Hi there, this is Carrie Cassidy, Project Camelot.
Whoa, we have a big echo happening.
Not sure why that is.
Maybe our engine can work on that.
Oh, God.
Anyway, so how's everyone doing out there tonight?
We're having Rebecca Jernigan, who is a very well-known talk show host on with us on this show tonight.
I'm just going to cover a couple.
Random things, let me see.
Just announcing here, since it's already started to get a rumor happening, that Michael Hemmingsen is going to be on my American Freedom Radio show next Wednesday night.
And no, we're not going to be bad-mouthing anyone, so people can just kind of kick back and stop worrying.
And let's see, what else can I tell you about?
About to post some interesting information that Gordon Duff put on online all about, well, of course, hiding bases on the moon and other doctoring of photos that everyone knows NASA was doing and that Richard Hoagland make famous in his book.
Dark Mission all those years ago and there's also information I believe about some kind of incoming asteroid in that article not sure what else going on and it is important to know that Zero Dark Thirty Well, to some degree it does make it look like torture works, which it does not.
And keep in mind that torture just forces people to say whatever they can get away with saying so that you stop torturing them.
And that has been proven in numerous studies.
It's just sort of amazing that human beings have gotten to the place where they still don't get it, and this shit is going to come back to those people.
I'm so sorry, but I guess that's what they're looking for, so that's what they're going to get.
Let's see, what else?
And I mean the torturers.
I guess it's 2013 and no sign of ascension on this side of the globe.
However, the doors are open in the Stargates and we're going to be talking about all of that with Rebecca.
I know there's a rumor out there on some website that somebody's hoaxing that David Wilcock has gone into the fifth dimension.
No.
Those of us who have visited there, I'm sure, but he's still alive and well and operating like any normal person.
So that is a hoax.
Just letting everyone know.
What else is a hoax?
I don't know.
There's a lot of lies being told out there.
If you haven't seen my interview with the Arati a Couple, I encourage you to do so.
There were some misrepresentations going on around the net about that, and I'm going to be putting a transcript out very shortly, translations, so that people who had trouble understanding the accent can see it in writing and also see Zerio's answers in her own writing.
So there'll be two versions, one where she wrote the answers out for herself, and have been translated by a couple of Russian-speaking individuals, too, in fact.
You might say they were checking and double-checking each other's work, but on top of it, Zyria was writing in English her own translation.
So that will be available.
It is looking like, I don't know what the donations look like for Zyria because those go directly to her via Western Union and hopefully maybe she'll make enough money to fly both herself and her partner out of Russia.
That is her objective and we'd like to support her in that.
Actually, I guess that's all that comes to mind right off the top of my head.
Rebecca, your mute's off and it's kill and carry.
My mute is off?
Okay, there we go.
Well, I couldn't hear you at all.
I was sitting here waiting.
I had my mic open and I was waiting and I couldn't hear you.
You just went away.
Hello, Carrie.
Hi.
Happy New Year.
Happy New Year, my dear.
Happy New Year.
And we're still here.
Yeah, we are here.
And this is the greatest game in town, so why not?
Yeah, you got that right, baby.
So might as well hang in here and with all the visitors from all sorts of places off planet and whatnot, you know, it's plenty, plenty activity here.
No reason to go elsewhere.
Nope, nope.
We've got it all right here right now.
Yeah, that's right.
Planet of Choice.
What is going on with you since our Egypt trip?
And one of the things I think people would be very excited to hear is just us kind of, you know, batting that whole thing around.
We haven't released, I don't know if you've released any photos, I released like one or two, but we haven't really been able to do that.
And I apologize to the people If anyone's listening who was on the trip, my webmaster moved on to pursue his own creative projects and in the midst of all that, I haven't been able to organize getting a sort of a joint photographic album up there.
There might be another way to do it, but I haven't figured out how and we're in the midst of hiring another webmaster, so that's going to be all good.
Very funny about the picture issue.
Do you want to talk about your experience in Egypt and some of the things that came across your plate, so to speak, and where it's at for you?
Well, you know what?
First of all, let me address the picture issue.
Very funny about the picture issue.
I got back here and I had just before I left for Egypt, my desktop computer literally shot craps.
Everything was locked up in it, obviously.
When you lose your entire computer, everything that you've ever had is in there.
So when I got back from Egypt, my oldest son is a computer engineer and he built me a new desktop computer for Christmas.
That was my Christmas present.
I was absolutely floored.
And so, you know, I got it back and I plugged it all in.
It runs a different operating system.
None of my software will work.
I couldn't get my pictures downloaded into it because my camera, it just wouldn't accept it.
So, I have not downloaded any or uploaded any pictures from the trip yet.
But I am going to see him over the weekend.
He's got some He should be able to pull off my camera directly, my pictures, so I can bring them back.
I will begin that process Sunday or Monday of putting up the pictures and getting some of those released.
I was looking through the camera and I didn't take near as many pictures as some of the people did.
Some of the pictures that I was looking back at It was just fantastic, Kerry.
First of all, I have to say, it was very surreal.
I'm going to be really honest, it was very surreal.
Up until the day we got ready to leave, I wasn't sure if we were going to leave.
All of that hullabaloo over there about the fighting and all of that, etc.
As we know, we witnessed it ourselves, Kerry, that that kind of stuff wasn't going on.
And I want to kind of segue this in for a minute and then I'll come back to it.
I was given a link today by a friend of mine that a person by the name of Cobra and somebody else was on one of the George Norrie shows recently and apparently they were in Egypt at the same time you and I and our group was, right?
And there was just like this total correlation of the things that our guide was telling us that was going on behind the scenes, what we had to do to get into the temples and different places.
This group also experienced, and it was pretty amazing to listen to, and I didn't get to listen to all of it, but it was pretty amazing to listen to this particular show on George and Mary, because it was talking about the very same things that we had already experienced, and it was kind of fun.
To listen to it from another perspective.
I don't know who else was on, but the one person's name was Cobra, and I don't remember the other person's name.
But if you're a George Noory fan, you like listening to it, then I recommend people to go and find that particular show.
I don't have the link in front of me or I could put it in there and you could share it if you wanted, but it gives another more in-depth picture as well of Egypt besides what you and I and our group experienced while we were there.
But up until the time we got ready to go, I was like, well, I wasn't feeling well before we went and I knew I had to go and I didn't really know why I had to go.
I just knew I had to be there, and I didn't know until we actually got into the Great Pyramid.
I'm not going to go to the end of the story first, but while I was there, going through all of these different temples, you and I were commenting on so many things, it was so funny.
I really did have a really good time with watching the different levels of experience people were having going through these temples.
You know, what they were picking up or what they weren't picking up.
You and I both had some very similar ideas on a couple of things as you go through the pyramids and you look at the hieroglyphs and you begin to understand that perhaps the hieroglyphs are not being interpreted correctly, right?
And I think that's what I asked of our guide about the hieroglyphs.
I said, where did they come from?
I mean, who transcribed all of these?
Where did that come from?
And he shared with us that there were three languages.
One was the hieroglyphs, the other was the cartouche, and the other one was the hermetic.
And that the schools in Egypt that teach Egyptology and teach hieroglyphics, that it came from this gentleman's name.
Maybe you remember the gentleman's name.
that originally interpreted the hieroglyphs and that's what the standard has been set in order to interpret all of this writing all over these temples everywhere.
You remember the guy's name?
Yes, yes, absolutely and good memory on your part to remember all three types.
Yes, it's fascinating and It's also fascinating that they then decide that they know what they mean.
In other words, it isn't an exact science.
I'm sorry.
It's just not.
There were some interpretations that were so skewed towards, well, what basically you find out is that the same kind of people that were writing the Bible and rewriting the Bible and rewriting the story of history were involved in In essence, translating hieroglyphs.
So they bring their own filter in and certain hieroglyphs, like there was one hieroglyph they're pointing at which didn't reflect what the guy said it was at all.
And I'm looking at it and I'm going, that's what they get from that?
You and I were standing there and you said that to me and I was like, yeah, see what I mean?
They're looking at this hieroglyph going, oh, well that means worship your God.
And I'm like, oh, right.
A bird, a half moon, and a piece of wheat.
You're going, really?
Really?
Okay.
That's not what I got from that, but okay.
But it's perfect, you know, because if I'm an Anunnaki, I'm like, yeah, worship your God, dude.
Do what I say.
Exactly.
Exactly.
Do what you're told.
Same difference.
Worship your God, do what you're told.
It's where you actually drill down and start to realize, who's translating this stuff?
To say nothing of the fact that they're, well, let me not get into this whole thing about white men, men of a certain race, intervening in history and writing history the way they want it.
Yeah, the whole thing on the temples, reinterpreting the temples, understanding who's writing history right now, who thinks they've got the 411 on what's really coming down, and how they decipher it.
I'm sorry, but we're still getting a terrible overlay of a number of very distorted views of what's really being said on the walls of the temples.
And you know, when we first started out the trip and we were going to some of the temple ruins, what you do is you look at, what they're showing to the public is they go in and they excavate some of these sites.
For example, I wish I could remember where we were at, but we were, oh, if you remember, you were sitting on that bench and then all of a sudden the bench kind of Like, there's nothing underneath here, it's like this is hollow underneath here.
And it was in the ground, the excavation that was done, this wasn't one of those temples that was above the ground, it was below the ground.
Yeah, you look down and you can see these steps and there's this archway and all of that and then you look over and you see these other steps and then all of a sudden there's a cement wall.
They just stopped excavating or what they did was they excavated and then There was stuff there that they didn't want people to see, so this is what I got from it.
Now, obviously, I don't know that for sure, but I know that.
And you look at it and you go, okay, so that's something else that they want to hide from us.
And then, we went into that one little building where you guys all went down into that way down deep at the very bottom, and then there was also the graveyard there.
That was in Alexandria, in a burial site.
Yes.
That was a Greek burial site.
Yeah, and then we went into that little building right there, and it was just small, two small rooms, and you're looking at all of the hieroglyphs on there, all the paintings, actually, on there, and you're looking at them and you're going, well, these stories, if what we've been told, and they're brought here on this wall.
They don't match up.
None of these things seem to go together.
They appear to be very arbitrary.
There was some of those things, there was a snake in there and there was, I think that was the one that had the picture of Anubis or something in there and something else and you're looking at this... Yeah, they were merging.
What they were doing, it was very interesting back in those days when, of course, the Greeks came into Egypt and a lot of, well, a fair number of the temples are still constructed by the Greeks.
In other words, they were reconstructed.
They had been, I don't know, distorted or demolished and then reconstructed by the Greeks based on the Egyptian style of doing architecture and replicating the prior building but still putting in, you know, some twists and turns that were Greek.
And in this particular area, what they did was, and we were told by our guide, which is very fascinating, They were playing politics, even with the religion and with the hieroglyphs.
In this particular case, they were combining some of the Egyptian animals, like the alligator and the anubis, and they were morphing these things together into amalgamations.
It was totally made up.
They were basically just trying to fit in.
And it was a complete distortion of the Egyptian original meanings behind the symbolism and so on.
This is what the Greeks were doing.
Yeah.
And that place there was, when I walked in there, the energetics on the walls themselves with the hieroglyphs and all of the drawings and everything on there was very chaotic because nothing went with anything else.
Energetically, it didn't It didn't make a picture of anything.
What you got was pieces, and that's exactly what that was.
Just as you said, you got pieces of information, but none of it was really connected.
Very interesting.
It was really bizarre, in my opinion.
Here was the funny thing.
You guys went down below, and over there by the graveyard, there's this thing that says Do not enter and yet there's nothing blocking anyone from going in there.
The whole thing was just kind of very odd and bizarre when you think about it.
They didn't want anyone in but yet they didn't do anything to prevent anybody from walking down these steps into this other area that wasn't supposed to be open to the public.
Yeah, but that's in Alexandria.
And the thing about Alexandria is that in many ways, they're just starting to make that place accessible.
And so they've got these places that have been trashed for centuries.
So there's all this garbage and all this destruction.
And I think what they think is that, you know, there is that, you know, the initial place where you walk in, it is roped off and all of that has a fence and all that nonsense.
But in the inside, they figured nobody's going to be interested.
That's the thing, it seems like.
And they So, if it's got garbage and it's trashy and all that, they figure, I mean, it does have a keep out sign, but other than that, you know, you can walk down there.
It's sort of scary, though.
I mean, it is a graveyard and it is kind of, well, demonic.
Yeah, creepy's a good word.
Creepy's a good word.
Yeah, it was creepy.
Yeah, it was very creepy.
Very creepy.
But Alexandria is a beautiful city.
That was great.
In fact, I talked to the guide and our guide was just so amazing and so open-minded and basically we were comparing notes and things about even coming back in the future and saying that we definitely need to spend more than one day in Alexandria.
I think we could have spent three or four days just alone, you know, just kind of sitting Some of it, because there's just so much.
What I found really fascinating myself, Gary, was the levels of stuff that is unseen.
The massive, massive quantity that is yet to be brought up to the surface or cleaned out.
And, you know, as you're sitting there, when you're sitting in all of this, regardless of where we're at, you look at this and you go, if all of this was uncovered and we were able to see all of this, A shift in our perspective that this would make literally for much of the world if we knew exactly what all of this stuff that was not yet able, that they've not excavated.
The truth about our history, absolutely.
Being in Egypt was fascinating because as much as they are revealing, as much as the guide tells you the party line.
You ultimately realized, and luckily we were able to have all these kinds of dialogues with him, giving him our perspectives on where things didn't pan out, didn't make sense, didn't have a logical through line, and sometimes where they were completely contradicting themselves and so on and so forth.
It's just fascinating that our history is so completely hidden from us, from humanity, our true history.
And people think they know who we are as a species, and yet we don't know our history.
And so the fact of the matter is, we don't know, ultimately, other than, you know, I think self-realization can be an individual thing.
So I won't say that individuals can't know who they are.
But humanity as a whole, their history is a mystery.
And because of that, we can be lied to time and time again.
Because we don't know who we are or where we came from.
It's not open knowledge.
And it's the biggest secrets.
And so, I mean, obviously, this is why they can lie to people so much.
Exactly.
And then when people, like all of the people that go to Egypt to go and, you know, to experience it, it's so controlled about what it is that you can see about history, what they want you to see about history.
And they perpetuate the misinformation.
Hey there, everyone.
This is Keri Cassidy talking to Rebecca Jernigan and we're just shooting the shit about... Just feeling like sort of mixing it up a little tonight.
Why not?
I'm in a weird mood.
Let me see.
Well, we're talking about Egypt and how they basically try to hide our history from us and that this continues.
It's just like the biggest game out there, really, lying to the people about who they really are.
And it just boggles their mind, you know?
And when you go to these places and you're actually in these power places and you're You're meditating and you have to bribe the guards to let them allow you to do such a thing.
You realize what a revolutionary act meditating is.
When you have that in mind, I thought about it when I was there.
I just thought they're all worried about these people.
Demonstrating in Tahrir Square, but what if they actually all went in there and started meditating?
That would really scare the shit out of them.
That ought to be the deal right there, you know?
Change up the whole game for humanity.
Let's go, let's take a mass exodus and a few weeks off and just head for all the power places on Earth and meditate the hell out of it and I think the game will be over.
Well, where were we at?
Do you remember where we were at?
We started to meditate and oh my God, the people, the military guys came in and they were like, no, no, you can't do that.
I mean, we got shut down in one of those places where we were at.
It was the only place we got shut down.
Well, that's because we had a guide that was prepared way in advance to set everything up for us and made it possible for us to do the meditations.
But that didn't matter because if we did an impromptu meditation, then they were on us like white on rice and would just start heading for us, you know, guns drawn.
Really?
The ultimate revolutionary act, as I said.
You know, people really need to sit up and listen to that.
There is a reason why those guards, I mean, the guards themselves don't know any better.
They just figure, oh, they're, you know, the people they work for told them, you know, don't under any, you know, under any, any, any consideration, let these people meditate in these places.
And so they're just following orders.
But it's, it's who the higher ups and the higher ups above them, Who are sending the word down, so then you have to look at the dark magicians who are at the top of the pyramid, and obviously they know what we know, which is, you know, the power of changing reality.
And of course, then, I don't know if you had seen all the posts I made, but I had a person on the ground after we left Egypt, who had certain people monitoring the Great Pyramid, and on the 21st at night, government cars were escorting in certain foreigners, they were called, to meditate, to do their deal in the pyramid.
I almost said meditate.
And whatever else they were doing.
So you can see where being in the pyramid at that time was very important and obviously they closed the pyramid down on the 21st so they were going to make sure they had it to themselves to do their deal.
Luckily we had been in the day before and done our stuff and hopefully that had a positive effect to counter some of the negativity that was being put down there and And basically helping to change the game on earth.
And so we did some very, very powerful meditations in certain places.
Do you want to talk about some of your visions, Rebecca?
Because, you know, it was fascinating.
We both had visions while we were there and, you know, you're welcome to share some of your thoughts.
You know, I'd love to.
First, let me speak to the last portion there that you were just talking on.
One of the things that other interview that I was listening to was talking about was about who shut the pyramids down.
What we have to let people know, some people may not know this, is that while we were there, and I think it started on the 12-12.
They shut the pyramid down.
They just shut it down.
They didn't allow people to go in.
It was just done.
And then, our guide came back after he found that out because we weren't due to be at the pyramid at that time.
But our guide was doing some research.
I mean, he was on it.
I just loved our guide.
Oh my god, he was just one of the most fantastic people, really, Carrie, that I've ever met.
Just a most gracious being.
He was knowledgeable and open-minded.
I was very grateful that he was the person that we were with during these experiences there.
Truly, I am.
And then, we found out that they were also issuing an order that it was closed to, they were closing it, what, wasn't it the 19th, the 20th, the 21st, or was it the 20, 21, and 22?
They're supposed to close it down for three days.
And our guide had already had, I guess he had already foreseen that there could have been a problem because he had already gotten some kind of a piece of paper from whatever agency that he needed to get it from that would have let him go in there and he went back and got another verification on that so that we were able to go to the Great Pyramid when we were there.
Yeah.
Very interesting.
They were just, it's a wonderful travel company.
I want to give them high marks and everyone in the group felt that way.
They just had our every well-being in mind.
And by the way, there was very little, if any, danger anywhere in Egypt, but we were heavily You know, guarded and escorted and all that kind of thing, but the people of Egypt are just so gracious and so loving.
I mean, grown men waving to the bus when it goes by.
You know, you have to understand, it's just a whole different mentality.
The people on the streets are just gracious and loving.
It's a society that just starts out that way.
So where it goes from there, what kind of pressures turn individuals in certain other directions is another matter.
But basically, the culture is so gracious and just so delightful, I have to say.
You remember seeing these grown men waving at the bus?
Oh my gosh, yes!
And smile!
Yeah.
And then when we would show up someplace, they would come over and they would ask you, where are you from?
Are you from America?
And then you would say, yes.
They didn't speak much English, but what they do say, oh, we love America.
And I was like, isn't that interesting?
That isn't what we get from America.
We don't get that you guys love us.
You see, so the whole thing is like watching all of this, the people of Egypt.
They don't have the issue.
It's always these governments that have issues, the ones that want to create some kind of false premise and false pretense about what it's really like.
When we got there, we were not quite sure whether or not there would be any violence going on because according to what we had been witnessing, there was a whole bunch of violence going on.
But when we got there, we found out that isn't the case at all.
And for two years that country, because they have been touting this violence going on that really wasn't taking place in the manner in which they were presenting it, their tourism is down by 80%.
This is their livelihood.
This is how this country makes their living, is by people coming to visit these ancient sites.
And it was kind of sad to know that this kind of That mechanism had been put into place that took these very loving, gracious people as a culture and put them in that kind of a predicament to where they're even less capable of taking care of themselves because there isn't the influx of tourism.
I heard from a couple of people just before we got ready to leave, I met a couple of people there from other groups that were staying at that same hotel and they were talking about They've always been there during that time and you had to stand in line to wait to get into any of the sites and we didn't have to do that because there wasn't the people.
It wasn't just because we had the guide there, but it was because there wasn't the people.
There just wasn't any tourism.
It was very fascinating.
The guide said that tourism was down 80%.
I mean, can you imagine?
That's just huge.
Like I was telling people that we had an amazing run of the Egyptian Museum, which is an absolutely fascinating place.
Normally, the people on the trip, such as Rebecca, have no idea the crowds that you deal with in that museum normally, and where guides have to yell over each other in order to be heard by the groups they're guiding.
We just had our free run.
We could be very relaxed.
Our guide could come and give his His talk and we could discuss things and browse around.
It was really fun.
I have to say we lucked out in that regard.
I have to say so too.
Before I get into all the visionary stuff that took place, I want to talk about the Cairo Museum for a minute.
First of all, you know you're not in America when you're in Egypt.
Things are just very different.
You know, how they treat things, how they react to things, how things are even displayed, but it's very interesting.
The guide was very knowledgeable, talking about the different ages of how they characterize or how they categorized whether it was old, middle, or new kingdom, what they call old, middle, or new kingdom.
I think that was the terms he used.
In regards to the age of the statues and the artifacts that were in the Cairo Museum, fascinating place in as much as that I got a sense that there was things missing from there.
Of course, you know I've never been there.
I got a sense that there was a lot of things that were missing and some of the more important things were never put there.
They've never been there and that kind of goes with your people that you had on, I think Gosh, it's probably been a couple of years ago called Geo-Matrix or something, where they were filming things going on, coming out of the pyramids and out of the temples and stuff in the middle of the night, great halls of stuff.
You can feel that when you go into the museum.
You can just tell that what is there for public consumption isn't even the tip of the iceberg.
We have more stories to tell about that later.
As we went through some other museums, but the visions that happened was extraordinary for me in as much as that because I had never been there before and I didn't want to know too much about it because I really wanted to go in without having preconceived notions or any influx of information.
I just wanted to go in there as kind of a blank slate and see what showed up.
That really was how I went to the trip with.
To experience what I was going to experience on whatever level.
I didn't know if I was even going to have one, to tell you the truth, Carrie.
That wasn't my point.
The point was to experience whatever showed up for that purpose.
That being said, the first night or the second night that wave came in.
Yeah, that was the 12th and we'd barely been there about a day and a half, a little over, and we were departing that day in the afternoon for Alexandria, but we had our morning free and we were at the Mina House Hotel, I have to say, which is right near the, it's in the sort of aura of the pyramids, it's right there at the foot of the pyramids, closest hotel to the pyramids.
Just a fabulous historical hotel.
Very, very gracious and grand hotel.
And I have to say that I insisted that this time my group stay at the Mina House.
A lot of times when they take groups in Egypt, the Mina House is fairly steep.
Price-wise and they they tend to avoid it if they can because they can't you know because groups it raises the price But I have to say that that that was Was was something I was really a stickler for and now I'm very very glad I was Seeing the quality of the place and how it changes just changes the you know having an atmosphere around you and being that close to the pyramids for a period of days is just Awesome, so that set the scene
It really did.
When you were in that particular place, because the way all of our rooms were set up, you got up in the morning and opened up your drapes and there's the Great Pyramid standing right in your face.
I was taking pictures and telling people back home.
Yeah, I'm standing here in my hotel room and I can see the Great Pyramid standing right here in front of me and they're like, no way!
I was like, wait, seriously, it's right there.
And you don't realize what it's like.
I mean, you can see all the pictures you want, you can do all of that, what you want, but you really can't experience it until you actually experience it and you go over there.
But anyway, on this 12-12-12, a wave hit and it took some of the group down.
Now, I want to correlate that with this information that this guy was sharing on that show again, because he was talking about everybody in their group got sick.
The same thing happened to them.
Yeah.
Fascinating.
This is the fourth time I was in Egypt.
I never got sick like that before.
The wave came in, this is from the energetics that are entering the planet and the strike places in my view were some of the power points on the planet.
So Giza was definitely one of the strike points for this energy to come in and boy, it hit you like a wave.
I got very, very ill and just knocked off my feet.
Yeah, and then that continued.
Unfortunately, it continued for many.
For the duration of the trip, we had another couple there that was very difficult for them to even partake in some of the activities because they were so unwell because of the energetics or whatever it was that was going on, but I want to say, Carrie, that this guy was talking about
He's saying that there was also the dark cabal is what I think is what he was talking about that actually was trying to get it so that nobody could go in.
That's why they shut the pyramids down.
That's why they shut down some of the sites because they wanted their own people in there to do their work.
So he's saying that he was also saying that they have pictures of some supposedly some spaceships over the pyramids, et cetera, and so forth that went on and was showing different vehicles.
It was talking about different vehicles, these long kind of trains of vehicles coming in there, and these guys dressed kind of strangely all going into the pyramid.
Very interesting stuff, and I was thinking, wow, that's why we were all feeling the way that we were.
But that being said, after we got through that bit of the 12-12 thing, you started feeling better.
Unfortunately, it just kept coming back and forth is what it did with the sicknesses and illnesses for people.
all.
But the vision work was pretty amazing as far as what showed up in my field.
The three visions, the three nights of visions happened.
I guess we need to talk about the fact that the way that the trip was lined up is that we went to Alexandria and around to some of the other temples as we made our way back up to the northern part, back over towards the Great Pyramid.
That's kind of how we ended it.
It was like building this energy.
You did a really fantastic job with the layout of how we started the trip, where we went and kept building the energy and building the energy.
As you stated, when we were in Alexandria, there's a lot of Roman and Greek influence there, so the Egyptian, the true Egyptian stuff wasn't quite as noticeable energetically nor visually either because of the changes that took place, the physical changes that the Greeks and the Romans took place.
But as we moved through these different temples, And through the landscape and moved up back through, we kept getting into what you would maybe term as the more pure energy, that which is really, truly associated with the Egyptian information, Egyptian energetics that hadn't been so desecrated by the Greeks and Romans.
You know, I think the best way to maybe say this is that when that way of energy, I think you and I both kind of compared notes the next day about having vision work the night before.
It was interesting.
I didn't have any dreams while I was there in Egypt.
What I had was four separate visions that took place.
The one was down there on 12-12.
And then, the other ones came at, I think, around the 17th, 18th, and 19th, or the 18th, 19th, and 20th, something like that.
No, it was the 17th, 18th, and 19th.
I had three nights of visions, and it was all about the next places that we were going to go the next day, which I found really fascinating because I didn't look at our itinerary.
I was just, you know, we're getting on the bus, we're going here, okay.
So, you can get on the bus and you go, right?
Or you're on the ship.
And the water ship, the boat.
But I think where it started is after we left, where we, what's the name of that little place that we were at was the hotel on the island?
Okay, you're talking about, oh God.
What was the name of that place?
I can't even think of it.
It's Aswan.
Aswan, that's it.
I always want to call it An Suan, and I know it's not right, so it's Aswan.
A lot of what was going to be occurring started for many people in Aswan.
That's where I began to see the tubes of light, the pillars of light.
I began to see them.
I was taking pictures.
Pillars of Light would show up in my viewfinder.
Yes, we have a tremendous amount of pictures being taken from Aswan on of light beings, even what appeared to be a lot of light beings accompanying us on our journey.
And of course, orbs showing up in pictures, that's commonplace.
But in this case, we actually had some people.
Like photographs being taken of people where a light being would be standing so close to the person it would practically obscure the photo, so that you got sort of half the person and half a light being.
It was fascinating.
You know, and people that don't normally have experiences like this were having those kinds of experiences.
They found people were looking back at their cameras and finding all of these different Like you said, light beings or orbs or even these pillars, pillars of light were showing up for some people on their film itself, you know, on the camera itself after the picture was taken.
Really fascinating pieces and I think that's when we got down to Aswan is when I really felt like the whole group, those that were not… Okay, this is Keri Cassidy, Project Camelot, Whistleblower Radio, and we're talking to Rebecca Jernigan, all about our Egypt trip.
And Rebecca, we were sort of talking about a swan, and then from there we were going to talk about, I guess, some of your visions that you were having.
Do you want to describe some of your visions?
You know, I'd love to.
We've got a speaker on.
Doing a loop or something there.
It's coming back through you, Carrie.
Okay.
Not sure why.
It sounds fine at my end at the moment.
Okay.
There, it's gone.
Whatever happened, it's gone.
Maybe there's somebody that decided they wanted to join in, Carrie, and didn't let us know.
You never know.
You know, I remember having, like I said, a few of those, what I call the night experiences, the visions, because they're not dreams, that's for sure.
And the two that I can remember very clearly to repeat is I remember being at a site, at one of the sites, and again, I need to remind people, I've never been to Egypt physically.
I did not know What any of the landscaping was or anything and as I'm recalling the vision I think to you and I think there's a couple other people listening was that I was walking down these stone steps.
One side seemed to be a wall and the other side seemed to be open and the open side was open to the water and we get down to the bottom of the steps and there's this kind of like landing and again still made out of stone.
You walk across it and sitting there was a flower and this flower was in full bloom and as I was observing it, interestingly enough, the people of our group, not everyone, but many of the people that were on the tour with us were also here with me in this vision.
So, I thought that was also quite interesting.
So, as I'm looking at this flower, It closes, the petals of it close up and one drop of liquid comes from this flower and I was told to grab that drop of water and to drink it.
So, I'm repeating all of this to you guys and you're saying, "Well, that sounds like the place that we're going next where they have the Flower of Life temple that we're going to." And sure enough, we show up and I'm like, "Well, yeah, this is pretty much just like my vision with the water."
Of course, there's a story to that temple as we go along and maybe you want to come back and get to that because there were some things that I did notice while I was there that seemed very out of place to me.
You know, it's the difference of the different, I guess, timelines, civilizations that may have been there.
The next one was when we were visiting the Sphinx, and the day before we visited the Sphinx, that night I had a vision, and what had happened was we showed up at the Sphinx's paw, and there was a man there, an elder, I call him an elder, because he wasn't an elderly man, he was an elder.
A wise man, what you would call a wise man, very tall, very, very pale skinned, and again, leading our group.
Many people of the tour were a part of this vision.
And he does like this incantation, so to speak, literally the paw of the sphinx kind of, you call it opening up.
It's like a portal almost that opens up and he leads us down.
We go in and we immediately go down these stairs, we get down to the bottom of the stairs, we make this right-hand turn, and we're in this hallway, and we're walking along, all of us, and we end up, there's corridors everywhere, by the way, just tons and tons of corridors, but he knows exactly where to take us, and then we end up in this middle room, in this room, that there's an intersection, there's hallways on both sides,
They go in all four directions.
In here is this pedestal and on this pedestal is something that belongs there and he's asking for us to put whatever this thing is back there.
I looked down on the walls of this hallway because you can see them because it's open.
There are no walls here.
This is an open room and you can kind of see these hallways going down.
There are plaques.
And the interesting thing about these plaques, that's the only way I know how to word that, that's not an exact interpretation, but it's as close as I can get.
There's these plaques all up and down these walls of different, some of them have pictures and some of them have writing on them, and they denote different races.
And these races, have left a message and my understanding was, when I was viewing that, was that it was like an informational book, so to speak.
Each of them had a piece of information for those who would show up in this space, for our wisdom, for our knowledge, for understanding.
for knowing who's been here, where did we come from.
In other words, a lot of pieces of truth and there was just all these plaques up and down these walls, up and down this hallway from species and races I've never seen before.
I've never witnessed in my physicality, in my vision work or anything.
All very different from each other.
Some of them were like symbols, some were just pictures, some were pictures with Some type of vocabulary, a written word and then we were shown that there was a second Sphinx.
A second Sphinx is buried there and I was asking him about that and as I was asking him about that, he turned around and got real nervous and made us all leave out of this space and so we never did get to I've seen that other Sphinx, but I do know that there's another Sphinx there, and I do know that there's all kinds of underground tunnels.
Of course, we know that anyway.
Anybody that's energy sensitive can feel that when you're walking, literally, physically walking on the land.
You can feel that there's all kinds of stuff that has yet to be uncovered.
I also believe that they know that there's a lot there, and they're not willing, even when they had the go-ahead to excavate They didn't because they knew that the information was not for public consumption, that they did not want it for public consumption.
That was a huge one there because that one was very long in duration and I found it very unsettling at the end because of the fact that we were hurried back out of there.
It was like whoever this elder man that was leading us down there.
He didn't want us to be discovered energetically, physically, whatever the case may be.
And then, when we went to visit the Sphinx after that, there's kind of a plaque, so to speak, that sits in the middle between the legs there of the Sphinx and it shows two Sphinx sitting there.
So, for me, there was a lot of acknowledgement.
There's a lot of pieces of information that just kind of clicked in together that made total sense to me with looking at all of these individual pieces of this vision work and then actually being there.
Of course, all of that was followed up by the meditation that we did up in the King's Chamber, which really just solidified a huge portion of these visions that I'd been getting for years.
And there were just pieces of it and I didn't actually know what it was.
Well, it was really all about this whole coming into this whole huge transition into this energetic space that we all came into on this earth plane.
And when we were doing the vision, the meditations, I just want to explain to people what my experience was as I was in the Great Pyramid.
First of all, when anyone was talking in the Pyramid I absolutely was perceiving eight or nine separate individual tones of that same words that would come out of somebody's mouth.
I heard it in eight, seven or eight different tones and frequencies audially, like when you were talking, Carrie.
When you were doing the meditations, there would be some things that you would say and literally, there would be these levels of listening to your voice as it changed tones seven or eight times as you were speaking.
Not after the fact, but as you were speaking.
It is a huge, huge amplification chamber.
I would say that's true but I would also say just for people that are listening to this that one of the things that I was experiencing because I was leading some of these meditations was getting sort of downloads as I was in meditation telling me or giving me the words to speak and it definitely felt like there were More than just our group there.
In other words, they're behind the scenes, sort of assisting us along, orchestrating and assisting me with choosing the right words to sort of monumental, you know, make sort of, I don't know, make the right resonance for the occasion, hit the right notes, so to speak, that kind of thing.
And it was fascinating.
It was absolutely fascinating, not only to witness that, but to experience that.
And then in my own meditation, when I had my few moments there in which I was guided to say my portion of it, the experience of feeling that come out of my mouth and watch all of those resonant tones also show up.
But of course, I'm hearing it slightly different because it's coming from me as opposed to I have to tell you is that there was like this thumb that came down and it was like a reset button and really, honestly, that's what I felt like that moment was that we were all up in there, was that this was a reset moment.
There was a moment of, and it was a very odd experience for me is to have.
This massive quantity of information, all these different pieces of the puzzle, this moving from me outwards, an energetic feeling and making the connection of gridlines, of the natural matrix, of connecting things.
That's what it felt like.
It was an extraordinary experience and in a moment, when all was said and done.
There was this extreme stillness that came within me, an extreme stillness.
I can't even begin to – that doesn't even hold a candle to how I really felt, but it's as close as I can get.
I was then instructed to kind of sit there.
You picked up some more meditation after that, and then it became very quiet.
And you could almost hear everyone's heartbeats.
You could feel, I mean, it was like all of a sudden everything became acutely loud.
You could hear the slightest of noise became extremely amplified.
The sensitivity of the hearing, of the sense of the smell just became extremely acute in the moments following that and even though it was quiet, it was literally like you could You could hear people's heartbeats and their blood flow through their veins.
It was an extraordinary experience.
Very, very heightened.
I mean, seriously, I would've thought I dropped some kind of drug at that point because I was like, whoa!
Wow!
It was amazing.
I mean, I was so amazed by it, I couldn't even talk about it.
This is really one of my first times of really talking about it verbally since I've got back.
Yeah, I can tell by the tone of your voice.
I think a lot of people are picking that up.
That's lovely and wonderful.
I have to say, people were asking about Hugh Newman and Michael Tellinger, and it was a joy to have both of them on the trip.
Michael is a joker, so he's always making jokes, but he also got sick.
Towards the end.
And so within his sickness, he was still making jokes, which was really so typical of Michael.
And Hugh was also hit.
He got sick as well.
But they're both, you know, they're both a joy to have around.
And I think that they would have their own stories to share.
I know one story about Hugh Newman that He was feeling quite unwell.
He did go down into the lower chamber.
We actually had access to what's called the lower chamber in the Great Pyramid.
When we had the entire Great Pyramid to ourselves, you must understand, for two hours, that was what we got.
And this was very, very early in the morning on the 20th.
So technically in America, that would have been the night of the 19th.
You know, even early evening of the 19th, because we were there like at 6 a.m.
in the morning in Egypt.
And so Hugh Newman, many of us did go to the very lower chamber.
It's the underneath chamber.
It's not usually accessible to the public.
And Hugh said that when he finally stood up in there that his entire sickness went away.
completely felt completely fine and then when he went back up into like the higher chambers and back outside then his sickness returned so he he's convinced that there was something within the the underneath chamber of the of the pyramid where probably you're out of the electromagnetic storm that was occurring around the pyramids because there was a tremendous amount of controlling a lot of energy you know energetics and In fact, my visions, I had very clear visions.
For example, on the 12th, when I was very, very ill, I got a vision where actually I said to Rebecca, who was sitting right next to me, I said to her at one point, you know, when I was in the Great Pyramid and then I sort of continued on and then I stopped myself and I said, well, wait a minute.
I haven't been in the Great Pyramid yet.
But apparently I had gone into the Great Pyramid that night.
I was just saying the way it really was.
And I saw these beings with sort of sabers.
It was sort of a symbolic.
Oh, shit.
I remember that now.
Oh, did I just say that on air?
- I did. - Upcoming, yeah, you did.
They're bayonets or whatever these sort of weapons of war drawn in four corners.
So there were four of them and they were coming at each other from four different directions.
And that was depicting a war between good and evil going on in the Great Pyramid and I guess very symbolic of what's going on on Earth as well, but it was a terrific vision and it was a terrific amount of energy that we were witnessing at that point.
That was just one of the times.
Well, let me just reiterate here too.
I remember that now.
I told you I couldn't remember the other two, but you just triggered that and you were telling me about that and then I remember now Telling you about mine where two showed up, two like bayonets or swords or something showed up in my vision on the same night.
You had four and I had two and there was something about the way that they were being held and I can't remember what that was about now, but I know that it was tied in with the work that you were doing as well.
So, I think that was interesting.
You and I had some kind of a shared experience in that vision.
That was fascinating as well, I thought.
Yes, absolutely.
And I want to say that you also had a very interesting vision right before, I guess, I think it was the morning before we went into the Great Pyramid.
It was that night before we got together, you had mentioned seeing those very large beings circling, do you remember?
Oh my goodness, yeah, I do remember that now.
Oh yeah, that was very bizarre.
Yeah, that was, I probably put that one on my brain because that one was bizarro.
Yeah, and they were, there were all these beings larger than, I mean super tall, I mean just huge.
I don't know if you're even remembering this, but I can remember what you described.
before we went in.
You're absolutely right.
That was the night before the morning we went in.
Wow. - Right, so, and do you remember, I don't know if you're even remembering this, but I can remember what you described.
One of the things you said that, although some of those beings were sort of negatively I remember, watch, I can see them now.
I've got it back.
There were, you know, what we would call the white hats.
I think that was the term I used.
and that they were sort of cloaked, cloaking themselves?
You know, I do remember that now.
I remember, watch, I can see them now.
Now, I've got it back.
There were, you know, what we would call the white hats.
I think that was the term I used.
There were the white hats among those that were darkly aligned, and what they were doing was trying to keep control of the pyramid and the energies and the information, and that we were being assisted because they were counteracting and that we were being assisted because they were counteracting the negative stuff that the dark entities were putting in there, and it was just like these brief imperceptible moments because to do it any longer than that, they
And it was just like these brief imperceptible moments because to do it any longer than that, they would have become exposed to the very group that they were involved in.
Yeah, fascinating.
Yeah, yeah, yeah, yeah.
And that goes along with that guy talking about his stuff on that other interview.
Very fascinating.
Wow, the correlations here are just tremendous, Carrie.
Absolutely, and it sort of was a time in which we were outside of time.
That was my sense of it.
There was a sense that time was almost suspended while we were in Egypt.
I can't describe it or explain it, and I remember saying to you, I guess we're leaving tomorrow.
Do you remember that thing where we're going, I guess we're leaving, but do you think we're really leaving?
It was kind of strange.
And just like I started out talking to you tonight, the whole thing was very surreal to me.
And I think you actually said it very appropriately.
It was like it was suspended.
We went from temple to temple to temple to temple.
I mean, it was just one right after the other.
We were on a mission.
Yes.
And, you know, I never once thought about, well, God, what are we doing tomorrow?
I never once thought about, you know, the normal traditional daily in and out day thoughts never entered my mind while I was there.
I didn't look at a watch.
I didn't look at a clock.
It was like, okay, it's time to go to sleep.
We went to sleep.
Time to get up.
Okay, it's time to eat.
Okay.
I mean, it was like almost in a sense of being on this automated mode.
But in a very different sense, not because it was robotic, but because it was like we were being in the now.
The whole trip was like that.
Yeah, it was like the now was just constant.
That's a little bit 5D-ish, I have to say.
Yeah, it is.
I didn't come out of that for a couple of days after I got back.
Me either, absolutely.
I mean, if I come back, I was like, where am I?
And how am I supposed to act?
Serious.
I was, I was really, it was really, I have to say the same thing.
There's a sense at which, oh, I'm back in this, in this place where now I have to act like a human.
What does that entail?
Exactly.
Yeah.
It was so trippy.
I have to say, because I'm even looking at some of the Egypt photographs as I talk to you here, and really, you can totally get back in that mind space.
It was such a trip.
Someone is asking questions here in the chat, and they're saying, did we get info on how the pyramids were actually built?
I have gotten a very clear downvote in the past about that.
I can tell you that I have seen the stones.
I've seen them moving.
I can't describe it, but I've seen it.
And they levitate the stones, and Michael was very excited.
This was a huge part of sort of a In a sense, I don't want to speak for him so much, but I can tell you the things he said to me.
And one of the things was like, in a sense, this was like the capstone of his work coming all together where he got to see how really stones were moved by sound.
And the sound and the onk, the use of the onk as a device to move stones, it all kind of comes together when you're there.
It's so obvious.
These stones are so gigantic.
And I have seen visions of them being moved and so on.
So, I never had that much question about how they were built.
But, you know, Rebecca, if you want to address that question as well?
You know, and I have to agree, and I want to share with the audience because, again... Okay, this is Carrie Cassidy, Project Camelot, Whistleblower Radio, and we're talking to Rebecca Jernigan all about Egypt and our time there.
Rebecca, right before the break, I think you were about to talk about something?
With Michael, yeah.
Somebody was asking the question, kind of back up here, about how the pyramids were built.
Your vision showed the blocks being put into place by levitation.
It could have been through sound or other type of a frequency, some kind of a frequency.
But certainly something did move those.
It wasn't done by ropes and pulleys and 20,000 men on each one.
It was not done like that.
Absolutely not.
So I have to agree with you.
So Michael, from his books and all of that, and of course you've interviewed him, you've been down to his place as well down there in Adam's calendar.
A lot of harmonics go on there, a lot of frequencies because of the sounds of the stones.
So as we're walking through the temples, you notice that there's all these columns.
There's just these columns everywhere.
With the exception of the middle of the temple.
Through any of the temples, that seemed to be the case of it.
And if you kind of look at it, some of the columns, there just seemed to be way too many columns to hold up the weight.
That's what they said, is that, you know, well, they had to have all these columns to hold up the weight of the ceiling.
And then you look at the hieroglyphs on there, and they're very repetitive.
I think you would agree with that.
The hieroglyphs are very repetitive on all these columns.
But if you go in there and you stand in those columns and you're going, so what is this used for?
Because the space that the columns take up in between the columns, there really isn't any room for anything else.
It's not like you can have an audience in there.
You could have anything else in there.
It didn't appear to be that they would use that for anything else.
You know, there wasn't any space in there.
So you go in there and you talk.
If you're talking while you're within those columns, you realize that you're getting kind of a feedback.
from your own voice or the voices that mixed with the hieroglyphics of the repetitiveness, right, of the pictures and what they really mean.
You step back out into the middle, you don't get that, and you keep going back and forth and back and forth and you realize that perhaps, and this is just a theory now, I'm just theorizing here, based on from the temples that we went to because it seemed to be very apparent that a lot of these
deities that were, you know, that are gods and goddesses, pharaohs, whatever, that were portrayed in each of these temples, that they really wanted to make sure that you knew who these people were.
I mean, it was very, very repetitive.
I am Ra, or I am this, or I am that, right?
Everywhere, splashed all over.
To me, it felt like programming.
You know, I got in there and I was like, well, you know, what a way to program people, but through sound.
So, if they were using a sound frequency, now this of course would be on the negative aspect of it, right?
But if they were using sound as a form of mind control, along with the visuals that you get from these columns, that perhaps the hieroglyphics themselves, as it were, would come to life based on different frequencies of sound, and it ends up becoming a program.
Like, I am the Pharaoh, bow down to me, kind of like he started out talking about, you know, I am your Lord and Master kind of a thing, right?
And I was talking to Michael about that.
I was like, maybe this is some kind of a programming tool.
So, him and I were going back and forth through these columns and he's going, you know, there may be something to that.
And so, you know, obviously there's no way of experimenting with it at this point any further.
You know, that was one of my theories, Carrie, is when I got in there, is that these columns didn't serve a huge amount of purpose, except for maybe for the purpose of programming, in some way.
Well, breaking up the space, you know, is one of the things.
And, of course, the symbolism, according to the guide, Omro, was that they are there because the entire The cosmos is seen as a sea, and the columns are seen as trees that break up the space, and so that's why they do that.
They erect them in part.
But yeah, there's no doubt that the columns must also, on a sort of metaphysical level, Serve other purposes.
I wanted to say that one of the things we noticed because you go to Abydos, which is Abydos is one of the famous one of the most authentic areas and there's behind Abydos is is the sunken Temple and I forget what it's called.
And anyway, it is It is very First of all, you don't get to go inside of it and it's filled with water which we've been told Could have been drained a long time ago.
They could be allowing people to go inside there.
And it's fascinating.
It's actually much older.
In fact, it's even said to be at least as old as the pyramids and possibly older than the Sphinx or equal to the Sphinx, which is older than the pyramids.
And one of the things about that is that was coming to me.
was that those stones, and if you look at the stones, and it's very clear and graphic in photographs, you can see that the stones are not inscribed.
This is where the so-called flower of life is, although I think that was added later.
And everything else is completely blank.
There are no inscriptions or anything.
And the whole stonework is much more a bit like Stonehenge, in fact, and it also said to be something like what you find in Peru and other places in South America.
And these are massive, massive stones, even bigger than the stones that built the pyramids.
And what I noticed was that this was something where the beings that came down, at least that erected that particular temple, came first.
And they did not inscribe, they did not put hieroglyphs.
The hieroglyphs were put later by the humans or even the half-human hybrids, the Nephilim that would be the Anunnaki human hybrids, who were doing the hieroglyphs as a form of worship of the so-called gods that built this original temple, who were doing the hieroglyphs as a form of worship of the so-called gods that built this original temple, and then building the other
And so if you understand the hieroglyphs themselves were worship, were built, were their inscriptions sort of, yes, as a programming, as a sort of obedient worship of painting their gods and making them look beautiful and making them look very regal as a sort of obedient worship of painting their gods and making them In other words, that was to keep the humans busy with artwork and so on and worshipping and honouring their gods.
The original pyramids, well possibly even the original pyramids, but we don't see those, are there without inscriptions because they were built by the original beings.
Anyway, it's just food for thought and this was stuff that was coming to me when I was there.
I want to add to the Abydos thing, I meant to get back to that myself, if you look at If you look at that particular, you know, what you can see of it, you can tell that that is not the same as anything else that was there.
I mean, it's just so different.
It carries a very unique energy, way different than the ruins that are built on top of it, the temple that is built on top of it, which was also fascinating.
I think we need to share with people, too, is that one particular place that we went to, was there three levels that we were able to see?
They said that there was a fourth one underneath where there's a mosque was built on top of it and they started digging around and then it got to another temple and then they dug again, which is the temple that we were actually able to go to and they said that there was another one underneath it that they hadn't gotten to yet.
I mean, it was just fantastic how you can literally see how the sand has covered up You know, probably, I would say there's still at least 70% to 80% that's not been shown yet, that we haven't even seen, that's not even been excavated yet.
But getting back to Avidos, I really got this feeling.
It was a very odd feeling.
I got a very, very odd feeling while I was there because that energy that was originally there was more prevalent than anything else.
And I thought, well, how strange that the oldest energy It's been built on several times here, is the stronger of all of these energies and it's so very different.
It felt like to me, for the lack of a better way of saying it, it just felt more knowledgeable to me.
It felt to me like it was of higher frequency or vibration than that which was built on top of it and that which was built on top of that.
It also resembled some of the same energy.
that I had feeling of when looking at some of those plaques and that vision, by the way.
It was similar.
Very interesting.
Yeah, fascinating.
That whole place is just unbelievable and indicates that, again, our history is so hidden from us.
And even where we are, you know, the countries we live in now, obviously we are living on top of ruins and don't even know it.
And I'm sure that the ones who build these underground bases in the earth, they must come across, even they may be building tunnels through and cities in the old cities where there has been ruins and possibly even destroying a lot of the true history of humanity in the process.
So you can just imagine the Earth being kind of honeycombed throughout with amazing relics and finds that were...
Some are just not being shared with us.
There's no doubt there's a level at which the Vatican and other places are hiding the truth about what really goes on, One of the museums we went to had photographs of old skeletons that they found that were skeletons of giants.
Yes, exactly.
And the one museum that we went to, where were we at?
Not the one with just the mummies, but the one we went to before that, I can't remember what the place was.
But, that one was my favorite museum of them all, because what you got there was a huge variant of artifacts from that area.
That was the Nubian Museum.
Nubian, yep, yep, that's it.
That's in Luxor, I believe.
Oh, that one was the most fantastic museum, because it showed the relationship, like a very huge, giant statues and they showed relationships to other beings that were smaller.
There were airships there.
There was jewelry there.
That was an extraordinary museum.
Extraordinary.
Loved it because I think it was more of a true representation of all of the variables that you'll find in Egypt.
I really do.
Fascinating.
Fascinating and much ignored museum, actually, the Nubian Museum.
It's brand new.
It's quite a stunning, stunning museum.
We didn't get to spend as long as I would have liked.
We were there in the dead of night and the only one, again, practically the only ones in the museum.
It was very interesting.
Boy, some powerful, powerful sort of sculptures and beings in that place, I'm sure.
Yeah, it actually felt very comfortable for me in there.
And then, just to kind of share with people, Carrie, a little bit about what isn't being shown, is when we went to the museum with just the mummies, where they had found, what, 2,200 or something like that, and only 11 of them were in this museum, and they don't know what happened to the rest.
That was when we went out to the desert, which was a very, very special time.
Really extraordinary time, but yes, we were out in the oasis.
It's called the Baja Ria Oasis and it's a very fascinating area.
Oh, that really was extraordinary, it was.
But that little museum there had very interesting mummies in it.
They kept it locked and you had to buy tickets and then the guy would go around and unlock It's very small, just one really long room, really, is what it was, filled with 11 mummies, but they did find 2,200 of them.
The golden mummies, I think, is what they termed it.
Nobody seems to know what happened to the other 1,900 and whatever, or 2,100.
They don't know what happened to them.
They're just not there.
That was all that was left of the representation of the 2200 gold mummies that they found.
So, I'd be really interested to know what those other mummies looked like, because the ones that we've seen there seemed to be like maybe small children.
They didn't all look to be of the same ethnicity, if you want to call it that.
They certainly varied in age and gender and manner of dress.
I thought just in those 11 mummies, I thought that was extraordinary because they were just so vastly variant.
Right.
Someone was writing in here that the Nubian Museum was actually located in Aswan and absolutely right.
That's correction.
I said it was in Luxor and it was in Aswan.
What we're talking about now is the museum that was located in the Baja Ria Oasis where the mummies, those are actually Greek.
Mummies, I think from the time of Alexandria.
And, uh, that area is, is very, uh, just starting to be excavated.
There is a ton of, of stuff there under the sands.
And they had discovered what are called the golden mummies.
And I believe there's something like 200 and only 11 or something made it into this museum.
And the museum itself is, is a, a fair size building, but they blocked it off and they only use a tiny portion of it.
It's almost laughable because they put a lot of money into the architecture and then they didn't use it.
I think that they have low tourism.
Of course they're having terrible tourism now.
Because there's such an onslaught of propaganda to keep people away from Egypt, and it's working, and if we can do anything to reverse that, I'm happy to do so, because it's ludicrous.
Me too.
But those mummies are fascinating, and they are gold-plated on the outside, real gold, and during the time of Zahia Wass, they disappeared.
Yeah, very sad to see some of the things that's happened.
One of the questions that came out of the chat box was what happened to Zahi Hawass?
Was he a government operative?
Well, definitely, but I believe he's in hiding somewhere.
I know that he was working for the United States and for the Illuminati, no doubt whatsoever about that.
He's considered, well, a wanted man in Egypt, so I don't believe he's there in Egypt anymore.
Well, and one of the things that our guide told us is that the Egyptians themselves want to prosecute him.
Absolutely.
Yeah, they want to prosecute him for the crimes committed.
And, of course, like they said, nobody really knows where he's at.
Obviously, he's got friends in high places because there's not been any rumors of where he can be found, so I think that's also fascinating.
It tells you how very much that he was a huge portion of the lockdown and what he allowed to get trickled out to the public for public consumption.
Someone is asking about a vortex of energy from the middle of the earth that's reached through meditation in the pyramids.
I mean, you can actually reach that through meditation anywhere.
You don't have to be in the pyramids to reach it.
But it goes beyond the earth.
There's actually a recent meditation that Ashyana Dean has been leading people on, which takes people to what they call Aurora Earth and to
There are a lot of places you can go in meditation and energy going into the Middle Earth is just part of it, but that's in relation to the question that was asked.
One thing we could do here, I don't know, Ahmad, do we have callers?
No, ma'am.
Nobody's called.
You didn't announce you were taking them, so.
Okay.
Well, we would if we only have 10 minutes left.
But if somebody wants to call in, we could certainly take a call or two.
Rebecca, you wouldn't mind, right?
Oh, no.
Absolutely not.
I'm good with that.
Okay.
But meanwhile, is there anything else you want to cover while we're still talking about all of this, Rebecca?
Well, you know, I have to say, Carrie, that the entire trip itself, going through those ruins, you know, we really were very well taken care of.
We were able to see some things that were not yet available for the public.
I'm not going to mention those.
I feel very honored to have witnessed some of those things myself.
to have laid eyes upon some of these artifacts that has not yet been made available to public.
We were watched while we were there, closely, especially in the Cairo Museum.
I want to get back to Michael Tellinger and Hugh Newman for a minute.
I think a funny story that I'd like to share is that we were in the hotel where we're on the island and I keep forgetting the name of it.
And we were having dinner, do you remember that?
We were all having dinner.
I mean, we were having a blast.
And I mean, seriously, it was just fun.
We were laughing and just really enjoying each other.
They actually turned the lights out in the restaurant and made us leave.
Because we were too loud.
Well, we were about the only customers though.
Yeah, it was funny.
I can't wait until the picture that I have of Michael, I can get off my camera, because it shows him with those, they had linen napkins, and he folded it up in a hat.
He folded it and placed it on his head as a hat, and I have several pictures of him, so I'm hoping that I'm able to get that put up on the site, because that was when we got kicked out of the restaurant.
It was tremendously funny.
We had a lot of funny moments in all of the work that we did.
We certainly had a lot of funny moments because that's what it was about as well.
It's not just about all seriousness.
We laughed a lot.
We got to see some authentic dancers on the ship.
That was just fabulous.
We got to dance with them as well as watch them entertain us as well.
It was really, really fantastic to see some of the native authentic dances and music and instruments that they played, especially out in the Oasis with the Bedouins.
Oh, my God.
If I could tell you to go anywhere in Egypt as well, just to find a whole different energetic, is to go out to the desert in Egypt, certainly with a guide, obviously.
Make them Bedouin guides, and I guarantee you it's an experience in and of itself, very separate from the temples and the pyramids.
That energy there, it really is a very surreal world.
It was such a trip and it was very cleansing to be out there after all we've been through.
It was really the perfect thing to have done.
It really was.
I so enjoyed that portion of it.
It really helped to kind of re-acclimate after the intensity.
of that complete build-up until we arrived in the pyramid and then all of us really did do the releasing.
We let go and we got ourselves in there for that moment in time that we were all there.
Looks like you have it all.
Yeah, it was really wonderful.
So at some point I'm going to be taking another trip to the Greek islands and hope to go where where I forget what they're called, the women that, I don't know what they're called, they go into meditations, it's on a certain Greek island, and I forget which one it is, but anyway,
I'm being sort of sent there, and so I'm going to I'm being sort of sent there, and so I'm going to put a group together and do that, and maybe we can try to get you along, It just was so much fun to have you there and it was just great to have the other speakers as well.
It's fun when you can get a bunch of speakers on one trip, like usually they only have one speaker on a trip.
Yeah.
It's just fun to have more than one speaker because it's just a blast.
Well, I would enjoy that.
That would be fantastic.
Absolutely.
Yeah.
So, well, okay, is there anyone on the phone before we depart because I think we're about to close down the show altogether?
Yes, ma'am.
614.
Y'all got about two minutes.
Okay.
Caller, do you want to ask a question?
Carrie, what I would like to know is if you were discussing photographs that you received in Egypt?
Yes.
Is there any way those could be posted on your site?
Particularly the ones that had imagery with spirits?
Okay, yes, we're hoping to do that.
I have to, first of all, find out whether, like I said, I'm in the transition with the Webmaster, but once we get that set up, I'm hoping we can do that.
So that would be a lot of fun.
I could try to put some of them on my Facebook.
I kind of wanted to do it with everyone because everyone had different pictures and I think it would be fun if we got to get all of them out there, but I don't know if everyone wants them to be public or not.
That's something of an issue.
I do receive spirit images in my photography quite often, so I would be really, really excited to see what you've got in Egypt.
Yeah, it's fun and it's fascinating, so that would be very cool.
We're going to work on that, so don't worry.
Okay, thank you very much.
Thank you.
Rebecca, it's been lovely, as always, to have you on the show.
Is there any one last-minute things you want to say?
Only that I just really had a tremendous time.
It was truly a life-altering experience, one that I'm still digesting and still growing into.
Tons and massive quantities of information is still coming in, even as we speak.
It's been more than fascinating.
And there's still many, many pieces and obviously we could sit and talk about this for weeks and still not cover everything that we experienced there.
So, I thank you so much for allowing me to be a part of it and I certainly enjoyed each and every person in our group.
We just had a really fantastic group.
The people worked very well together.
It was just really thrilling to see the camaraderie and the Closeness that we all had for people that didn't even know each other.
It was fantastic.
It was beautiful.
So, thank you.
Yeah, very good energy throughout most of the trip.
So, thank you for everything as well and it was a joy to be among everyone and to be out there in these most amazing places in a very special time.
Yes, I would say the energies are still coming in.
You can feel them even here wherever you are on the planet.
I think people are feeling that the energy is continuing and I'm sure everyone has their own special stories for 2012, December of 2012, but January of 2013 is Is rocking and rolling and I was just saying that I think 2013 is like 2012 on steroids.
I have to agree.
So, fasten your seatbelt because it's just starting.
Yeah, it's going to take a while for all these energetics to sink in, man.
And when I mean sink in, I mean sink up, you know.
Absolutely.
Yeah, what a ride.
No doubt about it.
Okay, do you want to plug maybe your radio show while we've got a few minutes here?
When are you on and all that?
Sure.
People can find me at JourneysWithRebecca.com.
I'm on Tuesdays 8 to 10 p.m.
on Wolf Spirit Radio and then of course Thursdays and Fridays 7 to 9 p.m.
and this is all central time so I'm on Friday nights just before your show and I'm also on again Thursday nights 7 to 9 p.m.
same time slot, central time.
I also have my Timeline Integration Workshop coming up on December 20th.
You can find all that information on my website.
I'm adding new content.
My new website just went up January 1st, so what a way to rock out the new year with my new website getting up.
Obviously, when you get a new website up, it's a work in progress.
I'm adding content literally daily now.
So, I appreciate it and I hope everyone comes and listens to my guests as well.
And Carrie, as always, it's just been fun, fun, fun!