Today, Dan and Jordan take on night two in Milwaukee, where the initial plan was to cover Howard Dean's scream. That plan fell through, and instead, the gents discuss how Alex spent multiple days in 2013 whining about the Matt Damon film Elysium. The Dreamy Creamy Fundraiser is back live! Click here if you want to support
| Speaker | Time | Text |
|---|---|---|
| It's 3-3, March 3rd, Friday. | ||
|
unidentified
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It is March 3rd, March 3rd. | |
| And it's 3-3, the third day of March. | ||
| Hard to believe it's already March 3rd, March 3rd. | ||
|
unidentified
|
*Humming* | |
| It's time to break. | ||
|
unidentified
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I have great respect for knowledge, Faye. | |
| Knowledge, Faye. | ||
| I'm sure they're posing as if they're the good guys. | ||
| Chang, me, or Matt. | ||
| Knowledge, Faye. | ||
|
unidentified
|
Dan and Wood. | |
| Knowledge, Faye. | ||
| Leave me on it. | ||
| Andy in Kansas. | ||
| Stop it. | ||
|
unidentified
|
Andy in Kansas. | |
| It's time to break. | ||
| Andy in Kansas, you're on the air. | ||
| Thanks for holding. | ||
|
unidentified
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Hello, Alex. | |
| I'm a first-time caller. | ||
| I'm a huge fan. | ||
| I love your world. | ||
|
unidentified
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Knowledge, Faye. | |
| Not, not, not, not, not, not, not, not, not. | ||
| Knowledge, Faye. | ||
| Knowledge, Faye. | ||
| I love you. | ||
| Hey, everybody! | ||
| Welcome back to Knowledge Fight. | ||
|
unidentified
|
I'm Dan. | |
| And I'm Jordan. | ||
| We're a couple dudes who like to sit in front of a very full room of people. | ||
| Worship at the altar of Selene and talk a little bit about Alex Jones. | ||
| Oh, indeed we are, Dan. | ||
| Jordan. | ||
| Dan! | ||
| Jordan. | ||
| Quick question for you. | ||
| What's up? | ||
| What's your bright spot today, buddy? | ||
| Why don't you go first? | ||
| I've got to plug in this computer. | ||
| Don't wait for the signal. | ||
| My bright spot today is that my wife is here. | ||
| She made it! | ||
| She was here at our very... | ||
| Well, she wasn't here. | ||
| She was in Chicago at our very first live show with the other ten people. | ||
| Yeah, she was a significant percentage of the audience. | ||
|
unidentified
|
Yeah, yeah, yeah. | |
| If you removed her, we're in trouble. | ||
| Yeah. | ||
| That would have canceled the show at Zamy's. | ||
| Sheila. | ||
| But yeah, so I went and picked her up. | ||
| She took the train to get here because I'm a great husband. | ||
| And so I went and picked her up and Milwaukee is an impossible place to drive. | ||
| Is that right? | ||
| Yeah, you cannot drive here. | ||
| You're coming from Chicago. | ||
| Yeah, I know. | ||
| Notoriously shitty driving city. | ||
| You don't understand. | ||
| Chicago. | ||
| Grid. | ||
| Grid. | ||
| Sure. | ||
| Grid. | ||
| I tried to take a left turn out of three possible left turns. | ||
| There aren't enough degrees in 90. To fit three different turns! | ||
| But isn't that kind of fun? | ||
| It's like a game. | ||
|
unidentified
|
No! | |
| Oh. | ||
| I misunderstood. | ||
| Especially not because... | ||
| Well, I mean, it was because it was about an hour ago, and every time I missed a turn, I was like, well... | ||
| I'm gonna be late. | ||
| Fucking late. | ||
| Well, show's not happening. | ||
| So then whenever I did pick her up, I yelled at her, like a good husband, about how hard it is to be in Milwaukee, and instead, she loves me. | ||
| So, that's my bright spot! | ||
|
unidentified
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Woo! | |
| Quite bright. | ||
| How about you? | ||
| What's your bright spot, buddy? | ||
| Well, my bright spot is, you know, I love novelty. | ||
| Someone last night brought this bizarre beverage. | ||
| Which is chocolate lemonade. | ||
| And I am going to try it in front of all of you. | ||
| And give you my sincere reaction. | ||
| This is not necessarily a bright spot. | ||
| It could be. | ||
| You know I like to ride that razor's edge. | ||
| rolling them bones. | ||
| Yeah. | ||
|
unidentified
|
Yeah. | |
| No. | ||
| Why did you... | ||
| No, it's bad. | ||
| Before the show, I was really holding out this hope of like, no, maybe it's going to be fucking awesome. | ||
| I don't know why. | ||
| I don't know why you believe that. | ||
| Have you ever had lemonade that seems like it has a little bit of chocolate melted in it? | ||
| That's what it is. | ||
| You drop a Cadbury in there. | ||
| I've always liked putting together milk and sour fruits. | ||
| That was always a favorite of mine. | ||
| I used to put sour lemons in a glass of milk. | ||
| I still feel it. | ||
| That's chocolate lemonade right there. | ||
| So, Jordan. | ||
| Yes, Dan? | ||
| We have an episode to go over today. | ||
| That's true. | ||
| Yeah. | ||
|
unidentified
|
We are contractually obligated. | |
| So, as people who are up to date on the podcast know, it was my intention to cover the Howard Dean scream tonight. | ||
| Yah! | ||
| That plan fell apart. | ||
|
unidentified
|
Nope. | |
| Didn't happen. | ||
| Yep. | ||
| So instead, today, what we're going to be doing, Jordan, is we are going to be talking about August 9th, 2013. | ||
| 2013. | ||
| What a random date. | ||
| What was going on in your life back in the summer of 2013? | ||
| Oh, boy. | ||
| How old was I then? | ||
| That was 10 years ago, so I'd been 25. So I'd been doing stand-up for about a year and a half. | ||
| Killing it. | ||
| No, no, no. | ||
| Not funny. | ||
| Not even close to funny. | ||
| It was a shock. | ||
| That I continued doing it. | ||
| I think it's a shock that most people continue doing it. | ||
| That's a good point. | ||
| I was a little too salty. | ||
| We both quit, so this makes sense for us. | ||
| So you were just getting those first sets. | ||
| I was in that zone. | ||
| As a comic where you're like, I'm doing this, so I was going out every night trying to do as much stand-up as possible. | ||
| On the grind! | ||
| Did not know what was going on in the world whatsoever. | ||
| Well, you can flash back to that state in your life and know that this is what was going on on Alex's show that day. | ||
| But, before we get down to business on this episode, Jordan, let's take a little moment to say hello to some policy wonks. | ||
| That's a great idea! | ||
| I'm a policy wonk! | ||
| I've got this little frog friend here. | ||
| I'm going to pull some names out of this. | ||
| Kwon said he should get a wonk! | ||
| And everybody here at the X-Ray Arcade, everybody, all the staff, you are all policy wonks! | ||
| I'm a policy wonk! | ||
|
unidentified
|
I'm a policy wonk! | |
| Thank you very much! | ||
| We named the raccoon that got us out of our lease Alex Jones. | ||
| You are now a policy wonk! | ||
| I'm a policy wonk! | ||
| I'm a policy wonk! | ||
| Thank you very much! | ||
| I think Alex Jones, if the raccoon was really Alex Jones, he would side with the landlord. | ||
| I think we all know that. | ||
| That's true. | ||
| Next, I wore my vitamins and I'm ready to beat my neighbor's ass. | ||
| Thank you so much. | ||
| You are now a policy wonk. | ||
| I'm a policy wonk. | ||
| Thank you very much! | ||
|
unidentified
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And Julie Jo Josh from Louisiana. | |
| We love you. | ||
| Thank you so much. | ||
| You are now a policy wonk. | ||
| Thank you very much! | ||
| I'm a policy wonk. | ||
| Louisiana. | ||
| Yeah. | ||
| Down in the bayou. | ||
| You know Dentures down there? | ||
| You know Charles? | ||
| You know Louisiana Dentures? | ||
| Did anybody come from further than Louisiana? | ||
| Thank God. | ||
| No, there are people... | ||
| Okay, you don't understand our audience. | ||
| They politely held up their hands. | ||
| I was looking for a woo, and I appreciate the politeness. | ||
| Florida, you said? | ||
| Oh, Nellie. | ||
| I don't know anything about... | ||
| Is that in the panhandle? | ||
| Sweet. | ||
| Trying to get away from Florida. | ||
| That little part is just like, ooh. | ||
| We're not the dip. | ||
| Thank God it wasn't. | ||
| We're from Belgium. | ||
| We flew in. | ||
| We got a visa to be here. | ||
| Yeah, that would have been a rough sell. | ||
| Like, oh no, we decided to stay for a week in Milwaukee. | ||
| Oh, no. | ||
| We turned it into a vacation. | ||
| No, you did not. | ||
| No. | ||
|
unidentified
|
Oh, I'm just kidding. | |
| So, without further ado, Jordan, let's jump in here. | ||
| Here is how Alex begins the show on August 9th. | ||
| It is the ninth day of August 2013. | ||
| I'm your host, Alex Jones. | ||
| We're going to be live here for the next three hours. | ||
| Now, coming up in studio, we're going to have former Dallas Cowboy and... | ||
| Most valuable player, Drew Pearson, in studio. | ||
| And, of course, I grew up watching the Dallas Cowboys, and I like football. | ||
| I just see it as a political distraction, a new religion. | ||
| Don't need to tell us this. | ||
| But at the same time, it's important to talk to people from those environs of society because we can get their perspective on the world. | ||
| Yeah, man. | ||
| Football's evil, and it's a globalist plot to demasculinize the society and sublimate men's war instincts. | ||
| But also, if someone who plays football is willing to talk to me, I am thrilled. | ||
| 100%. | ||
| That guy's famous. | ||
| Come on my show! | ||
| Yeah, fucking sweet! | ||
| The justification winds up ending in some sort of anthropological, we must speak to those strange people! | ||
|
unidentified
|
We must understand the football player culture! | |
| Yes, despite their strange ways! | ||
| I'm writing a book on football players. | ||
| Look, no shade on Drew Pearson. | ||
| He was a great player, but he was never the MVP. | ||
| That was a little bit of a grandiose thing on Alex's part. | ||
| What did he play? | ||
| He was wide receiver on the Cowboys. | ||
| He is in the Hall of Fame now. | ||
|
unidentified
|
He is? | |
| Yeah, he was an all-pro. | ||
| For going on InfoWars? | ||
| Yes. | ||
| He's the only professional football player to go on InfoWars. | ||
| He's InfoWars all-first team. | ||
| See, this is before cancel culture, though, you know? | ||
| Yeah, absolutely. | ||
| They still let him in the hall. | ||
| Yeah, we're not going to talk about him at all. | ||
| We're not even going to get to the part of the episode where he shows up. | ||
| Dan Rugpull Friesen. | ||
| Yep. | ||
| That is what they call me. | ||
| Or at least you just did. | ||
| Yep. | ||
| So here is what took my attention away from an NFL player. | ||
| And it's like, wow, here's the episode. | ||
| And also, we're going to get into, they say the House Republicans are going to vote to gut the border entirely and take us fully into the North American Union. | ||
| And I saw Elysium last night. | ||
| It is literally the most anti-white racist BS I've ever seen. | ||
| It was unbelievable. | ||
| Stay with us. | ||
| Uh-oh, Alex saw a movie. | ||
| Oh no. | ||
| Alright, so, of course, number one, most important issue for me is obviously the border. | ||
|
unidentified
|
Yes. | |
| Obviously the border. | ||
| And the Republicans are gonna gut it! | ||
| Ow, those Republicans. | ||
| No border! | ||
| I saw a movie, though. | ||
| And it is so anti-white. | ||
|
unidentified
|
Oh, I hate those anti-white movies. | |
| So yeah, I was thinking, you know, we're here on a Friday night. | ||
| What do you do back in your young days? | ||
| You find the person that you're sweet on and you go to the movies on a Friday night. | ||
|
unidentified
|
That's what you do. | |
| What better thing to do than to talk about Alex's weird feelings about a movie? | ||
| I mean, yeah, obviously. | ||
| Perfect for a Friday night. | ||
| 100%. | ||
| Now, as I prepared this, let me be clear. | ||
| After I had prepared this, it dawned on me that there was a potential problem, and that is that I don't know if you folks in the audience have seen Elysium. | ||
| Has anybody seen Elysium? | ||
| Okay, that's enough. | ||
| This is a pro Elysium crowd. | ||
| That's enough. | ||
| Jordan, you had to watch it for homework last night. | ||
| Yeah, yeah, yeah. | ||
| So last night after the show, it was several hours. | ||
| It was, what, like midnight? | ||
| Give or take. | ||
| Yeah, I was exhausted. | ||
| I had had plenty of beers. | ||
| And you were like, we're going to watch the whole thing. | ||
| You have to. | ||
| So I remember it in a way. | ||
| Yes. | ||
| In a sense, I know what happened. | ||
| It's borderline cheating a little bit with our premise of Jordan doesn't know anything about the stuff we're going to be covering, but I panicked about the idea of me being the only person in this entire room that knows the plot of Elysium. | ||
| I've never seen it before. | ||
| Here's the reason that it's not full betrayal. | ||
|
unidentified
|
Uh-huh. | |
| Because in the state I was in, let's face it, I still don't know what the movie's about. | ||
| You might have written a totally different movie in your head. | ||
| I think it was better. | ||
| Yeah. | ||
| From what I saw, I could have. | ||
| Spoiler alert, I don't think Elysium's that great. | ||
| I think it's clunky. | ||
| I think it's just too anti-white. | ||
| Oh. | ||
| Someone's going to agree with you quite vociferously. | ||
| So, if anybody hasn't seen the movie, essentially the... | ||
| Oh boy, how the fuck do I make this plot brief? | ||
| Yeah, hear me up. | ||
| It is overly complicated. | ||
| Matt Damon. | ||
| Yes. | ||
| Former car thief. | ||
| Wants to go to Elysium because they have medbed technology that will magically cure him from a radiation poisoning that he suffered on this job where he builds robots. | ||
| I'm lost. | ||
| Specifically, robots that build other robots. | ||
| Yes. | ||
| No. | ||
| He is making robots to build other robots. | ||
| No. | ||
| No, no, no. | ||
|
unidentified
|
No. | |
| The robots could build robots. | ||
|
unidentified
|
Right. | |
| But he's building robots that will then be mean to people. | ||
| Right. | ||
| But he doesn't... | ||
| Does he not understand... | ||
| Well, I suppose the writer of this movie perhaps doesn't understand that we have robots who build robots now. | ||
| Well, see, that would have solved the problem. | ||
| This is not a futuristic movie. | ||
| That would have solved the problem of him being overly radiated. | ||
| Yeah. | ||
| Because then it could have just been a robot that, who cares? | ||
|
unidentified
|
Yeah. | |
| So, he wants to get to Elysium to get cured, which is a space station that's up in the sky that the rich people live in. | ||
| Right. | ||
| And so, some weird drug dealer criminal boss friend of his gives him an exosuit that makes him super strong. | ||
| That's right. | ||
|
unidentified
|
Yeah. | |
| That's how he got that exosuit. | ||
| You forgot. | ||
| No, I remember him having an exosuit. | ||
| I forgot why or how he got it. | ||
| He gets the exosuit in order to do a crime for his drug dealer buddy, where they have to steal information out of a rich person's head. | ||
| Now, simultaneously, this rich person is involved with Jodie Foster, who is the Homeland Security person in... | ||
| Elysium. | ||
| And she wants to pull off a coup against the president, and so they do it, or they're planning to do it with malignant code that's inside the guy who Matt Damon's going to rob's head. | ||
| It makes no fucking sense. | ||
| The plot is similar to three left turns in a 90 degree angle. | ||
| You live the metaphor. | ||
| I live the metaphor. | ||
| Jodie Foster's accent comes and goes. | ||
| Oh, she's supposed to have a French accent. | ||
| And it is not Tre Bien. | ||
| Mm-mm. | ||
| Tremor. | ||
|
unidentified
|
Yeah. | |
| So then there's a guy hunting him because he wants to get the information in his head, and then, I don't know. | ||
| How did it end? | ||
| Did he win? | ||
| Matt Damon dies. | ||
| Spoiler alert. | ||
| His drug dealer friend apparently knows... | ||
| Oh, he's a drug dealer slash human smuggler, too. | ||
| We should be clear about that. | ||
| But he knows how to use the code that's in Matt Damon's head to make everybody citizens of Elysium, and that means that everybody has access to the medbed technology. | ||
| But in doing so, he has to hit a button that will kill Matt Damon to extract the information. | ||
| Matt Damon's like, I get it, I'll do it. | ||
| He's gonna die anyways. | ||
| Yeah, and then the girl he wants to have sex with his child. | ||
| He wants to have sex with the adult, not the... | ||
|
unidentified
|
The girl's child. | |
| Yeah, her daughter... | ||
| The girl whom he wants... | ||
|
unidentified
|
Okay. | |
| Her daughter has cancer and is gonna die. | ||
|
unidentified
|
Right. | |
| And so she gets in the med bed right at the nick of time, thanks to Matt Damon making everyone citizens. | ||
| Okay. | ||
| That's the plot. | ||
| So now, everybody who hasn't seen it, you kinda have. | ||
| What he should have done, though, was also organize rides. | ||
| No, the human smuggler was doing that. | ||
| Right, right, right, but there's a lot of people on the plane. | ||
| Well, but you might have missed this because you weren't paying attention or you were too drunk, but at the end of the movie, they bring down to Earth the medbed, so no one needs a ride. | ||
| Oh, okay. | ||
| Yeah. | ||
| So anyway... | ||
| Great movie. | ||
| I... | ||
| I was thrilled because I was like, I love it when Alex talks about movies. | ||
| He never understands metaphors. | ||
| It's just the best. | ||
| Some of my favorite times, like with a Matrix movie that he screwed up. | ||
| That was great. | ||
| His obsession with Oblivion. | ||
| Oblivion is heavy in his heart at all times. | ||
| Yeah, so I was pumped about this. | ||
| And I was even more pumped when I found a video of Alex and his buddies right after they left the theater. | ||
| Okay. | ||
| Okay. | ||
| They shot a video of them leaving the screening. | ||
| And so you got this great InfoWars crew of Rob Dew. | ||
| Oh no! | ||
| Darren McBreen. | ||
| The guy who cried at the deposition, Kit Daniels. | ||
|
unidentified
|
I think I would watch that show. | |
| If that was after Siskel and Ebert, I'd be like, yeah, yeah, yeah. | ||
| Siskel and Ebert. | ||
| Oh my god. | ||
| David Knight is there. | ||
| How old am I? | ||
| Siskel and Ebert. | ||
| So we get to hear the thoughts of some of the Infowars employees. | ||
| And so we're going to start here, right outside the theater, right after seeing it, Rob Dew. | ||
| Alright folks, Thursday night we just saw the premiere of Elysium. | ||
| Rob Dew, your take. | ||
| Well, it was another in the line of many dystopic futures that are facing us if we let the elites win. | ||
| And what we saw is... | ||
| Obamacare on Earth is not nearly as good as Obamacare and Elysium, where you get everything. | ||
| You're not exempt like Congress unless you're on Elysium. | ||
| Exactly. | ||
| That's the way it works. | ||
| And everyone with blonde hair is bad. | ||
| Everyone with blonde hair is bad. | ||
|
unidentified
|
Everyone who speaks with a Spanish accent or a Hispanic accent is very good and deserves citizenship. | |
| So it has that layer. | ||
| Yeah, it has that layer. | ||
| That's that layer. | ||
| Alright. | ||
| That's that layer. | ||
| Those people who I... | ||
| Ostensibly felt pathos for while watching this movie. | ||
| Oh, I was supposed to. | ||
| Yeah, yeah, yeah. | ||
| No, they go to great lengths to be like, these are your heroes here. | ||
| Uh-huh, and now I'm very mad that a number of them are Hispanic. | ||
| Okay. | ||
| Maybe that's your problem, Rob Dew. | ||
| Oh, boy. | ||
|
unidentified
|
Oh, boy. | |
| I thought that some of his thoughts were a little bit stupid, but I think that it's the closest... | ||
| You really get to actually reviewing something that's in the movie. | ||
| Because there is medical care kind of metaphors that are going on. | ||
| I think comparing it to Obamacare is a little bit silly. | ||
| It's kind of a dick move. | ||
| But that's what was hot in 2013, man. | ||
| You've got to pretend everything's Obamacare. | ||
| Death panels! | ||
| They were going to kill Grandma! | ||
| Jodie Foster wanted to kill Grandma to hire a teacher. | ||
| So that was Rob Dew's thoughts, and I was like, how can this get any better? | ||
| And then Darren McBreen steps up and has an amazingly dumb point. | ||
| Go ahead, McBreen. | ||
| I was disappointed in the fact that AK-47s in the future suck. | ||
| Oh, there you go. | ||
| That is his whole review. | ||
| Yep. | ||
| The movie takes place in 2154. | ||
| And he's mad that modern-day weapon technology is outdated. | ||
| Great. | ||
| I can relate, though. | ||
| He loves his gun. | ||
| Somebody watching the Jetsons being like, too high. | ||
| Too high up in the air. | ||
| Don't like it. | ||
| That's my review of the Jetsons. | ||
| Sure. | ||
| So he is not very insightful. | ||
|
unidentified
|
Cool. | |
| That leaves us more time to hear from David Knight, the snoozy old man, David Knight. | ||
| David Knight. | ||
|
unidentified
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Citizenship fixes everything. | |
| Free healthcare, the whole works. | ||
| Well, that's my whole point when we get to me here in a minute, is that the idea is America is Elysium, like Shane said in the start of the movie. | ||
| But what's the idea that made America great that all these other countries are imploding? | ||
| The ideas that made America great are being... | ||
| Extincted anyways, so we're collapsing as well. | ||
| Yeah, shut up, David Knight. | ||
| I'm confused. | ||
| Is David Knight going to speak at all in this video? | ||
| Nope. | ||
|
unidentified
|
He just says that citizenship fixes everything. | |
| And it's true that citizenship does fix everything if the problem, the totality of everyone's problem is they need these magic medical things. | ||
| But it doesn't fix everything. | ||
| Everybody's still got a whole lot of problems. | ||
| Also, Elysium isn't the United States. | ||
| It's... | ||
| Legitimately rich people. | ||
| It's just rich people. | ||
| It's not a subtle metaphor. | ||
| Nope. | ||
| It might as well not even be a country. | ||
| It's a gated community is all that it is. | ||
| Yeah, yeah. | ||
| The notion of it being the United States is really, it tells you more about the reviewer than the material, I believe. | ||
| And, yeah. | ||
| I also think, when I was listening to that clip, it's really weird. | ||
| I mean, this is 2013, and Alex is repeatedly using Make America Great in there. | ||
| This is before Trump even came along, or, you know, that was their big catchphrase. | ||
| I don't know. | ||
| I don't have a point. | ||
| That's the only thing. | ||
| Just a thought. | ||
| I mean, yeah, that's crazy. | ||
| Yeah. | ||
| Or it's unoriginal, and it's been the exact same slogan that conservative assholes have used. | ||
| Wasn't it like... | ||
| Yeah, wasn't it the Nazi who flew around the world? | ||
| Whoa, yep. | ||
| What was the Nazi who flew around the world? | ||
| Charles Lindbergh? | ||
|
unidentified
|
Yes! | |
| There we go, we got there. | ||
| Yep, sure did. | ||
| So, after Alex rudely cuts off David Knight and does not ask him follow-up questions... | ||
| Jakari Jackson is there. | ||
|
unidentified
|
Okay. | |
| And he has some thoughts. | ||
| What's his take? | ||
|
unidentified
|
Yeah, the thing, it really probably means they never explained how they got to this future where Earth is all torn down and, you know, they have this big Olympus in the sky being Elysium. | |
| But, you know, the thing that really caught my attention was the mark of the beast. | ||
| They put it on the right wrist. | ||
| And then, you know, after you get the mark of the beast and you get the keys to the city, you get the free health care, you get all the goody bags. | ||
|
unidentified
|
And what McBreen said... | |
| The only gun that jammed in the future was an AK-47. | ||
| That's right. | ||
| And in Trendy's, they will shoot a gun one time, hit the target, and throw the gun away. | ||
| That's right. | ||
| So the whole technocracy is you buy into the transhumanism, you get everything. | ||
| Okay, they love that gun. | ||
| They love an AK-47. | ||
| What is it with the gun? | ||
| Nobody's watching Star Wars being like, God damn it, I wish those guns shot bullets. | ||
|
unidentified
|
Fuck! | |
| Oh, man, when Picard pulled out a revolver, it was so outdated. | ||
| This is an insult to pistols. | ||
| So I'll start out with a compliment here for Jakari, and that is that, like, you know, the citizenship is burned onto people's arms as, like, an ID. | ||
| So that is kind of like the... | ||
| No, that's fair. | ||
| No, no, no, I'll take that. | ||
| Except, isn't the March of Beast, like, about buying and selling? | ||
| Yeah, yeah, yeah. | ||
| It's supposed to be the commerce. | ||
| But, I mean, access to Elysium does kind of... | ||
| Maybe. | ||
| There is no indication of any commerce going on on Earth or in space. | ||
| There's only smuggling people or other shit. | ||
| The only money you ever see is people waving it in the air trying to get on the human smuggling ship. | ||
| So there's some problems. | ||
| Jagari's kind of frustrated that you just throw down the gun after you use it once. | ||
| But that's quicker than reloading. | ||
| If there's another gun right there you can grab. | ||
| That's why you do it. | ||
| But more importantly, they did explain how the world came to be in that dystopian setting right at the beginning of the movie. | ||
| The world is suffering from disease, overpopulation, and pollution at the end of the 21st century. | ||
| At that point, the rich people took off and took their resources with them, which obviously would have devastating effects on national and international infrastructures. | ||
| The plot of the movie takes place in 2154, so that's like 150 years after all the rich people left the planet. | ||
| So I guess they don't tell you exactly what happened, but the implications are crystal clear. | ||
| And I think being too granular would make a really boring beginning to the movie. | ||
| You get just bogged down. | ||
| I feel like now I have the complete opposite take of these people. | ||
| They should be fucking impressed that the AK still works in 2156. | ||
| You bet. | ||
| That was out of production immediately after the rich people left, at least. | ||
| Or it would just be like a vintage, weird, antique. | ||
| Yeah, yeah, yeah. | ||
| You don't see people using a fucking musket now. | ||
| If somebody used a musket in a movie, and my review was like, that musket could have been better. | ||
| Musket could have been better. | ||
| Muskets are shit, you know? | ||
| But you know what? | ||
| Also, anybody who uses a musket nowadays is either somebody who has an old-timey... | ||
| YouTube channel? | ||
| Sure. | ||
| Or is a real weirdo? | ||
| Is a real weirdo. | ||
| So I assume anybody who would use an AK-47 in 2150 is probably a real weirdo. | ||
| Also, Alex is complaining about the transhumanism of an ID thing, but in the movie, Matt Damon gets a fucking exosuit. | ||
| He gets an exosuit. | ||
| He's half robot! | ||
| He's a cyborg. | ||
| For all intents and purposes, yes. | ||
| I think. | ||
| So we got Kit Daniels coming up next. | ||
| He has some thoughts. | ||
| He, of course, is the person who wrote the article defaming. | ||
| No one died at Sandy Hood. | ||
| No, that was the Don Salazar who wrote those. | ||
| The Parkland shooting. | ||
| But he comes in and he has some other thoughts that I think are incredibly trivial. | ||
| Kit! | ||
| Daniels, Infowars.com rider. | ||
| What is your take on this? | ||
| What caught my eye was the sophisticated spy tech, which was seen in the drones, which was basically normalized. | ||
| We already have a combination of spy satellites used domestically as well as drones that were used domestically as been revealed by the EFF recently. | ||
| Yep. | ||
| Well said. | ||
| Sure. | ||
| Okay, okay. | ||
| You know, I've been trying to get myself in the headspace of somebody who can watch a movie and have any of these takeaways as being an acceptable thing to respond to a movie with. | ||
| Yeah, yeah. | ||
| You insane people. | ||
| But then I was like, that's right. | ||
| They think all movies are real. | ||
| Sure. | ||
| So it is a real problem for them that their grandchildren won't be able to fire a good AK-47. | ||
| That is an issue they are concerned with. | ||
| They take that personally. | ||
| Yeah, clearly. | ||
| Yeah, yeah. | ||
| But even more than that, the trend that I see is these are observations about things. | ||
| It's kind of like if you asked a child, what was your favorite part of the movie? | ||
| The spy stuff. | ||
| There's no analysis of it. | ||
| There's no, like, what does this mean? | ||
| What is that? | ||
| How does that serve the plot? | ||
| What is it saying? | ||
| It's like, no, I got a bunch of spy things. | ||
| I got drones. | ||
| Kit, what was your favorite part of Moby Dick? | ||
| There was a whale. | ||
| The end. | ||
|
unidentified
|
Okay. | |
| Can't argue. | ||
| Can't argue. | ||
| There was a whale. | ||
| There was. | ||
| So, there's one other person there who was along and has a review, and this is a guy named Shane Steiner, who, I don't know what the fuck he does at InfoWars. | ||
| He was around for a while, and he was, like, a big, muscly guy who they would get whenever they needed a commercial for their, like, testosterone product. | ||
|
unidentified
|
Right, right, right, right. | |
| Because he was really, really muscly. | ||
| Yeah, that was his job. | ||
| You're our pecs guy. | ||
| Yeah, yeah. | ||
| And so, he has a review, and I honestly think that he is maybe the best film critic of the door. | ||
| Okay. | ||
| Steiner, final word on Elysium. | ||
|
unidentified
|
Well, I thought it was, you know, how easy it was to solve, like, cure cancer and stuff. | |
| You just lay in a bed, it goes over the top of you and it fixes you, and it just, how easy that is. | ||
| Like, if you had that technology, like you just, like they were just being jerks not sharing it with Earth and everything. | ||
| And also how they would shoot like an AK-47 and then it would run out of bullets and they would just throw it down. | ||
| Well, and then Matt Damon has his kids in private school, but we shouldn't be able to. | ||
|
unidentified
|
That's right. | |
| Yeah, I mean, overall, very sophisticated movie. | ||
| Great action, though. | ||
|
unidentified
|
It was really good, yes. | |
| Oh, yeah, really good. | ||
| What? | ||
| Great, sophisticated movie, a lot of action. | ||
| Yeah, I mean, Shane Steiner kind of gets it. | ||
| Yeah, no, he does. | ||
| These people are jerks. | ||
| Yeah, I mean... | ||
| Because they have magic medical technology and they won't share it. | ||
| And it wouldn't cost them anything, really, to share it because money doesn't seem to be real. | ||
| I feel like the stakes are higher than just jerks. | ||
| Oh, look at those jerks committing the Holocaust, a bunch of assholes. | ||
| Like, no, it's more important, dude. | ||
| They're meanies! | ||
| Yeah, he does sound a little bit childish, but at the same time... | ||
| Good point. | ||
| No, he's right. | ||
| But there was like... | ||
| I don't know, six, seven people there, and three of them had complaints about AK-47s. | ||
| I don't understand that. | ||
| I don't. | ||
| They are Second Amendment people. | ||
| I know, but I just don't understand. | ||
| So, their reviews have wrapped up, and they decide to celebrate having seen the movie. | ||
| Yes. | ||
| In the only way they know how. | ||
| It was a beautiful movie. | ||
| I gotta go see it again just to break it all down. | ||
| What? | ||
|
unidentified
|
One time. | |
| One, two, three. | ||
| Matt Damon! | ||
|
unidentified
|
Matt Damon! | |
| There you go. | ||
| So we just get rid of the borders and let everybody, the billions in from around the world. | ||
| Free healthcare for everybody. | ||
| Free healthcare. | ||
| We're all bankrupt and the globalists will live on Elysium. | ||
|
unidentified
|
Yay! | |
| Absolutely. | ||
| So there you go, folks. | ||
| Well, that's the report on Elysium for InfoWars.com. | ||
| What was the movie about? | ||
| No one has any clue. | ||
| It was about the need to have appreciation for AK-47s. | ||
| It does appear that way. | ||
| Yeah, that was a big part of it. | ||
| And I gotta tell you, I'm not showing you the video here, but they looked so happy when they did that Matt Damon thing. | ||
| They were over the moon to be in a group of people who go... | ||
| God, it was great. | ||
| I have rarely in my life been as happy as they were. | ||
| They had a lot of negative things to say about this movie, and then immediately after, they're like, well, obviously it was great, and I'm going to go see it again. | ||
| Yeah. | ||
| Immediately. | ||
| Obviously I need to study this film, and we'll buy tickets to see it again. | ||
| What it is is I don't like the film, and that's why I've got to watch it four or five times. | ||
| And buy a copy on DVD. | ||
| Yeah, absolutely. | ||
| As soon as it comes out. | ||
|
unidentified
|
And I'll chant Matt Damon with my friends. | |
| So, we get back to the show itself on August 9th, and Alex has had some time to sit with it. | ||
| Because I don't know if I mentioned this, but he went to see the Thursday Midnight Show on the day before it came out. | ||
| He hates sci-fi, he hates this movie so much, but he's got to see it the minute it's possible. | ||
| He was dressed as a Gandalf, so 2013 was different for him. | ||
| Disagree. | ||
| He had an exosuit. | ||
| Brought it from home! | ||
| All of the Envorah's crew have exosuits. | ||
| That would be so cool. | ||
| Etsy, get on it. | ||
| Just a bunch of weirdos in exosuits going, Matt Damon! | ||
| Back when I worked at a movie theater, if I saw that, I'd be like, you guys gotta go. | ||
| You guys gotta go. | ||
| You're too drunk. | ||
| Go to the 12 theater thing. | ||
| We can't do this here. | ||
| Yeah. | ||
| So, the movie Elysium was directed by Neil Blomkamp, whose previous film was District 9. And I thought this was a pretty surprising revelation from Alex. | ||
|
unidentified
|
Okay. | |
| Detroit Rock City. | ||
| We're gonna be looking at that and tying it into Elysium. | ||
| You know, I tried to give the film the benefit of the doubt beforehand. | ||
| Was a big fan of District 9, even though it had its own political messages. | ||
| This film was incredibly well done. | ||
| This director is a master, and he is a total globalist pawn. | ||
| This was a piece of anti-white, race war, anti-American, anti-free market, anti-capitalist. | ||
| Propaganda. | ||
| And again, I mean, the way it sells it, you want to be a communist. | ||
| It's not that I side with the bad guys in the movie. | ||
| It is a projected fraud. | ||
| And the fact that Matt Damon and the director would come out and say, there's nothing political about this, insulting, insulting everyone. | ||
| So I kind of agree, like, when Alex is complaining about the comments that Matt Damon and Blumkamp made, they made comments about the movie not being political. | ||
| I think that's kind of disingenuous. | ||
| Yeah, obviously. | ||
| But it was in response to, like, the right-wing trying to cause, like, a giant culture war over this. | ||
| They were doing some kind of damage control. | ||
| But, like, I mean, come on. | ||
| They wanted to make money with the movie, and these right-wing media figures were all being like... | ||
| And then going to see it on opening night and then seeing it the next day. | ||
| It is so like the best way to make money if you've made kind of a shitty film is to make right-wingers mad about it. | ||
| True. | ||
| They have to go see it to be angry at it. | ||
| Financial strategy. | ||
| Maybe that wasn't in place. | ||
| Maybe Elysium started that. | ||
| I don't know if it did. | ||
| Also, to be clear, Alex definitely sides with the bad guys in this movie. | ||
|
unidentified
|
100%. | |
| Yep. | ||
| Also, I mean, I don't know if it's telling you to be, like, making you want to be a communist, but if that comes with, like, you're not hoarding magic med beds, I feel like that is the right side to be on. | ||
| Yeah. | ||
| What I find interesting, alright, so, movies are real. | ||
| We just all have to accept that movies are real. | ||
| So now we're there. | ||
| And he's mad at himself. | ||
| For being empathetic to people. | ||
|
unidentified
|
Yep. | |
| He's like, oh man, this movie makes you realize when bad things happen to others, you should care. | ||
| No! | ||
| Yep. | ||
| And he is not siding with the bad guys. | ||
| No, no, no, no. | ||
| The good guys are the ones that make people die painfully. | ||
| Right. | ||
| And to the point of the bad guys, it's also critical that we point out that they are all white. | ||
| Yes! | ||
| And Alex is furious about this. | ||
|
unidentified
|
Yeah, yeah, yeah. | |
| But also they're not. | ||
| Folks, you know I'm all about unity and stuff, but the so-called left is not going to allow that, okay? | ||
| And they are the racist. | ||
| It's beyond that. | ||
| They're the technocrats. | ||
| But this was unbelievable. | ||
| The only good white guy in the movie is Matt Damon. | ||
| Every other white person is an inhuman devil that has to be killed. | ||
| Afrikaners, Dutch whites are just demons. | ||
| Yeah, 100%. | ||
| I'm imagining a movie where all the bad guys are black people. | ||
| I mean, that basically is what this is. | ||
| Unbelievable. | ||
| Don't believe it. | ||
| Oh, man. | ||
| Because the president of Elysium is an Indian guy, and if you actually pay attention, the tribunal that has oversight over Jodie Foster's character is five people, and it includes a black woman and an Asian woman. | ||
| While they may not be as openly cruel as Jodie Foster's character, they are active participants in propping up the system that she uses violence to maintain, so they're definitely villains in the movie. | ||
| 100%. | ||
| Beyond that, there are three investors who scold William Fickner. | ||
| William Fickner's out there doing William... | ||
| Yeah, he's Matt Damon, the CEO of the company where Matt Damon gets radiated. | ||
| And there's three investors who scold him to make more profits from his Earth factory, and they are Elysium citizens, and they are not heroes in the movie. | ||
| One's a white lady, one's a black guy, and one's an Asian dude. | ||
| There's an implied diversity on Elysium, but the film is pretty limited in what it shows on the actual space station. | ||
| One of my notes from about an hour and ten into the movie is not a whole lot of this movie is taking place on Elysium. | ||
| And there's probably a reason for that. | ||
| Like, if you create a larger, more complicated world in Elysium, that doesn't really help the plot of the film. | ||
| It would probably make things way too complicated. | ||
| Elysium exists as an aspirational place, not as an actually fully realized world. | ||
| The pictures that you do see are overwhelmingly white, and the reason is because most of them are scenes that take place at the... | ||
| Home of Jodie Foster's character. | ||
| It's not a huge leap to assume that she just might be a racist. | ||
| Her character is introduced and her sort of defining quality is that she wants to shoot ships out of the sky. | ||
| People trying to get to Elysium. | ||
| So there are debatably no white people who are the good guys of the movie because there really aren't many good guys. | ||
|
unidentified
|
No. | |
| And part of the reason for that is because there aren't many good guys, period, in the movie. | ||
| The climax happens by accident. | ||
| There is nobody who plans to make everyone citizens of Elysium. | ||
| It is all people doing crimes and Matt Damon trying to save himself and then they accidentally reboot the system of Elysium, whatever the fuck that means. | ||
| Yeah. | ||
| It's silly. | ||
| I mean, so what I find troublesome about Alex's review is that all of the main characters who speak the most are white. | ||
| Like Matt Damon speaks the most. | ||
| Jodie Foster speaks the most. | ||
| Those are the two who speak the most. | ||
| What more do you want? | ||
| A couple of Matt Damon's buddies, maybe? | ||
| I mean, isn't he just going to be like, can't we have all-white movies? | ||
| It's what he's saying, right? | ||
| It's a little close to that. | ||
| It's so close to that! | ||
| You know, if you have one white villain, you have to have two additional... | ||
| Is that the ratio? | ||
| Yeah, I think that's what he wants. | ||
| It's very bizarre. | ||
| It's the Fibonacci sequence of white people. | ||
| That's how it works. | ||
|
unidentified
|
That makes sense. | |
| He makes a fair enough point about the Afrikaner character in the movie, but that way he's the villain because Neil Blomkamp is from South Africa, and the guy who plays the mercenary who's hunting down Matt Damon is Sherido Copley, who starred in Blomkamp's... | ||
| District 9 and then he went on to be Chappie. | ||
| Yep. | ||
| Chappie! | ||
| He's Blomkamp's muse. | ||
| Any Chappie fans? | ||
| Alright. | ||
| That movie is transhumanist as hell. | ||
| Yeah, that one. | ||
| I wonder if he's reviewed all of it. | ||
| He should do like a marathon of Blomkamp movies. | ||
| I would love it. | ||
| If he loves District 9. And somehow has been like, well, there's clearly no political message there that I could be mad at. | ||
| That one's just about prawn aliens. | ||
| Which, by the way, I really think comes down to the fact that the guns all worked in District 9. See, if the guns all work, there's no reason to get critical. | ||
| That instinct doesn't kick in. | ||
| Oh, that gun jammed. | ||
| This movie sucks! | ||
| So essentially, what I assessed is that Alex has an issue with race, and he's projecting that onto the movie, as opposed to seeing the movie and interpreting it. | ||
| We'll accept that. | ||
| So we jump off talking about Elysium for a minute, because Alex has to get a little bit petty about something, and I always find this quite delightful. | ||
| Support those local sponsors, or if you're a local business, sponsor the show. | ||
| Today, that's how we're growing all over the nation, and how we go on Sunday, and a few months later we go on at night, and then six months later we go on primetime live. | ||
| That is the pattern on these stations, and we're reaching more people exponentially out there. | ||
| It's great to reach people on the Internet and to be rated number three talk show host on the Internet after Glenn Beck and somebody else by talkers. | ||
| Really, folks, we're number one or number two. | ||
| I don't even care about ratings. | ||
| The point is it's just not accurate. | ||
| I like Talkers Magazine. | ||
| They're nice folks. | ||
| But I'm not the number three internet talk show host in the world. | ||
|
unidentified
|
I'm at least number two. | |
| Probably number one. | ||
| But the point is that that info is out there. | ||
| But AM and FM is so special. | ||
| Oh, it's so special. | ||
| One, two, three. | ||
| Matt Damon! | ||
|
unidentified
|
Look, I don't care about ratings, but goddammit, I'm not number three. | |
| I'm probably the best. | ||
| I love that. | ||
| That's delightful. | ||
| That is good. | ||
| That is someone who doesn't realize he is very mad about people thinking he's number three. | ||
| And it's transparent. | ||
| So, thank God we got a little break from Elysium Talk. | ||
|
unidentified
|
I'm sure he's not going to go back to it, right? | |
| It sells it like every white person is a murderous, evil robot that feeds on the angel Hispanics and angel black people. | ||
| And the only good white person is really Hispanic himself. | ||
| He just looks, you know, what you'd call, you know, like pure, quote, Anglo. | ||
| And that's Matt Damon. | ||
| And he sacrifices himself as the Christ figure. | ||
| Because of the evil white people. | ||
|
unidentified
|
I mean, it is unbelievable. | |
| And it's anti-European. | ||
| It's anti-Dutch. | ||
| It's anti-French. | ||
| What? | ||
| America is basically Elysium and Germany and France and England. | ||
| And it has subliminals in it. | ||
| I gotta go see it again. | ||
| I mean, take notes and not when it's midnight. | ||
|
unidentified
|
God damn it! | |
| For the first showing. | ||
| God damn it! | ||
| Because I was also tired. | ||
| Fuck this movie. | ||
| It's anti-white and it has subliminal suggestions. | ||
| I gotta see that again. | ||
| I gotta see that again. | ||
| Maybe it did have subliminal suggestions and it's like, Alex, you have to see this again. | ||
| Buy another ticket. | ||
| Man, I was... | ||
| Of all the things that I was expecting, Matt Damon isn't white enough is not one of them. | ||
| Never in my life have I been like, oh, I wish Matt Damon were whiter. | ||
| Yeah, man. | ||
|
unidentified
|
It's crazy. | |
| I thought that was troubling and I'm glad that you all did too. | ||
| Because apparently Alex thinks that he's not really white. | ||
| He's kind of not white because he has a bunch of Hispanic friends. | ||
| Great. | ||
| That's basically... | ||
| That's how you do it? | ||
| Yeah. | ||
| That sucks as a mentality, but not too surprising for Alex to believe. | ||
| Yeah, you know, it's weird to think that in 2013, as long as you didn't say a racial slur, you could say incredibly racist things like, Matt Damon's not white enough, and people are like, hey, hey, hey. | ||
|
unidentified
|
That's a little bit problematic, but yeah, go for it. | |
| I mean, Alex is still doing that now. | ||
| Yeah, that's true. | ||
| So, Neil Blomkamp is a director. | ||
| He makes movies. | ||
| But apparently, he is going to go down in history as the world's worst propagandist. | ||
| Blomkamp. | ||
| Neil Blomkamp makes Joseph Goebbels look like a lobotomized rat. | ||
| I mean, this was just propaganda hammer. | ||
| And also, the black ops teams, when they're in live satellite stuff, they're blurred out, even as they're killing people. | ||
| Just like Google blurs out one. | ||
| I mean, it had a lot of subtle stuff in it. | ||
| Jakari Jackson, who went with us, he picked up the Mark of the Beast stuff. | ||
| It was truly amazing. | ||
| And it also sells kind of like a scum, gangster, Latino culture, as if that's the Hispanic culture. | ||
|
unidentified
|
Wait, what? | |
| He tries to brand that, that that's the cool thing. | ||
| Doing drugs, partying, that's really tough and wonderful. | ||
| Yeah, so, like, MS-13's really sexy. | ||
| So it was also meaning to brand a gang culture for Hispanics as a psychological warfare weapon to hurt them. | ||
| It was, uh, this guy made me the front guy. | ||
| I mean, this had armies of psychiatrists and people working on it. | ||
| Yeah. | ||
| I'm realizing that... | ||
| That's a take. | ||
| I'm realizing that my biggest problem now with the movie Footloose is that Lithgow never gave us a review of another movie. | ||
| Partying in this movie! | ||
| Yeah, so Neil Blomkamp, worse than Goebbels. | ||
| Worse than Goebbels. | ||
| Worse than Goebbels. | ||
| Yep. | ||
| Didn't Goebbels make at least more movies? | ||
| I think so. | ||
| I mean, what, he's hit like five or six for Blomkamp at this point? | ||
| Chappy! | ||
| He's got a lot of work to do. | ||
| Yep. | ||
| Don't think, I agree with it, although I do love the take that Alex has where it's like, he's probably the front guy. | ||
| Probably the front guy? | ||
| There's a team of psychiatrists throughout this movie. | ||
| I mean, I guess it would make sense if this movie was written by a committee, because it's very convoluted. | ||
| The plot is meandering. | ||
| But, I don't know if it was a team of psychiatrists. | ||
| I don't understand how you can both describe someone as a master of filmmaking, and then in the next breath be like, ah, terrible. | ||
| Hate this movie. | ||
| I'm going to go see it again. | ||
|
unidentified
|
Terrible. | |
| Hate this terrible movie. | ||
| Well, because it's so evil that he must study it. | ||
| It's not because he enjoyed it. | ||
| Great action. | ||
| Great action. | ||
| Really fun movie. | ||
| But I must study it. | ||
| And I'm not going to enjoy studying it. | ||
| I just have to learn. | ||
| Let me tell you this. | ||
| I don't like Star Wars. | ||
| I don't like Star Wars. | ||
| I'm going to go watch Empire Strikes Back. | ||
| It's a really great movie. | ||
| I had a little bit of a concern coming into this show that maybe some of Alex's critique was a little one-note. | ||
| And you'll be surprised to learn that it is. | ||
| And I hope you like hearing Alex complain about how anti-white Elysium is. | ||
| And to globalists see the numbers, the world's what you'd call 7% white, which is 9% just a decade ago. | ||
| It'll be like 3% within another 30, 50 years. | ||
| In fact, it's predictive that, quote, white Caucasians will be extinct within 100 years. | ||
| There will be no white people. | ||
| And they teach in college. | ||
| That's good. | ||
| Get rid of them. | ||
| We're bad. | ||
| You know, whatever you do. | ||
| And my whole issue is that I'm sitting here as a white guy. | ||
| Yes, you are. | ||
| Being told I'm just inherently evil. | ||
| But the only reason that's happening is the globalists are trying to play our countries off against each other. | ||
| They're trying to play our religions off, race off, all that. | ||
| In the name of fighting racism, they're selling it and pushing it. | ||
| And this is hardcore branding for all. | ||
| I mean, this is unbelievable, ladies and gentlemen. | ||
| This is kill all the gringos and then 20 billion people can go live on a space station that 100,000 can live on. | ||
| So that's our issue now. | ||
| Yeah, I mean, I think he missed some of the point. | ||
| Yeah, maybe. | ||
| Maybe a little bit. | ||
| I think he's so angry about immigration issues that he doesn't realize that no one goes to Elysium. | ||
| Like, at the end of the movie, it's not like everyone is flooding into the space station. | ||
| They bring those med beds down to Earth. | ||
| I mean, but you realize that his essential critique of the movie is that Elysium needs stronger borders. | ||
|
unidentified
|
Yep. | |
| Mm-hmm. | ||
| I also think it's wild that his sort of complaint about white people disappearing is like, what about my employees? | ||
| What if I hired multicultural people? | ||
| What would happen next? | ||
| But if I'm not here as a white boss, would that be better for them? | ||
| Yeah, maybe. | ||
| I mean, working for you clearly sucks. | ||
| Yeah, yeah, yeah. | ||
| We have lots of corroboration on that. | ||
| Yeah. | ||
| So, this next clip, I feel like Alex was incredibly close to getting close to the point. | ||
| Okay. | ||
| Very close. | ||
| That's exciting. | ||
| But he's still away as a field from coherence. | ||
| Let's see how close he can get. | ||
| And this is all financed by ultra-rich that are exempt and are offshore, and Google funds all this open-border stuff while they're building floating cities and space stations. | ||
| They're actually building Elysium, and they're using our money to build it, and they're going to all have us fight with each other. | ||
| You don't fix the world with new science, new inventions, new technology coming together around a culture of liberty. | ||
| No, no, no. | ||
| You fix it with gang tattoos and drinking and smoking pot and killing white people. | ||
| And there's religion in it with the nun speaking to him. | ||
| You're going to change the world. | ||
| I mean, it is pure liberation theology, probably foundation written. | ||
| This is unbelievable. | ||
| So he kind of starts to get, like, there's these corporations untaxed and all this. | ||
| They're building Elysium! | ||
| Wait! | ||
| Hold on! | ||
| Oh, shit! | ||
| But then he just keeps getting caught up in the race stuff. | ||
| Yeah, yeah, yeah. | ||
| That's tough. | ||
| Yeah. | ||
| So how close do you think he got? | ||
| I mean, from what I recall, rich people are the villains in the movie, right? | ||
| The only other thing I recall is that the bad guy got his face ripped off at one point, and then he got in the medbed and fixed his face. | ||
| So those are good fucking medbeds. | ||
| They proved it. | ||
| They clearly can resurrect people somehow, but then they can't bring Matt Damon back at the end. | ||
| What I missed, right, is when they put him in the medbed, half of his brain was missing at that point. | ||
| So the medbed is able to perfectly recreate the brain. | ||
| And he looked better. | ||
| And he looked better. | ||
| He looked younger. | ||
| Yeah. | ||
| Right? | ||
| He took a grenade to the dome. | ||
| That's the kind of injury we're talking here. | ||
| Like, my real problem now is, like, if you have this technology, why even go to Elysium? | ||
| Nobody's gonna fight. | ||
| You can just resurrect people within seconds. | ||
| Well, he was on Elysium when he had that med bed. | ||
| Well, sure, but I mean, say, a hundred years before this. | ||
| Well, let me double down on your thing here. | ||
| Okay. | ||
| If the people on Earth have the ability to give people bizarre exosuits that make them superhumans... | ||
| What are they missing? | ||
| I don't know. | ||
| Seems like everyone is insanely technologically advanced. | ||
| Yeah, I mean, how do you not also figure out how to make your own medbed at a certain point? | ||
| Right. | ||
| You can make superhuman exosuits. | ||
| Seems like a hop, skip, and a jump over to that. | ||
| Yeah, if somebody invents technology in one place and other people know that it's possible, then even if they don't... | ||
| Get the schematics for that thing. | ||
| They still can recreate something very similar to it. | ||
| You'd think. | ||
| Maybe their med beds suck. | ||
| Call Blumkamp. | ||
| Who's got his number? | ||
| Somebody get here. | ||
| Call the foundation psychiatrist that wrote this movie. | ||
| Dan, I'm starting to think that movies aren't real. | ||
| Nah. | ||
| What a bummer. | ||
| So, Alex went to the Thursday Midnight Show. | ||
| He recorded a video with all of his buddies talking about the movie. | ||
| One, two, three! | ||
|
unidentified
|
Max! | |
| David! | ||
| Hell yeah. | ||
| This is why you do a live show. | ||
|
unidentified
|
Only that. | |
| Only that. | ||
| There was a really small part of me that was like, well, what's going to happen at three? | ||
|
unidentified
|
LAUGHTER So he records this video, puts it out, goes on his show on the 9th, on Friday, complains about how racist Elysium is, and then he finishes his show. | |
| Sure. | ||
|
unidentified
|
Then... | |
| He doesn't see Elysium again, I assume. | ||
| Nope. | ||
|
unidentified
|
Oh. | |
| Sits down in front of a camera and records a special report about Elysium. | ||
|
unidentified
|
Of course! | |
| It's about Elysium! | ||
|
unidentified
|
Oh, God. | |
| Yeah. | ||
| What an amazing human being. | ||
| I hit the wrong button, buddies. | ||
|
unidentified
|
Oh, no. | |
| Here we go. | ||
| Last night, I took some of the InfoWars crew out to see the midnight showing of the film Elysium. | ||
| Big fan of science fiction. | ||
| And I like Matt Damon as well. | ||
| I've got to say, it's a beautiful film. | ||
| It's very, very deep. | ||
| It's beautiful in the way it's shot and presented. | ||
| It's very entertaining. | ||
| It is a very ugly film for what it is pushing culturally. | ||
| Yeah. | ||
| So, no shit. | ||
| Alex likes sci-fi. | ||
| That's definitely... | ||
| We got that for sure. | ||
| I find it a little weird about that part where Alex says that he likes Matt Damon, though, because he shouldn't. | ||
| You know? | ||
| Yeah. | ||
| Seems like Matt Damon's exactly the opposite of what he likes. | ||
| Right. | ||
| I mean, what I don't understand is how only an hour ago before this, you can be like, well, Matt Damon's not white enough for me. | ||
| And then an hour later, you'll be like, I love Matt Damon, though. | ||
| I generally like his work. | ||
| Why? | ||
| What are you talking about? | ||
| Yeah, so in preparation for this episode, I ran across Alex doing a review of World War Z. He's very obsessed with that movie as well. | ||
| I want to play a little bit of it. | ||
|
unidentified
|
Okay. | |
| And spoiler alert, the movie is racist against white people and is all about globalist open borders agenda. | ||
| Basically the same type of review. | ||
| So here's a little clip of Alex sharing his thoughts about a certain actress. | ||
| Okay. | ||
| As is often the case, I saw some emails coming into the office a few days ago. | ||
| I saw some comments on YouTube last night. | ||
| Hey, Alex, why aren't you covering and doing a film review for World War Z? | ||
|
unidentified
|
What? | |
| This is incredible propaganda. | ||
| So I went and watched the trailer. | ||
|
unidentified
|
Cool. | |
| And I went and found they've got the full synopsis online. | ||
| They're not hiding that it is basically an adaptation of the book. | ||
| And is the book broken into three? | ||
| And having my background knowledge, I immediately knew what was happening. | ||
| This is a United Nations world government acclimation event. | ||
| Angelina Jolie, and we have some shots of her up on screen for TV viewers. | ||
| Radio listeners just type in Angelina Jolie UN. | ||
| There's all these disgusting photo ops. | ||
| Claiming she's trying to help Africans when she's pushing the Afrikan invasion. | ||
| I'm sorry? | ||
| The mass murder of Libya and handing it over to Al-Qaeda. | ||
| Now the 20-month attack on Syria using Al-Qaeda. | ||
| I mean, she is a world government front lady. | ||
| Consciously, because there's nothing worse than being a pro-war thug and then saying you're a humanitarian. | ||
| I mean, it's like Obama the Peace Prize winner. | ||
| I mean, Angelina Jolie is really bad news. | ||
| So you might be thinking to yourself, hey, that's weird. | ||
| Angelina Jolie isn't in World War Z. It's extremely weird. | ||
| Yeah, you'd be correct in that thought. | ||
| About two minutes of Alex's six-minute review of the movie is him complaining about Angelina Jolie being a U.N. ambassador because her husband at the time is in that movie. | ||
| I bring all this up because Matt Damon also does a bit of work with people who Alex believes are in the employ of the devil. | ||
| For example, in 2006, Matt Damon participated in a trip to Zambia where he was learning about the U.N. anti-poverty projects going on there. | ||
| He called it a, quote, life-changing journey. | ||
| He founded a charity called Water.org that involved him engaging in, quote, high-level meetings with institutions like the World Bank and World Economic Forum. | ||
| One, two, three! | ||
| Matt Damon! | ||
| He attended Davos and spoke at the World Economic Forum multiple times, and you can easily find a bunch of pictures of him in front of UN and WEF backgrounds. | ||
| And yet somehow Alex doesn't have the same vitriol towards him as he does towards a very publican, outspoken woman. | ||
| That seems out of character for Alex. | ||
| I can't think of any reason that they're different. | ||
| Yeah. | ||
| I mean, because both Brad Pitt and Matt Damon were in Ocean's 12, so you can't differentiate them that way. | ||
| Sure. | ||
| Like, they're both carrying that sin. | ||
| That's a sin? | ||
| Yeah, Ocean's 12. Oh, yeah. | ||
| Ocean's 12. We all know why Alex or Jordan thinks that's a sin. | ||
| I'd like to apologize that I'm sweating from my face. | ||
| We might as well address it. | ||
| I got a sweaty forehead, generally. | ||
| And you know what? | ||
| It's kind of an accessory because it makes me shiny. | ||
| What's great is against all odds. | ||
| Pits. | ||
| What? | ||
| No stains. | ||
| No stains. | ||
| That's unbelievable! | ||
| Jordan learned his lesson after Austin and got Botox in his pits. | ||
| Yep. | ||
| Yep. | ||
| 100%. | ||
| So, we get to Alex continuing his special report. | ||
| And what do you know? | ||
| It's just more racial complaints. | ||
| Record that the federal government is helping. | ||
| Finance the production of this message that the, quote, Latino nations south of the border, 700 million people total, have a right to come into the United States under a racial system and take over and attach to that and liberation theology pushed by the federal government for the last 60 years and the Ford Foundation that basically all whites are bad. | ||
| And that Hispanics are God and the saviors of everyone. | ||
| And that those Hispanics are socialist, communist, collectivist. | ||
| So they're tagging on the idea of liberty to communism and basing it around racial identity. | ||
| The only good white person in the entire film is Matt Damon. | ||
| And he is a white Latino who basically grew up in a Mexican orphanage. | ||
| It is incredible. | ||
| Yeah, he really does think that. | ||
| Wait, did he say that Matt Damon was raised in a Mexican orphanage? | ||
| Yeah, at the beginning of the movie he's raised in a mission. | ||
| Oh, I thought he meant that Matt Damon was raised in a Mexican. | ||
| Yeah, yeah, yeah. | ||
| Because that would make more sense why he thinks that the Matt Damon human being is not... | ||
| Well, I mean, still, but Matt Damon, the actor raised in an orphanage, rises to the top. | ||
| Why not? | ||
| I think we would know that story if that was the case. | ||
| I would imagine so! | ||
| He wouldn't be so associated with Boston. | ||
| Yeah. | ||
| Oh, look at that orphanage in Mexico! | ||
| They have great coffee. | ||
| Yeah. | ||
| So, I'm gonna go ahead and skip the next clip, because honestly, it is more just complaining about how Elysium is anti-white. | ||
| He spends a lot of time on that one thought. | ||
| It's exhausting. | ||
| When it's not even the most important one. | ||
| The AK didn't work, man! | ||
| Right! | ||
| What are you doing talking about race? | ||
| There are more pressing issues. | ||
| That was such an important point immediately. | ||
|
unidentified
|
Immediately! | |
| And then it's sort of like, wait, I have more time to think about this. | ||
| I'm angry about race. | ||
| With time to ruminate, I have decided that being angry at a gun is a bad idea. | ||
| Well, and he can go home and check on his AK and make sure it's cool still. | ||
| You know? | ||
|
unidentified
|
It's okay. | |
| It's okay, baby. | ||
| I'll keep you safe for 150 more years. | ||
| I'll keep you safe. | ||
| You're safe. | ||
|
unidentified
|
Yeah. | |
| Keep you safe from the gun grabbers. | ||
| I'll never take my daughter, but you're coming fishing with me. | ||
| See, these are the kind of jokes you can make when your pits are dry. | ||
| That's what I'm saying. | ||
| So there's a lot of propaganda in this movie, that's for sure, but there's also some truths, and that's what makes the movie so dangerous. | ||
| Very sophisticated film. | ||
| It points out that there is breakaway civilization by the technocrats. | ||
| It points out that Homeland Security is putting in a robotic control system over the people, and that a technocracy is rising. | ||
| That's what makes this so dangerous, is that it has a lot of truths in it. | ||
| And that the West, at least the corporations in the West, have been exploiting the third world to a certain extent. | ||
| So there is a lot of truth in it, but it just brands it in anti-white, as if white people are the source of evil on the planet. | ||
| I really did not come away from the movie with that feeling. | ||
| Not at all. | ||
| It's nuts that he is so hyper-focused on this. | ||
| No, now I'm coming away. | ||
| One of the things that I took away from that movie is that somebody... | ||
| So the robots that keep people in line... | ||
| Are real dicks. | ||
| Which means that somebody had to program the robot to be an asshole. | ||
| There was somebody writing the code that was like, I'll be a real dick to that guy. | ||
| Why? | ||
| Matt Damon has a robot probation officer and this probation officer is sophisticated enough to be able to detect sarcasm but still talks like a are you talking to me kind of robot. | ||
| Like, what the fuck is going on here? | ||
| At what point did they... | ||
| Were they like, we need to have robots get an attitude, you know? | ||
| Like, what's the problem with robots? | ||
| They're not cruel enough. | ||
| They're objective. | ||
|
unidentified
|
Yeah, yeah. | |
| Oh, man. | ||
| They would treat everybody the same way at the border unless you programmed them to be a dick. | ||
| Also, Alex isn't supposed to think that corporations are exploiting the third world. | ||
| Yeah, that's a good point. | ||
| That's kind of against a lot of his stated beliefs. | ||
| That was weird to see him slip that in there. | ||
| If you love capitalism, it's hard to be mad at that. | ||
| I mean, there are some things in the movie about surveillance and that kind of stuff that maybe you can take away. | ||
| But the idea of breakaway civilization, it's not like people are trying to build a space station to live on. | ||
| No, not right now. | ||
| That's a metaphor. | ||
| Yeah. | ||
| It's that the rich are so far removed from the rest of us. | ||
| It's inaccessible. | ||
| And they don't understand our problems. | ||
| And they don't understand why we would want those med beds. | ||
| Yeah, and they don't care. | ||
| Yeah, absolutely. | ||
| Yeah, there's a lot of that. | ||
| It's easy to not care. | ||
| So here's what I would say about this movie. | ||
| So if you're thinking about rich people, it's easy to not care if you don't see the damage that you're causing. | ||
| So imagine if a rich person were to watch a movie called, let's say, Alicia. | ||
| And they saw all of these people struggling and dying and miserable. | ||
| And they were like, oh, empathy. | ||
| But then they saw Alex and he's like, ah, no. | ||
|
unidentified
|
Kill them. | |
| For not being white enough. | ||
| Okay. | ||
| That took us to some places, man. | ||
| That got dark, man. | ||
| I was talking and as I kept going I was like, sadder and sadder. | ||
| I think the problem is that you weren't yelling it. | ||
| Like, quite honestly, I think the problem is that your register went down. | ||
| That is the first time I've ever received that criticism. | ||
| Louder! | ||
| There's no neighbors! | ||
| The neighbors can't hear you! | ||
| Right. | ||
| So, Alex has some closing thoughts for his special report about Elysium. | ||
| And that's what's so sad about this is that the propaganda is getting so slick that even when you're conscious of it, you want to give in to it because it's so beautifully presented. | ||
| So hats off to the people that produced it. | ||
|
unidentified
|
What? | |
| You've got a really good chance of creating division and race war and making sure that you can brand collectivism as a form of rebellion to make sure that you destroy any middle class and any independent wealth that you don't control. | ||
| What? | ||
| So you've done it. | ||
| You are the new birth of a nation, the birth of a Klansman. | ||
| What? | ||
| At this time you're trying to form. | ||
| A Hispanic Ku Klux Klan that will then serve the globalists in their new aims to make sure that America collapses like the rest of the third world. | ||
| Oh boy! | ||
| Quite a take! | ||
|
unidentified
|
Yeah! | |
| He's out here saying that this is the new birth of a nation. | ||
| I don't think people cared about Elysium six months after it came out. | ||
| I think what's interesting there is that essentially he is once again giving it up to the Somali pirates. | ||
| Hats off. | ||
| Hey, hey, listen. | ||
| I know you're planning on killing the entire human race, but that's a fucking great movie. | ||
| Yeah, hats off. | ||
| Good action. | ||
|
unidentified
|
Yeah, yeah, yeah. | |
| Can't argue with that. | ||
| I want one of those exosuits. | ||
| Also, keep this in the list of bad predictions Alex has made. | ||
| Elysium did not start a race war. | ||
| Nope. | ||
| Not the new birth of a nation. | ||
| No, certainly not. | ||
| So, thankfully, the special report is over. | ||
| And, you know, you'd think that that's the end of Alex's spending time complaining about Elysium. | ||
| I don't believe you. | ||
| I mean, I believe you, obviously. | ||
| Show's over, guys. | ||
| It was the end. | ||
| No. | ||
| Because we're at 800, but come on, man. | ||
| So, Sunday comes along, and Alex has his show on Sunday, and he's not there. | ||
| David Knight is hosting. | ||
| He's going to call in, isn't he? | ||
| Oh, he is. | ||
|
unidentified
|
Oh, he's going to call in to complain about Alicia! | |
| No! | ||
| No! | ||
| Jordan, I apologize, but you are totally correct. | ||
| Welcome back to The Alex Jones Show. | ||
| I'm David Knight here in the studio. | ||
| We have Alex Jones on the road. | ||
| He had to attend a funeral out of town today and he's joined us by phone. | ||
| We were just talking just before the break about what transpired this last week here in Austin. | ||
|
unidentified
|
You know, there's been a worldwide terror alert to get people afraid. | |
| That's theoretically the premise that they're going to talk about in this worldwide terror alert that's to get people afraid and then give away their rights. | ||
| And that makes David Knight think of a time that the government and the globalists didn't do that. | ||
|
unidentified
|
Get this! | |
| Get this! | ||
| Check this out. | ||
| They said even if there was a real threat of, say, a bombing that was going to kill five people, you've got a better chance of dying in their computer models. | ||
| On I-35, driving to Dallas and back, like I did today, basically, than I do by being killed by terrorists. | ||
| So why is our entire way of life changing? | ||
| I mean, in World War II, we lost hundreds of thousands of people. | ||
| We didn't get rid of our liberties. | ||
| I mean, in the Civil War, we lost 800,000 or something, 700,000. | ||
| We didn't get rid of our liberties after that was over. | ||
| I guess they should have showed us pictures of Adolf Hitler and said, OK, now we're going to suspend the Bill of Rights. | ||
| We're going to take away the Constitution because Hitler is pretty scary. | ||
| Absolutely, folks. | ||
| Does David Knight not know what happened to over 100,000 Japanese Americans during World War II? | ||
| We didn't give up our freedoms then. | ||
| We took them away from people. | ||
| Yeah, Constitution had some problems during those wars. | ||
| No, no, no. | ||
| Of course we didn't give up our freedoms during the Civil War because the South will rise again. | ||
| You're exercising a considerable right of starting a war against the country. | ||
|
unidentified
|
Right. | |
| What I now know, though, what I now know without a doubt is that Alex Jones went to a funeral, cornered somebody, and complained about Elysium to them. | ||
| Yeah. | ||
| And in my head, it's the family of the bereaved. | ||
| He went to his uncle's funeral and called in to the show. | ||
| The crowd at the wake wasn't receptive enough to my complaints. | ||
|
unidentified
|
You son of a bitch, you got that first. | |
| So he wants to, you know, nurse his wounds with David Knight. | ||
| Of course. | ||
| I'll tell you what the political agenda is. | ||
| America is Elysium. | ||
| That's the analogy. | ||
| And if America won't take in the giant... | ||
| Third world populations of the planet, then you're racist and bad. | ||
| And I was sitting there with you and my other crew and friends, and my buddy, Shane, looks over, and he says, how much do you want to bet when this starts? | ||
| That America is Elysium, basically, and that all the bad guys on the space station aren't just white, but they're blonde-haired, blue-eyed. | ||
| Ladies and gentlemen, every bad guy in the movie is a white person. | ||
| The only person on the space station that doesn't want to kill innocent people is Indian. | ||
| And again, my issue is, I'm sick of turning on MSNBC and being told white people are inherently bad. | ||
| I'm sick of hearing the establishment do this, and it's absolutely improper. | ||
| It is improper. | ||
| How can you watch that movie repeatedly? | ||
| Well, you have to assume he saw it again. | ||
| And be like, oh no, obviously the president of Elysium is like... | ||
| Let's not do this, guys. | ||
| What are you talking about? | ||
| He's misrepresenting that the president didn't want to shoot ships out of space. | ||
|
unidentified
|
Yeah, yeah, yeah. | |
| He was still... | ||
| What a bleeding heart liberal. | ||
| Yeah. | ||
| He was still presiding over a very cruel system. | ||
| Hey, listen. | ||
| Listen. | ||
| Okay, fine, the president likes apartheid, obviously, but not enough to murder people randomly in the sky? | ||
| He's got to shoot lasers at these ships. | ||
|
unidentified
|
Pew, pew, pew. | |
| Why can't you shoot down a ship with an AK-47? | ||
| On the other side... | ||
| On the other hand, that is probably the ultimate repudiation of Reagan's Star Wars dreams. | ||
| Sure. | ||
| Not shooting down planes in the sky with lasers. | ||
| Yep. | ||
| Pathetic. | ||
| So, I didn't have this image in my head until you brought it up, but he obviously had to have seen it again, right? | ||
| I mean, he has to have. | ||
| Absolutely. | ||
| And so now I'm just imagining him showing up late to the funeral. | ||
| Sorry I'm late. | ||
| Had to go see this race war propaganda movie again. | ||
| It's so good, but I hate it. | ||
| Sorry for your loss. | ||
| This is fucking garbage. | ||
| They hate white people. | ||
| Hey, did you know they hate white people in this movie? | ||
| I'm sorry for your loss. | ||
| He has his phone out at the funeral walking up to say goodbye to the casket and doing a special report. | ||
| This is like the movie Elysium. | ||
| Can you believe that all the bad guys are white? | ||
| His uncle sits up in the casket like, what? | ||
|
unidentified
|
I can't believe this. | |
| Neil Blomkampus Goebbels. | ||
| You know, sometimes, corpse, I think you're the only one who listens to me. | ||
| So we have one last clip, folks. | ||
| Oh, no! | ||
| I mean, I could have probably had like five or six more of him just complaining about racism, but... | ||
| We have one last clip, and I don't know, man. | ||
| This clip ends weird, so get ready for that. | ||
| Here we go. | ||
| It's so over the top that these people who have bodyguards put out these anti-gun movies, other ones, or these people that have, you know, bodyguards and their kids go to the best armed guard private schools like Matt Damon. | ||
| What? | ||
| Real quick. | ||
| I love that moment where he's doing these people have bodyguards, they have these pro-gun or anti-gun movies. | ||
| He has to throw in the, not this one, because guns are everywhere in this movie. | ||
| More important than anything else. | ||
| Yeah, yeah. | ||
| And to catch that. | ||
| He's against you being able to have your kids go to a private school. | ||
| It is so hypocritical. | ||
| You know, I'll guarantee you if there was some space station with life extension technology off-world, the public isn't going to be told about it in the future. | ||
| And I'll guarantee you there's going to be rich... | ||
| Chinese, there's going to be rich Germans, there's going to be rich Americans, there's going to be rich Israelis, there's going to be rich Africans, there's going to be rich New World Order. | ||
| How dare them imply that inequity has to do with white people? | ||
| When I'm sick of the West being bashed, all the things the West has developed, all the literature, all the art, the Magna Carta, the basic freedoms that became the model of the world, just because the West has been overrun by globalists and is corrupt now, doesn't mean I want to go live Say, in some places in Asia, where you get off the plane over there, folks, they karate chop you. | ||
| Well... | ||
|
unidentified
|
Yep. | |
| Okay. | ||
| Okay. | ||
| I'm sorry. | ||
| What? | ||
| What do you see? | ||
| We're going to do an act-out. | ||
| Give me a second. | ||
| He's getting off the plane right here. | ||
| Wait. | ||
| Do I have to stand up? | ||
| I guess we're doing an act-out, guys. | ||
| This is exciting. | ||
|
unidentified
|
Oh! | |
| Ah! | ||
| Welcome to China. | ||
| Yeah, that was... | ||
| I mean, look. | ||
| Years of doing this show have made me encounter so many bizarre thoughts. | ||
| Yeah. | ||
| And it is a real testament to how weird his mind is that I can still be surprised by something like that. | ||
| Something like this can come out of nowhere and be like, oh wow. | ||
| That's pretty offensive. | ||
| It's a little silly. | ||
| The most obvious problem, of course, is the one that everybody knows. | ||
| Karate is Japanese! | ||
| Well, he said Asia. | ||
| I don't think he said specifically what country. | ||
| I thought he said China. | ||
| We'll have to go back to the tape. | ||
| When you land in China, you know what these people do? | ||
| They karate chop you. | ||
| That really is the offensive part. | ||
|
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That's pretty much the offensive part. | |
| So, we come to the end of this, folks, and, well, Alex did not like Elysium. | ||
| Well, I mean, he did love Elysium. | ||
| But he didn't. | ||
| He didn't like it. | ||
| He didn't like the message. | ||
| He didn't like it enough that he spends three days complaining about it. | ||
| His show... | ||
| The night before that show... | ||
| A funeral. | ||
| Look, that's canon now. | ||
| That's canon now. | ||
| And then after the funeral, he has to call into his show that he is skipping out on. | ||
| He's calling in. | ||
| He's driving like, oh, maybe I'll listen to him. | ||
| No! | ||
| Elysium! | ||
| Don't review Elysium and drive. | ||
| Especially if you're a rageaholic like Alex. | ||
| And a racist. | ||
| So, Jordan. | ||
| What are your thoughts? | ||
| I think that Elysium could use some editing. | ||
| So could Alex. | ||
| So it was about two hours, right? | ||
| Hour 45. Hour 45? | ||
| There is a good 80 minute movie in there. | ||
| You have to cut out at least two of the 17 subplots. | ||
| I can handle 15, but 17, too many. | ||
| Maybe there should be some recognition of how everything in the resolution of the movie is an accident. | ||
| That would have been nice. | ||
| I would have appreciated that. | ||
| I almost kind of like that everything is a coincidence. | ||
| That's almost an interesting storytelling take because there's so many times where it's like a trite ending where it all wraps up perfectly. | ||
| I do appreciate that this movie is committed to here's a bunch of random shit that happened. | ||
| That's it. | ||
| Well, and actually, I'm realizing thematically it's a perfectly appropriate thing for this episode of the podcast, which, quite frankly, came together quite accidentally. | ||
| Was looking for the Howard Dean scream. | ||
| Didn't happen. | ||
| And accidentally found a racial complaint movie review. | ||
| Weekend. | ||
| A weekend of his life. | ||
| So I don't appreciate that the Dean scream both ruined his political career and your episode tonight. | ||
| It reverberates across time. | ||
| I'm not sure it ruined it. | ||
| We're hearing an echo of the scream right now. | ||
| It ruined a week of my life, though, for sure. | ||
| Ain't no wrong. | ||
| But this has been wonderful. | ||
|
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Thank you all so much for coming. | |
| Thank you all so much. | ||
| Big round of applause for Marty DeRosa, DJ Dan Arkey, everybody at the bar! | ||
| Tip everybody to take care of the staff. | ||
| Until next time, we have a website. | ||
| It's knowledgefight.com. | ||
|
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Yep, we're also on Twitter. | |
| It's at knowledge underscore fight. | ||
| Yep, we'll be back. | ||
| But until then, I'm Neo. | ||
| I'm Leo. | ||
| I'm DZX Clark. | ||
| I am the juiciest ice cube! | ||
|
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Thank you all so much! | |
| You're right. | ||
| You're 900. | ||
| So, thank you so much. | ||
|
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Wow, Wes. | |
| Jim Wes. | ||
| Ruff Ratta, no you don't want nada, none of this, it's got a miss, brother runnin'this. | ||
| Buffalo Soldier, look it's like I told ya, any damsel that's in distress, be out of that dress when she meets Jim West. | ||
|
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Roughnecks, go check the water by, watch her step, put your words in your way in there. | |
| Swallow your right, don't let your lip react, you don't wanna see my hand with my hip blade. | ||
| What ought to miss from the start of this run of the game, James West, tame of the West, so remember the name, now who you gotta call, J.B., now who you gotta call, J.W.G. | ||
|
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If you wanna mess with anyone of us, get out, before you get bumped, bro. | |
| The audience is here, but I am holding ghosty right now. | ||
|
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When I roll into the wild, wild West, when I stroll into the wild, wild West, when I bounce to the wild, wild West. | |
| We goin'straight to wild, wild West, we goin'straight to the wild, wild West. | ||
| Nah, nah, nah, what's upon a time in the West, Batman was a damn mind in the West. | ||
| I thought we were good. | ||
|
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My list didn't have a time nonetheless, now I've lost some footage behind to the test. | |
| I thought we had finished. | ||
|
unidentified
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Through the shadows, ready to battle, bring all your boys in. | |
| Here comes the poison, behind the back, brother, riff me get it. | ||
|
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Front and center, no way you let back in. | |
| Who that is? | ||
| I mean, brother, bad for your health, look a damn good too. | ||
| If I could say it myself, the torrent of love and sizzle madman. | ||
| But I don't fear that you got that weapons too. | ||
| DJ Danerky, DJ Danerky, I need you to hear me. | ||
|
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Champion, I'm speaking to you through time. | |
| I'm the slickest thing yet! | ||
| I'm the quickest thing yet! |