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Oct. 2, 2015 - Project Camelot
31:30
PCTV: KERRY CASSIDY INTERVIEWS SEAN STONE - PART 2 OF 2
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We can project upon others and lead them to their demise.
We can set them up in a position to die.
It doesn't mean that you've...
Sorry, but you're suggesting that these people made a soul contract and they reneged on it or they tried to get out of it and therefore they left an opening by which they could be attacked by a magician and taken down That way.
So you're kind of making it almost as if it's their fault because they tried to get out of it.
In other words, perhaps they've chosen a dark path and then they try to go on to a good path.
You think that there's payback so that they should therefore be killed?
I mean, is this...
No, I'm not saying that they should be.
I'm simply saying I believe personally.
I believe in the...
They attract it.
No, I believe that you basically, yes, there's this nature of contract in this reality that we basically, we permit things to happen to us.
It's by our permission.
And so I don't believe you can be killed without essentially acquiescing on a soul level to that.
Because what we're doing is we're playing a much larger game, which is to say it's...
As Shakespeare put it, all the world is a stage.
We're partaking in a soul's journey in this hologram that we call physical reality, but really is not physical at all.
It's an energy hologram that seems physical, and we get caught up in the physicality, but we don't die here.
We're not born here.
We come through for certain reasons.
We play certain roles.
Ideally, we learn, and we're supposed to grow.
But we've all accepted that before we came here.
So I don't believe in this notion that anything can be done to you without, at some level, your souls accepting that, having them before the fact or at the same time.
So basically, there is a notion of free will that I believe in.
Okay.
So in...
Dealing with Hollywood, the way you've, you know, growing up in it, and I assume that, I mean, you can correct me if I'm wrong, but you might have had a certain amount of protection from your father, maybe other people close to you and your parents or your family.
Do you feel that you've been protected along the way so that you could sort of forge a certain path, or do you feel that, on the contrary, you've been exposed to...
Various things going on in terms of Illuminati-esque Hollywood.
Right.
Well, again, the nature of some of the mind control stories are such that I wouldn't necessarily know if I had been mind controlled since birth or Part of some black government operation or taken up by aliens.
Again, our minds are limited.
Our memories are limited.
I wouldn't necessarily know it.
I would say that I do feel I've been protected in the sense that I look around a lot of kids from Hollywood.
You could call them progeny or whatnot.
I do see a lot of them are kind of We're maybe too caught up by the fame and the glamour of things and perhaps spoiled or corrupted by it.
Not saying all, but I think there's definitely that tendency.
So if anything, I was protected in the sense of getting exposed to...
The world, traveling the world, going to an Ivy League school, wanting to get an education, wanting to see, basically not really ever feeling like I was part of Hollywood, not really growing up as a part of Hollywood, really more growing up as a normal kid who got to see how a film gets made, yes, but not the red carpet lifestyle, let's call it, not the entertainment version of events.
Sure, I saw what that was about, but I was never interested in living that kind of life.
I can say I feel protected having not gone through that route that could have probably led me to drugs and very dark endings, for example.
Not even necessarily endings, but just feeling a sense of loss and nothingness and really unworthy because it's very difficult.
Let's be honest, it's very difficult growing up as the child of someone who's coming from a famous or powerful position.
There's no doubt about it.
It takes Tremendous confidence, tremendous energy, willpower to fight through those expectations, through those projections, because people are projecting constantly, right?
They think they know who you are because of your parenting, so they're going to project onto you.
So to be able to fight through that and still work to define yourself, still work to build your own career, build your own view of the world, it takes a lot of guts.
So I think people should respect people who come from that background, not necessarily spoon-feed you or say that you deserve an extra pedestal, but just understand that it's not easy coming from that background.
It would be very easy to fall into the pits of...
Again, addictions, being spoiled, feeling like you deserve the world.
I guess you'd say like the prince or princess would, right?
In the old kingdoms, in the old nature of aristocracy and nobility and whatnot.
That's kind of what Hollywood can do to people.
I think politics probably too.
Well, what about the notion that there is a sort of cabal or Um, Illuminati control of Hollywood, of the movies that do get financed versus the ones that don't.
Um, are, are you seeing those sort of, uh, the, the hands, uh, the hidden hand, I guess, in Hollywood operational and are you in a position to be, uh, you know, and you know, I, you may not appreciate this term, but a whistleblower of sorts.
In other words, Saying that you certainly are not a victim if you get killed by the Illuminati is one thing.
Being aware or having sort of an insight and being able to know what's really going on and seeing the inner workings of the city.
I myself worked in Hollywood for 20 years, so I do know and I have seen those things go on.
In fact, I saw those things very close to me In terms of our own TV show, why it was, you know, canceled and all these different things.
So I'm wondering, you know, you must have, if I had that exposure in my position, you must have had some exposure in there.
And have you either yourself or have you met people who wanted to, in essence, spill the beans about what's really going on in the power structure in Hollywood, but have been unable to do so or prevented from doing so?
And do you think that there will ever be a time when we can get some whistleblowers out of Hollywood?
You can point to various interviews.
You can point to various YouTube videos that try to expose what's going on in Hollywood.
They refer to certain satanic cults.
They refer to certain sexual rituals that are involved in orienting actors and actresses.
They refer to just an overall orientation.
Yeah, try to expose some stuff, right?
Yeah, I mean, they try to talk about the orientation of where films are going and what kind of stories they're trying to project into our consciousness.
Again, it's something that if it exists as concretely as we can theorize, we can say maybe there's this control structure, this Illuminati of people...
It's going to be such a tight core of people that you're not going to really get a whistleblower coming out of it.
I would just think it was very unlikely because the doubt and the skepticism would be so prevalent.
Now, the only way of really blowing whistles, my hope, is...
Going forward, you're going to have more video surveillance available, and that can work both ways.
So the fear of the NSA security state can work.
Yeah, sure, it can work to detain us, and it can work to keep us under fear and paranoia about terrorists or the government treating us as its chattel, let's say, property.
Or that surveillance state can be utilized to divulge secret gatherings, Illegal activities by the elite, you name it.
The corruption that we're talking about here can ultimately be used to expose things that are completely what we refer to as satanic and being done from a very top-down, controlled point of view.
I personally don't know if that's the nature of it.
I tend to believe it, but I haven't had the experience.
I don't think someone like me would I wouldn't be given the kind of experience to see it because I never contracted.
I never sold my soul.
Aside from a few phone calls with some very strange 666 numbers that were basically saying demonic things and taunting and wanting my soul, I never contracted with anybody.
So why would they ever show me anything?
Well, I mean, Marilyn Monroe was murdered.
There's a lot of evidence to that effect.
As we've said, various celebrities, Robin Williams, have died under very mysterious, Whitney Houston, I mean the list just goes on and on, have died under very mysterious circumstances that all point, I mean even the symbolism around their deaths.
So, you know, as a historian, as somebody who is following clues, in essence, I'm not sure whether you've had an opportunity to interview the people that are writing books on these These subjects as to who killed this one.
Michael Jackson, there's a lot of evidence that he was killed, for example, and for very specific reasons.
Kennedy was killed for the same reasons, you know what I'm saying?
In other words, what we're talking, this is history.
Not for the same reasons, but obviously the question is, are there killers connected?
Well, these are examples of people where they have died under mysterious circumstances.
So I'm just saying, you know, Hollywood has a whole slew of these.
And just wondering whether, you know, being close to Hollywood as you are, and the background that you are investigating conspiracies, etc., have you gone down those roads at all?
Only superficially, only to the level of saying yes, the symbolism is there.
As you said, the Whitney Houston death being on the eve of the Grammys and, for example, Seymour Hoffman being on the eve of the Super Bowl and Seymour...
What is it?
Oh, Philip Seymour Hoffman.
Philip means lover of horses.
So Philip means lover of horses, and guess what happened during the Super Bowl the next day?
The Broncos, the horse, got sacrificed to the Seahawks.
So it's like, you know, you could, of course, there was a million symbols to read in to any of these deaths to make it suspicious to the point of saying, hmm, there probably was some level of sacrifice that went on.
The motivation?
Was it purely soul sacrifice?
Was it because they had played a role, for example, in a film that alluded to the fact they were going to be sacrificed?
It's so multilayered and complicated that all you can do is theorize and have fun with the theories, but I don't see it getting any closer necessarily to the reality of what's motivating Hollywood.
I think That's where people have to understand.
What is motivating Hollywood?
What is motivating the stories that they're projecting into our consciousness through TV and film?
And the money that gets pushed into those projects.
Because remember, it's a choice.
It's a choice of saying, "We're going to put money into backing a story that's going to expose the conspiracy to traffic cocaine during the 1980s with the Contras, altruists, or are we going to put money into a story about another terror attack on American soil by Muslim terrorist groups?
The money is there.
The money is there to The TV channels are there.
The studios are there.
These guys are designed to tell stories, but why is it that the consciousness is constantly being shifted To the state of paranoia, to this notion of us versus them, whatever it may be.
Obviously, it's not...
I'm just kind of paraphrasing because there's many films that are coming out and you can analyze them, break them down one by one and say, that's interesting symbolism.
That's an interesting choice of title.
That's an interesting idea.
They're putting out a lot of time travel concepts right now.
I do think that there is a lot...
Of unconscious warfare going on.
That's where magic comes in as well.
How you affect the psyche of people without them realizing it.
Whenever you communicate to somebody, you're affecting their conscious and more importantly their unconscious mind.
Sure.
Absolutely.
This is just an opportunity for you because I see you on your show.
You're like me.
You're interviewing the other person.
So this is an opportunity for you to kind of talk about what might be of interest to you or to say things that might be of interest on your side to say, you know, tell the people that are listening and this will go on to my YouTube channel and obviously probably have quite a few viewers out there worldwide.
So do you have anything you want to talk to people about?
Do you want to say anything before we kind of start opening the The floor for a few questions from the audience.
Honestly, I use Buzzsaw very much almost as a blog, I guess you'd call it.
Yes, you could say I'm interviewing people, but it's always my choice as to who I'm interviewing and what kind of message I want to put out to the audience via that speaker.
The thing that I keep emphasizing when I do these interviews and these shows is trying to assert that The revolution is always possible.
It's a revolution in mindset, in consciousness.
We are so programmed as beings to constantly revert back to the past in formulating our decisions, in formulating our worldview and our opinions, as opposed to, at any moment, transforming and realizing, wait, the future is before us.
The future is predicated on this moment and what I choose to believe and how I choose to operate going forward.
If we can start to revolutionize our mindset And stop being stuck in these static frames of behavior and how we're expected to behave and realize that most of that is socially conditioned.
Most, if not all of it, is socially conditioned.
It's been conditioned in us since our education in school by our parents and unfortunately most of the trauma that went on in their lives that basically affected their psyche as to what to impart to us.
So for me it's always like This modality of revolution.
The revolution is now.
The revolution is you.
The revolution is every one of us realizing that tomorrow will be a new day.
That's the kind of mindset that I want people to have and go forward with and be open to new ideas, to new thoughts, to the prospect of changing the reality that we're in.
Because the reality is going to change regardless.
It's just a question of who's controlling it.
Are we going to start to assert any kind of authority over the situation?
Are we going to start to assert our sovereignty?
Are we going to start to actually have some Some gumption going forward, basically, and not kowtowing to the media-manipulated stereotype of what we're supposed to be doing with our lives.
So that's really what I've been about, and I think that's the main message of the shows that I do, is to get people thinking about the past as well as the future, because...
We've got to change things.
Otherwise, we're just going along this roller coaster and we're letting someone else control the ride as opposed to saying, no, it's time for us to wake up, take control of your own soul, realize that you are the master of your own ship, and as a result, you create the future.
Absolutely.
Okay, very good.
Well, I do know that there are people listening and there are people in the chat, so I wanted to give them a chance to ask a few questions if you wouldn't mind.
All right.
Well, can you tell me, what are your plans for the future?
I know last time I talked to you, you were thinking of, or you were in the midst of writing a screenplay.
I've been writing scripts since I was young.
I mean, there's nothing new there.
It's a question of when they manifest.
We've just completed filming a martial arts comedy, so that will be hopefully coming out next year, but we still have a lot of To do on the post, obviously, as far as editing and finalizing the film and taking it to market.
But that's called Enter the Fist.
And that's going to be fun.
We've got a lot of cameos from everyone from Danny Trejo, Tiny Lister, Richard Grieco, Michael Dudikoff, Don Dragon Wilson, Bill Goldberg.
I mean, just countless, countless great cameos in the film.
So that'll be fun coming up on the slate.
And then, yeah, I mean, I think...
There will be more to come, but it's literally a process.
You know, writing a script is one thing.
Getting it financed and everyone on board, the energy involved, there's like a destiny to it.
So you can't really predict what's going to come until you've actually filmed it.
Yeah, for sure.
Okay, someone wants to know what your...
We finally have a question that has made it through the maze.
What is your opinion on 9-11?
What is my opinion on 9-11?
Well, we've talked a bit about it on Buzzsaw, had some good interviews, but I think it just boils down to this.
In the physical universe, there's no way you can possibly tell me that two planes that hit two buildings at different angles, different speeds, can cause the exact same physical reaction From those two buildings in terms of their collapse at the same exact speed.
And not just those two, but a third building.
I don't think in the physical universe that has anything to do with reality.
So that alone should make anyone stop and realize, okay, that's not the situation that was described to us.
If you want to get down to the actual criminal cabal that was involved in it...
You know, that's really where it gets interesting.
I would say it's worth looking into the people around Cheney and Rumsfeld going back, as they call the Neocon network, going back to the 80s and 70s because those are the same people that were around sort of the Iran-Contra slash Contra cocaine arms traffic and drug traffic, a lot of off-the-book stuff.
These guys, you know, they're They go back to the Bush family.
They go back to, let's say, Skull and Bones, maybe the Kennedy assassination.
It's not a huge group of people.
It's a small cabal.
Maybe they're Illuminati.
I'm not sure.
But there's definitely a list of suspects that need to be intensely, intensely investigated around that event.
So that's what I would say on 9-11, at least.
Okay.
Someone wants to know what really happened to Stuart Wilde after revealing his true thoughts on Diana's death.
Who's Stuart Wilde?
I don't know him.
Do you know him?
I don't.
I'm not sure.
Maybe that...
I'm not sure who Stuart Wilde is, personally.
With Diana, same situation.
She was...
Again, the motivation, the actual culprits obviously needs to be investigated further.
On the surface, you have to be suspicious of British intelligence and the royal family, but just from the evidence of the notion of Diana being stopped, basically it took her about 90 minutes, I believe, over an hour to get to the hospital, for the ambulance to drive her to the hospital, which was only like Less than five miles away was really a complete travesty.
So to see the fact that they let her basically bleed out, maybe even inducing her to die in the ambulance before she arrived at the hospital.
Again, look at the physical evidence.
That goes back to JFK. My father's thinking on the Kennedy assassination.
Just the physical evidence, the physical idea of this guy, Oswald, Shooting the president three times within six seconds, or within 5.6 seconds, it's like think about the physical possibility of that.
And then if that doesn't make sense to you, go from there and work your way to try and figure out what did occur.
Okay.
Let's see.
How much did Oliver know about the doors and...
Yeah.
To this day, I don't think we really are clear.
I would like to know more.
I've read the book, Tales from the Gold Mine, something like that, Tales from the Canyon.
Tales from the Canyon, I think, is the name of the book that came out recently.
Even people in that scene probably aren't even clear as to what exactly that meant because what the question is referring to is the relationship of our military apparatus with a lot of these music bands.
And it goes back to people like Frank Zappa growing up.
I think he grew up...
Was it Fort Meade?
It was definitely close to...
He was on the campus for...
I think it was Fort Meade, or it was one of these chemical weapons labs that we have.
But his father was military, and, you know, like Morrison's father was high-level Navy admiral, I believe.
So the point is there was a relationship between our military, perhaps our military intelligence, and this music scene that grew up in the 60s and 70s.
So that's really what the question's alluding to.
My dad always, I think, was curious about it, but I don't know that he ever had a clear idea of it.
I don't know who does, to be honest.
Okay, well, there's a lot of talk also about the Rand Institute and also the Tavistock being also involved in a lot of the 60s stuff.
Yeah.
Tavistock is older, though.
Tavistock was back to World War I, even.
Really good book.
They're still active.
They're a really good book.
Yeah, there's a really good book by Daniel Estulin.
You have to read that about the Tavistock Institute.
It just came out.
It's worth reading.
It's probably the best, just sort of, how do you say, almost like an encyclopedia of the allegations and conspiracies around Tavistock.
Yeah.
Daniel Estelins, great journalist.
Let's see.
Have you investigated Morgellons?
No.
No, I haven't gotten into that whole issue.
Okay.
And...
What is your worst fear for America?
That we're really as dumb as we act sometimes.
My worst fear for America is basically what's coming to pass as far as the amnesia of it, the United States of Amnesia as they call it.
If Kanye West becomes president, that'll be my worst fear magnified, I think, or realized.
Okay.
Let's see.
Someone wants to know, what do you think of the film American Ultra?
Haven't seen it.
I've heard it deals with some of the MKUltra stuff, although I'm not sure how specifically, although it might reference it, obviously, from the writing point of view.
But...
I'm sure it's worth seeing if you're aware of MKUltra.
Okay.
Someone says, how will you be dealing with climate change?
Enjoy the summers as they roll later and the winters when they arrive.
Climate change is part of human history.
I really...
I don't get freaked out about it.
I think people have got to be speaking about stupidity and whatnot.
We've got to stop this passive attitude towards climate change and global warming.
It's not passive in the sense of, oh, humans are responsible, but Passive in the sense of, okay, if we believe that the climate is changing, as it always has, what can we do to actually affect our environment?
To actually, for example, plant trees to help for...
How do you say it?
To create precipitation in the atmosphere to combat deforestation and desertification, for example.
I mean, you take Israel, this tiny little country in the desert, and their whole nation is predicated on desalination plants to be able to have enough water for their people, on creating forests, on planting trees.
This is what you do when you have to deal with the elements.
This is what Earth is.
Earth is in a constant state of flux.
And we, as humans, are not just gifted a perfect environment.
Sometimes we have to make adjustments.
We have to work with the environment.
We have to figure out ways of prolonging our existence.
So it's silly to sit there and go, well, how are we going to stop global warming?
Let's start working to actually What can we actually envision our future 100, 200 years from now, and what can we actually do to make changes that are positive and not just fearful and anti-human in their outcomes, for example.
Okay.
Was Oliver Stone ever warned to back off during the filming of JFK? I don't know, but I'm sure he was afterward.
Okay.
Well, I mean, along those lines, was he also warned to stay out of certain stories and therefore never followed them out, that he might have been propelled to do more investigation along those lines of conspiracies and so on?
The only story I know is that, and this is published publicly, that they wanted to do a show for, I think it was ABC in the late 90s or early 2000s, It was around 2000.
It was a bit like a conspiracy theory show.
It was going to investigate certain events.
For example, the TWA Flight 800 crash.
And there was some evidence.
They've since done a documentary on it.
Some evidence that actually it was a missile that destroyed that plane.
And so my father, I know at least, was unable to get that show going.
I'm not entirely clear.
Where the pressure came from or where I got canned, but that would have been an interesting TV series.
For sure.
Okay.
Actually, speaking of television series, are you interested in any particular series that are coming out, either have come out in the last couple of years or are coming out now, that might be revealing truths behind a facade of fiction?
I'm sure.
I think most films and TV shows, in a way, do Give you glimpses into the reality.
The problem is it's very difficult for us to discern because, again, people aren't coming out from behind the film, let's say.
The writers, directors, the creators aren't coming forward and saying, look, this is my belief.
This is why I'm making it.
I think we need more testimonies like that rather than just treating it all like it's a fiction.
Okay.
Have you ever seen a sort of obscure series called Rubicon?
Yeah, I've heard about that show.
I heard it was quite good, but I never got to see it.
Yeah, it's excellent.
Well, Project Free TV, I think they were canned.
I think they're gone, but there is a stream, let's see, Stream All This, I think it's called, that now has a lot of shows that were on Project Free TV, just in case you're interested.
Okay, well, I think I got most of the questions.
I don't see any new ones cropping up.
I think that's about it.
In terms of wrapping this up, is there any other statements you'd like to make while I've got you here with me?
Any questions I didn't ask you that you'd like to be asked?
No, I think my summary at the end before the question, my summation was pretty much from the heart.
All right.
Absolutely.
And well put, as well.
Alright, well, thank you so much, Sean Stone.
It was great to have you on the show, and I hope we can do this again sometime, and feel free to let me know if you'd like to come on the show.
We're expanding the network and going to have more hosts all the time, and if you're ever out of a job over at Buzzsaw, let me know.
Absolutely, I appreciate that.
Thank you for having me.
Keep up the good fight, Kerry.
Definitely, we need voices like yours, so...
Please keep expanding the network.
Thank you.
Thank you so much.
Okay, thanks everyone for listening.
Take care.
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