GOML LIVE #135 - EVERYONE IS INTERESTING (Part 1)
We avoid the mailbag and take calls while extolling the virtues of the local pub.
We avoid the mailbag and take calls while extolling the virtues of the local pub.
| Time | Text |
|---|---|
| Hello. | |
| Anybody can be my nigga, man. | |
| To be real, everybody a nigga to me. | |
| You know what I'm saying? | |
| I say my nigga on top. | |
| Live from New York. | |
| It's get off my lawn with Gavin McGinnis. | |
| You know what I'm saying? | |
| Everybody, like, nigga, that's just a word, but like, we can't. | |
| The word only have as much power as you put it to us, booze. | |
| You know what I'm saying? | |
| You gotta tap it to a deeper level. | |
| You know what I'm saying? | |
| Think higher. | |
| Let the white kids say nick. | |
| Let the white kids say nick. | |
| They probably gonna say it anyway. | |
| They already say it every day. | |
| White girls ain't tripping boo. | |
| White man be my nigga too. | |
| Let the white kids. | |
| I wouldn't say that white kids say every single day. | |
| It comes up. | |
| It does. | |
| Even like the most racist, horrible people, they don't really say every single day. | |
| But let's hear some more of this jam. | |
| I know I stopped the cassette tape, but maybe you can find it on the internet? | |
| You can only pick one, started out paying Jill, then the continental drill, different sides of the equator, now we look like this, my brother, my sister, we all bleed red. | |
| Don't think getting deep with the continental drift. | |
| Is he talking with the evolution of races throughout a million years? | |
| Let the white kids say nick. | |
| They probably gonna say it anyway. | |
| They already say it every day. | |
| White girls ain't tripping, boo. | |
| And I think I know why. | |
| Welcome to Get Off My Lawn. | |
| This is the Thursday live show. | |
| We do the first half hour free. | |
| We make it a podcast. | |
| We've got some sponsors and they pay for that. | |
| And we seem kind of low on sponsors. | |
| Are we dying out? | |
| Maybe this could be the last episode. | |
| We got Tactical Walls, Tactical Tim. | |
| He still cares. | |
| He's still holding on. | |
| But maybe this is the end. | |
| It's funny how the mainstream media totally ignores this site to the point where big tech is involved. | |
| And if you DM your friend and go, hey, I saw a funny thing on sensor.tv. | |
| If you DM that in Facebook, Instagram, Twitter, it will not go through. | |
| It'll go, you can say, or the Holocaust didn't happen. | |
| That goes through. | |
| But we're worse. | |
| We're worse than the N-word. | |
| We're worse than the H-word. | |
| And the N-word you could say, according to this guy. | |
| Yeah. | |
| This is not cool. | |
| I don't give a shit. | |
| Welcome, Maddie O'Dell. | |
| Cheers, everybody. | |
| How you doing, Matt? | |
| Good. | |
| You know, nice, relaxing week, not too busy. | |
| Taking it easy. | |
| We're at that time of year, right? | |
| People sort of trot through life in February up here in the Northeast. | |
| Yeah, it was cold. | |
| Although today was very mild. | |
| And your trade, one of many things you do is you help pizza parties. | |
| Yeah, yeah. | |
| And there's not a lot of pizza parties at this time of year. | |
| No. | |
| August, I can't get a hold of you. | |
| No. | |
| But this time of year, you're taking it ease. | |
| Take it easy. | |
| You know what I did today? | |
| I shopped till I dropped. | |
| I heard. | |
| I was very impressed for it was very unscottish of you. | |
| Yeah, it is. | |
| It is. | |
| But I will say one thing with the Scots. | |
| Like my parents bought me a water bed when I was 15. | |
| Because Scott's thing is if it's something that you need, and back in the 70s, or this was the 80s, they thought water beds were like a very good bed. | |
| It's just a stupid bed. | |
| That's why they don't exist anymore. | |
| It's not like a tempur-pedic bed, but it was a very good bed. | |
| So your parents would get you like a very good bed, very good socks, very good underwear, a very good education. | |
| They wouldn't buy you like Nike, like they wouldn't buy you Air Jordans or anything. | |
| Never. | |
| So I know it sounds crazy that I was a Scottish kid with a water bed, but I had one. | |
| So my thing, too, today was I want to get my kids off screen, so I'm going to make the house a party house. | |
| So I bought a batting cage. | |
| That was cheap, actually. | |
| That's just $300. | |
| It's just, you know, PVC pipe and mesh. | |
| 35 feet, 10 by 10. | |
| But then I bought a video game. | |
| I think I sent this to you, Ryan. | |
| It was about $4,000. | |
| Stand-up arcade game. | |
| It's got the ball. | |
| It has 5,000 games. | |
| Nice. | |
| Centipede. | |
| Nice. | |
| Fucking, I go, I really want joust. | |
| That's all I care about is jousts. | |
| Joust? | |
| Yeah. | |
| What were they? | |
| What were they on? | |
| They were on like ostriches, yeah. | |
| Yeah. | |
| I didn't even know this was a thing. | |
| They have joust one, two, and three. | |
| Holy shit. | |
| There was other jousts. | |
| I never knew that. | |
| It was past our time. | |
| You're picking up eggs. | |
| I just bought that today. | |
| Nice. | |
| They just deliver it to your door. | |
| And it's funny because I went on Craigslist and I was looking up pinball machines. | |
| Like, I found a pinball game, Terminator 2. | |
| It's not far from here. | |
| It's up in the fucking Newberg, like an hour and a half drive. | |
| You and I should just pick it up ourselves. | |
| My own stomping grounds. | |
| I sent you a text about that. | |
| That's your stomping grounds? | |
| Yeah, maybe I could pick it up. | |
| Yeah, you should. | |
| I'm just really worried about transporting it. | |
| Like the Street Fighter 2, it fucking worked when I bought it, and I forget where it was. | |
| Probably like, I don't know. | |
| It was a Newberg kind of area. | |
| And now we're missing a kick button on the Player 2. | |
| Now, I know you're saying, folks at home, you're saying Gavin McInnis is anti-video games. | |
| Why are you talking about video games? | |
| Because I want to be with my children. | |
| If I have to play their game and stand next to them when we play Joust, I don't consider that bad. | |
| If you're standing next to your son and he's getting eggs in joust, you're spending time with your children. | |
| What I don't like is this door closed of the bedroom and I don't see my fucking children just like prison. | |
| And Maddie and I have both done time. | |
| I did four hours. | |
| He did about 40 months. | |
| I can't wait because I hope they got a missile command on there. | |
| Because you said it's got the ball. | |
| Guaranteed they have missile command. | |
| Nice. | |
| I'll pay you $100 if they don't have missile command. | |
| Actually, if you go on that link, you can see the list. | |
| Centipede, you need the ball. | |
| Yeah, it's got the ball. | |
| Nice. | |
| Look, that's the. | |
| Oh, yeah. | |
| So they got, if you have centipede, you have mission control. | |
| Yeah. | |
| And then people say like Donkey Kong Pac-Man. | |
| Like, I went on Craigslist and I was looking up our area and it's like, this game is awesome. | |
| It has Pac-Man and Miss Pac-Man. | |
| That's nice. | |
| That's not exactly $4,000. | |
| It's the same price, too. | |
| They're all in the thousands. | |
| All this shit's in the thousands. | |
| Yeah. | |
| Because the people who grew up during that period, say late, mid-80s to mid-90s, they're, you know, RH 50, early 50s, and they have money to spend and want to go back to their childhood a little bit. | |
| Right. | |
| And they're also fucking around that card. | |
| They don't want you to come by their house for 200 bucks. | |
| They're not interested. | |
| They're just throwing the garbage at that point. | |
| They're not interested. | |
| I'm sure there's a million arcade games thrown in the garbage. | |
| In fact, that Street Fighter 2 behind you, am I going to sell that? | |
| I don't, it's got a broken fucking thing. | |
| You would get peanuts for it. | |
| I would get nothing for it. | |
| Fuck it. | |
| Fuck you, Street Fighter 2. | |
| In my new game, I'll have all the Street Fighters. | |
| Can you just show Ryan what Joust is to the people at home? | |
| Sure, but no. | |
| Joust. | |
| Wow, that's a great shot. | |
| I'm sure that people are thrilled to see that. | |
| Rest in power, Street Fighter. | |
| We also, but with that shot, you saw our Tactical Walls. | |
| Let's take a moment to discuss our favorite sponsor, TacticalWalls.com, run by Tactical Tim, a vet who builds these things in America. | |
| Vet-made. | |
| It's not just American-made. | |
| American made is great. | |
| American Run is awesome. | |
| That's our goal. | |
| That's the future of America, actually, I would argue. | |
| And I like that we are in a conflict with China right now because I want them to say, if you don't fucking pay your debt, then we will stop making your plastic shit. | |
| Good. | |
| Stop making our plastic shit. | |
| We want to make our own plastic shit. | |
| We want to start generating our own. | |
| Let's reinvigorate the Rust Belt and make it the plastic belt. | |
| That would be fantastic. | |
| And Tactical Walls isn't waiting for that to happen. | |
| They're doing that now. | |
| Look at that mod wall. | |
| Use promo code Gavin15. | |
| You get 15% off your order. | |
| And you can build a beautiful rack to hold your guns. | |
| If you can't have guns, like those of us in New York City, you can have a beautiful mod wall for your baseball gear. | |
| You can have a beautiful mod wall for Ryan's crap. | |
| You can have a beautiful mod wall in your Jeep. | |
| And he also sells all kinds of cool shit to hide your guns. | |
| Like in New York, we're allowed to have guns over 16 inches in Westchester. | |
| Who's that? | |
| Oh, that's Gary. | |
| Holy shit. | |
| Hot shit. | |
| Hot shit. | |
| He's in an old folks' home now, we just found out. | |
| Oh, geez. | |
| You can have all of that shit. | |
| So there's plenty of shit to do in gun-hating states like New York City, gun-hating towns like New York City. | |
| But even in gun-hating states where you're allowed 16 inches, you can have these windows, these mirrors that open up, and behind it, there's your gun ready to rock. | |
| I like the Jeep one. | |
| That's my new favorite. | |
| Show the Jeep one. | |
| It's a lot of fun. | |
| Those are fun too. | |
| A little behind us. | |
| There we go. | |
| Click on that sucker. | |
| Wait, what are you doing? | |
| That's in your Jeep? | |
| Jeep, Toyota, Jeep Bright. | |
| Yeah, that stuff. | |
| I like that stuff. | |
| Oh, there you go. | |
| Look at that. | |
| That's all your gear on the back. | |
| You can stow all your EDC in your car. | |
| What's EDC mean? | |
| Everyday carry. | |
| All your everyday carries in your car in your car. | |
| Everything you can eat in your truck. | |
| Thanks to Tactical Tim. | |
| Got a fucking tube. | |
| He's a great man. | |
| I bet if you called him and you said, hey, I have a 1980s Jaguar and I want to have a seed. | |
| What's it called? | |
| EDC? | |
| EDC in the back. | |
| I bet he would fit you with something. | |
| Oh, yeah, I'm sure he could. | |
| Because he makes this stuff en masse, but he also customizes stuff. | |
| I'm just pulling this out of my ass right now, but I bet you if you called TacticalWalls.com, you contacted Tactical Tim, he would make you a thing for whatever you have. | |
| Whatever happens. | |
| A 1940s, you have a Model T Ford. | |
| I bet he would come up with something for you for the right price. | |
| Anyway, for the normal stuff, use promo code Gavin15, get 15% off. | |
| And that's that. | |
| Here's Tactical Tim right there. | |
| Maddie, I wanted to talk for a second about our bar. | |
| Sure. | |
| There was a journalist who came by to you. | |
| And she came in, she talked to the owner for a second, and then she said, does anyone want to talk on record and use their real name? | |
| Of course, we said no. | |
| I can't use my real name or the bar's ruined. | |
| So then she walked out. | |
| And I just thought, our local, let's call it the Cheers Inn, is so colorful and there's so many interesting people there. | |
| And if you want to fucking do a thing on it, sit down, have a wine spritzer. | |
| You don't have to get wasted. | |
| Right. | |
| And talk to some of the people there. | |
| Spend five hours. | |
| This is women in the workforce. | |
| If I was writing a review about a bar, I would spend a while there. | |
| I'd get to know everyone. | |
| I'd give you perspective. | |
| My review of the Cheers Inn would be fantastic. | |
| And then she goes, well, I can't put your summation, your little summary in there if I can't use your real name. | |
| Okay. | |
| Then say, I spoke to people there that said, you know, it's been around for 20 years. | |
| And the latest crew is this kind of thing. | |
| Fuck them. | |
| There's Joust in the background. | |
| Yeah, yep. | |
| Do you remember that? | |
| Oh, yeah. | |
| You got to watch those fucking eggs. | |
| You got to scoop them up. | |
| Wave three. | |
| Such a good drunk game, too. | |
| Oh, you got to stay up high. | |
| You have to be above people or they'll hurt you. | |
| That's a good moral. | |
| It's always a tactical advantage. | |
| Have the high ground. | |
| Yes. | |
| Yes. | |
| Stay high. | |
| That's why I highly die. | |
| Everyone used to want to have the bottom bunk. | |
| And everyone would be like, oh, I got a bottom bus pass. | |
| I said, I sleep on top no matter what. | |
| I said, it's easier to fight down. | |
| Yeah. | |
| That's why castles are on hills. | |
| How many times have we talked to vets and they're like, they go to Afghanistan and they're in a vagina. | |
| They're in some hill like the bottom of two mountains. | |
| And it's like a valley. | |
| So let's talk about our bar. | |
| Should we do that? | |
| Sure. | |
| Fascinating characters. | |
| This is how you do a review of our local bar. | |
| There's John, who had a brutal stroke, and no one talks to him but people who know him. | |
| So let's say Maddie Gavin, four other people, because he sounds retarded. | |
| He farts, he burps, and he has no filter. | |
| So he sees Kyle, the marine biologist, and he'll go, oh, so fucking beautiful. | |
| So pretty, so pretty. | |
| Because he doesn't know that he's thinking out loud. | |
| He's also a genius who was a top DA in Manhattan. | |
| And he'll be listening, like on International Clash Day. | |
| I went down there dressed in my little costume. | |
| And we're playing Sandinista. | |
| And he's like, I played Magnificent Seven. | |
| And he's like, in his retard voice. | |
| He's like, that's the only popular song on Sandinista, but there were so many great songs on that album that got ignored because they did a triple album and charged the price of one. | |
| CBS hated them for it. | |
| There's one song. | |
| It's all children singing for the whole song. | |
| The whole song. | |
| And you're like, that's exactly what happened with Sandinista. | |
| And I don't know the kids' song you're talking about. | |
| See if you can find that, Ryan. | |
| Because I'm sitting here talking about how this guy who sounds retarded is a genius, but maybe I'm wrong. | |
| Is there a song on Sandinista where kids are singing the whole time? | |
| See if you can find that. | |
| Because he also said, like, he said some slightly weird shit. | |
| Like, they were singing for three hours. | |
| No, that's career opportunities. | |
| It has to be on the album Sandinista. | |
| So Google it differently, like the clash, Sandinista, children singing. | |
| Although, maybe he was wrong. | |
| Maybe he was thinking of that song. | |
| Career Opportunities doesn't have kids singing. | |
| It's a kids version. | |
| Is it like a kids bop? | |
| Yeah, kids' bop. | |
| That's what he meant. | |
| Yeah, the clash to a great bet. | |
| You should hear the kids bop of some of those songs. | |
| Office offer me the show. | |
| Oh, that's what it is! | |
| Take everything they got At the BBC Do you want to be Okay, this goes back to what I was saying all week. | |
| And I'm glad this is on the free episode. | |
| And I'm glad it's finally some substance in what has so far been a bit of a wandering episode. | |
| Talk to everyone. | |
| Talk to old people, especially. | |
| Talk to your Uber driver. | |
| Say, how's business? | |
| Every time you're doing anything and there's a lull, you're buying a fucking dart. | |
| How's business? | |
| Talk to the guy. | |
| That's how you find out what's really going on in this country. | |
| What's going on with the economy? | |
| What's going on with the culture? | |
| How's business? | |
| How are you doing? | |
| Everyone, everyone. | |
| You're the fucking mailman. | |
| How's business, mailman? | |
| And this dude, John, talk to a geriatric who just had a stroke that no one's sitting near because he's got like a tick and he's like, talk to him. | |
| I own Sandinista. | |
| I've listened to it a million times. | |
| I think I forgot that Career Opportunities is on that as a kid song. | |
| And that is cool. | |
| That song. | |
| Let's hear it again. | |
| This is a little gem that was sitting in my own home. | |
| Like he found an Easter egg in my own home. | |
| They couldn't carry a tune to save their lives. | |
| That's a blessing. | |
| Yes, sir. | |
| Although, I got to admit something that I'm not proud of. | |
| When I talk to him and we get along and I make him laugh, this is horrible. | |
| And I'm only bringing it up because I want you to recognize when you're horrible and the horrible thoughts you have. | |
| But if I'm totally honest with myself, I can't help but think that when he dies, his daughter's going to come in and go, he loved it here. | |
| He loved the way you guys treated him. | |
| And it meant so much to him. | |
| Pastor, could you say that? | |
| It's like, it's a normal thing to happen. | |
| But to talk to a man who's just had a stroke and be thinking about his funeral when his daughter comes by and goes, you were so great to talk to my handicapped dad. | |
| And you're like, well, I'm talking to him right now. | |
| He's not actually dead yet. | |
| I'm already fantasizing about how great I am. | |
| I'm already enjoying the accolades for being such a mensch. | |
| Meanwhile, he's a very interesting guy once you get through the shit. | |
| So it's not like I'm fucking digging through rat kings and working in New York sewer systems. | |
| I'm just talking to a human being who's two feet from me. | |
| And I can't wait to get my fucking purple heart. | |
| That was too much of indecence. | |
| But I heard our good friend Joe stepped up and was interviewed. | |
| So that's the thing. | |
| So none of us would talk to this stupid lazy bitch because she demanded that we all speak to her with our names. | |
| It's not how you investigate a thing, you dumb cunt. | |
| You dumb old people. | |
| You're checking people's IDs. | |
| Well, the problem is, the owner introduced me as Gavin. | |
| I was going to be John Beverly, and I could have talked to her for days. | |
| What we're doing right now. | |
| I could have explained the whole story, but he fucked up because he's very optimistic and he trusts everyone too much. | |
| But yeah, so Joe was the only, Joe Tonelli was the only one who spoke to him. | |
| We haven't even, oh my God, I'm glad I brought this up. | |
| We haven't talked about Joe for two weeks. | |
| There's a lot to catch up on. | |
| Oh, yeah. | |
| So you know the guy, the black guy, Jared, who was responsible for the Black Lives Matter mural on his road in front of his house. | |
| Yes, yes. | |
| So that's the guy who was calling me a cracker one night. | |
| Yep. | |
| And a lot of our viewers were like, why didn't you crack him? | |
| There's an argument there, but not really. | |
| I mean, especially not at my local. | |
| another bar. | |
| I do like the idea of us getting as mad about cracker and Nazi as blacks are about we should. | |
| It's equally offensive. | |
| Let's react the same. | |
| Yeah. | |
| So I get that. | |
| But in the context of that night, and he was like, why you got so much influence? | |
| He kept saying to me. | |
| And I'm like, Jared, you mow lawns, which is a noble pursuit, but it's not influential. | |
| And I've been in media since 1994. | |
| So obviously, I'm going to have accrued a little more influence than the guy who mows the lawn. | |
| He's like, motherfucker, you, you're just because you're a cracker. | |
| No, that's not the case, my friend. | |
| In fact, if I was you and I've been doing it since 1994, Jesus H. Christ, I would be George Soros. | |
| I would own all me, I'd own the internet. | |
| I'd own the fiber optic cables if I was black. | |
| So we dropped that, but the story is that he was annoying. | |
| He said, he's an asshole, Jared. | |
| He was annoying and harassing some women, which I don't know why. | |
| He's gay, right? | |
| Yeah. | |
| He is. | |
| But he was like hitting on them or maybe he's just bothering him. | |
| So the bartender, Jimmy, was like, you guys need to go. | |
| No, Jared, you need to go. | |
| Get out of here. | |
| Leave them alone. | |
| And Jimmy's very, he's good at his job. | |
| He's been a bartender for 900 years. | |
| So he knows, like, I'm not going to fucking crack you. | |
| I just like ooze you out of the bar. | |
| Right. | |
| And Joe gets involved. | |
| He's like, yo, no, no, no, no, get out of here. | |
| He said, get out of here. | |
| Yo, what are you crazy? | |
| What, seriously? | |
| We're doing this right now. | |
| Now, the word on the street is that he dropped the N-bomb. | |
| Whoa. | |
| That's what I heard. | |
| I was not there, so I can't. | |
| We have no evidence of this. | |
| We do know that Jared, who looks like me before I got ripped, I know you see these pipes and you're like, what the fuck? | |
| He's probably 135, 140 pounds. | |
| Yeah, he's me six months ago. | |
| So he's not known for ripping shit to shreds. | |
| No. | |
| But if someone had a Grover body, which I mean, I can't believe I'm saying goodbye to Grover bodies. | |
| I just had one. | |
| But as a previous Grover body owner, like Carrot Top, I look back on my old Carrot Top career. | |
| And what would make him so mad that he would beat the living shit out of Joe Tonelli in the bar, in the corner by the darts? | |
| Like, I don't think faggot would make him that mad. | |
| I think it was the N-word. | |
| Yeah, that's what I heard. | |
| That's what we heard. | |
| Then I heard another friend of ours had to pull Jared off of him. | |
| Yes, Donnie. | |
| Yeah. | |
| Donnie, who's a homo too? | |
| Wonderful homo. | |
| Are you reluctant for me to say names here? | |
| Me? | |
| No. | |
| No. | |
| Donnie was like, oh, right, that's enough. | |
| And he picked up Jared off the ground and walked him out of the bar. | |
| No one had a problem with what Jared was doing. | |
| I don't either. | |
| You know, you throw the word around. | |
| I do think that word has too much gravity. | |
| But, you know, I'd be the same with faggot. | |
| If you're a gay and someone calls you a faggot, you're going to expect a few bonks to the nose. | |
| What I'm pushing for is that Cracker and Nazi gets as many bonks to the nose, but that's a separate topic. | |
| So when I showed up, our friend Jared was just quietly waiting for an Uber because he had been kicked out after beating up Joe. | |
| I was like, okay, that seems fair. | |
| And then I was inside and I talked to people in there and they told me what I just told you. | |
| And they go, and then I'm like, really, Joe? | |
| Are you Joe the bigot now? | |
| Is that your new nickname? | |
| And he goes, I kicked him in the balls. | |
| And then I looked at everyone else in the bar and they go, he didn't kick anyone in the balls. | |
| No, he was getting punched on. | |
| He was getting ripped to shreds. | |
| Pretty much from what I heard. | |
| See, this is what, like, I wish I had a Project Very TAS little fucking button on my shirt. | |
| Because my wife, she works, works. | |
| She's a housewife. | |
| She has her yoga. | |
| She has her friends. | |
| She has a social thing. | |
| Like, maybe once a week, probably not. | |
| Probably once a month. | |
| I am meeting these fascinating individuals on a daily basis at the pub, at the gym. | |
| Like, I'm drowning in fascinating conversations. | |
| I wish I could be a fly in the wall in my own life. | |
| Like, I wish you guys could see all of the amazing shit I hear. | |
| Like, even today, we're at the bar, the cheers in, and there's Kyle, the marine biologist, and I'm talking to her about the mantis shrimp, and she's like, don't do it. | |
| Which kind of makes me want to do it more. | |
| That's why I bought a Jaguar because every mechanic said, don't do it. | |
| She goes, you need a fish tank that's going to withstand that smash, which I don't even believe. | |
| No one's an expert. | |
| There's no incentive for the mantis shrimp to smash the glass. | |
| He doesn't know that's how to get out. | |
| She's like, yes, they do. | |
| Now they know. | |
| But she had a great story about this. | |
| She does all this preservation in the area. | |
| And her boyfriend heard that there was a hook that went through some duck's bill and through the wing. | |
| And he's like, no problem. | |
| I'm on the way. | |
| And she clips the hook, cuts everything like 50 times. | |
| So it's just removing pieces of steel. | |
| And the duck's free to go. | |
| Or maybe after a while. | |
| And she goes, oh no, thanks for coming. | |
| My eel has a parasite. | |
| It's got this white worm coming out of its chest. | |
| And he's like, I don't give a fuck. | |
| Die. | |
| I don't like eels. | |
| They're snakes. | |
| So I wanted to have a worm. | |
| Good. | |
| So that's cool. | |
| We've got Joe. | |
| We've got PJ the contractor who may have been in the IRA. | |
| Jack was in the IRA. | |
| Or no, no, he was a cop who fought the IRA. | |
| That's equally as interesting. | |
| And was the agriculture character? | |
| We've got Lenny, the chiropractor, who wears OR scrubs for some bizarre reason. | |
| You're a chiropractor. | |
| There's no vomit or blood. | |
| You need to wash off your fucking uniform. | |
| We've got Jeff from Maine, the hunter. | |
| We've got... Host Lou. | |
| I mean, there's like... An endless supply of... 15 fascinating individuals. | |
| Even the stranger I met today, he recognized me. | |
| And he's like, oh, you're Gavin Censor TV. | |
| He's kind of a baby monster. | |
| And by the way, I'm at the point now where I'm meeting a baby monster a day. | |
| Like the previous day doing Anthony's show, I met a baby monster. | |
| They're out there. | |
| They're out there. | |
| We're making t-shirts, don't worry. | |
| But he was like, I go, what are you doing up here? | |
| And he goes, oh, we're drilling holes to build a building. | |
| And I go, for a building, don't you just like cut a cube into the bedrock? | |
| Again, you folks out of New York don't realize that we all live in bedrock here. | |
| That's why we have skyscrapers because we can drill down 200 feet and then we can go up a mile. | |
| In Bristol, England, for example, you can't have a building more than four stories higher. | |
| It sinks into the ground. | |
| Same with New Orleans, everything. | |
| So we're a very unique area in that we're in rock. | |
| And we're not just in rock, we're in rock that's pretty soft. | |
| So you can make stuff here. | |
| But I didn't know this before I spoke to him today. | |
| We've reached the limit for the freeloaders. | |
| Get the hell out of here. | |
| Okay, let's cut him off. | |
| Time's up. | |
| Time's up, folks. | |
| So subscribe to censored.tv. | |
| $10 a month. | |
| You get all of this and more. | |
| We've got new shows every day. | |
| We're about to explain to you how buildings are built. | |
| Then we'll be taking calls. | |
| Then we'll be reading letters that have been sent in. | |
| And that's just Thursday nights. | |
| Monday, Tuesday is talking about the news and fun stuff. | |
| Wednesdays, we talk to Anthony Cumier. | |
| We go to his studio and we do compound censored. | |
| Fridays is more the same. | |
| And then we've got a whole weekend of fun shit. | |
| We have new shows coming. | |
| I'm going to be pulling up all the old Gavin McInnes shows, all the archives. | |
| It's a never-ending plethora of high-quality content. | |
| My only concern is you spending too much time on it. | |
| If you want to kill a man, give him everything he wants. | |
| So I don't want to give you too much, but believe me, there's more than you could possibly handle on a daily basis. | |
| Censored.tv. | |
| Get fired. | |
| Get in trouble. | |
| Be brave. | |
| And never stop fighting. | |
| They probably gonna say it anyway. | |
| They already say it every day. | |
| White girls, I ain't tripping boo. |