Feb. 4, 2013 - The Joe Rogan Experience
02:06:34
Participants
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| Speaker | Time | Text |
|---|---|---|
| The Joe Rogan Experience Podcast is brought to you by Ting. | ||
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| That's O-N-N-I-T. If you've heard this podcast, you've heard us talk a million times about all the different supplements and All the different shit we sell as far as strength and fitness and health products. | ||
| But make no mistake about it. | ||
| Everything we sell is shit that I use. | ||
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| And I think that's a really overlooked part of people's lives. | ||
| Eat some fucking healthy food. | ||
| Take some vitamins. | ||
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| Alright, you freaks? | ||
| Listen, Melissa Etheridge is here, and I don't want to bore the shit out of her with our stupid commercial. | ||
| So, it's over. | ||
| Brian, cue the music. | ||
| Make it official. | ||
|
unidentified
|
Joe Rogan Podcast. | |
| Check it out. | ||
| The Joe Rogan Experience. | ||
|
unidentified
|
Train by day. | |
| Joe Rogan Podcast by night. | ||
| All day. | ||
| Ladies and gentlemen, Melissa Atheridge. | ||
|
unidentified
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Hey! | |
| Thank you so much for being here. | ||
| What a pleasure to be here. | ||
| I gotta tell you, when I got a message saying, Melissa Etheridge wants to do your podcast, I had to think, did I ever talk shit about Melissa Etheridge? | ||
|
unidentified
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Right. | |
| I just had a really cool... | ||
| Because as a comedian... | ||
| Oh, I know. | ||
| I'm easy, aren't I? Well, everyone's easy. | ||
| I'm easy, too. | ||
| But it's, you know, it's like you wanna... | ||
| If you ever did... | ||
| And I didn't. | ||
| But if you ever did make fun of something, you're like, look, I didn't mean it. | ||
| Hey, I completely understand comedy. | ||
| I'm actually someone that knows that if you're making fun of me, that means that I must be doing something successful. | ||
|
unidentified
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Oh, for sure. | |
| So I'm all good. | ||
| Yeah, and even if I'm accusing someone of being pretentious or whatever, I'm guilty of being stupid. | ||
| Yeah. | ||
| So just a joke. | ||
| I have to do it. | ||
| I can't just let it sit there. | ||
| It's in the middle of the world, and I can't point out... | ||
| It's your job. | ||
| Comedy is sacred. | ||
| Believe me. | ||
| You believe that? | ||
| I totally believe it. | ||
| Comedy is that part of truth, and it's people like you. | ||
| It's why you resonate so well with all what you're doing right now. | ||
| Because comedy pushes. | ||
| When you stand up in front of people and say, this is... | ||
| The truth. | ||
| And then they ha-ha-ha, they laugh. | ||
| And laughter is that release. | ||
| Right. | ||
| It's beautiful. | ||
| I think that release, whatever that feeling is, that when you laugh, whatever that thing that makes you laugh, I think if that was a drug, if you could buy that, like at 7-Eleven, like you could buy a coffee. | ||
| Man. | ||
| Because when I go to see like a – like I worked this weekend with a couple of really funny guys with Brian Callen and Ari Shafir and Brian Redman here. | ||
| We worked in Vegas. | ||
| We had this show. | ||
| And one of the things I love about like working with really funny guys is like actually getting to laugh. | ||
| Actually getting to be an audience member, because a lot of Brian Callen stuff was new. | ||
| I hadn't heard it before. | ||
| And I was just howling, laughing. | ||
| It's such a good feeling. | ||
| And very similar in a lot of ways to the feeling that a great song can hit you. | ||
| Well, it's what we do. | ||
| We do very similar things. | ||
| We take human emotion, human experience, and organize it in a way that it gets past all the normal barriers. | ||
| I hopefully can tap into a feeling that a person has. | ||
| That goes beyond their head, but it goes straight into their heart, and then they get to release it. | ||
| That'll cause you sickness, too, if you keep too many emotions inside. | ||
| So comedy is the same. | ||
| It's all about letting it so healthy. | ||
| The difference with comedy is your stuff gets better the more I hear it. | ||
| Even the greats, like Richard Pryor, I can only listen to one of his bits once, not twice in a row, not three times in a week. | ||
| I could take one of your songs and just slap it on repeat and enjoy it more. | ||
| I've come to your window so many times. | ||
| That just scares me now. | ||
| Yeah, I'm very lucky that my art form is more like I can write a song, I can record it, and in that moment I can put it there and bring me some water. | ||
| There you go. | ||
| And then, you know what, 20 years later, oh my gosh, I get to sing it again and I can put all kinds of new stuff. | ||
| I can do whatever I want with it. | ||
| And people want it. | ||
|
unidentified
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Yeah, they pay money to hear it. | |
| It's like with comedy, you have to always keep coming up with new shit. | ||
| Be funny, dude. | ||
| It doesn't last. | ||
| You can't redo bits from decades past, but a great song that comes out, man, that's permanently great. | ||
| And better with time. | ||
| Cool. | ||
| It's a weird feeling to be a person who knows nothing about music. | ||
| That's who I am. | ||
|
unidentified
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Really? | |
| I know zero. | ||
| Nothing. | ||
| Don't even play any instrument? | ||
| Nope. | ||
| Can't play anything. | ||
| When I look at music written down, I never investigated it, even for a second. | ||
| But I love music. | ||
| I love to listen to it. | ||
| So I look at people like you as almost like, what you do is, it's like a form of magic or something. | ||
| The ability to make awesome noise. | ||
| Well, it used to be alchemical in that it was sacred, music was, because if you look at the nature of the universe and reality and you break it down into quantum physics, it is a reality that is based on octaves and dimensions. | ||
| So if you understand music, you can understand. | ||
| It's one of the reasons why I understand the nature of reality so much. | ||
| This is what happened like eight, nine years ago. | ||
| And once you get To understand that we are all octaves. | ||
| We are all instruments. | ||
| We are all vibrational beings. | ||
| Then you understand, oh, music. | ||
| That's why music will never, ever go away. | ||
| That's why it resonates so much. | ||
| Yeah, for a lot of people that hear that kind of talk and they go, oh, goddammit, you just hit my hippie bullshit button. | ||
| I know! | ||
| You're resonating. | ||
| What are you? | ||
| You're resonating? | ||
| Beings or something? | ||
| Vibration. | ||
| What the hell does that mean? | ||
| You know what? | ||
| And they... | ||
| Absolutely, they live there. | ||
| I have an understanding and a belief, and we're all just made up of our beliefs, and I walk with my hippie understanding belief and go on with it. | ||
| I think there's obviously, it's a beautiful and imaginative concept that But there's sort of clear evidence that there's something there. | ||
| Say if you're in your car, and that riff of Back in Black comes on the radio, and it was just the perfect sound at the perfect time. | ||
| Maybe you're bored or whatever, you're annoyed by something, and then... | ||
| Like your whole body, like... | ||
| It's just like, that song is so good, it fires you up. | ||
| There's certain... | ||
| There's a certain feeling that it does to your body that if you could just buy that, man, it would be very, very, very valuable. | ||
| You are looking for that, aren't you? | ||
| I think everybody is. | ||
| If you could – I mean I'm super inspired by music and I think one of the reasons being because I don't understand it and because – I don't play it. | ||
| I can't create it. | ||
| So when I see someone that can, to me, it's like, wow, it's like this totally different thing than what I do. | ||
| But I get to see the same sort of energy that makes anyone great at any art. | ||
| I love seeing it expressed through different mediums, that pure, I mean, I hate using that word again, but that resonance of expression, you know, whatever it comes with, that burst. | ||
| It shows the world, whatever it is, whether it's in a song or whether it's in a sculpture. | ||
| I love seeing it. | ||
| I love seeing it in all forms. | ||
| You can go look at it scientifically, and I'm just going to use the word vibrational, because if you study scientifically, not even hippie-wise, if you study quantum physics, you'll understand the vibrational nature of The universe, and so art gives off a vibration. | ||
| Absolutely, you can break it down. | ||
| They have little machines that can show if someone's looking at a picture and they have a feeling, you have a vibrational, energetic change inside of you as a reaction to that. | ||
| Wow, that's amazing. | ||
| They actually just had something the other day, I think yesterday, where they showed the first thought, like where the brain of a, I think it was a rat, They could visually see a thought. | ||
| I'll try to find it, but it was really badass. | ||
| I know they've been able to figure out how to take an image of what you can see. | ||
| Simple shapes, a simple triangle and simple squares. | ||
| They've been able to take images. | ||
| That's reading your mind, essentially. | ||
| That's the beginning, right? | ||
| I believe it's the whole experience of all of us understanding that thought creates. | ||
| And that's what all of this is made of. | ||
| Yeah. | ||
|
unidentified
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Is thought. | |
| That's a weird thing for people to wrap their head around. | ||
| And what I always try to say is like, you know, everybody looks at the imagination as almost as if it's not necessary. | ||
| But you know what I mean? | ||
| He's a childish one with his wild imagination, you know, and that sort of term. | ||
| What people don't understand is that's what created everything. | ||
| Everything hard, everything you can touch, everything you get in and fly, everything you drive around in, that's all coming from imagination. | ||
| It started with a thought. | ||
| Yes, all of it. | ||
| Everything that we've created, good or bad, is coming from imagination. | ||
| The idea that we don't put a lot of respect in that and that we don't look at that as being this – that's the real sort of sacred creator of the universe. | ||
| Absolutely. | ||
| Creation. | ||
| Absolutely. | ||
| And it starts with our own responsibility, what we create for ourselves every day. | ||
| And that's difficult because people want to blame. | ||
| They want to say, oh, this happened to me because of that person or because I don't have enough money or I don't have enough love or whatever it is, that blame. | ||
| And it's hard to look at your own creation and what you created every day. | ||
| We're so malleable. | ||
| And if I think we grow up in the wrong environments, it's very easy to also raise children in the same environment and repeat this really fucked up pattern where no one has ever stopped the train and said, okay, let's look at the patterns that we operate under. | ||
| And how many of these are beneficial? | ||
| What are we doing? | ||
| Like, why are we living the same goddamn way and everybody's miserable? | ||
| Let's just stop and think this through. | ||
| And no, let's not yell at each other. | ||
| I don't want to be yelled at. | ||
| You don't want to yell at me. | ||
| I don't want to yell at you. | ||
| Great. | ||
| Okay. | ||
| We agree to that. | ||
|
unidentified
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We love each other. | |
| We won't yell. | ||
| Now, let's think things through. | ||
| What the fuck are we doing on this planet together? | ||
| We're enjoying our company. | ||
| We're creating. | ||
| And we can do that or we can just create chaos and create problems everywhere we go if we repeat the same patterns. | ||
| Which we're like to do if somehow or another it doesn't reset itself. | ||
| Exactly. | ||
| I actually feel like we're in a big resetting right now. | ||
| I can feel it. | ||
| I can start to see it in the people around me. | ||
| Just that there's a way that you can reach anybody who'd like to listen to. | ||
| You can do that right now. | ||
| That is different. | ||
| Ten years ago you weren't available like this. | ||
| Yeah, no. | ||
| Ten years ago there was nothing like this. | ||
|
unidentified
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No. | |
| You would have to... | ||
| To put it on a radio show, they would put you in jail. | ||
| Yeah, make the crazy joke when he's lost it all. | ||
| No. | ||
| They would tell you you're out of your mind for almost everything. | ||
| You're talking about illegal drugs. | ||
| I know. | ||
| I was listening the other day, or reading rather, about the Hollywood sign. | ||
| You know the Hollywood sign used to be Hollywoodland? | ||
|
unidentified
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Yeah. | |
| And at one point in 76, somebody got up there and made it Hollyweed. | ||
| Because they passed some decriminalization law in California. | ||
| It was so close to being legal nationally during Carter's administration. | ||
| Wow. | ||
| So close. | ||
| If you really look into the journey of cannabis, it's criminal and it's what they've done to this natural product. | ||
| It's ridiculous. | ||
| It's really bad. | ||
| And the people that are trying to keep it illegal are the people who could benefit from it the most. | ||
| Oh, isn't that... | ||
| Those people all need to get high. | ||
| It's like, yes! | ||
| That's why I love when Colorado, when Denver and Colorado was doing that thing, making it legal, they're saying, look, it's just better than... | ||
| You're not going to get in a fight. | ||
| You go to the bar and you have a smoke, you're going to be chill. | ||
| You're not going to cause damage. | ||
| Yeah, you're not going to just become a crazy person who can't even drive. | ||
| You know, that's unbelievable that almost everywhere in America are these spots where you can get fueled up with a drug that makes your body not work so well. | ||
| And we're fine with that. | ||
|
unidentified
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Get in your car. | |
| Get in your car, and of course we don't want you to drunk drive, and we prefer you take cabs, and we always say that. | ||
| However, the possibility is always there. | ||
| You're talking about a drug that massively inhibits your thinking process and makes you do really irrational shit, and you're combining it with the access to a car. | ||
| I mean, the idea that people see through that. | ||
| Our society was built on that. | ||
| It's that worker society. | ||
| Keep them on the caffeine and the sugar and the alcohol. | ||
| Boom. | ||
| Do you think it's a self-fulfilling sort of a thing? | ||
| Because those things are all awesome. | ||
| That's the problem. | ||
|
unidentified
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I know. | |
| I love them. | ||
| Caffeine is awesome. | ||
| Sugar is awesome. | ||
| Alcohol is the shit. | ||
| It's all good stuff. | ||
| So, I mean, is it possible that we just like it? | ||
| A big part of it, caffeine changed the world, and sugar too. | ||
| It was what brought industry to Britain, and that's why colonialism happened. | ||
| That's why they conquered the world, so they could bring spice and taste and sugar. | ||
| And in the 1800s, the British doctors were like, Whoa, wait a minute. | ||
| We're seeing all these new diseases now because of sugar. | ||
| It's a drug, it's a drug. | ||
| And they were like, hmm, too late. | ||
| It's over. | ||
| Yeah, once they had figured out how to extract sugar from natural products, and then you can get these massive doses of it right into your bloodstream. | ||
| Like, if you eat spoons of sugar... | ||
| Have you seen your kids? | ||
| They get a little, oh, we got a cupcake at school, and they lose their minds. | ||
| Yeah, yeah. | ||
| I gave my little one cotton candy yesterday. | ||
| She went off. | ||
| She went off. | ||
| She only weighs like 30 pounds. | ||
| She had like a pound of cotton candy. | ||
| See, it's tough. | ||
| It's tough. | ||
| Yeah, it's a drug. | ||
| It's for sure a drug. | ||
| And it wrecks our immune system. | ||
| Sugar just totally wrecks our immune system, and that's why a lot of us are so sick. | ||
| Yeah, it's really close to like a toxin. | ||
| Yes. | ||
| I mean, there's a lot of people that are trying to say it's a toxin. | ||
| So I fed my baby a delicious toxin. | ||
| But she's fine. | ||
| They're so available. | ||
| And they do bounce back. | ||
| It's fucking cotton candy. | ||
| The kid's going to want it. | ||
|
unidentified
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Yes, they are. | |
| She can't have it every day. | ||
| No. | ||
| Every day you eat healthy. | ||
| But every now and then, if you're at Disneyland, fuck it. | ||
| It's time to go off. | ||
| To go. | ||
| They sell cotton candy machines at Target for the kids. | ||
| Oh, a machine? | ||
| Yeah, they're these little machines. | ||
| They're like 50 bucks and you make your own cotton candy. | ||
| Oh, dude. | ||
| That's so wrong. | ||
| I know. | ||
| That's just pure sugar. | ||
| And they put them in front of TV and we've brainwashed them and then it's all good. | ||
| Yeah. | ||
| And they're ready to be plugged in. | ||
| Unfortunately. | ||
| But TV's awesome too. | ||
| That's also a problem. | ||
| See? | ||
|
unidentified
|
Exactly. | |
| See, I am not a – I'm not going to do any of this. | ||
| I believe in all of these things in moderation. | ||
| It's all about balance because I don't want to be the other way. | ||
| I don't want to be – I'm not going to do this and this and this because those things are fun and they're beautiful and they add taste and spice to life. | ||
| And I want that balance and it's just about balance. | ||
| Yeah, it's a moderation thing, right? | ||
| It's like figuring out how to ride the waves. | ||
| Not be addicted to it, not be a victim to it. | ||
| But also enjoy a little TV every now and again. | ||
| Damn, some good shows on. | ||
| Like, what's wrong with you? | ||
| It doesn't mean that you're shutting off the world. | ||
| I think that it's not an either-or situation. | ||
| I think if you know what you're being manipulated by when you see an advertisement or you understand the manipulation behind it, what they are intending, if you know that, then you can be safe and go in. | ||
| But if you go in and just watch mindlessly, you will be swept away in it. | ||
| Yeah, it's like a balance issue, right? | ||
| Yeah, I think. | ||
| You just got to figure out how to do it. | ||
| How do you do it? | ||
| How do I do it? | ||
| It's a constant practice every single day. | ||
| It started when I went through breast cancer. | ||
| It's that sort of, oh, fuck, I could die. | ||
| You know, right? | ||
| Uh-oh. | ||
| Wait a minute. | ||
| This is serious. | ||
| And I had this – I actually ate. | ||
| It was one of those – you're talking about – before we went on, you're talking about cannabis and actually the difference between smoking it and eating it. | ||
| And I'd eaten a couple of cookies, and they were, of course, delicious. | ||
| I had a bit more than I should. | ||
| And I had one of those really severe trips. | ||
| And in that came a very clear understanding of the nature of life, of balance. | ||
| And I came back, went through breast cancer. | ||
| I went through the system. | ||
| I did the chemo. | ||
| I was all bald. | ||
| I did all that, and I got out of it going, wait a minute. | ||
| While I'm in this, every doctor I had kept saying, cancer starts when cells go bad. | ||
| And I go, okay, well, why do cells go bad? | ||
| And none of them would answer me. | ||
| None of them had that answer. | ||
| Because that's the way our medical system is set up. | ||
| And this has been a journey of finding out why did my cells go bad. | ||
| Why did they go bad? | ||
| It was my nutrition. | ||
| It was my stress. | ||
| It was I didn't drink enough water. | ||
| It's very simple stuff. | ||
| And it's about an emotional imbalance. | ||
| We've got to bring emotion back into balance in the body. | ||
| Yeah, it's as much of a factor, I believe, as all the other things in your body. | ||
| Your blood, your tissues, your bone. | ||
| I think your emotional health. | ||
| is as important as your biological health, the health of your actual body. | ||
| They're connected. | ||
| Yes. | ||
| Unfortunately, it was the Catholic Church in 400 A.D. when Descartes decided that he went to the church and he said, I want to study medicine. | ||
| I want to study the human body. | ||
| And they said, okay, you can study. | ||
| It wasn't medicine yet. | ||
| He invented medicine. | ||
| They said, okay, you can study the body, but the emotion and soul, that stays with the church. | ||
| And that's one of the reasons why this break happened. | ||
| And all of our great thought and intention and the smartest of us for hundreds of years have only developed the body separate from emotion. | ||
| And we are now seeing that break down. | ||
| Our whole system, our whole healthcare, everything. | ||
| Because it's just not true anymore. | ||
| Emotion plays. | ||
| My belief is it plays almost all the part of disease, dis-ease. | ||
| Wow. | ||
| But what about like little children with horrible disorders, like that kind of shit? | ||
| Well then you have to get into... | ||
| This is where it talks about we are here to create. | ||
| This is where we talk about we are here to create. | ||
| We are here to work through whatever we've decided. | ||
| This gets into real spiritual stuff, the stuff before, and it all depends on your basic belief. | ||
| My belief is all of us create what we need to work through to create and learn what we need to in this world. | ||
| So I can't look at anyone as a victim. | ||
| I can't even a child. | ||
| I don't blame them. | ||
| I don't say this is your fault. | ||
| I say you made an agreement in this place to do this and I'm sending you all my love and I believe in you and I believe that you will you can be a miracle. | ||
| When you say that, do you mean that when you see someone who has a disability, you don't see it as a disability, you just see that they're just another entity in this life and just go forward with love and it all works out, in the long run, it all works out great anyway? | ||
| Is that what you mean? | ||
| Yes, and it's what you deem works out in the end because a lot of people have different ideas of what that is. | ||
| I have tons of people that come to me who are stage 4 cancer and the doctors have said, there's nothing we can do, you're going to die in a few weeks. | ||
| And they come to me all the time in cities all over the world. | ||
| And I want to, and I try, and sometimes it works. | ||
| Sometimes their belief is... | ||
| I just give them another way of looking at it. | ||
| If you have another perception other than cancer is something that happens to me and oops, I got it. | ||
| If you understand it as my body... | ||
| is on this journey and you're willing to dissect and break apart what am I eating? | ||
| What am I feeling? | ||
| What am I doing? | ||
| What do I need to change? | ||
| You can control cancer because it is a symptom. | ||
| It is not something that happens. | ||
| It is your own cells that have been so taxed by your immune system, which has been taxed by sugar or emotion or any of that stress, that acidic stress. | ||
| It's so taxed that then those cells go bad. | ||
| Is it all environmental, though? | ||
| I mean, is it all emotional? | ||
| Aren't there some random genetic roles that dice, like kids that are born with massive birth defects and things along those lines? | ||
| Well, this is the lie. | ||
| It's how you hold reality and creation. | ||
| I believe that this reality is... | ||
| One of thought. | ||
| So whatever you are creating, whatever that massive deformity, that massive thing, it's theirs. | ||
| I'm not judging it. | ||
| I'm loving it. | ||
| I'm not seeing them as a victim either. | ||
| I don't believe something unjust happened to them, and I don't believe something just happened to them. | ||
| I believe that this is the balance of life, and we are all here to walk through it and make our choices. | ||
| Wow, that's heavy-duty stuff. | ||
| I mean, I think there's something to a person that has gone through what you've gone through physically, where you get to a real point where you're, you know, you're worrying about your body ending. | ||
| You're worrying about your trip being over. | ||
| And I think the insight that people that have been through those situations, it's really remarkable. | ||
| And it always makes me wonder why we can't wrap our heads around that without a crisis. | ||
| Yeah. | ||
| You know? | ||
| That's one of the reasons why I love to come talk to you. | ||
| That's why I want to talk because I would love to just have one person not have to get to crisis, but to go, wait a minute, that might be the path that I'm on. | ||
| Maybe this can help me. | ||
| Maybe it can, because when I was in it, I saw what the fear of death can do. | ||
| It holds everyone. | ||
| Cancer, I mean, I still see people, and it's been eight, nine years now since I was diagnosed and went through all that, and people still look at me like, are you dying? | ||
| You know, they still hold. | ||
| It's a powerful energy. | ||
| Yeah, it's a weird part of our life, a weird part of our journey, the body just sort of failing prematurely in some strange way where it's growing its own problem. | ||
|
unidentified
|
Well, that's or? | |
| There is something, there is some choice that I am making. | ||
| My body is perfect. | ||
| Every single human body is amazingly perfect. | ||
| Right, but what about people with environmental factors, exposure to radiation, things along those lines? | ||
| Again, why are you there? | ||
| You are there because you made your... | ||
| And again, it's not about blame. | ||
| You chose this when you were just an angel or a spirit or whatever you want to call it. | ||
| Oh, so you believe they chose this life from another dimension. | ||
| Yeah. | ||
| I mean, you've been there. | ||
| I wonder. | ||
| Yeah. | ||
| I have and I haven't. | ||
| You know what I'm saying? | ||
| It's like the ideas from the psychedelic experience. | ||
| Yeah. | ||
| The ideas are very intoxicating, but I wonder how much of it is correct when it comes to things along those lines, like you choosing your own destiny. | ||
| Try letting go of the fear. | ||
| Try believing it. | ||
| Try believing it just once for one day. | ||
| Yeah, I could believe it. | ||
| But, I mean, I could disbelieve it too. | ||
| It's up to you. | ||
| It can be whatever you want. | ||
| I mean, you can, in that sense, if you believe something like that, it really can sort of create a reality for you. | ||
| Absolutely. | ||
| Very empowering. | ||
| And that was my choice. | ||
| I'm going to choose to walk like this. | ||
| And it's not easy, believe me. | ||
| Everything in a reality, you want to say, okay, except for that because that just happened to me and I'm just blaming that. | ||
| Well, I would really look at it that way if it wasn't for massive environmental issues, you know, toxic issues, things along those lines where... | ||
| People clearly, like a whole town gets cancer because there's a fucking factory nearby and they're throwing some shit in the lake and people don't know about it. | ||
| Absolutely. | ||
| Now go beyond that story. | ||
| Go there in 10 years and find out whose life was made better, whose life was changed, what happened. | ||
| Everything happens for a reason. | ||
| So you think – are you like a deterministic person? | ||
| Like you believe that the world moves in a way that you cannot control? | ||
| No. | ||
| No, again. | ||
| Again, it's slippery because, no, I don't believe – I'm not a fatalist. | ||
| I believe each and every one of us controls our own fate. | ||
| Reality. | ||
| Every single day. | ||
| Through every choice we make. | ||
| The choice of what to eat, what to think, how to feel. | ||
| A lot of us think we don't have a choice in how to feel. | ||
| Well, you hurt me, so I'm angry. | ||
| I don't have a choice. | ||
| You do. | ||
| Everything is choice. | ||
| And then, you know, you throw some spirituality on it and you get that everything's a choice just between love and fear. | ||
| And if you break it down that small into every breath, it's like a practice. | ||
| That's why the monks go live on the hill and all alone so that they can get to this perfect place of neither blame, you're not a judge, and you're not a victim. | ||
| You're just right in there in the middle. | ||
| Yeah, the monks essentially give up all civilization. | ||
| They give up life entirely. | ||
| No sex. | ||
| I would not want to do that at all. | ||
| I believe you can do that in this life. | ||
| As you were referring to earlier, balance. | ||
| To enjoy it all. | ||
| Yeah, I've always felt like monks are pussies. | ||
| You can't handle it, really. | ||
| I know relationships are tough, but if it wasn't for relationships, all the best music comes from relationships. | ||
| Hey, I'm living proof. | ||
| Yeah, I must, right? | ||
| Go back and listen to the greatest songs of all time. | ||
| It's always a guy and a girl talking about some shit. | ||
| Breaking up! | ||
| We thought we'd be together forever. | ||
| No, absolutely. | ||
| Yeah, I mean if it wasn't for that, where would all that beautiful art come from? | ||
| There's a yin and a yang to this crazy life. | ||
| Absolutely, and when you can hold on to that, it's neither going into all the fear nor all the love. | ||
| I'm not all airy-fairy. | ||
| If you can hold that middle, life gets really cool. | ||
| Yeah, if you can hold that middle. | ||
| How do you go about holding that medal? | ||
| Every single day. | ||
| It's a practice. | ||
| You stay in the now. | ||
| Did your personality change when this happened? | ||
| In a way, I let go a lot of personality reactions. | ||
| I believe that. | ||
| You call up who's sitting here today looking across the table at you. | ||
| I'm choosing who gets to answer this. | ||
| I would like 51-year-old Melissa to answer you, not 14-year-old. | ||
| 14-year-old has answered, you know, in my relationships, 14-year-old Melissa. | ||
| She comes out and she says some pretty naughty things. | ||
| And that's who I can choose. | ||
| How to do it. | ||
| So it's this choice every day how I do it. | ||
| Yeah, that's a weird thing where we sort of get stuck in those young patterns. | ||
| The patterns are... | ||
| I mean, a lot of people do, though. | ||
| It's really, really common. | ||
| Every day I do. | ||
| Every day. | ||
| Oh, look, I'm doing it right now. | ||
| Oh, no. | ||
| That's how he always does it. | ||
| Yeah, you gotta... | ||
| Finding out how to manage your life is probably one of the most difficult things the person can accomplish in their life or... | ||
| Attempt to accomplish, I should say. | ||
| Isn't that what it's all about? | ||
| I want to come to you. | ||
| I want to come to listeners, everyone, as a person who... | ||
| I achieved my goal. | ||
| I set out in... | ||
| I was born in Leavenworth, Kansas. | ||
| I wanted to be a rock star. | ||
| I got to be a rock star. | ||
| I wanted to meet Bruce Springsteen. | ||
| I got to meet Bruce Springsteen, you know? | ||
| Those dreams came true. | ||
| Well, there's something that happens. | ||
| After those dreams come true, you realize, oh, I'm still me. | ||
| I still have all my problems. | ||
| So, where someone who might hold that big dream and think, well, I'll never get it, and so they just hold it out there. | ||
| And then they have lots of excuses. | ||
| Well, if I got that, then I'd be there, but I'm not. | ||
| I'd have enough money. | ||
| I'd have enough this or that. | ||
| Then you can get caught in the turmoil of life and always believe that, well, if I was famous or if I had more money, I'd be better. | ||
| Well, I'm here to tell you that the fame and the money, it's nice. | ||
| Oh, absolutely. | ||
| I love not having to wait in line. | ||
| Yet, it does not solve all my problems. | ||
| And it can cloud you in a little bit of confusion. | ||
| Oh, we see that every day. | ||
| Yeah, we've all met famous people or seen famous people wig out in certain ways where you're like, okay, you're being like a child. | ||
| You're feeling like a child's tantrum. | ||
| Yeah, because they're making choices to let that child still do that. | ||
| Yeah, and there's a weird imbalance. | ||
| There's a certain type, there's one type of celebrity, the I told you so celebrity. | ||
| And the reason why I call it that is they're the type that once they get famous, they feel like the whole world fucked them up until now. | ||
| And now that they've got the world by the balls because they're famous, they just really act shitty to people. | ||
| And I've seen that one. | ||
| That's a really shocking one. | ||
| And you put that out, and what you put out comes back. | ||
| And you just sit back and watch their world come down. | ||
| Yeah, it's hard enough getting through this life without acting like the world owes you something. | ||
| And that sort of delusional thinking among successful famous people is very, very odd. | ||
| Because that's like the furthest from the vulnerability of the reality of our biological life. | ||
| Right. | ||
| But it was the dream that we were fed. | ||
| I grew up in the 60s, in the 70s. | ||
| You want to do better than your parents did. | ||
| You want to make more money and buy things because that's the meaning of life. | ||
| Yeah, that's how you show you're successful. | ||
| Yeah. | ||
| Not management, not like health, not happiness, miles per hour. | ||
| No, no, all those things. | ||
| Yeah, no, no, no, no, no. | ||
| Yeah, smiles per hour is probably very important. | ||
| I never thought of it like that, but that phrase, smiles per hour, like, you should probably have a lot of that. | ||
| A lot of smiles per hour. | ||
| You'll probably get off way better in life. | ||
| Yes, indeed. | ||
| That's so huge. | ||
| Like, laughter and having fun, so goddamn huge. | ||
| People that don't laugh about things, I just don't understand. | ||
| I don't trust them. | ||
| Yeah, well, yeah, there's emotional stunting sort of a thing to that, right? | ||
| Yeah, yeah. | ||
| Yeah. | ||
| How do you fix that? | ||
| You, again, take care of yourself. | ||
| You can fix yourself. | ||
| You cannot fix anyone else. | ||
| Isn't it funny how people who can't fix themselves try to fix other people? | ||
| Oh, yeah. | ||
| There's a lot of those. | ||
| There's a whole lot of those. | ||
| I've been married to a few of those. | ||
| Those people are crazy. | ||
| They'll tell you what to do and you're like, look at your own life, bitch. | ||
| You're in your mind. | ||
|
unidentified
|
You're not happy and you're giving advice. | |
| You're not happy and you're giving advice. | ||
| Once I realized I cannot fix anybody else. | ||
| No one else. | ||
| I became a much happier person myself. | ||
| You can't fix them, but you can rock their world with a song that changes the way they feel about life. | ||
| And even if only for a three or four minute song, even if it's only for that three or four minutes, the positive reaction that someone can get for something like that, that can affect their choices. | ||
| Absolutely. | ||
| Then you start seeing how it works. | ||
| Yeah. | ||
| When you had jobs, did you ever have jobs, like regular jobs back in the day? | ||
| Back in the day, yeah, a couple. | ||
| If you listened to a badass song before you went in for an audition or for an interview, you'd be in a better mood. | ||
|
unidentified
|
There you are. | |
| You'd have a little pep to you, and they'd be like, I like this Etheridge girl. | ||
| She's got moxie. | ||
| She's got a lot of energy. | ||
| Exactly. | ||
| Yeah, because you had heard some fucking badass music in your car on the way over there. | ||
| It's vibrational. | ||
| Yeah, but that's hippie shit. | ||
| People don't want to hear that. | ||
| Balance, balance the hippie. | ||
| Bring your inner hippie out. | ||
| But the regular hippies are so annoying, they've ruined it for the hippie ideals. | ||
|
unidentified
|
See? | |
| Again, it's about balance. | ||
| You stinky, lazy motherfuckers. | ||
| It's about balance. | ||
| Stinky, lazy hippies. | ||
| They have ruined the hippie culture. | ||
| But not a bounce of patchouli. | ||
| Not even a little bit of patchouli. | ||
| You don't like patchouli at all? | ||
| Patchouli and tea rose. | ||
| See, you say that, but if you met the most wonderful woman, she was sweet and sensitive. | ||
|
unidentified
|
And she smelled of patchouli. | |
| She smelled of patchouli. | ||
| Patchouli would give you wood every time you smelled it. | ||
| I could get into rose water, but I can't drink it. | ||
| Rose water's nice. | ||
| The smelly hippie is a problem. | ||
| It's because a smelly human's a problem. | ||
| You're being ridiculous. | ||
| Silly bitch. | ||
| What are you covering up? | ||
| Why are you putting rocks under your armpits? | ||
| Get some deodorants. | ||
| Oh, now. | ||
| Don't get me started. | ||
| Just get some non-aluminum deodorant. | ||
|
unidentified
|
Yeah, there you go. | |
| Non-aluminum. | ||
| Arm and hammer. | ||
| Arm and hammer is a natural deodorant. | ||
| It's like herbs and shit. | ||
| But don't put the aluminum under there. | ||
|
unidentified
|
But it works. | |
| Yeah. | ||
| Aluminum's bad, right? | ||
| It's really bad, yeah. | ||
| Aluminum chlorhydrate. | ||
| And why were they putting it in deodorant? | ||
| Because the aluminum industry, 100 years ago when it first started, had a lot of waste that they needed to get rid of. | ||
| What? | ||
| So this aluminum waste became sodium fluoride, which was put in our water, and it was thought to use, oh, it'll keep us from sweating, which, I'm sorry, you're supposed to sweat, there's a reason. | ||
| Oh, so it's only antiperspirant, it's not deodorant, right? | ||
| Yeah, it doesn't do anything. | ||
| I don't mind sweating. | ||
| I just want to smell nice. | ||
| Yeah, you smell nice, you do. | ||
| Smelling radio, he smells very nice, girls, if there's any. | ||
| Thank you. | ||
| Thank you very much. | ||
| But stinky people, you should know you're stinky. | ||
| Okay? | ||
| Stinky hippies, you fucking lazy bitches. | ||
| Get up. | ||
| Get up. | ||
| Go run. | ||
| Water is everywhere and soap is not expensive. | ||
| Okay? | ||
| Go get crafty. | ||
| Take a shower. | ||
| And you can use defense soap. | ||
| It's natural. | ||
| Okay? | ||
| It's a great soap that has like... | ||
| Tea tree oil in it and eucalyptus oil. | ||
| It's all natural. | ||
| It's good. | ||
| It's good for the skin. | ||
| It keeps you from getting ringworm and stuff like that. | ||
| Are you talking to someone specifically? | ||
| Yeah, unfortunately, grapplers. | ||
| Anyone who practices jujitsu has to deal with ringworm. | ||
| Oh, wow. | ||
| Yeah, it's really common. | ||
| As well as staph. | ||
| You can get staph infections, too. | ||
| Sure, sure. | ||
| I've had ringworm a couple times. | ||
| I've had staph twice. | ||
| Jeez. | ||
| Yeah. | ||
| Once I caught it like really early so I didn't have to take antibiotics. | ||
| It took like a topical, but once it got pretty bad. | ||
| It was weird. | ||
| I had to take these super strong antibiotics. | ||
| Which, careful, because if you look at people's, I believe my cancer started with, I took these super duper antibiotics. | ||
| It's actually the stuff, Accutane. | ||
| I had really bad acne because I was out of balance in the beginning. | ||
| And then I took a whole bunch of the super duper antibiotics. | ||
| Those also are killing everything good inside of you. | ||
| Yeah, people don't understand that, right? | ||
| No. | ||
| People, when you do rounds and rounds of antibiotics, you are really knocking yourself down. | ||
| If you have a diagnosis of cancer, look in your past. | ||
| Was there a time? | ||
| Did you do the antibiotics right before it? | ||
| Because it compromises the immune system. | ||
| But when you have a big infection, like a stab infection, you kind of have to take it, right? | ||
| Yeah, absolutely. | ||
| You really do have to. | ||
| Antibiotics, great for... | ||
| So then you have to put probiotics back in your system? | ||
| Totally, and you have to really be aware of your acid and alkaline balance inside of you because that's what keeps your immune system. | ||
| So a lot of green leafy vegetables and probiotics, acidophilus, things along those lines. | ||
| No gluten, no sugar. | ||
| Yeah, that gluten-free, where the hell was that 10 years ago? | ||
| Was there any gluten-free food? | ||
| 20 years ago. | ||
| Was there any? | ||
| No, hardly any. | ||
| Well, because in the last 20 years, what has genetically modified our wheat, and it's become just this unedible food. | ||
| The real problem with that is that lasagna is delicious. | ||
| I can bring you a gluten-free lasagna. | ||
| Gluten-free pizza now. | ||
| I had some Sunday for Super Bowl. | ||
| I did, I did. | ||
|
unidentified
|
Don't make me go Joey Diaz on you guys. | |
| Fucking gluten-free lasagna. | ||
| What are you talking about, people? | ||
| Gluten-free lasagna just seems like a mess. | ||
|
unidentified
|
It's good. | |
| I don't want no part of that. | ||
| I don't want to be pretending that I'm enjoying it. | ||
| I'm just going to bring you some pasta. | ||
| Isn't it a balanced... | ||
| I like regular pasta, though, unfortunately. | ||
| I've tried... | ||
| I eat Ezekiel pasta, and I eat it because it's healthy for you, sprouted green pasta. | ||
| Yeah. | ||
| Is that not healthy? | ||
| No, that is. | ||
| But again, the taste is like, ooh, wow, you are giving up a lot. | ||
|
unidentified
|
It's a little rough. | |
| Yeah. | ||
| You can... | ||
| Find the balance. | ||
| There's spelt. | ||
| Spelt is like a lesser wheat. | ||
| It's still a wheat, and it still will fluff up. | ||
| You can get spelt bread that's pretty good. | ||
| I don't believe you. | ||
| I'm going to show up here. | ||
| I'm going to bring a bag. | ||
| You said pretty good. | ||
| I'm like, not convincing, not buying it. | ||
| Why would I do that when I can get awesome, delicious bread? | ||
| I can make a sandwich out of fat Italian bread. | ||
| Oh, it'll be yummy, yummy, yummy. | ||
| I just feel like... | ||
| If you love it, yes. | ||
| I don't eat it a lot. | ||
| Yeah, good. | ||
| I'm pretty good. | ||
| You're balanced, absolutely. | ||
| But when it's there, I love it. | ||
| Linguini with clams. | ||
| Are you kidding me? | ||
| You have that? | ||
| Like real linguini. | ||
| Not some funky whole wheat pasta shit. | ||
| No, no, no. | ||
| Whole wheat's still bad, right? | ||
| Yeah, that's full on bad. | ||
| That's crazy. | ||
| You're too hardcore for whole wheat. | ||
| I know. | ||
| You should start selling t-shirts. | ||
|
unidentified
|
I'm too hardcore for a whole week. | |
| So, you're like, you must be like super organic then. | ||
| Well, again, it's balanced. | ||
| You would think, yes. | ||
| But you know what? | ||
| I have kids and they would run me. | ||
| I have teenagers. | ||
| They look at me like, Really? | ||
| Are you going to serve this for dinner? | ||
| Oh, that's right. | ||
| So it's about finding that in between. | ||
| You know what? | ||
| I searched and searched and I did find good gluten-free pasta that my kids don't even know that it's gluten-free. | ||
| Oh, now they do. | ||
| Oh, yeah, because they're listening to your podcast. | ||
| They're like, Mom, what the fuck? | ||
| They're going to be in trouble if they know. | ||
| I thought this was real spaghetti. | ||
|
unidentified
|
This is some hippie bullshit you're feeding me. | |
| So I do try it. | ||
| It's about a balance. | ||
| It's about doing at least 70% alkaline or the whole foods. | ||
| And 30%, you know what? | ||
| Yeah, I had a pizza Sunday. | ||
| It was Super Bowl football. | ||
| We'll have a pizza. | ||
| Pizza's delicious. | ||
|
unidentified
|
Come on, it is. | |
| If you have a diet and it doesn't include pizza, you can go fuck yourself. | ||
| There's something wrong with you, right? | ||
|
unidentified
|
See? | |
| That's stupid. | ||
| That's dumb. | ||
| You can have pizza one day a week. | ||
|
unidentified
|
Yes. | |
| How about one day a week? | ||
| Absolutely. | ||
| Have a cheat day. | ||
| Absolutely. | ||
| Do you know, a lot of athletes, they eat clean every day of the week except one day, and they'll have one day where they go bananas. | ||
| Yeah, because it helps you, because otherwise you don't go, you don't start, oh, I need this, I'll never have this again in my life. | ||
| And then you're up in the middle of the night having donuts. | ||
| You know who has amazing cheat days? | ||
| I just started following him on Twitter, The Rock. | ||
| Have you ever seen what that guy eats? | ||
| Dude. | ||
| Pull up some photos of what this guy eats. | ||
| He's a massive, massive human being. | ||
| And he works out like two or three times a day. | ||
| The dude's crazy. | ||
| He's very inspirational. | ||
| If you're into exercise, if you go to his tweets, the guy's up at 3.30 in the morning doing cardio because he's got to be on a movie set at 6. Yeah, he's nuts. | ||
| He's super, super, super dedicated. | ||
| But he eats like really clean and healthy and he takes pictures of his food and then on one day a week he goes off. | ||
| And I'm talking like giant stacks of brownies and like a gallon of milk. | ||
| The dude had like a mug of milk. | ||
| Yeah, look. | ||
| Look at his cheat days. | ||
|
unidentified
|
Wow, look at all those pizzas. | |
| Look at those pancakes. | ||
| Look, he's got four giant pizzas. | ||
| The dude goes off. | ||
| Look at the brownies and that mug of milk. | ||
| That is fucking insane. | ||
| And look, he's shredded. | ||
| The guy's got no body fat. | ||
| His kids all throughout the rest of the week, he goes bananas. | ||
| He's at the gym all day, practically. | ||
| Does movies and hits the gym. | ||
| I do it backwards. | ||
| Yeah, you do it. | ||
| You don't even do it backwards, bitch. | ||
| There's not a moment in your life where you live as much intensity as that guy. | ||
| Not even when you eat shit. | ||
| Doing it that way, he just must be like a battery. | ||
| Just like constantly going, like... | ||
| There's certain people that you've got to go, wow, what gets you going like this? | ||
| 3.30 in the morning, you're doing fucking cardio? | ||
| If I had a 6 o'clock time where I had to be at work, I would get up at 5.58, put my shoes on, and show up. | ||
| I'm not going to fucking get up at 3.30 and do cardio. | ||
| Indeed. | ||
| I've never done anything as intense as that. | ||
| He works so much, though. | ||
| Maybe he doesn't have, like, relationships, so he has to do something. | ||
| So, like, working out's the only thing. | ||
| Because he works, like, nonstop. | ||
| He's on a movie set for, like, seven months and then to the next movie. | ||
| Yeah, well, everything I've read about him, everything, every interview, every, like, tweet he does, he seems, like, really thankful for all the good things that have happened to him. | ||
| And he works, like, he's got this attitude, work hard to get there, work harder to stay there. | ||
| So that's what I think it is. | ||
| I think he's just obsessed with it. | ||
| Gratitude is amazing. | ||
| Gratitude is a medicine. | ||
| You can change your life with gratitude. | ||
| You really can, right? | ||
| And as we were saying before about people who've had sort of near-death experiences and became very spiritual afterwards and really sort of understood life in a broader perspective, like that, choosing to look at life that way, it's kind of difficult for people to visualize without the real life-changing experience. | ||
| But if you could, You would see so many amazing things about life. | ||
| The whole thing is a beautiful mystery. | ||
| Yes. | ||
| And to hold it with less fear, then you have a less fearful life. | ||
| And realize that that energy that you're expressing on fear, you could be expressing on positive things and advancing your position in life. | ||
| Think of all that energy you've seen, yeah. | ||
| Yeah, advancing the way you interact with people and enhancing your relationships. | ||
| And advancing the way you approach whatever you do for a living and enhancing your creativity. | ||
| Think of how you think about your boss or someone that you work with. | ||
| The energy that you spend going, oh, there's such a... | ||
| That. | ||
| Next time that thought pops in your head, go, okay, okay, I know I don't feel that way, but I am grateful for that job because blah, blah, blah. | ||
| Or just, I'm grateful. | ||
| If you can find something to be grateful about your boss, that's even better because then you can kill that fear. | ||
| And turn it into love. | ||
| And I know it's all hippy-dippy, but that's what creates more of that positive vibration in your life. | ||
| You know what you can also do? | ||
| And this is very practical. | ||
| If you have someone in your life that you don't like and you have to work with them, use them as an exercise. | ||
| An exercise in your own patience. | ||
|
unidentified
|
Yeah. | |
| And exercising your own ability to actually be kind to someone that is not being kind to you. | ||
| Because it gets really weird when you do that. | ||
| When you're kind to someone and they're not being kind to you, they get even more aggressive sometimes. | ||
| And they're almost like, They're stuck and they can't swim. | ||
| It becomes this weird sort of situation. | ||
| Fear and pain is an energy that people want to hook into you to release. | ||
| There's actually, again, you can look at energetically that I've got this going on. | ||
| Oh, there's somebody. | ||
| I can give it to you. | ||
| And if you react, if you react what I gave you, Then, oh, you've got it now. | ||
| I don't have it anymore. | ||
| I'm good. | ||
| So break that chain. | ||
| Don't react. | ||
| Respond. | ||
| Look at them and go, okay, where can I find gratitude or love here? | ||
| All right, I'm just going to... | ||
| You know what? | ||
| You've got a lovely tie and just move on. | ||
| Yeah, for some people, though, they're always at like a 7 or an 8 on a scale of 1 to 10 with being upset at things because they're sort of this almost momentum of chaos in their life from jobs to relationships to this to that to things. | ||
| They never have this moment where they can just stop. | ||
| Well, here's one. | ||
| When you start practicing living your life intentionally, understanding that it is all vibrational, then you start understanding that the people that come into your life are all part of your vibration. | ||
| So if there's someone in your life who is Always on to seven and eight and bringing it out and losing it and all that. | ||
| That's part of you. | ||
| And the only thing you can do, you can't change them, but you can go inside yourself and go, okay, where's the part of me that's afraid of that I'm over the top and then I'm losing it? | ||
| And you go in and heal that and then that person will disappear or they will change. | ||
| And I've done this for eight years now and I can say that that is exactly what happens. | ||
| How do you explain stalkers? | ||
| I don't have any. | ||
| Well, you don't have any, but other people do. | ||
| Because it's a fear. | ||
| You manifest it as a fear. | ||
| You are afraid that as sexual as you're being in a photograph or in a movie or something that someone's going to take that and take it wrong and come back and hurt you. | ||
| It's a fear. | ||
| That becomes very hippy-dippy when you're dealing with the reality of people actually being victimized. | ||
| It just depends on what your definition of reality is. | ||
| Wow. | ||
| You're really putting yourself out there and I really appreciate it. | ||
| I know. | ||
| I can only do it here. | ||
| It's such a weird way of looking at the world and a lot of people think that that strange, although non-judgmental, very non-judgmental way of looking at the world It's almost akin to like The Secret, like that kind of thinking. | ||
| The Secret is like the McDonald's of this movement, I would say. | ||
| I feel that a lot of people are starting to understand this on a very basic level. | ||
| Like, okay, if I... Just eat better. | ||
| I'm going to feel better. | ||
| Okay, food must have some sort of energy that makes me feel better. | ||
| And you start with that. | ||
| And then you realize the things that do make you feel better, make your day better. | ||
| And it's, again, it's not going to happen all in one day, but it is something that is happening on a very wide scale. | ||
| And it is the tipping point right now. | ||
| I think there's more people who, I think there's people at home going, oh, that's what I always thought, but I was just too afraid to say. | ||
|
unidentified
|
Yeah. | |
| We have a model of the world, I think, that comes more from the media, from books and movies and TV shows. | ||
| That's sort of our model of how life goes because we see that almost more than we see our neighbors' lives. | ||
| We see that almost more than we see other people interacting with each other. | ||
| You think about how many hours people sit in front of the television watching television shows. | ||
| And it's almost, it becomes this very strange thing where fiction becomes almost the framework for the culture. | ||
| And it also, it's sort of like It becomes a strange issue where everyone has to wonder, where do the roots of all this come from? | ||
| Where's the roots of all this crazy behavior? | ||
| Are we creating this ourselves? | ||
| Is our media creating this world that we can't live up to, that we can't keep up with? | ||
| Unnatural interactions with each other, always perfect endings, the people that you're following through the whole movie never die. | ||
| What are you showing me here, man? | ||
| What are you showing me that's so influential? | ||
| Yeah. | ||
| And they're showing it to themselves. | ||
| As we said about the people who are in the movies themselves that get so crazy and delusional. | ||
| They are obviously caught up in whatever the fuck that is as well. | ||
| Yes. | ||
| And there's a lot of different roads of thought. | ||
| I've been down the David Icke. | ||
| I've read all that. | ||
| What do you think of that guy? | ||
| What's interesting is I started reading him about eight years ago and I read all this stuff. | ||
| You read all of it? | ||
| I know, can you believe it? | ||
| I needed to understand, if I was going to change my life, and I wanted to live too, I wanted to understand, to really understand this on a very, like a molecular level, I want to get this. | ||
| So I studied him. | ||
| And the beautiful thing was, is he deconstructed everything. | ||
| But doesn't he also believe in reptilians? | ||
| Yes, okay. | ||
| Yes, indeed. | ||
| Part of this whole thing is each of us is entitled to our belief. | ||
| And that's what his belief is. | ||
| And that's what his belief is. | ||
| That they're all reptiles though? | ||
| But he's had lectures on this. | ||
| Oh yeah, but he also goes past it. | ||
| He also goes past it and he starts talking about, but in the end, I understand that I am living an intentional reality and that I create my reality and I have to go into and only take care of myself because – and he even goes hippy-dippy and he gets to love. | ||
| He does. | ||
| Read his last book. | ||
| Well, I believe that a lot of people that have wacky ideas also can have very good ideas. | ||
| Yeah. | ||
| I mean, I think the idea that you can – I mean, that's the idea of taking someone's good work and connecting it to some bad work as if it negates the good work. | ||
| It doesn't really. | ||
| I look at the world again in balance and you can't have all good. | ||
| And the issue comes when you start labeling and judging what's bad and what is evil and then that's a whole... | ||
| But Homeboy does think that the ruling elites are lizard people. | ||
| That is an issue. | ||
| Okay. | ||
| That's an issue with thinking. | ||
| That's an issue where you gotta get... | ||
| And you know what? | ||
| He will present you with facts. | ||
| No, he won't. | ||
| I bet he won't. | ||
| Wouldn't you love to get David Icke to sit down with Neil deGrasse Tyson and have him tell him why there are not reptiles running this world? | ||
| It would be hilarious. | ||
| It would be fascinating. | ||
| But that is a fucking crazy belief. | ||
| There's all kinds of ways to look at it. | ||
| I believe in Bigfoot. | ||
| Not 100%. | ||
| You can break it down. | ||
| You can say the reptilian ancestors of ours are actually the whole darker side. | ||
| We've got, scientifically, our reptilian brain. | ||
| That's part of us. | ||
| That's the part of us that if we can imagine these horrible things that they have done, each of us has that inside of us. | ||
| Well, we're actually way worse than reptiles because reptiles just kill things and eat them. | ||
| They don't torture them and tie them to trucks and pull them apart from each other and do all sorts of shit that you can find every day on the internet. | ||
| Yeah, reptiles don't do that. | ||
| So to call us reptilian in a lot of ways, we are way cooler than reptiles, first off. | ||
| We're capable of amazing shit that reptiles can't even fuck with. | ||
| But if you get past that, I mean, reptiles are actually less cruel than us because reptiles don't kill for fun. | ||
| They kill to eat you. | ||
| They're there just to try to get by in life. | ||
| And they're programmed to not be emotional and think about things. | ||
| But if you're programmed to be emotional and think about things and you still choose to act that way, that's way worse than being a reptile. | ||
| Yes. | ||
| And then horrible things are going to happen to you. | ||
| I still hate reptiles. | ||
| I do not like them. | ||
| They're not my friends. | ||
| I don't trust anything that you can't train even a little. | ||
| You never fucking train a crocodile monitor. | ||
| You just keep feeding it until it's too stuffed so it doesn't want to bite you. | ||
| And they get used to you handling them, but they're never your buddy. | ||
| They don't care. | ||
| If you fell down right in front of them, they just start eating you. | ||
| Right? | ||
| They don't give a fuck. | ||
| A monitor? | ||
| A lizard? | ||
| I believe some of the reptilians are humans. | ||
| Oh, they came back? | ||
| You think so? | ||
| Yeah, like look at frog and toad. | ||
| You think there's interspecies sort of reincarnation? | ||
| Are you talking about Wind in the Willows? | ||
| What are you talking about? | ||
| You're so cute. | ||
| When you're talking about making the choice, like in another dimension, like a psychedelic dimension, making the choice to re-exist in this life and that you create your reality, do you think that people can be other animals? | ||
| Do you think that a life form is just a life form? | ||
| Are humans the only one with a soul? | ||
| No, no, no. | ||
| I think that this earth is a place of biological life and that it is a special place that all the other dimensional spirits can come and work through karma. | ||
| It's one of the only places where you can get through karma. | ||
| That's why I don't blame anybody for anything that is, quote, unquote, wrong with them. | ||
| So you think this is like a way station? | ||
| Yeah, I think this is a way station where you learn. | ||
| I think this is a life school. | ||
| This is a school. | ||
| Yeah, wow. | ||
| There you go. | ||
| That's fascinating. | ||
| What's really fascinating also is how... | ||
| Different people come to it at different levels. | ||
| They come to it from different starting points, economically and physically and geographically. | ||
| It's all about what you need to ascend. | ||
| We are all ascending. | ||
| Unless you're stuck in Africa in one of those shitty towns that doesn't even have water. | ||
| No. | ||
| Or they're so close to nature. | ||
| That's the cradle of civilization. | ||
| They've existed for millions of years. | ||
| Yeah, but they get eaten by lions. | ||
| It's true. | ||
| I'm not saying it's good or right. | ||
| I'm saying there's always a different way to look at everything. | ||
| I guess. | ||
| I guess every day that you don't get eaten by lions, you're scored. | ||
| There you go. | ||
| And you get that gratitude. | ||
| But then they eat like fly hamburgers. | ||
| You ever seen that? | ||
| Have you seen that? | ||
| See, I choose not to. | ||
| It's the craziest thing ever. | ||
| They eat like mosquitoes. | ||
| Mosquitoes, they make like a cheeseburger with mosquitoes. | ||
| They take them and they use a pan and the mosquitoes are so thick around them that they take these pans like it's a giant cooking pot and they throw it through the air and as they're swinging it through the air, it's killing these mosquitoes because they're hitting the back metal and they keep doing this over and over again and it sticks to the bottom and they scrape it up And then they fry it and make like... | ||
| They shake their face off and all the flies fall onto the mosquitoes. | ||
| I don't... | ||
| I guess... | ||
| I guess that's better than getting eaten by a lion. | ||
| I guess so, but... | ||
| But I don't know. | ||
| No, it's... | ||
| Yet, none of us can understand what that person is even going through. | ||
| When you look at all the poverty and all the terrible places on earth and the war and all the strife and all the things, and then you look at the good aspects of life and when people are cool to each other and kind and When you look at this big balance, what do you see? | ||
| Do you see like a work in progress? | ||
| Do you see like a gym? | ||
| I see a beautiful creation that works so perfectly. | ||
| This whole reality is like a super mega biocomputer that is so brilliantly engineered that we can't even see it, that we don't even know we're in it. | ||
| We come here and we forget about it. | ||
| And when I look at the bat, I'm grateful for the whole experience. | ||
| I'm grateful for everything. | ||
| I'm learning. | ||
| I'm growing. | ||
| I'm creating. | ||
| That's all. | ||
| I can't feel their pain for them. | ||
| I can't take their pain away. | ||
| They are here to work through that and make their choices. | ||
| The issue also comes down to... | ||
| So educating more people to the idea that the reality that you choose to accept, the way your reality is in front of you at this very moment, what you can write on paper and take pictures of, that that is your life. | ||
| It's not. | ||
| This is just where you are right now. | ||
| Yeah. | ||
| This is what you're doing right now. | ||
| We are only aware of 4% of the whole energetic spectrum of energy that – again, I'm talking physics. | ||
| Only 4% of it can we see. | ||
| There's 96% of a whole energetic world that we are unaware of. | ||
| So it's kind of silly that – and this is, again, science, that we think that that 4% is everything. | ||
| Right. | ||
| Yeah. | ||
| Well, isn't there like a massive amount of the universe that they believe is dark matter and they don't even know exactly what that is? | ||
| Because what's happening, I think in the next 10 years, our own scientists, and it's already begun, they're starting to say, okay. | ||
| We are seeing that our universe is constantly expanding. | ||
| You've heard that, right? | ||
| Constantly expanding. | ||
| Well, that expansion is the creation, is us creating and intending. | ||
| That's the nature of our universe. | ||
| And as above, so below, so are we constantly expanding. | ||
| We are this great, huge mandala. | ||
| We're this... | ||
| Oh, there goes my brain. | ||
| See, I smoke too much. | ||
| LAUGHTER No, it's this hologram. | ||
| That's it. | ||
| And when you understand a hologram, a piece of a hologram contains the whole thing. | ||
| And that's how we are as human beings. | ||
| We are in this hologram. | ||
| A piece of a hologram is like a fractal? | ||
| Yes, it's a fractal. | ||
| Really? | ||
| I didn't know that. | ||
| Yeah. | ||
| And when you understand hologram and what it is, you'll understand that we live in a holographic universe. | ||
| Yeah, that was a book, right? | ||
| Somebody wrote a book called A Holographic Universe? | ||
| I started reading it, but I don't know what happened. | ||
| I got distracted. | ||
| It's a big piece of steak to digest. | ||
| The idea, though, is becoming more and more mainstream that the reality that we see in front of us might not be the entire picture. | ||
| Yes. | ||
| Let's just start there. | ||
| Let's just start there. | ||
| Yeah, but the issue comes when people get all, you know, either incredulous or hippy-dippy. | ||
|
unidentified
|
Yeah. | |
| Either or. | ||
| You have to stay in the middle. | ||
| That's what's going to save us. | ||
| Is the people in the middle. | ||
| That's what I said about gays. | ||
| I was like, there's straights and gays, but it's the bisexuals that are going to save us. | ||
| Because they're going to go, you know what, I just want a choice. | ||
| Or they're just greedy. | ||
| Yes. | ||
| Do they double your numbers or my numbers? | ||
| I don't know. | ||
| Have you paid any attention to these recent ideas of computer simulation theory? | ||
| That the Earth is some or the universe itself is a simulation? | ||
| Well, it depends on how you look at it. | ||
| I do. | ||
| When you see, when you, as I have just studied the fractal, the nature, the nature of the universe, the quantum physics, the perfection is astounding. | ||
| And then you start to think, well, we as a human race are just trying to replicate what we see and so we've made computers. | ||
| And we are like, okay, this brain can't think that fast, but I can get this computer to think that fast. | ||
| And all of a sudden, these computers are starting to look like reality. | ||
| Wait a minute, maybe our reality is... | ||
| And then you walk away with, okay, it's just intelligent design. | ||
| And I'm not going to get outside of the game right now, so I might as well play the game. | ||
| I understand the rules now. | ||
| Whatever the design is, it seems pretty clear that there's, no question about it, there's some sort of a progression going on. | ||
| And there's a progression going on with human consciousness, with human innovation, but there also is a progression going on constantly in the universe. | ||
| New galaxies are forming. | ||
| New stars are forming. | ||
| It's very, very, very strange because to think that somehow or another it's all just happening. | ||
| Well, why? | ||
| What's going on? | ||
| What's causing it to happen? | ||
| Is it just – it just is? | ||
| Okay, but even it just is is unbelievably fascinating. | ||
| It just is. | ||
| You don't have to call it God, but it just is the force. | ||
| Behind hypernovas, the force behind black holes and the idea of fractal universes, it's the force behind the idea that inside every galaxy is a supermassive black hole with one half of 1% of the mass of the galaxy, and inside that galaxy may very well be a whole other universe with hundreds of billions of black holes and hundreds of billions of galaxies around them. | ||
| Yes. | ||
| And each one of them, another universe. | ||
| And you can go the other way. | ||
| You can go inside your body. | ||
| You can look at your cells and you can find exactly the same wonderment. | ||
| When they get to that string theory shit and they start talking about everything being strings that are vibrating at different frequencies. | ||
| It's all vibration. | ||
| It's all vibration. | ||
| And how much air there is even in like these atoms that make an oak tree. | ||
| This is all space. | ||
| Yeah, that space is the 96%. | ||
| The 4% is what our brains hold together in front of us so we can have this experience and create. | ||
| The idea that a rock is all space. | ||
| Well, it is. | ||
| Put it under a microscope. | ||
| You'll see it immediately. | ||
| Yeah, if you go deep, deep, deep, deep, deep, you see that most of it is just, what is this? | ||
| It's just the way it's vibrating. | ||
| What's this crazy shit? | ||
| Study it. | ||
| It's just the way it's vibrating. | ||
| I never thought, I was never a school, I was always just music, you know, hanging out, whatever. | ||
| When I started actually reading about quantum physics, Ken... | ||
| Ken Wilber, really great. | ||
| He's, you know, based in science. | ||
| Bill Lipton, they're based in science and they're saying, look, this is the wonderment we found and we think it means more. | ||
| There's a gentleman who recently did an interview with Neil deGrasse Tyson who I should give him credit so people could look this up. | ||
| It's the most ridiculous thing I've ever heard in my life coming from a scientist. | ||
| What he essentially said was that in the inner workings of quantum physics when they get to these badass crazy equations One of the things they found is self-correcting computer code. | ||
| And this self-correcting computer code was a type of code that was invented, they thought, in the 1940s. | ||
| And they found this very code In the calculations of quantum physics, I don't know what the fuck that means, unfortunately. | ||
| Well, it sounds like, clearly, we are discovering ourselves, and we're discovering the great code, the gigantic computer that is this beautiful Earth and is us. | ||
| Yeah, I guess. | ||
| But it just seems like even putting a label on it, it's one of the things that I've always felt like... | ||
| The gentleman's name is James Gates, and he's the one who discovered this computer code. | ||
| So just go... | ||
| Check it out and read it online because it's so crazy. | ||
| Wrap your head around this. | ||
| Doubly even self-dual linear binary error-correcting block code first invented in the 1940s has been discovered. | ||
| I mean, it literally is like The Matrix. | ||
| If this guy's right, it literally is like The Matrix. | ||
| Yes. | ||
| Come on! | ||
| Yeah, well, the idea is that if they were able to create a simulation, that it would be indiscernible from reality, and that what we might have already done, we might have already transgressed from the biological life into this symbiotic sort of computer life. | ||
| We just don't recognize it yet. | ||
| I think a lot of it is when you realize that you are creating what's in front of you, then you can get out of that game. | ||
| That's fucking ridiculous. | ||
| Try it! | ||
| I guess. | ||
| But the problem is, does it only work? | ||
| That's how I felt about The Secret. | ||
| I'm like, they're only interviewing winners. | ||
| I know losers who have tried The Secret. | ||
| There was a young lady who's a very nice person. | ||
| She's a friend of, what the fuck's her name, bro? | ||
| Kelly Kirsten. | ||
| Friend of Kelly Kirsten, she used to always come down to the Comedy Store. | ||
| And she was super positive. | ||
| And I remember she came down and she was telling us about The Secret. | ||
| You know, she just started doing The Secret, living her life by The Secret, and everything's amazing now. | ||
| And I can see how I'm gonna totally manufacture a completely new life. | ||
| And then I met them. | ||
| I didn't see her again for about two years. | ||
| And then I met them again at another comedy club. | ||
| And I'm like, and she was all bummed out. | ||
| And I go, how you been? | ||
| I go, what's going on? | ||
| Are you still into that secret thing? | ||
| And she goes, yeah, I really wanted to see if this makes sense to anyone else. | ||
| Because I've been doing everything they said. | ||
| And my life is a fucking wreck. | ||
| And she's like, and I have all these people in my life and I can't get rid of them and I can't get them to straighten their life out and I'm always dragged into this bad relationship over and over and over again and job sucks and work sucks. | ||
| I'm like, wow. | ||
| Absolutely. | ||
| You need to be in the secret too. | ||
|
unidentified
|
Yeah. | |
| You need to like let people know you can't just think things and all of a sudden the world is going to be better. | ||
| That's why I call the secret the McDonald's. | ||
| It's a process. | ||
| It's the idea, which is great. | ||
| I love that they got the idea in there. | ||
| It takes practice because it is belief. | ||
| If you look at your life and you believe, oh, I don't have enough and I want this, you are coming from lack. | ||
| So you are creating lack. | ||
| It's a crazy... | ||
| Formula. | ||
| And how you think. | ||
| It's very hippy-dippy. | ||
|
unidentified
|
It is! | |
| A lot of people must get upset at that kind of thinking. | ||
| Do you ever have arguments? | ||
| They don't come around me. | ||
| They don't. | ||
| Well, what they would go after is they would go after the idea of children with terrible diseases is their choice. | ||
| Absolutely. | ||
| That's what they would go after. | ||
| That is where it breaks down because people want to hold on to the thought that it is possible for something just to happen to you with no reason. | ||
| So do you believe that this life leads into another one and you do this life the best you can and then you reap the bounty in your next life? | ||
| My belief, no, no, because that's, my belief is this is a school, like I said, and that we are all ascending and there are those who've gone before us who have figured it out and overcame death, which is pretty intense. | ||
| That's a lot of work. | ||
| There are those who understand that death is a transition and they are done here with, okay, I've learned everything. | ||
| I'm ready to move on. | ||
| And there are those who choose death, game over, because, you know what, I can't quite figure it out. | ||
| I'm going to try it again. | ||
| Let me do it again. | ||
| Yeah, the transitionary phase for a lot of people was made easier by psychedelics. | ||
| Larry Hagman was doing an interview on CNN. It was really fascinating to see him talk about it. | ||
| And he was talking about how when he did acid, it released him from fear of death. | ||
| It completely released it. | ||
| So knowing that and knowing that he died recently, it was comforting knowing that that guy had that experience and had this different perception which really mellowed him out and made him kinder and gentler and sort of he saw it for what it really is. | ||
| Supposedly really is. | ||
| I mean, maybe he's just dead. | ||
| I don't know. | ||
| That's what a lot of people would like you to think. | ||
| His body is dead. | ||
| All spirits totally live on. | ||
| I mean, that's just... | ||
| Silly to not think that. | ||
| Silly. | ||
| Why would you choose? | ||
| Why would you choose to believe that this is it, and when the lights go out, that's it, and it's over forever and ever? | ||
| Why would you choose to believe that it's not, though? | ||
| Because why would you choose to believe that when you go to sleep, when you take a nap, you assume you're going to wake up. | ||
| Yeah. | ||
| But you're not afraid to just shut off. | ||
| Right. | ||
| Right. | ||
| Why be afraid anyway? | ||
|
unidentified
|
Right. | |
| Why be afraid to just shut off? | ||
| It don't have to live forever. | ||
| Exactly. | ||
| You could just shut off, too. | ||
| That's right. | ||
|
unidentified
|
Really? | |
| No. | ||
| When you overcome the fear of death, you really free yourself up. | ||
| Yeah. | ||
| Well, you've got to realize that it's going to suck. | ||
| One way or another. | ||
| You're probably going to die screaming. | ||
| And your body's going to fail. | ||
| If you believe. | ||
| If you believe. | ||
| But then the next things happen. | ||
| Well, if you're in a plane crash, did you manifest that? | ||
| Yeah. | ||
| You think so? | ||
| Absolutely. | ||
| Absolutely. | ||
| Whoa. | ||
| I know. | ||
| Again, not blame. | ||
| Okay, not blame. | ||
| Maybe it's just one asshole in the plane that manifests that. | ||
| No, no. | ||
| What if he's the shoe bomber? | ||
| If there's a shoe bomber on your plane, did you manifest that? | ||
| Yes. | ||
| Wow. | ||
| Are you really sure of this? | ||
| Only you exist, Joe. | ||
| In my belief, I do believe. | ||
| And then I have to let go and go. | ||
| And I believe that I do not need that lesson. | ||
| I do not need to die terrifyingly in a plane crash. | ||
| I do not need that. | ||
| Right. | ||
| So I'm not even going to think about that. | ||
| That is not even a possibility. | ||
| When I board an airplane, I actually think this is because I fly a lot. | ||
| And for the first few years, I was a white knuckle. | ||
| Every little thing was like, oh, I'm going down. | ||
| You know, rock stars, airplanes. | ||
| So when I board an airplane now, I think, look at all these lucky people because there is no way this plane is going to do anything because that's not what I signed up for. | ||
| That's not the end of the Lifetime movie. | ||
| It's not. | ||
| Well, that is a very positive way of looking at life. | ||
| And if you're correct... | ||
| It's going to be amazing. | ||
| Yes. | ||
| I hope you're around. | ||
| Isn't it funny though? | ||
| Because even if your life was a masterpiece, people were like, she got lucky. | ||
| Exactly. | ||
| And that's belief. | ||
| If you choose to always believe that, so you look at my life, it's bad. | ||
| It will be bad. | ||
| The real problem with that is people believe all sorts of silly things. | ||
| And what I say to that is, yes, but the real issue is... | ||
| Have we shown that beliefs can change reality? | ||
| Yes, we can through the placebo method. | ||
| That's real. | ||
| That's scientifically measured effect where they've shown that they can give you something that is not physically active. | ||
| It's an inert substance. | ||
| And the idea of taking it for whatever reason, you believe that this sugar pill, which is actually poison, right? | ||
| Right. | ||
| Is doing something. | ||
| It's changing your life. | ||
| That's why I tell people when they come to me with cancer, I say, what do you believe? | ||
| Do you believe that this chemotherapy is going to help you? | ||
| Do you believe that? | ||
| Then go with your belief. | ||
| What about R. Kelly? | ||
| Because he believes he can fly. | ||
| Well, then there's that. | ||
| But then he does a lot of other shit that's really rude. | ||
| Exactly. | ||
| So I would look at the balance. | ||
| Yeah. | ||
| If R. Kelly could just stop peeing on people, maybe fly around a little bit. | ||
| Oh, that's so old. | ||
|
unidentified
|
I'm just saying. | |
| He doesn't do that anymore? | ||
| You're saying, don't judge. | ||
| He's out of that space. | ||
|
unidentified
|
I don't know. | |
| Are you an R. Kelly fan? | ||
| Do you stick out for all musicians? | ||
| No, no, no, no, no. | ||
| I think people make their own reality in the world. | ||
| Are you aware of R. Kelly? | ||
| I am aware of him, yeah. | ||
| Have you ever watched any of his music videos? | ||
| I just watch Chappelle where they always make fun of him. | ||
| His unintentional comedy is amongst the greatest things the world has ever known. | ||
| Yeah, for real. | ||
| There's a video called Real Talk and you must watch it. | ||
| I will. | ||
| Preferably under medicated conditions. | ||
| Well, yes. | ||
| Because then the ridiculousness of it comes blaring at you like an awesome parody. | ||
| But it's not a parody. | ||
| I don't think. | ||
| I mean, he might be like parodying. | ||
| He's trying to be a little bit funny, but... | ||
| A lot of it is just, he's bananas. | ||
| Sort of like the Budweiser commercial yesterday. | ||
| Did you see the Clydesdale? | ||
| Did you watch the Super Bowl? | ||
| No. | ||
| I slept through the whole thing. | ||
|
unidentified
|
Oh, Jesus. | |
| I'm a football fanatic. | ||
| It's a lesbian high holy day. | ||
| Are you really? | ||
| A lesbian high holy day? | ||
| That's hilarious. | ||
| Do a lot of lesbians get into, like, guy-type shit like that? | ||
| Yes. | ||
| Really? | ||
| My best friends are guys because I can relate. | ||
| Women are crazy. | ||
|
unidentified
|
Girls are crazy. | |
| They are. | ||
| Oh, that's funny. | ||
| It's about the balance. | ||
| My father was a huge football fan and just adored my father. | ||
| He passed away when I was 30, but he was a football coach and basketball coach. | ||
| So I just, you know, I love that. | ||
| And I grew up in the Midwest and it was a big part of my life. | ||
| Is your team Kansas? | ||
| Oh, can you imagine? | ||
| The Kansas City Chiefs. | ||
| We are in dead last this year. | ||
| We have first round pick next year. | ||
| Well, maybe you chose that. | ||
| See? | ||
| Everything's a metaphor. | ||
| Life is a metaphor. | ||
| Watch me now. | ||
| I'm going to choose the best. | ||
| Choose the Patriots. | ||
|
unidentified
|
Get your shit together. | |
| You can't. | ||
| Try manufacturing a great team in Kansas City. | ||
| There's not enough money in Kansas City, unfortunately. | ||
| Oh, but there's gratitude. | ||
| There's will. | ||
| I'm telling you. | ||
| Good luck. | ||
| There's giant black super athletes. | ||
| They're seven feet tall now. | ||
| They run a million miles an hour. | ||
| They're going to find them when they're ten. | ||
| They watch them the whole way and give them the right food. | ||
| There's guys to this day that are recruiting kids. | ||
| They go and get high school kids. | ||
| They find these white dudes that can shoot a penny that you throw in the air with a rock. | ||
| They can football like a piston. | ||
| They find these kids. | ||
| They find these running backs that have ungodly speed and they just keep a good eye on them and follow them through college. | ||
| So much money in football. | ||
| They'd be crazy not to. | ||
| The athletes that are being born today... | ||
| Look at the quarterbacks. | ||
| They're changing the game. | ||
| Just the technology in training athletes and the athletes, the realizations now of what's possible with various strength and conditioning programs and diet. | ||
| Stanford just came out with some glove. | ||
| This is really crazy. | ||
| It's a glove, a cooling glove that's better than steroids. | ||
| Okay? | ||
| It's legal, completely legal. | ||
| Somehow or another, they put your body in this glove, and the glove freezes, somehow or another, your body. | ||
| It cools you down. | ||
| And it cools you down in a way that lets you recuperate at an incredibly rapid pace. | ||
|
unidentified
|
Ooh, wow. | |
| It's a complete new thing they figured out. | ||
| So people are going to be able to take this, they're going to be able to work out unbelievably hard, wear this cooling glove, and through no illegal methods, no unnatural drugs, just cooling their body, they're going to recuperate like crazy. | ||
| When they start working with the body's amazing properties to create a better body, that's when it's going to work. | ||
| Yeah, this is like a hijack. | ||
| They found a fuck-up with the system. | ||
| All you have to do is cool that body temperature down. | ||
| That's a thing they've been doing with ice baths as well. | ||
| That's something that didn't really exist that long ago. | ||
| But now, after training, a lot of guys do these crazy ice baths. | ||
| Oh my God, that's a hard idea. | ||
| That's hard. | ||
| It's so hard to relax in there. | ||
| That's the hard part. | ||
| Once you climb in, your body constricts. | ||
| You can't get any air. | ||
| You're like... | ||
|
unidentified
|
It sucks. | |
| But if you can do it, it's awesome for your recovery. | ||
| Well, this is even better, apparently. | ||
| It's crazy. | ||
| So the athletes that they're getting now... | ||
| They're going to be even bigger. | ||
| They're going to be even faster. | ||
| And they're going to be on the Kansas City Chiefs. | ||
| You think so? | ||
| We got the first pick. | ||
| Even our second round pick is huge. | ||
| It's way up there. | ||
| How does that work? | ||
| Who gets what pick? | ||
| The worst team gets the first pick. | ||
| Really? | ||
| That's hilarious. | ||
| That sucks for the best guy. | ||
| The worst team takes them in. | ||
| It's true. | ||
| But look, Andrew Luck. | ||
| The Colts were the worst team last year. | ||
| They got Andrew Luck. | ||
| They made it to the playoffs. | ||
| Isn't that amazing that one super athlete dude is a quarterback, one super athlete in one way, one Herschel Walker type dude, just unheard of athletes, they just can change your whole fucking game. | ||
| Well, that's because he believes it. | ||
| And then the other people around it start spreading and they start believing. | ||
| So dudes with slow twitch muscles, can they believe they can win in sprinting competitions against Usain Bolt? | ||
| You ask any professional athlete, what is it? | ||
| And they'll say, the difference between the Ravens and the 49ers last night? | ||
| The Ravens believed it. | ||
| You can see when the 49ers stop believing it. | ||
| That's just what I mean. | ||
| Maybe that's just what you believe, and you've created this whole Super Bowl, and we are just participants. | ||
| And you are my funny Joe Rogan. | ||
| Yeah, I'm just your background. | ||
| I'm your new toy that you just picked up today. | ||
| I want to go talk to him! | ||
| Yeah. | ||
| You just created us and our old world didn't even exist before you came around. | ||
| But in your world, that is the case. | ||
| The reality is, in your universe, I didn't exist in a physical form until we meet each other. | ||
| And you didn't either. | ||
| I saw you on TV, I've heard your songs, but as a physical human being, you didn't exist in my world until today. | ||
| So I really did kind of invent you. | ||
| Yes. | ||
| And you invented me. | ||
| Yes, and I'm glad we did that. | ||
| So we all live in invented universes, and they all parallel coexist with each other. | ||
| Yes, so take charge of your life. | ||
|
unidentified
|
Do it. | |
| Get your shit together, bitches. | ||
| Melissa Etheridge, just drop some pseudoscience on your ass. | ||
| But wonderfully empowering pseudoscience, right? | ||
| That attitude is one that's espoused by some of the happiest people I know, that you create your own reality. | ||
| I don't know. | ||
| I try to be, and I get accused of not being really open-minded, but I really do try to be as much as humanly possible. | ||
| I try to, especially since doing this podcast, I try to look at every point of every aspect of things and not really make opinions on a lot of shit. | ||
| Just go, I don't know enough. | ||
| I don't like getting into those conversations with people with the claim they do know enough to just refute things. | ||
| I think people enjoy refuting things as well. | ||
|
unidentified
|
Yeah. | |
| Because they believe very... | ||
| It's all... | ||
| If I just look at everyone with belief, you are free to believe what you believe. | ||
| It's wonderful. | ||
| Have you always been an artist? | ||
| Have you always been a... | ||
| Yeah, I can't do anything else. | ||
| I'm just hopeless anywhere else. | ||
|
unidentified
|
Yeah. | |
| When did you, what did you start with? | ||
| Was it always music? | ||
|
unidentified
|
Guitar, yeah. | |
| Always, always music. | ||
| Yeah, when I was eight years old, my, well, I just, the transistor radio was the 70s, or 60s. | ||
| And I was, you know, listening to the Beatles, and my sister was a little older, and she had a lot of music. | ||
| My father bought her a guitar, and I was eight years old, going, please, I want to play it. | ||
| They said, no, you're too young, it'll hurt your fingers. | ||
| I'm like, please, please. | ||
| And the teacher's like, well, let her come. | ||
| She won't come back, because it's too hard. | ||
| And of course, I played, and my fingers bled, and I was like, I want to do it, and I kept doing it. | ||
| Wow. | ||
| See, I never had a desire to do it, but I was always fascinated by it. | ||
| It never pulled me towards a career, but when I was a little kid, I was probably like seven, and my sister was six, and we had a little record player, you know, play like 45s, and we had only a couple of records, and one of them was The Things We Do For Love. | ||
| You know that song? | ||
| Remember that? | ||
| Yeah, The Things We Do For Love. | ||
| 10 CC. And I was amazed. | ||
| Because it was really the only time I'd ever have access to music that I could start and stop. | ||
| I could just decide, ready, go. | ||
| And then it starts. | ||
| And I was like, now I can really pay attention to it. | ||
| As opposed to walking into a store and music is playing, or going into a restaurant and the music is playing. | ||
| This was my first experience where I actually could turn on the music and turn off the music. | ||
| And realize, oh, this is crazy. | ||
| This is coming out of this fucking disc. | ||
| What is going on here? | ||
| Someone's figured out I'm going to make this flat, black, plastic disc. | ||
| And then I put this needle-y thing on it, and it spins around, and it plays me crazy songs. | ||
| It holds the vibration. | ||
| You can do the science right there. | ||
| That's vibration on the vinyl. | ||
| And the diamonds are like rocks and quartz. | ||
| That's why all the quartz, crazy stuff. | ||
| That picks up a vibration, and you hear it, which is just vibrations on your ear. | ||
| I think it's one of the reasons why I became a stand-up comedian. | ||
|
unidentified
|
Yeah. | |
| Because listening to that, I started asking questions. | ||
| And I remember, I really remember this from being seven years old, that no one had any answers to why they or how they could put that music on a record. | ||
| No one around me. | ||
| I was seven years old. | ||
| I asked my mom. | ||
| She didn't have any fucking idea. | ||
| I asked my dad. | ||
| No idea. | ||
| No one had any idea. | ||
| Yet, there were records all over the place. | ||
| I was like, damn, this is weird. | ||
| Why wouldn't you guys ask how they make this? | ||
| Isn't this freaky to you that there's something around you? | ||
| Aren't you curious? | ||
| And I was amazed at how many people just actually weren't curious. | ||
| And that sort of started me along that path of looking at all these adults With a slanted eye. | ||
|
unidentified
|
I don't trust you. | |
| You don't know everything. | ||
| Motherfuckers might be crazy. | ||
| You don't even know how records are made. | ||
| You're just living your whole life. | ||
| Meanwhile, I'm 45. I don't know how records are made. | ||
| I don't give a fuck. | ||
| But back then, when I was a kid, I thought these people were ridiculous. | ||
| But if my kid asked me, I would at least research it. | ||
| I would go, let's find out. | ||
| I want to know. | ||
| You can go on YouTube and you can see how it's made instantly. | ||
| Instantaneously, you could know. | ||
| That's the thing. | ||
| Instantaneous information. | ||
| It's changing our world. | ||
| That is changing our world, isn't it? | ||
| Do you embrace it? | ||
| You're on Twitter, right? | ||
| I see you actually respond to people on Twitter. | ||
| You actually... | ||
| Someone does, yes. | ||
| Do I? It's not you? | ||
| It's not me, no. | ||
| Oh, it's a fake. | ||
| You don't do any blogs or anything like that, right? | ||
| No, you can't win. | ||
| You just can't win. | ||
| I missed it. | ||
| I missed the whole time, and I don't have time to do that. | ||
| I have four children, and I choose not to spend the time. | ||
| I have a fan club. | ||
| I have a whole group of people that work for me that do that. | ||
| So I stay in that arena, but no, I can't. | ||
| But do people think that it's you? | ||
| I don't know. | ||
| Because you have a verified account. | ||
| I always tell them that it's not me. | ||
| Oh, okay. | ||
| It's definitely my people. | ||
| I can make a statement. | ||
| I will go to my Twitter, and I will go to my website, and I will go this, and you can count on that. | ||
| If it says, Melissa Etheridge said this, you can count that that's what it is, that I did say it. | ||
| See, the only problem that I would say is that on your Twitter, when you go there, it looks like you're responding to things, responding to people, because someone is doing it Through your verified Twitter and they're not saying, hey, this isn't Melissa. | ||
| Yeah, like a lot of Britney Spears and stuff like that do the same thing, but when every time they actually do it, they do like dash BS, you know, meaning like it's her. | ||
| Yeah, they'll write like team someone or another is doing this. | ||
| Well, I think I'll have to go to my team and say, hey, let's do that. | ||
| Which I found on a really unsuccessful comedian's page, and I was very offended by it. | ||
| I was like, what do you got a team for, bitch? | ||
| You ain't got no team. | ||
| You can't respond on your Twitter to actual people yet. | ||
| For a comedian, Twitter is, like, super important. | ||
| Oh, yeah. | ||
| Well, you can keep sharp. | ||
| Yeah. | ||
| It's fun. | ||
| It's fun to write, like, little things that aren't 40 characters, but it's also important to be able to keep in contact with people like that. | ||
| You don't do anything like that. | ||
| No? | ||
| It's too much? | ||
| I just don't want to spend the time to do it. | ||
| I just don't... | ||
| It's just not in your... | ||
| It's not in my wheel, but, yeah, I don't want people to know that much about me. | ||
| They know way too much anyway. | ||
| Isn't it weird that they just want to find so much about you? | ||
| Just want to... | ||
| I'm not that interesting. | ||
| I am so not as interested. | ||
| It's not even that. | ||
| It's just they fixate. | ||
| They just decide. | ||
| Well, because they don't want to look at themselves. | ||
| Yeah. | ||
| What was your Woodstock performance like? | ||
| That was one of my favorite shows. | ||
| Yeah, 94. And that was one of my favorites of Woodstock. | ||
| Oh, thank you. | ||
| What was that like being in that situation? | ||
| I've got to tell you, it was a crazy one because it was the 25th anniversary and they hadn't got back together to do this. | ||
| And I remember being – we took a car to a bus that drove to the secret house somewhere that then put us on a boat that took us up a river to a van that took us to the backstage. | ||
| It was crazy. | ||
|
unidentified
|
Wow. | |
| And I remember Joe Cocker opening the day that I played and I was on stage and I was getting by with a little help from my friends. | ||
| I was like, oh, this is awesome. | ||
| And it was really, really wonderful. | ||
| They put me in between Henry Rollins and Nine Inch Nails. | ||
| That's crazy. | ||
| And it rained during Henry Rollins. | ||
| So my show, The Sun Came Out, it was beautiful. | ||
| You manifested that. | ||
| You manifested that and Henry Rollins fucked up. | ||
| He got all negative. | ||
| I am a liar! | ||
| I am not going to blame him! | ||
|
unidentified
|
I am a liar! | |
| I'm not going to blame him! | ||
| I know you're not going to blame him. | ||
| That's why I'm here to blame him. | ||
| And I like him. | ||
| I like Henry Rollins. | ||
| He's badass. | ||
| I like a lot of what that guy is. | ||
| So I got to play, and the audience was great. | ||
| There was a bit of moshing going on in front of me that kind of scared me. | ||
| Uh-oh. | ||
| Oh, look at that. | ||
| Yeah. | ||
| It was great. | ||
| By my last song, I played Like the Way I Do... | ||
| Yeah, there's the mud people. | ||
| They started because it had just rained, and I could see this patch of... | ||
| Of grey, brown, way far away. | ||
| I mean, I couldn't see the end of the audience. | ||
| And so I'm looking and all of a sudden that patch kind of turns into a snake and they all start coming toward the stage and everyone's like moving out of the way because it's all these completely muddy people from head to toe. | ||
| Brian, show that again. | ||
| That's a real first world problem. | ||
| A bunch of white people... | ||
|
unidentified
|
Muddy. | |
| All muddy. | ||
| White people are so silly in their decisions to get muddy. | ||
| Yes. | ||
| Because if that was black people, that fucking concert's canceled, bitch. | ||
|
unidentified
|
Right. | |
| It's money, no way! | ||
| Oh, I'm out of here. | ||
| They're not going to go mosh. | ||
| If it was all black girls, how many black girls do you think would be there? | ||
| They're going to mess up their hair. | ||
| Their hair did, and fucking high heels, and stepping in the mud. | ||
| Bitch, that show's over. | ||
| It takes dopey white people to be slamming into each other. | ||
| That's us. | ||
| Yeah, white people will get muddy. | ||
| They get crazy. | ||
| And the whole moshing thing, the mosh pit thing is so bananas. | ||
| When did that start? | ||
| Serious pain. | ||
| What happened to just enjoying the music or dancing? | ||
| Why are you slamming into each other, you crazy assholes? | ||
| I had one guy jump up on my stage and go to dive off and everyone just moved and he just went slam! | ||
| Bam! | ||
|
unidentified
|
Right on the floor. | |
| I'm like, oh, dude. | ||
| Yeah, that must have been bad. | ||
|
unidentified
|
Ouch, yes. | |
| Did he get knocked unconscious? | ||
| He kind of just walked off, really. | ||
| Oh, my God. | ||
| You're going to get thrown out if you do that. | ||
| Oh, he must have been fucked up. | ||
|
unidentified
|
Yeah, he was. | |
| Diving off a stage and everybody scatters. | ||
| Why would you think that they would catch you? | ||
| That you'd need to hurt catching somebody, you know? | ||
| Yes, yes, you would. | ||
| Oh, why would you just risk that? | ||
|
unidentified
|
Alcohol. | |
| See? | ||
| Gets you all brave. | ||
| But it was also his choice. | ||
| His choice to be a dickwad. | ||
| The universe is trying to end him. | ||
| The universe is sending him bad signals. | ||
| Like, go ahead, jump. | ||
| Jump, dummy. | ||
| We're tired of your bullshit. | ||
|
unidentified
|
No? | |
| Never. | ||
| Never. | ||
| No judgment whatsoever from you. | ||
| None. | ||
| How do you feel, though, when you see a horrible tragedy, like Connecticut shootings? | ||
| Yes, that is definitely the hardest. | ||
| And I'm not telling you it's easy that I just go, oh, you know, that's the balance. | ||
| I understand that through this horrific act... | ||
| That the outpouring of goodwill, the outpouring of, wait a minute, we have to do something. | ||
| I mean, I'm not going to get in the gun control thing. | ||
| I think it's beyond that to the people, the person. | ||
| A person that can be in so much pain that they can walk in and do that. | ||
| That's a lot of pain. | ||
| Let's look at what leads our human beings of our society to that sort of pain without anyone noticing. | ||
| Right, but wouldn't you have to say that he asked for that? | ||
| I mean, with your philosophy, he created that? | ||
| Yes, I imagine his pain was so great that the only way to unload it was to spray that much pain around. | ||
| And the pain becomes all-encompassing and of course you just fall into it and of course you're just gonna end your own life. | ||
| It's like game over. | ||
| It's like tilt. | ||
| But how do you factor in like psychosis and things along those lines like real mental issues? | ||
| Real mental issues. | ||
| It depends on how you look at what, just because something is not the way you and I perceive, okay, this is sane and that's crazy. | ||
| Real mental issues, where's the line? | ||
| Draw me the line where your thoughts become psychosis. | ||
| Right. | ||
| Is it a spectrum? | ||
| Yeah. | ||
| Is it broad? | ||
| Yeah. | ||
| It's been vibrating that much more, and so you are so far out of it that we call it psychosis. | ||
| But there are some people that do not have an emotional connection to other people. | ||
| They don't feel remorse. | ||
| Indeed. | ||
| You look at that and go, what is their intention here? | ||
| What do they need to draw? | ||
| I mean, who knows what they are intending? | ||
| And creating, given that, it's like, okay, you're going to go back into the biosphere called Earth, you're going to go in there, and this is your handicap. | ||
| You can't feel a thing. | ||
| Because... | ||
| Now, now, work through that. | ||
| How do you work through that if you don't have any feelings? | ||
| I mean the idea of not having any feelings and lashing out is a big difference between the idea of just not having any feelings without the need for inflicting pain on other people. | ||
| It seems to be a dual issue. | ||
| It seems to be an issue of not being able to feel it for some of them and also the anger. | ||
| The desire to hurt. | ||
| The belief that if they don't hurt something, they're going to hurt more. | ||
| It seems like with this way of thinking that if you got more people to sort of look at it that way, do you think that that would be like an empowering thing? | ||
| Yeah. | ||
| It's the point in which you see that peace is, okay, I need to... | ||
| Okay, you might have thrown the last rock. | ||
| You might have shot the last bullet. | ||
| But I need to be willing to go, oh, okay, I'm not going to shoot back. | ||
| I'm going to start a different reaction. | ||
| So if you get enough people who believe that, and believe that if I take care of myself, that nothing What bad is going to happen to me that I can't handle. | ||
| Because I'm not saying the world is all good. | ||
| It's about understanding your balance and what you ask for and walking through it. | ||
| If I can hold that and not blame anybody else, and nobody else is going to blame me, then we start walking, we start moving to a future that is, all of a sudden you don't need prisons. | ||
| All of a sudden you don't need, all of a sudden the way we govern ourselves. | ||
| Completely changes. | ||
| But you gotta catch people at a very, very, very early age and sort of manifest this type of behavior. | ||
| You have to get them when they're young, expose them to nothing but love and curiosity and fulfilling curiosity with joy. | ||
|
unidentified
|
My kids think I'm crazy. | |
| Why do they think you're crazy? | ||
| Well, because I talk all that voodoo talk, because it is different. | ||
| That's when they say, oh, mom, stop that voodoo stuff. | ||
| But they will believe it when it... | ||
| They call it voodoo? | ||
| Yeah, they do. | ||
| That voodoo stuff. | ||
| How long have you been talking voodoo? | ||
| Oh, it's been about eight years now. | ||
| Eight years. | ||
| Yeah. | ||
| But I can constantly go, okay, you saw that choice you made. | ||
| This is the result of that choice. | ||
| This is not anybody else. | ||
| It's not anybody who's doing anything to you. | ||
| So there is no randomness, you think? | ||
| So people that are in, like, the tower when the plane hits, they made a choice somehow in the world to be in that spot. | ||
| If you can look at it without blame, if you can look at that they, that that was what they signed up for, they wanted to be in it for that long, you know, I can't tell this to someone who lost their loved one. | ||
| That's not going to sound. | ||
| Yet, my belief is founded on that I can't blame anybody else for anything. | ||
| But it's also founded on the idea that you're creating this sort of reality that you exist in. | ||
| And that everybody's creating their own reality. | ||
| So if I work, if I make my little hologram, my little fractal of the hologram, if I work making that the best I can, fill it with as much love and as little fear as possible, then I help the whole picture because the whole picture has me in it. | ||
| I look at it as a, I don't have an opinion one way or another, but I do look at it often that it's a combination of that and scientific reality. | ||
| I think that if the super volcano goes, we're all fucked no matter what you believe. | ||
| I do believe that. | ||
| But I do believe that there's also a real possibility that your thoughts are creating a good portion of your reality. | ||
| And your thoughts interacting with other people are actually responsible for culture in the first place. | ||
| That's how decisions get made. | ||
| Conversations have taken place. | ||
| Letters get written. | ||
| Books get written. | ||
| That's how it all happens. | ||
| It happens through your mind. | ||
| Interacting with other people and literally changing things in a very physical form that everybody agrees on. | ||
| But I think that Even besides that, I think there's other issues going on. | ||
| I think it's a lot more ethereal than we give it credit for. | ||
| It's very strange. | ||
| I'm just trying to walk every day. | ||
| Just walk. | ||
| But asteroids will fuck your world up, and that shit is real as ice cream. | ||
| They come down, and that's a wrap, son, and there's nothing you can do about it, and there's a lot of them out there. | ||
| I think that, too. | ||
| I think you create your reality, but I also think that there's some random shit that I didn't sign up for. | ||
| If it was up to me, there would be no asteroids. | ||
| Okay? | ||
| I would work that out. | ||
| I'd figure it out. | ||
| I'd be like, that has got to be one fucked up way to go. | ||
| There's a big light in the sky for three days until finally, boom! | ||
| It's just over. | ||
| Yeah. | ||
| I'm not really into that. | ||
| All right. | ||
| That was not my idea. | ||
| I'm pretty sure. | ||
| But I could be wrong. | ||
| Maybe I was a real mess. | ||
| You weren't thinking about it, though. | ||
| Yes. | ||
| Well, I guess. | ||
| I mean, if you're correct, then I do live in this world that's really nutty and asteroids are there to keep you honest. | ||
| Or you could say, I'm really grateful that there were no asteroids, that it was a perfectly uneventful day. | ||
| What other kind of crazy out there ideas do you have in your head? | ||
| Do you believe in alien contact? | ||
| Do you believe in anything like that? | ||
| I don't think that there's like a whole race of people that are like, you know, I'm from another planet, blah, blah, blah. | ||
| I do believe in multidimensional reality and I believe that there are other spiritual beings. | ||
| That live on... | ||
| That exist. | ||
| I wouldn't say live. | ||
| That exist on different planes and that that is where my spirit goes to when this biological body dies. | ||
| I've tried to pretend they're watching me all the time. | ||
|
unidentified
|
They are. | |
| It keeps me on steady. | ||
| It keeps me on the straight and narrow. | ||
|
unidentified
|
Yeah. | |
| But no, I'm not a... | ||
| You can... | ||
| I think everything's metaphor, so... | ||
| I lost a lot of interest in aliens once I had psychedelic experiences. | ||
| Yes. | ||
| The first DMT trip I had, I really checked out the whole alien culture. | ||
| I was like, you guys are missing the whole thing. | ||
| Yeah, that's also what I... It's not out there, it's in here. | ||
| Yeah. | ||
| I'm trying to explain that to someone, that if a UFO landed on the White House law... | ||
| The White House lawn got out, aliens got out, met the president, gave him some new supercomputer. | ||
| It would be way less crazier than DMT. DMT is infinitely crazier than that, and it's real. | ||
| It pushes you to see what are you believing. | ||
| What's beyond this thing that you are so dead certain is reality. | ||
| The deer head just fell over. | ||
| That's his reality. | ||
| That's fine. | ||
| Powerful stuff. | ||
| Yeah, no kidding. | ||
| You got so excited, you were pounding on wood. | ||
| You're going nutty. | ||
| Oh my gosh. | ||
| There you go. | ||
| There we go. | ||
| Dude, your bladder must be huge. | ||
| I've been sitting here talking to you, and all I need to do is just go. | ||
| Go, go, go. | ||
| Use the restroom. | ||
| I'll be right back, everyone. | ||
|
unidentified
|
Don't worry about it. | |
| I can take it. | ||
| Okay. | ||
| My co-host on the UFC has a real problem. | ||
| That's not the bathroom. | ||
| To that door to the right. | ||
| Melissa Etheridge is cool as fuck. | ||
| Yeah. | ||
| I didn't think she was going to be so crazy hippie. | ||
| She's super crazy hippie, right? | ||
| Yeah. | ||
| Neil deGrasse Tyson would be having fucking... | ||
| He would be flipping out. | ||
| You know who would be really flipping out? | ||
| Cara. | ||
| Cara Santa Maria? | ||
| Yeah. | ||
| That bitch would be going crazy right now. | ||
| That's like non-scientific crazy talk. | ||
| Vegas was a lot of fun this weekend, man. | ||
| Thanks a lot for everything, except for the peeing on my pillow part. | ||
| Yeah, Brian got so drunk, I left him at a certain point in the night. | ||
| Oh, after the show. | ||
| I went and played pool, because this guy Stevie Moore was in town, who's this world-famous professional pool player, and he wanted to play with me. | ||
| For me, that's like a golfer who gets a chance to go play with Jack Nicklaus. | ||
| How bad did he kick your ass? | ||
| Oh, he tortured me. | ||
| Did you win any games? | ||
| Yeah, I won a couple games. | ||
| Yeah, I mean, he misses every now and again, but he's amazing. | ||
| So I did that, and Brian went out and got fucking blasted to the point where he almost died, and he went back home to his bedroom. | ||
| I'm learning more new things, by the way. | ||
| I have this alert thing on Google. | ||
| If anyone uses Redband, it goes, hey, you're being talked about on this message board. | ||
| Someone sounds needy. | ||
| No, no, it's just kind of a way to kind of track things. | ||
| Well, somebody was like, hey, just met Red Band in the elevator. | ||
| He came back to our room and we smoked weed. | ||
| I went to some dude's room and smoked weed in Vegas, like a stranger's... | ||
| Or somebody just made that up. | ||
| No, I slightly remember it. | ||
| Really? | ||
| Yeah, and then I guess I went back to my room and I had to go to the bathroom so bad that I woke up and peed on my pillow... | ||
| And then put a blanket on my pillow, then slept back on it, and then woke up in the morning. | ||
| I was like, why is my pillow wet? | ||
|
unidentified
|
Oh, Jesus! | |
| Oh, I'm back. | ||
| Sorry. | ||
| No, no worries. | ||
| Perfect timing. | ||
| Back for a recap of Brian's weekend. | ||
| We have Ari Shafir coming with us tomorrow, who I watched scream and yell at the TSA agents. | ||
| Oh no. | ||
| Did he do it again on the way back? | ||
| He's doing it constantly. | ||
| That's what he does now. | ||
| He yells at the TSA. He won't take off his shoes. | ||
| He won't take off his shoes. | ||
| He goes through a screening thing and he's like, you guys are all corrupt. | ||
| This is stupid. | ||
| Tomorrow we'll talk about it. | ||
| It was amazing. | ||
| I got a picture of it. | ||
| I tweeted the picture when it went down. | ||
| I put it on my Instagram. | ||
| But it was hilarious. | ||
| I'm like, why are you creating all those problems? | ||
|
unidentified
|
He's like, this is stupid. | |
| It's corruption. | ||
| We didn't ask for this. | ||
| I go, yeah, but all you have to do is just take your shoes off and walk through that little thing and show them your junk and then you go. | ||
| Everyone's going to be fine. | ||
| Those naked scanners, what are you afraid of, man? | ||
| For real? | ||
| Oh, I don't go through them just for the radiation aspect. | ||
| Some of them, the new ones, when you stand up and you hold your hand up like that, it's not radiation. | ||
| It's some sort of a radio wave. | ||
| Yeah, that's what they say. | ||
| I just stay out of it just general. | ||
| But I don't yell at them. | ||
| There's more of an issue with the radiation of space, actually, scientifically. | ||
| That is, if we believe what the numbers are that they say that those things, those scanners give off. | ||
| But they say those are real... | ||
| Risk of radiation is actually flying. | ||
| Just flying. | ||
| Just being up in the air that high, it's a lot of radiation. | ||
| You know, there's a lot of stuff we, again, can be afraid of. | ||
| I just believe I'm going to do the best I can. | ||
| I'm going to stay in the best possible shape I can be in. | ||
| Well, that argument, you know, that way of looking at things is what I've always argued was a good aspect of religion. | ||
| With religion and putting things in the faith of God and having this belief that it's all going to work out, even though It's sort of like, in my opinion, I believe, you know, people always say, are you an atheist or an agnostic? | ||
| I believe people are full of shit, first and foremost. | ||
| And that's always an issue whenever I hear a story. | ||
| So I look at every religion as a collection of stories. | ||
| Every religion is either a collection of stories or a collection of rules that came down from those collections of stories. | ||
| Everybody's stories are bullshit, okay? | ||
| So let's just put that out there. | ||
| Now, I also believe that you believing In those stories, and you believing in God's love, and you believing in doing God's will, and you believing in being a good, God-fearing person, in the same way that I believe it's, you know, I pretend that the interdimensional beings are watching me, so it keeps me on the straight and narrow, I think there's a benefit to that. | ||
| There's a benefit to that. | ||
| I don't think it's a correct way of approaching it, rationally, because I think whatever merit is in the ancient texts, whether it was actually the Word of God, it very well could be. | ||
| The huge issue is Reading it at face value, using it for like a framework for how you behave and act in this life when it's written thousands of years ago by people with very limited access to information and all of it is ridiculous. | ||
| It's all ridiculous. | ||
| Yes, and the desire to do good. | ||
| Yes. | ||
| Is a natural human state. | ||
| And to corrupt it with fear is unfortunate when religion and that we're the only one that's right and you're not. | ||
| Control is when someone has power. | ||
| It's really simple. | ||
| It's very similar to what we were talking about with actors losing their mind when they became really famous. | ||
| It's almost similar. | ||
| It's like they have crazy outfits on and they control the Vatican. | ||
| And so they are used to everyone being terrified of them and freaking out in their presence. | ||
| It works. | ||
| So they think they deserve it. | ||
| Like if I could get the Pope on a podcast and the Pope's book English, it would be the most hilarious conversation ever. | ||
| He would never do it. | ||
| He would leave. | ||
| The moment we started talking about pedophilia, he would probably run out the door. | ||
| But the idea that this guy is so completely sheltered We're good to go. | ||
| And the real God, whatever, stop saying the word or say it if you like. | ||
| The universe or the creator or the intelligent being, whatever it is. | ||
| Do you know who Alex Gray is? | ||
| Yes. | ||
| The visionary artist? | ||
| Yes. | ||
| Brilliant, brilliant man and a beautiful human being. | ||
| He came in and did the podcast and he was just amazing. | ||
| But he uses that word God all the time. | ||
| He's like, we have to take that word back. | ||
| Yeah. | ||
| You know, he's like, stop connecting it. | ||
| Everyone's connecting it to It represents the idea of the perfection that is possible. | ||
| It represents love. | ||
| His really beautiful point of view on it really opened me up to that. | ||
| I don't use it that often because people misinterpret it and people automatically cookie-cutter it. | ||
| They shove it into that framework of predetermined patterns of behavior that have been adopted from religions. | ||
| But I think the heart of everything, good, the heart of all good feelings, is that love thing, the thing that pulls us all together, the thing that makes us interact well. | ||
| That's something. | ||
| Yeah, if you take the teachings of Jesus, of Muhammad, of Buddha, of Martin Luther, of Gandhi, they are all based in the love each other, love your neighbor as yourself. | ||
| Right. | ||
| And that's what I'm saying. | ||
| Yes. | ||
| You can't blame anybody. | ||
| And then love the Lord your God or whatever with all your might and your heart. | ||
| And so it's about infusing love. | ||
| And if you can walk with those, really, and to completely take it away from religion, because I certainly, being the big homosexual I am, I didn't fit into religion at all. | ||
| So it's yet... | ||
| God, I believe in that. | ||
| I'm with you on taking that back. | ||
| I think there was a huge mistake in keeping homosexuals out of the church. | ||
| What a dumb move. | ||
| Because by doing that, by alienating that aspect of the population, you missed out on a whole bunch of other people you can control, stupid. | ||
| And now they're all against you. | ||
| And we dress better. | ||
| Yeah, that was such a shitty chess move. | ||
| They should have embraced the gay people, said that that's just another aspect of life. | ||
| Come on, there you go. | ||
| It's the same, just as beautiful as a male-woman relationship. | ||
| We'll just follow right along with you. | ||
| Do whatever you want to do. | ||
| And then people have been like, oh, there's lesbians in our church today. | ||
| And no one would have cared. | ||
| It would have been fine. | ||
| You would have had more people in your church, stupid. | ||
| But you blew it. | ||
| Why alienate gay people, too? | ||
| That, to me, is... | ||
| That's a weird one. | ||
| I've never understood that one. | ||
| Fear. | ||
| Yeah. | ||
| But fear of what? | ||
| Fear of your own sexuality? | ||
| Yes. | ||
| Your own fear of sex. | ||
| It depends on where you grew up. | ||
| If you grew up and your parents – if when you were three years old and running around without a diaper on, if you were touching your genitalia – I just said genitalia. | ||
| That's fine. | ||
| If you're touching yourself and your mother goes, don't do that, that starts your whole – wait a minute, there's something wrong with that. | ||
| I'm not supposed to do that. | ||
| And that grows and then depends on all the other parts of your experience. | ||
| Any things that naturally happen to us, when they put that fear on it, then that will mess you up. | ||
| It's not a coincidence that the most suppressive aspect of our accepted culture is catheterism. | ||
| Catholic priests. | ||
| I mean, they're not allowed to have sex. | ||
| They're always involved in scandals that are sexual. | ||
| It's like, come on, we are sexual beings. | ||
| It's part of connection with the God. | ||
| Yeah, well, how do you explain those dumb monks that are up there that are not having sex with anybody either? | ||
| They've got a good thing, though. | ||
| At least they're monitoring their mind to a point where they're controlling their physicality, but I still think that shit's ridiculous. | ||
| It's true. | ||
| You don't have to go be a monk. | ||
| Don't worry about it. | ||
| It's so not necessary. | ||
| You'd never make it. | ||
| Have you had any experience in the isolation tank? | ||
| I have not. | ||
| I really want to do that, though. | ||
| I am consistently amazed at how many amazing, interesting people haven't tried that out yet. | ||
| Yeah. | ||
| I just... | ||
| I haven't... | ||
| Where do you do that? | ||
| I can get you in. | ||
| You want to try it? | ||
| There's a place in... | ||
| Well, the best place in the world, actually, is in Venice. | ||
| Oh, really? | ||
| Yeah. | ||
| Venice... | ||
| I don't know if that's close to you, but it's a... | ||
| There's a place called Soothing Solutions in Burbank. | ||
| But the issue of the Burbank place, as opposed to the Venice place, though, is the tanks... | ||
| Burbank Place is fine. | ||
| If you're close to that, definitely go. | ||
| And the lady who runs it is super cool. | ||
| The difference is what that guy at the float lab has done. | ||
| The float lab is the place in Venice. | ||
| He's taking floating to a completely different place. | ||
| He's a super genius, this guy. | ||
| He's nuts. | ||
| And he creates these unbelievably solid, amazing, huge tanks. | ||
| that are so regulated and they pump oxygen into them he's got it down to such a science that when you're in that I mean it's it's just so if the environment is so perfect completely soundproof you don't feel anything you're floating through space your body is just like the water is the same temperature as your skin so as you float there you literally don't feel the water you're released of massive amounts of tension just a physical feeling alright it's amazingly recharging just physically and then If you | ||
| go in there with brownies, you get to meet aliens. | ||
| I believe that. | ||
| Absolutely. | ||
| Because all you have to do is just get past your belief that this is what's in front of me so I can't possibly see aliens. | ||
| But if you remove all that, absolutely. | ||
| And we say aliens just as in other spiritual dimensions. | ||
| I'm just being silly. | ||
| Something that talks back. | ||
| That's what I like to talk to. | ||
| That's when you realize. | ||
| Because some people think, oh, the way that I believe is very lonely. | ||
| No, no. | ||
| It opens you up to the heart. | ||
| We are anything but alone. | ||
| It makes me very thankful whenever I come out of there. | ||
| That's probably been the biggest tool for developing my own personality, my own view of reality. | ||
| Because it's a real reset. | ||
| It's a real time off when everything's shut off. | ||
| And when I get out, I just want to call my friends and tell them I love them. | ||
| I just want to pet my dog. | ||
| I get really thankful. | ||
| How long do you stay in it? | ||
| A couple hours. | ||
| I like to do two hours. | ||
| I just think it's another thing that I would like to see spread. | ||
| And I know some people are doing it. | ||
| My friend Scotty from OnTheMat.com, he's got a tank center that he's looking into opening in California or in LA rather. | ||
| And then I know the Float Lab is going to open up another place in Hollywood too. | ||
| And there's plenty of business out there. | ||
| If more people did it, a lot of people want to know about this. | ||
| And a lot of people would benefit massively. | ||
| Like if you enjoy getting a massage every now and then, you enjoy taking a yoga class, this is that times a hundred. | ||
| It's really incredible. | ||
| I will do that. | ||
| Thank you. | ||
| You should totally do that. | ||
| What's wrong with me? | ||
| I bet it would. | ||
| Your music. | ||
| I bet you would come up with some crazy shit from in there, too. | ||
| That much space? | ||
| Wow. | ||
| Yeah. | ||
| Yeah. | ||
| Just being complete, floating around in there. | ||
| How do you write? | ||
| Do you sit down with a guitar or do you sit down with a piece of paper? | ||
| Do you both? | ||
| Well, it always starts with inspiration. | ||
| So that can be me sitting here going, oh, wait a minute. | ||
| Maybe you just said something that sounds rhythmic, that sounds like, oh, I want to write about that. | ||
| Do you just go run out of the room and write it down? | ||
| No. | ||
| Actually, I use the iPhone a lot to just make notes to myself or if I hear a rhythm or sing a melody or something, I'll put it on the voice memo. | ||
| Oh. | ||
| Yeah, I do that a lot. | ||
| And then when I have time, when I make time, I try to make, you know, two, three, four hours, and I can sit down and really just work something out and see if I can get it out. | ||
| You know what's amazing? | ||
| I don't know if you've ever used it on the iPhone. | ||
| It has this little icon. | ||
| Apparently, the Android phones have this now as well for the notes. | ||
| If you press it, you press this little microphone icon next to the space bar, and you can talk into it, and it does it in real time. | ||
| It's amazing. | ||
| Check this out. | ||
| Watch. | ||
| Melissa Etheridge is a bad motherfucker. | ||
| Watch this. | ||
| Bam. | ||
| Look at that. | ||
| Look how quick that is. | ||
| Oh, it typed it out! | ||
| It typed it out perfectly. | ||
| Whoa, now I've got to see if I have this. | ||
| I have a lot of stuff that I wrote in my little notepad, but I'm not as fast with my thumbs as that is. | ||
| And sometimes, for me, a new idea for a joke is so slippery. | ||
| It's like a fish that I can't hold onto. | ||
| And I've got to write it down and say, how does that go again? | ||
| And someone's still talking to me, like, please stop, stop talking for a second! | ||
| I gotta hold on to this. | ||
| What is this? | ||
| How do I write this down? | ||
| But if I could just say it, it would be way better. | ||
| I could get the idea completely. | ||
| Because sometimes my ideas are so ridiculous. | ||
| I have to go back and read them two or three times to figure out even what the hell I was saying. | ||
| But these new little icon, these new little note features where you could do that with just the microphone, it's amazing. | ||
| These new cell phones are just, what you can do with them is just unbelievable. | ||
| It's so crazy. | ||
| So you write things down just when you have this idea or you record like the melody, like you hum it or something like that into your voice memos? | ||
| Yeah. | ||
| Yeah, it depends. | ||
| Or I'll play, if it's a piece of guitar thing, I'll play that or piano or whatever it is. | ||
| It always comes from different places and then I'll give the time to work it out and do whatever it's going to be. | ||
| I love when people still keep creating. | ||
| They just never stop. | ||
| They just keep pumping stuff out. | ||
| I love it. | ||
| I love it. | ||
| It's so fun. | ||
| It's so fun to be a part of this crazy world that we live in now and see all the stuff that's coming out too. | ||
| We have more access to great information, great music, great movies, great everything. | ||
| We have so much access to inspiration. | ||
| We have so much access to art. | ||
| It's an amazing time. | ||
| Yeah. | ||
| And to see people embracing the internet and using the internet as a method of spreading all this stuff, too, it's just, I think, we just live in just very, very rare times. | ||
|
unidentified
|
Yeah. | |
| That's another thing to be really, really happy for and really appreciative of, this time, this strange, strange time that we exist in. | ||
| Do you write and create as just a matter of... | ||
| I mean, you're so successful now. | ||
| You just must do it as a desire. | ||
| Whenever you feel like it, you do it every day. | ||
| Like, this is my gig. | ||
| How do you treat it? | ||
| Nowadays, my life is so full and so blessed that when it's time for me to create something, it's like I'm thinking about a musical. | ||
| I would really love to have a musical, but that's a big, huge undertaking. | ||
| So I just... | ||
| Give myself, say, okay, these few weeks I'm going to give myself from Monday to Friday from 10 to 2 every day. | ||
| That's when I'm going to work. | ||
| And then when I'm done with that, then I'll give myself some time off and then I'll say, okay, I'll gather the pieces, the notes, the stuff, and then I'll make another album I'll give myself. | ||
| I'll actually work. | ||
| I'll make a time every day to work. | ||
| And when you do that and you put together an album, do you say, okay, you know what? | ||
| Let's take this bitch on the road and see what's up. | ||
| Oh, yeah. | ||
| Oh, yeah. | ||
| That's the best part. | ||
| It's great to create out of nothing and make music. | ||
| I love it. | ||
| I would do it all the time for nothing. | ||
| And then when I get to take that and share it with 1,000, 2,000 people a night, and here they are, and they love that music, and I'm singing it, and it's an energy exchange. | ||
| Then it's just beyond. | ||
| That's just wonderful. | ||
| Yeah, the live energy exchange. | ||
| Isn't it amazing? | ||
| When they're your fans, and they came out, they're Melissa Etheridge fans, and you hit them with one of the clowns. | ||
| Classics and you see their eyes light up and they scream. | ||
| There's nothing like starting a song that people know. | ||
| It's really nice. | ||
| Oh, it must be an amazing feeling. | ||
|
unidentified
|
It's wonderful. | |
| It's an amazing feeling to be an audience member and a song that you love comes on like that. | ||
| But to be able to do it, that must be crazy. | ||
| You're a weird conduit. | ||
| Yes, I am. | ||
| And that's what it really boils down to. | ||
| Absolutely. | ||
| You move the energy through you right out. | ||
| Yeah, people that think that's hippie crazy, like, there's something happening. | ||
| Why am I getting goosebumps? | ||
| There must be some... | ||
| Actually, somebody just sent me that the other day. | ||
| There's some sort of a scientific explanation for why music gives you goosebumps. | ||
| But I say, that's horseshit. | ||
| You don't know what the fuck that means. | ||
| How come it gives me goosebumps and not you? | ||
| Why am I responding to it, but to another person, it's not the right music, you know? | ||
| Your belief. | ||
| That's what's really important, too, to recognize that in a lot of people, it takes them a long time to figure this out. | ||
| Is that everybody likes different stuff. | ||
| They just do. | ||
| And there are some people that are not tuned into it for whatever reason. | ||
| It's a weird thing when you are a performer and you are beholden to people buying your records in that chart position or that certain position, that number. | ||
| And you think, oh my gosh, I want everyone to like me. | ||
| And it's just not possible. | ||
| It's not possible. | ||
| And that's a good thing. | ||
| Everybody. | ||
| And that's why you can't. | ||
| Then it helps in my belief when I say, oh, I believe that those who resonate with the music I make will come to it. | ||
| And it will just be fine. | ||
| Everybody else. | ||
| I'm not blaming you. | ||
|
unidentified
|
Judge. | |
| And it's just that's what you are. | ||
| Yeah. | ||
| I mean, there's billions of people. | ||
| The people that they'll only love you for who you are if you are who you are. | ||
| And if you try to be a bunch of different people and a bunch of different things... | ||
| Well, we see that over and over. | ||
| We see these people just lose it because they have created a certain persona in the public eye. | ||
| And then they feel... | ||
| You start feeling like that persona, that's not you. | ||
| So any accolades that that persona gets is not you. | ||
| And then you're just miserable. | ||
| You start drinking. | ||
| Oh, you're fucking crazy. | ||
| You're on pills. | ||
| You're driving fast. | ||
| And they're taking your picture. | ||
| How do you avoid crazy rock star cliches like that? | ||
| Well, I figured I... I have two ex-wives, you know, two baby mamas. | ||
| I figure I fall into the rock and roll. | ||
| Two ex-wives. | ||
| Wow. | ||
| I know. | ||
| What is that like? | ||
| Do you stay in contact? | ||
| Oh, I have to. | ||
| I have two children with each of them. | ||
| Wow. | ||
| I know. | ||
| And I have to send them the check. | ||
| Yeah, that's hilarious. | ||
| It's the same cliche. | ||
| It appears in the male-female world. | ||
|
unidentified
|
It is. | |
| The female-female world. | ||
| You gotta pay for it no matter what. | ||
| That's what they're saying. | ||
| Nobody rides for free. | ||
|
unidentified
|
Right? | |
| Oh, so, you know what? | ||
| But I do. | ||
| We actually, because when it comes to the kids, we get along. | ||
| Okay, you know, I don't have to socialize with them. | ||
| Right. | ||
| And that's fine. | ||
| But for the kids, they need a happy, not happy, but they need a cohesive unit that they go back and forth from. | ||
| Right. | ||
| And so I'm determined to do that. | ||
| That's awesome. | ||
| The lesbian relationship dynamic, is it often like the male-female heterosexual dynamic? | ||
| It depends on who you are. | ||
| It depends on what you are. | ||
| Are there power couples where there's two Melissa Etheridge's and they're both badasses and they're together? | ||
| Wouldn't that be nice? | ||
| My partner now, her name is Linda, and she is a television producer, writer, director. | ||
| She did Nurse Jackie. | ||
| So she's successful. | ||
|
unidentified
|
Yes. | |
| Great show. | ||
| Is that a great show? | ||
| Great show. | ||
| Oh my gosh. | ||
| So this badass is living together. | ||
| Exactly. | ||
| And that, it actually, because I believe, because I finally started believing in myself a few years ago, okay, I'm a badass, I'm a badass, then I'm going to draw, but that's what you got to do. | ||
| Then you've got to draw. | ||
| Then you will draw a badass to you because you are vibrating that. | ||
| That's the only way. | ||
| If you're sitting there going, I need someone to fix me, I need someone to come and be, then you're going to think yourself as broken and broken people will come to you. | ||
| Yeah, this is something that is driving scientists crazy right now. | ||
| They're hearing this and they're going this, damn Melissa Etheridge! | ||
| Yeah, I wouldn't be the first. | ||
| Nonsense! | ||
| What are you saying? | ||
| Show me the studies! | ||
| Show me peer-reviewed papers! | ||
| Or shut it! | ||
| I think there's a lot of merit to what you're saying. | ||
| I don't know if it's right, but I do believe that believing in it is very powerful. | ||
| And I think it's empowering. | ||
| And I think you're obviously a living embodiment of that. | ||
| And also a person who's experienced the ups and downs of not being aware of the body and then changing it and becoming aware and becoming much happier. | ||
| And I do not do it perfect every day. | ||
| Again, this is a practice. | ||
| I make my choices. | ||
| I live. | ||
| I go up and down. | ||
| But that's life. | ||
| Especially when you're busy. | ||
| It's hard. | ||
| It's hard to manage it all and keep cool and treat everybody as if it's you living another life. | ||
| Yes, it is. | ||
|
unidentified
|
It's difficult, though. | |
| It's not easy. | ||
| Well, listen, just you being on here was a huge treat. | ||
| It was an honor, and it was weird, you know, because it was like, I kept telling people, dude, most athletes are just coming on here. | ||
| I told them, like, why? | ||
| It seems make-believe. | ||
| Aw, what's you? | ||
| Well, to us, to Brian and I, we started doing this in my living room on a laptop as a goof. | ||
| You know, it was just... | ||
| See? | ||
| Yeah. | ||
| But you believed, you loved it. | ||
| That's another thing. | ||
| Things that you love will grow. | ||
| Well, it became something somewhere along the line. | ||
| I don't know how it happened, but it just did, and we're just sort of riding it. | ||
| Well, I figured you would ask me the questions that I want to be asked. | ||
| I'm always available to talk like this, but most often than not, they'll ask me the same ten questions over and over. | ||
| Well, it's very obvious that this way of thinking is important to you. | ||
| You want to express it. | ||
| And you're very courageous in expressing it because it sounds fucking crazy. | ||
| Well, and why not? | ||
| What have I got to lose? | ||
| And I'm not saying it sounds crazy to me. | ||
| It does sound crazy to me. | ||
| It also sounds possible to me. | ||
| I think there's a lot of weirdness to the way we perceive the world. | ||
| There's a lot of strange... | ||
| If you can even start from that, as maybe that which I think is so definite is not. | ||
| If you can start from that, then you're on a journey. | ||
| I think having these conversations are very, very important. | ||
| I think having these conversations publicly and just the consideration it takes to not necessarily accept the idea, but just to consider the points of it. | ||
| As I said, I believe that that is possible, but I also believe in asteroids. | ||
|
unidentified
|
Yeah. | |
| I believe that if you're in the wrong place, a tiger will eat your ass. | ||
| And it doesn't mean you're a bad person. | ||
|
unidentified
|
It means you live in India. | |
| No, no. | ||
| I'm not saying there's nothing bad. | ||
| Yeah. | ||
| Exactly. | ||
| It's a beautiful way of looking at the world. | ||
| And again, you might be right. | ||
| There's a lot of flexibility to this thing that we exist in. | ||
| And it doesn't seem like... | ||
| We are operating on a long history of people's work where they've really figured it out. | ||
| It seems like, as a culture, we've been doing crazy barbaric shit to each other since the jump. | ||
| And we're now, just in this period of abundance, starting to go, whoa, whoa, whoa, whoa, whoa. | ||
| Hold on, hold on, hold on. | ||
| Let's Google that. | ||
| You know? | ||
| Yes! | ||
| Is that true? | ||
| Are you sure that's true? | ||
| What are we doing here exactly? | ||
| Where's the oil? | ||
| Who's got the oil? | ||
| Is that a real UFO? What the fuck is Bigfoot? | ||
| Right. | ||
| That's all happening right now. | ||
| Thank you very much, Melissa. | ||
| It was beautiful talking to you. | ||
| My pleasure. | ||
| A real pleasure and an honor. | ||
| And you too. | ||
| Thank you so much. | ||
| And your new CD, I have it here. | ||
| Oh yeah. | ||
| It's got some of this in it. | ||
| I do put that in my music too, you know. | ||
| Yeah, it's 4th Street Feeling. | ||
| And is it out everywhere? | ||
| Amazon? | ||
| iTunes, all that stuff. | ||
| You can find it. | ||
| That's a nice package. | ||
| You talking to me? | ||
| Yeah. | ||
| Unlike a lot of CDs, there's a lot of artwork put into the actual cover, which I really miss. | ||
| I mean, I'm not old enough to really remember too many records, but when I was a little kid, I had a Cheech and Chong record, and it was Big Bamboo. | ||
| And I opened it up, and it was like... | ||
| I didn't even know what Smokin' Pie was back then. | ||
| I was like eight. | ||
| I probably knew what it was, but I wasn't into it. | ||
| But it's not why. | ||
| I bought it because it was funny. | ||
| But their album cover was this big rolling paper thing. | ||
| And you would open it up, and there was so much work put into it. | ||
| Yeah, really an art form that I do miss. | ||
| Yeah, the deluxe version. | ||
| My record company's great. | ||
| They'll put out the regular version, which has the... | ||
| I think there's 11 songs on there, 12 maybe. | ||
| And this is the deluxe version that I have a lot of fans that really appreciate the extra artwork and the extra songs and so we put that on it. | ||
| Yeah, it's great photography. | ||
| Whoever did that, they really sort of captured like the tone of a lot of the music on here. | ||
| It's really awesome. | ||
| What is that car? | ||
| That is a replica. | ||
| It is a 64 Chevy Impala. | ||
| I asked them to get it because that's the first car I had when I was a kid. | ||
| That was the first car I ever bought when I was 15. I got it. | ||
| Wow, that's a tank. | ||
| Yeah, that's what I said with the big bench seats in the back and the front. | ||
| It was awesome. | ||
| It's amazing that people drove those with no seatbelts. | ||
| They had babies in them! | ||
| I don't know how we survived. | ||
| How did we survive? | ||
| We didn't have baby seats. | ||
| Nobody had figured that out. | ||
| We had no helmets. | ||
| We had no seatbelts. | ||
| Yeah, when you fall down you got fucked up when I was a kid. | ||
| And everybody's parents smoked with their windows open. | ||
| I remember just sitting there in a cloud of smoke. | ||
|
unidentified
|
Horrible. | |
| Yeah, strange times. | ||
| All right, go get it, you freaks. | ||
| Fourth Street Feeling. | ||
| Melissa, thank you very much. | ||
| Thank you so much, Joe. | ||
| Everybody, thank you. | ||
| It was awesome. | ||
| It was a lot of fun. | ||
| And don't think that if Melissa talks to you on Twitter that it's really Melissa, all right? | ||
| Now you know. | ||
| It's Team Melissa, unless she says it. | ||
|
unidentified
|
Right. | |
| All right, you fucks. | ||
| Thank you very much for tuning in. | ||
| Thank you to Ting. | ||
| Go to rogan.ting.com and save 25 bucks off of Thanks to Onnit.com All right, | ||
| we will see you tomorrow with the great Ari Shaffir, where he would talk about his hate for the TSA and the great story of what happened this weekend. | ||
| And I really wish I filmed it because it's going to be... | ||
| Shut up. | ||
| I couldn't film it because I think you'd go to jail for doing that or something. | ||
| Patriot Act type shit. | ||
| Alright, fucks. | ||
| We'll see you tomorrow. | ||
| We love you always, even though you are an illusion that I've created in my own mind. | ||
| It's a good one. | ||
| No, I'm an illusion that you've created in your mind. | ||
| Or both. | ||
| But it's awesome. | ||
| Alright, see you soon. |
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