April 13, 2010 - The Joe Rogan Experience
02:06:34
| 
| Speaker | Time | Text |
|---|---|---|
| They get me all the time. | ||
| I'm more famous than them. | ||
| Aye, aye! | ||
| I wish we could tell you what we were talking about, but we can't. | ||
| Yeah, we were talking about Joey getting in trouble, though. | ||
| He just texted me about it. | ||
| How's Joey Diaz getting in trouble with, what, the MMA community? | ||
| MMA outlets? | ||
| They have nothing to do? | ||
| Well, here's the thing, though. | ||
| I see where they're coming from. | ||
| They're journalists. | ||
| If someone says something that fucking outrageous about what Mackenzie Dern's derriere must... | ||
| He said, I think your ass smells great right now or something like that. | ||
| Yes, something along those lines. | ||
| You're talking about the comic Uncle Joey said this? | ||
| Yes, the comic Uncle Joey. | ||
| But I get it. | ||
| I get where they would... | ||
| And then Vinnie Magalese backed him up. | ||
| I get it. | ||
| Backed up Joey. | ||
| Yeah, he backed up Joey. | ||
| He said something like, and tasty too. | ||
| Yikes. | ||
| Yeah. | ||
| Yikes. | ||
| I get it. | ||
| I don't get it. | ||
| That's Joey Diaz, the great comic who's commenting on a hot girl in the UFC. He is not a writer. | ||
| He's not a journalist. | ||
| These writers have nothing to do. | ||
| So they're like, how can we get hits? | ||
| Let's talk about Joey Diaz. | ||
| Right. | ||
| Because no one's reading any of our shit. | ||
| I agree with you somewhat, but he definitely did do it. | ||
| Here's my thing. | ||
| They can say whatever they want about what he said, but if he was your friend and he texted you that, you would do what I did. | ||
| Look, because I'll show you. | ||
| He fucking texted me that before he tweeted it. | ||
| Of course! | ||
| I love that Joey texts now. | ||
| Joey never would text message. | ||
| Oh, I hope he doesn't keep texting. | ||
| Joey Diaz is a full-on texter now. | ||
|
unidentified
|
Is he? | |
| He still calls, though. | ||
| He called me last week. | ||
| Most of the time he calls, but he texted me. | ||
| Yeah. | ||
| It's Joey Diaz, man. | ||
| Sorry, folks. | ||
| Wish I could let you in. | ||
| You can go Google what he said. | ||
| I'm trying to be respectful. | ||
| It's Joey Diaz! | ||
| He can say whatever he wants. | ||
| He doesn't work for the UFC. He's not... | ||
| You're right. | ||
| I'm glad he does think like that. | ||
| I'm glad he does send me texts like that. | ||
| But if I was a news website and I was going to report... | ||
| First of all... | ||
| You want clicks? | ||
| Yeah. | ||
|
unidentified
|
You want clicks? | |
| For sure. | ||
| That's what they want. | ||
| But also, anybody who reads that... | ||
| You're either going to be like me, or you're going to start laughing, or you're going to get really upset. | ||
| Really upset? | ||
| And then you're not a Joey Diaz fan anyway. | ||
| If you read that, 95% of that is dudes reading it and are like, that's hilarious. | ||
| Yeah, 95%. | ||
| The 5% are like, what the hell? | ||
| What are we doing? | ||
| How could you report this? | ||
| Yeah, I think that's a good number. | ||
|
unidentified
|
95. 95% of the dudes are like, that's hilarious. | |
| I was wondering the same thing. | ||
| Some women will get upset though. | ||
| And rightly so. | ||
| If I had, just imagine if you were a dude and there was some big ol' giant Alexander Carellin looking dude who wanted to fuck you. | ||
| And he was always making jokes about what your butthole must smell like. | ||
| Just stop. | ||
| Just stop and think of what that would feel like. | ||
| That wouldn't be a good time. | ||
| If you're Mackenzie? | ||
| If you're anybody that someone is saying those things about, right? | ||
| I'm just trying to be open-minded. | ||
| You're being super open-minded. | ||
| You kind of are. | ||
| If you turn social justice, I'm fucking out. | ||
| I can't. | ||
| I can't. | ||
| It's not possible. | ||
| It's not possible. | ||
| But what I'm saying is, if you look at it from the position of the person, the person whose butthole is in question, That would be an uncomfortable position to be in, right? | ||
| A bunch of people talking about what your butthole smelled like. | ||
| We're just trying to make a living on TV. Just trying to make a living? | ||
| Just trying to choke a girl? | ||
| You know what that is? | ||
| It's also Joey Diaz being complimentary. | ||
| It'd be one thing if she was not an attractive female or something like that. | ||
| She's obviously very attractive, which is what makes us funny. | ||
| I agree, 100%. | ||
| I agree. | ||
| Now, if he tweets out, I wonder what Black Beast asshole smells like, something like that, to fully redeem himself, that's fine, too. | ||
| I don't know. | ||
| He might. | ||
| He might. | ||
| Yeah, I don't know if he can get away with that. | ||
| He might just throw it up there to give those Cheeto fingers something to write about. | ||
| Joey's coming on with Yoel Romero. | ||
| I cannot wait for that. | ||
| I cannot. | ||
| It's going to be a complete... | ||
| That's the craziest podcast ever. | ||
| They're going to talk in Cuban and, I mean, Spanish, obviously, and then go back and forth. | ||
| Translate for you. | ||
| And then go English and whatever he can't get, Joey's going to help him out with. | ||
| You know, like, if I talk too fast or if I say something he doesn't understand, Joey's going to jump in. | ||
| Then they're going to... | ||
| It's going to be awesome. | ||
|
unidentified
|
It could be awesome or a complete shit joke, but it's probably going to be awesome. | |
| Yes, it's going to be awesome. | ||
| With you and Joey, anyone. | ||
| Joey, he's a great entertainer. | ||
| People don't understand. | ||
| Part of the reason why he's so funny is he knows what's entertaining for you. | ||
| He knows how to be the life of the party. | ||
| Like, no one. | ||
| Callan's pretty goddamn good at it too. | ||
| Callan's up there. | ||
| Callan can entertain a room. | ||
| Callan can dig over a room and bring the party. | ||
| I think that's his best art form. | ||
| Me too. | ||
| I've told him that. | ||
| I think that your best art form is like inappropriate comedy around people who are trapped. | ||
|
unidentified
|
Correct. | |
| We're stuck at a party subject. | ||
| Yeah, you're at a plane with him or something, and he can't go anywhere. | ||
| He's the funniest person. | ||
| He's made me laugh harder offstage than anyone. | ||
| Almost anybody. | ||
| It's so ridiculous. | ||
| He's right up there offstage with Joey. | ||
| But onstage, Joey's just... | ||
| He's on another planet. | ||
| Especially right now, he's on another planet. | ||
| Look, Callan's fucking hilarious onstage, too. | ||
| But Joey right now... | ||
| Jesus Christ. | ||
| Yeah, Callan just did his showcase at the improv. | ||
| How'd that go? | ||
| You know, Callan, I murdered, murdered, murdered. | ||
| Got killed. | ||
|
unidentified
|
That's good. | |
| But I've been hearing good things. | ||
| That's good. | ||
| That club is not a bad club to work at now. | ||
| I wish they would get rid of that stupid fucking piano on stage, though. | ||
| That doesn't make any sense to me. | ||
| The piano is weird and Brian makes the same joke about it every time. | ||
| It's hilarious. | ||
| Does he? | ||
| Yeah. | ||
| I won't say what it is. | ||
| There's a part where you're standing, especially if you go anywhere back on the stage, where the people that are on the right side of the stage, like if you're facing the audience, you're right. | ||
| Those people can't see shit. | ||
|
unidentified
|
They can't see. | |
| And there's not a lot of room either. | ||
| It's stupid. | ||
| Yeah, it is strange. | ||
| It's stupid. | ||
| Who the fuck uses it? | ||
|
unidentified
|
Who the fuck uses it? | |
| Does anyone get on there? | ||
|
unidentified
|
It's fucking... | |
| I don't know, man. | ||
| We should have a carrot top or some shit. | ||
| Well, I know Craig Robinson does on occasion. | ||
| He brings his own, though. | ||
|
unidentified
|
Does he? | |
| Yeah, he usually has his electric piano, doesn't he? | ||
| Maybe. | ||
| Owen Benjamin could play the fuck out of a piano. | ||
| Listen, the moral of the story is no one's really using that. | ||
| He even has a huge pianist. | ||
| Was it a website that he had or something? | ||
| Because he's a giant dude. | ||
| Nobody's using that fucking thing. | ||
| Get rid of it. | ||
| Get rid of it. | ||
| Owen doesn't need it. | ||
| Like, most places don't need a goddamn piano. | ||
| That's so old school. | ||
| Well, it's just in the way. | ||
| It's a hindrance. | ||
| It's taking away from the show. | ||
| I really believe it takes away from the show. | ||
| Can you name any other club with a piano on stage? | ||
| Not really. | ||
| It's hard to think. | ||
| It's just a stupid thing to have. | ||
| But also, look what the comedy store is doing, and then do that. | ||
| Craig Robinson with his own fucking keyboard, you're right. | ||
| Yeah, he usually comes out with his own shit. | ||
| Yeah, he's probably got a bunch of shit hooked up on that thing, right? | ||
| Look at him. | ||
| I bet he DJs the fuck out of a party. | ||
| He does look like a mean DJ. He does, right? | ||
| You know who else DJs? | ||
| It's Shaq. | ||
| You ever seen Shaq, like straight up DJing? | ||
| His giant ass is a DJ. Yeah, that's what he does like in his off time. | ||
| He's got platinum records. | ||
|
unidentified
|
Multiple. | |
| Being a DJ? As a rapper. | ||
| No, that Diesel CD went platinum? | ||
| Yeah, he's got two. | ||
| I have one of them. | ||
|
unidentified
|
That's embarrassing. | |
| I saw some video of him DJing, and it's like thousands of people, like kids just jamming out, obviously high off their ass on ecstasy, but it looked like a good time. | ||
| That's what he does. | ||
| Why not, man? | ||
| Why not? | ||
| Russell Peters is legit. | ||
| DJ? Legit DJ. Like, legit. | ||
| Friends with all the old-school rappers like Big Daddy Kane and shit. | ||
| I had no idea. | ||
| Dude, Russell is seriously legit. | ||
| Like, when we had him on the podcast a long time ago, he actually... | ||
| Look at the size of Shaq, towering over that fucking equipment. | ||
| The biggest DJ in the world. | ||
| He's so big. | ||
| He's so crazy. | ||
| But Russell Le doesn't like those other guys calling themselves DJs. | ||
| Those like Tiesto guys. | ||
| Really? | ||
| Yeah, he says that's not a DJ. He's like a DJ, someone who knows how to play records. | ||
| These guys are like pressing play on their laptop and bouncing around with their hands up in the air. | ||
| I mean, I think there's more to it, but I agree. | ||
| You're kind of just hitting a playlist and doing your thing. | ||
| It's a different thing. | ||
| I think there's more to that. | ||
| It's a different thing, but to those people that want to hear that different thing, those are the masters. | ||
| I just think it's silly to get hung up on one art form or another, because in any art form, you're going to have... | ||
| There's Russell tearing it up. | ||
| See, he actually knows how to mix and scratch and all that shit. | ||
| He's a talented dude. | ||
| He's a smart dude. | ||
| Ross is a very smart dude. | ||
| Very smart. | ||
| Very good dude, too. | ||
| Like one of the nicest people I think I've ever met. | ||
| Like a super, super fucking sweetheart. | ||
| First man to roast me on stage and it hurt my feelings, but then that was the way of just kind of initiation. | ||
| Bust your balls. | ||
| Yeah. | ||
| Ball busting. | ||
| A little busting of the balls. | ||
| I love him. | ||
| Yeah, he's a sweetheart. | ||
| But he's super passionate about old-school DJing, like with record players and shit. | ||
| He's really good at that. | ||
| And there is an art to that. | ||
| But that's why he hates on these new guys, like DJ Tiesto and... | ||
| Well, he doesn't hate on them. | ||
| He doesn't hate on them. | ||
| He just doesn't think that they should call themselves DJs. | ||
| Because he's like, DJ's a disc jockey. | ||
| They're like a new-age disc jockey, though. | ||
| But they're not a disc. | ||
| They don't have a disc. | ||
| He's got a disc, and that's part of his art. | ||
| He's moving that disc. | ||
| Electric disc jockey. | ||
| I see his point. | ||
| I just think people love that kind of music, obviously. | ||
| Like that Calvin Harris shit. | ||
| Hell yeah. | ||
| And I'm not saying shit in a bad way. | ||
| It makes them jams. | ||
| A way of describing it. | ||
| But as you're driving down the road in Vegas, man, you see these big ass Calvin Harris posters and shit. | ||
| Yeah, Diplo. | ||
| Huge, man. | ||
| All those electronic guys. | ||
| I mean, obviously, people love that sound. | ||
| So I don't think he's saying that they suck. | ||
| I just think he's saying it's a different thing. | ||
| Different. | ||
| Yeah. | ||
| Because, like, obviously, if you wanted to hear that shit and you went there and Russell was scratching records, you'd be like, come on. | ||
| Come on, bro. | ||
| I'm here to do ecstasy and listen to... | ||
| What are you doing? | ||
|
unidentified
|
Yeah. | |
| Let the bass drop. | ||
| Yeah. | ||
| You know, disc jockey, a person who introduces and plays recorded popular music, especially on radio or at a disco. | ||
| They're electric DJ jockeys. | ||
| Maybe time to update that fucking... | ||
| Yeah, that's super old school. | ||
| What the fuck is a disco? | ||
| At a disco? | ||
| A disco? | ||
| How about a ballroom? | ||
| The thing about those DJs, like Steve Aoki had a documentary on Netflix, which is ridiculous, but because they're not live performing, they can do more shows than anyone. | ||
| So Steve Aoki was on the road 300 days out of the year and made something like $300 gigillion. | ||
| Private jet. | ||
| He's going from Amsterdam to China. | ||
| Yeah, just nonstop. | ||
| That's all you do. | ||
| He was at the Onnit Lab. | ||
| I know, I saw that. | ||
| Yeah, yeah. | ||
| He was the guy who was throwing cakes in people's faces, mainly girls. | ||
| He'd toss cakes. | ||
| That was his thing. | ||
| And then he hit one girl, and her neck was like, I think he had a lawsuit, so he stopped throwing the cake in their face. | ||
| Yeah, don't throw cakes. | ||
| It was awesome. | ||
| People would ask for it, though. | ||
| This is what he'd do? | ||
|
unidentified
|
Boom! | |
| Is that the girl that got hurt? | ||
| Nah, I don't know. | ||
| Some girl got whiplashed, though. | ||
| So he would throw a cake, oh my god, with like a piece of cardboard underneath it? | ||
| Is that his move? | ||
| That's just the bottom of the cake, you know what I'm saying? | ||
| You gotta put it on something. | ||
| That seems, um... | ||
| See, Yoki, longest cake throw, hits guy in a wheelchair. | ||
| Well, that's not fun. | ||
| Oh, let's not watch this. | ||
| I don't want to watch the guy in the wheelchair get hit in the head. | ||
| He's all, yeah, oh my god. | ||
| Maybe it's an honor, right? | ||
| No, it is. | ||
| If you're a fan of Stevie Oakey, it's like, hit me with the cake! | ||
|
unidentified
|
Right. | |
| Like if you're at the WWE and someone spits on you. | ||
| There's a little bit of blood or some shit. | ||
|
unidentified
|
Someone just... | |
| They catch that conversation spit. | ||
| Or in the NBA, when they throw their mouthpiece, people catch them. | ||
| It's disgusting. | ||
| Happens in MMA, too. | ||
| What are you going to do with that thing? | ||
| I've seen that. | ||
| Yeah. | ||
| Why do people throw them in the audience? | ||
| I don't know. | ||
| It's so disgusting. | ||
| It seems so preposterous. | ||
| What is this? | ||
| Jamie, what is it? | ||
|
unidentified
|
Oh! | |
| You said blood, spitting blood. | ||
| This is the guy lifting at the Arnold thing. | ||
| He needs to see a doctor. | ||
| So his nose started spraying blood right in the middle of his lift. | ||
|
unidentified
|
Yeah. | |
| Whoa. | ||
|
unidentified
|
Bro. | |
| You need to see a doctor, sir. | ||
| Eh, he's fine. | ||
| Got the lift up. | ||
| Got a little stomach thing going on. | ||
| That's eternal bleeding. | ||
| He's got a little, uh, nah, it's probably a nasal infection. | ||
| You think? | ||
|
unidentified
|
Eh. | |
| Bursting out like that? | ||
| Walk it off. | ||
| Can't be good. | ||
| Can I just... | ||
| Deadlift is a thousand pounds. | ||
| Looks pretty healthy to me. | ||
| How much did he deadlift? | ||
| He's gonna live a long time. | ||
| 939 it says. | ||
| Jesus Christ, that's so much weight. | ||
| That's a lot of weight. | ||
| That's so much weight. | ||
| I saw a crazy one where a dude was doing the squat and the bar couldn't handle the weight and the bar bent and he couldn't get it back onto the rack. | ||
| And so he had to like kind of dive out from under it. | ||
| But he was squatting a shitload of weight obviously. | ||
| Imagine having that kind of weight on you and you've got to figure out how to get it off you without hurting you. | ||
| Have you seen Homeboy when they do the heavy squats and they blow their asshole out? | ||
| Oh, I did see that. | ||
| That's a tough one. | ||
| Yeah. | ||
| I thought you were going to bring up that guy who was doing something in one of those CrossFit games. | ||
| And he was doing a clean and his arms gave out and it dropped down on his neck and paralyzed him. | ||
| Damn, no. | ||
| Keep it positive. | ||
| It's a friend of Tate's. | ||
| Landed on his neck. | ||
| Out. | ||
| Dead. | ||
| Just fell down. | ||
| Body stopped moving. | ||
| No, he's paralyzed from the neck down. | ||
| Just boom. | ||
| Like everything just shut off. | ||
| It landed on his neck. | ||
| Probably pass on the CrossFit from now on in. | ||
| Well, you know what? | ||
| Some of these guys are almost too fucking tough for their own good with something like that where you're holding something over your head. | ||
| Doing a thousand reps or whatever the hell they do. | ||
| Yeah, they're just trying to smash everybody's reps and show how badass they are, which is, you know, it's competition. | ||
| Steve Maxwell hates that shit. | ||
| He says that, and I see other people's points too, that it's beneficial, that the competition makes you work harder. | ||
| But Maxwell's take on it is those type of exercise movements like power cleans and things like that. | ||
| They're not meant for high reps. | ||
| They're not meant for high reps. | ||
| No, I agree with him. | ||
| He's like, those are strength moves. | ||
| They're meant for low reps, couple sets, you know, heavy shit. | ||
|
unidentified
|
100%. | |
| Your body shouldn't be doing that in Things that can go wrong are really gonna fuck you up, especially when you start going tons and you're losing your technique and your form. | ||
| That's dangerous shit, man. | ||
| Yeah, you lose. | ||
| And this guy was out of position, too. | ||
| Damn, paralyzed. | ||
| Tate's boy? | ||
| Yeah, Tate knows him. | ||
| Tate's big in that. | ||
| He's deep in that CrossFit world. | ||
| He knows a lot of those CrossFit people. | ||
| He has a finished barbell club. | ||
| What's his thing over there? | ||
| He does something off Lincoln in Venice. | ||
| He's always there. | ||
| They have some strongman shit. | ||
| There's caves everywhere. | ||
| I know what you're talking about. | ||
| The name escapes me. | ||
| God, me too. | ||
| The Box? | ||
| No. | ||
| That's not it? | ||
| The Box in Venice? | ||
| No. | ||
| Whatever. | ||
| Callum works at Venice Barbell Club. | ||
| Tate's always been in that kind of working out. | ||
| Is it Deuces? | ||
| Way back in the day. | ||
| Is it Deuces? | ||
| Yeah. | ||
| Deuce. | ||
| There you go. | ||
| Shout out to Deuces. | ||
| Man, what's up, Deuce? | ||
| Yeah, Tate's always been into kettlebells and muscle-ups and shit like that and CrossFit-style movements and he's a big fan of CrossFit. | ||
| He loves it. | ||
| Have you done a ton of CrossFit? | ||
| No. | ||
| I mean, I do those kind of exercises, right? | ||
| I do a lot of kettlebell stuff. | ||
| I do deadlifts. | ||
| I do a lot of things that I do. | ||
| Like circuit training. | ||
| Yeah, but I don't do it the way they do it. | ||
| No, me neither. | ||
| I do that Pavel Tatsulini method where you're doing like sets of five. | ||
| Never more than sets of five. | ||
| Yeah, I dig that. | ||
| And I take a lot of time off in between sets. | ||
| My schedule's been so crazy, man. | ||
| I haven't been able to go to the gym like I typically do. | ||
| You know where I work with my trainer, I'll do weights, I'll do mitts, stuff like that. | ||
| So I've been trying to find some alternatives. | ||
| Yeah, man. | ||
| It's fun to mix shit up. | ||
| Yeah, I've been bored. | ||
| Just doing something different. | ||
| Yeah, I've been bored. | ||
| Take a yoga class. | ||
| I've been doing yoga. | ||
| I've been doing hot yoga, which I love. | ||
| Fucking taekwondo, bro. | ||
|
unidentified
|
How about that? | |
| You want to go deep? | ||
|
unidentified
|
Hi-ya! | |
| Double knife hand block. | ||
| Wanna go deep? | ||
| After a post-UFC career, front-kicking motherfuckers. | ||
| Wanna go deep? | ||
| It's a good workout, though. | ||
| Hard pass on that, man. | ||
| I don't want anything to do with martial arts. | ||
| But here's the thing. | ||
| Do some sort of McDojo style, Taekwondo. | ||
| As long as they teach you good technique. | ||
| You gotta get a good workout in. | ||
| I'm trying to burn some calories. | ||
| You get a good workout in? | ||
| I'm sure. | ||
| Those wheel kicks and shit. | ||
| Hard pass for me. | ||
| Hard pass, Joe. | ||
| Hard fucking pass. | ||
| What about Aikido? | ||
| Just for a goof. | ||
| Just you with the pajamas. | ||
| Just wrist locking motherfuckers. | ||
| Flipping them. | ||
| Grabbing that wrist. | ||
| You fly. | ||
| You fly into the ground with magic. | ||
| That'd be sick. | ||
| Imagine, ah, the wrist makes you do cartwheels. | ||
| I go full deep on that. | ||
| No, it would be fun if you did it and you did one of them Aikido demonstrations. | ||
| You show what happens when someone doesn't just give in. | ||
| You'd be like, you know, he goes and grabs you and does this and you push him away from you. | ||
| Fuck off. | ||
| I'd love that. | ||
| What is this? | ||
| What are you doing? | ||
| They try to throw you and you just kind of push their head down. | ||
| I love that. | ||
| Like, come on, man. | ||
| Come on, man. | ||
| Come on, bro. | ||
|
unidentified
|
Stop. | |
| Bring it. | ||
| I love it. | ||
| You don't try to counter him. | ||
| You just go, just cut the shit. | ||
|
unidentified
|
Stop. | |
| Just cut the shit. | ||
| This is fake. | ||
| Just the worst promo ever for him. | ||
| This is not working. | ||
|
unidentified
|
Ah! | |
| You have to throw yourself at them. | ||
| It's all bullshit. | ||
| But apparently, man, those dudes who were badass at it back in the day, it was about getting rid of swords. | ||
| Guy comes at you with a fucking sword. | ||
| And they're all... | ||
| They had to learn how to like, a guy's lunging at you literally with a ridiculous movement because he's trying to just chop you up, right? | ||
| So it would be similar to how these guys move in those demonstration videos. | ||
| But that shit's not applicable if a guy doesn't have a sword. | ||
| That's old school too. | ||
| It's just fucking... | ||
| I was thinking about doing, this isn't a sponsor or anything like that, I was looking at those, because you have one in the back, they're one of those Peloton bikes. | ||
| Yeah, Peloton bikes. | ||
| So I can work out, just wake up and do that, and then do my thing. | ||
| Those are great. | ||
| You think? | ||
| They have a whole thing, you do a bunch of different workouts. | ||
| You can go online, there's like online classes. | ||
| This isn't a sponsor, but I don't, yeah. | ||
| You do it live, too. | ||
| But you know what I like better? | ||
| I like the Rogue bike, that fucking assault bike, what is it called? | ||
| The Echo? | ||
| The Aerodyne? | ||
| Yeah, Jesus Christ. | ||
| They made a beefed up version of one. | ||
| I have one here. | ||
| Yeah, I do Tabatas on it. | ||
| 20 seconds on, 10 seconds off. | ||
| Holy shit, dude. | ||
| If I get the Pedalton bike, that Rogue thing, or the Aerodyne, and like a rower, I'd be straight. | ||
| Yeah. | ||
| The rower's bad. | ||
| I got a rower, too. | ||
| Rower's badass, too. | ||
| I do 30 and 30 with the rower, so 30 minutes of sprinting, 30 minutes of rest, 30 minutes of sprinting, 30 minutes of rest. | ||
| 30 minutes? | ||
| Excuse me. | ||
| Seconds. | ||
| I was like, Jesus Christ, Joe. | ||
| What are you on, sir? | ||
| Can you imagine if you could just sprint for 30 minutes? | ||
|
unidentified
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I was like, what the fuck? | |
| What kind of a Viking are you? | ||
|
unidentified
|
Excuse me. | |
| 30 seconds. | ||
| So the Tabata is a 2010 and then I go from I do like it'll do eight rounds of 2010 and then I go over and do the row machine and I'll do eight rounds of 30 30 30 seconds on 30 seconds off and then I go back and do it again and then I do it again and if I've got the stones if I got the stones I could do three sets exhausting I've only done three sets once and I had to double up on the shroom tag. | ||
| You felt sick. | ||
| I was beat down, man. | ||
| You're just really exhausted at the end of it. | ||
| But it's also short and your body's super intense at the time. | ||
| Most people think that's the best workout you can do. | ||
| It does something to you, I guarantee you. | ||
| Because one of the things, after doing it like three or four times, I started to feel it in my running. | ||
| It's because I'm running a lot too, though. | ||
| But my endurance in running is getting better. | ||
| And I think maybe some of that might have to do with the biking. | ||
| Because the bike works out different muscles, too, man. | ||
| Your lungs, too. | ||
| When it has to adapt to that kind of capacity, moving like that. | ||
| That's not it. | ||
| That's the beefy one? | ||
| I will break that shit, Jamie. | ||
| That's not it, Jamie. | ||
| It's called the Rogue Echo. | ||
| Echo Air or some shit? | ||
| I've been doing the 1,000 meter test on the row. | ||
| Like, I'll get done hitting mitts with my trainer and then go, 8,000 meters, and I see they have the records for the week. | ||
| Right. | ||
| I try and beat the records. | ||
| And just so anybody knows, that's not a sneaky ad. | ||
| I paid for all the rogue stuff that's here. | ||
| I bought it all. | ||
| No, no, this is an ad. | ||
|
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|
I just think it's good. | |
| That's it right there. | ||
| God, duh. | ||
| The thing is beefy. | ||
| Beefy as fuck. | ||
| It's got girders and shit. | ||
| You got a fat-ass handle on a girder. | ||
| Yeah, I need to step my game up so I don't have to... | ||
| Dude, it's nice to be able to just do it in your house. | ||
| All you need is a chin-up bar and some kettlebells at home, and you can just get something done. | ||
| Yep, that's what I need. | ||
| Because sometimes, you know that thing where you have an hour before you have to leave? | ||
| Like, I might be able to get to the gym and squeeze 30 minutes in. | ||
| See, that's what I've been doing. | ||
| Yeah, it's not... | ||
| Because I like to wake up with my son, and I'm with him, and I'm with an hour, and then you'll be at the studio. | ||
| Here, I'm going to New York, I'm doing this. | ||
| I just want to do something at home. | ||
| Dude, I've become addicted to the fasted cardio. | ||
| I used to do that before I started throwing up. | ||
| Yeah, but I think that's your coffee intake. | ||
| Yeah, you're probably right. | ||
| Your coffee intake is off. | ||
| What are you, like 20 cups a day or something? | ||
| I was at 12 to 16 cups a day. | ||
| And then fasting until 2. The doctor's like, well, let's not do that, you moron. | ||
|
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|
That's so crazy. | |
| That's so much whatever. | ||
| It's so much caffeine. | ||
| It's just too much of anything. | ||
| It's too much of everything. | ||
| And if you're not having any food, then it's just getting straight in there. | ||
| It's all getting absorbed. | ||
| I'm on all these medications now. | ||
| I have to get off keto. | ||
|
unidentified
|
Really? | |
| I'm dying, Joe. | ||
| I have stage 1 diabetes. | ||
| What is the medications they put you on? | ||
|
unidentified
|
I don't know. | |
| It's some anti-acid, like super strong stuff so I can still drink my coffee. | ||
| It's just not a possibility. | ||
|
unidentified
|
That's so crazy. | |
| You just have to keep coffee. | ||
| Yes, I have to. | ||
| I was like, you will fuck up my entire workflow if I can't drink coffee. | ||
| That's so crazy. | ||
| Yeah. | ||
| But fasting cardio is the way to go. | ||
| Yeah, I love it, man. | ||
| I get addicted to it. | ||
| You know what I get addicted to? | ||
| I get addicted to the feeling of having done it when I didn't want to do it. | ||
| That's what I realized this running thing is for me. | ||
| It's this little game I'm playing with my brain, where I know I'm gonna do it, but I wake up, I'm like, ugh. | ||
| And then Marshall's barking. | ||
| I'll put him in the backyard. | ||
| He's like, come on, bitch! | ||
| Yeah, he wants to go. | ||
| Dude, he's so crazy now. | ||
| I love it. | ||
| Because we've been doing it so much, so he's in really good shape. | ||
| That fucking dog's in shape. | ||
| Like, that dog's getting shaped like that. | ||
| He was getting a little chubby. | ||
| But he still had baby fat on him. | ||
| He's only 14 months old. | ||
| So when I took him, he was like 9 or 10 months old when I first started taking him. | ||
| I just wasn't sure if he was going to listen. | ||
| I was worried, like, what if we run into a rattlesnake or something like that? | ||
| That would suck. | ||
| It sucks. | ||
| You got used to the routine. | ||
| You could get them to the hospital, though. | ||
| They survive. | ||
| They're a lot tougher than us. | ||
| You gotta suck it out, especially if they hit them on the nose. | ||
| You gotta suck it out. | ||
| That's not real. | ||
| That's what I've heard, bro. | ||
| I've heard it, too. | ||
| It's not real. | ||
| It's so fake, right? | ||
| Yeah, I just read it. | ||
| It's bro science. | ||
| It doesn't work. | ||
| You can't really suck it out. | ||
| Dogs die because it hits them on the nose, and so, you know, it gets spread. | ||
| That's what I've heard. | ||
| No, my dog's gonna be on the nose. | ||
| If dogs have been on the nose, your dog has? | ||
| Yeah, my pit bull. | ||
| By rattlesnake? | ||
| Yeah. | ||
| Did he die? | ||
| No. | ||
| He's still alive? | ||
| No, he's dead now. | ||
| It was a long time ago. | ||
| What are we doing? | ||
| It's a long time ago. | ||
| All my dogs got bit by rattlesnakes. | ||
| Except the killer. | ||
| Except Squeaky Fromm. | ||
| She didn't give a fuck about snakes. | ||
| She would just fuck up other dogs. | ||
|
unidentified
|
Did her thing. | |
| That was my prison dog. | ||
| That was the dog that I got from the pound. | ||
| That was in the pound. | ||
| That's from Callan. | ||
| Callan's suggestion. | ||
| It was in the LA animal shelter for like five or six months. | ||
| It was a sweet, sweet dog though. | ||
| Loved people. | ||
| I did not want any dogs ruining her newfound party. | ||
| Dog aggression. | ||
| Well, she lived for the formative months of her childhood before I got her. | ||
| She lived in a cage. | ||
| And I think that that fucks with the dog's head. | ||
| Nobody adopted her for, like, I think it was at least five or six months. | ||
| Poor bunny. | ||
| And then, once you finally do get adopted, and you get all this love from these people, you get to sleep in bed with them and shit, and they take you home, and, I mean, that dog was, she slept right by my bed. | ||
| Sometimes they would hop in the bed, but I'd have to kick them off because they fart and shit. | ||
| Yeah, see, I like them in the bed. | ||
| It's rough. | ||
| I like the dogs in the bed. | ||
| Keep it warm. | ||
| Yeah, it does keep it warm, but sometimes they fart, and it's brutal. | ||
| You're like, oh, Or if it's a hot summer night, it's like, get out of here, man. | ||
| I know, itchy and shit. | ||
| So, like, any dog that she thought might steal that from her? | ||
| Like, any dog that came into her near? | ||
| She would growl with dogs if you pet them. | ||
| She just was not into it. | ||
| Insecurity issues. | ||
| Yeah. | ||
| There's good and bad. | ||
| But you guys are running all the time together. | ||
| I've struggled with that a little bit lately where I'll be tired and I'm like, come on, you've got to work out. | ||
| I've never had a workout and then afterwards went, man, I wish I didn't do that. | ||
| Never. | ||
| Not once. | ||
| People need to understand. | ||
| I saw a couple of comments of people saying, this is terrible advice and you should listen to your body when your body's tired. | ||
|
unidentified
|
Oh, shut up. | |
| That's not right. | ||
| No. | ||
| If you're sick, it's one thing. | ||
| Yeah, I know when I need to rest. | ||
| And I also know when I've done too much stuff. | ||
| I've done two workouts a day, three days in a row before, and then you get to that fourth day and you're like, whoa. | ||
| Alright, I probably should do nothing today. | ||
| That's almost tougher to do than working out. | ||
| For me to take a day off is almost tougher. | ||
| Psychologically. | ||
| Yes. | ||
| Because I'm like, oh, that's not good, man. | ||
|
unidentified
|
Don't be a pussy. | |
| You've got momentum. | ||
| Right now it's going good, right? | ||
| Your body starts thinking it's going to go. | ||
| But there's a moment where you realize that you're probably... | ||
| I should really monitor my resting heart rate in the morning. | ||
| That's another thing Steve Maxwell taught me. | ||
| He said that that's one of the best ways to figure out if you're overtrained. | ||
| Overtrained. | ||
| We used to do that in camps. | ||
| When you wake up in the morning, if your heart rate is 5 to 10 beats... | ||
| Over what it normally is, don't do shit because you're fighting something off. | ||
| Either you're fighting something off or you need to recover. | ||
| You could do like light skill work. | ||
| They say if you're sick, working out makes it worse because it messes up your immune system. | ||
| Yeah, it messes up your immune system. | ||
| Usually I know if I'm being lazy, I'm like, God, I just want to rest in bed, man. | ||
| Or I just want to do this. | ||
| I'd rather do this. | ||
| But you know what? | ||
| If you're not too sick, if you're not too debilitated, it's not a bad thing to just do light focus work. | ||
| Just move. | ||
| Try to figure out some technique where you're not doing anything hard. | ||
|
unidentified
|
Or even a steam room or sauna. | |
| Someone who asked me about steam room versus sauna, I asked Rhonda Patrick. | ||
| There hasn't really been studies done on the sauna or the steam room rather that show the benefits of the sauna. | ||
| They're both hot as shit. | ||
| They're both hot as shit. | ||
| It probably has some benefit. | ||
| The only difference is that the sauna can get way hotter because it's a dry heat. | ||
| So the sauna can get, you know, my sauna, I've had it up to more than 190. I fucked up and had it too much. | ||
| We sat in that sauna in Boston. | ||
| You're a serial killer in there. | ||
| Ten more minutes shot, and I was dying. | ||
| I was like, I think I'm set, man. | ||
| I think I'm kind of set. | ||
| I'm all red like a lobster. | ||
| You just gotta go empty in there. | ||
| I know, I hear you, but I was good, man. | ||
| We were in there for a minute. | ||
| Jamie dipped out super early. | ||
| Ten minutes before you guys. | ||
| He was there before everybody! | ||
| Oh, were you? | ||
| I didn't know that. | ||
| Yeah. | ||
| Because when you left, I went, pussy. | ||
| No, I'm just kidding. | ||
|
unidentified
|
No, no, no. | |
| Jamie got there first. | ||
| Little beast. | ||
| Shout out to Equinox in Boston. | ||
| Great fucking gym. | ||
| That was a good night, man. | ||
| Yeah, they keep it at 170. That's what most people think it should be. | ||
| 170. But if he was 170 with steam, man, you're getting cooked in there. | ||
| That's not good. | ||
| I don't think you can take that heat. | ||
| So the idea is that the sauna, because it's a dry heat for the most part... | ||
| I know sometimes people throw some water on the rocks. | ||
| Yeah. | ||
| But it's a dry heat for the most part, and that is what you want because that's what your body responds to, just the actual temperature and produces those heat shock proteins. | ||
| Makes sense. | ||
| Totally makes sense. | ||
| You know what's weird is sometimes in the UFC, and you can feel this too, if it's at a hockey arena like T-Mobile, sometimes when you get into the octagon and get in that crowd, it's freezing. | ||
| Right, the ice below the feet. | ||
| It's freezing, which sucks for the fighter. | ||
| It takes a while to get going. | ||
| You'll see guys for the first round, you're like, God, he looks a little stiff. | ||
| What's going on here? | ||
| It's freezing out there, man. | ||
| You're just in shorts, you're sweating in the back, and it's warm in that locker room. | ||
| Then when you come out, you're like, God damn! | ||
| So you can feel a total difference when you get in there? | ||
| Right away, I'd be like, God damn it. | ||
| I'd always think about it. | ||
| Is there a hockey team there? | ||
| Oh, there's ice. | ||
| So I had to calculate that. | ||
| Sure focus on something else. | ||
| I didn't realize it until one day. | ||
| I saw like a crack in between the boards, the floorboards, and I looked down and I went, that's fucking ice! | ||
| There's ice there right now? | ||
| And they're like, yeah, they keep the ice there. | ||
| They keep ice! | ||
| They keep ice! | ||
| All these thousands of people chill on top of ice. | ||
| Well, it can't break. | ||
| I know, I'm just saying it's kind of weird. | ||
| Oh, it's definitely weird. | ||
| But it's cold. | ||
| Is it better? | ||
| Well, not for the fighters for sure, but is it better for the audience? | ||
| Because sometimes it gets fucking hot in those places. | ||
| If you have just a big-ass chunk of ice in the middle of everybody... | ||
| It's kind of smart. | ||
| The only time it's been super cookie is in Brazil. | ||
| They just didn't use any AC or anything. | ||
| Dude, I was in one of them. | ||
| It was an open-air place in Brazil. | ||
| So we were indoors, but at the top, the top areas, it's like these big ol' open doors that face the outside. | ||
| There was bugs flying around and shit. | ||
| That's some Brazilian shit, man. | ||
| It was warm, man. | ||
| It was moist and warm. | ||
| There was one with Anik and someone, and they're literally just sweating, the pit stains, they're just sweating it out. | ||
| That happened in Abu Dhabi, too. | ||
| We were in Abu Dhabi, I was drenched. | ||
| That was outdoors. | ||
| That was an outdoors one. | ||
| Yeah. | ||
| Yeah. | ||
| Was that Munoz, Weidman? | ||
| Anderson, Damian Maia. | ||
| That's right. | ||
| Weidman fought out there, too. | ||
| I think he fought... | ||
| BJ Penn fought Frankie Edgar. | ||
| That's where Frankie Edgar won the title. | ||
| And they've had Roy Nog out there. | ||
| Yep. | ||
| They haven't been back there in a while. | ||
| It's been a while. | ||
| It's been a minute. | ||
| Hot minute. | ||
| Yeah, that one was crazy because you saw bugs flying around. | ||
| You never knew were real. | ||
| Oh, it's some Jumanji shit out there. | ||
| I went on a hike. | ||
| I was like, oh, I'm in Jumanji. | ||
| This is cool. | ||
| Like, what in the fuck is this? | ||
| Shit you've never seen before. | ||
| Yeah, it's crazy. | ||
| You go to other countries, man. | ||
| They have completely different ecosystems. | ||
| The point where you look at things, you go, what in the fuck is that? | ||
| What is that? | ||
| But where it's dangerous, too. | ||
| I remember when I was in Brazil, we were climbing this thing, and they go, now listen, fellas, you got to make sure, and we're with the locals, like, you have to come down before nightfall, otherwise they're not going to find you. | ||
| What kind of shit is this? | ||
| So we just dipped out, getting up there in my man. | ||
| My manager Lex McMahon got lost. | ||
| We didn't see him for the rest of the night. | ||
| And literally the local was like, he's one with the jungle now. | ||
| I'm like, what the fuck does that mean? | ||
| Is this a bad rock movie? | ||
| Is this the rundown or some shit? | ||
| What do you mean he's one with the jungle? | ||
| He showed up a day later just exhausted to get an ounce of sleep and someone in one of these huts took him under their wing and saved him. | ||
| Oh my god. | ||
| Yeah, people have to get helicoptered out of there if they get trapped at the top. | ||
| I was like, dude, I feel like I shouldn't be doing this before a fight. | ||
| I feel like this is a bad idea. | ||
| How many days before a fight was this? | ||
| This was like a week before. | ||
| Jesus Christ! | ||
| The guy in front of us had a Soonga on, basically a Speedo, just asshole out in front of us, just fucking going. | ||
| Through the jungle with a Speedo on you. | ||
| Barefoot. | ||
| Barefoot. | ||
| And just doing work. | ||
| Smoking us. | ||
| Shredded, tan, fucking all acaïed up. | ||
| You ever see what their feet look like? | ||
| Like hobbits feet. | ||
| They have the craziest feet ever. | ||
| These people that live in the forest, they splay out like a hand. | ||
| And they're super thick toes and shit, like it doesn't look anything like... | ||
| No, we have bitch feet. | ||
| Oh dude, believe me man. | ||
| It feels good. | ||
| My feet were sore today. | ||
| I had to run in regular running shoes because my feet are sore. | ||
| From the Vibrams? | ||
| Yeah, from just the pounding. | ||
| I'm scared of that plantar fasciitis. | ||
| Have you ever had it? | ||
| No. | ||
| Get your mind right. | ||
| Let's go ahead and get on. | ||
| There's a reason there's technology, son. | ||
| Let's quit running barefoot these days. | ||
| No, no, no. | ||
| I think the barefoot thing strengthens your feet up. | ||
| I think it just takes time. | ||
| I'm just being real careful. | ||
| Be super careful. | ||
| It's a nightmare. | ||
| I'm sure. | ||
| Dom Cruz had to deal with it. | ||
| I've dealt with it at night. | ||
| I had to get shots, injections in my foot. | ||
| And with Dom Cruz, it was the same thing. | ||
| It was coming back too quickly. | ||
| Like, he had a knee injury, right? | ||
| So after his knee injury, then he just tried to get way back into shape way quick and fucked his feet up. | ||
| Mine was just, I think, from being so big and just running. | ||
| I was doing, you know, miles and miles and miles and miles. | ||
| I love running. | ||
| It's literally my favorite thing to do. | ||
| Neil Brennan got planner from a treadmill from wearing those Vibrams. | ||
| They say you gotta work into them. | ||
| You just don't want to go straight barefoot and just start doing work. | ||
| No, you definitely do. | ||
| To me, it feels good to be barefoot. | ||
| I like walking in the street. | ||
| I feel like I'm doing something dangerous, like on the sidewalk barefoot. | ||
| Yeah, like, ooh, I'm wild. | ||
|
unidentified
|
Wow. | |
| Yeah, I feel nice about it. | ||
| I don't know what it is, man. | ||
| It makes me feel free. | ||
| I know it's dirty and dangerous, but I don't care. | ||
| It's supposed to be dirty and dangerous. | ||
| That's what life is supposed to be. | ||
| It's supposed to be interacting with other life. | ||
| It's also your feet. | ||
| It's your feet. | ||
| It feels nice. | ||
| It's a rubber barrier between you and the world. | ||
| That shit ain't right. | ||
| They're always confined. | ||
| I like to let them breathe a little bit, man. | ||
| I wonder if the Indians had it right with moccasins. | ||
| Nah, I think there's no airflow with those goddamn moccasins. | ||
| They didn't give a fuck what things smelled like back then, bro. | ||
| Oh, they smelled like bullshit. | ||
| They just didn't give a fuck. | ||
| They gave up on that fight. | ||
| If they could find a creek, a temporary, put some of that fire out real quick. | ||
| I'm not about that life. | ||
| I'm not like that, man. | ||
| But they would just run around with moccasins. | ||
| They basically just had like a layer of leather between their foot and the ground. | ||
| That's all they could do. | ||
| Climb mountains with that. | ||
| Hey, hey, hey, what is this, Jamie? | ||
| How dare you, Jamie? | ||
| This guy is slicing chunks off of the bottom of his foot. | ||
| I mean, this is crazy. | ||
| That makes you feel sick, bro. | ||
| Man cuts calluses off his foot with a knife and dog eats it. | ||
| This is the name of this video. | ||
| How the fuck did you find it? | ||
| Look at these calluses, dude. | ||
| This is insane. | ||
|
unidentified
|
Bro. | |
| This guy is just slicing through these calluses like it's a coconut. | ||
| Like it's coconut meat. | ||
| It looks like a pineapple. | ||
| This is insane. | ||
| Have you ever seen anybody have calluses like this before, though? | ||
| I think this guy has a problem. | ||
| That ain't normal. | ||
| What kind of a man can just cut at his foot like that? | ||
| How do you know how deep to cut where you don't cut your goddamn heel off? | ||
| You know this dude is not sharpening that knife. | ||
| That's not a sharp knife. | ||
| That's not. | ||
| This is crazy, man. | ||
|
unidentified
|
And the dog is eating it! | |
| The dog is taking the pieces of meat and eating it. | ||
| The dog's a man-eater. | ||
| What the fuck is wrong with that dog? | ||
|
unidentified
|
How in the world did you find that, Jamie? | |
| Jamie's got that bookmarked. | ||
| I couldn't wait to... | ||
| Did you say feet? | ||
| Just couldn't wait to drag that shit up. | ||
| I mean, who the fuck cuts off the bottom of their feet with a knife like that? | ||
| And what's he doing to get his feet like that? | ||
| And why is he yelling at that dog while that dog's eating his feet? | ||
| That makes you this close to throwing up. | ||
| Wouldn't you, like, think that the dog would get used to that smell? | ||
| Like, that's what I like to eat now. | ||
| And then, like, you'll be sleeping. | ||
| The dog's hungry. | ||
| He's like, fuck it, I'm just gonna snack out on this dude's feet. | ||
| It's a zombie dog. | ||
| You got a zombie dog in your hands now. | ||
| Looks like a bloodhound, too. | ||
| Dog's a goddamn horrible monster. | ||
| Meteor. | ||
| Human eater. | ||
| Wow. | ||
| That makes me feel super sick, man. | ||
| On another note, how about that Brian Ortega? | ||
|
unidentified
|
On another note, how about Brian Ortega, man? | |
| I don't know what my show yesterday night. | ||
| It was awkward because me and Brian are super close. | ||
| And I don't know what it is because... | ||
| Same thing with Stipe. | ||
| Whenever I know these guys... | ||
| I know him from when I trained with him, and I've seen him in that light. | ||
| With Brian Ortega, I cornered him for one of his fights before he got to the UFC. And I knew him as that Brian Ortega, where all jiu-jitsu, cardio for days, but terrified to fight. | ||
| I know him as that Brian. | ||
| And now he's evolved into the No. | ||
| 1 featherweight in the world. | ||
| So when he got the Frankie Edgar fight, I was like, God, I just feel like it's a terrible matchup, man. | ||
| I'm telling Henner, I'm like, what's he going to do? | ||
| And Henner's like, don't worry, man, don't worry. | ||
| And so on my show, which Brian and Henner listen to, they're like, dude, they come in, they're like, how are you going to pick against me? | ||
| I'm like, no, no, no. | ||
| I said my brain went with Frankie just because it's Frankie Edgar. | ||
| He's a legend. | ||
| My heart wanted you, Brian. | ||
| He's like, dude, it hurt my feelings. | ||
| I'm like, I'm sorry, man. | ||
| And I don't know what it is. | ||
| It was Stipe, too. | ||
| Whenever I see him, I know him as that version of them. | ||
| It's a problem that I have. | ||
| I like this gap. | ||
| I don't know what's going on. | ||
| People always do that. | ||
| They do that. | ||
| They remember someone by what they were when they were at their worst. | ||
| It's not even their worst, but it's in their infancy of their careers. | ||
| Well, let's not even say their worst. | ||
| Just say a lesser version of who they are now. | ||
| Correct. | ||
| Right? | ||
| It's like, do you ever get that feeling when you go back to high school? | ||
| Like, if I'm around someone from high school, I feel like a loser. | ||
| You know, this is a weird feeling. | ||
| 100% when I go back to Denver, I'm almost not myself because I feel like this loser. | ||
| A loser. | ||
| Yeah, because you remember back who you were when you were insecure and starting out in life. | ||
| That's a normal thing. | ||
| They always say that about comedy clubs. | ||
| If you start out at a club, that club will never respect you. | ||
| They respect you when you leave, and maybe you get a TV show or something like that, and then come back, and they're like, yeah, yeah, I remember when you sucked, though. | ||
| They remember when you sucked. | ||
| I had a problem with that in Boston at first. | ||
| Really? | ||
| Yeah, because they remembered me as this guy who was an opener. | ||
| And then, you know, how am I a headliner? | ||
| They treated you like that. | ||
| You're not a headliner. | ||
| I remember when you were opening. | ||
| You did 20 minutes. | ||
| You opened. | ||
| That's what you do. | ||
| I know. | ||
| Like, you're not a headliner. | ||
| I had one night... | ||
| This isn't in my nature at all. | ||
| I'm going to go back. | ||
| I've just been busy. | ||
| But I had one night at the Laugh Factory where I just... | ||
| I bombed, man. | ||
| Bomb, bomb. | ||
|
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|
Like... | |
| I was like, I should probably not do this at all. | ||
|
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|
Just... | |
| One guy in the back just goes... | ||
|
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Boom! | |
| I'm like... | ||
| No doubt. | ||
| No doubt, man. | ||
| I get in the car and I'm just driving down Sunset. | ||
| I'm like, what the fuck am I doing, man? | ||
| It's so embarrassing. | ||
| I haven't been back since. | ||
| But not because... | ||
| Because I'm like, oh, I'm scared of the Laugh Factory. | ||
| It's just that I've been at the store and just been on the grind. | ||
| But you do have it in your head. | ||
| Like, you got to get back up there and clean that up. | ||
| And literally, I think about it every day. | ||
| It's something back here. | ||
| It's like, get your ass up there, man. | ||
| I'm like, oh, but I'll go to the commie store. | ||
| Nope, get your ass up there. | ||
| See, that's an athlete's perspective. | ||
| That's the difference. | ||
| That's one of the things that I've been saying to people about you. | ||
| The difference between the way you've been approaching comedy and another person would do it, you're doing it from an athlete's perspective. | ||
| Like, you work hard at shit, and you know what your weaknesses are, and you fix those. | ||
| Other people ignore them. | ||
| It's a real problem. | ||
| You know, like someone who'll have a joke, and the joke doesn't do well, like several nights in a row, but they keep doing it the same way. | ||
| Like, why are you doing it the same way? | ||
| You need to cut some of that out. | ||
| You need to tweak this. | ||
| You need to turn that around. | ||
| You need to add something. | ||
| Maybe you're not explaining it enough, but if it's not doing well, and you keep doing it the same exact way... | ||
| Yeah, it's not the crowds, homie. | ||
| Yeah, you gotta figure out... | ||
| They're there to laugh. | ||
| People get stuck in a weird pattern, though, of wanting to do things the exact same way over and over again. | ||
| Oh, dude, nothing's better to me when it's such an honor, too. | ||
| If I'm at the comedy store, if I was at the comedy store in La Jolla and a comic go, hey, you should try this. | ||
| I listen to your joke, you should button with this or try this. | ||
| I'm like, dude, that's brilliant, man. | ||
| Yeah, every now and then someone will just nail it for you. | ||
| They just find, they see something that maybe you didn't see and you're like, oh. | ||
| Like you ever thought about going this direction? | ||
| I'm like, dude. | ||
| And it's not like they're writing your jokes like, hey, what if you went this direction? | ||
| I'm like, dude, that's brilliant, man. | ||
| That happens in martial arts, too, right? | ||
| Like hasn't someone like pointed something out to you like? | ||
| Oh shit. | ||
| Oh hundred percent with a choker Your hands are like this dude. | ||
| You ever tried it like this and I do that Yeah, that makes sense. | ||
| It's so much easier. | ||
| Yeah Sometimes things don't seem they like they'd be easier and they are like this That pretzel grip? | ||
| This weird grip? | ||
| You're like, why would I grab somebody like that? | ||
| And then you do it and you're like, oh! | ||
| If someone shows you. | ||
| But I feel like... | ||
| Not in my... | ||
| Yeah, it feels nice. | ||
| It feels nice. | ||
| Oh, you ain't getting none of that, are you? | ||
| Some Brian Ortega shit. | ||
| Dude, his guillotine is ridiculous. | ||
| How does he grip it? | ||
| And he's getting the... | ||
| He has all sorts of variations. | ||
| That motherfucker's nice with it. | ||
| He's here. | ||
| He's here a lot of times. | ||
| He goes flat. | ||
| He's so good at it. | ||
| So is he like Marcelo, like how Marcelo slides it under like a blade and then catches it? | ||
| Yeah, and he's the best at the world in it. | ||
| But he also... | ||
| He's getting the respect now from the crowd, because if you remember when Frankie kind of faked that shot and he got a hold of his neck, the entire crowd goes, because now it's like, oh shit, they realize what he's capable of. | ||
| When that dude gets a hold of your neck, it's a totally different proposition. | ||
| What he did to Cub Swanson at the end of the first round, he had Cub basically out. | ||
| Cub was fucked, and it was just a matter of the time ran out, but that shit was fully locked in and Cub wasn't going anywhere. | ||
| I got emotional yesterday when he came in the room because I haven't seen him since. | ||
| And I went, not even on air, I went, hold on, stop there. | ||
| I went, bro, hear me real quick. | ||
| Before anyone tells you this, I know you didn't touch all that. | ||
| I went, you're the number one featherweight in the world. | ||
| Remember when I coined you for that rough and nasty fight in Glendale, where the fuck it was? | ||
| Remember that? | ||
| Now you're the number one guy in the world, Brian. | ||
| Let that soak in. | ||
| He's the number one contender. | ||
| Max Holloway's the number one in the world. | ||
| He's ranked number one in the world. | ||
| Right, but number one contender. | ||
| True. | ||
| He's number one, all I'm saying. | ||
| Max Holloway's the champ. | ||
| Yeah, but that's the number one. | ||
| Correct. | ||
| Until they fight. | ||
| He's the champ, but he's ranked number one in the world. | ||
| That was the message. | ||
| I understand that. | ||
| If I was Max Holloway, I'd be like, motherfucker! | ||
| Well, they're going to fight for sure. | ||
| Max Holloway is the greatest featherweight in the world right now. | ||
| But for Brian Ortega to go from, it's crazy to see, man. | ||
| It's a very interesting fight. | ||
| It's nuts. | ||
| Because Ortega is super dangerous standing and on the ground he's on a totally different level than anybody else. | ||
| They're also the same size. | ||
| Max Holloway usually has a big advantage with reach and size, but now they're kind of equal. | ||
| Dude, Holloway's something special though, man. | ||
| He's something special. | ||
| Super special. | ||
| What he did to Aldo, what he did to Aldo was crazy. | ||
|
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Twice. | |
| Twice. | ||
| And the second time, more emphatic. | ||
| Like he knew he was going to do it. | ||
| No, Max Holloway's something special. | ||
| Special. | ||
| And it's almost like when you watch what he does, you can't appreciate it until you see it a bunch of times. | ||
| Because what he's doing, he's not knocking someone out with one head kick. | ||
| He's not catching someone with some unbelievable, spectacular submission. | ||
| No, what he's doing is just fucking you up. | ||
| He's outclassing everybody. | ||
| Regularly. | ||
| But with technique, and he's ferocious. | ||
| What do you want to do? | ||
| You want to do technique? | ||
| You want to do pace? | ||
|
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You want to brawl? | |
| You want to brawl? | ||
| I'm going to draw the line right here. | ||
| Come brawl. | ||
| See how that goes for you. | ||
| Yeah. | ||
| And that's what Brian can't fall into. | ||
| And Brian will be, I'm sure, in Vegas eyes, the underdog, which rightfully so. | ||
| It's Max Holloway, the greatest featherweight in the world right now. | ||
| So with Brian, he just has to be careful. | ||
| Max will lure you into that brawl, and he's not going to lose those brawls. | ||
| Yeah, he's very good at brawl, and that's for damn sure. | ||
| And the crazy thing was the llamas fight. | ||
| Oh my god. | ||
| Ricardo Lamas, he's beating his ass. | ||
| And then he just points to the center of the schedule. | ||
| Come on, man. | ||
| Let's fucking throw it out. | ||
| No, he's one of my favorite fighters, man. | ||
| He just bites his mouthpiece down. | ||
| It's just windmilling at him. | ||
| He can do that. | ||
| He can do technique. | ||
| You want to do jiu-jitsu, whatever you want to do. | ||
| Yep, whatever you want to do. | ||
| It sounds like, from what Brian told me, is they're aiming for that international fight week. | ||
| So you have DC, Stipe, maybe Cyborg, Amanda Nunes. | ||
| Then you got Brian Ortega, Max Holloway. | ||
| Well, Max just broke his foot. | ||
| So what are we at right now? | ||
| How many weeks is he out? | ||
| Is he even out of his cast yet? | ||
| I don't think he's out of his cast. | ||
| I saw a photo of him on Instagram. | ||
| It was about two weeks ago he had a cast on. | ||
| He's on Tough Helping DC, right, though? | ||
| He's probably doing it on crutches or standing on his cast. | ||
| So we're in March, April, May, June, July. | ||
| Four months. | ||
| A bone in a foot is not an easy one because you're always standing on it. | ||
| No, and then when you get back, it's going to take time. | ||
| Yeah, and then you're going to be real hesitant to kick things. | ||
| Well, hey, I'm not the one starting the room with International Fight Week. | ||
| That's what Ortega's hearing. | ||
| They want to do in Hawaii. | ||
| Obviously, Henner and Brian, they're like, we'd love to go to Hawaii, go to his hometown and do it. | ||
| But, you know, there's a lot of moving pieces for UFC to get to Hawaii. | ||
| Well, the other thing is inside and outside. | ||
| Like, how big of an arena do they have that's inside? | ||
| Well, outside they have the stadium, right? | ||
| They could do the giant stadium, which would sell out. | ||
| It would sell out, but what if it rained? | ||
| Which it does in Hawaii all the time. | ||
| Are we fighting in the rain? | ||
| Wet and Wild. | ||
| Remember that one? | ||
| You wouldn't watch that? | ||
| King of the Cage? | ||
| Yeah, you wouldn't watch that? | ||
| Rainy? | ||
| I mean, it'd be so weird, but... | ||
| No, you can't have that. | ||
| It's a good risk to have. | ||
| Yeah, it's a good risk to have. | ||
| You can't have it, though. | ||
| That would be phenomenal for Brian. | ||
| If they could just slip to the ground real quick. | ||
| Amazing for Brian. | ||
| He has a good advantage over almost everybody at 145 when it comes to jiu-jitsu. | ||
| Who doesn't he have an advantage of when it comes to jiu-jitsu at 145? | ||
| There's no one. | ||
| No one more dangerous than T-City as far as on the ground. | ||
| The way he locks onto things, there's a finality to it. | ||
| His strength and now his belief in himself with it. | ||
| He knows how dangerous he is. | ||
| And really, he's almost... | ||
| People haven't seen what that kid's capable of either. | ||
| We've seen some cool stuff, but some of his flying triangles, his flying arm bars, and his grips and stuff, and his guillotines, and he has a lot of cool setups that we haven't even touched on. | ||
| Yeah, he's one of the most impressive guys I've ever seen in terms of when he starts locking something up, you know it's over. | ||
| Game over. | ||
| Whoa! | ||
| Game over. | ||
| Just super high level. | ||
| Very interesting. | ||
| Because he doesn't have, like, world championship, you know, victories in his past, right? | ||
| No, he didn't come up through, like, the IBJFF, whatever the hell it is, or he didn't go to metamorphosis, anything like that. | ||
| He's just this kid that grew up on the Gracie mats, and over time was that kid who was just like, God damn, he's good, and just kept with it, kept with it, kept with it. | ||
| Yeah. | ||
| Now the crazy thing is his striking has become just as deadly. | ||
| Fluid, loose. | ||
| When you crack Frankie Edgar with an elbow like that, and then starch him with that uppercut, That's like, he can do that to you standing now? | ||
| He lift him off his feet? | ||
| Yeah. | ||
| Yeah. | ||
| It was incredible. | ||
| So where's the picnic? | ||
| Picnic's not standing. | ||
| Not right now. | ||
| For Max Holloway, he's probably looking at it going, the picnic for me is standing because he's so goddamn, you know, good at it. | ||
|
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But... | |
| You can't just say that's a huge advantage anymore after you see Ortega. | ||
| Because remember, he's knocked out Clay Guido with knees. | ||
| After you knock out Frankie Edgar like that, you at least have to acknowledge the kid can do some stand-up damage. | ||
| I think, yes. | ||
| But I think there's a real concern if they're going to try to fight in July with Halloween not having enough time to recover. | ||
| I hope I'm wrong. | ||
| But when I'm looking at that, when you just said it's March, I was like, yeah, it is March, isn't it? | ||
| April, May, June, July. | ||
| That's four months. | ||
| How healed up are you after four months? | ||
| Are you ready to throw kicks and get your foot checked? | ||
| Well, who knows? | ||
| Maybe Dana told Brian, hey, we're shooting for July, summer, something like that, but they don't realize where Max Holloway is. | ||
| You know how this goes. | ||
| Maybe it's on another card. | ||
| Maybe I'm wrong, though. | ||
| Six weeks is what it takes for a bone to heal. | ||
| I'm sure Max will tweet us or something. | ||
| Yeah, I'm good right now, bitch. | ||
| Google what it takes for a healthy, what is Max, like 28? | ||
|
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No. | |
| 27? | ||
| Aren't him and Brian Ortega the same age? | ||
| A couple of young bucks. | ||
| And this won't be the last time you see a Brian Ortega and Max Holloway fight. | ||
| What's that? | ||
| He's 26. 26. Sorry. | ||
| Take this 27. Go to, how long does it take? | ||
| Just Google, how long does it take? | ||
| For a bone on a 26-year-old man to heal. | ||
| And then cut it in half because Max Holloway. | ||
| Yeah. | ||
| You know how the doctors, you're going to be out about six months. | ||
| Well, yes, if I'm a soccer mom, six months. | ||
| For me, it's going to be about three. | ||
| Thank you, sir. | ||
| I'm going to push it at three, you giant pussy. | ||
| That's also a way to blow out those ACL reconstructions. | ||
| That's how doctors are. | ||
| They used to all these old people. | ||
| Like, you're out for about a year. | ||
| That's true. | ||
| You need three months, dog. | ||
| Kick rocks. | ||
| You know what, man? | ||
| This tendon injury that I got. | ||
| I got golfer's elbow. | ||
| That really made me aware. | ||
| There's a difference between injuring a muscle and injuring a tendon. | ||
| 100%. | ||
| They don't have much blood supply, man. | ||
| It's a fucking pain in the dick to get that to heal. | ||
| I'm stunned at how long it takes and how many different things I've done. | ||
| Since you told me that I was doing pull-ups and it started hurting here I've stopped doing for a little bit. | ||
| It's just here It's just this I started hurting in there and that's went to here and I'm like, you know, I'm gonna chill out on that stuff I got a chunk of something floating around there too. | ||
| You got like the piece of hard something or another I fell once in Alaska Callan and I were on this deer hunting trip and I slipped off the side of a cliff and Cracked my elbow on this rock and it was hurting for months afterwards Like every time I would do a chin-up it would hurt And I just sucked it up. | ||
| And I think I might have chipped a piece of bone off in there. | ||
| I think there's something floating. | ||
| Or it's a piece of calcium that's built up because of irritation that can happen. | ||
| Just let it ride, bro. | ||
| Yeah, let it ride, bro. | ||
| You got this, man. | ||
| Bro science. | ||
| Dude, speaking of people getting fucked up, how about that girl cyborg fight? | ||
| She looks scared. | ||
| When she got hit with the first one, her eyes were like, oh my god. | ||
| And god bless her, man, because your first fight in the UFC, here you go, this is what you always want, here's Cyborg main event, short notice, enjoy that. | ||
| Yeah, that's kind of a crazy thing to do, right? | ||
| Title shot, your first fight ever in the UFC? Title shot, your first fight ever, and nobody knows, literally nobody in the UFC knows who you are. | ||
| The UFC didn't even have a picture up of her until the week of the fight. | ||
| You've never... | ||
| I mean, she got submitted by Tanya Evinger. | ||
| That's tough. | ||
| She submitted Tanya, and then Tanya submitted her. | ||
| And we know that she's a 135-er. | ||
| Yeah, that's her, like, wincing in pain as Cyborg lowers the boom on her. | ||
| She took Cyborg down, though. | ||
| She did. | ||
| That weird... | ||
| Yeah, well, that was obviously the strategy. | ||
| The strategy was to close the distance, get that clinch, drag Cyborg to the ground. | ||
| She's a 135-er, man. | ||
| She really is not big enough. | ||
| But for Cyborg, it's like, what do you want me to do, man? | ||
| Like, there's no one in the division. | ||
| What is stopping that Megan Anderson chick from coming over? | ||
| Her work visa. | ||
| She doesn't have it? | ||
| She was here illegally or something like that. | ||
| I know that was the hold-up there. | ||
| Some bullshit. | ||
| Lawyers get on that. | ||
| I know, man. | ||
| Let's go. | ||
| Because she's a legit... | ||
| Competitor. | ||
| Big girl. | ||
| Pretty. | ||
| Australian. | ||
| Fight her ass off. | ||
| Tattooed up. | ||
| She's actually in the same weight class. | ||
| Legit 145. Yeah. | ||
| And she wants to fight. | ||
| Kat Zingano wanted to fight too. | ||
| She's talking all that shit for a while. | ||
| Can't someone call Trump? | ||
| Kat Zagano wants to fight? | ||
| Well, Kat Zagano did want the Cyborg fight, but since she lost that last one to Viera, split decision, Cyborg's not sniffing that. | ||
| No, no, no, no. | ||
| There's no way. | ||
| She's going to have to get a couple of it, because she lost her last one, too. | ||
| Who'd she lose to? | ||
| Juliana Pena? | ||
| Yeah. | ||
| She's taking too much. | ||
| You could see the ring rust was there and the nerves were there. | ||
| She needs time. | ||
| She needs time so she can compete there. | ||
| With Cyborg, I'm not even trying to be funny here. | ||
| She's not going to lose to a single woman. | ||
| She needs to fight two women or there needs to be a dude in there. | ||
| But one girl's not going to beat her. | ||
| I hate to tell you guys. | ||
| I don't know how you're going to market that. | ||
| You're telling me you wouldn't watch her ever CM Punk? | ||
| Well, I think you put her as co-main event a lot on some cards that have a lot of great fights. | ||
| I just think that the problem is... | ||
| Oh, I'll watch her. | ||
| People are always going to be willing to watch whoever steps in and fights her. | ||
| But to have her be the center of a giant event, I think it's going to take a real challenger. | ||
| Like Holly. | ||
| Those ratings were good. | ||
| Like, yeah, that was a good fight. | ||
| Because that was a fight where people were like, hmm, Holly, you know, is legit. | ||
| Like, real skillful boxer. | ||
| It shows you how good Holly is, too, because it went to decision. | ||
| Although she... | ||
| You know, Holly was never really winning that fight. | ||
| She made some hard shots. | ||
| Yeah, she got lit up. | ||
| You realize when you're in there fighting Cyborg, it's a totally different proposition. | ||
| When you see Cyborg, you're just like, oh man, she's never going to lose until Father Time, I guess, touches her on the shoulder. | ||
| But right now... | ||
|
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She's only 32. Isn't that crazy? | |
| It's not young, but it's not old either. | ||
| No, she's not old. | ||
| That's prime. | ||
| She could do this for another five years. | ||
| Easy. | ||
| When, you know, you think about how long she's been around, like way back in the Gino Carano fight, how old was she then? | ||
| Jesus, man. | ||
| Super young. | ||
| Super young. | ||
| She's been doing it for a minute. | ||
| Dude, do you ever watch that fight again? | ||
| It's not a bad fight. | ||
| People don't give Gina enough credit. | ||
|
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No. | |
| Gina mounted her at one point, Tom. | ||
| Gina, first team, all die in peace. | ||
| Captain of the team. | ||
| Yeah, she's pretty hot. | ||
| But out of respect to Kevin Ross, this will be the end of this conversation when it comes to how hot Gina Carano is. | ||
| Oh, is that our man? | ||
| What's he do? | ||
| Kevin Ross, the Muay Thai fighter. | ||
| Oh, yeah, he's all tatted up. | ||
| They're still together? | ||
|
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|
Yeah. | |
| Good for them, man. | ||
| Good for them. | ||
| Hopefully she's a Deadpool, too. | ||
| Oh, here's the fight. | ||
| Yeah, she's got to be very cool, because he's very cool. | ||
| Damn, look at this at the beginning of the fight. | ||
| She's just teeing off on Gina. | ||
| She takes her down and fucks up, and Gina winds up on top of her. | ||
| Look at Gina doing work. | ||
| People forget how good that girl was, man. | ||
| Oh, she's very good. | ||
| Look at the cyborg girl for the heel hook. | ||
| Every girl should give her royalties for starting women's MMA, let's be real. | ||
| She actually had a half-assed heel hook here, or a half-decent heel hook here. | ||
| Gina turning and getting out of it. | ||
| Yeah, she popped out. | ||
| Yeah, Gina Cronk. | ||
| I mean, she just... | ||
| Think how big Gina Cronk would be if she was in the sport right now. | ||
|
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Oh, Jesus. | |
| Cyborg's hitting her with some hammers. | ||
| This was, uh, yeah, she would be gigantic. | ||
| She'd be so big. | ||
| Because she was big when the UFC was really in its infancy. | ||
| She was big on Showtime. | ||
| What year do you think this fight was, if you had to guess? | ||
| 2004? | ||
| Six. | ||
| Nine. | ||
| 2009? | ||
| Really? | ||
| Nine. | ||
| Wow. | ||
| Cyborg, vicious kick to the body. | ||
| So Cyborg was only like, what, 22-ish? | ||
| Her takedowns are so bad. | ||
| She fell down again and this time Gina mounts her. | ||
| Look at that. | ||
| Like, people forget. | ||
| Gina's getting a mount because of Cyborg's mistakes on these takedowns. | ||
| That's great, but she's still mounted. | ||
| Hell yeah. | ||
| This is the most trouble we've ever seen Cyborg in besides that Muay Thai fight. | ||
| And Gina's gonna let her up. | ||
| No, Gina was an absolute monster. | ||
| People forget, man. | ||
| But with Cyborg, I'm dead serious. | ||
| I'm even trying to be funny. | ||
| Unless two women enter that octagon against her, she's not gonna lose. | ||
| Or you need to get Khabib up in that bitch. | ||
| Well, she obviously has some physical attributes. | ||
| Now, when you think about the rest of the women at 145, no one stands out. | ||
| What they're going to do is Amanda Nunes. | ||
| That's the fight. | ||
| Amanda Nunes wants it. | ||
| Cyborg wants it. | ||
| I like the fight. | ||
| I think technically Amanda Nunes is better as far as a technician as Cyborg. | ||
| However, let's say that's five rounds, even three rounds. | ||
| Over those three rounds, I don't think she possesses the same power as Cyborg. | ||
| You know what I'm saying? | ||
| When Cyborg hits a girl, you see it on their face. | ||
| The stoppage of Gina Carano, we're watching on the big screen, it's horrific. | ||
| Yeah, it's a tough one. | ||
| It's horrific. | ||
| When she gets her down, like the hammers that she drops on her. | ||
| I'm more of a Cyborg fan now. | ||
| Back then, I was first-team All-Gina. | ||
| No one wanted that. | ||
| No one wanted that. | ||
| Did she test positive for this fight? | ||
| No, I thought it was after this. | ||
| It was another fight. | ||
| Yeah, it was in this fight. | ||
| That'd be way bigger news. | ||
| But Cyborg Amanda's a good fight. | ||
| That's a real good fight. | ||
| And I'm a huge Amanda Nunes fan. | ||
| I just think over that time, she's going to land some shots on Cyborg. | ||
| Cyborg will get hit, but when Cyborg hits you, you can't play that game with her. | ||
| There's no female in the world who can play that game with her. | ||
| You give me one, I'll take one. | ||
| You here. | ||
| You here. | ||
| It just doesn't work. | ||
| Yeah. | ||
| Who knows, man? | ||
| That's interesting. | ||
| It's a great fight, though. | ||
| I like that fight. | ||
| Amanda's got legit one-punch power. | ||
| Legit smack-em-up power. | ||
| Real black belt in jiu-jitsu. | ||
| Very good at fighting. | ||
| Knows how to fight. | ||
| Phenomenal fighter. | ||
| Yeah, she knows how to fight. | ||
| Forget about all the things that she can do. | ||
| She puts it together well. | ||
| You know who can fight? | ||
| Cyborg. | ||
|
unidentified
|
Yep. | |
| She's the greatest female fighter of all time. | ||
| It's hard to argue. | ||
| It's hard to argue, right? | ||
| Yeah, it's hard to argue. | ||
| There's some caveats in there, obviously, but it's hard to argue. | ||
| Yeah, there's some caveats, I guess, if we're going to go down that road. | ||
| But still, in the UFC with the USADA testing, she's still the best. | ||
| So that kind of takes it out of the window. | ||
| Well, she was the best back then. | ||
| She tested hot. | ||
| Cool. | ||
| Now she's in the most strict testing pool of all time. | ||
| She's still dominating. | ||
| So where's your argument there now? | ||
| Well, you know the argument. | ||
| That she retained all the shit from when she was taking it back in the day? | ||
| You definitely retained something. | ||
| Not everything, though. | ||
| Ask Hector Lombard. | ||
| It's a question. | ||
| Ask Vitor Belfort. | ||
| Right. | ||
| That's true. | ||
| But those are men. | ||
| It's different. | ||
| The idea of a guy taking shit or a girl taking it. | ||
| Don't you think they're different? | ||
| It's different, but it's different. | ||
| There's an argument there, but it's not different to the point where after, was that 2009 you said? | ||
| So after nine years, she's still retaining this muscle mass. | ||
| She was born a bigger female. | ||
| That's true, too. | ||
| That's true, too. | ||
| No matter what Gabby Garcia did, she's still 6'4". | ||
| Correct. | ||
| She's still a giant. | ||
| Dude, she was at the UFC. I was like, holy shit. | ||
| You're scared. | ||
| Terrifying. | ||
| She's way too big. | ||
| I'm terrified of all of them. | ||
|
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|
She's giant. | |
| She's so big. | ||
| She wasn't sitting like a lady, so security had to come behind you and DC and step in front of her. | ||
| She can't sit like a lady. | ||
| She's got Hulk legs. | ||
| She might. | ||
| How the fuck is she crossing those legs, bro? | ||
| It's too much damage. | ||
| They're so big. | ||
| If you have one of them super tank crossfit squat girls, those giant legs. | ||
| With the blood ass and the quads in the front. | ||
| Can they even cross their legs? | ||
| I'm sure. | ||
| How could they cross their legs? | ||
| You can cross your legs. | ||
| You have some thick ass legs. | ||
| I cross my legs as comfortable. | ||
|
unidentified
|
And I got a pterodactyl dick in between. | |
| Dude, I don't think pterodactyls have big dicks. | ||
| You might want to change that one up. | ||
|
unidentified
|
It's a bird. | |
| Well, they have tails. | ||
| Do they? | ||
| I don't know. | ||
| They're a bird. | ||
| They're not a dinosaur. | ||
| Well, they're not a dinosaur, yeah. | ||
| Did you know that? | ||
| They're in a class themselves. | ||
| Yeah, someone was telling me that. | ||
| My kid told me that. | ||
| Oh, that's right. | ||
| A fucking seven-year-old. | ||
| See, this way right here, this is uncomfortable as fuck. | ||
| Oh, I'm so comfy. | ||
| This is a nut cruncher. | ||
| I'm so comfortable. | ||
| Yeah, but you got an extra foot of leg. | ||
| Yeah, there's a lot of room here. | ||
| But with Gabby Garcia, remember when she was like big, bloated girl and she got shred city? | ||
| Yeah, shred city for a while. | ||
| All natural. | ||
| Oh, totally natural. | ||
| Shred city. | ||
| And then she back to in between? | ||
| She's back to giant again. | ||
| I think Japan... | ||
| Why not try and cut to 45? | ||
| What are you talking about? | ||
| 45? | ||
| Dude, she's 6'4". | ||
| Do you know if she's 6'4"? | ||
| You want to be in the UFC or not? | ||
| She can't make 45. What are you going to do? | ||
| Cyborg cut from 70 to make it? | ||
| She's good friends with Cyborg. | ||
| Look how big she was when she got small and how big she is now. | ||
| She was hot when she was small. | ||
| She wasn't bad. | ||
| That's what I saw. | ||
| That's what I saw in the air. | ||
| Like, look at that. | ||
| That's when she was on the Ultimate Fighter with Vanderlei. | ||
| I wonder where she's at mentally when she sees herself. | ||
| Does she dig that? | ||
| Because a lot of dudes are into that. | ||
| She can't go online. | ||
| Look at that size! | ||
| I had a friend who's a female bodybuilder. | ||
| Thick. | ||
| Thicker than a Snickers. | ||
| Definitely Deca, Gold's Gym, just in her ass. | ||
| Yeah, just protein powder seeping out of her goddamn eyes. | ||
| Get that pink one above it, to the right. | ||
| Above and to the right. | ||
| Okay. | ||
| That's acceptable. | ||
| You're not mad at it. | ||
| Not mad at it at all. | ||
| So at one point in time in the recent future, she got down to the body of a really hot CrossFit. | ||
| How much did she weigh there though? | ||
| She's probably still a thousand pounds. | ||
| She's six foot four. | ||
| That's mean, bro. | ||
| What do you think? | ||
| 160 there? | ||
| No, I bet she's 200 there. | ||
| She's six foot four? | ||
| She's 200. Bro, she's not 200 pounds there. | ||
| I bet she's 200, don't you think? | ||
|
unidentified
|
Jamie. | |
| Jamie? | ||
| She's six foot four. | ||
| Come on, bro. | ||
| Okay, maybe she's 195, but I'm not going any lower than that. | ||
| That's a big girl. | ||
| Is she a legit 6'4"? | ||
| Pretty sure. | ||
| Find out how tall she is. | ||
| She's stronger than me. | ||
| That's whatever. | ||
| But there's some dude to her. | ||
| There's a market for that. | ||
| I got a friend who was a bodybuilder. | ||
| She was busy because she would do a little bit of strains for some change and get oiled up. | ||
| She's only 6'2". | ||
| I'm sorry. | ||
| 236. 6'2". | ||
|
unidentified
|
We can make 145. She's gotta lose a hundred pounds. | |
| No big deal. | ||
| Anthony Rumble John's going, say what? | ||
| I got you. | ||
| What do you think would happen if she just got completely off of everything and just ran marathons? | ||
| What do you think she'd get down to? | ||
| I don't think she's lower than 160. She's what? | ||
| 236? | ||
| Look at the fucking size of her! | ||
| Probably 170. Jesus Christ! | ||
| Look at that girl. | ||
| I'm going to death right now. | ||
| Look at this poor girl. | ||
| Did you see her beat up the grandma? | ||
| Yes, with the knee brace. | ||
| She beat up a grandma with a knee brace, bro. | ||
| That grandma is a struggle city. | ||
| Here's her. | ||
| First of all, she's really good at jiu-jitsu, by the way. | ||
| Phenomenal. | ||
| You know Mackenzie Dern and her have matches. | ||
| Yeah, Mackenzie beat her on points. | ||
| How crazy is that? | ||
| That's how badass Mackenzie Dern is. | ||
| She poked this chick. | ||
| Apparently. | ||
| If I'm that chick, I'd fake like I get poked, too. | ||
| Yeah, good move. | ||
| I'd fall down. | ||
| I'd black out. | ||
| She's rushing, though. | ||
| She'll get murdered. | ||
| She gets back to Russia. | ||
| She's got to get in there. | ||
| Someone's got to bet. | ||
| I bet you make it to one minute. | ||
| Survive any way you can for one minute. | ||
| Dude, I just... | ||
| Boom. | ||
| How do they not have her fight, dude? | ||
| It's a whole fight. | ||
| Oh, that's it? | ||
| That was a no contest. | ||
| Oh, good move for her. | ||
| Good for the Russian. | ||
| She's like, no, no more can go. | ||
| The fight has gone one minute. | ||
| My obligation is over here. | ||
| Dude, think about Herbert Cyborg. | ||
| Herbert Cyborg. | ||
| Cyborg will fuck her up. | ||
| Jeff Nowitzki, take a hike for a couple weeks. | ||
| Cyborg is so much better standing up than her. | ||
| She would have to take Cyborg down, and Cyborg would fuck her up. | ||
| But wouldn't you want to watch that? | ||
| No! | ||
| Really? | ||
| For obvious reasons that we can't talk about. | ||
| Look at that. | ||
| There she is right there. | ||
| But legit black belt in Brazilian Jiu Jitsu. | ||
| You can say whatever you want about it, but the girl works her ass off. | ||
| Works her ass off. | ||
| No matter what you take, you don't get that big unless you're training hard. | ||
| She's just dropping bombs on this chick. | ||
| Her striking's gotten a lot better. | ||
| A lot more smooth and relaxed. | ||
| Like, she was having a hard time when she first got... | ||
|
unidentified
|
Ooh, she got tagged. | |
| Oh, shit, she got dropped. | ||
| Oh, Jesus, she got tagged. | ||
| That Leah DeTapa is doing work. | ||
| She looks like... | ||
| Oh, she got tagged again. | ||
| Damn, her striking is... | ||
| Terrible. | ||
| Well, she's hurt. | ||
| She's hurt. | ||
| She's just winging it. | ||
| I know, but this is what got me, Joe. | ||
| Oh, look at this chick's going, come on, come on, come to the center. | ||
| Come to the center. | ||
| Damn, she's like, bring it! | ||
| She's getting a little emotional, though. | ||
| That Ryzen's just free-for-all, and I appreciate it. | ||
| Ryzen's so gangster. | ||
| They're so gangster. | ||
| They're trying to bring back the golden days. | ||
| I know. | ||
| You know what? | ||
| That day's over, so kind of give it a rest, but I like what they're doing. | ||
| You see, Bellator brought Cro-Crop back. | ||
|
unidentified
|
I know. | |
| Cro-Crop Roy. | ||
| Just don't test anybody. | ||
| We've seen that. | ||
| Just don't test anybody. | ||
| Please. | ||
| Please. | ||
| Bellator, just stop testing people. | ||
| That's all I was saying with the Jon Jones thing against Brock Lesnar. | ||
| Hey, Jeff Nowitzki, let's go grab a cup of coffee while these boys rumble, huh? | ||
| Hey, Jeff, I love you. | ||
| Why don't you go on vacation to Hawaii while Jon and Brock take a little trip here? | ||
| The UFC is clean. | ||
| But the belt of it doesn't have to be. | ||
| The UFC decided to go down that USADA road, and they've committed to it. | ||
| It's changed the game. | ||
| Legitimately. | ||
| For sure. | ||
| But, let's be honest. | ||
| When you've got a legend like Krokop, he still wants to fight. | ||
| Just give him a little help. | ||
| 100%? | ||
|
unidentified
|
Just a little help. | |
| Come on. | ||
| That's real. | ||
| I'm not saying he needs it. | ||
| It's not a knock on him. | ||
| He's upset at me. | ||
| Because Boss Rutten was saying that during one of his fights that they paid him all this money and they had to bring all this money back. | ||
| Like, Boss is explaining how they brought him into a room. | ||
| Boss said it. | ||
| You didn't say it. | ||
| Boss said it. | ||
| But he thinks that I said it. | ||
| Because it was on your show? | ||
| Yeah, it was on my show. | ||
| I didn't know what Boss was going to say. | ||
| And if I heard anything about it, I heard it from Boss. | ||
| Because Boss worked there. | ||
| And Boss is just fucking hilarious. | ||
| And he's telling me about how they would pay those guys in cash. | ||
| Well, he doesn't like you. | ||
| He likes me and I punched him in the face. | ||
| So, me and him are friends. | ||
| But I just want him to know. | ||
| I'm a big fan. | ||
| I don't want anything bad for Crow Cup. | ||
| I always enjoyed watching him. | ||
| He's the example that I always use of what happens when you get an explosive striker versus a technical striker in MMA. I think when you get a high-level striker that's used to a certain style of fighting, and then they fight in MMA, sometimes that style doesn't translate over. | ||
| I don't think Peter Ertz would have done that good as an MMA fighter. | ||
| I don't think Ernesto Hoost would have done that good. | ||
| They would have to have changed the way they strike because they're so technical and really fun to watch fighting. | ||
| They would brawl for sure. | ||
| But what Merkle would do was have these big one shots, these big one kicks, these big one punches, just jump in with one shot, super fast and quick. | ||
| That is really beneficial in MMA, more so even than kickboxing. | ||
| Because of the volume? | ||
| Well, he's fighting guys who are, at the time, were... | ||
| They were concerned about takedowns. | ||
| You're concerned about all these different things that could possibly happen in an MMA fight, right? | ||
| So no one stands the way they stand in kickboxing. | ||
| When they're standing in kickboxing, they're more sideways, they're more light on their feet, they're moving around, because they don't have to worry about being taken down. | ||
| It's a totally different proposition. | ||
| It's also a dance and a rhythm. | ||
| Yeah, so a guy like Hoos would just pick you apart, start leg-kicking you, chopping down. | ||
| If he's got to think about takedowns, even really great strikers are susceptible to one-pot shots in MMA because there's so many more things you're thinking of. | ||
| That's why Kevin Randleman cracked Krokop and knocked him out in that fight. | ||
| Because he's got to worry about the takedown. | ||
| Like, if they were just in a kickboxing fight, Kevin Randleman and Krokop just in K1. Nightmare for Kevin Randleman. | ||
| It's a nightmare for Kevin Randleman. | ||
| Think about Wonderboy Woodley. | ||
| You know, Wonderboy all day, if they get a kickboxing match, Wonderboy lights him up. | ||
| Woodley, that one-shot power, and he dropped Wonderboy before. | ||
| I gotta say that even in kickboxing, Woodley, I think, would do very well because he's so powerful. | ||
| You'd be able to manage it more, though. | ||
| You'd be able to manage it. | ||
| You'd be able to manage it. | ||
| You'd catch more, and also his punches aren't as dangerous. | ||
| So when he's hitting you, it's not as dangerous. | ||
| You can catch the kicks a little bit better. | ||
| It's still not fun. | ||
| Hell no. | ||
| But Woodley and that octagon's a nightmare with that one-shot power. | ||
| Yeah, those little gloves. | ||
| God, hopefully he fights soon, man. | ||
| He's going to. | ||
| He had shoulder surgery. | ||
| He had a torn labrum. | ||
| So he's pounding on that, trying to get that fixed up. | ||
| Probably be Dos Anjos. | ||
| That's what they're going to do. | ||
| Maybe they'll do that International Fight Week, too. | ||
| Dun, dun, dun. | ||
| Everybody getting paid. | ||
| Sizzler. | ||
| We're going to Sizzler. | ||
| We're trying to get these ratings up for Fox Buys WWE. Can you imagine if Brock's first fight back is Jon Jones? | ||
| Yeah, I can. | ||
| Yeah, I can, sir. | ||
| This is the card I'm looking at, motherfuckers. | ||
| Not in July. | ||
| Yes! | ||
| Yes! | ||
| Stipe, DC. John Jones, Brock. | ||
| Preach. | ||
| Tyron Woodley, Dos Anjos. | ||
| Ortega, Max Holloway. | ||
| Amanda Nunez, Cyborg. | ||
| We bustin' this load on this one card. | ||
| We can still do the ratings. | ||
| Dude, that place would be... | ||
| That would be insane. | ||
| It would be insane. | ||
| That would be one of the greatest cards of all time. | ||
| And then on top, you sprinkle in? | ||
| Let's sprinkle a little CM Punk. | ||
| You wouldn't be able to do that one. | ||
| Why? | ||
| Because that one needs so much money. | ||
| The one that I'm thinking about? | ||
| Which one? | ||
| You know the one. | ||
| Which one, Joe? | ||
| The one that was a lot of sprinkles on top. | ||
| Which one? | ||
| You know that boxer guy? | ||
| What's his name? | ||
| Oh, you're talking about Floyd Tampunk. | ||
| Something money that we keep talking about? | ||
| If that happened, this is, by the way, I believe you and I were the first to speculate this publicly. | ||
| Correct. | ||
| I think that's the fight. | ||
| I think that's the fight to make. | ||
| I agree. | ||
| I don't know if it'll ever happen, but I think if it does happen, it happens on its own individual card. | ||
| You put a kick-ass card underneath it, but I don't know if you put a UFC 200-sized kick-ass card underneath it. | ||
| No, because Floyd and CM Punk's going to sell. | ||
| And also, if you're Floyd, just looking at it from Floyd's perspective, alright, pay me this much money, which is a boatload of cash, and also, give me the guy who has zero experience like me in CM Punk, who's a huge name. | ||
| So it makes sense. | ||
| It's the only fight to make for Floyd, because Conor will literally kill him. | ||
| Yeah, he can't do that. | ||
| It wouldn't be fair. | ||
| It's not fair. | ||
| Conor would beat up Floyd and CM Punk in the same night. | ||
| People would understand the difference between Conor boxing Floyd, which he got clearly outclassed, but he hit him. | ||
| Like, Floyd's not going to do anything. | ||
| No, it's no competition. | ||
| It doesn't make sense. | ||
|
unidentified
|
It's going to be awful. | |
| It doesn't make sense. | ||
| Floyd's ceiling probably makes sense. | ||
| He'll get kicked once in the legs and be like, oh my god, now I can't walk. | ||
| And then he gets kicked in the same spot. | ||
| Like, oh Jesus Christ. | ||
| And he's folding over. | ||
| Then he's getting front kicked in the gut. | ||
| Conor's talking shit to him. | ||
| You get head kicked viciously. | ||
| And then you're on that highlight reel. | ||
| And the UFC's using that loop over and over and over. | ||
| And it takes one clinch. | ||
| Just one clinch. | ||
| And you're on your back. | ||
| If you're CM Punk then you're fighting Floyd, I'm army crawling over to Floyd. | ||
| Go ahead and punch me, bro. | ||
| I say you stand karate style. | ||
| You stand karate style and you throw sidekicks. | ||
| And you just walk towards him throwing sidekicks. | ||
| There's so much distance. | ||
| Until you get him to the cage? | ||
| Yes! | ||
| Why would you even want to box him? | ||
| You stand total Wonderboy side stance. | ||
| Just stand like this. | ||
| Way back, Liotta Machida style, and just throw sidekicks. | ||
| Keep him off you. | ||
| And then when the move is, whenever it happens, Get that clench and throw fucking everything in there. | ||
| The guy weighs 145 legitimate pounds. | ||
| That's what Floyd weighs. | ||
| I would even just bear hug him and just pull him on top of me and sweep him and get full amount. | ||
| I would literally just come at Floyd like this. | ||
| Just walk straight forward like the Terminator. | ||
| Floyd can make welterweight. | ||
| He can make welterweight in boxing. | ||
| He could. | ||
| That's the only problem with this fight that we're speculating. | ||
| What weight are they going to fight at? | ||
| CM Punk's not small. | ||
| No, he was a legit-sized 170. So he would... | ||
| We going catchweight here? | ||
| He'd have to be catchweight. | ||
| At 60? | ||
| See, that's the other thing. | ||
| You drain CM Punk down to 160, and he's fucksville. | ||
| Yeah, let's do that. | ||
| Yeah. | ||
| Well, here's the thing. | ||
| At 170, he doesn't have a lot of muscle, but he's got a little bit of fat. | ||
| He might be able to do 65 if he does it smart and long. | ||
| He takes a long time to do it, adjusts his calories, really ramps up his cardio, just forces himself to do an hour of cardio after every training session. | ||
| Has anyone seen him lately? | ||
| That man looking thinner. | ||
| No. | ||
| He's gonna have to look a lot thinner to get that fight. | ||
| Or Floyd just says, I don't give a fuck. | ||
| I'm gonna light this dude up. | ||
| Because when they're standing, when he's got to close the distance on CM Punk, Floyd has four ounce gloves on. | ||
| Are you fucking kidding me? | ||
| And he's impossible to hit. | ||
| You're not gonna hit him. | ||
| That's not happening. | ||
| And he can catch it coming in and it's gonna be fucking night-night. | ||
| Even the leg kicks. | ||
| Like, boy, can you even kick his legs? | ||
| How fast does CM Punk kick? | ||
| You know what I mean? | ||
| We're not talking about, like, Yadson Clyde. | ||
| That's not the move for CM Punk. | ||
| Yeah. | ||
| Sir, just do what you gotta do to get to the ground. | ||
| Didn't he have a karate background? | ||
| CM Punk? | ||
| Yes. | ||
|
unidentified
|
As much as I have a karate background. | |
| And I'm not making fun of him. | ||
| Wasn't there, like, a video of him when he was, like, 13 or some shit? | ||
| I guess. | ||
| Doesn't count. | ||
| I play dodgeball, too. | ||
|
unidentified
|
Not on my resume. | |
| Not on my resume. | ||
| Doesn't count. | ||
| Soccer player. | ||
| I'm going to put that on my fucking Twitter handle now. | ||
| Guys that do that. | ||
| I played soccer when I was six. | ||
| Yeah, that doesn't count, man. | ||
| I played it. | ||
| I get pissed so hard, bro. | ||
| Go ahead, go piss, man. | ||
| You alright? | ||
| Yeah. | ||
| Jesus. | ||
| I don't want to throw it. | ||
| It's that cold brew, this new cold brew we're snacking on. | ||
| Goddamn, Jamie. | ||
| What were you showing me right before the podcast started about some dude who just retired because he had a brain injury? | ||
| Oh, yeah. | ||
| There's an NFL running back. | ||
| I was just seeing the story, so I don't know too much about it, but I know who he is. | ||
| His name is Beanie Wells. | ||
| He was a running back in the NFL. He had an MRI, and it's showing brain injury. | ||
| So he's already publicly stating he's having problems with it. | ||
| He's having memory loss, speech problems. | ||
| How old is this gentleman? | ||
| 29, I think. | ||
| Oh, man. | ||
| Yeah, man. | ||
| He's already going under treatment right now, so he would be one of the first people I've heard of that is already getting treatment for what I guess they can tell now about potential So what do they do? | ||
| How are they treating it? | ||
| There he is, handsome fella. | ||
| Former Cardinals, RB, Beanie Wells, dealing with traumatic brain injury. | ||
| So they know for a fact that he has it. | ||
| So he must be one of the recipients of one of the newer tests that allows them to see while a person's alive. | ||
| Because it used to be they used to have to do an autopsy to find out what's wrong with your brain. | ||
| Here's his quote. | ||
| He says he has some plaque separation. | ||
| It shows that you've experienced some sort of TBI. And says when you have plaques, yeah, separation shows you've experienced some traumatic brain injury. | ||
| Obviously that traumatic injury for me would come from playing football. | ||
| Not only that, they had some cells tacked onto that separated plaque that I needed to get under control. | ||
| What does that mean, you think? | ||
| I mean, extra cells I only know as being bad. | ||
|
unidentified
|
Cancer. | |
| Cancer type stuff. | ||
| Right. | ||
| Still not out of the woods yet, but I'm hopeful. | ||
|
unidentified
|
Wow. | |
| Well, at least he sees it, right? | ||
| You know, and he got a hold of it now. | ||
| When did he stop playing? | ||
| Pretty recently. | ||
| And he would also be in Columbus, which would be at Ohio State, where they have not only like the James Cancer place, but I think they're doing the tests or some of the early tests on this. | ||
| Oh. | ||
| If I remember correctly. | ||
| Okay. | ||
| I think you even told me it was at Ohio State. | ||
| Maybe not. | ||
| I don't know. | ||
| I talk too much. | ||
| I forget some of the shit I say. | ||
| I really do. | ||
| I've realized that when someone asked me what podcast Eric Weinstein and Heather Hying were on, and I had to think about it. | ||
| It's like 1,080-something. | ||
| And I thought about, like, how the fuck could I ever remember what I said if they were all one hour? | ||
| A thousand different conversations plus fight companions. | ||
| Yeah, this is, I think it is Ohio State. | ||
| There's a thing, and this is on their medical, Wexner Center Medical website. | ||
| They have advanced imaging and neurosensitive care and rehab services. | ||
| That's right. | ||
| We're talking brain trauma? | ||
| Yeah, we're talking about that football player that just got tested. | ||
| He had plaque separation in his brain. | ||
| How long did he play for, Jamie? | ||
| So probably about seven years, I think? | ||
| In the NFL. He's obviously the exception, though. | ||
| You know, there's obviously a problem, but he's definitely the exception. | ||
| I wonder. | ||
| Football's been around for so long. | ||
| It's been around for so long. | ||
| I think a lot of people just live with it, you know? | ||
| And the thing is, what is that APOA3? APOE3? Something that Rhonda Patrick was talking about, like a gene. | ||
| Somehow, the way it expresses itself... | ||
| I know I'm butchering this for the science people going crazy, but it's more likely that you would get traumatic brain injury if you have it or you do not have it. | ||
| There's actually tests for that. | ||
| Alzheimer's disease. | ||
| Yeah, early onset Alzheimer's. | ||
| Yeah, there's a test you can take to see if you're more susceptible to CT than others. | ||
| Yeah, here it is. | ||
| It says there are three types of APOE genes called alleles. | ||
| APOE2, E3, and E4. Everyone has two copies of the gene in the combination that determines your APO genotype. | ||
| The E2 allele is the rarest form of the APOE and carrying some one copy appears to reduce the risk of developing Alzheimer's by up to 40% APOE3 is the most common allele and doesn't seem to influence risk. | ||
| The APOE4 allele... | ||
| I know I'm fucking that word up. | ||
| Someone's screaming at their phone right now. | ||
| Present in approximately 10 to 15% of people increases risk for Alzheimer's and lowers the age of onset. | ||
| That's what I think they think is connected to traumatic brain injury. | ||
| I think it was APOE4. Well, whatever gene I got, I've been knocked out so many times I'm happy as fuck. | ||
| Get that one. | ||
| Whatever that is, get that one. | ||
| It's made me so much happier. | ||
| Well, aren't you happy though because your life is going great? | ||
| Don't you think that's a factor? | ||
| I think there's something to be said for that that people don't... | ||
| Look, everybody knows that having good friends in your life, having a good relationship, having a family, and having a career that you're happy with, all those things make you feel good. | ||
| It's one of the reasons why people strive for them. | ||
| Don't you think that has an impact on overall happiness? | ||
| I think, you know, with football players and fighters, MMA, boxers, stuff like that, I think one of the advantages I have is I found my passion and I'm pursuing that so I don't, you know, it keeps me happy and it keeps my brain where I have to be super creative so it's keeping me sharp. | ||
| I think a lot of athletes, and soldiers for that matter, they get done with this High stress, high risk job, and they get put in the real world, and they can't find their lane. | ||
| And it's, oh, it's PTSD, or oh, it's brain trauma, it's CT. Now you're just depressed, man, because you went from being the superstar for doing this high-level job to fit in with society now. | ||
| It's tough. | ||
| Well, I don't think it's no, you're not. | ||
| I think it's both. | ||
| That's why I'm saying it's a factor. | ||
| It's a factor, but there's a lot of physical factors, especially guys who've been around blasts. | ||
| 100%. | ||
| That's a legit issue. | ||
| I'm just saying if people are as fortunate as me to go through this sort of traumatic fighting career and then find a passion, your true passion, you'd be way better off. | ||
| I have no advice for that. | ||
| I don't know what to tell you, but if you could find something you're into, it's definitely going to help you. | ||
| I think for everything in life, you know, if you were a dentist, you didn't want to be a dentist anymore, and you really wanted to make paintings, if you could really figure out a way to do that, you'd be happier. | ||
| Like, whatever that thing is. | ||
| It's just really hard for some people to find a thing. | ||
| That's one of the things I've talked to people about. | ||
| I don't really know what I want to do with myself. | ||
| And then they asked me for advice. | ||
| I'm like, man, no one told me. | ||
| It doesn't really work like that. | ||
| You've got to figure that out. | ||
| There's literally not a book you can read, no one can talk to that's going to... | ||
| Point you in the right direction. | ||
| Here's the best piece of advice. | ||
| Take some action. | ||
| Take some action. | ||
| Do something. | ||
|
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|
Keep moving. | |
| If that doesn't work, correct it. | ||
| Find something else. | ||
| But keep moving. | ||
| Keep moving. | ||
| When you're sitting at home going, what do I do? | ||
| That's when it's a problem. | ||
| And when you're texting your friends going, hey, got any advice for me? | ||
| My advice for you is don't ask me for advice. | ||
| Yeah, don't DM me for advice. | ||
| Get your shit together. | ||
| I don't do that to people. | ||
| I don't call people up and say, hey man, what should I do? | ||
| I just do things. | ||
| Correct. | ||
| Just go do something. | ||
| Agree. | ||
| And it might not be the thing. | ||
| You might say, okay, well now I know I don't want to do that. | ||
| You can try something else. | ||
| Yeah, don't be afraid to fuck up, though. | ||
| I fuck up all the time. | ||
| You gotta go down. | ||
| You gotta take risks. | ||
| You got to. | ||
| People are so scared. | ||
| They want to be in that harbor. | ||
| They want to stay safe. | ||
| Keep me under the blanket. | ||
| Oh, the cushions. | ||
| That's normal. | ||
| Which is weird because I take risks when it comes to my family, my friends. | ||
| Even with Brian Ortega, I'm like, don't do this. | ||
| Don't do that. | ||
| I'm super like... | ||
| But with myself, I'm pretty reckless. | ||
| But with them, I'm like, no, no, no. | ||
| Wait, please wait. | ||
| Yeah. | ||
| Which is strange. | ||
| What do you think of Stipe and DC? I think it's literally the greatest super fight the UFC's ever made. | ||
| I'm so excited for it. | ||
| It's an amazing fight. | ||
| When you see how well DC handled Volkan and Ozdemir, and you see what Stipe did to Francis, it almost makes sense. | ||
| While John is out, and Brock is busy throwing his piss into a microwave. | ||
| He's got that same pump system that I use out there on my float tank. | ||
|
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He pinches into that thing. | |
| They strain that bitch. | ||
| The reason why it's a super fight, too, is because how tough is this fight to break down? | ||
| If someone's like, I'm positive Stipe's going to win, you're like, no, you're not. | ||
| I'm positive DC's going to take him down. | ||
| No, you're not. | ||
| And the thing is, it's like, well, now DC's fighting at heavyweight. | ||
| Yeah, he's undefeated at heavyweight. | ||
| They motherfucking fight at heavyweight. | ||
| He's actually one of the best heavyweights of all time. | ||
| Imagine if one day we see Nowitzki's wearing all diamonds and shit. | ||
| Just balling out of control. | ||
| And Brock Lesnar, that was what I would do, Faustin Nowitzki, if the day Brock Lesnar gets in the UFC, I will show up in a full fur coat with a giant diamond-encrusted cross. | ||
| Pimpin', pimpin', pimpin'. | ||
| Diamonds on every finger. | ||
| Gucci sunglasses indoors. | ||
| And just sit there. | ||
| Nobody told me how to dress. | ||
| What's up, son? | ||
| Just sit there like you got paid. | ||
| We did it. | ||
| Another one. | ||
| It was just sitting in the cage side. | ||
| Imagine. | ||
| If just like that's the way to do it so everybody know like super obvious if you have to bet on a Joe John Jones Brock Lesnar the fights happening, huh? | ||
| Boy, I hope so I hope so. | ||
| I think it's happening. | ||
| If I was Brock, I wouldn't take that fight. | ||
| Really? | ||
| No! | ||
| Get a fight under your belt first. | ||
| Nah, we don't have time for that bullshit. | ||
| There's no warm-ups as Brock Lesnar. | ||
| Who are you going to fight warm-up? | ||
| Francis? | ||
| Francis. | ||
| Oh, Jesus. | ||
| What do you want to do to the poor man? | ||
| Francis or Brock? | ||
| Brock. | ||
| Excuse me, sir? | ||
| I'm blast doubling like I'm at fucking Minnesota U right through that gentleman. | ||
| Or, in the first round, Francis is superhuman freak strong, and you've got to wear him out before you can take him down. | ||
| But you have to stay conscious long enough to wear him out before you take him down. | ||
| And he's throwing nuclear Putin-style missiles at your fucking head. | ||
| And when they land, you're going to see sparks that's going to remind you of Alistair Overeem, and you're going to go a whole Holy fuck, we're going out here. | ||
|
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|
If you play that game. | |
| If you play that game. | ||
| If I'm Brock Lesnar, I am blast doubling. | ||
| I'm coming with a singlet on. | ||
| I'm blast doubling through Francis. | ||
| Brock is older. | ||
| He'd be the best wrestler that Francis ever faced. | ||
| Who's that? | ||
| It'd be Brock. | ||
| No, Brock's the best wrestler. | ||
| I thought you'd say he beat the best wrestler. | ||
| No, no, I'm saying he'd be the best wrestler that Francis ever fought. | ||
|
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|
Oh, yeah. | |
| That's a problem. | ||
| Oh, yeah, for sure. | ||
| He's also ginormous. | ||
| Right, but he doesn't have the stand-up acumen that Stipe does. | ||
| Like, Brock is just not as good in the stand-up. | ||
| We don't need any of that, sir. | ||
| You definitely need a little. | ||
| Nah. | ||
| You're gonna need a little. | ||
| Nah. | ||
| Look what Alistair did. | ||
| Alistair kept him off. | ||
| Remember that? | ||
| For a hot second. | ||
| Then Alistair wanted to play the Rock'em Sock'em robots and got flatlined. | ||
| No, no. | ||
| When Alistair beat up Brock... | ||
| Oh, we're talking about two different animals, though. | ||
| Jesus Christ, sir. | ||
| How dare you? | ||
|
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You're talking about Uber-eam? | |
| We're talking about the Uber-eam. | ||
| Bro, don't we... | ||
| It was a moment in time, right? | ||
| When you and I get together, we're just fucking... | ||
| My mouth salivates when we talk about Uber-eam. | ||
| It was a moment in time. | ||
| A special moment. | ||
| He was the scariest man on Earth. | ||
| Yeah, it was a weird moment. | ||
| It was like, wait a minute, what? | ||
| This is real? | ||
| How is that guy that big? | ||
| I was fighting then, too. | ||
| God, I feel like this is a bad idea. | ||
| Well, not only that. | ||
| I didn't call his doctor. | ||
| He had already won the K-1 Grand Prix. | ||
| He won the Strikeforce title. | ||
| He smashed Brett Rogers. | ||
| I mean, he was just beating the fuck out of people, man. | ||
| Brock was like, what? | ||
| It was a terrible fight for Brock. | ||
| The awful fight. | ||
| A man with takedown defense, world-class striking. | ||
| Wicked striking. | ||
| Like, it was a different kind of striking. | ||
| It's much more technical. | ||
| Fucking juice city. | ||
| Like we're in fucking pumping iron. | ||
| Like you're in fucking... | ||
| What's the juice place? | ||
| Jamba Juice. | ||
| Like it's a fucking Jamba Juice. | ||
| But he doesn't punch as hard as Francis. | ||
| That's Ubering. | ||
| Back then he did. | ||
| Jesus Louisa. | ||
| No, I don't think so. | ||
| I don't know, man. | ||
| He's more technical. | ||
| He punched very hard. | ||
| Much more technical. | ||
| But I think Francis has got some new things. | ||
| He has some power. | ||
| Yeah, new levels. | ||
| The way Francis punches you is like, it's a different level. | ||
| No, Francis is a complete nightmare. | ||
| However, Brock Lesnar would be an awful matchup for him. | ||
| True. | ||
| It's true. | ||
| But I feel like you got two giant moneymakers there. | ||
| That's what I'm saying. | ||
| I don't know if you do that right away. | ||
| We're trying to make money or not. | ||
| Yeah, but if Brock loses, that's a wrap. | ||
| Like, if he loses to Francis, he loses in a most terrifying way. | ||
| It's not like he's going on a 10-year run here. | ||
| We're just trying to get our money. | ||
| Whoa, look at before and after. | ||
|
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That's crazy. | |
| Jesus Christ. | ||
| 2009 to 2016. Whoa, that's amazing. | ||
| Testosterone is real, people. | ||
| That's more than testosterone. | ||
| That's that Jamba juice. | ||
| But not having it's real, too. | ||
| For sure. | ||
| Yeah. | ||
| Tough mentally, too. | ||
| Yeah, there's not much you can do, either. | ||
| The other thing about it is, like, once your body doesn't produce anymore, and you're in your late 30s like that, and you've been juicing for a long time. | ||
| There's, like, Clomid and stuff that tries to... | ||
| It's illegal. | ||
| HCT or HTC? Is that a... | ||
| That's a cell phone. | ||
| Either way. | ||
| HCG or something like that? | ||
| Whatever it is. | ||
| It's supposed to boost your testosterone naturally, but never to the levels when you're injecting that Jamba Juice. | ||
| No, not only that, though, you can't take that stuff. | ||
| Not in the UFC. Right. | ||
| It's illegal. | ||
| Just saying when... | ||
| Yeah, that's true. | ||
| I guess when he retires, he can do whatever the fuck he wants. | ||
| Yeah. | ||
| Yeah, when he retires. | ||
| Or goes to Ryzen. | ||
| Can you imagine? | ||
| UFC lets him out of the contract, and then all of a sudden he disappears for like eight months, and just we hear... | ||
| Just locked in the house with horse meat. | ||
| Just fillet of horse all day. | ||
| He's eating that Canelo meat. | ||
| And goes back to deadlifting and hanging out with powerlifters. | ||
| Steps out of the fucking house in Holland. | ||
| Six months later. | ||
| Dick tied around his leg. | ||
| 297. Yes. | ||
| Dude, I want that journey for him. | ||
| I want that because I went on board of that train. | ||
| There's only one way it can happen. | ||
| Dude, how about canelitacin hot for fucking... | ||
| Clembutrol. | ||
| And they're saying it's in the meat in Mexico. | ||
| It is. | ||
| It's a small trace amount. | ||
| And everyone's like, oh, the fight's off. | ||
| Trust me, it's boxing. | ||
| That fight is not off. | ||
| There's way too much money involved. | ||
| That is a real fact, though, is that one particular substance he tested positive for exists in meat. | ||
| Plambuterol, and also, it's not like a straight steroid. | ||
| Guys use it to cut weight, stuff like that, and it's such a small trace amount, they're going to be fine. | ||
| Yeah. | ||
| That's such a great fight, Triple G Canola, man. | ||
| It's a very good fight. | ||
| It's going to be better than the first one. | ||
| Cinco de Mayo. | ||
| Why do you think it's going to be better? | ||
| Because I think Triple G didn't fight like himself. | ||
| He has that mix-in style. | ||
| He was a little reserved, and then Canelo was moving too much. | ||
| I think now we're getting the real fight now. | ||
| I don't think the judges fucked this one up. | ||
| You never know, though. | ||
| It's shady. | ||
| I fucking loved the first fight. | ||
| I loved it. | ||
| I thought it was amazing. | ||
| I loved it, too. | ||
| I thought Triple G won it going away, though. | ||
| I really thought he won. | ||
| Me, too. | ||
| I think a lot of people did. | ||
| A lot of people thought that was a poor draw. | ||
| That's why I think Triple G coming off that draw now, there's a lot more hype with it. | ||
| Everyone's going to tune in. | ||
| The ratings are going to be better. | ||
| But boxing judges, you know... | ||
| They're crooked. | ||
| MMA's nowhere near as bad. | ||
| Did you see the Wilder-Ortiz fight? | ||
| No. | ||
| I thought for sure Wilder was losing on the cards. | ||
| I'm like, he's going to have to get a finish. | ||
| But on the actual scorecards, they had Wilder winning, which obviously they want Wilder to win. | ||
| Right. | ||
| Which I thought was, I was like, I didn't. | ||
| And I'm a Wilder dick rider. | ||
| I'm like, he's not winning that fight. | ||
| I think MMA might be worse, and they're the same exact judges. | ||
| Same judges. | ||
| There's a lot of the same judges that judge MMA, or judge boxing, and also judge MMA, and they don't even know what MMA is. | ||
| How about you and DC trying to walk that tightrope of not clowning, what's her name? | ||
| Adeline Bird? | ||
| Adeline Bird. | ||
| She's a very nice lady. | ||
| But as you said, so is my mom. | ||
| I don't want her fucking judging. | ||
| That's exactly what I've meant and that's exactly what I said. | ||
| It's so funny you and DC just trying to balance that. | ||
| She has no business being in there. | ||
| She's a very nice lady, but yeah, she's made some bad decisions. | ||
| And she also was a part of the Canelo Alvarez Triple G decision. | ||
| That's the problem. | ||
| Yeah. | ||
| She's balling. | ||
| Yeah, and she was on the wrong side of a couple decisions that night. | ||
| There were some bad ones, man. | ||
| Super suspect, too. | ||
| Some that were like, what? | ||
| How did he win every round? | ||
| What? | ||
| Like, it didn't make any sense. | ||
| Like, some that literally didn't make any sense. | ||
| You were talking about in the UFC? Yeah, this past weekend. | ||
| There was a lot of bad decisions. | ||
| There were some bad ones, yeah. | ||
| But there was, like, a couple of split decisions that I was like, what in the actual fuck is this? | ||
| And the weight screws over the fighter. | ||
| The repercussions is such a shitty deal. | ||
| Yep. | ||
| Yeah, they lose half their money. | ||
| Hell yeah. | ||
| You just cost me half my money because you don't know what's going on. | ||
| And literally, there's no recourse. | ||
| And if it's a bad decision, there's three people, and one person just has literally no idea what they're doing, and they give it to the wrong person. | ||
| It's awful, man. | ||
| It's fucking terrible, and it's unnecessary. | ||
| Here's the thing. | ||
| It's unnecessary. | ||
| There's way better methods. | ||
| And one of the most better methods is, one of the better methods is, hire someone who is an actual martial arts expert, like a Matt Hume or someone like that. | ||
| Someone to score. | ||
| I'm sure there's a lot of those guys that would do it. | ||
| A lot of trainers out there that would do it. | ||
| I think I agree. | ||
| You have someone who specializes in mixed martial arts, who's been around the game. | ||
| They don't need to be cage-side, because cage-side you can't see everything, and you're also swayed by the crowd. | ||
| They need to be in an undisclosed location, and they're watching what we see and judging the fight from an MMA fighter's perspective. | ||
| I think that's a good point, and I also think they should be able to see all the replays, they should see all the fight stats. | ||
| They get everything. | ||
| Get everything. | ||
| Copy strikes and then decide. | ||
| But what you're doing now is so old school. | ||
| The only thing that I would disagree with, I don't think they should hear the commentary. | ||
| Because I think the commentary can sway them. | ||
| That's what I'm saying. | ||
| No commentary. | ||
| No crowd noise. | ||
| You have three expert MMA analysts watching going, this is who's winning. | ||
| Because they know the ground game. | ||
| For Tony first and Khabib. | ||
| Let's say Khabib takes Tony down. | ||
| And they think, oh, he has a huge advantage. | ||
| And then Tony's just whooping his ass from his back. | ||
| Elbows. | ||
| Submission game. | ||
| Stand back up. | ||
| Getting taken down. | ||
| But on the ground, Khabib constantly under threat. | ||
| How are you going to judge that? | ||
| Yeah, you've got to know what you're looking at. | ||
| I also think three is too small. | ||
| I think it should be ten people. | ||
| Ten people. | ||
| Who cares? | ||
| Have them call in. | ||
| It's a real shit show. | ||
| Call in. | ||
| Do it all with the internet. | ||
| You don't even have to be in the building. | ||
| Why even have to be there? | ||
|
unidentified
|
Ten, though? | |
| Yeah, ten people. | ||
| It's hard enough with three morons. | ||
| Yeah, but if there's two that are smart and one that's bad, you got a shitty split decision and everybody feels weird about it. | ||
| Like, what would have happened if there was three morons there? | ||
| So can we say five? | ||
| Ten. | ||
| Ten. | ||
| Ten, you're gonna get the right decision almost every time. | ||
| Because ten, a few people are going to disagree, but most people are going to see it that way. | ||
| The majority is going to see it this way and agree. | ||
| And if it's five to five, you've got a fucking draw on your hands. | ||
| And that's rare. | ||
| I'm not mad at that. | ||
| And I think sometimes a fight should be a fucking draw. | ||
| I don't have a problem with a draw. | ||
| Some guys watch it and go, man, that's too close to call. | ||
| Don't fuck over someone getting half their pay. | ||
| If there's a draw, they both get their win. | ||
| Exactly. | ||
| That's how we should do it. | ||
| Exactly. | ||
| One guy moves on and the other guy doesn't, just arbitrarily. | ||
| So weird. | ||
| It doesn't make any sense. | ||
| Or you get a draw and they have to, in their contract, they rematch on whatever card they're ready to go again. | ||
| You do it again. | ||
| Callan the fucking address here. | ||
| I'm sure he's texting me. | ||
|
unidentified
|
There it is. | |
| Oh, you fucked up. | ||
| Callan's 75 minutes away. | ||
| He said he found it. | ||
| He says he's close. | ||
| Is he? | ||
| But I don't believe that. | ||
| He might be. | ||
| He could be. | ||
| Brian Callan. | ||
| Brian the Kid Callan. | ||
| So what else is going on? | ||
| UFC-wise, what's happening? | ||
| What other big fights are there? | ||
| Dude, when Yoel Romero comes in and talks to Joey Diaz and me, he's getting ready to fight Whitaker. | ||
| He's going to fight for the title, even though he didn't make weight in the Rockhold fight. | ||
| That's short notice. | ||
| I don't hold that against him, though. | ||
| Especially with his body type. | ||
| God, he looked good against Rockhold, huh? | ||
| Rockhold said he was made out of metal. | ||
| Said the guy was just ridiculously strong. | ||
| Tough fight for Rockhold. | ||
| For anybody. | ||
| For anyone, unless you're Robert Whittaker. | ||
| Yeah, and Whittaker with healthy needs, man. | ||
| Whittaker's a nice man. | ||
| Yeah, he's going to be tough to beat for a long time. | ||
| But if someone could do it, it could be Yoel. | ||
| Yoel is not young. | ||
| 40 years old, son. | ||
| Every bit of it. | ||
| Yeah. | ||
| Who knows? | ||
| Those Cuban birth certificates. | ||
| You have no idea. | ||
| That's what I was saying with Ortiz. | ||
| They said, oh, he's 38. I went, bullshit. | ||
| That's the most shot-out 38-year-old I've ever seen. | ||
| That man has 400 amateur fights in Cuba. | ||
| There's no way he's 38. Motherfucker's 48. You think so? | ||
| Not 38. There's no way. | ||
| You see him up close, I'm like, what the fuck? | ||
| Did you see him up close? | ||
| Yeah. | ||
| I was at the press, the weigh-ins, all that stuff for Showtime. | ||
| Did you see the fight live, or did you see it on TV? No, I flew back. | ||
| I was supposed to work it, but I flew back. | ||
| I watched Kovalev beat up his friend. | ||
| Beat the piss out of his friend. | ||
| It was like his friend. | ||
| Yeah. | ||
| It was like the guy was fighting him like he was his friend and Kovalev was fighting him like some guy fucked his girlfriend in the ass. | ||
| Kovalev killed a guy. | ||
| Yeah, and it didn't seem to bother him. | ||
| He's a bad motherfucker. | ||
| He's a super bad motherfucker. | ||
| But now with that Wilder-Ortiz fight, it kind of did what I think for Wilder, what Anthony Joshua against Klitschko, where now everyone's talking about him. | ||
| So now, before, we didn't think we had Anthony Joshua-Wilder, but I think it forces Joshua's hand to fight Wilder before it wasn't going to happen, which that's the fight, man. | ||
| Why wasn't it going to happen before? | ||
| So Anthony Joshua has to get through Joseph Parker first, early next month, which is a beast. | ||
| Joseph Parker's a nightmare from New Zealand. | ||
| I think 20-0 world champion. | ||
| No punks. | ||
| So he has to get by that, and then he's going to take one or two more fights before he fought Wilder. | ||
| Now he can't do that. | ||
| Because Wilder just won by emphatic nonsense. | ||
| Yeah, it's like, what are you talking about? | ||
| Obviously, I'm the most talked-about boxer right now. | ||
| You have to take this fight. | ||
| Why do they put fights like that off? | ||
| Like, why do they say we'll take a couple more fights? | ||
| That's boxing. | ||
| Well, listen, as a business, if you're Anthony Joshua's manager, it's like, alright, do we fight Dante Wilder, who's 40-0, 39 knockouts? | ||
| It's a nightmare of a fight for anybody, which we're probably favored still to fight. | ||
| Or do we fight this guy, this guy, and get paid, and then fight Wilder? | ||
| Hmm, but things could go wrong. | ||
| Exactly. | ||
| Joseph Parker. | ||
| Joseph Parker's no joke. | ||
| Not at all. | ||
| No. | ||
| But yeah, things could go wrong, but I'm assuming that's their way of thinking, you know? | ||
| But it's scary. | ||
| I was jumping around. | ||
| Obviously... | ||
| Being around these guys, I get close with guys, and I know Wilder, and I want him to win so bad, just because it's good for the sport. | ||
| It's not a knock on Ortiz. | ||
| Ortiz is an amazing fighter, but Wilder, he checks all the boxes, man. | ||
| He can sell tickets. | ||
| He's American. | ||
| He talks a lot of shit. | ||
| He has a great story. | ||
| He started boxing because his daughter was born with a spinal issue and couldn't walk, and he just has these great stories, and you root for that guy. | ||
| Dresses well. | ||
| Dressed as well. | ||
| Die in peace. | ||
| Yeah. | ||
| Knockout artist. | ||
| But him and Joshua's the fight, man. | ||
| Yeah. | ||
| He has won his last couple fights pretty spectacularly, too. | ||
| People are so funny. | ||
| They get so mad at me. | ||
| They go, oh my god. | ||
| Oh, you're such a homer. | ||
| You love Wilder. | ||
| I'm like, well, I like Joshua, too. | ||
| They're like, you used to root for Joshua. | ||
| I like both of them, man. | ||
| You can't respond to those people. | ||
| I don't respond. | ||
| But you can't even right now, you're responding. | ||
| Well, it's my job, you know, we do that thing, kind of, yeah. | ||
| You know, I like both of those guys, man. | ||
| I love both of them. | ||
| You can like both of them. | ||
|
unidentified
|
Yeah. | |
| That's when Ferguson, Tony Ferguson got mad that I put Khabib's hat on. | ||
| Hey, Tony, come on, man. | ||
| He's like, bro, I thought we were all 10th planet. | ||
| I'm like, look. | ||
| Hey, bro. | ||
| I'm wearing the hat. | ||
| The guy gives me the hat, I'm wearing it. | ||
| I like Khabib, I like Tony. | ||
| Yeah. | ||
| I like Ortega, I like Frankie Edgar. | ||
| I want to see you guys fight. | ||
| I think it would be awesome. | ||
| There's going to be animosity. | ||
| No doubt. | ||
| If someone doesn't make weight or get hurt in that fight, I'm going to cry. | ||
| Yeah, every day when I check Tony's Instagram or check Khabib's, I'm like, please. | ||
| Just be cool, bros. | ||
| Please no injuries. | ||
| Please no injuries. | ||
| Everybody keep it together. | ||
| Don't do anything crazy. | ||
| Just get there. | ||
| We're not even a month away. | ||
| Not even a month away. | ||
| Yeah. | ||
| That's a fight. | ||
| Yeah, what is the date? | ||
| It's March 6th. | ||
| It's a month and a day. | ||
| Four weeks. | ||
| A month and a day. | ||
| Good googly moogly. | ||
| That fight is by far my favorite. | ||
| The fight has to happen. | ||
| It has to happen. | ||
| Ferguson, Khabib, and then Stipe, DC. Those are my two fights where I'm literally like a schoolboy. | ||
| Look at that fucking card. | ||
| Chiesa versus Pettis? | ||
| I forgot about that. | ||
| Al Iaquinta versus Paul Felder? | ||
| Are you fucking shitting me? | ||
| Dude! | ||
| Ioana. | ||
| Dude! | ||
|
unidentified
|
Rose. | |
| You got Joe Loos on. | ||
| Ioana and Rose. | ||
| Oh my goodness. | ||
| Goddamn, Evan Dunham's still doing the damn thing? | ||
| And they gave him that monster? | ||
| Yeah, Tysimov. | ||
| Ain't no one trying to fight Tysimov. | ||
| They couldn't get Marabek Tysimov a good fight for a long time. | ||
| He's very, very underrated. | ||
| People are terrified of that gentleman. | ||
| Yeah, and he's having a real hard time getting matchups, but Evan Dunham doesn't give a fuck. | ||
| Bet you anything your boy Conor's there because his boy Artem Lobov's fighting and Ferguson Khabib makes sense. | ||
| Yeah, Lobov's fighting Caceres. | ||
| That should be fun. | ||
| I'm a Lobov fan, man. | ||
| It's a tough dude. | ||
| Salty record at 14-14, but that's life. | ||
| Yeah, it's interesting because there's two schools of thought with him and Connor. | ||
| He's strong and he's powerful and he's a good sparring partner for Connor, but I've also heard people say, no, Connor likes him because Connor can fuck him up. | ||
| He's just so goddamn tough? | ||
| Yeah, so goddamn tough. | ||
| Having a really tough sparring partner is probably a great idea. | ||
| You get both. | ||
| Yeah, he's not exactly a technician, but Artem's so damn tough. | ||
| Hits hard, too. | ||
| He hits hard. | ||
| You've got to watch your P's and Q's at all times. | ||
| I'm sure he's a great training partner. | ||
| And he's loyal, too. | ||
| He's not going to hurt you. | ||
| That's super important. | ||
|
unidentified
|
Oh, yeah. | |
| Especially now in Connor's life, that's got to be real important. | ||
| I mean, how many people are just constantly trying to get the best of him in sparring? | ||
| Oh, hashtag no new friends. | ||
| There's no new guy sparring with him. | ||
| I was looking at this... | ||
| This dude, Katoru on K1 here. | ||
| I'm gonna send it to you, Jamie. | ||
| This dude's... | ||
| They were doing the exact kind of sparring that I fucking hate to see anyone do. | ||
| Where they were literally just going after each other. | ||
| Trying to knock each other out? | ||
| And then... | ||
| Katoru connected with a giant bomb. | ||
| And knocked him out? | ||
| Yes, he did. | ||
| It was awful. | ||
| That's that old school fighting, man. | ||
| I'm gonna send this to you, Jamie. | ||
| Hang on a second. | ||
| Super old school fighting. | ||
| Well, it's just unfortunate when people choose to train like this because this is a real knockout that this guy suffered and it wasn't an accident. | ||
| Like, this guy was teeing off on him trying to knock him out. | ||
| I just sent it to you in a text message. | ||
| It's not like the guy was knocked out because, you know, he just got caught with a freak punch or a freak elbow sparring. | ||
| Watch this shit. | ||
| Look at those guys in the back. | ||
| Look at this. | ||
| Look at this. | ||
| Oh, they're playing for keeps. | ||
| And then walks away. | ||
| Like he doesn't give a fuck. | ||
| That's so weird, man. | ||
| KO'd that dude. | ||
| You don't get anything out of it. | ||
| Look at this. | ||
| That guy doesn't look very good who he's fighting. | ||
| No. | ||
| No, he doesn't. | ||
| And I mean, he is swinging from the hips. | ||
| Oh, that dude's like KO'd. | ||
| Yeah, he's flatline. | ||
| Yeah. | ||
| How do you say his last name? | ||
| Are you talking to me? | ||
| I'm the worst to ask that. | ||
| How do you think you'd say it? | ||
| K-1 Takeru. | ||
| Takeru. | ||
| T-A-K-E-R-U. Takeru. | ||
| And then he posted that? | ||
| Yep. | ||
| It's awful, right? | ||
| It's just a tool move. | ||
| It's awful. | ||
| Well, it's just, maybe it wasn't him sparring. | ||
| I don't know who was getting KO'd like that. | ||
| But that should be an example of just what not to do. | ||
| Are you Vandley Silva from Shootbox back in fucking 97? | ||
| What are you doing? | ||
| Does it show the translation? | ||
| Eh, who cares. | ||
| Either way. | ||
| Either way, don't post that. | ||
| That's how it used to be. | ||
| That's how guys spar. | ||
| God, back in the... | ||
| For sure, educate yourself. | ||
| I know. | ||
| That's why when you see something like that today... | ||
| It's hard to see now. | ||
| It's not smart, it's not good for you, and it's not a good way to train. | ||
| You're not learning from that. | ||
| You're also going to break all your toys so people go, oh, you fight like that? | ||
| No, we're good, man. | ||
|
unidentified
|
Right. | |
| We're good. | ||
| Or you have to be a guy who can hang in there in that gym and do that. | ||
| But all of you are going to take unnecessary damage. | ||
| Can you do it? | ||
| Yeah, you can do it. | ||
| That's how we used to do it. | ||
| Everyone used to do that. | ||
| You can do it, but is that smart to do it? | ||
| Definitely not. | ||
| That's not the right way to do it. | ||
| Especially at his level. | ||
| We know you're tough, man. | ||
| You don't need to knock guys out. | ||
| He's finding K1. What are you doing? | ||
| Did you watch Glory this past weekend? | ||
| I'm not huge into Glory, Joe. | ||
| I watch all combat sports. | ||
|
unidentified
|
Who are you? | |
| I know. | ||
| I know. | ||
| You don't like kickboxing? | ||
| It's alright to me. | ||
| I enjoy it. | ||
| I appreciate the art, stuff like that, but I was really into K1 when it was in its prime, but it's hard for me to get into Glory. | ||
| And there's some amazing guys in there. | ||
| I only have so much time on my hands where Glory's not priority. | ||
| That's true. | ||
| Yeah, I don't know. | ||
| To me, I like it better than boxing. | ||
| How dare you? | ||
| I'm sorry. | ||
| It's like I don't even know you. | ||
| Being honest. | ||
| I appreciate it. | ||
| A real good glory fight to me is more interesting than a real good boxing match. | ||
| You're fucking crazy. | ||
| I like kicks. | ||
| You're crazy. | ||
| I like knees. | ||
| I like Muay Thai even more. | ||
| More than boxing. | ||
| Yep. | ||
| A good boxing match. | ||
| Yeah. | ||
| You'd rather watch that than Canelo Triple G. You got your goddamn mind. | ||
| Well, that's an exceptional once-in-a-lifetime match. | ||
| That Wildo Ortiz fight, man, one of the best I've ever seen. | ||
| But say if it was like... | ||
| Buakau versus Sanchai. | ||
| Yeah. | ||
| I would be just as excited about that. | ||
| Yeah, that's fair. | ||
| You know what I mean? | ||
| Like those two levels. | ||
| Yeah. | ||
| That level. | ||
| Yeah, not so extreme. | ||
| That's a crazy fight. | ||
| Yeah. | ||
| You'd want to see what happens. | ||
| Yeah, I don't know. | ||
| Again, I can appreciate when there's a good fight. | ||
| I'm down, but I'm not going to shut down my night and order pizza and watch Glory. | ||
| Damn, I will. | ||
| I will, for sure. | ||
| But I don't miss, which is weird, I don't miss any MMA, UFC, Bellator. | ||
| I don't miss any boxing. | ||
| I shut everything down. | ||
| Did you get excited about the Kovalev fight? | ||
| No, I get excited about it. | ||
| Super excited about it. | ||
| This past weekend, I was just so happy because I knew I had freaking Showtime boxing on with Wilder versus Ortiz, which is a great fight, and then you also had UFC 222. And that ended before the co-mate event, so I get to see all of it. | ||
| That makes my weekend, man. | ||
| Did you see that dude... | ||
| Alexander Hernandez, starch, Benil Dariush. | ||
| God, did he ever. | ||
| Dariush has hit a rough patch. | ||
| How about your boy Hector? | ||
| Yeah, Hector Lombard, that wasn't good. | ||
| What are you at on that? | ||
| Cheap shot. | ||
| Cheap shot, you think? | ||
| You don't think it was an after-action combo? | ||
| The first punch you can get away with. | ||
| I agree. | ||
| The second punch, he knows the bell's already rung. | ||
| Yep, the first one, I said, alright, you're in motion, but that second one that knocked him out, that's where I get a drill line. | ||
| I don't think he's a bad guy, but it's also a natural counter to kick like that, to throw that straight right or the left hook. | ||
| So maybe there's that, but you can't have the fight carry on. | ||
| Well, he definitely naturally fired back, but he knew in his head that the bell had rung, and he fired back anyway. | ||
| I mean, that's what happened. | ||
| Why did he do it? | ||
| I don't know. | ||
| But here's the thing. | ||
| We can't speculate. | ||
| We don't know. | ||
| No one knows it was on purpose. | ||
| All you know is the bell rang. | ||
| The rules are real clear. | ||
| The bell rings, the dude throws a punch, and then another punch after the bell. | ||
| 100% foul. | ||
| There's no gray area. | ||
| They're going to appeal that, to me, is crazy. | ||
| And Hector was saying something like, the guy was talking, he was fine. | ||
| He was saying, what happened? | ||
| Where am I? That's what CB Dollar was saying. | ||
| Yeah. | ||
| He said it over... | ||
| I kept saying that he was saying... | ||
| I was letting everybody know because he was saying it over and over again. | ||
| And we all know what that is. | ||
| We've all seen that. | ||
| When a guy gets knocked out and just keeps saying, what happened? | ||
| What happened? | ||
|
unidentified
|
It's a nightmare. | |
| It happens so often. | ||
| Yes. | ||
| That is what always happens when people get KO'd. | ||
| They go, oh shit, what happened? | ||
| You don't remember anything. | ||
| And you tell them, and then five minutes later, what happened? | ||
| And then you tell them, why am I here? | ||
| What happened? | ||
| They forget over and over again all night. | ||
| You gotta stay up with them. | ||
| Hector's in a tough spot because he's lost five in a row now. | ||
| So I'm not sure what they're gonna do with him. | ||
| Well, I mean, I would imagine if CB wants to do a rematch, they would do a rematch. | ||
| Because there would be some interest in that fight. | ||
| Because either one of those guys is not generating a ton of interest. | ||
| Correct. | ||
| Hector's lost a lot of fights. | ||
| CB's lost two? | ||
| He got knocked down by Marquardt. | ||
| Remember that? | ||
| Yeah, that was bad. | ||
| That was bad. | ||
| And that was, it seemed to me, like one of those fights where he thought Marquardt was done. | ||
| The last thing to go. | ||
| You know, Nate retired. | ||
| Yeah. | ||
| Officially retired, yeah. | ||
| I'm glad. | ||
| I'm glad I'm tired. | ||
| But there's a thing that happens to fighters where, you know, they just can't take a shot anymore. | ||
| They've just been doing it too long. | ||
| It's just a fact. | ||
| And so guys go after them. | ||
| But the last thing to go with a guy like Nate is power. | ||
| Yeah, it's terrible. | ||
| He knocks out CB. After CB, you know, CB came back. | ||
| And who did he beat? | ||
| I thought CB won two in a row, and then they got Hector, or did he lose one in decision? | ||
| But I'm pretty sure after Nate, he won one. | ||
| Well, you know, he got fucked up in an elevator accident. | ||
| He's in a lawsuit with the UFC over it. | ||
| Yeah, he's like permanently fucked up. | ||
|
unidentified
|
Is he? | |
| Is that bad? | ||
| What happened? | ||
| He was on an elevator, and it just dropped. | ||
| The elevator just dropped and slammed onto the bottom. | ||
| I'm sorry, how is that the UFC's problem? | ||
| I don't think he's in a lawsuit with the UFC. Is he not? | ||
| Am I crazy? | ||
| He's in a lawsuit, I think, with the hotel. | ||
| I thought it was with the UFC. Maybe I'm wrong. | ||
| It doesn't make sense if the elevator, then I have misinformation. | ||
| Yeah. | ||
| It wouldn't make sense coming after the UFC if it was a hotel elevator. | ||
| Oh, you didn't know that it was the elevator accident? | ||
| I knew it was the elevator. | ||
| So yeah, it doesn't make sense if they'd come after the UFC. No. | ||
| That's what I heard. | ||
| But apparently there was quite a few people in that elevator, and when he dropped, a lot of them got fucked up. | ||
| Damn. | ||
| I think there was more than three or four people in the elevator, but he got fucked up bad. | ||
| Was it a Steve Wynn hotel or what? | ||
| I don't know. | ||
| I don't know who owned it. | ||
| I don't know where it was. | ||
| I do not remember. | ||
| That's such a shame. | ||
| Jamie, you looking it up? | ||
| Yeah, but he did go and fight again. | ||
| So they would probably be arguing like, hey, you're still professionally competing. | ||
| That's what I was going to say because he's in that lawsuit and then you fight this weekend. | ||
| The courtroom's going to be like, hold up. | ||
| You're saying your back's an issue and they fought Hector Lombard? | ||
| Yeah. | ||
| What are you talking about? | ||
| Yeah. | ||
| That's true. | ||
| The best argument would be, did not fight until the lawsuit settled. | ||
| And then shoot some stem cells in there down in Panama. | ||
| Yeah, it's not like we're dying to see you versus Hector. | ||
| Van Halen on the headphones. | ||
| Panama! | ||
| There's a Wyndham Hotel in Cleveland. | ||
| Ah, Wyndham's. | ||
| Don't stay at Wyndham's. | ||
| Yeah, or do. | ||
| So they'll sue the shit out of those people. | ||
| We'll see what happens. | ||
| But yeah, the elevator apparently was getting funky on people before. | ||
| And people were still riding it. | ||
| Don't more people die in elevators? | ||
| Because when they're talking to their friend, they assume the elevator's there, and they're walking, and the elevator's not there, and they go down? | ||
| More people die like that than you would imagine, yeah. | ||
| Why the door? | ||
| Why is the door open? | ||
| Because something's wrong, it goes ding, and they're like, yeah, I got it! | ||
| And they fall to their death. | ||
| It's a bad one. | ||
| So always look at the elevators there. | ||
| That's a fucked up way to end it. | ||
| Shitty deal. | ||
| You don't want to go out like that? | ||
| No. | ||
| I'd heard a story about a dude who got trapped in an elevator and the elevator went up and he was trapped in the door and the elevator went up and just sheared him in half. | ||
| I saw that in Final Destination 2. Maybe that's what it was. | ||
|
unidentified
|
Yeah. | |
| I made it up. | ||
| No, I'm pretty sure it was real. | ||
| That'd be a terrible way to go. | ||
|
unidentified
|
Awful. | |
| Well, it's like that actor who was in Star Trek and he was in Alpha Dog. | ||
| He lived right up here, man, in Hollywood. | ||
| Hollywood Hills. | ||
| He lives on an incline. | ||
| And he was getting out of his Jeep to close the garage door. | ||
| And he didn't put the Jeep in park. | ||
| And it rolled over and killed him. | ||
| Trapped him against the garage door. | ||
| Fuck. | ||
| Young actor, too. | ||
| Phenomenal actor. | ||
| Fuck. | ||
| Wow. | ||
| Back straddling the elevator, one leg in the elevator, one leg in the second floor. | ||
| He was helping the occupants get off the elevator when all of a sudden shot upwards, beheading him. | ||
| That's it. | ||
| His body fell into the second floor lobby. | ||
| His head fell onto the floor of the elevator. | ||
| His head and the two remaining passengers in the elevator shot up to the ninth floor. | ||
| One of the passengers described the scene. | ||
| I can't get it out of my mind. | ||
| The head was there, but the body wasn't. | ||
| He still had the Walkman earphones on his head. | ||
| Holy shit. | ||
| There had been many problems with the elevator, and the service repairman was at the building that day to work on it. | ||
| The elevator had been inspected November 1, 1994, and passed the inspection. | ||
| That's some dark shit. | ||
| That's a way to go, baby. | ||
| Not good. | ||
| Painless, though. | ||
| Yes, but you will be awake for a couple seconds. | ||
| Yeah, don't they say once you, like a chicken, right? | ||
| That doesn't make sense to me, though, because how come you're not awake when you get choked out? | ||
| Right? | ||
| Well, because when you get decapitated, right, everything's still firing, some of the energy's still up there firing, so you can see. | ||
| Maybe. | ||
| I heard about that chicken that didn't have any head. | ||
| Lived for 18 months without a noggin. | ||
| After a farm in a failed attempt at slaughter axed off the head, but missed the jugular vein. | ||
| We really don't know, right? | ||
| Chickens are fucking dinosaurs, man. | ||
| I've said that many, too many times, but that kind of shit is what you need to see. | ||
| Just realize it's not a person. | ||
| Although a pterodactyl is not a dinosaur. | ||
| It's so strange to me. | ||
| I know. | ||
| I think pterodactyls might have had feathers. | ||
| They don't know. | ||
| They're thinking now that a lot of dinosaurs had feathers. | ||
| But when you think about what a pterodactyl is, we always assume it had like bat wings. | ||
| But now that they think that dinosaurs have feathers, I wonder if they... | ||
| A giant bird? | ||
| Yeah, I wonder if they've decided to look into that and look at it as a possibility. | ||
| You ever see that giant picture that it's the T-Rex covered in feathers? | ||
| Yeah. | ||
| Get that shit out of my face. | ||
| They didn't look like that, bitch. | ||
| They might have. | ||
|
unidentified
|
No! | |
| They think raptors did. | ||
| Raptors covered in feathers like that? | ||
| They think raptors had feathers. | ||
| They look pretty dope, too, man. | ||
| Have you seen the pictures, Jamie? | ||
| That bullshit T-Rex covered in feathers? | ||
| Yeah. | ||
| That one's furry. | ||
|
unidentified
|
It looks cute. | |
| That one looks cool. | ||
| Yeah. | ||
| See that one? | ||
| We showed it before. | ||
| It's at Bozeman Science Museum or some shit in Bozeman, Montana. | ||
| Pretty cool place. | ||
| And they have a replica of what they think a raptor could have looked like if it was covered in feathers. | ||
| Because they think it's very possible that that's what those things looked like. | ||
| Remember, Jamie, it was on the floor. | ||
| There was an actual model. | ||
| We pulled up the image before. | ||
| If you go to images. | ||
| It's some science shit for the feathers. | ||
| That's what they think because they found some that have feathers. | ||
| They know that they've got some fossils that have very clear indentations where feathers must have been. | ||
| Well then everything I grew up on with dinosaurs is wrong. | ||
| Well, they think that's true anyway. | ||
| They used to think the T-Rex was a predator, and now they think it's a scavenger. | ||
| I thought you were going to say vegetarian. | ||
| No, they think he just waddled around. | ||
| That's why the teeth are so big, to crush dead animals that are just laying around. | ||
| That's it right there. | ||
| That's what they think that thing looks like. | ||
| Which is kind of even more nightmarish. | ||
| Yeah, it's more freaky. | ||
| Big old feathered fucking lizard that runs and guts you with its claws. | ||
| My brain's trying to analyze it. | ||
| It doesn't really work. | ||
| Well... | ||
| Because how we know dinosaurs, you know what I'm saying? | ||
| Yeah, but think of an eagle, man. | ||
| I mean, eagle is a lot like a fucking dinosaur. | ||
| It just has a hatchet for a head. | ||
| That beak. | ||
| Instead of teeth. | ||
|
unidentified
|
Yeah. | |
| But you look at an ostrich, you look at their legs and shit, you can see a dinosaur in it. | ||
| 100%. | ||
|
unidentified
|
Their feet. | |
| Yeah, but nobody has teeth like that. | ||
| There's not a single bird that has, like, leopard seal-type teeth, you know? | ||
| God, leopard seal. | ||
| Underappreciated animal. | ||
| That thing's mean as fuck. | ||
| One of the coolest animals of all time. | ||
| We're in La Jolla and we're on these scooters and went down and there's all these leopard seals and there's some people taking pictures. | ||
| Some Asian dude walked up, got nose to nose with this thing. | ||
| I told my brother, go get your camera out because that thing will rip his face off and this is going to be awesome. | ||
| Oh my god. | ||
| They're fucking killers, man. | ||
| They're so big, too. | ||
| You know what I'm saying? | ||
| They're leopard seals for a reason, man. | ||
| You know, I didn't even know they were a real thing until I watched that March of the Penguins movie. | ||
| I went, what? | ||
| You didn't know they were real? | ||
| I didn't know what a fucking leopard seal was. | ||
| I'd never heard of it. | ||
| Yeah, they're gangster. | ||
| I think I'm scared because since a kid I was in Mexico and there's one going up in the water and I thought, oh cute, look, that's like the ones I see on cartoons and my dad's friend who's in the Navy was like, do not go in the water. | ||
| Those things are mean as fuck. | ||
| Yeah. | ||
| I was like, really? | ||
| He's like, yes! | ||
| They're out there fucking killing shit right now. | ||
| Yeah, they've eaten people before. | ||
| There's one of them. | ||
| Look at that poor penguin. | ||
| Some scientist, actually, a female scientist in a rare attack got killed, I want to say about 10 years ago. | ||
| Those things are gangster, man. | ||
| They're pretty stunned. | ||
| Because they have giant mouths and huge teeth. | ||
| But look, like with his mouth closed there, looks so fucking cute. | ||
| Like, hey, buddy. | ||
| That's what that Asian dude was doing. | ||
| Nose to nose with his fucking thing. | ||
| Hi, buddy. | ||
| Now, get me a picture of his teeth, like right above with his mouth open. | ||
| Go large on that. | ||
| That's not even a good one. | ||
| That thing looks like a tremor. | ||
| Yeah, right there. | ||
| Oh, Jesus Christ! | ||
| They look like tremors. | ||
| Look at that, man. | ||
| I mean, that doesn't look like a real thing. | ||
| That looks like a fake animal. | ||
| It looks like that movie Tremor, that shitty CGI Tremor. | ||
| That's what it looks like. | ||
| Yeah, there was earthquakes because there was worms living out of the ground. | ||
| That movie's awesome. | ||
| Shout out to Kevin Bacon. | ||
| I was thinking this about the Oscars. | ||
| Go to that one on the lower left. | ||
| Look at these fucking teeth. | ||
|
unidentified
|
Jesus Christ. | |
| See, he looks friendly to me. | ||
| I would kick it with him. | ||
| Look at those teeth, bro! | ||
| I'd share a fish talk with that guy. | ||
| I'd be really happy to eat your asshole. | ||
|
unidentified
|
Hello! | |
| 100%. | ||
| I want to take a bite out of your dick. | ||
| 100%, man. | ||
| They're fucking killers. | ||
| What were you going to say about the Oscars, though? | ||
| Oh, I was thinking... | ||
| Speaking of killers? | ||
| No. | ||
| I was thinking, like, when are we... | ||
| No one can possibly see all the movies. | ||
| Because we keep adding to the library. | ||
| Every week, new movies come out. | ||
| They don't take movies away. | ||
| No, you have to hit a certain period where they're going to preview that movie so you're up for the awards. | ||
| That's not what I mean. | ||
| I don't care about the Oscars. | ||
| I don't care about the awards. | ||
| I'm saying the number of movies... | ||
| That we produce as the human race is fucking crazy, and it's never-ending. | ||
| Yes. | ||
| Like, every year they put out more, and movies don't go away. | ||
| So the database is just stacking and stacking and stacking. | ||
| It's tough to follow. | ||
| And it's only been happening for a hundred years. | ||
| Yeah. | ||
| I mean, and that was silent in the beginning, right? | ||
| So there's been a hundred years of these movies just stacking up. | ||
| And all the premises, like, if you think about premises, like, oh, the robots get smart and they want to kill the people. | ||
| Okay. | ||
| Oh, the monkeys get smart and they want to kill the people. | ||
| Okay. | ||
| Like, there's all these premises that just go, oh, there's worms that live on the ground that cause earthquakes. | ||
| Great movie. | ||
| I'm in immediately. | ||
| It must be so hard to come up with an original premise for a movie. | ||
| There's so many fucking movies. | ||
| You think it's hard to come up with a new joke? | ||
| Or a new premise for a joke? | ||
| Why do you think you get a recreation of Jumanji and Rocky and Predator? | ||
| They're running out of ideas. | ||
| How many buddy-buddy movies can we see? | ||
| Can we put The Rock and Kevin Hart in so many goddamn movies? | ||
| It's just this regurgitation of all the same shit we've already seen. | ||
| Yeah. | ||
| Yeah. | ||
| There's so many movies. | ||
|
unidentified
|
There's so many movies. | |
| Yet there's not that many paid actors, is there? | ||
| Like, it's a struggle city. | ||
| Less than 1% make a living acting, but there's a jagillion movies. | ||
| Is it less than 1%? | ||
| Less than 1% make a living. | ||
| Really? | ||
| Making movies. | ||
| Of all actors? | ||
| Yes. | ||
| Wow. | ||
| That's crazy. | ||
| Like a quality living of all the actors, less than 1%. | ||
| That's pretty crazy. | ||
| Crazy. | ||
| Think how many comics make a legit living? | ||
| Think how many comics are? | ||
| The difference being that for a comic, it's more up to them. | ||
| Correct. | ||
| It's more up to them to go. | ||
| And you're a good piece of proof of that. | ||
| Obviously, you have the boost of being famous from the UFC and then being famous from your podcast. | ||
| Those two things helped you as a boost. | ||
| But also the hustling. | ||
| And that's the thing that, like, an actor can hustle, but you have to be hired. | ||
| You gotta be hired to do something. | ||
| And there's a million moving pieces. | ||
| A million moving pieces. | ||
| You gotta track well, you gotta test well, people have to like, you gotta be right for the royal. | ||
| A million. | ||
| You could just go up on a showcase night and do like 15 minutes and kill, and you're in the money, you know? | ||
| Acting's a motherfucker. | ||
| Hard gig to get good at, too. | ||
| You know? | ||
| Acting? | ||
| Yeah, I think. | ||
| Oh, my God. | ||
| To get good at, like, Daniel Day-Lewis style, I was watching There Will Be Blood the other day, and I was just thinking, like, this guy's, like... | ||
| The butcher? | ||
| He's putting out so many... | ||
| Yeah, ooh, New York. | ||
| What is that? | ||
| Gangs in New York? | ||
| Gangs in New York. | ||
| But I forgot how good There Will Be Blood was. | ||
| I watched it the other day in a hotel... | ||
| And I was near where it happened because I was doing gigs in Fresno and Bakersfield. | ||
| And I didn't know that, but Tehachapi Mountains, that's where there will be bloods all about. | ||
| That's where they were drilling for oil. | ||
| That's right over there. | ||
| Amazing movie. | ||
| Dude. | ||
| I think it's funny. | ||
| Sometimes fighters, whoever athletes go, I'm going to go to Hollywood, get into acting. | ||
| Like, man, you need to sit in on a classroom. | ||
| You need to watch someone do like a dramatic role and see if it's for you. | ||
| I mean, you're talking about it's a legit craft, man. | ||
| Some people are just good at... | ||
| There's a thing that they're doing where you're compelled by their words. | ||
| You're compelled by what they're doing. | ||
| It's not easy to achieve that spot. | ||
| Not a lot of guys do it. | ||
| No, it's a true art. | ||
| That's why it's so tough to get casted in those roles in TV and movies. | ||
| There's a reason why it's so goddamn tough. | ||
| I've been watching that Viking show. | ||
| You watch that Viking show? | ||
| That's on history, right? | ||
| All in, baby. | ||
| Yeah, you get it on Apple. | ||
| I got it on iTunes. | ||
| It's fucking good, man. | ||
| It's a good show, and it keeps getting better. | ||
| And they're really good actors. | ||
| I'm on season two right now. | ||
| I need some shows, man. | ||
| I ran out. | ||
| You've seen Punisher on Netflix? | ||
| I have not. | ||
| Changed your life. | ||
| That good? | ||
| You would love it. | ||
| It's a lot of shoot-em-ups. | ||
| Hell yeah. | ||
| Bang, bang, bang. | ||
| But legit, I just don't like action. | ||
| That doesn't do anything for me. | ||
| I like a good story. | ||
| Yeah. | ||
| Punisher's dope. | ||
| Went through El Chapo, went through Narcos. | ||
| You've never seen The Wire? | ||
| Have you ever seen The Wire? | ||
| Seen The Wire. | ||
| I got like season five. | ||
| That's all there is. | ||
| They just did release it in HD, so if you haven't seen it, you could watch it. | ||
| Some people say greatest. | ||
| It's probably the best series ever. | ||
| Ever? | ||
| Yeah. | ||
| That's a strong statement. | ||
| Easy for you to say because I haven't seen it, you fuck. | ||
| It is true. | ||
| Some people rank it number one. | ||
| That and Sopranos, right? | ||
| I've never seen Sopranos. | ||
| Well, that's a problem. | ||
| You've never seen Wired, son. | ||
| I saw one episode of the Wired. | ||
| Well, I've seen half an episode of Sopranos. | ||
| Sopranos was the show that got me into binge-watching. | ||
| But not binge, because I watched it every Sunday, whenever it was on or whatever day it was. | ||
| Yeah, you were excited for it. | ||
| It's HBO night with your girl. | ||
| It was a big deal to sit and watch The Sopranos. | ||
| I was like, boy, here we go, the fucking Sopranos. | ||
| That's how I was with Game of Thrones. | ||
| Is Brian here? | ||
| Yeah, he has a Tesla. | ||
| Some poor electric car that he half-charges. | ||
| How often do you think Brian fully charges that car? | ||
| He was just in the shock because he ran into the wall or some shit. | ||
| He treats his car as like shit. | ||
| And then he goes, dude, do you think I should get a Porsche like you and Rogan? | ||
| I'm like, no. | ||
| Absolutely not. | ||
| Absolutely not. | ||
| That's not the car for you. | ||
| He's hitting full-on midlife crisis. | ||
| Let's encourage it. | ||
| No, I want him to get a yellow Viper and braces. | ||
| I want to be that guy in a shit tan and a wig. | ||
| Ooh, a Viper. | ||
| Nah, he doesn't know how to drive enough for a Viper. | ||
| But he should drive something that has some balls. | ||
| Yeah, Tesla's bummed me out. | ||
| I like the message, it's just not the car for me. | ||
| It doesn't make any noise. | ||
| I have a problem with the fact that it doesn't make any noise. | ||
| It doesn't do anything to me. | ||
|
unidentified
|
I don't know why. | |
| I'm just too used to noise. | ||
| Me too. | ||
| We sound like two cavemen right now, but it doesn't have that V8 or that V10 noise, the V6, the Inline 6, that exhaust. | ||
| There's nothing. | ||
| And you know what's pissing me off? | ||
| That lately car manufacturers have been adding noise to their cars. | ||
| Like the Maserati? | ||
| They put it in the speakers. | ||
| What? | ||
| Yes. | ||
| In what cars? | ||
| BMW. M4 does it. | ||
| They put in the speakers? | ||
| Yep. | ||
| Sound. | ||
| They pump sound through the speakers. | ||
| That's a bitch move. | ||
| So as the engine goes up, some of it's coming in through the speakers. | ||
| It's like patting a bra as a girl. | ||
| That's fucked up. | ||
| Apparently some guys have figured out a way how to cut that out. | ||
| Why would you do that? | ||
| Turbocharged cars. | ||
| Can I say that five times fast? | ||
| Turbocharged cars. | ||
| When you have forced induction, forced air induction, it makes the car much quieter. | ||
| Doesn't sound nearly as throaty and rumbly. | ||
| Like my GT3, you know how raw that thing sounds? | ||
| Love that. | ||
| Because it's naturally aspirated. | ||
|
unidentified
|
Correct. | |
| And you also get instantaneous feedback from the throttle response. | ||
| Preach, I got GTS. That's what you want. | ||
| That's what you want. | ||
| When you get into turbochargers, it's all about turbo lag, which is why they have twin turbos. | ||
| They have one turbo on the low end, one turbo on the high end, but even at the very best implementations of turbochargers, there's still a perceptible lag. | ||
| Slight lag. | ||
|
unidentified
|
Slight. | |
| They're getting better and better, though. | ||
| That new Porsche is ridiculous. | ||
| Yeah, yeah, yeah. | ||
| They're definitely better than they used to be. | ||
| Dude, how the fuck have you not been on comedians in cars getting coffee? | ||
| Oh, I don't know. | ||
| Not your thing. | ||
| Nah. | ||
| I get Jay Leno's show. | ||
| I've done enough car things. | ||
| That's true. | ||
| Let's take that new Porsche and get on there or something. | ||
| I can't believe you're a new Porsche. | ||
| Literally, I was like, I hit you up out the podcast. | ||
| I'm just here to see the car, and you didn't bring it. | ||
| It has an oil leak. | ||
| I know. | ||
| Yeah. | ||
| Well, you buy it. | ||
| It's not new. | ||
| It's 1991. It's new. | ||
| 1991 964. God. | ||
| Sometimes I wanted to fuck around with one of those older cars. | ||
| I like those. | ||
| Love it. | ||
| They're small. | ||
| They're real small. | ||
| That's one of the weird things about it when you're around it. | ||
| Those things are tiny. | ||
| A driver's car. | ||
| Yeah. | ||
| You feel everything. | ||
| I love it because you're not going to see it. | ||
| No one has it out there. | ||
| It's custom to you. | ||
| It's a badass ride. | ||
| There's more of them now than there have been before. | ||
| People are getting into those older cars. | ||
| Thanks to your boy Magnus Walker. | ||
| Yeah. | ||
| Chris Harris said something funny to me. | ||
| He said, why is it that four years ago I didn't give a shit about 964s? | ||
| Now I think they're the best looking cars ever. | ||
| The Porsche goes through these phases where this one's cool, and this with a 68, 78, 73. It's just these weird phases. | ||
| Well, those long hood cars are kind of always the best looking ones. | ||
| The 1967 to early 70s, like 72, 73. You know, they have that long hood. | ||
| Those are the ones that Magnus is really into. | ||
| He's done a few of those where he redid them. | ||
| He made them cool, too. | ||
| Oh, yeah, for sure. | ||
| Well, his style, that's another level more raw than what I'm dealing with. | ||
| Magnus? | ||
| Yeah, because his style, well, he has a 964, too, but a lot of what his older cars were were those 1969, 1971s, and he would redo those. | ||
| And those cars don't weigh dog shit. | ||
| They weigh like 2,000 pounds. | ||
| Super light. | ||
| The Porsche purists think they're not really into the Singers or the Magnus Walker. | ||
| You know what I'm saying? | ||
| Your car's in the middle of that, I think. | ||
| Yeah, it's not modified. | ||
| It's not like a Singer, which is completely different. | ||
| Singer's got a carbon fiber body. | ||
| I actually think Singers, Porsche took a lawsuit out of them because they're selling the Porsches, but they're taking the Porsche logo off and put a Singer one on them. | ||
| Yeah, so Porsche's suing them? | ||
| They have an issue with it, yeah. | ||
| That's interesting. | ||
| I thought they liked it because it was just like bringing back interest in vintage Porsches. | ||
| I think they liked it before he started making it the Singer. | ||
| You know what I'm saying? | ||
| Yeah, because what he's doing is taking a 964, which is that same year that I'm talking about, and then he puts all this other stuff on it and beefs up the suspension and beefs up the engine. | ||
| They're like impossible to get to. | ||
| Yeah. | ||
| They're so sick. | ||
| Well, now he has a new one that starts at 1.5 million dollars. | ||
| Is that it? | ||
| Jesus Christ. | ||
| What the fuck are we doing? | ||
| Have you seen it? | ||
| No. | ||
| There's a limited number of them they're going to make. | ||
| It has a 500 horsepower naturally aspirated engine. | ||
| It's got giant fender flares. | ||
| See if you can find it. | ||
| Say no more, fam. | ||
| I'm in. | ||
| You're in. | ||
| Wait till you take a look at this thing. | ||
| Sometimes when you send me pictures of cars getting made, sometimes I'll see it. | ||
| It makes me mad. | ||
| They're so sick. | ||
| It makes you mad. | ||
| There's not enough cars in the world for me. | ||
| Yeah, what is it about cars? | ||
| I don't know. | ||
| Cars and girls, you see it and you're like, God damn! | ||
| God damn! | ||
| Right? | ||
| It just speaks to DNA. And it's not all men. | ||
| No. | ||
| Callan. | ||
| Callan would come in here, you could show him that. | ||
|
unidentified
|
He's here. | |
| Where is he? | ||
| Is he in the dressing room? | ||
| I mean, yeah, he's walking around the gym. | ||
| See him? | ||
| I guarantee you he hits that punching thing you have. | ||
| He's gonna break it. | ||
| He's got karate power. | ||
| Or go, you know what, I would, but my wrist. | ||
| Yeah, maybe there's that. | ||
| But this, I mean, some men don't get into it, but it's so universal with men. | ||
| It's just, it's so normal that men, like, really get into cars. | ||
| Why is that? | ||
| I don't know. | ||
| I don't know what is a battle. | ||
| Especially V8s, right? | ||
| But, like, I'm not the type of guy where, like, I'll see a car, and my brother's super car guy, and I go, that thing, your car's dressed down on a track. | ||
| I'm like, I don't give a shit about the track, man. | ||
| Yeah. | ||
| There's guys who are like those track guys, and I'm just like a road guy, fun driving car, fast enough, but looks great. | ||
| I'm about looks and performance. | ||
| Track is fun. | ||
| But then a lot of people are track guys. | ||
| We should go to the track. | ||
| The Porsche Performance Center. | ||
| Yeah, we go there, we have to take their cars, though. | ||
| Fuck up their tires. | ||
| Yeah, that's true. | ||
| Not yours. | ||
| That's true. | ||
| You can get GT3s, GT2s. | ||
| Yeah. | ||
| Alright, let's do it. | ||
| Let's do that. | ||
| Look at that. | ||
| That's the SINGER. Come on, son. | ||
| That doesn't make your dick hard. | ||
| SINGER Porsche 964 DLS. And this thing is insane. | ||
| Find a better looking car than that, though. | ||
| You know what I'm saying? | ||
| Well, I'm going to be honest. | ||
| Those Fuchs wheels, I always felt like they're not good enough for that body style. | ||
| I like how deep the... | ||
| Look how the wheel wells on that. | ||
| I always felt like they're classic. | ||
| Those Fuchs are quite... | ||
| They have center locking hubs, too. | ||
| See that? | ||
| Look at the fucking body on that thing. | ||
| That thing is filthy. | ||
| And the ducktail on the back. | ||
| That's the only reason I bought my car, because of the ducktail. | ||
| Look at the back end. | ||
| Oh, my God. | ||
| That might be one of the best looking cars ever. | ||
| Ever. | ||
| Ever. | ||
| What's the interior like on that, Jamie? | ||
| Oh, it's phenomenal. | ||
| It's orange. | ||
| It's going to be orange, I assume? | ||
| Look at the center locks, man. | ||
| And like people will say, all bespoke, the interior. | ||
| Look at that. | ||
|
unidentified
|
Oh, God. | |
| Jesus Christ. | ||
| How much is it? | ||
| 1.6 million. | ||
| Makes me want to risk it all. | ||
| Yeah, right? | ||
| Sign up for it. | ||
| If I was Connor, I would do one of them Burger King commercials and buy one of these. | ||
| Dude, if I were you, I'd get one of these fucking things. | ||
| It's not my style. | ||
| That's a little too... | ||
| A little too flexed on them? | ||
| My car's lipstick orange, so I'm into it. | ||
| I got a silver Bronco already. | ||
| I got that silver Corvette that I have. | ||
| That's about as... | ||
| That's your style, though. | ||
| ...as look at my dick as you can get. | ||
| I mean, you got a freaking, you know, that night red fucking Porsche. | ||
| The classic red. | ||
| Yeah, it's a Guards red. | ||
| It's Guards red. | ||
| Yeah. | ||
| It's a great color. | ||
| It's good. | ||
| You'll see it soon. | ||
| What's the matter? | ||
| He's trying to do dips, but he's not quite doing it. | ||
| We're watching Callan work out on the security camera. | ||
| Why doesn't he come in here? | ||
| Because he's Callan. | ||
| Let's wrap this up. | ||
| We'll go get him. | ||
| All right. | ||
| Let's do it. | ||
| Got any comedy dates coming up? | ||
| Yes. | ||
| I'm in Oxnard, Levity Live next week. | ||
| Great club. | ||
| This is all March. | ||
| Oxnard, Levity Live next week. | ||
| Friday, Saturday. | ||
| Friday, Saturday. | ||
| That'd be March 16th, 17th, Levity Live, Oxnard. | ||
| And then the following week, I'm in Florida, Tampa the 22nd, Palm Beach 23rd and 24th, Orlando on the 25th. | ||
| Brendonshop.com? | ||
| TFATK.com. | ||
| TFATK.com. | ||
| And then check out Below the Belt. | ||
| First episode's out. | ||
| Oh, that's right. | ||
| At Below the Belt, my Showtime show dropped. | ||
| Powerful Showtime. | ||
| Powerful Showtime. | ||
|
unidentified
|
Blowing the fuck up! | |
| What's up, brother? | ||
|
unidentified
|
Woo! |
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