30 October, 2015
30 October, 2015 ---------- BellGab users SredniVashtar, MV, Inglorious Bitch, and GravitySucks host this episode of the internet's favorite podcast about a message board about a radio show.
30 October, 2015 ---------- BellGab users SredniVashtar, MV, Inglorious Bitch, and GravitySucks host this episode of the internet's favorite podcast about a message board about a radio show.
| Time | Text |
|---|---|
| This is the Gabcast, a podcast about BellGab.com. | |
| Call the show now at 623-242-CAST. | |
| That's 623-242-2278. | |
| Now, shut up, sit down, and listen to the damn show. | |
| Hi, this is the Gabcast. | |
| It's a podcast about BellGab.com, as the man said. | |
| If you want to be on the show, the number to call is 623-242-CAST. | |
| It is 623-242-2278. | |
| And tonight on the show, we have Sredny Vashtar. | |
| Hey, buddy. | |
| Hello. | |
| It's me. | |
| Yes, I know. | |
| I sent you. | |
| Inglorious bitch. | |
| Hello, hello. | |
| Can you hear me now? | |
| Oh, we hear you. | |
| And gravity sucks. | |
| Howdy, y'all. | |
| Calling in from the same time zone as I. | |
| I told him I'm very troubled by that. | |
| I find it utterly uninteresting to have somebody on here from my time zone. | |
| I feel the show. | |
| I feel, well, I had, you know what? | |
| I hadn't thought about that. | |
| I had placed all the burden on you in my mind. | |
| I thought you. | |
| I thought you needed to do something, but, you know, I could move too. | |
| That is, I need to get over my narcissism and just get it done. | |
| Show me. | |
| Yeah, again, the number to call if you want to be on the show tonight, 623-242-CAST. | |
| It is 623-242-2278. | |
| Oh, you know what? | |
| The only way anyone's going to call into this show is if, oh, I don't know, maybe I sign into the account that people call into when they call. | |
| That would help. | |
| I don't know. | |
| Somewhere along the line, I kind of got this idea that you do have to sign into that particular Skype account. | |
| Oh, I want calls. | |
| At all hours. | |
| The darker it is outside when you place your call to me, the better. | |
| Just make sure I'm scantily clad. | |
| Oh. | |
| Okay, Skype is updating my experience, so forget it for now. | |
| We'll have calls at some point in the show, I'm sure. | |
| We never get calls immediately into the broadcast anyway, so that's just going to work out fine, I'm sure. | |
| So, you guys, we're on the brink of Halloween, huh? | |
| And I thought that, well, we're probably going to have a whole bunch of Halloween lore on the show tonight. | |
| But, you know, I really got the impression that Sredny Vashtar is going to slash the face of anybody who brings up Halloween. | |
| So. | |
| Yeah, no ghosts, nothing. | |
| I don't care. | |
| No pumpkins. | |
| If anyone brings an audio pumpkin to the show tonight, I will revolt. | |
| Actually, he was telling me that they don't celebrate Halloween. | |
| That there's a special sign. | |
| If you put out a pumpkin, people will know to go to your house for candy. | |
| Otherwise, nobody shows up. | |
| Yeah, I thought they got it from over there. | |
| I thought that's what you did. | |
| But no, they don't. | |
| Oh, no, everybody comes to the house. | |
| And if you don't have candy, you get TP'd. | |
| I think that the, I thought that the original premise behind the pumpkin was, and this is probably totally wrong. | |
| I thought it was they were trying to ward off spirits. | |
| Judges? | |
| Well, I heard that was the original premise behind the masks because they wanted to ward off spirits because the next day is November 1st, All Souls Day. | |
| So they were trying to scare away the bad spirits to usher in the holy day. | |
| But I grew up Catholic, so that's what we were told. | |
| So there's a good chance that maybe a lie. | |
| You know, Inglorious Bitch, you're just like my broadcast partner, Evelyn. | |
| You're packed full of this old-timey knowledge that I'm just happy to be surrounded by. | |
| You know, if Evelyn dies tomorrow, I think I know. | |
| I'm ready to fill her shoes. | |
| I think I know who to telephone. | |
| Yeah. | |
| So I did, I will say, even though I was worried about the physical ramifications with Sredney, I did queue up my EVP that I recorded several years ago. | |
| I thought that I would bring that back to the show. | |
| I can tell right now, Sredney is already cutting a small hole in his pants with a butter knife that just almost like a tick. | |
| He's so just upset that he even knows that this EVP is queued up. | |
| I mean, it's really gotten to him. | |
| Yeah, so I didn't even listen to the, I forgot to listen to the GIS as I do usually listen to them, but I haven't even got around to that last show that he did. | |
| Now, they haven't been on yet for their Halloween appearance, have they? | |
| No, the last one. | |
| Yeah, they're supposed to be on, aren't they? | |
| You did say something the other day. | |
| But that one that they were on fairly early, wasn't it? | |
| So they're going to be on Halloween night. | |
| Is that it? | |
| No, he doesn't have to. | |
| No, no, no, no. | |
| That's a Saturday show. | |
| Ah. | |
| You know what? | |
| I think he should do a Saturday show anyway. | |
| I mean, it's Halloween night. | |
| Although he does have a kid, I'm sure he probably wants to take. | |
| No! | |
| Our needs are primary. | |
| Your family does not matter. | |
| You must do a show. | |
| And by the way. | |
| What trick-or-treating can you do in the desert anyway? | |
| I mean, it's not like there's a lot of houses in close proximity. | |
| You know what? | |
| That's a very practical question to ask about the desert. | |
| And I would imagine that when Mo Green came to that desert stopover in the 1950s and created that place, I'm sure the first question out of his mouth is. | |
| How will they trick-or-treat? | |
| What kind of trick-or-treating are you going to do here? | |
| Does anybody have an answer to that question for me? | |
| I'm going to listen up like a cactus. | |
| And there's not even a statue. | |
| There's not a monument. | |
| A little godfather history there for you. | |
| So I'm a little bit disappointed in Sredney. | |
| Why? | |
| He's not as mean as you hoped he'd be? | |
| Because it says it's believed the custom of making jack-o'-lanterns at Halloween began in Ireland and Britain. | |
| Oh. | |
| Oh, really? | |
| I was aware. | |
| That's the only time you'll see a pumpkin over here. | |
| He's selecting carved things. | |
| We don't bother with. | |
| I know over there you'll get pumpkin flavored everything, won't you? | |
| For the next few weeks. | |
| Over here, no, you'll get in the supermarkets. | |
| You'll just get pumpkins only for carving. | |
| That's all. | |
| We don't actually eat them. | |
| We even have pumpkin scented toilet paper. | |
| You have to. | |
| The smell doesn't activate, though, until it's used. | |
| So you have to, you know, because it requires moisture, you use it, and then it's like, you know what? | |
| I think I smell pumpkin. | |
| I have pumpkin-flavored everything because I go to Trader Joe's. | |
| I don't know if anybody's heard of Trader Joe's. | |
| Trader Joe's. | |
| Anyway, it's a store, and they have all these like gourmet type of things. | |
| So I have like pumpkin-flavored pancakes. | |
| I have pumpkin butter, pumpkin waffles. | |
| I mean, you name the thing, and I have like a pumpkin version of it. | |
| Oh, pumpkin latte. | |
| I have the little mix. | |
| I think I used to. | |
| I think I used to deliver freight back in my former life when I was a truck driver. | |
| I think I delivered a few loads at Trader Joe's. | |
| It's one of these. | |
| Oh, God, it's heaven. | |
| Oh, please. | |
| It's one of these horrible grocery-like, if you're driving a truck, anyone out there who's thinking about getting into truck driving, I'll just tell you now. | |
| The absolute worst place you can go to deliver freight is a grocer. | |
| You get there, and then it becomes this, you've got a bunch of crap in the back of your truck that's going to take a long time to unload. | |
| And then when you get there, it becomes a big issue of who's going to pull this stuff out of the trailer. | |
| Well, I just drove here. | |
| I mean, I don't want to. | |
| No. | |
| Don't you automatically have unloaders? | |
| I didn't know. | |
| I mean, you have to get out and you'll find these people hanging out on the dock who are virtually homeless, and you have to negotiate a price with them for the purpose of getting them to unload all this crap from the back of your trailer. | |
| And Trader Joe's is one of those places I remember going and just wanting to shank myself in the neck. | |
| Horrible. | |
| Where is it? | |
| So screw you and your little Trader Joe's store that you get your pumpkin juice from or whatever it is you're buying from. | |
| Because I'm out in the burbs. | |
| So out here it isn't as bad as like I feel bad in the Bronx when there's trucks. | |
| It's impossible because basically they block the road as they're unloading and you have to like squeeze past them. | |
| So that's a nightmare. | |
| I'd hate to be the truck driver who's parking or even making my way through the streets of something, you know, the narrow streets of the Bronx or Queens or whatever. | |
| Gravity sucks. | |
| Did you even say anything when you were introdu at the top of the show? | |
| I don't even remember hearing your voice. | |
| I did say howdy y'all. | |
| I think you just exhaled through your nose like, and that was okay. | |
| Well, there, you know what? | |
| He's here. | |
| That's he's conscious. | |
| I'm saving it. | |
| I'm saving it up because I said I would burp to God save the queen. | |
| Okay? | |
| But that's later in the show. | |
| So I'm sure that a lot of people listening at this moment, at the top of their mind, oh no. | |
| Okay, that's Sredny Vashtar. | |
| We had that problem earlier where he gets this white noise that comes across, and I'll pot everybody back up. | |
| Are you guys back? | |
| I'm back. | |
| Okay, yeah, that was Sredny again. | |
| I don't know. | |
| I don't know how they deliver, because I don't think they have a cable TV system in the UK. | |
| Do they? | |
| I don't think they do. | |
| I think they get their TV through something else. | |
| And so I don't, what my point in saying that is, I don't know. | |
| Yeah, you're back. | |
| That stupid white noise thing happened again. | |
| So the internet connection that you have there, which you told us pre-show, you told us that you just switched to it. | |
| What is it? | |
| I mean, it's not like cable TV, is it? | |
| No, it's a comical talk talk. | |
| So if you just look it up, what is it, though? | |
| I mean, like, what's the method? | |
| Is it wireless? | |
| Oh, it's a router. | |
| Just. | |
| Yeah, I'm listening on a wireless, yeah, with a router by the door. | |
| So it's like it's on the telephone. | |
| So is it like a 4G or an LTE connection? | |
| Oh, for God's sake. | |
| Oh, my God. | |
| Sredney! | |
| There are technical questions here that require answering. | |
| Anyway, so we had this. | |
| I don't know. | |
| We'll just have to, as it happens during the show. | |
| Oh, my God. | |
| There it is again. | |
| That is just awful. | |
| Thankfully, I'm quick on the draw potting everybody down when that happens. | |
| I think that was your EVP. | |
| I heard something there. | |
| I did think I faintly heard the words, I will rape you in your death during that. | |
| Help me, help me. | |
| Here we go again. | |
| It's cold in here. | |
| Okay. | |
| Yeah, you're back, but who knows for how long until this happens again? | |
| This is revenge for me being mean about Vinglorious Bitches. | |
| You have been very, you have been very unruly. | |
| Yes, I was critical. | |
| And yes, I'm getting my just desserts. | |
| Some people would say it's even something of a Brit smarb. | |
| What say you? | |
| Yes, I deserve it. | |
| So it's all coming back to the earth. | |
| The trouble is, you dish it out. | |
| You've got to take it. | |
| Well, I will say that I have found Sredney to be utterly and completely pleasant to interact with. | |
| I'm charming, yes. | |
| And that accent. | |
| Oh, it's cute, isn't it? | |
| I imagine as he's talking to me, he just has a nice, clean lavender cloth wrapped around his arm, which he is keeping horizontal to the ground in front of his chest. | |
| No? | |
| Like a butler. | |
| No, not like a butler. | |
| He just is a man who has a cloth on his arm. | |
| And it has to be lavender. | |
| So, what do you guys want to talk about? | |
| Do you want to talk about what's been going on on Belgab? | |
| Do you want to talk about the back and forth? | |
| I think a lot of people want to know about the back and forth between the two of you, why you hate one another so much, where this tension comes from, and are you, have you, or will you in the future be having sex with one another in Glorious Bitch? | |
| It's kind of difficult considering I'm in New York and he's in England. | |
| But, no, I started posting here in the summertime and I noticed that somebody wrote me into some Falky fanfic. | |
| I was raped, well, roofied first, raped and married off the street. | |
| So, someone said that that happened to you. | |
| No, Sredny wrote that in. | |
| Did it happen to you? | |
| Was this before the two of you had ever even spoken to one another? | |
| No, we hadn't. | |
| We hadn't spoken to you. | |
| And he just came right out and lobbed that at you, did he? | |
| Well, I logged in, you know, and I was going to read it on Falkey, and I was like, oh my God. | |
| I was horrified, and I didn't know if I should say something or not. | |
| But then I wrote him into some Sweet K fanfic where he was her sex slave for a week. | |
| So I figured I got my revenge. | |
| And then that's kind of where it started off. | |
| And then at one point, he did send me a PM saying applause, and he complimented me on something clever that I had said. | |
| I mean, I say so many clever things. | |
| Who can remember? | |
| That is not what we wanted to hear. | |
| We wanted to hear. | |
| Well, and he sent me inappropriate pictures. | |
| Cockpicks. | |
| Oh, I deleted all the cockpits. | |
| I would have posted them on Reddit. | |
| See, the thing is, as I've read the back and forth between the two of you, Sredney just seems like, wow, what an abominable character. | |
| But then you talk to him on Skype and he's so, hello. | |
| Would you like a refill? | |
| I don't know. | |
| Are we out of cola? | |
| I can go get some cola right now if you would like cola. | |
| Spots of tea. | |
| Well, he got biscuits for the cable people, so I thought that was nice because here in America, we don't get anything from anybody. | |
| So yes, that's right. | |
| I look after people. | |
| That's right. | |
| I'm lovely. | |
| I'm lovely. | |
| I think some of that. | |
| But they didn't want to eat any of your biscuits, so. | |
| I think Brits are much better at being rude in print than they are verbally. | |
| Because verbally, they could say the same thing that they wrote. | |
| And it would be like, that is very reasonable. | |
| Well, it sounds, I was telling him, when British people say twat, when we say it, Americans, it sounds vulgar. | |
| But when British people say it, it sounds classy. | |
| Say it's Red. | |
| She's a. | |
| That lass is a bladder twat. | |
| You wouldn't say lass, would you? | |
| I wouldn't say lass. | |
| No. | |
| You know what? | |
| One of my favorite sketch comedy shows of all time is it's Little Britain, which. | |
| Oh, that's great. | |
| Well, but what I want to know is what a Brit thinks about that show, because it's my understanding that it's a very polarizing show. | |
| People will actually determine who their friends are going to be based on whether they like that show or not. | |
| Some people may be looking for you not to like that show or to like that show in order to be your friend. | |
| And so I'm kind of curious, Sredney, what do you think about that show? | |
| Do you hate me any, like percentage-wise, do you hate me any more or less than you did prior to learning that I enjoy that show? | |
| Well, I detested you thoroughly beforehand. | |
| But is it a gain or a loss? | |
| That's all I need to know. | |
| Yeah, it's slightly different. | |
| I hated that show, actually. | |
| It's just catchphrase. | |
| It's one catchphrase after the other. | |
| You know what? | |
| That is a legitimate critique. | |
| And they'll do the same thing over and over. | |
| Have you ever seen a program called a show called The Fast Show? | |
| You probably haven't. | |
| It's very similar to that. | |
| It was made in the late 90s. | |
| That's early 2000s. | |
| And again, it's just one catchphrase after another. | |
| So it appeals to kids. | |
| I'm not saying you're retarded or anything, but it does appeal to. | |
| I'm only implying it. | |
| It appeals to fucking morons and idiots. | |
| I'm not saying you're one of those, but you do like the show. | |
| So, anyways, I told understood. | |
| Thank you. | |
| There is the catchphrase thing. | |
| Computer says no. | |
| Oh, my God. | |
| That is just untenable. | |
| God. | |
| Okay, you guys are back on. | |
| If he's on Wi-Fi, I'm wondering if that's just some kind of interference because of the Wi-Fi. | |
| Back you go. | |
| But the thing is that I hang up on him, and then somehow he is like one of those old Phil Hendry characters. | |
| He fights his way off hold. | |
| He keeps coming back. | |
| Phil would be talking, and you would just suddenly hear on the phone. | |
| He'd be like, what is that? | |
| And you would hear God damn it. | |
| I can't remember. | |
| You'd hear whatever. | |
| Lloyd Bonafide, thank you. | |
| Yes. | |
| Or R.C. Collins, he was one that did that all the time, too. | |
| That show. | |
| You know what? | |
| I could just sit here and actually fill, I think, an entire broadcast just talking about Phil Hendry bits. | |
| I've never listened to him. | |
| What he would do is he would hold the phone up to his mouth and pretend that he is a guest on the air, and he would be doing voices, and he would go back and forth, potting the phone down and potting his mic back up and going back and forth between the two, having a full conversation with himself as if it's a guest. | |
| And the whole gimmick, that was the whole bit of the show. | |
| The whole thing was that it was satire to illustrate the stupidity of the average AM talk radio caller. | |
| That's really what the whole thing was about. | |
| The joke was on the random AM caller who just sits in a car and goes up and down the dial looking for talk stations to call. | |
| And they have really no idea what it is they're calling into. | |
| And what an awesome ass show. | |
| I think it would be hilarious if he called in the coast tomorrow night and acted as his art bell. | |
| I just think that that would be. | |
| Do you remember years ago, Phil Hendry did call into Coast to Coast when Richard C. Hoagland was on? | |
| It was Hoagland's birthday. | |
| And Hendry called in and pretended he was Walter Cronkite and wanted to congratulate Hoagland on some sort of bullcrap. | |
| I don't know what it was. | |
| I guess just congratulated him on his birthday. | |
| Was this before or after his death? | |
| After whose death? | |
| Didn't Cronkite die? | |
| Oh, yeah. | |
| It's obviously. | |
| Nobody died. | |
| Oh, yeah, somebody did. | |
| I'm sorry. | |
| My friend Walter, as he likes to call himself, isn't he? | |
| Hoagland. | |
| Oh, we're gone again. | |
| No, you're fine. | |
| You're fine. | |
| I'm just hammering away on the keyboard here, trying to find that Henry called a coast to coast. | |
| Coast to coast. | |
| Phil P-H-I-L. | |
| Yeah, I'll bet you that if it ever was on YouTube, it was removed by Premier Radio Networks because they are one of these big, dumb, stupid companies that believe the way forward is to find any of your content that's been posted anywhere by anybody in any medium and have it removed because you didn't post it. | |
| Right. | |
| Actually, Phil is a lot like that. | |
| Oh, he's ridiculous. | |
| That's why I really kind of stopped giving much of a crap about what was going on with Phil Hendry. | |
| Well, he left radio to go pursue some just horribly just ill-fated, ham-handed, ridiculous TV career that went absolutely nowhere. | |
| He came back to radio. | |
| He didn't spend time with his family? | |
| No, well, he ended up getting divorced, actually, is what happened. | |
| And he came back to radio with his tail between his legs, but as a fuck you to his audience, he decided that he wasn't going to do the same show that he did previously when he was working at Premiere Radio. | |
| And instead, he started, came back and did a traditional political talk show, just like the same type of talk radio that he was making fun of for all of those years. | |
| And it was really horrible. | |
| It was hard to listen to. | |
| And then he quit that and came back in podcast form, I think, and he's doing that now. | |
| And supposedly, he's doing the same classic Phil Hendry type show that everybody fell in love with. | |
| But it sounds to me like the magic. | |
| Yeah, it sounds to me like the magic is gone. | |
| Because he doesn't use callers, you see, because he said that you can only do that after people get wise to it. | |
| So he's not having callers. | |
| So he's doing it. | |
| I mean, it's amazing in a way because he's doing an hour show by himself doing four or five different characters all talking to each other. | |
| So technically, it's incredible that some people do that. | |
| But it's just not, it's not funny as he used to do. | |
| It sounds like it would be both incredibly boring and fascinating, and I can't decide if I should listen. | |
| It's certainly not boring, I mean, when he was great, when he was in the late 90s. | |
| So I should listen to vintage Phil. | |
| Yeah, I mean, it just depends what you hear. | |
| I mean, the Lloyd Bonafide stuff is hilarious, where he'll come on and say that he likes to keep a loaded gun in the house when he's got his grandson to stay because he fought in the Korean War and he likes to keep an edge, so he's got to have a loaded gun around. | |
| And that's the thing. | |
| He always mentioned that he fought for his country and Korea and all this stuff. | |
| He was in the navy. | |
| Do you remember the bit? | |
| It was during the DC sniper and everybody was freaking out. | |
| Everybody was scared to even just drive home from work in D.C. | |
| And I remember driving through DC at the time this was all at its peak. | |
| And I'm going through, I'm on an off-ramp, getting off the highway. | |
| And it's one of these clover leaf off-ramps where there's a big hump of dirt, like a hill basically at the center of every leaf of the clover. | |
| And I'm going around one of them and just right at the top of the hill at the center of this clover that I'm going around, I see a guy standing there with a gun in his hand. | |
| Holy shit! | |
| And I pick up the phone and I call the police. | |
| Oh my God, I swear to God, I just got off of exit 231 on the bypass. | |
| And I swear to God, there's a guy standing there with a gun. | |
| You've got, I can't believe what. | |
| And, oh, what's going on here? | |
| I think people are trying to call him, but they're calling the wrong. | |
| They're calling the wrong Skype account. | |
| I never signed into the account so that people can call in. | |
| That's the problem. | |
| I'll get around to it, I promise you. | |
| But anyway, I call the police and I'm like, hey, there is a guy with a gun on the side of the road. | |
| We're in the midst of this insane, crazy panic. | |
| And the police were just like, they reacted as though they couldn't believe I would waste their time with this stupid call. | |
| And they responded with, well, we're going to put you on hold for a minute. | |
| So I'm on hold and I'm hearing, it's just for about five minutes. | |
| And then he comes back. | |
| Yup. | |
| That's just one of our officers looking for the shooter. | |
| Holy shit. | |
| You've got to be kidding me. | |
| So what you mean to tell me is when everyone is already freaked out about driving home through DC because of this sniper, they're already scared shitless. | |
| You've got random guys that are not even uniformed on off-ramps with guns walking around? | |
| Really, that's what you think is going to inspire confidence in the motoring public. | |
| Thank you. | |
| That didn't quite work out as you had anticipated, did it? | |
| But anyway, while this whole thing was going down, in the news, there was a story that they suspected that these bullets were being fired from a van and that the occupants of the van had at some point painted it to change the color and disguise it. | |
| So, boy, that took me a long time to get to this, didn't it? | |
| So, Phil Hendry had this bit where Lloyd bona fide, the no, it was Jay Santos, the head of the Citizens Auxiliary Police, which is just like it's just sort of like a paramilitary organization of civilians that feel like they're cops and they go around bossing people around and just getting in people's grills. | |
| And he said that what they're doing, what the Citizens Auxiliary Police is doing, is they're going up and down the highway as people are stopped in rush hour traffic. | |
| And if they see a van stopped in the rush hour traffic, what they do is they pull out a, I think it was, he said it was a bandsaw or like a belt sander or something, and they sand a little bit off of a belt saw. | |
| I'm sorry, I have been drinking, ladies and gentlemen. | |
| And they just sand a little bit of the paint off of the van to see if you changed your vehicle's color at any point recently. | |
| And if you haven't, have a good day, sir, move on. | |
| And Lloyd Bonafide calls in to argue with him. | |
| That is probably, man, that is one of the classic Phil Hendry bits. | |
| That show, nothing funnier on the radio. | |
| Yeah, I remember that. | |
| All that stuff. | |
| One of the callers came, he was a retired army guy, and he was absolutely mad at Jay for this. | |
| And he got, so Phil got Lloyd to call in to support him. | |
| And so, you know, so he was arguing with himself, you know, as he does. | |
| And so he's going, you know where we used to treat folks like you in the army. | |
| You know what we used to do with guys like you? | |
| Yeah. | |
| We bend them over. | |
| Put a blonde wig on them. | |
| One after the other. | |
| Isn't that fun, Mike? | |
| He was like, we'd bend them over and have a go at it. | |
| Isn't that right? | |
| And the marine guy is on the phone, like, oh, I don't know about that. | |
| Come on, buddy. | |
| You know how it was. | |
| It's like coming through the phone. | |
| Sometimes you'll go, wasn't that good? | |
| I came to the phone. | |
| It's just completely non-plussism. | |
| They just don't know. | |
| What on earth is he going on about going through the phone? | |
| Because you'll just go, like this. | |
| That's the kind of soldier I have. | |
| Phil would just be talking in the middle of him speaking. | |
| You'd hear, and it was somebody fighting their way off hold to get back onto the show. | |
| Oh. | |
| How come every time Sredney starts talking, I feel I'm supposed to be sitting up straight? | |
| Well, it's because when the butler does walk in, you don't want to look too relaxed because you feel a little bit guilty. | |
| You know, this guy's working and you're just sitting there hanging out on your fat ass. | |
| Yes, I can't hear myself, so God knows what sort of impression I'm making. | |
| I shudder to think. | |
| I'm certainly not going to read the comments. | |
| I do not know I was going to come here tonight and be compared to a butler. | |
| Or an Australian. | |
| You keep doing an Australian accent. | |
| When I try to do an Australian accent, I absolutely can't. | |
| Hello. | |
| Let's go out. | |
| Hello, Governor. | |
| Let's go into the airbic. | |
| I think the sort of the cockney, the kind of East End Cockney accent gets confused for Australians, but I'm saying that. | |
| Actually, Australians sound cockney to me. | |
| Really? | |
| Yeah, it's a very annoying. | |
| No offense to Jasmine, the Australian accents to me are very irritating. | |
| Not all of them. | |
| There are some pleasing ones, but a lot of them sound kind of like East End in London. | |
| To me, anyway. | |
| Well, they're common, you know, they're descended from Christmas. | |
| Okay, well, that's now that sounds like a horrible thing to say, but I think there's legitimacy there. | |
| I mean, isn't the Cockney accent sort of akin to our it's analogous to our southern accent, right? | |
| Um I don't know. | |
| In terms of the classes of people and what you envision about someone or of someone when you hear their accent. | |
| Well, you can hear someone, I mean, you can hear southern accents and then there's different. | |
| I don't think when you hear a Cockney accent, you tend to think, well, they're not very educated. | |
| But you can hear, you could, you could hear someone like, I mean, Bill Clinton or whatever with a sort of a southern-esque accent. | |
| I mean, you don't think he sounds like a moron, do you? | |
| To me, the Cockney accent is kind of like our New Jersey accent, like kind of like blue collar, you know. | |
| What's the worst that could happen? | |
| Yeah. | |
| What you gonna do on all this stuff? | |
| Yeah. | |
| That would be hilarious if the rule were just absolute and anyone who has even a hint of a southern accent, they just sound so dumb. | |
| Like people all over the world are thinking Bill Clinton sounds like a moron. | |
| It's a very sexy MV to me. | |
| Southern accents, Texan accents, especially Arkansas accents are very sexy. | |
| They sound very masculine. | |
| There are certain old-timey southern accents that I find pleasurable to listen to, but those are like the old-timey South Carolina. | |
| Now we got a shifarobe needs busting up over here. | |
| We're going to bust up the shifarobe. | |
| You know, when I hear that, that's like a classic old-timey plantation southern type accent. | |
| That's kind of pleasurable to listen to, but yes, I only want to hear slave owner accent. | |
| I only want slave-owning accent, please. | |
| If you're from the South, if you're not from an ancestry of people who owned dark-skinned human beings, I really don't want to hear you speak. | |
| That's what I'm telling the listening audience tonight. | |
| So you don't want Bubba? | |
| There had to be some plantation owner named Bubba. | |
| There had to be. | |
| I mean, come on. | |
| Think about it. | |
| So I. Back your MV, back your EVP. | |
| Yes. | |
| Oh. | |
| Yeah, I queued up my EVP tonight. | |
| All right, if we must. | |
| We must, and we will, and we shall. | |
| And you'll enjoy it. | |
| Yeah, let's get it over with. | |
| Okay. | |
| So this was probably 2004, and this was the very first time I went on an EVP hunt. | |
| Hunt. | |
| It makes it sound so dangerous and treacherous. | |
| We won an EVP hunt. | |
| The last three of my friends who went on these hunts have had broken ankles. | |
| I just want you to know there was a level of danger associated with what I did. | |
| I went on a hunt. | |
| It sounds like there was a level of liquor. | |
| I know. | |
| Whenever I listen to the GIS people, I think, well, where is it? | |
| They live in Utah, don't they? | |
| Yes. | |
| I mean, just how little is there to do in Utah? | |
| They spend their evenings walking around graveyards with recorders and then going and listening to them afterwards. | |
| I mean, that must take hours to do to try and spot something. | |
| You have to not only be there investing the time on site, but then you have the time invested going back and reviewing all the evidence, all the media, let's say. | |
| There may be no evidence, but you have to listen to every second of audio, watch every second of video, and this is multiple times through. | |
| I mean, you could have had two different tape recorders that you were responsible for. | |
| I make it sound so responsible for. | |
| You were responsible for those tape recorders tonight. | |
| How much of that do you think is faked? | |
| All of it. | |
| I don't think. | |
| I swear to God, I don't think you have to fake it. | |
| The only time I've gotten the specific and explicit impression that I was hearing faked bullshit where EVP is concerned is with the Jimmy Chunga appearance on Dark Matter. | |
| That was the only time. | |
| What about that guest that Art had? | |
| Not the GIS people, but the guy before that. | |
| Where all his stuff sounded just too clear. | |
| Right, that stuff, it seemed to me that it was like on demand, and it was right when he asked the question. | |
| And to me, I don't think that that would happen. | |
| Yeah, some of them, if it's a little too perfect, that's a problem. | |
| But I very rarely hear EVP that I think, man, that is just fake. | |
| I do hear a lot of stuff that I think, what's the Abraham Lincoln cloud effect? | |
| I can never remember this word. | |
| There's an actual word. | |
| Pareidolia. | |
| Yeah, thank you. | |
| Pareidolia. | |
| That's how it's pronounced? | |
| I think so, roughly. | |
| Pareidolia. | |
| There's a P. Man, there's a P and there's a D. | |
| And then there's an A, I believe. | |
| I just got a couple syllables. | |
| So you see shapes and patterns in random objects and things, don't you? | |
| That's the idea. | |
| Right. | |
| And so I do believe there are certainly instances where you hear the EVPs that people present, and that's exactly what's going on. | |
| They have just made sense out of gibberish, out of randomness. | |
| I can never hear anything until I'm told what I just heard, and then I hear it. | |
| That's the fatal flaw I always thought of the GIS. | |
| I think they're the most legit, at least until the Jimmy Chunga thing came along. | |
| I thought they were always the most legit. | |
| And I think they were. | |
| I think they just lost their way at some point. | |
| Something happened, the politics of which we were never filled in on. | |
| But I always felt like as that whole thing goes, they were probably among the most legitimate people out there doing that. | |
| And I'm not that familiar with Chunga. | |
| What was the whole drama with him? | |
| He showed up when the GIS appeared on Art's Dark Matter show at Sirius XM. | |
| He showed up on the show with Brendan Cook instead of Barbara, who normally shows up on there with the bus. | |
| Well, we never knew what happened. | |
| She just simply didn't show up and they made up some crap about her being sick or something. | |
| I don't remember what the reasoning was that they gave as to why she wasn't there. | |
| The men's folk needed to talk. | |
| She was out making coffee somewhere. | |
| Who knows whether. | |
| But they brought in this Jimmy Chunga guy and they tried to present him as though he had been a member of the group for like forever, even though we had been hearing these people on Art's show since the late 90s and never had they said that there was some guy named Jimmy in their group ever. | |
| Not once. | |
| I mean, they had always been a core of the same four or five people consistently. | |
| And then suddenly the GIS appear on Dark Matter. | |
| This Jimmy Chunga character is there. | |
| And oh, hey, coincidentally enough, half of the EVPs sound fake now. | |
| I mean, it was just, it really was a disappointment. | |
| I wish that they would have more specifically and directly addressed that when they were on Art's show, because I hate that type of shit. | |
| I mean, that was the big, fat, stupid elephant in the room that I was thinking about during that entire show when they came back on with Art here for Dark Matter. | |
| The whole show, that's all. | |
| When are we going to talk about what happened two years ago? | |
| When are we going to talk about what happened two years ago? | |
| Because you're on, and you're asking for credibility. | |
| You're asking for people to suspend disbelief and have an open mind with regard to what it is that you're presenting. | |
| So it just seems to me there were questions that needed to be answered about this Jimmy Chunga character, what his role was, where he came from, why they put him on the show, why they tried to sell him. | |
| Yeah, and then he disappears. | |
| They didn't even acknowledge that. | |
| So that was annoying to me. | |
| He did on the forum, didn't he? | |
| He did say when they were going to come back. | |
| He just said, check on No Chunga, didn't he? | |
| You know, he knew that people didn't like him, so he wasn't going to come back. | |
| But they never mentioned any more about that. | |
| Yeah, see, that's, I don't know. | |
| I'm into complete honesty. | |
| Did he add anything to the EVPs, or you feel that he was faking them? | |
| Because if he was stuck, so all right, because I was going to say, all right, so he's a new guy, but if he had something positive to add, then you would want that. | |
| No, no. | |
| Have y'all heard David Oates with the reverse speech? | |
| No. | |
| I mean, I've heard of him, but I've never listened to his show. | |
| The whole thing just sounds ridiculous to me. | |
| I was just wondering if they ever tried the reverse speech on EVPs. | |
| Oh. | |
| Or have they found EVPs in reverse speech? | |
| There you go. | |
| That's what I want to start looking into. | |
| Do a little research. | |
| Well, I don't think we're going to be hit David Oates on the new show, are we? | |
| Anytime soon. | |
| I don't think he's. | |
| I think he's on the Persona non-graph list, isn't he? | |
| After all, that business. | |
| Are you talking about the Leo Ashcrunt? | |
| No, the David Oates. | |
| David Oates. | |
| Yeah, no. | |
| Yeah. | |
| Oh, no. | |
| He'll never be on with Art. | |
| They went through a lawsuit against one another. | |
| Yeah. | |
| That's right, Nori got, he was on the coast, wasn't he? | |
| When Dark Masses started. | |
| Yeah, coincidentally, right before Dark Matter starts, a man that had been banned by Art for 10 years, had not appeared on the show, suddenly appeared. | |
| And Norrie was like, oh, yeah, was there some sort of drama between him and Art? | |
| I had no idea. | |
| Nori said that he had already been back on the show before. | |
| No, he hadn't. | |
| I think he was. | |
| I don't think he was correct about that. | |
| I think he either doesn't know what he's talking about or he's lying. | |
| Or he's a liar. | |
| Well, I believe everything Nori says. | |
| I don't know about the rest of you, but I'm on board. | |
| Hi, you're on the air. | |
| Hello. | |
| Hey, how's it going? | |
| It's Chefist. | |
| Hey, bud. | |
| Hey, man. | |
| Everywhere I go on the internet, the TV, no matter where, there's the fucking Benedict Cumberbatch. | |
| And now he's in the goddamn Gabcast. | |
| Oh! | |
| Would you like me to do a bit of Hamlet for you, sir? | |
| Yeah, please. | |
| Thank you. | |
| And then scold everyone for not having the government donate enough money for the refugees. | |
| Yes, fuck the politicians, is what he said, wasn't it the other day? | |
| He's making speeches after every performance to support the Syrian refugees. | |
| Yes, that's right. | |
| No, I'm not Benedict Cumberbatch. | |
| And Chefist, you kind of let the show down tonight. | |
| You did not prepare a rundown for us to discuss. | |
| He did, but he didn't send it to the women folk, only to the men. | |
| I never received anything. | |
| It looks like sexism is lying. | |
| I sent it to you earlier this week. | |
| Did you? | |
| It was on Monday. | |
| You sent it to Gravity. | |
| I'm sure. | |
| Because I'm lost here. | |
| No, Gravity got an outline, and then Sredny got one. | |
| And Sredny was like, oh, so what do you think of the outline? | |
| And I'm like, what outline? | |
| So he sent it to me, and I'm like, hmm, funny. | |
| I'm the only woman, and I didn't get an outline. | |
| I guess I should be making coffee while the men are speaking. | |
| Well, you know what? | |
| I did mention the other day that I'm having a couple pounds of sand removed from my vest. | |
| From your vagina. | |
| So maybe that could be people taking me seriously. | |
| Well, according to the outline, we're supposed to be talking about as the mail turns. | |
| Oh, my pleasure. | |
| That would be great. | |
| Well, I see I'm getting old here. | |
| Sheffis, you're really into the Falke thing, aren't you? | |
| I mean, you're really, I can tell the enthusiasm with which you write about it as you're preparing the show notes. | |
| It's really something. | |
| I mean, your enthusiasm, I can smell it on the paper as I'm looking at it. | |
| I smell enthusiasm there. | |
| Well, I think there's definitely a human interest story to me, first of all, on many levels. | |
| One is why are people interested in Falki and his life at all to even have a thread that long? | |
| And that's number one. | |
| And number two, why do people keep trying to, I don't know, somehow give him self-corrective advice and criticism that will help him? | |
| And then, of course, just shot in Freuda. | |
| But I think the last question. | |
| I'm sorry. | |
| Let me let you finish and I'll talk. | |
| No, I think the bigger question is, what happened in the back seat of the Ford Penno all those years ago? | |
| Do you really want to know? | |
| I'm not familiar with the story, please. | |
| Oh, allegedly, Falkey wrote in one of his many posts from Redbook or for some other place that it was very difficult to have sex in the back of a pinto. | |
| So it's like, well, that's a visual nobody needed. | |
| If it's even true, I don't think it was. | |
| But the whole thing with Falkey is I came here to this site to post about art and Nori and my Nori hate, but I got sucked into the Falkey thread. | |
| At first, you know, you have a big heart and you're like, oh, this poor guy, what a sad sack. | |
| You want to help him? | |
| You went through a phase like that. | |
| Yeah, yeah, in the beginning. | |
| And then it was just like, oh, what the fuck. | |
| And then, but it just turns into like satire. | |
| It's pure satire. | |
| We are the mad magazine of Bellgab. | |
| But some people don't get it. | |
| I think they go onto the Falkey thread and think, oh, these horrible people, they're all ganging up on Falke. | |
| But everybody is a character on there. | |
| And A.K. Willie has his poop box and everybody's got like their thing. | |
| Somebody giggling. | |
| But in Glorious and Shredney, have you exchanged private messages with Falke? | |
| No. | |
| No, no, no, no, no. | |
| I didn't want to. | |
| Yeah. | |
| I said different levels. | |
| I sent him one once just to see if I was blocked by him because he always refuses to answer my questions. | |
| And I got back about a four-page diatribe about the convention he just went to. | |
| So don't send him a PM. | |
| Did he quote somebody else he was going to PM? | |
| I don't know. | |
| That's gravity sucks talking, by the way. | |
| I just wanted to clarify that because you haven't spoken in a while. | |
| People may not know who it is that's speaking. | |
| Well, I'm still kind of in awe of Shredney. | |
| I'm sitting up as straight as I can. | |
| I thought you were going to say you were in awe of the fact that you're on the gab cast. | |
| I sort of perked up a little bit. | |
| There was a moment of pride that began to swell within me. | |
| And then it's the same time zone as MV, so I am very proud of that. | |
| So anyway, years ago, I go on this ghost hunt in a cemetery where my great, great-grandparents are buried. | |
| And I'm standing over the grave of my great-great-grandparents. | |
| And I wasn't saying anything. | |
| I was just, and by the way, I was, this audio that I'm going to play. | |
| Oh, I have frog in my throat. | |
| Okay. | |
| This audio that I'm going to play was recorded on a Sony. | |
| You remember those digital eight camcorders from like 10 years ago, 12 years ago? | |
| They were digital, but they took tape and they had a motor inside them that had to turn the tape. | |
| And so you can hear the motor noise from this stupid camera as I'm recording. | |
| But I liked using it just because it was digital. | |
| So I thought, well, there's no tape hiss. | |
| That's a nice thing. | |
| But in place of tape hiss, you got this stupid motor noise that I never really gave a lot of consideration to. | |
| But that's how far audio recording has come because now you can just take any run-of-the-mill cell phone and go out and do this and get far better audio than I was able to get with this. | |
| But I'm standing over the grave and my sister and a friend of mine were about 150 feet, maybe 200 feet, I don't know, ballpark to my left. | |
| And I'm standing over this grave and I decide, okay, I'm going to go ahead and head back over to my sister and my friend. | |
| And I turn to the left to start walking. | |
| And as soon as I take my first step, you'll hear, as you listen to the audio, you'll hear the actual grass being ruffled as I take that very first step. | |
| You'll hear a voice come in and say something. | |
| And as is the case with the GIS and how they handle this, you will hear the EVP repeated for you three times. | |
| I'm going to go ahead and pot down the co-hosts just so we get rid of all that noise as I play this. | |
| Okay, could you guys understand what that said? | |
| Phone home. | |
| Right. | |
| Go home, fucker. | |
| Well, listen again. | |
| You said go home? | |
| Yeah. | |
| I heard phone home. | |
| Oh. | |
| Well, you were all okay. | |
| Well, I will say phone home is way off, but listen again. | |
| Okay, what do you think? | |
| I don't hear anything, really. | |
| Oh, you blimey son of a bitch. | |
| You stay. | |
| You press the mute button over there. | |
| What? | |
| All right, play it back. | |
| It still sounds like go home. | |
| Okay, I interpreted it to be going home. | |
| Like, it's asking me the question, going home as I take that first step to walk away from the headstone. | |
| listen one more time i think that's like and the fact that you said go home without i didn't tell you what it said I have played this on the show before, but it was a long time ago, and I doubt you heard it, right? | |
| The fact that you even picked up a voice saying anything is really creepy. | |
| And I believe you. | |
| I trust you. | |
| I don't know that I trust the GIS people, but I trust you. | |
| I don't think you would make this. | |
| That was a big mistake on your part. | |
| Oh. | |
| Redney, are you serious? | |
| You don't hear anything there? | |
| Well, now you say something. | |
| No, I can hear it. | |
| I can hear something. | |
| But when I, to begin with, I couldn't hear. | |
| I could hear a noise, but I couldn't hear any actual words, any, well, they say, more themes, any actual words. | |
| So, no, I couldn't understand anything. | |
| But could you, can you assign some level of credibility to it since Inglorious Bitch was able to come up with go home without me presenting it as such? | |
| No, I don't buy it. | |
| Oh, you son of a bitch. | |
| Gravity sucks. | |
| What do you think? | |
| Well, I told you, I thought it said phone home. | |
| Okay, but you heard home and you picked up on the long O of going. | |
| Right. | |
| So. | |
| You see, she believes anything. | |
| She believes sidekicks and things, so I don't think. | |
| And David Ike. | |
| And David Icke. | |
| So, you know, she's. | |
| I draw the line somewhere way above David Ike. | |
| Alex Jones? | |
| That's the line above. | |
| Is above good or bad? | |
| I don't know. | |
| Do you want to go down or up? | |
| I'm thinking, I'm way above Alex Jones. | |
| So that was the first time I went EVP hunting, and I got that. | |
| And I also, on that same evening, got another one as I was walking past a grave. | |
| It was an 18-year-old who was a service member. | |
| I don't know if he died in Vietnam or whatever, but he died during that era. | |
| But I think if you die, if you die in a foreign military excursion, don't they just automatically bury you in Arlington? | |
| If your family wants you to be there. | |
| Okay, so that's not mandatory. | |
| They won't. | |
| Well, why would it be mandatory? | |
| That's stupid. | |
| No, we're going to punish you for eternity. | |
| We're going to make you be buried on the East Coast. | |
| We said he's going in Arlington. | |
| He's going in Arlington. | |
| Okay. | |
| Okay, that would be stupid. | |
| So maybe he died in Vietnam. | |
| I don't know. | |
| It was in that era. | |
| He was about 18 years old, and I was standing over the grave commenting on this. | |
| And it was just, it was noteworthy because of his age, primarily, and because of the military indicators that were etched into the stone. | |
| And I'm sitting there talking about it. | |
| And as you listen to. | |
| Ugh, there's that there's that stupid white noise again. | |
| I'm gonna have to make tabs down here on the taskbar. | |
| I don't know what's going on. | |
| Okay, you guys are back. | |
| I hope so. | |
| I didn't hear anything in that one. | |
| I think Sredney's back as well. | |
| At least you made it for a long stretch without it happening this time. | |
| That was a pretty good, what, 45-minute clip? | |
| I think I've got a very low upload rate. | |
| I think that's probably what's the problem. | |
| I don't think it's all that good, so that's probably causing a problem. | |
| Yeah, I mean, and you guys have the best electrical outlets in the world there in the UK. | |
| I can't believe this is happening. | |
| You really do. | |
| I mean, you have amazing electrical outlets. | |
| They're so safe. | |
| And they're so brilliantly engineered. | |
| The common electrical plug in the UK. | |
| There are videos on YouTube you can watch about the common electrical plug-in design that you'll find in the UK and just how ingenious it is and how much safer it is and how much less likely your kids are to have the piss shocked out of them. | |
| It's much better. | |
| But anyway, I thought you were joking, actually. | |
| No. | |
| Oh, no, because you have a two-pin one, don't you? | |
| And we have three pins. | |
| We have three pins, but that's not inherently what makes it safer. | |
| Oh, I see. | |
| Yeah, there is some technology in place where if you, for instance, put, let's say you grab a paper clip and you put it into the positive terminal of the outlet on the wall, I think that's how it works. | |
| There's some reason why it won't shock you. | |
| It's basically impossible. | |
| It's my understanding, it's impossible for a kid to get shocked just sticking something into an electrical outlet in your country. | |
| Aren't you happy to live where you live? | |
| I can't believe you don't know this about your own country. | |
| I'm pretty sure I've got a shock off a plug. | |
| I think I have a lot of people. | |
| I would like you to test this right now. | |
| Is there an outlet nearby? | |
| Lick your finger first and then stick it in the outlet. | |
| Yes, that's all you missed me. | |
| You've missed your life's girl. | |
| If the static comes as he's doing that, I will be legitimately worried. | |
| I'll be like, well, was that the same staticky thing we had before? | |
| Or is this limey in trouble over there? | |
| How do you dial a foreign ambulance to come pick someone up? | |
| I know it's 999. | |
| Do I have to dial like plus 003 and then 91? | |
| No, that's not going to work. | |
| What do you do? | |
| Did anybody ever see that episode of the It Crowd where they changed 999 to something else? | |
| It was like 20 digits and they couldn't get it right. | |
| You wouldn't have heard of the it crowd, I suppose. | |
| Nobody else would have. | |
| Oh, yeah, I'm into all these Britcoms. | |
| Never mind. | |
| Britcoms. | |
| Is that what they're called? | |
| Is that what the British people call them too? | |
| I'm going to sit down and watch me Britcoms. | |
| It's time for Britcoms and T. | |
| We had our version of the office and then you went and did your other one, didn't you? | |
| It's definitely an inferior product. | |
| I think the consensus is our office is definitely inferior, right? | |
| I like both the one with Ricky Gervais in it, but I liked ours because I could relate to it more. | |
| Whereas the one with Ricky, yeah, I would stare at the TV in horror because I couldn't believe what I was seeing. | |
| Kind of like the first time I saw Beavis and Butthead until I kind of got acclimated and then I really liked it. | |
| But I did like ours better. | |
| The Brit one's the best. | |
| So anyway, I'm standing over the grave of this Vietnam-era kid, basically, who died. | |
| And as you're listening to the audio, you just hear, hi. | |
| That's it. | |
| Just short, simple. | |
| There's no ambiguity. | |
| There's no, was that a car horn, though? | |
| Because back that up. | |
| I want to hear that. | |
| Was that a car horn? | |
| There's none of that. | |
| I mean, it was just so clear and unambiguous. | |
| Just hi. | |
| It's one syllable, one sound. | |
| You don't have to have a committee sit down and decipher what it was saying, and I lost that one. | |
| I'm such a douche nozzle. | |
| I don't know why I didn't hold on to that. | |
| That was one of the best ones ever. | |
| I was excited to hear that, and now you're letting us down. | |
| Actually, yes, I just let the entire listener. | |
| I did not realize I was building everyone up only to let them down. | |
| I thought I was just retelling. | |
| I thought I was just telling a story. | |
| Sredney, go ahead and cue the static. | |
| Hi, Star Mountain. | |
| Hello. | |
| I'm sorry to have kept you on hold for so long. | |
| I'm slightly inebriated. | |
| You'll have to accept apologies. | |
| Okay. | |
| I certainly do. | |
| You guys sound great. | |
| Hey, Gravity. | |
| Hi, Star. | |
| Hi. | |
| Well, that was an unenthusiastic hello, but okay. | |
| Glad we all like each other here. | |
| That's great. | |
| Wait, I'm saying hi to everyone. | |
| No, he was like, oh, this filthy whore. | |
| Hi, hello. | |
| She's a shit. | |
| She's got a cat avatar. | |
| How many people? | |
| How many people do I have to say hi to tonight? | |
| Jesus shit. | |
| As many as call in. | |
| Just like he's got a weird thing where he really hates to say hi to people. | |
| He'll have a full-blown conversation with you. | |
| Just don't make him say hi. | |
| He does not like that. | |
| Okay, how about hello? | |
| How? | |
| And hello, Shred. | |
| And hi, Idi. | |
| Hi. | |
| And another cat is trying to adopt me. | |
| Aw. | |
| No, no. | |
| How many cats do you have? | |
| Just one right now. | |
| That's enough. | |
| Stop right there. | |
| Any other cats that come on your property, shoot on site. | |
| I'm telling you now. | |
| Don't. | |
| How many recipes do you have for cats? | |
| Oh, I'll slap you. | |
| I'll come way across the country and I'll just slap you. | |
| I will cut you. | |
| There's a Phil Henry reference for you. | |
| This is the woman that's been out all afternoon shooting squirrels. | |
| And we're about to go. | |
| Are you kidding me? | |
| So, okay. | |
| So you have no qualms with going out and shooting a squirrel who's self-sustaining, lives in the trees, consumes acorns that you could give a shit about anyway. | |
| He's basically cleaning your yard for you, and he's really, really cute in the process. | |
| You got no problem shooting him down, but a cat that just suckles off of your teeth, poops in a box, and brings nothing to the table, that's where you draw the line. | |
| Slice to the table. | |
| What are you talking about? | |
| And she gets all the nori rats. | |
| Oh. | |
| All the what rats? | |
| The nori shadow rodents? | |
| Yeah. | |
| Oh, okay. | |
| Is that what a shadow rodent is? | |
| I found out prior to the show tonight that there's all kinds of bellgab lore that I'm not even aware of or plugged into. | |
| So see where you are. | |
| I like it. | |
| I want to give the listening audience an example. | |
| I was looking at some of the show notes that I got from Gravity Sucks tonight, and I'm going to have to pull it up right here. | |
| Well, okay, here we go. | |
| I hear it. | |
| Here's something he says. | |
| Barfly seems to be hitting on Briggs since he can't get satisfaction from Sandra. | |
| Who is Barfly? | |
| Who is Sandra? | |
| Where on what thread can I read this information? | |
| And once I do, will I feel pleased that I sought it out? | |
| The brash thread. | |
| Barfly is actually in the chat room, and he lives in the keys. | |
| He lives in the Florida Keys. | |
| Oh, boy. | |
| I asked him if he's ever seen Robert the Doll, and he said he has, that he can get in that museum anytime he wants for free because he's a resident. | |
| So I'm asking him to call in and tell us. | |
| Robert Duvall, he lives in the Keys. | |
| Robert the Doll, the Home Teeth Doll. | |
| I thought Robert Duvall lived in North Carolina and he was all pissed off about Robert the Doll. | |
| He's all pissed off about those windmills. | |
| She totally, she totally, Inglorious bitch totally could replace Evelyn. | |
| She laughs at my banter. | |
| She brings old-timey old lady wisdom to the show. | |
| Oh, my goodness. | |
| It would be wonderful. | |
| Evelyn, if you die tomorrow, I just want you to know you will not be. | |
| Holy kidding. | |
| Anyway, I was trying to tell you I've got something worked out with Zebo. | |
| I don't get Zebo's friends. | |
| What do you mean you don't get you don't understand them? | |
| You can't relate to them? | |
| No, it doesn't shoot them. | |
| I don't shoot Zebo's friends, just the one he puts on. | |
| Oh, because Zeebo has a squirrel. | |
| See, that's a side buddy. | |
| Zeebo has a squirrel avatar. | |
| Okay. | |
| Oh, my God. | |
| I can't believe I started this website. | |
| You are all a bunch of deplorable Cretans. | |
| I don't even want to be a part of this little clique you've started for yourself. | |
| Well, see how you are. | |
| But I will get the ones he puts a hit on. | |
| So that's an example of the notes that I'm looking at. | |
| And this is what makes me feel very self-conscious and very vulnerable. | |
| I feel like I'm treading into unknown territory. | |
| Enoch 2600 has the coolest morphing avatar on the forum. | |
| is a subject for discussion on the show tonight uh chefist if you're is chef is the one who typed up these notes No, these are actually my avatars. | |
| These are all. | |
| Okay, so okay. | |
| I thought that I was sort of joking when I said that I don't think I got any notes prior to the show. | |
| But in reality, I actually did not then. | |
| So this is all I got. | |
| These are your random mental meanderings. | |
| Gravity sucks. | |
| These are not show notes. | |
| Here's another one. | |
| I found the Inglorious Bitch's porn stash, but we probably want to leave that. | |
| I can't even see the rest of it because I didn't print it prior. | |
| I printed in a landscape rather than portrait. | |
| I didn't know that. | |
| I didn't know the video movie than the Inglorious Bitches. | |
| Who knew? | |
| I read up on Russia announcing that they want to go to the moon. | |
| That actually does sound rather interesting. | |
| Are the Russians going to the moon? | |
| So the Russians want to go ahead and send humans to the moon by 2030. | |
| So this is the Russian government is in on the moon landing hoax, then is what this means, right? | |
| I think they want to go steal our car. | |
| They want to steal that reflective brick that we've got up there that we shoot our laser beams at. | |
| Oh, the Lunar Rover. | |
| We left the Lunar Rover up there. | |
| My great-great-uncle helped design that damn thing. | |
| Really? | |
| I didn't get a penny. | |
| Impressive. | |
| I probably worked for him. | |
| I've used that line in many a bar. | |
| Does it work? | |
| I am not getting laid as a result of that. | |
| Did they leave the rover up on blocks? | |
| Listen, listen, honey. | |
| My great-great-uncle. | |
| You know that moon rover? | |
| Yeah. | |
| Well, you're looking at his descendant. | |
| I actually use the word descendant. | |
| It's so sexy, you know. | |
| You're looking at one of his descendants. | |
| I speak like I'm an anthropology professor. | |
| I'm one of his descendants. | |
| And the, I don't know if you heard this, but Ian Punnett used to say that his grandfather or somebody in his family invented the Punnett Square. | |
| In biology, if you know what a Punnett Square is. | |
| I have no clue what a Punnett is. | |
| In genetics and biology. | |
| So that was Ian's pickup line. | |
| Well, I could imagine that getting the ladies nicely greased. | |
| Hot and fine. | |
| At least where I come from, you know. | |
| You'd have to reach for a sponge. | |
| Let's just say that. | |
| Okay, so let's go into this. | |
| Let's talk a little bit about this. | |
| I don't mind talking about the serious issues of the day. | |
| The Russians want to go to the moon. | |
| So that is an assertion on the part of the Russian government that the U.S., in fact, did not fake the lunar landings. | |
| Oh, that was some kind of a politician that went ahead and he was being snarky. | |
| A Russian politician? | |
| It was a Russian politician. | |
| He was being snorkey and said, oh yeah, why did you erase the Apollo films if you really weren't? | |
| Show us the evidence. | |
| Show us the evidence. | |
| But I think that got blown up much bigger than what it was. | |
| But the Russians did announce that they want to go to the moon, try to go ahead and set foot on the moon by 2030, and they want to get the Europeans involved. | |
| I really think we ought to be going back to the moon. | |
| Back in 2001, they started the Constellation program, and we were supposed to go back to the moon. | |
| Hold on, hold on just a moment. | |
| There's somebody breathing, and you sound like Arthur Digby Sellers from the Big Lebowski. | |
| Bulk of the series, dude. | |
| Bulk of the series. | |
| And a good day to you, sir. | |
| I don't know who it is, but you sound like you're in an iron lung, whoever you are. | |
| Someone. | |
| I don't know who that is. | |
| It's not me. | |
| I'm fucking. | |
| I think it was Ibby. | |
| Brits don't breathe. | |
| It's not me. | |
| I think it was Ibby. | |
| She heard that Texas accent. | |
| Oh, that was it. | |
| They start with the heavy breathing. | |
| So when do the Russians plan on going to the moon? | |
| How long is this going to take? | |
| I hate these stupid announcements because it's always like, we will do this in 30 years. | |
| It only takes three days, but they don't want to do it until 2030. | |
| Yeah, see, and what will happen is that there will be like four changes of executive power in the government between now and when that actually occurs. | |
| And legislative agendas and budgets will change and nothing will happen. | |
| You have to do this stuff within like five years. | |
| That's why the Kennedy plan, we will send a man to the moon by the end of this Dakai. | |
| That's what you have to do. | |
| Because it's hard. | |
| You have to do that while the same executive is in place, while the bulk of the same legislators are in place, and you have to get it done. | |
| Otherwise, 15, 20 years from now, you're going to have some new guy in there. | |
| I don't give a crap what it was he wanted to do. | |
| No, we're not going to spend the money on that. | |
| We're going to spend the money on balloon animals. | |
| It's been brought to my attention that the children in Moscow Park would like to have balloon animals. | |
| So we're going to dispense them free of charge. | |
| And we're going to use the moon landing money to do it. | |
| So get out of my office. | |
| Unicorns. | |
| We had an S1 solar flare today that will probably cause some cool northern lights. | |
| Was that today? | |
| Yes. | |
| Or static in British Wi-Fi. | |
| You know, I don't understand how it is. | |
| They can predict solar flares, and I don't understand how they, like, well, there are, for instance, when I used to work in radio, I'd say 95% of the content we aired was pulled from a satellite receiver, as is most radio. | |
| Most radio is just chicken shit, awful. | |
| None of it's local. | |
| It's all pulled off of a satellite because local stations just don't want to pay talent to sit in front of a microphone. | |
| They'd rather just pull something off of the network and be done with it. | |
| But either way, it's neither here nor there. | |
| We would get a notification, oh, hey, by the way, between like 3.08 and 3.17 today, you will have no content coming to you over the bird, over the satellite, because there's going to be sunspot activity that's going to prevent that from happening. | |
| I'm going to have to look into this, but I would like to know what the science is behind how they know when that exactly is going to occur with that level of precision. | |
| Mr. V, Mr. MV, I can tell you. | |
| Oh, my, I'm getting tingly already. | |
| Go right ahead. | |
| No, we've got satellites up there. | |
| Two of them are called STEREO. | |
| One of them flies in front of the Earth and one flies behind that looks at the sun. | |
| And then we've got one called SOHO and one called SDO, the Solar Dynamics Observatory. | |
| And we can actually see the eruptions and we can see the speed of the coronal mass ejection coming off of the sun. | |
| So the coronal mass ejection does not head toward the Earth at the rate of the speed of light because it's actual matter, right? | |
| Right. | |
| It's actual particles. | |
| Okay. | |
| So we can go ahead and show how fast that's going and tell exactly, well, within minutes of when it's going to get to the point. | |
| But we would get this notification, like, I think the day before. | |
| Sometimes, because what will happen is we'll see a flare be shot off kind of off our bow, and we know that by the time the Earth gets there, we're going to be going through the trail of it. | |
| Well, that is very interesting. | |
| I always wondered how that would be the case because from the time a photon leaves the sun, it's hitting the earth about eight minutes later. | |
| So I hadn't really given consideration to the idea of that being just matter that's being launched. | |
| That's kind of scary. | |
| You know what? | |
| The sun is barfing on us. | |
| Quite literally. | |
| That's frightening. | |
| It is. | |
| So is it the solar flare? | |
| Is that the Carrington event that they always talk about? | |
| That was the solar flare, wasn't it? | |
| It was, yes. | |
| It caused EMP when the matter from the solar flare goes ahead and hits our magnetosphere around the Earth, it causes an EMP effect. | |
| And if you think about how low-tech it was just to have telegraph wires, and those were some pretty thick gauge wires back then, and it burned them up. | |
| I mean, the insulation caught fire and it destroyed the telegraph system. | |
| And, you know, they got it going back pretty quick. | |
| But if something like that happened today with our high voltage lines in the grid, there's a lot of people who are going to die. | |
| Yes, but it's the usual scientific film with fucks, don't we? | |
| It'll be everybody but me. | |
| I'll be fine. | |
| Well, I'm in the same time zone as you, so I'll be fine, too. | |
| You know, what you really need is you need to be close to someone who lives on a lot of land and who has the ability to—it needs to be the type of land that you can live off of. | |
| And if you know somebody who has that, you would do just fine in the zombie apocalypse. | |
| My wife keeps trying to tell me that the thing to do in the zombie apocalypse, I can't believe she even, I'm questioning my marriage because I cannot believe I'm married to someone who actually thinks this is the way forward in a zombie apocalypse. | |
| My wife thinks that the thing to do when you start seeing drooling people with peeling skin traipsing about your block, the thing to do is to pack yourself into the station wagon and head down to the local sanctuary that's been set up by the municipality that you live in. | |
| By FEMA? | |
| Yeah, like they're going to convert the jail into a shelter against the zombie apocalypse and that we should all pack up and go there instead of going out to the 27 acres that my parents own in the middle of nowhere where there are infinite numbers of guns available. | |
| We shouldn't go there. | |
| No, we're going to go hang out at the jail where surely we won't be locked in there and allowed to just be facially raped for all eternity. | |
| Nothing bad ever happens in jails. | |
| FEMA does need people in their camps. | |
| So you are a big-time conspiracy theorist. | |
| You were saying prior to the show. | |
| You do believe that we did not land on the moon. | |
| You do believe that Phoenix. | |
| Oh no, I do think that we landed on The moon, but I think here I go into Hoagie territory that there were structures on the moon that they didn't want us to see. | |
| So they reshot a lot of the footage here. | |
| Like, you know, whether it was, what was it? | |
| Rubrik? | |
| Who was the guy who was hoping? | |
| Kubrick, thank you. | |
| Whether it was him or somebody else, but I think a lot of it was shot here because they can't show us what was up there. | |
| And allegedly, I don't know, maybe gravity would know. | |
| Allegedly, during one of the transmissions, one of the astronauts was saying that they were seeing structures and there were people on the moon, basically alien life forms, and they cut that out, kind of like the way we have when Sredny's Wi-Fi drops, that it's all static, but that NASA was aware, but they didn't want everybody else to hear, so they kind of blocked that. | |
| Now, I don't know, I wasn't there, but I do tend to believe stuff like that because it makes sense. | |
| I don't believe anything my government tells me. | |
| You don't believe anything? | |
| No, no, no, no. | |
| I mean, if they tell me the sky is blue, then I don't know what color it is. | |
| That's a little extreme. | |
| See, I think some things really are as they seem. | |
| Oh, no. | |
| I mean, some things happen. | |
| I'm talking about how, what is it, six conglomerates own all the media? | |
| Right. | |
| We don't have access to any real information. | |
| We are told what to believe. | |
| And nobody questions it because, you know, if they said it in the news, it must be real. | |
| I saw it on Gabcast. | |
| I would encourage people to get the bulk of their information from this show. | |
| Yes. | |
| I don't know why they would think otherwise. | |
| I think some things really are as they appear. | |
| I think that 9-11 largely did happen as it seemed on the surface to have happened. | |
| I think we went to the moon. | |
| I used to be a big, big, big-time JFK conspiracy theorist, and I do in some regards still believe that we have definitely not been told the whole story. | |
| So I'm not entirely averse to the whole premise of the conspiracy theory. | |
| I am able to have an open mind where these things are concerned. | |
| But at the same time, like the Kennedy assassination is a great example. | |
| There's so many things that have been disproven over time. | |
| For instance, the magic bullet theory has been totally and completely validated as likely correct and that it wasn't a magic bullet at all. | |
| It never had to turn because Kennedy was actually sitting higher than Connolly in front of him. | |
| And Connolly was seated more toward the center of the vehicle than Kennedy was. | |
| So that means as the bullet was traveling down vertically into them, they did a computer modeling of this and showed how people always assume that Connolly is seated directly in front of Kennedy and at the same elevation, which was entirely untrue. | |
| And that is what gave rise. | |
| So Arlen Specter and his magic bullet theory, while he was correct, he was accidentally correct because even he didn't take into account that the governor in front of Kennedy was seated at a lower level and toward the center, which would enable the bullet to travel just at a straight line straight out of that window through Kennedy and into the governor. | |
| And the bullet never had to turn in order to do any of that stuff. | |
| Although, I don't think even Connolly, I'm sorry, I don't even think Arlen Specter realized he actually, I think, did believe that the bullet was making all these silly turns and stops and pauses in the air, whatever it was that he thought. | |
| And Arlen Specter was a bag of dirt. | |
| He was the one that Ira Einhorn, he was Ira Einhorn's lawyer. | |
| He represented that dirt bag. | |
| So forget anything he did legislatively as a senator. | |
| Just remember that. | |
| MV, isn't there supposed to be missing footage of that Kennedy assassination video? | |
| Well, there is, I don't remember his name, but there's some guy who says that he was filming from right in front of the fence next to a guy wearing a hard hat and that some government agent came and took his film. | |
| There was someone across the street who said the same thing. | |
| There were like two or three different people who said that the government confiscated their film and promised to give it back and they never got it back. | |
| And that there was an effort actually underway once it was discovered that the Zapruder film existed. | |
| There was an effort underway to quash that or to quell that and squash it and prevent it from being seen. | |
| And that effort did succeed for quite some time until Geraldo, I think Life magazine bought it and they had it in storage forever and wouldn't allow anybody to see it, why they did that or that alone is strange. | |
| Yeah, that really is. | |
| And there's a whole sub-conspiracy theory associated with all of that. | |
| But once it finally was revealed to the American people for the first time, it was on some weird talk show that was being hosted by Geraldo Rivera. | |
| And it was in the early 70s. | |
| It was the very first time after all. | |
| I mean, the president had his head blown off in an open motorcade. | |
| And the American people didn't even see the video of that until like 10 years after it happened, which is just, that shows you how much times have changed. | |
| Because as things are now, anything like that that happened in public, man, you would have so many angles of it. | |
| You would have immediate access to the video. | |
| There would be no containing that sort of thing. | |
| I often wish, man, if only the Kennedy assassination could have happened in 2015, we would have 4K resolution of the whole thing going down. | |
| You would be able to isolate, like, now you see this pixel of blood globule. | |
| You see how it's floating this way? | |
| It shouldn't be doing that. | |
| That's why I call bullshit conspiracy. | |
| You would be able to really dig in and analyze this stuff. | |
| But alas, all we had was the Super 8 film by Abraham Zabrudi. | |
| But anyway, so that magic bullet theory has sort of been validated. | |
| There was the Badgeman thing where if you took the Mary Mormon photo and you zoomed into it really, really, really, really tight into a spot that's like a half a centimeter by a half a centimeter, you would see this guy that looks like he has Hitler hair. | |
| He has like the part in his hair. | |
| He looks like Adolf Hitler firing a rifle and the picture is taken at the precise moment of the muzzle blast. | |
| And actually, I mean, the Mary Mormon photo was taken at the precise moment the bullet hit the president's head. | |
| And so that's why it was assumed that if you could just zoom into that picture closely enough, and if you don't know what I'm talking about, just go to Google and type Badgeman, and you'll see a million renditions of that isolation from the Mary Mormon photo. | |
| And it does look like a guy shooting a rifle directly at the president. | |
| It does look like the photo is being taken at the precise moment of that muzzle flash. | |
| But a computer model of that was generated, and they determined that based on the size of the guy in the picture and where he is in the picture, he would have to have been behind the fence and elevated on a ladder that was like 15 or 20 feet tall in order to have fired that shot and been in that picture where he was when the picture was taken. | |
| So that's kind of been debunked. | |
| The whole idea of Oswald not being able to run down from the sixth floor and get down to the kitchen without being breathy and just sweaty and flustered and stressed out, that's been disproven. | |
| They've had guys that had similar build, height, weight, age, everything, as close to Oswald as they could find, had them pretend to fire a rifle, put it down, do whatever it is that is known to have been done by Oswald as he came down from the sixth floor, and within the same amount of time, and this guy was able to do it. | |
| He wasn't flustered or sweaty, or he wasn't breathing heavily at all. | |
| It was no challenge whatsoever. | |
| And there are a lot of other things like that that have just been disproven. | |
| Where about the babushka woman? | |
| Is that the old lady with she looked like a babushka with one of those kerships? | |
| And she's in a few pictures. | |
| I know about the babushka. | |
| I've heard that term a million times, but I'm not really sure what her significance is supposed to be. | |
| Do you know? | |
| Well, what good are you? | |
| Well, I don't remember. | |
| Wasn't there supposed to be a picture of a young George Bush standing on the street? | |
| I remember hearing that. | |
| HW. | |
| Right. | |
| Yeah, a lot of people believe that President Bush 41 was in Dallas that day, and there are pictures of a guy that looks strikingly like him. | |
| Yes. | |
| And the tramps that they stopped, one of those was supposed to be G. Gordon Liddy. | |
| Woody Harrison's dad, wasn't it? | |
| One of them. | |
| One of the trumps. | |
| That was one of the ways to say Charles Harrison. | |
| Yes. | |
| Oh, yeah. | |
| And one of the guys from the Maury Island or whatever it was up right around the time of Roswald. | |
| Oh, yeah. | |
| Chrisman or something. | |
| We started with an F, I think. | |
| Oh, my God. | |
| Yeah. | |
| Yeah, I know what you mean, though. | |
| Oh, I can't remember his name now. | |
| But you have all of these things that just, I think, over time have been slowly debunked. | |
| But have they been debunked or have they been debunked by somebody and then other people don't get a rebuttal? | |
| Well, I mean, like when a guy constructs a computer model of Dilley Plaza down to the millimeter and I mean, and that would be really easy to do, and then recreates the shot and lines it up where the car was at the moment that Kennedy's head explodes. | |
| That to me looked really, really convincing. | |
| And that's something that everybody can watch on YouTube as well. | |
| But did he work for the government is the thing? | |
| Like, did he have a spin on it, or was he just somebody who was disinterested and decided that, well, let me just investigate? | |
| Because it just seems like somebody always has an angle. | |
| Like, nobody does this just because, for example, the nine truthers didn't believe the official government. | |
| He is the grandson of CIA director Dulles. | |
| But I believe it. | |
| Oh, I believe it. | |
| And I don't have. | |
| No, I don't know. | |
| I don't remember what his position is. | |
| I don't know who he's affiliated with. | |
| But the thing is, with all of these conspiracy theories, that's trouble because you'll never believe, will you, IB, about anything? | |
| So however convincing the evidence is, you will never believe it. | |
| So it's a religious belief. | |
| No, there's okay. | |
| When the whole Boston Marathon thing happened, a lot of people, you know, Alex Jones and his ilk came out of the woodwork and they were just saying, how there's another false flag. | |
| And it pissed me off because I thought, you know, all right, fine. | |
| 9-11, yeah. | |
| To me, it was an inside job. | |
| But everything can't be a false flag. | |
| And then I went on his site and he was showing pictures of Blackwater. | |
| They renamed themselves something else. | |
| They were there that day and they had all these backpacks. | |
| And they also showed the pictures of the Tsaronev brothers. | |
| But they showed, this was what made my blood run cold. | |
| Showed a picture of. | |
| I don't know if you guys remember, there was a guy who allegedly was a Boston runner and he got his legs blown off. | |
| And there was a guy with a cowboy hat who was pushing him in a wheelchair, I guess, to the ambulance or whatever. | |
| That guy is something called a crisis actor. | |
| Now, if you had told me that, I would have thought, oh, come on, really? | |
| But there are pictures of this guy. | |
| He had his legs blown off in Afghanistan, I think, or Iraq. | |
| And he had gotten like medals and everything. | |
| I will find the link and I will send it to you, or I will put it on the site so that people can see. | |
| And there's not just one, but there's a few people who they show them and then they show them in the Boston Marathon after the explosion. | |
| And like the guy who had the legs shot off in the war, you think, oh, he's a boy. | |
| He obviously wasn't running because you're not going to run on stubs. | |
| You know what I mean? | |
| So it's stuff like that that I see. | |
| And then the pictures of whatever it is that Blackwater renamed themselves to. | |
| I'm not sure, but I'll dig it up. | |
| And it made me believe that, okay, that was a false flag. | |
| And I hate to believe people like Alex Jones or even David Icke. | |
| Like, yeah, I know they sound crazy, but once you start digging a little more and doing a little bit more research, you realize a lot of what they say is true. | |
| I'll find the link and I'll post it so you all don't think I'm crazy. | |
| But yeah, I have seen the picture you're talking about, Ibby, where the guy's lifting him onto a stretcher. | |
| Uh-huh. | |
| It's a guy that already had had his legs amputated. | |
| Exactly. | |
| He's a crisis actor. | |
| I'm looking this up on Snopes, but they don't really give you a quick answer as to whether it's. | |
| No, I'll look. | |
| It was on Alex Jones' site, actually. | |
| And I don't know if it's a good idea. | |
| It doesn't inspire confidence. | |
| Yeah, like I didn't know what to make of Alex because he comes across as crazy. | |
| But then you see stuff like that and you're like, oh my god, this man is. | |
| Even a blind pig will find an acorn once in a while. | |
| There you go. | |
| I mean, all of his stuff, it's, you know, buy my colloidal silver, my heirloom season, all this rubbish. | |
| Well, the man's got to make a living. | |
| Back in the day when he's got Alamo to pay. | |
| Back in the day when he infiltrated Bohemian Grove, I gave him a lot of credit. | |
| But over the last several years, he's gotten pretty crazy and pretty out there. | |
| He hardly seems to do the show anymore. | |
| Whenever you look, it's some other bloke with a beard. | |
| I'm doing it, so I don't think he works all that much on there anymore. | |
| Or perhaps he's just in the background. | |
| But isn't he supposed to be having an affair with this woman who works for him on there? | |
| I think that's a good idea. | |
| Yeah, with, oh, I can't remember her name, but yeah, she's this busty bimbo type. | |
| And I think he was some rumor that she was cited in the divorce. | |
| Oh, my. | |
| She's nice. | |
| He was in Belgab and accidentally clicked on that Iranian dating ad. | |
| Wow, she's juicy. | |
| Yeah, but I think, yes, Makatu, is it her name? | |
| Something like that? | |
| McAdoo. | |
| Yeah, I don't know. | |
| Yeah, she's not bad, is she? | |
| No, she's quite nice. | |
| I just typed Alex Jones affair into Google Images, and I got several images of the same woman. | |
| Yes, I think that's the idea that she was. | |
| I think, you know, she was only hired for assets, I think. | |
| Well, hey, kudos to, you know what? | |
| It's amazing what $10 million a year will do for you. | |
| You can get any variety of poon with that kind of cash flow. | |
| Is he really putting down that sort of money? | |
| Yes, he is. | |
| He's making an estimated $10 million per year. | |
| Good God. | |
| So all the credibility that everybody assigns to him. | |
| I don't know why he is automatically assigned so much more credibility than the government. | |
| Well, there's two things that I gave him credit for bringing to the forefront. | |
| One is Bohemian Grove, and the other is Bilderberg's. | |
| They're going to say Belgab. | |
| I was like, wow. | |
| Gillsberg and Belgab, they're the same thing. | |
| It's where the power brokers me. | |
| The power brokers that be. | |
| We all hang out in a faulty thread. | |
| I was going to become a Mason at one time. | |
| But they wouldn't have you? | |
| I just didn't want to bother with it. | |
| You do have to ask. | |
| Well, yeah, I didn't want to bother because I know a lot of them, but some of them seem like real douchebags, and I just don't really care to go hang out with those people. | |
| I don't really care to go hang out in any club when I could just go home. | |
| just go home and and pound it you know i don't really why am i gonna go hang out with a bunch of strange men No thanks. | |
| So how's your daughter? | |
| You know what? | |
| I'm not sure I appreciate the tone of that question or the context in which it was asked. | |
| She's underage is how she is. | |
| Right, Indeed? | |
| Well, she is still in the single digits. | |
| Yes, I mean, that is of concern to me. | |
| Sredny, go ahead. | |
| I said that almost sounded like a ransom note, didn't it? | |
| How's your daughter? | |
| Yeah, I started looking around my environment as I'm sitting in front of the microphone, like looking behind my shoulder bag. | |
| Now I'm not even at home. | |
| I'm at the office. | |
| You know how psychologically damaged I must be? | |
| I'm not even home and I'm looking around. | |
| Am I safe? | |
| Yes, it did come out of the field. | |
| I'm sure you're asking about my newly born daughter. | |
| Now that I just about joked on myself. | |
| Well, I think I might just go ahead and be leaving that ignore feature active on Belgab. | |
| Hi, you're on the air. | |
| Hello. | |
| Hello, this is Jackstar. | |
| Hi, Jackstar. | |
| Hey, baby, how you doing? | |
| The Jackstar? | |
| That's Jackstar. | |
| It's the Jackstar. | |
| Now, who is this person? | |
| Because I actually called to talk to her. | |
| There are multiple persons. | |
| There's this one person who was female who said that they didn't believe anything anybody told him. | |
| Oh, that would be me. | |
| Hi, you. | |
| Who are you? | |
| Hi, Inglorious Bitch. | |
| Oh, oh, yeah, I sort of know you. | |
| Oh, I've seen your avatar. | |
| Yeah. | |
| Okay, so I want to test your premise. | |
| I'm going to tell you something, and then we're going to see if you believe me or not. | |
| Okay. | |
| Are you with the government? | |
| Didn't hear you. | |
| Just go ahead and ask. | |
| Let's hear it. | |
| Okay. | |
| The Titanic. | |
| It totally sank. | |
| There wasn't anything funny going on with that. | |
| No. | |
| I mean, not that I know of. | |
| I've never heard any concern. | |
| See, the thing is, I don't automatically think, like I said, when I heard about the Boston Marathon being a false flag, it kind of pissed me off because I was like, God Almighty, everything cannot be a false flag. | |
| I mean, bad things happen. | |
| So it's not like I'm just so ready to believe, but our government does nothing if not lie to us. | |
| And not just our government, all governments in general. | |
| Yeah, every now and then some of the truth, if it's not something that they can use against us, then they'll let us know the truth. | |
| But I feel like we would be shocked if we knew how much we were lied to. | |
| And I think most, even if it's history, history is written by the victors, is what they say. | |
| And it's also written by the people who are in the country. | |
| Guys named Victor. | |
| Guys named Victor. | |
| I was in England a few years ago and I went to this. | |
| Sredny helped me. | |
| What was the name of that museum? | |
| The one with it was in London. | |
| And it was a museum and it spoke. | |
| It was a war museum. | |
| Oh, you were a war museum? | |
| Yeah. | |
| I guess that was. | |
| Anyway, when they mentioned the American Revolution, they just made it sound like it was a skirmish. | |
| They didn't say anything about losing 13 colonies. | |
| But here, of course, we have a different view. | |
| So, depending on who you ask and depending on what culture is in control, for example, if we lived in Northern Korea, we would believe that King Jung-un was the one who invented Mickey Mouse because that's what he said and that's what they believe. | |
| You know what I mean? | |
| How did you pronounce his name? | |
| Oh, God. | |
| Don't make me say that again. | |
| King Jong-un. | |
| Okay. | |
| I won't make you say it again. | |
| And that's what I'm saying. | |
| Thank you. | |
| Thank you. | |
| But I'd like to point out that that has nothing to do with the question I asked. | |
| Yeah, we need to get back to that. | |
| Let's go. | |
| Yeah, okay. | |
| So my impression of what you said before, which was brief, was that you had some sort of preternatural ability to detect BS when somebody tells you, or you just have a natural tendency to completely disbelieve anything anybody says. | |
| So when I said to you that the Titanic totally sank and there wasn't any funny business going on with that, what does your innate sense tell you? | |
| Well, from what I know, it did sink. | |
| And now, as far as funny business, I don't know what you mean by funny business. | |
| Was there a conspiracy to bring the ship down beyond what we were officially told? | |
| I don't know of, not that I know of. | |
| Right, but my point was, I told you something, and I want to know if your intuition agrees or disagrees with what I said. | |
| Oh, it's not even about intuition because I grew up believing everything that I read in newspapers because I thought we had a press. | |
| Yeah, it's not about intuition. | |
| She has a small crystal that she drops. | |
| No, it's like, listen, it's like if your husband has been cheating on you when he comes home smelling of perfume and he's like, oh no, I was walking in Macy's and they squirted me. | |
| You don't believe that anymore. | |
| You know what I mean? | |
| Men have said that. | |
| I've become cynical. | |
| I've become cynical. | |
| Yeah. | |
| I appreciate that. | |
| Thank you for answering my question. | |
| You really did. | |
| Okay, but what prompts you to ask that question? | |
| I heard a female voice I'd never heard before and I want to find out if she was hot. | |
| Oh, well, thank you. | |
| We are told that she is female. | |
| Google Inglorious Bitches. | |
| Don't. | |
| I'm just kidding. | |
| I already knew she was hot. | |
| I can read that writing on the show. | |
| Safe for work. | |
| Right. | |
| Oh, my. | |
| That sounds racy. | |
| That was Jackstar. | |
| Thank you for calling in, sir. | |
| If you would like to be on the show tonight, there is a phone number that you can dial, and that number is 623-242-CAST. | |
| It is 623-242-2278. | |
| One more time: 623-242-CAST. | |
| If you'd like to be on the Gabcast tonight, and it's 8:30 Central, so we got less than a half hour to go before the show's over. | |
| So if you'd like to get in, it'd be nice if you refrain from waiting until the final five minutes of the show to do so, as many of you are, in fact, prone to do. | |
| Thanks. | |
| Now or never. | |
| So, MV, what did you decide to do about the Ignore user? | |
| I don't know. | |
| What do you think I should do? | |
| Leave it. | |
| I mean, let me get rid of A's, but I'm going to stay. | |
| Go ahead and leave it. | |
| The people who want to use it, use it. | |
| The people that don't don't. | |
| It's rubbish. | |
| It's just, that is so conclusive. | |
| It's rubbish. | |
| Wait, I have to sit up straight again. | |
| Does the ignore feature affect the site one way or the other? | |
| Does it run slower if it's on? | |
| No, no, it's just, you know what? | |
| I think my biggest beef with it is that I just feel like there's a certain, I don't know, it just feels kind of pussy. | |
| It just kind of feels a little bit. | |
| It just feels a little bit weak to just go putting people on ignore. | |
| I mean, just scroll past it. | |
| I mean, for the love of God, I mean, it seems like you should have at least the opportunity to see everything that gets posted. | |
| If you could turn off the animated GIFs, that would be ideal because that's the only time I use it. | |
| Is if people that post a lot of animated GIFs when I'm on my iPad, I can't even scroll. | |
| Really? | |
| I mean, what generate. | |
| Was your iPad manufactured in 1968? | |
| No, sir. | |
| It's an actual Apple iPad. | |
| I think it's a Gen 2 or Gen 3. | |
| That's pretty long in the tooth, though. | |
| That is pretty old. | |
| I mean, they're up to like, what, Gen 7 now? | |
| I got the latest IOS on it. | |
| Well, I don't know. | |
| I guess, I mean, the polling seems to suggest that, in fact, the Bellgab user base might indeed support the idea of eliminating the ignore feature. | |
| Okay, so let's talk about the falky poll. | |
| Oh, yeah, you can never get rid of the falky thread. | |
| Well, that puts seats, puts asses in the seats. | |
| There is a level of there is an arbitrary certain something behind the application of these polls and what it is that the people demand. | |
| I will admit that. | |
| Didn't one of them say something like is George Norien Isi? | |
| Yes or yes. | |
| Can George pronounce anything correctly? | |
| No? | |
| Or no? | |
| Or no? | |
| The second no, I think, is the winner in that one, is it not? | |
| I'm pretty sure it is. | |
| I'm looking here. | |
| Where is the thread where we talk about removing the ignore feature? | |
| I don't even. | |
| I couldn't find it. | |
| I think you went to the. | |
| Is it in a general discussion? | |
| I think it's in general discussion. | |
| Is it in general discussion? | |
| Is that what you're looking at right now? | |
| I'm looking at an art bell. | |
| I didn't see it in general discussion and I didn't see it. | |
| Really? | |
| Is it in how to use Bellgab? | |
| Well, that's what I thought it was in. | |
| This is stimulating radio listening to us try to navigate what is the equivalent of 1998 internet technology, a message board. | |
| I don't know. | |
| Damn it. | |
| Now this has got me all messed up here that I can't find this stupid thread. | |
| I did not delete it. | |
| That's where the hell did that go? | |
| I don't know if anybody can find a link to that. | |
| It'd be nice if you have. | |
| It'd be nice if you post it in the chat room. | |
| There goes the old white noise problem again. | |
| Let me hang up on him. | |
| Okay, you guys are back. | |
| I heard, in that one, I heard, I would like some tea and crumpets. | |
| I heard, death awaits you. | |
| These are the things that we hear in the white noise. | |
| There's general discussion. | |
| It's Ray disabling Bellgab's ignore user feature. | |
| Let's see if we should go back to Gravity Sucks's notes. | |
| Let's see. | |
| We talked about the solar flare. | |
| The megastructures star. | |
| Okay, this is the flashing object that's like 15 light years away, right? | |
| 1500. | |
| 1500 light years, and it's flashing. | |
| What is happening is something is making the light from the star dim. | |
| And it's not perfectly periodic. | |
| Sometimes it's 10%, sometimes it's 22%. | |
| And there's something that every once in a while blocks the light. | |
| And they don't understand it because they've never seen anything like it. | |
| Normally, when the Kepler telescope has found a planet circling a star, it might block like one-tenth of 1% of the light. | |
| And then they can see it as it orbits, and they can measure its orbit period and tell where it's at. | |
| But this is blocking, they've never seen anything block this much light. | |
| And so they don't know what it is. | |
| And they really need to get more data. | |
| But I guess back in around 1960, somebody postulated this idea about a Dyson sphere that you could build this big solar array around the sun. | |
| And they think that something like that could be orbiting the sun. | |
| I know about that from Star Trek The Next Generation. | |
| That was the Scotty episode. | |
| My take is if a civilization was that advanced, that they would have conquered fusion reactors. | |
| And there would be no use to go ahead and spend all that capital to put a solar array around a star. | |
| But that's my take on it. | |
| I mean, it's something unique. | |
| They don't understand it. | |
| They admit that they need to get more data. | |
| But you're saying if they were advanced enough to construct the Dyson sphere, they wouldn't bother to construct the Dyson sphere? | |
| It would be for some other purpose other than to collect just sunlight from the star. | |
| Maybe their planet was failing and they needed to build something to live on. | |
| So would you live on the interior surface of the Dyson sphere? | |
| that the premise uh i i don't know or does your Or do you just build the sphere around an entire solar system and the planets continue to revolve around the sun? | |
| The way that was postulated was that it would be like a huge ring of solar arrays and just capture the power from a star and then beam it back to where the planet was to be able to use the energy. | |
| Well, my understanding is it's not a ring. | |
| It's a sphere. | |
| I mean, it is an enclosed environment. | |
| Physically enclosed. | |
| Right. | |
| If that happened, I mean, if it was like that, then it would be blocking the light, you know, like all the time. | |
| So nobody outside would even see it. | |
| Right. | |
| Unless you had turbo boosters and you can just fly through space really quick and you can get there. | |
| Or it was a portal and somebody left the light on in a parallel universe and then the hatch in the portal, you know, kept flapping open and closed. | |
| And every once in a while we saw the light from the parallel universe. | |
| But I don't think it's that either. | |
| And thank you to the chat room for posting the link to the ignore user thread containing the poll that was discussed a moment ago. | |
| Right now, 57% in favor of deletion, of removal of the ignore user feature, 42.9% against. | |
| So, I mean, if this were a presidential election, if this were the popular vote, this would be a landslide. | |
| I mean, this would be Reagan Mondale. | |
| Right. | |
| And we don't have the Electoral College, so I guess that's it, Envy. | |
| I'm going to proceed about the process of ignoring this poll, too, I think. | |
| I don't know. | |
| What am I going to do? | |
| I don't know. | |
| That is the easiest thing to do. | |
| I saw the interesting thing about megastructures, though, is it sounded like the first time this show, you know, this new show actually sounds like the old show, you know, actually bringing something new. | |
| Because a lot of the time, my problem with the new show is that he gets into the guests too quickly. | |
| And you don't hear, I always like to hear the old show half an hour, 45 minutes of just discussing what was going on at the time. | |
| You can always go back and listen to shows back in the 90s, can't you? | |
| You feel that you're back in sort of the Clinton era or whatever and discussing it. | |
| So it felt like it was like old times when he was talking about the megastructures because it could be, it was like when you're talking about Hale Buff or something, then he loves doing that. | |
| There's something vaguely funny. | |
| I want more stories that result in people killing themselves. | |
| I want more of that on my radio. | |
| I think he's really getting excited about you could tell he was actually, you know, it wasn't put on. | |
| If you listen to somebody like Nori, I mean, you can care less about the other, but this was this actually sounded like the art bell of sort of the classic, the classic art bell. | |
| But quite often, some of these shows, they sort of pass me by, really. | |
| They go because sometimes it's just five minutes of a couple of stories that he's read on the news, and then it's over to whatever it is, some ghost hunter or something. | |
| That really is the primary failing of Nori, is it not the feigned interest? | |
| Well, does he even claim it now? | |
| I mean, you know, he just seems bored with whatever he does. | |
| It's he always sounds like he's a doodler. | |
| You know, he's got a pad and he's drawing weird, disgusting pictures while he's pretending to talk to something. | |
| Yeah, he's doing, you know, I swear to God, I swear to God, as you said that just now, I am doodling on the notes that Gravity Sucks typed out. | |
| I'm sitting here doodling as you're complaining about George Norrie doing the. | |
| And I think the show's over. | |
| Everybody, have a good night. | |
| I'm Michael Van Dieven. | |
| I mean, that was what got me into the cycle. | |
| Like everyone else, I didn't type George Norrie sucks, but it was George Norrie is just terrible or something. | |
| I just couldn't believe. | |
| Because I think, like a lot of us, we gave him a chance, didn't we? | |
| Because he was the first I for two years. | |
| Well, I'm just two. | |
| It took you two years, yeah. | |
| Because with me, that was the first coast to coast I would have heard was George Norrie. | |
| So I'd never even heard of Art Bell. | |
| So, yeah, so I sort of listened to George Norrie, and yeah, and you give him a chance, and you think, actually, he's really terrible. | |
| I mean, he's not even not all that good. | |
| There's something almost supernatural about how bad he is. | |
| The only time he's interested in it's a dead baby or some sort of mangled, gruesome thing. | |
| Yeah, and all these stupid angels. | |
| When my youngest daughter was born three months ago, I sent Nori a note and I said, Would you mind just sort of announcing to the coast audience that MV from Belgab had a baby? | |
| I need the world to know. | |
| And he responded, I only do dead babies, not new babies. | |
| I only talk about them checking out. | |
| I don't talk about them checking in. | |
| See? | |
| And I was a little off-put by that. | |
| I mean, there's, I mean, this is no comparison. | |
| I don't know why anyone ever listens to George Norrie now. | |
| It's just, I mean, why would you bother? | |
| There's I think it's inertia. | |
| Well, there's Leah's show, so why would anybody listen to anything? | |
| I think a lot of it's inertia, and a lot of people just it's on AM radio. | |
| AM radio is free, radio is free. | |
| There's a radio everywhere. | |
| It's an easily accessible medium just to produce some noise to pump through the room. | |
| And there could be any number of reasons why somebody would have no access to anything else. | |
| So they just flip a radio on. | |
| There it is. | |
| And it airs at a point in the day in the overnight. | |
| I mean, there's just such a drought. | |
| If you're driving in your car, you can't really be fiddling with a podcast or anything. | |
| Radio really is the only medium. | |
| That's why from the beginning, I thought that this idea, and I said it again and again on this show and on Bellgab, I said, you watch Art Show is going to be on terrestrial radio. | |
| You watch. | |
| It's going to be heard on terrestrial radio. | |
| And everybody poo-pooed it. | |
| No, I guarantee you this show will not. | |
| I have my finger on the pulse of everything. | |
| I know exactly what's coming. | |
| I am a sage, and I wish that people would address me as such. | |
| Thank you. | |
| What's the appropriate title for sage? | |
| Sage Envy? | |
| I think that it was the whole idea of doing this thing web-only and utterly and completely rejecting terrestrial radio. | |
| I think that was a flawed approach, and it was probably rooted more in spite and just, I don't know, bad blood and, you know, like not real business thinking. | |
| It was more just an emotional decision, F radio, you know? | |
| But really, you need to be heard on terrestrial radio. | |
| Even with all the technology, we're surrounded by the ubiquity of mobile phones and everything you can do on them. | |
| Even with all of that, it is still just, holy shit, is it easy just to turn on a radio and be done with it, you know? | |
| Yeah, and once you put it on a station, how many people actually flip through the dial? | |
| I mean, you got a couple of presets, but there's only two stations I listen to in my truck. | |
| Listen how polite Sredny Vashtar is. | |
| Gravity sucks. | |
| You just opened your lips and he stopped talking for you. | |
| He cleared the way. | |
| He's not at all the animal he is on the forum. | |
| I can't believe they even fought us in the revolution. | |
| That seems so impolite for them to have done so. | |
| Well, I did thank him for, you know, keeping those red coats on and making it kind of easy for us. | |
| That actually, your people are not very bright in that regard. | |
| I will say that red uniform, kind of dumb. | |
| Yes, it was a bit of a giveaway, wasn't it? | |
| Yeah. | |
| I apologize for that. | |
| Only so many instances of, is that a man or a robin are going to occur before people just start, fuck it, I'm shooting. | |
| You know, I mean, it's just like, it's such a pain in the ass to load up your musket rifle, so you need to be sure it's an actual red coat before you go wasting a musket round on it. | |
| And what was with the Pop hats? | |
| Did they have Pop hats? | |
| I'm going to have to go back and take a look at the typical Brit soldier uniform. | |
| I don't believe that. | |
| The revolutionary. | |
| There's a number of times I get somebody has a pop at me and they'll bring the Civil War up. | |
| This happens all the time. | |
| Yeah, it's 250 years ago and I'm still helping a grudge, apparently. | |
| I mean, the number of times somebody will come up with. | |
| They bring up the Civil War with you? | |
| A Civil War. | |
| Revolutionary War. | |
| Sorry. | |
| Oh, you call it the Civil War, do you? | |
| It's quarter two in the morning. | |
| That makes sense. | |
| Hi, Jazzmunda. | |
| Hi. | |
| I can't believe how nice Sredney Vashtar sounds. | |
| It's insane. | |
| I can't believe I cried over some of the nasty things he said to me over the year. | |
| Over the years? | |
| It's not even plural. | |
| It's over the almost year. | |
| Yeah, I've been very mean to you, haven't I? | |
| You've been terrible. | |
| I've cried myself to sleep many a times. | |
| I'm actually seeking therapy at the moment. | |
| And now I don't have to go. | |
| Yes, definitely. | |
| So you're lying on a couch and they say, tell me about Sredney. | |
| And then you talk a little bit. | |
| Like, tell me more about that. | |
| And a cockney accent. | |
| I'm not cockney. | |
| How dare you? | |
| No, I think I'm the cockney one. | |
| No, you sound very posh, actually. | |
| So have I been rehabilitated on here now? | |
| So I was biggest bastard. | |
| Now I'm Twitz. | |
| You're a good standing now. | |
| I think people have seen the exchanges between both you and Inglorious Bitch and totally thought that it was legit. | |
| And I told these two before the show, I said, you know, this is kind of. | |
| This might not be a good idea. | |
| No, that's not what I said. | |
| You know what? | |
| Maybe you aren't the new Evelyn. | |
| I don't know. | |
| I thought perhaps, but I don't know. | |
| I'm evaluating. | |
| It's a floating thing. | |
| But I said before the show, the beauty of Belgab is that I didn't even know that this whole thing was a put-on between the two of you. | |
| I thought that you were legitimately just hateful toward one another. | |
| And my point is that even with the horrible things that the two of you were saying to one another, nothing happened to you. | |
| Nobody stepped in and removed your posts or anything like that. | |
| See, that's the beauty of Belgabe. | |
| You were saying the most deplorable, despicable, abominable things to one another, and nobody stepped in and got up in your grave. | |
| And the horror jokes never get old. | |
| Well, you did call me a child nest the other day, so it's not all it's not all one way. | |
| I implied, I implied. | |
| It's not all fun and games. | |
| No, but I mean, that's, I mean, it's not just her, I insult. | |
| I always do it because I want somebody to come back at me. | |
| That's the reason I do it. | |
| I don't do it to hurt people's feelings. | |
| I just hope that they'll come back with something to get me back. | |
| That's the idea. | |
| And she always comes back with something, so I don't feel like I'm bullying her, but she can always handle herself. | |
| Jasmunda Sredny says that the Australian accent is somewhat related to the Cockney accent. | |
| And so my theory was that because Australia is a former prison colony for the Brits. | |
| Penal colony. | |
| Penal colony. | |
| Penal. | |
| You had to say that word. | |
| Well, that sounds a whole hell of a lot more fun than prison colony. | |
| That sounds fun. | |
| You had to say that word. | |
| That sounds like something. | |
| I'm not a fox thread. | |
| Sounds like something you sign up for. | |
| It's better than an anal colony. | |
| Yes. | |
| Here we go. | |
| He's not far off. | |
| There was actually, I posted an article that I saw the other day in the random stupid things thread. | |
| And it was entitled, Aussie Accent Developed Through Years of Heavy Drinking. | |
| There's new theory. | |
| What a legacy. | |
| There you go. | |
| Well, I was thinking that the Cockney accent. | |
| How come you don't have an Aussie accent then? | |
| Because I don't drink that much. | |
| No, I was making a joke with MV. | |
| I was saying, MV, how come you don't have an Aussie accent? | |
| You know what? | |
| I don't appreciate that kind of humor. | |
| And I would ask you not to bring that to the show. | |
| I was thinking that the Cockney accent is sort of the British lower class accent. | |
| That is sort of the British rube, is it not? | |
| Yeah, okay, so that is the class of people that would be more likely to go to jail, is it not? | |
| Oh, yes, definitely. | |
| Okay, so that explains the linkage between the Australian and the Cockney accent. | |
| That's my theory. | |
| Yeah, I wanted to ask Jasmunda, who is it who won the Ashes? | |
| That was months ago, buddy. | |
| You don't know what the Ashes are, do you? | |
| It's just that it's a personal thing. | |
| You people disgust me. | |
| Is that English that you're speaking? | |
| Sorry? | |
| Is that English that you're speaking? | |
| You've never heard of the Ashes? | |
| No, it's a sort of a sex thing between me and Jasmund that we try and get. | |
| Yes, and it's very sexual. | |
| You know, I felt a little worked up, but I wasn't sure why. | |
| It was just instinctive. | |
| I knew I should be. | |
| Go ahead. | |
| Who are you going to be supporting in tonight's game? | |
| Tonight's what game? | |
| There's a rugby World Cup final between Australia and New Zealand tonight. | |
| Yeah, well, I'm wearing black, so now you know. | |
| You son of a bitch. | |
| Come on, the old blacks. | |
| But, Jasmunda, your website does much better whenever your team is losing, right? | |
| Yeah, but this is a different sport. | |
| And yeah. | |
| Oh, that's right, it is. | |
| Okay. | |
| Yep. | |
| All right. | |
| See you guys. | |
| Bye, Sugar Bridges. | |
| Bye, Jazz. | |
| Bye. | |
| Jasmunda owns a sports website, and the team that his website focuses on, whenever that team does poorly, the website does much better revenue-wise. | |
| It's the strangest thing. | |
| I mean, like, the worse, the more horrible a season the team has, the better his website does revenue-wise. | |
| It's really something they all go to moan about it. | |
| I wish I owned a website about a sports team as opposed to a website about a 70-year-old man hosting a radio show. | |
| I think that the long-term prospect for the website's financials might be a little better. | |
| I suppose we're talking Aussie Rules football, are we? | |
| Is that what he's doing? | |
| I don't even know what I don't even know what kind of sport it is. | |
| Yeah, it's probably Aussie Rules. | |
| I think that's I think it's what's the thing where they rub the rags on the ice and curling. | |
| I think it's a curling website. | |
| Which is the new sport that all the kids are into. | |
| They're curling. | |
| Mom, will you take me to the park so I can go curling? | |
| That's what everyone's saying. | |
| Throughout the land, if you could hear what's being uttered by children underneath roofs, those are the words you'd hear. | |
| Can I go curling, mom? | |
| Take me curling today. | |
| Who liked you? | |
| Let's go curling. | |
| Thanks, mom. | |
| It sounds very convincing. | |
| You've been practicing. | |
| This is what I do when my wife leaves the home. | |
| I stand in front of the mirror and awkwardly with my Tourette's facial. | |
| It's just a disaster. | |
| This is what I do in front of the mirror. | |
| But, as you just said, it does sound convincing. | |
| It's obvious that the work on my part has paid off. | |
| Paid off. | |
| Okay, so I'm looking at some of these final notes here that I have from Gravity Sucks. | |
| And we probably should have gone into your ghost story that you wanted to tell. | |
| I think I'm going to go ahead and skip that one. | |
| Why you think it's a poorly you think it's a story that nobody's going to really give a crap about? | |
| What? | |
| Pretty much. | |
| I got some sage advice. | |
| So you offer up a ghost story, and then you say, like 48 hours later, you say, no, that story sucks. | |
| Yeah, pretty much. | |
| Actually, I can give you my, I had a, what do you call it, sort of sleep paralysis experience actually a few weeks ago. | |
| It really. | |
| Did you see the old hag? | |
| No, I didn't see anything, but it was, I mean, it's really vivid. | |
| I mean, it was, you know, I told IB about this. | |
| It was literally as if I was being held down. | |
| I sort of drifted off to sleep. | |
| I don't think I'd been asleep for very long. | |
| And it was as if something was actually pushing me down. | |
| I was like on my stomach. | |
| Did you see any figures in the room? | |
| No, it was just, it was all, I could hear, I could almost hear a voice. | |
| It was. | |
| It was as though something was speaking to me, but I couldn't understand what the words were. | |
| And it was, I mean, it's absolutely terrifying because I think I'd have been. | |
| Well, that's what I was going to ask you. | |
| As it was happening, were you consciously aware of what it was you were going through? | |
| Were you saying, okay, I know this is sleep paralysis. | |
| I'm just going to roll with it. | |
| Or you were freaking out. | |
| No, I was freaking out because it was as though somebody was holding me down. | |
| It wasn't as if I was, yeah, I know I'm, you know, it wasn't as if I'm drunk or something. | |
| It was just, I just don't know what the hell's going on. | |
| When you say it was as if someone's holding you down, like, you felt hands pushing you down or you just simply couldn't move? | |
| It wasn't hands, it was just a force, and it was as though there was actually. | |
| So there was a force. | |
| It wasn't just your inability to move. | |
| You actually felt an opposing force. | |
| Yeah, it was a force. | |
| But didn't you say also you didn't know your position in space? | |
| You had no idea. | |
| I didn't know. | |
| I knew I was on a bed, but I didn't know where I was, whether I was halfway, you know, what position. | |
| So, yeah, it was a really strange experience. | |
| And I was being held down. | |
| The ringing bell. | |
| Yeah, and at the end, just as I felt myself being freed, I heard a ringing sound. | |
| It was like downstairs, I could hear, it was like a bell, like the old fashioned egg timer bell. | |
| No, I don't have one of those. | |
| But all I could hear was this, just as it ended, was this ringing sound at the end. | |
| And I just, and at the end of it, you'd think I'd be freaked out and everything by it, but I just went back to sleep again. | |
| I only recalled it in the morning. | |
| I mean, it was just the weirdest. | |
| But I remember it. | |
| I mean, I suppose I'll always remember it. | |
| It was just, I've never happened to me before. | |
| I hope it never happens again. | |
| But it was, you know, you hear about sleep paralysis and alien, you know, all this stuff. | |
| And let's say it actually happened. | |
| It was, say, it was a certain kind of, it was a weird day that I was having there. | |
| I had some sort of unpleasant news, and it must have been on my mind. | |
| But yeah, it was just, say, this feeling of being held down. | |
| I've had sleep paralysis one time, and it happened to me when I was driving a truck in the sleeper of the truck. | |
| I'm sleeping, and it was in the middle of the day. | |
| That's weird, too. | |
| Like, it was bright inside the cab. | |
| And this happened to me, and I opened my eyes, and I saw the old hag, and I saw her face immediately in front of mine. | |
| And this should scare the shit out of me, but I can't explain it. | |
| I can't begin to explain it. | |
| But for some reason, I just knew what was happening to me, and I just closed my eyes and went to sleep. | |
| Right, no, I've never had, yeah, I mean, say it was, I remember the thing it was definitely kind of a malevolent feeling. | |
| You know, it was, you know, it wasn't just like something's happening, or it'll, if I just wait it out, it'll, it'll, um, it'll fade away. | |
| It was though something was definitely without actually feeling hands. | |
| It was as if there was a presence there that was pushing me down. | |
| You know, so I'm a pretty big guy, and it's whatever it was was 10 times stronger than I was, and I couldn't have done anything about this. | |
| So do you wait until I was released? | |
| Do you assign any sort of supernatural what have you to this, or do you think it's entirely a physiological occurrence? | |
| I just have no idea. | |
| All I know is it seemed real. | |
| You know, I can't. | |
| It felt real. | |
| I say it was a really vivid experience. | |
| I've never had anything like that. | |
| I mean, yeah, that's the single, probably the single most vivid kind of paranormal experience I've ever had, you know, but by a long way. | |
| It's really, I say it was, but whether I could actually say it's objectively true, no, there's just no way of, it just, it felt real to me. | |
| I think that's about as close as you can get to something like that. | |
| Let's take a call higher on the air. | |
| Hello. | |
| Yeah, this is. | |
| Excuse me, A.K. Willie. | |
| This is me. | |
| A.K. Willie. | |
| Holy shit. | |
| Go ahead, A.K. | |
| Oh, well, anyway, I got to hear about five minutes of the show this evening, but my battery crapped out, so I don't really know what the topics were, and I hate to, you know, cut in the middle of a show, which is probably good. | |
| But I just, without taking up a lot of time, I just want to say I am getting a little bit concerned about Falke. | |
| He has not posted in so long. | |
| And I just wish that someone was down there. | |
| Maybe they could check up on him and make sure he's. | |
| Down there, meaning in his neighborhood? | |
| Yes. | |
| Well, I mean, is there anyone known to be in his neighborhood? | |
| I'm not aware of that. | |
| Well, last week there was someone that claimed to be within a five-block radius or something. | |
| But that guy was a liar. | |
| We had Third Avenue. | |
| My brilliant question posed to that caller during that broadcast pretty much debunked that guy. | |
| And I don't want to sound like a jerk, but I am a little bit mad at you. | |
| And the you've lost control of your form. | |
| Oh, boy. | |
| The five greatest words I've ever read on the internet were the general musings of Falke. | |
| And you've let Paladin come in there and change it. | |
| Now he's got the specific musings of Paladin. | |
| And it's just, come on, man. | |
| I have no idea what you're talking about. | |
| I have no clue. | |
| You see, this is what I'm talking about as I read the notes left for me here by Gravity Sucks, the worst pre-show notes ever. | |
| Listen to this. | |
| Barfly seems to be hitting on Briggs since he can't get satisfaction from Sanda. | |
| What the hell do I do with this? | |
| That is odd. | |
| It's really delving deeply into a nook and or cranny of Belgab, of which I have little or no knowledge. | |
| Well, just speak in on the Falke thread sometimes because Paladin is trying to take it over. | |
| Well, what do you mean by take it over? | |
| Like, I'm in charge of this ship now, and he's bouncing up and down. | |
| What does that mean? | |
| That's it. | |
| It's his thread. | |
| He's got a whole different thread. | |
| How is he taking over the Falky thread? | |
| Because when I go on the Falgi thread and then he posts something, it says the specific musings of Paladin. | |
| And it feels like I'm not speaking directly to Falke. | |
| It's like you're phasing them out. | |
| I just know. | |
| So you want to speak directly to Falke. | |
| You don't want to speak through an intermediary. | |
| And you feel as though if you have to speak through an intermediary to get to Falke, you feel like you've been gypped. | |
| Exactly. | |
| Yes. | |
| See, I've got my finger on the pulse of everything, as I said earlier. | |
| I don't know why you would feel as though I need to. | |
| I don't know why you'd feel as though there needs to be a talking to to get me back in line. | |
| I mean, I know exactly what's happening, buddy. | |
| Well, I just think, number one, I have personal knowledge like Art Bell is not to be trusted. | |
| And secondly, the Falke thread is what. | |
| Is it something that you can talk about publicly? | |
| Sure. | |
| What? | |
| I mean, now you can't. | |
| Yeah, but you can't libel or slander anybody. | |
| You can't do that. | |
| I mean, there's a line. | |
| No, I won't. | |
| No, no, no. | |
| This is why I do not trust Art Bell. | |
| I have actually seen him twice. | |
| I'd say I met him, but just exchanged pleasantries. | |
| Once was in the C-Tac airport, I don't know, 15 years ago or something like that. | |
| Anyway, I walked by. | |
| I noticed him because he had on this alien-type shirt. | |
| Anyway, fast forward, I don't know, three or four years, I run into him. | |
| He's up in Juneau. | |
| Did you say, wait a minute, wait, did you say anything to him in the airport the first time? | |
| I said, yeah, hey, Art Bella. | |
| You know? | |
| Okay. | |
| But anyway, the reason I've talked about it. | |
| But how did that encounter go? | |
| I'd say I was kind of brushed off. | |
| Okay. | |
| Order of protection. | |
| And then he shows up in Juno. | |
| He actually did a radio show from the station there. | |
| But the reason I don't trust him is because he had the exact same shirt on. | |
| He did a radio show from what radio station? | |
| It was the one at Juno. | |
| I don't remember what I was doing. | |
| Oh, in Juneau, you said Juno. | |
| Okay, yeah. | |
| I think I remember what you're talking about. | |
| Right, yeah. | |
| He got off a cruise ship, and I think there was a delay or something. | |
| I remember that. | |
| Anyway, long story short, he had the exact same shirt on, and this was literally four years apart. | |
| So is it the fact that he was wearing the same shirt that causes you to say, don't trust Art Bell? | |
| Exactly. | |
| Okay. | |
| He doesn't do a lot of laundry. | |
| Well, maybe he has a whole closet full of those shirts. | |
| Why is that beyond the scope of possibility? | |
| Maybe they were the arts parts shirts. | |
| No, it was the shirt that caught my attention at the airport in Seattle. | |
| And because it was just so, you know, obviously odd shirt. | |
| And it's definitely not something I would wear on a cruise ship. | |
| So that's my two cents there. | |
| Willie, how was your next-door neighbor in her pregnancy? | |
| I just don't know that that's a reason to have a beef with Art Bell because you didn't like the shirt he was wearing four years apart at two separate separate locales. | |
| If I went out on a date with a girl and then on the second date she wore the exact same clothes, it's over. | |
| The second day it was four years ago. | |
| I mean, what's going on? | |
| That is odd. | |
| And he never called you in between? | |
| No, you know, we haven't had much correspondence other than... | |
| Well, I would like you to... | |
| Tonight is open lines, right, on Art's show. | |
| Right. | |
| I think that you really are a complete puss if you don't call his show tonight and ask him why were you wearing the same shirt four years apart? | |
| Confront him, Willie. | |
| We need answers. | |
| Well, don't puss up. | |
| Inglorious bitch, I'm assuming. | |
| Uh-huh. | |
| Oh, hey. | |
| No, I can't call an arts. | |
| I have plans this evening. | |
| Some burning to do. | |
| Burning? | |
| Does that mean like you're going to be smoking tie stick or something? | |
| What does that mean? | |
| Oh, no. | |
| Oh, no. | |
| I'm actually going to start a fire. | |
| Oh, I thought that was like slang for I'm going to smoke some pot. | |
| This isn't like churches and stuff. | |
| I'm going to go fog. | |
| Like if you said, I'm going to go fog up. | |
| No, no. | |
| Okay. | |
| Well, we need to know from Willie. | |
| Willie said he got his next-door neighbor pregnant and he's trying to induce an abortion. | |
| And somebody yelled at him on the thread for saying that. | |
| Yeah, no, it's a miscarriage, not an abortion. | |
| Oh, okay, okay. | |
| Are you talking about this show or a situation that you were in? | |
| The Falkey threat. | |
| Okay. | |
| All right. | |
| You guys did a great job tonight. | |
| I think this was a wonderful show. | |
| Praise MV. | |
| I'm really happy that the three of you were here. | |
| Sredny Vashtar, Inglorious Bitch, Gravity Sucks. | |
| And thanks to our callers, we had Jackstar, aka Willie, we had Star Mountain. | |
| Was there anybody else? | |
| I can't. | |
| Chefist? | |
| Chefist, yes. | |
| Well, I didn't want to list him because I was so displeased by the dissemination of pre-show notes, but that's okay. | |
| We will not hold that against him. | |
| And again, thanks to everybody listening live at ufoship.com/slash chat. | |
| Really happy to have all of you guys there. | |
| If you'd like to download this show, you can do so by visiting ufoship.com. | |
| Use your podcatcher of your choice to subscribe to the podcast. | |
| Have it land automatically on your device, your phone, your tablet, whatever it is you're using every time the show gets posted. | |
| You won't even have to go download it. | |
| Oh my God, you won't even have to go download the damn thing. | |
| That was Sredny Vashtar's stupid Skype thing again. | |
| Boy, I'm glad the show's over now. | |
| Good grief. | |
| Okay, I got rid of him. | |
| He had to do it one last time. | |
| Yeah, right? | |
| That sounded kind of cool over the music, though, I will say. | |
| I think it's a control thing with him. | |
| You know what? | |
| I think that very that he could be just playing a sound effect or something, just like pushing a button like every 30. | |
| Here we are. | |
| I'll just push the button then. | |
| I have to listen to his EVP. | |
| Yeah, you go. | |
| Yeah, I think there's logic behind that. | |
| Okay, you guys have a good night. | |
| Thank you for being on the show. | |
| Thanks to everybody for listening. | |
| We'll see you, I guess, next week. | |
| Whatever. | |
| Okay. | |
| Bye, guys. | |
| Bye. | |
| You've been listening to The Gab Cast, a podcast about Bellgab.com. |