Sept. 20, 2022 - Jim Fetzer
09:33
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| There's a trend in Hollywood. | |
| Replace white people in classic European fairy tales and even in historical accounts. | |
| But every time a European person is reimagined, retold by diversity and europhobia, a surge of opposition speaks loudly. | |
| We know what's going on, and I will tell you exactly why they do this. | |
| But first, I was very happy to see the big wave of opposition against the reimagined classic European story of The Little Mermaid, where fair-skinned, flowing, red-haired Ariel is replaced by an African girl with fake red matted hair and hip-hop vocals. | |
| Wish I could be part of that world. | |
| She. | |
| The End you Why not get a real redhead to play the part? | |
| Oh, because diversity and racism. | |
| Never mind that redheads are a tiny minority in the world. | |
| Well, one guy used AI and fixed her back into a cute, white, ginger-haired girl. | |
| And the woke mob peed their pants. | |
| FYI, the screenplay was written by Jane Goldman, who started as a progressive journalist. | |
| Look, mermaids, water nymphs, and sirens are part of European folklore and legend. | |
| Celtic, Slavic, and Nordic. | |
| It belongs to us. | |
| And the story of the Little Mermaid in particular is a Danish story written by Hans Christian Andersen in 1837. | |
| None have sailed the seas and mapped the globe like us. | |
| Our guys have spent a lot of time on the water and have many stories to tell. | |
| When you say mermaid, everyone pictures a beautiful European woman with long flowing hair. | |
| European fine artists have been depicting mermaids for hundreds of years. | |
| To replace an iconic European archetype with a non-European is contrived and cringe! | |
| Embarrassing! | |
| Like a white girl playing a voodoo queen. | |
| Africans claim to have a mermaid-like creature called Mami Wata. | |
| It appears to be a recent thing after contact with Europeans. | |
| Well, great! | |
| Then go make a movie about Mommy Watta without the help of Disney. | |
| Reimagining fairy tales or historical people only works in one direction, the not-white direction. | |
| If they can reimagine Queen Anne Boleyn and Thor as African, then let us reimagine Nelson Mandela and communist Martin Luther King with someone like Alexander Skarsgård. | |
| Let's retell Genghis Khan, an Aztec ruler, a famous Indian chief, or Muhammad. | |
| Let's add some diversity to Asian fables, African folktales, and Aboriginal legend. | |
| How about an adorable, blonde, blue-eyed Russian girl in the fantasy of Anne Frank? | |
| See how it works? | |
| They say things like, you don't care that the Little Mermaid is black. | |
| You care that black people are happy. | |
| Actually, yes, we do care that the mermaid is black because it's part of our culture and folklore, not Africa's. | |
| The entire point is that you should be creating or retelling your own stories, not stealing and reimagining ours. | |
| Go be happy with your own culture, folklore, and mythology and stop We're appropriating ours and saying that it belongs to everyone and how white people don't have a culture. | |
| Funny how haters keep reimagining our culture while telling us we don't have one. | |
| Not only do they want to reimagine our classics, but they also want to have things that are all their own with zero diversity. | |
| The girl LARPing as Ariel went on to do a remake of The Color Purple, a movie starred by blacks, written by blacks, and the only white people in it are evil bad slave owners. | |
| Well, sadly, you could say that movies about slavery have become the only mythology and folklore of African Americans. | |
| Let me run through a few other European classics coming out that replace the main white character. | |
| The 19th century fairy tale written by the German Brothers Grimm, Snow White, is being reimagined without the white part. | |
| We also saw backlash against the diversifying of Tolkien's Lord of the Rings, the Rings of Power. | |
| Elves, dwarves, and hobbits, these are all part of European folklore. | |
| We already covered this cringe series, so check it out. | |
| The classic European story of Peter Pan, who interacts with fairies, mermaids, and pirates, white people things, written by Scottish novelist J.M. | |
| Barrie, is also getting a diversity remake in Peter Pan and Wendy. | |
| A Sri Lankan boy is replacing iconic Peter from London. | |
| Wendy is still European, but she needs some race-mixing propaganda after all. | |
| Don't worry, there's plenty of black characters in this one, including the classic fairy we all know, Tinkerbell, who is going to be played by this woman. | |
| She was also in this extremely anti-white series called Black-ish. | |
| And then there's the Pinocchio remake that came out this year. | |
| The Blue Fairy went from this to this. | |
| It's called progress. | |
| Well, then Disney's Pocahontas should also be reimagined. | |
| We should go from this to this. | |
| By the way, the Blue Fairy also played in a movie about the greatly exaggerated story of Harriet Tubman. | |
| I'm going back. | |
| When trouble comes, you'll be ready. | |
| Papers. | |
| Papers. | |
| Says here you're five and a half feet tall. | |
| You ain't more than five feet. | |
| I come to get you. | |
| Bring all of you to freedom. | |
| So don't you tell me what I can't do. | |
| Bear is looking for you. | |
| This thief and burn her at the stake. | |
| Burn her at the stake. | |
| Burn her at the stake. | |
| I will give every last drop of blood in my face until this mosque called slavery is dead. | |
| Yeah! | |
| Ready? | |
| It's about as real as Tinkerbell and a slew of other black-themed movies. | |
| European fairy tales, legends, and mythology are part of our European cultural heritage. | |
| Why does it matter? | |
| Do you ask an American Indian why their legends and folktales are important to them? | |
| Do we ask any other group of people to make their culture and mythology more diverse and inclusive? | |
| Absolutely not, and that would be the worst racism if we did. | |
| Language and folklore is one of the most beautiful assets of a nation of people and one of its most distinctive characteristics that set them apart. | |
| Within classic fairy tales, folklore, and mythology is the telling of a people's values, their beliefs, traditions, and history. | |
| It is the most important aspect of our culture to carry on to our children. | |
| Beautiful folktales and stories from our people's history inspire children, instilling pride, culture, and heritage. | |
| This is especially important in a time when our European culture and identity is being attacked and singled out for eradication. | |
| This is why they take our classics and insert people who are not us to rewrite, demean, and replace our cultural heritage with an anti-white version, to demoralize us, We live in a society that says the worst thing a white child can have is pride for their people. | |
| We live in a society that teaches our white children lies that they have no culture and everything was stolen. | |
| Meanwhile, everything is being stolen from them. | |
| They retell the anti-white version to get white children to be used to it. | |
| It's subversive. | |
| Classic European traditional stories are being retold, rewritten, to push anti-whiteness, gayness, feminism, and progressive values. | |
| Song and dance that accompanies fairy tales is a vital aspect of folklore, used to teach children our values and traditions, our history. | |
| While we can do this without movies, the fact is film captures the minds and souls of the masses, shaping culture, shaping what a child thinks and feels. | |
| It's our responsibility to keep our people's folklore and fairy tales alive for future generations. | |
| It's not just about a black mermaid or fairy, but the agenda it represents. | |
| Those who intentionally do this know why they do it, and we know it too. | |
| It's about replacing white people. | |
| If they truly loved us and wanted to include us, they wouldn't purposefully replace historical figures and fairy tale icons with non-white ones. | |
| It was never about inclusivity, but always about the destruction of white European unity, culture, and identity. | |
| That's what reimagined classics are really about. | |
| Thank you for watching. | |
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