| Time | Text |
|---|---|
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New York Hardcore Vibes
00:04:03
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|
| Hello, everyone. | |
| That is a band called Pint Glass from Surrey, England, sort of southwest of London. | |
| They are blue-collar construction workers who are so dedicated to their culture that their merch are fluorescent orange construction vests. | |
| They seem kind of New York hardcore for a suburban British band. | |
| But go to the next video, Ryan. | |
| Guys all wear their vests in the pit, and they kind of mosh like New York hardcore guys. | |
| Is that a thing now? | |
| singers. | |
| Looks like a New York kid. | |
| No! | |
| Samo! | |
| Sam! | |
| No! | |
| This New York has sort of become the blueprint of hardcore. | |
| Whatever you do has to be like Madball. | |
| Fuck it! | |
| Fuck it! | |
| They like to fight. | |
| Welcome back to GOML Live, Cops and Robber. | |
| Tonight we have Tim Dickman and John One in the house. | |
| And we have Maddie O'Dell. | |
| What's up, everybody? | |
| Maddie just completed a delicious Rayo's Rayo's lemon chicken. | |
| And that'll be the next. | |
| 16th Street. | |
| That'll be the next Maddie's shitty little kitchen. | |
| Tomorrow. | |
| Gentlemen, police officers, law enforcement, what do you think? | |
| New York City cops should know the history of Rayo's. | |
| Very, very good. | |
| People own the tables in the restaurant. | |
| And it's like extremely difficult to get in. | |
| I hear it's not that great. | |
| It's average Italian-American fare, but it's like the history of the status, yeah. | |
| Yeah. | |
| I've been trying to get in there for years. | |
| Yeah. | |
| I know a guy who knows a guy. | |
| Yeah, that's how I got the recipe. | |
| Really? | |
| And I said, they were like, you have to say it's Rayo's. | |
| I said, yeah, of course, 100%. | |
| I'll make sure I mention that in the show. | |
| Do you think there's some sort of mob links there? | |
| A little bit. | |
| No, of course. | |
| Just a little bit. | |
| A little bit. | |
| Well, my understanding is they don't even make a profit on the restaurant. | |
| It's the brand so they can sell Rayo's sauce. | |
| The sauce. | |
| So they don't even know a shit about that restaurant. | |
| It's like CBGB's with the t-shirts. | |
| All their money was the t-shirts. | |
| But yeah, they do. | |
| I mean, I would say the Italian-American fair, it's consistent. | |
| It's always the same. | |
| So have you sat down there and added a meal at Rayo's? | |
| I've been there with people that have had to go for sit-downs and stuff like that. | |
| Yeah. | |
| So you've had a meal at Rayo's? | |
| Yeah. | |
| I didn't own the table. | |
| Did you think he meant a sit-down? | |
| Like he had to go for a sit-down? | |
| Pretty much, yeah. | |
| You know what I mean? | |
| Yeah. | |
| Like a mob sit-down? | |
| Yeah, that's what he's talking about. | |
| Yeah, yeah, about a table. | |
| Yeah, you had to see a man about a horse. | |
| I want to sit down. | |
| I've seen a few. | |
| I've been in attendance. | |
| How about this? | |
| You, we break his kneecaps. | |
| And then you, you gotta go to, I don't know, the Midwest for like a month. | |
| Okay, deal. | |
| That's fun. | |
| It must be fun being a godfather. | |
| Wait, I'm supposed to drink. | |
| Yeah, we display the blood in order to ruin their name. | |
| But then you can't actually drink that, so then we put the cores. | |
| Oh, you guys have a good reputation, so you drink the cores. | |
| I've been drinking game. | |
| I can't get over this Bud Light Dylan Living thing. | |
| It is. | |