Gigi Young and Olivia dissect CERN's alleged occult agenda, citing its $20 billion budget and sovereign immunity to link the facility to dark entities like Ahriman and Pazuzu. They analyze The Exorcist as a CIA propaganda tool inspired by Roland Doe, arguing that modern technologies like microchips facilitate possession while spiritual purification through cold showers counters these influences. Ultimately, the episode frames global events from Brexit to Seattle rumors as symptoms of a deeper battle between false light hierarchies and fifth-dimensional consciousness. [Automatically generated summary]
Transcriber: CohereLabs/cohere-transcribe-03-2026, WAV2VEC2_ASR_BASE_960H, sat-12l-sm, script v26.04.01, and large-v3-turbo
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Planes of Possession00:15:08
And we are live.
This is Dark Journalists.
And as usual, I'm joined tonight by the lovely Olivia.
Hi, everybody.
And Miss Gigi Young.
Hello.
Gigi, it's great to see you.
Thanks for having me.
How is it going?
It's good.
It's good.
It's a good Halloween so far.
This is it.
It's the deep, deep Halloween episode.
Last year at this time, Gigi, we took our first crack at the CERN Tarot Deck that Suzanne Trist had created for them, and they had put her as an artist in residence.
We knew there was something going on with that, and that became kind of a year long learning of all the incredible figures that she packed in there.
Just phenomenal.
Incredible knowledge base, but also revealing kind of dicey ways that these people inside that kind of a system look at things.
Yeah, I had it.
It's such an interesting deck.
I mean, you can take a look at it online if anyone's watching and they don't know what it is, but it's really more about revealing an agenda.
And revealing individuals than it is about tarot.
That's kind of an interesting thing.
It's loosely, I would say, kind of more looser based in tarot, but it's really revealing, which is why it's such an interesting study.
I totally agree.
I think the things, well, I've gotten so much from reading her background and how she goes into things like the Macy conferences, which is the early cybernetics.
But then the things that you pick up off of it are always unusual, and you're always coming in on that, really seeing deeper into what they're doing.
And after all, they did it as a tarot deck, so they're in that mystical realm immediately.
One of the cards that we're going to get into tonight that I'm going to get everyone a heads up on, and so Gigi can lock in her vision sweep, is HG Wells.
So they call the Two of Swords, and that very, very fascinating deck.
We're going to get into this one, but I'm going to tell everyone what tonight is all about.
We're doing a special Halloween episode on exorcism and possession and Aramon and CERN.
And these cards actually come out of CERN, and it gives us that basis of understanding again that CERN, which created this Hadron Collider for the purpose of smashing molecules together to find the God particle, right?
The Higgs boson.
And they claimed to do that, but then everyone said, no, no, they didn't.
This thing started off as a $6 billion project.
And then it has bloomed out now into a $20 billion project.
It is five times as large as the original Large Hadron Collider, and its kind of ancillary version of a particle collider is called Alice.
And that one has all the allusions to Alice in Wonderland.
So, Gigi, they're already borrowing heavily on mystical themes right from the start on this scientific branch of CERN.
Oh, there are red flags everywhere with CERN on, like, I mean, the highest form.
When you get really into the more higher levels of science, it completely merges with mysticism.
And that's what a lot of people don't understand they're actually merged at that point.
And it's also a private entity, isn't it?
It can't be sued.
It's not accountable for anything.
What are you up to?
What are you up to using all of this mystical language, all of this mystical symbology, and you're untouchable?
It's an incredibly secretive project.
And it is very unusual in scientific terms.
When you get a $20 billion project, that is like a major weapons military grade project.
You don't have that for just checking out astronomical features or scientific features along this line.
It's an incredible budget.
And they come out of this whole sovereign, don't ask us any questions type of thing.
Now, there were a group of scientists who tried to sue them back in 2014, and it actually went to court in Hawaii, of all places, where they took them to court.
And the judge, looking at the whole thing, said, well, you know, They're a sovereign entity, actually.
You can't sue them.
You're going to have to sue them the way you would sue, like, New Zealand or something.
You know, you just can't go and sue them.
This is very unusual, and I think gives us some hint behind what CERN is all about.
Now, there is a very spooky aspect to CERN, which kind of goes along with our Halloween theme.
And happy Halloween to everyone.
It's great to have everyone here with us tonight.
It's a different kind of a night because it's Thursday, and our usual slot is Friday nights at eight.
But we had to do it right on Halloween.
It's very kind of special to get this information out.
And of course, to get Gigi on Halloween, that's good.
How are we doing out there, Ms.?
We're doing great.
Gigi, everybody was saying in the ideas room before you came on how they were experiencing the veils being extra thin this year.
What do you think?
Maybe someone has turned CERN on.
Oh, yeah, yeah.
Well, we are in an accelerated time, energetically and on every single level.
And so when that happens, I think.
The veil does feel thinner.
I think it does feel more accelerated.
But there's also, I mean, tonight is a really big night for rituals.
And we all do share a collective consciousness at the higher aspect of ourselves.
And so people are out there opening portals and doing rituals.
We're all going to feel it in some way.
And there's obviously it's Sam Hain and All Souls Day.
And, you know, some people actually believe that today is the fall of Atlantis, the day that Atlantis fell.
And that when we walk around in our costumes, It's not so much to hide from like spirits or hide from ourselves, the selves that we lost in the fall of Atlantis and kind of our shadow self that we lost in the fall.
And that's why the veil is so thin and maybe even why it fell at that time.
So we are moving in a really interesting cosmic rhythm that sometimes we can only feel and sense, but there's always something more going on.
Yes, absolutely.
And don't think I don't have the spooky vibe with me tonight.
I'm going to go deep later, I promise.
This is interesting, though, because Halloween, you know, it gives us, just like the Day of the Dead, some appreciation of that other side on one hand.
But this echo, this Atlantis destruction echo, the apothecum echo, what happened afterwards, lends itself to some very unusual statements that happen if you look at the mystery schools describing Atlantis.
This group of black magicians at the end who had controlled things.
And, you know, Casey calls them Belial and their influence, according to Steiner, it's an Armonic group.
So his Armon is Casey's Belial.
Those are the same sort of motivative forces.
It is interesting to think that this kind of, you know, imagining this group, and I think the only kind of modern, You know, in the last hundred years, the corollary that we can think of is the Nazi Party, who integrated so much and seemed to be using so much magic.
And to think of this group sort of alive and well dominating things, and then nature itself, the two eyed stone itself, takes out these black magicians at the end.
Oh, yeah, absolutely.
I mean, the Nazis were very, very into the occult, and that's what will happen usually.
If something happens in a higher density, because Atlantis was in a higher density, it'll usually echo era after era after era from these different.
Angles and sort of different expressions of the same fall, the same problem will happen from like different angles, maybe 12 phases, maybe something like that.
And then we'll see it from all these different angles.
And then, you know, the Nazi party is one, and maybe we could go back and see the other ones.
But that's what spirituality is it's being able to see that zoomed out perspective and see the patterns and see what Casey's Belial is and how that manifested.
It's really important for our.
Our psyche to be able to pick up those larger patterns to feel any semblance of understanding of what's going on.
Oh, absolutely.
I mean, it's fascinating because we get so much out of Sumerian, Babylonian mythology, cosmology.
And, you know, they're talk about thinning of the veils.
They have the greatest group of mystics in that area of the world at the time the Chaldeans, the Babylonians.
The Chaldeans were masters of astrology.
And they're You know, one of their chief devils was this Pazuzu.
And Pazuzu shows up a lot when we're trying to, as a society now, integrate those things like, you know, movies that use these themes.
A lot, you know, the most famous one was The Exorcist blockbuster movie from 1973, which displayed an awful lot about all of these deep occult themes.
But Pazuzu, again, that Aramonic tie in, because Aramon comes directly out of.
Persian mythology, right there in the same kind of Iran Iraq area that we call today, but that's all Sumerian and Zoroastrian.
So, again, this echo with the Armanic side with this Pazuzu possessing, we're getting that again.
And now, what we hear from Steiner when we're getting into the 21st century, his warning is the Armanic force possessing the culture through technology.
Yeah, and Pazuzu actually looks like Ahriman only with his wings spread open.
Yes.
It's the same entity.
But yeah, I mean, that force not only has the capacity and goal to possess an individual, but it also has the ability to possess a society, possess a world.
And so both of those.
Planes of possession exist and they both feed into one another.
And the higher level is called the false light.
So that's where Aramon would be.
That's sort of the density that he's in, the mirror realm.
And, you know, all the maybe perhaps you could say the individually possessed people subconsciously feed that realm.
And so everything's in everything is connected through consciousness.
Either you're kind of plugged into that or you're plugged into something greater.
But we're always plugged into something.
Because we do multi dimensionally.
So we have to plug into something, and that's what possession is always about.
And we don't like to think about it and talk about it because it kind of, you know, it messes with our sense of sovereignty.
But we have to be intentional and we need to be aware of where we're plugging in and what's going on if we genuinely want to call ourselves sovereign.
Well, this is a big piece of what you do in your own work with your own videos, which is sovereign spirituality.
This false light idea, I think, is interesting because, again, it's an imitation of moving up a level.
You know, one of the things that we talked about was when a lot of these groups that get together.
That are working on the occult side or working on the secret society side, they think tapping into what Steiner refers to as the eighth sphere is moving on up.
When in fact, that is really buying yourself into a deep, deep kind of slavery.
Right.
So, unfortunately, there's a lot of people that do a lot of magic and a lot of rituals that they feel are connecting with high spirit.
And they're just connecting in with the lower astral realm.
But it's a little bit misleading in the third dimension where we are in the physical dimension because the chaos realm is still above us in density.
Right.
So you can have a false light being look like Jesus, look like the Buddha, look like whatever.
And it's your job through your own heart, the development of the heart, to discern who that being is, not by their material appearance, but by their energy.
And that is our test here.
To be able to discern that false light and to know and to sense real light, which isn't necessarily a material visual thing, but it's more sense than the self.
But yeah, the false light is, we have to move through that.
That's an initiation into the real light.
And that's why we came here.
It's a very hard school on earth to have everything be mirrored like that.
Well, Olivia, you talk a lot about the trickster realm and that's.
The one, you know, Bugs Bunny is a trickster.
Yes.
But this real kind of deep trickster aspect, you have to pass it, right?
Well, you know, we've been dealing with cults for quite a few years now.
And I can't help but think that, you know, you cannot judge someone by the words that they use, you know, because cult leaders use all the right words light and love, you know, and they may even embody it for a time.
And, but, you know, I think the problem, and I think what we're coming through right now, the cycle that we're coming through is basically tearing down all our gods and cult leaders.
And basically, it's the end of the hierarchy.
So, which it's about time, you know, where we don't have, quote, leaders, you know, and we need to step.
Then we won't have this problem anymore.
So, but everybody has got to get burnt, right?
And so then you know the difference.
Absolutely, 100%.
But Gigi, I guess because we're in that kind of a phase, they're after us more than ever.
There's more.
Oh, yeah.
This is the test.
The End of Hierarchy00:03:49
I mean, the thing about the false light is it's a completely parasitic, vampiric system.
They need energy to survive.
They have no ability themselves to connect with source or chi or ki or whatever you want to call it themselves.
Their entire chakra system is reversed.
They've cut off from the higher chakra as a now they're in a complete state of reversal where they need to get energy from other people to survive.
Right?
So they will create a system in the false light and in this world to feed off of people, to keep them ignorant.
It's very dark, but this is the reality.
And it's to create this false light structure, this false hierarchy that secures resources.
And it's mirrored in our daily life where we still see this securing of resources, this tight control.
Well, you only do that if that's your food source, if that's your energy source.
Why would you do that unless that was something that you needed to survive?
And so we have to look at the consciousness, the desperate consciousness of these types of people and realize that they're starving and that they're vampiric and that that is their nature.
That is their nature.
And predatory, and that is their nature.
Vampiric, well, it's most appropriate given Halloween, and you're absolutely right.
Miss Olivia, I have the Casey comment on possession in a blue book turned right on the desk, but I forgot to bring it in here.
Thank you, a million.
There's a lot in the mystery schools dealing directly with possession, and I happen to think that some of the archetypes of good versus evil.
Um, that we see in a couple of movies in particular, I would say one of them is The Exorcist, and the other one is Wizard of Oz.
We're going to dive into both of those tonight, Gigi, and I'm going to kind of blindside you to get some deep inspiration on exactly what's happening with some of the archetypes in these films.
Thank you, gracias, senorita.
Fantastic.
Um, I want to read a couple of comments I picked out specifically for what Steiner says about harmonic possession, but in this case, what Casey is talking about Edgar Cayce, the sleeping prophet, giving us this mystery school view of what possession is individually.
You know, sometimes we find an individual that we know or have known, and it seems like when they develop an addiction or something, they become a different person and they can indeed seem possessed.
So, this is an important aspect of this too.
How do those factors get into a person and, you know, what kind of things are involved?
These are some readings that go into this.
So, the question that was given to Casey in this reading while he's in trance is In certain types of insanity, is there an etheric body involved?
It's a nice way to put it.
Casey answers possession, period.
Let's for the moment use examples that may show what often has been expressed from here.
There's a physical body, there's a mental body, there's a soul body.
They're one as the Trinity, yet these may find a manner of expression.
That is individual unto themselves.
The body finds itself at its own level and its own development.
The mind, through anger, may make the body do that which is contrary to the better influences of the same.
It may make for a change in its environment, its surrounding, contrary to the laws of the environment or hereditary forces that are a portion of the alarm vital of each manifested body with the spirit or soul of the individual.
Question What causes him to lose control of himself?
Shields Against Intrusion00:15:00
This is somebody with a.
Deep anger problem.
Casey again, possession, period.
And then they ask, does possession mean by other entities while under the influence of liquor?
Casey, by others while under the influence of liquor, that causes those reactions that makes for the antagonism.
So he's getting in here, and they ask him further, and he says, such then become.
Possessed as of hearing voices, thus derangements come.
These are termed deranged when they may have more of a closeness to the universal than one who may be standing nearby and commenting, yet they are awry when it comes to being normally balanced or healthy for their own activity in a material world.
These are those alcoholic cases that are of a sympathetic nature or where there has been the possession by the very activity of sane.
And then he goes on to give this very unusual suggestion.
He says, Gold will destroy desire in any of these.
Gold.
They don't like gold, Gigi.
Ah, that's very interesting.
So, that would be like that liquid gold that people make, like the electrocuted.
Yeah, that's very, very interesting.
Well, gold would maybe be an ultimate harmonizer, kind of representing that eight chakra energy, cosmic energy that sort of just.
Pushes like the sun, right?
Pushes everything away.
The radiation, nothing can coexist.
That's the thing is that if you can bring that high light that's often symbolized by gold into your body, then it's dominant and it will push out darkness because darkness is like incoherent, you know, it's scattered, it's incoherent, and so it will push it out when it's introduced to a stronger harmony.
So it's really interesting, actually.
Um, we know that gold.
In all time, it has been, you know, it's one of the gifts of the three wise men, right?
It's frankincense, myrrh, and gold.
So we're getting now this idea that gold plays a larger role than just looking nice for these ancient cultures.
They understand that it wards something off.
So Casey now suggests for these people who come to him and seem possessed this gold solution.
And it's a kind of a wet cell appliance thing where you lie down.
And they put one rod in this water that has this gold solution, and they put these other kind of little things.
I mean, they call them electrodes, but back then they're just some kind of conductors.
You lie down and they place them on you.
That process, within 30 days, Casey says, will drive these things out.
Quite fascinating that he's giving gold so much.
And he says, you know, if you lie down on Virginia Beach, this is in one of the readings, that there's a gold factor that's so high.
That it also has the same kind of effect.
So he's referring here again to this gold influence, having it around the body or getting it through other ways and means.
Interesting, Gigi, because we find gold over and over again.
You know, here's this strange metal that everyone is freaked out about from time immemorial.
What's the secret there?
Well, I mean, I think that it has magical properties.
I think that's what it is.
I think it's a technology, you know, within itself.
And I think it's used magically.
And I think it represents the sun.
And I think it represents, you know, Our higher chakra system, and I think that you know, minerals and elements can come and be a direct embodiment of something holy, or it can be like a direct embodiment.
Crystals and minerals they can be like a very strong, direct representation of the Godhead and very pure.
I think that's what alchemists were referring to when they were creating what they knew when they were.
Turning lead into gold, things like that.
Wow, fascinating.
And this is making me think of Jim Mars, our late great Jim Mars, who I had many shows and conversations with and learned so much from.
One of the things he was adamantly researching was the use by the Israelites in the desert of monatomic gold and actually talking about ingesting gold.
But this was something he was absolutely fascinated with.
And when it came to that manna from heaven that this kind of big spaceship is giving down to the Israelites in the desert, His final kind of conclusion on this is that this is what they were having was this monatomic goal.
I do feel that there's a there's kind of a clue there with you know Casey talking about this.
Just a couple of more things that Casey has to say in relation to this because I find it so instructive and talking very much about how people who seem to be almost insane are right in that border between getting higher information.
Or being subject to these lower influences.
So basically, kind of unprotected.
And that's going to get us into the film ideas.
So this woman says, Why do I feel that someone is putting the power on me?
And she is a woman in her 30s who was a yoga instructor, comes to Casey and says, You know, I feel like something's putting power over me.
And Casey's response is, The body is super sensitive, a super sensitive individual entity who has allowed itself through study.
Through the opening of the centers of the body to become possessed with reflexes and activities outside of itself.
And they follow up with the question, What is it exactly that assails me?
And Casey says, Outside influences, discarnate entities.
I know that feeling.
So, discarnate, give us a sense of discarnate, Olivia.
Oh, God, do I?
No, just describe what it is.
Well, I was just saying in the ideas room, you know, to be human is to be a vessel.
I mean, we have to.
True.
That's it.
You know, what we are is sort of a tuning fork in a way, and we get to attune ourselves to what we contain.
You know, we're always channeling entities.
I'm sorry.
There's no one individual here, there's a combination of many.
There are spirit guides, there are angels, there can be demons.
And we tilt one way or the other by that's what we control with our personal angel on your shoulder in the person.
I think it is, actually, even though that's very simplified.
And so.
Well, I know the guardian angel part is actually nice to consider, but this, the discarnate, literally means not incarnated.
So, you know, somebody who was incarnated but isn't anymore, that's a discarnate.
So it is somebody hanging out, maybe in the astral plane for better or for worse, but then coming in and possessing somebody.
So that gets us into possession.
Gigi, what is taking place?
You know, Casey says something there which is interesting, which is, This woman, through study, has opened up herself.
So she's gotten to a certain point in her yogic practice where she can open her chakras and maybe get higher visions and things.
But now she's subject to these other influences.
She needs a shield in order to get protected in those realms of activity so that she doesn't get possessed.
What is it that happens when you go into those higher places?
Well, sometimes the interesting thing about sensitivity is sometimes you can open up and you can.
You kind of regain similar sensitivities that you've had in other lives.
So that's really interesting.
Our sensitivity is always like carrying through everything.
But essentially, when we start to get it back, I guess you could say we're really permeable and we can sort of enmesh.
One of the first things I teach when I teach intuition is that we are always enmeshing with our world and our reality.
And the first thing is to know yourself enough so that when you start to enmesh, With another person or with the reality that you can always come back and understand and know your own vibrational frequency.
And that's in the heart.
So we're always enmeshing, but we always have to come back.
And that's a really important thing.
But the weird thing is, a lot of people who have suffered from this possession is it kind of starts with these weird intrusive thoughts.
These intrusive thoughts that are not something that you'd want to do or not something that you feel interested in at all.
And what it is is they want.
To have you do an action that follows an intrusive thought that is maybe negative.
It can start out very small, and they want, and so like a negative being, it's kind of a weird initiation where they'll give you an intrusive thought and they want you to act on it.
The more you act on these intrusive thoughts, these intrusive energies, the more you solidify them with action, the more you link yourself with these.
Thoughts and watch the nature of our feelings, and know that sometimes when things come into your mind, into your field, that they're not yours.
You may be vulnerable.
Like when you open up your chakras, when you do psychic development, you're becoming permeable.
All psychic ability is, is permeability.
And why we're not psychic is because we make ourselves impermeable, we close up our chakras.
And so, the moment that we become permeable, we start that initiation process that we talked about earlier.
Which is that you have to determine, you have to know what the false light is.
And so that's sort of what I would say is sort of the dynamic and maybe the beginning.
Well, your awareness is kind of a shield when you're dealing with these things.
I mean, part of the problem when we talk about possession is if you are somebody who's using a Ouija board and just opening up and playing around with things or automatic writing, you know, there's benefits to explorations and spiritualism.
But if you don't have any grasp of, Defending yourself, protecting yourself in those, then you run into a situation where you can get overwhelmed or influences can get in.
Yeah, yes, you have to be educated.
And you have to have a practice that's self observational.
You have to have a practice where you sit with yourself, you sit in your heart, you sit in your own energy.
One of the things, if there was just something simple to say, it would be that.
You don't want to go in lost.
I mean, you want to open yourself, but you want to know how to hold energies in your body.
You want to know how to hold peace in your body, love in your body.
You want to be prepared in your own energy to go in there.
And you do that through observing your own thoughts, knowing your own mind, so that something just can't come in there and start influencing you.
So, I mean, the mystery schools had all of these techniques and all of this stuff was.
More in awareness, but we're really flying blind now.
Oh, yeah.
And there's a trend in the new age that's just very willy nilly and doesn't really even talk about the false light at all or anything, really.
Right.
Everything just has to be like happy go lucky and that's it.
Yeah, everything is fine.
And maybe it is for some people, but like I said earlier, you really do kind of start off where you left off in other lives.
So maybe you've earned this solid rooting and this sort of perspective more than someone else who.
Is in a different place, so it's everybody's different, yeah.
I'm okay, you're okay.
That's an important question to ask.
I absolutely okay.
Mamasabe1w wants to know, I wish I knew how to turn sensitivity off.
I struggle like empaths.
Maybe Gigi knows.
I think part of this, being an empath myself, I want to say it's sometimes very difficult to get a sense of your own energy matrix, and then the challenge is once you have it to hold it to keep it.
To reinforce it.
So, Gigi, what do you think?
That is the biggest.
Well, first of all, you have to understand that being an empath is an incredible gift and it's something that you have earned.
Some people will work their entire life to regain an ounce of that sensitivity, and it's also empaths that will sew this world together because it's their ability to feel what somebody else is feeling that makes society okay, that weaves society together.
So, never ever be angry at yourself for being an empath, never resist.
Be so gentle with yourself.
And when you're an empath, you want to make sure that you're grounded, first of all.
That's so, so, so important because if you're not grounded and rooted, then everything gets really crazy.
You have to have a really strong grounding routine and you have to meditate.
You really have to meditate.
That's like the thing you have to meditate.
And I have a bunch of videos on being an empath.
Just go into my channel and type in empath, and I go into all the things.
You know, from oh, yeah, different library now, yeah, incredible.
And uh, that's if you're at gg Young on YouTube, like check that out ggyoung.com.
And um, you're teaching a new course now for November, yeah.
Hopefully, I'm moving now, but um, it's going to be on the energy body and um, just how it opens and how it works and the different chakras.
But I'm going to include the cosmos and more the cosmic chakras and um.
Removing Systemic Toxins00:15:54
I'll maybe talk a little bit about possession too, because this is really interesting.
Yeah, absolutely.
And so we'll say that that will come sometime before 2020.
It's in the last.
Yes, my goal.
I don't want to forge you into November if you're not ready.
You know, it's almost there.
December is just as good.
Everyone, you're watching the Dark Journalist show.
This is episode X71.
Yes, X71.
And that kind of sounds like a super secret X plane, if you think about it, the X71.
We're going deep into possession and what comes out of possession, exorcism, because once someone is possessed, they have to get exercised.
We saw Casey recommend, you know, I mean, he certainly does recommend a kind of Christian approach also, but we saw him there really pointing out, hey, get gold in that system, get them to refrain from alcohol, you know, kind of an interesting approach.
Christian exorcism, which is really casting out, this comes back all the way to the New Testament.
And one of the kind of first, I guess, examples of exorcism is when Jesus confronts a boy who has a demon and he casts the demon out.
And the demon says, Well, I have nowhere to go.
And Christ says, Well, there's a bunch of swine over there, you know.
And the demon goes into the swine and then the swine jump over the cliff.
So, this demon drives them off the cliff instead of this boy who gets up and suddenly he's normal.
So, Jesus performs a very interesting exorcism there, interacting with this thing, saying, you know, it's time to get out.
But it is also fascinating that we get this tradition through the Catholic Church of exorcism.
Now, a lot has been made of the fact that, you know, it got popularized.
And we understand it, I think, a little bit better because it is out there in pop culture.
But this idea, and I've talked to some people who are Greek Orthodox, where it's really still practiced as a regular thing, this whole possession aspect.
And one of the things that I heard was about a case where, when they were doing the exorcism, this is a more modern case, maybe more like the early 2000s, instead of the exorcist case, which actually went back to the 40s.
Where the person who was doing the exorcism got his arm broken because these things, when they come in, have tremendous strength.
And we see that in the movie.
Gigi, exorcism, casting out, this is something that goes all the way back to ancient cultures.
Yeah, actually, I believe every culture has a belief in exorcism and possession.
It's only really our modern times when we neglect.
When we negate the spirit entirely and just don't believe that it exists, I mean, how convenient for people that want to possess somebody.
But, um, your greatest soul just gets wiped out, right?
So, it's very convenient.
Um, but yeah, I mean, our modern day culture is really, I mean, you really see it in some places in, um, obviously in Haiti and voodoo culture, very much about, um, hoodoo, voodoo is very much about that.
And also, there's some places in South America that are still really, really do a lot of possession rituals.
And there's a really famous temple in India as well.
I can't remember what it's called, but it's strictly dedicated to exorcism and possession.
So, this is really ancient and it's something that we don't understand now.
I actually think that it could be brought back in a way that's really empowering and really therapeutic and that would really connect you with your essence.
I really think that it could be done right or done differently that would really help people.
Oh, absolutely.
It's kind of fascinating too because the kind of culture, the junk culture that's been developed here for the 21st century, which we see so much of, it needs some, like, you know, I always say, well, it needs reform.
But in essence, it needs a kind of exorcism to get back on track because it's just possessed by this thing and it perpetuates itself until it can get recognized, identified, and thrown out.
So, it is a very interesting because you're getting into spirituality, you're getting into religion, but you're also getting into kind of like removing a toxin from a system.
It's a spiritual toxin.
I mean, that's basically what it is.
It's a spiritual parasite or a spiritual toxin.
That's the perfect way to say it.
And you're not going to have your own mind or a sense of your own self, your own light, until it's faced and removed.
And it's very scary.
With all of the AI and the microchipping and plugging your brain into a machine, because that's kind of like the swan song, or like the way to really solidify it.
If you can become possessed and then you can have a chip or an electronic thing in your body that anchors the possession, makes you unable to connect with spirit, I mean, that's it.
Yeah, your eighth sphere, it's a one way ticket.
Yeah, you're just plugged right in.
And so that's the danger.
Absolutely fascinating.
The AI aspect is going to get in here because we're going to talk about Steiner's version of Aramon possessing through technology, which reads very much like it was written almost yesterday.
It's unusual how modern that is, Gigi.
It's as if he could look out there and, you know, like Nostradamus and just kind of see what was going to happen and describe it.
Now, it's funny, there are people who were around Steiner, and I guess this gets into Casey too, because These people are channeling higher things.
So they're tuning in a higher spirit, you know, a benevolent spirit or cause, a higher source to get information.
So Casey goes into his trances and he's thinking, let the highest good come through me to help this person or serve this situation or give these answers, which is a lot different than, say, Aleister Crowley saying, you know, I was come into me now and control me and make me the beast.
I mean, you actually, in that sense, you're kind of like a radio set, right?
You can.
Whatever you tune into, you're going to get.
Right.
So, and I can hear people saying, you know, well, I just don't want to tune into anything.
I just don't want any spiritual stuff at all, thinking that that's going to make you safe.
Right.
No.
The reason why that's a no is because we are multi dimensional beings, which means there's an aspect of our consciousness that's alive and spinning in every dimension.
And so you can either become aware of that and master that, regain that ability.
It's not developing it, it's regaining it.
Or you can ignore it and potentially have it go crazy and suffer with possession and influences that aren't even really you.
So, there is no avoiding this, in other words, you can't avoid this by just saying, I'm not interested in spirituality and this woo woo stuff because you are there, you are present.
There's an aspect of you which is why it can be developed.
So, we have to realize what we are is spiritual beings and we have to embrace that and learn how that works.
And it's joyful, it's fun, it's why we're here.
It's the beauty of this time is rediscovering that.
It's a gift for this time to rediscover that.
It's not something that we should divorce ourselves from thinking that we're safe because ignorance is not bliss, not in this case.
Yeah, well, that's interesting too because you're throwing out the fear there.
You're saying, no, this is actually something to enjoy.
And because there are dangerous aspects, I mean, any kind of a practice involves a danger.
I was thinking about the situation where they had lead in the water.
In Detroit recently.
And, you know, people were activists about it.
They got the situation cleared up.
But if you were just like, hey, I'm not going to deal with it, they'll fix it, you know, whatever, you'd be absorbing this dangerous toxin.
So it's a kind of awareness that changes the situation on the ground.
Absolutely.
That's a great example.
Do you want to be drinking lead and slowly going crazy?
Or do you want to know exactly what's going on and have the ability to change it?
And that's why we're here.
Absolutely.
I like when you said slowly going crazy, you looked right at me.
That was good.
I know it's true.
Everyone watching the Dark Journalist Show, we're on episode X71.
This is Exorcism, CERN, and Aramon.
And we're going to deliver all three, as you can see, in this episode with Gigi Young.
It's fantastic to have you for this one, Gigi, because last year on Halloween, we did the CERN tarot cards.
And for months and months after, I mean, literally, People would ask me questions about that episode for like eight or nine months after the fact.
And so this is kind of like the reboot, but expanded version.
And we are going to touch on a few of them.
Obviously, it's not the focus this time, like it was in that episode, but we're going to give those people enough.
And I do think the cards are important as you and I have both studied them and Suzanne Trister's work and the whole Hexen aspect.
One thing I wanted to bring up is that you tracked.
And I want to say again that this was the artist who was the artist in residence for CERN.
And I'm not, any of the reasons that we bring up her stuff is because it seems so informed.
So it's not to cast aspersions on the work that she did.
Obviously, she's very informed and she's an interesting artist.
And, you know, she's welcome to come on the show and talk about what she did for CERN.
But I do think that it represents a state of mind that these people are in, that they think CERN is connecting them past, you know, That they can get around the spiritual aspect and go right for the gusto into this other realm.
And it was funny, people used to make jokes about this when we had shows on with Dr. Farrell in 2014, talking about how CERN wants to open up portals.
And sure, some people online, when they were exploring this, were channeling all kinds of psychic garbage into it, saying, like, you know, well, they're unleashing a horde of demons on us right now and, you know, things that weren't provable.
But the fundamental aspect was we were saying they want to open dimensions.
And so, when we would go into that in a series of videos, the CERN people would put out press releases laughing at it, saying, ha ha, we're not sure we are, and everybody is welcome here, ha ha.
And then later, this year actually, they put out something saying that they actually were looking into how to contact and correlate into those other dimensions.
Literally, what people were saying about it five years ago.
And that they were brushing it off as some kind of crazy superstition.
Oddly enough, Gigi, they're up to exactly that.
Yeah, I mean, it's just they're counted on and they're invested in people being occult illiterate.
Yes, they're invested in that.
It is absolutely ridiculous that these cards exist.
Yeah.
These are incredibly dark and creepy, and they were designed in CERN.
CERN had a contest, they had an artist, and they made.
Is this an atomic bomb going on?
I mean, this is built in CERN.
This is what interests them.
Yes.
And it's all okay because we are illiterate in the occult.
We just think they're a bunch of silly drawings and it's a bunch of woo woo.
And meanwhile, they just flick that thing on and do whatever they want and introduce whatever energies they desire into the collective.
Yeah, there are legitimate, there's undeniable scientific impacts from CERN, which have been tracked that when it is turned on, it drags at the magnetosphere of the Earth.
It's, you know, without a doubt.
And they're talking about utilizing energy five times the sun.
So, you know, it has environmental impact.
I don't think there's any way around it.
And they're like, tsk, tsk, you know, the peasants are upset because they don't understand scientific materialism, you know.
And so this is the nature of the thing.
I do think what's fascinating about it, it's going to come out more because other countries have caught on to this and they've said, we want our own.
So, China and India, they're developing their own particle colliders.
We've had one in Long Island here in America.
Since the late 50s.
But the Large Hadron Collider was something altogether unusual.
And the new one that they're going to turn on, they say they're turning it on in 2021, is five times bigger than the original CERN.
So there were a lot of things around it.
There were lawsuits from these scientific groups saying that the strangelets that come out of CERN are basically like mini black holes.
And that there is, however minuscule that possibility, it could create this kind of black hole effect that would be an ongoing molecular effect.
In reality.
So, you know, eventually they blew that off too.
And then eventually they themselves acknowledge yes, there's one in one billionth chance that we would create a black hole with it, but don't worry about it.
So there's no doubt about the environmental part.
Now, we've also seen there are occult aspects around CERN, such as they've filmed things that look like mock human sacrifice rituals in front of it.
And there's a series of unusual statues like Kali and things like that, which would lend itself.
To saying, well, these people aren't just a bunch of scientists going to work and hoping for the best and moving humanity forward.
There's some kind of cosmology that they're working with that doesn't come into, say, their press releases.
Oh, yeah, absolutely.
I mean, we have to be honest.
A lot of the reason why people don't want to look at it is because they're afraid of their own consciousness and they're afraid.
There's no question.
There's no question that this is a deeply.
Sick Mentality Exposed00:14:42
Occult and like a deeply occult device that is being used.
And they're showing us that they're ritualistically showing us that through a tarot deck.
They're naming the certain projects after occult, you know, fade.
Like, I think one of them is like Alta or Atlantis or something.
Like, there's they're all super, they're laughing.
Yeah.
And not only are they laughing, when we don't tune into this, when we don't.
Pick up on it and start to just ask questions.
They think we deserve it.
Right.
If they can just do this and get away with it and second all this money and whatever, and nobody even believes it's going on, then we deserve to be fooled.
That's how these people think.
So that's a different consciousness than a lot of people, but that's might is right.
No question.
Absolutely.
And of course, groups like this could end a lot of the questions by being transparent.
But they won't do that.
I mean, they're going to end each other fighting over the resource.
Over their own greed is going to just crush them.
That's getting down to it.
Yeah.
Yeah.
Wait till they go in that internecine warfare with each other.
That's kind of something to watch.
But it'll be too late then, right?
Correlations with things like the two eyed stone brought up in mystery school literature, talking about these older cultures having the two eyed stone, which did the cultures in eventually, became too powerful.
CERN is a kind of two eyed stone, a power source.
It hasn't been identified as a power source.
This is something that they're looking for.
No, they're looking supposedly to see what the effects are of these experiments of smashing particles together and getting the information.
Now, as of 2017, CERN was the largest user of the internet.
So, sending those experiments out, constant correlations, quantum computing, and all the rest of it.
It seems like it's more than how it's advertised.
Yes, it definitely is.
Definitely, that's the dead bang takeaway right there.
Oh, yeah.
I mean, yeah.
I mean, everything about it.
I mean, I even think that location that they chose is a very spiritually significant location as well.
And so, everything about it, every detail, but because society is so obsessed with.
Linear thought and linear thinking, we don't pick up on it.
So, yes, yes, absolutely.
And well, it's interesting because when you get into this idea of tapping into other dimensions, you run into this problem of possession.
I mean, if you tap into another dimension and you're not so spiritually awake yourself, it's probably pretty easy to possess you, I would think.
Oh, yeah.
So, when we get into possession aspects and looking at CERN, you're looking at a kind of technological facilitator, shall we say?
Yeah, and I think that the really, whenever I psychically see CERN, I see CERN was the result of channeling information over hundreds of years to create this.
So, channeling one group of beings to move society ahead in all these different ways to create this.
So, it's literally connecting with darker beings that people let in.
It's just my opinion.
If y'all don't believe this, then that's fine.
But it happened over hundreds of years, maybe thousands of years, to create this device.
And we had to go through different stages of development to create this two eye like device.
And so, it's an ongoing possession, large scale, that these.
Beings, these harmonic beings are essentially giving this group that has no idea what they're doing, they're completely fooled, the blueprints to connect and harvest the planet.
So, and they think, you know, and I'm sure they've been told a bunch of flattering things along the way, but that's how I see that.
That's an interesting thought.
So, the people running CERN are actually being harvested themselves by the things they interact with supernaturally.
Oh, the most.
Yeah.
And that never goes well.
I mean, Satanists never age well.
They never, they never like, you know, they degrade very quickly, usually.
And they're just being used.
And they're being used to secure the consciousness of an entire planet, which is a food source, right?
Our consciousness is a food source for beings in higher dimensions that are.
Vampiric.
So they're just being the Bobo for.
Bobo.
Bobo.
We're running across the Bobo in society over and over again.
It is interesting.
Yes, Miss Lou.
Okay, I've got two questions.
First one Alex Magoon.
Are demons from another world?
Are they other world entities?
Are they our own energy fractured off?
Well, I mean, I think that when you get into demons, it's sort of a.
A kind of umbrella word for like dark energy, like dark entity.
I think you have actual beings who have a soul that have gone dark, and then I think you have beings that are created doing like a talpa, stuff like that, but they're all in a demonic realm.
They all have the same thoughts, they all have the same desires, but they can have different types of consciousness.
The thing that links them is the fact that they're in a false light hierarchy.
So that's what I would say.
Yeah, on a practical level, the metalhead demonic, we know that they exist.
Go ahead.
Okay, Sundari Short.
Gigi, during a recent meditation, when I opened my 11th chakra, Araman suddenly appeared before me.
It scared me at first, but I realized in 5D he had no power over me.
Do you agree that bringing ourselves into 5D is the only way that we will not be affected by AI, 5G, and the Aramanic control grid?
Right.
That's correct.
That's absolutely correct.
And congratulations with opening your chakra.
That's a really big deal.
So good for you.
And yeah, absolutely.
I mean, he's mad now.
Like you unplugged, and he's like, you know, he's upset.
Because when you do tune into that higher dimension, especially the fifth dimension, that's when polarity lessens a lot.
I mean, the lower astral realm is very polarized, just like we are here.
But when you get past that threshold, that's when you really lose that.
Um, polarity, um, and so he can't really exist there because, as powerful as Aramon thinks he is, he's a deeply conflicted and inverted presence.
So he's going against the grain, he's going against the force of the godhead, he's going against the natural rhythm of the cosmos.
So, even in Mayan cosmology, they say there are nine lords of light, nine lords of darkness, I believe, and I think 12 lords of light.
Correct me if I'm wrong, Daniel, but.
That hints at the intrinsic powerful nature of higher dimensions of light and of the energy of love.
So, you can't really go against that with any, you can't, I mean, it's dominant.
So, when you plug into that, you anchor into that, which is through the heart.
That is the aspect of our consciousness that correlates with 5D or the fifth dimension, is the seal of the heart, the higher heart.
So, when you do that, you are invincible, essentially.
Well, I mean, it's not like you're like, you know, but you have perspective and you have an anchoring that affords you space, space to observe that, space to see a truth.
That's what I would say.
Well, that's like the Clark Kent into Superman, for sure.
You do, you convert into this kind of super version of yourself.
Yes.
That's really fascinating.
We've touched on Aramon, and of course, Aramon is late to the party because we've talked about him, but we haven't shown him yet.
So, we're going to get into that a little bit here.
I think there's also an aspect of the eighth sphere in this that's going to help us understand the CERN part.
So, what we're going to do is we're going to examine Aramon here, and then we're going to move into these two films that kind of demonstrate this good and evil aspect, keeping along with our Halloween.
Exorcist Wizard of Oz theme.
We're going to find lots of interesting things along the way, which are mind blowers and TKOs that we have saved, especially for the second part of the program.
I want to remind everyone we're going to be taking questions for the second part of the program for Miss Olivia and Miss Gigi.
So do make those questions in caps, and it makes life a whole lot easier.
And we're going to run through those in the second part here.
How are we doing out there, Miss Olivia?
Great.
Don't know this story, but this is beautiful.
Channeling the Heart, Barbara Joyce just said there's a story that Mother Mary was the only being that Satan would lower his eyes to.
Makes sense with Mother Love, Mother Mary.
Yeah, yeah, hmm, interesting.
Gigi, you actually came up with a fascinating story about, or just a timeline aspect about when we exploded the atomic bomb.
It was right in this August period, which in uh.
Kind of esoteric terms, that's the Lion's Gate and corresponds to Christ's transfiguration.
You want to talk about that?
Yeah, I was deeply disturbed for 24 hours.
Yeah.
After I, I mean, you know that people are up to things that are dark.
Right.
And sometimes you just read something and you're like, okay, that's just filthy.
You know, that's just terrible to do that to people.
So I actually, Found a book that's sort of like the CERN Tarot, and it was through Susan Triester's work.
I discovered, I just felt very drawn to looking at it, like I felt like I had to look at it.
I found out that the atomic bomb, so Hiroshima and Nagasaki, which were I think a couple days apart, and they were both bombed in the Lionsgate portal.
So, we are here, we are believing that we better get in the rad lab and develop the atomic bomb to end the war.
And it's like, no, you did that ritualistically.
You chose Christ's transfiguration, which is a portal of light, of golden light for the world.
And you closed it.
You attempted to close it and take it away and weaken it.
That's what it is.
Incredible timing.
Yeah, like that's a natural light portal that Christ embodied and gave to.
Contributed, and we need those portals to ascend ourselves.
And so, when someone just goes and sets off an atomic bomb at that time, that's an insult to everybody.
It's an insult to our awakening, and it shows just how sick these people are.
Yes, yeah, absolutely.
Well, when you think about Oppenheimer, who was largely manipulated into the role of chief scientist in that project and the Manhattan Project, and he said, when we set it off, we didn't know if.
If, like CERN with the weird black hole thing, we didn't know if we were going to destroy the world.
Like there was a possibility that this effect would just keep going and that would be it.
And then he said, when it was set off, you know, some people were relieved, some people cried, some people, you know, went into hysterics.
And he said, and I thought of that, you know, the incredible Vedic texts where it says, now have I become Vishnu, a destroyer of worlds.
And he was very deeply moved by it.
And as soon as they got their claws around the fact that he had a conscience, they manipulated him and made him look bad and like a communist and all this stuff.
And they had Edward Teller come in, who was like, hey, I have an even better bond, the neutron bomb.
That just kills people and it leaves stuff intact.
And he's the guy who really took over the program.
But this is a really sick twist.
It's a sick mentality that came about, and it's something that in the culture got kind of balanced out.
And when you look, At how the culture has dealt with it over time.
If you go back and look at 80s movies, for example, where there's a big nuclear thing, or if you look at Kennedy handling a Cuban missile crisis, it's something fundamental where we realize we're up right against annihilation.
And again, when we're looking at periods of time like now when they're doing these Russia scandals, Russia did this, hey, by the way, it's a Russian plot.
And they go into this mode of scaring Russia in order to use Russian conspiracy for.
You know, political points in America.
And that's the Democrats who largely do this now, and the Republicans have their own scapegoats.
But I think it's interesting that, and in Russia's case, they developed a new nuclear missile called the Satan 2.
Ritualistic Bomb Patterns00:03:06
Oh, Lord.
Yeah.
So, like, that's over the edge, too, right?
You can't respect them for doing that.
And so, and, you know, we have all these programs to renew our nuclear weapons.
I mean, you know, Gorbachev and Reagan, when they met, They discussed a zero option.
Okay, that's 1987.
That's getting rid of all of them.
You know, we're going back to creating and proliferating nuclear weapons.
I think it's very interesting with what you're pointing out about the timeline of how this thing was born in the first place.
It's ritualistically done, it was done in a ritualistic, purposeful way.
And I think that pretty much.
I mean, I wouldn't be surprised if there was a ritualistic pattern to other atomic bomb detonations and other, obviously, obviously Joseph Farrell's going to really know this, but, you know, kind of like the ceremonial dates of like what the Nazis were doing.
And I think there's a lot of magical undertones to all of these dates and when the battles were and things like that that we didn't even realize that when the blood was spilt, it was spilt in the wrong direction and that it was for something that we can't even imagine.
Wow.
Well, you're getting into very, very interesting territory there because, I mean, one of the dates that Farrell likes to point out is the moon launch, which takes place on the anniversary of the assassination attempt on Hitler, which was the bomb plot.
And, you know, they made a movie, the Valkyrie movie, about this.
But, you know, some of those really high end officers there tried to bomb where Hitler was going to be in order.
End World War II and all the rest of it.
There were forces inside even that structure that wanted to get rid of the madman.
So it's very interesting, but that's when the eagle has landed.
That is the anniversary of the assassination plot on Hitler.
So the question is according to Farrell, whose eagle has landed?
Everyone, you're watching the Dark Journalist program.
We're here with Gigi Young, who is giving us kind of a deep introduction into.
More occult aspects around CERN and some of the projects that we see scientifically and the scientific materialism on one angle, but there's a larger occult picture informing that.
And when they try to kind of shut off those esoteric sensors and kind of get us just thinking in the scientific materialist terms, we'll never see that larger picture closing in unless you watch 70 episodes of the X series or Gigi Young's channel, but you'll get there pretty well or listen to Olivia.
How are we doing out there?
We are doing great.
Yes, fantastic people.
I'm loving this show.
I am too.
It's great.
Luciferic Hive Mind00:11:53
It's our Happy Halloween, and we are going to deliver the Exorcism and the Wizard of Oz both tonight.
And they're going to come in.
But first, a little Steiner revamp here.
Rudolph Steiner, now the leader of Anthroposophy and Spiritual Science, who branched out of Theosophy, where he was appointed.
To head up all the Theosophical chapters in Germany by Annie Besant, who had taken over from Helena Blavatsky, was her hand picked successor.
It's interesting that we wouldn't have anthroposophy if Besant and Ledbetter hadn't taken Theosophy into this other, you know, let's see if we can actually channel the Messiah into this Krishnamurti child.
So that whole thing.
And the resistance to it on Steiner's side, seeing where they were going with it, and that it was too will oriented, that they were pushing their own will too much to get society moving like that by having the Maitreya, Christ, channeled.
So Steiner goes off and he creates anthroposophy, and in that process, he gives out information.
He's starting to open up.
First, it's in a very closed group, it's not public, a lot of it.
But then World War I hits, and Steiner writes it off.
He says, you know, We have to get this stuff out now.
You can't wait anymore.
Just like the mystery school groups in the 19th century, we have to let it out because the process is taking over and humanity won't be recognizable after a certain point.
So he lets out two major things.
One of them had already been let out by a student of Theosophy, AP Sinnott, which was the eighth sphere.
And then he wanted to clarify it because, according to him, in mystery school terms, it was one of the largest secrets.
The eighth sphere was basically an artificial step in evolution.
And the shorthand of that is in the cosmology, as Steiner stated it, we're here, we're developing, and the spiritual kind of warmth of the earth is what's being developed.
And what happens is we move on through other planets in that process and then come back and reincarnate.
But in the way that things are set up with the harmonic forces, which are here to harvest humanity, what we kind of refer to as the devil, the harmonic forces have created an artificial step called the eighth sphere, which is kind of like a virtual reality realm, which is easy to get drawn into.
And this is the battle that takes place in humanity's consciousness day after day, falling for illusion, getting sucked in.
Um, and uh, seduced as it were.
Now, um, the character behind that he attempted himself, Steiner, to tune into what this character was, and it's very interesting because his sculpture of Aramon, which I have around here somewhere, one of the first things I want to point out about it is something we've looked at before, Gigi, which is the strange six fingers that this character has.
Let's see if I can get this picture going.
There's a really clean shot of it.
So he gives the sculpture six fingers and he calls it after the name of the Persian version of the devil, and that is Ahriman.
And this is the sculpture that Steiner will produce of Ahriman, which is definitely enough to scare you on Halloween.
But Gigi, he says as he's doing it, he's trying to get it done because he's feeling heavy and almost like he's in cement.
But he's getting a real impression, a closer and closer impression.
And he does this sculpture, he doesn't assign it to someone else, he gets it himself and sculpts it.
And that's what he's left us in terms of understanding Aramon visually, which I think is quite powerful.
I think his sculpture of Aramon is incredible.
I think it gives a lot of hints for those who can see about the story of Aramon on the planet and the difference.
Types of people he's influenced and different things that he's influenced.
The six fingers is interesting because traditionally, you know, the number of fingers that you have determines where your consciousness was rooted or kind of where it initially was dimensionally connected to.
And that's why there's like, you know, there's the other day we were talking about the six toe Jesus.
Yes.
And things like that.
So you do see these six fingers and six toes.
And I have like, Weird memories of like seeing a like being in a mass of bodies and people like checking the fingers and toes to see how many like seeing who like did they get that person and looking look like just directly looking at the fingers and the toes.
Oh, wow.
See if there was six.
Yeah.
Yeah.
It's a thing.
Yes, absolutely.
I thought it was interesting he added that in there because it's one of those touches, like you said, that you have to kind of pay attention to in order to pick up on.
And we have seen, you know, when they talk about alien abduction, I talked with a guy named Charlie Fultz, who I met by accident.
And he was somebody who was part of the Allagash incident up in Maine.
And it was just a very unusual encounter with these beings.
And I said, What did the beings look like, really?
And he was like, Well, they look like bugs.
They look like, you know, human sized bugs, basically, with overalls.
Wow.
So they're like minions, but like.
Yes, exactly.
Blood minions.
And the other thing that he told me about them is that when he stared into their eyes, you floated up into them.
It's like you couldn't look at them and just be normal.
You would look at them and then.
So they're instantly taking some part of your etheric body.
But the reason I brought them up is because he said one thing I noticed about them is that they didn't have a thumb.
And he talked a lot about how he observed their hands and what their hands were doing.
And he said, Oh, isn't that interesting?
They're not able, they have to kind of grab things in a different way because they don't have that thumb.
So, again, we get some of that hand imagery.
I've heard this about the grays as well.
Right.
So, that would suggest, I think, a descended consciousness.
Interesting.
No.
Yes.
I always associate the thumb with like being an earth thing for some reason, originating an earth or being connected to that.
But I mean, yeah, if you're missing a finger, you have less fingers.
That's a regressive.
Whether they're ascending or descending in that state is another story, but they're anchoring in the lower astral or their highest dimension that they can reach in their consciousness at that time is the fourth dimension.
Which is not, which is, you know, the whole bottom of the fourth is a chaos realm.
Yeah.
Very, if you get cut off at the fourth dimension and you can't even sense the fifth, you don't have access to pop in there, that's really.
Limiting, it starts to become really like a hive mind.
Right.
You're losing your individuality.
You really just start to function like a hive mind.
Yes, that's really interesting.
I was trying to figure out a quote that would capture.
This is from a series of lectures that Steiner gave, which were in 1921.
About Lucifer and Ahriman, and how he splits the two.
Ahriman being what we know as the traditional devil, and the Lucifer Gnosis being something else, something that we at times have learned from and other times has worked against us.
So it's sort of like a mixed bag, whereas Ahriman taking on those elements, working with Lucifer Gnosis, uses that to manipulate humanity.
And now, isn't this the good news?
Steiner says they work together.
Oh, so.
So here's the way he splits it out.
In spiritual science, we must emphasize the following.
I want to point out that this coffee, I dropped on this one like literally 20 years ago or something.
So just an idea of that book.
I've had it a long time.
Spiritual science must emphasize the following that Arman is actually preparing for his incarnation, where we can recognize how he is preparing for it and with what attitude it must be confronted.
In such questions, the point is not to say we do this or that in order that we may have no cause for self reproach, but to learn to recognize the objective facts.
We must come to know what is at work in the world and act accordingly for the world's sake.
It all amounts to this that modern man only speaks truly of himself when he says that he hovers perpetually between two extremes, between the harmonic on the one side.
Where he is presented with an outer delusion, a feta morgana, and on the other, the luciferic element within him, which induces the tendency to illusions, hallucinations, and the like.
The harmonic tendencies in man today live themselves out in science.
The luciferic tendencies in religion, while in art he swings between the one extreme and the other.
In recent times, the tendencies of some artists have been more luciferic, they are the expressionists.
The tendencies of others have been more harmonic, they are the impressionists.
And then, vacillating between all this, there are the people who want to be neither one or the other, who do not rightly assess either the luciferic or the harmonic, but want to avoid both.
Armand, no, that I must not be, that I will not do.
For it would take me into the realm of the Armonic.
That I must not, will not do.
For it would take me into the realm of the Luciferic.
They want to be virtuous, avoiding both Armonic and the Luciferic.
But the truth of the matter is that Lucifer and Armon must be regarded as two scales of a balance.
And it is we who must hold the beam in equipoise.
You have to confront them both.
Yeah.
I love that.
I love his statue too, where he has like the, I don't know if it's his idea, where he has like one above and one below.
And he's the, I think it's, I don't know if it's Michael or Christ as like the center point.
Yes.
That's a really good metaphor as well.
But yeah, I mean, it's not about avoiding it.
It's about understanding that both of these forces are intrinsic.
Avoiding Hypnotic Control00:04:39
They're within us in a sense.
And we have to, Find that center point where we're not pushing technology away and saying, no, we're not going to technologically advance, we're going to become Luddites.
And also where we don't fall into hedonism and to just never having boundaries and never grounding and just, woo, yahoo, you know, crazy, just avoidance of everything.
You know, we have to, that's the tightrope that we have to.
You know, walk because both are very, very hypnotic.
It's so hypnotic to just not believe in the soul and to just think that, like, because it doesn't adhere to the rules that I'm taught and that I believe it doesn't exist.
That's really hypnotic because that means you don't have to take responsibility.
That's what that means.
Yes.
We know what that means.
So that's what that means.
And then it's also really hypnotic to just say, I'm going to only pursue pleasure.
And that's all I'm going to do, or I'm just going to live in a fantasy world, and I never have to reckon any of my creativity or any of my inspiration with anyone or anything else.
That's really hypnotic, too, because again, you're avoiding responsibility.
So we can mitigate this by just having personal responsibility.
Sometimes it's real simple, you know?
And that way we can hopefully walk the line with some grace.
Yeah, yeah, absolutely.
Well, I always think of video games because.
You know, there are people I know who are incredibly smart and who have very dynamic ways of thinking and doing things, and they get sucked into video games anyway.
And this is a very tricky thing because I think, aside from somebody who just in moderation likes to play a game once in a while or gets into it, that's not really what I'm talking about.
I'm talking about the real gamers and how easy it is to manipulate somebody's consciousness in that realm.
And how it becomes a sport.
I remember there was one game, and this is kind of rough, but literally the object of the game was to run down as many civilians in your car as possible.
So, the types of impulses, Gigi, that that breathes into somebody, that's also like the pharmaceuticals, it's a control grid to create impulses that wouldn't naturally occur in a human being at all.
Yeah, it's desensitizing us.
And maybe there are some people who can compartmentalize that.
They have a stronger will and they're a little bit more, maybe able to compartmentalize it.
But there are people who cannot compartmentalize these things.
And why are we not caring for these people?
You know, why are we not considering them?
What kind of society doesn't consider the young, like the children and people who are, you know, challenged?
That's crazy.
You know, we need to.
It's true.
It's true.
It's, well, it works against us calling it.
You know, saying that the culture is advancing in any way.
You know, you hear all these calls to, like, oh, you know, we need to make sure that we present people and don't, you know, call them him or her now because it might offend them or something along this line.
This type of move that we see in society, which is taking advantage actually of people who are in a situation or who feel trans or whatever it happens to be, it's actually exploiting them.
But you see them.
Putting a tremendous amount of energy into this activity.
And then you turn it slightly and you just say, what about all these people that have been impacted between pharmaceuticals, for example, and video games?
And when you see school shootings, they're always on some kind of heavy duty prescription drug more often than not.
So it's like addressing, it's grandstanding, you know, it's like using almost Martin Luther King language on something.
That doesn't have as much of an impact on society.
And while the real things, the real issues just get brushed under because, hey, the lobbyists, after all, are pharmaceutical companies and they are video game makers, they're entertainment companies.
Powerful Psychic Protection00:03:01
And I'm sure there's, you know, Disney and all kinds of them are connected to this.
Oh, yeah.
I mean, that's what you see.
You start doing the research online and you see, like, I mean, just like, look what Disney is doing, purchasing and shelving, what they're acquiring.
And, You really do start to see that it is a group of corporations that consolidate things that have a great deal of power, and then they're all, they have their finger in everything.
You know, this centralized, you know, group.
Yes.
It's not a conspiracy.
I wish it was.
It's not a conspiracy.
It's out in the open.
Everyone, this is the Dark Journalist Show.
We're on episode X71.
We're looking at Exorcism CERN.
And Ahriman, which gets us into spiritual science and gets us into Suzanne Triester.
And since we're looking at exorcism, we're going to get into a couple of movies now.
I want to remind everyone to go to darkjournalist.com, sign up for our newsletter.
That's the only way that we can actually stay in touch because we've had all kinds of interesting issues with YouTube and other social media networks.
Actually, YouTube was giving you a hard time.
They were tonight.
They were timing me out.
That has never happened to me.
Timing out the moderator of the program.
I didn't know that was even possible.
Could be the subject matter, GJ.
Might be.
While you're there, get behind the show.
Subscribe to the show.
Actually, we keep the discount in place till the end of 2019, and that helps us do so many dynamic things for you in 2020.
For the rest of this year, we have incredible and mind blowing interviews coming up for November and December, so you don't want to miss any of it.
That's why you want to subscribe.
Now, Gigi has a new program also coming up, which you can sign up for.
You can sign up in advance for the one that you have coming up later this year.
Yes, I think it's GigiYoung slash new course.
You can sign up for that.
And then when it arrives, I'll message you.
I'll send you an email.
And I have other courses as well on my site if you're interested in intuition development and even psychic protection, which is really fitting for what we're talking about now, where I discuss the different dimensions and densities.
And I actually discuss the fifth dimension and how that works.
So I've got some things on there you can check out.
Fantastic.
It's incredible work.
And I always point this out about your stuff.
There's such a range to it.
And so you're such a natural teacher, I think, with the courses.
It's a fantastic addition to your website.
And that's ggyoung.com forward slash new course.
Get in there first.
Sign up now and make sure you're in there so that before any of these things fill up.
We're also looking in the second half of the program at questions.
We're going to be taking them after this movie segment.
Facing the Wicked Witch00:15:56
This segment actually is particularly powerful.
And Gigi, I want a lot of your input because we haven't discussed it.
In advance, as we have some of these other issues.
So, I'm going to be blindsiding it with some real insights.
I'm going to start with an overview on some themes in The Wizard of Oz, and then we're going to move right into The Exorcist and some very unusual players behind the film itself.
Now, The Wizard of Oz is such a broad and huge symbolic tapestry that we're going to do a whole program on it.
Of course, the person who designed the story in the first place was a deep.
Heavy theosophist.
And so that's coming right out of the mystery schools.
And Oz, of course, is something that Casey mentions often as a subtitle name for an outpost of Atlantis.
So we have a lot of knowledge of these types of themes going into this right off the bat.
But what I tune into when I get to The Wizard of Oz is not all the array of characters and all the things, although the journey is so important, it is the battle that takes place between.
Dorothy and the Wicked Witch.
I see it as the real incredible struggle that we're looking at here in the 21st century.
And we see, you know, this is kind of a heavy duty, exaggerated version of Alice in Wonderland because she's actually in great peril whenever Dorothy's in great peril when she takes on the Wicked Witch.
In their initial meeting, GG, she's confronted by the Wicked Witch when she lands, and she's got the Good Witch Glenda behind her protecting her.
What kind of archetypes are we looking at here?
I think I would see when I see it, it almost reminds me of the Alice in Wonderland sort of Red Queen, White Queen.
It kind of has the same sort of initiation quality as there.
But even just looking at that picture, like that, her face actually looks like a female Ahriman.
She does.
Like, her chin, the prominent nose looks like she is the female version of Ahriman.
And it looks like Dorothy, you know, in a way, maybe she has a.
She has a choice.
And I think the witch wanted to steal her soul or steal her shoes, right?
She wanted the shoes.
And so, this is again, this is that parasitic quality of what happens when you become possessed.
It's vampiric, it's parasitic, it deforms you, it distorts you.
And so, I think Dorothy, you know, is having to develop her power, you know, to protect herself.
And I find it interesting that the witch kind of.
Melts in water.
I'm melting.
And it's a great scene where they just pour water on her and she just disappears.
And I think that represents Dorothy having her abilities being strong and her ability to be protected and her ability to transcend that dark part of herself.
That's what I would say there.
But it's water.
So it has to do, especially for women, for young women, with emotional control and emotional stability, right?
Because it's water.
So.
Yeah.
Absolutely fascinating.
The water aspect is crucial.
Miss Olivia, you had a kind of a strong reaction to that shot.
Yeah, I love it.
I actually think it's sort of the whole movie right there, symbolically.
Yeah.
It is because the good witch can't fight her battle for her, but she can point out the power that she already has.
And there's another thing that I find interesting in the dialogue.
There's so much rich.
Esoteric action in the dialogue.
And people can interpret The Wizard of Oz any way they want to.
Some people said it was about a drug war and all this stuff.
For me, it is pure mystery school teaching from beginning to end.
But what I see that they have going on there is that when she gets there, the good witch reminds the wicked witch, You don't have any power here like you do in your kingdom.
And she looks around and says, Oh, yeah, like I don't.
So location is very important in terms of the powers that she's able to use.
Gigi, when she's in the west, north, her powers vary.
So that's also quite a big clue.
That is really interesting.
That is a really big clue.
I never actually thought, I haven't actually seen Oz or Red Oz for so long.
But that is really, I guess, some places are more dominant in one energy.
And I think that's kind of like not just places, but also times.
Yes.
You know, like we're on Halloween now, and I think there's certain times that are, you know, predominantly dark.
Predominantly light, just like there's locations that are predominantly dark, predominantly light.
And if you get a time line up with a place, then that's something for in a sense of power.
But yeah, that's it's actually a really beautiful metaphor.
Yeah, she reminds her to stay tight inside the ruby slippers, their magic must be very great, or she wouldn't want them so badly.
Yeah, and we see the wicked witch trying to manipulate her say, Oh, they're no use to you, but like just give them to me, you know, you can't do anything with.
Them, but to me, they mean the world.
Well, she didn't have her slippers anymore, she lost hers, right?
Taken away from her, and so now she's out to get everybody else's.
So, exactly right.
I do want to say one more thing about this yes, is that you know, Glinda is behind her, um, she is supporting her, she is backing her up, she's got her back, but Dorothy has to face literally the witch, the witch, yeah, yeah, she's taking her dead on her own.
So, that is why that image is so potent.
I think it absolutely is because Dorothy now is she has to use.
Magic with the slippers.
She has to use intuition.
And the Wicked Witch is such an established evil.
You know, they're all afraid of her right off the bat.
She's being told about who she is.
So she's a very established evil, you know, and she commands all kinds of powers and all the rest.
And Dorothy has to find a way to take her on using, you know, she's coming in with just her kind of innocence and her ability to intuit the situation.
So that she doesn't get overwhelmed and get sucked in and basically annihilated.
Now, the Wicked Witch uses time as a threat.
She uses arson against the scarecrow.
She talks about how she's, you know, it's blackmail basically.
Like, if you don't give me what I want, I'm going to do this and that.
And she finally.
She's going to kill Toto.
She's going to kill Toto.
Well, what's interesting is before Dorothy goes into this shamanistic trance, the Wicked Witch is.
This woman who wants to literally have Toto put down.
Very interesting.
She transforms into the Wicked Witch by the time she's not in Kansas anymore.
A few more shots on this.
Again, the incredible back and forth between these two.
Gigi, the archetypes are there.
This kind of old, decrepit evil, and she's using scare tactics or manipulation throughout the film, as we see.
She's threatening the friend.
She's threatening the dog.
If you don't do what I say, if you don't do what I want, if you don't give me those ruby slippers back.
And over and over again, Dorothy's running away from her.
She's finding ways around her.
Again, we have the clash here.
There's good and evil, but it has to be faced off.
Absolutely, because evil by nature won't stop until they're forced to look in the mirror.
That's their nature.
They're parasitic.
They won't stop.
And so it's a really beautiful metaphor.
But the thing that Dorothy has is purity.
And that has a lot to do with the inner child and the development of the inner child.
And it's also why we see so many weird things going on with children, is because one of the things that that witch wants is she wants to regain her own inner child, her own purity.
And that's the essence that gets you to 5D.
So, what she's really looking for is herself that she lost, but she can't get it from Dorothy.
She has to go within and she has to redevelop her inner child.
Her innocence and her purity that's what has to happen, and that's why that saga is going on.
Is you're trying to externally seek something that you actually have to redevelop within it's an internal process that's externalized, which is the definition of Aramon, it's a definition of Belial, and this is the female initiate aspect of it.
Fascinating, yes.
I just want to say, Bo Krill just said, And what is dog backwards?
God and your little God, too, right?
Interesting, excellent, yeah, absolutely.
Um.
The character of the Wicked Witch is very interesting.
I think that what we have with the Wicked Witch is a system of evil, it's an established evil.
She's used to torture at a certain point when she lays down a Dorothy.
It's she's in a poppy field, right?
That's heroin.
So she's trying to drug her to get her to do what she says.
And she actually talks about this in advance.
She goes, Don't worry about it.
I'm going to put her out.
You know, I'm going to mind control her by putting her to sleep.
So the Wicked Witch, basically, we see the embodiment of this over and over again, whether it's Hollywood scandals or whether it's political corruption, corporate corruption.
Dumping chemicals in rivers, the suicide nets for apple workers in China, instead of giving them psychological care, just building nets so they don't commit suicide by jumping off a roof.
This embodies all of it.
And again, it's coming out in 1939, just as Hitler is going to sweep in and take over Poland and break the treaties and start World War II.
They're giving us the snapshot.
They're saying this is what we're up against.
The Wicked Witch, Gigi.
You've given us some indications of what you think she is.
21st century version?
21st century version?
I mean, I was going to say, who is Epstein's madam?
Oh, yes.
Tislaine Maxwell.
Tislaine Maxwell.
Yeah.
Someone like that, exploitive, you know.
It's, I mean, it would be the, for me, it just is the female version of Armand, or it's just another expression of that force.
But I think.
Living the archetype.
Yeah, it's embodying the archetype in maybe a different way.
So, yeah, it's just like another consideration of Armand.
She is.
Well, at a certain point, the Wicked Witch tells her, again, we're manipulation.
She uses sand running in a.
I always forget what those are.
The hourglass.
Okay.
And what's amazing about it is she's hoping she can use the panic of time running out to get Dorothy to do what she'll say.
But again.
Right to compromise herself.
She's had a hard time getting what she wants from Dorothy over and over again.
Has to outsmart her completely.
But Dorothy tries just to stay away from her and even give her what she wants by the end, saying, You know, I don't even want you to hurt my friends or my dog or anything.
Now, what's fascinating is the wicked witch is so evil that she can't touch, she can't penetrate her ruby slippers with her hands.
She gets an electric shock, so she's not able to take them off.
And then she says, Oh, that's right, I'm just going to have to take you out.
So this scene is interesting at the end.
There's all sorts of unusual things that happen.
One of them is a scene that you like to Point out about the scarecrow where they're just about to wipe them out and they're rushing in.
The scarecrow is supposed to be brainless.
He takes an axe and he chops a rope which lands the chandelier.
And you watch him first and he looks up and you can see he's got the light bulb over his head.
He shows great intelligence.
Yeah, very incredible and under pressure.
So it's all that's the scene that made me realize what the Wizard of Oz was really about.
Well, self actualization and that each of the characters, they don't realize that they already have.
I mean, The Tin Man is so obvious, right?
All he is is heart.
And yet he's under the illusion that he has none.
Yes.
Right?
But the Scarecrow, you realize he's the brains of the operation.
He every single time comes up with the ideas.
It's interesting.
The cowardly lion is a little tricky because he doesn't have courage per se, but he's willing to do it, you know, out of loyalty because it's the right thing to do.
So, courage isn't necessarily fearlessness, right?
But he is something that is strong enough to fight his fear.
Yes, yeah.
He needs a cause to fight for.
But it is interesting because when Dorothy wipes out the wicked witch, she doesn't do it.
Just going after her, what she's doing is she's trying to put out the fire that the wicked witch has landed on the scarecrow.
And that process, the initiatory process there of overcoming fire with water, takes out the witch.
And the witch herself says, I can't believe that my great evil is overcome by this little girl.
Her beautiful wickedness, I think, is what she's saying.
Yeah, my beautiful wickedness is overcome by this little girl.
It's amazing.
So I think that we're looking at something there.
Which is when you get to the Wizard of Oz, the clash really, although the journey is so fascinating, the real battle is between the Wicked Witch and Dorothy.
And that is kind of, you know, we're in the kind of Dorothy position in society and culture.
And we're facing, you know, in this case, that's the female Armand.
She's the Wicked Witch.
Yeah, that's exactly what we face.
And we have to go through, you know, we have to use our intelligence and our courage.
And all of that, in order to, and we have to avoid the opium field, you know.
Don't tune out, don't get distracted, don't, you know, just fall into drugs and alcohol and numb yourself.
Don't numb yourself, video games, whatever it is.
That's a technique that she'll use or that Armand will use.
The same story.
And Olivia's perception of them was right on.
I mean, we have all of this within us, but it can't be realized unless we do that work and go on that journey.
Yes, absolutely.
The Terrifying Exorcist00:05:41
Everyone, you're watching the Dark Journalist Show.
We're going deep now on the pop culture, the film aspects, and some of those forces, maybe behind a film like The Wizard of Oz, on one hand, coming out of Theosophy.
That's kind of the lighter side of the mystery schools, giving us these hints about what we're about to face and giving us a kind of a story to package that in.
Then, on the flip side of it, there are other forces in society who bring out maybe the opposite kind of a message and want to kind of manipulate things on the other end.
And that gets us up to The Exorcist.
The Exorcist is interesting to me for a lot of reasons.
First of all, it's a fantastic movie from the point of view of just making a movie, it's scary and it's everything that, you know, watching it on Halloween is terrifying.
It takes a lot of.
Risks and it also kind of showboats the evil aspects.
And it's not quite a clear good versus evil story in this sense because what we have in this case is Father Karras, who the mother who split off from the father is trying to solicit help for her daughter Reagan.
And because Reagan is acting in so many peculiar ways, and then the only thing that she can think is that a priest can help.
Because it seems like the daughter is being possessed.
Now, interestingly enough, in the story, she's using a Ouija board, and the daughter's using a Ouija board, and she keeps communicating with something named Captain Howdy.
And Captain Howdy is interesting because the father's name is Howard in the book.
So, this idea of Howdy is a way to get into it, it's a link, basically, to start to get her to interact.
And so, they use some kind of like mystical things with the Ouija board.
But when we get into.
Some of the messages in there, it gets really quite fascinating.
I'm going to get a couple of shots from this.
Sylvia, how do you feel about The Exorcist?
I'm sorry, I'm still in the ideas room.
I'm talking about Wizard of Oz.
There's a lot of good stuff.
We're going to focus on that.
We're going to come back.
But we're going to move in to The Exorcist.
The Exorcist is actually, I think, the thing, it really holds up all these years later.
Most horror movies don't.
It is truly terrifying.
And it's kind of hard to put your finger on exactly why.
And I think it is because it's so real.
We were watching a documentary about it where they're saying that it didn't use CGI.
And I think that's part of it.
They had to do these stunts.
It's very realistic.
It's true.
They made the room cold, right?
Purposefully.
So that's real.
They had to freeze the actors.
Well, it's kind of, yeah.
And it was sort of, it's basically a kind of inhuman process the way that they did that.
Because the directors and the crew could stand around and be like in, you know, really bundled up for this.
And then they'd lower the temperature down to zero degrees and have the actor, you know, well, Linda Blair in this case, she's on the bed in a 90 freezing to death.
And then you have the other actors walking around freezing.
So, I mean, it's definitely, when you go back and you look at it from that point of view, the things that people went through.
I mean, there's so many things about the movie we could talk about.
There's curses, you know, there's deaths associated with the movie where they're opening up a portal.
By doing this, and the original case that was behind it, which is from St. Louis in 1949, was actually a boy who they called Roland.
Now, a couple of things I want to point out about it.
I think it is interesting in this sense that it represents somebody's attempt to communicate a message, and maybe not such a benevolent one.
And on the other hand, you can see it just for what it is, which is it's a movie and all of that.
But the person who wrote it, let's take a look at him.
Briefly, and how he got into this position.
Because again, the Exorcist movie was first a novel which had sold 13 million copies in America alone before the movie hit.
And so this is William Peter Blatty, who was also the writer and producer of the movie.
And it was William Friedkin who directed it, who had just done The French Connection, which had gotten Academy Awards.
And the thing about The Exorcist was, it was also nominated for Academy Awards, including Best Picture and things like that, and Best Supporting Actress for Linda Blair, which she didn't win.
But I think it was widely acknowledged that it was quite an assault on the senses watching all of this stuff happen.
Now, if you get an impression from the movie, if we go back through it, and that's a picture of Blatty.
With Blair.
You know, Blatty himself becomes a very interesting character to see how he came about.
People have taken a look at his background, and it's not very pretty, I have to say, coming out of Air Force psychological operations.
Game Show Manipulation00:03:11
And he actually is somebody who was in Beirut in the mid 50s working with the Central Intelligence Agency.
So, this is somebody who knew how to mentally manipulate the enemy or the public in this case.
And he's somebody who also was just, on the other hand, you know, passed himself off as a journalist, as a writer, and all these different kinds of things.
But that really kind of thick, heavy Air Force background and psychological operations and rising the way that he did.
And we're going to mention a couple of things about his background, but I want to point out his first appearance in the public eye was on a game show, which is very interesting because Gretchen Marx had the game show and it was You Bet Your Life, and it was very popular in the late 60s and late 50s and early 60s.
But he came on as this kind of Prince Ali character, pretending with a foreign accent and all this kind of stuff that he was just trying to learn the country and learn the language.
And in fact, his parents were from Lebanon.
And so when he's used later by the CIA in Beirut, part of that is probably because he can pass very easily in that country without being noticed as an American CIA agent.
Odd things happened during this whole process.
One of the things that happened.
Is that he wins the top prize during this game show.
And he wins it with very simple questions like, you know, what's the top seven wonders of the world is still around?
And he says, the Great Pyramid.
And they're like, yay, $10,000.
Wow, you know.
So we're getting an idea there that a lot of his appearances on this program, a lot of it seems like it's crafted.
And when he gets the $10,000, the breadcrumb trail is left that he can quit his job and work full time as a writer now that he's no longer associated with the Air Force or the CIA.
Another odd thing that happens, and what was the alternative title for this episode, Miss Olivia?
Groucho's Going Down.
Groucho's Going Down.
Groucho Marx, it's very interesting.
He's the host of the program, and starting with the whole playing along with the prince routine, which is obviously set up, he starts to interact with them and say, Well, you know, you're not really a prince.
Who are you?
And he says, I'm the author of this book.
You know, which way to Mecca?
And Groucho Marx says, Really?
That's an incredible book.
This is an amazing book, and I wish you all the luck in the world with it.
It's a funny book.
And he goes off about this book like he's known this guy for 100 years.
So then for him to win is so obvious, in a sense, that he just gets plugged into this position.
And this is the kind of things that intelligence services could do, which is if they want to raise somebody's profile, it was pretty easy for them to do it with their control over the networks in those days.
One of the fascinating things that I found out about him was in relation to The Exorcist.
Engineered Celebrity Luck00:03:05
Because the novel didn't do well initially when it came out.
Even though a number of reviews were positive about it, it wasn't selling at all.
And another one of these strange television coincidences happened for Blatty, where he was going to be this guest for the last five minutes on The Dick Cavett Show, which was very popular on PBS at the time in 1971.
So, in this Vanity Fair article, I was reading about it that fate intervened.
However, he was booked as a last minute guest on the Dick Cavett show, but because of issues with the first two guests, Blatty's appearance, which was only supposed to be five minutes at the end of the program, ended up being 45 minutes long.
And suddenly afterward, The Exorcist became a bestseller.
Gigi, it almost seems like that kind of luck is engineered somehow.
Yeah, I mean, it's totally engineered.
We still see this happening today, it's just not working.
Celebrities get into higher circles and they're used as assets because of their influence.
And this is just probably an early version of that.
We get Angelina Jolie as a UN ambassador.
It's a little bit interesting.
Yeah, that is interesting.
And Leonardo DiCaprio just hops on his jet and burns all this fossil fuel and then tells us not to.
So, I mean, it's all using.
Ounce of influence that can be harnessed, then that's going to be harnessed.
So, yeah, it is.
It's terrible optics, too, when the whole Davos crowd gets together, you know, over lattes in Switzerland, and you have like Amazon there, which is largely predominantly, you know, doing the whole CIA cloud.
You know, so they've become very identified with the Central Intelligence Agency, Facebook.
Google, all those leaders meeting there and really thinking about how can we censor these people who are getting too big for their own britches, you know?
How can we take a channel like Dark Journalist and make sure that people don't get those videos?
Or how can we take like Chi Ji Young's videos and keep them just in this kind of one track?
And how can we control the political dialogue?
And how can we control the outcome of the election in 2020?
It's not a good look by a long shot, but it is that kind of Control in celebrity land.
And I think when we go back and we backtrack and we're looking at somebody like Blatty, which is not to take anything away from any actor or any writer's talent, I'm just talking about the way that their position is manipulated.
Blatty may have been a very good writer, but who's he writing for and who is putting him in that position, basically?
Steganography in Exorcism00:11:19
And what's it all about?
The influence game, all the way back to this wonderful Groucho Marx, which is on YouTube.
You can actually find it.
If you go Groucho Marx.
William Peter Blatty, you're going to find it.
So, but I do think that it raises a couple of red flags there because we're looking at him, one, and we're saying psychological operations, the Air Force, getting a high profile, writing The Exorcist, it not doing well, it needing to do well, getting thrust on the Dick Cavett show, the book taking off, and then we get the movie.
And why would the movie be any kind of a psychological operation beyond the fact that it's just a scary movie classic that holds up on Halloween?
It starts to make you wonder about what the propaganda is, and that gets us back again, Gigi, into possession and exorcism.
Yeah, I mean, the whole thing is basically showing you the process of.
Possession and it actually starts out with Ahriman or Pazuzu.
It's the first, the opening scene, I believe, is an archaeological dig where they're standing and they're looking at Aramon.
And so they open with that, right?
And then it goes on, and that's why it's so scary, I think, for us, is that we understand that that kind of thing can happen.
And that's why it's so frightening.
In a way, it's kind of our biggest fear, right?
So it's highlighting that.
They're revealing.
What they're doing, right?
They're revealing part of their process to the public.
And so, in a sense, it's the big reveal.
Yes, it's the big reveal.
It is, well, it's playing an archetype out.
But when we think about the story, Reagan doesn't have a dad, she's unprotected.
The mother, whatever kind of lifestyle that she's leading, It also opens the daughter up to these outside influences.
When the daughter gets possessed, the priests take it on and they become kind of the last defense against this incredible evil.
Now, in the original case, a lot of the things that we see in the movie happened was furniture moved.
And what I found particularly interesting is that words would show up, as they show this at one point, it says, help me.
But words would show up as scars and then disappear.
But one of the words that showed up was basically take me away from here.
And then they asked where, and then it showed up, the word came up, St. Louis.
And that's where they performed this exorcism.
Now, there's a lot of ex steganography in the original case, which I find interesting because when they're performing the exorcism in the actual case, and you can find the references to this.
Actually, in the St. Louis Post Dispatch, they have the entire case, and there's a fantastic article that originally came out in 1988 that they just renewed and updated on October 28th, a couple days ago.
And the St. Louis Exorcism of 1949, the real life inspiration for the exorcist.
In here, they talk about the diaries that were kept by the priests, which Blatty got access to, and then later would say, Well, no, I didn't write it from those, but obviously he did.
But he did always claim to be inspired by hearing about this story.
Now, what I find interesting is when they're working, and I'm actually going to read directly from the article on this because it was just too much when thinking about it.
I'll read it from here.
So, we're talking about these brandings that would happen where the words would appear as scars.
Quote, these brandings on the boy's skin that happened as many as 30 times a day and were unquestionably paranormal.
Says William Peter Blatty, who wrote the novel The Exorcist, inspired by the incident.
Quote Some of the markings were on the back and some were pictures, often lasting for three or four hours.
All of the official diary accounts by the priests were on these brandings.
Blatty claims to have a copy of the official report of the exorcism that was conducted here, the secret log or diary compiled by the late Reverend William Bodern, who conducted the exorcism.
Blatty supposedly received it after he wrote.
The book.
He has to say that, you know, so that he doesn't get sued.
What I think is interesting is here when they're talking about it, he says there was a Jesuit priest named John Walsh, and Blatty was a Jesuit and he went to Georgetown, which was a Jesuit university.
There's a Jesuit priest named John Walsh, a friend of Bodern's who did the exorcism, talked about an X that appeared on the boy's chest.
And then they believed that 10 demons were involved.
They just took this Roman numeral X idea.
Interestingly enough, Blatty, when he writes Exorcist 3, he uses patient X as kind of the linchpin of the entire thing, getting rid of patient X.
So an X on the chest, scarring as directions, pictures showing up on the skin.
This is a very deep level of possession, Gigi.
Yeah, that is.
That's insane.
It kind of makes me think that there's always this point with the metaphysical where things become literal.
So, we talked in one episode about Christ, Christ beings, beings that represent the sun literally coming to earth.
That's a literal incarnation of something very powerful, right?
And so, we do reach these points in time where very disturbing metaphysical.
Things or beings or whatever can become physical and it becomes literal, it's not every day, but there are these occasions that remind us exactly what we're dealing with.
And the X is obviously very disturbing.
I mean, you, I mean, I'm automatically think of Egypt and you know, resurrection rituals and the X over the heart.
I mean, the X is supposed to be you know, you're being resurrected, it's the opposite, yes, you're being reborn, you know.
You know, you're connecting with the cycles of life and you're in tune with them and you're being reborn with, you know what I mean?
And now it's like, what are you being reborn into?
You know, so you're distorting.
And they usually do anything that's demonic, they'll usually take something that is holy, that is an esoteric truth, and they'll distort it because they need that power that comes, that like the burn off of that, you know?
So.
Wow, an excellent point.
That it is.
So, it's like an upside down inversion of what's supposed to happen, sort of an upside down genesis there.
Yeah, it's like the atomic bomb being set off on the Lion's Gate.
It's the same thing.
It's about stealing, parasitically stealing power.
It's why it's Reagan or it's Roland, it's a child.
It's why the Wicked Witch wants Dorothy.
She's young.
The purity.
There's so many things here that are repeated again and again and again in just little.
Different archetypes.
Wow, fascinating.
I think when we're getting, well, you're getting into it there, really, because you're arriving at when they get to this literal point, then it's like the scene in Rosemary's Baby where she says, This is no dream.
This is really happening.
Everyone, you're watching the Dark Journalist Show.
We're on X Series now 71.
This is Exorcism, CERN, and Aramon.
We're going deep on the pop culture movie.
Side here and getting some answers about The Wizard of Oz and The Exorcist, which are two classic films in these genres.
And The Exorcist actually being written by William Peter Blatty, who is someone who returned to it over and over again later in life, talking about it, showing up in shows about it, writing Exorcist 3, you know, and never really achieving the kind of success that he had with this, however.
But a very interesting character in the sense that he comes out of nowhere, really, to write and produce one of the most highest-grossing horror films of all time.
Which is nominated for an Academy Award.
And just knowing this background that he has in psychological operations, we have to take a kind of a deeper look at the movie and its message.
And the fact that they certainly got great actors like Von Seedow and Ellen Burstyn and Linda Blair, they all did a tremendous job in the movie, but the larger picture of the movie, what's it putting out there?
And I think even those actors are a little confused when you see them in interviews.
They're like, yeah, the movie had a life of its own.
Yeah, yeah.
There's also the poltergeist is like that too.
Yes.
You know, it's the same thing, like little girl, you know, possessed, goes missing.
Like, I mean, these people, I mean, I don't think that they realize that they're taking part in an esoteric ritual.
I mean, Hollywood is literally the wood from the holly tree.
It's a druidic reference, which means to create illusions.
And it's, you know, so, I mean, it's all there and they're using it.
You know, there are people who, Want to plant certain seeds because if the seed is planted, then it's easier for it to be watered or for it to come about.
So, if you get the idea in your mind that you can be possessed and you like start fearing it, and you then you kind of get locked in this thing as well.
So, it's kind of like that the seeds have to be planted, and then hopefully there can be a harvest.
But if there's no seed, there's no harvest.
So, you know, well, thoughts are things in.
Synthetic Dimensional States00:15:17
The mystery schools.
There's a couple of really kind of wild card facts I want to point out here.
And I have a couple of, Ms. Olivia, I'm going to ask you again because I think on the desk are the pictures from the movie that I want to show.
Thank you.
And everyone, we're here with Gigi Young going deep now into The Exorcist and Possession.
And it's Happy Halloween for everyone.
It's great to see you out there.
We had to do this episode right on Halloween.
It was just too perfect.
And we're also going to be here tomorrow night doing X Series Episode 72.
Oh, really?
Okay.
Well, I have them.
That must be because they're here.
Nicely done.
All right.
Here's Rapid Fire Wildcard TKOs.
You ready?
Here we go.
Number one the original Ouija board.
I kid you not.
Whoa.
That's from the 1880s.
And so the swastika did not have the significance it would later with the Nazi party.
However, it was used as the Theosophical Society emblem logo.
So somebody is figuring something out in relation to Ouija there.
Did it get twisted around?
Did the Nazis get their hands on it?
Could very well be.
Here's a weird twist.
Another TKO.
You ready?
Okay.
Kenneth Arnold sees these flying saucers over Mount Rainier in Washington.
1947, it opens up the entire UFO wave.
He says, Well, they looked like saucers skipping across a pond.
That's where we got flying saucers from Mount Rainier, Washington.
Well, this case, the original case, here she is levitating, which happened in the original case.
This original case comes from Mount Rainier, Washington.
Maryland, which was a suburb of Washington, D.C., in 1949.
Another strange interaction on the space side, but the space part gets weirder because at a certain point, when Reagan is acting unusual in the movie, she comes downstairs and there's an astronaut visiting her mother, a famous astronaut.
And she says, You're going to die up there.
And she urinates on the floor, and it's this big Kind of scandal.
Oh my god, get her to bed.
She's acting strange.
And that's the scene there.
But again, we have a reference to space there.
To the moon, right?
Yeah.
Now, what's even stranger is that the original person, Roland, who the exorcist was about, who did he wind up working for?
Think of space.
NASA.
NASA.
That's who he wound up working for.
Wow.
So, we've got this kind of space ghost in the machine aspect moving around it.
And I always thought the scene with her telling them that they were going to die up there in space was very, very unusual.
More rapid fire stuff.
By the time the movie itself, of course, the scene with Pazuzu, which is the classic scene, I'll open this up.
That is Armand basically taking control, he's moving on in.
And this is the kind of.
Ultimate scene when you get into her bedroom, like it's become the domain of Satan Pazuzu.
There, one of the things I think is interesting is when they came back and did a follow up, Exorcist 2, which bombed at the box office, etc., they were trying to contact the Pazuzu devil in her unconscious, and they were using electrodes and trying to get her into trance.
Hypnosis and all the rest of it, and they popped out the uh the devil there, and they split Reagan from this other demonic Reagan.
And so they were working with real, um, you know, electrodes, they were working with hypnosis, they were working with trans states that's real Orphic Circle kind of stuff.
Gigi, it struck me immediately that they were playing around with uh different.
Archetype when they were bringing it in, they were saying that the demonic level actually existed and could be opened up in her unconscious.
Yeah, I mean, even like with space, like a lot of people think that you know ETs are like physical beings on our level, but they're interdimensionals, interdimensional beings that are different in quality than we are, right?
Yes, there's different ways that you can open these portals and different things that you can do to summon them or create possessions, just like you can do it, you know.
Light brotherhoods, or whatever that may be, it can the reverse exist as well.
But I think it's really what's really interesting about the photos that you showed is that these are synthetic ways of connection.
Yes.
So this is a synthetic, forceful.
I know there's people out there that love their psychedelic drugs, and that's wonderful.
But you have to know that, you know, there are risks with these things.
That anytime you start mixing synthetic states or creating these states synthetically, you don't have control.
Over them.
So when you are going into a spiritual state, a psychic state, even the smallest tinge of emotion will change your entire perception.
Even a thought, like everything becomes completely magnified when you're doing it naturally.
And so when you start introducing these foreign objects like electrodes or these different things that are synthetic, even drugs, you're losing control.
Of your ability to come back to yourself because you don't have your reference points established.
If you did, you wouldn't need to do it synthetically, right?
So there are these electrodes on her, and they're forcing her to be psychic.
They're forcing her to do this in a synthetic way, which is all what CERN Tarot is about, too.
It's all about AI and.
Yeah.
Oh, it's an excellent point.
Yeah.
True.
They want to capture it through technology.
Right.
Something that needs to be.
So, you know, it's interesting because Ray Kurzweil and those guys talk about the singularity, and he is somebody who wants to go deep into being the, you know, the first scientist to merge with machines.
And he says, I'm going there with the, you know, no one can stop me.
And like, you know, Gigi saying, best of luck.
Have a good time.
But what's interesting about this is when we see those people and they're kind of encasing themselves in it.
I've talked with Joseph Farrell about this.
That they're very aware that the tree of life in Hermetic times, you would have to spiritually advance from different levels.
And when you went from the animal level, your next level up would be the mineral level.
And then you go on so forth, so far and so forth, and you get to the top of the tree.
Now, what they've deduced, what they've determined, is that they can climb up that tree without doing any of the spiritual advancement.
And that they can literally do it through becoming mineralized through the technology.
If I become a cyborg, I'm no longer an animal.
And then I keep my consciousness in this mineral.
And then I can keep going up and up and up.
And then I become God.
So this is the object of the transhumanism.
This is the crux of where this program goes.
That is, that's quite the inversion.
Well, you don't grow there.
Yeah, that's actually becoming denser.
You're not raising, when you add hard, you know, microchips and machinery to your body, you're not becoming lighter.
You're becoming denser.
You're adding, that's not how that works.
That's not, you know, I think if it was a mineral, it's more of a crystalline level of consciousness and technology.
It's not electrodes.
But I mean, people have free will.
We can choose to develop organically and ascend and remember who we are.
We can choose to devolve.
And that's the free will choice of society.
You can lock yourself into that eighth sphere.
Right.
But it's tricky because if you get whatever you get possessed by, boy, then exorcism gets tougher and tougher.
Well, I mean, Earth already in the third dimension, Earth where we live is already a descended realm.
If you look at the Theosophical rounds, you can see that the Earth is very, very, very dense.
And so you don't really want to become denser than where we are now.
It's going to be very hard to sense spirit, it's already very, very, very hard.
We're in the master class right now.
You don't want to become denser.
We're already at the densest.
We're far from the sun.
So you don't really want to go farther than that.
It becomes harder to remember, it becomes denser, and you get that hive mind that we were talking about with the grays and the four fingers.
You lose your identity.
That's really what happens.
It comes at a cost.
When you cheat, it comes at a cost.
Yes, yes, absolutely.
It's a good point, too.
It's interesting when we look at this because.
When you think about creating yourself into that eighth sphere, what is the group in Pennsylvania that live in the kind of horse and buggy fashion?
The Amish.
The Amish, yes.
So when you do the snapshot between the Amish, for example, versus people who would take on microchips in order to enhance their brains or things like that, I mean, the difference in the level of experience is gigantic because.
Of the level of being.
You know, I remember in the Gurdjieff work, they were asking him, Well, in all of the different things that you've done, who had the most amount of being?
You know, because this was the great thing in the Gurdjieff work.
You have to be conscious in order to have being.
And everyone expected him to say, Well, I met this master and he had the greatest amount of being and all the rest of it.
And he said that it was an Armenian soldier who had to guard the front line.
And the process of the focus of his attention on that front line had made.
Had given him basically this incredible spiritual focus, so uh, it had taken place under very organic circumstances.
Gigi, you're not going to get that if you're just injecting some technological hive mind into your brain.
No, that's the definition of it's a mockery of the natural human process of regaining our cosmic memory, of regaining our ability to access information from higher spheres.
It's a mockery of that.
It's saying.
Yeah, you can just hook it up to Wikipedia.
Who writes Wikipedia?
Why do you want that in your mind?
Absolutely.
You know, you're just prescribing to information that you're being told, like it's literally the opposite of what it should be.
And we do need to, in this very dense realm with all of the distractions and all of the different types of spiritual energy that we're being introduced to, we do need to learn how to develop that singular focus that's unwavered.
And when we do that, we can choose the forces that we want to develop.
But not until we develop that laser focus, that ability to really just tune in and stabilize yourself, then you can discern things.
But if you're just plugging it in, you've already lost.
Absolutely.
Well, where's the I am in that, right?
We have all these mystery schools have laid it out.
Anyone who meditates understands this principle.
So when Elon Musk, who used to be really against AI, by the way, says, I'm going to teleport my consciousness into a little cube and they're going to move that cube around and I'll live in the little cube, my consciousness will be downloaded into it.
I mean, your body exists, you know, your endocrine system, the whole bit, that's set up to house your consciousness.
You're not going to be able to teleport your consciousness into a box.
Right.
And your endocrine system hooks into your spiritual nervous system, your nadi system, which hooks into another system, which hooks into another higher dimension.
We move up in density, up in dimension through these different systems that we have that are interconnected with our organic biological system.
You know?
So when you, yeah, when you lose that.
You lose your way back to God.
You lose, well, I mean, I guess you could still maybe evolve, but it's going to be really, I don't know, you'd have to regain this level now and then go up.
There's something inside, you just made me think of it.
There's something inside of Steiner's cosmology called a bitter moon.
Oh, no.
And the bitter moon is where those types of situations, you know, like the people who've gone over into the eighth sphere, they become possessed by that.
And the new Jupiter aspect, Which is like the new earth, that's where people are evolving towards spiritually.
This is New Jerusalem in the New Testament.
But he references this thing called Bitter Moon, where if you've projected your consciousness down into the eighth sphere and you're locked into that virtual reality, you're off to the Bitter Moon to be manipulated and played with by the Aramonic forces.
How do you even get out of that?
Yeah, well, I mean, I think that's the whole thing at the point of Earth.
Once you've gone through these dissension cycles, you know, you pretty much have to get it together.
It's really interesting about the bitter moon because what does Reagan say?
You're going to die if you go there.
Hairs of Awakening00:14:41
That's true.
And you do, you know, you die.
When you're at this last phase and you choose via your own volition to not develop your I am, to not, you know, choose your soul, you do die.
And so, I mean, you're going to die if you go up there.
Well, that's the bitter moon, you know.
And this is the, I just want to say that there's the, Eight sphere there.
Yes, seven of wands in the hexen deck.
That's a fascinating one.
What does that remind you of?
Yeah, that's what I.
Well, you were talking about it, and I thought I'd just show everybody because this is literally like we're talking about this material being in the exorcist.
Like they're talking about the bitter moon and the moon, and they're talking about the eight sphere, and it's also literally a seance.
And the drawing actually looks a lot like Steiner's Eighth Spear 2.
It does.
It looks incredibly like it.
What's amazing about this is they're giving us that message.
And this is the Macy conferences because, again, the Macy conferences in 1946, they were incorporating seances mixed with what?
They were mixed with cybernetics, which is basically the Terminator.
Yeah, they were everything.
I mean, this whole thing, they were all about, like you said, they believe, like, this, we are.
Becoming the future.
Like the future is to become a cyborg.
Like that's where it is.
Like there's no perception of higher, more subtle, nuanced frequencies anymore.
And that's what Aramon does.
Aramon makes everything very, very, very dense, very heavy, very linear.
The mind is no longer flexible.
It can no longer think metaphorically, symbolically.
It's like another fall.
When we fall from Babel, we lost our ability to read hieroglyphs and think symbolically, and we had a different mind.
This is another fall where you can't even think, you can't even understand a simile or a metaphor or an allegory anymore.
It's like everything has to be literal.
We see that with people who can't understand some spiritual things because they can't let go of that linear.
That's the beginning of that, you know, possession is you cannot let go of material linear reality.
And that's the type of mind that is the harmonic.
Mind, and that's what descends humanity is that loss, that last loss of being able to appreciate that right brained stuff.
Fascinating.
Those cards, I'm sure we're going to revisit this deck actually tonight.
It wasn't the night for it, but you know, because we had so many amazing things to cover on this.
But I will say this on the first one that we did on this deck, which is you opened up a great deal of things about what the CERN tarot cards were all about.
This one I will point out, which is H.G. Wells, and they gave him the Two of Swords.
They plugged in their science fiction writer, political thinker, the New World Order.
It's fascinating to me because he wrote The Time Machine.
And in The Time Machine, the hero goes into the future and he gets out, and there's all these kind of like Nordics hanging around and they're living kind of the life of Riley, just doing nothing and enjoying themselves.
But once in a while, there's like this call, almost like a A nuclear drill, and they have to march off into these underground tunnels.
And underneath in the tunnels are a group.
They're Morlocks, is that what they're called?
I think they are called the Morlocks.
And the Morlocks are using, they're the ones who do all the industry and they work and they do all this stuff.
But what they're doing is they are cannibalizing all the people on the surface.
So I've always felt when I was looking at this one now that they were trying to give us a message there about H.G. Wells and the time machine.
There's a reason for every placement in that CERN tarot deck for these characters.
Of course, we see Tesla in there, we see William Blake.
How did the H.G. Wells one strike you?
The H.G. Wells one was really weird because I remember looking at a three hairs drawing when I had my Three Hairs Awakening.
Yes.
Yes.
Three Hairs Awakening.
We had Three Hairs Awakening.
And I remember the traditional version of this is actually.
There's supposed to be like three hairs going through the tunnel.
One is out, one is halfway in, and then one's all the way in.
And so I remember, like, this looks really familiar to me because I've seen this somewhere before.
And I was like, this is the Rosicrucian.
This is the Rosicrucian.
It's the Rosicrucian run.
You got it.
Yeah.
And so I was like, this is a perversion of that.
Yes.
Big time.
Yeah.
Great call.
That's exactly what they're using.
They placed him in like a little gazebo, like his head's in like a little gazebo.
And yeah, they said they have more there.
They say a technocratic, utopic society, world brain.
That's very much like the internet, obviously.
The other interesting thing is that H.G. Wells, of course, wrote The War of the Worlds.
Yeah, and that's we get the famous broadcast by Orson Welles, who does this broadcast, and everyone thinks aliens have landed.
And the UFO threat idea out there, and that's 1938.
We see the UFO threat idea now put out there by TTSA and groups like that looking for military money and for the CIA to take over the UFO file.
It is interesting.
These cards, I do recommend them and I do recommend them as a study because they're packed with information.
Absolutely incredible.
Everyone, you're watching the Dark Journalist Show.
We're here with Gigi Young going deep now on exorcism, CERN, and Ahriman.
I think that we've touched them all sufficiently and we are looking.
For Miss Olivia and your questions.
Okay, the first question I'm going to ask is so there, we had three movies come out around sort of the same time period.
We had Rosemary's Baby, The Omen, and The Exorcist.
Oh, yeah.
Right.
Was this a kind of dark occult disclosure?
I mean, it's pretty interesting because it changed the dialogue in the culture.
There's no doubt about it.
Rosemary's Baby was huge and it was followed on by the whole Manson thing because Rowan Polanski was involved.
And it was Sharon Tate who was killed in that, and Rowan Polanski directed Rosemary's Baby.
What's interesting that you mentioned that because it takes place and it was filmed at the Dakota, which is where John Lennon was killed.
And I was going to mention something about John Lennon, but Gigi, what's your impression on that one?
Yeah, it's almost like a trinity of disclosure.
They all involve children.
Yes.
And they all, I think, would perhaps reveal a different aspect of.
A different aspect of possession or a different aspect of how the dark forces can influence.
For sure.
Yeah.
Well, it's interesting because both in Rosemary's Baby and in Damien, they are.
I mean, Damien comes after.
What's that?
I just.
The name Damien.
Absolutely.
100%.
That's Olivia Gold right there.
Yeah.
I mean, when you think about it, he's the Antichrist.
You know, and then the other one is Satan's child, so he's the Antichrist.
And then Reagan is interesting because she's being possessed, and they start, like you said, with this Pazuzu shot in Iraq, and this priest is over there.
And so it's like this idea of bringing an old evil back, Gigi.
It is.
It's kind of like that evil needs representation.
You know, it needs to be, there needs to be a certain quota of that influence for it to have energy.
So, there has to be a certain level of people that are introduced to it to have the choice to align with it or not, but it has to have a certain level of influence to actually exist here, period.
Right?
I mean, at any point, we can close the portals to the darker worlds one by one with our consciousness.
We can choose to do that.
Yes, yeah, that's an excellent point.
It is, I mean, it's Pazuzu PR in a sense because he's getting all of these eyeballs on him and boom, you know, he's back.
He's back just like 6000 BC all over again.
Yeah, exactly.
The comeback of the century.
Right.
That's very interesting.
Miss Olivia.
Breach123 had something interesting to add.
Her last name is McNeil.
Is that a Scottish reference and therefore Masonic?
It is very interesting that it's Reagan McNeil.
The name itself, I'll tell you, I came up with some name things around this, like Mount Rainier and stuff.
McNeil is interesting.
I'm sure there is something to that.
Yeah, I mean, sometimes it's, I think sometimes with the mystery things, it's hard to tell.
Yes.
Because some things are personal to the group.
And they have a more personal, very intimate, like you wouldn't know.
What that symbol was, unless you were in that inner circle.
But so some things have like this personal meaning between different groups that we would not be privy to.
And then some things are very obvious and archetypal that we should, that we can pick up on.
So I think there's different levels of symbology that are involved.
Like you just mentioned, the Lennon shooting and the book that he was carrying, you know, this way of messaging in different ways that we don't always understand.
So, but I think everything, I think her name would definitely be.
Used in a ritualistic way.
I mean, Reagan was a president too.
I don't know if that has anything to do with it at all.
Yes, right, right.
Well, he wasn't president yet, but he got there.
He was Governor Reagan at that point, who came out of Hollywood.
And he would launch Star Wars when he got to the White House.
Oh, and Reagan was Scottish.
Wasn't he Scotch Irish?
Definitely Irish, yeah, yes.
But also, how many, really, how many astronauts were there when he wrote this book, when they filmed this movie, right?
It's a very tiny little.
Group of people, oh, yeah, and they're all Masons, and they and one of them happens to be at her dinner party, and her name is McNeil.
I think there's something to it, also.
And there's this, so there's a Jesuit Mason thing, maybe even war going on that you know would make sense to some people who have studied that more.
Oh, this dramatic, um, Jesuit influence on Blatty, he is a Jesuit, he went to Georgetown, the entire um, possession and exorcism in the real one.
Takes place by Jesuits.
So there's an interesting tie in there.
I mean, that's not to say anything bad about Jesuits.
I'm just pointing out that we have something there.
I would say this also about Lenin.
I'm glad you brought this up because Mark David Chapman, who assassinated Lenin, was holding the Catcher in the Rye book.
Now, one thing that was very unusual about Mark David Chapman was in his passport.
When they went through it after he killed Lenin, they found Beirut, which is the same location.
You know, Blatty was stationed by the CIA working for the Information Society in Beirut in the 50s.
That's a major CIA death.
Beirut is completely war torn.
I mean, if you go there, you can't just casually go there.
You have to be there under American protection.
So, this is a fascinating thing.
Just like Lee Harvey Oswald, who worked, made $1.25 an hour, he's going to Russia, he's going to Mexico, he's all over the place.
You know, these guys have incredible travel plans, incredible money, and where it's all coming from.
Well, Mark David Chapman lived in Hawaii, traveled to New York.
When he was in New York, he was staying at a great hotel.
He was ordering prostitutes.
You know, he was doing all these things that would indicate somebody with a lot of money.
And when you go back into his past, you see him traveling to China, you see him traveling to the Middle East, he's living in Hawaii, he's visiting New York, he's all over the world.
So, where do these people get the money and where do they get that?
This thing about Beirut is interesting too because if you're in Beirut in the late 70s, it's like you might as well be going to North Korea or something because it's incredibly hostile to Americans.
He went there as part of this church mission by this World Church, and the people who ran the World Church were the Hinckley's.
And John Hinckley Jr. is the one who made the Reagan assassination attempt.
So, again, we have a very strange assassination thread with the CIA there through Beirut.
And those things, I mean, those are dots that need to be connected.
Not suggesting that Blatty was involved in assassination.
I'm just trying to point out that when you are, and this is somebody who was the chief of psychological operation policy in DC, that's a pretty high level.
So in the 50s, when he's over there in Beirut, you have to wonder about the influences that he's picking up.
Cold Shower Epiphany00:04:25
Of course, we know in intelligence services, they study occult stuff all the time.
Oh, yeah.
I would say they even rely on it.
Yeah, there's tons of programs that are public.
And I think that you're onto something with Reagan and Beirut, and I think there's something there.
There's something bubbling.
Yeah, yes.
That's great.
GG.
Miss Olivia.
Spiritus, I just wanted to mention this, said a giant Pazuzu statue was put on the Nash building, which is the Institute of Contemporary Arts, by commission of the Queen of England.
Oh, fascinating.
Oh, my God.
I'd like to check that one out.
Jesus.
Okay.
There's a little thread, and I think this is I had an epiphany.
Thank you so much, Alex Magoon.
You did me a huge favor.
Said, freezing cold shower is also great for getting rid of negative entities.
That's why Reiki healers dip their hands in cold water.
And I realized from that, really, why in spiritual traditions, when you join a temple, an ashram, why a priesthood?
They.
Take away the pleasures of the body.
And, you know, I never linked it with getting rid of negative entities because negative entities want pleasure.
They feed up, you know, like they want you to drink, they want you to smoke, they want you to have sex, they want you to have, they're indulgent, right?
So by eliminating those indulgences from your life, you are purifying your vessel.
Well, they, they exaggerate those.
Yes, they're not, it's not necessarily you.
Craving all those things.
They're driving you to it.
But it makes so much more sense now when, if you're interested in spiritual development, why you must get rid of those things.
I don't know.
It just sort of lays.
Oh, no question.
No question.
Absolutely.
Well, I'll tell you too, when you think about something like water, it's purifying instantly.
But it also, you know, it has that effect of, I mean, we're made up of 90% of water, right?
So baptismal.
But they're not going to stick around.
If I took.
A cold, freezing cold shower every day.
They're going to flee this vessel.
They're not going to stick around for this.
You know, I think that's.
I still think there's plenty of other vessels.
I think the gold solution is probably a better idea.
Well, you'd have to find.
I mean, the real work would be, you know, you'd have to find the aspect of your own consciousness.
Oh, am I frozen?
No, you're good.
Okay, good.
Had a moment.
You had to find the aspect of your own consciousness.
Consciousness that would be a shadow part of yourself that was allowing you to be visible to that entity or to that being.
There's all kinds of dark entities around.
We don't interact with everyone.
We interact with the ones that are telling us something about ourselves.
So we can never forget the sacred part of even the shadow, of even a dark entity.
We have to understand they don't just come randomly.
They're coming because there's an unhealed part of you that they are communicating.
And so if you really want to cleanse yourself of it, I think water and I think these things are important.
I think they can give you that purity to get your mind straight to figure that out.
You have to figure out what part of your shadow, what traumatized part of you is not being addressed to the degree that that entity can perceive you.
What are you, what's going on there?
So that's the work that needs to be done.
That's the only way, and that's self healing, right?
That's healing and that's responsibility.
But that's the way that we really keep ourselves clear of these kind of things.
And even if you try to disconnect yourself of your lower urges, you can't do that forever.
That's not balanced.
So, you have to find a way to understand that spiritual pleasure can be connected and intertwined with physical pleasure.
And you can't just disconnect yourself from those things.
Stopping Lost Control00:03:31
And that has to do with the heart.
Just with Gigi, it always comes back to that.
It's a heart centered philosophy.
It is.
No, it's a great question.
Yeah.
No, I totally agree.
Miss Olivia, actually, before you go to that question, I'm going to show.
Mark David Chapman, because that's the assassin of Lenin.
And I have always felt whenever I've looked at this individual that he's still under whatever kind of mind control they had him under when he shot Lenin, because he's never seemed like he was in there.
And you could say he's possessed, but it seems to me with his background in Beirut and all the rest of it, this is somebody who definitely was under heavy, heavy mind control when he shot Lenin and was reading the book when the police showed up intentionally.
Giving them this impression.
Yes.
Jason Turner wanted to know what kind of traumas the actors experienced making The Exorcist.
There's such an incredible list of this.
One thing I will say, which is that what Linda Blair has talked about, is that her spine was injured because, you know, in this process, the machinery that they were using, and this harness, when she's on this bed, when they're flipping her out, and she's yelling, make it stop.
They left it in the movie.
She's actually saying, Make it stop because they lost control of this thing.
And so she claims now that, you know, having gone through this, she's had back problems her whole life.
And, you know, anyone who's on that movie would tell you that a lot of the normal rules that exist were kind of thrown out the window to get the right shot or get the right thing or whatever.
And that's another thing, I think, with her.
When she talks about that, that's one of the memories that she had.
Ellen Burstyn was hit and also injured.
During the making of the film, and they kept that clip too.
So they were doing a lot of things to get these raw reactions out of people.
But there is that borderline where you're looking at it and saying it seems like an abusive environment.
There are a number of deaths associated with the movie, and two of the actors that were in it who die in the movie actually died close by during the making of the film.
So it's really kind of heavy.
And there's a lot of misfortunes associated with it.
There's quite an extensive list that's involved there, but one of the things I would say is it seems like it was successful at a great cost to the people involved in making it, and that the studios really cleaned up with it because I think it made something like $200 million.
I mean, it's an incredible success in that sense, but I think it did cost the people involved.
Yes.
Thomas Tyson.
Was reminding us that the ninth configuration is also by Blatty.
It is MK Ultra type mind control.
True, and that is somebody we call Freaky David Bowie.
He's not David Bowie, but he's a guy who looks incredibly like David Bowie.
So he's Freaky David Bowie.
I forget his real name, but he's a good actor.
And this is a weird thing about Blatty that I don't understand.
Maybe some Hollywood type can tell me this, but here's a writer who becomes writer producer for this major movie, The Exorcist.
And, you know, it's one thing to write it and be like, I'm this guy who's writing.
Oracle Deck Insights00:03:32
And he wasn't wildly successful before that.
He was doing some screenplays, he, you know, done some books, but he wasn't like a bestseller or anything.
The Exorcist is a huge bestseller.
And then he becomes the producer of the movie.
And then he's doing his own movies and he becomes a director.
So now he's a director, producer, writer.
It's kind of a bad thing.
Well, he had the money to do that.
That's true.
But it doesn't make sense, I guess, in that sense, the way that I look at it.
It's not a normal progression.
That you're, you know, like take Stephen King, for example.
I mean, is he around directing movies?
He'll write the movie.
But so that's something, I mean, maybe it is a natural step and I don't know, but it seems unusual to me.
But yes.
Okay.
So I just wanted to throw this out there.
The Nutball News wanted to know if Gigi was a tarot card, which card and perhaps which deck would it be?
If I, if, sorry, pardon me, repeat that.
If you were a tarot card, which card would you be and which in which deck?
Oh, Lord, I don't know.
Ask me what day.
You'd be the High Priestess.
You'd definitely be the High Priestess.
Oh, yeah, I'm the High Priestess.
Yes.
Do you have a favorite deck?
I can't say that I'm the High Priestess.
I have to be elected.
So I can't say that.
That's not right.
But I would say, you know, I'm actually, when it comes to tarot, I'm actually a traditionalist.
Yes.
I don't like the crazy ones.
I like an oracle deck.
There's a deck that is.
It's actually like a gypsy oracle deck and it's puzzles.
And if the puzzle fits together, then it's like a message.
I like that one, but that's as far as I stray.
I like the traditional tarot.
The more traditional, the better for me.
The Rider deck.
Yeah.
Rider White, or there's an Egyptian deck.
Is it called like the Papas deck?
Oh, I know the Foth deck.
And then there's millions.
Yeah, yeah.
There's so many.
I love looking at them and maybe I'll hoard them all one day.
But I mean, I love them, but I mean, If I'm going to use a divination tool, I'm going to go for the most traditional one.
We'll take a vote in the ideas room about which card.
Good idea.
Everyone, you're watching the Dark Journalist Show X Series, episode 71 on Exorcism and Arman and CERN.
We've gone deep, deep on some popular movies as well, dealing with very, very heavy archetypes involved.
We're going to take two more questions, Miss Olivia.
Okay.
I mean, I know the answer to this question, but I think it's important to ask it.
Matt Sharp wanted to know Does Gigi do any drugs asking for a friend?
No, I don't do anything.
I'm super boring.
I'm a teetotaler.
I don't drink.
I haven't drank.
I don't actually remember the last time.
I've actually had alcohol and I don't do any.
I think I did mushrooms in the forest once.
And I have to say that was like.
And it was actually incredible.
But I never did.
I don't do anything.
I actually don't like it.
It doesn't resonate with me at all.
It's just my personal choice, but I don't.
Yeah, and no guest on the show has to ever answer a question like that, too.
Brexit as Fear Tactic00:04:06
You can always punch it.
Oh, I'm fine.
I mean, hey, listen, I'm here with this very strong lemonade and tea, so watch out.
And I have no problem with that.
It's not like a judgmental thing for me at all.
It's just for me.
Also, with my work, I take it really seriously.
And I was doing so many sessions for so long that I couldn't, you know, I don't want to come to someone like.
That has, you know, that wants a reading, and I've like drank, and I'm like, I just, it doesn't, I don't feel like it goes with what I personally, the life path I've chosen.
I don't feel like it goes with it.
So, you don't judge me on the lemonade?
I'm not judging you on your lemonade.
I support it.
I know exactly what you mean, and you've kept it like a very clear channel about the work that you do, and I absolutely agree.
I, you know, that's my way of doing it.
Actually, I'll take that.
Which one?
This thing?
Yes.
Yes, yes, yes.
Now, this, on the other hand, I can see there's a lot of divinities out there that would like their hands on this, but they're not getting it.
Well, I'm going to tell the audience they don't know this.
There was a time in your life when you lived on Kit Kats, coffee, and cigarettes.
That's true, actually.
It was a Kit Kat, American spirit, and espresso.
That was good stuff, let me tell you.
And I talked a mile a minute.
The last question.
Okay, well, this is unrelated, but it's on topic, sort of.
All right, now, Madhuri wanted to know Does DJ have any ideas why Brexit was supposed to happen today?
I thought she was going to say, Does DJ take any drugs?
I'm glad you didn't ask that one.
Go ahead.
Well, did you get it?
So, Brexit.
Why did they plan Brexit for Halloween?
They've had a lot of problems with that in Boris Johnson, who, by the way, is really funny.
There's a story about Boris Johnson, which is.
Joseph Farrell knew Boris Johnson when he was at Oxford.
So it's kind of amusing having Farrell cover it because he actually knew him.
There's so many things.
Look, Brexit was voted in.
That's the way it is.
The vote was to break away from this European Union BS, which was actually created originally under the Nazis.
So, you know, Brexit is kind of like the in house solution, which is we're going to be our own country and people had to vote that in.
So, again, This kind of world government corporatocracy, corporate rulership was voted out.
As you could also say, the American election in 2016, they had also decided as best they could to vote it out.
I mean, there's so much corporate influence.
This idea that these corporations can run and turn everything like the North American Union will be Canada, America, and Mexico, and completely gets rid of the sovereignty and constitutionality of the countries is being rejected over and over again because look what globalism brings.
With the refugees and the wars and the spreading of empire and the consolidation of power to a very small group at the top.
And you know, when you get that much heavyweight on top, what happens?
Things topple over, and all those people on top go under.
That's what they're building.
So, Brexit actually is a way, just like getting out of that corporate culture in America and not pushing it down everyone's throat.
You know, it is a way out.
And so, it's the countries being countries again and the globalism being rejected.
That seems like a healthy move to me.
In terms of doing it on Halloween, there's always something up if you're doing it on Halloween.
All right.
Okay.
Last question?
Yes.
All right.
Again, not.
Relating to tonight's topic, but it needs to be asked now.
Kat I am wanted to know will you please speak to the upcoming Seattle false flag attack?
So on November 3rd, I mean, there's this predicted.
Unsubstantiated Rumors00:05:46
Yeah, I never, I mean, my position on that stuff is to never pass along rumors like that.
Completely unsubstantiated.
And it seems like a fear tactic to me.
Yeah, but on a conspiracy level, Why is that even out there?
What are they up to?
Well, but they've had things like that with Q before, too, where they've said, like, Q is predicting Black October, you know, and they're like, boom, boom, boom, it's going to be pain.
And, you know, it doesn't happen.
And if something did happen, they take credit for it.
So I don't believe in things like that.
One, I do not believe in anonymous sources.
If you are a real source, you can go forward to somebody like Wikipedia or whatever and get your message out, or you stand up and be accountable for the things that you say.
If you're going to be an anonymous poster on the board, you might as well be the king of the CIA, in my opinion, because that's you get whatever you know, you don't know who's posting.
Anybody could be posting that stuff.
So, no, when there are predictions like that, if somebody wants to make a prediction like that, they can come forward on a show like mine and say, I'm making this prediction because, and here I am, and I'm a real person.
And if they don't do that, then they're a manipulated entity and don't pay any attention to it.
That's my opinion.
I think we also have to, I mean, I actually think that this.
Question actually does play into our evening and our discussion because we have to remember how important it is that fear is cultivated on a daily, weekly, monthly basis, and that we live in fear and that we think that we are literally a day away from everything from being attacked or things falling.
It's very important that our nervous system is constantly stressed out.
And, like you said, if no one's able to stand up and say, Here's my evidence for this.
Then you have to wonder, okay, well, are you just part of the great machine of cultivating fear that allows for things like possession, depression, anxiety?
You know, if you, so we have to realize that this is, these things happen all the time to cultivate a certain state in the public.
So we're, we're afraid and we don't go outside and, and we have to remember that that's a tactic.
So absolutely.
Wow.
Incredible.
Very well said.
Gigi, fantastic show tonight.
Thank you so much.
Uh, for being here and everyone in the ideas room, great questions, Olivia.
Tomorrow we'll get to even more questions, of course.
Um, but tonight, can I just throw something?
Oh, yes, okay.
So, Eric Ackerley said he was part of an exorcism in 1968 in Houston, Texas.
Saw a purple shape leave the man, cross the floor, open the door, and leave, slamming behind him as he did so.
Scared the crap out unbelievable.
So, wow, that's a great one.
Um, and then Prince never came back.
No, I'm just kidding.
There are real exorcisms.
There's no question about it.
Yeah.
And I'm sure that they're very hardcore.
And on Halloween and exorcism, watch out.
Everyone, it's great to have you with us.
And Gigi's work you can find at ggyoung.com.
Her new courses are up there ggyoung.com forward slash new course.
Is that right?
That's right.
You got it.
I nailed it.
And of course, her work is available on YouTube.
No greater ally or friend to the X Series than Gigi Young.
Fantastic work.
And thank you so much for helping us out.
Well, thank you for having me on.
And thank you, everyone in the audience.
It's great to see you.
We're going to come back tomorrow night with X Series 72.
Yes, nonstop.
And hardcore.
And, you know, I'll tell you, it was great to have everyone out there tonight.
I think the questions were exceptional.
Miss Olivia, off the charts.
Thank you.
Amazing.
It was an incredible ideas from chat.
It really was.
There's no doubt about it.
And I think that we got into some of these things.
I want to do a shout out to Aether, to Breach, Johan, Najat.
Najat, it's great to see you out there.
And let's see who else we got out there.
Well, Sundari Short says this is the best show ever.
All right.
I'm forced to agree with you.
No question about it.
Fantastic to see everyone.
Justifiable freedom.
I like that.
Doyle Wayne, terrific.
Excellent.
We will see everyone back tomorrow night.
And, Miss Olivia, the only question is besides this Kit Kat, which.
Gimme.
What's for dinner?
I don't know, but it's better than that.
That one's all yours.
Thank you.
It's the right size, too.
And we will see you all tomorrow night at 8 p.m.
And I've got a real mind bender for you.
And it will be the last X episode of 2019.
Although we'll have many interviews coming up for you tomorrow night.
Be there or be episode 72.
And of course, we're going to end the broadcast now.
But as you know, it says the broadcast ends, but it never really ends.
But that was amazing tonight.
It was incredible.
I can't wait to listen to the rebroadcast.
Fascinating, just incredible.
Gigi was great.
The movies and the power of those movies and the larger picture behind it, just sensational stuff.
Yeah, everybody's going to want the full Wizard of Oz episode also.