GOML LIVE #140 - HAPPY ST. PAT'S (Part 1)
A powerfully inebriated Gavin plows through hours of calls in a blackout.
A powerfully inebriated Gavin plows through hours of calls in a blackout.
| Time | Text |
|---|---|
| That reminds me of my good friend Sarah Egan who dumped me because of Proud Boys and Trump and it hurt my feelings. | |
| No, it didn't actually. | |
| I was just like, that's fucking retarded. | |
| I'm drunk. | |
| We're doing St. Patty's Day drunk as a skunk. | |
| Maddie, are you drunk? | |
| Pretty well in the bag. | |
| Yep. | |
| Pretty well in the bag. | |
| Pretty well deep in the bag. | |
| Pretty well deep in the bag. | |
| Sarah was like a very close friend to me. | |
| Sarah Egan. | |
| She does like horror makeup. | |
| She works on SNL. | |
| She does like makeup for SNL. | |
| And we were always close. | |
| And then the Trump thing happened and she dumped me. | |
| And I can't remember what I sent her. | |
| I was like, hey, look at this thing. | |
| It's a monster that has zits. | |
| How would you do that with your technology, whatever? | |
| And she didn't respond. | |
| I went, oh, wait. | |
| Are you dumping me too? | |
| Because of the incident that happened, which was Trump? | |
| And she didn't respond. | |
| Ghosted you. | |
| And then I went, oh, what's your biggest beef with me? | |
| That I want blacks to go back to Africa or that I don't think the Holocaust happened. | |
| Again, no response. | |
| I also had this fucking babysitter, Katie Shadowins. | |
| We were like two peas in a pod. | |
| Totally raunchy jokes. | |
| Oh my God, the jokes we told. | |
| We were rude bitches. | |
| And, you know, when all the shit went down pre-Trump, we were like, haha, what a bunch of fucking losers. | |
| And she was the best babysitter, best nanny, best, whatever you call her, oh, bear for my kids. | |
| My kids loved her. | |
| Fantastic woman, Katie Shadowins. | |
| Awesome. | |
| And then one day, no, because of Trump. | |
| And it's weird because I'll text her and I'll go, hey, I'm here with my daughter. | |
| It's her birthday. | |
| And she'll go, happy birthday to your daughter. | |
| And I'll go, okay. | |
| I don't have AIDS. | |
| What about me? | |
| No reaction. | |
| I thought that was a great dishonor to her and to her family. | |
| It's so weird with these people. | |
| I totally understand if it was pedophilia. | |
| And I would support it. | |
| If you have a bunch of pals and you want to suck a kid's dick, by all means, you should be ostracized. | |
| And castrated. | |
| I was going to say circumcised, and that would have rhymed. | |
| Just say kill. | |
| Just relax to say kill. | |
| Well, it would be a better place. | |
| Decapitation, no breathing. | |
| But it's funny that it's funny that you lose, like when you become like the national divorce, right, with Trump, you understand that you lose like your radical friends. | |
| But then you lose friends that are not radical at all. | |
| Like John Glazer. | |
| I considered him an apolitical friend of mine. | |
| He has a black daughter. | |
| I clearly didn't care, right? | |
| He's an interesting guy, too. | |
| That sucks. | |
| I didn't go on vacation with him and be like, yeah, when we go on vacations, can you not bring your black daughter? | |
| She's gross. | |
| She's like, I don't like that. | |
| He got popular lately because he did this weird series. | |
| At first he did Delocated, and then I think he did this weird thing, an alternate reality thing. | |
| It's called Something Daddy. | |
| And he did these creepy videos where there's like secret messages in it. | |
| So he had just a very recent revival of his popularity. | |
| I would say, despite John Glazer stabbing me in the back, and this represents Derek Beckles, too. | |
| Two of the funniest human beings on earth. | |
| Unbelievably talented. | |
| Sprinkles dudes. | |
| They have the sprinkles. | |
| Very funny. | |
| Am I going to be able to fucking maintain a two-hour show this wasted? | |
| I think you're doing good so far. | |
| I don't know about that. | |
| And I'm dead sober, so it is. | |
| You're sober? | |
| Yep. | |
| Well, I'm having, um, I decided because it's a festive thing. | |
| I'm having the green lemon lime zoa in a pint glass. | |
| Hey, you're blurry, dude. | |
| You're blurry. | |
| In a pint glass. | |
| You're blurry. | |
| You're black. | |
| I'll have to click. | |
| How can you not figure out your job? | |
| There we go. | |
| There we go. | |
| Now you're clear. | |
| Now you're clear. | |
| So this is a lemon lime zoa. | |
| I got the green tie. | |
| We're rocking it. | |
| All right. | |
| Let's call my dad. | |
| i was thinking about my son and how much he does not like me anymore because he's a teenager and he's being a dick um and i thought let's because i didn't like my dad for 10 years I'm going to pretend I don't like him anymore. | |
| What about that idea? | |
| That's a good idea. | |
| Yeah. | |
| Let's call him and let's be like, fuck you, dad. | |
| What do you think? | |
| Be a good idea. | |
| Pick Jim McGinnis. | |
| Ryan can't do it because his dad's gone. | |
| And Maddie can't do it because his dad's dead. | |
| Yeah. | |
| That leaves one of us. | |
| Hi, Mom. | |
| Hi, baby. | |
| How are you? | |
| I'm okay. | |
| I'm good. | |
| I'm going through some stuff in my life right now. | |
| Oh, okay. | |
| Okay, honey. | |
| What's happening? | |
| Well, I hope you guys don't take this the wrong way, but I met this 72-year-old named Johnny Blaguinis. | |
| Bloginess? | |
| Blaguinness. | |
| He's Serbian, and he's the best guy. | |
| He's a huge mentor to me. | |
| He's a huge inspiration. | |
| And I thought, as I meet this guy, I thought maybe it's time to cut the cord with some loose ends that are not inspiring me. | |
| Yeah, hold on, honey. | |
| I'm trying to put you on speaker. | |
| Okay, well, you're on speaker. | |
| Hi. | |
| Sorry, sorry about that, but Dad and I were trying to listen. | |
| I'm in bed with this strange guy called Jimmy McKinnon. | |
| I just picked him up today and said Paddy's Day. | |
| You know, he was drunk. | |
| Anyway, sorry. | |
| Go on. | |
| So I met this senior citizen named, well, we don't need to get into what his name is, but he's a carpenter and he's showing me all these cool things with his trade, like sanding down these oak trees and building a bookshelf. | |
| Like, he's an incredible guy. | |
| He's 74 years old. | |
| And I feel like he might be my new, I don't know, my new dad, in a way. | |
| The new guru. | |
| My guru. | |
| Yeah, that's what I'm saying. | |
| Because my actual dad has offered me nothing. | |
| Nothing in the past. | |
| He certainly can't teach you anything about woodworking. | |
| I think he built a shelf one that one fell down. | |
| Let's cut the cord. | |
| To be totally frank, I've been waiting for you guys to die, so I thought I would get enough money to buy a vintage car. | |
| And then I realized I have enough money on my own to buy a vintage car. | |
| So let's cut the cord. | |
| You probably have more money than us. | |
| So I guess this is a goodbye call. | |
| Oh, okay, honey. | |
| Well, please, please don't rush it because if this is our last conversation, I'd like it to be a little longer. | |
| Listen, did you know your brother's getting married? | |
| It's time for this shit. | |
| That's it, huh? | |
| We're not talking to them. | |
| Fuck them. | |
| So anyway, tonight is Get Off My Lawn Live. | |
| We do an incredibly exciting pre behind the paywall show with Maddie O'Dell. | |
| Everybody, happy St. Patrick's Day. | |
| Normally we have Sylvia, but she fell down some stairs and she broke her hip. | |
| So my whack pack has been hurt. | |
| Once again, we lost Donovan Crip Daddy on Monday and Tuesday. | |
| We lost Sylvia. | |
| The only whackpacker we have left is Maddie. | |
| Somehow his heart is holding on. | |
| Not for long. | |
| No. | |
| So what we do is we have it all free before 30 minutes in, and then we cut you all off. | |
| You hear my drunken voice sounding pretty drunk. | |
| Who are our sponsors? | |
| Well, you have the paper. | |
| Wait, what did you do with the papers? | |
| I don't want the papers. | |
| Just tell me the sponsors. | |
| Let's see. | |
| I can find out quick. | |
| Our ad sales guy says www. | |
| Would you rather fuck your wife while staring at Maddie or Ryan? | |
| Kate, let me just say something about would you rather stop affecting our immediate families and our lives with our wives. | |
| It's weird. | |
| It's gay, it's stupid, it's boring. | |
| It's like, would you rather suck your dad's dick or eat out your mom? | |
| Yeah, they're both horrible. | |
| But anyway, other thing, we're going to be raising money on the live chats for Joe Biggs. | |
| Yes. | |
| Because Joe Biggs needs 80 grand. | |
| He's going to the Supreme Court because he's innocent. | |
| And this is going to be not the roughest transition ever, but he is a vet. | |
| And he has a beard. | |
| He's a vet. | |
| And we have Beard Vet as a sponsor. | |
| We have Beer Vet Coffee. | |
| And Beer Vet Coffee isn't just Beer Vet Coffee. | |
| And thank God these guys promote the show and show up to sponsor us. | |
| Beard Vet Coffee is also Beard Vet Beard Grooming Materials. | |
| Did you know that? | |
| No, you didn't. | |
| And if you apply to Beer Vet, now you're obviously buying coffee. | |
| So why don't you buy the coffee from the people who support us? | |
| Which is 100% vet owned. | |
| We do not have a sponsor that is not vet owned. | |
| I don't know why. | |
| Beardvet.com, promo code Gavin, beard oils, beard grooming kits, beard grooming products is incredible. | |
| The oil smells so good and it makes me wish I had a beard, but I don't. | |
| So you lucky fuck freaking people out there with beards, put it on your fucking thing. | |
| It smells good. | |
| This is the first commercial in history where a Japanese man has insulted the clientele of the product and said, fuck you, I wish I had a beard. | |
| Yep. | |
| That's never been done. | |
| It's a little cuckish, but yeah, I do wish I had a beard so I could put lovely oils in it. | |
| Wow. | |
| It wouldn't stick in here. | |
| What do you have? | |
| What is that thing? | |
| I don't even know. | |
| Peach fuzz. | |
| It's like peach vice. | |
| It's a weird band-aid. | |
| Anyway, beardvet.com, promo code Gavin. | |
| Thank you guys for promoting the show. | |
| We appreciate it indefinitely. | |
| We love you. | |
| I like you more than a friend. | |
| Yes. | |
| Okay. | |
| So, and beard. | |
| Oh, we didn't do this last week. | |
| We're going to do it now. | |
| Caller one and two are getting a free gift pack. | |
| I hate the word pack from Sean and the Beard Vet team tonight. | |
| Thank you, Beard Vet. | |
| You hate the word pack? | |
| Yeah, and kit. | |
| Pack and kit. | |
| They just sound like weird ASMR words. | |
| You get a prize pack or you get your prize kit. | |
| I don't like that. | |
| I don't like it. | |
| It's like, dugh, dugh. | |
| It sounds like splashing, like wet splashing or something. | |
| I don't know. | |
| Hate it. | |
| You know what I mean, Maddie? | |
| Not particularly. | |
| It's all right. | |
| That's fine. | |
| No. | |
| Well, we do have something exciting. | |
| There are people who are supporting our show, and you don't like the particular vernacular of their prizes. | |
| Well, it's actually our ad guy. | |
| It's his fault yet again. | |
| I mean, he's no stranger to having the blame be put on him, but he put the word pack in there. | |
| All right. | |
| So tonight, the live chats are for Joe Biggs. | |
| Not John and Max, but Joe Biggs, who is sitting in a cell for a year because he dared to enter the Capitol, which is the worst thing imaginable. | |
| How dare you? | |
| How dare you enter the Capitol? | |
| Why'd you do that? | |
| So right there, you go to the live show on the browser, right under the live show, there's that button. | |
| Donate to read a message on air. | |
| And then it'll pop up like so. | |
| Okay. | |
| Hey guys, please check my email. | |
| Just got married. | |
| Sent to the mailbag. | |
| Also, Ryan, please send your workout routine for Mad Gains. | |
| Interesting. | |
| Hey, you know what? | |
| It's weird. | |
| I used to love wearing house shoes, but now I love wearing flip-flops. | |
| Ryan, what's the previous one? | |
| Let's pull that up. | |
| Oh, the previous email? | |
| Just got married. | |
| Lawrence, it came in at 9 o'clock. | |
| Okay. | |
| It says, let's see, I can pull it up on screen here. | |
| Try not to show any info, though. | |
| There we go. | |
| We should bring a weight bench into this studio. | |
| It would rule. | |
| How are you doing with your Mantis Shrimp research? | |
| What's going on with that? | |
| Well, I just got a personal beta for myself, Beta Fish, so I'm getting back into the swing of things. | |
| I looked at some of their fluval tanks, which we have to get a very big one. | |
| I don't think they had a big enough one there, but I'm going to check out some pet stores and do recon. | |
| Did anything come out? | |
| Computer, who is Ryan Katsu Rivera? | |
| Here's something I found on the web. | |
| According to BaltimoreSun.com, Rivera was the defensive coordinator for the Chicago Bears for three seasons before becoming the San Diego Chargers line wrappers coaching. | |
| Computer, stop. | |
| That was my old life. | |
| Computer, who is Ryan Katsu Rivera? | |
| According to an Alexa Answers contributor, Matthew Mario Rivera is a successful American producer, reporter. | |
| Well, close. | |
| Producer, successful. | |
| Casey Hunt. | |
| No, you suck. | |
| You're a stupid bitch. | |
| Am I not Google-able? | |
| That sucks. | |
| She actually sobered me up. | |
| Okay, I'm going to go piss. | |
| Ryan, you take a call. | |
| Let's do this. | |
| All right, let's get the calls on. | |
| First, we're going to thank you for calling. | |
| You are on air. | |
| This is a fucking loser. | |
| I'm here to learn, share, listen, understand why. | |
| Hey, why does everyone get two things? | |
| You have one thing. | |
| Thank you for calling. | |
| It's great learning from you. | |
| Bye-bye. | |
| All right, next call. | |
| Okay. | |
| We're going to get these all set up. | |
| See, Maddie's mic is on. | |
| Yes, sir. | |
| stuff, and uh, okay, first call here. | |
| 307. | |
| Hey, what's going on, College? | |
| 307, you're on the line. | |
| Hey, what's up? | |
| What's going on, Colin? | |
| Not too much. | |
| I'm just trying to get on the air. | |
| What are you doing? | |
| Talking to you on the air. | |
| Is this Matt? | |
| Yes, it is. | |
| Hey, what's up, man? | |
| My name's Matt as well. | |
| Oh, nice. | |
| Nice to meet you, man. | |
| Not too much. | |
| How's everything going today on St. Patrick's Day? | |
| You what now? | |
| I said, how's everything going today on the St. Patrick's Day for you? | |
| Oh, pretty good. | |
| Pretty good. | |
| I'm about done with my drink, and I'm about as in the bag as Gavin is right now. | |
| Oh, there you go. | |
| And I got to work tomorrow, so, you know. | |
| Yeah, how's with you? | |
| Where's the best episode of Shitty Kitchen? | |
| Is that this week? | |
| Yeah, it'll be out either tomorrow or the next day. | |
| I filmed it. | |
| Said thanks for calling. | |
| got the fade, but that does lead us into, that's a good point. | |
| We filmed another Maddie's Shitty Little Kitchen. | |
| And that's coming now. | |
| I heard, can I just say something? | |
| I heard it was so bad that it's actually getting scrapped. | |
| No, that's not true at all. | |
| I heard that it was so unfunny. | |
| Who would scrap it? | |
| I mean, you're the boss. | |
| Are you scrapping it? | |
| Yep. | |
| What the hell? | |
| Yeah, it's not airing. | |
| What the fuck? | |
| We worked really hard on that, and I had to eat this. | |
| Short-lived. | |
| Short-lived. | |
| Hey, and it's not taking anything away from Maddie. | |
| But what I had to eat on this episode was horrendous. | |
| What do you mean? | |
| Show us. | |
| I don't know if we want to spoil it yet. | |
| Show it. | |
| Show it. | |
| You want to show a little sneak peek? | |
| Yeah. | |
| Sure. | |
| Or it's canceled. | |
| Okay, whoa. | |
| I'm about to cancel it. | |
| I don't want easy. | |
| I think we should kill Maddie's Little Kitchen as a show. | |
| I don't think you're. | |
| I think it's done. | |
| You're not speaking with a clear mind. | |
| You know what? | |
| It's done. | |
| Tonight it's done. | |
| All right. | |
| So you don't want to see the clip? | |
| I want to see the clip as a goodbye for why we killed the show. | |
| I don't know. | |
| It seems like maybe this would save it. | |
| So hopefully, Maddie, this clip, this will be good. | |
| Help it. | |
| Sure. | |
| I love hearing you go, whoa. | |
| Yeah, it's crappy. | |
| Scoop oven. | |
| Get in there. | |
| Now we won't spoil what's in it. | |
| Nasty. | |
| What's in it? | |
| We got to spoil. | |
| You got to leave something. | |
| That's not a spoiler. | |
| No. | |
| Say what's in it. | |
| That's not a spoiler. | |
| I'll name three ingredients that are in it. | |
| Okay. | |
| Okay. | |
| Tuna fish, fucking Jack Lynx beef jerky and mustard. | |
| I love when people say fucking. | |
| Fucking fucking tuna fish. | |
| Oh, yeah. | |
| Dude, it is. | |
| It's the real deal. | |
| It was tough. | |
| Well, I was talking to Maddie earlier at the bar, and he said he had a bite of this and it catapulted me. | |
| Yeah, I saw his eyes. | |
| Back into his incarceration instantly. | |
| And he remembered being in prison. | |
| Magically. | |
| Like, you went to a place. | |
| I saw you. | |
| You did this. | |
| You went. | |
| Yeah. | |
| The whole texture taste and everything. | |
| I was just like, wow. | |
| Oh, my God. | |
| You could feel the walls around you and shit. | |
| Fantastic. | |
| Yeah. | |
| Wow. | |
| Do you remember like every time, like, this is what I was thinking, when you were crunching up one of the ingredients, the Cheetos? | |
| Do you remember? | |
| Because usually when you're doing something methodical, like if I'm cutting scallions, for instance, I'll think of one of the times I was cutting scallions at the old restaurant. | |
| Did it bring you back to a specific time where you were bashing the Cheetos and crushing up the ingredients? | |
| Yeah, I mean, we've made, I made tons of those things. | |
| Not like just one occasion, but it was a daily routine. | |
| Me with a bunch of other people. | |
| So Detective Shitty just said to an ex-con, We made prison food with you while we were making the prison food. | |
| Did that bring you back to when you were in prison? | |
| No. | |
| The answer is yes. | |
| No, specifically. | |
| It's like when I was cutting scallions, I'd be listening to Opie and Anthony. | |
| So I'd imagine it's a hot day. | |
| You know, like the doors open to the restaurant, so I'm getting a little bit of a breeze. | |
| And I remember like a specific time listening to like a Louis C.K. boat story cutting scallions. | |
| Like a specific time. | |
| No, not. | |
| I mean, it brought me back to being in Virginia in CVRJ, Central Virginia Regional Jail. | |
| Is that the only place you made this dish? | |
| No, they've made them all over the place. | |
| And what was the dish? | |
| I mean, we used to call it a mashup there in that particular jail, but other people call it a swole, a brick, a spread. | |
| I mean, there's all different names. | |
| The lighting hasn't been. | |
| Depending on where you are geographically in the country, there's different names for stuff. | |
| So you guys broke up a bunch of Cheetos and put them on some ramen noodles and poured hot water on them. | |
| That's basically what this episode is going to be when we air it. | |
| Similar. | |
| There's way more. | |
| There's a lot more other stuff in there, but yeah. | |
| It's like 20 ingredients. | |
| That's all the stuff you can get off commissary that that's available to you. | |
| Like all the stuff. | |
| Hey, Gav, you want to turn your mic on? | |
| What do you mean? | |
| For the Peach Tree on the line. | |
| Hello, Peachtree. | |
| Peach Tree. | |
| Or two cents. | |
| Wow! | |
| Hello. | |
| What's going on? | |
| What's up, Peachtree? | |
| Who the fuck's Peachtree? | |
| That's what it says on the screener. | |
| Screener's not very accurate, apparently. | |
| You got the wrong motherfucker. | |
| You're Peach Tree. | |
| Anyway. | |
| Yeah, this was Mark from Philadelphia. | |
| No, you're Peachtree. | |
| And you've called 18 times. | |
| I'll take it. | |
| Hey, real quick, look, I know that I only get one thing. | |
| So the first thing isn't really a thing, but, you know, I want to get myself a bird, which is the bald eagle tattoo only part of the club. | |
| So where can I find your guy? | |
| You know what? | |
| Good question. | |
| We should make that thing. | |
| Yeah. | |
| I'm trying to get in the club. | |
| We should put that on the site. | |
| Because we're about to have a massive party in Orlando that is going to be at Censored.tv Apalooza. | |
| Nice. | |
| Maddie and I will be there. | |
| We're going to do the whole show. | |
| It's going to be awesome. | |
| And if you have this tattoo, you get in free. | |
| Nice. | |
| Oh, yeah. | |
| So we do need to make this, you know, tattooable. | |
| Totes. | |
| So we're on it, buddy. | |
| Thanks for calling. | |
| We're going to fucking fix that problem. | |
| It's funny when you're drunk, you see yourself slurring and not handling problems, and your brain is like coherent. | |
| And you're like, get it together, shithead. | |
| Like, I got this. | |
| Seeing yourself as a third person. | |
| Yeah, you're watching a drunken idiot. | |
| All right, we got another one on the line here. | |
| Bugging 619. | |
| You're on the line. | |
| Hello. | |
| Fucking nine. | |
| What's going on? | |
| What's up, 619? | |
| What's up? | |
| Tight lips do not sell. | |
| Thank you. | |
| That was great, Ryan. | |
| No, just a quick idea. | |
| Ryan, you're kind of a genius. | |
| Your fucking drops are gold. | |
| Thanks. | |
| And I thought maybe using Go's idea of like the karaoke's with the facewaps, if you did request to maybe earn some extra bucks for the show. | |
| Good idea. | |
| I haven't really thought it all the way through, but you know, you guys are pretty good with that stuff. | |
| I thought that would be a good idea for a lot of the callers here. | |
| That's all. | |
| Mash up impression songs. | |
| Good idea. | |
| All right, so let's go behind the paywall now. | |
| Thank you very much, Freeloaders, for checking in on Drunks on St. Patty's Day. | |
| But we are now officially shutting down the thing. | |
| You're done. | |
| You're fucked. | |
| You're in trouble. | |
| You're toasted. | |
| You're fired. | |
| Did you like the Johnny Rebel thing this week? | |
| Yeah, that was pretty. | |
| That mask was haunting. | |
| Yeah, a lot of people said those really cool. | |
| I can't believe how many people told us that Johnny Rebel's a guy in America. | |
| Can I pull that up real quick? | |
| It's amazing. | |
| It's shocking. | |
| The email that we got from this gent who didn't get. | |
| Do you people have any idea that I never really truly fired Ryan? | |
| Joe Tonelli never worked here. | |
| Oh my God. | |
| Are you familiar with Johnny Rebel? | |
| Like, you guys keep explaining our jokes. | |
| It's all coming out now, huh? | |
| Yeah, it's all all off. | |
| You know, it was tough because I was on Dalton Claude Felter's show, and he was like, so the firing thing, and I was like, no, it wasn't rehearsed, you know, but I had, we had planned to. | |
| The brilliant thing about firing Ryan was Joe Tonelli only had one day off. | |
| So we filmed his bits on Tuesday, and then we also aired it on Thursday. | |
| So both of his experiences were filmed on the same day. | |
| And when you saw him going, what? | |
| Are you serious? | |
| Come on, really? | |
| He wasn't there. | |
| That was fake. | |
| It's true. | |
| We tricked you. | |
| So when you saw that guy reacting to me on the Thursday night, he was in White Plains on Thursday night. | |
| He was not there. | |
| Negative. | |
| No. | |
| So he was actually video drops. | |
| And yes, when he was looking at his girlfriend, it was actually Ryan. | |
| I'm talking about that. | |
| So I don't want to ruin all of the gags we do on the show, but come on, for fuck's sakes. | |
| negative you know it gave it away the little We like Easter eggs. | |
| And one of the Easter eggs was me clearly saying, no, no, no, say this at the end of one of those clips. | |
| Well, I love people telling us who Johnny Rebel is. | |
| Oh, my God. | |
| Yeah, yeah, that was great. | |
| And they're like, Rebel? | |
| Lebra is Rebel backwards. | |
| Yeah. | |
| It's also how Chinese people say L's and R's. | |
| You fucking dummy. | |
| He's very informative. | |
| Like, if we didn't know, this is a full summary of who that gentleman is. | |
| Did a great job of that. | |
| It's like the people telling us about the crazy hot matrix. | |
| Like, there's so many fucking zoomers on this show explaining us, explaining to us the most basic things imaginable. | |
| So do we send them off with the get fired and the music? | |
| Yes. | |
| All right. | |
| So, goodbye, freeloaders. | |
| Hi. | |
| I'm sorry, I'm drunk. | |
| I'm actually sorry, Maddie's so drunk. | |
| Maddie's much more drunk than me. | |
| Look at him. | |
| He holds it together. | |
| Maddie, what's eight times eight? | |
| Eight times eight? | |
| 72. | |
| Say, no, 64. | |
| Yep. | |
| See, wasted. | |
| Never do math in public. | |
| So, I agree. | |
| Or in private. | |
| I'm the only sober person here tonight, but we have to shut it down anyway because you guys are fucking. | |
| Oh, wait, wait, wait. | |
| Let me just explain something before we shut it down. | |
| So I was under the impression that I could have three different crews. | |
| My boxing crew, my MAGA dad crew, and wait, what's the third? | |
| Local crew. | |
| Oh, duck-in crew. | |
| My local bar crew. | |
| So I get wasted, whatever. | |
| And then today they go, we're going to go on a pub crawl. | |
| So I go, that's awesome. | |
| So I don't go out late last night. | |
| I get a good eight hours. | |
| I spar, which to me means like sparring is like going to a spa. | |
| Like it's like doing hot yoga. | |
| Like you're ready to tackle the rest of the day if you spar. | |
| Now, while I sparred, I got my ass handed to me. | |
| I got fucking fucked up on the chin. | |
| I actually did not like today very much at all. | |
| Huey was very bad to me. | |
| Matty's face when he did that. | |
| You gotta be careful with that. | |
| So I'm sitting here. | |
| I come back to the studio and I'm watching like Dave Wakefield and Stevie Jones jukebox and I watch a bunch of old punk stuff and Steve Jones is talking about mods and rockers and stuff, which was the origin of the Proud Boys. | |
| And I start getting in touch with who I am as a person. | |
| And I'm like, I'm a flamboyant dude. | |
| I'm a peacock. | |
| I get it. | |
| I get me. | |
| So I stop waiting for the text from the boxer guys. | |
| This is at like 1 p.m. | |
| And I put on this stupid suit. | |
| And I go to McLean Avenue in Yonkers. | |
| And I go to Dussy Somethings as the first bar. | |
| Dirty Nelly's. | |
| Dirty Nelly's. | |
| I go to Dirty Nelly's. | |
| And I'm there. | |
| And I have a couple beers and I watch. | |
| You know, when you're alone at a bar, you're watching like fucking golf and basketball. | |
| And you're like. | |
| And McLean Avenue is very regional. | |
| So they're not like, hello, where are you from, buddy? | |
| Like, let's talk. | |
| So I go, okay. | |
| And I don't mind that, by the way. | |
| I don't need love. | |
| And watching those old videos of the English Beat and Pete Townsend and Stevie Jones had like reinstilled who I am as a person. | |
| And I remembered that I like youth subculture. | |
| So I was like, this is who I am. | |
| And I'm going to go to McLean Avenue alone and enjoy myself. | |
| So then I go do that. | |
| And then I pay my bill. | |
| I have two buds in a can. | |
| And I go to Whistling Donkey. | |
| And are you laughing? | |
| Well, me? | |
| No, not Maddie. | |
| No. | |
| No, I'm not laughing at all. | |
| I don't think it's funny. | |
| I almost was brought to tears. | |
| Basically. | |
| I mean, because what you're saying is you fundamentally, you know, grounded yourself and found out who you were again. | |
| And it's like, well, sure, anybody can do that. | |
| Read a book. | |
| Read your own biography. | |
| But I'd say you don't have the biography. | |
| Well, it's like, what do you do? | |
| It's like, well, you listen to music. | |
| And music has the power. | |
| I have a biography. | |
| I have a book called Death of the Cool. | |
| That's my. | |
| Yeah, not everybody has a book, Joe. | |
| So when you listen to it. | |
| Why are you crying? | |
| When you listen to music, it makes you feel like, holy, like there's some hope, like there's inspiration. | |
| And that's what you did. | |
| And I think it's a beautiful thing. | |
| Hold on. | |
| I wasn't even remotely depressed. | |
| I was just annoyed. | |
| I know. | |
| But I'm not crying because of sad things. | |
| I cry because of happy things. | |
| Like Joe Rogan. | |
| Like, Joe. | |
| It's beautiful. | |
| Actually, I didn't mean to cut you off. | |
| What were you saying? | |
| So anyway, I go to the second bar. | |
| Now it's like 3 p.m. | |
| So when I was sitting at the studio, which is like three feet from here, I thought I could work on my book. | |
| I could do some stuff, but I don't want to like start a two-hour project. | |
| And then I get a call to go to McField, McLaren. | |
| What's it called? | |
| McLean. | |
| McFuck. | |
| McLean. | |
| Who are you, McLean? | |
| Fuck. | |
| So I go down there and I go, um, fuck you. | |
| I hate you. | |
| You said that to them? | |
| Yeah. | |
| Fuck you. | |
| I hate you. | |
| I did. | |
| I went to two different bars. | |
| I had three beers. | |
| I watched a bunch of fucking footage from various parades. | |
| And let me tell you exactly what I said. | |
| Okay? | |
| You ready? | |
| Yes. | |
| We have footage of you entering the bar, by the way. | |
| What you do? | |
| Hello. | |
| Okay. | |
| So I go, I'm going to send you this, Ryan. | |
| Okay. | |
| I'm sorry, that wasn't the footage. | |
| This was the footage. | |
| Good afternoon, guys. | |
| Ryan, I actually don't like it when you're funnier than me on my shot. | |
| So let's have a little like meter. | |
| Let's cool it down. | |
| You get like a well, it's fitting that it's a meter, isn't it? | |
| Because it's about me, not about you. | |
| Otherwise, it'd be a Uater. | |
| Okay, so this is what I said. | |
| I go, gotta love Ryan's pub crawls. | |
| He really knows how to put a party together. | |
| And then one of the people on the chat goes, where are you at? | |
| You got your Sunday best on? | |
| And then some stranger, I don't know, I just see him as a number. | |
| He's like, yo, I'll be in that area at seven. | |
| Anyone sell out? | |
| And then he goes, Gavin, Uber to Rory Dollins. | |
| And I go, no. | |
| I go, I just did Dirty Nellies. | |
| Now I'm at Whistling Donkey. | |
| I had a great day so far watching parades and golf on TV. | |
| And he's like, dude, come down where we are. | |
| And I go, wait, you already started hanging out? | |
| Oh. | |
| I go, thanks for the heads up. | |
| Yeesh. | |
| And he goes, I said I'd text you after I'm done eating. | |
| I go, I got a way better idea. | |
| Why don't you go fuck yourself? | |
| Damn. | |
| And then I said it worse, because he's had a lot of shitty pub grawls that have sucked. | |
| The first one was awesome. | |
| We dressed up as the guys from like Peaky Blinders. | |
| But the past like four, five have sucked shit. | |
| So I go, I'm done with these shitty parties and half-assed plans. | |
| Buh-bye. | |
| And he's like, I'm waiting for you, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah. | |
| Bye-bye. | |
| Damn. | |
| So was he hurt by that? | |
| Who cares? | |
| Wow. | |
| So anyway, the moral of the story is, remember when you would fuck a bunch of chicks when you were single? | |
| And you had like that tall Korean chick that you love fucking, but you had nothing in common with? | |
| And you would try to fuck her like once every two weeks. | |
| But if you didn't talk to her regularly via text, she'd like move on. | |
| So I think what I learned today is you can't have like three crews. | |
| I used to have my Mameronek duck-in crew, my MAGA dad Larchmont crew, and my boxing crew. | |
| I think it's naive to think you can have three kids and three crews. | |
| I gotta amalgamate those. | |
| I am done. | |
| You're done. | |
| I'm done. | |
| Yeah, that's me. | |
| I'm done. | |
| I'm done trying to have three crews. | |
| Too much work. | |
| It's too much work. | |
| Like when you call, when you meet that girl that you fucked, that like tall Korean chick, and you're like, hey, Liz, I want to fuck you again. | |
| And she's like, I haven't seen you in three weeks, dude. | |
| I haven't heard from you. | |
| Not even a text. | |
| I have a boyfriend now. | |
| Goodbye. | |
| You're not the chick that you could just call at any time, put in no work. | |
| Yeah. | |
| yeah fuck that wait you sound like well i like him too but i don't know if i like him that much At any rate, I'm on your side. | |
| Tonight was an abomination. | |
| I'm done with my boxing crew. | |
| I'm done with those guys. | |
| I'm breaking up with them. | |
| My crews are now my local bar and my MAGA dads. | |
| Damn. | |
| Well, they get what they freaking deserve. | |
| It hurts. | |
| What the? | |
| What was that? | |
| Hey, computer, what's eight times seven? | |
| 64. | |
| Oops. | |
| I never heard a woman be good at math before. | |
| All right, so we're done. | |
| We're going behind the paywall. | |
| We're going to take live stream donations for exclusively Joe Biggs, who is in solitary confinement for daring to trespass on the Capitol. | |
| We'll also answer letters and have a gay old time. | |
| But as far as fucking, you know, freeloaders, goodbye. | |
| Get fired, get in trouble, be brave, and never stop fighting. | |
| Whatever it costs I will pay So be easy and free when everything can honey on money. | |
| Nothing wrong with that. | |
| Every time. |