|
Hello, everyone.
|
|
That is a band called Pint Glass from Surrey, England, sort of southwest of London.
|
|
They are blue-collar construction workers who are so dedicated to their culture that their merch are fluorescent orange construction vests.
|
|
They seem kind of New York hardcore for a suburban British band.
|
|
But go to the next video, Ryan.
|
|
Guys all wear their vests in the pit, and they kind of mosh like New York hardcore guys.
|
|
Is that a thing now?
|
|
singers.
|
|
Looks like a New York kid.
|
|
No!
|
|
Samo!
|
|
Sam!
|
|
No!
|
|
This New York has sort of become the blueprint of hardcore.
|
|
Whatever you do has to be like Madball.
|
|
Fuck it!
|
|
Fuck it!
|
|
They like to fight.
|
|
Welcome back to GOML Live, Cops and Robber.
|
|
Tonight we have Tim Dickman and John One in the house.
|
|
And we have Maddie O'Dell.
|
|
What's up, everybody?
|
|
Maddie just completed a delicious Rayo's Rayo's lemon chicken.
|
|
And that'll be the next.
|
|
16th Street.
|
|
That'll be the next Maddie's shitty little kitchen.
|
|
Tomorrow.
|
|
Gentlemen, police officers, law enforcement, what do you think?
|
|
New York City cops should know the history of Rayo's.
|
|
Very, very good.
|
|
People own the tables in the restaurant.
|
|
And it's like extremely difficult to get in.
|
|
I hear it's not that great.
|
|
It's average Italian-American fare, but it's like the history of the status, yeah.
|
|
Yeah.
|
|
I've been trying to get in there for years.
|
|
Yeah.
|
|
I know a guy who knows a guy.
|
|
Yeah, that's how I got the recipe.
|
|
Really?
|
|
And I said, they were like, you have to say it's Rayo's.
|
|
I said, yeah, of course, 100%.
|
|
I'll make sure I mention that in the show.
|
|
Do you think there's some sort of mob links there?
|
|
A little bit.
|
|
No, of course.
|
|
Just a little bit.
|
|
A little bit.
|
|
Well, my understanding is they don't even make a profit on the restaurant.
|
|
It's the brand so they can sell Rayo's sauce.
|
|
The sauce.
|
|
So they don't even know a shit about that restaurant.
|
|
It's like CBGB's with the t-shirts.
|
|
All their money was the t-shirts.
|
|
But yeah, they do.
|
|
I mean, I would say the Italian-American fair, it's consistent.
|
|
It's always the same.
|
|
So have you sat down there and added a meal at Rayo's?
|
|
I've been there with people that have had to go for sit-downs and stuff like that.
|
|
Yeah.
|
|
So you've had a meal at Rayo's?
|
|
Yeah.
|
|
I didn't own the table.
|
|
Did you think he meant a sit-down?
|
|
Like he had to go for a sit-down?
|
|
Pretty much, yeah.
|
|
You know what I mean?
|
|
Yeah.
|
|
Like a mob sit-down?
|
|
Yeah, that's what he's talking about.
|
|
Yeah, yeah, about a table.
|
|
Yeah, you had to see a man about a horse.
|
|
I want to sit down.
|
|
I've seen a few.
|
|
I've been in attendance.
|
|
How about this?
|
|
You, we break his kneecaps.
|
|
And then you, you gotta go to, I don't know, the Midwest for like a month.
|
|
Okay, deal.
|
|
That's fun.
|
|
It must be fun being a godfather.
|
|
Wait, I'm supposed to drink.
|
|
Yeah, we display the blood in order to ruin their name.
|
|
But then you can't actually drink that, so then we put the cores.
|
|
Oh, you guys have a good reputation, so you drink the cores.
|
|
I've been drinking game.
|
|
I can't get over this Bud Light Dylan Living thing.
|
|
It is.
|