Today, Dan needs an "Alex Jones Break," so he decided to go back and see if there were any old Mark Richards interviews on Project Camelot that he hasn't told Jordan about yet. As luck would have it, he found a few, and Jordan finally gets to learn the truth about all of America's wars, whether or not AI have souls, and the mysterious "ant beings."
| Speaker | Time | Text |
|---|---|---|
| Andy in Kansas, you're on the air. | ||
|
unidentified
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Thanks for holding. | |
| Hello, Alex. | ||
| I'm a first-time caller. | ||
|
unidentified
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I'm a huge fan. | |
| I love your work. | ||
| I love you. | ||
| Hey, everybody. | ||
| Welcome back to Knowledge Fight. | ||
| I'm Dan. | ||
| I'm Jordan. | ||
| We are a couple dudes who like to sit around, drink novelty beverages, and talk a little bit about Alex Jones. | ||
| Indeed we are, Dan. | ||
|
unidentified
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Yeah. | |
| Dan. | ||
| What's up? | ||
| If you were to describe this podcast to, let's say, an alien. | ||
| Sure. | ||
| But an alien that knew a suspicious amount. | ||
| What sort of alien are we talking about? | ||
| Of Greek history. | ||
| Let's call it Minerva. | ||
| Sure. | ||
| What would you tell them about this podcast? | ||
| I would say, hello, sentient, intelligent spaceship Minerva. | ||
| How you doing? | ||
| I know a lot about Alex Jones and this guy over here, he doesn't know anything about him. | ||
| That's what I would tell that spaceship. | ||
| I wonder what she would say in response. | ||
| She would probably say, I assume that she's a bird. | ||
|
unidentified
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I've always pictured her as a bird in my head. | |
| An interstellar bird. | ||
| Yeah. | ||
| I like it. | ||
| For those of you who have no idea what Jordan is making a reference to, you'll figure it out soon enough. | ||
| What? | ||
| Before we get into today's episode, I would like to give a shout-out to a couple of new donors. | ||
| What's going on out there, William? | ||
|
unidentified
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I'm a policy wonk. | |
| Thank you so much, William. | ||
| William Wallace, please do not shout freedom. | ||
| Give me liberty or give me a donation. | ||
| Let's start over. | ||
| Hey, spoiler alert, we had to start over the intro, and it's a good thing that we did because it turns out it wasn't recording. | ||
| Ah, there we go! | ||
| Turns out we did terribly the first time trying to... | ||
| It was a rocky road. | ||
| Indeed. | ||
| Also, I'd like to give a shout out to Chris. | ||
|
unidentified
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I'm a policy wonk. | |
| Thank you so much, Chris. | ||
| Chris Hemsworth, you are a very attractive man. | ||
| Thank you for donating to the show. | ||
| Indeed, thank you so much. | ||
| Also, shout out to Stephen. | ||
|
unidentified
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I'm a policy wonk. | |
| Thank you so much, Stephen. | ||
| Stephen Wright, what are you doing donating to this podcast? | ||
| Oh my god. | ||
| You wouldn't like our lack of one-liners. | ||
| What an honor. | ||
| I'd also like to give a shout out to Lori. | ||
| I'm running out. | ||
| I'm running out. | ||
|
unidentified
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I'm a policy wonk. | |
| Thank you, Laurie. | ||
| Laurie Markainen, rookie basketball player for the Bulls this year. | ||
| You didn't do that bad. | ||
| That's right. | ||
| Get some of that NBA money coming our way. | ||
| He's from Finland. | ||
| That's cool. | ||
| That is real cool. | ||
| I don't know. | ||
| We've got a lot of Finnish listeners. | ||
| That's true. | ||
| Well, then now it is cool. | ||
| Yeah, absolutely. | ||
| And speaking of cool things. | ||
| No! | ||
| I'm sick and tired of... | ||
| I was not in the mood to talk about Alex Jones today. | ||
| You know, long weekend. | ||
| I don't want to talk about Alex Jones. | ||
| Tell me about it. | ||
| And so I decided to go check in with Project Camelot. | ||
| With our girl, Carrie Cassidy. | ||
| I did. | ||
| We've been long waiting with bated breath for the new Mark Richards interview that she did. | ||
| Did we get some Mark Richards today? | ||
| We didn't. | ||
| But here's the deal. | ||
| I listened to the old ones. | ||
| Okay. | ||
| I found a bunch of interviews that she did with him that we have not talked about. | ||
| Okay. | ||
| So we're going to learn a lot more about Mark Richards, a.k.a. | ||
| Space Command pilot, also known as guy who... | ||
| The Pendragon. | ||
| The guy who orchestrated a murder and is doing life in prison. | ||
| For those of you who don't know what we're talking about, I think it's best you probably... | ||
| The secret of 2017 is what we are talking about. | ||
| Absolutely. | ||
| I think the best thing for you to do... | ||
| Is not get an explanation from us right now. | ||
| I think you should go just find those old episodes and start from the top. | ||
| Or just enjoy. | ||
| Yeah. | ||
| Oh, that's our next thing. | ||
| That's our next investigation. | ||
| Let's start from the beginning of Mark Richards and then figure out where we go from there. | ||
| Because we had done the 7th and 8th interviews, right? | ||
| Right, and this is the 5th and 6th. | ||
| Yeah, see? | ||
| Well, we've got to go all the way back to the beginning. | ||
| Indeed. | ||
| I want to know what the genesis of this was. | ||
| Well, I think the genesis, the first one was the one we did. | ||
| Oh, that's right! | ||
| I'm not entirely sure. | ||
| That was a delight. | ||
| Joanne is such a sweet woman, inexplicably married to a murderer. | ||
| So, here is an out-of-context drop from today's episode. | ||
| He said that Britain is under the... | ||
| Kind of control, to some degree, of the Black Dragon Queen. | ||
| Very exciting. | ||
| Very exciting. | ||
|
unidentified
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Yes! | |
| I felt like we desperately needed something fun. | ||
| The Black Dragon Queen? | ||
| The Black Dragon Queen, my friend. | ||
| All right, all right. | ||
| I'm in. | ||
| He also goes on to explain that when people are in the service of the Queen, that's the Queen they're talking about. | ||
|
unidentified
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Okay. | |
| Not the Queen of England. | ||
| The Black Dragon Queen. | ||
| All right. | ||
| Absolutely. | ||
|
unidentified
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Mark. | |
| You're spinning some great bullshit. | ||
| He's absolutely the best. | ||
| So this report starts out... | ||
| Are we talking Dungeons& Dragons style black dragon where the queen spits acid? | ||
| I have no idea. | ||
| You know what? | ||
| One of the things that's great about Mark Richards is he plays real fast and loose with details. | ||
| He just says something like that and then does not explain it. | ||
| You'll even have Carrie be like, he did not elaborate. | ||
| Not surprised. | ||
| Doesn't need to. | ||
| Yeah, so every single time Carrie Cassidy goes to interview Mark Richards at Vacaville Prison, she comes back and she explains what he's told her. | ||
| Because she can't get a recording device into the prison. | ||
| Right. | ||
| She has to write it all down with pencil. | ||
| And that is this first clue. | ||
| And I believe her pencil privileges were taken away as well, right? | ||
| Not at this point. | ||
| She still had pencil privileges. | ||
| She still got pencil privileges. | ||
| All right. | ||
| And she has to make a fucking point of it every single time that I had to use a pencil. | ||
| Hi, I'm Carrie Cassidy from Project Camelot. | ||
|
unidentified
|
Hi, Carrie. | |
| I'm here to talk about my recent interview with Captain Mark Richards of the Secret Space Program. | ||
| Or Captain Mark Richards of Space Command, in essence. | ||
| I was out to see him at Vacaville Prison with his wife, Joanne Richards, and that was Saturday, October 22, 2016. | ||
| So I'm going to go through a lot of notes that I've taken. | ||
| I only am allowed a small pencil. | ||
| Yeah, we know. | ||
| Like a golf pencil? | ||
| Yeah, probably. | ||
| Just in case they're like, well, we know this interview absolutely has an end. | ||
| Yeah, yeah. | ||
| Once the pencil has gone completely. | ||
| She does say she goes in for like four hours. | ||
| That's bananas. | ||
| That would be... | ||
| I want to get him recorder privileges. | ||
| Absolutely. | ||
| Because that four-hour audio has got to be chock full of things that she's just forgotten about. | ||
| Yeah, what could it possibly... | ||
| What could you... | ||
| Of course you could talk to him for four hours if you were just letting him spin his yarns. | ||
| That would be a delight. | ||
| But at a certain point, wouldn't you have diminishing returns and just be like, whoo, you are still going. | ||
| I would assume there's a lot of him going, hmm, whenever she asks a question or something like that. | ||
| Here's the thing. | ||
| All right. | ||
| Right? | ||
| It's raptors. | ||
| There we go. | ||
| They love chocolate. | ||
| Do you think she ever leads him on with a question? | ||
|
unidentified
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Absolutely. | |
| And he just gives a boilerplate answer. | ||
| He's just like, oh, yeah, well, see, there are a lot of car accidents, and there's really no explanation other than human error. | ||
| And she's like, is there? | ||
| No, no, no. | ||
| My bad. | ||
| My bad. | ||
| It's spiders. | ||
| It's spiders. | ||
| No, no, no. | ||
| Spiders are why car crashes happen. | ||
| I would guarantee that almost every question is a leading question in this relationship between the two of them. | ||
|
unidentified
|
Good point. | |
| One of them is a researcher journalist who believes everything people tell her. | ||
| Literally everything. | ||
| And the other is a lunatic murderer who's in prison for life. | ||
| But don't let that perception that I'm painting, don't let that fool you. | ||
| All right? | ||
| Which you need to know. | ||
| He is Captain Mark Richards of Space Command. | ||
|
unidentified
|
Right. | |
| The son! | ||
| Of the... | ||
|
unidentified
|
What's his name? | |
| I can't remember. | ||
| What do they call him? | ||
| Like the colonel or something? | ||
| Something like that. | ||
| The colonel. | ||
| The commander, maybe? | ||
| Yeah, it's some honorific title. | ||
| But look, we can make jokes all day about how this guy is a murderer and he's tricking this poor woman. | ||
| Yes, we can. | ||
| I don't believe we can't. | ||
| But what you should know is that in prison, he... | ||
| Has people working for him. | ||
| And I want to say that Mark has another officer who reports to him and has reported it to him, he says, for over 40 years. | ||
| Who's in prison with him at Vacaville. | ||
| And this prisoner was a... | ||
| Killed a child molester and is not sorry to have done so. | ||
| Sorry, not sorry. | ||
| Apparently is in prison with Mark and has been reporting to Mark for 40 years. | ||
| His name is Bach, and I think that's okay to release. | ||
| I guess so, because it's not true. | ||
| I guess it's okay to release that. | ||
| His name is Bach. | ||
| He has a guy who he's friends with in prison, which is great. | ||
| I think that's great to have a social life within a prison. | ||
| His name is Bach. | ||
| Johann Sebastian Bach. | ||
| Like, the balls on this guy. | ||
| I love it. | ||
| To be like... | ||
| Now, Carrie, I do have a guy who's reporting to me. | ||
| Who has reported to me for 40 years at a certain point. | ||
| I mean, come on, man. | ||
| You gotta recommend him for a promotion or something. | ||
| Is he in the secret space program, too? | ||
| That's unclear. | ||
| He's just a guy who reports to him. | ||
| What are the odds that there would be two murderers? | ||
| He's more of a confidential informant. | ||
|
unidentified
|
Yeah. | |
| That's what it really is. | ||
| He's a jailhouse snitch. | ||
| Yeah, exactly. | ||
| So, at this point... | ||
| He's reported to him for... | ||
| What is he, Jeeves? | ||
|
unidentified
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I don't know. | |
| Are you actually his butler? | ||
| He's his gentleman's gentleman. | ||
| Exactly. | ||
| I don't know, man. | ||
| It's very bizarre, that idea. | ||
| But it does create a really flight of fancy kind of image in my head. | ||
| I'm picturing... | ||
| A lot of... | ||
| I mean, we've covered Mark Richards on a couple episodes, and it's like... | ||
| Never enough. | ||
| It's like, this dude is crazy. | ||
| Yeah. | ||
| But, like, this introduces a new level of, like, kind of crazy. | ||
| He's got a bureaucracy in prison that he's imagining. | ||
| Well, it's more of a military hierarchy, I believe. | ||
| Perhaps. | ||
| But we're clowning. | ||
| We're having some fun here. | ||
| But look... | ||
| I want you to know that on this report where Carrie Cassidy has gone to prison to talk to Mark Richards, it's not devoid of real journalism. | ||
| Okay. | ||
| At this point, Carrie stumbles into a story that I don't think anyone's ever told. | ||
| So Mark has, as I said, talked a little bit about the work he's doing in the prison, and he also talked about, very briefly, race relations in the prison because apparently... | ||
| Oh, no. | ||
| Those are an issue. | ||
| Apparently, blacks, whites, and Latinos are, you know, separated by gangs, and he's not allowed to be, like, friends with a black prisoner, for example, because gang leaders don't allow it. | ||
| He can be acquaintances with them, but... | ||
| Here's a big scoop. | ||
| Mark Richards is a little white supremacist prison gang. | ||
| Well, you gotta survive. | ||
| No, I understand. | ||
| You gotta survive. | ||
| Like, I understand that, but still. | ||
| Still, man. | ||
| That's wild. | ||
| I love that she's shocked by this. | ||
| She's like, apparently there is a racial issue in prison. | ||
| She's presenting herself as like a journalist who has like top secret intelligence sources and like the highest level of secret government and shit. | ||
| And yeah, she's surprised by the idea of like... | ||
| There's segregation in prison. | ||
| Okay, have we considered this possibility? | ||
| Maybe she's never seen a movie. | ||
| Or any TV? | ||
| Yeah, nothing. | ||
| She's never seen any televised or any kind of entertainment. | ||
| She's never read a book. | ||
| It's just... | ||
| All this. | ||
| So of course she believes everything. | ||
| She doesn't know people can lie. | ||
| It would be tough for her to make, first of all, all the movie references that she makes, if that were the case. | ||
| And then second, she's just basically rattling off the plot of movies that her inside sources tell her. | ||
| But again, if she hasn't seen them, if she's just getting this information, she doesn't realize that people can use creativity in order to make up falsehoods. | ||
| People are just conning. | ||
| Yeah. | ||
| It's possible. | ||
| It's possible. | ||
| I'm not entirely sure, but what I am sure about is something that has never been discussed in any of these other Mark Richards episodes that we've looked at, are the possibility. | ||
| I don't know if you've heard about this. | ||
| I like possibilities. | ||
| When it comes to Captain Mark Richards, I like possibilities. | ||
| I don't know if you've heard this, Jordan, if you've ever heard this from any reputable source or disreputable source. | ||
| Okay. | ||
| I don't know if you've heard this, but there is a chance that there are secret underground android armies. | ||
| He said, regarding a possible army of underground androids belonging to the U.S. and China, he doesn't think that they exist because his reasoning is that had the battle reached ground level, we would already have lost. | ||
| Nobody fights an equal, he says. | ||
| You always fight when you have one step ahead in terms of an advantage technologically. | ||
| Exactly. | ||
| He said if we can't defend the planet from a ground invasion, it's too late. | ||
| And that most of the battles in the secret space program, therefore, are fought in the skies. | ||
| Some of this seems to be a bit contradictory because we do know he's also saying that what's going on in the Middle East is a battle. | ||
| To destroy a lot of underground bases belonging to Reptoids. | ||
| Yeah, don't think about that too much. | ||
| That is a bombing campaign, basically. | ||
| So I think that I needed to talk more with him about that, but in the context of the two- or three-hour interview that I had, we had a slew of questions, and as we drill down, then more questions occur to me. | ||
| It's kind of like an ongoing story. | ||
| Always the wrong question. | ||
| You missed that last bit that she said. | ||
| It's kind of an ongoing story. | ||
| It's kind of like an ongoing story. | ||
| It's kind of like he's making it up and telling it to me in these chunks over a long period of time. | ||
| It's almost like he's some sort of serialized entertainment that I get like a boy's adventure mag from the 1920s. | ||
| He doesn't want her to leave because otherwise he's just got Bach. | ||
| In prison, and that's a 40-year working relationship. | ||
| That's not your buddy. | ||
| No, they still haven't become friends. | ||
| No, absolutely not. | ||
|
unidentified
|
You've got to have a very professional relationship with Bob. | |
| Terse and strict hierarchy between the two of them. | ||
| I think that moment... | ||
| Officers can't fraternize with the enlisted men. | ||
| No, not a chance. | ||
| That moment where she's like, it's kind of like a story that's playing out. | ||
| It's the first of two times on this episode where Carrie just describes what lying is. | ||
| Oh no! | ||
| It's kind of like he's making it up as he's going along. | ||
| And obviously he's not. | ||
| Because he has an answer for all of these questions. | ||
|
unidentified
|
Absolutely. | |
| Sure, sometimes his answers are contradictory. | ||
| Right. | ||
| But that's probably box false information. | ||
| That's a disinformation campaign that's purposefully being run on her. | ||
| Because you've got to have some sort of deniability. | ||
| It's true. | ||
| Oh, no, it makes perfect sense. | ||
|
unidentified
|
What? | |
| What? | ||
| Oh, you got very excited. | ||
| She talks about that all the time. | ||
| I don't have any clips of it, but she talks about it all the time. | ||
| this idea of plausible deniability is why the Secret Space Program allows Mark Richards to say these things. | ||
| Because everyone already thinks he's a murderer. | ||
| Who cares if he says this crazy stuff that's all true? | ||
|
unidentified
|
That doesn't work. | |
| He's the only person who can get the truth out there. | ||
| Right, right. | ||
| That sort of article leaves me cold. | ||
| I'm not charmed by that as an argument. | ||
| I think that's very stupid. | ||
| But hey. | ||
| I like it. | ||
| I think also it's fascinating because any of these moments where Carrie cuts through the clouds a little bit and is like, hey, that's a contradiction, is kind of fascinating. | ||
| I mean, that's a huge contradiction. | ||
|
unidentified
|
Massive. | |
| He's like, if we can't fight them in space, it's all over. | ||
| Well, I mean, of course we are. | ||
| We're fighting them on the ground. | ||
| There's portals everywhere that keep getting bombed. | ||
| These goddamn portals. | ||
| That's your whole idea. | ||
| Anyway. | ||
| So the United States and China have a joint underground android army, or they both have their own separate android armies? | ||
| That's a great question. | ||
| It's never answered. | ||
| I imagined they were separate, and they were going to do battle. | ||
| No, that's the android army defense force against a ground invasion. | ||
| You're probably right. | ||
| That's the first instance of really good international cooperation that I can point to in recent times. | ||
| Given context clues, I bet you're right, but it's never really specified, so I don't know. | ||
| Jordan, I got a question for you. | ||
|
unidentified
|
What do they look like? | |
| Do they look more like android, like robot kind of things, or do they look more like cyborgs? | ||
|
unidentified
|
Probably cyborgs. | |
| Do they look like people? | ||
| Probably cyborgs. | ||
| Probably, yeah. | ||
| Like that guy from Mortal Kombat. | ||
| Jax? | ||
| Jax. | ||
| Okay. | ||
| You know, you're a student of history. | ||
| Oh, yes. | ||
| You like to know things. | ||
|
unidentified
|
Uh-huh. | |
| What was World War II about? | ||
| I asked you that question. | ||
| You know what? | ||
| I think I'm going to find out. | ||
| Yeah, I think everything you know is wrong. | ||
| I think that might be the case. | ||
| He said that there are, again, World War II was fought between four ET races, the Nordics, the Reptoids, the Dracos, and the Grays. | ||
| And then the human beings. | ||
| That's five. | ||
| The battle of five armies. | ||
| The Nordics from Aldebaran are the ones that help the Nazis, of course. | ||
| Oh, of course. | ||
| He said the Greys are always available to the highest bidder. | ||
| Damn Greys. | ||
| And in this case, the Reps and Nordics take control over them, from what I understand. | ||
| Cool, cool. | ||
| The Reps. | ||
| The Reps? | ||
|
unidentified
|
She's even got a little shorthand for it. | |
| Oh, boy. | ||
|
unidentified
|
Oh, man. | |
| You get these Reps over here. | ||
| That's almost like racial slang. | ||
| I'm fine with it. | ||
| I don't know. | ||
| I think in World War II, that would be equivalent to calling them the Japs. | ||
| Yeah, but... | ||
| See, that's an issue. | ||
| That's racist. | ||
| They don't exist. | ||
| That's not the point! | ||
| I don't appreciate racism even within the false world. | ||
| Even hypothetical fantasy racism? | ||
| Even hypothetical fantasy racism. | ||
| But you know, even if you take the real world piece of it, this is kind of Holocaust denial. | ||
| This is the lightest of Holocaust denial. | ||
| No, the Nordics are the ones who are doing it. | ||
| Right. | ||
| I think that accepts that white people are evil. | ||
| Sort of takes human agency away from it a little bit. | ||
|
unidentified
|
Yeah, well, a little bit. | |
| They were under the sway of the Aldabara. | ||
| He's those goddamn greys. | ||
| Yeah, absolutely. | ||
| Fucking mercenaries. | ||
| I mean, that could be what World War II is about. | ||
| Could be. | ||
| I don't know. | ||
| Entirely possible. | ||
| I dropped out of high school before I finished AP history. | ||
| I don't know. | ||
| Wait. | ||
| Did she say that's what World War II was about, or just who was fighting it? | ||
| It was a power struggle betwixt the four alien races. | ||
| We're going to learn more about some of our wars a little bit later. | ||
| We got a laundry list of wars to rewrite? | ||
| We do. | ||
| Pretty much all of them. | ||
| But before we get there... | ||
| This is like it doing punch-up on history. | ||
| That's what's going on here. | ||
| It does make it a little more fun. | ||
| Before we get to any of that stuff, though, Jordan... | ||
| For all the fans of the Project Camelot Mark Richards series, they know that his best friends are the Raptors. | ||
| Oh, yeah. | ||
| He loves the Raptor aliens. | ||
| Which, again... | ||
| I feel like the Reptoids may actually be the good guys in this fight. | ||
| Because he is a murderer and a bad guy. | ||
| Exactly. | ||
| If he's friends with the Raptors, they must be bad. | ||
| Kind of suggests that they are. | ||
| And we've learned that they will eat you for a chocolate bar. | ||
| They'll kill you for chocolate. | ||
| You know what? | ||
| That's just, that's acceptable. | ||
| Right, right. | ||
| That doesn't necessarily mean evil. | ||
| Instincts can take over any of us. | ||
|
unidentified
|
And they might have been in Jurassic World. | |
| That's right. | ||
| Yep, yep. | ||
| And there's another update. | ||
| Doing some background work. | ||
| There's another update. | ||
| I didn't get the clip of this, but it turns out there's like a T-Rex showcase that goes around and people see the animatronic T-Rex, what have you. | ||
| Is it like six raptors inside of a T-Rex outfit? | ||
| No, no, no, but there are raptors animatronics along with it, too. | ||
|
unidentified
|
Oh, well, of course. | |
| And Mark Richards is reporting that some of the real raptors are there. | ||
| And Carrie is like, if you're kids, you know, if you guys want to go out and pet a real raptor. | ||
| Makes me so sad. | ||
| I like that. | ||
| I like that a lot. | ||
| Makes me so bummed out. | ||
| Maybe this is just underground buzz marketing. | ||
| Maybe Mark Richards still has a part ownership stake in how well they do. | ||
| I wouldn't be too surprised. | ||
| I mean, it is... | ||
| Listen, we've got to learn some more about raptors. | ||
| Okay, okay. | ||
| He said that raptors prefer their food source to be hunted, so they like deer and elk, and also that they have... | ||
| What they basically did prior to the extinction of the dinosaurs is they took herds of dinosaurs off the planet to raise them as cattle on their own planet and to raise them as a food source. | ||
| And they regarded... | ||
| Humans as a kind of caviar. | ||
|
unidentified
|
Cool. | |
| At this time, as I've said in other interviews, they have decided to work with us. | ||
| In fact, they fought alongside us, I guess, in World War II, or started to, and saw that we were... | ||
| Very good fighters. | ||
| That helped to change their mind about us to some degree. | ||
| And they also, as I said, their queen decided that their best trajectory for their race in terms of its development into the future was to align itself with humans. | ||
| So that's what they are doing now. | ||
| Okay. | ||
| Of course. | ||
| Makes sense. | ||
| That's just good long-term planning. | ||
| I would like to say that there's something that you probably didn't recognize that's implied by that. | ||
| Clip that I think just flies right under the radar. | ||
|
unidentified
|
What's that? | |
| That is that dinosaurs are not extinct. | ||
| They live in space now. | ||
| Well, but they're hunting deer and elk, so perhaps they farmed their own dinosaurs to extinction. | ||
| Yeah, that's possible. | ||
| That's definitely in the... | ||
| Which dinosaurs did they take? | ||
| I don't know. | ||
| From which period? | ||
| I don't know. | ||
| Did they go with the Cretaceous period? | ||
| The Triassic? | ||
| What are we talking about? | ||
| Also, they're raptors. | ||
| Well, yeah, but that's not the point. | ||
|
unidentified
|
It is the point. | |
| It is the point. | ||
| Also, if they prefer their meals to be hunted, why would you raise anything as cattle? | ||
| Well, there's that. | ||
| That's a big problem. | ||
| But also, if you are a raptor, and you come from a planet where you're raptors, and you're super intelligent, and you can speak, and what have you. | ||
| You've mastered interstellar travel. | ||
| Right. | ||
| Hundreds of millions of years ago, and yet your technology has not really advanced beyond that point. | ||
| Well, I'm not really concerned with that for the time being. | ||
| Yes. | ||
| I'm more concerned with the idea that, like... | ||
| Carrie seems to think that they came up on a planet with one species on it. | ||
| They had to come to Earth to get dinosaurs because there's no resources or other species on their fucking planet. | ||
| I prefer to imagine they just stumbled upon the dinosaurs and were like, holy shit, look at you guys! | ||
| You're like us! | ||
| It's like we're looking in the mirror. | ||
| Come on back. | ||
| Come on! | ||
| So they told us that we were going to take them out and we're going to eat them. | ||
| We're going to farm them like cattle. | ||
| But in reality, they were like, we're going to make them smarter. | ||
| We're going to help them evolve on our planet safe from the meddling influence of meteors and humans. | ||
| Well, yeah, you got to do that. | ||
| Yeah, that's possible. | ||
| I don't know. | ||
| This is such bullshit. | ||
| This is high-level bullshit. | ||
| But humans are caviar. | ||
| Yeah. | ||
| Do they put them on top of, like, a dinosaur pate? | ||
| Like, what are we talking about? | ||
| Cracker, you get a little pate, and then a human. | ||
| Yeah, I think so. | ||
| A little dinosaur cracker? | ||
| Yeah. | ||
| I don't think the raptors are much bigger than humans. | ||
| The idea that we're like caviar is absurd. | ||
| I mean, do you put a whole... | ||
| Is a whole human caviar? | ||
| I can't imagine that's the case. | ||
| Do they... | ||
| Like, what are we talking about? | ||
| Texturally, you don't want the head. | ||
|
unidentified
|
No. | |
| Because that skull is a problem. | ||
| And I know this much about raptors. | ||
| Not very agile with their hands. | ||
| No, no, no. | ||
| They would not be good cooks. | ||
| Well, you know. | ||
| Everybody makes do. | ||
| I don't know. | ||
| I think if you have almost non-functioning hands, it's going to be tough to cook. | ||
| And if you prefer your meals hunted, it seems like cooking is out. | ||
| Yeah. | ||
| I also don't think that most predatory animals even care about delicacies. | ||
| Or like treats? | ||
| I don't think they do. | ||
| I think they like blood. | ||
| That is specious, Dan. | ||
| That is true. | ||
| Specious and specious. | ||
| Yes. | ||
| So, thank God the raptor queen is cool with us now and everything is good. | ||
| They don't eat us except when they have chocolate. | ||
| When we have chocolate, they want. | ||
| So if you have chocolate, then you are both caviar and chocolate at the same time. | ||
| Chocolate caviar, yeah. | ||
| Perfect. | ||
| It's a treat on a treat. | ||
| Yeah, yeah, yeah. | ||
| It's a hat on a hat. | ||
| Yeah. | ||
| Put a little gold leaf on there and you, my friend, are in business. | ||
| Jordan, do you believe in teleportation? | ||
| Obviously. | ||
| Good. | ||
| What kind of teleportation? | ||
| Well, you see, that's... | ||
|
unidentified
|
There we go. | |
| That's what's important. | ||
| You need to know that there's multiple ways to teleport. | ||
| I do know that. | ||
| Okay. | ||
| There are multiple ways to teleport. | ||
| What do you think the multiple ways are? | ||
| Because I guarantee you that they're not the same as Mark Richards. | ||
| Well, one of them, of course, is to be broken down at the atomic level and transported instantly, wherein you have to ask yourself the question, am I still me? | ||
| Or am I just another collection of particles? | ||
| That isn't necessarily myself. | ||
| The other, I think, is what? | ||
| Has to do with quantum tangling, maybe? | ||
| Something like that? | ||
| Quantum entanglement? | ||
| Yeah, like electrons can connect with each other across great distances, so that might be a thing. | ||
| Yeah, Mark's closer to your first one. | ||
| Okay. | ||
| And teleporting and time traveling, we talked about, again, the fact that there are two ways to teleport. | ||
| One where you take your body, the atoms of your body and your soul, and in that case you have to have sort of a, what is in essence a warp field around the human. | ||
| He said, or you can take the body without the soul, and in that case, you're a facsimile of yourself. | ||
| And he said, for 35 years, we couldn't figure out how to teleport a human with a soul. | ||
| Because of that goddamn soul! | ||
| And this corresponds with Sean David Morton's recent release of his third book, in his Sands of Time books, and this was all about... | ||
| Sean has a whistleblower. | ||
| Does he? | ||
| He turns it into fiction, but basically it's a whistleblower from the secret space program who was head of Area 51. A lot of heads of Area 51. Also of the facility in New Mexico. | ||
| You're thinking of Dulcy. | ||
| Under the ground as well. | ||
| And that person... | ||
| He was, in essence, one of the top people in the Secret Space program who has passed on his information to Sean to release as fiction. | ||
| It's fiction. | ||
| Interesting. | ||
| Interesting. | ||
| See, I'm telling you, she's never actually read it. | ||
| It's all just like... | ||
| But she's probably read that book. | ||
| She ends up saying, I recommend you read this book, but that's because she's reading it and thinking it's real. | ||
| She's like, oh, this predictive programming argument is just like, ah. | ||
| I left that clip. | ||
| That clip played too long. | ||
| But I did it mostly because she has to deflect the idea that it's fiction twice. | ||
| You know, like, oh yeah, he's got a secret source, but it's presented as fiction. | ||
| See, now I'm genuinely curious. | ||
| I've never considered about the soul when coming into teleportation arguments. | ||
| So you can teleport somebody without the soul. | ||
| What's the soul doing, then? | ||
| Just hanging out? | ||
| I don't know. | ||
| Is it a ghost? | ||
| I mean, well, the implication is that the soul has matter. | ||
| Right. | ||
| It's a physical entity, according to this line of logic. | ||
| Well, it weighs like seven grams or whatever it is. | ||
| So whenever you teleport without your soul, it must still be wherever you were. | ||
| I like to imagine there's tiny little... | ||
| You teleport the body and then little dust packets just fall in there. | ||
| Whenever you walk into a spider web, that's someone's soul who got teleported away. | ||
| Is that how that works? | ||
| Absolutely, that wisp. | ||
| Goddamn souls are all over the place. | ||
| Yeah, it's a mess. | ||
| So, Jordan? | ||
| Yes. | ||
| Do you know Eisenhower? | ||
| Oh, man. | ||
| But not personally. | ||
| Raptor. | ||
| No, not a raptor. | ||
| Reptoid. | ||
| We like to look back on the Eisenhower presidency. | ||
| We think a number of things. | ||
| Most people remember the don't trust the military-industrial complex kind of farewell speech. | ||
| A lot of people remember him. | ||
| Unfortunately, being the beginning of the highway system that ended up destroying a lot of communities. | ||
| A little bit. | ||
| A lot of minority communities. | ||
| Somehow that happened in America. | ||
| There's a lot of things that people remember his presidency for, but one of them that they've missed. | ||
| What did they miss? | ||
| With the help of AI. | ||
| Wait! | ||
| Hold it! | ||
| Stop it. | ||
| Stop it. | ||
| With the help of AI. | ||
| Super intelligent AI. | ||
| Be like Ike's AI. | ||
| Yep. | ||
| With the help of AI, Eisenhower saved the world. | ||
| All right. | ||
| And he said one of the things that artificial intelligence has done on a positive side is they warned Eisenhower in 1954 that the Greys were going to double-cross the humans and try to take over. | ||
| He said, as Mark... | ||
| Phrased it. | ||
| He said Ike was ready to give away the store when the AI basically warned him that he was being deceived. | ||
| So, in essence, they may have saved humanity at that juncture. | ||
| Maybe. | ||
| Maybe. | ||
|
unidentified
|
Your face is so confused. | |
| So, where's the AI? | ||
| What are you talking about? | ||
| Was it a punch card computer? | ||
| Let me play this next clip about AI and see if it gives you any information. | ||
| I'm not sure that it will. | ||
| How did it talk to Ike? | ||
| Look, here. | ||
| Is there a go-between? | ||
| Listen to this next clip. | ||
| See if this gives you some clues. | ||
| He has an artificially intelligent friend who he believes has a soul. | ||
| And we talked about AIs and souls. | ||
|
unidentified
|
What? | |
| And the name of that being is Flyer. | ||
| Okay. | ||
| He says he looks a lot like the AI in the movie Batteries Not Included. | ||
| And he said he has a lot of esteem for this AI and that this AI Flyer is part of a larger AI. | ||
| Larger than itself that doesn't reside in this planet. | ||
| Oh, okay. | ||
| So it's AI that's on another planet that is Mark Richards' friend. | ||
| Right. | ||
| It's his buddy named Flyer. | ||
| With a soul. | ||
| Has a soul. | ||
| With a soul. | ||
| No, no. | ||
| He believes that it has a soul. | ||
| Well, you can't teleport him and you can't see if the soul is left behind. | ||
| You're not. | ||
| Who knows? | ||
| This is a lunatic. | ||
| She's talking to a straight... | ||
| I mean, if this guy wasn't... | ||
| No, she's a lunatic, and she's talking to a guy who is bored. | ||
| She's talking to a sociopath who is just... | ||
| I need somebody to talk to. | ||
| If this guy wasn't in prison, people would be chasing him with butterfly nets. | ||
| Quite frankly, this dude is nuts. | ||
| I don't know where you're coming from with this trying to let him off the hook for being nuts. | ||
| I'm not saying he's nuts. | ||
| I'm not saying that. | ||
| I'm just saying that from this bananas nonsense, you can't be this crazy. | ||
| And you can't listen to this. | ||
| If you're Carrie, you can't believe this stuff without asking really probing questions Reveal like, oh, you're just making all this up. | ||
| You are a murderer. | ||
| Why do you call him Flyer? | ||
| Immediately all questions are done. | ||
| Because I like planes. | ||
| I used to fly them for Space Command. | ||
| Does he call himself Flyer? | ||
| Does he have a name? | ||
| Why didn't he tell you his name? | ||
| What's his name? | ||
| Also, did he tell you that Eisenhower saved the world with the help of AI? | ||
| Because if so, that might be AI propaganda. | ||
| Furthermore, is he the AI that helped Ike in the first place? | ||
| Could be. | ||
| Where was the other AI? | ||
| Is it a different AI? | ||
| I think AI is mostly immortal unless you turn it off. | ||
| Right. | ||
| I don't know. | ||
| These questions are not answered. | ||
| Do you have a better grasp on AI than you did before that clip? | ||
| Nope. | ||
| Not even a little bit. | ||
| Somehow there's a massive off-planet AI of which flyer is a part, which suggests that it's in reality just one kind of like, what, rhizome theory nonsense going on right there where there's a collective information. | ||
| It's a hallucination. | ||
| Why do you always do this? | ||
| Mark Richards has scurvy. | ||
| That's also possible. | ||
| No fresh fruit at Buckerville. | ||
|
unidentified
|
That's also possible. | |
| I just... | ||
| I don't know. | ||
| Call me a hater if you bust. | ||
| I just want to believe, Dan. | ||
| I know. | ||
| Look, Fox Mulder. | ||
| So, this AI, this flyer guy, Mark believes he has a... | ||
| Flyer the AI. | ||
| He has a soul. | ||
| It turns out there's another thing. | ||
| He believes. | ||
| There's another thing in Mark Richard's life that shouldn't have a soul, but does. | ||
| Why does he believe it has a soul? | ||
| Oh, no! | ||
| Oh, no! | ||
| Is it just nice? | ||
| Yeah. | ||
| Is it just really nice? | ||
| That could be it. | ||
| That might be his answer. | ||
| Yeah, probably. | ||
|
unidentified
|
It's always treating me with respect. | |
| Downright soul-like behavior. | ||
| Talked about Minerva being different than other AIs. | ||
| Hi, Minerva! | ||
| That she's created by a race, life forms from a world that has long since been abandoned or died, and she got bored, and so she left and started exploring. | ||
| He said she has a soul, in part because the beings that created her have a soul. | ||
| That doesn't make sense. | ||
| That doesn't track at all. | ||
| His reasoning. | ||
| His reasoning? | ||
| The way she ends that is, that's... | ||
| Long pause. | ||
| His reasoning. | ||
| Which means that you probably don't really believe this either at this point. | ||
| Yeah, you know reason is not part of this whole situation. | ||
| I don't believe that having a soul, if that is even a real thing, allows you to imbue other things with souls. | ||
|
unidentified
|
That makes sense. | |
| Also, even in fucking Merck Richard's fantasy world, the reason that his AI spaceship that only he can fly is even hanging out with him is because she was bored. | ||
| She was bored. | ||
| That's not great. | ||
| You know what? | ||
| That's the first thing that's made any fucking sense this whole time. | ||
| She's an immortal AI, super powerful plane that can travel across star systems. | ||
| And is giant. | ||
| And her race just died, which, where'd you guys go? | ||
|
unidentified
|
No, no, no, no, no. | |
| It was abandoned. | ||
| No, no, no, no, no. | ||
| Probably gone. | ||
| But it's not like they were all super smart chips. | ||
| Right. | ||
| Yeah, yeah. | ||
|
unidentified
|
No, no, no. | |
| The people who built her. | ||
| Okay. | ||
| I misunderstood you. | ||
| Who built her and then imbued her with the soul. | ||
| Where was she when they were all dying? | ||
| She was probably... | ||
| So they all die. | ||
| Assumably, all of her other AI buddy planes die, too. | ||
|
unidentified
|
Right. | |
| She's just hanging out, kind of like floating. | ||
| Because she doesn't need to touch the land. | ||
| Maybe she was off on a mission or something like that. | ||
| Maybe she was off exploring. | ||
| Maybe she got bored before the culture went away. | ||
| Right. | ||
| Because, I mean, I don't know. | ||
| Or, this is a Planet of the Apes situation? | ||
| She flew too fast. | ||
| Could very well be. | ||
| And then she came back to find out everybody was dead. | ||
| It could be a time travel situation. | ||
| Absolutely. | ||
| I don't know, but it's nice to hear about Minerva again. | ||
| I'm glad that she's still in Mark Richards' twisted fantasies. | ||
| While he spins away and gets crazier and crazier in prison. | ||
| In his next clip, he talks about Satan and his followers. | ||
| He talked about CERN and the death of this woman who was in the news not long ago. | ||
| He said that what they are doing at CERN, again, is to open portals for the Reptoids to allow them to bring in large equipment. | ||
| Sure. | ||
|
unidentified
|
He said the Satanists are working with them. | |
| That makes sense. | ||
| Do you remember what this is talking about? | ||
| I believe this is whenever the Higgs boson search was going on and people thought that it would create a black hole. | ||
| Well, there's that, but then there was also a video that came out of some people doing a little play acting in a courtyard where they acted like they were having a sacrifice of somebody. | ||
| And I don't even know if it was actually at CERN or anything like that, but it was reported as a ritual human sacrifice at CERN. | ||
| Of course. | ||
| And Carrie's really running with that. | ||
| And so it was Mark. | ||
| That sounds right. | ||
| Yeah, I can tell you what I do know. | ||
| I don't think it was a real murderer. | ||
| Mark Richards, on the other hand. | ||
| Anyway, you were jotting notes like crazy. | ||
| Well, here's the first thing I think of. | ||
| How did the Satanists, CERN, and the Reptoids all get mixed up together? | ||
| Were they at a networking event? | ||
| Could be. | ||
| Do they have the same church youth group? | ||
| Like, what are we talking about here? | ||
| Are the Reptoids themselves Satanists? | ||
| Because they can't... | ||
| Do they have a reptoid Satan? | ||
| I think they scoff at the very idea. | ||
| You would hope? | ||
| I think that they think it's foolish to have these human gods. | ||
| Yeah, but you can still jump in with the Satanists every now and again. | ||
| Well, you like how they swing. | ||
| You know what I'm saying? | ||
| Hey, throw him one human sacrifice, then you get the CERN with portals. | ||
| I love... | ||
| What exactly is the Satanist job in this whole situation? | ||
| They are the humans who are running CERN on behalf of the Reptoids. | ||
| Wait, so they're running CERN? | ||
| Yeah, yeah, yeah. | ||
| Okay, I thought that they were a completely separate entity. | ||
| That was just like... | ||
| She made it sound like they were running interference. | ||
| CERN is like, we gotta build this portal. | ||
| We gotta get this giant machine in for the Reptoids. | ||
| Those folks are Satanists, and I love the idea that they have to open a portal because there's big old machines. | ||
|
unidentified
|
Oh, yeah. | |
| Now, if it was a small machine... | ||
| You don't need a portal! | ||
| No need for this Hadron Collider. | ||
| Oh, absolutely. | ||
| This is just such a, like... | ||
| They're bringing in, like, Komatsu diggers and the, like... | ||
| Yeah, this is such a delightful, like, way to exploit people's, like, just intrinsic fear of things they don't understand. | ||
| You know? | ||
| It's just great. | ||
|
unidentified
|
Giant machines! | |
| So, we've noticed a trend in our studies of Alex Jones that he has a real soft spot for Russia and Putin. | ||
| In tracking Mark Richards, we've found that he is a lunatic. | ||
| Right. | ||
| But somehow, mysteriously, he kind of gets some things, like he's pro-climate change. | ||
| Yeah! | ||
| He believes in man-made climate change. | ||
| Here is what happens when Kerry asks him about Putin. | ||
| I then asked him about what he thought about Putin because I've had many people on the alternative sector often refer to Putin as being somebody who is, in theory, in contact with some Nordic beings, supposedly working in a positive way on the planet. | ||
| You take the Nordic beings out of there, you're right at Alex. | ||
| Yeah. | ||
| He's secretly doing good stuff. | ||
| He's Christian. | ||
| He's supporting nationalism. | ||
| He's turned the Nordics into a positive force as well. | ||
| Since we were fighting against them, they were on the German side. | ||
| So the Nordics... | ||
| So frankly, Putin is working with the people who caused the Holocaust. | ||
| Oh, wait. | ||
| Yeah, that's true. | ||
| Yeah, that's exactly what you just said. | ||
| That's not great. | ||
| No. | ||
| Anyway, let's see what Mark says. | ||
| Okay. | ||
| At this time... | ||
| And Mark felt that Putin is not a good guy. | ||
| He felt that Putin would not even classify himself as such. | ||
| Putin is motivated to work on behalf of Russia and himself, and that he is not out to help humanity, in Mark's view. | ||
| He says he is being manipulated by the reptoids. | ||
| He said that Putin is not a reptilian, however. | ||
| Okay, that's good. | ||
|
unidentified
|
I like the... | |
| See, now I like the idea of some national security advisor who is dead on in interpreting foreign policy. | ||
| It's just at the end of it, he's like, well... | ||
| You can see that China has manipulated its currency in the past. | ||
| Whether or not they're doing so right now is a questionable idea. | ||
| I don't like their turn towards authoritarianism, what with Xi Jinping taking over and becoming dictator for life. | ||
| And the main reason I don't like that... | ||
| Is because of the goddamn Reptoids. | ||
| It's because they're working for the Dracos. | ||
| Yeah, exactly. | ||
| And all of his recommendations are what... | ||
| I mean, it's not like what Mark was doing. | ||
| That's not even, like, spot-on analysis or anything. | ||
|
unidentified
|
No. | |
| It's just... | ||
| Yes, the prime minister of a country is working for that country's interests, or whatever. | ||
| He's motivated. | ||
| Because of the Reptoids. | ||
| He's being manipulated by the Reptoids. | ||
| That fall off is huge. | ||
| Now I just want a really, really good advisor. | ||
| Who always gets the correct policy. | ||
| It's like, hey, listen, here's why we don't go into Iraq. | ||
| It's going to create instability. | ||
| It's not going to go well. | ||
| We're just going to get bogged down in a mire for the next 20 years. | ||
| And that's because there are so many fucking spiders there. | ||
| It's the goddamn spider queen who's going to ruin everything. | ||
| And that's why we shouldn't go into Iraq. | ||
| Absolutely. | ||
| And you're like, yes. | ||
| Everything you said was right, and I'm just going to ignore the last part. | ||
| Spider stuff is just going to not be addressed. | ||
| You got it. | ||
| Vietnam is a quagmire. | ||
| Let me tell you why. | ||
| Raptors, Dan! | ||
| That's absolutely right. | ||
| That's what it is. | ||
| You put a pin in that. | ||
| That's right. | ||
| We're rewriting all wars. | ||
| Yeah, we're going to get to Vietnam here in a little bit. | ||
| Okay, of course, of course. | ||
| So right now, in Alex Jones' world, he has his obviously fake intelligence source, Zach. | ||
| Who comes on and tells him things. | ||
| And recently, he made the proclamation that this is a war for Mars. | ||
| That they're trying to get us back on the planet as opposed to going off planet. | ||
| Which is a little bit of a slip. | ||
| You know, that's something that doesn't belong on a news show. | ||
| Odd spot for it. | ||
| And now, listen to this clip. | ||
| And he also wanted to say, in all fairness, that both the U.S. and Russia are being... | ||
| Manipulated to try to keep them apart and also to try to keep them from going into space. | ||
| We have a literal parallel in a narrative. | ||
| Just with one, in the Project Camelot world, they bring in reptilians and raptors and stuff like that. | ||
| Instead of globalists. | ||
| Oh, and Carrie does use the word globalist on this episode. | ||
| That's true. | ||
| I don't hear her say that too often, but yeah, she was dropping globalist. | ||
| Alright. | ||
| So yeah, man, this is so crazy to me. | ||
| It's like, this is so close. | ||
| It's one-to-one parallel. | ||
| Yeah. | ||
| Trying to keep us from going off-planet. | ||
|
unidentified
|
Yeah. | |
| Even though we are already off-planet, considering that's where we fight all of our wars. | ||
| We have Space Command out there having battles on Mars. | ||
| We have super soldier Randy Kramer fighting alien beings on a Martian planet or some shit. | ||
| And we have been off-planet before Mark Richards was even born. | ||
| Absolutely. | ||
| So why the fuck? | ||
| The only thing that he could really be saying is they don't want to have space tourism. | ||
| I guess that's what they're saying. | ||
| They don't want us to build a highway. | ||
| Right. | ||
| That's just what Ike did. | ||
| Right. | ||
| See? | ||
| Can't be having that. | ||
| It's very stupid. | ||
| They gotta keep us on planet? | ||
| The biggest point, though, is that according to all of their narratives, I mean, you perfectly pointed it out, we're way off planet already with the secret space program. | ||
| So, hey, getting U.S. and Russia to fight, not going to achieve the goal of keeping us on planet. | ||
| Didn't seem to work like that. | ||
| No. | ||
| Especially what's China doing. | ||
| They have their underground android army to deal with. | ||
| Well, yeah, but we got ours to counteract that. | ||
| Sure, sure. | ||
| So you might think that Mark Richards probably spends most of his time in prison hanging out with Bach. | ||
| Putting him on assignment. | ||
| Maybe taking meetings with raptors. | ||
| Doing some real serious business. | ||
| I assume maybe remote viewing. | ||
| Going to have a lunch. | ||
| Maybe doing some astral projection. | ||
| Just high-end stuff in Vacaville. | ||
| Sometimes Carrie comes to visit. | ||
| You might be surprised to find out that he has a weekly ritual. | ||
| Oh, no. | ||
| Another thing we talked about is that he... | ||
| Watches Meet the Press every Sunday. | ||
| He says the show makes him angry. | ||
| One of the reasons is the host. | ||
| He feels he's quite obnoxious and, I guess, in essence, trying to get people off track instead of reveal the truth. | ||
| So that was kind of an interesting aside. | ||
| No, it's not. | ||
| That just turned into another thing! | ||
| Meet the Press is fucking stupid. | ||
| I hate that guy. | ||
| Raptors are all over the place. | ||
| But before I go any further on that, that fucking guy on Meet the Press, he is a dick. | ||
| You're getting the sense that maybe the real flavor of it, if you had a recording, is a rambling madman who's like that old man who's pissed off. | ||
| Why don't you stop watching it then? | ||
| It makes you angry. | ||
| Stop watching. | ||
| What are you doing? | ||
| Okay. | ||
| All right. | ||
| The Raptors are... | ||
| Before I go any further, I've got to digress. | ||
| Whoopi shouldn't be on The View. | ||
| I'm telling you this right now. | ||
| I like Behar. | ||
| But what is her face? | ||
| Meghan McCain? | ||
| Come on! | ||
| What are you doing in there? | ||
| You already had Hasselbeck. | ||
| That's nepotism right there. | ||
| Right. | ||
| So, I don't know what's happening in this next clip, but I know he says something weird. | ||
| I don't know how to set this up. | ||
| Enjoy. | ||
| When he talks about how another planetary system would relate to the Earth, and when they say, you know, Earth, are they talking about, you know, humanity in general or what? | ||
| And he said that they are actually talking about humans, the secret space program, the United Nations, governments, and our allies. | ||
| Which has to do with the raptors, the Nordics, various Nordic races we are working with, as well as the reptoids and the ant beings. | ||
| So he said that we are viewed as sort of a conglomeration of these elements when other races are dealing with us from off-planet. | ||
| So that's very interesting. | ||
| Yeah, it is. | ||
| So what she just said there is people who are dealing with Earth when they call it Earth, what they mean is... | ||
| Everybody on Earth. | ||
| I think so. | ||
| I think she just said literally everybody on Earth. | ||
| Jordan, you're bearing the lead. | ||
| Ant people are now in plan. | ||
| No, they're ant beings. | ||
| I think they're still just ants. | ||
| I don't know. | ||
| Ant beings? | ||
| I think they're still just ants. | ||
| I don't know if we've encountered ant beings in our... | ||
| There's so many fucking aliens at this point. | ||
| Are they... | ||
| It's never pointed out their size. | ||
| Again, I think it's just regular ants. | ||
| I just think he's talking about ants. | ||
| Ants are fascinating. | ||
| But he can't just say ants. | ||
| He can't just be like, oh, you know, the reptoids, the raptors, the Nordics, and ants. | ||
| He's got to say ants. | ||
| He's got to say ant beings because you can't just... | ||
| You can't just drop ants in there. | ||
| You read a Time Life book about ants. | ||
| They're crazy. | ||
| They can lift so much. | ||
| Oh, yeah. | ||
| These ant beings. | ||
| Did you know that ant colonies, they can consider some of them to be continental now? | ||
| Ant colonies are huge. | ||
| You definitely have to negotiate with them. | ||
| Of course. | ||
| I would say that ant beings are going to have a tough time with spider leadership. | ||
| But you know what? | ||
|
unidentified
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So have we. | |
| Ha ha ha ha. | ||
| But just the leadership. | ||
| I think the spiders as a people are really wonderful. | ||
| You're a damn fool. | ||
| It's like an Ayatollah Khomeini situation. | ||
| No, it's not. | ||
| It's not. | ||
| It's not. | ||
| All these spiders are bad news. | ||
| They're real bad news. | ||
| And it turns out... | ||
| Well, where's the Black Dragon Queen blowing fire? | ||
| I think that's a metaphor. | ||
| I don't think she's actually a dragon. | ||
| I don't have that clip in here because other than her saying that Britain is under the sway of the Black Dragon Queen, the actual sentence is not fond of that. | ||
| But here is where we learn about the truth of Vietnam. | ||
| Okay. | ||
| I don't think you're ready for it. | ||
|
unidentified
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I'm not. | |
| The war in Vietnam was not really what we thought it was. | ||
| Of course not. | ||
| That there was an ET race that we were having dealings with there and that was the main... | ||
| That's actually what I thought. | ||
| And so we talked about what is in essence an invasion that happened and that Vietnam was not about so-called the spread of communism. | ||
| That it was actually about an invading race of spider beings who originally came to our planet in Angkor Wat. | ||
| Seeking them warm climes! | ||
| And Angkor Wat is an area of Cambodia that has these really amazing temples and structures. | ||
| Those are still standing, but the humans that were part of that civilization, of which they were apparently over a million, disappeared virtually overnight. | ||
| And there was no trace of them. | ||
| And it's always been a mystery. | ||
| And he said that what happened was... | ||
| These spider beings that are the size of what he says are VW bugs. | ||
| What he says are VW bugs. | ||
| Those cars. | ||
| Basically invaded through the Stargates because there's a very, he said, a vast system of Stargates and portals in the area of Southeast Asia. | ||
| Then why do you need CERN? | ||
| And he said what they first did with the humans there is to mind control them. | ||
| Into thinking they were out of water, when in reality they had a river that flows through the area. | ||
| Okay. | ||
| And then once they were weakened by that mind control and lack of water, they then came in and decimated them using a microwave weapon. | ||
| And after that they basically ate, I guess, ate them. | ||
| And so he says that, this is what he was telling me, I think some of those steps are... | ||
| And that basically there is no trace of the humans and no trace of anything at this point. | ||
| No trace of the spiders either. | ||
| That shows what really happened there. | ||
| So he said that race of beings is called the troggs. | ||
| Okay, the troggs. | ||
| Yeah, of course. | ||
| Gotta get the troggs in there. | ||
| I was dumb to laugh. | ||
| It's the troggs. | ||
| We all know about the troggs. | ||
|
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So why? | |
| Why are you mind-controlling them, microwaving them, and then eating them? | ||
| You're the size of a VW van. | ||
| It's a very bizarre thing. | ||
| And this is thousands of years ago. | ||
| It's a very bizarre thing that if you're able to mind-control an entire population in order to implant a thought in their head, why don't you just have them kill themselves? | ||
| Yeah, well, but then they're not fresh. | ||
| And then you gotta microwave them to cook them a little bit. | ||
| Fine, then mind control them to sit down and then hit them with a microwave weapon. | ||
| But then they'd still be ready to run when the microwaves come. | ||
| It doesn't work that way. | ||
| It's not like they put a microwave next to them and they got tumors or something like that. | ||
| A microwave weapon, you can't run from that. | ||
| Cooks everything. | ||
| Man, you know what? | ||
| Here's my position. | ||
| Here's my position. | ||
| This is cowardice. | ||
| That's what this is. | ||
| As a narrative, this is cowardice. | ||
| Yeah, that's true. | ||
| Because it's such an explanation of trying to pretend that humanity doesn't do horrible things to each other. | ||
| You know, and you're like, no, it was invading spider beings that mind-controlled them to think they didn't have water, and then they ate them. | ||
| I thought you were talking about cowardice on the part of the spiders. | ||
| Oh, that too. | ||
| Give us a fair fucking fight, spiders. | ||
| Frontal attack or nothing. | ||
| Don't be pulling this mind-control shit. | ||
| Right. | ||
| Miraculously, no one's ever seen a spider being. | ||
| Wow. | ||
| Anybody who has, they got mind controlled not to tell the tale. | ||
| I forgot, actually, part of her narrative is that... | ||
| And they died of thirst. | ||
| Part of her narrative is that everybody who was fighting in Vietnam has had their brain wiped. | ||
| Ah, see? | ||
| And that's how a lot of PTSD is... | ||
| Checks out. | ||
| Yeah, happening. | ||
| It was because of mind wipes. | ||
|
unidentified
|
Yep. | |
| And that's why we don't need to fund the VA, Dan. | ||
| Spiders will mind-wipe us. | ||
| I think that's kind of the plot of Men in Black 2 or 3. Pretty much exactly. | ||
| Isn't it where you get cancer from having your brain erased too many times or something? | ||
| Isn't that part of Men in Black? | ||
|
unidentified
|
Eh. | |
| Who knows? | ||
| I saw one. | ||
| I saw two. | ||
| That was enough. | ||
| Yeah, fair enough. | ||
| So we got two more clips here. | ||
| This is where Carrie really, like... | ||
| You want her to turn face. | ||
| You know what I'm saying? | ||
| You want her to become a hero. | ||
| There's no redemption, Archon. | ||
| She's so oblivious and so invested at this point. | ||
| Because it's been like five times she's gone and interviewed him and he said stupid shit. | ||
| And it's like, I need him to be a source. | ||
| Because without him, I don't have a whole lot of sources that I rely on. | ||
| And she can't just make it up on her own. | ||
| No. | ||
| That would be bad journalism. | ||
| You can't do that. | ||
| No, not like everybody does. | ||
| Yeah. | ||
| So here's one clip where it's like, you want to shake her, just wake up. | ||
| He, again, what I told you before, which I said earlier, which is that he is getting written directives on how to answer me. | ||
| And it's true that he rarely hesitates when I ask him any questions. | ||
| Obviously, his mind works very quickly, but he says sometimes he does struggle to figure out whether or not he's been told to tell me something or not when I get particularly close to... | ||
| With one of my questions. | ||
| Buying time. | ||
| You are describing lying. | ||
| That's all that is. | ||
| It's called buying time. | ||
| It's a very convenient way to not answer questions that you can't figure out how to work into your lie by being like, now there's things I've been told I can't tell you. | ||
| And that way it could be like, sorry, you're across the line. | ||
| I don't have an answer for that. | ||
| Or if you just can't think on the fly quick enough to be like... | ||
| Huh, let's see if that violates what I'm supposed to tell. | ||
| Exactly. | ||
| Buy him fucking time. | ||
| Right. | ||
| It's so clear as day. | ||
| It's... | ||
| Just wake up! | ||
|
unidentified
|
Wake up! | |
| I prefer whenever she says, he did not confirm this, but he did give me a little side-eye to let me know, I think, that he is confirming exactly what it was that I asked him. | ||
| And he's mad about Meet the Press. | ||
| That's what the side-eye also says. | ||
| Also, the Dutchman. | ||
| That's who it is. | ||
| It's the Dutchman. | ||
| The Dutchman is his dad. | ||
| Oh man, that's even worse than I imagined. | ||
| So we got this. | ||
| Carrie is describing lying quite literally in her interactions with him. | ||
|
unidentified
|
Which again, she doesn't even understand what lying is. | |
| She doesn't get it. | ||
| It's sad. | ||
| So we get to this last clip and it's another one of those where she's like, you really should wise up, young lady. | ||
| I asked Mark why he's still in prison, because it really astounds me with all his abilities and information. | ||
| He's such a key player, and he in essence said that his influence and contacts in the universe would threaten the powers that be that are in charge right now, and that he is their enemy. | ||
| He says that he could probably garner enough support to take them down, and they know that. | ||
| And this is really the clearest statement he ever made about being in prison. | ||
|
unidentified
|
It is interesting. | |
| It is interesting. | ||
| Why are you still in prison? | ||
| You're a major player in the entire universe, and you're a hero, and you have friends who are all these powerful space racers. | ||
| And some of them have been the reason we've had wars that have been horribly traumatic to the United States and the rest of the world as a whole. | ||
| Why are you in a medium security prison that you can't get out of with the help of raptors or spiders? | ||
| Well, let me answer that question. | ||
| First off by saying, I am their enemy. | ||
| They want me gone. | ||
| And that is because I am so powerful. | ||
| I mean, frankly... | ||
| I could probably get enough support to destroy your entire global democracy or whatever it is you guys think you're doing. | ||
| But I'm in a medium security prison. | ||
| So even though I talk to literally everyone in the fucking universe, I get orders from... | ||
| I mean, yes. | ||
| Of course I could destroy the entire system. | ||
| Sure. | ||
| Yeah. | ||
| But I can't. | ||
| I could get the support I need. | ||
| To save everybody and have a happy ending for the world. | ||
|
unidentified
|
Easy. | |
| But I cannot get the support I need to break out of this rinky-dink prison. | ||
|
unidentified
|
Nope. | |
| Now, I was visited by Minerva, an artificially intelligent interstellar aircraft which only I can fly, and it was somehow defeated by these four walls! | ||
| If Minerva flew over, let's say, with a raptor in tow, raptor comes down, breaks Mark out of prison, jumps back up into Minerva, It does not seem hard. | ||
| It's a slam dunk. | ||
|
unidentified
|
Yeah. | |
| That's so easy. | ||
|
unidentified
|
Compared to the other stuff he's describing, that would be a cakewalk. | |
| Breaking out of jail? | ||
| Yes. | ||
| Oh, okay. | ||
| Yeah. | ||
| It would almost be like being a background extra in Jurassic World. | ||
| It's very easy. | ||
| It's very easy. | ||
| It's not hard. | ||
| Or, let's be even more clear. | ||
| In Mark Richard's world, astral projection is a thing that's real. | ||
| Uh-huh. | ||
| It shouldn't even matter that he's in prison. | ||
| I'm out. | ||
| My body is in here, but I'm out all the time. | ||
| Why not? | ||
| He should be able to astrally project and be in studio with Kerry. | ||
| Right. | ||
| Question. | ||
| He's one of the most powerful people in the world. | ||
| He's a major player. | ||
| Of course. | ||
| Yeah. | ||
| Maybe. | ||
| He was teleported one time. | ||
| Without his soul? | ||
|
unidentified
|
Without his soul. | |
| Oh, that's a great point. | ||
| See, there we go. | ||
| Because he was saying that for 35 years... | ||
| And you know, if you don't have a soul, you can't break out of prison. | ||
|
unidentified
|
No. | |
| That's just a scientific fact. | ||
| That's true. | ||
| You've got to have a soul, or you've got to be super bad to get out of prison. | ||
|
unidentified
|
Yep. | |
| That's what that song was about, right? | ||
| Probably. | ||
| So this brings us to the end of another exploration of Mark Richard's deceitful ass. | ||
| And Geary Cassidy having no idea what to do with it. | ||
| Dan, what have we learned? | ||
| Well, we've learned a little bit. | ||
| I mean, first of all, no war is what we think it is, but I think we had a hunch that was the case already. | ||
| Nordics caused the Holocaust, but Putin's cool with them. | ||
| Yeah, Eisenhower and AI saved the world in the 50s. | ||
| That's cool. | ||
| Still questionable where that AI came from and what it's doing now. | ||
| The only thing that I'm really super... | ||
| And all you... | ||
| There's artificial intelligence and all you have it doing is running some analysis. | ||
| Just like... | ||
| Greys are bad. | ||
| I think greys might be... | ||
| I think they're going to betray us. | ||
| It seems like... | ||
| Do you mean the thing that you could have just sussed out whenever you found out they... | ||
| They were mercenaries to begin with. | ||
| That's their whole thing. | ||
| Yeah. | ||
| They're backstabbers. | ||
| That's their job. | ||
| This AI could be the most rudimentary AI ever. | ||
| We have no proof from what it said that it's some sort of like, oh yeah, it couldn't beat Kasparov at chess. | ||
| I'll tell you that right now. | ||
| This is not a deep thinking AI. | ||
| I think the most important thing that we learned is that there is at least one instance that we found of The narrative of Project Camelot and Mark Richards being identical to something that one of Alex Jones' fake sources is pitching as his. | ||
| That's fascinating to me. | ||
| I think the most important thing I learned was that the people who built Angkor Wat were eaten by spiders. | ||
| After being brainwashed and microwaved. | ||
| Again? | ||
| Want to know what that microwaving was? | ||
| I think it's fascinating. | ||
| Mark Richards has so much to give to scholarship. | ||
| Did they put the microwave weapon on the back of one of the spiders? | ||
| Did they have it? | ||
| Because I can't imagine where the spider's holding it like a gun. | ||
| They don't have hands, baby. | ||
| They don't have hands. | ||
|
unidentified
|
Do they create guns? | |
| It's like dino riders. | ||
| They have a microwave gun on their head. | ||
| Yeah, see, there we go. | ||
| Spiders barely have heads. | ||
| Look, dude, I don't know. | ||
| I will say I don't believe it, if that helps. | ||
| I suppose. | ||
| It sounds like bullshit. | ||
| Well. | ||
| But anyway, this has been fun. | ||
| Oh, those ant beings. | ||
| Just ants. | ||
| They're just ants. | ||
| Just ants. | ||
| We'll be back with a new episode about Alex Jones shortly, but I wanted to take a little break because you need to sometimes. | ||
| Spiders. | ||
| This has been fun. | ||
| I don't know why it is. | ||
| The only narratives that I, like the raptors and the reptoids, I'm over it, man. | ||
| I'm over it. | ||
| Somehow the spider leadership never fails to get me. | ||
| Well, now that we know they're such ruthless spiders, they take no prisoners and they have mind control technology. | ||
| Which I don't think the Raptors have. | ||
| I think they just evolved with mind control. | ||
|
unidentified
|
You think so? | |
| I think that's an intrinsic characteristic of the giant VW spider. | ||
| Well, if that was what he was going to do, then he should have gone with those wasps. | ||
| Because there are those wasps that can lay eggs in you and control your brain or whatever. | ||
| Oh, yeah, yeah. | ||
| Or like the fungus that makes ants crawl up and then it bursts out of their heads or whatever. | ||
| Yeah, yeah. | ||
| He could have gone something like that instead of spiders. | ||
| But spiders are a much better visual. | ||
| Yeah, it's far scarier. | ||
| A spider with mind control? | ||
| That's the scariest thing I can think of. | ||
| Yeah. | ||
| Something that's not scary. | ||
|
unidentified
|
That's a mess. | |
| Yeah, that's a whole mess is what that is. | ||
| Something that's not a mess is our website. | ||
| You can check us out over there at knowledgefight.com. | ||
| You sure can. | ||
| You can follow us on Twitter at knowledge underscore fight. | ||
| We're on Facebook. | ||
| Indeed, you can find us on iTunes. | ||
| Yep, we're there. | ||
| You can subscribe, like the show, rate. | ||
| Review. | ||
| Once again, we'll be in Austin on June 15th. | ||
| Yeah. | ||
| Go home and tell your mother we're going to be there. | ||
| Yep, and you're brilliant. | ||
|
unidentified
|
Yep. | |
| We appreciate everything. | ||
| You and I are a little bit, you know, long weekend, and we're recording this late, so I think it's fitting that we only have like an hour episode, because I don't think I'm on my game, quite frankly. | ||
| And now that we're at the end of it, I feel comfortable admitting it. | ||
| We'll be back. | ||
| Fresher than ever, real soon. | ||
|
unidentified
|
In the meantime, let me tell you something. | |
| Go fuck yourself, Nordics. | ||
| Wait a second. | ||
| You can't tell an entire race. | ||
| If you caused the Holocaust... | ||
| That's fair. | ||
| I'll give it to you. | ||
| Andy in Kansas, you're on the air. | ||
|
unidentified
|
Thanks for holding. | |
| Hello, Alex. | ||
| I'm a first-time caller. | ||
|
unidentified
|
I'm a huge fan. | |
| I love your work. |