Aug. 8, 2023 - The Joe Rogan Experience
04:41:16
Participants
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| Speaker | Time | Text |
|---|---|---|
|
unidentified
|
Joe Rogan Podcast, check it out! | |
| The Joe Rogan Experience. | ||
| Train by day, Joe Rogan Podcast by night, all day. | ||
| We're up. | ||
| What's happening, my buddy? | ||
| I'm hanging out. | ||
| Dude, you look fucking great. | ||
| I told you that when I saw you, but I want to tell you on air. | ||
| You look fucking great, man. | ||
| You said you lost 60? | ||
| Like 60. I was like 240. Now I'm like 185. That's amazing. | ||
| Yes, sir. | ||
| And you did it just by cutting out soda. | ||
| Yeah, I don't drink. | ||
| A lot of shows. | ||
| Yeah, like shows, soda. | ||
| Soda's so bad. | ||
| It's so bad. | ||
| It's so bad. | ||
| But it's so good. | ||
| I'll have a soda. | ||
| I'm a bad boy. | ||
| And I have a monster energy. | ||
| But Celsius is so good, too. | ||
| Have you had one of those? | ||
| Yeah, I have. | ||
| They're good. | ||
| It's so good. | ||
| The key to those things is just every now and then. | ||
| That's the thing. | ||
| You know, every now and then you reward yourself with a Coca-Cola. | ||
| You're like, ah, this is nice. | ||
| On these hot Texas days, I've been here. | ||
| We did Dallas. | ||
| Two days yesterday, back to back. | ||
| Yesterday and the night before. | ||
| I'm coming to see you tomorrow night. | ||
| Let's go. | ||
| I'm coming to Houston. | ||
| Let's go. | ||
| Let's go. | ||
| Did you buy tickets? | ||
| Yeah. | ||
| Aw, Joe, you didn't have to do that. | ||
| Because if you said we hooked you up, I'd be like, what the hell? | ||
|
unidentified
|
I didn't know. | |
| But since you said you bought, thank you so much for coming, Joe Rogan. | ||
|
unidentified
|
My pleasure. | |
| My pleasure. | ||
| I'm excited. | ||
| Me too, man. | ||
| I'm excited, man. | ||
| But yeah, especially out in this heat, dude. | ||
| Just like... | ||
| You know what? | ||
| I had a great show. | ||
| You know what? | ||
| I'm feeling a little bit naughty. | ||
| I'm going to have myself coke on ice. | ||
| Yeah. | ||
| So good. | ||
| Reward yourself. | ||
| The problem is when people do it all day, every day. | ||
| Yeah. | ||
| Your body doesn't know what to do with that kind of sugar because it's so unnatural. | ||
| Your body never gets sugar like that in the wild. | ||
| You get sugar in fruit. | ||
| When you have a glass of sugar water, it's just pouring right into your bloodstream. | ||
| Your body's like, what the fuck is this? | ||
| I like guarana. | ||
| Ooh, that's good stuff. | ||
| That is crazy stuff. | ||
| Yeah. | ||
| It's naturally caffeinated or something. | ||
| Yeah, the berries. | ||
| It's crazy. | ||
| Yeah, that's acai. | ||
| That's the same thing as when you get an acai bowl. | ||
| That's guarana. | ||
| That's the berries. | ||
| Man, I remember going to Brazil the first time. | ||
| And I was like, oh, this soda's so good. | ||
| And also, I was like bouncing off the wall fucking like, I'm like, oh my god, dude, I feel crazy right now. | ||
|
unidentified
|
It's delicious, though. | |
| It's so good. | ||
| What is that called? | ||
| Guarana? | ||
| What is the name of that soda? | ||
| I think that's what it's called by Antarctica. | ||
| Is that what it is? | ||
| I think it's an Antarctica brand. | ||
| Not from Antarctica. | ||
| Super legit. | ||
| They know how to eat over there, too. | ||
| In Antarctica? | ||
| No, in Brazil. | ||
| Yeah, Guana Antarctica. | ||
| Yeah, there it is. | ||
| That stuff's the shit. | ||
| Dude, and they give you a beer. | ||
| You go down to the beach, and they give you a beer in this rock that's ice cold. | ||
| Well, I don't know if it's a rock, but whatever it is. | ||
| Ceramic? | ||
| I don't know, but it's really cold. | ||
| And the beer is the coldest beer I've ever had, and it was so good. | ||
|
unidentified
|
On the beach. | |
| It was so good. | ||
| They don't have a party down there on the beach in Brazil. | ||
| It's so fun. | ||
| Yeah, it's great. | ||
| Great country. | ||
| We're going down there for tour. | ||
| Nice. | ||
| So we got a lot of tours. | ||
| So we're doing this U.S. tour. | ||
| Then we're doing seven days off. | ||
| Then we go to South America, I think. | ||
| So I'm excited. | ||
|
unidentified
|
Wow. | |
| Have you performed in South America before? | ||
| Yes, sir. | ||
| Rock in Rio and stuff. | ||
| It's so much fun, man. | ||
| They love music. | ||
| It's so much fun. | ||
| There's not an ounce of hate in the whole crowd. | ||
| Everybody's just having such a great time. | ||
| And that makes me... | ||
| More excited, you know? | ||
|
unidentified
|
Yeah. | |
| Because, like, you know, sometimes I'll go do these shows, like, a lot of, like, more corporate shows where I'm just like, hey, do you guys even really like me or know who I am? | ||
| But it's like everybody there is just having so much fun. | ||
| Right. | ||
| The corporate ones are weird, right? | ||
| It's so—I have fun, but a lot of the time it's like you can't read the crowd because everybody's, you know— I feel like more like a jazz band or like a lounge band at a restaurant or something, you know? | ||
| Right. | ||
| Which is weird. | ||
| It's weird! | ||
| It's weird that they want to pay that much money to have someone come and then it's just that you're a big name and it's like, look, we got Post Malone, but, you know, I'm over here talking to somebody, not paying attention. | ||
| And yeah, I don't know. | ||
| You know, people who pay to come to the show... | ||
| I'm like, okay, you guys paid. | ||
| You guys at least know who I am for sure. | ||
| But yeah, I'm not sure. | ||
| I can't read the crowd. | ||
| I went to my friend Dana White and he had a birthday party when he was 40 and they hired Stone Temple pilots. | ||
| Sick. | ||
| It was sick. | ||
| Sick. | ||
| First of all, those motherfuckers performed like there was 80,000 people there. | ||
| And it was one of those things where we had to get people to stop and pay attention. | ||
| Guys, fucking Stone Temple Pilots is here. | ||
| Yeah, I don't know. | ||
| They went hard. | ||
| I mean, they did a, like, full energy show. | ||
| It was very impressive. | ||
| It was, like, very inspirational. | ||
| It's like, wow, these guys are at a birthday party. | ||
|
unidentified
|
Yeah. | |
| And they're giving them fucking Stone Temple Pilots. | ||
| Yeah, that's badass. | ||
| It was badass. | ||
| It was amazing. | ||
| It was amazing. | ||
| I don't know if I could, like, you just hear fucking Interstate, what, Interstate Love Song? | ||
| And you're like, how do you talk? | ||
| How do you not just like... | ||
|
unidentified
|
Right. | |
| How are you like, what the... | ||
| I don't know. | ||
| Well, just, you know, hobnobbing. | ||
| That's the thing. | ||
| Hobnobbing. | ||
| And you go to those things and everybody's already hobnobbing. | ||
| So people are like social networking and there's people with motives and they're trying to be more friendly with the guy at the top and this kind of shit. | ||
| And then all of a sudden... | ||
| Yeah. | ||
| But they fucking went hard. | ||
| They went hard like they had the best fans in the world, and there was like 80,000 of them. | ||
| It was a fucking amazing show. | ||
| It was so impressive, man. | ||
| It was so impressive. | ||
| Another band with Stone, Queens of the Stone Age. | ||
| Oh, those guys are great. | ||
| I want to see them. | ||
| I have not seen them live, but I had Josh on the show. | ||
| How was he? | ||
| Very cool guy. | ||
| We had a good friend in Bourdain. | ||
| He was good friends with Bourdain, too. | ||
| He's a fucking interesting dude, though. | ||
| Very interesting dude, and their music is fucking... | ||
| It's so smart. | ||
| It's so interesting. | ||
| Yeah, it's so smart. | ||
| Yeah, it's so distinctive. | ||
| Like, their music is so distinctive. | ||
| Like, you hear a song, it sounds like them. | ||
| Right. | ||
| You know what I mean? | ||
| He's got a voice, man. | ||
| And he can write a hell of a song. | ||
| Hell of a song. | ||
| Yeah, it's just, I don't know. | ||
| Like, some of the stuff they do, I'm like, how do you even think of that? | ||
| Right. | ||
| There's so many artists like that, but I'm like, in that setting, and then... | ||
| That first record with Dave, like, just banging on. | ||
| Dude, oh my god. | ||
| It's so good. | ||
| Yeah, it's so good. | ||
| Well, we're at an amazing time for art, for both music and a lot of other things, too. | ||
| There's just so much good shit out there now. | ||
| That's true. | ||
| But I figured, you know, that the way things are moving, I got like four or five months before people like the robot songs more than my songs. | ||
| I don't think that's ever gonna happen. | ||
|
unidentified
|
I hear some of them, and I'm like, aw man, that's so good, dude! | |
| Who wrote that? | ||
|
unidentified
|
That's a great song. | |
| It is a great song, but people will know. | ||
| People will know. | ||
| Sure. | ||
| Like, there's women that do not want diamonds that were made in a lab. | ||
| Sure. | ||
|
unidentified
|
Which is crazy, because it's just a diamond. | |
| Like, they have an ability now to man-make diamonds. | ||
| They have some crazy machine and they compress carbon and they can make diamonds. | ||
| But women only like them if they're coming out of the ground. | ||
| Well, I know how to make gold. | ||
|
unidentified
|
Really? | |
| Yeah. | ||
| I can turn anything into gold. | ||
| I watched a video on it. | ||
| You watch YouTube? | ||
| Alchemy? | ||
| Yeah, I was watching a little alchemy video. | ||
| So all you need to do is ferment your piss for like a year or so, and then you're good. | ||
| And then eat it. | ||
| Then eat it, by the way. | ||
| You gotta eat your piss? | ||
| That's how you make gold? | ||
| Yeah, I think so. | ||
| That's what they were saying. | ||
| People used to try to make gold. | ||
| They used to try to figure out a way to make gold. | ||
| Isaac Newton. | ||
| Did he really? | ||
| Yeah, he was super into alchemy. | ||
| Like, one of the smartest dudes ever. | ||
| Well, if you could figure out... | ||
| I mean, I guess back then they probably thought... | ||
| I wonder if you can. | ||
| I wonder if there is some way to do it with a certain amount of energy that we don't currently possess, where you can take other metals and turn them into different metals. | ||
| I mean, diamonds. | ||
| Yeah, but that's a pressure thing. | ||
| Spray paint? | ||
| Yeah. | ||
| You can make anything gold, really. | ||
| I love gold! | ||
| Fool's gold. | ||
|
unidentified
|
Yeah. | |
| I have a friend who lives up in Alaska, and he owns a gold mine. | ||
| Have you ever seen the Boneyard Instagram page? | ||
| No, sir. | ||
| It's insane. | ||
| He's got this area in Alaska that apparently there was a mass die-off there that probably had something to do with a comet impact, somewhere around the Younger Dryas period, and there's Tons of woolly mammoth bones there. | ||
| He has warehouses filled with them, and it's all his land, and he's a gold miner. | ||
| So it's like, and he's wealthy, and he doesn't give a fuck. | ||
| This guy Johnny comes on here smoking cigarettes, telling the story of his life, and he's got warehouses full of priceless stone bones, these fucking ancient Like cave bear heads and step bisons. | ||
| That's a junk drawer. | ||
| This is the most valuable shit in the world. | ||
| That's crazy. | ||
| He's got warehouses filled with it. | ||
| Was that an ariok? | ||
| I don't know what the fuck that is. | ||
| It's like a horn stem. | ||
| He's got teeth and horns and they found certain cats. | ||
| What is that? | ||
| They don't know what that is yet. | ||
| They found that. | ||
| It's mummified. | ||
| It's a tiny little mummified creature. | ||
| Oh, that's one of them Alaskan chupacabras. | ||
|
unidentified
|
Yeah, they have to get that examined. | |
| He has so much shit. | ||
| I mean, he's kind of an expert on it now, but he kind of has to bring people in to tell them, hey, what the fuck is this? | ||
| Yeah, that's crazy. | ||
| They just hose the side of this cliff. | ||
| They just hose down the permafrost, and then bones start poking up. | ||
| And then they go in further, and they've just been doing this for years now. | ||
| It's insane. | ||
| That's so cool. | ||
| It's fucking cool. | ||
| You never know what you're going to get. | ||
| They find dinosaurs and stuff over there? | ||
| They haven't found dinosaurs. | ||
| It's all stuff from like 12,000 to 60,000. | ||
| No, a woolly mammoth is an ancient elephant. | ||
| Right. | ||
| So how long did they exist for? | ||
| Did they hang out with dinosaurs? | ||
|
unidentified
|
No. | |
| Okay, so they were never hanging out with dinos. | ||
| You never saw like a T-Rex or a Spinosaurus and a Wooly Mammoth hanging out. | ||
| I'd like to go to that party though. | ||
| I think the T-Rex would have ate them all. | ||
| You know what I just found out? | ||
| This is fucking crazy. | ||
| Sharks are older than trees. | ||
| Sharks have existed before trees existed. | ||
| I get what... | ||
| Like 50 million years before trees, there were sharks. | ||
| That's crazy. | ||
| That's crazy. | ||
| So, I mean, I don't know. | ||
| Maybe it makes sense since... | ||
| Yeah, look at that. | ||
| Here it goes. | ||
| So, trees... | ||
|
unidentified
|
It's so weird to just talk about trees as like, did you hear sharks was older than trees? | |
| Like they're two people? | ||
| So, trees as we familiarly know them. | ||
| A primary trunk, large height, and a crown of leaves and fronds. | ||
| Didn't appear on the planet until the Devonian period, some 360 million years ago. | ||
| You might be surprised to learn that sharks are older than trees. | ||
| They've been around for at least 400 million years. | ||
| That's crazy. | ||
| Yeah, it's fucking bonkers. | ||
| So, I mean, did life come from the water? | ||
| Yeah, most likely. | ||
| So, I mean, it kind of makes sense, I guess. | ||
| But imagine just, like, what shark went up onto the land and became a tree? | ||
| You know what I mean? | ||
| I don't think it worked that way. | ||
| Well, I don't know how it worked. | ||
| I wasn't there. | ||
| But there must have been, like, some kind of amoeba or life form that... | ||
| Slid up onto land and was like, I'm gonna be... | ||
| I'm gonna be a plant. | ||
| I'm gonna be a tree. | ||
| And then another guy's like, you can fucking be a tree. | ||
| I'm being this fucking massive aquatic creature that can just bite anything in half. | ||
| What's bizarre is when you think of the variety, just the sheer variety of life forms that exist on this planet. | ||
| Both plants and animals and mushrooms, which breathe air. | ||
| Mushrooms breathe air like we do. | ||
| That's pretty cool. | ||
| Yeah, they don't do the photosynthesis thing. | ||
| Well, now I feel bad. | ||
| They don't... | ||
| Well, don't. | ||
| I just ate. | ||
| I think they want you to. | ||
| I have a theory. | ||
| He does. | ||
| They're trying to get in there. | ||
| Are they? | ||
| Yeah, I think so. | ||
| You should do an experiment and have a mushroom. | ||
| You know how they do, like, how trees go towards the light? | ||
| They end up growing more towards where there's the most light? | ||
| If, like, the shroom grows towards a human. | ||
| Like, eat me. | ||
| I don't think they grow towards humans, but one of the... | ||
| Have you ever heard of the stoned ape theory? | ||
| No, sir. | ||
| The stoned ape theory is there's this guy who's this... | ||
| He's an ethnobotanist and like a psychedelic guru. | ||
| His name is Terence McKenna. | ||
| And Terence McKenna had this theory, and it coincides with... | ||
| There's a lot of interesting things about it, but it's about the doubling of the human brain size. | ||
| Apparently, the doubling of the human brain size is the biggest mystery in the entire fossil record. | ||
| Because it happened fairly quickly. | ||
| It happened over a period of like two million years. | ||
| I missed that boat. | ||
| Yeah. | ||
| I don't think you did, dude. | ||
| I don't think you did. | ||
| You're smart as fuck. | ||
|
unidentified
|
Shut the fuck up. | |
| Thank you, sir. | ||
| Thank you, sir. | ||
| But this time period was when lower... | ||
| So what happened was that the climate changed and the rainforest receded into grasslands. | ||
| And so a lot of these hominids came out of the trees and they started experimenting with different food sources. | ||
| Oh, there's like a whole video about it. | ||
| So these mushrooms grew on cow shit. | ||
| So they've observed all these different primates flipping over cow patties and eating beetles and grubs on them. | ||
| And they would probably experiment with the mushrooms that grow on them. | ||
| And his thought was that mushrooms in low doses increase visual acuity, so it makes you a better hunter. | ||
| It emphasizes a sense of community, so it would make you have better tribal interactions. | ||
| That would benefit. | ||
| It makes people horny. | ||
| That would benefit breeding. | ||
| And then there's also, like, his brother Dennis McKenna, he explained it to me, but I'll fuck it up if I try to recall it. | ||
| But it's essentially that some of the elements that how psilocybin interacts with your mind, it helps the facilitation of language. | ||
| And he thinks that all those things coincided with climate change. | ||
| So as these rainforests receded, these lower hominids came out, tried mushrooms, started eating them and kept eating them for millions of years. | ||
| And that was a part of the diet. | ||
| And as they did this and as they understood what to get and what to eat, they looked for it and they ate it all the time. | ||
| And it probably gave them a lot of ideas for how to make tools. | ||
| It probably gave them ideas like how to harness fire. | ||
| And he thinks it's the source of human evolution. | ||
| Shroomies. | ||
| Shrooms. | ||
| That's amazing. | ||
| Amazing. | ||
| I believe it. | ||
| And they're illegal, which is hilarious. | ||
| Are they? | ||
|
unidentified
|
Imagine that. | |
| Yeah. | ||
| I don't really leave the house. | ||
| Yeah. | ||
| They grow whether you like them or not. | ||
| Not that I have them there. | ||
| My buddy Duncan lived in Asheville, North Carolina, and they had so many shrooms that were growing on cow shit that they started giving the cows a certain kind of feed to discourage the fungus growth. | ||
| They put chemicals in their feed to kill the fucking fungus, the most natural thing. | ||
| Can you get in trouble? | ||
| Say you have a bunch of cattle, right? | ||
| Can you get in trouble and then someone from the DEA shows up and starts flipping over your patties? | ||
| It would be a hard thing. | ||
| I mean, they'd have to really be going after you because obviously that shit just grows naturally. | ||
| Right. | ||
| And it's not like, you don't have to do anything. | ||
| They're everywhere. | ||
| They're everywhere. | ||
| Like Duncan said, it's like there's – because the way mushrooms work is there's spores, right? | ||
| But then there's the most of the – what you see that pops out of the ground is like the fruit of the actual mushroom. | ||
|
unidentified
|
Right. | |
| The real mushroom is underground. | ||
| The real mushroom is the mycelium, the spore, all the stuff that connects all of the vegetable life – all the vegetation life form together. | ||
|
unidentified
|
Sure. | |
| Does that have psilocybin? | ||
| Some of it does. | ||
| I think just the fruiting bodies probably do. | ||
| Just the ones that come out of the earth are probably the ones. | ||
| I don't know though. | ||
| I don't know that. | ||
| I wonder if there's like worms down there getting high as fuck. | ||
|
unidentified
|
They're probably connecting. | |
| They're probably connecting in some very weird way. | ||
| They get to the roots and just take like a big... | ||
| And then they're like, oh my fucking god. | ||
| Yeah. | ||
| I'm so high right now. | ||
| Just absorbing it. | ||
| Absorbing it through the soil. | ||
| They're just absorbing it. | ||
| Oh, the sea? | ||
| That's good. | ||
|
unidentified
|
Maybe... | |
| Ooh, imagine it's all just in there and then you get some shroom corn. | ||
| So you can just eat like an ear of corn and get super fucking rocked. | ||
| Well, you know, they used to accidentally get high because they would get ergot would poison their wheat and their barley. | ||
| So it's like a certain fungus that grows on wheat and it gives you an LSD like effect. | ||
| And they think that that might have been the source of the Salem witch trials. | ||
| Wow! | ||
| Because at the time where this was taking place, they had apparently had a late frost, or an early frost, rather. | ||
| And apparently when they have an early frost, it makes these plants more subject to ergot poisoning. | ||
| And then they did some samples, some soil samples, and they did find ergot. | ||
| I think they might have even, like, tested some things and found ergot in them. | ||
| So what they think was happening was these people were getting bad wheat that had ergot poisoning. | ||
| And so a lot of them would die. | ||
| Because, like, there was a big one, a big breakout of ergot poisoning in France a few years back. | ||
| Not a few years back, quite a while back. | ||
| But it was the same kind of thing. | ||
| Like, a bunch of people died from ergot. | ||
| And other people were just tripping balls. | ||
| I was going to make an ergot joke, but I was going to say, didn't Hugh Jackman win an ergot? | ||
| Does he have an EGOT, though? | ||
| Sorry to go off topic. | ||
| What is an EGOT? It's like an Emmy, Grammy, Oscar and Tony, I think is what it is. | ||
| Oh, that's what it is, right. | ||
| Yeah, he's probably got all those, right? | ||
| He's so talented. | ||
| Yeah, that guy can do everything. | ||
| He's missing an Oscar for that guy. | ||
| Aw, come on, Hugh. | ||
| How does he not have an Oscar for Wolverine? | ||
| I know, what the fuck? | ||
| What are they, communist? | ||
| What the fuck's going on? | ||
| That guy's awesome. | ||
| He's amazing. | ||
| He was jacked, man. | ||
| He got jacked for Wolverine. | ||
| He got fucking jacked. | ||
| He's amazing. | ||
| He does it all? | ||
| Yeah. | ||
| He's like, Will Smith can do everything. | ||
| It's so cool. | ||
| Yeah. | ||
| There's people out there like Jamie Foxx. | ||
| He can do anything. | ||
| Anything. | ||
| Anything. | ||
| Bieber can do anything. | ||
| Anything. | ||
| It's crazy. | ||
| I'm like, that's like... | ||
| Just much like the... | ||
| Double brain size thing. | ||
| I miss the boat on those jeans. | ||
| But you didn't miss it for making music. | ||
| It's like your brain is designed specifically for what you do. | ||
| It's what's beautiful. | ||
| It's like you found the thing that your brain works perfectly for. | ||
| Everybody's brains differ, man. | ||
|
unidentified
|
Yes, sir. | |
| Autotune really unlocked a whole lot of opportunity for me. | ||
| So thank you, Antares, our inventor of said... | ||
|
unidentified
|
Program. | |
| Don't you think that as ChatGPT can make Post Malone songs, people are still gonna want to know it came from you? | ||
| That's gonna be more valuable to people. | ||
| There's people that love your songs just because they sound good. | ||
| Yes, sir. | ||
| But there's also people that love your songs because they come from you. | ||
| Yes, sir. | ||
| I understand that. | ||
| I guess the thing that I'm concerned is Pretty soon, you can still tell if it's an AI song, right? | ||
| Now. | ||
| But the way that it's moving, like, I don't know, my buddy, Lou, Louis Bell, he produces a bunch of my stuff and we write together and he's the most talented, smart dude ever. | ||
| But he taught me about epochs and how many epochs a better AI template is. | ||
| And pretty soon, dude, it's going to be really, really good. | ||
| It's just going so fast. | ||
| So I don't know. | ||
| Yeah, but then they'll just do a video and be like, guys, I made this song. | ||
| It's so emotional. | ||
| This really comes from my heart. | ||
| But it's just a robot talking. | ||
| I don't know. | ||
| Not a robot. | ||
| More like a deepfake or something. | ||
| Like, guys, I wrote this song crazy, and it's just an AI song, and I'm like, well, fuck, that's better than anything I could have ever made. | ||
| So, I don't know. | ||
| It's not gonna be better. | ||
| It's not. | ||
| I think there's a thing about something coming from an artist. | ||
| You know, like, as they're doing all these amazing, you know, AI images, they're very cool to look at. | ||
| But to me, it's cooler if I know a person made it. | ||
| Right. | ||
| It definitely is cooler. | ||
| I don't know the... | ||
| It's just like... | ||
| I feel like we look at it different... | ||
| I feel like the attention span is getting so short now, with short-form content and stuff like that, and it's super instant gratification, so it's like... | ||
| Why, as a fan of someone, right, even as a fan in a couple of years, I don't see why they're like, hey, I want Post Malone to make a song about this thing that specifically happened to me with the specific person's name in it, with this stuff, and this is super relatable to me, and that's what I want. | ||
| So then you can just type in the prompt, all this shit, and it'll just shit you out a song, and it'll be the most personalized experience for you. | ||
| Isn't that weird? | ||
| That's fucking weird. | ||
| But that's exactly where it's going. | ||
| Yeah, 100%. | ||
| 100%. | ||
| There's a ton of fake advertisements online right now of me selling products. | ||
| Yeah, yeah, yeah. | ||
| It's just my voice. | ||
| This is the most amazing thing ever. | ||
| Yeah, and I got suckered out of it figuring out you never bought those boner pills. | ||
| You never endorsed those boner pills. | ||
| And I was like, oh, they're good enough for Joe. | ||
| I mean, fuck. | ||
| There's so many things that are selling. | ||
| They're selling so many things. | ||
| I found like 10 of them. | ||
| It's weird. | ||
| It's crazy. | ||
| It's pretty close. | ||
| You can kind of tell when you listen. | ||
| Something's off. | ||
| There's the uncanny valley, I guess. | ||
| There's something off, but it's pretty close. | ||
| You do a podcast. | ||
| So talking about like epochs. | ||
| So I guess you know epochs in like AI. Yeah. | ||
| So you have so many because your job is literally just talking to silence. | ||
| Yes. | ||
| You know what I mean? | ||
| There's no music. | ||
| There's no background noise. | ||
| There's no nothing. | ||
| You're just having a conversation. | ||
| Right. | ||
| And so they can take... | ||
| All of your episodes and just run it through this thing. | ||
| And so it's all your nuance and intricacies in the way you talk and shit like that. | ||
| You know, your breasts, all that stuff. | ||
| They have all of it because it's uninterrupted by, you know, music or background. | ||
| They'll probably even be able to figure out a way to get you to make noises you've never made just by knowing the range that you have that's possible. | ||
|
unidentified
|
Like... | |
| Yeah, like some kind of weird scream or something. | ||
| Now they got that one. | ||
| They'll be able to just know what the shape of your vocal box was. | ||
| I think that's one of the ways that when they look at ancient primates, they test the size of the opening of the mouth and what kind of sounds they could make and what that shit would sound like. | ||
| Yeah, that's so weird how were they wrong about The noises that dinosaurs make? | ||
| I don't think they know. | ||
| I don't think they know. | ||
| I mean, if you watch Jurassic Park, it's just whatever sounds cool. | ||
| Because if you ask someone to make a dinosaur noise... | ||
| Yeah. | ||
| They're gonna do like... | ||
| Right, but what benefit would it be for a dinosaur to make noise? | ||
| The thing is that no lizards make noise. | ||
| Komodo dragons don't make noise. | ||
| Crocodiles don't make noise. | ||
| No reptiles make noise. | ||
| No snakes make noise. | ||
| So why would we ever think that dinosaurs would be so stupid that they'd just be yelling? | ||
| Well, rattlesnakes... | ||
| Exactly. | ||
| They just run around... | ||
|
unidentified
|
Like scaring off everything they're trying to... | |
| It's an alligator growl. | ||
| They do growl. | ||
| Oh, they growl a little. | ||
| Okay, alligators growl? | ||
| They don't roar. | ||
| They don't bark or anything. | ||
| Right. | ||
| That's a cool sound, for sure. | ||
| It's certainly- It sounds like a- It's probably a burp. | ||
| He's probably eating someone's foot right now. | ||
| Swallowing someone's fucking sneaker. | ||
| Look at that creep. | ||
| Fucking creeps. | ||
| They're such creeps. | ||
| They've been around longer than dinosaurs, too. | ||
|
unidentified
|
Oh yeah. | |
| Or during the time of dinosaurs. | ||
| They used to be so big, man. | ||
| Oh my god. | ||
| They used to be so big. | ||
| I like that noise. | ||
|
unidentified
|
That's a pretty dope noise. | |
| It sounds like a fucking nasty growler. | ||
| It literally sounds like it's being amplified by a porcelain bowl there. | ||
| It's just like a long day. | ||
| Long day eating fucking shrooms. | ||
|
unidentified
|
Yeah, sloppy joes and a couple of beers. | |
| Not the sloppy joes. | ||
| Sloppy joes will get you, son. | ||
| They will get you. | ||
| I mean, it's almost like they come pre-digested, you know? | ||
| Yeah, perfect. | ||
| It's just going to slip right through the whole system. | ||
| There's zero resistance with a sloppy joe. | ||
| It goes out the exact same way it came in. | ||
| So fucked up. | ||
| Just lubed up and ready to go. | ||
| Mixed with bread. | ||
| I'm never gonna eat another one again. | ||
| They're delicious. | ||
| They are so good. | ||
| They're delicious. | ||
| At a fucking barbecue, a good solid sloppy joe. | ||
| Damn. | ||
| Well, there's nothing solid about it. | ||
| Yeah, nothing solid. | ||
|
unidentified
|
Yeah, good one. | |
| You've been eating Terry Black's? | ||
| Oh, yes. | ||
| Yeah, we get it delivered to the club a lot, too. | ||
| They're amazing. | ||
| It's just like, you can't have bad barbecue and survive out here. | ||
| I'm interested about the move. | ||
| Have you had, like, you found your, like, this place is amazing. | ||
| Thank you. | ||
| But the move here, because last time I was on, we were talking, it's been three years, and that was right before you moved, you said. | ||
| Yeah. | ||
| And I don't know. | ||
| I love... | ||
| Whenever I moved here, it was amazing. | ||
| Like, the food fucking just blew me away. | ||
| The people are so cool. | ||
| It's just great being out of L.A. Look, there's a lot of cool people in L.A. I loved it. | ||
| I lived there for a long time. | ||
| But it's so tense. | ||
| There's so many people. | ||
| And I don't think people are supposed to live that jammed up like that. | ||
| I just don't think it's good for you. | ||
| I mean, maybe it's different for other people. | ||
| Maybe they like that feeling. | ||
| I have friends that live in New York City. | ||
| They fucking love the beep beep. | ||
| Fuck you. | ||
| They love it. | ||
| They love it. | ||
| They love that crime is up. | ||
| These people are maniacs. | ||
| They feel like they're real. | ||
| They feel like it's dangerous. | ||
| Sure. | ||
| They're out there in the street. | ||
| Sure. | ||
| But me? | ||
| I like to be... | ||
| I like to relax. | ||
| Me too. | ||
| Yeah. | ||
| I mean, that's like... | ||
| Being on tour too and being in the hotels and going to... | ||
| Because I lived in L.A. for like five years. | ||
| But being on tour and being in the hotels, like New York and Boston, and it is so noisy. | ||
| And then you go back to Utah and you're like, oh my God, it's crazy. | ||
| It's crazy. | ||
| Yeah, it's crazy. | ||
| It's like, it's night and day. | ||
| And you never really, if you live in those environments, you never really notice it. | ||
| You never really notice, like... | ||
| A helicopter going by every 30 seconds or whatever. | ||
| But then you're out in Utah and you're like, oh my god, this is so much quieter. | ||
| I think people give off something that probably we can't put on a scale. | ||
| But there's like an energy that people give off. | ||
| That's one of the reasons why people like crowds. | ||
| I think people, when they're around a bunch of other people, they give off a kind of energy. | ||
| And I think when there's too much of that, like a place like L.A. or New York in particular, because New York is just jammed. | ||
| Everybody's stacked on top of each other. | ||
| I think there's this buzz that's always there that some people really enjoy. | ||
| It scares me. | ||
| It's an anxious feeling for me. | ||
| Whenever I was out there, I had my baby, and my doctor was out there, so whenever her mom... | ||
| Was, you know, towards the end of her pregnancy. | ||
| And we were like, okay, we're getting ready. | ||
| We had the baby in LA. And so, like, we were there so we could see the doctor and, you know, she can go into labor or whatever at any minute. | ||
| So we were there for a couple months and stuff. | ||
|
unidentified
|
And... | |
| I would go outside at night, and I'm like, oh my god. | ||
| It felt like impending doom for some reason. | ||
| Helicopters, fucking... | ||
| And there's just noise, noise, noise. | ||
| And I'm like, it was so thick. | ||
| And I was like, where is it all coming from? | ||
| I don't know. | ||
| It just gave... | ||
| It's such an anxious feeling for me to go outside, and I'm like, it's so... | ||
| It sounded like... | ||
| I know it didn't happen, and I don't know what this sounds like, but just like... | ||
| It felt like the aliens could invade at any time, you know? | ||
|
unidentified
|
It was just like, I was like, oh, I know something's coming, man. | |
| It's scary. | ||
| Yeah. | ||
| Well, I think there's a thing that happens when there's too many people where people don't interact with each other, too. | ||
|
unidentified
|
Sure. | |
| Which feels weird because then you feel like all these people that you're running into, like, their potential problems or their potential threats or their potential annoyances... | ||
| Like, let me get away from these people. | ||
| Sure. | ||
| And it's just... | ||
| That's not how it is when there's a few people. | ||
| Right. | ||
| Like, when you're walking down the street in a small town... | ||
|
unidentified
|
Right. | |
| ...and you see somebody, like, what's up, dude? | ||
| How you doing, man? | ||
| No shit, there's a person there. | ||
| What's up? | ||
| Yeah, a person. | ||
|
unidentified
|
Yeah, what's up? | |
| My other person. | ||
| It's just when it's thousands of them and they're all around you. | ||
| Nobody talks to anybody. | ||
|
unidentified
|
Yeah. | |
| Like, you don't... | ||
| Strike up a casual conversation when you're in a crowded line filled with people walking down the street. | ||
| Right. | ||
| People don't talk. | ||
| Everybody's got their own shit to do. | ||
| And it's so weird. | ||
| You look at even a hundred years ago, people would sit down on a bench and just be like, what's up? | ||
| How are you? | ||
| And have conversations. | ||
| And I don't remember exactly where I was, but I think I was in... | ||
| New York doing something and there was a guy I was doing like a show and we were in this building and there was like a smoking area outside and there was this guy playing chess with himself and my buddy goes up and he's like hey And I play chess with you. | ||
| And I was like, yeah, and it's just like how shit would have gone like a hundred years ago. | ||
| But now it's just like, I don't want to talk to anybody. | ||
| Like, you know, it's so fucking weird, man. | ||
|
unidentified
|
It is. | |
| It's just like, we don't have like that interaction because we got so much shit to do. | ||
| Everybody got kind of hoodwinked into this idea that the key to a successful life is working more than you should. | ||
| It is kind of the way to get ahead. | ||
| I mean, it is a competition and there are people out there that are going to hustle harder than you. | ||
| But if you're not enjoying yourself, if you don't balance it out with enjoying yourself, you're gonna have a shitty existence. | ||
| And the whole point is to have a good existence. | ||
| Have a fun existence. | ||
| It's not just about success, but everybody's so driven to just get ahead that it's hard for them to separate those two and realize there's a balance. | ||
| Like, you can't drink Coca-Cola all day. | ||
| There's a balance. | ||
| You drink it occasionally. | ||
| And that balance, you can achieve it. | ||
| But it's very hard to when you've got your eyes on the prize. | ||
| Finding that balance is the hardest part. | ||
| I'm by no means the most talented person or anything like that, but I did work really hard. | ||
| And auto-tune fucking saved my ass. | ||
| Once again, shout out. | ||
| Work hard and get auto-tuned, but not too hard. | ||
| Taking the time and having this baby was so cool, man. | ||
| It is so cool to be a dad. | ||
| And you're like, this is what I was missing out. | ||
| This is a magical thing. | ||
| Yeah, there's a bunch of my friends who don't ever want kids. | ||
| I'm like, dude, I get it, but you're missing something. | ||
| You are. | ||
| You don't have to. | ||
| And I do not like that pressure that people put on people, especially once they have kids. | ||
| Well, it's mostly grandparents or like your grandmars. | ||
| It's like, when are you gonna have a baby? | ||
| But there's also a bunch of people that want you to stop being like Peter Pan. | ||
| They want you to settle down. | ||
| Never stop being like Peter Pan. | ||
| Ever. | ||
| I don't remember who I was talking to, but I was like, the goal of life is to be a kid forever. | ||
| For sure. | ||
| I mean, and now with everything that we have in place right now, it's almost impossible. | ||
| It's almost impossible, but that's the goal. | ||
| The goal is to have as much money as you need to never have to worry about it. | ||
| Yes. | ||
| So you can actually go and... | ||
| Live life as a fucking kid and just eat fucking chicken nuggets and fucking go run around in the desert and go eat worms and shit. | ||
| Well, I don't do that. | ||
| But have fun. | ||
| Exactly. | ||
| Yeah, have fun. | ||
| And people, when they are serious about something, especially like we're talking about, people have their eyes on the prize and they're trying to get ahead, it's hard for them to disconnect and have fun. | ||
| My wife taught me how to do it. | ||
| I really used to have a hard time with it. | ||
| I used to have a hard time with vacations because I always felt like I was missing work, like stuff I should be doing. | ||
| But it's just a mindset that I learned how to slide into. | ||
| And I learned how to chill at the end of the days, too. | ||
| I never used to know how to chill at the end of the day. | ||
| I would just stay ramped up until I was tired, wake up, and go, let's fucking go. | ||
| And it's just not... | ||
| Sustainable. | ||
| It is sustainable. | ||
| I did it for a long time. | ||
| But I don't think it's mentally sustainable. | ||
| Right. | ||
| I think the mind is the... | ||
| Your mind... | ||
| It's not a good headspace to be in all the time. | ||
| You need to be enjoying this shit. | ||
|
unidentified
|
You need to be able to... | |
| It's so timeless, but it's so true. | ||
| Stop and fucking smell the fucking roses. | ||
| Roses smell good, man. | ||
| They certainly do. | ||
| They're so cute, too. | ||
| My baby was like, we had flowers delivered to the room, and she would hold it up to my nose, and like, you smell this shit, because this shit is so cool. | ||
| And I'm like, oh, that's so cute. | ||
| It's cool that a baby knows that you can smell it, too. | ||
| She smells it, and she wants you to smell it. | ||
| Isn't that wild? | ||
| She got the double brain. | ||
| I got that. | ||
| Back to the vacation. | ||
| Sorry, I wanted to say something about that too. | ||
| Have you ever been, I don't know how your family is or how your buddies are, but have you ever been on a vacation and the people who plan the vacation are super militant about the itinerary and you can't even vacation? | ||
| Do you know what I'm talking about? | ||
| I do know what you're talking about, but fortunately I haven't experienced one of those. | ||
| It is cursed. | ||
| I've seen it. | ||
| I've seen people go through it. | ||
| You're in this, like, beautiful place, and they're like, alright guys, so 6am, tomorrow morning, you guys are up. | ||
| We're going kayaking. | ||
| It's like 3 o'clock, and you're all drunk, and everybody's like, alright, so you're gonna get up at 6, right? | ||
| You're gonna be up at 6. Oh. | ||
| To go fucking do something in the sun and it's the hottest of all time after three hours of sleep. | ||
| And I'm like, yep, I'll be there. | ||
| You don't want to be mean and be like, I'm not going. | ||
|
unidentified
|
And then you also get FOMO. I don't think it's mean. | |
| I don't think it's mean. | ||
| I think it's kind of mean to tell you what to do. | ||
| Especially if you're on vacation. | ||
| Yeah, Greg. | ||
| Yeah, Greg. | ||
| No, I don't know Greg. | ||
| But maybe it's some cool shit. | ||
| Like, we're going to go Marlin fishing. | ||
| We've got to be up at 5 a.m. | ||
| That sounds cool. | ||
| We all agreed to it, and we chartered the boat, so we've got to get up. | ||
| Okay, let's go. | ||
| I caught a shark in the Maldives. | ||
| Did you really? | ||
| Yeah. | ||
| Really? | ||
|
unidentified
|
Yeah. | |
| It was super random. | ||
| Yeah? | ||
| We went to the Maldives and we started throwing lines out on the boat. | ||
| And we caught grouper and all that stuff. | ||
| And we were using just little inch pieces of bait and regular line. | ||
| And I cast my line out and I started bringing it back. | ||
| And I was like, oh, I'm on a rock. | ||
| I'm on a rock. | ||
| But then the rock went... | ||
| I was like, okay, maybe this isn't a rock. | ||
| And so we sat and fought it for like 25 minutes and it was a nine-foot nurse shark. | ||
| Holy shit. | ||
| Yeah, totally on accident. | ||
|
unidentified
|
Wow. | |
| With this much bait and just a regular line. | ||
| Yeah, nurse sharks are... | ||
| That's sad because that's a sweet shark. | ||
| We let... | ||
|
unidentified
|
Of course. | |
| Yeah, yeah, of course. | ||
|
unidentified
|
Yeah, of course. | |
| But I was like... | ||
| But she got a fucking hook in her face. | ||
| Yeah, I know. | ||
| It was so random. | ||
| I was like, I thought I caught a rock because that's usually all I catch whenever I go fishing. | ||
| You know what's fucking weird? | ||
| What's really weird about fishing is catch and release. | ||
| Catch and release fishing. | ||
| For sharks? | ||
| For any kind of fish. | ||
| It's kind of weird. | ||
| Why so? | ||
| Because you're just doing it for fun. | ||
| Right. | ||
| Sure. | ||
| You're not doing it for food. | ||
| Sure. | ||
| And you're essentially risking this animal's life with a hook. | ||
| Sure. | ||
| Deep in its throat. | ||
| You're hoping it's going to survive. | ||
| What if you gilled it? | ||
| What if it got deep into the gills with a Rapala with the big old treble hooks and And it's bleeding internally. | ||
| Fuck, don't make me feel bad, man. | ||
| No, it's just a weird thing that people do. | ||
| It was an accident. | ||
| Not you, man. | ||
| I'm not even talking about that. | ||
| People specifically. | ||
| I've done it. | ||
| I'm a hypocrite. | ||
| I've done it before. | ||
| Where you go catch and release fishing just because it's fun. | ||
| And just toss them back. | ||
| Yeah, like people do that with fly fishing. | ||
| Yeah, or you catch something tiny and you throw it back. | ||
| With fly fishing, there's actually an argument that's not that big of a deal because fly fishermen, a lot of them, use barbless hooks so they can remove it very easily and then maybe the fish can even get it free if it jumps in the air. | ||
| But when they catch them, a lot of fly fishermen are just catching and releasing trout. | ||
| I've never been fly fishing, but my brother's super into it and he loves it. | ||
| It's very relaxing. | ||
| He loves it. | ||
| You need a lot of concentration. | ||
| It's kind of like archery in that respect. | ||
| It requires all of your concentration as you're casting the line and you've got to figure out how to get the perfect amount of whip so it rolls over and the fly. | ||
| It presents itself right in front of the waterhole and you creep it with your fingers. | ||
| You're doing everything with your hands. | ||
| You're not reeling in with a reel. | ||
| Sure. | ||
| Everything is done with your hands. | ||
| Even when you're giving the fish line, like if it's really pulling and you already have a tiny leader, you've got to give them a little line. | ||
| You're kind of doing it with touch and feel. | ||
| It's very, like, tactile. | ||
| It's a dance. | ||
| Yeah, it's very much a dance. | ||
| It's a dance. | ||
| You know, I love all kinds of fishing, but, like, if you go to, like, a creek where people are fly-fishing and you use, like, a spinner, like, on a, like, a regular rod, like a spinning rod, people will, like, look at you like you're a fucking idiot. | ||
| Sure. | ||
| Like, what's wrong with you, you fucking barbarian? | ||
| Yeah. | ||
| We're out here fly-fishing. | ||
| This is a dance. | ||
| This is a gentleman's dance. | ||
| Parrying Rod. | ||
| These dudes are over there listening to fucking AM Republican radio. | ||
| Fly fishing. | ||
| One of the crank ones. | ||
| Hold on. | ||
| Wait, what'd he say? | ||
|
unidentified
|
What? | |
| Dude, there's a lot of guys that still listen to those fucking political talk shows on AM talk radio. | ||
| Man, I haven't even turned on a radio in a long time. | ||
| A long time. | ||
| Yeah, it's been a long time. | ||
| A long time. | ||
| If I had to use the crank radio, I'd hope there was something on there, but I don't know. | ||
| Bro, when I was a kid, no one ever would have thought there would be a time where radio wasn't like a centerpiece in everyone's life. | ||
|
unidentified
|
Right. | |
| Because when I was a kid, like in high school, in the 80s, it was like, what station do you listen to? | ||
| Right. | ||
| You know, I was a BCN guy. | ||
| Rock of Boston. | ||
| And you got beat up by the KTMT's guys. | ||
| Well, there was the AAF guys that were a little more hardcore. | ||
| Those guys are crazy. | ||
|
unidentified
|
Yeah. | |
| I know those fuckers. | ||
| They're crazy. | ||
| And then there's the KISS FM guys. | ||
| I love KISS FM. They were into, like, going out to clubs. | ||
| When did KISS FM start? | ||
| Well, there's been a lot of KISS FM's, right? | ||
| Because I'm 106.1 K-K-K-K-Kiss FM. Where's that one? | ||
| Dallas, Fort Worth. | ||
| Yeah, I think there's a KISS FM all over the country. | ||
| I don't know if they're a Philly. | ||
| I don't know what that is. | ||
| Is that like a fucking chain? | ||
| I don't know. | ||
| Is it franchised? | ||
| That's a good question. | ||
| How do you get a franchise into it? | ||
| Because there's a whole lot of Kiss FM's. | ||
| Yeah. | ||
| Why does that sound so good? | ||
| It does sound good. | ||
| It sounds so good. | ||
| Kiss FM sounds badass. | ||
| But they had the jingle. | ||
| The jingle, I remember, because I used to fall asleep to the radio and then wake up to Kid Craddock. | ||
| Rest in peace, Kid Craddock. | ||
| Like, such a legend. | ||
| And like, he got me through school. | ||
| He was just funny and amazing. | ||
| And like, I don't know. | ||
| It's just, I don't know. | ||
| There's something magical about that. | ||
| Yeah. | ||
| But we lost that. | ||
| And even watching, like, Succession, because I just got into it. | ||
| Have you seen it? | ||
| Good show. | ||
| It's so good. | ||
| So good show. | ||
| Those actors are insane. | ||
| Insane. | ||
| They, like, become those fucked up people. | ||
| Insane. | ||
| Insane. | ||
| Well, you're buying it hook, line, and sinker. | ||
| The whole cast is insanely good. | ||
| It's a dance, much like fly fishing. | ||
| Yes. | ||
| But, I mean, talking about legacy media and stuff like that and just how, like... | ||
| Logan, Joe Logan, that's a meme, wants to buy all these legacy media companies, but the kids are like, no, no, no, no, dad, you're so old. | ||
| This is not what's hot. | ||
| But he's still trying to hang on to it, and that's such an interesting thing with streaming and Spotify and Apple Music and stuff. | ||
| It's just like the radio, unless you really love the DJ, I haven't turned on a radio. | ||
| Yeah, I don't turn on radios. | ||
| I don't even know how to work it in any of my cars. | ||
| Fuck, they're so confusing now! | ||
| One of my old muscle cars has an actual radio. | ||
| Does it have a CD player? | ||
| No, it doesn't. | ||
| I do have one car that has a CD player, though. | ||
| I have a BMW that has a CD player. | ||
| Or does it have a compact disc player? | ||
| Must be nice. | ||
| That's a 2005. Was it? | ||
| A CD player in a compact display? | ||
| Oh, I meant cassette. | ||
| I meant cassette. | ||
| I was thinking cassette. | ||
| Yeah, it's got a CD player. | ||
| But I had a car that had a cassette player for a while. | ||
| Does it have the combo? | ||
| You remember that transition? | ||
| So they had to put both in? | ||
| Yeah. | ||
| So you get the CDs and the cassettes? | ||
| You remember when they used to have a little handle and you could pull them out because people were stealing radios? | ||
|
unidentified
|
Blaupunks? | |
| No! | ||
| Literally, there was a handle. | ||
| So you'd go to the restaurant, hold it on to your stereo. | ||
| Your radio? | ||
| Yeah. | ||
| They would slide out. | ||
| That's amazing. | ||
| Because, bro, everybody stole radios. | ||
| They stole so many radios. | ||
| It's the Alpine. | ||
| You want the Alpine. | ||
| And people were always selling them, too. | ||
| Like, in a box at the fucking supermarket. | ||
| Like, hey, bro, you want some stereos? | ||
| Well, they'd sell them at the restaurant. | ||
|
unidentified
|
Hey man, go flip my radio real quick. | |
| Or if you can't, instead of doing dishes, if you can't pay, you just like, here, hold on to the radio for a little bit. | ||
| Weird how quick that went away. | ||
| And what happened to, uh, how come no one uses those, uh, steering wheel locks? | ||
| They don't really work. | ||
| They don't? | ||
| I mean, maybe some of them do. | ||
| I've seen people break them, though. | ||
| Well, you could break, you ever watch the Lockpick Lawyer? | ||
|
unidentified
|
No. | |
| On YouTube? | ||
| No. | ||
| I don't know anything about lockpicking. | ||
| I want to learn. | ||
| It seems like just a cool thing to learn, playing video games and stuff. | ||
| I want to lockpick shit. | ||
| Very James Bond. | ||
| It's badass. | ||
| Splinter Cell. | ||
| Yeah, it's cool. | ||
|
unidentified
|
If you have a little lockpick tool in your box. | |
| That's badass. | ||
| But to be able to pull that out is pretty cool. | ||
| But the lockpick lawyer, he can get into anything. | ||
| Yeah, dude, it's so cool, man. | ||
| See, this is the Lexus RX300. I love this lock. | ||
| You know locks? | ||
| No, sir. | ||
| But as you see here with this Toy 48, with the Toy 48, man, he'll get in here so quick. | ||
| Oh my god, you can get in anywhere. | ||
| And that's my favorite lock. | ||
| This is crazy. | ||
| Look how he's doing this. | ||
| That's your favorite lock. | ||
| Look how he's doing this. | ||
| This is nuts. | ||
| So they'll do challenges for him, and he'll just get in there no problem. | ||
| And I never was interested, but this shit is like ASMR. It is so fun to watch, and I'll just watch this all night. | ||
| This is wild how he's doing this, where he's literally figuring out where the key slots are and pushing it into place. | ||
| So these cards are pretty cool. | ||
| They make them for specific locks. | ||
| And you can just get in there and find all the grid and all the indicators and shit like that. | ||
| I don't know exactly how it works. | ||
| Don't listen to me about it. | ||
| And so is that a complicated... | ||
| Oh, so that's how it works. | ||
| Oh, wow. | ||
| So I'm explaining how bump block is in the same kind of thing. | ||
| You can get in anything with the right key. | ||
| Just bumping it hard enough. | ||
| Wow. | ||
| And they explained how that works. | ||
| Look at that. | ||
| Isn't that cool? | ||
| That is fucking crazy. | ||
| Who invented the lock? | ||
| John Locke? | ||
| That's a good question. | ||
| I believe his name was John Locke. | ||
| Thusly named. | ||
|
unidentified
|
What was a lock before a lock? | |
| So maybe it was his name. | ||
| Trust. | ||
| I don't know. | ||
| What would you say? | ||
| Would you lock something up? | ||
| What would that even mean? | ||
| Nothing. | ||
| Before locks? | ||
| Was there like... | ||
| Before locks, people used to have to put boards inside their house to keep people from opening their doors. | ||
| Or just like a nice, like, uh... | ||
| Ritualistic signal, a symbol on the front of their door. | ||
| They're like, don't come in here. | ||
| Yeah, right. | ||
| Well, like they would do with, like, what's his name? | ||
| Krampus. | ||
| Put this dead goat and, like, paint the blood on your front door. | ||
| Like, don't come in here. | ||
| That would work. | ||
| I think that would work for some people. | ||
|
unidentified
|
To this day. | |
| No, to this day. | ||
| If someone comes up and tries to get into your house and you have, like, painted in blood, like, this crazy... | ||
| Like, Rune? | ||
| I don't think they're coming in. | ||
| Unless that's what you're into. | ||
| Maybe so. | ||
| You'd be like, bro, that's my Rune. | ||
| Maybe you just get the craziest robbers of all time and they're like, he's got some cool shit in there. | ||
|
unidentified
|
Yeah, I like how you live. | |
| He doesn't even want to hurt you. | ||
| He just wants to hang out. | ||
| He's like, hey, man. | ||
| Can you introduce me to Satan? | ||
| Yeah, exactly. | ||
| He's in the basement right now. | ||
| I can introduce you to Satan, bro. | ||
| It's no problem. | ||
| Yeah, come on in, man. | ||
| He's fine. | ||
| It's tea time. | ||
| The kettle's on, sir. | ||
| We're gonna call him. | ||
| Never call Satan after 3 a.m. | ||
| It's bad. | ||
| That's when he gets evil. | ||
| Never call the imposter from Among Us after 3 a.m. | ||
| The imposter from Among Us? | ||
| What is that? | ||
| You know the imposter from Among Us. | ||
| No, I don't. | ||
| You never played Among Us? | ||
| No. | ||
| No. | ||
| What is it? | ||
| It's like a game. | ||
| I don't know. | ||
| It's a game people used to play. | ||
| Oh, I never played it. | ||
| You know this guy. | ||
| You know this guy. | ||
| I don't. | ||
| Don't trust him. | ||
| I don't. | ||
| I never played that game. | ||
| Don't trust him. | ||
| The guy with the leaves on his head? | ||
| Any of them. | ||
| Any of them. | ||
| You can't trust... | ||
| So it's like... | ||
| You gotta guess who the killer is out of all of them. | ||
| I can't believe I'm talking about Among Us on Joe Rogan. | ||
| This is amazing. | ||
| You know what it is, Jamie? | ||
| You do? | ||
| I don't know what it is. | ||
| It got big over the pandemic. | ||
| Oh, it did? | ||
| Oh, so it's recent? | ||
| It was a game that you play with your friends. | ||
| Oh, interesting. | ||
| Some would debate it's for babies, but it's pretty fun. | ||
| I don't play it. | ||
| Why would they say it's for babies? | ||
| I don't know. | ||
| Because it's cartoony? | ||
| Babies play it sometimes. | ||
| Much like Fortnite. | ||
| Sorry, Fortnite. | ||
| Babies play a lot of things. | ||
| That's true. | ||
| They play cool shit, too. | ||
| But that's true. | ||
| They do rose smelling. | ||
| Yeah. | ||
| But it kind of got memed a little bit, the Among Us thing. | ||
| Interesting. | ||
| Yeah. | ||
| It's weird that some people like things until they find out the type of other people that like it. | ||
| Sure. | ||
| And they're like, I don't like this thing anymore. | ||
| Well, dude, you remember how big, how big... | ||
| What is it? | ||
| The Facebook meta, the metaverse or whatever. | ||
| How big that was supposed to be. | ||
| The VR thing. | ||
| Yeah. | ||
| Right? | ||
| And so I just watched a thing. | ||
| By a guy named Jarvis Johnson. | ||
| And he went in and spent like a week playing like 14 hours a day in the metaverse. | ||
| And it's all just kids. | ||
| So they said it was going to be huge, huge, huge. | ||
| There's 900 people on it. | ||
| And they're all kids. | ||
| And he would go everywhere, everywhere, everywhere, everywhere. | ||
| And it's all kids to the point where there was an 18 and up bar. | ||
| And you would have to hold your arms out. | ||
| And they would measure your arm length to make sure that you weren't a kid. | ||
| Isn't that crazy? | ||
| I don't know, man. | ||
| It's just like... | ||
| That's bizarre. | ||
| It's crazy. | ||
| But it's just like... | ||
| Well, that's weird. | ||
| If someone's... | ||
| Oh, wow. | ||
| Age verification. | ||
| What if someone's really tiny? | ||
| Right? | ||
| Like, what happens to little people? | ||
| Yeah, what if it's like, just a guy with a short wingspan? | ||
| Yeah. | ||
| Yeah, you're fucked. | ||
| You can't get into the bar. | ||
| But that's alright, because there was two people in there. | ||
| The whole thing is, you're hanging out with kids? | ||
| That's bizarre. | ||
| It's weird, man! | ||
| Yeah, that's a different thing. | ||
| That's like an interactive thing. | ||
| Right. | ||
| Not like if you're playing a video game and it's just you versus the computer. | ||
|
unidentified
|
Right. | |
| And these kids, well, these fucking kids at these multiplayer games are so good. | ||
| Yeah, they have no life. | ||
| It's crazy, dude. | ||
| No mortgage, no family. | ||
| I miss those days, man. | ||
| No aspirations. | ||
| They know when food is coming. | ||
| That's what I meant by whenever I said the goal of life is to be a kid, I meant, like, don't pay taxes. | ||
| So I haven't paid mine. | ||
| Just joking. | ||
| That's a joke, too. | ||
|
unidentified
|
Yeah. | |
| Go to Puerto Rico. | ||
| You don't have to pay taxes? | ||
| Well, there's a weird thing. | ||
| If you live in Puerto Rico, it's like 51% of the time or something like that. | ||
| I forget what the percentage is. | ||
| But you just roll the dice? | ||
| You don't pay federal taxes. | ||
| How do you do that? | ||
| Because if you claim Puerto Rico as your residence, I'm going to fuck this up, but Peter Schiff explained it to me. | ||
| But that's why Jake and Logan Paul, they live in Puerto Rico. | ||
| You don't have to pay taxes. | ||
| Do watch the fight. | ||
| I did. | ||
| What do you think? | ||
| It's a good fight. | ||
| Jake did a great job. | ||
| He's very talented. | ||
| He's big. | ||
| Yeah, he's a big fella. | ||
| He's a big fella and Nate is definitely smaller than him, definitely doesn't hit as hard as him. | ||
| And Jake has a lot more experience in professional boxing now, for sure. | ||
| But he's legit. | ||
| He's a legit fighter. | ||
| I mean, yeah, he looks good. | ||
| I mean, I just love watching Nate fight. | ||
| He's an animal. | ||
| He is amazing. | ||
| He is, like, one of my favorites to watch. | ||
| And I was super pumped. | ||
| It came on after the show in Dallas the first night, like two nights ago. | ||
| They're talking about having an MMA fight, which would be a way different fight. | ||
| I want that fight. | ||
| Yeah, that's a way different fight. | ||
| I want that fight. | ||
| That's a way different fight. | ||
| I feel like, and I've never been in a combat sport before, but, like... | ||
| It changes everything. | ||
| It changes everything. | ||
| Like, you see Nate kind of getting up against the rope because he wants the chain there, you know? | ||
| Right. | ||
| Like, because he's getting up against the rope, and I'm like, oh, and MMA or UFC or whatever, you can get up against... | ||
| You tie him up. | ||
|
unidentified
|
Right. | |
| Yeah. | ||
| But I don't know. | ||
| It's totally different. | ||
| It's totally different. | ||
| But Jake is a very good wrestler. | ||
| He's a great athlete. | ||
| Very good fighter. | ||
| And I know he's never done an MMA fight before. | ||
| But if he had one, I think he'd be good at it. | ||
| I think he'd be good at it just like he's good at boxing. | ||
| He'd figure it out. | ||
| He's built crazy. | ||
|
unidentified
|
Yeah. | |
| Like, looking at him since his first fight. | ||
| He fucking trains hard. | ||
| He's big. | ||
| To go ten rounds like that with Nate constantly coming forward, you gotta be in some serious shape. | ||
| Serious shape. | ||
| That's also a lot of experience, too, because you gotta know when to hit the gas and when to back off. | ||
| Right. | ||
| You can't just fight full blast for ten rounds. | ||
| It's not possible. | ||
| I had to do... | ||
| I was just doing... | ||
| So we filmed a movie... | ||
| A scene in a movie, and I had to go in and do voiceover for the movie, for dubs, and they were telling me to throw fake punches. | ||
| And I did it for like 10, not even full on for 10 minutes. | ||
| And I was like, oh my god. | ||
| I was so fucking sore and I was sore for the next week. | ||
| I was like, yo. | ||
| And then you look at like 20 minutes? | ||
| How long are the rounds? | ||
| Well, it's 10 three-minute rounds. | ||
| 10 three-minute rounds. | ||
| 30 minutes of boxing. | ||
| That's insane. | ||
| It's insane. | ||
| That's insane. | ||
| That's hard. | ||
| That's hard to do. | ||
| You know what's a great workout? | ||
| The VR boxing games. | ||
| Have you ever fucked with any of those? | ||
| No, sir. | ||
| They're great. | ||
| I'm in the metaverse, man. | ||
| I'm playing Among Us in VR. They're great workouts that are in a game, because you actually are boxing the guy. | ||
| You have these handsets on. | ||
| The handsets are your gloves. | ||
| So you actually throw punches, and you move away from their punches, and it shows you when you hit them. | ||
| And it measures your goggles too, so it knows where your goggles are. | ||
| Yeah, it knows exactly where you're at. | ||
|
unidentified
|
That's cool. | |
| So as your head moves, the punches slip by, you can duck under them and hit them with uppercuts. | ||
| Is it like multiplayer? | ||
| No, it's single player. | ||
| Oh, I didn't know if you were fighting real people. | ||
| Because I was like, imagine like, oh fuck, I'm a 12-year-old at my house and I gotta box Joe Rogan. | ||
| You can do that in fencing. | ||
| I know in fencing you can have a fence-off with each other. | ||
| I bet they have a thing for boxing where you could do it against someone where you're both on opposite sides of the room and you're boxing each other. | ||
| Well, I didn't... | ||
| What's your... | ||
| If you... | ||
| Send me your gamertag so if I ever go up against you. | ||
| I don't have a gamertag. | ||
| Gamertag is also quite old, I think. | ||
| I don't know. | ||
| I don't know. | ||
| I used to be an Xbox guy. | ||
| Now I'm just a PC nerd. | ||
| Yeah? | ||
| Just PC? Yeah, man. | ||
| What do you play? | ||
| I'm playing Diablo right now. | ||
|
unidentified
|
Diablo. | |
| Oh my god. | ||
| That steals your life. | ||
| It steals my entire life. | ||
| On my days off, I go and I play and I'm like, oh, I'm good, man. | ||
| I only played for like 14 hours today. | ||
| You play? | ||
| No, I do not. | ||
| My friend Duncan is a full-on junkie. | ||
| So is my friend Brian. | ||
| And we were both watching video clips of it the other day. | ||
| I see it. | ||
| I get it. | ||
| I get how it rope you in. | ||
| It's that dopamine of seeing all the numbers pop up. | ||
| You're like, oh, I did nine million damage to a fucking demon. | ||
| Yeah, there's all the numbers and the graphics and the craziness, and you see them coming towards you. | ||
| There's a lot of anticipation. | ||
|
unidentified
|
Yikes. | |
| Yeah, it's good. | ||
| It's good. | ||
| It looks like fun. | ||
| Do you play anything? | ||
| Not anymore. | ||
| No? | ||
| No, I used to be a hardcore first-person shooter junkie. | ||
| I used to play a lot of Quake. | ||
| Modern Warfare 2? | ||
|
unidentified
|
Quake. | |
| No, Quake. | ||
| See, you're harder. | ||
| You're harder. | ||
| I used to be Quake Online. | ||
| I had a buddy that used to play Quake. | ||
| And the competitive scene for that in the early 2000s was crazy. | ||
| Yeah, insane. | ||
| Insane. | ||
| You have to know all the map and you know where they're going. | ||
| It's like FPS chess. | ||
| It's pretty cool to watch. | ||
| It really is because you have to know when certain items are spawning. | ||
| Yes, sir. | ||
| Like a mega health, a rocket launcher. | ||
| You got to get to it before your opponent does. | ||
| Nerd. | ||
| Yeah. | ||
| That's so cool. | ||
| Were you any good? | ||
| I was pretty good, yeah. | ||
| That's amazing. | ||
| That's so cool, dude. | ||
| We used to have a Quake land party set up here. | ||
|
unidentified
|
This is crazy, dude. | |
| That's Quake 3 Arena, right? | ||
| Quake Champions? | ||
| Quake Champions. | ||
| What was like... | ||
|
unidentified
|
Unreal? | |
| No, it's a Quake game. | ||
| It's like... | ||
| Boom. | ||
| Look at that. | ||
| This game is so fun. | ||
| I can't even react that fast. | ||
| How do you hit that guy? | ||
| Well, you're moving so fast in this game. | ||
| It's just constant juice for your brain. | ||
| Your brain is just constantly getting stimulus. | ||
| It's so fun. | ||
|
unidentified
|
Wow! | |
| Yeah, this guy's good. | ||
| Whoever's playing this, this guy's good. | ||
| But look how, like, tuned in he is. | ||
| He's just... | ||
| In a trance. | ||
| He knows where he's coming from. | ||
| He knows exactly. | ||
| You gotta memorize these maps, dude. | ||
|
unidentified
|
Wow! | |
| Did he get him through the grate? | ||
| He got him as he was going down. | ||
| That was great. | ||
| Look at that. | ||
| This guy's insane. | ||
| This guy's so good, man. | ||
| So he's running around getting all the health and getting all the armor and shit. | ||
| See, he pre-shoots that in case he's coming down there. | ||
| Wow, he is rocking this guy. | ||
| Yeah, this guy's a killer. | ||
| Whoever the fuck this guy is, this guy has no life. | ||
| Guarantee you, that motherfucker's playing that game all day. | ||
| Man, I only played for 14 hours today. | ||
| What do you mean? | ||
| The thing is, you could be, like, real successful in that game. | ||
| You get the same rush out of being successful in the real world. | ||
| It's true. | ||
| Yeah, more of a rush, really. | ||
| I don't... | ||
| Dude, it's so... | ||
| So, gaming for me is, like, like I mentioned before, I don't leave the house very much. | ||
| So, like, gaming for me is, like, me time. | ||
| Yeah. | ||
| You know, everybody likes, like, the multiplayer games and stuff, but I'm, like, a single-player guy because I'm, like... | ||
| Whenever I get to actually sit down, you know, by myself, you know, not on tour, and then the baby goes to bed and mama goes to bed and I can just go and sit and have a nice drink and a smoke in my game room and just fucking, like... | ||
| Yes. | ||
| Just total get-austy time. | ||
|
unidentified
|
Yes. | |
| You need austy time. | ||
| Yes, sir. | ||
| You do. | ||
| Everybody does. | ||
| You really do. | ||
| It's good for your mind. | ||
| Again, like, why are we doing this? | ||
|
unidentified
|
You're doing this to enjoy yourself. | |
| Sure, yes, sir. | ||
| All this life is supposed to be, you're supposed to be enjoying yourself as much as you can. | ||
| I mean, it's a lot. | ||
| It's a lot. | ||
| Everybody's got a lot. | ||
| Everybody's got a lot. | ||
| You take that second. | ||
| Don't be fucking scared to take that second for yourself. | ||
| You deserve that fucking second. | ||
| But earn that second too. | ||
| Earn that second, but then you feel that second hit so much harder. | ||
| So much harder. | ||
| Whenever you're like, oh man, I'm fucking working my ass off. | ||
| Abstinence makes the heart grow fond. | ||
| Abstinence? | ||
| Yeah, just... | ||
| Yeah, I'm abstinent. | ||
| Having, you know, just a little break from things. | ||
| Well, how do you find time, Joe? | ||
| I make it. | ||
| Force it. | ||
| Just force it. | ||
| Give me one of them Bud Lights. | ||
| Fuck it. | ||
|
unidentified
|
You got it. | |
| Let's go. | ||
| They're cold, too. | ||
| We've been drinking Bud Light consistently on this show. | ||
| I'm sure the comments are afire with those folks that like to get riled up about stupid shit. | ||
| Well, that's what I said, you know. | ||
| Before the show, I was like, just back to the conversation we were just having. | ||
| There's not a lot of comfort in the modern world, man. | ||
|
unidentified
|
And I've been drinking this forever. | |
| Yeah. | ||
| And I don't... | ||
| Gives you comfort. | ||
| I'm drinking my fucking... | ||
| I'm gonna... | ||
| God damn it, I'm gonna drink a fucking beer, Joe Rogan. | ||
| Yeah, a Bud Light, too. | ||
| I'm gonna drink a fucking Bud Light, and it's yummy. | ||
| Forget about everybody's outrage. | ||
| Settle down, everybody. | ||
| Relax. | ||
| They fucked up. | ||
| Just let them off the hook. | ||
| They fucked up this one thing. | ||
| It's not even that big a deal, but when Kid Rock shoots your fucking beer, it's game over. | ||
| It was a cool MP5, though. | ||
| It was. | ||
| It was a cool gun. | ||
| When Kid Rock shoots your beer. | ||
| First off, you've got to buy the beer, and you know how much ammo is nowadays. | ||
| It was an expensive publicity stunt, but I think it was well worth it. | ||
| Well, if you look at the impact that it did, that's what's crazy. | ||
| How many people are just looking for shit to get annoyed with lately? | ||
| Yeah, I mean, I don't know. | ||
| It's... | ||
| It's interesting. | ||
| And I love watching the show because it's so... | ||
| You just talk. | ||
| Yeah. | ||
| You just talk and me and my friends, we say, you know, it's nice because you don't have any judgment and you listen to people talk and you actually have a conversation, which is really nice. | ||
| Well, in this age of short attention span, that shit doesn't appeal to everybody. | ||
| There's a lot of people that aren't interested in that. | ||
| Right. | ||
| And they're interested in long-form conversations. | ||
| They're interested in reading books. | ||
| They're interested in just listening to music just for the sake of listening to music. | ||
| Right. | ||
| You know, there's still people like that out there. | ||
| This idea that everyone's just short attention span dummy, that's crazy. | ||
| That's not true. | ||
| There's always going to be people that are interested in things and want to be stimulated. | ||
| Is that the popular... | ||
| Well, I mean, for you, yes. | ||
| You crush it. | ||
| You crush it. | ||
| Well, it works for me. | ||
| Yes, sir. | ||
| But it works for me because that's actually what I like. | ||
| Yes, sir. | ||
| There's no bridge between what I'm interested in and what I'm talking about. | ||
| Right. | ||
| It's just right there. | ||
| It's right there. | ||
| You love what you do. | ||
| Yeah, and there's no executive. | ||
| There's no producer telling me what to do. | ||
| There's no network. | ||
| So it's just me and people, me and you. | ||
| And that's missing in this world. | ||
| We're getting too much of what we get is filtered down. | ||
| Even if it's the news, it's going through filters. | ||
| It's going through people. | ||
| It's getting approved. | ||
| What can you talk about? | ||
| What can you not talk about? | ||
| What do you highlight? | ||
| What do you not highlight? | ||
| What causes death that you pay attention to? | ||
| And what causes death that you ignore? | ||
| That's what the news is. | ||
| So it's just, we get it from everything. | ||
| And so we always have this uneasy feeling Like, whoever that person is that's telling us the news, they're not being 100% real with us. | ||
| Because they're not even talking real. | ||
| Today, at 5pm, we learned that there's a way they're talking where you know that it's not a fucking human. | ||
| That's not a human. | ||
| And when they're trying to be a human, it's even grosser. | ||
| It's a show. | ||
| Yeah, and when they're trying to be sincere, it's even grosser because it's like performative. | ||
| You've been performing as this news guy forever and now all of a sudden you're the real person. | ||
| Cut the shit, man. | ||
| What is that? | ||
| It's weird. | ||
| It makes us feel weird. | ||
| And that might not even be as human as they're even being. | ||
| It's not their fault, you know, because that's their job. | ||
| That's their job. | ||
| You know, that's their job to go up there. | ||
| So if you do show that human moment, it's like, and then you look at it and you're like, oh, is that actually real? | ||
| Everyone thinks that's fake, you know, but maybe, you know, they do feel sad, genuinely. | ||
| It's just so hard if you tell a sad story on the news. | ||
| And it's like you're reading off a teleprompter. | ||
| Yeah. | ||
| You know what I mean? | ||
| It's interesting. | ||
| It is. | ||
| It's weird that we still need people to do it, too. | ||
| Like, we want a Walter Cronkite-type person or some respected journalist, some Mike Wallace, some Barbara Walters, someone who, like, when they're talking... | ||
| There's one I know. | ||
| I know Barbara Walters. | ||
|
unidentified
|
Yeah. | |
| There's, well, you know, not when she's on The View, but the olden days. | ||
| Sure. | ||
| When she would do investigative journalism. | ||
|
unidentified
|
What days? | |
| What days? | ||
| I'm 95. I'm 95. Bro, she's pre-your time for sure. | ||
| She's pre-my time. | ||
| She was... | ||
| I think there's like some crazy thing where Barbara Walters, Anne Frank, and Martin Luther King Jr. were born in the same year. | ||
| Is that true? | ||
| Did I just make that up? | ||
| I think Anne Frank and Martin Luther King Jr. and then like one other... | ||
| She was born in 1929. What? | ||
| Son. | ||
| She passed away last year. | ||
| 1929. Yeah. | ||
| Yeah. | ||
| That lady's seen some shit. | ||
| That's when people... | ||
| She was born in 1929? | ||
| Played chess with each other. | ||
| And Frank was as well, right? | ||
| Yeah. | ||
| That's crazy. | ||
| Born the same year. | ||
| See, you didn't make that up. | ||
| No. | ||
| Sometimes I'm wondering, though. | ||
| No, me too. | ||
| I fuck things up. | ||
| I definitely fuck things up. | ||
| The problem also, like, sometimes people tell me something and then I don't look it up. | ||
| And then I'll just repeat it. | ||
| Yeah, that's a whole other thing. | ||
| That's a whole other thing. | ||
| Yeah, you gotta, like, look things up. | ||
| Dick Clark. | ||
| Audrey Hepburn. | ||
| Arnold Palmer from 1929? | ||
| Let's go. | ||
| The golfer? | ||
| Wow, he was born in 1929? | ||
| I thought he was the drink guy. | ||
| I prefer myself a John Daly. | ||
| Which is the John Daly? | ||
| That's vodka and Arnold Palmer. | ||
| John Daly's a wild boy. | ||
| Oh, man. | ||
| That fella. | ||
| What he can do is amazing. | ||
| He's known for being a dude who parties. | ||
| Sure. | ||
| And he's one of the best golfers ever. | ||
| Yeah, man. | ||
| I don't know. | ||
| That's why I like... | ||
| Look at him out there. | ||
| Dude, that's such a wave right there. | ||
|
unidentified
|
Smoking a cigarette. | |
| Smoking a stogie and just fucking... | ||
| Big gut. | ||
| Plays like a fucking wizard. | ||
| He looks like a wizard. | ||
|
unidentified
|
He does. | |
| He's giving me big wizard vibes on this one. | ||
| I mean, the guy's been doing it a long fucking time. | ||
| Many a man is in the ground that was thinking that John Daly was never going to make it. | ||
| I'd be pissed. | ||
| It's like, you ever play Mortal Kombat and Bo Raicho? | ||
| Who's Bo Reicho? | ||
| He's the guy that was always drunk and he would puke on you. | ||
| Oh. | ||
| And then he would always kick my ass in the game. | ||
| So imagine... | ||
| That's kind of like... | ||
| John Daly. | ||
| Not to compare John Daly to Bo Reicho from Mortal Kombat, but... | ||
| Just imagine you're out there and you go so hard and you go, you're like doing all the best training and all this shit and this guy just comes out with a... | ||
| Fat dude just fucks you up. | ||
| With a John Daly and then just fucking hits the craziest shot. | ||
| I mean, oh my god, man. | ||
| There's some guys that don't look like they should be pro athletes or pro anything with your body. | ||
| Yeah. | ||
| And yet they're as good as anybody alive. | ||
| Yeah. | ||
| I mean, like... | ||
| Big country? | ||
| Oh, yeah. | ||
| Roy Nelson? | ||
| Roy Nelson put people into neighboring dimensions. | ||
| That dude hit so hard. | ||
| And, by the way, he's like a legit Brazilian jiu-jitsu black belt. | ||
| He was an elite grappler. | ||
| I met him way back in the day, way before he had any MMA fights. | ||
| And he was just a really elite grappler. | ||
| But then he starts fighting in MMA and knocking people unconscious. | ||
| And can take a shot as good as anybody that's ever lived. | ||
| The beard is padding. | ||
| Have you thought... | ||
| Did we... | ||
| They used to say that with boxers. | ||
| They used to make them shave their beards. | ||
| Shave them off. | ||
| You couldn't have a big hairy beard because they really did think that it was padding. | ||
| Well, yeah. | ||
| Well, that's what I was talking to somebody and they were like, hey, do you think it's like way, way, way, way, way far down the line to where like men grew beards because they were fighting each other? | ||
| And they were like, okay, we'll get a little padding. | ||
| And it just grew over time. | ||
| No, I think they hadn't invented razors. | ||
| That's true. | ||
| No, but how evolutionary? | ||
| How did it grow? | ||
| How did it start growing? | ||
| It went away. | ||
| I think we had hair all the way up to the top of our face. | ||
| But why would it stay here? | ||
| Why do we have armpit hair, Joe Rogan? | ||
| That's a good question. | ||
| Why do we have ball hair? | ||
| Yeah. | ||
| What's up with asshole hair? | ||
| So you can style it, of course. | ||
| Asshole hair is totally useless. | ||
| So you can braid it. | ||
| Keep your asshole warm. | ||
| Asshole hair is for catching dingleberries, and everyone knows that. | ||
| It's for a little snack for later. | ||
| Oh, God. | ||
| What it is is we used to be covered in hair. | ||
| It's pretty obvious. | ||
| And then when the aliens came down and manipulated our DNA, they turned us into this. | ||
| I wish they turned me into that. | ||
| I wish they turned me into that. | ||
| How did I get stuck with it? | ||
| I always miss the fucking cool shit, man. | ||
| Dude, I think if that is the case, if... | ||
| If we were really truly created by aliens, that would be the most bizarre of all the possibilities. | ||
| We're still the same thing. | ||
| Yeah. | ||
| But if we knew that that's how we came about, that would be probably the most bizarre thing ever. | ||
| From creation or, like, crossbreeding? | ||
| Like crossbreeding. | ||
| Yeah. | ||
| Yeah. | ||
| Or, like, some genetic manipulation. | ||
| You know? | ||
| It's so weird. | ||
| Who fucking knows? | ||
| But thinking about... | ||
| So why are the depictions of aliens, since recorded history, why are they always bipedal? | ||
| Why do they always have the same face and eyes as us? | ||
| Like, why? | ||
| Big giant eyes, right? | ||
| Why is that? | ||
| Why is that? | ||
| Because, I don't know. | ||
| And people are like, oh, you know, people would be like, Well, they're just like, you know, they made this up. | ||
| They look like humans, but what if we look like them? | ||
| Yeah. | ||
| Or what if whatever we're being visited by now is just humans from the future or humans or another offshoot of humans from another dimension? | ||
| Yeah, a lot of people speculate on all those things. | ||
| At the risk of sounding crazy. | ||
| You know what's interesting about aliens, too? | ||
| Aliens, they always have eyes facing forward. | ||
| And in nature, things that have eyes facing forward are generally predators. | ||
| Sure. | ||
| Things that have eyes on the side, like a deer or a pronghorn, they're looking for shit coming at them. | ||
| So they're looking left and right. | ||
| But when something has eyes going forward, it's looking to attack, generally. | ||
| Like cats and wolves, they have eyes facing forward. | ||
| Right. | ||
| Aliens have eyes facing forward, which is interesting. | ||
| I don't know. | ||
| Do you think if there is actually... | ||
| Who's to even fucking say what an alien even fucking looks like? | ||
| They could just be a blob of fucking energy or whatever the fuck. | ||
| But if we do personalize them like that, which we as humans tend to do, it makes it easier to... | ||
| Fathom, you know what I mean? | ||
| I couldn't fathom a being in here that's just a glob of dust or a cloud. | ||
| I'm like, whoa, this is insane. | ||
| But if I look at it from like, oh, you're like me, you know what I mean? | ||
| As far away in the galaxy as you might be from, you look kind of like me. | ||
|
unidentified
|
Well, just think about the me when you say me. | |
| It's very intangible, right? | ||
| It's not like my hand. | ||
| My hand is right here. | ||
| But my me, like who I am, my consciousness, like where the fuck is that? | ||
| Where's that? | ||
| Is that inside of me? | ||
| Is it a part of me? | ||
| Is it all of me together? | ||
| Whatever it is, it's like you, like your consciousness is like this very unique energy that's you. | ||
| And mine is me, and everybody has a different one. | ||
| And it's, what the fuck is that? | ||
| Yeah. | ||
| That's a weird thing. | ||
| It certainly is. | ||
| You know, whatever it is inside of your mind that's moving you around and responding to questions and finding what you're interested in and pursuing your goals like that, whatever the fuck that thing is inside of you, that energy is very strange. | ||
| And it is. | ||
| It's just super weird. | ||
| I remember you... | ||
| Asked me if I wanted to smoke and I can't I don't really smoke anymore And I actually talked it for the longest time in my whole life. | ||
| I couldn't really explain this I couldn't like really like Bring it to like Words and try to explain it to where I wasn't like where just cuz was It made no sense, but I talked to a couple of my buddies and they were like, oh, it's the same thing. | ||
| So a lot of my friends from smoking weed, it's almost like a depersonalization thing to where it feels like for the longest time since I smoked one bad joint. | ||
| And for the longest time ever since then, it's felt like I've been almost like watching my life happen instead of actually like living it. | ||
| Does that make sense? | ||
| It does. | ||
| If you had like an episode. | ||
| Like if you smoked one bad joint and you got way too high and you had like a break, like some sort of a schizophrenic break or some sort of strange episode. | ||
| And it just feels like a lot of the time it's like... | ||
| It's like... | ||
| I'm not doing it. | ||
| It's like almost as like... | ||
| I'm watching it happen. | ||
| Still, to this day? | ||
| To this day, a lot of the time, yeah. | ||
| And it happened because of that one violence? | ||
| I had never felt it in my life before that. | ||
| Wow. | ||
| And I talked to my friends, and they were like, oh, that's like depersonalization. | ||
| I don't exactly know what happens or what goes on, but it's a pretty common thing, I feel like. | ||
| For people who have had a negative experience with THC or something like that. | ||
| Or whatever the fuck was in that joint that I had in LA that one time. | ||
| Right, you don't know what was in it. | ||
| That's true too. | ||
| Maybe it was just fucking LSD or something and it totally just... | ||
| It caught me. | ||
| But I felt different. | ||
| To this day, I still feel different. | ||
| That's so weird. | ||
| But it could just be THC. This guy, Alex Berenson, wrote a book about it. | ||
| It's called Tell Your Children. | ||
| It's about how there's a certain percentage of people that, especially with high-dose THC, they can have a schizophrenic break or a psychotic break. | ||
| Something goes wrong. | ||
| I used to smoke crazy. | ||
| I should smuggle out, like do the volcanoes and all that shit. | ||
| That's so fun. | ||
| It was so fun. | ||
| One time. | ||
| One time. | ||
| Wow, that's crazy. | ||
| One time. | ||
| Maybe there was something in it. | ||
| I don't know. | ||
| You know, when you're just getting a joint from some dude, you don't know the chain of custody. | ||
| You don't know what the fuck is. | ||
| No idea. | ||
| Where was this cooked up? | ||
| No idea. | ||
| Ron White was in the green room at the club one night, and he pulled out this joint. | ||
| He goes, this joint cost $75. | ||
| I go, what the fuck is that? | ||
| He goes, got it from Beverly Hills. | ||
| I go, keep that shit the fuck away from me. | ||
| So all these other guys smoked it. | ||
| Brian Simpson smoked it. | ||
| Duncan Trussell smoked it. | ||
| And they went on stage. | ||
| And Duncan said he didn't know what the fuck he was talking about. | ||
| He was like, what did you do to me? | ||
| I thought it was weed, but they get these joints now in these crazy dispensaries like in LA. It's legal now, so they're lacing them with THC. They got THC crystals in them and Keith in them. | ||
| These are not regular joints. | ||
| These are for dudes like Like, be real. | ||
| Like, the kind of shit that he smokes. | ||
| You know? | ||
| Shout out to my man Be Real from Cypress Hill. | ||
| This is explicitly for Be Real. | ||
| That is the only man who can smoke this drug. | ||
| That dude is stone cold, sober, no matter how high he gets. | ||
| That is crazy, man. | ||
| A lot of my buddies are like that, too, man. | ||
| You have to smoke a lot to... | ||
| I feel high. | ||
| I can't keep up with those fellas. | ||
| I can't keep up with those fellas. | ||
| I did a smoke box show where they get you super high and they put you in this dope car and they have cameras in the car and you sit there and just smoke each other. | ||
| You just hotbox the car? | ||
| Hotbox the car. | ||
| And it's ridiculous. | ||
| I was so high. | ||
| I didn't know what the fuck I was talking about. | ||
| I was like, I gotta get out of here. | ||
| I gotta go to bed. | ||
| I'm convinced, too, I get secondhand high from my green room. | ||
| Oh, you definitely do. | ||
| Because my buddy's fucking blowed down. | ||
| You definitely do. | ||
| I've seen people get secondhand high from me in this room. | ||
| I've seen it where all of a sudden they have a hard time remembering what they're talking about. | ||
| I go, bro, you got high. | ||
| You got high whether you liked it or not. | ||
| Maybe I am high. | ||
| Maybe a little bit. | ||
| Maybe a touch. | ||
| It's nice. | ||
| I had a stint, too, where I tried to smoke, like, maybe two years ago. | ||
| Yeah. | ||
| And I was like, it's amazing. | ||
| But then, like, just shrooms is, like, for me, like, just so much more fun for me. | ||
| Shrooms should be legal. | ||
|
unidentified
|
Yeah! | |
| Because, I mean, if you are, I mean, I'm not a psychologist or a psychiatrist, and if you're vulnerable, there's something wrong with your mind, you probably shouldn't be doing any kind of psychedelics. | ||
| But that's the case with a lot of stuff. | ||
| But for everybody else, just a little bit, just a little bit every now and then would make your life a little better. | ||
| Well, it's interesting you said that too because now I talk to a bunch of my buddies, you know, who have served and they said, oh, they're giving them... | ||
| Psilocybin to help with, like, PTSD and shit like that. | ||
| Yeah, this shirt that I'm wearing, this is a MAPS shirt, Multidisciplinary Association for Psychedelic Studies. | ||
| You know these guys? | ||
| And they are doing a lot of great work with that with MDMA, too. | ||
| MDMA for soldiers. | ||
| And so they're running these trials and these studies with MDMA and soldiers, and they're finding great results. | ||
| Yeah, it's really interesting. | ||
| And it's just like, this is literally eating cow shit. | ||
| It's nature. | ||
| And it's nature that human beings have utilized probably for thousands of years. | ||
| And we should get back to it. | ||
| You gotta wonder if that's, I mean, we know why it's not legal. | ||
| Because it's going to make people invent tools and have better communication with each other and be more, you know... | ||
| But the people that are... | ||
| They should listen to this. | ||
| The people that are trying to run the world. | ||
| You should be doing it too. | ||
| Because if you did, it would change your consciousness and it would change your focus and you would still be just as successful. | ||
| Don't think you won't be. | ||
| You'll still be successful. | ||
| You'll be successful under a different metric. | ||
| You'll probably feel better. | ||
| And you won't have this fucking guilt, this overwhelming guilt of living your life just constantly trying to acquire money by unscrupulous methods. | ||
| Spend your money on shrooms. | ||
| You don't even have to spend that much money. | ||
| You just go flip some fucking cow pairs. | ||
| They're not that expensive, and if you live in a good spot, they're readily available outside, which is wild. | ||
| I'm good, Ben. | ||
| Thank you, though. | ||
| It's just one of those things that I think nature put here, or we are, and maybe not even by design, but just by... | ||
| But whatever it is about us and whatever it is about that, when that chemical interacts with ours, and it's very similar to normal human neurochemistry, apparently, that psilocybin, when it interacts with us, it's very positive for the most part. | ||
| Again, unless you have psychological problems. | ||
| Well, that's, I think... | ||
| Or on certain medications. | ||
| It made me... | ||
| I was so fucking depressed and so fucking sad for so long. | ||
| And doing shrooms, it took me out of that. | ||
| It made me see shit in such a... | ||
| It's not all fucking shitty. | ||
| It's not all shitty. | ||
| But did it feel all shitty for you even while you were successful? | ||
| Yeah. | ||
| That's what's weird, right? | ||
| Right, exactly. | ||
| Because then you have it all, and yet you still feel like shit. | ||
| Yes, sir. | ||
| That confuses a lot of folks. | ||
| Yes, sir. | ||
| And especially, I was fucking 18 whenever the shit popped off, and I was like, oh, fuck, man. | ||
| I don't know what the fuck to do. | ||
| Everybody's looking at me. | ||
| And I can't even imagine how a Bieber or a Culkin, or child actors or performers, how you even... | ||
| Even your parents... | ||
| And I don't want to say anything about those people's parents specifically, or in particular, but... | ||
| The parents even then are like, how much money can we make off of this kid? | ||
| And you see a lot of YouTube families doing that shit. | ||
| It's like, this kid doesn't know what the fuck is going on here. | ||
| He doesn't know what's going on here. | ||
| You're just monetizing your cute kid. | ||
| You know what I mean? | ||
| It's crazy. | ||
| It's crazy. | ||
| It is weird. | ||
| And that's why even when I had my baby, you see a lot of the time people are like, first thing that happens, baby gets... | ||
| Baby fresh out of the coochie, right? | ||
| And then right to Instagram or Twitter or whatever, here's my new fucking baby! | ||
| Like, no shit. | ||
| And like, the kid doesn't know what the fuck is happening, so like, whenever they're older, they'll be like, oh, I saw your ass when you were a baby. | ||
| Like, you know what I mean? | ||
| It's like, it's just like, but I remember I pulled, I got to, I had the pleasure and the privilege to pull my baby out. | ||
| And I was like, oh, fuck. | ||
| This is like, like, had all, it's like, scrubbed up so, it was crazy. | ||
| And I'm like, you know what, you can, in this world that we live in right now, where everything is based off of a social currency and a like or a heart metric on Any platform, I'm going to let you fucking decide whenever you want to do that. | ||
| Yeah, that's a great way to do it. | ||
| I feel like people are just so entrenched in this idea that you have to share every aspect of your life and use that aspect of your life as a thing to get likes. | ||
| That's what's weird. | ||
| When they invented likes... | ||
| Boy, did they fucking hotwire our brain. | ||
| They lockpicked our brain, son. | ||
| And they took away dislikes. | ||
| Yeah, they did. | ||
| Isn't that wild? | ||
| Yeah. | ||
| That's wild, too. | ||
| That's wild, too. | ||
| Isn't that crazy? | ||
| It is wild. | ||
| I think about that all the time. | ||
| I'm like, ha! | ||
| Yeah. | ||
|
unidentified
|
Why? | |
| I don't know. | ||
| To be nice? | ||
| I don't think it's... | ||
| You know, look, you're going to get people that gang up on folks. | ||
| Sure. | ||
| You're going to get people that weaponize that. | ||
| But that's also a way to indicate whether or not people like it or don't like it. | ||
| I mean, that's the way to indicate whether people like it or don't like it. | ||
| Are you saying I can only like it? | ||
|
unidentified
|
Yeah, wait. | |
| I can like it or ignore it. | ||
| So, like, then you can, by that, you know, gauge, you can tell if people really like the video. | ||
| Say the video gets a hundred million, or let's just say a million views. | ||
| Right. | ||
| And then, like, oh, a thousand people like this? | ||
| Oh, they didn't really like that. | ||
| Right, that's weird. | ||
| Right, why did it get so many views? | ||
| Then you can kind of just subtract the amount of likes versus the views and then be like, well... | ||
| Well, there's always hate-liking or hate-watching. | ||
| People do a lot of hate-watching. | ||
| They do a lot of watching shit they hate. | ||
| I'm a little guilty of that. | ||
| You've seen the new NPC trend? | ||
| What is the new NPC trend? | ||
| All right, so maybe... | ||
| Jamie, would you call it... | ||
| I know what an NPC is. | ||
| It is so... | ||
| It is crazy, dude. | ||
| Is it the memes? | ||
| It is the TikTok of people that will livestream for hours of doing and so they'll just stay in like a stance like this. | ||
| Oh, so they act like they're a video player. | ||
| And then whenever someone gives them money or something, like on TikTok, they'll react to it in like a way, and they'll do it for hours. | ||
| Oh, I saw this young, pretty girl that was doing that. | ||
| It is crazy. | ||
| And everybody was going, what is going on? | ||
| Like, what is this? | ||
| It is crazy. | ||
| Like, ice cream's so good. | ||
| Ice cream's so good. | ||
| Ice cream's so good. | ||
| And I'm like, wow. | ||
| This is kind of crazy. | ||
| What is that? | ||
| It's crazy. | ||
| Does she ever break character or does she just keep doing that? | ||
| I don't remember her name. | ||
| I was trying to find her. | ||
| I was going through a few different things. | ||
| I think she only breaks character to like... | ||
|
unidentified
|
I remember her kid came in on one of those streams and she was like, what are you doing? | |
| Get out of here! | ||
| That's hilarious. | ||
| But now it's not just her. | ||
| It's like a thing. | ||
| Whoa. | ||
| And I went, thank you, sir. | ||
| Here's the one that got viral first. | ||
| Pinky Doll is her name. | ||
| And she reveals staggering earnings. | ||
| And they're making cash. | ||
| Wow. | ||
| And this is the one. | ||
|
unidentified
|
Gang gang. | |
| Oh, special. | ||
| Gang gang. | ||
| Ra, ra, ra. | ||
| Gang gang. | ||
| Gang gang. | ||
| Wow. | ||
| It's crazy! | ||
| That's so strange. | ||
| It's crazy! | ||
| But she is really hot in that house. | ||
| That's why that works. | ||
| Let's not pretend. | ||
| If she was gross, that lady's beautiful. | ||
| So when she does that, people are like, what does she do? | ||
| Get her to lick her lips. | ||
| $7,000 a day. | ||
| $7,000 a day. | ||
| That's pretty damn good. | ||
| How long did she do it for? | ||
| Did it say on there? | ||
| 48 hours in a row. | ||
|
unidentified
|
She's doing math. | |
| This was a three-week binge. | ||
| She didn't sleep. | ||
| It's actually... | ||
| What is it? | ||
| The Russian sleep experiment or whatever the hell? | ||
| Oh, right, right, right. | ||
| But just some NPC streamers. | ||
| What did they figure out from that? | ||
| Like, what is the limit of the human body where you can go without sleep? | ||
| Well, I don't know if that experiment was real. | ||
| Because you hear the story about it. | ||
| Like, you know the one where they're like, I don't know if it's just like a creepypasta or whatever, when they did the sleep experiment. | ||
| What happened? | ||
| Wiki says it's a creepypasta. | ||
| Yeah, it's a creepypasta. | ||
| What is a creepypasta? | ||
| It's like a creepy story. | ||
| Like a scary story. | ||
| Just a story that people tell, but it's not real. | ||
| But I wonder if... | ||
| Oh, isn't that like they murdered each other or something like that? | ||
| Yeah, they started murdering everybody. | ||
| So they say, in the story. | ||
| It's a story. | ||
| That makes sense. | ||
| That makes sense that it's not real. | ||
| Did they ever really push that? | ||
| If they did, they probably won't talk about it. | ||
| It's so inhumane. | ||
| Well, you think about, fuck, they're gonna kill me. | ||
| Like MKUltra and all that shit, man. | ||
| I was about to go there. | ||
| All that shit. | ||
| Yeah. | ||
| I'll let you talk about it. | ||
| I just know what it is, but I don't know anything about it. | ||
| It's a real program that the CIA was running where they were experimenting with people with LSD to find out what LSD did. | ||
| And they wanted to know, like, how can we use it? | ||
| Can we use it to interrogate our enemies? | ||
| Can we use it as a truth serum? | ||
| What can we do with it? | ||
| By the way, guys, I have no idea what this stuff is. | ||
| There you go. | ||
| And what they did was they started experimenting and not just the United States. | ||
| They did it with British soldiers, too, in the 1950s. | ||
| There's a video of these British soldiers that they gave them acid. | ||
| See if you can find that, because it's a wild video. | ||
| These dudes, they just dosed them up and had them running through the woods. | ||
| They're like... | ||
| How do you... | ||
| So do you have, like, manhunters on that? | ||
| You ever watch that show, Manhunter? | ||
| What is that? | ||
| He's like the guy that, like, he's like, alright, if you can hide, I'm the best tracker in the world. | ||
| If you can hide from me on my horse. | ||
| But how do they keep track of what they did in the woods? | ||
| That's a good question. | ||
| How do they, Jamie? | ||
| What, in this case? | ||
| Yeah. | ||
| They filmed them. | ||
| Right, so they just... | ||
| But what if they went super deep? | ||
| Yeah, right. | ||
| How do they keep track of them? | ||
| Keep them from just going on an acid marathon? | ||
| He's brisket, I think. | ||
| I don't know. | ||
| Yeah, they didn't give a fuck about these dudes. | ||
| They were going to send these dudes in front of bullets. | ||
| I mean, this is the fucking right after storm on the beach at Normandy days. | ||
| You know, these are wild times, man. | ||
| People just ran into gunfire back then. | ||
| They were different men. | ||
| Are these guys all on acid right now? | ||
| Yeah, watch them start laughing. | ||
| They can't stop laughing. | ||
| So they're soldiers and they're sitting there doing their job, but they can't stop laughing. | ||
| They're just tripping balls. | ||
| And then later, there's some footage of them in the woods. | ||
| They took them to the woods afterwards. | ||
| Or maybe there's... | ||
| I think this might be a different one, because I have not seen this one. | ||
| But I think they did it with a bunch of people. | ||
| And they did it at Harvard. | ||
| Ted Kaczynski, the Unabomber, he was a part of the Harvard LSD studies. | ||
| He was a participant. | ||
| Yeah. | ||
| No shit. | ||
| They dosed that dude up with acid. | ||
| No shit. | ||
| Yeah, they dosed him up with acid. | ||
| And then he was, you know, he had a- Did that guy have a rifle? | ||
|
unidentified
|
Yeah, so these are the guys- They can't give a dude with a rifle LSD. But yet they did. | |
| Look at these dudes. | ||
| They got cameras and fucking- What is he? | ||
| He's holding onto his headphones. | ||
| They can't stop laughing. | ||
| He's trying to put the headphones on the tree. | ||
| They can't stop laughing. | ||
| Look, looks like a great drug. | ||
|
unidentified
|
Mm-hmm. | |
| And they were like, okay, this has no military purpose at all. | ||
| We cannot use this. | ||
| This is exactly the opposite of what we want. | ||
| What did they do? | ||
| Chop it? | ||
| They're chopping it? | ||
| Are they chopping a tree? | ||
|
unidentified
|
I don't know. | |
| This guy's climbing a fucking tree. | ||
| He's out of his mind. | ||
| Why do they have firearms? | ||
| Because they're army guys. | ||
| That's crazy, though! | ||
| Yeah, British Marines. | ||
| 1964, that was. | ||
| What the CIA was doing is they were experimenting with prostitutes. | ||
| So what they would do is they would set up a brothel, and they would have these guys go in to try to get with the prostitute, and the prostitute was a CIA agent. | ||
| She would give them a drink that was laced with acid, and they would watch these guys through two-way mirrors. | ||
| That's insane. | ||
| Yeah, they were just trying to figure out what does acid do? | ||
| And it was just totally unsuspecting. | ||
| Yeah. | ||
| And then there's mind control experiments. | ||
| There's definitely something going on with Charles Manson, and that's the Tom O'Neill book, Chaos. | ||
| It's a great book about MKUltra and the role that these guys that were running that program, that they interacted with Manson. | ||
| They interacted with him in prison, and they think that... | ||
| been the people that were supplying him with the acid, or he was using it to manipulate those kids. | ||
| And the whole thing was to discredit the anti-war movement. | ||
| They were trying to develop this attitude in America that hippies are dangerous and murderous. | ||
| And these people that are like, stop the war, these people are, they're a threat. | ||
| And so one of the ways they did it was this high profile guy, Charles Manson, and they take this guy and they taught him how to run a fucking cult when he was in prison, most likely. | ||
| What was he in prison for beforehand? | ||
| Oh, he's been in prison his whole life. | ||
| Where's he from? | ||
| That's a good question. | ||
| I don't know where Manson was from. | ||
|
unidentified
|
Thank you. | |
| But the book Chaos, I can't recommend it enough. | ||
| It's fucking incredible. | ||
| The guy worked on it for 20 years. | ||
| I've talked about it a hundred times in the podcast. | ||
| If you listened to it before, I'm sorry. | ||
| But that guy, who is my friend Greg's neighbor, my friend Greg Fitzsimmons, he was this guy's neighbor like 20 years ago when he was working on this. | ||
| And he got hired to write a story about the anniversary of the Tate-LaBianca murders. | ||
| And when he got hired to write that story, he started finding all these inconsistencies in the story. | ||
| And so he started doing, like, real journalism. | ||
| And it's just, like, he went on a deep dive, like, way too long. | ||
| And he wrote it for 20 fucking years. | ||
| And finally, they got together, they helped him with an editor, and they put it all together, and they put together this book. | ||
| This book is insane. | ||
| It's insane. | ||
| Yeah, dude. | ||
| It's... | ||
| I don't know. | ||
| That's such a crazy... | ||
| It's so crazy. | ||
| And the thing about... | ||
| I don't know if it's harder to pull the wool over people's eyes now rather than then. | ||
| Does that make sense? | ||
| Yeah. | ||
| I don't know either. | ||
| Because there's so many different... | ||
| Like, we were talking about the news. | ||
|
unidentified
|
Yeah. | |
| You know, you go on the news and you get caught in this... | ||
| It's like a perpetual... | ||
| It's a wheel. | ||
| You know what I mean? | ||
| And you just keep getting... | ||
| Especially now, due to the algorithms that we have, you just keep getting fed the same information to, like, perpetuate what you want to learn about and what they want you to know about. | ||
| But back then... | ||
| It wasn't as accessible. | ||
| So I wonder if it was harder back then to like trick the populace into believing something than it is now. | ||
| I think it was probably easier. | ||
| Because I think they probably had more respect for institutions because they didn't have the access to them that we have now. | ||
| Like, think about what a president was like back then. | ||
| Presidents openly had affairs. | ||
| No one reported on it. | ||
| They were just revered figures. | ||
| It was a different thing. | ||
| Like, when Kennedy was the president, sure, definitely people hated him, especially Republicans. | ||
| A lot of people hated him for the Bay of Pigs, but the press didn't hate him. | ||
| You know, everybody knew who he was. | ||
| Right. | ||
| That's not the case today. | ||
| The world is such a hostile place today. | ||
| We don't have respect for institutions anymore. | ||
| We don't have respect for mainstream media for a lot of fucking reasons. | ||
| We don't have respect for mainstream news. | ||
| We look at them like, alright, maybe this is real. | ||
| We don't look at it like this is the unbiased... | ||
| You take everything with that grain of salt. | ||
| Exactly. | ||
| And we know that there's deep political agendas in reporting any story, in the perspective, the editorializing of these perspectives. | ||
| It's just there's a lot of what humans are is what we're getting influenced by and When you're getting influenced by propaganda and horseshit all the time It has an effect on you whether you like it or not It might not be a hundred percent effective But it has some sort of an effect on you where you're willing to let these people who are just people They're no different than you and no different than me. | ||
| But you'll let them talk to you and talk to us as if they are in control of us. | ||
| And that is not supposed to be how America works. | ||
| And that's just a natural human power structure thing that we've had since we were tribal creatures. | ||
| It's a natural inclination to want to be that and want to do that. | ||
| But we have to protect against that at all costs. | ||
| Because just because it seems like you would like those things to be implemented because they fit your perspective and your worldview, the problem is now there's tools in place for tyrants. | ||
| And now there's tools in place for people who don't share your perspective and don't have a charitable view of human beings and are ruthless and maybe psychotic. | ||
| But that's the beginning of it all, too. | ||
| Yes. | ||
| It's been happening. | ||
| Like Nero and fucking just... | ||
| Exactly. | ||
| Rome was super, like, everything. | ||
| You look at, like... | ||
| Everything, it was a republic, you know, like, everybody was, everybody had a vote, everybody had a say, everybody, but the guys who were running, well, everybody was drinking from lead, and everybody was like, you know what I mean? | ||
| Yeah, they had lead drinking vessels, they didn't know about lead poisoning. | ||
| And this dude built this statue, like, fucking 100 feet tall of himself. | ||
| And then Rome set on fucking fire, and it's crazy. | ||
| And that's just been happening, and it's been repeating forever. | ||
| Forever. | ||
| And I don't know exactly how long, but history repeats itself, and then you look at a cycle of how civilizations come and... | ||
| And go this way, and it's just like, I don't know. | ||
| I know. | ||
| When I was a kid, I used to think about America that way. | ||
| When I was a kid, I was like, well, you know, you read about ancient Greece and ancient Rome and these great civilizations that they fell. | ||
| Like, what happened? | ||
| Did they see it coming? | ||
| And I was like, would I see it coming? | ||
| Would I know it was coming? | ||
| Is it going to happen to us? | ||
| Right. | ||
| We don't want to ever think it could happen to us, because we're on the top. | ||
| We're number eight. | ||
|
unidentified
|
Come on! | |
| We're fucking America! | ||
| But we're the youngest fucking country in the fucking world. | ||
| Yeah. | ||
| And it can happen to us. | ||
| You've got to be real careful that we don't become just like all these ones that we talk about when we say, boy, be glad you're not living in that place. | ||
| Because places go through cycles. | ||
| Some places are amazing, and then they get invaded. | ||
| Some places, you know... | ||
| Well, look at Atlantis! | ||
| Yeah. | ||
| Well, that's probably... | ||
| That one's probably an ocean thing. | ||
| Yeah, that's probably... | ||
| That's Mama Nature coming in. | ||
| Yeah, that's probably an impact thing. | ||
| Do you believe in Atlantis, Joe Rogan? | ||
|
unidentified
|
Yes, I do. | |
| Yes, I do. | ||
| The thing was a real place. | ||
| You talked about the younger... | ||
| Dryas. | ||
| Dryas. | ||
| Yeah. | ||
| And I was watching a thing recently, actually, about... | ||
| How they think that the Egyptians just found the pyramids and the Sphinx and how you can see the Younger Dryas affecting the Sphinx and the pyramids like that and how that shit happened. | ||
| I'm not fully as encompassed as you, I'm sure, because I just now learned about the Younger Dryas. | ||
| Well, for sure. | ||
| This is what you can say for sure, because this gets people very upset. | ||
| Does it? | ||
| Yeah. | ||
|
unidentified
|
Okay. | |
| But I don't know why, but you have to kind of say a few things. | ||
|
unidentified
|
Okay. | |
| One thing is that for sure the Egyptians made it because it was in Egypt. | ||
|
unidentified
|
Okay. | |
| Like, it's just different. | ||
| Yes, sir. | ||
| I think what we're saying is they're people from a different era. | ||
| Yes, sir. | ||
| And this is the whole proposal that Graham Hancock and Randall Carlson have. | ||
| Yes, sir. | ||
| Like with that Younger Drives Impact Theory. | ||
| People get crazy about this and they think it's- Well, I didn't mean to offend anybody if I did. | ||
| No, you definitely didn't. | ||
| But there's people that call it a racist theory. | ||
| It's very strange. | ||
| Really? | ||
| Yeah, yeah, yeah. | ||
| It's real weird. | ||
| And they've applied that to Graham Hancock and it's ridiculous. | ||
| It doesn't make any sense. | ||
| He's not saying anything about the race of the people that did it. | ||
| It's about time. | ||
| The whole issue is about time. | ||
| And what they believe is that somewhere around 11,800 years ago, and probably a couple other times, we got obliterated by comet impacts. | ||
| Comet fragments slammed into the Earth, and there's a lot of evidence of this. | ||
| Physical evidence of iridium, levels of iridium, nanodiamonds that happen on impact. | ||
| This shit is all over the world. | ||
| You could find giant craters in places, like Greenland, and there's places where 100% they got obliterated by a giant chunk of something. | ||
| What they believe is that this ended the Ice Age, and this is what caused all the melting of the ice caps that were above North America, and that's where all this massive flooding came from, and that's where the Great Lakes come from. | ||
| And he thinks that it was a civilization-ending event where very few people survived, and they essentially had to rebuild from there. | ||
| And so the amazing society that built the pyramids, whoever those people were, By the time this Younger Dryas Impact thing happens, who knows what kind of civilization they had at that point? | ||
| Sure. | ||
| But they might have been far more advanced than us. | ||
| Sure. | ||
| Just in a different way. | ||
|
unidentified
|
Sure. | |
| And for sure they knew how to move stone in a way we still don't understand. | ||
|
unidentified
|
Right. | |
| We have no idea how the fuck they did that. | ||
| No idea how they made 2,300,000 stones meet perfectly at the top and then covered in smooth limestone. | ||
| It's fucking insane. | ||
| And channel energy. | ||
| Yeah, well, it feels... | ||
| And vibrate inside of the pyramid to channel fucking energy. | ||
| Who knows what they were doing when they built that? | ||
| It's crazy. | ||
| And I didn't mean to offend anyone. | ||
| No, no, no, no, no. | ||
| I shouldn't have said it the way I saw. | ||
| No, not at all. | ||
| I just wanted to clarify because it's a weird thing that people keep saying. | ||
| Because I just learned about this. | ||
| And watching videos about it and... | ||
| Learning about all this stuff, first off, take everything with a grain of salt, of course. | ||
| But then it's like, fuck, it's fucking actually crazy. | ||
| And now there's... | ||
| Is there xenon on Mars? | ||
| What is xenon? | ||
| The xenon... | ||
| There's a chemical that... | ||
| So the soil on Mars is supposedly... | ||
| Enriched with xenon enough to, like, it's like, don't let me, I'll just throw out an arbitrary number. | ||
| A thousand megatons of nuclear, it comes from nuclear explosions. | ||
| What? | ||
| That's where it comes from? | ||
| They said that the soil on Mars is super packed with it. | ||
|
unidentified
|
Yo, imagine if Mars was like a war on Mars. | |
| Imagine. | ||
| They just obliterated the whole planet. | ||
| How do you feel about the face? | ||
| The problem with the face is it was a very low resolution camera and it was convenient. | ||
| And then when they went over it a second time, it's weird in the shape of it, but it didn't look like a face anymore. | ||
| So how do you feel about NASA having its own photoshopping? | ||
| Do they? | ||
| There's people at NASA that photoshopped. | ||
| You look at a picture of Mars, what color do you think it is? | ||
| It's like a dusty tan. | ||
| It's like orange. | ||
| Would you pull up the real pictures of Mars, what they actually look like without the fucking filter on them? | ||
| Am I crazy? | ||
| Check it out! | ||
| Well, isn't it like Earth where there's different spots that have different color ground? | ||
| I don't know. | ||
| So you look at pictures of Mars from like 20 to 30 years ago or whatever, and then you look at pictures of Mars now, they are drastically different because people caught on to like, why are you throwing a filter on Mars? | ||
| So they were changing the color of Mars? | ||
| It doesn't look like that, yeah. | ||
| Interesting. | ||
| I'll pull up the photos I'm seeing and you direct me to what it is. | ||
| Look at that one. | ||
| Look at that one. | ||
| Like this one? | ||
| No, the first one. | ||
| This one? | ||
| No, the third one. | ||
| Sorry, sir. | ||
| Oh, like on the ground. | ||
| The ground. | ||
| Look at the sky there. | ||
| Look at the ground there. | ||
| And then look at the second one even for in fact. | ||
| There's an orange tint to everything on every picture that we've ever seen of it. | ||
| But then if you look at it, look up maybe Mars without the orange filter. | ||
| But the lunar module doesn't look orange. | ||
| Look at the lunar module. | ||
| It's pure white. | ||
| It's just a filter. | ||
| It's not pure white. | ||
| Okay. | ||
| Look at that. | ||
| Like, that looks just like Earth. | ||
| It looks like a place on Earth. | ||
| That could be a place on Earth, totally. | ||
| Right. | ||
| Except for the sky is a little fucked up looking. | ||
|
unidentified
|
Let's do NASA Photoshop. | |
| I don't know. | ||
| What do you call like a... | ||
| I keep saying branch, but it's like... | ||
| Well, I do know that just one way to explain some of it is that a lot of the photos they get from the telescopes are like not actual, you know, like with these cameras, it's not just taking a photo. | ||
| Sure. | ||
| It's taking data that has to be compiled into a photo. | ||
| Sure. | ||
| Are these not from the rover though? | ||
| They are. | ||
| I'm talking about like landscape photos. | ||
| But wouldn't it make sense that Mars looks different in different spots? | ||
| And wouldn't it make sense that it looks different with different conditions? | ||
| It certainly does. | ||
| Well, not that. | ||
| Yeah, that's what I'm talking about. | ||
| A photo like that, for instance, can't be taken normally. | ||
| Right, right. | ||
| But like the landscape photos. | ||
| It looks like a space monkey. | ||
| It looks like a space monkey. | ||
| Look at that. | ||
| He's chill. | ||
| That dude's chill as fuck. | ||
| Is that a real photo, Jamie? | ||
| That picture looks like a space monkey. | ||
| The picture that you just had up? | ||
|
unidentified
|
Look at that. | |
| He's cool. | ||
| That's your new logo. | ||
| It says, Photoshop NASA photos give new life to outer space imagery. | ||
| Yeah, they turn into a monkey. | ||
| That's not real, right? | ||
| So if you were one of these NASA Photoshop people, you would manipulate the photos in a little bit of a way to make them look a little more extraordinary. | ||
|
unidentified
|
Well, that seems like lying. | |
| No, it's crazy. | ||
| I'm trying to use the right words here because I can take a photo of you, Joe, and make it look, you know, or both of you. | ||
| Could you put the handsome filter on? | ||
| You can make Photoshop make it look away. | ||
| It didn't really look to anybody's eyes in the room. | ||
| Right. | ||
| But you can just tweak some things without adding really anything. | ||
| You're just tweaking... | ||
| The light off the sensors. | ||
| But there are ways you can go way further with it. | ||
| Alright, so I've been... | ||
| I mean, you can fucking trust YouTube as far as you can throw it. | ||
| But looking at photos of... | ||
| Recent photos of Mars... | ||
| And it could be camera. | ||
| It could be camera. | ||
| Well, if you look at a photo from, like, a Samsung Galaxy Note 2 versus a photo. | ||
| But it still doesn't change the color. | ||
| It does a little bit. | ||
| Here's one, maybe. | ||
| So the first one on the left is unprocessed. | ||
|
unidentified
|
That's what they, okay, all right, so then they take the, okay. | |
| Oh, that's weird. | ||
| I don't even know. | ||
| But this is also what you do for, like, filming a movie. | ||
|
unidentified
|
Right, exactly. | |
| Out of the camera, it looks kind of like shit, and you have to... | ||
| But is it calibrated for accuracy? | ||
| But why are they trying to make it look like a movie? | ||
| Because they're bullshitting us, bro. | ||
| That also could be what we're used to seeing, and it just gives it better context. | ||
| I'm not the one doing it, so I'm just trying to, like, think like them. | ||
| And is there xenon on Mars? | ||
| There is xenon, but I couldn't figure out how much. | ||
| But there's definitely articles about evidence of xenon. | ||
| Look! | ||
| Evidence for NASA! Oh, that's fucking... | ||
| Isotopes. | ||
| Evidence for large nuclear reactor on Mars past? | ||
|
unidentified
|
I don't know what that is. | |
| There's a lot of smart words here. | ||
| I was skipping that. | ||
| Bro, that's NASA. Harvard.edu. | ||
| That sounds very smart. | ||
| NASA sounds really smart. | ||
| Yeah. | ||
| Evidence for large natural nuclear reactor in Mars past. | ||
| Why are they saying natural? | ||
| They're just guessing. | ||
| They don't want to say that maybe it was a civilization that nuked itself into oblivion. | ||
| Maybe so. | ||
| Yeah, but why else would they say natural? | ||
| Compounding the mysteries to the fact that Mars is a surface layer of elevated levels of uranium and thorium. | ||
| I don't know what that means. | ||
| Bro, they nuked the whole planet. | ||
| Imagine. | ||
| They were fighting over some fucking border town, just like us, and they went fucking postal. | ||
| How crazy would that be? | ||
| How do you nuke a cloud of gas, though? | ||
| Because that's what aliens are. | ||
| No, I don't know. | ||
| You want to know something crazy? | ||
| You know how much a cloud weighs? | ||
| How much do you think of cloud weighs? | ||
| An average cloud. | ||
| What do you consider average? | ||
| Yeah, just a big pluff. | ||
| Just like a big fluffy one. | ||
| 20 pounds. | ||
| A million. | ||
| Fuck. | ||
| I was way off. | ||
| A million pounds. | ||
| I just found that out. | ||
| I was like, that's insane. | ||
| I'd rather get paid a million pounds than 20. The density of the water that's in the clouds, if you actually could extract it and weigh it. | ||
| Yeah, look at that. | ||
| That's crazy. | ||
| A cubic kilometer cloud contains 1 billion cubic meters, doing the math, 1 billion times 0.5, 500 million grams of water droplets in our cloud. | ||
| That's about 500,000 kilograms or 1.1 million pounds. | ||
| Imagine it just fell. | ||
| Whoosh! | ||
| It just fell, like, hard. | ||
| It became solidified and just fucking fell. | ||
| A giant hailstone. | ||
| That'd be fucking crazy. | ||
| Bro, some hail was ridiculous. | ||
| Seeing people getting pelted by, like, golf balls. | ||
| Like, you ever seen that video of these people filming from their backyard? | ||
| And you see the hail hitting the pool? | ||
| And it's like they're getting attacked by aliens. | ||
| It's crazy. | ||
| This was... | ||
| They just... | ||
| We just had this in Utah. | ||
| That's right. | ||
| A monsoon? | ||
| A monsoon in Utah! | ||
| Wow. | ||
| It's a great song name. | ||
| Yeah, it is. | ||
| That's a great song name. | ||
| Utah monsoon. | ||
| Yeah, that's a great song name. | ||
| Monsoon in Utah. | ||
| It was... | ||
| My dad... | ||
| I wasn't there, but my dad said it was like the craziest storm he's ever been in. | ||
| This is the monsoon? | ||
| This was in Utah, though, but this was Tucson a couple weeks ago. | ||
| But here's the storm rolling in. | ||
| Arizona. | ||
| Whoa! | ||
| Look at that thing rolling in. | ||
| It just dumps here in a second. | ||
| Covers the whole screen. | ||
| Those are the darkest, that's like fucking Mordor clouds. | ||
| Totally, that's Sauron. | ||
| Look at the rain coming down. | ||
|
unidentified
|
Jesus Christ, dude. | |
| Holy fuck, man. | ||
| That's insane. | ||
| That is insane. | ||
| That's insane. | ||
| If that's not fucking apocalyptic, dude, I don't know what the fuck is. | ||
| That's crazy, dude. | ||
| I was in Miami once. | ||
| This guy doesn't seem to care, though. | ||
| He doesn't mind. | ||
| He's like, whatever, this shit happens all the time. | ||
| He's acquiring data. | ||
| I was in Miami once and we were driving down the highway and the whole highway had to stop because the rain was so hard you couldn't see in front of you. | ||
| The whole highway just stopped dead. | ||
| Just dumped rain on us. | ||
| It lasted for like four minutes and then it went away. | ||
| But for four minutes the entire highway was stopped. | ||
| You couldn't see a foot in front of your windshield. | ||
| It was just... | ||
| It was fucking wild! | ||
| Like, this is crazy! | ||
| These people are dealing with some wild shit down here! | ||
| It never rains like that. | ||
| How long do you hang out on the side of the road for? | ||
| We were in the middle of the highway. | ||
| We had to stay there. | ||
| It was several minutes. | ||
| Oh, you just sat in your lane? | ||
| Yeah, you had to stay in your lane. | ||
| Everybody on the highway stopped. | ||
| Bro, you couldn't see jack shit. | ||
| You couldn't see the front of your car. | ||
| It was insane. | ||
| It just dumped and took off. | ||
| And you're like, okay. | ||
| And then it was back to normal. | ||
| But it gives you a little heads up, like, hey, you know, you ain't shit. | ||
| Not shit. | ||
| You ain't shit. | ||
| This fucking whole planet has some gigantic destructive forces that you could never stop. | ||
| So when you're on the highway and it rolls through, just be lucky you don't have a fucking convertible. | ||
| Shut your mouth and just sit there and deal. | ||
| Put that top on quick. | ||
|
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You never put that top on. | |
| Oh my god, your car would be filled with water. | ||
| You'd be in a fishbowl. | ||
| Hail, dude. | ||
| Moving to Texas, we had a lot of hail. | ||
| And it would just fucking come and fucking... | ||
| We had to go put a... | ||
| There was a baler, and so we would go use their parking garage whenever it would hail. | ||
| So your window's going to get smashed in. | ||
| Yeah, because it's crazy. | ||
| Yeah, fuck your car up. | ||
| It's crazy. | ||
| See if you can find the video, Jamie, of hailstorm in swimming pool. | ||
| It's bananas. | ||
| It's like they're getting attacked. | ||
| It's like missiles are coming in into their swimming pool. | ||
| It's fucking bananas. | ||
| Where is that? | ||
| I don't remember. | ||
| I want to say it was Ohio. | ||
| Jamie, why you pull that up? | ||
| Can I 10-1? | ||
| Texas. | ||
| Can I 10-1? | ||
| Yeah, yeah, yeah. | ||
| Sorry, guys. | ||
| Go ahead. | ||
| Look at this, though. | ||
| This is fucking hail. | ||
| Oh my god. | ||
| Yeah. | ||
| That poor cow. | ||
| That poor cow. | ||
| That's pretty good though. | ||
| That cow's getting lit up. | ||
| That swimming pool is getting rocked. | ||
| That's insane. | ||
| We'll pause you real quick. | ||
| I'll tinkle too. | ||
| We'll be right back folks. | ||
| And we're back. | ||
| So you say you got into archery or you tried it? | ||
| I tried it. | ||
| I tried it. | ||
| Yes sir. | ||
| Where'd you go? | ||
| I was in France. | ||
| So I was in France working on the wine. | ||
| And we were at the vineyard, and we were like, let's shoot some bows. | ||
| So we had some French archers come out. | ||
| And they had, like, they had a compound, and they had, like, just another, like... | ||
| Recurve bow? | ||
| Like, traditional, like, yeah. | ||
| And... | ||
| Joe Rogan, that is hard to do. | ||
| It's not easy to do. | ||
| It is not easy to do at all. | ||
| And they want you to go forward. | ||
| Do you go forward when you shoot? | ||
| No. | ||
| They told you to go forward? | ||
| Yeah. | ||
| Maybe it was with like... | ||
| Was it a... | ||
| Like an old oak bow. | ||
| Oh, okay. | ||
| A long bow? | ||
| Yeah. | ||
| So they like told you to go forward whenever. | ||
| To help your aim. | ||
| Interesting. | ||
| Which seems counterintuitive because you don't want to really move when you're... | ||
| Well, the whole thing about those old bows, whether it's a recurve or a long bow, is that it's much more of a feel thing. | ||
| You have to practice with them a lot, almost like throwing a rock. | ||
| If you throw a rock... | ||
| Or a baseball is a better example. | ||
| When you throw a baseball, you know how far, how much energy you have to put into that throw in order to get into that strike zone if you're throwing a pitch, right? | ||
| So that's like a knowledge of how much force and how you can aim. | ||
| This is the same thing applies to arrows. | ||
| You shoot enough arrows, you know like where you have to hold. | ||
| Thank you, sir. | ||
| At what distance when you're releasing an arrow because you know the arc of that It's feel. | ||
| It's feel. | ||
| Compound archery, what I do, is very different. | ||
| It's much more calculated. | ||
| I have a range finder. | ||
| It's on me 52 yards. | ||
| I dial it on my sight to 52 yards. | ||
| My pin moves up and down. | ||
| And then I'm holding... | ||
| So do you have Picatinny on your bow? | ||
| Oh, Picatinny rail in the front? | ||
| Yes, I do. | ||
| Cool. | ||
| So you put like an aim point on your bow or something? | ||
| That's where the sight comes out of. | ||
| The sight is slightly to the left. | ||
| What optic are you using? | ||
| Well, I don't use an optic. | ||
| It's just a clear hole, like a tube with a fiber optic pin in it. | ||
| Okay. | ||
| And that fiber optic pin is the indicator that tells you what yardage, like if it's up or down, right? | ||
| So if it's up, that means it's a close shot. | ||
| If it's down, very low, that means it's a long shot. | ||
| So it's the arc of the arrow over a course of time, and it's all calculated on this thing called Archer's Advantage, which is a computer program. | ||
| Okay. | ||
| So you put in the speed of the bow, the weight of the arrow, all these different factors, and you put it in and it'll give you a sight tape. | ||
| Nerd. | ||
| Yeah, super nerd. | ||
| And then you take this sight tape and you dial it into 20 yards. | ||
| Once you know where 20 yards is, you've got that indicator mark, you mark it off, and then you put the tape down. | ||
| And then once you put that tape down, you're good to go to like 100 yards, 110 yards, wherever you want. | ||
| You just do your hold there. | ||
| Exactly. | ||
| Just hold where that pin is. | ||
| It's a much easier way of shooting a bow than traditional. | ||
| But do you have a laser rangefinder? | ||
| Yes. | ||
| Who makes a rangefinder? | ||
| Oh, a shit ton of companies. | ||
| Is it the same as like a like a firearm rangefinder on a bow? | ||
| Yes, very similar. | ||
| A lot of the same companies like, you know, Vortex, they make a great rangefinder. | ||
| I use a Leupold Full Draw 5 because it actually tells you, you put in the arrow speed and all these different factors, and it actually shows you the arc of the arrow in the rangefinder. | ||
| So like if I'm trying to shoot an elk, Through a pocket in the trees, it's like this big, and I'm 35 yards away. | ||
| I have to know that my arrow's not going to hit the upper branches. | ||
| Sure. | ||
| So I can, because at the height of the arrow, it's higher than when it's going to drop down. | ||
|
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Right. | |
| So you're putting the pin where it wants to drop down. | ||
| But it might be like way up here when it's at 5 yards, 10 yards, 15 yards. | ||
| And then it's going to drop down into that spot exactly where you want it to go. | ||
| So this rangefinder. | ||
|
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How big is it? | |
| How big is what? | ||
| The rangefinder. | ||
| It's little. | ||
| It's like a phone. | ||
| Phone size. | ||
| So that's it right there. | ||
| So I have a, like I said, it's called a Leupold Full Draw 5. But I have a Vortex one that's great too, it just doesn't have that thing. | ||
| The reason why I use the Full Draw 5 is that line is gigantic if you're shooting through obstacles and through branches. | ||
| Because a lot of times an elk will be in an opening. | ||
| Like there's two trees, and they're like five feet wide, but there's like this one branch that's above him, and that's it. | ||
| See? | ||
| So that line right there, it shows you the height of the arrow. | ||
| So like right there, in my mind, I would think that could hit that branch. | ||
| And is that your hold there? | ||
| Are you aiming for that spot? | ||
| No, no, no. | ||
| The hold is where the crosshairs are. | ||
| And what that's indicative, that line at the top, is indicative of the very height of your arrow when it's at its highest point. | ||
| So that was a long shot. | ||
| That's 78 yards. | ||
| It's a little unethical. | ||
| A little unethical. | ||
| It's a long poke for a deer, but real elite archers can do it. | ||
| If you're like a Cam Haines, that's a shot that he can take. | ||
| Unethical because you might hit him in the knee or something. | ||
| Yeah, I might fuck that shot up. | ||
| I wouldn't take that shot. | ||
| But I would on a big animal, like a buffalo or something like that. | ||
| The vitals are this big. | ||
| Have you ever shot or what do you call it? | ||
| Shooting? | ||
| Archery? | ||
| Like what do you say? | ||
| Shooting? | ||
| Have you ever shot under like night vision and nods and stuff? | ||
| No, that would be wild. | ||
| Do you have a pair? | ||
| I do. | ||
| You'd have a hard time seeing like you wouldn't hold see like the thing about archery is and it's one of the beautiful things about it is like everything's repeatable like you you have to have perfect form so like when I come to full draw My string touches the tip of my nose. | ||
| The D loop is in the corner of my mouth. | ||
| Does it ever fuck you up? | ||
| My knuckle is exactly where my jaw lines up. | ||
| That's where my knuckle sits. | ||
| It's a repeatable point. | ||
| If I have nods on, it's not gonna work. | ||
| You can't even do it with glasses. | ||
| I don't even like it with glasses on. | ||
| It feels weird. | ||
| I have to be lined up with that string. | ||
| And when I'm lined up with that string, I don't think about a fucking thing in the world. | ||
| All I think about is releasing a perfect arrow. | ||
| That's all I'm thinking about. | ||
| I'm not thinking about taxes. | ||
| I need gas. | ||
| I've got to fucking get my car inspected. | ||
| I've got to buy more arrows. | ||
| I'm not thinking about any of those things. | ||
| All I'm thinking of is that spot that I'm aiming at. | ||
| And I think there's a mind-cleansing thing that comes from that. | ||
| And the release of it. | ||
| It's gotta feel, like, so fucking good. | ||
| Like, because I tried... | ||
| The hardest part for me was getting that... | ||
| Bow back? | ||
| And holding it. | ||
| Yes. | ||
| Holding that string. | ||
| Yeah. | ||
| Like, that was the hard... | ||
| It takes a lot of shoulder. | ||
| It takes a lot of arm. | ||
| My body's imbalanced. | ||
| The right side of my body is thicker. | ||
| Like, all the way down my lats, my upper delts. | ||
| Everything is much thicker on this side because I pull a bow back... | ||
| Fucking hundred times a day. | ||
| Yeah. | ||
| Every day. | ||
| It's like these muscles. | ||
| I really have to balance it out. | ||
| I feel it sometimes. | ||
| See, I have the same thing but from jacking off. | ||
| Just switch hands. | ||
| The stranger. | ||
| The old stranger. | ||
| It's hard, man. | ||
| After that experience, I was like, you know what? | ||
| And plus, the first couple times shooting, were you scared? | ||
| Of shooting a bow? | ||
| Yeah. | ||
| Because that is so snappy and when I was a kid I had like a little fake bow and that's why I get the wrist guard. | ||
| Yes. | ||
|
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Because that shit comes and it blew my arm up. | |
| It blew my arm up. | ||
| We should see what compound bows do. | ||
| Compound bow. | ||
| So if you're pulling back like an 80-pound bow and you have all this force on those cams, when that string comes and fucking slices against your forearm, people get some gnarly fucking bruises there. | ||
| It looks nasty. | ||
| Yeah, mine broke skin. | ||
| It was like bleed. | ||
| It was like, dude, it was... | ||
| Yeah, you got to learn proper form. | ||
| Proper form, proper stance. | ||
| That never happens to me anymore. | ||
| I couldn't think of a better teacher. | ||
| You gotta get a real archery coach. | ||
| He just turned me away. | ||
| Joe Rogan turned me away for archery lessons. | ||
| I would 100% give you archery lessons. | ||
| I have a range right here. | ||
| I do. | ||
| I have a fucking 40-yard range. | ||
| That's amazing. | ||
| Right here. | ||
| Who makes the best bow? | ||
| They're all really good at the highest level. | ||
| I shoot with a Hoyt, but there's a company called PSE. They make a great bow. | ||
| There's a company called Matthews. | ||
| They make a great bow. | ||
| Bear makes a great bow. | ||
| If you're going to survive in the archery world, the archery world is very unique in that there's yearly innovation. | ||
| So Hoyt puts out new bows every year. | ||
| It's like an iPhone. | ||
| Engineers that are constantly tweaking things and they have pro staff guys like Cam Haynes is a professional archer. | ||
| Those guys, they all work. | ||
| Sweet man too. | ||
| He's the best. | ||
| He's the nicest guy on earth, right? | ||
| But those guys give them feedback and talk about, this is what I like, this is what I want, can you change this, can you change that? | ||
| And then every year they get a little better. | ||
| Every fucking year they get like incrementally better. | ||
| Do you run like a weight on yours? | ||
|
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Yes. | |
| Is that what those long things are? | ||
|
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|
Stabilizers. | |
| Are the stabilizers on there? | ||
| When you have a weight out front, it keeps balance a little bit better. | ||
| And this is hard too. | ||
| Not to fucking mention pulling the string. | ||
| Keeping your arms straight. | ||
| It's heavy. | ||
| It's not light. | ||
| No. | ||
| You have to develop a certain amount of rigidity in your form. | ||
| Form is important. | ||
| Yeah, that comes from practice. | ||
| You just have to practice a lot. | ||
| Archery is one of those things where you really... | ||
| My friend John Dudley, who's one of the best archery coaches alive... | ||
| He practices hours every day. | ||
| He puts it up on his Instagram, puts his little lessons up on his YouTube. | ||
| He's shooting arrows out in his yard. | ||
| He's a giant range. | ||
| It goes out to like 150 yards or something. | ||
| And he's shooting out there every day. | ||
| Hours and hours and hours a day. | ||
| That's why he's so good. | ||
| There's no shortcuts to figuring out how to be good at that. | ||
| It just takes constant, repetitive practice over and over again, focus and technique. | ||
| So what do you think of those guys that can shoot like three arrows? | ||
| It's pretty wild. | ||
| It's cool. | ||
| It is fucking super cool. | ||
| It's cool. | ||
| Look, there's a guy that like- Lars Anderson. | ||
| Yeah, he's so sick! | ||
| I think he's revitalized that whole idea. | ||
| Because I think for a long time they thought that people carried arrows in their quiver and they pulled one out. | ||
| And he's like, no, there's a lot of ancient depictions. | ||
| The treatises. | ||
| In ancient times of guys holding three or four arrows in their hand. | ||
| And he thinks that's what they did. | ||
| I mean, that's what's so interesting. | ||
| You look at Hema. | ||
| Like, the European martial arts or whatever, and they get in the armor with the training swords and shit, and they're like, all they can do is interpret these treatises that they had, and the shit that they wrote down, like all the different guards and the way that they would actually fight. | ||
| Right. | ||
| Because there's no video. | ||
| There's no real tutorial on how to do it. | ||
| Right. | ||
| You have to interpret this stuff. | ||
| Good luck finding a dude who's won a sword fight, too. | ||
| Yeah, exactly. | ||
| Who can teach you. | ||
| It's crazy. | ||
| I've never met a dude who's won a sword fight before. | ||
| Oh, fuck. | ||
| You know, with what's going on now with slap fighting, that's next. | ||
| Oh, that's next. | ||
| They'll do it in a dungeon in Germany somewhere. | ||
| The aliens are going to come back and look at YouTube videos like, how did they? | ||
| And then take it. | ||
| That'll be their NFL. I would not be surprised. | ||
| There's a lot of crazy underground fights that are happening now, which is really interesting. | ||
| They have these no-rules fights on concrete where people are fighting with sneakers on. | ||
| Yeah. | ||
| On which platform? | ||
| Well, they're just doing it online. | ||
| And it's like, it's gaining. | ||
| Because I remember like Worldstar fights and shit like that. | ||
| Yeah. | ||
| Like Kimbo Slice. | ||
| These are like people who fight for money. | ||
| That's crazy, dude. | ||
| Yeah, Kimbo Slice. | ||
| Like a Kimbo Slice thing, but with no rules. | ||
| But they're doing wild shit. | ||
| Like you get paid extra if you could bite a piece of the person off. | ||
| That's crazy. | ||
| You can eye gouge. | ||
| What website is this on? | ||
| It's just online. | ||
| These guys have won like multiple fights in a row by eye gouging. | ||
| So they get on top of guys and gouge their fucking eyeballs. | ||
| That's crazy. | ||
|
unidentified
|
That's insane. | |
| Yeah. | ||
| Yeah. | ||
| That's insane. | ||
| That's like 4chan shit. | ||
|
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|
There's no rules. | |
| You can bite people. | ||
| You can do whatever the fuck you want. | ||
| It's kind of crazy. | ||
| That's crazy. | ||
| Yeah, really crazy. | ||
| And you get paid extra for eyes. | ||
| Brutal Fight Club Elias allows eye gouging with biting bonus and extra for eating the chunk. | ||
| Yeah. | ||
| Million subscribers. | ||
| Where are these guys? | ||
| It looks like a hockey rink or something. | ||
| Yeah, they're fighting. | ||
| That looks exactly like a hockey rink. | ||
| And they're fighting on ice? | ||
| I don't think they're fighting on ice, but I wouldn't be surprised. | ||
| That's the ice multiplier. | ||
| Well, also, would you be allowed to have spiked shoes? | ||
| And that would come into play. | ||
| That's crazy. | ||
| Maybe you get paid less for the spiked shoes. | ||
| It gives you too much of an advantage. | ||
| Or maybe everybody wears them. | ||
| Maybe it's just the thing you wear. | ||
|
unidentified
|
That's crazy. | |
| Yeah. | ||
| Ice fights with spike shoes. | ||
| If someone goes down, they get stomped with spike shoes. | ||
| You remember. | ||
| They changed the rules about eye gouging, apparently. | ||
|
unidentified
|
Okay. | |
| Thank God. | ||
| One guy was to do it, but if you win, you don't get any prize money. | ||
| Oh, God. | ||
| Wait, eye gouging is a... | ||
| This don't include biting, it says. | ||
| Is an occurrence of victory? | ||
| That if you win by eye gouge... | ||
| But look, they still allow biting. | ||
| This don't include biting. | ||
| Even the way they wrote it, this don't include biting. | ||
| Eye gouging is still permitted, but you don't get paid. | ||
| Bro. | ||
| And I'll have you know, this don't include biting, guys, by the way. | ||
| Guys, biting is still cool. | ||
| What the fuck, man? | ||
| Biting. | ||
| That's fucking crazy. | ||
| That's fucking crazy. | ||
| So was UFC 1 and 2? | ||
| When did the gloves come in? | ||
| Well, some guys started wearing gloves on their own, like Vitor Belfort at UFC 12. What a beast. | ||
| Yeah, that was the first fight that I ever worked. | ||
| Vitor was one of the first guys to show up with gloves on. | ||
| He might have been the first. | ||
| No, no, Tank Abbott was the first. | ||
| I think Tank Abbott was the first guy to wear gloves. | ||
| Because he realized that those little tiny gloves are only protecting his hands. | ||
| Especially when he hit as hard as Tank Abbott. | ||
| And Tank Abbott just went out and flatlined people with those gloves on. | ||
| Because you can really crack someone. | ||
| If you have your hands taped up nice, and you have your wrists taped up nice, and you have padding over your knuckles, you can really fucking crack someone. | ||
| Yeah. | ||
| But it's hard to do that with just your hands. | ||
| Well, even doing... | ||
| I never... | ||
| I thought the tape was to look cool. | ||
| Yeah, here's Tank. | ||
| Which one? | ||
| UFC 6. So he's definitely the first. | ||
| Yeah, Tank was fucking- That dude's got a shirt on! | ||
| Bro, yeah, you could do whatever you want. | ||
| You had shoes on. | ||
| They had shoes. | ||
| Tank was fucking- This is one of the craziest knockouts ever. | ||
| Because look how he stiffens up. | ||
| That's crazy. | ||
| And then Tank mocks him. | ||
|
unidentified
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He like- That's crazy, dude. | |
| Yeah, dude, Tank was a beast. | ||
| He had no mouth guard in or anything. | ||
| Well, he might have. | ||
| He might have got knocked out, but- That's crazy. | ||
|
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|
Yeah. | |
| And I never realized- I thought the tape was just to look cool. | ||
| Tape? | ||
|
unidentified
|
Yeah. | |
| On your hands? | ||
| Your wrists? | ||
|
unidentified
|
Yeah. | |
| Oh, it's to protect your hand, 100%. | ||
| Because I did a fight scene for an up-and-coming film, and I just was, my hands, and even pretending to hit, I had to fight a guy who was like massive, like big-ass buff dude, like 300 pounds, just pure fucking, and like hitting him, He was like, all right, give it to me. | ||
| Yeah. | ||
| And so I wouldn't punch him full force, but I would hit him like 20%. | ||
| And even then I was like, oh my fucking God, my wrist is like fucked. | ||
| And I'm not a fighter by any means, but we put the tape on and it just, it was so much more like stable. | ||
| Yeah. | ||
| That's the whole reason for it. | ||
| I just thought it looked cool. | ||
| It does look cool. | ||
| It does look cool. | ||
| It definitely looks cool. | ||
|
unidentified
|
Yeah. | |
| No, it's a hundred percent to protect your hand and your wrist. | ||
| Wrists are very fragile. | ||
| Canelo Alvarez just fucked his wrist up. | ||
| He had to get surgery on his wrist. | ||
| He's a beast. | ||
| He's a beast. | ||
| I'm talking more about Jake. | ||
| I want to see a UFC fight. | ||
| You want to see a UFC fight with Jake? | ||
| Well, he's not going to fight for the UFC. He's got a contract with the PFL, which is another organization. | ||
| They're throwing a lot of money around. | ||
| They just signed Francis Ngannou, and Jake has a contract with them. | ||
| So if he has an MMA fight, I think it has to be over there. | ||
| Where's that? | ||
| At PFL. PFL? Yeah. | ||
| I haven't watched the PFL. It's good. | ||
| Good fights. | ||
| Good fighters. | ||
| They got a lot of elite guys. | ||
| It's like, you know, a B-level organization in terms of, there's only really one A-level organization in America. | ||
|
unidentified
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Right. | |
| You know, that's the UFC. Right. | ||
| The other ones are just slightly below, but there's elite guys in all of those. | ||
| There's elite guys in Bellator that can compete in the UFC. Right. | ||
| There's elite guys in the PFL. And what is that, just contracting? | ||
| It's like your contract and shit like that. | ||
| Yeah, that's what happened with Francis Ngannou because he was the UFC heavyweight champion. | ||
| He didn't lose his title. | ||
| He relinquished his title due to contract negotiations and decided he was going to leave. | ||
| And so he vacated the title and they gave him a big chunk of money to go to the PFL. Right. | ||
| I gotta watch a PFL fight. | ||
| Yeah, there's good fights. | ||
| It's got a wacky point system that you're not gonna understand because I don't understand it. | ||
| I don't understand any points in UFC or boxing. | ||
| Oh, like when it's a 10-9 round, like that kind of thing? | ||
| Because I'm like, well, you watch, and I know, albeit I know nothing about fighting, but I'm like, that dude definitely won that round. | ||
| But it always seems... | ||
| To be so close, kind of, but it's always like unanimous decision is whenever the judges all agree. | ||
| Yeah. | ||
| It's all the same. | ||
| Right. | ||
| But I don't quite understand the whole deal. | ||
| I don't understand. | ||
| So what are they going off of? | ||
| Knockdowns is a big one. | ||
| Knockdowns is a big one. | ||
| Punches landed is a big one. | ||
| So what is the ratio? | ||
| So here, let's take a look at that. | ||
| What is the ratio between punches thrown and punches landed? | ||
| How does that affect points? | ||
| Well, it doesn't if you still land a lot and you miss a lot. | ||
| So if you're a highly active fighter that throws like 150 punches a round and you land 50 and your opponent only lands 10 but they only threw 30, you still won that round. | ||
| You just let a lot more volume, a lot more, but even though you're missing, what counts is how many you land. | ||
| You don't get penalized for missing. | ||
| For missing, okay. | ||
| Because if you're a guy who just throws a lot of fucking punches, you're gonna miss a lot of punches, too. | ||
| If you have some insane cardio and you can just go after a guy, throw insane volume at him. | ||
| Well, you take 100% of the shots you miss. | ||
| Isn't that the saying? | ||
| You miss 100% of the shots you don't take. | ||
|
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|
But you do take 100% of the shots you miss, too. | |
| That's a pessimistic version of that. | ||
| A little bit, but it is true. | ||
| 100% of the times you missed, you took a shot. | ||
| That's true. | ||
| That's unavoidable. | ||
| My buddy told me that, and I was like, oh, that's amazing. | ||
| That's amazing. | ||
| Nobody wants to think about that. | ||
| No one thinks about that. | ||
| You gotta go for it. | ||
| A lot of people go for it. | ||
| They said Michael Jordan said that. | ||
| Did he? | ||
| And then Michael Jordan didn't say that. | ||
| You might have said it and forgot. | ||
| You might have been in a competitive trance. | ||
| Oh, it's Wayne Gretzky. | ||
|
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|
Wayne Gretzky, Michael Scott included in the quotes. | |
| Michael Scott's probably one of the most legendary characters of all time. | ||
| How about the fact that that guy went on to play that creepy DuPont guy in that movie... | ||
| What was that movie? | ||
| The wrestling movie? | ||
| Foxcatcher. | ||
| Did you ever see that movie? | ||
|
unidentified
|
No, sir. | |
| Bro. | ||
| It's a crazy movie, but he plays this really fucking creepy dude. | ||
| He did an incredible job. | ||
| The makeup is good. | ||
| Yeah, it was really good. | ||
| Good movie. | ||
| Can't recommend it enough. | ||
| Channing Tatum? | ||
| Mm-hmm. | ||
| Young Channing Tatum? | ||
| Yeah. | ||
| What year is that? | ||
| In 2014. Steve Carell kills it in that movie. | ||
| It's a really good movie, man. | ||
| There's some fucked up things about that movie, like historical inaccuracies, because it has to do with some real wrestlers and he took some liberties with the story. | ||
| Sure. | ||
| But Steve Carell nails it. | ||
| If you just want to see it as a movie and not think about it, whether it's accurate. | ||
| Yeah, because I'm totally clueless about it. | ||
| It's interesting. | ||
| It's just crazy that that's the guy from The Office. | ||
| He's so good. | ||
| Yeah, man. | ||
| He's so good. | ||
| Crazy range. | ||
| Have you met Channing? | ||
| Mm-mm. | ||
| Oh my god. | ||
| He's the best. | ||
| Is he? | ||
| Yeah, he's the best fucking guy. | ||
| I remember I was working on the last album and... | ||
| We did a whole bunch of shroomies and just listened to it. | ||
| He's such a fucking cool motherfucker. | ||
| I like it when I hear about cool people. | ||
| Me too. | ||
| And you know, it's always scary because you never really know. | ||
| You never really know. | ||
| You feel like you know. | ||
| And that's kind of a whole thing with the way everything is today. | ||
| It's like, oh, I feel like I know. | ||
| I've seen you before. | ||
| Right. | ||
| I see everything that you do. | ||
| I know where you are 24 hours a day. | ||
| I know you. | ||
| Yeah. | ||
| I'm looking at you on Snapchat map. | ||
| Exactly. | ||
| I'm looking at you on OnlyFans. | ||
| Imagine if OnlyFans had a map of where the girls are all the time. | ||
| That's fucked. | ||
| No way. | ||
| No, that'd be terrible. | ||
| It's so crazy how anyone knows where you are at all times. | ||
| Well, the government does. | ||
| It's crazy. | ||
| Someone does, if they're looking for you. | ||
| By the way, I'm a good boy. | ||
| You're a good boy. | ||
| I just want to let them know. | ||
| Joe's a good boy, too. | ||
| We pay our taxes. | ||
| We pay our taxes, and we are not kids, and we definitely pay our taxes. | ||
| We're only good. | ||
| Only good, not bad. | ||
| God bless America. | ||
| I don't know. | ||
| It's so crazy nowadays, the way that... | ||
| People feel so personal with people, but it's super unpersonal at the same time. | ||
| I remember whenever I started losing my weight, everybody was like, hey, this is what meth looks like. | ||
| And I started like dancing on stage and having fun and having more energy and just enjoying life again. | ||
| You know what I mean? | ||
| Like I mentioned, I was shitty for a long time, but I had my baby and I'm in a great fucking spot. | ||
| And then the first thing that happens is like, oh, he's on fucking drugs. | ||
| And I'm like, well, I know there's people that genuinely care. | ||
| Right, and they're concerned that maybe you are on drugs. | ||
| Right. | ||
| But there's also people that are just like, alright kids, this is what fucking meth looks like. | ||
| Yeah. | ||
| And definitely not on meth. | ||
| Definitely not on any fucking hard drugs, but you feel an inclination almost as... | ||
| As a public figure, to have to justify something that you don't need to justify. | ||
| First off, it's nobody's business. | ||
| Second off, don't just fucking assume everything. | ||
| You know what I mean? | ||
| Yeah. | ||
| So I was like, hey guys, not on fucking drugs. | ||
| And that's the crazy part is because I know there's people that really give a shit. | ||
| But there's also a lot of people that are just like... | ||
| Mean, you know, people are just mean in general online. | ||
| You never have to face repercussions. | ||
| Yeah, they're just not happy with their own life and they want you to fail. | ||
| And that's that's what you're reading. | ||
| You know, that's all that is. | ||
| It's just someone wants you to be. | ||
| And then there's, you know, an unusual thing, like all of a sudden you have this unusual amount of energy and joy for life. | ||
| I don't know. | ||
| Seems different. | ||
| I'm not buying it. | ||
| Can't be that love drug. | ||
| It's gotta be something else. | ||
| It's interesting to See it happen. | ||
| And I don't know how much you... | ||
| How much do you pay attention to social media? | ||
| Almost none. | ||
| I read other stuff about other things, but I don't pay attention to anything about me. | ||
| It's not healthy for you. | ||
| It's not. | ||
| A long time ago I got off, and that was like the best decision I've ever made. | ||
| But it is a good source of interesting shit. | ||
| There's a lot of interesting things to pay attention to in the world. | ||
| But you have to kind of be real careful how you curate it. | ||
| And I think with some people, what I see, and I follow quite a few people that I can tell that this is what's going on, it's their daily obsession is interacting on Twitter and saying things and arguing with people and getting in confrontations and dunking on people. | ||
|
unidentified
|
Right. | |
| They do it all day long. | ||
| It's like... | ||
| It's one of their main interactions that they have with human beings. | ||
| The amount of time they put into it, it probably dwarfs all the other time they put in with human beings. | ||
| Right. | ||
| And it's a crazy, crazy fucking thing too. | ||
| Who decides what is interesting too? | ||
| Because I tell you what, the submarine thing. | ||
| With the submarine that went to go see the Titanic, or not submarine, but the whole Titanic deal, the submersible thing. | ||
| Not once, Joe, in my entire life have I said, if I get on my phone and I'm like, hey, or if I'm not even on my phone, if I'm just like, hey, I want a jet ski. | ||
| I'm thinking about getting a jet ski. | ||
| And then the next time you get out your phone, you get an ad for a jet ski, right? | ||
| But not once in my life have I been like, oh, like, submersibles are very interesting to me. | ||
| Like, I want to go see the fucking Titanic. | ||
| How was that story everywhere? | ||
| Well, because the people that were involved were very wealthy, and when wealthy people do stupid shit, we have a certain sense of glee. | ||
| Like when some wealthy billionaire wants to take a rocket into space and it blows up, people would be like, ha ha. | ||
| There's a part of that. | ||
| Right. | ||
| There's definitely a part of ha-ha. | ||
| If you are a person who gets to watch people do something that you think is really fucking stupid, like get into an unproven watercraft. | ||
| With a GameCube controller. | ||
| That's been... | ||
| had people resign because of safety concerns. | ||
|
unidentified
|
Right. | |
| That's one of those things where when people die like that, people enjoy watching it. | ||
| They enjoy paying attention to it. | ||
|
unidentified
|
Is that weird? | |
| It's weird. | ||
| It's also fear. | ||
| It's the fear of the actual experience of being that person. | ||
| Because you could imagine it. | ||
| You could imagine if you had been talked into it somehow. | ||
| Everybody says, it's totally safe. | ||
| Don't worry. | ||
| And you're like, okay, let's do it. | ||
| Let's do it. | ||
| And then you're down there in the ocean. | ||
| And then you hear a crack. | ||
| Yeah. | ||
| Those guys, they died so fast. | ||
| Supposedly. | ||
| Okay. | ||
| Yeah, what I heard is that something failed and it plummeted, and that as it was plummeting, they probably knew they were dying as it was plummeting into the ocean. | ||
| Because the actual collapse would be a tenth of a second. | ||
|
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|
Imagine the force behind that weight. | |
| All that water. | ||
| If the clouds are a million pounds. | ||
| A cloud. | ||
| It's floating in the sky and it's a million pounds. | ||
|
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|
Imagine you're 4,000 feet deep in the ocean. | |
| That's fucking crazy. | ||
| Boom! | ||
| It's just pink mist. | ||
| Do you think that's never happened before? | ||
| I'm sure it's happened before. | ||
| It's definitely happened before. | ||
| And it's just so crazy. | ||
| Like, I don't know. | ||
| That's all anybody talked about for a week. | ||
| Right. | ||
| And then now, no one fucking talks about it. | ||
| It just comes and goes. | ||
| Well, because we found out that they died and then there's not much more to say other than, you know, people go looking into the history of the safety concerns that... | ||
| These engineers had. | ||
| How did anybody ignore that? | ||
| How did they allow people to do this? | ||
| And, you know, the dude who ran it, you know, they're fascinated by him because he was actually in it. | ||
| It's not like he just put somebody in it. | ||
| He went in it himself. | ||
| So he believed in it. | ||
| He died with them. | ||
| He was on that trip. | ||
| Yes, which is wild, too. | ||
| So the whole story is... | ||
| It's a it's a thing when we see someone do something and die and we think it's unnecessary or stupid There's a part of us that like has to study it Because that's how you learned even if it's something you would never do that's you learn to never do that when you see some guy and he's taking a selfie on a skyscraper and he falls You're like, Jesus. | ||
| It just cements it in your head. | ||
| Don't fucking do that. | ||
| Don't do that. | ||
| Don't fucking do that. | ||
| But that's like, I don't know, that's like evolution. | ||
| It's like, you're kind of like, well, you don't want to be up that high. | ||
| That's okay. | ||
| I don't want to go anywhere fucking near that. | ||
| And my body says, don't fucking go anywhere near that high. | ||
| And some people are like, bro, I'm going to do chin-ups. | ||
| And then some, like down that low too. | ||
| Well, it's just, I don't know. | ||
| A lot of my buddies who served, they're like, oh yeah, I jumped on an airplane like a thousand fucking times. | ||
| How? | ||
| Why? | ||
| How? | ||
| Yo, yo, yo. | ||
| It's not right. | ||
| I'm a terrestrial being. | ||
| It's a terrible way to die. | ||
| I'm so happy being here. | ||
| I'm so happy being here. | ||
| Me too. | ||
| My friend Brian, his... | ||
| I'm like, no! | ||
| See, this is wrong! | ||
|
unidentified
|
Don't show me this, Jamie. | |
| Stop. | ||
| I get sweaty. | ||
| Jamie, that's wrong. | ||
| I get sweaty. | ||
| I get sweaty hands. | ||
| These motherfuckers drive me nuts. | ||
|
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|
Why? | |
| It's so crazy. | ||
| I'm not gonna lie to you. | ||
| Have you seen... | ||
| Oh, fuck. | ||
| There was a movie about this. | ||
| Like, Free Climber. | ||
| Oh. | ||
| Alex Honnold? | ||
| Or are you talking about The Alpinist? | ||
| It was a... | ||
| The Ice Climber? | ||
| It wasn't a non-fiction. | ||
| It was a fictional movie. | ||
| Oh, a fictional movie. | ||
| But she would... | ||
| She climbed up this cell phone tower. | ||
| Right before they were gonna tear it down. | ||
| And she gets like stuck up there. | ||
| Oh Jesus Christ. | ||
| And it was... | ||
| I was... | ||
| My feet were sweating. | ||
| And I watch like... | ||
| I love horror movies. | ||
| Like I love horror movies. | ||
| All this shit. | ||
| But watching that, I'm like... | ||
| Yeah, Fall. | ||
| Do not show me this. | ||
| Do not show me this. | ||
| Stop it. | ||
| Stop it, Jamie. | ||
| No, don't show me this, man. | ||
| I want to watch this. | ||
| Oh, God damn it. | ||
| It is so... | ||
| Okay, stop, stop, stop, stop, stop. | ||
| I was so pumped because I was like, this movie scared the dog shit out of me. | ||
| And I love scary movies. | ||
| I love them. | ||
| I watch them like every fucking night, go to bed, all this shit. | ||
| But that movie scared the shit out of me. | ||
| There's a movie about a bunch of people that are in a ski resort. | ||
| And they're on like the last of the fucking, what are those things? | ||
| Gondola? | ||
| What are those things? | ||
| The ski thing. | ||
| What are the ski lifts? | ||
| What do they call them? | ||
| Ski lifts? | ||
| Ski lifts, it depends on where you are. | ||
| Gondola is like the fancy way. | ||
| Right, that's the indoor ones, right? | ||
| So they're on the ski lift and the fucking park shuts down. | ||
| Like they try to catch the last one and the park shuts down. | ||
| They get stuck. | ||
| And then they get hunted by wolves. | ||
| I think it's called Frozen. | ||
| Is it with Liam Neeson? | ||
| Is it called Frozen? | ||
|
unidentified
|
Yeah. | |
| Yeah, it's called Frozen. | ||
| Frozen has Elsa in it. | ||
| That's a different Frozen. | ||
|
unidentified
|
Okay. | |
| Yeah, you don't want to get the wrong one for your kid. | ||
| I've seen Frozen with Elsa about 30 times, man. | ||
| This isn't fucking Frozen. | ||
| Where's Elsa? | ||
| Daddy's an asshole. | ||
| Imagine, hey girls, you want to watch Frozen? | ||
| Yeah! | ||
| Look, it says Frozen! | ||
| Stop crying! | ||
| People used to get eaten by wolves! | ||
| It was normal! | ||
| You break your leg in the woods? | ||
| The wolf's name is Elsa. | ||
| She's so cute. | ||
| Check it out. | ||
| I think at one point in time, a guy tries to climb down, he falls, and then the wolves get him. | ||
| There's a bunch of scenes like that. | ||
| Spoiler alert. | ||
| It's that shit like that. | ||
| Yeah, this is it. | ||
| So they get stuck. | ||
| Fuck that, dude. | ||
| Yeah, and then the wolves come out. | ||
| That's such a good concept, though. | ||
| It was a good movie, man. | ||
| It was a good movie. | ||
| I love it. | ||
| See the walls are below them. | ||
|
unidentified
|
Shut up, Jamie. | |
| You're goofy! | ||
| Shut up, Jamie! | ||
| That's scary! | ||
| Bro, have you ever been on a ski lift and it stops? | ||
| I'm just like, how would you be stuck though? | ||
| I like how they tried to add impact in the trailer to the word two. | ||
| I think what it was, if I remember... | ||
|
unidentified
|
Two! | |
| It was one of those deals where like someone knew somebody and they let them in and then no one knew that they were on the lift. | ||
| Because they were the last one. | ||
| They weren't supposed to be skiing. | ||
| But there were some kids, they snuck in, they got on the lift, and no one knew they were on the lift. | ||
| So when it stopped, no one knew. | ||
| No one knew there's people on it. | ||
| I just left. | ||
| That was my biggest fear too, getting lost in like the Walmart and my mom was gone. | ||
| Like she left me there and there was no one there. | ||
| But now that I'm older, I realize how Badass that would be to be stuck in a Walmart with no one there. | ||
| That would be like the funnest time ever. | ||
| If you could get over your anxiety, the fact that you were stuck in a Walmart. | ||
| Yeah, if I was just my age, I'm 28, and I told my 10-year-old self, I was like, good, you run away from your mom right now. | ||
| You get stuck in the fucking Walmart. | ||
| You stay under a shelf until everyone leaves, and then you can just fucking go run around. | ||
| And they always give you shit about playing with the balls. | ||
| The balls in the pen, not like your balls. | ||
| They do? | ||
| They give you shit about playing with your balls in Walmart, too. | ||
| Whenever you take the big balls out of the thing, you know what I'm talking about? | ||
| Now they close them up. | ||
|
unidentified
|
Really? | |
| Yeah, they close them up so the kids don't play with them. | ||
| Because you don't got to buy it. | ||
| You just take it out and play with it the whole time you're in Walmart. | ||
| Right. | ||
| And they don't want kids playing at Walmart? | ||
| They don't want kids playing at Walmart. | ||
| Are you kidding me? | ||
| I can't tell you how many times I walk into a Walmart and I see a bunch of kids fucking having fun and playing and I'm just like, I'm out. | ||
| Yeah, what would be the negative effect of kids playing at Walmart? | ||
| I have to fucking leave, man. | ||
| There's too many kids playing around here. | ||
| I guess the only negative would be if somebody wanted to buy the ball the kid was playing with. | ||
| Joe, you know there are people that would get pissed. | ||
|
unidentified
|
Oh, for sure. | |
| Because these kids would throw them at the old lady and she'd freak out. | ||
| That's true. | ||
| We've seen the Karen montages. | ||
|
unidentified
|
Yes. | |
| It's funny that that one name just took off. | ||
| Crazy. | ||
| I know a lot of beautiful Karens, like genuinely named Karen. | ||
| Really nice people, and they're stuck. | ||
| They're stuck with that. | ||
| It's crazy how names like that... | ||
| Now that we're in this phase, no one in this generation will name their daughter Karen. | ||
| Probably not. | ||
| Yeah, I would like to see how many people were named Karen in the year 2022. Probably like 10. Sub 10. We're talking sub 10s here. | ||
| I bet it was still thousands. | ||
| I bet there's thousands of 10s. | ||
| Sub 10. There's a woman out there named Karen, and Karen's the type of girl to name their daughter Karen too. | ||
|
unidentified
|
She's Karen Jr. Shut the fuck up. | |
| Mind your business. | ||
| So there must have been a shitty... | ||
| So like the Karens of like a hundred years ago were probably Gertrude. | ||
| Because there's no Gertrudes anymore. | ||
| Yeah, Gertrudes got phased out. | ||
| That's actually a beautiful name. | ||
| Gertrude. | ||
| It's lovely, but it's got such this bad rep. | ||
| Yeah, there's like eras of names. | ||
| The Karens are the Gertrudes of a hundred years ago. | ||
| They're like, let me speak to your manager. | ||
| And then they're like, aw, she's such a total Gertrude. | ||
| Isn't that interesting that it's super common for men to name their son the same name as them? | ||
|
unidentified
|
Sure. | |
| But it's not common for women to do that. | ||
| It's almost like never. | ||
| I'd never hear that. | ||
| I've never met a junior, like, lady. | ||
| Ever. | ||
| Yeah, that doesn't exist. | ||
| That's fascinating. | ||
| That is a really interesting point. | ||
| They show how much more fucked up men are than women. | ||
| That's fucking crazy. | ||
| This motherfucker is gonna be just like me. | ||
| He's my heir. | ||
| He will carry my name like it's me. | ||
| He is literally my cum. | ||
| That's my boy. | ||
| Yeah, he's my cum manifesting itself. | ||
| Yeah. | ||
| It's weird. | ||
| Yeah, it is weird. | ||
| It's a male thing. | ||
| Yeah, man. | ||
| Did you see the Barbie movie? | ||
| No, I have not. | ||
| No, sir. | ||
| A lot of people are upset about the Barbie movie, and I left perplexed. | ||
| Did you see it? | ||
| Yeah, it was a fun movie. | ||
| Was it good? | ||
| Fun, silly movie about dolls who come to life. | ||
| But a lot of it is about the patriarchy. | ||
| Sure. | ||
| And it's a comedy. | ||
| It's a comedy about dolls. | ||
|
unidentified
|
Sure. | |
| People are upset that it's this... | ||
| You know, like progressive metaphor for life that it's, you know, that they're pushing progressive politics in this. | ||
| I'm like, it's a fucking doll movie. | ||
| It's a doll movie. | ||
|
unidentified
|
Yeah. | |
| It's a fun movie about dolls who come to life and try to interact with the real world. | ||
| And there's this lady in it who's this mom who, spoiler alert, who makes Barbie feel sad because she's playing with Barbie and she has sad feelings. | ||
| It's a fucking interesting movie. | ||
| Because I was like, wow, this is an original movie. | ||
| No one's ever done a movie like this before. | ||
| It's not like anything else you could say. | ||
| It was a bizarre movie, but it was a fun, silly movie. | ||
| I laughed. | ||
| But at the end of it, I was like, how did people get outraged at that? | ||
| I know some people personally who said it's anti-men. | ||
|
unidentified
|
I'm like, no, it's making fun of dorks. | |
| It's making fun. | ||
| It's fun. | ||
| You didn't think it was fun? | ||
| Like, if that was a real person, that happening to them, isn't that fun? | ||
| Well, Marco and Ryan are just like... | ||
| Amazing. | ||
| Amazing together in that movie, too. | ||
| I have to see it. | ||
| I want to see it. | ||
| It's fun. | ||
| I enjoyed it. | ||
| I just didn't understand why people were getting so upset. | ||
| Like, do you think that's you? | ||
| Are they making fun... | ||
| Are all men in this one... | ||
|
unidentified
|
Directly making fun of me. | |
| Are we going to do this thing where we put all men as men? | ||
| It's one category? | ||
| We're not going to judge people as individuals? | ||
|
unidentified
|
Right. | |
| We're going to pretend that these individuals in this middle, who are clearly dorks, because they're designed... | ||
| It's fun. | ||
| Right. | ||
| That you don't think, like, what happens to them and the way it happens isn't, like, fun? | ||
| Like, I don't understand, like, why people think that represents all men. | ||
| It's the dumbest, the dumbest sort of... | ||
| How does it, like, what is, what was the, so the, you said it's, like, anti-men. | ||
|
unidentified
|
What happened? | |
| They think it's a super woke movie, and... | ||
| That's the way to make that movie. | ||
|
unidentified
|
It's also a fucking movie. | |
| But it's also a movie about how Barbies are the dolls that everyone cares about, and Ken is just a fucking accessory, which is real. | ||
| So when you bring these things into a movie, you make them real-life Barbie-land, that's how they have to be, because that's how it is in the real world. | ||
| That's the movie. | ||
| And in the movie, they go to the real world, and we're like, well, it sucks, and it's run by men. | ||
| And so this is what people are saying makes this an anti-men movie. | ||
| That's a good concept, though. | ||
| It's a fucking fun movie, man. | ||
| I don't get it. | ||
| I'm appalled at how easily outraged so many people are. | ||
| I could see if you don't like it. | ||
| I could see if it wasn't your kind of movie. | ||
| But that's anything that someone creates. | ||
| Well, to be honest, to be fair about that, it's also like... | ||
| You said it's not your kind of movie. | ||
| It's also the Barbie movie. | ||
| Right. | ||
| You have to kind of, you have to kind of like, you can't go in there walking so seriously about it. | ||
| Right. | ||
| Why would you go to see ACDC if you fucking hate ACDC? Yeah. | ||
| Yeah, if you're like into classical music. | ||
| It's just to make fun of Brian Johnson. | ||
| Be like, you're no Bon fucking Scott, man. | ||
| You know that. | ||
| I'm scared of that shit. | ||
| I'm scared that people buy tickets to come and make fun of me. | ||
| That's like my biggest fear. | ||
| That's my biggest fear. | ||
| I haven't seen it yet, and I hopefully don't do that. | ||
| But it's alright, because I still sold a ticket. | ||
| Go ahead, sit in the front with your frown on. | ||
| But it's actually really nice. | ||
| This tour has been really nice. | ||
| I feel like looking out at the crowd, it's not so phone-centric. | ||
| Mmm. | ||
| Which everything has become. | ||
| Yeah. | ||
| It's really nice to be able to, like, interact with people. | ||
| Because you go and see a show and everybody and their dog has their phone out. | ||
| You know what I mean? | ||
| Yeah. | ||
| I feel like this tour has been less phone-centric, which is a beautiful thing for me as a performer. | ||
| They're tuned in. | ||
| They're actually having a human experience. | ||
| A live performance experience. | ||
| Yeah, which I feel like, you know, everything is like, oh, Pixar didn't happen. | ||
| You know what I mean? | ||
| Right, right, right. | ||
| They used to tell crazy fucking stories. | ||
| Like, whoa, okay, this dude fought like six dudes and by himself, all this shit. | ||
| But you could just take someone's word that it was cool. | ||
| You could just be like, it was fun. | ||
| I had so much fun. | ||
| Oh, sick. | ||
| You got any pictures? | ||
| No, I just had a great fucking time. | ||
| Just enjoyed the concert. | ||
| Yeah, man. | ||
| Yeah, just have a human experience. | ||
| But I get also why people want to say that they were there and say they love you. | ||
| And, you know, show was awesome. | ||
| We had a great fucking time. | ||
| Here's a photo of you on stage rocking out. | ||
| It's like it adds the experience for them. | ||
| Yeah, I mean, that's badass. | ||
| That's badass to take photos and videos and shit of your favorite moments. | ||
| Just don't get lost in your phone. | ||
| Well, that's the whole thing, because I don't want someone... | ||
| I don't want to go up on stage and have someone just playing fucking Candy Crush. | ||
| You know what I mean? | ||
|
unidentified
|
That's the most expensive Candy Crush games of all time. | |
| Maybe they just like Candy Crush with you in the background. | ||
|
unidentified
|
This is great. | |
| What an experience. | ||
| But then it's just like, oh, it's like Candy Crush with me in the background. | ||
| It'll be just like, oh, like I'm at home. | ||
| Yeah. | ||
| Just playing Candy Crush with a YouTube video on or something. | ||
| At home in an arena, staring at their phone, playing a game with you right behind them singing. | ||
| It sounds like a dream. | ||
| You could do like chameleon eyes. | ||
| You could play Candy Crush here and then just go fucking over. | ||
| So much stimuli. | ||
| I think that actually might be fun. | ||
| I think that might be. | ||
| I think I should just play Candy Crush on stage. | ||
| I think that's actually my new shit. | ||
| So I'll just go play Candy Crush. | ||
| Not an ad. | ||
| They're not a sponsor. | ||
| What is that? | ||
| Subway Surfers one? | ||
|
unidentified
|
Is that the one? | |
| That one is a dick. | ||
| That game is crack. | ||
| That game is... | ||
| That's a crack game. | ||
| It's so addictive. | ||
|
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|
It's fucked. | |
| My wife got into that one for a while. | ||
| So did one of my daughters. | ||
| So watching that game, it's like, get that fucking thing away from me. | ||
| I've been playing Marvel Snap. | ||
| Jamie, you play Marvel Snap? | ||
| What's that? | ||
| It's a Marvel card game. | ||
| Speaking of cards, what about that cool card you just bought? | ||
| Oh yeah, fuck man. | ||
| What'd you buy? | ||
| You bought some wacky card, right? | ||
| I bought a crazy, crazy card. | ||
| Probably the dumbest thing. | ||
| Not dumbest, but like most irresponsible use of my money I've ever experienced. | ||
| I bought a two million dollar Magic the Gathering card. | ||
| Wow. | ||
| What kind of market is there for a $2 million? | ||
| Are you bidding against yourself? | ||
| Are there other people that are like, I'm in? | ||
| He was like, alright, well Posey said you can get $2.5 for it. | ||
| I said, fuck, $2.6. | ||
| But, man, I don't know. | ||
| So it's a Lord of the Rings, Magic the Gathering collab they did. | ||
| And... | ||
| There's only one of them. | ||
| There's only one card? | ||
| Mm-hmm. | ||
| There's only one of them. | ||
| So out of all the boosters, all the collectors' packs they sold, that was the one. | ||
| And a guy in Toronto, his name's Brook, he's an absolute fucking legend. | ||
| And he worked at Costco, and he went to his local game store, and... | ||
| I don't know exactly how much he wants me to share, but he went to his local game store and pulled it out of a pack, and it was a two million dollar card. | ||
|
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|
Wow. | |
| Isn't that crazy? | ||
| It literally is like Willy Wonka's fucking... | ||
| Golden ticket. | ||
| Yeah, man. | ||
| It's so fucking cool. | ||
| Well... | ||
| As long as it gives you joy. | ||
| Very much so. | ||
| I would give that away. | ||
| If somebody gave me one of those, I'd give it to you. | ||
| I'd be like, I don't know what to do with this. | ||
| Fuck, I wish you pulled it. | ||
| I wish you pulled it. | ||
| I would have just gave it to you. | ||
| 100%, I would have just gave it to you. | ||
| But yeah, I don't know. | ||
| I love... | ||
| Have you ever played Magic the Galaxy? | ||
| No! | ||
| Joe Rogan? | ||
| No. | ||
|
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|
You would be a B. I don't think I would. | |
| It's a card game? | ||
| Yes, sir. | ||
| Yeah, I'm out. | ||
| You don't play poker or nothing? | ||
| No. | ||
| I appreciate it. | ||
| I watched a bunch of people play blackjack in Vegas. | ||
| Dana White and a bunch of football players. | ||
| I love blackjack. | ||
| It's so scary. | ||
| They were betting so much money. | ||
| It was terrifying. | ||
| Isn't it fun? | ||
| Yeah. | ||
| I enjoy watching, but I have an addictive personality, particularly when it comes to games. | ||
| I get very addicted to games. | ||
| So I have to be very careful, because I'm at casinos all the time, because I'm at UFC fights, so I'm in Vegas all the time. | ||
| I cannot be that guy. | ||
| Well, magic's not a gambling game. | ||
| You don't bet for money, you just play. | ||
| And it's like, so there's over like... | ||
| Jamie, would you let me know how many Magic cards? | ||
| I think there's over 30,000 unique Magic cards right now. | ||
| And so, you're playing, and how does it work? | ||
| You get dealt a hand? | ||
| No, you draw from your deck. | ||
| So if you're playing Commander, it'll be you, me, and then two of our other buddies. | ||
| Okay. | ||
| Oh shit, there's 50,000 units. | ||
| 49,998 total unique English language magic cards. | ||
| Isn't that fucking crazy? | ||
| So think about it, and the way that it works, it's like chess. | ||
| It's just very, it's a game of nuance, and it's just like, it's the best game ever, ever created. | ||
|
unidentified
|
Really? | |
| Ever created. | ||
|
unidentified
|
Wow. | |
| Yep, in history. | ||
| Wow. | ||
| I don't have time for that game. | ||
| If you don't have time for Diablo, don't get into magic. | ||
| Because this shit will eat your fucking life. | ||
| In a good way. | ||
| I enjoy playing. | ||
| Getting together with my buddies, and you just got three of your good friends, four including me. | ||
| And you're just sitting there smoking, drinking, talking shit, just like this. | ||
| But you're also fucking playing chess with over 50,000 different pieces you could utilize and create whatever the fuck you want with. | ||
| It's... | ||
| An amazing experience. | ||
| Okay. | ||
| I see it. | ||
| I see what you're saying. | ||
| Obviously, there's a large group of people that believe that as well, that agree with you. | ||
| I mean, it's a huge game. | ||
| It's huge. | ||
| It's the best game ever created. | ||
| What is the number one game that people are playing right now? | ||
| If you had to add in video games, chess, everything. | ||
| Right now? | ||
| What's the number one game? | ||
| Grand Theft Auto 5 or probably like Baldur's Gate is massive right now. | ||
| They had like 600,000 people right now. | ||
| But maybe Fortnite? | ||
| Yeah. | ||
| Fortnite's huge. | ||
| Still Fortnite's killing it. | ||
| Fortnite's been around a while now. | ||
| Yeah. | ||
| Right? | ||
| Look up, like, most concurrent players, Jamie. | ||
|
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|
Minecraft! | |
| Minecraft or Roblox, probably. | ||
| Roblox? | ||
| Roblox. | ||
| Wait, we didn't do it the same. | ||
| Minecraft. | ||
|
unidentified
|
Roblox. | |
| Yeah, Roblox is very popular with the kids. | ||
| Your kids play Roblox? | ||
| Yeah, they play Roblox. | ||
| How much money have you given to them for Robux? | ||
| Robux. | ||
| Yeah, for the Robux. | ||
| They're stealing Robux. | ||
| It's a fucking addictive game, though. | ||
| But all good games are very addictive. | ||
| That's the whole thing. | ||
| They're engaging. | ||
| And they're way more engaging than regular life. | ||
| If you're playing a game like Quake when you're running down these alleyways and people are shooting rockets at you, it's so stimulating. | ||
| But when I was done, I never felt good. | ||
| Like, I can play pool for hours, and when I'm done, I feel good. | ||
| I feel fine. | ||
| Like, I had fun. | ||
| But when I'm playing games, when it's over, I'm like, my body's all cracked out. | ||
| I'm like, yeah! | ||
| It's the same with beer pong. | ||
| Beer pong I can play forever. | ||
| Yeah, it's fun, right? | ||
| It's a physical thing you're doing. | ||
| Yeah, like pool is a very, it's a physical mental thing that you're doing, but there's something about video games that just stimulate your brain at high revs, just your first-person shooters and rocket launchers, and you're running around the map, and you hear the guy behind you, and you're ducking this way, and jumping down, running, trying to get the health. | ||
| It's just so stimulating. | ||
| Yeah, it's right in your fucking face. | ||
| Yeah, and the visuals are so insane now. | ||
| The graphics are incredible. | ||
| Why do you think that VR isn't as big as it was... | ||
| I don't think you can force anything on people. | ||
| I don't think you can have some big marketing campaign and get people into something. | ||
| You just have to show that you have a product and find out how many people are interested in that product. | ||
| I mean, promote it for sure. | ||
| I don't think people want to wear that thing in their head. | ||
| No, sir. | ||
| And they also don't want to be, like, stuck in a house not knowing what's actually out there. | ||
| Oh, and, like, tripping over your dog? | ||
| Bumping the walls, stepping on your cat. | ||
| You know, like, you're just walking around there. | ||
| I think my baby tripped me on purpose the other day I was playing. | ||
| My friend Matt Serra, he plays a bunch of different games with VR, and, like, he had people over his house, and he was yelling and screaming in the other room, and his wife had to come in and say, shut the fuck up. | ||
| We have guests. | ||
| Yeah, we have guests. | ||
| And he's got this fucking helmet on and he's screaming and doing some wacky first-person shooter. | ||
| In VR? Yeah, in VR. I like to imagine that's a... | ||
| You hear stories about Prince's parties and how he'd have people over to his house but never see them. | ||
| Very, like, Great Gatsby style. | ||
| Oh, really? | ||
| And he would just buy, like, McDonald's fries for everybody and be like, check in on the intercom and be like... | ||
| I hope everybody's having fun. | ||
| That's so weird. | ||
| I like to imagine he had the first VR headset and he was just up in the fucking room cussing and yelling like that. | ||
| That's so weird. | ||
| At the end of the day, if you are exuberantly successful and you have that wealth, I can only imagine... | ||
| Like what some of these billionaire parties are like, you never see the fucker that throws it. | ||
| He's like, oh, I bought this house for this party. | ||
| I don't want to hang out with any of you motherfuckers. | ||
| I just want to show you that I can do this. | ||
| You know what I mean? | ||
| And how much joy does that... | ||
| Bring you! | ||
| You know what I mean? | ||
| It's weird! | ||
| Well, I've never been. | ||
| I've never been to a billionaire's party. | ||
| I've never been to a billionaire's party either. | ||
| Dana's gotta be getting up there, no? | ||
| Yeah, he's close. | ||
| He's probably worth half or more. | ||
| Maybe even more than that. | ||
| I don't know. | ||
| I don't know what his finances are, but he's very wealthy. | ||
| Wait, he doesn't tell you verbatim? | ||
| He doesn't send you tax statements? | ||
| I called him up the other day. | ||
| He didn't respond. | ||
| I asked him about his tax returns. | ||
| He is at a party. | ||
| But I know he fucking gambles a shitload, man. | ||
| He loves it. | ||
| But that's his thing. | ||
| He fucking loves it. | ||
| And he's good at it. | ||
| He wins a lot. | ||
| He loves it. | ||
| That's his fun. | ||
| He likes gambling. | ||
| He likes gambling high stakes. | ||
| For me, I'm not that rich. | ||
| But I've been lucky enough to experience wealth. | ||
| You know what I mean? | ||
| And be able to enjoy nicer stuff. | ||
| Yeah. | ||
| Going to, like, Vegas, at a certain point doing what you do, we talked about getting, like, you want to find... | ||
| It's kind of like a rush. | ||
| It's like you play for that kind of rush. | ||
| It's like, so you... | ||
| If you play... | ||
| Like, I go and I play, like... | ||
| Five dollar hands with my buddies and stuff. | ||
| But whenever, you know, all my friends leave and stuff, I wanna go and I wanna do like... | ||
| I want to play like $40,000 and spread it out across and I want to play. | ||
| You know what I mean? | ||
| Because it's so hard to get excited. | ||
| About five bucks. | ||
| Sure. | ||
| Right. | ||
| You know what I mean? | ||
| And that's how they fucking get you. | ||
| They really play to that ego and they're like, oh, you're hot shit. | ||
| Okay, come play. | ||
| Come play. | ||
| We would love to play with you. | ||
| Yeah. | ||
| You want your nuts to fucking tingle. | ||
| And you want to be like, oh man, I need an extra chair for my nuts, man. | ||
| And then you want to let it all fucking ride out. | ||
| I get it. | ||
| I was watching it. | ||
| I was watching them bet $60,000 a hand. | ||
| And my hands got clammy. | ||
| I was like, this is... | ||
| But whenever you win that, that rush is like fucking nothing else. | ||
| I don't gamble anymore. | ||
| I went to Vegas recently and I lost a fuck ton of money. | ||
| And somehow my Vegas trips always end up with me on the foot of my bed and I'm like, oh fuck. | ||
| Dude, what an idiot. | ||
| What a fucking asshole. | ||
| I play blackjack. | ||
| Yeah? | ||
| Yeah. | ||
| Are you a risk taker? | ||
| Are you a hit on 17 kind of guy? | ||
| No, not 17. 16 is debatable. | ||
| You know, people are like, oh, you got to stay on the 16. But you want to let it ride sometimes. | ||
| I don't know. | ||
| I usually let a 16 ride. | ||
| I usually just let it go because I'm like, there's no way. | ||
| God is either really fucking funny and he's like... | ||
| Because whenever I hit, I always bust, and then the next time they'll flip over... | ||
| A five? | ||
| Yeah, yeah. | ||
| And it's just like... | ||
| It's a cosmic joke, but it's so much fun. | ||
| It's too much fun. | ||
| That's the problem. | ||
| Exactly. | ||
| That's why I don't go play. | ||
| It's this weird, artificial hijacking of your human reward system. | ||
| It puts you in this position where you can choose the amount of threat and danger and the amount of victory. | ||
| You can choose. | ||
| What to engage in that's dangerous, but it doesn't have any physical consequences. | ||
| You just lose money. | ||
| Yeah, like that's my doing fucking pull-ups on the fucking building that is too tall. | ||
| It's ungodly. | ||
| It's ungodly. | ||
| That's exactly what it's like. | ||
| It's that same kind of rush, I think, of doing a very dangerous thing, like a wild thing. | ||
| But I think it's good now. | ||
| I don't know, like... | ||
| You see all the deals in the casino like, hey, you can talk to me. | ||
| You know what I mean? | ||
| Like if you have a problem, you know, like if you want to reach out and talk to somebody about how much you gamble... | ||
| There's all these pamphlets and brochures and I've never met anyone who's had to call one or never called one. | ||
| But I don't know. | ||
| I think that's a good thing and I don't know how helpful they are. | ||
| Probably very not. | ||
| Unless they have a bag of mushrooms for you. | ||
| Unless they have a fat bag of mushrooms. | ||
| I'd actually rather go do some fucking mushrooms. | ||
| And you guys go in the forest and you find out why you're into gambling. | ||
| Yeah, exactly. | ||
|
unidentified
|
That's what it is. | |
| Then you break it all fucking down. | ||
| And then you'll stop gambling. | ||
| Yeah, man. | ||
| It's so stupid. | ||
| I don't gamble anymore. | ||
| I haven't been to Vegas in like... | ||
| Three days. | ||
| I haven't been to Vegas in like fucking four days. | ||
| I've never... | ||
| I very, very, very rarely gamble. | ||
| I was there once for a show that a friend of mine was doing. | ||
| I was riding with my wife. | ||
| We played a little bit of blackjack. | ||
| We played for like an hour. | ||
| I was like, this is kind of stupid. | ||
| Let's get out of here. | ||
| It's just... | ||
| I get it. | ||
| I get the rush. | ||
| I don't want to be a part of it. | ||
| I don't have any time. | ||
| It's not worth it anymore. | ||
| It's not worth it anymore. | ||
| I got no time for that. | ||
| Have you... | ||
| Since moving to this new building... | ||
| I had a thought, Papa. | ||
| Have you experienced any hauntings? | ||
| I am so glad you brought that up. | ||
| See, I can read him! | ||
| I knew it! | ||
| It's not about this building, but it's about where my club is. | ||
| Okay. | ||
| My club, I bought the Ritz Theater, which is an ancient theater, well, an old theater, a historic theater. | ||
| It's like 2,000 years old. | ||
| It's 1927. So it's been a pool hall. | ||
| It was like a nudie bar at one point or a nudie movie theater. | ||
| It was a rock and roll club. | ||
| Jimi Hendrix performed there. | ||
| There's a photo as you're getting towards the stage is a framed photo of Hendrix, not Hendrix, excuse me, Steve Ray Vaughn. | ||
| Steve Ray Vaughn on that stage in 1983. Oh, dude. | ||
| It's my favorite. | ||
| He's like my favorite. | ||
| He's the best guitar player of all time. | ||
| Except for Brad Paisley. | ||
| And Hendrix. | ||
| Hendrix is good. | ||
| Oh, how dare you. | ||
| I know. | ||
| I'm so sorry. | ||
| He's the pioneer now. | ||
|
unidentified
|
I know. | |
| I know. | ||
| The shit that he did with sound. | ||
| But I guess I'm more of a control guy when it comes to tone. | ||
| His tone was impeccable. | ||
| But like I don't know like control is super like watching those like like Pat Metheny and like Eric Johnson and shit watch it. | ||
| Sorry to go off. | ||
| No, no, please I want to hear it because I mean I agree Steve Ray Vaughn was a master. | ||
| There's no ifs ands or buts about it. | ||
| He was amazing. | ||
| The point is there's a photo of him as you're walking towards the stage him on that stage in 1983 and Someone apparently I need to find this out fuck Google Murder at the Ritz Theater. | ||
| Because people that know the building are now telling me that at one point in time someone was murdered there on the second floor. | ||
| Supposedly. | ||
| I haven't even looked it up. | ||
| But I am bringing in Ghost Hunters. | ||
| To the building? | ||
| Yes. | ||
| Who? | ||
| Sam and Colby. | ||
| Those guys on YouTube. | ||
| I've had them on the podcast before. | ||
| They're kids. | ||
| Well, they're your age. | ||
| They go to these houses. | ||
| I called you a kid. | ||
| You're a big old beard. | ||
| You're a man, son. | ||
|
unidentified
|
I've been working. | |
| It took me fucking 28 years to grow this goddammit joke, bro. | ||
| That's a serious fucking man beard, son. | ||
| That's a real beard. | ||
| I'm waiting for it to close up and then we're good. | ||
| But I'm going to have these guys bring in their equipment and go in there late at night and see what they find. | ||
| I haven't had anybody say that they've had anything weird happen yet. | ||
| But the building feels like it knows you're there. | ||
| It's like charged? | ||
| Well, it's old. | ||
| I think that things contain memories. | ||
| I think that's why people don't want to buy a house where someone was murdered in it. | ||
| It's a stone tape theory. | ||
| I'll show you a theory. | ||
| Give me it. | ||
| No, I mean, it's just that shit imprints with energy and history. | ||
| And I think that's totally true. | ||
| I mean, you can walk into a place... | ||
| You walk into a new house and it feels empty as fuck. | ||
| Yeah. | ||
| But you walk into an old house and you're like... | ||
|
unidentified
|
And that could just be... | |
| You know, this is an old house. | ||
|
unidentified
|
Fuck. | |
| There's got to be some history here. | ||
| This is a new house. | ||
| There's no history here. | ||
| This is completely Blake Slate. | ||
| But you feel it. | ||
| You feel it. | ||
| You're like, there's some shit that happened here, whether good or bad, or just families and families that had a natural family progression or a fucking house where the daughter, whatever, murdered everybody with an axe, whatever, you know? | ||
| But there's always, I don't know, you feel shit. | ||
| It's totally possible that things contain some kind of memory or some kind of feeling to them. | ||
| Something. | ||
| That's one of the interesting things about when you're in the woods is the indifference that you feel. | ||
| You feel nature's indifference to you. | ||
| That's one of the more humbling things. | ||
| That makes people feel uneasy. | ||
| Very uneasy. | ||
| Yeah. | ||
| But it's also because... | ||
| You stepped into a world that is just tooth and claw. | ||
| Fucking eats you a lot. | ||
| Yeah, and they're eating things around you all the time. | ||
| That's exactly how population is controlled. | ||
| There's predators around you all the time. | ||
| Eyes front. | ||
| Yeah, eyes front. | ||
| And there's an indifference when you're in the mountains. | ||
| There's this feeling of indifference that the mountains have to you that's very humbling. | ||
| It's very centering. | ||
| Dude, going to Utah and seeing the mountains, I'm like, fuck, dude. | ||
| I'm a fucking... | ||
| I'm a bug. | ||
| Yeah, you're a bug. | ||
| In the grand scheme of fucking everything, in the grand scheme of the universe, I'm an amoeba. | ||
| Yeah. | ||
| I'm so fucking small, and... | ||
| Try and be fucking as cool as you fucking can to people. | ||
| Be nice. | ||
| Yeah, you have control over that. | ||
| Exactly. | ||
| That's the only thing you have control over is how you treat other people. | ||
| It's the only thing. | ||
| Yeah. | ||
| And how you treat yourself. | ||
| That's a big one too. | ||
| Like some people, they treat other people so well and then they get someone in their life that really shouldn't be in their life and it's ruining it and they don't treat themselves well. | ||
| By extracting themselves from the situation. | ||
| There's that too. | ||
|
unidentified
|
But those mountains. | |
| The woods, the mountains. | ||
| It's just like, fuck, it makes you think about that shit. | ||
| That's why you see the tail of the fucking hermit that is the smartest person you'll ever fucking meet but never sees anyone. | ||
| You know what I mean? | ||
| It's just like, it's so... | ||
| There's a beauty to that... | ||
| That part of the world, especially mountains, for some reason. | ||
| There's a beauty, like when the sun is coming up, and the sun is shining through the trees, and you see the green pastures, and you just, you look at it and you go, my god, this is beautiful! | ||
| It's like a feeling that you have, it's not like any other art form. | ||
| It's nature's art form. | ||
| But it has the same kind of feeling when you see like a beautiful piece of art. | ||
| There's this feeling of appreciation that people have for things that are beautiful. | ||
| And I think it's one of the only creatures on earth that probably has that. | ||
| I don't think we have any other animals on this earth that appreciate beauty the way we do. | ||
| It gives us a feeling. | ||
| We stare at it. | ||
| We're entranced by it. | ||
| We're entranced by beauty, physical beauty, people that are beautiful, things that are beautiful, art that's beautiful. | ||
| We have this massive fascination With beautiful things. | ||
| And when you see the beauty of nature, it's the most humbling of all of them. | ||
| The stars are the most humbling of all. | ||
| It's crazy. | ||
| I hate space. | ||
| You hate it? | ||
| I hate space. | ||
| I hate the stars. | ||
| I hate everything. | ||
|
unidentified
|
I know! | |
| That's the fucking worst part. | ||
| That's the part that scares me. | ||
| That's the part that scares me. | ||
| You look at... | ||
| You look at, like... | ||
|
unidentified
|
All... | |
| The near misses and all that shit. | ||
| Who knows if it's even real? | ||
| The part that scares me is we know nothing about it. | ||
| There's one... | ||
| There's one... | ||
| Company, or not company, but one organization that knows about it. | ||
| We don't really know about it. | ||
| You mean in terms of asteroids in space? | ||
| Yeah, or like NASA. NASA knows about it. | ||
| We don't know about it. | ||
| We go off of what they tell us. | ||
| And I think that's the scariest fucking part and I'll look at a star or it might be Mercury or it might be fucking Mars or whatever and it's so bright and I'm like, oh fuck, it's over. | ||
| Okay, fuck. | ||
| And then I look at it for a little bit, for a couple minutes, and I'm like, okay, it's not moving, we're good. | ||
| That scares me. | ||
| I remember the whole 2012 deal. | ||
| Oh, December 21st, 2012? | ||
| I was in high school on the whole 2012 deal. | ||
| And I went to church for two weeks right before, because I was looking into all that shit. | ||
| And I was like, you know what? | ||
| I'm going to church. | ||
| Just in case that it fucking happens. | ||
| Just in case. | ||
| And I remember the day I was in school, and it was December 21st, 2012, and it started raining crazy. | ||
| And I was like, fuck, guys. | ||
| It's happening. | ||
| Yo, fuck, dude. | ||
| Oh, my God. | ||
| Fuck, dude. | ||
| But hey, I'm still here. | ||
| We're still here. | ||
| Yeah, I was surprised by that one. | ||
| I thought something was going to happen. | ||
| Did you buy into it? | ||
| Oh, yeah. | ||
| I had a license plate in my car. | ||
| It said, I think it said December 2021. That was my license plate. | ||
| DEC 2021. Yeah. | ||
| Or 2012, rather. | ||
| What did you think was going to happen? | ||
| It was either DEC 2021 or DEC 2012. I think it was 2012. What did you think was gonna happen? | ||
| Like, what theory did you- How old were you? | ||
|
unidentified
|
Um, how old was I in 2001? | |
| I guess I was probably like 31 or 2 or something like that. | ||
| How old was I? I don't know. | ||
| You gotta go- I'd have to go back. | ||
| I'd have to do the math. | ||
| Jamie, how old was Joe Rogan in 2012? | ||
| Well, I'd have to think. | ||
| It was 11 years ago. | ||
| There you go. | ||
| No, no, no, no. | ||
| 2012. No, yeah. | ||
| Yeah. | ||
| Oh, okay. | ||
| I'm thinking of 2001, because 2001 was another one. | ||
| Or 2000, Y2K. I got confused. | ||
| No, no, no. | ||
| Let me back up. | ||
| December 21st, 2012 was the one that was the end of the Mayan calendar. | ||
| That was the long calendar. | ||
| I think it was DEC 2012 was my last display. | ||
| But I was really worried, even more so, about the one in 2000, the Y2K one. | ||
| That was a weird one, where people thought that all the clocks were going to stop and all the computers won't work. | ||
| Well, how did they justify that? | ||
| They were saying that the programs, the computer programs that were running everything... | ||
| They would switch to twos? | ||
| Well, it's when it goes from 19s to twos. | ||
| The whole thing, apparently they were worried that it was going to have this ripple effect across the country and the stock market would crash and banks would dissolve. | ||
| Wild shit would happen. | ||
| The fucking power grid would go down. | ||
| It was mostly bullshit. | ||
| But everybody was terrified. | ||
| And me too. | ||
| I was on the phone with a friend of mine from New York. | ||
| Like, dude, we're going to ride this out together. | ||
| And then, you know, we were drinking. | ||
| I'm getting into archery. | ||
| We were on the phone. | ||
| He was drinking in New York and I was drinking in California while we were talking on the phone. | ||
| We talked for like three hours. | ||
| And then, they ain't shit happening, man. | ||
| Everything still works. | ||
| The fucking internet works. | ||
| Computers work. | ||
| TV works. | ||
| Everything's fine. | ||
| Well, I don't understand the logic. | ||
| I don't get it either. | ||
| I don't get the logic. | ||
| But I was, because I was, I was 95, so I was like five reading about I would see the paper on the counter and it'd be like, oh, Y2K, everything's fucking ending. | ||
| And I was like, oh my fucking god, mom, everything's fucking ending, all this shit. | ||
| But then you look back and it's like, why would the year changing over affect computers? | ||
| Like, why would it change? | ||
| It's just the way they were coded. | ||
| It's very primitive coding. | ||
| When they first started, the computers that run the power grids and all this other... | ||
| It's all zero and ones, though. | ||
| I don't understand it, man. | ||
| You're talking to the wrong dude. | ||
| Me, fucking too. | ||
| But from my perspective, I'm like, it's all zero and ones. | ||
| Why would... | ||
| Just because you have the app that says... | ||
| Not an app, but... | ||
| Here, Jamie, explain it to us. | ||
|
unidentified
|
Go on. | |
| I don't have an explanation, but it's, I mean, you're on it. | ||
| It's just other countries didn't do it, which I didn't know that. | ||
| They didn't have any precautions. | ||
| They didn't talk about Y2K? No, they talked about it. | ||
| Everyone talked about it. | ||
| But they didn't do anything to do with it. | ||
| The U.S. spent a bunch of money. | ||
| It's probably a scam. | ||
| That's what it sounds like to me. | ||
| It's monkey pox, bro. | ||
| Because it doesn't make sense. | ||
| It's literally a fucking widget. | ||
| It's a fucking widget on your fucking computer that tells you what year it is. | ||
| Yeah. | ||
| The smartest people in the world can be like, well, we didn't change any of the fucking code on the fucking computer. | ||
| Why would it fuck anything up just because the widget says that it's 2000? | ||
| Yeah. | ||
| What they were saying, I guess, further up with that, like power plants, for instance, have a whole bunch of automated things and those were in threat. | ||
| That's it. | ||
|
unidentified
|
But for what? | |
| Just take the date out of it. | ||
| It's zeros and ones. | ||
| It's zeros and ones. | ||
| It still is. | ||
| You're so smart. | ||
| You should work for them. | ||
| That's true. | ||
| Because they scared us all. | ||
| I wonder if it was all bullshit and they just wanted a reason why they could be. | ||
| It has to be. | ||
| It has to be. | ||
| I wouldn't be shocked if it was just something to sell newspapers and The media pumped it up and made it a big thing and talked to the biggest fear mongers and got everybody fucking terrified of it. | ||
| It has to be. | ||
| Because then I was so scared, but now I'm like, why? | ||
| It doesn't even make any sense. | ||
| So December 21st, 2012, I thought something was going to happen. | ||
| And maybe something did. | ||
| Maybe in the greater scheme of time, as we look back on the changing of the eras of humanity, maybe that's when we began our cultural slide. | ||
| Joe, I think about that a lot. | ||
| It might be a thing where like ancient civilizations have calculated – they sort of charted out the eras of civilizations and that civilizations would go through these periods and then they would have these rebuildings and then they would get soft and fall apart and then there was – That's that 400-year cycle. | ||
| Yeah, the Kali Yuga. | ||
| And that's where we're at now, the age of confusion. | ||
| It seems like that makes sense to me. | ||
| It seems like when you have people, like the World War II guys with the fucking guns on acid, it's a different breed of human. | ||
| Those trench warfare guys, that's a different breed of human being. | ||
| Naughty boys just fucking smoking cigarettes in the fucking trenches and if I see a motherfucker, I'm stabbing him. | ||
| It's crazy. | ||
| Crazy. | ||
| Just living your life like that. | ||
| But now war's not even like that. | ||
| Well, it is in Ukraine. | ||
| War is so... | ||
| Well, now it's fucking drones. | ||
| Yeah, but there's a lot of fucking actual gunfights in Ukraine that you can watch on Telegram now. | ||
| The crazy thing is the guns they're using. | ||
| The guns they're using are like... | ||
| World War II guns and they had a gun that was electronically operated that they soldered on a trigger and a grip to and a stock on so they could use that gun. | ||
| It's just crazy the resources that they're using right now. | ||
|
unidentified
|
It's just scary that there's a ground war. | |
| It's going on right now between two countries that used to be a part of the same union. | ||
| It's fucking scary, man. | ||
| It's crazy. | ||
| Because I think when people get through wars, when they get through like a civilization gets through an era, they have this feeling like a lesson was learned. | ||
| I don't think we learn our lessons, especially when there's a lot of money involved in continuing the same kind of behavior. | ||
| And I think that's where we find ourselves right now. | ||
| And that's where the people that are very alarmed by this and they're really scared by this, I think they're right. | ||
| This is the time to be very alarmed because it just seems people are way too casual about wanting this to happen and wanting us to fund this and beat Russia and all this whole craziness of war. | ||
| It's so complicated, too, with the UN and NATO. It's so complicated. | ||
| All of it is like there's so much going on. | ||
| Well, they're trying to play magic the fucking gathering. | ||
|
unidentified
|
Right. | |
| In the fucking world with real fucking people. | ||
| Right. | ||
| And this doesn't just affect Ukraine or Russia. | ||
| This affects... | ||
| Yes. | ||
| Everything. | ||
| Everything. | ||
| If they start nuking each other, oh my god. | ||
| Oh, it's over. | ||
| Joe, it's over. | ||
| Oh my god. | ||
| It's over. | ||
| Oh my god. | ||
| It's one nuke, it's over. | ||
| Yeah. | ||
| One nuke, it's over. | ||
| And the nukes that we have today, we saw what they did to Hiroshima and Nagasaki. | ||
| Those are a fraction of the power that they have now. | ||
| These things are obliterators. | ||
| Not only a fraction of the power, but the amount that we have in this fucking world today. | ||
| And they have supersonic missiles now. | ||
| They have supersonic missiles that can change direction. | ||
| So they're going towards Miami and they hook a left. | ||
| Yeah, and then the fucking Poseidon, too. | ||
| The Poseidon missile will cause a tsunami. | ||
| Jesus Christ. | ||
| They'll shoot a missile that'll fucking... | ||
| The B-83, the largest deployed U.S. nuclear warhead, is equivalent to 80 Hiroshima-sized bombs. | ||
| Holy fuck. | ||
| That shit is crazy. | ||
| You can see if you hold your hand up. | ||
| Look at that number. | ||
| The U.S. nuclear arsenal has 5,244 nuclear weapons. | ||
| Had a total yield of 857.6 megatons or the equivalent of 57,173 Hiroshima-sized bombs. | ||
| By the way, that's like half of the explosion on Mars. | ||
| Allegedly. | ||
| Imagine if that's what happened. | ||
| Can you look up the Poseidon missile, Jamie, please? | ||
| Could you imagine if that is what we find out about Mars? | ||
| How crazy would that be? | ||
| And maybe that's why the aliens visit us. | ||
| How crazy would that be? | ||
| To warn us or whatever? | ||
| To try to halt it? | ||
| The Russian one or...? | ||
| I don't know if it's Russian or Chinese, but... | ||
| It says it's real. | ||
| A Poseidon. | ||
| Poseidon may exist only as a... | ||
| What is it? | ||
| Okay, so while some reports claim that Russia's Poseidon missile may exist only as a propaganda scheme, experts generally agree that the system is very real and has received significant resources from the Russian Armed Forces, although many details remain unknown. | ||
| So yeah, dude, if they decide to vaporize... | ||
| It's a U.S. Navy nuclear-armed submarine-launched ballistic missile system. | ||
| I don't know. | ||
| What is that? | ||
| That's Wikipedia. | ||
| I was trying to see which one. | ||
| I think they're probably different with this one. | ||
| It shoots a wave out. | ||
|
unidentified
|
Wow. | |
| Intercontinental nuclear power, nuclear arm system, autonomous torpedoes. | ||
| It's very slow, but it's possibly unstoppable. | ||
| I don't like how that's in bold. | ||
| Possibly unstoppable. | ||
| As much as they lie to us, I think that's probably 100% unstoppable. | ||
| Russia maintains that it can be used as a tactical nuclear weapon against warships. | ||
| High-value targets would include aircraft carriers. | ||
| This is harder to rationalize than the second-strike nuclear deterrence role, but is a constant theme. | ||
| Ever since it was first revealed in November 2015, then known as Status 6, it's been described as a multi-role system. | ||
| That's a scary status six. | ||
| What the fuck does that mean? | ||
| Dude, there's people out there playing. | ||
| You just said it right. | ||
| There's people out there playing Magic the Gathering with real human beings. | ||
| That's what war is, man. | ||
| And that's the weird thing about war in this age where people are starting. | ||
| We're more connected now than we've ever been before. | ||
| And so we realize, like, it doesn't make any sense that we're being led by these leaders that have us... | ||
| Fighting over territorial swaths of land and control of resources. | ||
| It doesn't make sense. | ||
| Or just like, my religion's right, yours is not. | ||
| I'm right, you're wrong. | ||
| We're gonna fuck everything up or try to. | ||
| As the world becomes more globally oriented and realizing that there's just people, there's people in India, there's just people in China, there's people in Russia, the problem is who they're led by. | ||
| And when they lead you into this position and control the population to position where they can't do anything other than the will of the leaders. | ||
| Yeah, I'll take one. | ||
| Thank you. | ||
| Yes, sir. | ||
| That's where... | ||
| I mean, that seems like... | ||
| The only positive direction that I see moving forward is that people think about the world as one place now more. | ||
| I don't think people are as nationally centric as they used to be. | ||
| We're paying attention to shit that's going on in Australia. | ||
| We're paying attention to shit that's going on in Hong Kong. | ||
| You know, people are really paying attention to the world now that I don't think they did as much in the 1950s or the 1960s. | ||
| I think with the internet, I think people are very tuned in to all kinds of weird shit that's happening everywhere. | ||
| And that's an interesting thing because, I don't know, would you ever consider living in another country? | ||
| I would have said Canada up until recently. | ||
| Now Canada's fucking falling apart. | ||
| All the shit that they did during COVID was just... | ||
| The total wrong direction. | ||
| The trucker convoy, when they froze people's bank assets. | ||
| You can't make honking your horns illegal. | ||
| Bro, they froze people's bank accounts that donated money to the convoy. | ||
| That's crazy. | ||
| That's crazy. | ||
| Peaceful protest, which everybody's supposed to be all about. | ||
| These people that were protesting COVID vaccine mandates and the lockdowns. | ||
| And they... | ||
| They fucking went after the people that donated. | ||
| Which is crazy. | ||
| Yeah. | ||
| And you can track all that shit. | ||
| Yeah. | ||
| Well, they track everything. | ||
| They shut their bank accounts down, man. | ||
| That's crazy, man. | ||
| You can't buy fucking a piece of toast. | ||
| That makes people self-censor. | ||
| And that's the terrifying aspect of that. | ||
| And that's the thing that people won't... | ||
| It's not that big of a deal. | ||
| They gave them their bank accounts back eventually. | ||
| Look, that's sending a very... | ||
| Eventually? | ||
| What does that even fucking mean? | ||
| What does that mean? | ||
| It's sending a very clear message. | ||
| That they can fuck with you in ways that you probably hadn't thought about before. | ||
| They can fuck with your money. | ||
| They can close your bank down. | ||
| Never even thought about it. | ||
| Never even thought about it. | ||
| So how do you feel about the government's digital currency that they're No fucking way. | ||
| No way. | ||
| That's what I think. | ||
| I think that's checkmate. | ||
| That's game over. | ||
| That is fucking checkmate. | ||
| Because if they apply that to a social credit score, if they decide somehow or another that you need some social credit score system and it's for the benefit of society, and they outline that they can track your behavior and your tweets and all your things, and you get a score. | ||
| Already doing that. | ||
| They just haven't released the fucking report cards. | ||
| They didn't send the report cards home to the parents yet. | ||
| Everything is already imprinted. | ||
| Everything is already tracked. | ||
| Everything is already there. | ||
| We just haven't given a denomination to it. | ||
| They just can't control you to the same extent that they would like. | ||
| And what they would like to do is to be able to strip you of your money. | ||
| And to be able to lock you down. | ||
| And then make sure that you comply so that all the other people also comply because they don't want to be stripped of their money. | ||
| They don't want everything they work for just be taken away instantly overnight and be powerless. | ||
| No one to call. | ||
| No one's going to answer your phone. | ||
| They just decided you fucked up and the rules are the rules. | ||
| And so then where does that money go? | ||
| Who takes your money? | ||
| And that's when people start profiting off of confiscating people's It's going to be a real fucking problem. | ||
| Well, it's not all fucking currency is digital. | ||
| Yeah, but the idea of them controlling all of the money. | ||
| And it's all unilateral. | ||
| It's all the same fucking thing. | ||
| It's all the same fucking thing. | ||
| That's a problem. | ||
| And here's the problem, I think, is that people are going to do it. | ||
| Due to convenience of it. | ||
| Yeah. | ||
| No one wants to carry around cash anymore. | ||
| Cash is gone. | ||
| No one wants to carry around cash anymore. | ||
| I saw a video of a lady paying for her groceries with her fingerprint at Whole Foods. | ||
| Can I see this? | ||
| Yeah, she used her handprint. | ||
| You can do it here. | ||
| You can do it here? | ||
| You got it? | ||
| Wait, Amazon controls it. | ||
| With your hand? | ||
| With your handprint. | ||
| I've seen it at the cash out here. | ||
| I didn't do it. | ||
| You just walk up, your hand hovers over this thing, it takes a photo of your hand, and you pay. | ||
| Why? | ||
|
unidentified
|
Why? | |
| People want their handprint in a database just in case they murder somebody. | ||
| This is crazy! | ||
| This is crazy. | ||
| One scan does it all. | ||
| Amazon One simplifies everyday interactions. | ||
| It's a free contact service that lets you use your palm to pay, enter, or identify yourself. | ||
| Wow. | ||
| You remember it was microchips. | ||
| Yeah. | ||
| So now you don't even need a fucking microchip. | ||
| You can just fucking use your pube hairs. | ||
| They had a store in Ohio where I don't think you leave with stuff, but you just tell them what you want, and then they just send it to you. | ||
| Well, now they have like honor system stuff in airports and stuff. | ||
|
unidentified
|
Really? | |
| Where it's like you go and you pick up what you get and then you leave the money. | ||
| You swipe your card, all this shit. | ||
| There's no employees in the whole store. | ||
| That's crazy. | ||
| It's a little kiosk. | ||
|
unidentified
|
You go pick up your chips, you pick up your drink, you pick up whatever you get. | |
| They're just hoping people don't steal. | ||
| Your sandwich? | ||
| Yep. | ||
|
unidentified
|
Wow. | |
| That seems like it's not going to work out. | ||
| I don't know. | ||
| I don't know how these are working. | ||
| It's probably better to pay someone 15 bucks an hour to stand there and make sure you don't steal. | ||
| Just one guy. | ||
| Just one guy at least. | ||
| One guy. | ||
| But now I guess you can't... | ||
| And I understand it completely because what if the employee gets hurt or what if someone gets hurt in the situation? | ||
| But shoplifting is huge because now all these companies have policies to where it's like... | ||
| Yeah. | ||
| If anything happens, you don't even say anything to the guy stealing. | ||
| You're not even allowed to stop them. | ||
| People get fired for trying to stop them. | ||
| Don't even say like, hey dude, don't fucking steal. | ||
| I see what's in your fucking shirt. | ||
| Don't even do that. | ||
| Wasn't there a story recently where a woman got beat up and then they fired her because she was trying to stop the shoplifters? | ||
| I mean, it's all a liability thing. | ||
| It's a liability issue. | ||
| The company doesn't want to be liable. | ||
| 68-year-old woman has her job back after she was fired. | ||
| Public outrage works. | ||
| After she was fired last month for attempting to stop shoplifters at a Lowe's store in Georgia. | ||
| June 25th, three suspects loaded over $2,000 worth of merchandise into a shopping cart. | ||
| Left Lowe's store without paying, police said. | ||
| And I think she tried to stop him. | ||
| I think they beat her up, too. | ||
| Which is even sadder. | ||
| 68-year-old lady. | ||
| Yeah, these guys are such pieces of shit. | ||
| They beat up an old lady, and then that lady got fired. | ||
| That's crazy. | ||
| I'm happy she got her job back. | ||
| Me too, but she probably doesn't want it. | ||
| I don't want to work at Lowe's anymore. | ||
| Yeah, she should probably sue. | ||
| I want to work at corporate, goddammit. | ||
| It'd probably be better if they sued her, or if she sued them, right? | ||
| She would have got a nice, fat payday. | ||
| That's ridiculous. | ||
| And suing is getting crazy, too. | ||
| But in that situation, I'm kind of on her side. | ||
|
unidentified
|
Look, I know it's not even your shit. | |
| I know it's not your shit. | ||
| Right. | ||
| But you have... | ||
| I don't know, if you enjoy your job or what you do just a little bit, if you have friends at the store, if you have anything, it's like, you don't gotta take that shit. | ||
| Like, don't take that shit. | ||
| I know it's not my shit. | ||
| I know it's, you know, the big head shit. | ||
| But it's like you have an inclination to kind of like protect it. | ||
| It's kind of like you do this every day. | ||
| It used to be what people always did. | ||
| It's every day. | ||
| It used to be someone would always stop someone from shoplifting. | ||
| There's always a security guard at a store to keep people from shoplifting. | ||
| It was normal. | ||
| Now people just run in in large groups and they just snatch everything and smash glass and steal all those fucking watches and everyone just has to stand there. | ||
| You just go out. | ||
| You walk out. | ||
| You can't do that because it literally encourages crime because there's very little repercussions. | ||
| Yeah. | ||
| It's crazy that people are going with that. | ||
| It's just, you know, if you wanted to be a full-on conspiracy theorist, you would say, this is someone trying to destabilize society. | ||
| And that's the way to do it. | ||
| The way to destabilize society is make things as lawless as possible. | ||
| And then people will do whatever they need to do in order to bring back some semblance of normalcy. | ||
| What do I have to do? | ||
| What rights do I have to give up? | ||
| What do I have to give up? | ||
| I'll do it. | ||
| Well, you've got to submit to the one-world currency. | ||
| Yeah. | ||
| And then... | ||
| For real? | ||
|
unidentified
|
Yeah. | |
| That might... | ||
| Look, it's... | ||
| If you wanted to look at a long-term engineering product, you could... | ||
| A project, rather. | ||
| You could... | ||
| If you had enough resources, and you were clever enough, and you planned this out enough, you could engineer the downfall of a society. | ||
| And you would do it by infecting the universities and entrenching them in a ridiculous, unsupportable ideology and then have people go out in the world with that ideology and think this is a rational way To live life and to run the world. | ||
| And then while you're doing that, you're also setting it up so that you have less people get arrested for things, more people get released from prison for things. | ||
| There would be a bunch of different ways that you could destabilize society. | ||
| But one of the best ones would be to encourage crime. | ||
| If you wanted to somehow or another, you could do it under the guise of making it more fair for all these people that get arrested, making it more fair for, you know, nobody wants to be racist, you just say it's racial injustice and just let more violent criminals out onto the street. | ||
| If you wanted to destabilize society, it's not saying that prison reform isn't hugely necessary. | ||
| It is, for sure. | ||
| They need to do a way better job of trying to rehabilitate people as well instead of just incarcerating them. | ||
| Fuck yeah. | ||
| Letting people out that are violent criminals seems like what I would do if I was trying to destabilize society. | ||
| I think an easier way, here's what I would do. | ||
| What would you do if you were an evil dictator? | ||
| I would just say, I would just shut everybody's shit down and say it was an attack from another country. | ||
| If New York or LA collapses, the rest of the world follows suit. | ||
| So, talk about a lot. | ||
| Only, like, fucking 3% of your money is actually real. | ||
| The rest is fucking a digital number. | ||
| And we saw it with the banks collapsing, all these smaller banks. | ||
|
unidentified
|
But the payout is $250,000. | |
| You're insured. | ||
| Your money is insured. | ||
| You could have a billion dollars in this bank. | ||
| You're paid out $250,000. | ||
| And then where'd the rest of that money go? | ||
| Where the fuck did it go? | ||
| All you need to say is, if someone goes in or someone tries to order Postmates on their phone, just say, uh, your card's actually not working. | ||
| Your card's been declined. | ||
| Everyone's cards get declined at the same fucking time. | ||
| People are gonna fucking cannibalize themselves within a week. | ||
| Yeah. | ||
| And just say, it's not, I don't, we don't know who's doing it, but this was an outside attack. | ||
| Yeah. | ||
| All it takes is, because everything is so digital now, it takes nothing, just like you mentioned in Canada, where they're like, okay, people who donated to these guys are getting their bank accounts shut off. | ||
| Imagine that happened to an entire major city. | ||
| Yeah. | ||
|
unidentified
|
Well, have you ever looked into how vulnerable- It would be anarchy everywhere. | |
| Have you ever looked into how vulnerable the power grid is? | ||
| I know how vulnerable it is because in Utah, not even the power grid, but for internet. | ||
| So a disgruntled employee took an axe to a box and shut down the whole fucking place's fucking, like my whole entire side. | ||
| I live in Cottonwood Heights in Utah and The whole shit went out because some guy was just mad and he just took a fucking axe to a box! | ||
| That's crazy. | ||
| And shut everybody's internet off. | ||
| And it sucks. | ||
|
unidentified
|
Wow. | |
| It sucks, because I like internet. | ||
| I like having internet. | ||
|
unidentified
|
I gotta watch the fucking Joe Rogan experience. | |
| Wow. | ||
| It's that vulnerable. | ||
| And it's crazy that he knew how to do it and not get electrocuted. | ||
| If you had a box and it's filled with wires and you got an axe, wouldn't you assume you're going to die? | ||
| I don't know how it goes. | ||
| I don't know how it goes either. | ||
| I mean... | ||
| All I know is I didn't have fucking Wi-Fi for fucking four days. | ||
| Do you think Wi-Fi's bad for you? | ||
| I don't know. | ||
| That's a good question. | ||
| I remember, uh-oh, COVID's caused by Wi-Fi, all this shit. | ||
|
unidentified
|
5G. Yeah, 5G. 5G, yeah. | |
| But I don't know. | ||
| What is interesting is seeing those little boxes pop up around everywhere disguised as palm trees in California and just kind of scattered around in New York. | ||
| The cell phone towers? | ||
| I don't know. | ||
| Are they cell phone towers? | ||
| Yeah. | ||
| They look like fake trees. | ||
| Yeah. | ||
| They have these little square things on them or these rectangular things on them. | ||
| But... | ||
| Smaller, like, deployable variants of it, I guess. | ||
| Because how big is the cell phone tower? | ||
| It's big. | ||
| They're pretty big. | ||
| I think they probably vary in size, too, though. | ||
| They're probably like a lot of other things if it's dealing with a lot of... | ||
| You know what's really crazy about cell phones? | ||
| If you're in a place where too many people are using them, yours doesn't work. | ||
| Yeah. | ||
| You ever experience that? | ||
| At the concerts, they don't work. | ||
| That's wild. | ||
| That is wild. | ||
| Why is it? | ||
| Because there's not enough juice for everybody. | ||
| They're kind of overselling. | ||
|
unidentified
|
Not enough bandwidth. | |
| Yeah, they're overselling. | ||
| Are we running out of bandwidth? | ||
| Well, there is. | ||
| If you have a concert and you have 20,000 people in an arena and you try to get on your phone, like I experience it at the UFC all the time. | ||
| I can't get text messages. | ||
| They just don't come through sometimes. | ||
| It depends on the place. | ||
| Even if you're on the venue Wi-Fi or whatever. | ||
| You'd have to get on the venue Wi-Fi, then you'd probably be okay. | ||
| But when you're just trying to use straight cellular, a lot of times at those places, there's just too many people on the line. | ||
| But still, I notice how it works before everybody comes to the shows and I'm taking a shit. | ||
| And it works fine. | ||
| And it works great. | ||
| And then when everybody comes and I'm still on the Wi-Fi and I got to shit before the show because I don't want to shit my pants on stage... | ||
| It doesn't work as well. | ||
| Yeah. | ||
| Joe, I got a 10-1 real quick. | ||
| Yeah. | ||
| Do you want to wrap this up, man? | ||
| We've been going for like three hours. | ||
| I'm good to go whenever you want. | ||
| Shall we wrap it up? | ||
| Sure. | ||
| How long are we going, Jamie? | ||
| Three and a half hours. | ||
| I'll let you get the fuck out of here. | ||
| I'm having a great time. | ||
| You want to keep going? | ||
| I would love to. | ||
| All right, let's keep going. | ||
| I would love to. | ||
| We'll pee and come back. | ||
| All right. | ||
|
unidentified
|
Yay. | |
| I'm having a great fucking time. | ||
| I am too. | ||
| I always had the best fucking time. | ||
| Look, I got the greatest jobs in the world. | ||
| This is one of the best ones, just to be able to hang out with people. | ||
| I don't think a lot of people do this anymore, where they just hang out and talk. | ||
| Everybody hangs out and talks and looks at their phone, hangs out and talks and talks to someone else. | ||
| But it's an interesting thing when you just hang out and just talk to someone for hours at a time. | ||
| You really get to see how they think. | ||
| It's nice. | ||
| It's a fun thing to do, man. | ||
| I enjoy the shit out of it. | ||
| Well, I enjoy being on your show. | ||
| I enjoy having you. | ||
| And I enjoy... | ||
| You have been so fucking kind to me. | ||
| This is my second time. | ||
| How many second timers you got? | ||
| Quite a few. | ||
| Cool. | ||
| Yeah. | ||
| Well, I want to go for three. | ||
| Bro, you can come on every month. | ||
| I don't give a fuck. | ||
| I'm actually sleeping in a mattress in the back of... | ||
| Come hang out. | ||
| Park that tour bus out back. | ||
| We're good, dude. | ||
| Yeah, thank you for letting me park that. | ||
| Oh, anytime. | ||
| It's dope. | ||
| I love that you have a tour bus. | ||
| It's actually... | ||
| And it doesn't have Bert Kreischer's face on it. | ||
| Who's that? | ||
| It's a joke. | ||
| My friend Bert Kreischer. | ||
| He's got a tour bus with his face on it. | ||
| It's very discreet. | ||
| He's a discreet kind of guy. | ||
| Yeah, I don't know. | ||
| Funny dude. | ||
| It's amazing because I was on... | ||
| Sorry, Travis, if you don't want me talking about this. | ||
| But I've been on Travis Barker's tour bus for a long time. | ||
| And, um, now I'm on... | ||
| She's an artist, and, uh, she let me use her tour bus this time. | ||
| And the difference between a dude's tour bus and a lady's tour bus is, like, fucking night and day. | ||
| I remember the first time I got on the tour bus, Travis's tour bus, and, um... | ||
| I go and lay back. | ||
| It was after the first show. | ||
| Because I went and checked it out before, and I was like, oh, this is really nice. | ||
| And then I go back the first day, or after the first show, and go lay down. | ||
| And then I close the door. | ||
| It's all like on the hydraulic doors. | ||
| And so it closes, and there's a mirror on the door, and there's a picture here. | ||
| And it looks like a guy, like, laying down Like a mermaid, like a mermaid pose, kind of like this, looking back on the bed. | ||
|
unidentified
|
And I get up, and I'm like, what the fuck is that? | |
| And I get up and I get up and I look closer and it's Tommy Lee butt ass naked on the bed. | ||
| And he says, enjoy the bus fucker. | ||
| And I'm like, yo, this is fucking crazy. | ||
| So that's how I kicked off a couple of my tours. | ||
| That's hilarious. | ||
| But not on this bus. | ||
| The fridge is pink and works and everything. | ||
| Travis, your bus is absolutely beautiful. | ||
| But yeah, it's nice. | ||
| It's nice. | ||
| And for whenever the baby and the lady are on the bus... | ||
| There's like a nice vanity mirror out back for them. | ||
| My only fear of buses is that you're on the highway. | ||
| Yeah. | ||
| And I see too many fucking accident videos. | ||
| It's fucking scary. | ||
| It's easy to flip those fuckers. | ||
| Yeah. | ||
| I watched this crazy video the other day of this car, rear ends this car, And they stop in traffic, and then this semi rear-ends them. | ||
| It can't stop and it's trying to change lanes because these guys bumped into each other on the highway. | ||
| They decided to stop. | ||
| And then this semi comes through and obliterates them. | ||
| I'm like, Jesus! | ||
| It's so heavy. | ||
|
unidentified
|
Whoo! | |
| It's so much weight and force. | ||
| When you watch the semi hit the cars, the cars just disintegrate. | ||
| It's a big vehicle. | ||
| It's so massive. | ||
| And then it goes flipping off this fucking side of the guardrail and it's just, Jesus. | ||
| So that's the thing with me about the tour bus thing. | ||
| So you never take a tour bus? | ||
|
unidentified
|
No. | |
| Do you go on tour? | ||
| No. | ||
| I do weekends and I come back home. | ||
|
unidentified
|
Sure. | |
| And I do like two weekends in a month. | ||
| I don't do nice. | ||
| It is nice. | ||
| It is nice. | ||
| I don't do it. | ||
| I just don't do it. | ||
| I do a lot of comedy. | ||
| I do it in town, and now I do it at my own club. | ||
| Where's your club? | ||
| Lots of fun on 6th Street. | ||
| It's the 1927 place. | ||
| The place that's haunted. | ||
| Yes, sir. | ||
| Perhaps. | ||
| I'll take you there tonight if you want to go. | ||
| Are you going? | ||
| Let's go. | ||
| Are you going? | ||
| I'll go with you. | ||
| I'll take you. | ||
| I'm not even supposed to be there. | ||
|
unidentified
|
I would love that. | |
| But tonight is Kill Tony, which is a fun thing to watch if you've never seen it. | ||
| No, it's Kill Tony. | ||
| It's a live comedy show. | ||
| Where they have stand-up comedians, some of them maybe for the first time ever, do one minute in front of a professional group of comics who talk shit and there's a live band. | ||
| It's really fun. | ||
| Is his name Tony? | ||
| His name's Tony Hinchcliffe. | ||
| He's the most evil host of one of those shows. | ||
| He's the best ever. | ||
| Of hosting a live comedy show, Tony's the best. | ||
| Let's go. | ||
| We'll go. | ||
| Yeah, that sounds amazing. | ||
| I would absolutely love that. | ||
| I would love that. | ||
| We'll go have fun. | ||
|
unidentified
|
But, like, it's... | |
| What are you going to say? | ||
|
unidentified
|
Nothing. | |
| Cheers, Joe Rogan. | ||
| Cheers, my brother. | ||
| Cheers, Joe Rogan. | ||
| Thank you for having us. | ||
| Thanks for being here, man. | ||
| No, man. | ||
| Thanks for being here. | ||
| I'm excited to see your show tomorrow night, too. | ||
| I'm excited for you to come. | ||
|
unidentified
|
Wee! | |
| I'm excited for you to come. | ||
| I am too. | ||
| Are you a pit guy or are you like a more... | ||
| It's a bit of a problem if I'm in the pit. | ||
| What can I say? | ||
| I'm like kind of hot. | ||
| Yeah. | ||
| I'm a bit of a hot kind of guy. | ||
| People like to grab my cock. | ||
| Is I sure? | ||
| No. | ||
|
unidentified
|
Sick. | |
| No. | ||
| I wonder how many people get into pits just to try to grab cocks. | ||
| Just to try to drive Joe Rogan's cock. | ||
|
unidentified
|
Not zero. | |
| Just to drive any cock. | ||
| Not zero. | ||
| Probably too many. | ||
| Yeah, this is not zero. | ||
| Pretty sure there's a guy out there that's like, I'm going to see how many dicks I can grab tonight. | ||
|
unidentified
|
Last night I got 16. This guy just buys tickets to the pit. | |
| Just everyone's bouncing around. | ||
| Is it deliberate or is it like a rub? | ||
| 100%. | ||
| Keep the score. | ||
| That's his game. | ||
|
unidentified
|
That's his Diablo. | |
| How many dicks can I grab with him? | ||
| I only grabbed dicks for like 14 hours. | ||
| He's probably on a forum with a bunch of other dick grabbers and they're counting numbers. | ||
| Oh my god. | ||
| No, I hope it's none at my show. | ||
| There's some mosh pits where they just essentially are beating each other up. | ||
| I've seen a bunch of those. | ||
|
unidentified
|
Oh, dude. | |
| Mosh pits are crazy. | ||
| Mosh pits are crazy. | ||
| Crazy. | ||
| I was at a show outside of Gallinson's. | ||
| It's a gun shop in Utah. | ||
| I go and hang out, and Tim is the sweetest guy. | ||
| He owns it. | ||
| And they did a show right next door. | ||
| There's a t-shirt printing place and a sneaker place right next door. | ||
| So they did a show in the back alley parking lot deal. | ||
| And it was a drain show, and there was a bunch of MS Paint, some harder bands. | ||
| And there was this guy there, and he was so fucking big. | ||
| And you saw these skinny... | ||
| They looked like they were Metallica rockers in the 80s. | ||
| I remember the story about Metallica, they were like... | ||
| Oh, these guys are the ugliest motherfuckers I've ever seen. | ||
| I'm gonna sign them. | ||
| Like, that's how they got signed. | ||
| Like, shit like that. | ||
| And these guys were just, like, leather jacket, long hair, like, didn't give a fuck, just rocking and rolling. | ||
| And this dude would just fucking swing his fucking arm and, like, send him out of the pit, like, instantly. | ||
| Like, I watched him get rocked. | ||
| I was like, fuck, dude. | ||
| I felt so bad. | ||
| But they love it. | ||
| That guy that got sent out with a bloody nose, like fucking missing teeth and shit, came right fucking back in. | ||
| He's like, let's fucking go. | ||
| Like, yeah. | ||
| It's like, dude, those mosh pits get fucking nuts. | ||
| That's so nuts. | ||
| Gnarly. | ||
| It's not good for you. | ||
| They wouldn't let you in the pit. | ||
| I wouldn't go in the pit. | ||
| You'd just be fucking like scissor-kicking people. | ||
| I don't want to get head-butted. | ||
| What is this? | ||
| Is this a mosh pit? | ||
| Oh my god! | ||
| Oh my god. | ||
| They're doing it like 300 style. | ||
| Look at the dust come up and all that shit. | ||
| That is the battle of Thermopylae, isn't it? | ||
| Look at this cigarette. | ||
| Oh, he called for them to do it. | ||
| Who's in the middle? | ||
| Who's in the middle? | ||
| Oh, someone dead? | ||
| Look at that. | ||
| That is so insane. | ||
| Jesus Christ, dude. | ||
| How many blown ACLs out there right now? | ||
| It's like a big tug of war. | ||
| What are they doing? | ||
| Oh my god, this is the biggest mosh pit in the history of the world. | ||
| Totally dangerous mosh pits. | ||
| There's a YouTube video! | ||
| No, that's a great title. | ||
| That's a very dangerous mosh pit. | ||
| The circle pit is good. | ||
| The circle pits are good. | ||
| Circle pits are good. | ||
| That's safer. | ||
| You're just kind of running around in a circle. | ||
| God, look at the size of that. | ||
| Maybe you give someone on the right side of you a good pop, but that's about it. | ||
| Just a little jab of the nuts. | ||
| A subtle dick grab, as you were. | ||
| Wow. | ||
| These guys are just running into each other. | ||
| How many fucking headbutts are you counting? | ||
| Dude, it is like fucking medieval war. | ||
| It is. | ||
| Look at that guy. | ||
| What is he singing? | ||
| I think the word he was singing is like, ooh. | ||
|
unidentified
|
Listen, listen. | |
| Back that up a second. | ||
| Back it up earlier. | ||
| Exodus. | ||
| Exodus is amazing. | ||
|
unidentified
|
Look, he's fucking... | |
| Oh my god, this is hysterical. | ||
| Imagine a dystopian world where the president or your leader was a heavy metal vocalist. | ||
| What he could get you to do. | ||
| That guy could win. | ||
| That guy could run for president. | ||
| Just fucking run as fast as you can at that fucking guy. | ||
| I mean, that's the kind of shit I would listen to if I was behind a machine gun. | ||
| Yeah, fuck yeah. | ||
| That shit for me, like, as a kid, was like... | ||
| It's so soothing. | ||
|
unidentified
|
What do you listen to? | |
| Really? | ||
| You know what? | ||
| What do you listen to, Joe? | ||
| I have very varied music tastes. | ||
| Okay, fair enough. | ||
| Yeah, I really do. | ||
| I like to listen to a lot of old stuff. | ||
| I like to listen to a lot of classic rock, but I also like to listen to a lot of 90s hip-hop. | ||
| I like to listen to modern stuff. | ||
| I listen to a lot of modern country. | ||
| Who do you like? | ||
| I like Zach Bryan. | ||
| I love Sturgill. | ||
| I love Sturgill. | ||
| Zach Bryan is beautiful, too. | ||
| His voice is amazing. | ||
| I got a chance to see him live when he was in Austin, too. | ||
| And he was on the podcast recently. | ||
| He's a sweet guy, too. | ||
| Like, really genuine, genuine guy. | ||
| Just a super fucking talented singer, too, man. | ||
| Dude. | ||
| Jelly Roll, I love that dude. | ||
| Yeah, he's a boss. | ||
| I like him, man. | ||
| He's the best. | ||
| Yeah, I like him. | ||
| He's such a good dude. | ||
| He just seems like a sweet motherfucker. | ||
| I love him. | ||
|
unidentified
|
He's so real. | |
| I love it. | ||
| That guy's so real. | ||
| He's such an appreciative, happy, loving dude. | ||
| Yes, sir. | ||
| I met him at my club. | ||
| He came to see Ron White. | ||
| And he was like on his way up and we're sending him to the VIP balcony and just came out to say hi and he just gave me this giant hug. | ||
| Just super fucking sweet dude. | ||
| That's probably a good hug. | ||
| Real hug. | ||
| A real one. | ||
| Yeah, he looks like he gives good hugs. | ||
| Gives you a real one. | ||
| Yeah, I love that. | ||
| Solid hug. | ||
| You like Tyler? | ||
| Genuinely happy dude. | ||
| Tyler Childers. | ||
| Yes, I love that guy. | ||
| And Coulter. | ||
| So it's Sturgill, Tyler, and Coulter right now for me. | ||
| I love all those guys very much. | ||
| I keep trying to get Coulter to do the podcast, but he doesn't do podcasts. | ||
| Well, that's what I... I hit up Coulter and... | ||
| He doesn't do mine, at least. | ||
| No, not at all. | ||
| Because I got the same thing with Coulter. | ||
| I hit up Coulter. | ||
| I was like, hey man, you want to come jam out sometime? | ||
| Let's make a song. | ||
| And he was like, you can come make a song on the ranch. | ||
| And I was like, okay, cool. | ||
| Amazing. | ||
| I'm going to make it up one of these days. | ||
| He's really on a ranch. | ||
| Yeah, I do. | ||
|
unidentified
|
Yeah. | |
| Wild. | ||
| Yeah. | ||
| His styles are so different, too. | ||
| Like, you know, you go from, like, Kate McKinnon to some of the other newer stuff. | ||
| It's almost like it's a different guy. | ||
| It's very interesting. | ||
| I love his... | ||
| He came out of the womb smoking a fucking cigarette, and it was fucking, like, the coolest shit. | ||
| Kate McKinnon, the fact that he was 21 when he made that song. | ||
| It's insane! | ||
| That's an 80-year-old man's song. | ||
| It's insane. | ||
| It's insane. | ||
| I remember listening, and I was like, oh, this... | ||
| Because he's, like, a couple months, if not a year, younger than me. | ||
| And just the way... | ||
| Just the, like... | ||
| The heartbreak of that song. | ||
| How rich his voice is. | ||
| Yes. | ||
| Yes. | ||
| He can, like... | ||
| It's insane. | ||
| It's insane. | ||
| When you see it coming out of his face... | ||
| Dude! | ||
| And watching that, what is it, the Sun King or whatever, the brewery shows that they do whenever he was there. | ||
| Oh, yes, yes, yes. | ||
| The acoustic shows. | ||
| Sleeping on the Blacktop or whatever he did over there. | ||
| Yeah. | ||
| He looks fucking so young. | ||
| He's so young. | ||
| And I'm like, where's that voice coming from? | ||
| That song is so haunting. | ||
| Kate McKinnon has a haunting song. | ||
| Green is a wicked bird. | ||
| It's so fucking good. | ||
| Play it for me, Jamie. | ||
| Yeah, come on, man. | ||
| Jamie's the one who told me about it. | ||
| Jamie came into the studio and goes, oh, I know a guy that you're going to love. | ||
| And you told me about that song. | ||
| Listening to that song, I've never wanted to swing a pickaxe so hard in my life. | ||
| And I play a lot of Minecraft, the number one game. | ||
| Listen to this. Listen to this. | ||
| His wings are black as sin And he floats outside my prison window Marking those within And he sings to me real low He's held to where you go | ||
| For you didn't murder Kate McCannan Damn Damn When I first met... | ||
| Yeah. | ||
|
unidentified
|
When I first met Tom McKinnon I was... | |
| Working in the mine. | ||
| Have you ever covered this? | ||
| No, I couldn't. | ||
| There's no way I could. | ||
| I think you could do it. | ||
| His voice is just like... | ||
| It's so haunting. | ||
| It's insane. | ||
| Perfect amount of reverb. | ||
| It's perfectly recorded. | ||
| It's perfectly played. | ||
| And he's such a good guitar player too. | ||
| It's like perfectly played. | ||
| This is such a song. | ||
|
unidentified
|
Prettiest girl in the whole town holler. | |
| That ain't no lie Fuck, man. | ||
| It's so good. | ||
| It's so good. | ||
| He's got so many of them like this, too. | ||
| Well, that's the whole thing. | ||
| It's the whole Johnny Cash kind of like that. | ||
| It's like a crazy... | ||
| He always sang like murder ballads. | ||
| Right. | ||
| You know what I mean? | ||
| So it's like super, like, it's like, oh, okay, I shot a fucking dude in Reno. | ||
| Okay, I shot the guy that my wife loves. | ||
| Like, all this shit. | ||
| Like, I don't know. | ||
| It's very, like... | ||
| It's the original gangster rap. | ||
| It's the whole... | ||
| It's the old school production. | ||
| It's the old school voice. | ||
| It's the old school... | ||
| And I find, like, a lot of the time in country now is, like, it's very overproduced. | ||
| And so what I love about like Coulter and Tyler and everything is it's just like kind of more traditional in that way where it's just like that same bounce. | ||
| You want that boom, boom, boom. | ||
| You know what I mean? | ||
| I don't know. | ||
| Yeah, no, I know what you're saying. | ||
| There's a thing where people are trying to make hits, right? | ||
| Instead of just trying to make something beautiful. | ||
| And it works. | ||
| Yeah, I guess there's so much money in making hits that there's going to be people that are technicians. | ||
| Turns out. | ||
|
unidentified
|
Turns out, bro. | |
| Look at you buying $2 million Magic the Gathering cards. | ||
| That actually, the fun part, that wasn't my bank account. | ||
| That was actually my buddy's. | ||
| But a big part of your appeal is your authenticity. | ||
| That's a big part of why people love you. | ||
| And I think that what you're saying is that there's a lot of, like, overproduction of things that kind of takes away some of it. | ||
| Well, sure. | ||
| The grit of that kind of a song. | ||
| Yeah, and there's a lot of production in my... | ||
| Music as well. | ||
|
unidentified
|
For sure. | |
| And I have, like, some of them... | ||
|
unidentified
|
Autotune. | |
| Yeah, I mean, autotune in general. | ||
| Yeah. | ||
| And some of the most talented producers and instrumentalists and songwriters and shit, and... | ||
| I don't want to detract from people who write amazing songs. | ||
| That's just not... | ||
| Whenever I listen to folk or country, I go towards Coulter and Tyler and Sturgill every time. | ||
| Because... | ||
| I don't know. | ||
| That bounce. | ||
| There's something so magical about that classic fucking bounce. | ||
| You know, that cash bounce, that train bounce. | ||
| And I don't know. | ||
| And it's just like, there's a lot of songs that are Country, but it doesn't have that bounce that I love so much. | ||
| You know what I mean? | ||
| I do know what you mean. | ||
| And it's just like, at that point, it's a lot of pop mix-ups, you know what I mean? | ||
| And that's never been bad, because what I've always tried to do, and I'm sure people said the same thing about me, because I sit and play the guitar with 808s and all that shit. | ||
| I just, whenever I'm listening to that, that makes me feel like, it makes me feel like a hard ass. | ||
| You know what I mean? | ||
| Yeah. | ||
| It makes me feel like... | ||
| Like you're on a ranch. | ||
| Exactly. | ||
| Listening to Kulture, I'm like, he does the acapella shit, and I'm like, oh man, I feel like I'm fucking out there with you, dude. | ||
| But it's also like the choice of music is like he's singing a song about despair and the regret and all of it and the ravens mocking him from outside of the prison window. | ||
|
unidentified
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Yeah. | |
| It's so good. | ||
| And I'd assume that he writes all his songs. | ||
| I would assume. | ||
| Because looking at the writer credits. | ||
| Bro, try getting someone to write that. | ||
|
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Fuck. | |
| Try getting some studio guy to write that. | ||
| Dude, those guys in Nashville write fucking songs. | ||
| They write some fucking songs. | ||
| They write some fucking songs, dude. | ||
| They do. | ||
| They do. | ||
| I think what makes a good country song is the tag. | ||
| There's always a tag and like you look at like classic country and You know like George Strait. | ||
| It's like I've got oceanfront property in Arizona You know what I mean? | ||
| That's an amazing basis for a song you just think about like if you'll buy that I'll throw the Golden Gate fucking bridge in for free. | ||
| You know what I mean? | ||
| It's just like There's always a good fucking tag and Luke Luke, when he says, when it rains, it pours. | ||
| All that shit. | ||
| It's snappy. | ||
| It stays in your fucking head. | ||
| And you think about it. | ||
| And those songs are so well written. | ||
| Craftsmanship. | ||
| Off of one idea. | ||
| Right. | ||
| You know what I mean? | ||
| Yeah. | ||
| And Coulter does a lot of shit where it tells the story. | ||
| The story of it. | ||
| But that idea is always there. | ||
| And that's something that's so cool. | ||
| And it just stays with you. | ||
| And you think about it. | ||
| And then you go and look up the lyrics. | ||
| Once you look up the lyrics to a fucking country song, it's fucking crazy. | ||
| Like, have you ever looked up the lyrics to Clementine? | ||
| Like, Oh My Darling Clementine? | ||
|
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No. | |
| That is the saddest song of... | ||
| Oh, it's like a murder song, right? | ||
| No. | ||
| What's it about? | ||
| It's about a prospector or a miner, and his daughter goes... | ||
| She falls into a river, and he can't swim, so he can't save her, and she's gone. | ||
| Oh my god. | ||
| But how long have you known that song? | ||
| Oh my god. | ||
|
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Wow. | |
| This is terrible. | ||
| It's crazy. | ||
| Drove the horses to the water every morning just at nine. | ||
| Hit her foot against a splinter. | ||
| Fell into the foaming brine. | ||
| Ruby lips above the water. | ||
| Blowing bubbles soft and fine. | ||
| But alas, I was no swimmer. | ||
| So I lost my climbing time. | ||
|
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Isn't that... | |
| You gave me chills right there fucking reading it. | ||
| Oh. | ||
| Oh, God. | ||
| Isn't that crazy, dude? | ||
| Oh, God. | ||
| But you think, oh, my darling, oh, my darling. | ||
| It sounds so happy. | ||
| I don't know. | ||
| It's so cool. | ||
| I don't know. | ||
| You take those songs and you look at fucking what it's about. | ||
| It's crazy, man. | ||
| I love looking into that shit. | ||
| You know what I really like listening to? | ||
| When I really want to try to imagine a time. | ||
| I really like listening to Robert Johnson. | ||
| Yeah, dude. | ||
| Listen, Robert Johnson and I just imagine the time and what year was... | ||
| There's only one good, solid recordings of Robert Johnson. | ||
| It was like one session, I think. | ||
| I don't think he had more than one album that you can get, right? | ||
| But what year was that? | ||
| 1936. That's crazy. | ||
| Bro. | ||
| And that guy was so good, they thought he sold his soul to the devil. | ||
| They're like, there's no way you can be that good. | ||
| No way. | ||
| 1936 and 1937. Wow. | ||
| Most were first released on 78 RPM records in 1937. Wow. | ||
| So how did he become such a legend, you gotta wonder? | ||
| Did he just go around and everybody knew him? | ||
| That's a good question. | ||
| It's a good question. | ||
| I guess he was just like the Dave Chappelle of blues singers back then. | ||
| He was just this guy that was above everybody and everybody was like, Jesus Christ. | ||
| How? | ||
| How are you doing this? | ||
| He would play like just... | ||
| I love that Delta fucking sound. | ||
| It's so scrappy. | ||
| It's so scrappy. | ||
| But it's also, you've got to imagine the time. | ||
| People are just, this is like during the Great Depression, right? | ||
| People are starving. | ||
| They're fucked. | ||
| The world's fucked. | ||
| It's post-World War I, pre-World War II. Horrible time. | ||
| Just squalor and famine. | ||
| Hard stretch. | ||
| Hard to get real good food. | ||
| It's not like there's a Whole Foods in your fucking neighborhood. | ||
| Things were weird back then. | ||
| And this guy is in the deep south. | ||
| This is recording. | ||
|
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record. | |
| I went to the crossroad, fell down on my knees. | ||
| I went to the closet Fell out of my knee At the Lord above, I'm going to say | ||
| Say, poor Bob, if you please - What's crazy is all music, recorded music, has its roots in something from before. | ||
| All of it. | ||
| This emerged. | ||
| His creation. | ||
| When this got sold and entered into the zeitgeist of human consciousness, now they're aware that there's a guy out there that can do this. | ||
| Because before there wasn't anybody like this guy, right? | ||
| And then all of a sudden he comes along and hits this level that nobody had ever hit before. | ||
| Yeah, you gotta, like, that's crazy because, like, all these ideas, like... | ||
| Who invented a pinch harmonic? | ||
| Like on the guitar. | ||
| If I hold my pick just right and hit that fucking string, it's gonna sound this different and I'm gonna make that my signature sound and then you're just gonna blow up. | ||
| But that's just something that you do. | ||
| Like his vibrato on his voice and shit. | ||
| I think that's something, whenever I first started making music, that was something that really, like, if not propelled me, was something that was a little different. | ||
| Because I had a little... | ||
| I always tried to copy, like, Stevie Nicks, and there's a guy named Conor Oberst from Bright Eyes, and he would have this great, like... | ||
| Vibrato in his voice when he sang and Stevie would too and I think that that wasn't being done and that's just the way I naturally sang as a kid and it sounded like shit but as I got older that's just the way I sang so I think that kind of was a thing that I wouldn't say propelled me, but made me a little different. | ||
| You know what I mean? | ||
| Because everybody has their own unique style, and there's something to listen to for everybody, you know? | ||
| And I think that was something that really, like... | ||
| It's like, okay, this is... | ||
| He has a unique voice, if that makes sense, you know? | ||
| Yes. | ||
| It's like... | ||
| Authentic. | ||
| Very much so. | ||
| And that's just how I sang since I was a kid. | ||
| And I think if you, like, grow up doing something, and I'm in no way comparing it to anything, I'm just saying how that cuts through. | ||
| Like, he played his whole fucking life. | ||
|
unidentified
|
Right. | |
| Whoa, fuck. | ||
| If he did sell his soul, I mean, fuck. | ||
| I don't think he did. | ||
| He got a good gig. | ||
| But, you know, that's the whole... | ||
| The legend. | ||
| The fun legend. | ||
| The legend. | ||
| But that's also just when someone stands out like that, you're always going to have those kind of stories. | ||
| People love to bullshit. | ||
| You just keep going. | ||
| And especially like Stevie. | ||
| Stevie, you could tell when he's playing the guitar. | ||
| Yeah. | ||
| Yeah, it sounds like Stevie very hard. | ||
| You can tell, but that's just shit you grow up and you have like a little fucking quirk. | ||
| You know, like, there's a tone that you have whenever... | ||
| Even when you're first starting, like, you don't do something perfectly correct. | ||
| Yeah. | ||
| But then it turns out to be your thing. | ||
| You know what I mean? | ||
| Yeah, there's a sound when guys are playing where you know it's them. | ||
| It's interesting, right? | ||
| It's crazy. | ||
| Especially on a non-vocal... | ||
| Right. | ||
| A musical instrument. | ||
|
unidentified
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Yeah. | |
| Like Gary Clark Jr. is a great example of that too. | ||
| He died the next year after recording his stuff. | ||
|
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|
Wow. | |
| He was 27. 27?! | ||
| Just like everybody else. | ||
| Just like Hendrix, Joplin, Morrison, Kurt Cobain. | ||
| 27. It's fucking crazy, dude. | ||
| That age is nuts for rock stars. | ||
|
unidentified
|
Yeah. | |
| That's a nutty age. | ||
| And it seems like if you get through that age, you live to be a million. | ||
| Well, that's... | ||
|
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Rolling Stones on tour. | |
| They're Biden's age. | ||
| They look great. | ||
| I remember there was a psychic that on my birthday said I was gonna die when I turned 27. Oh, what a cunt. | ||
| I don't know. | ||
| What a cunt. | ||
| She's just lying, making shit up. | ||
| That bitch isn't a psychic. | ||
| Well now, hindsight's always 20-27. | ||
| You lied! | ||
| But she put that shit in your head, man. | ||
|
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That could've been a self-manifesting prophecy. | |
| But as soon as I turn 28, I'm like, fuck it. | ||
| I'm getting on every fucking combine, every fucking helicopter, every fucking motor vehicle I see, I'm going. | ||
| Except for really high buildings. | ||
| Y2K, when it was all over. | ||
| Exactly, you'd be like, fuck it. | ||
| Everything's fine. | ||
| I'm not cursed. | ||
| It's crazy how that... | ||
| And also, Jim Morrison died when he was 27? | ||
| Yep. | ||
| How is he 27? | ||
| How is he that good? | ||
| How is he 27? | ||
| You know, his car is like a source of mystery. | ||
| There's like one guy claims he has his car, but apparently it's the wrong VIN number. | ||
| But his car, he had a 1967 Shelby GT500. Cool. | ||
| And he had it for only like a year or two, and then he sold it, and then there's a provenance of it where people are trying to track it. | ||
|
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|
Cool. | |
| That's evil. | ||
| He looks like Jesus Christ. | ||
| He does. | ||
| If Jesus Christ was here, he'd drive a 1967 Shelby GT500. If Jesus had to drive, I tell you what, he wouldn't be driving a minivan. | ||
| He'd be driving American Muscle. | ||
| That's why we would listen. | ||
| No, he'd be driving a Tesla. | ||
| No, no, no. | ||
| He would drive a goddamn American Muscle car and realize, just plant more trees. | ||
| They'll eat the gas. | ||
| Or something. | ||
| Look at that, though. | ||
| He was so pumped to have that car. | ||
|
unidentified
|
Yeah. | |
| To just run next to it. | ||
| How pumped are you to have that fucking car? | ||
| I think he filmed something with it. | ||
|
unidentified
|
Oh, okay. | |
| I think he did some sort of a thing where he filmed himself with the car. | ||
| I don't remember what he did. | ||
| I remember it was something. | ||
| But there's people who have tried to track the car, and there's one gentleman on YouTube who says he owns it. | ||
| It's definitely the same exact car, but whether or not that's the one, I don't know. | ||
| The VIN number discrepancy. | ||
| Yeah, but you know, back then everything's just written down on paper. | ||
| Who knows what the fuck people... | ||
| And also if somebody might have changed the VINs because they were trying to... | ||
| Maybe someone stole it from somebody. | ||
| I don't fucking know. | ||
| You know, it's like you're dealing with like 50 plus years of shit going down. | ||
| Who knows what happened, but... | ||
| What's your favorite card? | ||
| I don't really have a favorite car, a favorite specific car, but if I had a favorite kind of car, it would be American Muscle cars. | ||
| Those are my favorite cars. | ||
| Because those cars, even though they're not the fastest cars, they don't handle the best, those cars are literally like a rolling piece of art. | ||
| You're driving around in this iconic time machine of art. | ||
| You know, someone created this shape, this beautiful shape, and you see that shape, and you go, oh! | ||
| You see a 69 Mustang, you just go, oh! | ||
| My dad's got a 69 Camaro. | ||
| Oh, yeah. | ||
| It's blue with the stripes. | ||
| Yeah. | ||
| Beautiful car. | ||
| No, it is beautiful. | ||
| That's why I said, Dad, I'm waiting for you to kick the bucket so I can grab that. | ||
| Don't you have one of them six-wheel Hennessys? | ||
| Yeah, I did. | ||
| That is so crazy. | ||
| That thing is so gigantic. | ||
| It's so fun. | ||
| Do you have a pickup out here? | ||
| I don't. | ||
| Yeah, I have one out here. | ||
| I don't have it here today. | ||
| Today I drove my Tesla. | ||
| Today I drove my electric car. | ||
| It's a Jesus Christ car. | ||
| That's what Jesus is. | ||
| No, Jesus would drive a fucking Shelby. | ||
| That's it! | ||
| Yeah, look at that thing. | ||
| That is so crazy. | ||
| A six-wheel drive car. | ||
| Now, all that extra weight with those extra two wheels and an extra axle in the back, like, is that fast still? | ||
| It's fast. | ||
| It's bumpy, but it's fast. | ||
| Oh, I imagine. | ||
| You could probably tow a fucking giant boat with that thing, man. | ||
| That's right. | ||
| All that traction. | ||
| It is so fun to drive. | ||
| It is inconvenient in Salt Lake City. | ||
| How so? | ||
| Because it stands out? | ||
| I can't get into any of the spots. | ||
|
unidentified
|
Oh, parking spots. | |
| It's so big. | ||
| I can't get into any of the spots. | ||
| You got an extra half a car out back. | ||
| I go to the Applebee's and I'm like, alright, well, I don't know if any... | ||
| I try to, like, get it perfect in because I don't want to be the dickhead that blocks any spots, but if I don't go in far enough... | ||
| It sticks out so fucking big out the back and I just gotta go in just a little bit into the next spot. | ||
| Just a tiny bit. | ||
| Just a smidge. | ||
| Just like the wench on the front. | ||
| Well, for most people that's fine if you have a regular car. | ||
| Yeah, you can get in there. | ||
| There's other spots. | ||
| I love the Applebee's, but it's not usually super full. | ||
| You're an Applebee's guy. | ||
| I love Applebee's. | ||
|
unidentified
|
Really? | |
| What's it about Applebee's? | ||
| I love the neighborhood, man. | ||
| I love the atmosphere. | ||
| I love the drink they give you that comes with a gummy shark. | ||
| Which one's that? | ||
| I don't know what it's called. | ||
| It's like one of them signature cocktails? | ||
| Yeah, but it's so good. | ||
| And they have a special Mountain Dew at Applebee's. | ||
| They do? | ||
| Yeah. | ||
| It's special? | ||
| Yeah, it's special. | ||
| It's only at Applebee's. | ||
| What's this special? | ||
| You looking for another one of those? | ||
| No, I got this one right here. | ||
| It's like a raspberry flavor, I think. | ||
| It's called, like, Space Punch. | ||
| Darkberry Bash. | ||
| It's called, actually, NASA uses orange filters on Mars Bash. | ||
| I swear to God, check that shit out. | ||
| Look into it, guys. | ||
| I think what Jamie is saying about color correction, though, is accurate. | ||
| Yeah, like when I was just looking at photos, they all come black and white, I think. | ||
| Right. | ||
| I think the thing is that they're just getting data. | ||
| They're getting data, and that data has to be interpreted into an image. | ||
| And it's a lot more complicated than you taking a picture on your iPhone and texting it to me, and I get it, and it's in full resolution. | ||
| Look up Mars copy and paste. | ||
| Look up NASA copy and paste. | ||
| Let's see if this works. | ||
|
unidentified
|
I'll add Mars. | |
| Just add Mars for a buzzword. | ||
| What do you think about all this UFO disclosure shit? | ||
| Are you paying attention to it? | ||
| Yes, sir. | ||
| Yeah. | ||
|
unidentified
|
Yeah. | |
| It's... | ||
| I think it's pretty cool. | ||
| That's pretty interesting, right? | ||
| Yeah. | ||
| You know what's interesting? | ||
| Like, how little people seem to care. | ||
| Because we already know! | ||
| I know, but it's interesting that, like, there wasn't, like, some moment where people, like, were like, holy shit! | ||
| Aliens are real! | ||
| Pretty soon that's coming. | ||
| You think? | ||
| I think it's... | ||
| Because of this slow trickle, it's gonna be... | ||
| We just accept it. | ||
| Well, they try to normalize it with, like... | ||
| Yeah. | ||
| Like, War of the Worlds, which is like... | ||
| Battle of Los Angeles and shit like that. | ||
| That was a real fucking thing that happened. | ||
| The pictures of Battle of Los Angeles is crazy. | ||
| What happened exactly in Battle of Los Angeles? | ||
| There's this big object in the sky and we're shooting machine guns at it. | ||
| We got spotlights. | ||
|
unidentified
|
This is like in the 50s, maybe? | |
| I've never seen it. | ||
| It's this photo. | ||
| Look at this shit. | ||
|
unidentified
|
Wow. | |
| So we're putting fucking rounds on this fucking thing. | ||
| Spotlights on this thing in the sky. | ||
| Look at the rounds! | ||
| Right, but what is it that they see? | ||
| That's weird that all you can see is spotlights. | ||
| 1947 it says in the corner. | ||
| Boy, that looks like a fucking flying saucer. | ||
| Look at in the middle and look at... | ||
| But those things around it, those are fucking like ma deuce rounds. | ||
| Like, they're shooting at this fucking thing. | ||
| They don't know what it is. | ||
| Well, you know, there's a famous story from the Soviet Union that these guys shot at a UFO and it turned them into stone. | ||
| Is it true? | ||
| I don't know. | ||
| The CIA investigated it. | ||
| Here, I'll send it to you, Jamie. | ||
| Because I sent it to Jeremy Corbell, and that's what I asked him. | ||
| Fuck, I should have had links, Jamie. | ||
| God damn it. | ||
| Well, this is the only link I have. | ||
| It's, uh... | ||
| CIA UFO turned into STEM. You're definitely on a watch list, Jamie. | ||
| Yeah, so there's literally, like, a CIA document about it that these guys... | ||
| Supposedly shot at a low-flying spaceship. | ||
| According to the KGB materials, a quite low-flying spaceship in the shape of a saucer appeared above a military unit that was conducting routine training maneuvers. | ||
| For unknown reasons, somebody unexpectedly launched a surface-to-air missile and hit the UFO. It fell to Earth not far away, and five short humanoids with large heads and large black eyes emerged from it. | ||
| It is stated in the testimonies by the two soldiers who remained alive that after freeing themselves from the debris, the aliens came close together and then merged into a single object that acquired a spherical shape. | ||
| that object began to buzz and hiss sharply and then became brilliant white and a few seconds the spheres grew much bigger and Exploded by flaring up with an extremely blight bright light at that very instant 23 soldiers who had watched the phenomenon turned into stone poles poles Yeah, only two soldiers who stood in the shade and were less exposed to the luminous explosion survived. | ||
| No shit. | ||
| The KGB report goes on to say that the remains of the UFO and the petrified soldiers were transferred to a secret scientific research institution near Moscow. | ||
| Specialists assume that a source of energy that is still unknown to earthlings instantly changed the structure of the soldiers living organisms having transformed it into a substance whose molecular composition is no different from that of limestone. | ||
| It turned them into limestone. | ||
| Turned them literally into limestone. | ||
| And this is a CIA paperwork? | ||
| Well, this is, you know, they're reading from a KGB file, right? | ||
| So It's just, go to the very bottom of that again, Jamie, at the very bottom of that. | ||
| It's one of the things that says, the CIA representative stated, if the KGB file corresponds to reality, this is an extremely menacing case. | ||
| The aliens possess such weapons and technology that go beyond all our assumptions. | ||
| They can stand up for themselves if attacked. | ||
| The thing is, they're saying if the file corresponds to reality, that means there's a question. | ||
| If this is real, they're tough. | ||
| Yeah, they can fuck with you. | ||
| What year was this released? | ||
| I don't know. | ||
| Source is a newspaper. | ||
| 1991? | ||
| 93. 93. So, there's all these disclosures that are going on right now, and they're very, very fascinating. | ||
| Because it's hard to know what's true and what's not true. | ||
| But it's interesting that they're talking about it. | ||
| But no one's showed me anything yet. | ||
| I'm waiting for them to show me things. | ||
| I've seen some things already, like those videos that they took off the FLIR video and the GO FAST video and these videos of these things where these jet fighter pilots are trying to track this thing and it's like zipping across the sky and they're like, what the fuck is that? | ||
| I've seen a few of those. | ||
| I've talked to two different fighter pilots that have had encounters. | ||
| And they're all in. | ||
| They're all in. | ||
| I think there's a real thing going on. | ||
| What that real thing is, is what's confusing to me. | ||
| I think some of it has to be ours. | ||
| I think some of it has to be like super advanced drone technology that we don't want everyone knowing about. | ||
| And it's probably some black op shit. | ||
| But I don't think that's all of it. | ||
| I think it's also possible that we've been visited. | ||
| It just makes sense. | ||
| It sounds so stupid. | ||
| That's part of the problem of even talking about it because it sounds dumb. | ||
| Because there's no evidence. | ||
| So you have to believe in something where there's no evidence of it other than some blurry photographs. | ||
| But then when you just think about the size of the universe itself and the fact that we exist. | ||
| We exist here on this planet. | ||
| We're real. | ||
| We know we're real. | ||
| What if it's fucking a Martha or whatever and they're from fucking the center of the earth and the holes in... | ||
| The polar, the poles or whatever, north and south, and that's where the holes are, and that's why Google Maps blocks it all out and all that shit. | ||
| Well, that would be a great theory before cell phones. | ||
| But it's not there. | ||
| You still can't see it. | ||
| Yeah, but you can with satellites. | ||
| And also flight patterns. | ||
| Copy and paste, by the way. | ||
| You know who doesn't think the world is flat? | ||
| Pilots. | ||
| True. | ||
| Or anyone who's been in an airplane. | ||
| They fly around these motherfuckers. | ||
| They know where they have to go. | ||
| They know the flight patterns. | ||
| You look at it. | ||
| You see it. | ||
| Also, by the way, everything's round. | ||
| Go out in the fucking sky and look at Mars, look at Jupiter, get a telescope, look at all the stars. | ||
| Notice how everything's round? | ||
| Seems like there's a pattern going on. | ||
| Why would this be different? | ||
| This ass is round. | ||
| I don't know. | ||
| It's so weird, man. | ||
| I don't know. | ||
| And you're talking about the oh shit moment. | ||
| I think we've been so normalized to it. | ||
| Like E.T. all this shit. | ||
| Growing up watching this shit. | ||
| To where it's like, yeah, no shit. | ||
| Everyone, no matter what the surveys say or anything, everyone thinks there's like... | ||
| Something going on. | ||
| Everyone. | ||
| Yeah. | ||
| There's a few people that still are very incredulous. | ||
| Elon, believe it or not, is incredulous. | ||
|
unidentified
|
He's famously said, if aliens are real, they sure are subtle. | |
| They're very subtle. | ||
| Bigfoot's subtle, too. | ||
| Doesn't mean he's not an interdimensional being that could teleport at will. | ||
| He knows where the cameras are. | ||
| He's an omniscient being. | ||
| He shuts down trail cams. | ||
| Bigfoot is just Jesus Christ, full beard, all over. | ||
| He's just Woods Jesus. | ||
| Yeah, that's what he is. | ||
| Y'all seen the Woods Jesus? | ||
| He's a mythical creature that's looking out for humanity. | ||
|
unidentified
|
Our brothers and sisters, they need our help. | |
| He's a benevolent, kind being. | ||
| He's got a big heart. | ||
| Bro, the biggest scam ever pulled in the American public is finding Bigfoot. | ||
|
unidentified
|
That show, they did that show for like 50 years. | |
| It is so good. | ||
| It's so good. | ||
| I like the Bigfoot Hunters. | ||
| I like all those shows. | ||
| I know they're not going to catch it, and I don't care. | ||
| Of course, I still watch it. | ||
| And you can tell, now, it's gotten to the point where it's all just... | ||
| Just actors. | ||
| They're just going out there. | ||
| This is so scripted, it's not even funny. | ||
| Yeah, they're pretending that they're encountering things and they're hearing things in the woods. | ||
| It's crazy. | ||
| I watch... | ||
| There's this whole... | ||
| On Discovery, I watch Discovery... | ||
| Or I have Discovery Plus. | ||
| And there's a show about vampires. | ||
| And they were talking to these two vampire hunters. | ||
| And they were like... | ||
| It was like, imagine like Blade, but like two blades and they were like acting like Blade. | ||
|
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|
And I was like, this is not fucking, this is on Discovery. | |
| This is on Discovery, dude. | ||
| That's hilarious. | ||
| Dude, it was like two blades. | ||
| What if they go fucking kill somebody? | ||
| They're crazy. | ||
| That's what I'm saying. | ||
| They're like, we know, we know they're fucking out there, but it's all, it's all acting. | ||
| Bro, imagine if they were. | ||
| That opening scene to Blade, when that dude gets dragged into the vampire disco. | ||
| I don't like surprises. | ||
| Or he does like surprises, actually. | ||
| That shit's amazing. | ||
| Play that scene. | ||
| That is so good. | ||
| Play that scene. | ||
| I think that's one of the greatest scenes in any movie ever. | ||
| It is so good. | ||
| And Tracy Lords is the one who takes him there. | ||
|
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|
Dude. | |
| The first two Blade movies were the fucking best shit ever. | ||
| The first one's legit as fuck. | ||
| And he cuts that guy's hand off with this fucking drawstring thing. | ||
| Oh man, that's so cool, man. | ||
| Yeah, those movies are the shit. | ||
| But the first one's the best. | ||
| This poor dork thinks he's gonna get to bang Tracy Lords and she drags him through this meat processing thing and while he's doing it, he kind of sees people. | ||
| He's like, what the fuck? | ||
| As he's going through all this hanging meat, they get to a point where people are rolling by. | ||
| He's looking at frozen people. | ||
| But this dumb motherfucker wants pussy so bad he keeps going. | ||
| If you see an elevator, or just a normal elevator with a bouncer and a trench coat... | ||
| He's ready to bail and she grabs him and kisses him. | ||
| And he's like, okay, cool. | ||
| This song is so hard. | ||
| This song is so hard. | ||
| Give me that, Jamie. | ||
| This fucking scene rules, dude. | ||
| She's great, too. | ||
| She's great, too. | ||
| Frost's, like, girlfriend in the movie. | ||
| Yes. | ||
| And that dude who plays the sidekick who gets his hand cut off. | ||
| That guy's the shit. | ||
| He's so good. | ||
| I fucking love this scene. | ||
| Because... | ||
| They all know he's meat and he doesn't know he's meat. | ||
| He's the only meat in there. | ||
| Only meat in there, man. | ||
| And they all recognize it. | ||
| And he's trying to get behind it. | ||
| He's like, woo! | ||
|
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|
Woohoo! | |
| Let's go! | ||
| Yeah, he starts dancing out there. | ||
| Look at him. | ||
|
unidentified
|
What's up, dude? | |
| What's up, bro? | ||
| And then the blood. | ||
| It's so crazy because you don't know. | ||
| So far, you don't know what the fuck is going on. | ||
|
unidentified
|
Yeah. | |
| Did they stop the new Blade? | ||
| I heard they were making... | ||
| I think there's a series, right? | ||
| But I heard... | ||
| I thought it was a movie and they stopped making it. | ||
| Oh, no. | ||
| Did they? | ||
| I don't know. | ||
| I hope not. | ||
| It definitely got pushed back a few months. | ||
| It got pushed back. | ||
| I don't know. | ||
| Well, there's the writer's girl thing. | ||
|
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|
I want to watch it. | |
| There's the fucking actor's strike. | ||
| Whenever Blade comes in, Wesley's such a fucking hard-ass. | ||
| Oh, this scene's insane. | ||
| Let's go ahead. | ||
| Yeah, yeah. | ||
|
unidentified
|
Thank you, Jamie. | |
| Yeah, here's the point where the blood starts dripping from the ceiling That's so good And they're all throwing their arms out in the air. | ||
| Why does no one do this? | ||
| This would be a crazy party. | ||
|
unidentified
|
In, like, real life, this would be a crazy fucking party. | |
| Not real blood, but, like, pretend blood. | ||
| Yeah, you'd have to do pretend. | ||
| But then people would do one with real blood. | ||
| Just like they're having no-rules fights where you eye gouge. | ||
| Yeah, you win by eye gouging. | ||
|
unidentified
|
What's wrong, baby? | |
| Ah! | ||
| Now he's realizing it's all vampires around him. | ||
| He's about to get fucked up. | ||
|
unidentified
|
Oh, dude. | |
| Oh, dude. | ||
|
unidentified
|
They're so good. | |
| Oh, fuck. - Oh! | ||
| Oh my god, look how clean. | ||
| Blade is so clean right here too. | ||
| Look at that. | ||
| The daywalker. | ||
| Motherfuckers always trying to ice skate uphill is what he says to Frost right before he fucking kills him. | ||
|
unidentified
|
That's the coolest thing. | |
| Yo, let's go! | ||
| Come on That I think is like out of all the superhero movies that's the best Yeah, it is. | ||
| It's so good. | ||
| The best introduction of a superhero ever. | ||
| It's so good. | ||
| It starts in the... | ||
| It's so good. | ||
| Yeah, I mean, that's how you see Blade. | ||
| Yeah. | ||
| That's the first time. | ||
| That's why I was so disappointed. | ||
| They're still doing the 2020... | ||
| Because it's supposed to be this year, but I don't know if it's actually... | ||
| There's a teaser trailer for it. | ||
| Hold on. | ||
| Because that was my favorite shit as a kid. | ||
| Oh, it's a trailer? | ||
|
unidentified
|
It is a hunt. | |
| He's so good. | ||
| That actor they got to do Blade, he is so good. | ||
|
unidentified
|
I'd rather rule in hell than serve in heaven. | |
| We'd be at the bottom of the food chain up there, but down here, we could live like kings. | ||
| Sure you're ready for that, Mr. Whitman? | ||
| Uh, this might... | ||
| What was that? | ||
| What do you mean? | ||
| I don't know. | ||
| He didn't say that, so this could be a fake trailer. | ||
| He didn't see that. | ||
| He did not say that. | ||
| It could just be lagged. | ||
| How do you know he didn't say that? | ||
| Maybe it's just like a re-upload or something? | ||
| His mount didn't move that way. | ||
|
unidentified
|
Sure you're ready for that, Mr. Whip? | |
| Yeah, not even close. | ||
| Let it go, though. | ||
|
unidentified
|
I'm dating. | |
| There are watchers behind the eyes all over the city. | ||
| That looked okay. | ||
|
unidentified
|
He drinks human blood. | |
| Oh, how the mighty have fallen. | ||
| I will grant you the destiny you see. | ||
| Night is not a game. | ||
| It is a hunt. | ||
| See, it looked weird. | ||
| Yeah, that wasn't a real trailer. | ||
| It's like a fan-edited trailer. | ||
| You think so? | ||
| I've seen a really good one recently where people were actually getting real jobs for making fan-edited trailers. | ||
| That's crazy. | ||
| That's smart, right? | ||
| And then you show it to the studio. | ||
| The studio's like, find that fucking guy. | ||
| They just take, what, from the teaser or whatever and put a song there? | ||
| You know what drives me crazy? | ||
| Who decided that that's how music for a trailer has to be? | ||
| Ba-dum! | ||
| Right. | ||
| Anticipation. | ||
| You know what? | ||
| It was the inception. | ||
| It was inception that was like... | ||
|
unidentified
|
Right. | |
| I don't know. | ||
| Every movie trailer soundtrack is exactly the same. | ||
| Every movie trailer soundtrack is exactly the same. | ||
| That's interesting. | ||
| It's true, though. | ||
| It's a pattern to get you jazzed up about something. | ||
| But see, it's starting to wear off because I'm like, okay, I hear it. | ||
| Now we need a trailer with no music. | ||
| Trailers used to be one of my favorite parts of going to the movies. | ||
| Really? | ||
| Yeah, man. | ||
| You got a good trailer. | ||
| A good solid trailer that sucks you in, you're like, oh shit! | ||
| That was how you found out about movies back then. | ||
| Right, right. | ||
| Oh, you didn't see Oppenheimer yet, right? | ||
| No, no, no, no, no. | ||
| They show a trailer for this before, and the sound, because you're in the IMAX theater with Oppenheimer, makes this movie... | ||
| I mean, it already looks good, but the trailer and the audio... | ||
| Is it the same soundtrack? | ||
| Oh, this is Killers of a Flower Moon. | ||
| No, it's not at all, but, like, just... | ||
| They added... | ||
| Whoever added this together did a great job. | ||
| Oh, is this new? | ||
| Yeah, this comes out later this year. | ||
| Killers of the Flower Moon. | ||
| Leo's a beast. | ||
|
unidentified
|
My color. | |
| They used the same grave. | ||
|
unidentified
|
The Osage. | |
| They have the worst land possible. | ||
| But they outsmarted everybody. | ||
| The land had oil on it. | ||
|
unidentified
|
Black gold. | |
| Money flows freely here now. | ||
| I do love that money, sir. | ||
|
unidentified
|
This wealth should come to us. | |
| Their time is over. | ||
| This is going to be another tragedy. | ||
| When this money started coming, we should have known it came to something else. | ||
| They're like buzzards circling our people. | ||
| We're still warriors. | ||
| I ought to kill these white men who killed my family. | ||
| We're still warriors. | ||
| I need you here. | ||
| I am right here. | ||
| You've got to take back control of your home. | ||
| I was sent down from Washington, D.C. to see about these murders. | ||
| See what about them? | ||
| We'll see who's doing it. | ||
| Expecting a miracle to make all this go away? | ||
| you You know they don't happen anymore. | ||
| Whoa. | ||
| It's a good trailer. | ||
|
unidentified
|
Ooh. | |
| That's a good fucking trailer. | ||
| That's an original trailer soundtrack, too. | ||
| That's a good fucking trailer. | ||
| Yeah. | ||
| I'm gonna see that fucking movie. | ||
| Cut well. | ||
| I'm gonna see that fucking movie. | ||
| You ever watch an old movie with no soundtrack in it? | ||
| And you're like, wow, this is wild. | ||
| They have no music in this movie. | ||
| I'm trying to think of the last movie I watched with no soundtrack in it. | ||
| If you watch some old, like watch The Hustler with Paul Newman and Jackie Gleason, there's no music playing. | ||
| Unless there's music in the background of a bar or something where they're at. | ||
| There's no music that accompanies the scenes. | ||
| No Country for Old Men. | ||
|
unidentified
|
No Country for Old Men. | |
| That's the best movie of all time. | ||
| I love that fucking movie. | ||
| Javier Bardum is like the best bad guy of all time. | ||
| Oh my god, he's insane in that movie. | ||
| He's insane in that movie. | ||
| He's unhinged. | ||
| Thank you. | ||
| He really does appear to be that guy. | ||
| He feels like a psychotic guy that kills you with a cattle prod. | ||
| Even that scene where he's driving on the bridge. | ||
| And there's a bird on the bridge and he just goes and tries to kill it. | ||
| But misses. | ||
| That says so much about that character. | ||
|
unidentified
|
It is so fucking good. | |
| The way he kills people too is so crazy. | ||
| The fucking shower curtain. | ||
|
unidentified
|
The shower curtain where he sees that motherfucker and he's like, man. | |
| Just blasts him through the shower curtain. | ||
| I love that movie. | ||
| That movie has no music in it. | ||
| I love that. | ||
| I love that. | ||
| Yeah, it's a weird thing where you're listening to music in a scene and it's telling you how to think. | ||
| Right. | ||
| Where it kind of takes away a little bit of the suspension of disbelief that you're that character. | ||
| And that's why I love the contrast and the juxtaposition of Different music than you would expect. | ||
| Like, and a Django whenever he goes and fucking kills the whole house to Tupac. | ||
| Yeah. | ||
| That shit is so hard because it's been Western music the whole time. | ||
| Right, right, right. | ||
| That's such a Tarantino move. | ||
| He always has amazing music choices. | ||
| For those big culmination scenes, what was the song in Once Upon a Time in Hollywood? | ||
| Whenever everything was fucking going down. | ||
| Because it always builds up to that one scene with the contrasting music. | ||
| It is so fucking cool. | ||
| I love that. | ||
| I love that. | ||
| It's just like, oh, I'm gonna fucking be in a war scene to like fucking, like, where's my mind? | ||
| Like, even the where is my mind? | ||
| Like, that's great. | ||
| But like, it just, it's so, it's so fucking cool, dude. | ||
|
unidentified
|
This scene is insane Music in the background Yeah, there's music. | |
| There's music there. | ||
| Doors? | ||
| No. | ||
|
unidentified
|
Did you watch this movie? | |
| Oh, yeah. | ||
| Oh, my God. | ||
| I Watched this movie Dave Chappelle and Donnell Rawlings in a movie theater that we had all rented out it There was no one in it but us. | ||
| All the comics and the dudes we work with went to see it at like 2 o'clock in the morning after our show. | ||
| It's so good. | ||
| It's amazing. | ||
|
unidentified
|
You get that build up for that fucking... | |
| It's also such a Tarantino movie. | ||
| The violence in it is so egregious. | ||
| But only in that one deal! | ||
| Right, but it's enough. | ||
|
unidentified
|
It's enough! | |
| It's so good! | ||
| And then he goes, he's like, you know what? | ||
| I'm getting out the fucking flamethrower from my movie prop from a while ago. | ||
| That shit is so crazy, dude. | ||
| Yeah. | ||
| Yeah, exactly. | ||
| Oh, you're a home intruder? | ||
| I'm pulling out my fucking flamethrower. | ||
| Oh, God. | ||
| That shit is crazy, dude. | ||
| It's a crazy movie, man. | ||
| I love that movie. | ||
| It's such a fun movie too because it's like a reimagining of the Manson murders. | ||
|
unidentified
|
Yeah, yeah, yeah. | |
| Was it Manson? | ||
| Yeah. | ||
| Like actual? | ||
| Or was it like a play off of? | ||
| I think it was the Manson family coming after him. | ||
| But he happens to be there. | ||
| No, it was. | ||
| Yeah, it was. | ||
|
unidentified
|
Yep, yep. | |
| Because Tate's in the movie. | ||
| Everybody, the director. | ||
| Manson's in the movie briefly. | ||
| The Italian... | ||
| Director that was with Sharon Tate. | ||
| Oh yeah, Manson was in that. | ||
| That's right. | ||
| That's crazy, dude. | ||
| And they go to that ranch. | ||
| They go to the ranch and they're looking for the owner of the ranch and he's sleeping. | ||
| He's like, he doesn't feel very good. | ||
| That's a crazy movie. | ||
| It is a crazy movie. | ||
| It's very good. | ||
| It's a very good movie. | ||
| And that's what they did too. | ||
| They whack people for Charlie. | ||
| And just... | ||
| Is the ranch story real? | ||
| I guess specifically is what I'm thinking about. | ||
| What is the actual story? | ||
| Like, what do they say? | ||
| That they killed the guy who owned the ranch and took it over or something? | ||
| Yeah, well, I guess in the movie. | ||
| Yeah. | ||
| He's super... | ||
| He's dead. | ||
| I don't know if that's based on a real story, but I bet it is. | ||
| I bet that's real. | ||
| Or at least if he's not dead, he's just fucking fucked up out of his mind. | ||
| They gave him all the drugs in the world. | ||
| But I think there were some cases of girls honeypotting dudes and then the other Manson family guys would come over and it would turn into a shit show. | ||
| I think that's what happened with Brian Wilson and Dennis Wilson, his manager. | ||
| They became entrenched with Charles Manson. | ||
| And I think Dennis, we brought up this the other day, right? | ||
| Dennis Wilson was his manager at one point or something, was going to produce a record for him or something like that. | ||
| And it went sour. | ||
| And, you know, then now you have the fucking head of the Manson family who hates you and he wants to kill you. | ||
| Same Brian Wilson? | ||
| Brian Wilson from the Beach Boys. | ||
| Yeah. | ||
| Yeah, his brother was a producer. | ||
| Have you listened to his music? | ||
| Sure. | ||
| Look at that. | ||
| His music is so... | ||
| Yeah, it's fucking weird. | ||
| It's weird. | ||
| Yeah, play some Charles Manson music. | ||
| It's weird listening to his voice, like, because we know, but that was, like, right before. | ||
| It's crazy, dude. | ||
| It's so, it fucking gives me fucking chills, dude. | ||
| It's so weird. | ||
|
unidentified
|
Think you're loving, baby And all you're doing is crying Can you feel? | |
| Are those feelings real? | ||
| Look at your game, girl Look at your game, girl What a mad delusion Living in that confusion Frustration and doubt Can you ever live without It makes sense that he could do that. | ||
| It's weird, man. | ||
| Because he's charismatic, right? | ||
| He was a cult leader. | ||
| He has charisma. | ||
| He knows how to captivate people's attention. | ||
| And that's what he's doing through his singing. | ||
| It's so weird, dude. | ||
| Weird. | ||
|
unidentified
|
Weird. | |
| It gave me chills, like, listening to that fucking come on and look at that fucking picture. | ||
| It's just so... | ||
| It's so strange. | ||
| Yeah. | ||
| It's strange. | ||
| It's strange. | ||
| Strange as a recording. | ||
| Charles Manson's song was out there. | ||
| It's crazy. | ||
| I think there's more. | ||
| I think there's more than that. | ||
| There's like a whole record now. | ||
| It's crazy. | ||
| Did you ever see Searching for Sugar Man? | ||
| No, sir. | ||
| Do you know the story behind it? | ||
| No, sir. | ||
| Bro, this is a crazy story. | ||
| That might have been him singing, just for record. | ||
| What's that? | ||
| That wasn't him? | ||
| Wasn't Charles Manson? | ||
| It's fake. | ||
| No, no, no. | ||
| I'm reading that he wrote these songs. | ||
|
unidentified
|
Oh! | |
| And someone else sung it? | ||
| That might have been someone else's voice. | ||
| Might have been, or it is? | ||
| Trying to figure it out? | ||
| The actual thing we just listened to, I don't know, but I'm like, here's a link that says, listen to these Charles Manson songs, and he's credited as the songwriter for them. | ||
| Like, he might have been trying to write Beach Boys songs. | ||
| Interesting. | ||
| Interesting. | ||
| I didn't know they had any... | ||
| Brian Wilson and... | ||
| Yeah. | ||
| They had any connection. | ||
| That's crazy. | ||
| This one says that these are performed by Steve Grogan. | ||
| Steve Grogan. | ||
| Ah, okay. | ||
| So he wrote it. | ||
| 1970 recordings of Manson songs. | ||
| Whoa. | ||
| That's crazy. | ||
| Jamie, Google searching for Sugar Man. | ||
| This is a movie that I think you would love. | ||
| So this movie is about this guy who made these albums. | ||
| He made an album in the 70s, made some recordings. | ||
| And nobody, they didn't take off over here in America. | ||
| But people were playing them in South Africa. | ||
| And in South Africa, this guy was gigantic. | ||
| And there was all these rumors about him being dead. | ||
| Meanwhile, the guy was in America doing construction work. | ||
| He was like a laborer. | ||
| Really? | ||
| Yes! | ||
| So then all of a sudden they find him. | ||
| What is his name? | ||
| It says it right there. | ||
| Just scroll up. | ||
| Rodriguez. | ||
| So this guy doesn't know that he's a fucking huge star in South Africa. | ||
| And they find him and then they bring him to South Africa to do a concert. | ||
| And it's fucking bananas. | ||
| Imagine having no idea that there's hundreds of thousands of people. | ||
|
unidentified
|
How does that happen? | |
| What year is this? | ||
| Well, the documentary was like... | ||
| Ten years ago was when the movie came out. | ||
| Right. | ||
| And like, what was the event? | ||
| 98, it said on that tape, and they just showed up. | ||
| So 98. So no internet. | ||
| So that's how it happens. | ||
| This is the kind of shit that happened before the internet. | ||
| Somebody got ahold of his records. | ||
| And played it on the radio. | ||
| Some guy was an aficionado. | ||
| It was like, I love this song. | ||
| And he has some great songs. | ||
| It's some great music. | ||
| It's really interesting music. | ||
| And, you know, he was a fucking huge star in another country and he had no idea. | ||
| And this is the movie about him going on stage. | ||
| It brought me to tears, man. | ||
| Brought me to tears. | ||
| When he went on stage, it's like, holy shit, what is that like for him? | ||
| Yeah. | ||
| This guy had no idea. | ||
| That's crazy. | ||
| It's like he's living in a dream. | ||
| How do you even go do a show? | ||
| How do you even go do a show? | ||
| How do you do a show? | ||
| I can't do a fucking show, and I know that there's people coming. | ||
| Like, I can't even fucking do a show. | ||
| He's believed to have sold more records in South Africa than Elvis Presley. | ||
| That's crazy. | ||
| Insane. | ||
| Sixto Rodriguez is his name. | ||
| Wow. | ||
| You ever heard of any of his stuff? | ||
| No, sir. | ||
| Let me pull up something. | ||
| Pull up some shit. | ||
| That's crazy. | ||
| He's got a great voice. | ||
| It's great stuff. | ||
| Sugar Man, I guess? | ||
| Yes, Sugar Man's a good one. | ||
| Looking for... | ||
| Trying to find one. | ||
|
unidentified
|
Here is a good one. | |
| Won't you hurry? | ||
| Cause I'm tired of these scenes For a blue coin Won't you bring back All those colors to my dreams Silver magic ships you carry Jumpers, | ||
| Coke, Sweet Mary Jane On a lonely, dusty road. | ||
| Lost my heart when I found it. | ||
| It had turned to dead, black hole. | ||
| Silver magic ships you carry. | ||
| Jumpers, coke, It's a good fucking song, right? | ||
| It's so good. | ||
|
unidentified
|
It's really good It's great writing It is. | |
| It is really good. | ||
| It really breathes really fucking nice and his voice is insane. | ||
| Jamie, what year was this that this was recorded? | ||
| I think 68. Wow. | ||
| He's one off. | ||
| He was almost in the good year. | ||
| 69. This dude for 30 years thought he didn't make it. | ||
| That's crazy. | ||
| And then he goes over and he stands up in front of an arena filled with people. | ||
| He quit music in 1976 and purchased a house in Detroit for $250, technically. | ||
| Wow. | ||
| $250? | ||
| And he lived there until 2013. Yeah, his house had like no heat, you know, like a fireplace. | ||
| It's weird shit, man. | ||
| What's a fireplace? | ||
| You know, where the fire is, in the corner. | ||
| That's fucking crazy. | ||
| I gotta look into fucking Rodriguez. | ||
| What a fucking legend. | ||
| I think the guy wound up giving all his money away, too. | ||
| He's kind of... | ||
| I mean, that might be one of them legend stories. | ||
| I tell a lot of those, unfortunately. | ||
| Don't turn out to be true. | ||
| I hear a lot of legends, and I just fucking repeat them ad nauseum. | ||
| But I think the thing about him was people said that he had given his money away. | ||
| And that he just kind of went back to a simple life and stopped performing. | ||
| Maybe he experienced it in the documentary and all the heat and all the attention. | ||
| He's like, yeah, you know what? | ||
| I'm an older man now and I'm not interested in this anymore. | ||
| I was interested in this when I was a young man. | ||
| I just want to chill. | ||
| Yeah, and he fucking knows he did it now. | ||
| He's like, wow, people enjoyed it. | ||
| And it's really good, man. | ||
| Yeah. | ||
| It's crazy songs that can slip through. | ||
| You find out a song from 1969, and you're like, how is that not a fucking smash hit? | ||
| Yeah. | ||
| Do you ever heard of Johnny Thunder? | ||
| No, sir. | ||
| Play I'm Alive by Johnny Thunder. | ||
| My friend Brian Simpson told me about this the other day, and he goes, you gotta hear this song. | ||
| And we had to do the research. | ||
| When was this released? | ||
| We thought it was 2011. It's 1969. It was re-released. | ||
| But I want you to imagine a world where a dude who makes a song that's this fucking good isn't a superstar. | ||
| Listen to this shit. | ||
|
unidentified
|
Sounds like the Black Keys. | |
| 1960. | ||
| Yeah, man. | ||
|
unidentified
|
Yeah, dude. | |
| Damn. | ||
| It does sound modern because the way they cut records now is just like... | ||
|
unidentified
|
They chase that retro vibe. | |
| Yeah. | ||
| What year was this? | ||
| 69, son. | ||
| His distortion is crazy on that guitar. | ||
|
unidentified
|
that tone is amazing god damn this is good whoo I'm gonna get out my phone. | |
| I'll send it to you. | ||
| All right, yeah, please. | ||
| Thank you. | ||
| I will not forget. | ||
| This is one of my favorite songs. | ||
| I fucking love this song. | ||
| Yeah, you gotta send that to me. | ||
| I listen to this song every night in my green room. | ||
| That's like mandatory listening. | ||
| Yeah, that shit is amazing. | ||
| I listen to Open the Gates. | ||
| That's the first song we listen to when I get in the room because it's a crazy song. | ||
| It's just a good way to get it going. | ||
| What is this? | ||
| This is the other version of it? | ||
| He covered this version of it. | ||
|
unidentified
|
Yeah. | |
| Yeah. | ||
| Their version sucks. | ||
| Oh, yeah? | ||
|
unidentified
|
This version... | |
| Listen to this. | ||
| It's slower. | ||
| Listen to this, though. | ||
| They got good monthly listeners. | ||
| They got 1.7 million. | ||
| Well, it's Tommy James and the Shondells. | ||
| They're very famous. | ||
| I don't know them. | ||
| Really? | ||
| No. | ||
| Oh, yeah. | ||
| They're a 1960s band. | ||
| I would like to see Joe Rogan with, like, a mod haircut. | ||
| Yeah, I'd go for it, bro. | ||
| You'd look cool. | ||
| Full of hair, I'd get mutton chops. | ||
| Cruzy, baby. | ||
| Let's go, baby. | ||
| Give me them fucking big collars, bitch. | ||
| Elvis collars. | ||
| Let's go. | ||
| Do I make you Randy? | ||
| There's a country version of it, too, with Kenny Chesney and Dave Matthews. | ||
| Okay, let's hear a little bit of that. | ||
| Let's hear a little bit of that. | ||
| Actually, it's called I'm Alive. | ||
| This could be a different song. | ||
| It sounds very different. | ||
| Yeah. | ||
| Alright, I'll just skip that. | ||
| It sounds very different. | ||
| Unless they completely whitened it up. | ||
| They brutalized it. | ||
| Kenny Chosney does not have the mod haircut, man. | ||
|
unidentified
|
Yeah. | |
| Well, that song, it's a perfect song. | ||
| It's like, just leave it alone. | ||
| Yeah, you get so much with it. | ||
| That song's perfect. | ||
| That song's so good, man. | ||
| It's got so much fucking feeling to it. | ||
| And nobody heard about it. | ||
| It's not covered by them. | ||
| What's that? | ||
| That's not the same song. | ||
| Oh, of course. | ||
|
unidentified
|
Yeah, it didn't seem like it as you were playing it. | |
| You'd have to have big balls to cover that song after Johnny Thunder. | ||
| It's just so good, man. | ||
| Great name, too. | ||
| Yeah, what a great name. | ||
| Not a porn star name at all. | ||
| Johnny Thunder. | ||
| Joe Rogan, I gotta pee. | ||
| All right, my brother. | ||
| Let's wrap this up. | ||
| I love you. | ||
| I love you, too. | ||
| I appreciate you very much, man. | ||
| Thank you for having me, sir. | ||
| It's always fun to talk to you. | ||
| Let's do it more often. | ||
| I would absolutely love to. | ||
| All right. | ||
| And I'll see you tomorrow night. | ||
| Yes, sir. | ||
| Oh, we're going to go to the mothership tonight. | ||
| Yeah, no, we're fucking going to party. | ||
| Let's go. | ||
| Bye, everybody. | ||
| Good night. | ||
| I love you guys. | ||
| Be safe. | ||
| Keep being amazing. | ||
| Have a great night, guys. |
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