| Time | Text |
|---|---|
|
Checking In
00:08:08
|
|
| This is Mrs. L here and I. Let's say hello. | |
| Hello, everybody. | |
| There we are doing our thing. | |
| Let us see if anybody is here. | |
| Because for the first time we did it, nothing took. | |
| I've got to get one person, at least one person, to give me a 5x5. | |
| That's it. | |
| If not, I'm going to stop completely. | |
| Because I did a beautiful perambulation the first couple of blocks and nothing happened. | |
| there's something that was weird something odd with that so let me know if anyone is I've still got one. | |
| One. | |
| There we go. | |
| Three. | |
| Now we're cooking. | |
| Now we're cooking. | |
| Now we're cooking with gas. | |
| That's a little noisy right now. | |
| A little noisy. | |
| There we go. | |
| Five by five. | |
| There we go. | |
| In any event, this was it. | |
| There we go. | |
| As we perambulate. | |
| Good, good, good. | |
| Anyway, hope everybody's fine. | |
| We wanted to say, I wanted to say today that Mrs. Elder and I were involved in and engaged in the most incredible discussion about AI. | |
| And I realize and I recognize that I'm kind of wasting my time with a lot of, not you, mind you, but Google, what did Google drop? | |
| 90% in terms of searches. | |
| Google's dead. | |
| Google's dead. | |
| The iPhone is going to be dead. | |
| Entertainment is going to be dead. | |
| What this is going to do blows my mind. | |
| And I do not believe in it. | |
| What do you think the problem is? | |
| People just can't get their heads around. | |
| They don't know what it is. | |
| Listen, it's been brushed upon everybody. | |
| People really don't understand. | |
| They say, why? | |
| They don't understand the concept of what it means. | |
| The concept. | |
| I don't use, we don't use Google anymore. | |
| If I want to look up anything, I talk to my ChatGPT. | |
| I talk to Grok, and there are others as well. | |
| There was a time when people were told, if you can't get a job or whatever, learn to code. | |
| Remember that? | |
| There was this flippant statement. | |
| Learn to code. | |
| Well, guess what? | |
| This ChatGPT codes better than anything anybody has seen. | |
| Oh, by the by. | |
| Hang on a second. | |
| This. | |
| Do you know what this is? | |
| Do you know what this building is? | |
| Look it up, my friends. | |
| Check it out. | |
| This is, there's not a window in the place. | |
| It is believed to be an NSA hub. | |
| A hub. | |
| All right, honey. | |
| A hub that is ready to, that can withstand a nuclear attack. | |
| It goes deep into the ground. | |
| Nobody knows what this thing is. | |
| There's no signs. | |
| I think there's an AT&T sign, but we're not really sure. | |
| Very, very odd. | |
| These are the professional can collectors. | |
| You know, if they put as much energy into that, that's a lot of work. | |
| I keep bumping into it. | |
| They put a lot of work into that. | |
| This is my favorite place. | |
| I love this name. | |
| Check this out. | |
| United We Stand Delhi. | |
| This was right after what? | |
| 9-11 or COVID? | |
| No, 9-11. | |
| Flags everywhere. | |
| They made it very, very clear. | |
| Anyway, back to AI. | |
| It's going to change everything. | |
| Now here's my question. | |
| Do you think it could ever change or make obsolete the notion of talk radio or chat programs? | |
| Right now, as we speak, there is a move in which bots are becoming better than anything you can imagine in terms of customer assistance. | |
| Bots are, through the Don't forget the story I told you about Pace University and the graduation. | |
| Oh, listen to this. | |
| Pace University. | |
| Pace University had a graduation. | |
| And when you walked up to get your diploma, you would click on, look at this hookah joint here. | |
| See this? | |
| They smoke hookahs. | |
| Whatever the hell it is. | |
| Isn't that wild? | |
| Crowded. | |
| Crowded at night. | |
| But, oh, there's a weed smell. | |
| There's the weed everywhere we go. | |
| Anyway, Pace University, you walk up, you get your diploma. | |
| And you click onto a QR code. | |
| Wow. | |
| That's a subject for don't be like this. | |
| Anyway, you go up to your phone, you click it, and they will pronounce or announce your name. | |
| You had to walk up. | |
| Hand your phone. | |
| Hand your phone. | |
| Right. | |
| They had a QR reader. | |
| They would read your QR code and pronounce your name. | |
| It was an A-I that pronounced it. | |
| Right, an A-I pronouncing it. | |
| Does that make sense? | |
| So you have your name on the QR code, walk up, they read it, and will announce your name accordingly. | |
| Unbelievable. | |
| It looked ridiculous. | |
| It looked stupid. | |
| It looked stupid. | |
| Because you didn't have a human. | |
| Yes. | |
| I will wait here. | |
| I will stand and stare. | |
| I thought that was the most ridiculous thing in the world. | |
| You know, this stretch right now, one morning I was coming back from the gym and the swimmer I saw for the first time was closed? | |
| Can you imagine? | |
| Now you're up until 6 o 'clock. | |
| Can't believe it. | |
| Bastards. | |
| Bastards. | |
| Where are we going now? | |
| Back home? | |
| It says open. | |
| I don't understand this. | |
| Well, I think the actual bins are I understand five's a little early to be close. | |
| In New York City? | |
| Come on. | |
| Anyway, we're going back home? | |
| Yeah, yeah, yeah. | |
| And any of that. | |
| So the question is, do you ever think there will be a day when a bot replaces human speech, human interaction, where you will have not Lionel Nation, but some bot that talks to you? | |
| Now you may say no, but there's a lot of people who are growing up, young folks who Maybe because they become non-communicative. | |
| I don't know. | |
| I don't know. | |
| I find that fascinating. | |
| Back by the hookah joint. | |
| How anybody, honest to God, can smoke hookah stuff. | |
| I have no idea. | |
| Wanna walk down here and go cut through the NYCHA? | |
| Yeah, we'll go straight down. | |
| You know what? | |
| Let's go all the way down. | |
| We'll go down to the other street. | |
| Go by the park and we'll walk around a little bit. | |
| Gotta get out. | |
| Gotta walk a little bit. | |
| Yes, gotta get out. | |
| Gotta get ready for tonight's foray. | |
| Getting up about, you know, midnight, quarter to twelve. | |
| It's kind of interesting. | |
| Tomorrow I'm dreading, as you know. | |
| Jury duty. | |
| I don't know how the hell I'm going to get out of jury duty. | |
| I'm gonna do the best I can. | |
| I'm gonna look the most, I think if I just look delirious, which won't be too difficult to do, maybe they'll say, no, no, not this guy. | |
|
Globalist Encroachment
00:03:02
|
|
| Senior care, emergency medical. | |
| New York has more. | |
| Did you ever see the Amtrak police? | |
| The postal police? | |
| There's a police for everybody. | |
| Alright, let's go. | |
| Come on, here we go. | |
| Alrighty. | |
| Watch this, make sure this Oh, absolutely. | |
| They still have that eerie sight where this bicyclist was killed. | |
| You see this right here? | |
| They have these in You see this? | |
| It says here, "Cyclists killed here. | |
| Rest in peace. | |
| Ghostbikes.org." Isn't that something? | |
| Isn't that eerie? | |
| Imagine if they stole it. | |
| I mean, they just steal anything that's wrong. | |
| Look, he's only... | |
| They take up one lane for this stupid bike, another lane for parking, another one for parking, leaving just not even two lanes. | |
| This is called a globalist encroachment. | |
| This started with Mayor Bloomberg a lot of years ago. | |
| Oh, it's horrible. | |
| This is the short bus, ladies and gentlemen. | |
| This is a sign that it's over. | |
| The short bus and bicycle helmets. | |
| Remember, bicycle helmets were a sign of some type of behavioral problem. | |
| That's a tough, that's a tough, that's a tough gig. | |
| In any event, this is encroachment. | |
| This is globalist encroachment. | |
| They're trying everything in their power to get cars out of cities. | |
| We have the congestion pricing case, which, look at the, oh, this is vote. | |
| No, no, no, not a COVID thing. | |
| They still have... | |
| What am I trying to say? | |
| They still have... | |
| I lost my train of thought completely. | |
| What am I doing? | |
| God, weed everywhere. | |
| And let me tell you something. | |
| This isn't weed. | |
| This is that same one. | |
| There's no biodiversity. | |
| There was a time in this country when, from what I read, Now it's this one awful, rancid, funky, blech smell. | |
|
Selling CBS Assets
00:08:01
|
|
| That's the back end of CBS over there. | |
| All that's going to be sold. | |
| That's gone. | |
| CBS is done. | |
| Sherry Redstone's getting rid of everything. | |
| Everybody's apologizing. | |
| She wants to wrap that baby up. | |
| And close it down. | |
| And it's about time. | |
| Now we're cooking. | |
| Everybody fine today? | |
| It's already privately up for sale. | |
| Yep. | |
| Yep. | |
| That's an entire block. | |
| That was everything. | |
| That was Walter Cronkite. | |
| Across the street from that was 60 Minutes. | |
| I think it still is, whatever's left of that. | |
| That was a great piece of real estate. | |
| That was very, very... | |
| Absolutely. | |
| Let's go by the park and we'll give the kids a No. | |
| no slide for you Look at this free meal. | |
| Hudson Guild. | |
| They used to have a senior center. | |
| They have free meals for seniors. | |
| You know, I don't have any... | |
| I don't want a free meal. | |
| But the point is, I live in this weird frame of reference where I forget chronologically. | |
| According to all definitions, You ever find yourself thinking? | |
| I guess we're old, but I don't feel old. | |
| Oh, look at this. | |
| Look at the horses. | |
| Look. | |
| You see that? | |
| I love the smell of horse shit. | |
| You know that? | |
| Horse shit and let's wave. | |
| Let's wave. | |
| Look at me, waving like a damn fool. | |
| How are ya? | |
| There we go. | |
| There you go. | |
| A little bit of a wave. | |
| He shook his head. | |
| That was a nod. | |
| That was a bit of a nod. | |
| Straight ahead to Hudson River. | |
| Uptown. | |
| The Upper West Side. | |
| Let's go down to the park. | |
| You may ask yourself, how do I get here? | |
| I love the smell of a bar. | |
| New York does not stink at all. | |
| That's one of these people who don't live here. | |
| I love the smell of tack and leather and hay. | |
| I love that. | |
| I love that. | |
| I have no idea why. | |
| Listen, if you want to talk about New York, I'll give you some good stuff to say about it that's terrible. | |
| No, no. | |
| Let's go this way, down the... | |
| No, it doesn't. | |
| It's the greatest city in the world. | |
| It's unbelievable. | |
| So much going on here. | |
| A lot of improvement lately. | |
| And this past weekend, Memorial Day, oh my God, with the ships. | |
| Where are the ships, by the way? | |
| The Navy. | |
| Where did they dock? | |
| Right over here. | |
| Really? | |
| I think only four of them came this time. | |
| This weekend we had the Marines, the Navy, we had all of these folks spending time during Thank you. | |
| Fleet Week. | |
| Families were out. | |
| It was packed. | |
| Every single night, bars, restaurants, people are Only walk in the direction of your face. | |
| If you walk in the direction of anything but your face, You should be ticketed. | |
| If you want to walk and look straight, let's go in here. | |
| Yeah, let's go into the park. | |
| Sir Lina, we had 7,600 ships at the end of World War II. | |
| Isn't it something? | |
| It's pretty roses. | |
| Oh, look at these little... | |
| They're a little garden. | |
| This is a community garden where people can volunteer. | |
| And they have their little... | |
| Someone says cities scare them. | |
| I can understand that. | |
| Yes, look at these. | |
| I've never played a soccer game in my life. | |
| Never. | |
| Nope, never played soccer. | |
| Played football, played baseball. | |
| No, not that. | |
| Nope, never did. | |
| Let's look over here for just a second. | |
| It's very nice. | |
| Very quiet. | |
| It's going to rain tomorrow. | |
| Yes. | |
| It's a beauteous day. | |
| In the hood. | |
| Someone said, I forget who said, that cities terrify them. | |
| I can understand that certain things, especially if crowds. | |
| You know what's funny? | |
| Crowds, I don't like crowds, but the city doesn't bother me. | |
| But a crowded restaurant? | |
| Hate it. | |
| Hate it. | |
| Because we're on the move. | |
| Hi, for one, I'm glad to see crowds in the city. | |
| Oh, yes. | |
| I'm glad to see people out doing things. | |
| I'm glad to see kids out playing sports. | |
| Sometimes there are areas where two city blocks have more people in two city blocks than in some cities altogether. | |
| What is this? | |
| Compost or manure? | |
| I hope so. | |
| Did they mulch it? | |
| I don't know. | |
| It's very shady. | |
| This is a dog. | |
| He's got a dog. | |
| I understand. | |
| But there's a dog on the other side of the park. | |
| I don't know that. | |
| We're going to get to the bottom of this. | |
| We're going to get to the bottom of this. | |
| Mrs. L, always vigilant. | |
| What's he doing? | |
| What's he up to? | |
| Go to the dog park. | |
| Where are the ships? | |
| Are the ships where the comfort used to be? | |
| You have to cross the street and go down if you want to walk a little bit. | |
| I'm not that crazy about it. | |
| You can do it. | |
| I think they start pulling out today. | |
| They may have pulled out already. | |
| It was great to see these young men. | |
| I still say, though, the Marines, I would never. | |
| Today, I don't want my son or daughter dying for Goldman Sachs or BlackRock or some globalist cabal. | |
| Uh-oh. | |
| Police activity. | |
| There we go. | |
| Police activity. | |
| See that? | |
| There we go. | |
| Yeah. | |
| No, but you know what it is? | |
| Our police commissioner Tish is putting more on patrol to keep the police. | |
| That's why we're seeing. | |
| Tish the dish. | |
| Look, there's another one. | |
| Show of force. | |
| You know what I mean? | |
| Yeah. | |
| Keeping everybody in line here. | |
| We have a great commissioner. | |
| I'm very serious. | |
| Will you walk down here? | |
| Yeah. | |
|
A Pita Place Go?
00:05:50
|
|
| These are those stairs that take 10 years. | |
| You see this right here? | |
| These steps, right, took like 10 years. | |
| Trump would have had it done in five minutes. | |
| And a million dollars for the neighborhood improvement project. | |
| Varya says there's 844 people in his or her, I don't know, town. | |
| 844. | |
| and Varya's town, wherever Varya lives. | |
| That's the top of the ship, I believe, a record rock over there. | |
| Isn't that the Intrepid? | |
| No? | |
| Ooh, you smell that? | |
| It's cut grass. | |
| Ooh, I like that. | |
| Ooh, I like that. | |
| Do you know what we did today? | |
| We made something that was so out of this world. | |
| Went to Stu Leonard's and bought pizza dough. | |
| Just plain old pizza dough. | |
| No... | |
| And we thought it out, and I kind of spread it out, and it looked like the biggest, fluffiest pita. | |
| It was a pita pizza. | |
| So we made the sauce. | |
| Had mushrooms and marinara and various things. | |
| Delicious. | |
| I put some kalamata onion, I mean olives in it. | |
| Delicious. | |
| Spread it out and dipped. | |
| The pita, or the bread, into the Eastern European. | |
| Chariots for hire. | |
| Look how close he parks it up. | |
| That is close, man. | |
| Get some rim rash. | |
| Here we go. | |
| More pita. | |
| Look at the roses in the middle of the highway. | |
| See that? | |
| Roses? | |
| Up the street, next to the Inchepid was where the Normandy capsized. | |
| the famous Normandy. | |
| Here come the horses back to their Back to the Hustler Club. | |
| Your favorite. | |
| That place has to go. | |
| It's a blight. | |
| That place really has to go. | |
| So low rent. | |
| Yes, so many flowers. | |
| I'm telling you. | |
| And up and down the... | |
| Over there? | |
| Yeah, you want to? | |
| Yes. | |
| Let's do it. | |
| Yeah, we might as well. | |
| We'll park. | |
| We'll cross. | |
| We'll go see if the ship will take you to see a ship. | |
| What do you say? | |
| I don't know. | |
| I don't know. | |
| We'll see. | |
| Everybody having fun? | |
| Give me a 5x5. | |
| Are you having fun? | |
| Speak up so they don't complain people about their volume. | |
| No, no, no. | |
| I need the cosmetic appeal of flowers. | |
| Yes. | |
| There's a tree that grows on the West Side Highway. | |
| Yes, here we go. | |
| Seriously, watch out. | |
| I know, honey, I know. | |
| I know that. | |
| Very insistent. | |
| Very insistent. | |
| Show a force. | |
| There's more. | |
| What they will do is sometimes NYPD will say, all right, everybody, we're going to FDR Drive, and you will see hundreds, literally hundreds of police cars. | |
| Full siren regalia. | |
| All going to one place. | |
| I want to get into the walking lane here. | |
| Yes. | |
| Walking lane. | |
| Hang on. | |
| This is where you get killed. | |
| Let this guy go. | |
| Oh yeah, this guy. | |
| Oh yeah, death. | |
| It's a death trap. | |
| It's a suicide. | |
| That's a shitty bike. | |
| We've got to go single file. | |
| Yeah, single file. | |
| Single file. | |
| There we go. | |
| Linda says, I love cities. | |
| I do too. | |
| What did they pull down? | |
| Well, in here? | |
| Yeah. | |
| Look at this old birth. | |
| You see this? | |
| Can you see this? | |
| See this old... | |
| One of my friends say this is... | |
| I think they use... | |
| Yeah, yeah, yeah, yeah. | |
| Remember the comfort, the ship that President Trump... | |
| And everybody was here waving and nothing happened. | |
| They took no COVID patients, nothing. | |
| It was a waste of time. | |
| It was a complete and total show of force. | |
|
Greatest Sanitation Commissioner
00:03:43
|
|
| It was absolutely ridiculous. | |
| I will never fall for that again. | |
| Ever again. | |
| Ever. | |
| period. | |
| I know. | |
| I'm doing the best I can. | |
| If you notice, the streets are surprisingly, they're clean, the rubbish is gone, the garbage is gone, like we had with Who was it? | |
| De Blasio? | |
| Oh, forget it. | |
| That one. | |
| We had the greatest sanitation commissioner whose name escapes me. | |
| This guy was a genius when it came to the elimination of garbage. | |
| Now, let me ask you a question. | |
| Ladies, what is with yoga pants? | |
| Now, listen. | |
| It's a free country. | |
| You can wear whatever you want. | |
| Not everybody's reed thin. | |
| I understand that. | |
| But when you are steatopygian, when you are steatopygian and you have an enormous, you know, why explain the yoga pants to me? | |
| I don't get it. | |
| Again, it's a free country. | |
| You can do whatever you want, but wouldn't you... | |
| Again, free country. | |
| Do what you want. | |
| Why do you think that is? | |
| What's with these yoga pants? | |
| Yeah, I don't know. | |
| Remember? | |
| Check out this. | |
| This is a... | |
| I don't want to mess with her, you know? | |
| Yeah, I think so. | |
| I think so. | |
| Then there was a time when people would walk around with their guts hanging out. | |
| There's a good word, a panis or a paniculus, or the adjective would be tenter-bellied, these spare tires pouring over bare midriff. | |
| And I was wondering why? | |
| Again, free country, what is the purpose of this? | |
| Why are we celebrating adiposity? | |
| He asks, You know, if you live in glass houses, that's where Bobby Kennedy and Shmuley Botia. | |
| Yep, yep, yep. | |
| Remember her from The New Yorker? | |
| The one who was stalking? | |
| Yep, yep. | |
| Boy, there were some really rough-looking mutanedas over there. | |
|
Circle Line's Boat House
00:15:22
|
|
| Man! | |
| They looked like they were road hard and put up wet. | |
| That's all I'm gonna say. | |
| There's a crew. | |
| Where? | |
| Where? | |
| In front or behind? | |
| Some people run. | |
| They look frightened. | |
| Did you notice that? | |
| There's a real running style. | |
| No, honey, that was the intrepid. | |
| See? | |
| That was the Intrepid. | |
| What we saw. | |
| Yeah. | |
| I think they're all gone. | |
| No. | |
| No. | |
| was rather de minimis. | |
| Isn't that the isn't that over there the What is that? | |
| The famous British Airways. | |
| What was that airplane? | |
| The one that's supersonic? | |
| Yeah. | |
| What was it called? | |
| Quick, somebody, what do you call the name of that? | |
| My brain is fried. | |
| The name of that plane, supersonic, very sleek. | |
| The Concorde. | |
| The Concorde. | |
| There you go. | |
| I got you first there, Stanley. | |
| I got it first. | |
| I'm having a hard time sometimes remembering the most, Did you see that? | |
| Rock and roll hoochie-coo. | |
| What did that happen? | |
| Today? | |
| Yesterday? | |
| He used to call me on my Saturday radio show in Florida years ago. | |
| Dickie Betts lived there. | |
| You know who was a friend of mine who used to come by all the time? | |
| Robbie Steinhardt. | |
| Now, if I tell you that name, you may not know, but he's the flute player in Kansas. | |
| The guy with the hair. | |
| He was known as the guy with the hair. | |
| He was a regular. | |
| Sad to say. | |
| I like when they say his heart failed. | |
| Well, yeah. | |
| Car wash since 1947. | |
| This car wash since 1947. | |
| Is this where they had the donuts? | |
| Yeah, they closed the donuts and coffee. | |
| They used to give you donuts and coffee in a car wash. | |
| Somebody's coming out of there. | |
| Maybe, what's going on over there? | |
| Maybe they're reopening it. | |
| You know what you always think? | |
| Trafficking. | |
| Yeah, well, I don't know. | |
| There's all paper in the window for the Donuts& Club. | |
| It was a hot spot for Donuts& Club. | |
| It sure was. | |
| Check out the sub. | |
| I went there with my friend Big Bob from the Bronx, who's about six, I think he's growing in his He's at least six-five. | |
| Six-five. | |
| Huge. | |
| He was on a submarine. | |
| And he would explain how he lived. | |
| And I thought, I don't know how he did this. | |
| Look at this. | |
| Complete week, May 23rd to the 26th. | |
| Yeah. | |
| This is a tradition. | |
| It was sad during COVID. | |
| This was a tradition. | |
| Remember Sex and the City? | |
| Sex and the City, all those tramps would... | |
| Don't talk like that. | |
| We're all having a good time. | |
| Let's go. | |
| You want to go over here? | |
| Let's go over here. | |
| Yeah. | |
| They're taking the banners down. | |
| Look at that. | |
| See them? | |
| Another. | |
| Check this baby out. | |
| Nice little walkway. | |
| What is this guy showing? | |
| Oh, he's selling a... | |
| It's one of those... | |
| Do you see these? | |
| Do you see this woman here? | |
| What do you call those with the little hats? | |
| Central American? | |
| I don't know. | |
| Aztecs from I have no interest. | |
| Ecuador, a lot of people from Ecuador, Guatemala. | |
| Ecuadorian? | |
| Bolivian with their funky hats? | |
| He's selling some gum and he's selling bubbles for kids. | |
| I don't know. | |
| You know bubbles are making a resurgence for kids? | |
| Get out of here. | |
| I'm telling you. | |
| No, I mean it. | |
| Get out of here. | |
| There it is. | |
| The intrepid, ladies and gentlemen. | |
| That's it. | |
| It never just tips over. | |
| I know ballast, I understand this draft, but it's just something that just you would think I love this time of day, don't you? | |
| Would you like us to go in a circle? | |
| Look to Bear Mountain and West Point. | |
| I don't know if I have enough battery life for this. | |
| It's pretty sailing up to Hudson. | |
| Yeah, it is. | |
| You can go up to West Point. | |
| And there is a curve right around West Point where Benedict Arnold Drew a chain, apparently a submerged chain, and then pulled it up. | |
| What? | |
| You want to get the intrepid from here, maybe. | |
| Oh yes, okay. | |
| This is Al giving me, what's the side version of this? | |
| The Hudson straight across? | |
| Jersey. | |
| Right there, Jersey. | |
| Weehawken, Englewood, I don't know. | |
| Look at all these people out. | |
| In any event, Benjamin Franklin submerged a chain, and where these British ships had to make a hard left or right, depending upon the direction. | |
| They would pull it up and they would basically stop them dead in their tracks. | |
| Benedict Arnold was a great, great, he would have been a great patriot had he not gone the wrong way, you know what I mean? | |
| Loud people. | |
| Loud people. | |
| I think sometimes there is a They're teens. | |
| Look at this. | |
| Tattoos. | |
| Things in their nose. | |
| I know. | |
| They're having a little... | |
| Listen, you gotta... | |
| You gotta... | |
| What do you think? | |
| How many people think there's like a couple of livers in there from somebody working the garment district? | |
| This is Pier 84. Yeah, let's go this way. | |
| Look at the flowers. | |
| Look at this baby. | |
| It is much larger than one would think. | |
| Oh, they got the sprinklers on. | |
| A little cool for kids to run through. | |
| This garden is pretty, too. | |
| This is good. | |
| Yes, yes. | |
| Remember, we were here. | |
| We talked to them here. | |
| Look at this little garden. | |
| This is the community. | |
| Look at this one here. | |
| We have a lot of these little neighborhood community gardens. | |
| People work in them. | |
| See that? | |
| You're assigned your own I like that trailer. | |
| People come and take care of it in the neighborhood. | |
| This looks good. | |
| And they even have, up on the West Side Highway up there, they have these, you can smell the compost and the... | |
| Right, that's a big one. | |
| Get ready for a dog park. | |
| Oh, look at him. | |
| This one dog looks... | |
| Poor thing. | |
| See, that breaks my heart. | |
| Look at that, a Sharpay or a... | |
| We have a friend in the family. | |
| They lost a cat. | |
| So sad. | |
| I did a whole dissertation this morning on the air. | |
| Oh, I heard that. | |
| How it is not love, but it is as close to it, at least what the animals show us. | |
| They give us unconditional love. | |
| Unconditional something. | |
| Little bathtubs for them. | |
| Aw. | |
| Shaped like bombs, look. | |
| Where is that? | |
| Right here, yellow. | |
| It's shaped like a bone. | |
| Oh, the pool. | |
| Look at that. | |
| They're shaped like bones. | |
| Who does that say? | |
| You know it's a great thing. | |
| I need a good job. | |
| I need a good job. | |
| Everybody, isn't that nice? | |
| Let's walk over here. | |
| More people give attention to animals. | |
| I know. | |
| Most people, you're right. | |
| Why are they running the fountains for kids and just clothes? | |
| I know. | |
| See the circle line's right there. | |
| We could just jump on and go up. | |
| The circle line. | |
| Not sure about it. | |
| What's expecting? | |
| I know that. | |
| This is a nice, like, area. | |
| You can have your one. | |
| Isn't that nice? | |
| Yes, yes, yes. | |
| You can walk all the way out. | |
| You can walk out into the water over here. | |
| Yeah, sure. | |
| What the hell? | |
| We're going to take our friends. | |
| Are you having fun? | |
| This is for my sister, the shut-in. | |
| She enjoys this. | |
| She doesn't get out. | |
| Court order. | |
| Sometimes her aide will come by. | |
| Wipe her brow down with a wet cloth. | |
| And in the middle of it, she'll stare at us and watch. | |
| Take that, Tim Pool. | |
| Oh, do you see where people are turning on Jordan Peterson, that lunatic? | |
| I've been telling you for the longest time. | |
| And I also want to tell you something right now. | |
| You may not like this. | |
| Pete Hegseth. | |
| Okay, red, white, and blue. | |
| I got it, Pete. | |
| I got it. | |
| What are you, a child? | |
| Sorry. | |
| Patriotism is not jewelry. | |
| Or as people say, jewelry. | |
| Now look at this right here. | |
| Look at these little contraptions for kids to play. | |
| I don't know what you would do with this. | |
| And this is like a little guillotine. | |
| What is the purpose of that? | |
| Yes. | |
| I thought they were ship related or something. | |
| I was going to Pete says I was devastated when I lost my rat terrier. | |
| Can't go through. | |
| I can't read that. | |
| Pets are important. | |
| Now look at this little dog, how cute this is. | |
| Look at this. | |
| Look at this one. | |
| This is the cutest. | |
| Look at this. | |
| Good luck. | |
| Ha ha! | |
| Oh. | |
| Look at that. | |
| That is the cutest dog. | |
| Look at these little socks on, little shoes. | |
| Throw the ball for us. | |
| Throw the ball. | |
| Here we go. | |
| Look at him go. | |
| Isn't that beautiful? | |
| That's what I like. | |
| Look at that. | |
| Something in that makeup. | |
| The little one says no, no, no thanks. | |
| I'm just cute. | |
| Kayaking, honey. | |
| I love the shoes. | |
| He's got little wingtips on. | |
| Yes. | |
| Oh my goodness. | |
| There's a boat house over here. | |
| Yes, indeed. | |
| You can walk all the way out. | |
| Look at this. | |
| Somebody walking with a mask on. | |
| What the heck? | |
| You have no idea the rage. | |
| I think this is our friend. | |
| Swim over to Jersey. | |
| You have to come out to this pier. | |
| You should be a joke writer for Tim Pool. | |
| Now, there we are. | |
| Look. | |
| Can you see these two kayakers up here? | |
| When you go out here, you've got to commit yourself to it. | |
| You can't turn around and say, "Oh, no, no." He's kind of drifting into the antrepid. | |
| Yeah, he's kind of. | |
| We have got to do this. | |
| Can you see that? | |
| That's not the rope. | |
| I know. | |
| Here's some kayaks. | |
| See, here the kayaks are here. | |
| I think this is another one. | |
| Yeah, this is a different one. | |
| I think they're trying to get home. | |
| I think they're, like, lost. | |
| Can you see them? | |
| They give them a flare. | |
| Yeah, it's hovering. | |
| Look at these folks. | |
| Are you okay? | |
| Do you need help? | |
| Let's wave at him, honey. | |
| Let's wave at him. | |
| Let's wave. | |
| I'm waving at people. | |
| There we go. | |
| Excellent. | |
| See, they're waving. | |
| See, honey, this will be due. | |
| Those of us who are denizens of the sea, we always, we wave. | |
| Yeah, I'm a denizen of the sea. | |
| We wave to people. | |
| Oh, yes. | |
| Isn't this nice? | |
| Nobody bothering anybody? | |
| Oh, I know. | |
| So beautiful. | |
| Pulling up a piece. | |
| Yep. | |
| Yep. | |
| Where is that? | |
| Where is that? | |
| Weehawken? | |
| No. | |
| Englewood? | |
| That would be North Bergen. | |
| North Bergen? | |
| Mm-hmm. | |
| Edgewater in North Oregon goes into Hoboken, Wheelock in Hoboken. | |
| And look how it's not very far from... | |
| We can swim over. | |
| I mean, I can get over there. | |
| I don't know if you could. | |
| You think you could swim over there? | |
| No. | |
| Really? | |
| No. | |
| I'd have to take you. | |
| No. | |
| No way. | |
| I could do it. | |
| Halfway. | |
| No. | |
| But it's the undercurrent. | |
| You're floating on your back. | |
| No, no, no. | |
| It's the undercurrent. | |
| It's not about swimming prowess. | |
|
Buildings And Barking Dogs
00:03:09
|
|
| Do you think a normal person who is not conditioned, not a professional swimmer, could swim across this? | |
| If everything's exploding, yes. | |
| To vote yes, push one. | |
| To vote two, no, hit two. | |
| I say no. | |
| No way. | |
| Look at this. | |
| This is the west side. | |
| All new buildings. | |
| Well that's Hudson Yards. | |
| Look. | |
| Over there. | |
| Did you see those buildings? | |
| Yeah. | |
| Oh look! | |
| There he is! | |
| He's following us! | |
| Hi babe! | |
| Isn't that cute? | |
| Look! | |
| Oh I love that dog. | |
| I love it! | |
| Whoa! | |
| Ooh, I hope it doesn't go into the water. | |
| Get it, get it, get it, get it, get it! | |
| Oh no! | |
| Oh no! | |
| Don't jump in the water! | |
| Oh no! | |
| Nothing I could do! | |
| Aww! | |
| He's looking at him like, "What the hell did he do?" The dog said, "What's going on here?" This is my trick and I lost it! | |
| I gotta wear these damn shoes! | |
| All I ask is to open the water. | |
| Maybe it's floating. | |
| Oh. | |
| Oh, That crushes me. | |
| I won't be able to sleep. | |
| Look at these youngsters here talking. | |
| I think it's very good. | |
| They're not on a phone. | |
| There's not a phone. | |
| There's not a phone in the group. | |
| Or the organs? | |
| They were probably a part of some Chinese cabal. | |
| Is that it? | |
| Check out the building with the funny flaps. | |
| Can you see? | |
| That's kind of like a scalloped design. | |
| Can you see it there? | |
| The new one? | |
| You see where the outside panels are, like, open or scattered or scalloped? | |
| I don't know what the word is. | |
| Very odd. | |
| I love the old Art Deco-looking buildings here and here. | |
| Yes, yes. | |
| With the beautiful ceilings and those brass doors. | |
| And tomorrow, I'll think of the courthouse. | |
| Oh, God. | |
| We'll be fine. | |
| At least I've got an attorney's pass I can get in. | |
| Oh, you can skip the line? | |
| Yeah, skip the line, yeah. | |
| Of course. | |
| I forgot about that. | |
| I know it. | |
| Are we having fun, my friends? | |
| Yes, we are. | |
| We're up to 186 people. | |
|
Rondo Hatton's Echo
00:04:02
|
|
| 126 likes. | |
| I need more likes. | |
| Why don't we have 186? | |
| I don't know. | |
| I have no idea. | |
| Well, later on, more people will be watching. | |
| I don't know how this works. | |
| I need the likes. | |
| The likes are critical. | |
| Think of this as Tim Pool. | |
| Tim Pool was on with Bill Maher. | |
| I don't even know what to say about that. | |
| I don't know. | |
| Bill Maher is such a soulless, vacuous, vapid, void. | |
| He's a sellout. | |
| He has no original ideas. | |
| He thinks he is monumentally cool and smart. | |
| And Tim Pool figures, I'll just speak quickly. | |
| Like Destiny, this fellow named Destiny. | |
| They just speak fast. | |
| And somehow that translates into pellucid thoughts. | |
| I say nay. | |
| Then there's Victor Davis Hanson, who can't pronounce Letitia James. | |
| He called her Letitia or something. | |
| He always called her Letitia James. | |
| And he's wearing the fedora. | |
| Why don't they correct him now? | |
| He looks like, by the way, I'm going to give you an assignment. | |
| Everybody listening? | |
| No, I think Victor Davis, at least, anybody who talks about it. | |
| He can pronounce the Peloponnesian Wars, no problem. | |
| But Latina, but look up the name Rondo Hatton. | |
| R-O-N-D-O. | |
| H-A-T-T-O-N. | |
| And tell me he doesn't look exactly like Victor Davis. | |
| What's tomorrow night? | |
| I won't be there for that. | |
| Isn't that nice? | |
| Look at that. | |
| This is in the summertime. | |
| Kids run into this and play. | |
| Anyway, everybody look it up. | |
| Rondo Hatton. | |
| Victor Davis Hanson. | |
| Now, Rondo Hatton had acromegaly. | |
| So does Tony Robbins. | |
| So does certain wrestlers. | |
| I don't think Andre had Andre the Giant. | |
| Anyway, it's a very interesting new look. | |
| And I'll just leave it at that. | |
| You know who's back in the world now? | |
| Deepak Chopra spewing more shite than you can imagine. | |
| Because he has the Indian accent. | |
| All of you can remember that the perception of all of the time in a consciousness, in a resurrected angiogenesis of consciousness, causes a reunification, a reconnection. | |
| Oh, please. | |
| Stop it. | |
| Here we go, Mr. Philosophy. | |
| Life sucks, then you die. | |
| Oh, look at these. | |
| That was much fun. | |
| Oh, look at this. | |
| These look like petunias, almost. | |
| This is Ellen Nelser flowers. | |
| I don't know. | |
| I don't think they are. | |
| I don't know flowers, and I don't know color vocabulary. | |
| I'll have to look it up when I'm snot. | |
| Oh, I love the color. | |
| Like she'll say, hand me that towel. | |
| What color? | |
| Periwinkle. | |
| What? | |
| Purple? | |
| Taupe. | |
|
Big Deal But Not So Much
00:05:22
|
|
| Brown? | |
| There's a little paint story near us. | |
| And one day I was bored. | |
| Well, I was in there. | |
| Mrs. Dell was doing her thing. | |
| I was bored. | |
| And I was looking at all of the different ways to say the color white. | |
| Off-white, dark white, eggshell. | |
| What are some other words for white? | |
| I can't believe. | |
| Custard. | |
| Canva uses, like, block. | |
| Did you ever notice that? | |
| They put B, L, A, P, N. Yeah. | |
| Pier 84, ladies and gentlemen. | |
| Also 1984, dystopian Orwellian signals. | |
| You do the math. | |
| Coincidence? | |
| I don't think so. | |
| Blue Man Group is still around? | |
| Really? | |
| Yeah, that must be an old... | |
| It was very interesting. | |
| Is Tony and Tina's wedding still around? | |
| I don't think so. | |
| I mean, there was a production in Vegas. | |
| That was a big deal. | |
| That was a very big deal, but not so much. | |
| Now, this might be one of the most involved mobile units. | |
| What do you want to call this? | |
| home on wheels. | |
| This is a veritable Bungee cords. | |
| Yes. | |
| It is kind of sad. | |
| It makes you wonder what his name is. | |
| Get ready. | |
| We're going to get a snoop full of this one. | |
| But, you know, I will say this. | |
| They don't bother anybody. | |
| They're mellow. | |
| They're not hurting. | |
| Smells like Jamaica's on fire. | |
| But they don't hurt anybody. | |
| See the helicopters? | |
| Can you hear them? | |
| Remember when Chuck Schumer said he was going to get rid of all the helicopters up there? | |
| You know what? | |
| Why don't we cross here? | |
| You want to cross here? | |
| Yeah, that's what I'm saying. | |
| Yeah, we'll cross. | |
| Let's take the kids. | |
| Let's take the kids. | |
| This is like a mini... | |
| See how she does? | |
| You treat me like I'm retarded! | |
| I'm not retarded! | |
| Stop saying that! | |
| I got feelings! | |
| Stop it! | |
| Stop it! | |
| It's not funny. | |
| Well, it is, but I'm supposed to say it's not funny. | |
| All right, ready? | |
| This sign says, "Ditch the mold." I don't know what this is. | |
| This! | |
| Across the West Side Highway, ladies and germs. | |
| They've got the suicide guardrails. | |
| Isn't this kind of interesting? | |
| What do you think? | |
| Look at the focus. | |
| Yes, you're supposed to say certain things are not funny. | |
| Remember this one? | |
| You know what Helen Keller's dog's name is? | |
| It's terrible. | |
| It's not funny. | |
| How does she burn her face? | |
| Answering the iron. | |
| Burn her fingers. | |
| Reading the waffle aim. | |
| Here we go. | |
| Interesting how the camera is trying to focus. | |
| Why was her cane yellow? | |
| Her dog was blind too. | |
| We can go on. | |
| You know, rearranging the furniture. | |
| Anyway, Abasashi was punished. | |
| Oh, everything got to Florida already, but I mailed for this. | |
| Oh, good. | |
| Good, good. | |
| We'll do it tomorrow. | |
| So, see, that was good service. | |
| Good. | |
| Excellent. | |
| What was that, from that FedEx? | |
| Yes. | |
| Look at this. | |
| The West Side Highway car wash. | |
| Home of the coffee and donuts. | |
| Now, no more. | |
| Thank you. | |
| Everybody having fun? | |
| 54 minutes. | |
| Not too bad. | |
| This is a great way to steal a show. | |
| You know that? | |
|
Helen Keller Rumor
00:05:29
|
|
| I did a great one today. | |
| I did a great one, I thought, on why Diddy should take the stand. | |
| Of course, 12 people care. | |
| But it was one of my better perorations. | |
| Anne Bancroft. | |
| That's right. | |
| Paddy Duke? | |
| We heard... | |
| We heard years ago. | |
| Years ago that there was a rumor, a very real rumor, that Helen Keller was not blind. | |
| Remember that? | |
| I'm not kidding you. | |
| Well, I believe it's not out of the realm of possibility because she was a cash cow. | |
| Yes, exactly. | |
| So I don't have any reason to believe. | |
| And I heard... | |
| Didn't somebody wave at Stevie? | |
| Something happened. | |
| There have been stories. | |
| Yeah, there were. | |
| I don't know if that's true. | |
| You remember something. | |
| I don't believe anything I hear about anything. | |
| Look at this. | |
| Somebody was here. | |
| This looks like the remnants of someone's suitcase, cardboard. | |
| So sad. | |
| So sad. | |
| Nobody ever started their life thinking I'm going to end up like this. | |
| I don't feel any disdain for them. | |
| This dame, that dame. | |
| What is this parking lot here? | |
| Another spot. | |
| Chips? | |
| Interesting. | |
| Go out this way indeed. | |
| Look at this sign. | |
| What does this one mean, honey? | |
| Storage unit? | |
| Has never cooked your shoes. | |
| I don't know. | |
| What is this joke? | |
| This is a New York joke. | |
| Thank you. | |
| Thank you. | |
| I'm losing battery. | |
| I'm losing battery power. | |
| I better hurry up. | |
| People will put shoes in ovens. | |
| Also, inside the bathtubs, showers. | |
| Because space is a limit. | |
| Remember our one friend had this place to open up? | |
| They had all kinds of luggage inside their spare shower. | |
| And then, my friends, well, let me just say something to you as we're about to lose power. | |
| Thank you so much, per usual, for listening to us, for following us. | |
| Make sure you follow Mrs. L at Lynn's Warriors. | |
| Ooh, a sewer. | |
| Nice. | |
| Ooh. | |
| How would you describe that? | |
| In any event, please follow her stuff. | |
| Oh, here's Greg Gutfeld. | |
| What did I miss? | |
| I don't get it, but God bless her. | |
| No, no. | |
| Mrs. L will be on Nancy Grace tonight at 9 o 'clock Eastern Time. | |
| She is the hit of Nancy Grace. | |
| Nancy Grace is so... | |
| Absolutely. | |
| Look at this. | |
| Detox and rehab. | |
| Call Paul. | |
| Okay. | |
| Alrighty. | |
| Anyway, so that's Nancy Grace tonight. | |
| Watch her. | |
| Tonight. | |
| Well, tomorrow. | |
| 1 a.m. to 5 on WABC. | |
| The Lionel Show. | |
| Talking about, this morning we had a woman named, what was it, not Alice, Louise, no. | |
| I forgot her name. | |
| She dated. | |
| Lisa, Leslie. | |
| Leslie, Leslie. | |
| She dated Andre the Giant. | |
| That was interesting. | |
| Very interesting. | |
| And she knew my great friend. | |
| She knew her stuff. | |
| Bobby the Brain Heenan. | |
| She knew her stuff. | |
| She knew her stuff. | |
| Blackjack, Lonza, Lanny Poffel, who of course, Lanny and Randy Poffel was macho man. | |
| But you said her parents used to take her? | |
| What is this smoke? | |
| What are these things here? | |
| Does anybody know why we have these? | |
| Why do we have these? | |
| Why do we have this? | |
| Anybody know? | |
| In any event, thank you dear friends. | |
| Please make sure you like the video. | |
| Make sure you hit that. | |
| Let me give you a goodbye here. | |
| And have a wonderful day. | |
| Thank you for watching. | |
| We love you madly. | |
| Thank you for going on our little forays. | |
| It was fine. | |
| And we'll talk to you later. | |
| Have a great day, my friends. | |
| Bye-bye. | |
| And until then, remember, the monkey's dead. | |
| And the show's over. | |