Dec. 22, 2021 - The Joe Rogan Experience
03:00:28
Participants
| 
| Speaker | Time | Text |
|---|---|---|
|
unidentified
|
Joe Rogan Podcast, check it out! | |
| The Joe Rogan Experience. | ||
| Train by day, Joe Rogan Podcast by night, all day. | ||
| That is the digital art of an NFT. What it is, is this guy Beeple. | ||
| Do you know who Beeple is? | ||
| No. | ||
| Beeple is the king of the NFTs. | ||
| He's a digital artist, and he was on the podcast, and he does a piece of digital art every single day, and he has for 12 years. | ||
| You've never seen his stuff? | ||
|
unidentified
|
Mm-mm. | |
| Oh, my God. | ||
| It's incredible. | ||
| But it's that kind of absurdist stuff, like that's a giant Elon Musk with Dogecoin. | ||
| Is that the guy that does the cool thing that had Hillary Clinton's head on a moving robot? | ||
|
unidentified
|
Yes. | |
| Oh yeah, I love that stuff. | ||
| Yes, that's him. | ||
| All of his stuff is real absurd and wild. | ||
| Yeah, it's awesome stuff. | ||
| Love it. | ||
| And that's Beeple. | ||
| That's all of his stuff. | ||
| That's cool. | ||
| Is that a Burning Man thing? | ||
| Bottom right? | ||
| Oh, that's digital art? | ||
| Yeah. | ||
| Yes. | ||
| No, it's not Burning Man. | ||
| Damn, interesting. | ||
| Yeah, he does all these, like, very strange, but it's really funny. | ||
| People, like, try to find the hidden meaning. | ||
| Well, what he's trying to say is, he goes, I don't know what the fuck I'm saying. | ||
| Dude, I love when an artist has to try to sell their work, and they try to make it up, but it's like, the reality is I like flowers. | ||
| Well, he's not interested. | ||
| Look at that one. | ||
| The missile with the big cock. | ||
|
unidentified
|
Love it. | |
| He doesn't, none of his stuff. | ||
| He's the most unpretentious guy ever. | ||
| He's not pretentious at all. | ||
| It was the first weed I smoked in over a week. | ||
| This is tobacco. | ||
| We're in Texas, you son of a bitch. | ||
|
unidentified
|
Oh. | |
| Really strong tobacco. | ||
| How come you're not smoking weed? | ||
| I was in San Diego. | ||
| I was in Dominican Republic. | ||
| Oh, that's right. | ||
| We good? | ||
| Want more? | ||
| Cheers, gentlemen. | ||
| Cheers. | ||
| It's a long life. | ||
| And fortitude. | ||
| Boners. | ||
| Good times. | ||
|
unidentified
|
Mmm. | |
| That's good shit, right? | ||
|
unidentified
|
Yeah. | |
| That's old stuff. | ||
| Good scotch. | ||
| It's interesting. | ||
| I think I prefer, like, American whiskey. | ||
| I prefer, like, Buffalo Trey-style whiskey. | ||
| But that's still good. | ||
| It's interesting. | ||
| It's a different flavor. | ||
| Is this Speyside Highland? | ||
|
unidentified
|
I don't know. | |
| Interesting. | ||
| I just had Jeff go out and get some old. | ||
| I like the Petey kind, too. | ||
| Really? | ||
| Yeah. | ||
| That's my favorite. | ||
| Next time I'm here, I'm bringing you some. | ||
| What's the best stuff? | ||
| What's the best Petey kind? | ||
| My favorite? | ||
| Yeah. | ||
| Kowalile. | ||
| Ooh. | ||
| Some Scottish shit? | ||
| It's like Kowalile, but yeah. | ||
|
unidentified
|
Kowalile. | |
| It's my favorite. | ||
| I love it. | ||
| You don't find it everywhere. | ||
| The 10 or the 12, I forget. | ||
| 12. I'll bring you some next time. | ||
| You know who makes a damn good whiskey? | ||
| Josh Barnett. | ||
| Josh Barnett has his own War Master whiskey. | ||
| It's fucking good. | ||
| Josh Barnett is a genius. | ||
| He's a very intelligent guy. | ||
| And he's a connoisseur of great things. | ||
| Like, he's really into things. | ||
| And if he does something, he's gonna do it the right way. | ||
| Like, 100%. | ||
| He never does a bullshit thing. | ||
| And he's got this War Master whiskey. | ||
| I think it's like, I forget the brand he's working with. | ||
| Warbringer. | ||
| Warbringer. | ||
| And his is called the War Master. | ||
| And I'm telling you, it's fucking good. | ||
| I wish I had the bottle here. | ||
| I mean, he gave it to me and I tried it out. | ||
| I was like, whoa. | ||
| I go, dude, this is some fucking great whiskey. | ||
| I love these promos. | ||
|
unidentified
|
Like he's in there in the factory fucking lugging bags every day. | |
| No, no, no, no. | ||
| You don't know. | ||
| He does. | ||
| He goes down there. | ||
| Really? | ||
| Yeah, he goes down there. | ||
| Look, he's involved in every step of the way. | ||
| Why did he stab that barrel? | ||
| Because he's an animal. | ||
| He's Josh Barnett. | ||
| He's the youngest ever UFC heavyweight champion. | ||
| The youngest ever. | ||
| No one has beat his record. | ||
| He won the UFC heavyweight title, I think he was 24 years old. | ||
| Wow. | ||
| And then he left, right? | ||
| Well, he went on to do a bunch of other organizations. | ||
| And then came back eventually. | ||
| And he came back to the UFC eventually. | ||
| He's, uh, Josh Barnett's a fucking renaissance fan. | ||
| He made a special appearance on the pro wrestling event that we did at the Comedy Store. | ||
| Oh, really? | ||
| He smacked the hell out of Johnny Skortis' chest. | ||
| Oh, no. | ||
| That is not what you want. | ||
| You could have heard it from fucking La Cienega. | ||
| Did Skortis sell it? | ||
| Oh, he sold it so good. | ||
| He did a few steps like he was fine, and then he just, like, died. | ||
| So good. | ||
| I love Josh Barnett. | ||
| He's so interesting. | ||
| And he's a great example of someone that I could say. | ||
| If someone had these preconceived notions about what a cage fighter's like, and you think they're all brutes and they're all dumb people, sit down with Josh Barnett. | ||
| He's a world-class cage fighter, has been for many, many years. | ||
| He's an elite, high-level grappler. | ||
| And he's a brilliant guy. | ||
| Class act, gets it, doesn't seem like he's brain damaged. | ||
| It's amazing when someone surprises you. | ||
| There's plenty of meatheads, but there's also some interesting ones. | ||
| Oh, there's a lot of them. | ||
| There's a lot of them. | ||
| It's a hard thing to do, man. | ||
| It's a hard thing to do, to be able to do that for a living. | ||
| I talked to Keith Jardine. | ||
| The first time I talked to Keith Jardine, he looks scary. | ||
| Totally scary. | ||
| Fucked up ears. | ||
| Yeah. | ||
| And it was like, excuse me, it was new to the UFC, like first or second or third one. | ||
| And so I thought I was in the way constantly. | ||
| Excuse me. | ||
| And then I moved. | ||
| He's like, no, excuse me. | ||
| And he's looking at me. | ||
| He's like, uh, what? | ||
| He goes, I heard you like J.D. Salinger. | ||
| I'm like, oh, yeah. | ||
| I'm just reading this now. | ||
| It's quite good. | ||
| That's awesome. | ||
| Yeah. | ||
| He's one of the owners of Cayman Coffee. | ||
|
unidentified
|
Oh yeah. | |
| Him and Tate. | ||
| And there's another woman as well. | ||
| Oh god, I forget her name. | ||
| Lacey Mackie. | ||
| What's that? | ||
| Lacey. | ||
| That's right, Lacey. | ||
| And they have the best cold brew. | ||
| The cold brews as shit. | ||
| You ever have their cold brew? | ||
| Nitro. | ||
|
unidentified
|
Yeah. | |
| It's good stuff. | ||
| But Keith's super smart. | ||
| There's a lot of those guys, man. | ||
| A lot of fucking smart people in the UFC. It's shocking, you know, because it's such a crazy thing. | ||
| I mean, you're putting your brain in danger. | ||
| But a lot of people that excel at it. | ||
| Carlos Condit, very smart guy. | ||
| Very smart guy. | ||
| You run for governor? | ||
| Or mayor? | ||
| No, his dad was a governor or something like that. | ||
| Maybe that's it. | ||
| Dad was a mayor or a governor? | ||
| He was some politician. | ||
| What was he? | ||
| He wasn't the one who had the chick disappear and then got... | ||
| I don't think so. | ||
| Let's not even spread that rumor, son of a bitch. | ||
| No, who was that, though? | ||
| Which one is that? | ||
| There was some chick disappeared, and his staff just disappeared, and they were all sort of investigating him until some other story came up and just buried him. | ||
| Any memory of this? | ||
| Oh, I know what you're talking about. | ||
| This is 9-11. | ||
| 9-11, let this guy go. | ||
| Gary, the guy's name was- Gary Condit. | ||
| That's right. | ||
| Gary Condit. | ||
| And there was a girl that he was apparently having an affair with or supposedly having an affair with. | ||
| Living his life. | ||
| And she got murdered in a park. | ||
| Yeah. | ||
| Like right after the affair was exposed. | ||
| And then 9-11 happened. | ||
| And so because 9-11 happened, everybody sort of forgot about it. | ||
| Because it was so crazy. | ||
| That's right. | ||
| Chandra Levy. | ||
| Oh, Chandra Levy. | ||
| She would have been like the next Lewinsky. | ||
| It's those things like, the thing is about Washington, D.C., you have to think, there are real murders there. | ||
| Like that is an absolutely dangerous city. | ||
| Would you not? | ||
| Oh, you're talking about actual murders. | ||
| But I'm saying, imagine though, if it wasn't the case, if he didn't have her whacked, if he just had an affair with her, and the affair got exposed, and then she just randomly got murdered. | ||
| And he's like, oh no. | ||
| They're going to think that's me. | ||
| 100%. | ||
| I'm not saying that that's the case. | ||
| I'm just saying, could you imagine if that did happen? | ||
| Because that's always the wonder. | ||
| When something coincidentally happens, that's always the wonder. | ||
| Yeah, yeah, yeah. | ||
| Was it a coincidence? | ||
| Was it a murder? | ||
| Hillary Clinton says coincidence. | ||
| We were just watching this. | ||
| We were rather reading this statistic the other day about how many women listen to those true crime shows. | ||
| They're like 73% women or something. | ||
| Yeah, they love it. | ||
| They love it. | ||
| Crazy. | ||
| I heard something that it's making women a little bit fearful of doing things in the world because they're constantly... | ||
| Anyone who's walking behind them now because of those are like, shit, shit, that guy's up to something. | ||
| Right. | ||
| And they can't just be anymore. | ||
| Right. | ||
| You got to get off those chicks. | ||
| Well, I think that people are getting influenced by anything that gives them anxiety, whether it's anxiety about serial killers or anxiety about diseases or war with Russia or war with China. | ||
| We're all ramped up on all sides. | ||
| Everyone is freaking out. | ||
| And for what? | ||
| For shit you can't control, almost always, doesn't it concern you, and you're just feeling fear over nothing. | ||
| It's interesting, right? | ||
| Because it's always been the way people have operated. | ||
| They always get together in a patch of land, and they choose a leader, and then they fuck everybody else! | ||
| This is it! | ||
|
unidentified
|
This is us! | |
| This patch! | ||
| We are the fucking shit! | ||
| Patch 72! | ||
| It's kind of funny, man. | ||
| It's like, what everyone would really be afraid of is if all of the people woke up and said, hey, we don't even really need a government. | ||
| If we just stop invading each other and we equally distribute all of the natural resources, instead of hoarding it, we treat it as one community. | ||
| One community, the community is planet Earth. | ||
| So if people need food in Africa, that's our community. | ||
| If people need gas in Argentina, that's our community. | ||
| And we all work together. | ||
| And there's no presidents. | ||
| Why won't that happen? | ||
| Well, because people always want to take over. | ||
| Dude, even to the poor people here, if you're like, yeah, everyone should split it up evenly. | ||
| That means with the whole world. | ||
| Even the poor people here would be like, oh, no, let's not do that. | ||
| We're so funny the way we have narratives from movies and from fiction, and we try to shoehorn them into real life. | ||
| And one of them is politicians aren't corrupt, and politicians are looking out for your best interest. | ||
| Yeah, no way. | ||
| If you see that in a movie, you're like, oh, that makes sense. | ||
| So in real life, if I say to you, do you think that some politicians are corrupt? | ||
| And you're like, yeah, definitely. | ||
| Do you think that politics in general is kind of tainted by influence and money? | ||
| Be like, oh, yeah, yeah, fuck yeah, for sure. | ||
| And you go, okay, was that happening right now? | ||
| No, I think right now I'm just doing a real good job. | ||
| It's every other five-year period. | ||
| I don't think this guy's ties to the pharmaceutical companies are a big problem at all. | ||
| They've been talking about it for 200 years. | ||
| Bro. | ||
| The fucking government's always ripping people off. | ||
| And suddenly now, you're right. | ||
| They were like, no, not these people. | ||
| Did you see Nancy Pelosi defend insider trading? | ||
|
unidentified
|
I was just about to ask you. | |
| What'd you say? | ||
| I don't know, guys. | ||
| I'm doing great at it. | ||
|
unidentified
|
You guys should try it. | |
| A bunch of people were freaking out about it. | ||
| I think it was Crystal and Sager. | ||
| I didn't watch it, but I did see the headline. | ||
| That she apparently... | ||
| Oh, it's incredible. | ||
| You have to watch it. | ||
| She's just bypassing all the laws to make hella cash! | ||
| She looks so guilty. | ||
| It's like when they tell Robert Durst that they know that he did it and he starts burping and shit. | ||
| Just deflect. | ||
| Think about how much money she's worth. | ||
| She makes how much a year? | ||
| How much does she make a year? | ||
| She just funnels it to her husband and be like, no, he made the money. | ||
| Not me, technically. | ||
| How much money does she make a year? | ||
| From being a congresswoman or overall? | ||
| Stuff she's getting now or stuff she's putting away somewhere where no one can see it? | ||
| She's the Speaker of the House, right? | ||
| Oh, you mean salary? | ||
| Probably like a $200,000 job, right? | ||
| She's a big wig. | ||
| $600,000. | ||
| Just on Speaker of the House money, you're saying? | ||
| No, it can't be $600,000. | ||
| No, I don't think it's that money. | ||
| Fauci's the highest paid government employee. | ||
| $223,000. | ||
| And Fauci is slightly less than a half a million dollars. | ||
| Wow. | ||
| Yeah, they gotta make their money on the side. | ||
| But Fauci's like the highest paid government employee. | ||
| I think Fauci might even be... | ||
| More than the president? | ||
| No, I think the president makes a little more than that. | ||
| The president makes 400 grand. | ||
| They've got to start paying them or they get better people. | ||
|
unidentified
|
They make their money when they get out. | |
| What it is, it's like an investment. | ||
| If you get out, you will have money for speaking engagements with all the companies that you helped, all the companies that you like, hey, I like you, I like you, let's hang out, let's party. | ||
| They're like, hey, Mike, Mike, the former president, we'd love to have you come speak at our conference and we're willing to pay you a half a million dollars. | ||
| So there's these weird bribes. | ||
| Yeah. | ||
| When? | ||
| But I'm in office right now. | ||
| Right after you get out. | ||
| It's not that. | ||
| It's kind of genius. | ||
| It's a genius con game. | ||
| What it is, it's like a virus finds its way through the system. | ||
| And they never tell on each other. | ||
| The left and the right side, just like, no, no, we're all in that game. | ||
| Yeah, that's the game of making big money after you quit. | ||
| And then you can also sell books. | ||
| If you're a president and you write a book, that book is selling. | ||
| For sure. | ||
| Do you remember when the UFC paid eight and eight? | ||
| They paid $8,000 to lose a fight, another $8,000 to win. | ||
| I think there's still times. | ||
| What is the entry-level fight pay? | ||
| It can't still be $8,000. | ||
| Might be $10,000 and $10,000. | ||
| Regardless, do you remember when that happened? | ||
| What did the fighters then do? | ||
| Did they accept just that salary? | ||
| Right. | ||
| Or they went out and got it another way? | ||
| That's what the fucking Congress is doing. | ||
| They're just getting paid. | ||
| Well, sort of. | ||
| Except the Congress people in doing that, they're playing a game that's illegal to play if you're not... | ||
| Like, if you know... | ||
| That's how they put Martha Stewart away, isn't it? | ||
| What? | ||
| Wasn't it insider trading? | ||
| Yeah, yeah, yeah, yeah, yeah. | ||
| Yeah, so what is insider trading? | ||
| It's like you know something, and because you know something, you can't make a move on the market because you have inside information? | ||
| Is that exactly what it is? | ||
| Dude, I told everybody, yes, that's exactly right. | ||
| Because you're on the know, so of course you would buy all the stocks and rig the system. | ||
| Is that the most tempting, like, illegal thing to do ever? | ||
| If you fucking know something's about to happen, let's hear what she says. | ||
| She looks like a vampire. | ||
|
unidentified
|
Yeah, she's always looked that way too. | |
| Hold on, I can't hear the question. | ||
| Sorry. | ||
|
unidentified
|
...the inside drain law. ...the five-month investigation finding that 49 members of Congress and 182 senior congressional staffers have violated the stock act, the inside drain law. I'm wondering if you have any reaction to that. And secondly, should members of Congress and their spouses be banned from trading individual stocks? No, I don't know to the second one. | |
| Pause, pause, pause, pause. | ||
| Hold on. | ||
| You can tell when she goes to her drink, she's like, oh, I'm going to be talking for a while. | ||
| Right now, I knew this was going to come up. | ||
| Let's sip a water from a professional speaker who's definitely hydrated enough for the day. | ||
| She starts shaking. | ||
| It's like right there, like, oh boy. | ||
|
unidentified
|
Okay. | |
| Let me hear this. | ||
| Give me some volume. | ||
| Okay, go ahead. | ||
|
unidentified
|
And the T-flake. | |
| What? | ||
| We have a responsibility to report on the stock, but I'm not familiar with that five-month review. | ||
| But if people aren't reporting, they should be. | ||
| Because this is a free market and people... | ||
| We are a free market economy. | ||
| They should be able to participate in that. | ||
| She's telling why her husband should be able to invest in stuff that she knows about. | ||
| Have you ever seen a person look more nervous? | ||
| Yeah. | ||
| It was the long sip, the gulp, afterwards, and the immediate shake. | ||
| Go back to like minute, like second, ten. | ||
| As soon as he starts. | ||
| She also licks her teeth before taking the sip. | ||
| Okay, let me see this. | ||
|
unidentified
|
I'm wondering if you have any reaction to that? | |
| And secondly, should members of Congress and their houses be banned from trading individual stocks while serving in Congress? | ||
| No, no to the second one. | ||
| We have a responsibility to report on the stock, but I'm not familiar with that five-month review. | ||
|
unidentified
|
But if people aren't reporting, they should be. | |
| Look at her eyes. | ||
|
unidentified
|
Because this is a free market and people... | |
| We're a free market economy that should be able to participate in that. | ||
| She already thinks what she's doing is completely right. | ||
| She's like, no, this is how we make cash. | ||
|
unidentified
|
I don't think so. | |
| No way. | ||
| We're doing it. | ||
| I think that's why she gave such a simplistic answer. | ||
| She's giving this very simplistic, almost vague answer. | ||
| Because should you be allowed... | ||
| To participate in the stock market when you're influencing the direction of the stock, or when you know which direction something's going to go in, or when you're going to pass a law to benefit these businesses that's going to force the stock to go up. | ||
| And you know that, so you invest a shit ton of money before it happens. | ||
| That seems... | ||
| No one else is allowed to do that. | ||
| That seems like it's a problem. | ||
| Now, why is that not a problem? | ||
| Because we're fucking co-opted. | ||
| Because I would also abuse it. | ||
| It's like the coach of a team. | ||
| Of course they would. | ||
| What I was saying earlier, it's like the most tempting thing to do in a league. | ||
| You wouldn't do it. | ||
| The rest of us would do it. | ||
| Like we found out Pete Rose was betting on and against his teams when he was playing for the team. | ||
| That's sort of the same thing. | ||
| Well, the against for sure is. | ||
| The against is the problem. | ||
| The against is the problem. | ||
| If you're betting on your team, I don't give a fuck. | ||
| I'm like, good, you should bet on your team. | ||
| When I hear like a fighter bets like a million dollars in like some sort of a side bet on himself, I'm like, fucking yeah, why not, man? | ||
| If he really thinks he can win that much, who gives a shit? | ||
| Makes it more exciting. | ||
| The only problem with Pete Rose betting on his team is when we finally made it It was like he would throw in closers for no reason, wasting them for the next game. | ||
| So he'd finish off a six-run lead. | ||
| He was like, let fucking Mariano finish it out anyway. | ||
| People were like, oh, that's weird. | ||
| Interesting. | ||
| So he made decisions that weren't wise. | ||
| Yeah. | ||
| To ensure one win over the others. | ||
| Right. | ||
| If you were just being a manager. | ||
| But I don't know. | ||
| Is that Monday morning quarterbacking, though? | ||
| Borderline. | ||
| Yeah, you're right. | ||
| I'm all down for people betting on themselves. | ||
| But when you bet against yourself, that means you're going to not play hard because you want to win money. | ||
| You're going to do things on accident that are on purpose. | ||
| You're going to fuck up on purpose. | ||
| You can't do that. | ||
| That's illegal. | ||
| That should be illegal. | ||
| But that's so different. | ||
| That's like, you know, you've got to think of all the other people that are gambling, too. | ||
| You know, you're fucking over a lot of people. | ||
| Like, if all the people think that you're going to win, and you're like, for sure I'm not going to win. | ||
| Everyone I know, don't think I'm going to win because for sure I'm not. | ||
| But how much can a baseball player or a coach really influence how a game goes? | ||
| They can definitely have a big impact on it. | ||
| Percentages. | ||
| Percentages. | ||
| Baseball less than most, right? | ||
| I don't know, man. | ||
| I don't know enough about it, but I would imagine if you were a coach and you have a roster of someone who's in the Yankees, pretty much they're all superstars, right? | ||
| I mean, if you get that far with the athletes of today, if you have whatever you have, 10, 15 players, I gotta think those guys are all animals. | ||
| You don't get to be a major league player unless you're a top flight athlete. | ||
| It's too lucrative of a job. | ||
| Too many guys want it. | ||
| So how much influence can a manager have? | ||
| How much do you think? | ||
| 50%? | ||
| 40%? | ||
| 30%? | ||
| Football the most, would you say? | ||
| Yeah. | ||
| Baseball some, you're setting up a lineup, but if one guy's like, hey, I feel a little tight, instead of going like, alright, we'll want it, he's like, let's sit you out today. | ||
| You can also, they signal to the third base coach straight to the player to take a pitch, fucking, you know. | ||
| So you do that a little more. | ||
| Yeah, definitely. | ||
| It's not the only game you're gambling on. | ||
| It's over a season, you'll help them win a lot. | ||
| You know what's interesting? | ||
| It's like fighting has always been thought of as a sport where people throw fights. | ||
| It's always been an issue. | ||
| You know, that was always the thing that haunted Sonny Liston in the second fight he had with Muhammad Ali. | ||
| Because Muhammad Ali dropped him with this like Real short right hand and a lot of people they call it the phantom punch, but it definitely was a punch. | ||
| Like you see Liston's head sink in like a guy will sometimes when they get KO'd. | ||
| You definitely see it. | ||
| There's a thing that happens when a guy gets hit on a jaw where you see the way his head sort of sinks in and Liston's head definitely sinks in, which means that Ali connected. | ||
| But the acting after he went down was so ridiculous. | ||
| Like you could tell he wasn't really trying to get up. | ||
| He was like pretending he was trying to get up. | ||
| It was acting. | ||
| So it's like he definitely got hit with a punch, but in my opinion, he stayed down. | ||
| And I think there was probably a bet. | ||
| Because Liston was deep ties to the mob, wound up being a doorman at mob-owned casinos, and died on drugs. | ||
| It's a really sad story. | ||
| But at one point in time, Sonny Liston was like the scariest guy on the fucking planet until Ali beat him. | ||
| And then Ali, when he was fighting him a second time, he hit him with just one punch. | ||
| Watch it. | ||
| Let's play it. | ||
| So he's moving and he had just lit listing up in the first fight. | ||
| Look at this. | ||
| Right here. | ||
| Bam! | ||
| See that? | ||
| That's a real punch. | ||
| Back that up again. | ||
| People say that's a phantom punch. | ||
| No fucking way. | ||
| That's a real punch. | ||
| You can see it. | ||
| Watch. | ||
| Look at this. | ||
| Right hand over the top. | ||
| Boom! | ||
|
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|
See that? | |
| Perfect. | ||
| Perfect punch. | ||
| On the jaw. | ||
| But now here's where it gets weird. | ||
| Watch it again. | ||
| One more time. | ||
| So if you see Ali moving, I mean, Ali was a master. | ||
| Look at that timing. | ||
| Who the fuck else could do that in the heavyweight division before him? | ||
| He's got his opponent coming in and he's counter-punching. | ||
| But the way he did this is fucking beautiful, man. | ||
| If you can appreciate how hard it is to do that, the way he did that to Sonny... | ||
| No, no, no. | ||
| Play it back. | ||
| Hold on. | ||
| That was just showing the punch. | ||
| That wasn't showing afterwards. | ||
| We need to see afterwards. | ||
| Because afterwards is when he's laying down and he's pretending he can't get up. | ||
| Maybe he couldn't get up. | ||
| But for me, I'm like, I don't know about this. | ||
| Like, I'm looking at him. | ||
| You see that? | ||
| Like, that seemed like acting. | ||
| Like, for sure he got hit. | ||
| But there's just something about it that just doesn't sit right with me. | ||
| It didn't seem like a guy normally looks. | ||
| Wait, they didn't do the count? | ||
| No, the referee was trying to figure out what the fuck's happened and whether or not he stopped it. | ||
| He said the corner said it was 10 seconds, but he didn't count them. | ||
| They just did it from the corner back then? | ||
| I don't know. | ||
| This is very confusing. | ||
| I forgot that that whole thing had happened after that. | ||
| He did get up. | ||
| That Ali went after him again. | ||
| And Ali went after him again. | ||
| When the fighter goes down and the ref has trouble getting the guy to the neutral corner, the timekeeper is supposed to count. | ||
| Yeah, but they're not supposed to go resume fighting again. | ||
| So that's why it's confusing. | ||
| I think he goes over. | ||
| He's going over to literally hear from the timekeeper that it was 10 seconds. | ||
|
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|
I thought you got to count it out loud to give the guy a chance to get up if he wants to get up at 8. But look, Liston starts moving towards Ali, and Ali wrecks him. | |
| And Liston doesn't fire at Ali at all. | ||
| There's something about it, man. | ||
| But the thing about it, the thing that makes me feel weird is watching him get up. | ||
| Do the part where you're watching him get up again. | ||
| See, I know this is a real punch. | ||
| Bam! | ||
| Look at it. | ||
| It's a beautiful punch. | ||
| But now watch this. | ||
| There's something about him laying there with his arms over his head and he's rolling around. | ||
| Now watch this. | ||
| Falls back down, that part right there? | ||
| I'm not buying that part right there. | ||
| Yeah, your hands don't naturally go that way above your head. | ||
| That's where I'm not buying it, where it goes all the way to his back again. | ||
| But it could be. | ||
| It could be. | ||
| Because he did get punched. | ||
| And he did get punched by one of the greatest fighters in the history of fighting. | ||
| It could be, but it's something about it. | ||
| It feels fishy. | ||
| And then the rumor was that he took a dive. | ||
| And so all the people that had bet on Liston, oh my god, it became chaos. | ||
| That's like the only reason they lost. | ||
| And he also developed a reputation as a guy who threw a fight. | ||
| Because they called it the Phantom Punch. | ||
| But it wasn't a Phantom Punch. | ||
| It's a good fucking punch. | ||
| But it's like, there's something funky going on, and people know when something funky's going on. | ||
| Like, if you watch when George Foreman fought Floyd Patterson. | ||
| Watch that fight. | ||
| There's not a question in the world what the fuck happened. | ||
| George Foreman went out and destroyed Floyd Patterson. | ||
| Nobody thought, Floyd Patterson took a fucking dive. | ||
| Because you can tell the difference. | ||
| You can see the difference. | ||
| The thing is, you don't always see the difference. | ||
| If they're good. | ||
| There's moments where a guy cracks a guy and it doesn't even make sense. | ||
| Maybe the guy has a previous injury. | ||
| Maybe he got knocked out in training and he got hit and knocked out way too easy. | ||
| But you see things that don't seem real sometimes, but they definitely are. | ||
| Like dehydrated? | ||
| There was a guy named Marvin Eastman. | ||
| Marvin Eastman was a tank. | ||
| Oh my god. | ||
| Just a fucking specimen. | ||
| And he fought Travis Luter. | ||
| And he fought Travis Luter. | ||
| And Travis Luter knocked him out with a punch. | ||
| But when you watch the knockout, it almost kind of doesn't make sense. | ||
| Like he hit him. | ||
| He hit him for sure. | ||
| He hit him clean. | ||
| But the way he hit him, he just went completely unconscious, like instantly. | ||
| And it turned out the word was that he had gotten knocked out in training, which happens all the time. | ||
| I think he was sparring Tito Ortiz was the rumor. | ||
| I'm sorry if I got this wrong. | ||
| But if you watch the fight and you watch the KO, you're like, wow, that's weird. | ||
| It's not that Travis can't punch. | ||
| He definitely can punch. | ||
| It's just the way it happened. | ||
| Show that fight. | ||
| There's things that look odd. | ||
| And you go, well, is that odd because it's just some weird moment where a guy had been injured already? | ||
| Yeah, I never thought Connor punching out Aldo seemed like it was that vicious a punch. | ||
| Oh my god, that was perfect. | ||
| But it didn't seem like brutal strength. | ||
| When someone's coming in, it just doesn't get any better than that. | ||
| Which is what's interesting about that. | ||
| Muhammad Ali takes two big steps back and he's bringing him in and then he counter punches. | ||
| So he's bringing him in sort of double. | ||
| Not only that, he's bringing him in like this. | ||
| He's got his hand like this and he goes around his hand. | ||
| And he punches him in the chin. | ||
| He's moving around and as Liston comes at him, he brings his hand up and around Liston's hand before Liston can even withdraw his hand and cover and cracks him on the chin. | ||
| It was a beautiful punch. | ||
| Yeah. | ||
| Connor Aldo, same thing. | ||
| It's like right to left, just straight across while he's coming forward. | ||
| Makes his head spin. | ||
| The fact that Aldo was so hell-bent on destroying Connor. | ||
| He just was hell-bent. | ||
| And Connor took advantage of that. | ||
| It was immediate. | ||
| Remember that? | ||
| It was like, here we go, big fight. | ||
| And they were like, what? | ||
| It's over immediately? | ||
|
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|
Smart. | |
| It's like when Nate slaps somebody and then... | ||
| It was genius. | ||
| But this was a powerful punch. | ||
| Look at that. | ||
| Boom! | ||
| Bang! | ||
| Bang! | ||
| First of all, you've got to realize it's perfectly placed. | ||
| The accuracy is impeccable. | ||
| Second of all, some people can just crack. | ||
| And if you look at Conor's build, there's a lot of guys built like that that can fucking crack. | ||
| I want to see it in slow motion still. | ||
| He's got real wide shoulders. | ||
| He's real fast. | ||
| And he's got big hands. | ||
| Like all those things together. | ||
| He's just got that freakish punch. | ||
| There's just people that just have that kind of punch, man. | ||
| Oh. | ||
| I mean, that's just genius. | ||
| Left foot gets hit afterwards, too. | ||
| Yeah, he had a little bit of a cut over his right eyebrow. | ||
| From that punch? | ||
|
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|
Mm-hmm. | |
| From Aldo's one hook. | ||
| Fall down punch? | ||
| Look how genius this is. | ||
| Look at this. | ||
| Bam! | ||
| That's so genius. | ||
|
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|
You know what's even more genius? | |
| He worked on the exact thing and he mimicked what he was going to do in the green room. | ||
| There's video of him. | ||
| Of who? | ||
| Connor. | ||
| Connor pretending to be Aldo and then him showing what he's going to do in counter. | ||
| He does the exact move in the green room, in the dressing room, knowing that that's going to be the fight. | ||
| Reminds me of Masvidal Askren. | ||
|
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|
Right, exactly. | |
| Oh, yeah, yeah, yeah. | ||
| Same thing. | ||
| He practiced that step off to the side. | ||
| It was a great one. | ||
| I mean, it really is when you factor in that it gave his career a total. | ||
| Look on the left. | ||
| That's Conor pretending to be Aldo, and this is him. | ||
| Bam. | ||
| Look, see? | ||
| He's literally saying how it's going to go down. | ||
| He's walking how Aldo does, and boom. | ||
| I want to see both sides now. | ||
| Wait, let me see. | ||
| Okay. | ||
| Look at this. | ||
| I mean, it's literally what he did. | ||
| He practiced it. | ||
| He predicted it was happening. | ||
| He knew Aldo's movements. | ||
| He had it timed down, and he's like much more light on the foot, and as Aldo moves forward, he times it perfectly. | ||
| Bam! | ||
| Look at that. | ||
| Yeah, with the right? | ||
| Dude, that left hand is a missile too. | ||
| Damn. | ||
| That left hand's a missile. | ||
| He's one of the most spectacular punchers in the history of the sport. | ||
| He has some punch KO victories. | ||
| Who? | ||
|
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|
Conor. | |
| His one when he beat Eddie Alvarez. | ||
| Show that. | ||
| You want to see fucking genius striking with the hands? | ||
| It's genius shit. | ||
| Like, you can see, Eddie Alvarez just got bewildered by it. | ||
| I mean, the combinations he hit him with, while just subtly avoiding Alvarez's punches, genius shit. | ||
| Genius. | ||
| Dude, I used to love rooting against him. | ||
| He was such a good heel, too. | ||
|
unidentified
|
Yeah, totally. | |
| He used to cheer for Diaz. | ||
| Oh, totally. | ||
| Fuck that guy! | ||
| He's the best heel ever. | ||
| He got everybody into it. | ||
| Yeah, he's the best heel ever. | ||
|
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|
Fuck. | |
| We were like, fuck, I hope you got your comeuppance. | ||
| He just never would. | ||
| Dude, I'm telling you, when you watch this combination, it's fucking, watch the, it's, look at the sidekick to the body. | ||
| I mean, he's hitting him with all kinds of shit, and he's so light on his feet. | ||
| Like, this is prime Conor, in my opinion. | ||
| Just so light on his feet. | ||
| Look at these combinations. | ||
| Watch this. | ||
| Just getting just out of the way. | ||
| Like, Eddie can't touch him. | ||
| He hit him there, though. | ||
| But it's Conor just looking for the opening. | ||
| Boom! | ||
|
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|
Clips him. | |
| That's one. | ||
| Clips him. | ||
| Knees of the body. | ||
| You know, people get all wrapped up in all the personality and the flash and the money and all the Rolls Royces and everything. | ||
| That motherfucker could fight! | ||
| He could fight! | ||
| And guys have beat them, but you gotta be like an elite of the elite. | ||
| You gotta be like a Khabib or a Poirier. | ||
| You got to be top of the food chain to beat him. | ||
|
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|
Let's fight in Irish. | |
| Go towards the end of this. | ||
| I just wanted the final combo. | ||
|
unidentified
|
This is what I wanted. | |
| Because the finish of this fight is legendary. | ||
| It's like in highlight reels all over the place. | ||
| Look at this. | ||
| Look at that combo. | ||
| Look at that combo. | ||
| Show me that again. | ||
| Watch this. | ||
| Look at this. | ||
|
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|
He just slides in on him. | |
| Boom, boom, boom. | ||
| I mean, come on, man. | ||
| She slides just out of the way of the punch. | ||
| Lands. | ||
| Four, five ruthless punches. | ||
| Perfectly placed. | ||
| Let me see it one more time. | ||
| Look at this. | ||
|
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|
Look at this. | |
| It actually touches his chin. | ||
| He doesn't even flinch. | ||
| One, two. | ||
| Three. | ||
| The accuracy. | ||
| Full punches. | ||
| Four. | ||
| And just swarms on them. | ||
| And perfect placement, right? | ||
| There's no extra wind-up that would have made a miss. | ||
| Look at this. | ||
| Bing, bing, bing, bang. | ||
| Look at me. | ||
| That's fucking... | ||
| That's amazing. | ||
|
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|
Oh my god. | |
| He goes from fine to cut up. | ||
| Bro, that's an amazing combination. | ||
| That's an amazing combination. | ||
| What happened to him? | ||
| Got fucking fights, man. | ||
| Fights happened to him. | ||
| And then also a shit ton of money. | ||
| And then also some time out of the game while he was doing the Floyd Mayweather thing. | ||
| He trained for quite a while for Floyd Mayweather, which he was, I'm sure, just doing boxing. | ||
| If you're going to train for a giant $100 million fight, you're most likely not going to do any MMA sparring or anything. | ||
| He probably just did that for a while. | ||
| And then you get that money. | ||
| What's that Marvin Hagler quote about it's hard to get up at 5 in the morning and go running when you're sleeping in silk sheets? | ||
| I think that's him now. | ||
| He's super jacked. | ||
| USADA's got to take it. | ||
| Wait, that's Connor? | ||
| Right now? | ||
|
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|
Oh, dude, he looks like he's about to go WWF. Yeah, he looks like a bodybuilder from the 70s. | |
| It's a weird picture, honestly. | ||
| I mean, he's definitely jacked, but it looks to me like he's in the middle of lifting. | ||
| And if you see a guy's body in the middle of lifting, it's a little deceptive. | ||
| See, that's what he looks like now. | ||
| He's still jacked. | ||
| He still looks great. | ||
| But when you lift weights, like as you do it, like those bodybuilders that go on stage before those big Mr. Olympio things, they all get pumped. | ||
| Olympioid. | ||
| That's a great term for it. | ||
| Look at him. | ||
| He looks good though. | ||
| Whoa. | ||
| He looks so old now. | ||
| He looks different. | ||
|
unidentified
|
Yeah. | |
| He's got that crazy beard. | ||
| That beard's crazy. | ||
| But he looks fit. | ||
| Is he tucking up his shorts to let his dick come out? | ||
| He's got a hog, I bet. | ||
| I bet. | ||
| I bet he's got a hog. | ||
| Why are you talking about shorts? | ||
| He looks like he's walking around on that shin. | ||
| I wonder what percentage healed it is. | ||
| You've got to feel like if a bone breaks in half like that, and then you get a metal plate to hold it in place, and all these screws and shit, that's got to take a while. | ||
| Tiger Woods is back. | ||
| He's hitting golf balls again. | ||
| He just posted on Instagram him smashing the ball. | ||
| I heard. | ||
| He talked about how his leg almost got amputated. | ||
| Amputated. | ||
| What happened to him? | ||
| A car accident. | ||
| A massive car accident. | ||
| Didn't he go off a cliff or some shit? | ||
| Yes. | ||
|
unidentified
|
What? | |
| Not really like a cliff cliff, but like a... | ||
| What? | ||
| Yeah. | ||
| Like a... | ||
| What's that called? | ||
| Like a ravine. | ||
| Ditch. | ||
| When was this? | ||
| How long ago was this? | ||
| February? | ||
| Yeah. | ||
|
unidentified
|
Oh. | |
| Serious accident. | ||
| Whoa. | ||
| Yeah. | ||
| Like there's this car at the bottom of this ditch. | ||
| Yeah. | ||
| Damn! | ||
| Yeah. | ||
| And he almost lost his legs? | ||
|
unidentified
|
Yeah. | |
| And the bottom left one was for the cheating. | ||
| Yeah, the bottom left one's the cheating one, yeah. | ||
| That was different. | ||
| Different kind of accident. | ||
|
unidentified
|
Yeah. | |
| Different kind of accident. | ||
| Which one cost him more? | ||
| This accident, they think, was a result of him actually just losing control of the vehicle. | ||
| Maybe he was going too fast. | ||
| Is that what they think? | ||
| Was he with anybody? | ||
| It seems like he lost consciousness is the overall report that I think I read. | ||
| There was no skid marks. | ||
| He could have been tired. | ||
| He could have had low blood sugar. | ||
| He just golfed in Florida. | ||
| It was hot. | ||
| Oh, no. | ||
|
unidentified
|
Damn. | |
| Oh, no. | ||
| What does he say? | ||
| I heard after a concussion you can lose like a minute or two of your memory. | ||
| Or like right before something happens. | ||
| You don't have it anymore. | ||
| Huh. | ||
| Well, if he actually fell asleep at the wheel, like, oh, fuck. | ||
| That can happen to people, man, though. | ||
| That's unfortunate. | ||
| Like, fainting's a real thing. | ||
| You think you're trying to commit suicide? | ||
| Not high enough. | ||
|
unidentified
|
No. | |
| Not high enough. | ||
| No. | ||
| Guys like that don't try to kill themselves. | ||
| They just do better. | ||
| They come back and say, fuck you. | ||
| They show you. | ||
| They win everything. | ||
| And I think that's what he's going to do. | ||
| He's not going to do it. | ||
| And it's going to be crazy. | ||
| He's already said, I'm not. | ||
| Yeah, that's what he says. | ||
| He also said that after the... | ||
| Everything. | ||
| He's been through everything, and this freak keeps coming back. | ||
| My buddy Kyle Kalinske is a serious Tiger Woods fan, and he sent me these stats. | ||
| He goes, look at this. | ||
| Look at the winning stats. | ||
| Have you seen the winning stats? | ||
| I mean, it depends on which stat you want to look at. | ||
| I'll show you the thing that he sent me because it's just so crazy. | ||
| He was unstoppable. | ||
| I used to have a bet him against the field in every major, and I was behind at some point, and I was ahead, but it was anybody's game. | ||
| Him or everybody else combined. | ||
| On any given day. | ||
| Remember when you thought there was no way he wouldn't break Nicholas's record? | ||
| Like he was done. | ||
| Not only was he beating people, but the way the golf scores he was beating people, it would be the equivalent if a basketball team won like 500 to 45. He could moonwalk the entire back nine. | ||
| It was so far ahead. | ||
| Alright, here it is. | ||
| I found it, Jamie. | ||
| I'm going to send it to you right now. | ||
| You watch that crazy documentary HBO made about him? | ||
| No. | ||
| Well, jeez Louise. | ||
| First, it's a two-part documentary. | ||
| The first part, they just talk about what a freak he is and how great he is and how much better than everybody that's ever done it he is and how he changed the game forever. | ||
| And the second one just talks about how he loves pussy. | ||
| I mean, he just can't get enough. | ||
| Look at that win percentage. | ||
| Of what? | ||
| Highest percentage? | ||
| Isn't that insane? | ||
| Wait, he won every five? | ||
| Look how much better he is than everybody. | ||
| God damn! | ||
| He's so much better than everybody. | ||
| That is proof, right? | ||
| If there's ever a proof of who's the best. | ||
| That's proof. | ||
| Yeah. | ||
| That's the best proof you're ever going to see. | ||
| Oh, 1983 to 2021. How wild is that? | ||
| What was Nicholas' winning record in Palmer's? | ||
|
unidentified
|
I don't know. | |
| Let me check. | ||
| Interesting. | ||
| You could be fairly out of shape and win at that. | ||
| He made people care about golf. | ||
| Nobody cared about it besides golfers before. | ||
| But he was never out of shape. | ||
| He was like the first guy that I remember seeing where I looked at him like, well, that guy could probably do any sport. | ||
| Well... | ||
| Are there other guys like that? | ||
| He wasn't Big Big. | ||
| I don't follow the game. | ||
| So if someone makes it onto TV, it's usually like Jack Nicklaus. | ||
| It's extremely mental. | ||
| It's a ridiculously mental game. | ||
| Like John Daly is, you know, a big guy, drinks, has fun, smokes cigarettes, drinks Diet Coke while playing, and he, you know... | ||
| So Tiger has the most wins by far. | ||
|
unidentified
|
Wow. | |
| By almost 20. But Ben Hogan has 64. He's tied with Sam Snead. | ||
| The wins aren't in order. | ||
| It's a win percentage. | ||
| Oh, okay. | ||
| But Hogan's still pretty good, man. | ||
| Look at that. | ||
| Hogan won 21% of the time. | ||
| Damn. | ||
| But these are all-time greats ever. | ||
| Oh, all-time greats. | ||
| I obviously have never played golf, but all my friends who play golf and pool all say golf is harder. | ||
| Really? | ||
| Yeah, golf is way harder. | ||
| Oh, it's crazy. | ||
| You're playing against so many other people. | ||
| And so many different things. | ||
| The elements, sand, wind, grass. | ||
| You have to factor in this feel thing. | ||
| I see when these guys are making these shots, and they're sitting there on their knees and trying to figure out which way the ground rolls, and they have to figure that out and time it perfectly. | ||
| Why is that so satisfying? | ||
| Someone was trying to bring that up, whether that was a hunting thing. | ||
| Who brought that up? | ||
| I can tell you. | ||
| It's like a hike, but you have something to do. | ||
| Yeah, but someone was saying there's something about the accuracy. | ||
| We are obsessed with accuracy. | ||
| We're obsessed with getting a ball into a net, or a ball into a hole, or an arrow into the center of the target. | ||
| We're obsessed with accuracy. | ||
| And they think it has something to do with hunting. | ||
| I like it. | ||
| That makes sense. | ||
| It totally does, right? | ||
| Envisioning hitting a target and then hitting it and you feed your family. | ||
| That makes sense. | ||
| Totally makes sense. | ||
| Yeah. | ||
| Why else would we be so invested in someone who could throw a ball over a plate? | ||
| Knock down some pins. | ||
| Knock down some pheasants or whatever. | ||
| Wow, I never thought of it that way. | ||
| That makes total sense. | ||
| Yeah. | ||
| They think that's one of the factors that led to us becoming people, from lower hominids to people. | ||
| They think the throwing arm was one of the major factors. | ||
| They're always trying to pin it on one thing, like the mushroom people want to think it's one thing, and the meat people want to think it's like cooking meat over fire, but I have a feeling it was all those things. | ||
| I think it was a bunch of shit together that turned us into people, but one of them, they think for sure, was we figured out our ability to throw things. | ||
| Do you ever throw things? | ||
| I can't even picture you. | ||
| I can picture you kicking, but I can't picture you throwing anything. | ||
| No, I mean, I never was like a pitcher or anything. | ||
| You shoot like paper balls into trash cans sometimes? | ||
| Yeah. | ||
| Kobe. | ||
| Yeah, but I'm not good. | ||
| Like, I lose at horse to my kids. | ||
| I play basketball. | ||
| I lose a horse to my kids with an 11-year-old sticks in my face, like, ha-ha! | ||
| I'm like, shit! | ||
| Wow. | ||
| It's fun, though. | ||
| That's hilarious. | ||
| I'm terrible at basketball. | ||
| Yeah. | ||
| But I don't practice it. | ||
| If I play basketball three times a year. | ||
| But the thing is, they don't like to play with me after an hour and a half, because then I start to get a feel for it. | ||
|
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|
Now I know where that ball is. | |
| Adjustments have It's been made. | ||
| And they start finding out where that hole is. | ||
| They're like, alright, second half. | ||
| We'll see. | ||
| We'll see what happens. | ||
| I do that with my wrist. | ||
| It seems to be more accurate. | ||
| But imagine doing that and then moving and someone's trying to block you and then you're shooting at the same time. | ||
| Jesus Christ. | ||
| But we're obsessed with that. | ||
| Golf scene's impossible. | ||
| When you break it down, there's a small ball there. | ||
| I'm going to take a stick. | ||
| No. | ||
| Zero chance to ever make that. | ||
| Crazy. | ||
| What a wacky game. | ||
| And you also, you know, the more you find out about it, the crazier it gets, because you have to do your backswing, and then everything falls into motion. | ||
| It's not even like you're hitting the ball with a stick. | ||
| Your hips are turning first, your arms are coming second, your wrists are coming third. | ||
| You have to remember to follow through. | ||
| You have to keep your head exactly where it was when you started, or else you're going to hit below the ball or above the ball, which is a freaking embarrassing nightmare. | ||
| It's like when you mess up a break shot on pool, right? | ||
| That can happen. | ||
| Yeah, and it can be completely embarrassing. | ||
| There's so many funny golf Instagram pages and stuff. | ||
| They're the best. | ||
| They really are, and you can almost guarantee that... | ||
| Everyone's a hit. | ||
| What is this? | ||
|
unidentified
|
Michael Jordan talking about. | |
| For a competitive person like me, this is what keeps me sane, you know, because when I walk away from the game of basketball, you know, that was enough to keep my competitive juices working. | ||
| Absolutely. | ||
| Now when I don't have that game, this game, and it even drives me crazy then. | ||
| Now I go fishing in between my golf because I got to show patience in fishing that's going to be relative to golf. | ||
| So he just plays golf like that's his life now. | ||
| That's what he loves. | ||
| That's his competitive life. | ||
| Are you texting people while the show's going? | ||
| I'm sending this to Jamie. | ||
| Son of a bitch, he's texting. | ||
| He's been on that phone for five minutes. | ||
| I'm finally going to check his Instagram likes. | ||
| Did Instagram ban you? | ||
| Instagram did ban me. | ||
| What the fuck, man? | ||
| Hate speech. | ||
| Too much hate speech, they said. | ||
| They're changing what hate speech is. | ||
| Tell everybody what happened. | ||
| One of them was my tour posters. | ||
| I let my fans do. | ||
| Rename my tour, if it makes me laugh. | ||
| Genius, by the way. | ||
| Yeah, it's really- Rules are rules. | ||
| Bet's a bet. | ||
| It's a great idea. | ||
| Thanks. | ||
| You post them, and they're funny, and you allow people to get their name out there, like people do graphic art. | ||
| One of them was the Wrong Side of History tour. | ||
|
unidentified
|
Great, okay. | |
| I can name it. | ||
| That's a good, solid tour name. | ||
| The next one was the Hitler Gave Me Gonorrhea tour. | ||
| And it's just a picture of Hitler with his hand over me. | ||
| Was that a problem? | ||
| They had a problem with that one? | ||
|
unidentified
|
Hate speech! | |
| Wait a minute. | ||
| They're both hate speech? | ||
| That was hate speech. | ||
| The first one was too? | ||
| The first one was not hate speech. | ||
| The first one was okay. | ||
| But that one was hate speech. | ||
| Hate speech. | ||
| They don't like Hitler. | ||
| They don't like mentions of Hitler. | ||
| But if you're a Jew, shouldn't you get a pass? | ||
| Joe, you're asking a great question. | ||
| I think you should. | ||
| I think you should get a pass. | ||
| It's like if I make Guinea jokes, if I make jokes about Italian people, I get a pass on that. | ||
| Those are my people. | ||
| I think also, even if you're not, if you said, Hitler gave me gonorrhea, you're clearly the shit-on person in that joke. | ||
| Yeah, yeah, yeah. | ||
| No matter what you are. | ||
| Yeah, it's funny. | ||
| You could be a German and it would still apply. | ||
| Yeah, Hitler gave me gonorrhea is a funny thing to say. | ||
| I'm not saying the Holocaust was good? | ||
| No, exactly. | ||
| And you're not saying that you gave Hitler gonorrhea. | ||
| You're not saying that you performed a sexual act on him. | ||
| I'm the one who got gonorrhea. | ||
| I'll do you one better. | ||
| He's not even saying Hitler gave me gonorrhea. | ||
| He's saying it's funny to say Hitler gave me gonorrhea. | ||
| That's the second level of it. | ||
| I'm forced to say this bad thing. | ||
| Don't you understand that this is just fun and this is not a real thing? | ||
| You can't say this is hate speech. | ||
| This is a silly nonsense thing to say. | ||
| It has nothing to do with hate. | ||
| It's not true. | ||
| It's funny to name your tour after this ridiculous thing. | ||
| Exactly. | ||
| Now I have to. | ||
| So the idea that everyone would think, oh, that's your tour name now? | ||
| Calling that hate speech is so uncreative. | ||
| It's so... | ||
| I don't even know what the rules are anymore! | ||
| I'm right on the line. | ||
| I'm right about to be there. | ||
| You feel it. | ||
| You got some warnings. | ||
| Oh, big, big warnings. | ||
| They're literally like, this is your last. | ||
| But not my main account, but the Kill Tony account. | ||
| Literally only because of the word kill. | ||
| Because it says Kill Tony. | ||
| And you can't reach anybody. | ||
| You'll be like, hey, just mark this as safe, please. | ||
| The name of the show. | ||
| Of a comedy show. | ||
| Because there might be a Tony out there that feels like they're threatened. | ||
| Wow. | ||
| Yeah. | ||
|
unidentified
|
Wow. | |
| Someone's saying that doctors are leaving cards. | ||
| There was some example of a card on the desk saying you can opt out if you don't want to be weighed. | ||
| Weighed? | ||
| What do you mean? | ||
| If you have to get weighed at the doctor's office, they weigh you. | ||
|
unidentified
|
Oh my god. | |
| You can opt out if you're embarrassed about it? | ||
| Yeah. | ||
| Oh. | ||
| My. | ||
| God. | ||
| Imagine a doctor is going to do an exam on you. | ||
| One of the most important things. | ||
| Your weight? | ||
| Yeah. | ||
| Whether or not you're obese. | ||
| I mean, they should tell you. | ||
| They're in charge of your health. | ||
| They really should. | ||
| Is it privileged that you get to go in there and, like, that's your moment? | ||
| Like, no, I get to see exactly what I weigh. | ||
| I'm always like, sweet. | ||
| For the next, like, few weeks, I can tell people precisely. | ||
| Yeah, you move that little scale, you get it right on there. | ||
| The real one, there's no, like, this might be off. | ||
| Yeah, it's like you're in wrestling class. | ||
| Yeah. | ||
| Yeah, there's no fucking reason why that. | ||
| You would ever stop doing that. | ||
| You have to weigh people. | ||
|
unidentified
|
Yeah. | |
| What the fuck are you talking about? | ||
| I don't know. | ||
| That's how you know progress. | ||
| Yeah. | ||
| Like if someone's on a diet and they're cleaning up their life and they're getting healthy, what's one of the best indicators? | ||
| You can weigh them. | ||
| I mean, you shouldn't be obsessed on any one thing. | ||
| Yeah, you should just try to be healthy. | ||
| But if you used to be 500 pounds and now you're 400 pounds, that's a good thing. | ||
| And vice versa means something you should concentrate on. | ||
| Yeah. | ||
|
unidentified
|
Wait. | |
| Kill. | ||
| Every time. | ||
|
unidentified
|
Kill. | |
| Yeah. | ||
| Kill Tony. | ||
| Just calling it the name is a problem. | ||
| And they're going to ban the thing. | ||
| You're going to have to call it KT. K-Tony. | ||
| Basically, yeah. | ||
| Those are the adjustments that we have to make to the post. | ||
| The KC show. | ||
| That sounds so much lamer. | ||
| Oh, my God. | ||
| That sounds like morning radio. | ||
|
unidentified
|
We're so lost. | |
| One thing we've realized is that if you just turn the eye into an exclamation point or like little dumb things that is just, you have to show some effort, I guess. | ||
|
unidentified
|
Yeah. | |
| It's weird and creepy. | ||
|
unidentified
|
Sigh. | |
| It's an effort to be like, no one who follows you or sees this is going to get it wrong. | ||
| Right. | ||
| And that's another thing, is these people are following you. | ||
| So it's like, you should be entrusted with whatever, you could lose followers. | ||
| That should be the punishment. | ||
| That's what I always thought when I posted my, first time I got banned, posted a dump. | ||
| And they're like, you're gone. | ||
| And I'm like, let them unfollow me. | ||
| They're doing it in droves. | ||
| Let them do it. | ||
| It's disgusting. | ||
| But don't take me away from the people who are like, I don't mind. | ||
| Well, the problem is you could show up in their algorithm. | ||
| I'm still just a dump. | ||
| And then you get suggested. | ||
| Now you love dumps. | ||
| Now you're just getting dump pictures? | ||
| Do you ever look into when you're searching and you just find things? | ||
| There should be a way to mark, yeah, there should be a way to mark, say, this is only for people on my feed. | ||
| This one's not, this one's sensitive. | ||
| That's good. | ||
| Yeah. | ||
| Yeah, that would be a good way. | ||
| Don't let it out. | ||
| That would be a good way to do it. | ||
| You ever see one of those, like, bomb videos going off and it's always, like, blurry? | ||
| And you're like, hey, careful. | ||
| And so you click on it. | ||
| Have those, let me set it. | ||
| Yes. | ||
| Yeah, yeah, yeah. | ||
| Or animal attack videos or some shit. | ||
| With my new fucking account. | ||
| How do you promote your thing without a fucking thing? | ||
| It's hard. | ||
| It's hard. | ||
| You gotta stop showing your shit, son. | ||
| That wasn't this time. | ||
|
unidentified
|
Yeah. | |
| And then there was a Jesus fucking Christ door and it was a picture of me fucking me. | ||
| And they're like, yeah. | ||
| But no nudity. | ||
| It's just, you know, don't put them in the suggestion column. | ||
| Yeah, yeah, help us out. | ||
| You know, like suggested for you or whatever it is. | ||
| Do you know what I'm talking about? | ||
| But then again, if the people are into that type of thing, why can't they get it? | ||
| Why can't they get it? | ||
| It's not hurting anybody. | ||
| Why can't they get that? | ||
| Why is one sense of humor better or different than another? | ||
| It's not even a right-wing, left-wing thing. | ||
| I think there's certain people where if they had to look at your shit, it would not be a pleasant experience. | ||
| That's fair. | ||
| Let's move on past the shit. | ||
| Because I admit some fault in that one. | ||
| It was a particularly bloody shit. | ||
| It wasn't just a normal shit. | ||
| Oh, it was? | ||
| Oh, yeah. | ||
| It was like gummy-like. | ||
| Ari has bloody shits. | ||
|
unidentified
|
Yeah. | |
| It was bad. | ||
| I'll find it for you later. | ||
| It was bad. | ||
| Like, it doesn't make sense. | ||
| Yeah. | ||
| Yeah, there should be a... | ||
| I don't know why they don't, right? | ||
| Is it a financial decision? | ||
| Is it a social engineering decision? | ||
| They want everyone to be the same. | ||
| They want one fucking... | ||
| Everyone the same so they can market the same to everyone with the least amount of effort. | ||
| Let us... | ||
| We're all different. | ||
| Let us have our different experiences. | ||
| But here's another thing that we have to make a concession about, or at least talk about. | ||
| It's like, who's responsible for when you hear about kids getting fucked up from social media, like particularly girls... | ||
| This shouldn't be on there! | ||
| ...how it fucks up their stuff, but they're gonna be. | ||
| Everybody's on there. | ||
| They're all gonna be on it. | ||
| Like, who's responsible? | ||
| And what do they do to stop things that could possibly bite them in the ass? | ||
| Like, are they making decisions that are financial decisions? | ||
| Like, are they looking at people putting up fucked up things like that and go, hey, we could get sued, or we can get taken down, or people could write articles about how we won't... | ||
| And then our stock could drop. | ||
| I mean, is that what they're doing? | ||
| Some of it, because it's not one person. | ||
| It's a conglomerate of people who just want dividends. | ||
| That's why there's always forest fires here, because PG&E is like, eh, we've got to give shareholder dividends. | ||
| So, same thing here. | ||
| They won't do it. | ||
| But the reality is, if they know they're leading people to suicide, shut the whole thing down. | ||
| Until you figure out how to do it without that. | ||
| I have a friend who works for a big media company, and we were having this conversation, and she was saying that a lot of the people that work there also consider themselves activists. | ||
| Because they're doing social change. | ||
| That's what they think. | ||
| They're concentrating on their own good. | ||
| Yeah, they're not just thinking about their job. | ||
| They're thinking about the fact that they could enact change in the world. | ||
| You're making people upset about things all over the country and the world to do nothing. | ||
| You're just filling us up with anxiety and fear. | ||
| You're right. | ||
| For nothing. | ||
| You're not an activist. | ||
| You're ruining everybody's life. | ||
| You understand why, if everybody accepts that definition, they actually think they are because they get involved in social issues and they spread emails and they have meetings. | ||
| I get it, but you're doing it wrong. | ||
| You're doing it wrong. | ||
| Well, everyone's less happy. | ||
| Everybody out there is less happy. | ||
| And everybody feels it. | ||
| They're doing it wrong. | ||
| Make them do it right so we're not all fucking hating our brothers. | ||
| It's dumb. | ||
| It's clearly fucking us all up. | ||
| It is, but it's interesting. | ||
| Everybody's at each other's throats. | ||
| It's terrible, and they're doing it. | ||
|
unidentified
|
Stop it! | |
| You can't do that shit! | ||
| None of us signed up for that. | ||
| It's bullshit. | ||
| We all feel less happy. | ||
| All of us. | ||
| Tell me I'm wrong. | ||
| From 10 years ago to now. | ||
| What do you suggest? | ||
| I'm saying they're hurting all of us and we didn't give them permission to do that! | ||
| In what way? | ||
| We're in there hating each other. | ||
| The way we turn against our neighbors now. | ||
| That's all new. | ||
| The way we're like, I don't talk to my mom anywhere because she voted this way. | ||
| That's crazy! | ||
| That was never a thing. | ||
| They're doing that to us! | ||
| And we signed up under the idea that we're sharing pictures of our fucking food and then they turned each other on each other! | ||
|
unidentified
|
It's awful! | |
| You eat your bloody shit? | ||
| We never signed up for this. | ||
| I know you can't exist without Facebook. | ||
| You can't be a mom without that. | ||
| What do you think they're doing? | ||
| We're unable to stop. | ||
| We're unable to stop. | ||
| So if you just put all chemicals in all food without labeling it and be like, well, they keep eating it. | ||
| It's like, yeah, you're putting additives in there. | ||
| You have to warn us on things like that. | ||
| They're testing us. | ||
| They're putting us forth the stuff that makes us angry on purpose. | ||
| Everybody knows that. | ||
| They make you see the stuff that makes you angry. | ||
| So then you're living in a world where you're constantly angry. | ||
| You, by your own admission... | ||
| Change your algorithm by looking at puppies. | ||
| For a moment, because they also tell you, hey, just so you know, two years ago, you also looked at this thing. | ||
| So we're going to send you a few reminders there until you get sucked back in on it. | ||
| Until you get sucked back in on hate? | ||
| Whatever it is that gets you in there all the time, and mostly, it's fucking anxiety and fear. | ||
| I mean, tell me if I'm wrong. | ||
| Tell me you don't feel the same way over how you were a while ago. | ||
| You're 100% right. | ||
| We're all doing better. | ||
| You're 100% right, but here's my question. | ||
| Is it us? | ||
| Are we doing it to ourselves? | ||
| Is this a natural function of being a person with too much access to information and you only concentrate on the bad stuff? | ||
| Because you get all the news. | ||
| You get the whole planet's news. | ||
| But you ever like somebody's picture and then suddenly you start seeing all their pictures way, way more? | ||
| They're like, oh, he shows interest in this. | ||
| Let's put it forth to him more. | ||
| It's the stuff that you're against. | ||
| It's the stuff that you're like, oh, I hate that guy. | ||
| He got his. | ||
| They're going to put that more towards us. | ||
| So that's your world. | ||
| But it's also because that's what we concentrate on. | ||
| People in New York are fucking hating each other. | ||
| Yeah, I was going to say, maybe they can measure if you're lingering on something. | ||
|
unidentified
|
I know, I know. | |
| Well, fuck that was humans. | ||
| And they're using that to make us all less happy. | ||
| Right, but it's our own will. | ||
| Like, if we have will... | ||
| Then the will is we have to collectively agree to stop communicating like that. | ||
| Sure. | ||
| I think they should. | ||
| But in the meantime, they're making sure you see – remember when Fox News and MSNBC said one-third anti-news and two-thirds pro-news and pro-war and then the other way for the other network? | ||
| Just to push people slightly into thinking the war is good or bad. | ||
| Right. | ||
| Right? | ||
| They're not showing us everything all at once. | ||
| It used to be you would just see your feed. | ||
| If you post it, I saw your thing. | ||
| If you post it 10 times, I see your 10 things in a row. | ||
| Now they don't show everybody everything. | ||
| And they're mostly showing you the stuff they know is gonna make you mad. | ||
| Jealousy about your friends doing shit. | ||
| Other people looking better than you. | ||
| So when these girls are looking online, they're seeing these girls that look hotter than them. | ||
| They're more showing them that than the normal pictures, which is just them sitting down with their brother. | ||
| Right, but Ari, it's because that's what people engage with. | ||
| It's not that they're trying to get you mad. | ||
| And they're taking advantage of it. | ||
| I agree. | ||
| They know they're doing it now. | ||
| Before Philip Morris knew about the cancer, they weren't doing anything wrong. | ||
| Once they knew about the cancer, and then they covered it up, at that point, you're killing people. | ||
| You're doing terrible things. | ||
| You're taking away our happiness. | ||
| Okay, so do you suggest— It's nuts! | ||
| In New York, they're looking—they were all on the same liberal side, and everyone's looking for an enemy all the time. | ||
| It's like what you said about those girls who watch the fucking crime shows. | ||
| They think crime's all around them, and they're only showing us the fucking horrible things. | ||
| Way more percentage. | ||
| This is the CEO of Instagram and what they said in a Senate subcommittee. | ||
| About my banning? | ||
| Okay, it says, we want people to have meaningful control over their experience. | ||
| We've been experimenting with favorites, a way for you to decide whose posts you want to see higher up, and we're working on another option to see posts from people you follow in chronological order that don't take photos of their shit. | ||
| No. | ||
| No, they left that part out. | ||
| And we're working on another option. | ||
| I had a chance to talk about this briefly today. | ||
| It's important to me that people have meaningful control over their experience, and I believe a place where you can see everything from the accounts you follow in chronological order is an important thing. | ||
| Yeah, that's good. | ||
| Yeah. | ||
| And that's how it used to be. | ||
| That's how it used to be. | ||
| Now they'll put something two days ago. | ||
| You know what I mean? | ||
| Two days ago? | ||
| Is something that will pop up? | ||
| And I'm like, oh. | ||
| All they're trying to do is encourage engagement, right? | ||
| Is it bad because it makes you more addicted? | ||
| What's bad about it? | ||
| Listen, if their engagement is like, hey, this is a great service. | ||
| Come on all you want. | ||
| It's Netflix or if it's Spotify even or something like that. | ||
| It's like, do you like this service? | ||
| Well, it's here for you. | ||
| Use it as much as you want. | ||
| Use it more. | ||
| Fine. | ||
| But if they're pushing you to do stuff that's damaging to you in order to get that, then it's like, no, no. | ||
| Now it's not fine. | ||
| Now it's not just a better product that we're going for. | ||
| Right. | ||
| Now you're fucking experimenting to sell ads. | ||
| There's one thing if you can trick somebody eating food that's not healthy for them by a good commercial, but it's another thing. | ||
| They're addicted. | ||
| You can't be a mother now without going on a mommy blog, without going on a mommy group to help raise your kid right. | ||
| I bet Duncan's wife doesn't. | ||
| If you're not talking to your friends now online, you have to be to keep up as a parent. | ||
| Maybe that's true. | ||
| I bet Duncan's mom keeps it together. | ||
| I bet she's on there. | ||
| It's not just that good stuff. | ||
| I bet she is. | ||
| I bet she's mommy blogging. | ||
| The mommy blogging part's good. | ||
| They still do good stuff. | ||
| I have a question, though. | ||
| What? | ||
| If they put out an Instagram 2 and said, like, we're going to make some new changes to this new app, do you think people would all migrate to the new app or just stay on the thing they've been using the whole time? | ||
| They have to make it, like, not there anymore. | ||
| Delete it. | ||
| Yeah, yeah. | ||
| Say you have a year to switch over or whatever. | ||
| Six months. | ||
| Like, a video game can put out a new... | ||
| Like, people are addicted to the games, but the game dies until they put out a new version of it. | ||
| But you have to go buy the new version. | ||
| Everybody has to buy it again to get re-addicted. | ||
| They can't really put out new versions of these apps that everybody's addicted to. | ||
| They kind of just have to keep changing it while it's there, while people are still using it. | ||
| Yeah. | ||
| Or the business dies. | ||
| That idea could be smart, though, having a two, and if you sign up for two, everybody that signs up for Instagram two, that already followed you on Instagram one, just following you on Instagram two, or you could select starting from scratch, perhaps. | ||
| Maybe they could give you an option. | ||
| Yeah. | ||
| The likes ended up, that's what makes everybody commit suicide, is not getting enough, comparing yourself to other people. | ||
| I also have a little bit of a conspiracy. | ||
| But let me ask you this. | ||
| Let's say I give Ari the reins to take over a social media platform. | ||
| What do you do different? | ||
| Do you get rid of all the algorithms? | ||
| Get rid of the algorithms. | ||
| I hate being treated like a fucking wallet. | ||
| We all sort of hate saying something out loud, nice cigar, and then I know I'm going to get ads now for cigars. | ||
| That's all fine, I guess. | ||
| It's just for advertising, but you're not changing my mood to do it. | ||
| Yeah, you want to hear something even weirder? | ||
| Blair White told me that she had an app on her phone. | ||
| Was it TikTok? | ||
| I think it was TikTok. | ||
| So she met this girl at the gym. | ||
| They were talking at the gym. | ||
| They didn't exchange phone numbers. | ||
| They didn't exchange texts. | ||
| Then all of a sudden, that girl showed up in her feed. | ||
| And she said that girl had like 200 followers or something. | ||
| They know you probably have proximity. | ||
| That doesn't surprise me at all. | ||
| If your location's on, they know. | ||
| I read something wild about how this works. | ||
| Your phone, it's like a number. | ||
| It doesn't know who you are, but it knows this number you're attached to. | ||
| They can get the data from where your phone is at certain times. | ||
| So they assume where you're at from 1 to 4 a.m. | ||
| is probably at home. | ||
| So they find when you're at a place the most at 1 to 4 a.m. | ||
| and can find out exactly where you live. | ||
| So then they know who you are based on other data. | ||
| And they know how to send you ads there for a sleep number mattress then. | ||
| Which is like bad but not terrible because it's not doing anything to you. | ||
| It's just treating you like a wallet you didn't sign up for. | ||
| But that's another level when it introduces you to someone that your phone was near. | ||
| Yeah. | ||
| For sure. | ||
| That's so creepy. | ||
| You go to someone's profile, and then within a day, you're getting a text, hey, how you been, man? | ||
| Just thought about you. | ||
| Yeah, bro. | ||
| Our phones are talking to each other. | ||
| Oh, yeah. | ||
| I mean, this is what's happening. | ||
| Yeah. | ||
| There's artificial intelligence involved, for sure. | ||
| But I want to go back to this question. | ||
| What else would you do differently? | ||
| So you would get rid of the algorithms, and I do think, as much as I like to think that the algorithms can be, you could have willpower, and just only look at interesting things, and you get only interesting things in your feed. | ||
| I also know that there's a lot of people that are susceptible to a lot of weird shit in life like that. | ||
| Remember when they said you couldn't market cigarettes to minors anymore? | ||
| They stopped Joe Camel, who I know I resemble. | ||
| But they were like, hey, that's not fair. | ||
| The defense started up and you're going to dick them forever. | ||
| That's not fair. | ||
| But here's the thing. | ||
| Here's some issues, like teenage girls. | ||
| They have a lot of body image issues that come off of these Instagram pages. | ||
| So what would be the solution to that? | ||
| You can't stop them from posting their pictures, right? | ||
| And then girls are always going to compare. | ||
| And that's the thing about body types and especially with young girls, a lot of it is just a wild genetic roll of the dice. | ||
| You got lucky and you got this amazing body. | ||
| That does happen. | ||
| And for some girls, it's infuriating and it makes them so jealous and it fills them with anxiety and also gives them weird feelings about their own body. | ||
| And you're supposed to leave that at school and then not think about it while you're at home after that for the next 16 hours. | ||
| No, now it's constantly. | ||
| Then there's the bullying. | ||
| They bully each other. | ||
| So, like, they'll pile onto one girl or another girl, and they'll go after each other, and they'll, you know, shame each other. | ||
| Girls are exceptional bullying. | ||
| Way better than us. | ||
|
unidentified
|
Yeah. | |
| So, like, if that doesn't stop, the emotional bullying, stop when you get, at least the guys, like, I can't beat you up online, but, like, the girls can do exactly what they do online for 16 hours a day. | ||
| But this is the problem with social media and children. | ||
| It's like children are not designed for that. | ||
| You're designed to learn how to communicate and make friends with a group of people that are around you. | ||
| But then when you're sniping at each other late at night with like these evil text messages. | ||
|
unidentified
|
Yeah. | |
| Group text messages. | ||
| Do you let your kids have them? | ||
| Yeah, it's a conversation we should have privately. | ||
| I honestly, I'm not a parent. | ||
| I'll tell you how I regulate it, but I do. | ||
| I talk to my siblings. | ||
| I talk to cousins. | ||
| I don't have kids. | ||
| I think you're crazy if you let anyone under 18 have one of those. | ||
| I think it's nuts to let them have access to that. | ||
| There's two arguments. | ||
| Yes, it's definitely dangerous. | ||
| And two, if they don't do it and all their friends do it, they feel like a fucking outcast and a weirdo. | ||
| Yeah, I guess so. | ||
| And it's going to get into their lives anyway. | ||
| So what do you think we should suggest? | ||
| Start talking to each other. | ||
| Get all the parents in a class to be like, guys, we've got to get them off. | ||
| You've all seen it. | ||
| What? | ||
| You also got to talk to the kids, too. | ||
| You can't keep them in the dark. | ||
| You got to talk to them about what's happening. | ||
| Tell them, show them their studies and stuff. | ||
| Kids are smart now. | ||
| Way smarter than we were. | ||
| I played a documentary for them. | ||
| I played that Social Dilemma documentary. | ||
| For who? | ||
| For your kids? | ||
| For my kids. | ||
| I mean, it's pretty obvious after you see it. | ||
| They put it in real terms. | ||
| Yeah, it shows you what's going on. | ||
| It makes you think what the negative aspects of this are. | ||
| You delete an app, and then it's back on, and suddenly you're like, I don't know when it got back on. | ||
| Really? | ||
| Yeah, people say that all the time. | ||
| I deleted Instagram, and then it's like, oh, I guess I have it again. | ||
| I'm not saying they put it back on. | ||
| They just started doing it because they got bored. | ||
|
unidentified
|
What do you mean? | |
| Your phone came back on? | ||
| What are you saying? | ||
| No, you take Instagram off your phone, so you don't fucking think about it all the time. | ||
| And then people are like, two months later, I guess I'm back on all the time. | ||
| Oh, and then they just put it back on. | ||
| Yeah. | ||
| Yeah. | ||
| Here's the other thing. | ||
| You're in a fucking car and you're a passenger and you're driving somewhere and no one's talking. | ||
| It's nice to look at it. | ||
| Yeah, sure. | ||
| Absolutely. | ||
| It is that too. | ||
| It's just every time I check in on the cultural conversation, people are more off the rails. | ||
| I have a little bit of a conspiracy theory that the push by media... | ||
| Because I found it weird that media was covering that Instagram's causing mental health issues. | ||
| And I thought to myself, Facebook owns Instagram. | ||
| And if they make it look like Instagram's the naughty one that the kids shouldn't be on, and Facebook always plays to a little bit of an older crowd, it's an older app, right? | ||
| Then it makes it look like Facebook is the lesser of two evils. | ||
| But meanwhile, they own everything. | ||
|
unidentified
|
It's just the same company. | |
| So by making Instagram look, well, you could be on Facebook as long as you want, but Instagram only an hour a day. | ||
| You sound like a conspiracy theorist. | ||
| I mean, I'm just keeping an eye on it. | ||
| I don't know, but they're not doing it right. | ||
| There needs to be some sort of regulation or something. | ||
| I don't know. | ||
| I don't know why he would let you have kids. | ||
| I see what you're saying. | ||
| I think we're moving in a general direction of connectivity that's going to be very uncomfortable. | ||
| And I don't think it's avoidable. | ||
| I think at this point we've passed any markers that would indicate to me that we have any indication that people are interested in slowing down. | ||
| That people are interested in reversing course. | ||
| Small groups of people. | ||
| It's almost like we're sliding towards the edge of a cliff. | ||
| And small groups of people are like, you know, I think I'm going to get off the raft and I'm going to go over here and I'm going to just plant tomatoes. | ||
| I'm not going to ride this thing off the rails. | ||
| But a lot of people are just going to ride it right off the cliff. | ||
| Most people are just going to ride it right off the cliff. | ||
| Yeah, and the people that leave are like, why aren't you guys all getting off? | ||
|
unidentified
|
Yeah. | |
| It's bad. | ||
| It favors a world where you just speak a response without thinking. | ||
| It's like, come on, come on, you read the headline. | ||
| Weigh in. | ||
| So all conversation is almost meaningless. | ||
| It doesn't favor what you want to teach your children. | ||
| Think about stuff. | ||
| Make an informed decision. | ||
| Now it's like, I read this, here's my reaction. | ||
| It's a lot of virtue signaling. | ||
| One thing that I noticed during the chaos that I went through a few months ago is that the tweet that happened, there was more quote tweets than retweets. | ||
| So everybody's taking this thing that looks bad and giving their opinion on it. | ||
| I can't believe anything like this. | ||
| There's no excuse in the world. | ||
| And the ones everybody sees more, the negative ones. | ||
| So you see like, oh, I guess everybody hates- I should do it too. | ||
| If I don't say anything, they're going to think that I find this acceptable. | ||
| Yeah. | ||
| And then you're seeing everybody think somebody's terrible or the president's terrible or whatever's terrible. | ||
| We've been given this extraordinary ability to communicate with each other without any understanding of what the effects of it are and how to use it correctly, how to manage it. | ||
| None. | ||
| I mean, other classes on- Like, what's the best way to communicate with people online where you can teach people? | ||
| What's the best way to interact? | ||
| That should be, actually. | ||
| In schools. | ||
| If that's the way it's gonna be, you gotta teach them how to operate online. | ||
| Deal with the anxiety of someone criticizing you online or the anxiety of someone embarrassing you online. | ||
| Because there's certain things that happen to kids like that that I think are fucking devastating. | ||
| My concern is that this is a cliff that we're flying on, but it's not just this part of it. | ||
| It's the nature of technology getting intertwined in your life in an inescapable manner, and it's happening. | ||
| It's happening to the point where we're going to be reliant completely on some kind of technology, and it's one step towards us integrating. | ||
| Biology and electronics, there's going to be a complete symbiosis. | ||
| That's going to happen in our lifetime. | ||
| And the problem with that, obviously, is it's terrible. | ||
| You know how you're a different person in front of different people? | ||
| Yeah. | ||
| So the way we talk to each other is different than... | ||
| Yeah, that's the most fun thing about having a comedian friend. | ||
| Exactly. | ||
| You look around like, damn, I'm glad nobody heard that. | ||
| I ran into Ari today at the coffee shop that I go to every day here in Austin, coincidentally. | ||
| And I'm like, hey, dude, you know, this is what it would be like if we ran into each other. | ||
| If you lived here in Austin, and without any hesitation, he just tapped me right in the dick and balls. | ||
| Doubled him over. | ||
| And I immediately flopped down. | ||
| I immediately flopped down and sat next to him and noticed, you know, other people are looking like, wow, whatever that just was. | ||
| To us, completely natural. | ||
| I'm like, so what do you want? | ||
| You want a coffee or something? | ||
| Yeah, you're like, you're right to do it. | ||
| I left myself open to it. | ||
| I think that shitposting and all the mean stuff that people do online is almost inevitable with the human animal. | ||
| We're some kind of wild primate, right? | ||
| We're just a higher level of primate. | ||
| But I also think, unlike all the other animals, we can sort through things and see a problem and offer a solution. | ||
| And I think a solution that can be offered, you're not gonna stop people from using social media, you're not gonna stop people from using phones, but you can tell them how to do it. | ||
| You can tell people, like, look, The way people communicate online in such a mean, nasty way that you wouldn't do in person, that is a weakness. | ||
| It's a weakness. | ||
| It doesn't mean what you think it means. | ||
| It doesn't mean what they're saying. | ||
| But it's a weakness. | ||
| If you're doing that, that's a weakness. | ||
| Yeah. | ||
| And that's not how human beings are supposed to communicate with each other. | ||
| It's a base. | ||
| It's a real quick-to-do thing. | ||
| A lot of the mean things that people say, I bet if you gave them time to think about it, they probably wouldn't say it. | ||
| Right. | ||
| It's like, do you really mean that? | ||
| Do you really mean that? | ||
| But in those impulsive moments where they just want to say something mean and nasty. | ||
| And that's what it favors. | ||
| The quickest response. | ||
| So that's the nastiest, like... | ||
| But it's also us. | ||
| It's us being able to communicate without the normal boundaries of, like, the social intimacy of being so close that you can hear somebody. | ||
| If you're talking to somebody, you're supposed to be able to hear them talking to you back. | ||
| So you're not allowed to have this, like, hey, this is just for some people. | ||
| You have to have real integrity to take the behavior that you only exhibit when people are around you and extend that to your digital life. | ||
| And most people don't do that. | ||
| Most people, they'll act like a real piece of shit in their digital life if you know that no one knows it's you. | ||
| Yeah, absolutely. | ||
| You know, like people love to do that and troll and make comments. | ||
| And they also expose you to stuff that you would never, like the people mad at Chappelle's like, you don't even supposed to see this. | ||
| You guys are never the audience. | ||
| You weren't even supposed to be presented this in front of you. | ||
| There's definitely people that get mad and they have a point. | ||
| They're only giving it to you because they know you're going to hate it. | ||
| It's people that never would have saw it otherwise and they can't fathom what comedy is. | ||
| That's not true. | ||
| He's one of the greatest comedians of all time. | ||
| I know, but those people were just not comedy. | ||
| You don't think trans people want to watch comedy? | ||
| Not trans people, those people that got mad. | ||
| The wokesters? | ||
| Yeah, the people that got mad. | ||
| Those specifically were never supposed to be the audience. | ||
| They were like, you guys are never going to get it. | ||
| Get out of here. | ||
| Stumbling on it themselves is different than being told by your own people that this is bad. | ||
| Someone messed up. | ||
| Oh, you're gonna hate this. | ||
| Yeah. | ||
| Like, that's your introduction for me? | ||
| Oh, it's not like, hey, it's a very funny comic. | ||
| Please welcome one of the greats. | ||
| Not that, just, you're gonna hate this. | ||
| What I was gonna say is there's definitely people that are gonna be upset, whether they're right or wrong. | ||
| Yeah. | ||
| And they wanna have a conversation with it, that's great. | ||
| But there's also people that take advantage of a moment, and they're grifters. | ||
| And those people take advantage of the moment, they expand on whatever he said and make it sound way worse than it really was. | ||
| It was really kind of almost like a love letter to his friend who died. | ||
| You know, was it historically accurate? | ||
| He's trying to make it funny. | ||
|
unidentified
|
Right, yeah. | |
| Tell him jokes. | ||
| Obviously. | ||
| Also, he's an artist and can do whatever the fuck he wants. | ||
| Yeah, and I'm sure, you know, I mean, it's funny. | ||
| It's a funny fucking story. | ||
| It's not transphobic. | ||
| It's not. | ||
| So if you say, like, having a conversation about someone, that's a phobia of that person? | ||
| Like, are we going to do that with everything or are we just going to do that with some things? | ||
| You know, are we going to do that with all genders and all races and all... | ||
| Is everything going to be off limits to talk about it? | ||
| So what is Off Limits? | ||
| What stuff? | ||
| What stuff specifically? | ||
| Nothing. | ||
| Except the artist to figure out what he wants to talk about. | ||
| You can just not like it. | ||
| You can be like, I didn't like this version or whatever. | ||
| Here's the thing about this Chappelle special. | ||
| They don't really generally talk about what he actually said. | ||
| No. | ||
| They're not quoting anything. | ||
| They're quoting their memories of a headline that they already heard. | ||
| They've never even seen it. | ||
| Calling it transphobic, but there's not like a bit that gets singled out where people say, oh, that line. | ||
| And most of that would be out of context anyway, but there's not a bit. | ||
| Like, do you remember when Sam Kinison, there was a lot of controversy with Kinison when he was coming up, and Dice Clay in particular. | ||
| Like, and Dice Clay got banned off of... | ||
| SNL. SNL. MTV. MTV, that's right. | ||
| Because didn't he do, like, period jokes or something? | ||
| Pope. | ||
| The Pope? | ||
| No, no, no, no, no. | ||
| Sorry, that was Sinead O'Connor did the Pope, and they didn't want her on. | ||
| Dice was, like, something terrible. | ||
| Yeah. | ||
| Something awesome. | ||
| They banned him for life. | ||
| Yeah, off MTV. I think he cursed. | ||
| I think he cursed. | ||
| No, because you could curse on MTV back then, right? | ||
| No. | ||
| It was like, what did... | ||
| Fucking Rolling Stone. | ||
| Andrew Dice Clay banned for life. | ||
| 1989. 1989. Okay, this is... | ||
| I was a year into comedy. | ||
| I had a point, but I've lost my point. | ||
| He went ahead and debuted two of his famous Dirty Nursery Rhymes. | ||
| Oh! | ||
| Including, Rockin' My Baby on the Treetop and Your Mother's a Whore, I Ain't Your Pop. | ||
| And said two of George Carlin's seven dirty words you can never say on television for good measure. | ||
| Oh, he went in with a fucking plan to piss these people off. | ||
| Of course. | ||
|
unidentified
|
Nice! | |
| He's Dice Clay. | ||
| Let me ask you a question, though. | ||
| That Chappelle thing. | ||
| All those people thinking at Chappelle. | ||
| Yeah. | ||
| Why do you think you heard so much about a tiny, tiny amount of people who were saying that? | ||
| Because it's an interesting conversation to everybody else. | ||
| It's gossip. | ||
| It's almost nobody, and you hear tons about it. | ||
| Yeah, but it's the most famous comic on the planet. | ||
| Yeah. | ||
| It's a red-hot social issue that's in the news every day, and there's a conflict. | ||
| And so you're more interested in that than the 99% of people. | ||
| You hear more about that than 99% of people who go like, yep, another great fucking funny special. | ||
| You don't hear that. | ||
| They push this shit in front of you instead of that shit. | ||
| So now you're thinking there's this attack going on. | ||
| And then everyone's weighing in and everyone starts to feel something about something. | ||
| That's the shit that should be illegal. | ||
| Everything you see is curated to make you the maddest. | ||
| I see that Chappelle shit too and I'm like, what the fuck? | ||
| And I'm like, they got me again. | ||
| I shouldn't even know they're mad. | ||
| But they're doing things that'll get people to pay attention, right? | ||
| They're writing articles that'll get people to pay attention. | ||
| Their outrage is directed at getting people to pay attention because that's where the money is. | ||
| The more people read the article, the more money it generates. | ||
| Gia Tolentano wrote Jezebel and she said people used to get mad at me for the articles I wrote not knowing I was instructed by my editor to write articles that would make people upset. | ||
| See, I would have issue with that. | ||
| This is why. | ||
| If you have a name, your name's Ari Shafir, and you write an article, and that article pisses me the fuck off, and then I read an article about you later, and this article is different. | ||
| This article is just you being you. | ||
| Like, you should almost do it under a different name. | ||
| Or, like, there's a bubble of everything you do. | ||
| Well, if you, I mean, if you're gonna be, if it's just a little art project, because that's what it is. | ||
| Well, like if Woody Allen plays music, like he does, a separate thing from his normal thing, he could still go by Woody Allen. | ||
| No, no, no. | ||
| This is totally different. | ||
| If it's something that you don't want your reputation associated with in an opinion, then maybe use a pen name. | ||
| Oh, okay. | ||
|
unidentified
|
That's what I'm saying. | |
| Totally. | ||
| Sure, sure, sure. | ||
| You should be allowed to be yourself somehow. | ||
| Well, yeah, but if you're being told, I want you to piss people off, but that's not what you would want to do. | ||
| So when you're writing it, you're not really writing it as you. | ||
| You're writing it as a job. | ||
| You're looking at it as a thing. | ||
| You're going to pretend you're a dick about something. | ||
| You're going to pretend you're outraged about something. | ||
| You're going to piss people off. | ||
| You're going to say something a little over-the-edge outrageous. | ||
| Or just tell me about something outrageous someone else did. | ||
| You're reporting these stories like, oh, so-and-so is the worst. | ||
| Not just did something a little wrong. | ||
| So-and-so is the worst. | ||
| Because it's getting you mad. | ||
| It's getting you mad. | ||
| Isn't he terrible? | ||
| Here's what else he did, Brad. | ||
| Instead of like... | ||
| You know, the New York Times story, leaving out all the consensual stuff. | ||
| If you are a person who's a writer, and you have a name, like if your name's Ari Shaffir, and I know that when I read an Ari Shaffir column, I'm going to get his thoughts and his feelings. | ||
| But if you're bullshitting because your editor told you to, because you're being paid to, you should probably have an extra name from that. | ||
| Yeah, it's bullshit. | ||
| It's not real journalism or anything, but like... | ||
| Yeah, it's gross. | ||
| Is it journalism? | ||
| It's editorialism, right? | ||
| Yeah, probably. | ||
| Journalism is stories. | ||
| Part of it is their take on things. | ||
| But also, so those negative ones are what you and me are going to end up seeing more of. | ||
| So that we just get a version of the world that everybody's hateful and angry at each other. | ||
| You ever get mad at a comic? | ||
| You're like, what? | ||
| They took that stance online? | ||
| And then you go like, I haven't seen any of their joke jokes, though, in a long time. | ||
| So why are they showing me this one? | ||
| Because they're like, oh, that one pissed off Tony. | ||
| Let me show it to Ari and Jill. | ||
| I bet they'll be pissed off with it, too. | ||
| Yeah, there's definitely that, but there's also the network of people that you follow. | ||
| They'll start sharing things, and then you'll start finding things. | ||
| We gravitate towards disaster. | ||
| Towards the negative, for sure. | ||
| Yeah, look at this. | ||
| Do you believe this person said this? | ||
| It is true. | ||
| It gets pushed forward. | ||
| We live in that world now. | ||
| And lingering over something feels like it would be more of a negative thing sometimes than a positive thing, right? | ||
| You know what I mean? | ||
| Because you're staring at something Dumbfounded, like if a comedian who I'm not that close with says something stupid in some weird political take, I do find myself reading it like 15 times. | ||
| I try to find it now by going, hey, that's a comedian. | ||
| I'm sure I can find something funny. | ||
| What were they meaning? | ||
| Maybe they weren't being... | ||
| Although the social stuff is like... | ||
| I mean, it really is a little weird, though. | ||
| You know both LA and New York. | ||
| I mean, you can admit, it is sort of crazier than ever what's going on out there, especially with the comedians. | ||
| Yeah. | ||
| It's like, what are you doing here? | ||
| What are you weighing in on something? | ||
| You're a fucking top-shelf writer in the world, and you're weighing in seriously on a subject? | ||
| It's been freaking me out for a while. | ||
| Well, they feel like it's part of the job of having these conversations with the people in your tribe to let everybody know you should keep working with me because I am on the right page. | ||
| I am there with you and I am a proponent of social justice. | ||
| Every agency in Hollywood sent letters to their fucking clients saying, hey, after George Floyd, we here at CAA, we here at William Morris, we here at ITM, we stand for social justice, that's why we've always had fucking black clients and shit like that. | ||
| You should know that if you're with us, you're on the right side of history. | ||
| They all fucking did that. | ||
| Because you have to at that moment go, oh, not me though, right? | ||
| Well, there was a fucking fever pitch in the air. | ||
|
unidentified
|
God! | |
| And so everybody does that every once in a while. | ||
| You fall prey to it online and you post a tirade. | ||
| You ever see a multi-part tweet? | ||
|
unidentified
|
Yeah. | |
| You're like, I can't get this all in. | ||
| Like, don't say it at all! | ||
| You know what we have to take into consideration? | ||
| We're really fortunate that we have podcasts. | ||
| Because in a podcast, you can express yourself in the exact way you would in any other way. | ||
| In real life. | ||
| Still, it's rushed. | ||
| Yeah, you're right. | ||
| But still, it's rushed. | ||
| You ever see podcast clips where it's like six of the same story? | ||
| So-and-so and so-and-so were fighting. | ||
| And then you see, like, Schultz and Dylan and Godfrey and, like, a bunch of others. | ||
| Like, oh, you all have a reaction to this. | ||
| Because they're all trying to, like... | ||
| Let me get our reaction quick. | ||
| Nobody stops and thinks about it. | ||
| You know, Henry Rollins... | ||
| Yeah, but it's things to talk about. | ||
|
unidentified
|
Yeah, I know. | |
| But you know what Henry Rollins said, like, he takes six months before he starts writing about stuff? | ||
| He lets it set in his mind. | ||
| Right, right, right. | ||
| Valuing the opposite of that. | ||
| If you have a fucking, I don't know, Houston fucking whatever take now, it's like, now? | ||
| Who cares? | ||
| Right. | ||
| He's like, well, I've had a month to think it out. | ||
| And you're like, nah, nobody cares anymore. | ||
| It values the quick response. | ||
| And that's the world we're in now. | ||
| That's what's getting to us all the time. | ||
| Quick response. | ||
| Don't take time. | ||
| Something about... | ||
|
unidentified
|
Blech. | |
| For some reason I'm wired that if you do it live or with friends or in front of a live audience, it's the opposite. | ||
| Because when we were at Skankfest when Astroworld happened, we were in this city that it happened in. | ||
| I was still in bed with one eye open reading about this tragedy that happened in the city that I'm in, realizing that it's a comedy festival and I have a show at noon. | ||
| And I am first. | ||
| Literally. | ||
| You got the first crack at it? | ||
| Oh yeah, they're waiting for you. | ||
| And so I was working out these... | ||
| Astroworld jokes. | ||
| By 4 p.m., it's solid. | ||
|
unidentified
|
See, that right there is the difference between a comedian and a regular person. | |
| And that's one of the reasons why people hate us. | ||
| I hate us. | ||
| And to everyone at Skankfest, they're like, yes! | ||
| I thought we did it! | ||
| And they show it to people out of there, and they're like, too soon. | ||
| I'm like, yeah, for you! | ||
| It's not for you! | ||
| I do know my audience! | ||
| It ain't you! | ||
| Meanwhile, there at Skankfest, it is... | ||
| What are the odds of the tragedies down the street? | ||
| It's incredible. | ||
| It's like the lottery. | ||
| They felt so blessed because it's like, yeah, we are the people that laugh at tragedies, but joke about tragedies. | ||
| Jamar was like, what's wrong with you guys that we haven't had one death here? | ||
| Taylor whatever, Swift dude, whatever, show us up. | ||
| Taylor Swift dude. | ||
| Whatever his name is. | ||
| What's his name? | ||
| Travis Scott, yeah. | ||
| This is the worst take on Astroworld the world has ever known, for sure. | ||
| It was a tragedy. | ||
| How many people died? | ||
| Nobody we know is the answer. | ||
| What if they were? | ||
| We would have heard by now. | ||
| How many people died? | ||
| Died. | ||
| You can't do that. | ||
| We're having a good time. | ||
| We're gonna put water on this fire right now. | ||
| Ten. | ||
| Ten people died. | ||
| I got double digits. | ||
| That's not bad. | ||
| That's a ruckus. | ||
| That guy brings the vibe. | ||
| Yeah, that is truly a ruckus. | ||
| Drinks in the air, liquid spraying everywhere. | ||
| So what was the cause? | ||
| Did people get trampled? | ||
| Did people get pushed to the ground? | ||
| People were being dosed, they said, also? | ||
| Was there a bunch of stuff they were saying? | ||
| This is Jamie's specialty. | ||
| That was a lot, yeah. | ||
| That was a crazy rumor that someone was running around injecting people with drugs. | ||
| Wow. | ||
| Yeah, I heard that. | ||
| But I was like, what did that have to do with the trampling? | ||
| The rumor went far because I think the sheriffs actually reported that their security guard had to get an arc in. | ||
| Right, that he got a shot in the neck. | ||
| But the security guard, when they asked him, they said, actually, I got punched or something like that. | ||
| Oh, interesting. | ||
| I do know security guards often say when they're at festivals that somebody dosed them so they can get off work and they get to go join the concert. | ||
| Interesting. | ||
|
unidentified
|
Yeah. | |
| Hey, man, somebody sprayed acid on me. | ||
| I'm sorry, but let me see how I feel in 20 minutes just so you know. | ||
| And it's like, hey, get out of here. | ||
| Work tomorrow. | ||
| Security guard is a weird job because you're not a cop. | ||
| But you want to be one. | ||
| You kind of want to be one. | ||
| And a lot of them act like that. | ||
| That's why I first understood the relationship that cops have often to other people. | ||
| Is that there's an us versus them thing. | ||
| Because the security guards all bonded together. | ||
| Because occasionally there were fights. | ||
| And occasionally things were physical. | ||
| Like real physical. | ||
| I watched quite a few. | ||
| Where? | ||
| UFC? Great Woods. | ||
| When I was a security guard. | ||
| I was a security guard for a few years. | ||
| At a mall? | ||
| At a performing arts center. | ||
| At a mall. | ||
| I don't know. | ||
| What's happened? | ||
| It was a concert center. | ||
| Oh, okay. | ||
| They hired all these black belts from my Taekwondo school. | ||
| So the security was like four or five black belts from my Taekwondo school, and then all these real professional security guys. | ||
| Is that Joe Rogan running after hundreds of people? | ||
| I didn't chase after anybody. | ||
| Disaster world. | ||
| Disaster world, people piling out. | ||
| Oh, my God. | ||
| This was earlier in the day. | ||
| This happened in multiple places. | ||
|
unidentified
|
Oh, my God. | |
| The fence just crashes. | ||
| People are getting trampled. | ||
| Oh, my God. | ||
| This is hard. | ||
| And no one knows in the back that they're pushing onto people. | ||
| Dude, this is horrible. | ||
| This is horrible. | ||
| This led to like later in the night that there was too many people there. | ||
| Not enough people to like crowd control. | ||
| Oh my god. | ||
| Oh my god. | ||
| This is terrible. | ||
| But this was just like earlier in it. | ||
| Oh my god. | ||
| People are just running over people. | ||
| They can't get up. | ||
| Fuck. | ||
| So what we used to do is we had to stop people from bringing in liquor. | ||
| So one of the things that we did was as we were waiting for people to come in, we would have to check their bags and they all were trying to stow away liquor. | ||
| So we'd find like bottles of expensive wine, we had to take it all. | ||
| So we had barrels of booze. | ||
| I'm not kidding. | ||
| To go home with? | ||
| Like yeah, we all split it up. | ||
| All the security people, they gave it to us. | ||
| So you had like barrels of wine coolers and shit. | ||
| You know, who's that one guy, that famous singer? | ||
| Dave Matthews. | ||
| Bald head, but all the women love him. | ||
| Older guy, goddammit. | ||
|
unidentified
|
Did you just call out my name? | |
| Neil Simon? | ||
| What the fuck is... | ||
| No. | ||
| No, John Denver. | ||
| No, no, no, no, no, no. | ||
| Goddammit. | ||
| Oh, James. | ||
| James Taylor. | ||
| Yes. | ||
| So he would play and girls would bring wine. | ||
| They would all bring wine and everything. | ||
| We'd steal their wine. | ||
| You can't take this in 1930. Sorry. | ||
| Sorry, you're not supposed to bring it. | ||
| And so they could either go home or they could give up the wine. | ||
| And then we'd have bottles. | ||
| Just giant dumpsters of these fucking booze. | ||
| Imagine how boring it is watching James Taylor live sober. | ||
| Yeah. | ||
| They're like, oh, I brought in just wine! | ||
| The other thing we used to have to do is we'd have to make sure that things didn't go haywire, and that's the day I quit. | ||
| The day I quit, there was a concert, a Neil Young concert, and they started fires. | ||
| And so there was a whole lawn area, and it was kind of cold out, so these people just decided to start fires. | ||
| And they were throwing, like, you know, they had, like, boxes and stuff, and throwing, they had gasoline. | ||
| It was wild. | ||
| There was fires. | ||
| So they stopped the concert. | ||
| They stopped the concert. | ||
| And there was like physical fist fights and I always carried a hoodie because I had my big security shirt on. | ||
| But as soon as shit went down, I'm like zipped up that hoodie. | ||
| I'm getting the fuck out of here. | ||
| Gone. | ||
| I'm not putting out literal fires. | ||
| I'm not getting any street fights with you fucking for $20 an hour or whatever I'm getting. | ||
| I'm going to fight some drugged up Neil Young fan who's got a fucking motorcycle jacket on. | ||
| Nah, who's got a knife. | ||
| No thanks. | ||
| What are we doing here? | ||
| I'm not doing this. | ||
| He's not going to go at you by the rules of jujitsu. | ||
| Yeah, I'm not a cop. | ||
| I was like, I'm just supposed to steal people's booze. | ||
| Dude, I was hanging out in Bonnaroo with one of the security guards for comedy and the promoter, Sam, and we were just like, oh, where can we get some Molly this hour? | ||
| He goes, oh, I'll see the security guards. | ||
| It was just like, go stock up on these drugs and go have a fucking great time. | ||
| It's awesome. | ||
| Security guards at those places probably all sell drugs. | ||
| Oh! | ||
|
unidentified
|
I'm off. | |
| I'm going to turn a profit. | ||
| Everybody sells drugs at those things. | ||
| I mean, like, I feel like that would be wasted, you know, money if you didn't do it. | ||
| Like, if anybody would sell drugs, like, especially good drugs. | ||
| You ever get to take something taken to TSA? Something TSA and they're like, hey, we gotta take this knife. | ||
| And you're like, hey, it's a good one. | ||
| Can you please, like, use it? | ||
| I get it. | ||
| You have to take it. | ||
| But, like, I want you to use it. | ||
| Like, it's a good thing. | ||
| Yeah, it depends on who's taking that knife, though. | ||
| You might look at one guy like, bitch, you're never going to use this. | ||
| Send it to my house. | ||
| Come on, give it to the other one. | ||
| I'm going to take a later flight. | ||
| Give me my fucking knife back. | ||
| Dude, one time me and Soder were going into, I think, Outside Lands, and he had these, just came from Denver, had these joints that were shaped like cigarettes with the brown tips in the bottom, so it looked like, I mean, it's just, and he puts it in a cigarette case, four joints. | ||
| Nice. | ||
| Perfect. | ||
| Yeah. | ||
| Go in there, take your keys or whatever, and he goes, oh, no, you can't bring cigarettes in here. | ||
| And he's like, what? | ||
| And then I was like, right behind him, long security line. | ||
|
unidentified
|
Hmm. | |
| And I was like, well, can we just smoke one before we go in? | ||
| And the guy's like, you have to wait in line again. | ||
| I'm like, fucking shit. | ||
| And Soda just gave up. | ||
| He was like, fine, no, I don't need the cigarettes. | ||
| How come you can't smoke cigarettes there? | ||
| I guess it was a no cigarette rule there. | ||
| Oh. | ||
| It's outdoor though, right? | ||
| Throws it in the garbage. | ||
| And I'm like, motherfucker. | ||
| And then he's searching me. | ||
| And I'm like, whatever. | ||
| I don't have anything. | ||
| We came right from Montreal. | ||
| He stopped by his house. | ||
| And then he's like, go ahead. | ||
| And I just walked by the trash can and just shoved my hand in it. | ||
| Picked up the fucking cigarettes. | ||
| I was like, make a fucking move. | ||
| He's not going to kick me out. | ||
| They'll tell me to, and it's fucking, and then Dan's like, go, go, go, go, go, go, go. | ||
| It was so perfect. | ||
| He saw it. | ||
| He was too far away. | ||
| And he was like, I was starting to hope you would. | ||
| And then right when he passed it, he's like, the guy wasn't looking anymore. | ||
| Ari, what's a clutch move? | ||
| One of my greatest. | ||
| One of my greatest. | ||
| Clutch move. | ||
| Saved it. | ||
| We both cried. | ||
| Very clutch. | ||
| I'm sure the word probably got out and people snuck stuff in somewhere. | ||
| Yeah, you do it in your shoe. | ||
| You tape it right next to your dick. | ||
| Bottom of your shoe. | ||
| Tape it on your dick. | ||
| You just got saran wrap. | ||
| You wrap your dick with the joints. | ||
| That sheath underwear is actually quite good at smuggling joints in because it's got a ball pouch. | ||
| So you keep it in there and it won't fall through. | ||
| Boxers are the worst. | ||
| Sheath underwear is the best. | ||
| It really is. | ||
| It has a pocket there. | ||
| How many joints do you think you could wrap around your dick and then saran wrap it before it didn't feel like a dick anymore? | ||
| Before people don't believe you. | ||
| That's not even, no way is that guy's that dick. | ||
| Before TSA Pre is like, no, no, no, no, no. | ||
| What's going on here? | ||
| You start walking with your hands out. | ||
| Nothing, that's my dick! | ||
| Yeah. | ||
| Ari, you have giant balls. | ||
| I do have bad balls. | ||
| Does anybody ever like, do you have anything in your balls? | ||
| Like, come on, sir, there's clearly something here. | ||
| It's obviously not just you. | ||
| What if you just explain that it's a splint to help enlarge your penis and that you wear it 24 hours a day and you have to? | ||
| Or the process has to start over. | ||
| Don't do this to me, dude. | ||
|
unidentified
|
Don't do this to me. | |
| It's just a splint. | ||
| It's a penis splint if you ever look at it online. | ||
| Penis splint, they stretch your penis out, sir. | ||
| Nobody wants to Google that. | ||
| No one's doing it in front of you. | ||
| Dudes do that, though. | ||
| There's dudes that stretch their dick out. | ||
| They literally grab the tip of their dick and a device and pull on it. | ||
| Or they put weights on their dick. | ||
| To over time stretch it out? | ||
| Yes, to over time. | ||
| No, that doesn't work. | ||
| Well, if you go to Africa and you see those naked ladies and you see how their boobs are flapping and hanging low like that, that's what happens when things get pulled on, when gravity pulls on it. | ||
| That's why girls wear bras. | ||
| You get it? | ||
| That's why Ari's balls sag. | ||
| They have been sinking lower and lower. | ||
| He doesn't have the proper underwear to support his shit. | ||
| So gravity keeps pulling on it. | ||
| Gravity can do that to your dick too, apparently. | ||
| I don't know about that. | ||
| Why would your dick not go all down also? | ||
| I am not bullshitting. | ||
| There are guys who have apparatuses strapped to their dick and they crank on it and it lengthens their dick. | ||
| Is your dick bigger now than when you were like 16, 17? | ||
| When you were fully grown? | ||
| Good question. | ||
| Mine is. | ||
| Over time, maybe it does. | ||
| Maybe it does. | ||
| All that pulling on it. | ||
| You're always pulling on the fucking thing. | ||
| Yeah. | ||
| Something about blood flow there. | ||
| Yeah, but also, what if you can increase the size of it by pulling on it? | ||
| But that doesn't change the amount of muscle and tendon on the inside and the tubes. | ||
| You got a muscle in your dick? | ||
| True. | ||
| I get what you're saying. | ||
| But what about those necks? | ||
| It's the Karens who stretched our necks. | ||
| Could you imagine if there was a dick machine at Gold's Gym? | ||
|
unidentified
|
There was a machine, you shove your dick in, you just fucking lift weights with your cock. | |
| The line's just out the door. | ||
| Hey dude, wipe it down before the sky. | ||
| Can we please get more than one of these machines? | ||
| That would be like the real question. | ||
| Are you so vain you use the dick machine? | ||
| Everyone is. | ||
| Everyone's going to use the dick machine. | ||
| I wouldn't. | ||
| I wouldn't. | ||
| Well, there's no line right now. | ||
| They just put in a new one. | ||
| Like, what is a machine that girls always use at the gym? | ||
| Oh, that donkey kick one, for sure. | ||
| When they have their butt up in the air and they throw kicks backwards. | ||
| You know, you push against a weight thing. | ||
| You ever seen that? | ||
| Talking to the wrong guy. | ||
| You know, they do this kind of shit. | ||
| To get their butts going? | ||
| Yeah, girls love that one, right? | ||
| That's when girls do. | ||
| The last time I was at a gym was Sober October, three years ago. | ||
| Dude, you got ripped. | ||
| You should have kept it going. | ||
| I was hoping you were going to keep it going. | ||
| It was a lot of work. | ||
| Yeah, it's a lot of work. | ||
| It's called life. | ||
| What a good answer. | ||
|
unidentified
|
What? | |
| Yeah. | ||
| Exactly. | ||
| I thought we talked you into a lifetime of fitness after that, but nope. | ||
| Right back to slovenly ways. | ||
| Maybe it was a moment of like, maybe I should do that and just like, done. | ||
| No way. | ||
| So much easier to not do it. | ||
|
unidentified
|
I get it. | |
| It was funny though, because you were so competitive. | ||
| You were so into it while it was happening. | ||
|
unidentified
|
Yeah. | |
| You are very formidable. | ||
| You put in some good time. | ||
| I pushed you a little. | ||
| Put in some good numbers. | ||
| Yeah. | ||
| I would do it at night when everybody was asleep and they'd wake up to me fucking laughing. | ||
| Anxiety. | ||
| Look at this. | ||
| Penis stretcher. | ||
| See? | ||
| Top four. | ||
| Four of the best ten penis extender stretchers. | ||
| Can I break in right now? | ||
| That photo on the left? | ||
| See that bottom left? | ||
| The cartoon? | ||
| I got flagged for sexuality. | ||
|
unidentified
|
Wow. | |
| Something like that. | ||
| A cartoon. | ||
| Look what this says. | ||
| 4 out of 10 best penis extender stretchers that impressed me as a user. | ||
| This is a guy that definitely used a pen name. | ||
| It says Irvine Weekly. | ||
| So that's like that Irvine newspaper? | ||
| Oh my god. | ||
| That's hilarious. | ||
|
unidentified
|
The Irvine Weekly is out there stretching dicks. | |
| How to find the best device for yourself. | ||
| Brand partner content. | ||
| That's a key one. | ||
| Finding the best penis extender can feel like navigating a puzzling maze. | ||
| Don't say it like it's a given article. | ||
| No, none of us have thought about this before. | ||
| Hold on, hold on, hold on, hold on, hold on, hold on. | ||
| What'd you say? | ||
| What'd you say? | ||
| In this penis extender review, you'll find a personal testimonial based on many years of experience using different penis enlargement devices. | ||
| This guy's a pervert. | ||
| Oh, wow. | ||
|
unidentified
|
Many years of experimenting on dick pulling? | |
| How dare he? | ||
| How dare he write this article and just subtly throw that in there? | ||
| What if you found once one worked, wouldn't that be it? | ||
| That would be it. | ||
| I got one. | ||
| I'm seeing marketed improvement in my dick size with this product. | ||
| Why would I ever take a second without using it? | ||
| He's like, no, no, no. | ||
| Now we need a girth machine. | ||
| Oh, the Deluxe is $3.49. | ||
| Jamie, buy five. | ||
| Can you please get one? | ||
| Can you please get one at half? | ||
| Please get Quick Extender Pro prices and find out the updated prices. | ||
| And maybe there's a coupon code on there. | ||
| This one's the only FDA-approved one. | ||
| Oh, the FDA got involved. | ||
| They must be making money. | ||
| They're making money on dick size. | ||
| The FDA approved this and not the vaccine. | ||
| Remember when Viagra first came out? | ||
| It rocked the fucking country. | ||
| Changed the world. | ||
| Would you trust a German penis extender, Ari? | ||
| I would if they didn't know it was going to me. | ||
| Look, is that thing to cup the balls? | ||
| What's the thing in the bottom? | ||
| Is that the gripper? | ||
| That's a speculum. | ||
| There's so much metal there. | ||
| That's bothering me. | ||
| Oh, and then you slowly pull it out? | ||
| Oh, Jesus. | ||
| That metal plus dick equals ouch. | ||
| No reason to have that metal. | ||
| It looks like trappy places. | ||
| A girl finds that. | ||
| A new girlfriend finds that in a cabinet somewhere like, what is this? | ||
|
unidentified
|
Oh, that's a soupster. | |
| Go back right there. | ||
| That's how it works. | ||
| Look, that thing grabs the balls. | ||
| And push it away. | ||
| That's gonna extend your balls, though! | ||
| No, everything. | ||
| Everything gets stretched out. | ||
| Dude, you pump it up like a fucking barber chair. | ||
|
unidentified
|
Ooh. | |
| You push down on it. | ||
| Whoa! | ||
| Look at that one. | ||
|
unidentified
|
Yikes. | |
| What the fuck? | ||
| Yeah, it's... | ||
| New Year's Eve noisemaker right there. | ||
| It's like a milking device. | ||
| It is a milking device. | ||
| Jamie, can you order five of those for the next time I'm here? | ||
| Milking dicks. | ||
| Getting your dick to grow. | ||
| Shane and Mark. | ||
| We're going to have a time in our lifetime where this, like, GigaChad, this thing... | ||
|
unidentified
|
Drawbacks! | |
| Oh, drawbacks. | ||
| I waited too long for the results. | ||
| Sorry, this is just for this particular one. | ||
| Oh. | ||
| Yeah, never mind. | ||
| What is this guy saying, though? | ||
| It took me a pretty long time to figure out how to create a vacuum. | ||
| The Velocium Fort version is incredibly comfortable. | ||
| But such stretching of the penis with the help of a strap. | ||
| Which created tension in the structure, failed to achieve significant results. | ||
| Like, what a weird way to talk about stretching your dick. | ||
| Also, the next one's incredible. | ||
| I found the Phyllosyn Forte Plus construction somewhat uncomfortable and even unsafe if your penis is more than six inches wide. | ||
| It's like, dude, if your penis is more than six inches wide, what are you doing stretching it out? | ||
| You already won. | ||
| I think you did it, dude. | ||
| Imagine if there's a group of guys out there with dicks just like those crazy stripper ladies with like triple F tits. | ||
| They just can't stop getting their boobs done bigger. | ||
| If there's guys like that with dicks. | ||
| Yeah, just constantly. | ||
| You can safely use it while sleeping. | ||
| You can safely use it while sleeping. | ||
| What? | ||
| You're gonna sleep with a robot blowing you? | ||
| That's terrible. | ||
| This is awful. | ||
| This is the future. | ||
| This is our future. | ||
| Oh my god. | ||
| That looks like it makes a noise if you squeeze the little... | ||
| It looks like one of those dipper things, the birds that dip down and drink for the cup. | ||
| You should just Google, do you cum when you use your penis extender? | ||
| You should Google, how often do you cum when you... | ||
| Am I the only one that... | ||
| Google that phrase. | ||
| Let's see what happens. | ||
| This has got to be a bunch of guys on a forum dedicated to, well, the penis extender that makes you cum the hardest. | ||
| Somebody from the industry leader is going to reach out to you. | ||
| The industry leader in penis extenders. | ||
| Which one got FDA approved? | ||
| If there was something that could make your dick grow like that, my goodness. | ||
| How would we not know about it? | ||
| Well, I remember that joke that I used to do about if dick pills were real, it'd take about 30 seconds after the event before the first guy died of an overdose. | ||
| Just fill it up on it. | ||
| No one's going to just take one. | ||
| You go, how many give me a stroke? | ||
| How many? | ||
| I'm going to take one less than that. | ||
| And then half less than one. | ||
| Fuck out of here. | ||
| Guys carrying around their dick with shopping carts. | ||
| Yeah, the women evolved because the guy's dicks got so big, women's vaginas had to grow accordingly because guys wouldn't stop growing their dicks. | ||
|
unidentified
|
Which one was that? | |
| That was Shady Happy Jihad. | ||
| I said that guys with big dicks in shopping carts would chase women up to the top of cliffs and they would leap off the cliff like flying squirrel pussy people. | ||
| Because their vaginas would be so big from the giant thing. | ||
| Evolution! | ||
| This is basic science. | ||
| I mean, there's like weird Rolls of the dice in the world, but one of the weirdest rolls of the dice in the world for a guy is your dick size. | ||
| You can just have a tiny dick and there's not a damn thing you can do about it. | ||
| You know guys that are concerned about the smallness of their dick? | ||
| Like overly concerned? | ||
| They talk about it more than anybody? | ||
| Yeah. | ||
| It's weird. | ||
| Yeah. | ||
| It's weird. | ||
| It's a weird comedy thing, right? | ||
| There used to be a comedian, I'm not going to name his name, but he would close by saying, my name's, thanks so much, that's my time, I'm blah blah blah, I have a big dick. | ||
| That's right. | ||
| And I always thought to myself, he must have the smallest dick. | ||
| He must have a small dick. | ||
| Or he has a big dick and he's advertising out there. | ||
| That's right. | ||
| I got a big dick. | ||
| Look, we have an answer. | ||
| And listen to how it's read. | ||
| Once again, oh, can I have an orgasm while using a penis pump? | ||
| Once again, this will depend on the person! | ||
| Exclamation point. | ||
| Why is there an exclamation point? | ||
| What the fuck are you doing? | ||
| Are you a cheerleader? | ||
| He's answering his own questions emphatically. | ||
| You will certainly be able to have an orgasm once the penis pump has been removed, although it may take longer than usual due to your increased stamina. | ||
| Sure. | ||
| You get stamina with the penis pump too? | ||
| They were able to cum while their penis pump is still in the tubes simply from the intense sucking, in quotes, sensation which they experience. | ||
| Whether or not you'll be able to do this depends on how pleasurable you find the experience of using the pump. | ||
| So go ahead and give it a try! | ||
| Should we do like a sober October thing and we all try to see which one of the three of us can extend our penises the most? | ||
| Oh my god, imagine if one of us ripped our dicks and we had to go to the emergency room. | ||
| Oh my god, that'd be great. | ||
| That'd be great. | ||
| Next week. | ||
| These are grown adults. | ||
| These are grown adults. | ||
| Take them off Spotify. | ||
| Take that down. | ||
| Hey, what ever happened to that walkout on Spotify, young fucking employees? | ||
| Did you go back to work? | ||
| Fucking idiots. | ||
| I mean, if you're coming from the sucking of your penis enlarger, then you have bigger problems than your small penis. | ||
| Well, no. | ||
| What if you just say, okay, before I use this penis enlarger, I'm not even going to look at my dick for like six weeks. | ||
|
unidentified
|
Yeah. | |
| I'm not going to beat off at all. | ||
| I'm just going to pee and go to sleep and wash it when I have to and be honest about it. | ||
| No grabbing it and holding on to it. | ||
| Before. | ||
| Before, and then use the penis pump. | ||
| You'd want to measure in your icebox the first time. | ||
| Why would you do that? | ||
| If you didn't jerk off at all, or no sex, no jerking off for like six weeks, and then use the penis pump, you'd probably be so horny. | ||
| Oh, you'd blow a crazy load in there. | ||
| Yeah, maybe then you'd come. | ||
| Six weeks, I mean, Jesus. | ||
|
unidentified
|
You put on your pants, and you're gonna look at me weird. | |
| You ever see how when animals fuck, dude? | ||
| Animals fuck like this, ready? | ||
| And that's it. | ||
| And it's over. | ||
| That's how they do it. | ||
| We take our time. | ||
| We have lovemaking. | ||
| It's sensual. | ||
| We take in. | ||
| We enjoy it. | ||
| Animals are trying not to get eaten. | ||
| They just dive on each other, fuck real quick, and run from the top of the trees, right? | ||
| When you see monkeys fuck, they're not taking a lot of time. | ||
| They're not making love. | ||
| They're not sticking a thumb in the butt. | ||
| And they're not... | ||
| There's no foreplay. | ||
| I think monkeys and chimps are the only ones who do it for fun, though. | ||
| Is he a monkey spitting another monkey's mouth? | ||
| What did we just witness? | ||
| They're mimicking the humans. | ||
| They're evolving. | ||
| She smacks him in the face. | ||
|
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He smiles while he's fucking her. | |
| That's one of these. | ||
| To me, the most disturbing thing in nature is when chimps eat monkeys. | ||
| That's the most disturbing. | ||
| Out of all the things I've ever seen in nature documentaries, I get all of them. | ||
| I get a lion killing a gazelle. | ||
| It all makes sense. | ||
| When the crocodile takes out the wildebeest, it makes sense. | ||
| Yeah. | ||
| But when you see a chimp eating a monkey- Because they look too related. | ||
| Why? | ||
| They look so related. | ||
| They don't just look related. | ||
| They look like they know that that little monkey's screaming and looking at him, trying to push him away, and they're eating him alive. | ||
| They eat him alive. | ||
| Why? | ||
| They don't give a fuck. | ||
| They don't give a fuck that the monkey's screaming. | ||
| They got him. | ||
| They got him, so they're going to eat him. | ||
|
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|
Wow. | |
| Why? | ||
| Just because they're food or because they're too close? | ||
| David Attenborough, I believe, was the first guy to catch that on film. | ||
| I think so. | ||
| See if that's true. | ||
| Back then, they used to think of chimps as being... | ||
| When we thought of chimps, we always thought of them as they eat fruit, they eat a banana, they swing around. | ||
| We never thought of them as being relentlessly violent. | ||
| Drive limousines. | ||
| When you were kids, you never thought of a chip. | ||
| Yeah, you'd picture little bananas and stuff, like peeling a banana. | ||
| There were people's sidekicks on TV shows, right? | ||
| Yeah. | ||
| There was a show called BJ and the Bear. | ||
| And the Bear was this. | ||
| Chim see baby monkeys brains first, a clue to human evolution. | ||
| Oh, God. | ||
| Wait, is that a baby? | ||
| Is that a new one? | ||
| Look at that they're eating the baby monkey brain first. | ||
|
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|
Oh my god. | |
| Oh my god. | ||
| He goes right for the head to eat the brain. | ||
| He looks so casual. | ||
| He's having such a good time. | ||
| So casual. | ||
| Just ripping it apart. | ||
| And the strength those things have is just preposterous. | ||
| The strength the chimp has, we want to think it's like relative to like their size. | ||
| What's happening here? | ||
| What's happening here? | ||
| Who's doing what? | ||
| He's catching a baby monkey. | ||
| And what's the other monkey? | ||
| What's the one on the left? | ||
| Is that his mom or something? | ||
| Running away. | ||
| That's the mom running away. | ||
| Oh, it's like, sorry. | ||
| Does she have any more on her back? | ||
| No. | ||
| She's just running away, man. | ||
| She'll get killed. | ||
| Look at the shape of her body. | ||
| I think that's her other foot, bro. | ||
| You got that thing in the way. | ||
| What happened? | ||
| Yeah, I think that's her other foot, isn't it? | ||
| What is that? | ||
| Yeah, it's her foot backwards. | ||
| It's like she just leapt. | ||
| Yeah, she's in the middle of a full leap. | ||
| That's what it is. | ||
| What the fuck, man? | ||
| That is so wild. | ||
| Chimpanzee captures... | ||
| A chimpanzee captured a young colobus monkey during a hunt. | ||
|
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|
Damn. | |
| Yeah, it's always those colobus monkeys that you see the videos of. | ||
| Is that squirrel monkeys? | ||
| I don't know. | ||
| Those are so cute. | ||
| They're cute little monkeys. | ||
| And these chimps, they do it intelligently. | ||
| They corral them. | ||
| Like, they have them on the ground, and they run down on the ground, like, making a lot of noise. | ||
| And the other ones get up in the trees, and they, like, funnel them together. | ||
| And then they attack them. | ||
| They get them into, like, these... | ||
| And they'll for sure get one. | ||
| Sometimes they throw them to the ground. | ||
| Is this David Attenborough? | ||
| Young David. | ||
| Yeah. | ||
| So this, I believe this was, if I want to say, I want to say this was in the 90s. | ||
| He's in there with them? | ||
| Yeah, yeah, he's in there with them. | ||
| David Attenborough is the most beloved person in the world. | ||
| So he films these chimps and he's, you know, getting a chance to see them behave and act in the wild in a way that very few people ever do and photograph with beautiful cameras. | ||
| So here he is. | ||
| He got a chimp and he's like, they're just eating it alive. | ||
| You seen it screaming? | ||
| And so he's like, ow, ow. | ||
| Back up so you see it screaming. | ||
| Like, look at it. | ||
| Oh, it looks like a person. | ||
|
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|
Oh, the one in the back's eating it. | |
| Oh. | ||
| Wow. | ||
| So all these chimps are excited that they caught a monkey. | ||
| Oh, it's dead, it's dead. | ||
| No, it's not quite. | ||
|
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|
Yes, it is. | |
| It's dead now. | ||
| It's an organ. | ||
| By the time it's finally dead, but they're just eating it guts first. | ||
| Like, look at this. | ||
| And now they got another one. | ||
| They got a piece there of it. | ||
| Bro. | ||
| Bro. | ||
| That's us. | ||
| See? | ||
| This is the thing. | ||
| We came from that. | ||
| Yeah, so you can't let them have social media. | ||
| They'll be even worse to each other. | ||
| Dude, Nature's Metal just posted one of a grizzly bear killing a brown bear cub, chasing it down, and there's blood all over them just to have more mates. | ||
| Nature's so hard. | ||
| Well, it's not just that. | ||
| It's food. | ||
| They come out of the dens hungry. | ||
| And apparently they're pretty sure that some bears at least go looking for cubs as a food source. | ||
| So it's not just about breeding, it's just about eating cubs. | ||
| And then maybe also about forcing the female into estrus because she doesn't have to take care of the baby. | ||
| To get back in. | ||
| Yeah, and the females, that's what Nature's Middle said. | ||
| It'll make the women go like, I'm just going to kill my son, but I need a fuck. | ||
| But bears are different in that they eat them. | ||
| They're looking to eat. | ||
| Like a lion kills cubs. | ||
| The lion's probably not going to eat the cubs, I don't think. | ||
| Yeah. | ||
| Okay. | ||
| At first I was like, oh, they're playing. | ||
| Oh, this is awful. | ||
| This is awful. | ||
| Kill the cubs. | ||
| Oh, my God. | ||
| Oh, Jesus Christ. | ||
| It's just a rug now. | ||
| It's so ruthless and he eats it. | ||
| Look at him. | ||
| He's eating it. | ||
| Just tearing it apart and eating it. | ||
| It's weird how we are taught as kids that these animals are cute. | ||
| Like Winnie the Pooh is a fucking bear and he walks around with a shirt on. | ||
| Don't go anywhere near that thing in real life. | ||
| And no pants. | ||
| And oh, they like honey and oh, the Lion King. | ||
| Oh, lions are cool. | ||
| What is that? | ||
| Someone got bit. | ||
| Damn, dude. | ||
| Someone got bit by another bear. | ||
| I think he's been using the penis extender. | ||
|
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|
That's a black bear. | |
| That's a black bear and he probably got attacked by a- what does it say there? | ||
| Oh, it's a Finnish brown bear, torn up by a rival bear. | ||
| Yeah. | ||
| Oh, it looks like a black bear and while the color might look very similar to one, Finland doesn't have black bears. | ||
| Interesting. | ||
| Even if they did, color and size can be misleading and not a reliable identifying features when trying to distinguish between a brown bear and a black bear. | ||
| This bear has a shoulder hump, a distinct brown bear feature. | ||
| Ah, interesting. | ||
| They get warned all the time on Instagram, too. | ||
| Nature's metal. | ||
| But it's like, yeah, by design. | ||
| No one's seeing this. | ||
| Can I get access to this information? | ||
| Remember when all this was supposed to Arab Spring and change the world? | ||
| Say whatever. | ||
| Sow dissent. | ||
| Do it. | ||
| Also, that's life. | ||
| That's real life. | ||
| That's educational. | ||
| We shouldn't be shielded from that part of nature. | ||
| We can't have this distorted perception of what nature is. | ||
| I mean, if you like cute things, you're just like, ooh, am I following that? | ||
| The thing that gets me about the bears is I kind of think that's how it has to be. | ||
| Because if you think about it, if bears could just breed like crazy and spread out all throughout the land, they would eat everything. | ||
| They're fucking huge. | ||
| If they just didn't have any competition at all and they didn't kill and eat each other, There are probably so many of them. | ||
| Because what's going to stop a bear? | ||
| All they have to do is catch things and eat things. | ||
| They're really good at it. | ||
| You can't fight back. | ||
| They catch moose. | ||
| They eat moose. | ||
| Damn. | ||
| They catch them. | ||
| They run up to them, they grab them, and they eat them. | ||
| They eat whatever the fuck they want. | ||
| So if there was an overwhelming number of bears, nature would be all out of balance. | ||
| So nature made the bears eat the bears. | ||
| That's what's so crazy. | ||
| There's a wild, beautiful balance to the whole thing. | ||
| And if you don't see those nature is metal type videos, then you don't see the whole thing. | ||
| We look at it as cruelty because we don't want that to happen to our loved ones or to our pets or to anything that's cute. | ||
| We don't want that to happen. | ||
| But then we'll buy a chicken sandwich. | ||
| We'll go to Chick-fil-A and get a spicy chicken. | ||
| It's delicious. | ||
| I don't want to see it. | ||
| That's all. | ||
| But yeah, exactly. | ||
| If every animal in the world, if we had UFC 1 or UFC 2, if we did it bracket style, and every animal in the world had to fight, who do you have winning everything in the end? | ||
| Tigers. | ||
| Tiger? | ||
| Beats a grizzly bear? | ||
| Wait, hold on, we're not talking about fish, because then it's home court advantage. | ||
| Like a whale and a tiger could never, depends where it is, unless it's on land. | ||
| And the orca would fuck up the shark. | ||
|
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|
Yeah. | |
| Yeah, it's a big cat. | ||
| Tiger over bear? | ||
| Yeah, big cats. | ||
| And a tiger over a lion? | ||
| Yeah. | ||
| Oh, interesting. | ||
| Yeah, bigger. | ||
| They're bigger. | ||
| A lot bigger. | ||
| Yeah, a large male tiger. | ||
| That wasn't talked to us either. | ||
| Let's see what a large male tiger is. | ||
| King of the jungle. | ||
| I want to say a large male tiger borders on like 1,100, 1,200 pounds. | ||
| I don't think a large lion does. | ||
| I think a large lion is like 800, 900 pounds. | ||
| Maybe even smaller. | ||
| Those ones you used to show us about the guys riding on the elephant and the lion knows the food is all the way up there. | ||
| Oh my god, it's tiger. | ||
| Tiger just jumps up over. | ||
| Tiger knows the man is up on top of the elephant. | ||
| So it leaps and tore the guy's arm apart. | ||
| The guy lost use of his arm, I believe. | ||
|
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|
Wow. | |
| Because the thing just slashed his fucking arm open. | ||
| I mean, they have razor blades for claws that are used to take out axis deer. | ||
| Life getting worse, you're a fucking elephant herder in India. | ||
| And then it fucking just gets suddenly way worse. | ||
| I think they were probably hunters. | ||
| So the cat size. | ||
| Tigers are heavier, weighing up to 800 pounds. | ||
| The lion's 550. So yeah, tigers are bigger. | ||
| But the two cats aren't so different in size. | ||
| Here their profiles are superimposed. | ||
| Oh, interesting. | ||
| So they're similar size with the tigers, that much heavier, which must be muscles. | ||
|
unidentified
|
Yeah. | |
| Hold on. | ||
| Go back up there. | ||
| You might remember from high school health cuts that muscle weighs more than fat, which helped explain the tiger's extra pounds. | ||
| So it seems a tiger would have a physical advantage over the lion. | ||
| Have they ever fought? | ||
| For sure. | ||
| For sure. | ||
| For sure people have done that. | ||
| In 2011, a tiger killed a lion with a single paw swipe, the Conor McGregor of the Ankara Zoo interview. | ||
|
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|
Wow. | |
| It was a phantom punch. | ||
| Killed a lion with a single paw swipe. | ||
| With a gap in the fence. | ||
| The tiger apparently found a gap in the fence and made its way to the lion's enclosure. | ||
| When they met, the tiger severed the lion's jugular vein in just one stroke. | ||
|
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|
Wow. | |
| Oh my god. | ||
| Well, hold on. | ||
| What I've seen from tigers, they seem to be more aggressive. | ||
| They go for the throat. | ||
| They go for the kill. | ||
| Whereas lions are more, I'll just pound you and play with you. | ||
| Yeah. | ||
| Because they're like kittens. | ||
| Yeah, it's like the difference between a wolf and like my dog Marshall. | ||
| It's just, tigers are the kings. | ||
| That's the real king of the jungle. | ||
| It's not a lion. | ||
| And they're pissed. | ||
| Lions live in the savannas anyway, by the way, don't they? | ||
| Do they live in the jungle? | ||
| They call him the king of the jungle. | ||
| They do call him the king of the jungle. | ||
| Are they actually in the jungle? | ||
| Ask Joe Rogan about those. | ||
| I feel like lions are like, they're a grasslands animal, right? | ||
| Lions don't actually live in the jungle. | ||
|
unidentified
|
Thank you! | |
| Their real habitat is the open savanna, where they can hunt mammals such as gazelles, antelopes, and zebra. | ||
| They may also cooperate to catch larger mammals such as buffalo, giraffes, and even crocodiles. | ||
| Yeah, so that's a bullshit name. | ||
| The tiger is the king of the jungle, and they live in the fucking jungle. | ||
| That's a really interesting fun fact. | ||
| Tiger is the king of the jungle. | ||
| Yeah. | ||
| That's like, I've never heard that before. | ||
| Oh, man. | ||
| The tiger is the king of the jungle. | ||
| There's one documentary, if you're into lions, you have to watch. | ||
| It's called Relentless Enemies, and it's about a particular group of lions that got trapped on an island with one food source. | ||
| That food source was buffalo, what they call Black Death. | ||
| These wild Big fucking massive buffalo. | ||
| So all the lions grew. | ||
| So the female lions on this one island are as big as male lions everywhere else. | ||
| And they're jacked. | ||
| They look like superheroes. | ||
| So it's the only way they could evolve to kill the buffalo. | ||
| They had to evolve to kill the buffalo. | ||
| So they're all super jacked. | ||
| And they're all eating buffalo. | ||
| So they're eating like the most dense protein meat in enormous quantities. | ||
| Because you kill one, it's like 1,800 pounds or something like that. | ||
| So these lions, when you look at them, they look off. | ||
| They look like a lion from a movie. | ||
| Like, what the fuck is going on here? | ||
| Because the females are fucking chocked. | ||
| The females look like Cyborg if she was a lion. | ||
| Just running around fucking chocked. | ||
| Just angry. | ||
| It's a wild documentary, man. | ||
| It shows you evolution. | ||
| It shows you natural selection. | ||
| What's it called? | ||
| Relentless Enemies. | ||
| See if you can find a little clip of it, we can see what the female lions looked like. | ||
| Because female lions are usually sleek. | ||
| Because they have to run down these gazelles and stuff and catch them and they're very clever. | ||
| They work together. | ||
| Look at the size of that girl! | ||
| Bro! | ||
| Look at her muscles! | ||
| Look at her fucking muscles! | ||
| She's super jacked! | ||
| So these lions in there. | ||
| It's a really good documentary too because it's explained. | ||
| Look at that picture right there. | ||
| That's a great picture. | ||
| The one your cursor's on, Jamie? | ||
| Yeah, yeah, yeah, yeah. | ||
| Because you get a sense. | ||
| Make that bigger. | ||
| Look how fucking determined he is. | ||
| Oh my god. | ||
| That's a girl. | ||
| The fucking physical, the muscle in that thing. | ||
| I jumped a little early, but still made the grab. | ||
| The whole thing is just get a hold of the back legs. | ||
| That's what they want. | ||
| They just want the back legs. | ||
| They want the back legs to trip you, and then they, you know, tear you apart. | ||
| Oh, yeah, they fight back hard. | ||
| They're the most dangerous animal to hunt in Africa, apparently. | ||
| Because they come at you. | ||
| Because they come at you. | ||
| That's why they call them Black Death. | ||
|
unidentified
|
Wow. | |
| Yeah, they fuck people up, man. | ||
| Look at those fucking cool horns he has. | ||
| Yeah. | ||
| Africa has some awesome shit there, man. | ||
| They keep going after each other. | ||
| Gotcha! | ||
| Those cats are incredible. | ||
| It's incredible, but it's incredible that this only happened... | ||
| God, I want to say it was like a hundred years ago. | ||
| See if it says, like, when the river changed. | ||
| Yeah, something happened. | ||
| There was probably like some rain event or something like that, and the river changed courses. | ||
| It changed its route, and it made this one area an island, and they got stuck there. | ||
| And so they all just figured out how to kill buffaloes. | ||
| Like, only buffalo. | ||
| Damn. | ||
| I went to Galapagos, that's all I talked about in the evolution. | ||
| Oh my god. | ||
| Because swimming in iguanas, so the only ones that knew how to swim made it over here. | ||
| They made it with the other ones who knew how to swim over here. | ||
| The freaks in the iguana world. | ||
| And then all those freaks started mating and now they all swim. | ||
| Only there. | ||
| For sure, though, the Romans must have brought lions and tigers to fight to the death, right? | ||
| Yeah. | ||
| For sure. | ||
| They'd be crazy not to. | ||
| Why would you not? | ||
| Yeah. | ||
| I mean, that'd be like Mike Tyson, Lennox Lewis in their prime. | ||
| Yeah. | ||
| Why would you not? | ||
| You want to see the best of the best. | ||
| You want to see the best of the animal world. | ||
| We want to see the best of the best of the human world. | ||
| Yeah. | ||
| Right? | ||
|
unidentified
|
For sure. | |
| One drunken night talking. | ||
| Like, who would win against a tiger versus a lion? | ||
| You're like, oh! | ||
|
unidentified
|
Right. | |
| We've always wanted to see who's the best. | ||
| When you watch a UFC, you want to see who is the fucking best. | ||
| Who's the best? | ||
| For sure we feel like that with animals. | ||
| I mean, think about rooster fights. | ||
| People have rooster fights. | ||
| They want to see whose rooster fucks up the other rooster. | ||
| And they also want to see an upset. | ||
| Imagine if a rooster killed a lion. | ||
| It would be very interesting to see an upset. | ||
| In a stunning, just accurate rooster pecking at its head. | ||
| You see a snake swallowing something way bigger than him. | ||
| You're like, noister. | ||
| Yeah. | ||
| That's another thing I got banned for on Instagram, they told me. | ||
| What? | ||
| I did an episode of Skeptis Hank with this guy who used to do rooster fights. | ||
| Went to one as a kid in Puerto Rico. | ||
| Just the title of the thing. | ||
| Rooster fight got you banned? | ||
| Night of the cockfights or whatever, and they were promoting animal harm. | ||
| Oh, God. | ||
|
unidentified
|
Jeez. | |
| Oh, boy. | ||
| My old gardener used to do it. | ||
| Cockfighting. | ||
| Yeah, my old Gardner was in two. | ||
| Bad. | ||
| I went to one and... | ||
| Yeah. | ||
| He was the thing, like, man, he lived in, like, there's parts of L.A. where you go there, and it's Mexico. | ||
| I mean, they're all Mexican immigrants, and they're all speaking Spanish, and there's fucking roosters everywhere, man. | ||
| It was crazy. | ||
| He had, I'm not bullshitting, like, a whole setup in his backyard where he had a ring, Where the roosters could fight in the ring. | ||
| I did not see the fights. | ||
| I saw him. | ||
| He got some roosters together for me to show me how they do it. | ||
| I didn't see where they're all throwing money down and betting. | ||
| I have a fucking false memory of going by once and not going in. | ||
| I feel like I remember you telling me that I went but I didn't want to go in. | ||
| Yeah, it's a weird memory. | ||
| That was the early days of my weed smoking too. | ||
| You can't trust anything. | ||
| I oftentimes went over the edge. | ||
| I did not know how to balance out my weed. | ||
| I would think things in LA just get way too paranoid. | ||
| I probably did not want to go there. | ||
| Oh, more than a thousand cockfighting birds seized in LA Raid. | ||
| Well, thank God you're doing that and not stopping all those smashing grabs. | ||
| This was three years ago. | ||
| Whatever. | ||
| Come on, Jamie. | ||
| Fucking with my jokes. | ||
| Dude, I went to two of them in East Timor. | ||
| I went to one and they went back. | ||
|
unidentified
|
Oh, really? | |
| It's so fun. | ||
| They're all screaming out, holding up dollars. | ||
| Who wants to bet? | ||
| Who wants to bet? | ||
| I got white. | ||
| I got red. | ||
| And then you're just like, all right, let's go. | ||
| And then they just like, they kind of toss at each other a little bit just to hold them. | ||
| And then they get them riled up like, who the fuck is this coming at me? | ||
| And then they let them go. | ||
| They tie a razor blade to one claw. | ||
| And then they fly each other and put the claws out and go like this. | ||
| And they don't even know. | ||
| They've got a fucking slasher on their hand now. | ||
| And they're cutting each other up. | ||
| But you don't even feel it. | ||
| And so the next one's like, all right, let's go again, let's go again. | ||
| And one of them will just suddenly go like, oh my. | ||
| Let's go. | ||
| And it'll just fall over. | ||
| It'll just bleed out. | ||
| Wow. | ||
| And they're like, it's over. | ||
| And everyone changes money. | ||
| It's so fun. | ||
| Doesn't look brutal. | ||
| Sometimes you barely see blood. | ||
| The thing is, it's weird. | ||
| Like, why doesn't that bother me? | ||
| Why doesn't it? | ||
| It bothers some people. | ||
| But here's my thing. | ||
| If it was dogs, it would bother me. | ||
| Yeah. | ||
| Sure. | ||
| I don't want that. | ||
| I don't want to even see that. | ||
| Yeah. | ||
| I love dogs. | ||
| But I do know that some of those dogs that were raised to do that, like pit bulls, they're the best dogs. | ||
| Some of the best dogs. | ||
|
unidentified
|
The breeds. | |
| They are so loyal and so sweet and they love people. | ||
| They do it because they almost fight because they want people's approval. | ||
| They're trained to. | ||
| They're engineered to. | ||
| It's a strange dog. | ||
| They're super intelligent, man. | ||
| Pitbulls are really intelligent. | ||
| They connect with you. | ||
| They connect with you like they're your buddy in a weird way. | ||
| It's an intensity that you don't get from a lot of other dogs. | ||
| They look you in the eye and their head is the same size as yours. | ||
| Yeah. | ||
| And they're just like... | ||
| And they're fucking sweet, man. | ||
| Like a good one that's raised well, that's, you know, you have it since it was a puppy. | ||
| They're so sweet to people. | ||
| You just got to exercise it. | ||
| Their reputation's back. | ||
| The reputation is there for a reason. | ||
|
unidentified
|
No one's scared of pipples anymore. | |
| Oh, yes, they are. | ||
| They should be, man. | ||
| They should be. | ||
| They're an aggressive dog. | ||
| If someone does a bad job training them, and, you know, and they're accustomed to getting into fights, they can be real dangerous. | ||
| Or if someone in their bloodline right above... | ||
| It was like that. | ||
| A rescued attack dog. | ||
| Even if it's just in their next generation up. | ||
| Some hate kids. | ||
| Some absolutely hate other dogs. | ||
| Some hate postal people. | ||
| They have no problem squabbling. | ||
| That's the problem. | ||
| They'll fight in the middle of nowhere. | ||
|
unidentified
|
What? | |
| What, bitch? | ||
| And they'll just fucking knock over garbage cans and start going to war. | ||
| They're ready to fight at a drop of a hat. | ||
| And they're engineered that way. | ||
| My dog is, we didn't teach her to, but is predisposed to just any chick and half the dudes on the street just going up to them and wagging her tail and then licking their hand. | ||
| Everyone thinks they're special. | ||
|
unidentified
|
I'm like, she never does that for anybody. | |
| Just everybody. | ||
| What was my point about that, about dogs? | ||
| That they're great. | ||
| Oh, no, no, I know. | ||
| You eat a rooster. | ||
| You don't mind a rooster. | ||
| Yeah, you don't want to see a dog fight. | ||
| But it's weird. | ||
| If a fish kills a fish, it doesn't bother me at all. | ||
| Not at all. | ||
| If I see a monkey get eaten by a chimp, it freaks me out. | ||
| Yeah. | ||
| It looks too human-like. | ||
| Yeah, we have favorites in the animal kingdom. | ||
| And a little monkey, a cute little monkey getting eaten alive by a chip. | ||
| What is cow versus chicken? | ||
| Those are the two most common. | ||
| Who would you rather see get killed? | ||
| Who would you rather... | ||
| The chicken doesn't bother me at all. | ||
| Me too. | ||
| I'd rather see a chicken. | ||
| I've been around chickens, and they're little dinosaurs, man. | ||
| They peck at your kids. | ||
| Like my daughter, she was two years old. | ||
| It was pecking at her feet. | ||
| And my wife was like, I think it thinks her feet is food. | ||
| I go, no, it's trying to eat her. | ||
| It's trying to eat it. | ||
| This is a little dinosaur. | ||
| It's taking a chance to see if it can eat you. | ||
| And if it can't eat you, it's going to try to eat a bug or a fucking mouse. | ||
| When I saw them with a mouse for the first time, I was like, this is the craziest thing I've ever seen in my life. | ||
| They're more aggressive than any cat, more aggressive. | ||
| They just chase after that fucking mouse that they can't believe it's in there, and they're tearing it out of each other's mouths. | ||
| Like a room full of cats would be way more civilized if one of them caught a mouse than a room full of chickens. | ||
| Chickens are wild. | ||
| So that one, if they die, they don't give a fuck about you. | ||
| But a dog gives a fuck about you. | ||
| And a cow kind of can give a fuck about you. | ||
| Like when you see people have pet cows and they have pet deer and shit, and the deer come right up to them and they eat out of their hands. | ||
| A chicken never does that. | ||
| Like, they don't have a connection with you. | ||
| Like, maybe they'll let you pick them up, but like, it's a robot. | ||
| It's a little, a meat robot. | ||
| A little They're just a little meat robot. | ||
| They're trying to eat worms and shit. | ||
| That's what they're doing. | ||
| They're fucking each other up, and they peck at each other and shit. | ||
| Oh, a sick chicken will get pecked to death by the other ones. | ||
| It's called a pecking order. | ||
| They peck at each other, though. | ||
| That's what the pecking order's all about. | ||
| They have to establish who's the big bitch. | ||
| And the big bitch runs around, fucks up all the other chickens. | ||
| Did not know that. | ||
| Yeah, dude, it's a weird world. | ||
| Look at them fucking roosters. | ||
| And that's no razors. | ||
| No, there is a razor. | ||
| I see one's taped up. | ||
| No, maybe not. | ||
| No, no razors. | ||
| That's just a feather, I think. | ||
| Yeah, so now imagine a razor on the end of one of their claws and they're coming right trying to like slash them. | ||
| Boom. | ||
| It's weird. | ||
| I mean, they're beautiful though. | ||
| It's not like that. | ||
| I don't think they're great looking. | ||
| No razors on these. | ||
| They're tied together on this one. | ||
| Oh yeah, they tied their feet together. | ||
| Oh my god. | ||
| They're just letting them fuck each other up. | ||
| That's even more ruthless. | ||
| I saw a foot on the ground. | ||
| Just a chicken foot with a razor attached to it, just on the ground. | ||
| So do you think that should be legal? | ||
| Yeah. | ||
| Do whatever you want. | ||
| The fuck do I care? | ||
| I don't know, it's your chicken. | ||
| For real, no, for real. | ||
| Like, is it okay? | ||
| Yeah. | ||
| It's not in this country, but in other countries, it's like- I have no problem with it. | ||
| Tony Hinchcliffe. | ||
| I have no problem. | ||
| You can have two betta fish and not that... | ||
| That's not... | ||
| I get why you wouldn't, right? | ||
| But to me, it's not over that long. | ||
| Oh, look at that razor they put on. | ||
| The Futumanu. | ||
| Oh, my God. | ||
| Look at the size of that thing. | ||
| God, it's so sharp. | ||
| Dude, I saw this guy. | ||
| They have a booklet. | ||
| Remember those old CD cases? | ||
| They have a booklet of razors. | ||
| And these guys, they're about to fight their razors. | ||
| Look through them and go, no, this one. | ||
| This guy pulled one out. | ||
| Goes like this with a razor. | ||
| Just not the sharp side on the side. | ||
|
unidentified
|
It goes, This one. | |
| And it's so fucking frightening. | ||
| And he cuts his own tongue? | ||
| No, he just, on the side, just slides it. | ||
| Oh, my God. | ||
|
unidentified
|
He licked it? | |
| Mm-hmm. | ||
| Oh, Jesus. | ||
| They're wild. | ||
| Oh, my God. | ||
| They're fun. | ||
| Yeah, you'd be okay with it, right? | ||
| Oh, yeah. | ||
|
unidentified
|
Yeah. | |
| I don't think it's a good place for me to go at this stage of my career. | ||
| Into a cockfight promotion trying to get legalized here? | ||
| Well, I just don't think that that's the place where I should be hanging around. | ||
| Oh, yeah, yeah, yeah. | ||
| It's not going to be the... | ||
| Doesn't seem like I'm going to have the best conversations. | ||
| If you're willing to take that chance. | ||
| So when I went to my gardener's place, he had this whole setup. | ||
| They had the whole ring and everything. | ||
| It was in the backyard. | ||
| It was either his house or his friend's house we went to that had the ring. | ||
| But anyway, he had all these chicken cages and shit. | ||
| And everybody had chickens. | ||
| You could hear them in the background. | ||
| You could hear them across the street. | ||
| You could hear them. | ||
| Yeah, yeah, yeah. | ||
| Everywhere. | ||
| Like the whole neighborhood. | ||
| It was interesting, man. | ||
| They're fine with it? | ||
| They're not there going, what the fuck? | ||
| This one had 7,000 birds taken from it in 2017. Val Verde, illegal cockfighting bus, largest in U.S. history, 2017. I was like, who cares? | ||
| Let him do it. | ||
| I just don't see the problem with it. | ||
| The Humane Society cares. | ||
| It's not unusual to hear birds start to vomit or regurgitate blood. | ||
| Yeah, but don't go, Eric Sackett. | ||
| Where's the line outside of Kentucky Fried Chicken? | ||
| It's like, what do you think? | ||
| I ain't losing any blood in that? | ||
| But at least then we're using it for a good thing, which is food. | ||
| You're allowed to use animals for food, not for pleasure. | ||
| They eat the rooster. | ||
| The winner gets to eat the rooster of the loser. | ||
| That's how it is. | ||
| They go home with them. | ||
| Do they? | ||
| Yeah. | ||
| For real. | ||
| That's one of your rewards is you get to go home with a loser. | ||
| I think the rooster, though, would be tough to eat. | ||
| I think they'd probably be like real sinewy. | ||
| I saw a guy in that country eating parrots. | ||
| I think they're going to take a chance on a rooster. | ||
| He ate parrots? | ||
|
unidentified
|
Yeah. | |
| Really? | ||
| I saw him looking up in the trees, and I'm like, what are you doing? | ||
| He was looking for parrots. | ||
| I'm like, why? | ||
| I'm like, to kill them. | ||
| I'm like, what? | ||
| He goes, yeah, I eat them. | ||
| I'm like, have you gotten any? | ||
| He lifts up his shirt, four dead parrots hanging off his belt. | ||
|
unidentified
|
Wow. | |
| I mean, they can't be good. | ||
| Anything that we don't eat can't be good. | ||
| You remember the one time that we had- So arrogant. | ||
|
unidentified
|
Yeah. | |
| We would eat it instantly. | ||
| Yeah, we're the real kings of the jungle. | ||
| Remember that time we had... | ||
| We don't even live in the jungle. | ||
| We're like the lions. | ||
| We're fakers. | ||
| What's the unicorn of the sea? | ||
| Norwalk. | ||
| A norwalk? | ||
| Yeah, remember that time we ate that? | ||
| Where? | ||
| In Iceland or something? | ||
| No, no, no. | ||
| Someone gave us... | ||
| It was an indigenous guy in Canada. | ||
| If you're an indigenous guy in Canada, you're allowed to hunt a norwalk. | ||
| And it's kind of creepy. | ||
| Wow. | ||
| So we sat down at this restaurant. | ||
| We should probably not say the restaurant. | ||
| And the guy said, I'm going to bring you something over that's going to freak you out. | ||
| I was like, try this. | ||
| This is Norwal. | ||
| And we're like, what? | ||
| And by the way, not worth it. | ||
|
unidentified
|
Really? | |
| It was one of the best meals of my life. | ||
|
unidentified
|
However... | |
| The meal was amazing, but the Norwal... | ||
| It started, and I almost think that they gave it to us first to make everything else taste a thousand times better. | ||
| I don't think they gave it to us first. | ||
| It was in the middle of stuff. | ||
| He gave us a bunch of stuff. | ||
| It wasn't good. | ||
| No, it wasn't good. | ||
|
unidentified
|
Bland? | |
| Blubbery? | ||
| What was it? | ||
| One of those things where you're like, okay, this is an odd thing. | ||
| Like, why does one eat this? | ||
| And I don't think you're allowed to sell it either. | ||
| I think it's one of those things where someone can serve it to you. | ||
| And if you're a native, you're allowed to hunt them. | ||
| You know, they call them First Peoples, I think. | ||
| Yeah. | ||
| Is that what they... | ||
| Maybe. | ||
| What is the... | ||
| Whatever. | ||
| What is their term for Native American in Canada? | ||
| The flavor. | ||
|
unidentified
|
Indigenous? | |
| It was like a homeless guy's foot. | ||
| I want to say it's like First People. | ||
| This is calling it Inuit raw meat and fish. | ||
| No, no, no. | ||
| But I'm asking for the thing about people that live in Canada. | ||
| First Nations. | ||
|
unidentified
|
First Nations. | |
| That's it. | ||
| First Nations. | ||
| So First Nations people, they can, you know, if they lived in that area where they traditionally hunted whales. | ||
| They're still allowed. | ||
| Yeah, I think you can hunt a lot of stuff that we can't hunt, like seals. | ||
| Cool. | ||
| I saw this Alaska show, and there was a husband and wife team. | ||
| You can't tell me who to root for. | ||
| And the wife had to shoot the seal when they were going to eat a seal. | ||
| The wife had to shoot it. | ||
| Really? | ||
| Yeah, she was Eskimo. | ||
| Oh, she had to be the one pulling the trigger. | ||
| She had to be the one pulling the trigger. | ||
|
unidentified
|
Wow. | |
| Yeah, he couldn't pull the trigger. | ||
| He's not allowed to shoot it. | ||
| What is that? | ||
| Which is kind of wild. | ||
| That's the meat. | ||
|
unidentified
|
Wow. | |
| How interesting looking. | ||
| Harvested by Inuit family near Yellowknife, Northwest Territories. | ||
| I always see Yellowknife when you go to the airport in Canada and you see, like, taking off your Yellowknife. | ||
| It's like, who the fuck goes to Yellowknife? | ||
| Where is that place? | ||
| Has anyone ever done a show in Yellowknife? | ||
| I don't know. | ||
| I bet there's a lot of hunting up there. | ||
| Canadians hunt their ass off. | ||
| That's the meat. | ||
|
unidentified
|
Yep. | |
| That's what it looked like. | ||
| Pass. | ||
| Plus the guilt. | ||
| You never get rid of the guilt. | ||
| You ate a whale. | ||
| You guys forgot about it till now. | ||
| Is that the cutest thing you've ever eaten? | ||
| I eat puffin. | ||
| In Iceland, I think, or Norway. | ||
| What was that like? | ||
| Good, fatty, and then orca, I think. | ||
|
unidentified
|
What? | |
| Some sort of whale. | ||
| Whale burgers in Norway. | ||
| You ate a whale burger? | ||
| Yeah. | ||
| Jesus Christ, you criminal. | ||
| It might have been orca, but it was whale burgers. | ||
| It's totally illegal. | ||
| They have a lot of them. | ||
| They have a lot of whales? | ||
| No shortage. | ||
| No shortage out there. | ||
| Oh, this is a troll. | ||
| He's trolling us. | ||
| No, no, no. | ||
| For real. | ||
| You're allowed to eat them. | ||
| They serve in a restaurant. | ||
| It's on the menu. | ||
| I smelled it. | ||
| Jamie, this is the best thing about being a troll. | ||
| Sometimes you're telling the truth and people won't believe you. | ||
| Whale burger sounds weird. | ||
| It was okay. | ||
| You sure this wasn't a wall burger? | ||
| Is it a chain? | ||
| Yeah, Marky Mark's place. | ||
| Yeah, maybe. | ||
| Yeah, people used to hunt whales all the time. | ||
| Look at that thing. | ||
| Whale burger with fur lobster. | ||
| That's crazy. | ||
| Vegas. | ||
| Oh, it's happening in Vegas. | ||
| What? | ||
| No, that's just a burger. | ||
| They're calling it a whale. | ||
| That's just a bacon cheeseburger, bro. | ||
| No, $100 whale burger with fried lobster, wagyu, and beef. | ||
| That whale burger? | ||
| That is not whale. | ||
| Well, why would you call it a whale burger? | ||
| A whale of a burger? | ||
| It says Vegas. | ||
| So? | ||
| It's Vegas. | ||
| Click on that. | ||
| Where's the whale? | ||
| This place is also in Pasadena. | ||
| The 50-50 is the ground beef bacon burger they make. | ||
| Right, but why are they calling it a 100% whale burger? | ||
| It might be the size of the whale. | ||
| Click on it or something. | ||
| Yeah, it's the size of the burger. | ||
| They're just calling it a whale. | ||
| Yeah, it's the size of the burger. | ||
|
unidentified
|
Yeah, look, it's just a cheeseburger, then it's got bacon. | |
| What else is on it? | ||
| Lobster? | ||
| Oh, it's right there. | ||
| What's that top thing on it? | ||
| Wagyu beef. | ||
| That's bacon. | ||
| Lobster. | ||
| Lobster. | ||
| Is it? | ||
| Oh, the top top thing. | ||
| Yeah, the top top thing. | ||
| One pound of Wagyu beef. | ||
| Right. | ||
| Gold dust of billionaire's bacon. | ||
| America's doomed. | ||
| Fried lobster tail. | ||
| That's it. | ||
| So that white stuff is the lobster tail. | ||
| Look up Norway whale burger. | ||
| Okay, but that's better. | ||
| That is better. | ||
|
unidentified
|
That's great. | |
| I mean, always order that one, but for one time, order the other one. | ||
| There also is comedy in Yellowknife. | ||
| Yellowknife? | ||
|
unidentified
|
Oh, really? | |
| There's a lot of comedy shows. | ||
| I don't know how big it was, but there's comedy shows. | ||
| I might have been there once, man. | ||
| I never went with you. | ||
| Maybe. | ||
| Where's that one place we performed in that hockey arena that one time? | ||
| Oh, that was fun. | ||
| Saskatoon? | ||
| I forget. | ||
| Did we do that? | ||
| Did you do that with us? | ||
| It was Brian Callen. | ||
| Callen did? | ||
| The hockey rink? | ||
| Yeah, that one was the worst sound ever. | ||
| Norway's whale meat industry has gone to the dogs. | ||
| What? | ||
| I don't know. | ||
| What does that mean? | ||
| What does it got, like, hay on it and shit? | ||
| What the fuck's going on there? | ||
| Seasoning. | ||
|
unidentified
|
Weird. | |
| That's not seasoning, is it? | ||
| Just dirt. | ||
| That looks like grass. | ||
| Just fucking hay. | ||
| Yeah. | ||
| That's like someone dropped it before they took the photo and they were too lazy to pick all the hay off of it. | ||
| That's whale meat? | ||
| No. | ||
| Is that real? | ||
| Where can I eat whale meat in Norway? | ||
| Imagine if you're one of those creeps that just wants to eat things that are exotic or endangered. | ||
| There's a whole group of people that do that. | ||
| Do you know that? | ||
| I'm one of them. | ||
| I just don't enter it. | ||
| There was a guy who told me he had to go to a foreign country. | ||
| I don't want to say which one because I don't know. | ||
| Where something's legal? | ||
| Well, you could do whatever you want there. | ||
| It's not a matter of whether or not it's legal. | ||
| He'd get away with it. | ||
| And there was a menu. | ||
| And all these very wealthy people would go to this place. | ||
| And they would have this annual dinner where they would cook things like tiger and chimpanzee and wild shit. | ||
| They'd cook all illegal stuff. | ||
| All stuff that you can't buy anywhere else. | ||
| Things like rhino. | ||
| They would serve rhino. | ||
|
unidentified
|
Wow. | |
| Yeah. | ||
| My buddy ate monkey meat. | ||
| I don't know if it was India or China. | ||
| I feel like it was China. | ||
| Monkey meat? | ||
| They take monkey brain. | ||
| They take the monkey and tie him down live. | ||
| Oh, Jesus Christ. | ||
| Shoot him so they fucking get paralyzed still. | ||
| Your friend at the Temple of Doom? | ||
| That's what it felt like. | ||
| And they cut their fucking head open while they're still alive and everyone eats out of the brain. | ||
|
unidentified
|
What? | |
| Yeah. | ||
| That's real? | ||
| Oh my god. | ||
| Oh my god. | ||
| Look at that block. | ||
| It says fiction. | ||
| Oh, the monkey brain scene in Faces of Death. | ||
| That's what that was. | ||
| So your friend actually saw this happen? | ||
| Yeah. | ||
| Whoa, whoa, whoa, whoa, whoa, whoa. | ||
| Go back one, Jamie. | ||
| Where were you just before? | ||
| I was looking at a different image. | ||
| Look at the pile of brains in the corner. | ||
| The lower left hand corner. | ||
| They're frying them up? | ||
| Is that a pile of monkey brains? | ||
| Goddamn. | ||
| Depends how big that pot is. | ||
| Nine weird and interesting foods you'll find in China. | ||
| Are they really eating monkey brains? | ||
| Yeah. | ||
| But wouldn't you think that that would be dangerous? | ||
| Monkey brains. | ||
|
unidentified
|
Oh my god, that's a bowl of monkey brains. | |
| Monkey brains is a dish consisting of, at least partially, the brains of some species of monkey or ape. | ||
| However, this is a very rare dish that is considered extremely cruel by the vast majority of the Chinese. | ||
| Someone sounds woke. | ||
| Monkey brains have traditionally been eaten in parts of China and Southeast Asia because people believe they will be imbued with ancient wisdom. | ||
| When I actually talked to a guy in each team where he goes, we ate him as a kid and now nobody kind of eats him anymore. | ||
| No more monkey brains. | ||
| Yeah. | ||
| Studies are out or whatever. | ||
| David Cho, you know, the artist, he went with the Hadza, he went hunting, and they hunted baboons. | ||
| And they hunt and kill baboons, because apparently the area that they're at, where they hunt at, has been so cleared out of animals that they've taken to, like, they primarily hunt these primates, and they hunt fucking baboons. | ||
| Guns? | ||
| Bows and arrows. | ||
|
unidentified
|
Whoa. | |
| He says it's wild. | ||
| He said when the baboon got hit with the arrow, he grabs it, like, Like a person. | ||
| I was trying to pull it out of him. | ||
| Baboons are a weird thing. | ||
| If a monkey fucked a dog, right? | ||
| They have these long faces and giant ass fucking teeth. | ||
| And baboons will steal people's babies. | ||
| What's the one that ate those people's eyeballs out? | ||
| Chimps. | ||
| They're all fucking stay away. | ||
| But baboons, they'll steal your baby and eat it for sure. | ||
| Chimps will too. | ||
| Yeah. | ||
| Can you imagine losing your baby to a fucking chimp? | ||
| Oh my god. | ||
| Or seeing it about to get on there and you're like, that moment. | ||
| And they wouldn't even eat it out of your view. | ||
| Mm-mm. | ||
| They would just huddle up and just hunch over it in the middle of the park and you'd be screaming while the scene eats your kid head first. | ||
|
unidentified
|
Whoa. | |
| Yeah. | ||
| And then if you fucking run up on them, they'll either beat the shit out of you or they'll just climb a tree and eat your kid in the tree. | ||
| That would be a tough one to fucking deal with. | ||
| That's a therapy moment for sure. | ||
| Nature's so ruthless, man. | ||
| Imagine what they would be saying about us if they could talk. | ||
| Like, these assholes. | ||
| They just shoot people for purses. | ||
| Yeah. | ||
| They eat everything that they wear. | ||
| Just for the shoes. | ||
| They already have shoes on. | ||
| Why would you shoot that guy for shoes? | ||
| Yeah, I just got new ostrich cowboy boots. | ||
| I'm not wearing them right now, but I gotta tell you, I never knew it would happen, but ostrich, it's fun to wear. | ||
| Ostrich is a weird animal too. | ||
| Ostrich is good, those burgers. | ||
| They're mean little fuckers. | ||
| They'll peck at you. | ||
| Smash at you with your neck. | ||
| They can kick the shit out of you too. | ||
| Those big ass legs, they'll fuck you up. | ||
| That's why I wear them as boots is because I was trying to help the environment or something like that. | ||
| Yeah, man. | ||
| You bailed on that. | ||
| Oh no. | ||
| Look at that thing. | ||
| Yep. | ||
| Wow. | ||
| What a mean face. | ||
| God damn. | ||
|
unidentified
|
Right? | |
| If you saw that, like if you went to sleep and you woke up and that was looking at you like, ah! | ||
| That was cute. | ||
| No, that one's about to eat you. | ||
| No, the one... | ||
| The one in the lower corner? | ||
| Yeah. | ||
| Yeah, that one right there. | ||
| No, the one that you would just... | ||
| No, no, the one that you would just... | ||
| Yeah, that one. | ||
| That one's right about to bite your fucking nose off. | ||
| It looks cute for half a second. | ||
| Yeah, I was gonna say, it looks like it smoked one of those snoop blunts we had last night. | ||
| It looks like one of those birds from Madagascar. | ||
| If an ostrich attacks you, how do you think you respond? | ||
| Look at that thing. | ||
| That's so mean. | ||
| Look at the eyes on that thing. | ||
| That thing doesn't give a fuck about you. | ||
| Right? | ||
| Look at his eyes. | ||
| If an ostrich goes after you, what do you think your move is, Ari? | ||
| I guess there's an ancient part you say in Hebrew, hero Israel, I am the Lord, I am God. | ||
| And if you say that, you go straight to heaven. | ||
| Oh, you have to say that while the ostrich is kicking you to death? | ||
| Yeah, right before. | ||
| Yeah, say it quick. | ||
|
unidentified
|
You're gone. | |
| Tony, you're a wrestler. | ||
| Yeah. | ||
| How would you, if an ostrich comes at you? | ||
| How tall of an ostrich? | ||
| Taller than you. | ||
| Taller than me? | ||
| Well, their neck will be taller than you, but their body won't be. | ||
| The thing you have to worry about is the legs. | ||
| I'm gonna keep my hands up and I'm gonna shoot low, double leg takedown, drive through, yep, drive through, it's sort of Khabib, put my legs under his, get full mount, and then beat the shit out of it. | ||
| That would be my approach. | ||
| So you would beat the shit out of it with you? | ||
| What? | ||
| Oh my god, the guy's riding an ostrich. | ||
| Tony, I want you to reconsider. | ||
| Yeah, no. | ||
| Now that I'm seeing what it's shaking. | ||
| Go back to that image. | ||
| Actually, no. | ||
| That guy looks like he is the ostrich. | ||
| Like his legs are the ostrich's. | ||
| Jamie, go to the one in the middle up there with the red. | ||
| Yeah, look at the legs on that. | ||
| They're racing them. | ||
| Jamie, you ain't doing jack shit to those legs. | ||
| Tony said it. | ||
| Don't put me on that argument. | ||
| Alright, I'm changing my mind. | ||
| I'm going to go full... | ||
| Tony, excuse me. | ||
| I'm going to go under. | ||
| I'm going to get under and fucking choke it. | ||
| I'm going to jump up like Oliveira. | ||
| I'm going to get full jump on and choke up. | ||
| So you're going to take its back. | ||
| It's going to bite you from behind. | ||
| You're going to get a choke. | ||
| He's got so much neck, he's going to still bite you. | ||
| He's got so much neck, he's in trouble, dude. | ||
| He's in big trouble. | ||
| The question is, can you choke that? | ||
| It almost looks like it's like a palm tree or something. | ||
| I think I would be inclined to not rear naked choke, but instead to Kimura his neck. | ||
| This is what I think I'm doing. | ||
| I take the back, and then I wrap my arm around his neck thusly, and get in here, and I connect it to my forearm. | ||
| So I have one hand on the base of his neck, I have my full arm wrapped around his forearm, and I figure out a way to snap his fucking neck. | ||
| That's what I think. | ||
| And I don't think I can, because honestly it's hard to strangle a chicken. | ||
| Look at that thing fucking that dude up. | ||
| Oh, he's trying to wrangle it. | ||
| It's got to fuck it. | ||
| Oh my god. | ||
| I don't know. | ||
| That thing's beating his ass. | ||
| He's got a rope around her? | ||
| Oh, now they all turn to the guy. | ||
| Tony, that thing is going to beat your ass. | ||
| I don't think so. | ||
| This is what you said about David Lucas a couple weeks ago. | ||
| Let's leave poor David Lucas out of this. | ||
| We can't do that to him on this podcast. | ||
|
unidentified
|
Yes, we can. | |
| It's too sad. | ||
| He wanted it. | ||
| David Lucas fell apart, wrestling Tony. | ||
| David Lucas is 300 pounds. | ||
| Tony weighs 48 pounds. | ||
| And Tony Hinchcliffe out-wrestled David Lucas. | ||
| Hey buddy, this is a good idea. | ||
| Oh, this guy climbed the fence. | ||
| What does he think he's gonna do? | ||
| Just push it around? | ||
| Now he knows he's kinda fucked. | ||
|
unidentified
|
Yeah. | |
| He's just trying to move away. | ||
| And the officer's like, not today, bitch. | ||
| Not today. | ||
| How does it approach? | ||
| Does it bite? | ||
| What's it gonna do? | ||
| Does it bite? | ||
| He's like, come on, dude. | ||
| Come on, just walk away, please. | ||
| Please walk away. | ||
| Oh, my God. | ||
| Kicks. | ||
| Kicking. | ||
| They probably got claws, too, right? | ||
| Yeah. | ||
| He's gonna fucking get one. | ||
| They can scratch you up. | ||
| He's gonna get one. | ||
|
unidentified
|
Uh-oh. | |
| Ron. | ||
| You're not gonna get over, dude. | ||
| Oh, shit. | ||
| Yeah, but you're getting over because it's just going to peck at you. | ||
| You don't want to get caught on that fence. | ||
| They don't have much force on their beak. | ||
| You've got to worry about their legs. | ||
|
unidentified
|
Fucking idiot. | |
| Cool guy. | ||
| Jackass is out in February. | ||
| I guarantee he's going to pay to see you do comedy. | ||
| That's one of your fucking core audience members. | ||
| He'd be like, fuck them, dude. | ||
| I loved your tweets. | ||
| I was his gang friends front row. | ||
| I was going to ask you to pee on me. | ||
|
unidentified
|
Fucking dorks. | |
| Ah. | ||
| Please follow at R.I.P. Ari Shaffir. | ||
| That's aggressive. | ||
| Oh, you hit it with a ruler? | ||
|
unidentified
|
Is that a stick? | |
| This is a wiki how on how to survive. | ||
| How to survive. | ||
| Hard. | ||
| Hit it in the neck. | ||
| Swing away. | ||
| Is that what you're supposed to do? | ||
| I mean... | ||
| Yeah, you gotta KO him. | ||
| Or, Kimora the neck. | ||
| I think I could Kimora that neck. | ||
| Find a video of someone comoring the neck, please. | ||
| I think I could... | ||
| Oh! | ||
| Go for the legs. | ||
| Oh, go for the legs. | ||
| I like that idea, too. | ||
| Star Wars-like. | ||
| Good luck. | ||
|
unidentified
|
Yeah. | |
| Good luck. | ||
| You're not going to hurt that thing. | ||
| When you're 100 meters away, hide. | ||
| That's smart. | ||
| That's what I do. | ||
| For sure. | ||
| Three ways to survive an ostrich encounter or attack. | ||
| Okay. | ||
| I think you need a knife. | ||
| Alright, you're fighting it. | ||
| Use a long weapon. | ||
| Use your penis extender. | ||
| If you dive in with a knife, you're cutting the neck first, right? | ||
| You want to cut right where the dark... | ||
| But also, counterpoint, don't you want to go to the body where you know you'd be more likely to hit it? | ||
| If you had a gun and need to use it, aim for the ostrich's main body to better ensure hitting your target. | ||
| Boom. | ||
| Although they will be attacking with their legs and or beak, their legs and neck are very thin and easy to miss. | ||
| Wow. | ||
| Ostriches can kick hard enough to kill a lion, that said. | ||
|
unidentified
|
What? | |
| Yeah, I've heard that. | ||
| What? | ||
| Where? | ||
| Right in the second sound. | ||
| Oh no. | ||
| Keep out of reach of the legs as you can, since ostriches can kick hard enough to kill a lion. | ||
| This is a rough episode for lions here today. | ||
| You gotta be fucking getting me. | ||
| Fucking big chickens now? | ||
| We had such an elevated opinion of them. | ||
|
unidentified
|
Yeah. | |
| Dashed after today's. | ||
| You know what my favorite lion story was? | ||
| Remember when Cecil the lion got killed by that guy? | ||
| This is one of the first things that make me understand internet rage. | ||
| And then they found out, after Cecil, that Cecil's brother, Jericho, might have already gotten shot as well, and they were so sad. | ||
| And then they came out with a news story that said, good news, the lion that got shot was not Jericho, so it wasn't Cecil's brother. | ||
| As if they're naming these fucking lions and making them... | ||
| As if they have any memory of like, yeah, me and my brother play ball every Thursday. | ||
| Characters in a movie. | ||
| Like one lion has more power over the other lion in our hearts. | ||
| It's still a dead lion, but it's like, we don't have a name. | ||
| It's fine. | ||
| We don't have a name. | ||
| People are so fucking funny. | ||
| Dive into a thorn bush. | ||
| Opt for getting pricked by thorns instead of being disemboweled by the ostrich's razor-sharp talons. | ||
| Never gonna happen. | ||
| If no other hiding spots are available, jump straight into a thorn bush. | ||
| Wait for the ostrich to leave before climbing out. | ||
| Well, obviously on the last part. | ||
| Expect the ostrich to refrain from picking its head after you in order to protect its large eyes. | ||
| Okay. | ||
| Oh my god. | ||
| Lie on the ground. | ||
| Resist the urge to run for cover or elevation if it's too far away. | ||
| Instead, play dead. | ||
| This is why you need a knife. | ||
| You need a knife and a good rear naked choke. | ||
| Has anybody ever taken the back of an ostrich? | ||
| What happened to JustMeet.com when you need it? | ||
| Yeah, people are now telling me because I'm an old man that LiveLeak is no longer around. | ||
| Stop saying it's not around anymore. | ||
| Is that true? | ||
| I don't know. | ||
| LiveLeak was the last place to put videos where they're like, you do whatever you want here. | ||
| Yeah, anything. | ||
| Worldstar? | ||
| We did that back. | ||
| Is Worldstar still buck wild? | ||
| Yeah, still crazy. | ||
| They did shut down the main McDonald's from Worldstar right near the Comedy Cellar. | ||
| Worldstar shut it down? | ||
| No. | ||
| McDonald's shut it down. | ||
| Why? | ||
| I think too many bad videos. | ||
| Really? | ||
|
unidentified
|
Yeah. | |
| It was like every Saturday there was like five Worldstar videos there. | ||
| Wow. | ||
| People got turnt up. | ||
| That's a problem with social media too. | ||
| People want to do things like stunts so people will see them. | ||
| So they'll do wild stunts. | ||
| That happened by the cellar? | ||
| Yeah. | ||
| That's the kind of stuff that happens on 6th Street all the time. | ||
| Geography comic. | ||
| Taking over the reins from Brody as the geography comic. | ||
|
unidentified
|
Yes! | |
| 6th Street. | ||
| 818. Enjoy it. | ||
|
unidentified
|
Red River. | |
| I should wrap this up because it's boring. | ||
| It was a fun fucking stopover. | ||
| Glad I ran into you last night. | ||
| That was fun. | ||
| Yeah. | ||
| The show was already over. | ||
| I was like, ah, fuck. | ||
| I came over here. | ||
| Timing. | ||
| Missed them. | ||
| Perfect. | ||
| The show was over and everybody was hanging out in the green room for another hour. | ||
| Yeah. | ||
| So you are headed to San Antonio? | ||
| San Antonio now. | ||
| Yeah. | ||
| I'll be in- What are you doing? | ||
| What is it called? | ||
| The club called? | ||
| LOL. LOL San Antonio. | ||
| What else are you doing? | ||
| Let's see. | ||
| I got Cleveland and Phoenix in January. | ||
| I got Denver and maybe Vancouver in February. | ||
| Is it arithegreat.com still? | ||
| arithegreat.com, arithegreat.com, yeah. | ||
| Why don't you make ari the great your new Twitter handle? | ||
| Maybe. | ||
| That's not a bad idea. | ||
| Not Twitter. | ||
| I'm done with Twitter. | ||
|
unidentified
|
Instagram. | |
| Come on, man. | ||
| Try to get it canceled 100 times. | ||
| That's cool. | ||
| Okay, all your shit is up on your website. | ||
| arithegreat.com. | ||
| That should be your Twitter handle. | ||
| Or try a new Instagram. | ||
| Maybe we can get people to go there. | ||
| I'll try arithegreat.com. | ||
| How many followers did you have? | ||
| $450,000. | ||
| Well, you're never going to get those back. | ||
|
unidentified
|
I just fucking lost like a third of my salary for the year. | |
| There's no way to promote shit. | ||
| Do you think your agency will, maybe they can make an exception where they let you go this time? | ||
| Maybe. | ||
| They said they just went on Christmas break, so I was like, there's not even anyone to contact until January. | ||
| So in January they'll contact people? | ||
| And then maybe, who knows? | ||
| Fuck! | ||
| Whatever. | ||
| You're better off for it. | ||
| I wish there was a place where you could go that's not censored like that. | ||
| You could just do whatever you want. | ||
| Yeah. | ||
| Or it should be a setting you should set if you want to avoid all this stuff. | ||
| But isn't it funny that the way they've set it up now, whether it's by accident or whether it's by design, is everywhere you go that's not Twitter, it gets immediately co-opted by right-wing people. | ||
| Because they don't have a place to go where they can get buck wild. | ||
| Oh, right. | ||
| They don't have a place they can go where they can post a bunch of Joe Biden memes and talk wild shit and talk about storming the Capitol again. | ||
| Yeah. | ||
| Yeah. | ||
| What was it? | ||
| They banned the car racing term? | ||
| Because that newscaster misunderstood. | ||
| What car racing term is that? | ||
| They were all screaming, what? | ||
| Russell Brandon? | ||
| No, let's go Brandon. | ||
| Let's go Brandon, yeah. | ||
| Because they're all saying, fuck Joe Biden. | ||
| And the old, really nice guy, broadcaster, was interviewing him. | ||
| He was like, oh, they're saying, let's go Brandon. | ||
| I think it was a girl. | ||
| Oh, really? | ||
| Wasn't it a girl that was interviewing? | ||
| Yeah, it was a girl. | ||
| She just didn't know? | ||
| No. | ||
| Dude, she was trying to pretend. | ||
| They were saying, fuck Joe Biden. | ||
|
unidentified
|
Fuck. | |
| Does that sound like... | ||
| She's like, they're saying, let's go Brandon. | ||
| Like, I think she was trying to cover. | ||
| And then everyone started co-opting. | ||
| It was like, hey, that's my way of saying, fuck Joe Biden. | ||
| We all know the code. | ||
| And then Twitter was like, nah, not even that. | ||
| Unless she had earphones on. | ||
|
unidentified
|
I want to see it. | |
| She had, like, monitors in her ear and couldn't hear that good. | ||
| Maybe it was an honest mistake. | ||
| Let's hear it. | ||
|
unidentified
|
Win. | |
| Didn't look too rusty on those burnouts, Brandon. | ||
| Must be practicing somewhere. | ||
| Yeah, I mean, y'all could ask, like, my neighbors back at Coastal Carolina that, uh, I did plenty of burnouts, uh, to practice for this moment. | ||
| Um, oh, my God, this is a dream come true! | ||
| Wow, Talladega a winner in the next... | ||
| Oh, my God, Dad, we did it! | ||
| Let's go! | ||
| You told me before this race that if you were to win, it would be incredible. | ||
| How does the reality of this moment live up to the dream? | ||
| Oh my god, this is just... | ||
| Everything we've hoped and dreamed for. | ||
| I can't wait for it. | ||
| Everything I've ever wanted to do is take the trophy home to mom and dad. | ||
| I'm so happy. | ||
|
unidentified
|
Oh, my God. | |
| Thank you so much, Larry's Lemonade. | ||
| Thank you so much, Trade the Chain. | ||
| Thank you so much, Jabs Construction. | ||
| Thank you, Mid-Atlantic. | ||
| Thank you to all of our partners. | ||
| There it is. | ||
|
unidentified
|
Oh, my God. | |
| It's just such an unbelievable moment. | ||
| Brandon, you also told me, as you can hear the chants from the crowd, Let's go, Brandon. | ||
| Brandon, you told me you were going to kind of hang back those first two stages and just watch and learn. | ||
| What did you learn that helped you there in those closing laps? | ||
| Oh, my God. | ||
| It was learning how each line didn't stay to one, and everything shifted top to bottom so much that it was kind of like, okay, let's just stay patient. | ||
| That's the most absurd video. | ||
| He's just answering these questions if they're not screaming, fuck Joe Biden in the background. | ||
| He's lost in it. | ||
| He was just talking about the lines he was cutting as he was racing. | ||
| And then the right wing people said, let's just use that as code. | ||
| And they started going, let's go Brandon, as their way of saying, you know what I'm actually saying. | ||
| And Twitter's like, nah, I know what you're doing. | ||
| You can't say, that's all banned. | ||
| Is Twitter banning let's go Brandon? | ||
| Didn't they take it down? | ||
| I heard that. | ||
| Why don't you post Let's Go, Brandon? | ||
| We'll sit and watch like this. | ||
| Watch it. | ||
| It should blow up. | ||
| Well, right from what I understand, they just said that if you tweet that you can spread COVID with the vaccine, which is a fact that everyone admits and knows, they can ban you for that too. | ||
| I think happened yesterday with people. | ||
| Yeah, I don't know what that is. | ||
| I did read that, but I didn't look into it, so I don't want to jump to conclusions, because oftentimes people look into something and then sort of exaggerate what it actually said. | ||
| But what they were trying to say is they'll punish people who post that you can spread COVID while vaccinated, which you definitely can. | ||
| Because they're saying that slows down the vaccination rate, so like, well, aside, like, you can't know this truth. | ||
| Yeah, I think that's more likely what they're trying to say. | ||
| No, Facebook isn't changing policies to ban the school brand. | ||
| Oh, so Facebook's not doing that? | ||
| We're talking about Twitter, though, Jeremy. | ||
| I know, but this is the only thing that came up that said no one was being banned. | ||
| No one is? | ||
| Debunked. | ||
| So Facebook won't either? | ||
|
unidentified
|
Yeah. | |
| So good. | ||
| Well, this is bad. | ||
| Well, that's good. | ||
| No, you know how I know, because I saw someone's post the other day on Twitter, and it said, let's go, Brandon. | ||
| They probably won't let the hashtag go anymore. | ||
| They stopped certain hashtags. | ||
| Because it overwhelms. | ||
| They stopped all the Justin Bieber hashtags. | ||
| They were just like, it's all the hashtags. | ||
| We're not doing it. | ||
| You know, hashtag fuck you is banned from Instagram. | ||
| Really? | ||
| Yeah, I tried to write hashtag fuck you. | ||
|
unidentified
|
Oh, wow. | |
| And what happened? | ||
| What came up? | ||
| Wouldn't do it. | ||
| Wouldn't do it. | ||
| And then I made a post about how hashtag fuck you is banned. | ||
| Because it was about the single bullet theory. | ||
| I was making a post about... | ||
| It's because I was having a conversation with someone on the JFK assassination. | ||
| And I wrote hashtag fuck you at the end of it. | ||
| Because they declined to release all the documents. | ||
| You know, they had a chance to release documents from 1963 about Kennedy's assassination. | ||
| And they decided to not release them to the general public. | ||
| Like, why? | ||
| Why? | ||
| Why won't you tell us what the fuck happened from 1963? | ||
| Do you have evidence that would piss everybody off? | ||
| Like, what is it? | ||
| Hashtag fuck you is a way to express yourself. | ||
| I posted about the single bullet theory, about how stupid the theory is. | ||
| They found this bullet in Connelly's gurney that went through two guys, just mysteriously wound up in a semi-pristine state on a gurney just by accident. | ||
| Get the fuck out of here. | ||
| It's such an offensively stupid That's a single bullet theory. | ||
| And they only did it because they had to. | ||
| They sold to everybody. | ||
| They did. | ||
| They sold to everybody. | ||
| That's a part of the Oliver Stone documentary, the new documentary on JFK. It's heavy, man. | ||
| It's really interesting. | ||
| That same shit, they're like, no, what do you mean? | ||
| And it's like, obviously, it's the same thing with Nancy Pelosi. | ||
| He's like, no, I don't share that information with my husband. | ||
| Why would I? He just happened to make a lot of money in this thing, the only thing I knew about. | ||
| We should totally be allowed to participate. | ||
| Dude, I made so many people mad when your deal came up, your Spotify deal. | ||
| And I was like, yeah, you told me about it before it went public. | ||
| And I put like 10, 20 grand into the stock market. | ||
| And I skirted by it. | ||
| People were like, that's clear insider trading! | ||
| Reported, reported. | ||
| That's hilarious. | ||
| So that would be insider trading. | ||
| For sure. | ||
| Isn't that wild? | ||
| Yeah. | ||
| For sure. | ||
| Using information. | ||
| Like, I know what players hurt. | ||
| Oh, let me bet against that team. | ||
| What if I gambled on Spotify? | ||
| Would that be insider information if I'm a part of it? | ||
| If it's about me? | ||
| You had to get stock options, right? | ||
|
unidentified
|
I know! | |
| I think you were supposed to wait for the announcement so it's fair for everyone. | ||
| I think that's the thing. | ||
| That's the rule? | ||
| Yeah, it's got to be fair. | ||
| That makes sense. | ||
| So if I started negotiating with them like six months ago and then I started buying stock, what about that? | ||
| That's the thing. | ||
| So you'd have to wait for the announcement to buy it. | ||
| I believe. | ||
| See, that brings me back to the Pete Rose thing. | ||
| I think it's okay to bet on yourself. | ||
| Yeah, I think so too. | ||
| Like, I'm going to increase the stock at this place. | ||
| Yeah. | ||
| But I could see how that would be, that's insider trading. | ||
| But when I uploaded my podcast to Spotify, like, it didn't do anything to the stocks. | ||
| No. | ||
| So if I was like, I'm going to bet on myself to change the stock, even if I told them, they'd be like, no, that's not insider trading. | ||
| You're just guessing if you're going to do that. | ||
| Same as you. | ||
| Yeah. | ||
| Not really. | ||
| You knew who would help them? | ||
| Yeah, that was the whole plan. | ||
| That's probably why they gave you a bunch of money. | ||
| That's why they gave me the money. | ||
| They don't like me. | ||
| They don't care. | ||
| You mean it's all about business? | ||
| The head guy likes me. | ||
| I like him too. | ||
| He's great. | ||
| Yeah, it's business, man. | ||
| But this is the only time where the left is actively calling for people to be removed because they're saying things you don't like. | ||
| It is wild. | ||
| It's like, it's not for you then. | ||
| Can't I just talk to my friends? | ||
| Well, there's some people that think you shouldn't be allowed to say things they disagree with. | ||
| And it's a thing that they say without thinking too deeply about it, and they say because other people around them say it as well. | ||
| And that's one of the reasons why people are so excited about deplatforming, because with some people, it works. | ||
| Cool, they're gone now. | ||
| Yeah, like Milo. | ||
| Milo's a great example. | ||
| They removed him from the conversation. | ||
| He was always in the conversation. | ||
| He was always saying outrageous things. | ||
| He wasn't going to anyone's account and spamming it or anything like that. | ||
| He was just saying shit on his own. | ||
| He just happened to be right wing. | ||
| And they didn't like it. | ||
| And they didn't like that he was right wing and that he was a gay guy. | ||
| Because then you give a little bit of leeway. | ||
| He was one of the first ones that were like, can we turn into gay? | ||
| And then it was like, yeah, finally yes. | ||
| If you were an unscrupulous politician, if you were an unscrupulous politician, do you think that you would pretend to be gay so that you could fit right into the woke moment and perhaps maybe even be president? | ||
| The only question I have is what do you mean by unscrupulous? | ||
| For sure I would do that. | ||
| Would you do it to be mayor? | ||
| Yeah, if it's all retarded anyway, then like, yeah, I'm gonna fucking join in. | ||
| I'll be like, I'll use it. | ||
|
unidentified
|
But I mean, it's, if you were- Yes, mayor, senator, anything, of course, of course. | |
| Oh, you're saying only mayor. | ||
| In this day, well, yeah, only mayor. | ||
| Yeah, for sure. | ||
| What if it's like mayor of like a small town? | ||
| If I want the office, yes, for sure. | ||
| Why not? | ||
| If it doesn't matter, we judge people based on who they are, not their fucking... | ||
| That's not true. | ||
| Then I'll say I'm this. | ||
| That's not true. | ||
| A lot of people lie people. | ||
| The three of us. | ||
| We do. | ||
| We're like, I don't care, so I'm like, what does it matter? | ||
| But my point is, there's some social clout to being a part, like if you want like... | ||
| Villagrosa changed his name. | ||
| Same shit, right? | ||
| Yes. | ||
| It's like you're using... | ||
| Theismann changed his name to get a fucking Heismann. | ||
| Well, Villa La Grossa was Villar, right? | ||
| And then he married a lady, and they combined their two names, and that was Villa La Grossa. | ||
| Ah, that's not as bad. | ||
| Same with Beto O'Rourke. | ||
| What was he? | ||
| Uh, his name's not Beto. | ||
| It's like Robert or something, right? | ||
| Well, the craziest one is Bill de Blasio, the mayor of New York City. | ||
| That's not his name. | ||
| What is his name? | ||
| Oh, it's like Wilhelm or something like that. | ||
| What is his name? | ||
| Hmm. | ||
| It's a crazy name. | ||
| Yeah, you said it last time I was here. | ||
| I remember. | ||
| Yeah, it's a crazy name. | ||
| And you go, what? | ||
| Yeah, Beto made his Beto so that the Mexican people in Texas would vote for him. | ||
| Really? | ||
| Yeah. | ||
| Is Beto? | ||
| What does that mean? | ||
| O'Rourke is Irish. | ||
| Beto is... | ||
| Warren Wilheim Jr. Wilheim. | ||
| Wow. | ||
| Bill de Blasio, Warren Wilheim Jr. What? | ||
| Sounds like a guy at the Nuremberg trial. | ||
| He changed everything about his name. | ||
| Sure does. | ||
| Hate speech. | ||
| He changed everything about his name. | ||
|
unidentified
|
Wow. | |
| Like, everything. | ||
| I'm just Bill de Blasio. | ||
| Yeah. | ||
| There was a while, I bet, where if you had a name like that, it could be a problem, right? | ||
| Like during the post-World War II times, when people still had a fear of Nazis. | ||
| Yeah, Wilhelm Noeck. | ||
| Yeah, that's a heavy German name. | ||
| Yeah. | ||
| We changed our name after the war. | ||
| It's very German-sounding. | ||
| What it used to be. | ||
| Spitzer. | ||
|
unidentified
|
Ooh. | |
| You ever thought about going back to that just to fuck up your career? | ||
| Not bad. | ||
|
unidentified
|
Not bad. | |
| I am prone to doing things like that. | ||
| You had a German-sounding last name? | ||
| Yeah. | ||
|
unidentified
|
Wow. | |
| Wow. | ||
| That's wild. | ||
| Yeah. | ||
| A lot of Italians did that. | ||
| They shortened their names. | ||
| They made it more digestible. | ||
| A lot of people did that. | ||
| I didn't think they thought it was a big deal to switch your name around a little bit. | ||
| What was your name? | ||
| Spitzer? | ||
| Spitzer, yeah. | ||
| Spitzer? | ||
| Spitzer. | ||
| Always took you as more of a shwallower. | ||
| He can't help himself. | ||
| I didn't see it coming that time either. | ||
| You never see it coming. | ||
|
unidentified
|
I do see it a lot. | |
| The kid's an ace. | ||
| Aldo. | ||
| Aldo to my Connor. | ||
| Yeah, but changing your whole name like that, that's wild. | ||
| Yeah. | ||
| I mean, just like, and you're saying, oh yeah, the system is this dumb, and I'm going to join in with it, that I'll change my name. | ||
| It has anything to do with my policies. | ||
| Well, names could be an impediment, right? | ||
| If you have a funky name. | ||
| It would be Goldberg. | ||
| Oh, that's a good name. | ||
| Yeah, that's a good name. | ||
| We should change it to that. | ||
| That ain't a Goldberg. | ||
|
unidentified
|
What? | |
| Tony Hinchcliffe's a horrible name. | ||
| No. | ||
|
unidentified
|
Yeah. | |
| That's a real name? | ||
| Yeah, it's a fit in Hollywood back then. | ||
| Oh, come on. | ||
| What's her real name? | ||
| I don't know. | ||
| Fucking... | ||
| That's wild. | ||
| Is that cultural appropriation? | ||
| Karen Johnson. | ||
| Oh, no way! | ||
| She's a Karen? | ||
| She's a Karen! | ||
| Oh, my God! | ||
| Oh, my God! | ||
| She's the number one black Karen! | ||
|
unidentified
|
Oh, my God! | |
| Holy shit. | ||
| Oh, my God! | ||
| Wow. | ||
| Whoopi Goldberg. | ||
| And she was getting into what run profession? | ||
| It was probably Mitzi that made her do it, too. | ||
|
unidentified
|
Oh, it could be. | |
| You're right. | ||
| I'll bet you anything. | ||
| You should say you're Whoopi. | ||
| Wow. | ||
| Mitzi used to do that to everybody, right? | ||
| Yeah. | ||
|
unidentified
|
But did she have that kind of influence on Whoopi's career? | |
| Early on. | ||
| She doesn't open mic or she gets her two years into comedy. | ||
| She's like, I'll take your word for it. | ||
| I don't know. | ||
| Yeah. | ||
| Dave Tyree, remember? | ||
| He was Dave Tyre, but no one could pronounce it. | ||
| Really? | ||
| One E at the end, so people kept saying Tyre, so he was like, let me just throw another E so you can pronounce it right. | ||
| Oh, wow. | ||
| Love that old guy. | ||
| What happened to him? | ||
| I don't know. | ||
| I remember when Jamie Masada used to give guys advice. | ||
| She told my friend he should be Generation X guy. | ||
| You should be Generation X guy, buddy. | ||
| This is you when you go on stage. | ||
| This is you now. | ||
| You're doing it. | ||
| You're doing it. | ||
| You know what he told me in my first year? | ||
| I loved it. | ||
|
unidentified
|
What? | |
| You ready for this shit? | ||
| He said I should start dressing like a cowboy and wear a cowboy hat. | ||
|
unidentified
|
What? | |
| I swear to God. | ||
| So you could be like Woody from Toy Story. | ||
| And I spent the first 14 years of my career thinking it's the stupidest shit I ever heard in the last year living it up. | ||
|
unidentified
|
Thanks, James. | |
| A lot of times, I mean, he's got to get some good advice out there. | ||
| Like, has he ever given anybody good advice that they went with and turned out to be a good move? | ||
| I never heard of one. | ||
| It has to be. | ||
| When you're around comedy that much. | ||
| Mitzi gave me tons of good advice. | ||
| What did she say to you that was good advice? | ||
| To hype her when I was an open-miker. | ||
| It's like you shouldn't hype yourself up that much. | ||
| Stop doing open mics. | ||
| You're getting bad habits. | ||
| We were just talking about this last night. | ||
| They're great, but at some point it's like I'm only entertaining the most jaded people in the world. | ||
| Right. | ||
| Yeah. | ||
| Well, there's also a bit of a defense mechanism where you'll say things just to make the comics laugh, like inside jokes. | ||
| Exactly, because that is your audience. | ||
| I had a real in-depth talk last night to one of my favorite young comedians about that, because he's a hustler, but he's hustling the wrong direction. | ||
| We were talking about how occasionally he finds himself in front of two people in the audience, and they're both comics. | ||
| And then you train that way, the way you clearly come out of the Boston bar scene. | ||
| It's like, they're coming out of that, you gotta get away from it. | ||
| But I was like, well, why am I supposed to get up? | ||
| That's the only place I get up. | ||
| And you take a few months of less spots, and then your body will make you find the good spots. | ||
| It's amazing that an art form that is so well-regarded, where people love to go see it, and whenever a big comic has a special, it's always a big deal, and yet there's no real structure on how someone develops. | ||
| We were talking the other day on the road about how when I found out that open mics were free and that you could just go sign up and get better and you didn't have to pay anything. | ||
| It didn't make any sense comparing it to college, comparing it to Anything. | ||
| Yeah. | ||
| You could get better at something for free. | ||
| Yeah. | ||
| Anyway, if you're on Comic and listening, I don't remember what I said anymore, but there's a video online of me talking about pretty much one and two year comics, giving advice. | ||
| I would think some of it would still hold up. | ||
| I don't remember anymore. | ||
| Yeah, you did that in Tempe, right? | ||
| No, at the Comedy Store. | ||
| You did it at Tempe, too, though. | ||
| You did it maybe non-filmed. | ||
| You did it a couple of places. | ||
| Maybe a class came by and said, do you want to talk to them? | ||
| Yeah. | ||
| I was like, okay. | ||
| What you did was you said you were going to... | ||
| You did it a couple of times, and I thought it was really smart because you basically answered, like, how do you get a manager? | ||
| How do you go on the road? | ||
| It's so unclear when you start. | ||
| You're like, I don't know about any of this. | ||
| Well, I was thinking that, like, everybody does it very differently. | ||
| You can't teach a person who does it, say, like Judah Freelander style, to start doing it like William Montgomery, right? | ||
| They both have totally different styles, and one's an absurdist in one way, and one's an absurdist in another way. | ||
| But there's some, like, universal truths. | ||
| So that's what you tell them. | ||
| It's like, develop whatever jokes you want, but hey, these are your friends. | ||
| Don't forget to make friends with your friends. | ||
| They'll help you out. | ||
| Shit like that. | ||
| Yeah, how to do your taxes and to duck stuff. | ||
| There's way more of that friend stuff now than there ever has been before. | ||
| Everybody was rivals back then. | ||
| Yeah, now it's great. | ||
| Now it's way better. | ||
| We're not trying to get any roles for the most part. | ||
| So it's just like, hey, do you want to come to my podcast? | ||
| I'll promote you and you'll get better off and then my podcast will be better because you're here. | ||
| I feel like this is genuinely the only time where a large group of comics are completely independent. | ||
| Independent. | ||
| How great is this? | ||
| Completely independent and mainstream at the same time. | ||
| So mainstream in the numbers that they hit, but like Tom Segura and Christina Pazitsky, I did your mom's house live, and I was like, this is crazy! | ||
| Like, this is the craziest thing anyone's doing on the internet. | ||
| They do a pay-per-view. | ||
| The things you see are fucking horrific, and disgusting, and insane, and hilarious, and the two of them are hilarious. | ||
| And I go, this is a genius thing to do. | ||
| You find videos that literally you can't get anywhere else. | ||
| Like, if you get... | ||
| Couldn't put up on any platform. | ||
| No chance. | ||
| Has to be pay-per-view. | ||
| What a smart, great idea. | ||
| Has to be pay-per-view. | ||
| And you watch, and you're like, what in the fuck? | ||
| A guy stuck a peg in his ass and they played carnival style ring toss onto the fucking peg. | ||
| That's nothing. | ||
| Shit eating is what gets me. | ||
| When people start eating shit, I just... | ||
| I had to turn away three or four times. | ||
| Oh my god, that's great. | ||
| Watching the live thing. | ||
| I can't watch people eat shit. | ||
| I don't know why. | ||
| Just for one other thing, Baby Bird was close to that. | ||
| Baby Bird was close. | ||
| Everyone eating their own vomit. | ||
| Yeah. | ||
| Really? | ||
| In a small room. | ||
| That was king of radio series. | ||
| It was a guy vomiting in a guy's mouth. | ||
| By the end. | ||
| First it started vomiting, gross, gross, gross. | ||
| Then somebody vomited into his Froot Loops and ate up his Froot Loops. | ||
| Yeah, with vomit in it. | ||
| But then the vomiting all over his mouth at the end. | ||
| When Pat Fumunaki vomited gallons of gallons of gallons of eggnog in this guy's face and mouth. | ||
| You've never seen it? | ||
| No. | ||
| Who's in the room? | ||
| It's me, Joe Rogan, Bill Burr, Voss, I think? | ||
| Yeah. | ||
| And Opie and Anthony and Norton. | ||
| Yeah. | ||
| It was an epic crowd of people. | ||
| And this kid, Pat Duffy, who's a fucking savage. | ||
| Savage. | ||
| Savage. | ||
| Legend. | ||
| He would eat dog shit that he found on the ground that was dried up for a joke. | ||
| So here is Pat Fumunaku at the end of the eggnog challenge. | ||
| He's done. | ||
| And he's eating like quarts. | ||
| The guy in the bottom was like, if you give me a job as an intern, I'm a racist. | ||
|
unidentified
|
Pat, how are you? | |
| So, he's lying there with his... | ||
| This is my idea, by the way. | ||
| When I was hosting Fear Factor, I was like, how about this? | ||
| We have this guy lean his head off the edge of the garbage can, and Paffermunaki throws up in his mouth. | ||
| He's diabetic, Paffermunaki. | ||
| Just drank a hundred cups of eggnog. | ||
|
unidentified
|
No. | |
| So he has to throw it up or he'll die. | ||
|
unidentified
|
I got mine done. | |
| Oh, mine's mine. | ||
| Wasn't that crazy? | ||
| It's Palpat 2. | ||
| It's so crazy, dude. | ||
| And he's an enormous fella. | ||
| So Pat is standing over him. | ||
| 74. 74 shots of eggnog. | ||
| He's getting another one. | ||
| And he's about to bust. | ||
| So he fills up again. | ||
| These are the good old days. | ||
| By the way, this show, doing this show, was one of the main reasons why I wound up doing stand-up. | ||
|
unidentified
|
This was FM, too. | |
| Excuse me. | ||
| These were the good radio shows. | ||
| This was FM. This wasn't even the serious part. | ||
| I think you're right. | ||
| Okay, here it goes. | ||
| No, no, no, no. | ||
| You ain't seen shit. | ||
| That's just the first burst. | ||
|
unidentified
|
He's got eight or nine more rounds in him. | |
| Waiting for this? | ||
|
unidentified
|
No, no, no. | |
| It gets worse. | ||
| It gets worse. | ||
| It's cartoon. | ||
| It's cartoonish. | ||
| Wow! | ||
| It's cartoonish. | ||
| The visceral sounds. | ||
| It's like a champion's ace. | ||
|
unidentified
|
And the final burst. | |
| One more! | ||
| One more? | ||
| I think he's got one more in him. | ||
|
unidentified
|
Oh, he's covered! | |
| I think he's got one more in him. | ||
|
unidentified
|
He looks like a mummy. | |
| He thought it was done! | ||
| It's impossible! | ||
| It's impossible. | ||
| He might have one more! | ||
| No way! | ||
| No way! | ||
| Oh my gosh! | ||
| Now, who named it a baby bird? | ||
| You got credit for it and said that wasn't me. | ||
| It might have been Burr. | ||
| It sounds like a Burr thing. | ||
| It might have been Voss. | ||
| We can't top that. | ||
| You can find that. | ||
| It's still available on YouTube for some strange reason. | ||
| They took it down that night? | ||
| It's not on YouTube, actually. | ||
| There's a version of it, but that's not the one I'm flying from. | ||
| Look at the phone quality of that. | ||
| Yeah. | ||
| Whose phone was it? | ||
| It's a fucking flip phone. | ||
| Whoever it was, I don't know. | ||
| Who was filming it? | ||
|
unidentified
|
Was it me? | |
| Maybe them. | ||
| Might have been you. | ||
| You probably had the best technology then. | ||
| Actually, it looks like it's on a tripod or something. | ||
| No. | ||
| It's pretty still. | ||
| Yeah. | ||
| It's not moving at all. | ||
| You're right, it is. | ||
| That's how long ago it was. | ||
| It could have been a webcam. | ||
| It might have been a webcam. | ||
| They had to bring it in for this. | ||
| There was multiple versions. | ||
| Oh, this is a PalTalk Cap version. | ||
| Oh, PalTalk. | ||
| Remember PalTalk? | ||
| PalTalk was the thing that only those guys used back then for the radio show. | ||
| They were the kings. | ||
| And they did it because you had to use Windows, too. | ||
| I remember that. | ||
| You couldn't get it on a Mac. | ||
| Wow. | ||
| But there's versions of it from someone's phone, too. | ||
| Yeah. | ||
| That's why there's a couple different... | ||
| So there's this one, too. | ||
| But it was, like, not playing. | ||
| It was showing more of it. | ||
| And maybe this is... | ||
| Clear. | ||
| But it keeps stopping the video. | ||
| Like, it picks up. | ||
| Yeah, see, this is a different angle. | ||
| They cut it. | ||
| Ew. | ||
| Ew. | ||
|
unidentified
|
Come on. | |
| Ugh. | ||
| He opened his mouth. | ||
| Yeah, this might be me. | ||
| Ugh. | ||
| I'm pretty sure I had a video of it back then. | ||
| And I think I had... | ||
| Oh, my God. | ||
| Okay. | ||
| Okay. | ||
| Oh, my God. | ||
| Okay. | ||
| Yeah, because that looked better than the PalTalk version, which is like a webcam. | ||
| Webcams back then were pretty shit. | ||
|
unidentified
|
Wow. | |
| When was that? | ||
| I don't know. | ||
| 2006. Oh shit, sorry. | ||
| I was going to guess. | ||
| Yeah, it said from the side. | ||
| I was going to say 2005. God, that was fucking great. | ||
| I really felt like I was a belonging comic being there. | ||
| What a fucking fun time. | ||
| Well, that's one of the things that Opie and Anthony gave you. | ||
| Gave all of us. | ||
| You felt like you were in Third Angle. | ||
| Third Angle. | ||
| There's a Pruder film. | ||
|
unidentified
|
It's the grassy doll shot. | |
| It seems like... | ||
| When you would get on that show and you would all bust balls, and Patrice was there, and Voss was there, and all these guys were there, and you would always generally have like four or five guys in a room. | ||
| Yeah, yeah, yeah. | ||
| And we learned to do podcasts. | ||
| Yeah, yeah. | ||
|
unidentified
|
Wow. | |
| That's the start of a podcast with comics. | ||
| Everyone's joking around. | ||
| And then when Anthony started doing his own shit from his basement and started streaming it, I remember thinking, oh, now I can do that. | ||
| How'd you do that? | ||
| He was doing karaoke while holding a machine gun. | ||
|
unidentified
|
So he's holding a machine gun and he's singing karaoke. | |
| Yeah. | ||
| And he's got a green screen. | ||
| So he's like on a penthouse apartment in New York City. | ||
| There's an American flag behind him. | ||
| You could do all kinds of wild shit if you have a green screen. | ||
|
unidentified
|
What's that? | |
| Fourth angle. | ||
| Enough, you son of a bitch. | ||
| It is on YouTube. | ||
|
unidentified
|
It is on YouTube. | |
| Jamie's going to come out with one that has a camera in the guy's mouth. | ||
| Can you see if you can find Anthony Cumia live from the compound? | ||
| See if any of that's available online. | ||
| So Anthony had this thing. | ||
| He set up a full professional thing for a goof. | ||
| Because Anthony is like a single guy, no kids, tons of loot. | ||
| Tons of loot, and he's wild. | ||
| He's a fun dude. | ||
| So he wanted to just get hammered all the time. | ||
| He had a keg with Guinness in it and shit. | ||
| His pad was great. | ||
| Crazy! | ||
| It was a good party pad. | ||
| He was a wild man because he was a really wealthy older bachelor who was a beloved radio host and in his spare time would do his own show. | ||
| And this own show that he did, he went out, man. | ||
| I mean, he got fucking like real broadcast desks and real microphones. | ||
| It was the first guy that ever did this. | ||
| This is his green screen in his fucking house doing live from the compound. | ||
| Crazy gun guy. | ||
| They don't even know who it is. | ||
| He's that gun on his leg? | ||
| That's for real. | ||
| Like, that's not a prop. | ||
| And the machine gun is? | ||
| He would walk around with a gun on him all over his... | ||
| Like, if someone broke into his house, he was ready. | ||
| He was like, oh, thank you. | ||
| He was ready. | ||
| He's one of those guys. | ||
| There's also this one, which is Live Carry. | ||
| That's Pat. | ||
| What year is this? | ||
| 2011. Yeah, the one before it was 2010, it said. | ||
| So he was doing this for a while. | ||
| Yeah, I think he started in like 2007 or 2008, if I remember correctly. | ||
| And I think there was a problem with either XM or Sirius, whichever one, didn't want him doing it. | ||
| And he's like, look, all this does is bring more people to the show. | ||
|
unidentified
|
Yep. | |
| And they had an issue with him broadcasting on another platform. | ||
| But it was totally for free. | ||
| What year was it? | ||
| Did it say? | ||
| Yeah, they were like, you're going to watch this instead of the other ones. | ||
| He's like, they're going to do both. | ||
| Yeah, so these are just a few videos. | ||
| I mean, he was doing it all the time. | ||
| What you're seeing is just like what somebody uploaded somewhere. | ||
| Goddamn. | ||
| Is it Kunia's channel? | ||
| Jesus! | ||
| Look at his guy! | ||
| Oh my god! | ||
| Sniper? | ||
| It's a ridiculous crazy gun guy karaoke. | ||
| Let me hear what this is. | ||
| Oh, this is his. | ||
| Yeah, so he's gonna sing? | ||
| Why he's holding a giant gun. | ||
|
unidentified
|
So I saw him doing this. | |
| One of a kind. | ||
| And me and Red Band were like, hey, man, we can do this. | ||
| And then we said, let's just start streaming something on Ustream. | ||
| But I guarantee you, he was a giant factor in me deciding to do a podcast. | ||
| Wow. | ||
| Because I realized you don't have to have a studio. | ||
| You don't have to be on Sirius. | ||
| Because we all wanted to do radio. | ||
| We don't want to wake up. | ||
| We don't have to have these dumb rules. | ||
| And I went to Adam Carolla's place, but Adam Carolla had a real professional setup. | ||
| Adam Carolla had a garage that he used to keep his cars in. | ||
| And Adam was the first rich guy to get into podcasting, right? | ||
| Yeah, he got thrown off the radio. | ||
| Yeah, and he was doing really well on the radio. | ||
| They changed format, and they said, you're all done, but you can still maintain your contract. | ||
| They went to Spanish, but you can't do any of the radio. | ||
| But he did the internet. | ||
| Right. | ||
| So he did it on the internet, and it was a loophole. | ||
| So he did his show, and I remember doing it at his place, thinking, wow, this is, like, unattainable. | ||
| Like, how would I get a building? | ||
| How would I get all these employees? | ||
| And I remember thinking, what is all these fucking people running the cameras and shit? | ||
| God, it's so many. | ||
| And I remember thinking, this is so much, like, God, I wish I could do this. | ||
| And then I saw Anthony, I'm like, oh, I could do that. | ||
| Right. | ||
| Very few just turn it on, turn it on. | ||
| Yeah, but even what he did, like what Anthony did, he had like a professional desk setup and like those big-ass broadcast cameras and he knew how to like, and he had employees, he had people working for him and shit. | ||
| You had Redband. | ||
| Yeah. | ||
| Figure it out. | ||
| Well, we figured it out. | ||
| Well, you know what we figured out? | ||
| Like in the beginning was just simple, webcam. | ||
| And then add a few things. | ||
| Okay, now do another webcam and this one you can split angles. | ||
| So there's like one half of the screen is you, one half of the screen is me. | ||
| It was a good example of how you just try something and it's like, you don't have to get it right. | ||
| Just start. | ||
| Just start. | ||
| You know? | ||
| It was Justin TV and just like, figure it out. | ||
| If I had an executive and I said, I need an investor in my project. | ||
| Well, what is it? | ||
| Well, come on over. | ||
| I'll show you what we're doing. | ||
| No way. | ||
| Get the fuck out of here. | ||
| You guys are getting way too high. | ||
| You forget what you're talking about. | ||
| When did you make your first dollar in it? | ||
| Besides ticket sales. | ||
| Years in. | ||
| Years and years. | ||
| Yeah, years in. | ||
| But I didn't even think about it that way. | ||
| Yeah, no, it was just fun. | ||
| It was fun. | ||
| And then when I got people like Graham Hancock on, I realized I can talk to really interesting people. | ||
|
unidentified
|
Wow. | |
| And then I met Aubrey for the Fleshlight, and that became our big sponsor. | ||
| Fleshlight, that's right. | ||
| Aubrey, was that Fleshlight? | ||
| Yeah, he was the head guy over at Fleshlight. | ||
| And then on his stuff? | ||
| Oh, interesting. | ||
|
unidentified
|
That was back when he was Chris. | |
| Adam and Eve was a big one at first. | ||
| No, Fleshlight was your first one. | ||
| 100%. | ||
| That was my first sponsor. | ||
| And only for a long time. | ||
| Yeah, because nobody else wanted to be on it. | ||
| We gave these horrendous fleshlight ads. | ||
| These ads were just so repulsive. | ||
| They were so graphic and funny. | ||
|
unidentified
|
And then we gave people free fleshlights if they were a guest. | |
| A lot of people didn't want them. | ||
| I never took one. | ||
| I was afraid of the road. | ||
| The road, just you with this flashlight. | ||
| It was not going to be good. | ||
| Fucking it all the time. | ||
| They go through your bag at TSA. What's this? | ||
| I'll show you. | ||
| It's kind of funny where podcasts came from and what it is now. | ||
| A little more professional now. | ||
| Well, that's also, it's still like a big business, but we still do it kind of the same way we did it when we did it back then. | ||
| It's not much difference. | ||
| You act like how you would act if we were all hanging out. | ||
|
unidentified
|
Yeah. | |
| You know? | ||
| If we were all hanging out acting stupid, this is exactly how we would talk. | ||
|
unidentified
|
Yeah. | |
| But now a lot of people listen. | ||
| That's the difference. | ||
| I still try to do it from weird places. | ||
| I know you do. | ||
| I love it. | ||
| It's so fun. | ||
| You like to do them in other countries and shit. | ||
| Do them on lawn chairs. | ||
| On top of the Great Wall of China. | ||
| I was like, let me record a podcast up here. | ||
|
unidentified
|
It's a good move. | |
| We did one in a car like nine years ago, me, you, and Matt Edgar. | ||
| To try to drive it. | ||
| Did we do one out in Joshua Tree? | ||
| On our way there, or? | ||
| Car ones are great. | ||
|
unidentified
|
Me and Norman do a few of those. | |
| I've done, I think, one from a car, but we did a bunch from a plane. | ||
| Me and you. | ||
| We had a joint cost. | ||
| Tony and I as well. | ||
| We did a plane. | ||
| I think we did like four on planes. | ||
| I think I did one with Tommy on a plane once, too. | ||
| Me, you, and Dana White. | ||
| Oh, that's right. | ||
| Flying back from Australia, right? | ||
| Yeah, we did one in Australia. | ||
| It was such a long flight. | ||
| I just killed two hours. | ||
| You could write a book on that flight. | ||
| You can't even go over there now. | ||
| Wow, yeah. | ||
| If you go over there, I think you have to quarantine for a long time. | ||
| And if you're not vaccinated, they won't even let you in. | ||
| It's a wrap, kids! | ||
| One more date. | ||
| Me and Jay Oakerson and Bobby Kelly are doing two shows in Michigan, Grand Rapids and Detroit. | ||
| Presale starts January 5th at noon. | ||
| Use promo code ROGAN to get in the presale. | ||
| Is that AriTheGreat.com for that? | ||
| Yeah, AriTheGreat.com for that. | ||
| Tony Hinchcliffe, Kill Tonys, every Monday. | ||
| Best live comedy show in the country. | ||
| Best live comedy show in the country. | ||
| And I'm going back on tour, too. | ||
| It's funny you mention Michigan. | ||
| I'm doing a couple cities there, and Phoenix, and Philadelphia, Miami. | ||
| I just announced it. | ||
| It's all at TonyHinchcliffe.com. | ||
| So fun to be back on the road in front of a live audience. | ||
| It is. | ||
| And now that you've already caught the cooties, you have bulletproof immunity. | ||
| It's so hard for me not to be a full Republican on it. | ||
| Oh, I should say this again while I'm still talking about this because it's come up multiple times. | ||
| I'm going to say it again. | ||
| I've talked to more than one person who said they got COVID twice. | ||
| And I know Dr. Peter McCullough, who was on the podcast the other day, said you can't get it twice because it's 90% similar to the original SARS. And the original SARS, people have long-lasting immunity. | ||
| You mean the original COVID? Nope, SARS. SARS-CoV-2 is this. | ||
| The original SARS. So many people test positive twice. | ||
| Yeah, so this guy said on the podcast, he said you can't get it again, but I know multiple people who said they've got it again, including Mo Amer, Steve Simone. | ||
| One of Tom Segura's relatives got it twice. | ||
| Simone for sure. | ||
| Simone thinks he got it twice. | ||
| Wasn't the doctor talking specifically about Omicron? | ||
| No, no. | ||
| He was talking about COVID. He was saying that COVID-19 was 90% similar to SARS and that when people got over SARS from 18 years ago, they still have immunity, they test for it today. | ||
| Might be that it's not impossible to get it, but it's way, way, way harder for you to get it. | ||
| I haven't heard anybody get it bad the second time. | ||
| Right. | ||
| Mo Hammer barely got anything the second time he got it. | ||
| But the thing is, if you had it a second time, you might be able to give it to somebody who doesn't have the immunity, and they might get fucked up. | ||
| It's all confusing. | ||
| So, my point is, this guy saying that you can't get it twice, I don't know if that's correct. | ||
| Since the last time I was here, I had COVID. I don't know what does what, but just in the interest of being open, whatever, I immediately took Based on my weight, 18 milligrams of ivermectin, like as soon as I got it. | ||
| I was also vaccinated. | ||
| So these are two things. | ||
| And then another one, I took those monoclonal drips that are available everywhere in Florida. | ||
| They're begging people to come get it. | ||
| If you're exposed to COVID, like Simone was, they're like, you can get it. | ||
| He tested negative. | ||
| Like, you can go get that too. | ||
| And they're just like, they're there in Florida for everybody. | ||
| And they fucking, I don't know, whatever. | ||
| But Simone was saying goodbye to his mom. | ||
| What do you want me to tell your grandkids when they come? | ||
| You're not going to be around. | ||
| She was dying. | ||
| And then the monoclonal stuff in August got around. | ||
| She took that and it turned her around. | ||
| Yeah, it's better if you take it early. | ||
| Right away, yeah. | ||
| It was a long road back, but... | ||
| It's better if you take it early, but there's been, you know, stories about people who take it many days into it and still have good results, but either way, it's an effective treatment that people need to know about, because even if you're vaccinated, this shouldn't be a vaccine, unvaccinated, like, fuck you, I'm not going to listen to you because you're not vaccinated. | ||
| Just listen about medicine to these people that take it and find substantial benefits from it. | ||
| It works. | ||
| It works in everybody that I know that's taken it. | ||
| I tested negative in three days from testing positive. | ||
| I took the monoclonal drips the second day. | ||
| So two days after that, I was testing negative for COVID. Everything's got so political that anything that you say that's anything other than the vaccine, people literally don't want to hear it, especially people that are pro-vaccine. | ||
| They just don't want to hear it. | ||
| But if these things, they don't hurt you if you take them, right? | ||
| No, they don't. | ||
| So even if it's not that, go ahead and get it. | ||
| I mean, maybe they hurt some people. | ||
| I mean, I think if you give enough people a thing, some people are going to get fucked up by it. | ||
| Just because of biodiversity. | ||
|
unidentified
|
Right. | |
| Just because so many people... | ||
| People are so different. | ||
| Yeah. | ||
| There's not one... | ||
| I mean, maybe there's like one medicine, maybe there's a few... | ||
| But people die from aspirin, man. | ||
| People are allergic to fucking peanuts. | ||
| A lot of people are allergic to peanuts. | ||
|
unidentified
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Yeah. | |
| Meanwhile, peanut butter and jelly is like the lunch bag sandwich. | ||
| I am self-destructive and it's one o'clock in the morning. | ||
| I come home from a comedy show and I'm self-destructive. | ||
| I will have a peanut butter and jelly sandwich and a big glass of milk. | ||
| Joey Rose's, Joe DeRosa's new sandwich place, has a peanut butter and jelly sandwich. | ||
| Hold on. | ||
| Joe DeRosa has a sandwich place? | ||
| Yeah, in like a Lower East Side. | ||
|
unidentified
|
What? | |
| Joey Rose's just opened it up. | ||
| What's he doing? | ||
| Sandwich and bar. | ||
| Sandwich place and bar. | ||
| No shit! | ||
| Good for him. | ||
| He did it, he bought it. | ||
| He just opened it. | ||
|
unidentified
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Wow! | |
| It's great. | ||
| And that peanut butter and jelly sandwich is my favorite, but he's an artist with the sandwiches. | ||
|
unidentified
|
Really? | |
| Oh yeah, they're so fucking high tech. | ||
| Joe DeRose is a sandwich artist. | ||
| Yeah. | ||
| Is he getting bigger because he works there? | ||
| It just opened. | ||
| I assume he will. | ||
| He's been drinking heavily for fucking 25 years, though. | ||
| If I opened a sandwich drop, that would be a real problem. | ||
| Yeah. | ||
| I'd get fat so quick. | ||
| Look at that! | ||
| Joey Roses. | ||
| Wow. | ||
| Good for him. | ||
| Peanut butter, grape jelly, ruffled potato chips. | ||
| How big is this place? | ||
| It's a cool bar to hang out in. | ||
| Probably like 30, 40 people could be there, 50. Nice. | ||
| Look at that. | ||
| Is he still doing a lot of stand-up? | ||
| Yeah. | ||
| How does he juggle the two of them? | ||
| Look at that! | ||
| Joey Rose's. | ||
| He's got a fucking cool place. | ||
| It's a cool bar. | ||
| It's a cool bar to hang out in. | ||
| Wow! | ||
|
unidentified
|
Look at that. | |
| A bar and sandwiches. | ||
| What a great idea. | ||
| Good for him. | ||
| Oh yeah. | ||
| Hell yeah. | ||
| He's a good dude too. | ||
| Great dude. | ||
| Don't try to win the offer shots. | ||
| Say no. | ||
| Oh, why? | ||
| He gets fucked up? | ||
| Yeah. | ||
| And then he's like, come on, pussy, take it. | ||
| And then fucking an hour later, he's throwing up. | ||
| And it's like, fuck you. | ||
| That old trick. | ||
| I know myself by now. | ||
|
unidentified
|
A shot? | |
| What's that? | ||
| It's like, I know where I am. | ||
|
unidentified
|
Okay. | |
| All right. | ||
| Let's wrap this up. | ||
| Goodbye, everybody. |
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