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Feb. 9, 2002 - Art Bell
01:51:05
20020209_Art-Bell-SIT-John-Hutchison-Hutchison-Effect-Levatation

John Hutchinson, a self-taught Canadian scientist, demonstrated the "Hutchison effect" in 1979 using Tesla coils (up to 2MV), RF generators at 455 kHz, and military surplus gear like a Westinghouse transformer. Witnesses—including Boeing engineers and U.S. military personnel—documented levitation, metal transmutation, and interdimensional distortions, with anomalies extending 300 feet. NASA explored his tech in 1997’s Advanced Propulsion Workshop, but Hutchinson refused weaponization, fearing secrecy. His lab was seized in 1990 under false PCB claims, and later experiments under the Alex Fraser Bridge were blocked by RCMP. Though open to collaboration (via HFECT@infinite.net), he remains skeptical of replication due to resource limits, leaving his work’s potential—from space travel to atmospheric repair—both intriguing and frustratingly elusive. [Automatically generated summary]

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John Hutchinson's Levitation Mystery 00:03:22
art bell
What you're going to see is just about beyond belief.
We have video clips of heavy objects levitating.
Canadian John Hutchinson is a self-taught scientist who reports to have accidentally stumbled upon a collection of phenomena now known as the Hutchinson effect.
During attempts to study the longitudinal waves of Tesla back in 1979, some of the effects produced include levitation of heavy objects, metal samples turned transparent, metals turned into jelly, and the spontaneous fracturing of metals.
The Hutchinson effect has been well documented both on film and videotape, has been witnessed many times by numerous credentialed scientists and engineers.
Hutchinson has presented over 750 demonstrations of levitations, all generated by the Hutchinson effect.
He also has video documentation showing metallurgical samples falling apart, as well as the transmutation of wood impregnated into metals.
His findings have been televised in the U.S., Japan, and Canada, and have peaked interest from electrical engineering and aircraft companies, the Canadian Department of Defense, and the military, as you might well imagine.
Coming up in a moment, John Hutchinson.
I immediately, immediately recommend that you go to my website and in the following order, watch what I'm going to instruct you to watch.
All right.
Go to artbell.com and go to program and then tonight's guest info.
And under the name John Hutchinson, you will want to click on video of photos of experiments.
And there is video clip number one and video clip number two.
But if you will go to the bottom of the page, you can see the first page, past all the still photographs.
You will see video of John's laboratory.
Now, John has a laboratory that rivals anything it looks like to me at NASA.
It is extremely impressive.
And until tonight, I was not aware of the Hutchinson effect nor of John Hutchinson.
But the videos that we have, the proof that we are offering you, is mind-boggling.
I mean, you will see things levitate in the air.
You will see heavy objects levitate in the air.
I don't know what to tell you.
We've got it on video.
John, welcome to the program.
john hutchison
Well, it's a real nice honor to be on your program, Mark.
High-Voltage Experiments 00:15:09
art bell
Where are you in Canada?
john hutchison
Well, I'm in New Westminster, British Columbia, Canada, on the west coast.
art bell
All right.
And how old are you now, John?
john hutchison
Well, I forgot, but I'm into life extension, so I think I'm about 55.
About 50.
unidentified
55.
art bell
Okay.
When did you begin your experiments with Tesla technology?
I mean, how did you get involved in that in the first place?
john hutchison
Well, I was always fascinated by Tesla technology, especially in the 60s and that.
Yes.
And the information at that time period is very vague.
art bell
Actually, it still is.
A lot of what Tesla did, we don't know.
They scooped it all this work up.
john hutchison
I know.
But in the 70s, I got this great inspiration with a machine shop to reproduce to 18th century standards a lot of the equipment.
The high-frequency converters and generators and all that neat stuff.
art bell
Yeah, I can see it.
john hutchison
I just went on and on and on, and it seemed that nothing was impossible to achieve.
art bell
Well, what were you trying to achieve?
In other words, what was your goal when you began?
john hutchison
More or less, more or less, basically just having fun.
That's basically it.
I was just having fun.
art bell
Yeah, but having fun based on...
john hutchison
I wasn't trying to prove anything.
I was basically had a great interest in replication of high-frequency, high-voltage effects, radio frequency energies, and electrostatic energies.
art bell
Voltages, how high?
You mean Van de Graaff generator type voltage or what?
john hutchison
Yeah, Van de Graaff generators up to, well, I made one myself.
It went up to about 2 million electron volts.
art bell
Oh, that's a lot.
Yeah.
That's a lot.
john hutchison
A lot of stuff there.
unidentified
And then the Tesla coil itself only was up to a million volts.
art bell
A Tesla coil at a million volts.
unidentified
Yeah, maybe one.
art bell
When did you begin to observe, as you experimented, anything anomalous that you just, you know, you didn't understand why?
john hutchison
I would think about 1979 was a time period when things started to happen.
Like what?
I would get pieces of fake light material coming across a room and hitting me on the shoulder or hitting and crashing into things.
art bell
When you did what to them?
john hutchison
When I was activating the electrostatics and also the Tesla coil machinery and a pulsating high-voltage DC voltage through a spark cap.
art bell
Okay.
john hutchison
And I was using also RF generation equipment at 455 kilohertz.
art bell
At 4.
I'm sorry, say again.
john hutchison
Sorry.
455?
art bell
455 kilohertz?
unidentified
Yeah.
art bell
That's the IF frequency of most broadcast radios.
john hutchison
That's right.
And playing with these fields, I always was playing with something like that, even prior to the Tesla interest in that.
art bell
Just curious, before we move on, are you aware that the alleged Philadelphia experiment, which used large electromagnetic fields and rotating RF fields, actually has a lot of parallels to what you're talking to me about right now?
john hutchison
That's what I discovered in 1982 when Dr. Guy Obolinsky suggested I fine-tune the frequencies and I'd start to get the same kind of effects as the Philadelphia experiment.
Oddly enough, some of these things actually did happen.
We had a whole building disappear in 1987 when I was with us.
unidentified
What?
john hutchison
I'm not kidding.
art bell
A whole building.
john hutchison
I did not see it myself.
Of my workers there who worked with Boeing, George Lissikase and Alexander Sherchesky from Russia there.
An insurance agent was to come down to insure the laboratory.
unidentified
Right.
john hutchison
And basically, he came down and found no building.
It was just an empty lot.
So we questioned him about the surrounding area.
What did you see when you came here, the address, and everything went over and over and over again.
And basically, he got very upset and angry.
He's saying, you guys are trying to play a practical joke on me.
I don't get it.
And he just backed off and never came around again.
Now, I didn't see this happen, but my friends, of course, told me the story.
And other times, of course, on the analysis of the 8mm film, the old-style film by the Canadian government, they found that some of these metal samples would turn semi-transparent.
unidentified
And you can actually see through them and see the objects underneath them.
art bell
All right.
Exactly, if you don't mind telling me, if you're willing to tell me, exactly what were you applying when those effects began to occur?
You were applying electrostatic voltage.
You had a Tesla coil operating?
john hutchison
Yes?
I had about three Tesla coils operating.
art bell
Three Tesla coils.
john hutchison
Three Tesla coils, one at 7.5 in the kilohertz range, and one at 14 megahertz.
art bell
14 megahertz.
john hutchison
And, of course, the RF generators at 455.
And the electrostatic unit generator.
This is in the very early days of these kind of experiments.
And I also had weak magnetic fields.
art bell
Okay, wait a minute.
electrostatic uh... uh...
john hutchison
about two million volts right no well that no no The electrostatic unit I had, I had several of them, actually.
The very first one I started out with was about a half a million volts?
art bell
Half a million.
unidentified
Okay.
john hutchison
And then as time went on, I always would upgrade the laboratory.
art bell
Of course.
But if I've got it right, three Tesla coils, 7.5 kHz, 14 MHz now, those would be, that's a harmonic, right?
john hutchison
Getting in close to a harmonic.
art bell
7.5, well, close, yeah, close.
I'm sorry, not an exact harmonic.
I'm wrong.
And what other frequency?
john hutchison
5 megs.
art bell
5 megahertz?
john hutchison
Yeah, 5 megahertz.
Now, these are very fine, so fine that there's literally no sparks from them.
unidentified
Okay.
john hutchison
They're so finely tuned with, well, with spark gap and also high capacitance.
And the other one was vacuum tube operated.
unidentified
So you get the high frequency in that?
art bell
Right, up at 14 megahertz.
Yeah.
And then a half million volts of electrostatic and 455 kilohertz RF.
john hutchison
Yeah, a lot of it I had to dump into a dummy load where I get into a lot of problems with what they call the Department of Transport up here.
art bell
Really?
unidentified
Yeah.
john hutchison
That's using quite a bit of RF energy.
But the effects would happen away from the equipment.
They could happen outside.
unidentified
All right.
art bell
First of all, I'm going to sit here and watch as I speak to you your first video, the first video that Keith, I think you sent him what?
You sent him videotape?
unidentified
Or TV shows and videotape.
Okay.
john hutchison
Sure.
art bell
This shows objects, solid objects of all kinds, just suddenly taking off from the floor and from shelves.
It shows a plastic bottle squeezing in all by itself.
It shows, my God, object after object just taking off from the floor.
john hutchison
Now, that would be 1987 time period when I was at peak 88 to 89 time period when I was at peak efficiency with this stuff.
art bell
And what in God's name are we seeing here?
I mean, where was this, please?
john hutchison
This was in another laboratory in Vancouver, Canada.
art bell
Yes.
john hutchison
And it was sponsored by Boeing, the Boeing Company, down in Seattle, Washington.
art bell
Boeing, yes.
john hutchison
And with also a couple of workers, scientists that worked with me, we set this laboratory up yet again.
It went through many different moods prior to that.
And on this run, I incorporated microwave technology and more advanced Tesla systems and also more advanced electrostatic systems.
art bell
Yeah, but my God, whatever you would throw at these things, I can understand little pieces of tin or foil or something jumping around with great electrostatic prodding, but not things taking off into the air like this, John.
john hutchison
Oh, I know, we up to 1,500 pounds.
art bell
Oh, really?
john hutchison
That only levitated, though, one inch.
Now, the idea, and there's something, I have a lot of scientific papers written by other scientists, but there appears that these are like keyways that open up some other dimension to allow this to happen.
art bell
Well, okay, but again, what we're seeing here is so fantastic.
I mean, after all, a wrench, for example, a solid metal wrench at the beginning of this video just takes off and flies up out of camera range.
Where did these what kind of was this a chamber or where was this?
john hutchison
This particular location, there was many different other locations, but this one was in a sub-basement of a large building.
art bell
Okay.
john hutchison
And we were trying to find target areas, and we found this particular target area to be extremely active.
So I was holding the camera with, and actually kind of scared too, because you don't know where these things are going to land.
art bell
Well, yeah, I was going to ask you.
Take the wrench, for example.
This thing takes off and just flies straight up.
unidentified
Now, where did it go?
john hutchison
Sometimes the samples would hit the beams on top and bounce off onto another angle onto the floor.
Or they would simply, it appears that the movement of the earth has something to do with the slight slant movement of these things.
art bell
Right.
john hutchison
And they just go into another storage bin next to that storage area there.
unidentified
That was pretty impressive, I think.
art bell
Yeah, no, not pretty impressive.
unidentified
It's really, really, really, really impressive.
art bell
And you were using that same setup, or what were you using to cause what we're seeing here?
john hutchison
I was using a lot more equipment than I was back in the early 80s.
art bell
But can you describe specifically what you were doing, or do you not wish to?
john hutchison
Oh, I don't mind at all.
art bell
Okay, describe exactly, technically, what you were doing in case somebody wants to try and duplicate this.
john hutchison
Well, I had a lot of equipment running at that time.
And I'd set the units on once I got them tuned up with a lot of heat and that with all these things and they sort of drift and you have to keep adjusting them until you start getting effects.
art bell
Right.
john hutchison
So in this particular case, I had some friends there, a fellow from Germany actually holding the camera one time while I was doing this.
Actually, the German government got involved in this stuff too in 89, 90.
And then I'd hold the camera.
Let me keep an eye on the lab so you know spontaneous fires coming out of the walls or concrete, which is recorded.
I know it sounds wild.
art bell
No, no, no.
With what's happening here, I would be very concerned about other things happening.
john hutchison
Yeah.
art bell
But again, what I'm asking for is technically, what did you have on to produce this effect?
john hutchison
At this particular time, I went very big with the lab.
Instead of only 4,000 watts, 110 volts, I was up to close to 3,000 watts, 110 volts input into all the equipments.
I had the 1 million volt Tesla coil running.
art bell
Okay.
john hutchison
The 2 million volt electrostatic unit I made running at that time, along with a half a million volt electrostatic unit with bandigraft generators.
art bell
Okay.
john hutchison
I had a unit called, which helped a lot, called simply its Army Surfless, called Device 17x15.
It's a radar programmable radar system for counter intelligence and countermeasures, radar systems.
art bell
Yes.
john hutchison
They would just put out X-band radar at, oh, maybe roughly 10 to, as I recall, 100 milliwatts.
unidentified
Okay.
john hutchison
That was focused into the field.
And I had also a pulsating magnetron, a mechanically pulsed magnetron.
art bell
Good Lord, you had a whole soup of things electromagnetic and otherwise going on in there.
john hutchison
Quite a bit.
I had, at least in equipment weight from that time period by the moving company, 22 tons of stuff.
unidentified
Well, that's...
art bell
22 tons?
john hutchison
22 tons.
I peaked up at that level, had so many different, also other experiments running too.
art bell
John, if I might ask, equipment of this magnitude would take some amount of financing to put together.
john hutchison
That it would.
Now, if you're to buy these things off the shelf, you'd be running into many, many millions.
Right.
However, in Canada, there is many scrapyards, surplus yards, where it seemed the stuff came to me.
I go to one place called Convoy Electrical Machinery, and there I found almost an exact duplicate of the Colorado Springs Tesla transformer, Westinghouse 56 KVA.
Right.
And basically, they didn't want it, and they said they'd deliver it.
They wanted to get rid of it.
And over and over again, I set up a network where people phone me and say, well, we got a Siemens transformer at DC voltage, 200,000 volts.
art bell
So people liked what you were doing, in other words.
And as they heard about it, they made donations.
john hutchison
They made donations.
art bell
Of stuff.
john hutchison
Basically, yeah.
They gave stuff and sometimes they've had to purchase stuff, but it was dirt cheap.
We had so much Army surplus, so much other types of surplus, and the old wire, even back 100 years ago, let's say, was available in the scrapyards.
Nobody wanted it except me.
art bell
Except you.
All right.
Hold on, John.
Hold it right there.
You've got to see this, folks.
To my website, artbell.com, to program tonight's guest info and the videos.
Seeing is believing.
I'm Martell.
Scientists Excited By Videos 00:03:04
art bell
Back now to John Hutchinson.
And John, it says here that your effect has been very well documented and seen many times by credentialed scientists and engineers.
Now, if a credentialed scientist or engineer were to actually witness what I'm seeing on videotape, I'd be real curious what they'd have to say.
john hutchison
Oh, they get very excited.
They get extremely excited.
art bell
Right.
Yeah.
And say what?
I mean, surely there are scientific minds.
john hutchison
They just go wild.
They want to get funding to put this into a more controlled laboratory situation.
There's reports written about it.
And like people from Donald Douglas or from Boeing or from other national laboratories, they want to see it go.
But I guess perhaps the effects are so dramatic, so astounding in some ways that a lot of the funding, of course, would be turned down.
art bell
It says metal samples turn transparent.
You mean like steel?
What kind of metal?
john hutchison
I don't know exactly because I let the scientific teams analyze everything because I'd be too busy operating the equipment.
art bell
So you were operating the equipment, producing the effect, and they were examining the results.
john hutchison
They were examining the results and filming the results.
art bell
Metals turn to jelly.
Mm-hmm.
What do you know about that?
Anything?
john hutchison
Well, I do know that there's some unique, very exotic subatomic structures that I feel that would perhaps allow this to decouple.
I actually believe in gravitons and cronons, time particles, and many other subatomic particles.
And also believe that there's an amazing amount of energy out there that if it's triggered or tickled or tweaked.
art bell
And that's what you think you're doing.
john hutchison
That's what I think I'm doing.
Now, the results have been duplicated a tiny bit by friend and well-respected scientist Ken Shoulders and well-respected scientist Richard Hull on the invisibility factor.
art bell
Invisibility.
Again, boy, I'll tell you, we're really brushing up against the Philadelphia experiment in more ways than one.
So the tale told of the Philadelphia experiment, at least technically, I don't know whether you've ever heard it or not, but what they used really sounded an awful lot like what you're doing.
john hutchison
I was highly fascinated by the Philadelphia experiment.
I read some of the books that were published in the early days.
And some U.S. scientist in New York, Dr. Guy Obelinski, suggested to me to fine-tune the frequencies I was using, and I got similar results, which I did do.
Tlc Report Revealed 00:15:44
john hutchison
But unbalanced to me was after analysis of the metals and videos and that these things would show up later on.
art bell
What made you decide on, for example, 455 kilohertz?
john hutchison
It seemed to be a magical frequency.
It's a fundamental frequency of many things.
I was basically for about 10 years prior to the discovery.
I didn't promote this.
But 10 years prior to this, I enjoyed playing with radio equipment, Tesla machines, and was quite immersed in it.
Lived quite a lonely lifestyle in Lynn Valley, North Vancouver.
That's another part of Vancouver.
I had a lot of time to play with these things.
art bell
You began at what age?
john hutchison
Oh, good heavens.
I was intrigued by this stuff since I was probably five years old.
art bell
Five years old.
So then you were well into experimentation in your teens?
john hutchison
Oh, yes.
I scared Vancouver into believing that there was a UFO invasion.
art bell
You did?
john hutchison
In 1965, it made the front page of the Vancouver Sun newspaper.
art bell
You know, I keep hearing, I'm getting a lot of fast blasts right now from Canada, Alberta, for example.
Peter says, I heard that John once shook a telephone pole without any equipment.
john hutchison
That's right.
art bell
It is right?
john hutchison
That's a true story.
Yes, it was a telephone pole outside behind, I guess it would be lab number three, where I moved to in Burnaby, British Columbia.
And this telephone pole, I thought some truck got caught in guide wires to the pole.
And I had the equipment on preparing for a run test for some people that were coming.
unidentified
Right.
john hutchison
And I looked through my, you know, I just let the machines run.
I went to the back of the building and was looking out and saw this telephone pole moving three feet one way or another.
art bell
Three feet.
john hutchison
Three feet movement.
I said, gee, this is dangerous because the wires are coming to my place.
So I went outside and looked, and I didn't see any car tangled in any guide wires.
And people were starting to come out and look around.
And I thought, oh, well, it couldn't be the equipment, could it?
So I slammed the main breakers down.
Once I did that, it stopped.
Yeah.
art bell
John, you only sort of know what you're doing, huh?
In other words, you know you've learned how to fine-tune frequencies and produce effects, but you're not totally sure, are you, what this is all about?
john hutchison
Many things I'm not sure.
It's always an exploration.
And that's what makes life so interesting, is this ongoing exploration.
I've got all the answers.
art bell
So then apparently in Canada, they know you very well.
unidentified
You did what now in Vancouver?
john hutchison
In Vancouver?
art bell
Yes, uh something about a UFO?
john hutchison
Oh, back in 1965, yes, I was sending up hydrogen balloons coated with tinfoil.
unidentified
Uh-oh.
john hutchison
And I wasn't I was just doing this because it was a fascinating thing to do, and the neighbors basically called basically called the Vancouver Sun newspaper and the Province newspaper and the Canadian Broadcasting Corporation.
And they all came around into the backyard, and I was caught, basically.
But in those days, it was kind of a fun thing, and even the military people were humored?
Oh, they're highly humored, and they wondered because there are all these UFO blips on radar.
art bell
Uh-huh.
john hutchison
So they made their own comments in the newspaper.
art bell
So it was you, and they no doubt used that.
Yeah, I see.
unidentified
Okay.
art bell
you know it just it it's not logical for things to what would you say they are defying gravity at In other words, how would you phrase what's happening to these metal objects and solid objects?
john hutchison
Total.
Well, defying a lot of laws and old laws, I would say, in science.
But I always find the academics get very upset over this, while the military scientists don't.
All the military scientists I encountered seemed to be highly excited about this.
art bell
Oh, I can see why.
john hutchison
Wrote the reports.
In Canada, there was a lobby group in the Senate that was lobbying for Ferris Tech.
Like, I never traveled to any of these places.
The business people that were doing this, one was George Hathaway, he's a scientist.
The other was Alexis Pizarro, a well-known oil fellow who basically found me in Lynn Valley and started promoting this effect.
And I, at that time, really didn't think anything of it.
But Alex said, John, what are you doing?
You're throwing out metal samples.
unidentified
I said, well, so what?
john hutchison
But as Alex said, it took a year to convince me what I was doing was very important.
art bell
Well, when things fly up in the air, John, it shouldn't be too hard to become convinced that you've stumbled into something really big.
john hutchison
Well, basically, I finished grade 8 school as a loner.
I had agoraphobia.
I was living kind of in the mountains there and never had any real contact, any kind of scientific community.
art bell
Oh, so not a lot of social skills.
You didn't even like leaving your agoraphobia.
That's fear of leaving a house, right?
john hutchison
Basically, yeah.
I didn't have any, you know, I was a bit of an oddball then and didn't have that many friends.
So to be instantly thrust into the limelight.
Yeah, it was intriguing.
unidentified
Probably very scary for you.
john hutchison
Yeah, I guess the first adventure was 78 to 79.
Almost the end of 79, that was in regards to I was picked out as somebody to be harassed by the government at that time under gun control registration.
I had a large collection of old weapons and stuff.
art bell
Yes.
john hutchison
So that was my first, I guess, major encounter out in the media.
But the other one prior to that in 1965 was rather an adventure for me.
And, you know, just all these different kind of feelings that you have at that time.
And that was gone.
That was like, you know, a newspaper article, a CBC report, and that disappears.
I don't even have a copy of that, unfortunately, of the CBC report.
I got some newspaper clippings.
art bell
Oh, well, somebody I'm sure will help you out.
john hutchison
But, you know, it's when I was first into the scientific community, I thought to myself, well, you know, I don't have any education.
You know, I'm still using my fingers to count and all this kind of stuff, but why did they think it's so important?
So they kept convincing me and suggesting things and bringing scientific visitors to the Lynn Valley location until this happened for a couple of years until and rolling Super 8 film, the old film.
art bell
Sure.
john hutchison
I don't think you got that, but there's about 500 hours of stuff.
What happened was that Alex Dezero, George Hathaway, suggested I go to Toronto and sign a document.
art bell
Sign a document?
Yeah.
john hutchison
So I've never been on an aircraft before, so it took the combined efforts of all my friends at Alex Pizarro and his buddies to get me on an aircraft.
art bell
What kind of document did they want you to sign?
john hutchison
It was a document in regards to that Alex Pizarro, George Hathaway, Norman Hathaway and associates could help me in bringing this out into the scientific community.
Okay.
I think it was a four-page document witnessed by an attorney.
And after that, I moved from that location in Lynn Valley to yet another location.
And the U.S. government then got involved.
art bell
The U.S. government?
john hutchison
Oh, yeah, they got involved at that time.
Colonel John B. Alexander was part of the team.
art bell
Oh, I am a friend of Colonel Alexander.
john hutchison
He sent an email tonight to me saying there's some incorrection or some things wrong in that bio, so I mailed him back saying, oh, yeah, there probably is.
There's so much stuff going on, I lose track because I never was.
I never attended anything at the Pentagon.
art bell
Was that NIDS?
john hutchison
Well, John's working at NIDS now.
art bell
He is, but that was when he was in the military?
john hutchison
No, I believe when he was in the military, I think he was in the Inspector General's department.
art bell
Right.
john hutchison
Because I phoned there one time because I was trying to.
What happened was I was given different names of all these people that came at that time, period, in 1983.
So it took me a long time to get their real names.
art bell
Right.
john hutchison
And a friend of mine, Lieutenant Colonel John Bearden, Tom Bearden, that is, gave me the names, proper names, which allowed me to track down.
Then other people came into the scene, like Jack Howek, McDonald's Douglas Aerospace, who did a non-classified experiment for two days and released the videos to me and documentation in his report.
So he knew Colonel Alexander.
art bell
I see.
john hutchison
And one person, one of them, like I'm saying, I'm trying to cover a lot of territory here.
A book was just published by Nick Cook of Jane's Defense Weekly on the black budget project, and I'm featured in the book.
art bell
Were you part of a black budget?
Somebody's our black budget here in the U.S. or Canadian black budgets or both?
john hutchison
No, these probably both.
unidentified
Both.
john hutchison
I've learned to date from this new publication just in the last couple of months that Lockheed Martin Skunkwork has the Hutchison Effect Now, all written down by Nick Cook, who's chief aviation editor for Jane's Defense Weekly.
art bell
Oh, really?
I wonder if they regard it as a propulsion system, an invisibility system, a levitation system.
What do you think they're doing with a, or should I even be asking?
john hutchison
You can ask me, I don't mind.
unidentified
Okay.
john hutchison
They're probably advancing it for advanced propulsion technologies.
art bell
That would have been my guess.
unidentified
Yeah.
john hutchison
Nick was hammering away for a long time on this project to find answers to the black budget, the billion-dollar question.
It first aired in 2000 on TLC, where this boy Bushman starts to admit things and showing my videos.
art bell
As a matter of fact, on one of the videos, it says in block letters, I think, TLC.
So this ran on the learning channel?
john hutchison
Yeah, some of these were on the learning channel and Fox TV.
art bell
TLC, I see it.
As things fly off the table.
That was a glass of something that just flew off the table with a cup in it or with a spoon in it.
john hutchison
Spoon in it.
I'm trying to think what that would be.
I got so many of these things, but they would find the art.
Okay, when I do a show for Fox or TLC, I'm interviewed.
They use the stock footage.
And then they will get a guest on, like Jack How McDonald Douglas or Colonel Alexander, who appeared on my behalf on TLC.
art bell
I see.
john hutchison
Or many other people, Tom Ballone.
art bell
Out of curiosity, what did John Alexander say about the Hutchinson effect on TLC?
john hutchison
He gave it a fairly good thing.
He basically said, I'm trying to go by memory here.
It's a nice piece they did on me.
Good producers in that.
Basically, Colonel John B. Alexander said himself, you know, this is very hard to explain why a steel bar is very hard at one end and the other end is like lead, is one of the things he mentioned on TLC.
The others is that they had the video analyzed at Los Alamos National Laboratory to see if it was a fake or not.
art bell
Right.
john hutchison
And it wasn't a fake.
art bell
Right.
john hutchison
This is the old super 8 millimeter film.
unidentified
The old stuff.
john hutchison
Sure?
Oh, yeah.
This is prior to the video stuff that you're seeing now.
So then somehow it was decided that they would start to get the project going.
And Alex Pizarro, George Hathaway made their presentation to, I would say, the Pentagon because it involved a close relationship to Ronald Reagan Star Wars.
And one general wanted to inform the president right away.
But then the other general said, well, what if this turns out to be a fake?
It would be a very bad embarrassment for the U.S. government.
Now, I'm told this verbally, of course, by Alex Pizarro and George Hathaway.
So it was decided then to do a look and see.
So John arranged the team, I believe.
I don't know all the details yet.
And we were working four months.
And John would make his appearances once in a while, and then the whole team came.
But unfortunately, it was a bad element in that team, Bob Freeman or Freiberg.
We all refer to him as Bad Bob, who basically wanted this thing shut down.
And John didn't feel that was proper, that the report...
art bell
Why did he want it shut down?
john hutchison
That I don't know.
art bell
I mean, he must have had some argument.
john hutchison
He must have had an argument of some type.
I know that he was very much against Tom Bearden talking about classified material.
For some reason, he got into an argument with Colonel Alexander in the backseat of the car that Alex Pizarro was driving.
art bell
Oh.
john hutchison
And Alex has simply said, well, you guys, please tone it down.
I'm trying to drive.
But Bob had this thing about security and it was very, I felt he just knew something and wanted the thing shut down.
It's just write a bad report.
He also accused us actually of having a multi-million dollar laboratory producing these effects with lightning bolts.
art bell
With lightning bolts?
unidentified
Yeah.
john hutchison
That's what I was told by Pizarro.
art bell
Well, no, that couldn't be because you'd have a complete whiteout of the camera taking the pictures.
I see no lightning bolts.
For example, one scene in the video, folks, for those of you who can't see it, shows one of those plastic bottles all collapsed in, crushed in, and then slowly coming out.
unidentified
Now, what did that?
john hutchison
That was basically the same field.
We tried so many different samples over the years.
art bell
The same field that picked a wrench up off the table, the same field that picked all those other heavy things up, collapsed a plastic bottle.
Water Being Pulled Up 00:10:43
john hutchison
Yes, it also would lick water out.
But we called that, it was nicknamed the breathing effect by Alex Pizzero because we noticed that would happen on solid rubber objects too.
art bell
Really?
john hutchison
Yeah, we just seemed to squeeze it in and out, in and out.
art bell
Now, I could see, I can imagine an effect on a metallic object.
It's hard to imagine an effect on water or milk or something in a glass and yet, or rubber.
unidentified
Yeah.
art bell
And yet all these things.
john hutchison
It affects everything.
For some reason, none of us got hurt in these experiments.
art bell
that's amazing in itself although we did feel the field that's what i was going to ask you Were you able to determine the size of the field produced?
john hutchison
Yes.
The distance was up to 300 feet away, and that was confirmed to me by an employee of Los Alamos National Laboratories.
art bell
300 feet.
john hutchison
300 feet away from the lab itself.
He approached me and said, these are the measurements I got.
I don't know what they mean.
I said, well, that's very interesting.
I'll take them into consideration.
art bell
All right.
What about a directional aspect?
In other words, I would think one of the first things they would try and do is to focus and direct the effect, the Hutchinson effect.
john hutchison
That was the idea, a brilliant idea, of the very brilliant scientist, Jack Houck, McDonnell Douglas, who felt that if we could somehow focus this field, it would be self-lifting.
unidentified
So you could actually lift the whole lab itself up.
john hutchison
Yeah.
All you need is an energy scavenging system, and you've got self-power.
art bell
Uh-huh.
Well, I don't know about that, but I can see the military, for example, would want to focus this effect because if you could do that, oh my.
All right, hold on, John.
John Hutchinson is my guest.
I suggest you use this break, and I'm very serious about this, to go to my website if you have access to a computer.
Go to program, second item down, tonight's guest info, John Hutchinson's name, and click on videos and photos of experiments.
It's a knockout, I'm telling you.
From Canada comes John Hutchinson, a discoverer of the Hutchinson effect, which is on display on my website right now.
If you'd like to go to artbell.com, go to a program, tonight's guest info, you really do need to see these videos.
Objects not levitating might be the wrong word.
They just literally take up and go.
I mean, they rocket off the table.
A multitude of objects made of all kinds of things, not just metal, but glass, liquids, plastics, metal that ends up misshapen on one end and softer on one end than the other, and all kinds of strange things.
I just had a quick conversation during the news with Colonel Alexander.
unidentified
really uh... really amazing stuff and you've got to see it for yourself all right playing a little catch-up there
art bell
You know, looking again at these videos, one criticism somebody might make is: well, these are videos being played in reverse, and these are objects being dropped, not going up as in levitating, or actually not levitating so much as just rocketing up.
Now, I don't, having watched critically with that in mind, I don't think that's possible because some of these objects are doing motions that are not consistent at all with being dropped.
In fact, some of them take off at angles, some of them move sideways for a moment and then take off.
No, I don't think that could be.
In fact, there's one hovering near the broom, it kind of moves sideways and then takes off up.
No, no, no, couldn't be a reverse video.
I'm sure you've heard that, right, John?
john hutchison
I've heard of reverse videos.
Yes, I've seen sometimes when you run something backwards, it looks pretty interesting and funny.
unidentified
Yeah.
john hutchison
On TV?
Yeah.
art bell
Yeah, and you can see: is it water in a dish just gets sucked up?
john hutchison
Is that the one with the blue dish?
art bell
Yes, blue dish.
john hutchison
Yeah, that was one of the blue dish ones.
art bell
Now, that looks like to me, and I'm going to just sit here and play it again and again, but it looks to me like water is being pulled up prior to the dish itself being pulled up.
That's incredible, John.
Incredible.
A broom just stands up straight and then takes off.
Good lord, John.
john hutchison
There's a lot of gremlins running around in there.
art bell
Okay, I understand that you have had difficulty producing this in front of other observers.
And it's not always reproducible.
It's kind of like cold fusion.
john hutchison
Yeah, in the early days, we had a lot of problems with that, of course.
But nevertheless, the number of people that did come got to see quite a bit.
But as I got more involved with it, especially after about 86, when the Canadian government came and later on, it got pretty good at it, actually.
I feel anyhow.
I got five major effects per hour.
art bell
Five major effects per hour.
That's pretty good, all right.
And so, how many observers were able to see this firsthand?
john hutchison
Oh, they'd come sometimes they come in a group.
I have German groups.
I'd have some people from England and U.S., yet more U.S. officials would come in and look at these things.
art bell
Do you have any idea where every one of these aspects that you used-the Tesla coils, the electrostatic voltage, the 455 kilohertz RF, all of these critical to the equation?
john hutchison
And how critically tuned it's tuning is a difficult thing.
I have to be fully concentrated on tuning these equipments and then calibrating them.
That's why When giving demonstrations, I prefer the scientists or the news people to videotape it themselves because I can't concentrate.
unidentified
Yeah.
john hutchison
You know, I have to be almost one with the machine.
It's like running a very precise lathe.
art bell
Are each one of these aspects of the Tesla coils, the electrostatic voltage, the RF, are they all critical?
john hutchison
They seem to be all linked together.
art bell
All linked together.
john hutchison
Yeah, I've tried experiments with one being omitted and then nothing would happen.
art bell
Do you remember when you first saw your first anomalous occurrence as you were...
I mean, when you began experimenting with all of this, John, what were your expectations?
What did you expect to happen?
john hutchison
In the very early days?
art bell
Yes.
john hutchison
Just basically having fun with these machines.
art bell
Right.
john hutchison
I'd turn off all the lights in the lab, and I'd see all these magical sparks and little balls of light flying around.
And then, which intrigued me, and I like creating things all the time and building these Tesla coils to the old standards of Tesla himself and would go and search scrapyards for the old wires, gauges, and wire coverings of the time period.
And I'd even go right down and building the ornate little fences around these things.
So basically, I enjoyed doing that.
And then, of course, these effects started to happen.
And one time we had a sheet of aluminium foil actually floating across the basement of this house that I was in.
And Mark Murphy, the landlord's son there, and I were having fun.
And sometimes we'd throw a round ball of foil into the field and toss it back to us was another thing we're doing.
But when this sheet was floating all six feet off the ground, my landlady, Mrs. Murphy, came down and said, what are you guys doing?
art bell
A sheet?
john hutchison
A sheet of aluminum foil.
art bell
Oh, yes, huh?
john hutchison
It must have been about two and a half feet long, maybe by a foot or so wide.
I was just floating there.
art bell
And your landlady came in.
john hutchison
She came in and told us that we should be outside digging the ditch around the house to keep the water from coming in safely to do the drain towels.
What are you fooling around that stuff for?
It's kind of funny.
art bell
Yeah.
So, you know, you're maybe the third or fourth person who's been playing with this exact stuff that I've interviewed over the years.
Another man I interviewed, who I nicknamed my nickname, Madman Markham, created a time machine, or what he thought was a time machine, using very similar technology.
And he's now nowhere to be found.
He's history, he's gone.
john hutchison
He died?
art bell
Well, we don't know.
He rented a gigantic warehouse.
He had been arrested for stealing some power company transformers, and he was using them in reverse to create very large amounts of voltage.
And then he was using that to fire some gigantic electromagnets and was creating a field.
And he noticed with a small-scale model that he put a little screw, I believe it was, through the field, and the screw literally disappeared.
Brian O'Leary's Money Shrinking Experiment 00:02:19
art bell
And so then he wanted to make a large model.
unidentified
Okay.
art bell
And he was determined to walk into this field.
And we've never heard from him since.
john hutchison
Now, did by any chance, Art, do you ever experiment with money, like shrinking money?
art bell
Shrinking money.
john hutchison
Yeah, I've seen this.
art bell
You're not referring to the stock market, right?
unidentified
No.
art bell
No, not the stock market.
Physically shrinking money.
john hutchison
Physically shrinking money to one-third its size.
And I saw this at the Denver conference in 1994 when it was with Brian O'Leary and the whole crew there helped you off when we were giving our lecture.
art bell
Brian O'Leary, yes.
unidentified
Yeah.
art bell
Let me ask you this, John.
Did you ever do any biological experiments?
In other words, did you ever put anything biological into the field?
john hutchison
We tried to plant.
unidentified
A plant?
john hutchison
Yeah, a plant, and nothing seemed to happen.
And another time when Alex DeSaro's wife brought us dinner on a long run, we call them long run or long burns, preparing for the next group of visitors.
We put our dinners in the field and we waited a while and we started getting hungry, of course, and we went and got the dinners out.
Well, Alex said it tasted better.
And I said, well, I guess so.
art bell
I don't know.
john hutchison
I can't tell, Alex, but nothing happened to the food.
art bell
But none of you dared walk into the field and sit down.
unidentified
No, I'm no, no, I don't think so.
art bell
Well, now you know why I nicknamed him Madman.
john hutchison
I know that the Canadian news people, they had to get authorization for the television cameras to go in there.
art bell
Really?
john hutchison
If it destroyed a $75,000 camera.
art bell
That's a very good point.
A very large electromagnetic field could wreak havoc with a very expensive camera.
Gold's Mysterious Behavior 00:08:52
art bell
No doubt about it.
john hutchison
But they got the permission.
We did our show and it aired on the national news there, and we got a great reception from it.
Had all kinds of visitors coming in.
And the same journalist actually appeared on, this is back in 1985, the same journalist appeared on a recent Fox television show talking about those great old days.
art bell
Well, let me ask you, this combination of technology that you use to produce this effect, what do you believe the Hutchinson effect is, John?
What do you think you're doing?
john hutchison
What I think I'm doing, I think I'm basically manipulating with great familiarity RF fields, Tesla fields, static, electrostatic fields, magnetics, focusing them in a geometric fashion, much like certain electronics.
If you get VLF electronics, the physics of it is quite different than HF or to super HF structures of these, let's say, transceivers for a better analogy here.
So I feel like what I'm doing, and there's been papers written on this by Rennie Louis Fallet of France and Andrea Sakharov.
I think he's passed on what could be happening.
And it was accepted by the U.S. government in this document, which I still have, of course, to keep everything.
There's some kind of interdimensional effect happening that influences gravity and time.
Now, this paper was given to the U.S. government guys in 83 and was accepted.
And it shows that, of course, your Tesla coil or a static generator or an RF generation system can't cause these kind of effects.
But in combination, somehow, they cause some type of second type of distortion.
art bell
In literally shielding.
Dimensional or time distortion of some sort.
john hutchison
Some type of mild time distortion but heavy gravitational distortion where objects become weightless.
Some of the objects would actually float.
And one could actually take photographs of these things.
art bell
Floating in the air.
john hutchison
Just floating there, sitting there floating.
And you could actually take a, instead of using video, you just take a picture of it.
art bell
This is just so absolutely incredible.
I guess how many people just flat, even though they see it, you know, even though they see it, they just don't believe it.
unidentified
I don't know.
john hutchison
People get very excited with it.
I had a defense contract lawyer, a friend, who was just in Vancouver for a short time, who kept talking to me, and I was trying to show him that the results were going on, but he said, I said, well, I'll just shut it off now, okay?
And he said, this is the most exciting thing I've ever seen.
Here's $100.
art bell
Here's $100?
john hutchison
He wasn't even looking in the target zone.
unidentified
Yeah.
john hutchison
That's how some people react.
Others, you know, the scientific teams will be very careful, look for any kind of trickery, and seal the area off, and then run all the tests and videotape on every angle and use videos and super 8mm film, such as the Canadian government guys did.
Dr. L.A. Kuhn, head of the Scientific Technical Intelligence Agency.
art bell
Yeah, let's talk a little bit about some of the still photographs for those.
Here's a chunk of metal that is completely distorted by the levitation process.
It's a big piece of metal.
And then it is, indeed, it's fractured, actually.
It broke.
It looks like it almost broke in half.
john hutchison
The energy from that has been calculated by scientists, analyzed by Max Planck Institute, Fraunhofer, and many of the German labs to come from within the material outward, causing that kind of fracturing.
art bell
Actually, it looks like the fracturing occurred from inside coming out, the way the material is pushed away.
john hutchison
That's right.
They did extensive tests in Germany on these things.
art bell
That's very interesting.
That might indicate that whatever the field is doing, it's disturbing the molecular structure of the material itself, and the change comes from within in this case.
unidentified
That's right.
john hutchison
There's been extensive tests done by George Hathaway of Toronto University and some of the national laboratories.
Lawrence Livermore did tests, found these kind of same results.
They find actually impurities coagulate right into pure metals within the sample.
art bell
Really?
john hutchison
And you do an SEM on it, scanning electron microscope on it, X-ray diffraction analysis, fluorescent analysis.
And, of course, you know, they share the results with me, which is why it's so imperative to have videos and documentation.
art bell
And you sure do.
Second photograph down, still photograph, is a metal slab with holes in it, one hole on each side, a big metal slab, and by God, impaled inside of this metal slab, and I mean impaled, is a knife.
You can just sort of, well, you can see the knife coming out of the edge, and you can sort of see it impaled in the metal.
Now, how in God's name could that happen?
john hutchison
Sometimes when we're doing experiments, we put a sample on top of another sample.
art bell
Yes.
john hutchison
And in this particular case, this sample just floated into the material and froze there.
unidentified
So what would you do?
art bell
Yeah, but it became part of it.
john hutchison
Became part of it, yes.
And then what we do is machine it down to try and see what is in there.
art bell
What's in there?
Oh, my gosh.
Do you remember the description in the Philadelphia experiment where horribly toward the end human beings were halfway embedded into the ship?
unidentified
Yep.
john hutchison
That reminds me of the piece of wood inside that metal block which is coming back from New York's.
art bell
That's a wood spoon in there?
john hutchison
It's a block of wood that floated into the metal.
And I think I sent...
I should be getting that back from Dan Aykroyd's show thing that collapsed.
art bell
Okay, hold on.
Stay right where you are.
I'm Art Bell with John Hutchinson.
You've got to see this.
You've got a computer.
get to my website, artbell.com.
Back now to Canada and John Hutchinson.
There's a gold cylinder here, and it literally is turned to jelly by this field.
What kind of cylinder was this?
john hutchison
Oh, Art.
It was a stainless steel, non-magnetic stainless steel bar, approximately six inches long by about three inches in diameter.
art bell
Right.
john hutchison
And during one of the tests, that was actually quite a long kind of destruction or jelly.
It turned to jelly.
It's quite long in its duration.
And I was able to also capture that right on video with the masters.
Like the masters really show this stuff better than perhaps what video I sent down to you there.
But the gold is some kind of discoloration of the stainless steel.
Undetermined, that one was not analyzed.
I have maybe oh, 80% unanalyzed samples.
The rest were maybe it's even higher than that, but the rest were analyzed and tested.
art bell
All right.
john hutchison
Some showing actually material that doesn't exist on Earth, which is kind of interesting.
That alloy, alloy material.
Interpol's Decision 00:15:16
art bell
So how do you speculate that could have happened?
john hutchison
Well, the massive distortion of the atomic structure.
Again, feeling that it deals with time and gravity.
I feel that every thing has a gravity field around it, and that these gravity fields is produced by some kind of subatomic reaction.
art bell
Have you ever put any timekeeping device in the field?
john hutchison
No, not yet.
That's been suggested.
We never got around to a lot of good things that we should have done.
art bell
Do you still have the equipment that produced these results?
unidentified
No.
You don't.
john hutchison
The Canadian government seized all that when I was in Germany when it was having it shipped to Germany.
art bell
What?
john hutchison
Yes, they seized it.
art bell
Wait, Why were you going to first of all, why were you going to ship all of the equipment to Germany as a matter of interest?
john hutchison
Well, I had an offer from a team in Germany and a team in Austria that financed everything.
And I really wanted by this time to get out of the group that is involved with who were connected to Boeing.
And I felt there was going to be a major takeover, and they were suggesting that I get back into the military to study this effect as a psychotronic thing.
So I dug my heels in there and I felt I don't want to go through this route again because you can't talk about it.
He can't be sort of a showman, which I am in some ways.
And the German team were very supportive, sent large amounts of money over.
We managed to get some of it into shipping containers within two hours of raiding the lab, which was locked up on me.
art bell
They raided the lab?
john hutchison
We did, with armed guards, moving people.
But two hours into that move, the police came.
art bell
Yes.
john hutchison
And also the people that were connected to Boeing came and stopped it.
So a lady friend of mine, Ian Gazda, she was a filmmaker from Hollywood, got lawyers to sign the lab over to her as a movie set.
By this time, things were getting so complex.
art bell
No, no, no.
Again, I'm sorry, back up.
Under what authority did the police seize what you had, or Boeing, for that matter?
john hutchison
What authority they would have to seize that at that time.
Basically, when the lab was in operation, I was president of my own company, Axon General Systems.
So they got rid of me, fired me as the president.
And this is getting kind of sticky so that I couldn't even get into my own lab.
So the German group at the same time in Germany were preparing for me to move there.
And it was decided just to literally charge the place, get the stuff out, all else equipment, get it in shipping containers and get it to Germany.
unidentified
Sure.
john hutchison
But unfortunately, that didn't transpire.
So the lawyers filed in the BC Supreme Court for a trial on all of this stuff.
art bell
Holy smokes.
john hutchison
And the attorneys then thought that they could actually arrange by contact to government people to have it released and put in shipping containers, which it eventually did get into shipping containers.
And what happened was the government seized it, the two containers.
art bell
The government seized the containers.
john hutchison
They seized the containers.
art bell
Again, if I can ask, under what authority?
I mean.
john hutchison
Oh, their excuse was it contained polychlorinated bipenos or PCBs.
And normally Tesla coils and those kind of machines don't.
The test gear, yes.
This is an interesting story because they tried to keep it a secret, but again, the press found out about it and made the front page of the Vancouver Sun newspapers.
art bell
Okay.
Can you recall the date that that made the front page of the Vancouver Sun?
john hutchison
1990, February 22, approximately.
art bell
1990, February 22nd.
john hutchison
About that time.
art bell
Okay.
john hutchison
I got a copy of it, of course.
art bell
Okay.
john hutchison
I got a copy of it from a journalist when I was in Europe.
art bell
Do you have a copy of that article handy?
unidentified
Yeah.
art bell
Can you read me part of it?
I would like to hear about that.
john hutchison
Oh, well, I got it in my like, I got so many documents there in boxes, it would take me a while to JPEG it and send it.
Okay.
That's no problem sometime.
I mean, I would have to do it later.
art bell
What was the article like?
I mean, it talked about your materials being seized.
john hutchison
Basically saying that ministry, that's part of the government up here, secretly builds PCB site in Surrey.
And it goes into the article, and then there was this paper chase.
They found all these weird machines, big glass balls with wires coming out of them.
It involved a lot of officials from the police department, from the other governments who were there.
Names, I'm trying to remember, Lynn was one name.
And then it goes on in this lab being moved, and then it states inventor goes to ground.
It's kind of typical newspaper story thing.
art bell
What did they mean by inventor goes to ground?
unidentified
You basically disappeared.
john hutchison
Well, not that.
It seems that it's kind of a statement that newspaper people use.
Yes.
meaning that, well, here is this guy doing levitation experiments, and I guess when they took the lab, the guy can't levitate anything, so he goes to ground, I guess.
I think that's the jargon that the newspapers...
art bell
Normally, here, when you say somebody goes to ground, that means they go to hiding.
john hutchison
Oh, no.
art bell
So that was a little pun.
john hutchison
It was a bit of a pun, yeah.
art bell
I see.
john hutchison
Covered a bit of the story, the paper chase, and who is John Hutchison kind of thing.
Where did he go to?
Although they knew I was in Germany because I got contacted by Interpol.
Also got contacted.
art bell
Interpol?
john hutchison
Yeah, they charged the house that I was staying in because they felt that I was being held captive by people from the East Bloc.
I know there was East Bloc interference, a lot of it.
And I wrote to Dr. Pappas in Greeceland, in Greece, that is, it's Greeceland is the German word.
And he said, no, there's a game going on.
It's a dangerous game.
Be careful.
He gave me the agents involved, the names and all that.
the Germans were protecting me however the East Germans were protecting you?
No, no.
The fellow in Greece, Dr. P.T. Pappas, was protecting me with information, which I passed on to the German people who are protecting me against any kind of interference from the East Bloc, people that wanted this technology.
art bell
Oh, okay.
john hutchison
So basically, Interpol made a decision that I am A-O-K.
I'm not being kidnapped.
And wrote their reports and filed them somewhere, where, I don't know.
Then I got a phone call from Henry Champ of NBC, and he said, this is going to be a sound, very odd question, Mr. Hutchison.
Are you being kidnapped?
I said, not that I'm aware of.
You know, I kind of have a sense of humor about these things.
Basically, he apologized and said, okay, I just wanted to know if somebody was worried about you being kidnapped.
And I said, no, things are going well.
Then when I phoned the Canadian government, I was warned that if I returned to Canada, to Vancouver, that I might be arrested.
art bell
Arrested?
Yep.
For what?
john hutchison
For having this laboratory.
I don't know why.
However, when I had to come back here, I did meet the representative, Richard Glue, of the Environment Protection Agency, and he showed me all these documents, which he actually gave them to me, showing all the procedures and things that went on when I was away about this laboratory.
And basically, he said, well, this is something I can tell my grandchildren, kind of thing, about.
And I said, okay, but you said you have some of it in storage for me, which he did have, and that was all the test equipment with the PCBs.
Anything related to Tesla was gone.
art bell
Anything related to Tesla was gone.
john hutchison
Totally gone.
And which contained no PCBs.
art bell
And so this big whoop-do-do about PCBs, they didn't give a damn about anyway, obviously, because they were going to give it back to you.
Did.
john hutchison
They did give it back to me, and I was so ticked off.
art bell
So it was all BS in the first place.
They wanted access to the parts of the equipment they wanted.
john hutchison
And they got it, too.
Because I tried, through my dad's ideas of trying to contact the different government officials, I got one person who said, well, it cost ten sorry, $20,000 to move it.
I said, okay, but where is it?
And they just said, well, we don't know.
art bell
At least we don't know.
john hutchison
Yeah.
art bell
And to this very day, that part of the equipment is gone?
john hutchison
To this very day, it's gone.
Something surfaced a couple of years ago that the location of the lab was put under what they call the Alex Fraser Bridge.
It's a huge suspension bridge in Vancouver.
Yes.
On a vacant lot.
And this action of them putting all this stuff was tipped the Vancouver Sun papers off saying something strange is going on here.
So that's how it got into the press.
But when Canadian Television Network tried to get down there to videotape all this stuff, they were blocked by the Royal Canadian Mounted Police.
art bell
Wow.
unidentified
Yeah.
john hutchison
It sounds crazy, but it's more of a screwy, well, I shouldn't use that word, but I was east of the Rockies called Poll Free, 1-800-825-5033.
And all that stuff.
art bell
All right, wait a minute.
john hutchison
I'm kind of running around here.
art bell
Don't name names of the company.
I took that out.
But you were coerced, you said, by some agents of a company?
john hutchison
Canadian Security Intelligence.
art bell
Coerced how?
john hutchison
That they wanted me to work with them, that they'll pay me $300.
This is stepping back a couple of years prior to the stealing of the lab.
art bell
$300 what?
john hutchison
Per week to be the first to have their first options with me to work with them.
Sorry, I'm jumping back and forth.
art bell
That's quite all right.
And you told them what?
john hutchison
Well, I told them, okay, let's see what happens.
art bell
So you took their $300 a week?
john hutchison
I took their $300 a week, and I was curious what these people were going to do.
Because by this time, I was away from George Hathaway and the protection of the U.S. government guys, like Colonel Alexander, who I respect really highly in his opinions, and correcting me for certain mistakes I might make in my talks.
But these guys started bad-mouthing Alex Pizarro, who actually founded me and some of the other scientists at that time.
All of a sudden, they simply just disappeared.
unidentified
This company was totally gone.
john hutchison
They didn't exist.
Next step was the Boeing people that came in.
And then, of course, the next step was the lab was to be transferred to Germany, actually to Austria, into a massive laboratory by very high-ranking scientists that are real scientists, not suitable.
art bell
Assuming that they had the financial means, and it sounded like they did in Europe, why not rebuild or duplicate the machinery in Europe?
Tech was sending it over there.
Why not try and duplicate it over there?
john hutchison
That's a good point you brought up.
We felt it would be, at that point, an easy move.
Other circumstances happened, however, in Europe at that time, it was over there for two years.
Now, in one of those years, the German groups were working with the lawyers to get the lab over there, and all that other stuff was going on.
And actually, they sent representatives from Switzerland over there to talk to these people to release the goods.
So by that time, things shifted, and I got kind of burned out on all of this stuff because it was a good idea.
art bell
And then you're thinking you're going to come back to Canada and they're going to arrest you and throw you in jail.
unidentified
That's what I'm told.
john hutchison
So I took a chance of coming back here and I met with the reps there from the government and didn't get thrown in jail.
I got so angry there with this.
I have a double garage full of stuff to the ceiling, all like test equipment.
And basically, they wanted me to put it in full operation again.
art bell
Oh?
john hutchison
And I thought, that's what I thought, too.
I thought, this is extremely strange.
I just disobeyed that order, and I sold everything off to the local ham radio operators.
And what I couldn't sell off, I dumped into the scrapeyard.
art bell
Are you a ham, by the way?
john hutchison
Oh, I'm fascinated by ham.
art bell
I don't have a license, but you're not a licensed ham.
john hutchison
Fascinated by ham and vacuum tube technology.
Love the stuff.
I'm a surplus nut.
art bell
How are you?
I can tell from the video when all your equipment was there that we do have a video showing your lap.
It's kind of a dark video.
Yeah, but you can see just rows and rows and rows and rows and rows of what looks like military surplus gear.
john hutchison
Oh, I love it.
I went on the Bayan Spree when I got my inheritance.
I went to, I think I bought $20,000 of stuff from fair radio sales in Ohio.
art bell
Ah.
So you had a little financial help to do all this.
john hutchison
Well, people keep throwing me chunks of money once in a while.
I had Japanese people throwing me bits of money in England, Germany, to keep me disloding after I returned from Germany.
art bell
Well, I sure would like to know if your field would affect a timepiece and what kind of effects it would have on biological organisms.
Area 51 And Advanced Tech 00:09:18
art bell
You never tried cats, dogs, or mice, or goes against my religion, that kind of stuff.
unidentified
Uh-huh.
john hutchison
All right.
art bell
Listen, what I would like to do is, in the next hour coming up, by now, I think enough people have seen your videos so that we can take some good, intelligent questions for you from the audience.
How would that be?
john hutchison
Sounds like fun to me.
art bell
All right, good.
Then, in that case, here's what I'm going to ask.
I'm going to ask that those of you who have seen the still photographs and those of you who have seen the videos on my website call up.
And it's really one of those things that you've got to see.
I mean, you have just got to see it.
That's all there is to it.
So if you've seen it, and if you have a question for John Hutchinson of the John Hutchinson or the Hutchinson effect, pick up your telephone and let's hear from you.
Once again, John Hutchinson.
And John, you never did levitation, but you never did personal levitation.
john hutchison
You never.
art bell
Or did you?
john hutchison
Me personally, fly up in the air?
unidentified
No.
No.
Okay.
art bell
No.
john hutchison
I would love to.
That's, you know, a kid's dream, but no.
unidentified
All right.
art bell
Well, somebody named Frode F-R-O-D-E in Trondheim, Norway says, Ard I corresponded with John years ago.
Get to the part of levitation.
He did that too.
So when he means levitation, he means that you were able to suspend objects in mid-air.
john hutchison
Well, yes, that's one of the effects is objects being suspended in mid-air.
Yes.
Well, people can actually just take a photograph of it.
unidentified
Okay.
art bell
Let me go to the phones now, and I have no idea what we're going to get, John.
We'll see.
First time call our line, you're on the air with John Hutchinson in Canada.
unidentified
Hello.
Yes, this is Brian Cole from New York City.
art bell
Yes, sir.
unidentified
Yes.
I'm a former Persian Gulf veteran, and we had to go through obstacles, and I was in a tank, an M1 Abrams.
Do you think that the Hutchinson field could be used as a weapon which would discombobulate the tanks, you know, rip the metal apart and levitate the tanks, causing all kinds of confusion?
Thank you.
art bell
You're welcome.
Of course, we saw some of our more conventional smart weapons levitating tanks, but that was immediately following large explosions.
john hutchison
John?
Yeah, I suppose in that area, it could be used as a weapon.
I wish not to see that happen.
I wish to see it used as advanced space propulsion.
Actually, NASA in 1997 had my Hutchison effect at the Advanced Propulsion Workshop by Mark Millis.
I think it was presented well.
But weaponry, I'm not into that.
art bell
Yeah, that would be our military.
And as you pointed out, you do like to talk publicly and show publicly what you're doing.
And the military, when you get involved with them, they don't like that at all, do they?
john hutchison
No, that's why I refuse many contracts.
art bell
All right.
Wildcard line, you're on the air with John Hutchinson.
Hello.
unidentified
Hello.
Hello, Ark.
This is Bob from Los Angeles.
art bell
Yes, sir.
unidentified
Yes, I've been following Mr. Hutchinson's experiments for about 10 years now, and I've been trying for five years to get him on your show.
I thought he was sort of ended up like Tesla hit by a car in a street corner.
But yeah, you're going the right way there with not going after the military aspect and, you know, supporting life.
I mean, I was thinking that this is basically a propulsion system for a craft that could virtually leave this planet.
I'm thinking that our atmosphere is thinning so much year by year that eventually we may need what you have designed to leave this planet and go elsewhere and probably end up saving life on this planet.
You're aware of that, right?
john hutchison
Yeah, I'm aware of that.
And it also could be used for a control of all the radioactive waste.
There's some experiments there that I did some years ago that made radioactive material inert.
And also could help sweep the atmosphere and make a resurrection of an environment.
That's what I like to see happen also with this kind of technology.
unidentified
Yeah, that's true.
Have you been hypnotically regressed?
Because there's a lot of people with limited who haven't been to Harvard universities and stuff who have came up with incredible inventions such as yourself.
And I believe myself that I've worked with Lockheed and my education wasn't so great, but I've came up with incredible ideas that are just beyond my abilities.
I don't know how it happens.
It happens to other people.
But what happens is somehow it got in your mind.
I think if you could be hypnotically regressed to get the full aspect of what you know out of your mind, because I believe what's in your subconscious is drifting over your conscious.
That's how you're doing this, pretty much.
Do you believe hypnotic regression, maybe somehow this got in your mind somehow?
Do you ever think about that?
john hutchison
I have thought of many areas why I'm like this, why I have this drive to do these things and why anything I need seems to come to me for me to perform this.
art bell
And do you think that this Tesla technology is actually tapping into what's called zero-point energy to do this?
john hutchison
Without a question.
unidentified
Yeah, without a doubt.
john hutchison
Because it gives all the energy you need to perform the effects.
You can have a terawatt of radio frequency stuff being poured out.
It wouldn't do anything except maybe heat up a metal sample a little bit at maybe 20 feet.
But again, it's a combination of these fields that seem to produce something else.
art bell
Right, right.
Every case we've heard with these sorts of effects, it's been these exact combinations.
There was a connection to Area 51 with Lockheed Martin.
What was that all about?
john hutchison
Well, my friend who, Nick Cook of Change Defense Weekly Chief Aviation Editor, went into the United States to check out why so much money is using to be used for the Black Budget project.
I think the show was called A Billion Dollar Question.
So he did many interviews until he hit extremely lucky at Lockheed Martin Skunk Works, interviewed Boyd Bushman, who had copies of my tape and showed them.
And this, I didn't know, was on television.
I was getting phone calls the next day.
And people saying, gee, that's incredible stuff what's going on there.
You should contact these people and all this and that.
And which I didn't do.
I did email.
I tried to email the Skunk Works people for Boyd Bushman, but I didn't get through.
Didn't get a response.
Then later on, just about a month or so ago, Nick's book came out explaining everything.
And I'm reading this book.
I'm featured in the book.
I'm reading stuff that I never even knew it transpired with all the CIA guys and all the defense contractors and Boyd Bushman.
And I just learned a week ago that there's a court fight between Bushman and Lockheed Martin over something.
art bell
Well, how does Area 51 get into this?
john hutchison
Area 51 is, I believe personally, from bits and pieces of stuff I hear, is for advanced propulsion technology research.
art bell
So do you think they might be testing the essence of your work at Area 51 with Kraft?
john hutchison
I wouldn't be a bit surprised.
Nor would I. Alex DeZaro said he felt we let them too close to our projects before, shortly before Alex passed away.
art bell
You had some connection with Ollie North?
john hutchison
No, Oliver North, yes, yes, he wrote me a letter.
art bell
He wrote you a letter.
john hutchison
Yes, he's wanting some help and funding and stuff.
And yes, I was back in the 80s.
I got all sorts of strange mail.
I got some mail from the Shah of Iran.
I think I have never deciphered his card.
art bell
The Shaw of Iran.
john hutchison
I got some letters or postcards or whatever they are from Bill Clinton.
I don't know Bill Clinton, except, you know, he's the president of the United States.
Yes, he was.
And I kind of liked him, you know, he's kind of an interesting person.
And I opened up my mailed box, and it says from the White House.
And I said, oh, yeah, sure.
Probably my friend down there in Los Angeles has a house called the White House, and he promotes kombucha tea, which is a nutritional drink.
Good Morning 99 Notes 00:15:27
john hutchison
And I looked this thing up, and I'm thinking, oh, this is real.
This is really from the White House.
It's Bill Clinton and Hillary.
art bell
I assume that some scientists, when your field is operational, have checked background radiation, right?
john hutchison
They do all the testing.
art bell
And what was found?
Was there any increase in background radiation at all?
john hutchison
The normal background radiation dropped down to only a few counts per minute.
art bell
So it actually reduced the background radiation.
john hutchison
Yeah, which I thought was rather intriguing.
art bell
That is intriguing.
Very intriguing.
john hutchison
Almost a monkey wrench and already is a sort of a Pandora's box of air-pulling kind of experiments.
art bell
All right, East of the Rockies, you're on there with John Hutchinson.
john hutchison
Hello.
unidentified
Good morning.
art bell
Good morning.
unidentified
Firstly, I greatly value your show, Art, and I had this question for John.
I was curious about the apparatus that you use in the exact configuration or positioning of either Tesla coils or Vandegraff generators with respect to each other to produce levitational effects.
art bell
Okay.
john hutchison
Very good question.
They have to be very precisely put in a geometric patterns.
art bell
Yeah, is there a way you can describe distances or the exact patterns they're in or how far apart they are?
john hutchison
Actually, within, okay, how far apart they would be perhaps maximum, three feet.
art bell
Three feet apart.
john hutchison
Yeah, and I found always that things, units put in threes, work best.
And as I advanced into this more and more, of course I would put things in coils and van de graphs and twos and threes.
But a DC component is extremely important in this area, too.
I found out in my later research.
And that's pulsating DC spheres.
art bell
Pulsating DC what?
john hutchison
Spheres, like round balls.
Yes.
I would charge them up to 200,000 volts direct current through Siemens transformers.
art bell
Right.
john hutchison
And this would increase the effects enormously.
art bell
Well, you're lucky you didn't fry yourself alive.
john hutchison
Well, that's what Dr. Kuhn says.
Well, John, I don't know.
You don't keep notes, and also, I'm amazed that you're still standing here.
art bell
Yeah, I am too.
West of the Rockies, you're on the air with John Hutchinson.
Hello.
unidentified
Yes, good morning, gentlemen.
art bell
Good morning.
unidentified
Dr. Hutchinson, I'm really intrigued, as you were saying, with this.
And the couple questions that I have, I hope I didn't see the first part of the show or hear the first part of the show.
art bell
Well, I don't think it's Doctor.
He's in legendary.
In legend.
Honorary.
john hutchison
Somebody just sent me an AAAS thing, and then it got sort of in a website there, and some lady printed all of it.
unidentified
Oh, that's where I saw it on a website.
Yeah, yeah.
john hutchison
I plunked my color in Buck and Block, so it can't be quite the official documents.
unidentified
Well, you should be.
But the couple of questions that I had were the videos and the pictures are extraordinary, and I was just wondering, has anyone, like I said, I missed the first part of the show, has any professional videographers gotten pictures of, I guess, better video?
And the pictures are great.
But also, do you have any plans on reproducing?
Has anybody attempted to give you funding or something like that to reproduce this equipment?
art bell
In other words, let's do it again.
unidentified
Oh, yes, definitely.
john hutchison
There was talk in 1997.
A friend of mine, I really respected a scientist, wrote to Prince Sandam Liechtenstein, who's known me for 12 years, for funding to get the Hutchinson effect moved from Canada down to Badiga Bay, California, and set it up in operation so that the scientists, such as John Alexander or Ken Shoulders or Dr. Elizabeth Ann Roger, can come in and see what I'm doing.
So they can take notes and extrapolate and calculate certain things that I'm doing and get it into a logical scientific format.
unidentified
Right, right.
And did you say 99?
john hutchison
Sorry, 1997.
unidentified
97, and nothing ever came of it or?
john hutchison
No, I have many letters from Prince Liechtenstein, and he was willing at the time to try something, but he then dropped it.
And, well, 99, I did able to duplicate a toy UFO generate up to the ceiling right here.
unidentified
Really?
john hutchison
Yeah, I cheated a little bit.
I used extra high voltage overhead on the ceiling.
So it wasn't really the true essence of.
art bell
Okay, let me ask this, John.
Thank you, Caller.
How much money right now would it take, do you think, John, to put together the equipment to duplicate this or maybe even do it on a larger scale?
john hutchison
I would have to go by the words of Dr. Robert Forward in regards to at this point, it'd pretty well be into many millions to replicate that stuff I once had.
Now, I put a lot in here.
I do research in here, but it's limited because it's an apartment.
And when I did the 99 experiment for Fox TV, I was lucky it was a Canadian holiday, but the field affected the building across the street.
The police came in sirens, which I have on video.
art bell
You affected the building across the street in what way?
john hutchison
We used to have funny things happen in the 80s and, of course, 99, is that when the field goes through into another structure, it moves objects around like dishes.
unidentified
Uh-huh.
art bell
That would tend to upset people.
john hutchison
They get angry, and when they look across here, they see this balcony of mine, which is an antenna farm from antennas I got off of Navy warships.
art bell
And so you're the obvious target.
john hutchison
No, I'm the obvious target.
art bell
I know the feeling, believe me.
First time, Caller Line, you're on the air with John Hutchinson.
unidentified
Hello.
Hello.
art bell
Hi, where are you?
unidentified
I'm in Morgantown, West Virginia.
art bell
Okay.
unidentified
Yeah, I have a just one simple question.
I'm interested in trying to recreate some of the basic stuff myself.
I mean, one, is that feasible?
And two, if so, how do I do it?
art bell
All right.
He wants to recreate.
Is it feasible for him to try?
john hutchison
I mentioned an interesting talk with Ken Shoulders.
art bell
Even on a smaller scale, John.
john hutchison
Yeah.
I would recommend start working with Tesla coils and bandograph generators together.
unidentified
Okay.
john hutchison
You may get some interesting results and expand from there.
unidentified
Okay.
So what do I like, like, what do I, like, just basics, what I would do with them, how do I make them interact?
Just put them in proximity to each other and activate them?
john hutchison
I would you could do that, but I'd recommend highly follow your own instincts in this area.
unidentified
Okay.
john hutchison
And your scientific wisdom.
unidentified
Okay.
john hutchison
That's what I recommend.
art bell
Give it a try, Caller, and let us know what happens.
unidentified
Most definitely, I'll be short here.
art bell
Okay, very good.
Wildcard line, you're on the air with John Hutchinson.
unidentified
Hello.
All right, this is Stephen Glendor.
Yes, hello.
You know, I happen to see that video, and I studied it quite closely when it ran on the Learning Channel, and I got the impression that it was the old Hollywood illusion where you construct your set upside down, and you use magnets and gravity to manipulate an object before you remove the magnet, and it falls to the floor.
Now, that was the impression I got.
art bell
Okay, I, too, watch the video again and again, Caller.
And the only problem I had with that, it could be a backwards video, except that several of the objects move in a lateral direction before they take off.
unidentified
No, not backwards.
Literally, where you build the set upside down.
Like, if I remember there was a trash can in the shot and all that, that stuff is nailed up basically on the ceiling, and then you film it so that it looks like it's right side up when, in fact, it's upside down.
You have a magnet on the roof holding the objects.
You manipulate the objects with the magnet.
They kind of dance around a little bit.
You remove the magnet, and it plummets to the floor, but it looks like it's falling up when, in fact, it's falling down.
art bell
John?
john hutchison
That's an interesting one, though.
What came to my mind was an old movie by Fred Astaire, where he was tap dancing on the walls of a building.
Is that what you mean?
unidentified
Yeah, well, something similar to that.
But now, here's the thing.
Look, I wasn't there, so I don't know.
But here's another thing that I considered.
Is it possible that your laboratory was located on one of the planet's ley lines or near one of the planet's ley lines so that that helped the effect that you were trying to create?
Is it possible?
art bell
That's a really, really good question.
Hold it right there.
John, what about that?
Is it true that it might work in some places and not other places?
john hutchison
No, it seemed to work in all different locations.
There's about five different locations where the laboratory was in the greater Vancouver area.
art bell
And there was no difference.
It worked, period.
john hutchison
Yeah, it worked.
art bell
A lot of people are curious about these magnetic ley lines and think things like this are more likely at those points, but maybe this is an effect that just can be done.
All right.
Hold on, John.
We'll be right back from the high desert.
I'm Art Bell.
unidentified
All right, once again, John Hutchinson.
art bell
And John, let's go out of the country and say hi.
You're on the air on the international line.
Where are you calling from, please?
unidentified
Hello.
Hello.
Oh, hi, Art.
This is Frude calling from Trondheim in Norway.
art bell
Oh, you're the one that fast blasted me.
unidentified
Uh-huh, that's right.
Hi, John.
How are you doing?
I corresponded with you, oh, say, around 91, 92.
I don't know if you remember.
john hutchison
Oh, I would probably would have your letters in my files somewhere.
unidentified
Oh, great.
john hutchison
I just vaguely remember something now.
unidentified
Yeah, right.
I corresponded with you and George Hathaway also.
That's right.
And you said you didn't do much documentation of your research.
But actually, I'd say the correspondence that you did around those years actually service your documentation.
The documentation?
You said you didn't publish much of your research and no, not me, no.
john hutchison
Other scientists publish it a lot.
I must have at least a cubic yard of solid material.
art bell
So you're actually then, you are the demonstrator.
john hutchison
I'm the demonstrator, the showman, but the other scientists seem to want to make notes and write stories and books.
art bell
They're the ones that have been documenting it for you.
All right, I see.
unidentified
John, I wondered if I could ask you something.
In my correspondent with you, I discussed the Kolsky-Frost effect.
I believe it was 1965 or 56, I don't remember.
Polish researcher Kolsky and Fost, they did this microwave HF field levitation of a crystal device.
john hutchison
Okay, I'm familiar with that.
unidentified
George Hathaway also did actually a replication of that experiment using a microwave oven.
Do you remember what I'm talking about?
john hutchison
Yes, I remember seeing those documents.
I still have them.
I didn't repeat that experiment.
I would think perhaps George Hathaway, of course, did.
Did George inform you that he got some results?
art bell
Oh, he's already gone.
john hutchison
Oh, sorry.
art bell
But so you were, anyway, aware of that experiment using microwave?
Yeah.
john hutchison
Yeah.
That's an old experiment.
art bell
All right.
Was to the Rockies.
You're on the air with John Hutchinson.
john hutchison
Hello.
unidentified
Hello.
art bell
Wuz to the Rockies.
Going once.
unidentified
Hello?
art bell
Yes, hello.
unidentified
Yes.
Very, very interesting show tonight.
I'd like to find out, did anybody disappear from that building?
If it was anybody in that building that disappeared, first of all.
And I have another question after this.
john hutchison
Okay.
No, I was not aware of this until my colleagues informed me about all this.
I can't tell you, I was not aware of anything myself.
art bell
So you don't know of anybody that was reported missing after that?
john hutchison
Not that I'm aware of.
art bell
Okay, ma'am.
unidentified
Okay, also, do you have any books or video that you would people like myself could buy?
john hutchison
They're all over the place.
unidentified
You know, have an address we could write.
art bell
You don't personally offer them then, John?
john hutchison
I try.
There's film companies that want to make a movie on yours truly here.
MirrorMax, I send out so much stuff.
There are production companies in Los Angeles, Harry DeLeiter Productions, and they have some of my work there on video.
It's very nicely done by Harry DeLeiter.
art bell
Let's try this.
Is there a way to get hold of you?
Do you have an email address that you can give out or anything?
john hutchison
Oh, yes, I have an email address.
It's HFECT at infinite.net.
art bell
Also, wait a minute.
I want to get this.
HEFCT at infinite.net.
john hutchison
Yep.
art bell
Okay.
john hutchison
And also, on the internet, if you look under Yahoo Search or Google search, under Hutchison Effect, there's many websites there that show my work and tell the latest things that are going on.
art bell
All right, so a lot of people can do easy research and get hold of you directly, even if they wish.
john hutchison
Oh, sure.
art bell
All right.
john hutchison
I love people.
art bell
First time, call our line, you're on the air with John Hutchinson.
Hi.
unidentified
Hi.
art bell
I can barely hear you, sir.
Can you hear me?
Just, yes.
unidentified
Yes.
John, question for you on your work out there.
Have you ever, or were you ever to put it on a spinning table of any type to produce this effect?
Philadelphia Experiment Insights 00:04:22
unidentified
In that I know.
art bell
Do you mean put the equipment on a spinning table?
unidentified
Yeah, an inside-out motor will levitate because we've done it here in Pittsburgh with a PhD that was part of the Philadelphia experiment.
He should be able to do the same thing in that the Tesla effect of the coils in the Philadelphia experiment, they use four.
He's only using three.
But the concept there of the coils and the frequency of DC, you should be able, if you can get a table to go up to 2,000 revolutions by its power, it'll probably take over and levitate for you.
It's called an inside-out motor.
And then, of course, other clothing to control it.
But you should try it if you haven't tried it.
john hutchison
Well, I was open to interesting attention.
unidentified
Heather, did you embed any wood in these different – I saw some of the pictures here.
Have you bedded any wood in this fluid state of the metal and that?
Has any wood got into it?
john hutchison
Yeah, there's one on the website there that there's a block of metal, or sorry, a block of wood in there.
And other samples have wood embedded in them that were cut open.
unidentified
Okay, well, that means then that a bug or a frog or me could be embedded in that metal.
So you reproduce the Philadelphia experiment.
art bell
That's what I think, too.
john hutchison
Well, I guess so.
art bell
Yeah, it's impossible not to go there.
I went there right away.
The moment I heard what you were using, it was obviously the Philadelphia experiment.
A little different, but not that different.
And yes, with the embeddings that we can see, Caller, you're dead right.
I agree with you.
unidentified
Can four coils give you a time shift?
john hutchison
Four coils could probably do that.
I've seen things like light appearing, which is caught on Super 8 film, the old Super 8 film, light shimmering things that appeared.
unidentified
Well, the sucking up of energy, that's why all this pound shuts down.
That light effect is the bombard just like a mini hole, what's going on.
So you're there.
If you can get it spinning, you will have the craft and the liftoff that you want, plus power generation.
So I hope good luck to you in that direction.
Try it sometime.
Okay, I'll get it for four and a half hours, so you ought to be able to.
art bell
All right, John, are you going to take this up again, John, or have you had it?
john hutchison
Well, what I want to do is introduce it in the entertainment industry.
Now, also, a lot of filmmakers are after me to sign a contract for doing my whole life story, and I'm considering that also.
By saying I've had it, in a way, I feel a bit burned out, and I like my surplus electronics, and I had a lot of fun working on Navy ships, warships that were just a half a mile from here.
And I would go down there and get electronics and study of the ships.
I was basically third in command of this for artificial reefs, and I was allowed to take anything off the ships.
So it's, I guess you need to get re-inspired.
I think it would be fun.
My main thing I always wanted to do was give a massive demonstration to one of the biggest U.S. networks to show this thing off to maybe ABC or NBC.
art bell
Right?
john hutchison
It got in a bit of a tuffle with Triage Entertainment.
I mentioned that, that I would do that, and they didn't like that, and they started to give me some negative feedback on certain things when they aired the show.
art bell
Okay.
Wildcard line, you're on the air with John Hutchinson.
Hello.
unidentified
Hi there, this is Claire Colling from the Cryogenic Center of Canada, Winnipeg.
art bell
Yes, sir.
unidentified
John, I had emailed you a couple times in the last two months.
We've had, I guess, a couple correspondents, and I'm very glad to make both of your acquaintances on the air today.
Cautions About Advanced Technologies 00:10:00
unidentified
Cool.
And I had a couple questions for you.
And a couple just broad statements, I guess, that I was hoping you could make a couple comments on.
I'm just going to catch my breath here.
I guess I wanted to allude especially to the last caller who was talking about spinning things, which is directly kind of what I've been working on somewhat like I guess you had been about 20 years back in isolation somewhat, as that's easy to do in Canada when it's freezing for half the year.
What was interesting is, I guess, the aspect of the Philadelphia experiment and some of the spinning antennas that they had, such as the Delta antenna, which is actually...
john hutchison
Oh, yeah.
unidentified
You're familiar with this?
art bell
Oh, yeah.
john hutchison
I got some of that stuff.
art bell
Yeah, spinning RF fields, actually.
unidentified
Yeah, so what we have to do for the average layman that's looking, I think, for a little bit of background into this area is to look into the actual things that Einstein talked about, which is the space matrix.
And we have to kind of lean towards a non-conventional way of looking at the system.
And if we recall what John had just said a moment ago about the geometric arrangement of the Tesla coils, which is quite crucial to harmonizing with the very fabric of nature.
And I guess that would kind of lead you into a lot of Buckminster Fuller's work with spatial, or what he called omni-int inter-accommodational, which is a type of way of tapping into and expressing the knowledge of which Hoagland has briefly mentioned upon the tetrahedron, which is only one of the platonic or dimensional levels.
And I guess I'm trying to allude to a unified field theory or a theory of everything that has been mainly quite elusive because of our Cartesian slash, cubicle ways of thinking about nature and space, and how this might interrelate into some of the Russian pyramids that they're doing in.
art bell
Let's hold it there with pyramids, because I want to ask John something.
John, obviously this is a source of power, a very large source of power.
I mean you move something as massive as a 1,500-pound transformer, right?
john hutchison
That's right.
art bell
And did what?
Moved it into the air or what?
john hutchison
It moved up about one foot of ⁇ or sorry, one inch.
art bell
Off the ground.
john hutchison
Off the ground.
art bell
1,500 pounds.
All right.
Do you think there's any possibility that generations or even civilizations that predated ours knew something about this in some way?
You know, we don't know how the pyramids were built.
We don't know how the Coral Castle down in Florida was built.
We don't have a clue.
Do you think it possible that some of this technology has been known to some people at other times in the world's history?
john hutchison
I think highly probable.
Now, I do believe in other races in space because it's only logical because of the number of stars in planetary systems.
What if there's some kind of intervention here where they had equipment to help at that time period?
I've been in the Great Pyramid.
I've been in Egypt.
And I'm thinking, how can somebody build something like this by dragging blocks along on wooden platforms to build a mountain, literally a mountain?
art bell
Well, you can't do it.
Nobody can do it today.
john hutchison
I know.
art bell
So the only thing one can imagine is some sort of technology like this was employed to do what man could not.
john hutchison
I think highly probable.
I was fascinated by what I've seen there, and also some of the diagrams on the wall indicate electrical equipment.
unidentified
That was my exact take on some of them.
art bell
East of the Rockies, you're on there with John Hutchinson.
Hello.
unidentified
Hi, Art.
How are you?
Okay.
John, I have two rather simple questions for you.
Okay.
You sort of started to segue to it when you mentioned something about taking your project into the entertainment industry.
Just focusing simply on levitation.
Have you ever been approached by a magician?
john hutchison
No, not by a magician, no.
unidentified
Okay.
And my second question is, when performing the tests, where were you in proximity to the equipment?
I mean, were you shielded by any behind a wall or something along those lines?
john hutchison
Yeah, basically in a control room.
unidentified
Okay.
john hutchison
They would operate all the equipment on the outside.
I would have proper grounding and shielding.
You need that where you get too many x-rays and other odd types of things that would happen.
unidentified
Okay, so there's safe to assume that a human form anywhere even near the equipment would suffer probably irreparable damage, correct?
john hutchison
I would probably think yes.
Yeah.
Because everybody was cautious.
And we see all the area often.
If it was media, they would be cautious.
And if it was control experiments, they were cautious.
art bell
Okay.
john hutchison
Yeah, it was.
But nobody ever got hurt.
And many, many people have come through those labs.
art bell
That in itself is amazing to me.
Because you really wouldn't have any idea about the size of the field.
And one can imagine many things that could have gone wrong.
So I agree with that, Doctor.
It's amazing you're still walking around, John.
john hutchison
Well, that's what the doctor said.
But I had a friend who was sensitive enough to actually feel the fields with his hands.
art bell
Really?
john hutchison
Yeah, what I did was take a diode, put it on a volto meter, and just put it onto microamps.
And put it near the field.
And, of course, it starts to fluctuate back and forth.
Right.
And sure enough, it would fluctuate back and forth.
We could start to predict the fields with this simple setup.
So I followed my friend around with this meter, and sure enough, it registered every time he said he could feel this thing with his hand.
He called it slippery.
It's a slippery feeling.
unidentified
Yeah.
art bell
Oh, that's really odd.
West of the Rockies, you're on the air with John Hutchinson.
unidentified
Hello.
Art.
john hutchison
Yes.
unidentified
Richard from Aberdeen, Washington?
art bell
Yes, sir.
john hutchison
Suggestion.
unidentified
On the earlier part of the show?
Yes.
You have a tape recording.
art bell
Okay, does this relate to the guest I have on now, sir?
unidentified
Well, yeah, I'm going to get to that, okay?
art bell
Okay, then go ahead to that now, because that's who we have on.
unidentified
Well, I wanted to tell you that you need to speed the tape up.
art bell
Okay, I appreciate that, sir.
Anything else?
unidentified
Yeah.
Question for your guest is, did they confiscate your records?
john hutchison
No.
All the videos, records, metal samples were not confiscated.
art bell
So you've got all of that?
john hutchison
I have every piece because they're actually in another location.
art bell
And I hope a safe one.
john hutchison
Yes.
Although I've replicated a lot of the stuff and keep sending out to Dr. Andrew Murkrowski of PACE, Planetary Association for Clean Energy.
I've done a lot of replications, but I still get more in than I can replicate.
Like, I need a secretary help.
art bell
I understand.
john hutchison
I need a secretary.
art bell
First time, Colonel Line, you're on the air with John Hutchinson.
Hi.
unidentified
Hi, this is Tom, San Antonio, Texas.
art bell
Yes, Tom.
unidentified
I was thinking every depiction of any type of spacecraft I've seen or heard about, it has been a sealed vacuum, more or less.
art bell
Right.
unidentified
And what I'm thinking now is maybe a spinning table inside of a vacuum.
art bell
Yeah, that's an interesting question, John.
We don't have a lot of time, but have you ever done any of these experiments in anything approaching a vacuum?
john hutchison
No, not a vacuum.
I just heard of the French experiments where they would spin magnetic fields at the speed of light within an electrostatic field, which is intriguing to me.
art bell
Well, I mean, what you're doing or did do is way out there.
I wish you luck.
You know, if anybody in the media wants to contact you, since that's the way you seem to want to go right now, it would be H, the letter H, and then effect, HFFT at infinite.net.
unidentified
Yeah.
art bell
Right?
john hutchison
Yeah.
art bell
HFF at infinite.net.
So you would be open to media offers and so forth.
john hutchison
Oh, yeah.
I was slated for Dan Aykroyd's new show there, but it got, somebody pulled the whole show off and nobody understands why.
art bell
That's right.
Nobody understands why.
john hutchison
Friend of mine, David Serrita, who he was a guest on your show, I believe.
art bell
He certainly was.
john hutchison
He's a real nice guy.
art bell
Very, very nice guy, yes.
And I had Dan Aykroyd on the air as well.
john hutchison
Very good people.
art bell
They may be retooling that show, and so it may yet come on.
Good Night Ta-Ta 00:00:22
john hutchison
I sure hope so.
art bell
Okay.
Well, listen, my friend, for tonight, I thank you for the incredible video and photographs.
John, thank you, and good luck to you.
john hutchison
Well, I thank you, Art, for having me on your wonderful show.
I always like it.
art bell
Take care, and good night.
john hutchison
Good night.
Thank you.
art bell
From the high desert, I'm Art Bell.
unidentified
Ta-Ta.
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