to happen.
And they figure that if the people that run Hollywood, of course, the good sons of Israel that run Hollywood, despise white Gentiles.
And they are looking to model four minorities who they've always used as their stormtroopers to come in and basically rub people out.
You know, there's not enough violence to suit.
the people in Hollywood.
They basically, everything that liberalism has done over the past 60 years is calculated to work towards the ultimate goal, which is the end of the white race.
You know, that sounds like an extreme comment, but look at things like Brown versus Board of Education.
What did that do?
What it did was it made having children more burdensome.
You had to send them to private school.
What does that do?
College's demographic decline.
Murder is another way, and that's what Gianto Unchange is recommending.
We'll be back with more from Keith Alexander on this film right after this.
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All right, friends, coming back at you, starting off the show tonight, talking about the forthcoming movie that we can all look forward to enjoying on Christmas Day, Django Unchained.
Again, you know, supposedly stereotyping is a bad thing, Keith, but once again, we have all white southerners who lived during the 1860s and prior.
They were all slave owners.
They all beat black people.
They all terrorized black people, raped black women.
And thankfully, we have righteous slaves like Django who's going to go and kill them all and make quips about it.
And that's good, wholesome entertainment in this day and age.
Once again, no other ethnic group in the world would be allowed to be portrayed this way without the seventh level of hell following.
But whites get portrayed this way, and our people just roll over and allow it.
Now, of course, on this show, we combat it.
We try to issue a healthy point of view in the court of public opinion.
And I guess that's why people come to listen to this program or one of the many reasons.
But Keith, I want to offer you the opportunity to make a couple of final points about this movie before we look back at the career of Walt Disney and how much filmmaking has changed from his time here when he was a studio head till obviously today.
Well, you have to put this movie in the context of liberalism because Hollywood is nothing but a liberal propaganda mill, has been for the last 60 years or more.
In fact, Walt Disney's death in 1966 was probably the tolling of the death knell of the last truly conservative studio head in Hollywood.
Everyone since then, and really even before, for the most part, were liberal.
In 1916 or thereabouts, the movie Birth of a Nation came out, and it was a remarkable movie.
It portrayed the Ku Klux Klan as a bunch of heroic defenders of the old order against a bunch of, you know, sodden, reprobate, bad people that represented the radical Republicans and the Reconstruction era governments of the South, the union leagues and people like that.
And this totally alarmed the newly arrived Jewish population of America.
Remember, they just came for the first time during the second great wave of immigration from 1890 to 1920.
And during that time, they saw this and they said, boy, these movies have a wonderful effect.
You can really control the content of the culture through this.
What happened as a result of Birth of a Nation, for example, was a dramatic increase in the membership of the Ku Klux Klan in the 1920s.
You see all of this grainy footage from time to time on PBS about the resurgent Klan in the 1920s.
Well, that was because of the movie Birth of a Nation, which portrayed them in heroic terms.
Well, he got, who was Jewish, got control of Universal.
They did all the horror movies, The Mummy, Frankenstein, Dracula, all of that stuff in the 20s and 30s.
Then you had Sam Goldwyn and Louis B. Mayer, MGM.
Then you had Jack Warner, who was Jewish, Warner Brothers.
You had Sam Goldwyn, you know, the famous include me out, Sam Goldwyn, famous, kind of like the Yogi Berra of the movie industry.
And all these people tried to run Walt Disney, the lone goam, out of business.
And when they weren't able to do it, as you will find out later on, they fomented labor unrest.
They unionized his cartoonists and had them go on strike, and they just about brought Walt Disney down.
But see, what liberal ultimate destruction of the white race, a movie like Django Unchained is, you know, a very thinly veiled attempt.
You need to get out the guns.
You need to get out the butcher knives.
We need to have a replay of Zimbabwe in South Africa right here in America as the number of whites shrink.
They've done everything they can to shrink us.
They want us to disappear and be destroyed either by amalgamation or by murder eventually.
And, you know, I don't think that's too extreme a position to take when you see a movie like Django or a movie like Inglorious Bastards.
You know, they have their enemies.
We are the enemy.
You can whistle past the graveyard if you like, but believe me, they do not intend you any good at all.
And you better wake up and smell the coffee, James.
Well, Keith, you're exactly right.
And just to be clear, I mean, obviously we weren't endorsing Birth of a Nation or The Klan, but just illustrating a point of how effective films and propaganda can be.
And that's not to say that everyone who's ever made a film is an heir-do-well, because there are people like Walt Disney who provided a great example of what a paleoconservative red state American could do.
And, you know, Walt Disney, you know, you talk about heroes, and we talk about why it's so important for us to have heroes.
And usually I'm talking about figures of historical antiquity, but relatively modern-day heroes can be found as well.
And Walt Disney is certainly among them.
And I want to talk to you a minute about Walt Disney's political viewpoints, what was attributed to him in light of the anti-white movie Django Unchained coming out again on Christmas Day.
But, you know, Walt Disney, my goodness, the man's creativity and ingenuity has found no peer in the entertainment world before or since his passing.
But it's long been rumored, and I consider this to be a good thing, that Walt Disney held some pretty traditional paleoconservative political viewpoints.
Along those lines, there was not too long ago a 60th anniversary review of Dumbo that I found particularly interesting.
And we have the whole thing posted at our website, whole thing posted at our website, thepoliticalcesspool.org.
It's too long to read in its entirety, but I'll give you a couple of excerpts.
Of course, when you are a Gentile, when you are in a position of power, when you are outspoken with your traditional viewpoints, people can find bigotry and so-called extremism everywhere.
And they found it in Dumbo.
It says that Walt Disney's Dumbo provides a forum for Disney's more extremist views.
Now, when you were watching Dumbo, Keith, did you know that that was an extremist piece of propaganda?
Well, that's what they say now in this day and age about Dumbo.
They go on to say that Walt Disney was a paranoid man, a paranoid man.
He's paranoid because he's right-thinking.
He understands what Jewish power and influence is.
Because he understands.
That's right.
He noticed and spoke out about the fact that Jews were overwhelmingly in charge of Hollywood even as early as the 30s, 40s, and 50s.
They say that in the film Dumbo, the protagonist represents the innocence of the heartland where Disney grew up, and the story of Dumbo reflects how this innocence comes under attack by political forces abroad and subversive elements at home.
As Keith said, at one time, Disney was on the verge of bankruptcy, but he refused the money from his Jewish counterparts, Harry Cohn, for example.
He called the offer to buy him out a ruthless tactic, and he said that he would never allow a Jew to rescue him from bankruptcy.
They went on to say that Walt Disney did not employ Jews as a result in his top-level management or feature films.
And also when talking about Disney's political viewpoints, it was attributed to Walt that he denounced Franklin D. Roosevelt for calling the 1900s the century of the common man.
Disney said it's not the century of the common man.
It's the century of the Jew, the union cutthroat, the homosexual, and the whore.
And FDR and his National Labor Relations Board made it so.
So you take all that, and again, you can read it for yourself, ladies and gentlemen.
These are quotes by Walt Disney, some of the things people are saying about Walt Disney.
You just read it and vet out for yourself what you believe to be true.
But it's hard to imagine a true American like Walt Disney ever making a movie like Django Unchained, to say the least.
And now, of course, Keith, as we head into break, his company now completely owned and operated lock, stock, and barrel by the very people that Walt Disney did not want running his company.
And now they are bringing, you know, GCB.
That's a Disney production.
Desperate Housewives.
A Disney production would have never happened if the man behind the mouse had been in charge and lived to see this day.
We've got to take a break, folks.
I'm going to turn it over to Keith for more right after this.
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All right, everybody.
Welcome back to the show.
We're asking the rhetorical question, what happened to motion picture heavyweights like Walt Disney?
We're asking this question in light of word about this year's Christmas Day release of the anti-white movie Django Unchained.
And again, folks, you know, the Jewish takeover of Hollywood was near complete in the 40s and 50s when Disney was rocking and rolling there.
Of course, now it's beyond completely complete.
And what is our problem with that?
I mean, do we have some irrational disdain for the fact that Jews run and own Hollywood?
No, the only problem, as Keith and I have said so many times with the people who run Hollywood, is that they are arch liberals.
I mean, they are radical liberals and they force their perverse viewpoints onto the people through the media.
And I have a right as an American to use my God-given freedom of speech to oppose that if I disagree with it.
And I do disagree with it.
So I'm going to tell you who's doing it.
I'm going to tell you what they're doing.
We're going to name their names, let you know who they are.
And then, you know, we're going to battle this in the court of public opinion.
Again, it should go without saying, but for the fact that our detractors listen to every word we say, we must also offer the fact that, yes, not all Jews are a part of this problem.
There are many Jews who have come on the political cesspool that stand with us on the front lines and they're doing good work.
And God bless them for that.
But Keith, that's just the way it is.
Now, quick word from you, Keith, about Walt Disney, his legacy, before we move on to other matters, including a caller.
Okay, let's just put it this way.
We don't denounce Jews.
We denounce Jewish power and influence.
And there is a difference.
Jewish power and influence is denounced because it is predominantly liberal.
It is the yeast that made the dough rise in every triumph of liberalism that's taken place in America since before Brown versus Board of Education.
They've been behind the criminal rights movement.
They've been behind the black civil rights movement.
They've been behind Hispanic rights.
They've been behind homosexual rights.
They've been behind environmentalism.
They've been behind radical feminism.
Basically, without their intelligence, their money, their organizational skills, none of this stuff would ever have gotten any traction, would never have happened.
They are the yeast, as I said, that makes the dough rise.
And they, First of all, they're richer than the average bear.
Out of the 400 richest Americans, over a third of them are Jewish.
And that's probably an undercount because of the Murano phenomenon where Jews take Gentile names.
But in addition to, you know, taking over one segment of the economy after another, particularly things that set public opinion like the entertainment industry, what they've managed to do is they have totally defined what can be discussed and what can't be discussed.
And you're in this little sandbox that they created, and there is no conservative alternative.
We are a voice in the wilderness.
Now, Walt Disney fought this.
He saw it happening.
He saw that they were trying to control him.
Compare beautiful movies made by the old Disney company like Snow White, which celebrates a young girl who is a homemaker, who, you know, whose greatest satisfaction is making a wonderful home for the seven dwarfs.
And compare her to the little mermaid after the Jewish takeover, after the Michael Eisner takeover of Disney.
She's nothing but a little slut, an attart, that has nothing to offer except her, you know, good looks.
She isn't going to work.
She's not going to be a help to the man that she wants to capture.
This is, you know, this is what's happened to America.
This is why the family is in trouble.
This is why everything is in trouble in America.
Well, you might have been a little hard on The Little Mermaid there.
At least she was a heterosexual, which is more than can be said for leading Disney characters.
More than Disney characters can be said for in this day and age.
But, you know, Mel Gibson, you know, the Gibson family, they see this stuff.
And, of course, Mel Gibson has gotten himself into hot water for speaking intemperately when he's drunk.
But, you know, I'll tell you, you want to talk again about Jewish power and influence in the media.
We got a clip up from Mel Gibson's last film that came out.
It was a couple of years ago now, The Edge of Darkness.
It's a good movie.
All of the Political Cecible hosting staff went to see it together upon its release.
But when Mel Gibson was being interviewed during a promotional spot for this film, instead of asking him anything about the movie, and we have this clip up on our website, a Jewish reporter instantly ambushed him with an irrelevant question about his alleged outburst from years prior.
You know, think about all the scandals in Hollywood.
None of these drunks, wife-beating philanderers, druggies, they never get asked questions about their indiscretions, if you will, when they're being interviewed.
If they did, there would never be a question about a movie asked.
Mel Gibson instantly gets asked, you know, about if people should go see the movie since he's an anti-Semite.
And he says, of course, he asked the Jewish reporter, do you have a dog in this fight?
And he doesn't back down.
To that end, we have a review about the movie Edge of Darkness, since we're talking about movies this hour, Django Unchained, some of the Disney movies then and now.
Go check it out.
There's a review of the film on June 15th at thepolitical Cesscipal.org.
That's a movie worth seeing.
Edge of Darkness, if you can get it online, Edge of Darkness with Mel Gibson.
Read the review, then rent the movie.
And of course, the Political Cessible still maintains a great friendship with Mel Gibson's father, Hutton, who's been on this show several times to much media fanfare.
I got a caller.
Richard, you've been waiting patiently.
A quick word from you, and then we're going to get back to Keith.
What can we do for you tonight, Richard?
Well, as far as this movie, we know when this movie's coming out at Christmas time.
And as far as our strategy, I'm just throwing this out there as an idea that maybe we could have some letters written to the editors of these major newspapers since we know when it's coming out to counter what this movie is going to portray.
Also, the fact that I was talking to a guy at work and he was a black guy and he was throwing this stuff in my face about slavery.
And I said, you know, I said, you keep talking about the slavery.
I said, but you know, the Islamic slave trade has gone on for 21 centuries, and it's still going on currently in Sudan.
And I said that, but I said, I never hear a peep about, you know, about this slave trade.
I said, then it's going on right now.
And I said, they're enslaving black people right now.
And I says, 21 centuries.
I said, what do we have two in this country?
And I says, you're still throwing it up on our face?
I said, what about that?
He couldn't say a word.
Well, you know, Richard, I appreciate you bringing up those points because we had, as you may have, noticed a very good article last week on our website about the legacy of the Irish slaves.
And so, you know, blacks, for whatever reason, seem to want to have a monopoly on being discriminated against.
Well, that's certainly not the case.
As you mentioned, it still exists today in some parts of the Islamic world.
Certainly, it was black West Africans who sold them into bondage to begin with.
So, you know, was it a good practice?
Obviously not.
Were there some sins committed?
Maybe.
But as Pat Buchanan asked, and as we often echo, we've heard the grievances from blacks.
What about the gratitude for all the whites have done for them?
And I think when you put it on a balance, the good things that whites have done, and now it's just going to the extent where they're slitting, you know, we're slitting our throats to try to pander to the minorities.
And there's never an ounce of respect, an ounce of appreciation, it seems, from most.
I mean, some obviously understand this and appreciate it.
But for the most part, this is how it is.
And this is a way, apparently it's always going to be.
You can't curry favor with the left.
And with regards to your letter-writing campaign, hey, don't forget, you know, another Disney incarnation, GCB.
Ted Pike leading the charge.
GCB was a one and done.
It was supposed to be the replacement for desperate housewives.
A lot of people protested to it, and it got taken off the air.
It's not going to be renewed after one season.
So yes, protest in any way you can when this movie, Django Unchained, is released, and it can work.
Keith, back over to you.
Well, the thing about Django Unchained and about slavery and about all of this, let's just be perfectly honest.
If a black or Hispanic person lives in a first world environment, they live in a nation run and dominated by white Gentiles.
You know, there are other people besides white Gentiles that have achieved first world status for their nations, the Japanese, the Koreans, the people of Kuwait, the people of Dubai, and of course Israel.
But all of those non-white nations have one thing in common.
They have the most exclusive and exclusionary, xenophobic immigration policies imaginable.
Blacks and Hispanics don't get into their countries on purpose.
They're raising unshirted hell in Israel right now because they've got a very small number of black African refugees in their nation.
And of course, they had some black Ethiopian Jews that let in too.
And of course, they are in high dudgeon to get them out of their country.
Now, there is hypocrisy, you know, abundant hypocrisy there, but Jews just shrug their shoulders.
People like Walt Disney and Mel Gibson made the mistake, apparently, of being Jew-wise and trying to pass this knowledge on to other people.
Anytime you mention or utter the J-word, you're going to be accused of anti-Semitism, James.
So, you know, you've got to have a thick skin, but the truth, you shall know the truth, and the truth shall make you free.
So says the Bible.
We're going to be back with a lot more, Keith Alexander, in this next segment as we continue our conversation on this topic.
Stay tuned.
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Welcome back.
To get on the Political Cesspool, call us on James's Dime, toll-free, at 1-866-986-6397.
And here's the host of the political cesspool, James Edwards.
All right, everybody, welcome back.
The topic of this hour has almost been exclusively the media, more specifically the film industry, who owns it, and what they're doing with it.
It's not just the studio heads that are causing problems for traditional American values, to say the least.
Their actors are more than willing soldiers in the Culture War II.
A case in point here, another hag from Hollywood endorses Barack Obama.
This is a commercial that the Obama campaign produced starring.
One Sarah Jessica Parker from Sex in the City fame.
And let's roll the clip.
Okay, the guy who ended the war in Iraq, the guy who says you should be able to marry anyone you want, and the guy who created 4 million new jobs, that guy, President Obama, and Michelle are coming to my house for dinner on June 14th.
And I want you to be there too.
But you have to go to joinobama.com for your chance to win, and the contest ends tomorrow night.
So go right here, right now, because we need him, and he needs us.
I'm Barack Obama, and I approve this message.
All right, so there you go.
Again, that's not surprising.
There's nothing really particularly newsworthy about that.
Obama officially has this campaign ad, Sarah Jessica Parker, another Jewish actress from Hollywood.
She's supporting Obama.
That should not be, you know, that's not news because Jews like blacks vote 80, 90%, more than 90%.
What am I talking about?
About 80% for Jews, I think it's 99% blacks vote for the Democratic candidate.
But anyway, so this is what, you know, does this mean that the Obamas will get a cameo in the new Sex in the City movie?
I don't know, but Sarah Jessica Parker, I guess her husband, Matthew Broderick, Ferris Bueller, will be voting for Obama in November.
Most of the Americans living in between New York and Hollywood will not be voting for Obama, but that doesn't mean Obama won't take it the way the Electoral College is set up, the way that, you know, it's almost knee-jerk that California and New York go into the Democratic column before the election even starts.
They can win eight, ten states and still win the election.
I mean, we've seen it happen before.
Well, you know, there's an interesting article that we posted fairly recently that said basically it all gets down to this because of the Electoral College.
When Texas finally falls and becomes a blue state because of Hispanic immigration, that's when the party's over.
That's when all doubt is erased.
That's when the blue states will have a complete, total, and permanent lock on the electoral process in America.
Now, why do you think Obama came out with his qualified amnesty announcement?
He knows what he has no plans whatsoever to appeal to white voters anywhere.
White union voters forget about it.
White northerners forget about it.
White liberals, he's ignoring whites.
It is whites against non-whites.
And that's the way he's going to spend this thing.
That's, according to David Axelrod, they feel confident enough now that they can steal the election through voter fraud, electoral fraud, things like this in these big places.
It's really, basically, we're facing the same crisis that Southerners faced in 1861.
They did not secede over slavery.
They seceded because they realized they were permanently locked out of power in the federal government and that the federal government was being run by a bunch of outliers, people that did not have their best interests at heart, people that wanted to use them and basically deny them the right of self-determination.
That's what we're confronting in America today.
And this election is a real watershed.
We've got to win this election and we've got to reverse the process.
Now, we can win the election.
Will we reverse the process with somebody like Mitt Romney as president?
That's a real long shot, James.
Well, Keith, I'm glad you brought up Obama's de facto amnesty.
We're going to be talking about that later on in the show tonight.
Mitt Romney could have won the election in a single moment if he had reacted as an American, if he had reacted as his base would have wanted to the granting of amnesty for all intents and purposes by Barack Obama this week.
Now, again, later on, we're going to talk about that in greater detail.
But week T is what Mitt Romney is.
And basically, he just spoke out of both sides of his mouth with regards to the president's proclamation.
And we're still treading, you know, sinking slowly here with the Republican Party.
Well, maybe not so slowly.
But I'll tell you who's got their act in order, at least with regards to immigration, and that is that's Israel.
You know, you can say what you want about what the Jews want for America, but what they want for themselves is exactly what I want for our people.
And here's a quick refreshers course.
In a matter of just a couple of months, the Jews in Israel have recognized that they have an immigration problem, and they have already kicked up the deportations.
Listen to what's going on.
A little refreshers course.
A couple of weeks ago, it began to make news that about 60,000, that's all they got over there.
That's like a slow day of immigration here in America.
About 60,000 illegal aliens from the Sudan are in Israel.
Benjamin Netanyahu, the leader of the Likud Party, referred to them as infiltrators and cancer on the fabric of Jewish society, so on and so forth.
A couple of days later, the incendiary rhetoric turns nasty.
The Israelis are starting to attack them, smashing the windows of the shops that they work out.
Hey, yeah, they're crystallinic.
Yeah, let me ask you what this sounds like.
Let me tell you what's going on over there.
Let me tell you what's going on over there.
Israeli authorities are rounding up African migrants.
They're from the South Sudan.
And listen to what they're doing.
They're picking up these people as they find them on the street, Keith.
They're picking them up in banks.
They're going to their places of work, and they're conducting door-to-door searches.
The people arrested were taken on the buses to detention centers, okay?
Their mobile phones were confiscated.
Other immigrants, these Sudanese illegal aliens in Israel, are hiding in their homes, daring not to go out.
All right, Keith, all right, let's just retrace this what's going on here.
Now, again, besides the acts of violence that some of the Jewish citizens have taken into their own hands, I have no problem with what the Israeli government is doing here.
These people are breaking the law.
They should be deported.
They should be found.
They should be rooted out.
I have no problem with this, but let's just see what's going on here.
Some unruly Jews are smashing the windows of the places where these Sudanese immigrants are working.
They're going door-to-door and picking them up.
They're sending them to what they're calling detention centers.
There's no global outcry.
In fact, this is being met with, well, of course they're doing that.
Why wouldn't they?
Keith, what am I missing?
And you got about two or three minutes.
Well, what I'm waiting for is Hollywood to come up with the black Sudanese diary of Anne Frank for one of these poor little black Sudanese girls who's hiding in an attic while the Jewish goons are going around rounding up all the poor oppressed Sudanese people.
I doubt whether Quentin Tarantino or Hollywood or Disney Studios has that movie on the burner at all or on their schedule.
It just shows you the absolute jaw-dropping hypocrisy of all of this.
This is, it sounds like Kristallnach, as we said.
This is the Jewish crestall neck against blacks.
But in America, nothing will do, but we have an open border policy, and anyone that tries to do anything to prevent this hemorrhaging of our borders when letting every Tom Dick and Harry that shows up into the country and immediately sign them up for welfare benefits is a Nazi, is a bigot, is a Klansman, is a yada yada yada, as they say.
See, people have no idea.
Like, for example, you were talking about Sarah Jessica Parker's ad for Obama and her husband, Matthew Broderick.
I really wonder how many white Americans know that Sarah Jessica Parker is Jewish.
How many know that Matthew Broderick, her husband, is Jewish, even though he has a non-Jewish name?
People can be Jewish and have non-Jewish names.
It's called the Murano phenomenon.
That came from the Spanish Inquisition, where when Ferdinand and Isabella took over the Iberian Peninsula, they basically gave the Moors, the Muslims, and the Jews that were in their presence the option of either leaving or converting to Christianity.
Now, the Muslims were very straightforward people.
They said, we're going.
The Jews said, hey, I've got a good business.
We'll convert.
But they did it secretly.
And one of the things they did to disguise themselves was take on Gentile names.
So consequently, this happens all the time.
Mike Wallace was really Mike Walyszzewski, you know, Chris Wallace's son.
People have no idea about Jewish power and influence in America, and it's hidden from them.
Like, nobody would mention, for example, that Sarah Jessica Parker is Jewish.
If that comes out, it's coming to you from sources like the political cesspool.
Well, it's true.
And with regards to Broderick, I mean, many of them do change their names for whatever reason.
His father was English, and he married a Jewish woman, and according to Jewish tradition, it's passed down by the mother, and that's why his name is an English-sounding name.
But anyway, to wrap up this segment, you know, I don't like the violence that some of the Jews resorted to in Israel.
I'm certainly disgusted by the utter hypocrisy they employ, saying that we have to be an open border nation, whereas they can not only close their border, but start deporting people wherever they find them.
Listen, I like that.
You know, but they did what they had to do in order to protect their cultural heritage.
The Africans were breaking the immigration laws of Israel, and they're being understandably deported.
Now, if Israel can enforce their border laws without worldwide condemnation, I want to see Americans, the American government, do the same thing.
Israel provided us with a perfectly legitimate template.
We've got to take a break.
A second hour coming up.
And listen, if you like the first hour, second hour is going to be just as good.
I promise you that.
Stay tuned, everybody.
James Edwards, Keith Alexander, back at you right after these words on the Liberty News Radio Network.
It was a fight for survival.
That broke out in the Bible.
They were jumping, views, and shouting.
Hallelujah.
Well, Harv hit the aisles dancing and screaming.
Some thought he had religion, others thought he had a demon.
And Harv thought he had a weed eater loose and just fruit in the blues.
He fell to his knees to plead and beg, and the squirrel ran out of his bitch's leg unobserved to the other side of the room.