| Time | Text |
|---|---|
|
Hey From Winnipeg
00:09:44
|
|
| Live from New York, it's Get Off My Lawn with Gavin McGuinness. | |
| These eyes cry every night for you. | |
| That was originally the guess who, eventually Burton Cummings. | |
| Cummings or Cummings? | |
| When he went solo. | |
| Why go to school anymore? | |
| I was listening to these eyes in the car on Saturday, Sunday, Sunday. | |
| And I thought, fuck, that's a good jam. | |
| And then I was curious about the vocalist Burton Cummins. | |
| Is it Cummins? | |
| Cummings. | |
| Cummings. | |
| I was curious about Burton Cummings. | |
| He's from Winnipeg, which is fucking freezing, folks. | |
| When I meet someone from Winnipeg, I go like this. | |
| Hey. | |
| It's like, thank you for your service. | |
| You live inside of an ice cube. | |
| It's intense up there. | |
| But Randy Bachman and Burton Cummings both came from Winnipeg. | |
| And they're both some of the most prolific songwriters in the history of time. | |
| And as I get older, I get more and more reverent about songwriters and what a rare skill it is, especially people who can write a bunch. | |
| There's so few human beings like this. | |
| Taylor Swift is one. | |
| Sorry, but she is. | |
| Tom Petty? | |
| Tom Petty? | |
| Shane McGowan of the Pogues. | |
| You think, oh, these are all old Irish classics. | |
| No, he wrote a ton of those songs. | |
| Very few of them, in fact, are old Irish classics. | |
| But when you look up Burton Cummings' hits, there's like fucking 12. | |
| Now, I've heard that you get about 400 grand a year for a hit. | |
| Like, what's that police song? | |
| Every Breath You Take? | |
| I heard that Sting just gets $400,000 a year for that. | |
| So when you have this many times half a mil, that's some pretty good. | |
| So what are the ones we recognize? | |
| Go to the top. | |
| Are these all his hits? | |
| Stand tall. | |
| I don't know, Break It To Them Gently. | |
| I don't know. | |
| I'm Scared. | |
| Wait, I don't know these songs. | |
| I will play a Rhapsody, I guess. | |
| I kind of know. | |
| These aren't his hits, Ryan. | |
| It says highlights. | |
| Yeah, that doesn't mean they're his hits. | |
| American Woman was him. | |
| Oh, wow. | |
| She's come undone. | |
| Stand tall. | |
| Don't be too small. | |
| What else is there? | |
| Can you just say that? | |
| When a man loves a woman? | |
| This is his greatest hits. | |
| 2017, his greatest hits ever. | |
| Of 98 songs. | |
| You ain't seen nothing yet. | |
| You just ain't seen nothing yet. | |
| I think that's him and Randy Bachman. | |
| Like, She's Come Undone was Randy Bachman. | |
| And I saw this great documentary on the weekend about the Go-Go Girls. | |
| And they talk about how towards the end, one of them saw one of the checks that the bassist got. | |
| And the bassist was a songwriter. | |
| And they were fucking huge. | |
| They were making probably $100,000 a night playing shows in the 80s. | |
| And then they see this guitarist get a way bigger check, and they were all pissed off because they haven't really been taught to revere this incredible skill. | |
| The reason you guys are on tour is because of We Got the Beat. | |
| And it's hard. | |
| There's a doodle doo-doodle. | |
| It's not just a riff. | |
| It's doodle, doodle, doodle, doodle, doo, doodle, doodle. | |
| All the kids go walking down to school. | |
| We're standing in line. | |
| We got the beat. | |
| All of these songs too, like she's coming on bop and dooding daba doo bada. | |
| So what's that? | |
| Great jams. | |
| This is a great documentary. | |
| What's it called? | |
| It's called The Go-Go's. | |
| came out in 2020. | |
| We are the first local band that wrote their own material and played their own instruments to be really successful. | |
| In the course of a year, we have gone from playing cardboard to Madison Square Garden. | |
| There never would have been the both of us without the punk rock scene in Los Angeles. | |
| Anybody could do whatever they wanted. | |
| It was total freedom. | |
| The punk scene, a little bit of a game. | |
| Play the way you wanted to play, and you were accepted. | |
| People used to cross the street when they saw me. | |
| I felt powerful for the first time. | |
| When they asked, hey, do you play lead guitar? | |
| I figured I'd play bass. | |
| That chick on the bass, Charlotte Caffey, she wrote most of the hits. | |
| Okay. | |
| These songs. | |
| Roger Daltry was really pissed at Pete Townsend because he's like, I want to have my hits. | |
| Why do you get all the money? | |
| And Peter goes, okay, write me some hits, dude. | |
| And he wrote a bunch of shit songs. | |
| We played them on the show the other day and they suck. | |
| He's got two songs and they reek to high hell. | |
| It's fucking hard to write a song. | |
| So the guess who is American Woman, right? | |
| That was 65 to 75. | |
| They were fucking huge. | |
| Randy Bachman of BTO with taking care of business, working overtime. | |
| When they were on The Simpsons, Homer Simpson kept yelling, get to the working overtime part. | |
| Like the, what do we call those? | |
| Come sail away with me, lad. | |
| Vocal garnishes. | |
| Yeah, vocal garnishes. | |
| Get to the vocal garnish. | |
| Spring feed! | |
| We're going to play all your old favorites. | |
| But first, we'd like to dip into our new CD. | |
| Taking care of business. | |
| Don't worry, sir. | |
| We'll get to the docking. | |
| No new crap. | |
| Take care of business now! | |
| We get up in the morning from the long, long story thing. | |
| We can't get into the city. | |
| Get to the work in overtime, pal! | |
| *laughter* | |
| Just the one part, yeah. | |
| So, yeah, Randy Bachman left the guest 2 at their peak in 1970. | |
| You know why? | |
| You'll never guess in a billion years. | |
| No cheating. | |
| I mean, um... | |
| I don't know. | |
| Me? | |
| I don't know. | |
| They were irreligious. | |
| They were partying. | |
| They were doing Coke. | |
| They were fucking chicks. | |
| It's against Christ. | |
| So then he left. | |
| He started a family band. | |
| And then eventually he started BTO Bachman Turner Overdrive. | |
| They had a ton of hits. | |
| And they got to do... | |
| Then they got, is that him? | |
| And we were selling millions of records, and we were making thousands of dollars a night, and the traveling was good, but it was starting to take its toll with each guy, you know. | |
| And I guess each guy, at the time there were four of us, and each guy kind of reached his limit at a different time along the way. | |
| And I think Randy just couldn't hack the traveling for one thing because he's more of a family man than the other three of us are or were or whatever. | |
| He just came out and said that every guy dealt with the success and the schedule their own way. | |
| At a certain point, you couldn't hack it because you're more of a family man than they were at the time. | |
| Well, to be away 90 days and have a weekend at home. | |
| You know what's happening? | |
| You go home. | |
| When BTO got cooking in the late 70s, they were playing every single night for years. | |
| So it doesn't really hold up. | |
| Maybe because it's the partying afterwards. | |
| They would do the partying. | |
| He gets to go home after. | |
| Did you know they once had a deep-fried rat? | |
| Pardone? | |
| BTO were at Kentucky Fried Chicken, and a rat had fallen off one of the pipes into the deep fryer. | |
| So as they're going through their chicken, there's a fucking rat in there. | |
| Is that one of those like Richard Gere gerbil butt stories? | |
| No, it's a true story. | |
| They tell it. | |
| You've written some songs, right? | |
| When up was down and down was up and life was all a crazy game. | |
| Yeah, I still write some songs. | |
| Let's hear a melody. | |
| Well, you want to hear some of my newer stuff? | |
| No, I don't want you to show me some dumb beats. | |
| I want like a song, like taking care of business. | |
| But that's not my song. | |
| When up was down and down was up. | |
| What was that one? | |
| Oh, I'm not going to sing that one. | |
| Yes, you are. | |
| I'm passing through the days where I couldn't care less. | |
| If anyone saved me, now I see we see the same way. | |
| But I never would have met you, never would have hear. | |
| You know, there's Bachman. | |
| Then they did it. | |
| You ain't seen nothing yet? | |
| Well, that's a weird ending. | |
| No, I'm just now. | |
| Do you have any other songs that you can sing? | |
| I have recordings. | |
| No, no, that's boring. | |
| That's just you noodling away with fucking Guitar Hero or whatever. | |
| I don't do acapella. | |
| I mean, they don't do a cappella either. | |
| I mean, if you've got those guys in a room, you say, go ahead, sing your song and be like, I mean, I don't have a guitar. | |
| What am I? | |
| A joke? | |
| I've written a ton of songs. | |
| I only have the pieces of them. | |
|
I Love You, China
00:02:18
|
|
| Do you want to hear them? | |
| Yes. | |
| This is what I've been working on for probably 20 years now. | |
| It's a country song. | |
| Diddle-dling. | |
| Maybe you could get your guitar. | |
| Okay. | |
| Do you know the chords? | |
| No, it's just... | |
| So... | |
| I don't know. | |
| Just play music in the background. | |
| This song is about other countries moving here to America or to the West in general. | |
| And how the Bible says in the Tower of Babel that we should all have our own areas. | |
| So regular little country beat here. | |
| Yeah. | |
| So first do it like a... | |
| Yeah. | |
| I love you, China, with your... | |
| I love you, China, with your mountains of snow and your centuries of history everywhere I go. | |
| I love you, Africa, with your deserts so wild. | |
| First man came through Egypt and he crossed the River Nile. | |
| But stay where you are, stay where you are. | |
| I'll stand here on my land, stand here strong on my land. | |
| If you stay where you are, stay where you are, stay where you are. | |
| You can come here for a holiday, but then fucking stay where you are. | |
| And then jigga-jang. | |
| Doom, boom, badoon, da-ba-da-ba-doo, doom, badoon. | |
| And then it's uh, okay, but we'll do that. | |
| I love you, Mexico, with your dip. | |
| And then I have not done that part yet. | |
| But I'm gonna do like, I love you, Mexico, is a puerto ballar. | |
| It's always puerto ballar with you. | |
| If you listen to the other, the reggaeton, every time you do Japanese, it's I think it comes from my son, Johnny. | |
|
Cause I Need You Now
00:03:47
|
|
| When he was a little kid, he was ruining the kid's toothpaste by pouring water into it. | |
| I have this on a video somewhere, and I go, what are you doing? | |
| And he couldn't speak English at the time. | |
| And he goes, oh, ches cho baya. | |
| That's better than the isa fat. | |
| It just sounds like English. | |
| And I sort of went, I could tell his tone was, this isn't what you think. | |
| I'm being innocent. | |
| So I just went, oh, okay, I'm sorry. | |
| I'm sorry. | |
| Ches cho baya. | |
| I also wrote the middle of a song. | |
| It goes like this, ready? | |
| It's kind of like Len. | |
| Those guys are like, steal my sunshine. | |
| It's that kind of a song. | |
| And it's like, did you get caught when your heart got caught in the dark? | |
| You don't even have a stop. | |
| Ha ha. | |
| And you, and you, and that's all I got there. | |
| Sometimes that's all you need. | |
| And then when we were away in Europe in the early 90s, going on a punk tour, staying in squats and hitchhiking, me and my buddy Steve, the guy I told you about last week who threw firecrackers and had a concerned citizen on his tail, we said, let's write the gayest song we can. | |
| And so I had a song with Tina Turner and Brian Adams, and it was like, When I look into your eyes, I see the smile that's there. | |
| Cause I need you now more than ever before. | |
| Cause I need you now. | |
| You know, I'm crying out for more. | |
| When I look into your eyes, I see the smile that's there inside of me. | |
| When I look into your eyes, I see the smile that's there. | |
| Cause I need you now, forever be forever. | |
| It just keeps on going. | |
| Because I need you now. | |
| Yeah. | |
| It's almost like a. | |
| That's what I don't get about songwriting. | |
| I get how you come up with a hook or a thing. | |
| How do you get out of it? | |
| But that's like, now you got to add 40 other things? | |
| Your thing just kept going. | |
| Yeah, I just thought, okay, I got it. | |
| We're done. | |
| Like Lou Reed says when he wrote Vicious, he goes, Andy Warhol came up to me and he said, you hit me with a flower. | |
| You should know he goes, Andy Warhol came up to me and goes, you should do a song about Vicious. | |
| And Lou Reed's like, what do you mean? | |
| He goes, just, I don't know, like, be like, you hit me with a flower. | |
| And Lou Reed was like, the song wrote itself after that. | |
| Like, how? | |
| That's funny. | |
| And then Steve's song was good. | |
| It was, but it was so good. | |
| It was so gay that I go, I hate that song. | |
| And he's like, we had a fight about it, actually. | |
| We kind of got on each other's nerves on that trip. | |
| But we had a fight where I go, that song is fucking gay. | |
| And he goes, that's what we were trying to do. | |
| What, my gay song's too shitty? | |
| And I go, yeah, it makes me feel bad. | |
| He goes, that was the point of the exercise. | |
| He was right. | |
| But anyway, this is his song. | |
| I'm looking for something and I don't know where. | |
| Yeah. | |
| Rip jeans and wavy long hair. | |
| You got to do it. | |
| You know it's the time. | |
| Pull up your socks and find your line. | |
| That's the worst part. | |
| Oh, find your line. | |
| I was like, ah. | |
| I was almost with it until. | |
| And then don't forget that you can't start. | |
| Oh, yeah, that's the song I wrote last year. | |
| And all I have is this chorus. | |
| You can't start a fight with the petty bone. | |
| You can't start a fight. | |
| Hey, hey, hey, hey, you can't. | |
| And then there's a part in the middle where it's just, you can't start a fight with the petty bone. | |
|
Getting Good at It
00:14:13
|
|
| You can't start a fight. | |
| That's pretty cool. | |
| You can't start a fight. | |
| I'd say keep the lyrics. | |
| I know Pettibone's like a work in progress word where you want to replace that, but. | |
| I've tried other words. | |
| It doesn't work. | |
| So it's about trying to fight Raymond Pettibone. | |
| I don't even know if that's how you pronounce it. | |
| Might be Pettibon. | |
| I don't know if that's a man. | |
| And I don't know. | |
| Yeah, he's a painter. | |
| He did the Sonic Youth covers and all that stuff. | |
| Black Flag record covers. | |
| He's a very popular artist who's not very good at drawing. | |
| Not very good at it, if you will. | |
| Getting good at it, if you will. | |
| Did you hear Chip Chipperson's song? | |
| It really reminds me of your friend Steve's song. | |
| Find your line. | |
| Exactly. | |
| Like that same type of thing. | |
| It's like someone pulling a long thread out of your butthole that you ate. | |
| Find your line. | |
| It really made me cringe. | |
| By the way, good news, folks. | |
| Nita Fashions, where I get my outfits from, is sending me new shirts today. | |
| Wow. | |
| So I'll be able to do the top button without having a panic attack, which is as close as I can get as this. | |
| So we'll be back to ties soon. | |
| That is fun. | |
| And they also took out the waist in all my suits. | |
| I shipped them back. | |
| They did it for free. | |
| And then they made maybe two shirts that were like $50 each. | |
| I want to try them on before I buy a bunch more. | |
| And then they shipped them back. | |
| So the shirts were like, they weren't free. | |
| But they altered my suits. | |
| They had added four inches already, so it was easy to take them out. | |
| But they did it for free, but I had to pay for shipping. | |
| And that was to Hong Kong. | |
| So that was $380. | |
| You're kidding. | |
| No. | |
| $150. | |
| $190. | |
| That's a pain. | |
| There's a pain. | |
| Let's hear chips on. | |
| Keys to the kingdom of my heart. | |
| And if you put the keys in, my heart will start. | |
| You got the keys to the kingdom of my heart. | |
| And if you put the keys in, my heart will start. | |
| I remember the someday that we met. | |
| You bet. | |
| I'll never forget. | |
| I was walking round with my heart locked up. | |
| Wishing there was a key because my heart was locked up. | |
| I got the key to the kingdom of my heart. | |
| And it can put the kingdom. | |
| How many views does that have? | |
| Actually, only 315. | |
| They made it unlisted, but I had looked at it when it first came out, so I guess I have access now. | |
| Why is it unlisted? | |
| Maybe he's a shame. | |
| Maybe you put on his Patreon. | |
| This one has 173 views. | |
| I don't think people know this exists. | |
| I love Jim Norton. | |
| I like him more than a friend. | |
| We've had arguments in the past, but he's man enough to say, what's your beef with me? | |
| And we had a one-hour fight where he didn't want me on the Opi and Anthony show because he was worried it would make Shane Smith mad. | |
| And he just got a gig with vice. | |
| And so he claimed that he just didn't want to be surprised with something he couldn't back up. | |
| And I said, that's bullshit. | |
| And that was our fight for one hour. | |
| Anyway, that was many, many, many years ago. | |
| Probably 10 years ago now. | |
| But I have nothing but respect for the guy. | |
| And I told him they're going to cancel your show, by the way, immediately. | |
| So you're going to regret this. | |
| And I love his comedy, and I listen to all his specials, and I text him when they're on, and I go, that was hilarious, whatever. | |
| This reminds me of that, whatever. | |
| We talk sporadically. | |
| I cannot get into Chip Jefferson. | |
| I don't get it. | |
| It doesn't fit in my head. | |
| It's like homosexuality. | |
| I understand that other people like to suck each other's dicks, but I just can't get it in. | |
| And I don't even understand when people are on that show, I don't get like, who are you? | |
| Like, does Anthony, when he's on the show, he pretends that that's Chip? | |
| You participate with Chip, yeah, you interact with Chip. | |
| Well, that's annoying. | |
| It's like drag queens. | |
| Like, you don't know if you're supposed to be them. | |
| Like, what's he saying right there, for example? | |
| Go back. | |
| he's showing you all the different Jim Norton characters. | |
| Turn it up. | |
| I have a friend who you want to tell what a piece of garbage he is or how fat he's getting or how much you kind of hope he dies. | |
| How about you send him... | |
| Send him a cameo. | |
| Or if you want some extra Kipperson, join Patreon. | |
| We got all kinds of great stuff. | |
| You get the podcast a week early. | |
| We do some live Zoom hangs. | |
| And I got a horror film I'm working on. | |
| It's really scary. | |
| Is anybody in here? | |
| You! | |
| Nora! | |
| I know it's bad, but I don't get it. | |
| It's like nihilistic. | |
| It's like, it's supposed to make you exhausted, I believe. | |
| So much of Tim and Eric, too, is like, we're going to do really shitty public access, cable access show, and we'll laugh at how bad they are at TV. | |
| It'll be like a crappy, homemade, low-budget commercial that sucks. | |
| Yeah, those suck. | |
| I remember, I think it was Andrea Martin from SC TV, or maybe it was Catherine O'Hara. | |
| After a while at SC TV, they go, we're getting kind of sick of making fun of terrible television. | |
| I want to make good television. | |
| So I, sorry. | |
| I don't get it. | |
| It's like drag queens. | |
| When you're with drag queens, you're like, are you you now? | |
| Or am I talking to you? | |
| Or are you a hot mess? | |
| Do you mind if I call you Tiptoenail? | |
| Tiptoe Nail. | |
| Some B-roller. | |
| Key and Peel is still the gold standard of humor. | |
| I guess I didn't watch the show that much. | |
| And now that I've checked it out on YouTube, it keeps showing me different Key and Peels. | |
| And the algorithm is working to my favorite Thank You algorithm. | |
| I'm very happy with it. | |
| I'd never seen this War of the Magical Negroes. | |
| And Ryan had never heard of a Magical Negro. | |
| Not that term. | |
| You know why? | |
| Because he watches Lilo and Stitch. | |
| No, I didn't. | |
| And Toy Story. | |
| So his movie repertoire is all children's movies. | |
| So he's not familiar with this trope. | |
| Can you believe that? | |
| I love all movies. | |
| Dark movies. | |
| Light ones. | |
| Please, this is the worst possible time. | |
| Please don't do this. | |
| Babe? | |
| Wow, you really gave up on that marriage pretty easy. | |
| Huh? | |
| Can I take your garbage? | |
| Yeah, sure. | |
| You know, I find the more garbage in the can, the better it feels to dump it all out. | |
| Perfect. | |
| I suppose that's why we let it. | |
| This is why, like, I was, I'll get to her in a second. | |
| I was listening to the Comedian in the Car, and I was just reading it, listening to it, going, you tried. | |
| Like, that garbage in the can joke is such a perfect representation of what's in these movies with these magical Negroes. | |
| It's always like that. | |
| And you guys sat and you worked on that sketch. | |
| I can tell you worked on it for a long time and you just wanted to get it just right. | |
| And you did, but it keeps getting better. | |
| You're so fooled in the voice place. | |
| Foist place. | |
| so we can start over Here to fix the copier? | |
| Yeah, sure, sure. | |
| It's the way we treat them that needs to be fixed. | |
| Just... | |
| *Sigh* *Sigh* *Sigh* *Sigh* | |
| Like, surely you saw Denzo Washington in the movie with Jim Carrey where he's God and he's a janitor. | |
| Yeah, no, I was thinking. | |
| I was thinking about compiling all the magical news. | |
| I'm familiar with the trope. | |
| The one I was thinking of was like an hour. | |
| No, no, obviously, you know, Green Mile, but then there's the black guy in Bedazzled. | |
| He turns out to be God, believe it or not. | |
| And he just comes out from the bottom bug, smoking a cigarette. | |
| He's like, you know. | |
| And, you know, it always starts with some wisdoms. | |
| And then this is what white liberals want blacks to be. | |
| Magical little silly prophets who come, drop some wisdom, and then vanish and don't send their kids to your school. | |
| And they always have like a lowly lot in life. | |
| It's like, yeah. | |
| Yeah, they're out of sight, out of mind. | |
| Like, go ahead, clean my garbage, say something wise, and then fuck off. | |
| You're magical, but you're also a janitor. | |
| Yeah, it's basically the way they were seen in like the 40s and 50s. | |
| Like, get on stage, do a funny dance with some white gloves, then fuck off. | |
| Go back to your little fucking area where you have, you choose someone based on their toe. | |
| You know what I'm talking about? | |
| In the 40s, they'd have these toe parties, and there'd be a curtain, and these women would have their bare feet there, and you would pull on a toe. | |
| Wow. | |
| And that would be your date. | |
| Oh, shit. | |
| Yeah. | |
| It's kind of fun. | |
| Yeah. | |
| Who the hell are you? | |
| What's going on with this? | |
| Are you connected to the internet? | |
| Yeah. | |
| Oh, you have to be. | |
| Guys, the important question is, who are you, Steve? | |
| Well, if it isn't Mr. Stanley, Carl. | |
| Carl. | |
| Anyway, they have a duel. | |
| We're not going to sit here and watch the whole sketch, but they use employ more and more magic, battling each other. | |
| And just the way I told you, the reason I like Trump is because I like his fans. | |
| I like the people at Trump rallies. | |
| You can tell the Key and Peel are good by their comments on YouTube. | |
| All of the comments here are high-quality jokesters. | |
| What do they say? | |
| Well, I saw one of them goes, Carl's right, he was their foist. | |
| Blow it up a bit. | |
| I can't really read it. | |
| Dr. King smiles. | |
| They were kicked out of Hogwarts. | |
| Stanley's right, he was their foist. | |
| What's Stephen King novels? | |
| Go up to the top, though. | |
| There was one who had a great, great quote. | |
| She goes, It's sad that, yeah, now the copier is broken and there's trash everywhere. | |
| Consequences. | |
| Optical flares for the wind. | |
| Oh, I love this one. | |
| How so many girls talk to each other in the dating pool. | |
| You need to find your own troubled white boy. | |
| What are those replies? | |
| You'll need to widen your search parameters. | |
| May I offer you a troubled exotic yellow boy from the Orient? | |
| I personally prefer a badass chick, but I'll check your recommendation. | |
| Literally, me. | |
| You'll find him on 4chan. | |
| Good luck. | |
| Anyway, keep going down to the other ones. | |
| I love this guy. | |
| Who is canonically stronger, Carl or Mr. Stanley? | |
| People usually cite the fact that during the final struggle, Carl needs the assistance of Chesterfield, that's his cartoon bird, to be equal with Mr. Stanley. | |
| But what people don't realize in the manga, it's clearly stated that Carl is actually a Conjurer Nen user, while Stanley is in an emitter who specializes in the type of projectile-based battle we saw here. | |
| Carl's own emitter techniques, plus the power from Chesterfield, his own creation, was able to go toe-to-toe with a master emitter in his own comfort zone. | |
| That's scary. | |
| Next time they fight, I hope Carl uses his signature ability million talents to summon his army of Chesterfields. | |
| I think once he plays to his strengths, he'll win. | |
| That is a masterful comment. | |
| And, you know, we've been talking about comedy and how some people just have the magic sprinkles. | |
| And there's people who don't. | |
| Burt Kreischer is an awesome guy. | |
| I love his comedy. | |
| He's making bank. | |
| It's one of the most popular comedians in the country. | |
| And it's just a testament to working class America and how if you bust your ass, you don't necessarily have to be magically talented. | |
| Like Burton Cummings probably has 10 million bucks in the bank just from songs, right? | |
| That's not including live shows. | |
| That's because he's incredibly talented. | |
| But there's plenty of people out there who are working their ass off who paid their bills and just aren't really good. | |
| Like what's a really successful band that doesn't really have any good songs? | |
| Or Rich Voss. | |
| Rich Voss isn't that funny, but he's a hard worker and he busted his ass and he's got a career. | |
| But what's a band like that where they don't really have any hits, but they just keep chugging along? | |
| Song workhorses. | |
| Yeah. | |
| You know, I guess Guide to By Voices are kind of like that. | |
| Cold play, they force hits. | |
| So what they'll do is they'll pick the hits. | |
| Creep. | |
| That's a hit. | |
| They got, you know, an all-yellow. | |
| Oh, no, that one. | |
| I'm thinking of radiohead. | |
| Yeah. | |
| Anyway, the percentage of people who can write songs, I'm going to go with maybe 0.1%. | |
| And the percentage of comedians who have the magic sprinkles is similar. | |
| It's almost once a generation. | |
| But I keep discovering them and I see, because I have special sprinkle eyes, which I would appreciate if you made that my nickname from now on, sprinkle eyes. | |
| Old sprinkle eyes. | |
| I have sprinkle eyes and I can look and scour the deep dark web and I can find people and I'm like, I smell sprinkles on this person. | |
| Not just hard work. | |
| Like this homo from the south, what's his name? | |
| Brian Jordan Alvarez. | |
| Brian Jordan Alvarez. | |
| I don't think he's a hard worker at all. | |
| I think he likes goofing around with his sister. | |
| He probably works at Quickie Mart. | |
| And his shit is so fucking golden. | |
| Here, just go down a bit. | |
| Not that one. | |
| Not that one. | |
| Here, click on that one. | |
| Southern restaurant manager just got to work. | |
| That light is so bright, y'all. | |
| Did anybody make the tea yet? | |
|
New Skin Refresh Options
00:01:39
|
|
| Malcolm, did you make the tea? | |
| I'm going to do paperwork in the office. | |
| Don't make me mad. | |
| Why did I take this job? | |
| My God, why did I take this doc? | |
| That's just to show you what his face looks like and what his range is. | |
| Not that one. | |
| Not that one. | |
| Look at this one he just did. | |
| This is the first one I ever saw of him. | |
| Quality. | |
| Hey guys, it's Eric. | |
| I wanted to tell everybody about some new options available at the salon today. | |
| We are doing a skin refresher. | |
| So if you are having something where your pores are showing, maybe you're kissing your boyfriend and you are showing your pores a lot, a lot of black head, we can do a deep cleanse and a deep strip that pull that, all the impurity out of your skin. | |
| And then we do a hot stone on top and give you a head massage as well. | |
| And then we put you in the tanning bed to kind of bake everything. | |
| And when you come out, you're gonna look like a new person, I swear. | |
| Come by the salon today. | |
| Darlise is doing lashes, she's doing cuts. | |
| I am doing the skin treatment. | |
| And if you don't believe me, I am a patient of the skin treatment as well. | |
| Oh, wait, you gotta see his British guy. | |
| Keep going. | |
| That is just a real guy somewhere. | |
| Wait, these are all different people. | |
| What are you doing? | |
| You left Brian Alvarez. | |
| I'm sorry. | |
| What's going on? | |
| What have you done? | |
| Let's go back. | |
| I'm getting annoyed. | |
| Okay, there we go. | |