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March 9, 2000 - Art Bell
36:03
Coast to Coast AM with Art Bell - Richard C. Hoagland - Mission to Mars
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art bell
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richard c hoagland
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art bell
Richard Hoagland, Richard, who was a one-time advisor to NASA, to Walter Cronkite during the really exciting space years, won the Angstrom Science Award.
He's onto this thing about Mission to Mars, the $120 million movie that is going to be released tomorrow that we've been discussing.
And I've had so much input, and so has Richard.
There is a raging, raging controversy about what's going on with this movie.
Now, I have some of my own thoughts on the matter after receiving a lot of messages from those of you who have seen the movie already, but we'll get to that after a while.
Let me first destroy all the bandwidth of my website.
We have the trailer.
We have the audio of the trailer, thanks to David Giamarco, who you will hear shortly.
If you go to my website and you scroll down to tonight's guests, Richard Hoagland and David Giamarco, before Georgia Durante later, you will see under related information, just click on Mission to Mars trailer, and by God, there it is, on NASA cover-up for 25 years.
You can listen to the actual trailer itself.
I almost didn't believe it was real until I heard it from myself about 10 minutes ago.
We've got it on the website right now.
Don't believe me?
Go listen to it.
So, from the mountains of New Mexico, here is Richard C. Hoagland.
richard c hoagland
Good evening, Art.
art bell
Hello, Richard.
All right.
For those who might not have heard our earlier shows in the week, a very, very quick synopsis of the situation.
richard c hoagland
Well, we've been at this, what, 20-some years looking at the possibilities that the face on Mars photographed by Viking back in 1976 represented an artifact of an ancient Martian civilization.
art bell
Yeah, he wrote the book, The Monuments of Mars, City on the Edge of Forever.
richard c hoagland
A few years ago, like four or five years ago, a bunch of guys at Disney apparently got together and said, hey, let's make a Mars picture.
Spurred on in part, and their deliberations went forward, by the enormous success of the Pathfinder mission and the 100-plus million web hips and all that.
At some point, Brian DePalma got involved, and we need to find out exactly when and how.
That's part of this mystery step.
To Tom Jacobson, who is the producer of the film under Disney, under Touchstone.
It was De Palma who entered the idea into the script consultations and discussions.
Well, let's have them, the mission to Mars, find the face on Mars.
And it was De Palma whose idea was to design and put in all these extraordinary special effects, which, by the way, I now know more about, and we'll get to some of the specifics later on without giving away the plot.
And it turns out that something comes directly from the enterprise.
That's new news.
Anyway, a few weeks ago, we got a heads up from some people in the industry.
You know, Paul Davids is a friend of mine, and Hollis, his wife, is a senior VP now at Universal Studios.
We got a heads up that, in fact, Mission to Mars, which no one had heard anything about, was going to feature the face.
So, you know, my ears prick up.
Gosh, I can't imagine why.
And we went digging.
And one of the people that we came across...
Well, you know, think of them kind of like spock ears.
You know, they get really pointy at this stuff.
So one of our efforts turned up a very good guy, a very, you know, stalwart person who believes in, you know, truth, just, and the Canadian way, because he happens to work for a major Canadian newspaper.
His name is David Giamarco.
unidentified
Yes.
richard c hoagland
And David called me and said he wanted to interview me several weeks ago for a piece he was doing.
He just talked to Tim Robbins and I guess a couple other stars of the film.
And he wanted to know, knowing of our work, my reaction to Mission to Mars.
art bell
Well, I, of course, gave it to him.
I bet you did.
richard c hoagland
And it appeared in the paper.
And in the course of our discussions, he told me that he had been invited to come to the Hollywood screening along with everybody else that they all fly in for these things.
And I said, oh, isn't that interesting?
How would you like some background material?
So I sent him a copy of the illusion of the UN stuff, the NASA briefings, because NASA's been inviting us in for years to tell them, the rank and file, over and over again, what we have found.
And we put these on good old home video.
So I sent this whole, you know, care package of stuff to David.
And it takes like almost two weeks for snail mail to get things to Canada in case you are sending anything up north, folks.
It finally arrived.
You went to the premiere.
Inputs that, according to David, are unprecedented in his 14 or 15 years of covering good old Tinseltown.
So with that, Art, I guess we ought to bring on David.
art bell
All right.
Let's do that.
Toronto, are you there?
Let's try again.
David Giamarco, I think in Toronto.
Now, are you there?
unidentified
Yes, I am.
Can you hear me?
art bell
I can indeed.
You are in Toronto?
unidentified
Yes, I am.
art bell
And David, what do you write for up there?
unidentified
I write for the National Post, Entertainment Reporter.
I've been covering the Entertainment Beat for, I guess, about 15 years now.
Ah.
art bell
Okay, so you had an opportunity, just before we get into anything else, to see the movie itself, right?
unidentified
Yes.
art bell
All right, we've been debating why the director of the movie is avoiding all press and all interviews.
And I've been hearing from my audience about this movie.
Now, let me tell you, some of the comments I've had lead me to believe that it might be the reception the movie is getting itself.
I mean, I have got, well, right, I've got, here's one from somebody who's a theater employee and got to see it early the way you did.
And he said, sitting in the theater with a bunch of friends about 20 minutes into the movie, the hissing began.
By the time the people started dying in the movie, people actually were shouting, I'm glad you're dead.
Now, it doesn't get any worse than that.
Was it really that bad?
unidentified
At the press screening, there were a lot of teeters and giggling and that sort of thing and certain spots in the film.
art bell
Yes.
unidentified
And I've been to literally hundreds and hundreds and hundreds of these screenings, and given that it's the press, you'll hear those types of things.
So yes, there was some of that going on.
But as I said, years of doing these things, I could count on one hand the amount of times that a director has pulled out of a film junket.
I mean, you know, they've worked on these films for two, three, sometimes even four years if it's a major production, and rarely do they ever pull out.
It's usually really extreme circumstances that they won't talk to the press.
art bell
Yeah, I mean, they've got tons of money at stake, $120 million.
It's a serious thing.
Absolutely.
So, why do you think he disappeared?
unidentified
It's a mystery.
I mean, we've heard a lot of different stories.
I mean, at first we heard that he was sick and had to leave, but then later on, other stories started surfacing that he was upset with the reaction to the film and took off.
But they kept saying they were hearing a lot of wild stories and a lot of wild rumors why he wasn't talking.
And, you know, Brian De Palma has done a number of junkets before, and if you remember, he directed Bonfire of the Vanities, which was one of the most...
Exactly.
And was one of the worst films of the early 90s there.
art bell
Except you start Bruce Willis, sorry.
unidentified
And yet he showed up to talk at that junket.
So I don't believe that it could be just the fact that some press people were laughing or giggling.
He's been in this business a long time.
art bell
All right, let's look at another aspect of this.
Thank God for you, David.
We kept hearing, and I kept getting faxes from people who have been saying, I saw a trailer where they said, I mean, NASA did consult very heavily in this movie, right?
Even script approval.
All right, so we're getting these words that there's this trailer out there saying 25 years of cover-up will end.
25 years of cover-up.
My God, there's no way that NASA would approve any such thing as that.
richard c hoagland
A conspiracy.
unidentified
No way.
art bell
And so I asked the audience to send the trailers, and I got all the other trailers, but I didn't get the one that we now finally have.
And by God, it says 25 years of cover-up ending.
Now, how can that be?
unidentified
And one other note is the face that they showed, the images of the face on Mars in the trailer is of the actual pictures from the Viking mission, not the face that appears in the movie.
This isn't right.
art bell
It's impossible.
I mean, it's impossible.
unidentified
It's happening.
art bell
They would destroy any future possibility they would ever have of having NASA consult on a movie.
richard c hoagland
Or call the other part of the government.
Because remember, it's one big, unhappy family.
You screw with one part of the government, and the other part's going to say, heck, I'm not going to get into bed with those people.
art bell
You probably audit half of them.
Yeah, sure.
I mean, that's a little overdoing it, but you're right, Richard.
It's screwing with the government.
richard c hoagland
But what's even more remarkable is I have been watching, because I work a lot late at night when the phones don't ring, and I watch the Disney Channel because there's a certain, you know, into Vault Disney where they go back into the past.
art bell
Oh, yes.
richard c hoagland
Disney did a series of films with Wernher von Braun and the early von Braun Pinamunde paperclip NASA scientists or Nazi scientists that were brought over in excruciating detail on missions to Mars, how to go to the moon, the creation of the huge rockets.
There has been a very strong, overwhelming connection between the foundations of NASA and Walt Disney and the Disney Corporation for literally almost 50 years, which makes this even more unbelievable.
unidentified
Even in the early 60s, you know, further to what Richard's talking about, Walt Disney was shut down by J. Edgar Hoover because J. Edgar Hoover didn't approve of a film, a comedy in the early 60s that he felt the FBI agents portrayed in the film were bungling, or bumbling, I should say, and asked for them to change the agents from FBI to just generic government agents.
art bell
Did they?
richard c hoagland
Yeah.
art bell
When Mr. Hoover spoke, everybody listened.
unidentified
Oh, exactly.
art bell
Exactly.
So this trailer then really exists at 25 years of cover-up.
It shows the actual face on Mars at Sidonia.
And what does this mean to you that there are two trailers out there running and even possibly two versions of the ending of the film?
unidentified
Could that be true?
I checked out the film.
As I said, I saw it two weeks ago, and I checked it out again last night.
And the print that was here in Toronto still was the exact same version I saw in L.A. So as of last night, it was still the same print.
art bell
All right, then.
Why this trailer?
Do you suppose they sat in there and said, you know, we've really had it with Hoagland.
And we're going to put this trailer out, and we're going to drive him totally up a tree.
It's either that or they want a little controversy to get people into the theater, or I don't know what.
richard c hoagland
Look, I have an ego as big as anybody else, but this is much bigger than that because David has been on the phone with NASA headquarters.
And the reaction of the official space agency to this is also completely off the wall.
It makes no sense.
art bell
David?
David, you called NASA when?
unidentified
I called them yesterday, and, you know, of course, get transferred around the agency as you keep going higher and higher up.
art bell
Of course.
unidentified
And finally, I got someone to sort of speak to me, and I believe she was in charge of public affairs, media relations, whatever.
And she said, you know, I just asked her, you know, about this film, what the reaction was, and she said, I'm sorry, we're not allowed to comment on the film.
art bell
What?
unidentified
And I said, really?
And she kind of laughed a bit.
She said, no, we're not allowed to talk about the film.
And I said, so you can give me a review?
Thumbs up, thumbs down, kind of joking with her.
And she said, well, she said, a number of people here at NASA have seen the film already.
She said, I can confirm that we did work on it, that we were consultants, we did have a hand in the making of the film.
And she said, other than that, I can't talk about it.
And so I said, well, are you aware of this trailer that is running about a 25-year conspiracy and cover-up and that on March 10th, the conspiracy will be exposed?
art bell
Yes.
unidentified
And there was a bit of a stunned silence.
And she said, what?
And I repeated it.
I didn't play it for her.
art bell
No.
unidentified
And then right away, she said, is this about the face on Mars?
And I said, well, yes, it is.
richard c hoagland
Amazing.
How many cover-ups can there be?
art bell
Definitely.
That's right.
unidentified
And so, and she said, oh, I wasn't aware of that.
And she said, you're going to have to talk to somebody else about this.
And she said, I'll get them to call you.
You can have your name and number and that sort of thing.
And then never heard back from them.
art bell
Yeah, I was going to say, I bet you got a real fast call, uh-huh.
unidentified
Yeah, which is also interesting is that I spoke to a colleague at the Washington Times, and she also happened to be at the junk hit as well and doing the interviews.
And she also was trying to get a comment from NASA.
One of her colleagues was trying to get NASA to speak about the film.
And she said they got stonewalled as well, that they would not talk to them about the film either.
art bell
So you think NASA feels like they've just been knifed in the back?
Or do you think they're just wanting to disconnect with what obviously they considered to be not a good movie?
Or what's your best guess?
unidentified
My best guess is they haven't evaluated the situation yet and they're reserving any kind of comments.
Because, as I said, the official at NASA wasn't even aware of these trailers running and seemed a little shocked.
richard c hoagland
Now, see, this is interesting because if we can flash back to some reality, back in 98, when finally, after enormous efforts from this audience, from the Bell audience, thousands of faxes, tens of thousands were dumped on Dan Golden's floor to get the face on Mars and Sidonia reimaged by Mars Surveyor.
art bell
Right, and we got to get that.
richard c hoagland
After the images came out, NASA very carefully said politically to the press it would have no official comment.
art bell
In my opinion, they didn't come out.
It's like going down to the one-hour photo and a lady saying, sorry, sir, you know, your role is all here's the important political point.
richard c hoagland
A NASA camera, actually was the Malin camera on a NASA spacecraft that taken the pictures.
Now man.
But people like Edwin Alby and, you know, many others, Mike Carr, all kinds of NASA scientists freely went on talk shows and TV and Dateline and CNN and had all kinds of thoughts and opinions about what the photographs showed, even if there was, quote, no official NASA opinion.
They were not told, you can't talk about those pictures.
And on a movie that doesn't count, where the First Amendment, as far as I understand, still holds sway in the District of Columbia, and this does not fall under the Hatch Act, which prevents politicking on federal property.
That's what Al Gore got into trouble for a couple years ago.
The employees, according to David's first-person testimony, are permitted to talk about the film or even express their own opinion.
unidentified
This is bizarre.
art bell
It is bizarre.
richard c hoagland
Oh, unless, unless, boys and girls, we've been right all along.
This is really something on Mars, and NASA has now got egg all over its face because somebody has pulled a real switcheroo, and Disney, which used to be in their camp, absolutely 100% 24-karat gold, has suddenly turned on NASA.
art bell
All right, on that note, gentlemen, hold on.
Break here at the bottom of the hour.
Oh, such intrigue.
Well, that puts people in the theater, doesn't it?
And I know I'll be there.
Mission to Mars coming up, released tomorrow, everywhere.
unidentified
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You won't have to thank twice.
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This is Coast to Coast AM with our bell from the Kingdom of NASA.
art bell
It is indeed, and you have got to hear this trailer.
We've got it up there for you.
Go to my website, scroll down, Richard Oakland, David, Gimarco, and you'll see related information.
Mission Mars trailer.
Listen to that, and you'll know we're telling the truth.
It's out there.
Can you imagine how NASA must have reacted when they...
unidentified
When...
art bell
Hey, listen, one quick almost public service announcement.
A free program celebrating the third anniversary of the Phoenix Lights is being held.
That's right, the Phoenix Lights, they're called.
It's being held at the main library in Glendale, Arizona on Monday, March 13th at 7 o'clock.
Peter Gerston and Richard Masser will join Dr. Skye, heard here on Coast to Coast AM, for a three-hour program of discussions, debate, and audio-visual presentations on the anniversary.
Now, get this, folks.
Believe it or not, this week and next, including Monday the 13th, the Air National Guard is conducting the same Operation Snowbird, which drops flares in the very same area as seen three years ago.
Wouldn't surprise me, but they'll throw six-foot dummies out as a bonus.
unidentified
Yes.
art bell
All right, once again, Richard C. Hookland and David Giamarco in Canada, who has seen this film and has written about it.
David, is Mission to Mars the space version of Water World?
unidentified
Well, it'll depend on the box office.
A lot of the critics that I've talked to and, you know, who are at the screening as well, nobody was that terribly enthused with it.
Let's just put it that way.
I don't think it's going to be a bomb.
I really don't.
You know, the trailers that are running make it look amazing.
A lot of people have been saying that the trailers are just astounding.
And, you know, so I think it'll attract a huge, huge audience.
art bell
Could it turn into a cult film?
unidentified
It may.
It may.
richard c hoagland
How does one define a cult film?
I mean, 2001, which started out being a bomb in the eyes of the critic.
art bell
It is a cult film.
richard c hoagland
But how do you define a cult?
This is a film now.
art bell
No, that's just a phrase.
I mean, you know.
richard c hoagland
I mean, you know, Bob Jones called the Catholic Church a cult, so we're kind of in good company here.
art bell
Yeah, no, I didn't mean it in that sense.
I mean, in a good sense.
A movie that 20 years from now, people are going to be still watching religiously.
richard c hoagland
Yeah, but it's Gone with the Wind a cult film?
art bell
Yes.
richard c hoagland
No.
art bell
Well, in a way, it is.
richard c hoagland
It's a major classic.
art bell
Oh, okay, fine.
If you want to go see it, major classic, Richard, I give.
richard c hoagland
2001, it took a generation for 2001 to become that classic.
Almost, you know, from the time it was made to 2001.
art bell
Well, yeah, when people first went to it, the critics said, what the hell?
Many people to this very day are saying, what the hell, but they still watch it.
It's a great movie.
richard c hoagland
Well, it's now like modern art where if you don't understand it, you're with the in-crowd, therefore you kind of go, mmm, yes, wonderful.
Great depth.
Look, I think this film will become a classic if for no other reason we know there's a face on Mars, we know there's a cover-up, we know there's an alien ancient civilization with some connections, and this is the first major film dealing in the history of film with that reality.
It cannot help but become a classic.
art bell
David, this other trailer in mind, do you think two endings have been written for this movie?
unidentified
It's possible.
I'm not saying it's for sure, but it's possible.
I mean, it has happened before where we've seen a film two, three weeks before it's due for release, and based on the critical response to a screening, they will change the ending or they will change certain portions of the film or they will shorten it or, you know, that sort of thing.
So it has happened where in that three-week window before release, they can change a movie.
art bell
Could it be, with that said, that they were so concerned with the reaction to the screenings that they have changed the ending?
And we won't find out till tomorrow.
unidentified
You know what?
What I think the critics were having a problem with in the film wasn't so much the ideas in the film.
It was, I think some of the character development was a little clunky, was a little shallow.
There was, you know, clunky dialogue.
It was that sort of thing.
art bell
It would move somebody to say, I'm glad you're dead.
unidentified
Yeah, I mean, there were certain things like that.
I mean, I found the story intriguing.
I was intrigued by it.
And by the end, the end of the film, people were, I don't want to say on the edge of their seat, that's quite a cliche, but they were wrapped up in the ending.
It was the process of getting to the ending that I think put off a number of critics.
richard c hoagland
Which is the same reaction to 2001.
art bell
Down a lot of times.
They said it was slow.
richard c hoagland
They said it was boring.
They said there wasn't enough dialogue.
There was enough character development.
And it all depends on what era you are.
I mean, this film is making a statement about an extraordinary mystery that's lingered now for over a generation, which is non-trivial.
Is the human race alone?
Has someone been next door and has tinkered with us?
art bell
Of course.
richard c hoagland
And it represents the first major Hollywood reaction.
$120 million is not, you know, pocket change.
art bell
No.
richard c hoagland
No matter what happens to this thing aesthetically, it will go down in history as history plays out.
It was the first film to deal with the implications on the big screen with a mass audience of what this would mean if it's real.
art bell
Well, by the way, I really loved Water World anyway.
richard c hoagland
I haven't seen Water World yet, as a matter of fact.
unidentified
You know what?
Water World wasn't that bad.
And to set the record straight, it made money.
It ended up making $400 million around the world.
art bell
You're kidding.
unidentified
Yeah, so it actually did make its money.
I just interviewed Kevin Costner recently, and he just, he said, you know, I want to thank you.
You were the only reporter that's pointed out that it actually made money.
art bell
Well, it was actually, it was a wonderful movie.
I still have it.
I'm a collector of movies.
richard c hoagland
But, you know, sometimes these things don't come into their own until maybe a half a generation later when there's some perspective.
And it may be, I mean, I'm going to predict that regardless of the immediate reaction to the film, this film, Face of Mars, Mission to Mars, Dealing with the Face, is going to become a classic simply because nothing else has touched this on this scale up until now.
art bell
Well, then maybe 20 years from now, Richard, when we call NASA and get the little gal on the phone, she'll say, NASA's proud to have been presenting.
What do you mean?
richard c hoagland
After John McCain is elected in the Queen's House?
That's a whole other evening, okay?
We've not heard the last of John McCain, but that's a whole other evening.
art bell
David, let me ask David, Richard, as you have gone through this, David, what is your, you know, like your final conclusion?
I mean, the two trailers, the two possible endings, nobody's talking, no interviews from the director, NASA won't talk.
I mean, what does all this probably mean?
unidentified
It could mean a number of things.
One, you know, it could be that people are trying to distance themselves from the film, that they don't want to speak because there's been an advanced bad buzz from the critics.
But, you know what?
This has happened so many times before, and directors, good or bad, will get out there and defend their film.
art bell
Of course.
unidentified
And they've devoted a lot of their life to this film, you know, two, three, four years, and they will defend it.
They will talk about it if it's getting a bad reaction.
art bell
Even if it's to get a one-weekend gigantic pop.
Exactly.
Exactly.
So why would he walk away?
That's just mysterious.
unidentified
You know, he won't, usually, for some reason, if we can't get a director to talk at a weekend when all the press are together, they will at least set up phone interviews or for print press or for TV, they'll set up satellite interviews that you can do at a later date before the film opens.
But in this case, none of that is available.
Brian will just not talk to anybody.
richard c hoagland
You know, the thing that strikes me about this is that normally when you play this game of conspiracy, you have a great deal of speculation and almost no facts.
Here we have a lot of facts and some interesting speculation based on the facts.
Fact number one, NASA was in bed with Disney and De Palma on the making of this film.
Everybody agrees.
NASA's not saying, oh, we had nothing to do with it.
They admit they had a lot to do with it.
Fact number two, the director was Brian DePalma, whose brother, the physicist, was intimately connected with this enterprise investigation of the real face on Mars and the mysteries of Sidonia for almost 10 years.
Now, to who's tonight regarding that relationship, which we teased a couple nights ago.
David?
unidentified
Well, thank you, Richard.
When I was interviewing Story Musgrave, his handler was a but works with NASA.
And he handles a lot of, he's a liaison between Hollywood and NASA when they're involved in Hollywood productions.
And he said to me that Bruce DePalma was on set last June.
And he was involved.
He was on set in Vancouver when there was shooting, and he was there.
And I said, did you know that he passed away last summer?
And he didn't even know that.
richard c hoagland
Really?
unidentified
Yeah.
But he did confirm that he was there on set with Brian, his brother.
richard c hoagland
Now, this, of course, makes it even more interesting because we have speculated that somehow in the relationship between De Palma and his brother and Enterprise, Brian De Palma got a lot of background information on what we have really figured out about Sidonia, which then somehow will wind its way into this film.
And one of the reasons I urge you to go is we're going to have a great game next week with how many Enterprise mission research points can you find buried in various aspects of this interesting feature film.
We now know, we've got eyewitness testimony, that Bruce was on the set, not once, but several times.
Now, I can reveal tonight that this is a major piece of information because from the conversations I had with Bruce, there was a lot of, shall we say, distance between the two brothers.
Initially, when I met Bruce, obviously, you know, the name was familiar, and I was thinking in terms of a film someday maybe made by Brian DePalma.
You know, history is incredibly ironic sometimes.
And Bruce quickly disabused me of this idea, saying very flatly, he said, my brother and I do not understand, come to terms on almost anything.
We do not see eye to eye.
We barely even speak.
But sometime between that conversation, which was years ago, and the time that Bruce died, quite suddenly, he somehow made up with his brother and was invited to be an integral part of this film.
And so when I see, in terms of this trailer, some of the most remarkable things that Enterprise has done quietly and not put out there in public, I am very intrigued to know what else is in the film that people would not recognize unless they were intimately familiar with the work of the Enterprise mission.
unidentified
Well, 19.5 sure pops up a lot.
art bell
Does it really?
Yeah.
Now, you know, Richard said that to me, but I think sometimes Richard sees 19.5 in cloud formation.
So it's really true, David?
unidentified
Oh, yeah.
I mean, do you want me to tell you where it pops up?
art bell
Yeah.
Don't give away the end of the movie.
unidentified
Okay, well, I'll try not to.
The end of the film, near the end, I'm not giving away the ending, but one of the spaceships, and he's in the capsule, and some of the other astronauts are at the face.
And he gives him the liftoff time as 1950.
He says, we have to take off by 1950.
And it gets repeated constantly.
You see, you know, the digital clock, 1949, the countdown, the 1950 is liftoff.
And, you know, knowing what Richard has told me and researched and whatnot, I mean, it seemed very ironic.
richard c hoagland
Last year when we did the Lost Tomb special, remember I was in Seattle for a week or two working with a group called The Other Side?
art bell
Yes.
richard c hoagland
Okay, well, the folks at The Other Side, who really are creative geniuses, a whole bunch of ex-fighter jocks, and they've turned their time and attention to creating some amazing 3D simulations.
What they did is they worked on with us a three-dimensional simulation of going to Sidonia.
And we worked out the interiors.
I mean, these guys came up with some amazing things with some input from me and some science and whatever.
Well, lo and behold, in one of the major scenes on the film, David, as I gleaned from the trailer this evening, that recreation that the folks at the other side and I did of what's inside the structures on Mars appears in Mission to Mars.
And on and on and on.
So what I'd like to do is to make a little pact.
We will not discuss any more content of the film, but we urge everyone between now and next Tuesday, you better go out and see this.
Because if you don't, by next week, we're going to come back with some more surprises and discuss all the little points and relationship between the fiction and the reality and NASA's weird reaction and Disney turning around and giving the finger to its former best Washington friend, et cetera, et cetera.
So if you want to be unsurprised, you better see a film this weekend.
art bell
Yeah, and you better listen to the trailer we've got up on your website right now, too.
David, Richard had a really serious brush with the Grim Reaper.
He had a heart attack.
I guess you know about that, right?
Yes, I told you about that.
You know, if he had hit the dust back then, at the end of this movie, would it have said, Richard?
unidentified
Well, Plasa was behind this film.
I don't know.
We'd have to defer to Richard on that one.
richard c hoagland
There are times when your sense of humor, Mr. Bell, exceeds only your longevity in the industry.
art bell
I will say this film will be at the end.
Oh, is there really?
Oh, really?
Yeah.
Egyptian.
richard c hoagland
Why am I not surprised?
unidentified
There inside the face, there is a heckload of imagery, Egyptian imagery.
art bell
I'm sorry, I'm giving too much away at that.
I can't believe it.
richard c hoagland
Why?
art bell
Is there any part?
unidentified
Why?
Oh, well, we need to give anyway.
art bell
Well, I don't know why, Richard.
The face, many people think of as solid.
I mean, maybe not after this movie.
richard c hoagland
Not if you read The Monuments of Mars.
unidentified
And just back to the 19.5, I mean, when was the last time there was a countdown for a spaceship that was at, you know, 10 minutes to the hour?
art bell
Really?
unidentified
Yeah, I mean, you know, 1950, which spaceship is due to take off at 10 minutes to an hour?
Isn't it usually always on the dot, on the hour or the half hour?
richard c hoagland
Depending upon your launch windows, but obviously that number is iconized in terms of what we found and figured out.
Look, the bottom line here is we have a paper trail.
We have an eminent director who somehow got in charge of this major film, Going to Mars, changed the script, inserted the whole face persona.
If you believe what Tom Jacobson said in the interviews to you, David, and his brother worked with us for 10 years.
I mean, this is not rocket science.
This is pretty straightforward.
art bell
David, I have a question for you.
As a journalist, could you follow up and find out who produced this second incredible trailer that is running?
And maybe somebody would talk?
unidentified
I could try.
I could certainly try and find out who was behind it.
I mean, I know the trailer was only, I think it's only been in the last two weeks or last week that it was actually produced.
art bell
Right.
unidentified
Because one of the associates at Disney, you know, said, I wish we had had this trailer, you know, weeks ago.
art bell
Really?
unidentified
Because they, you know, realized that this is a much better trailer.
And they said, well, you know.
I mean, the trailers up until now had been building it sort of as, you know, the Space Cowboys going out, you know, conquering the Wild West of, you know, the new frontier out there in outer space.
And it was patterned more after the Armageddon.
This one, you know, cuts right to the chase.
art bell
So then it seems to me that if we could get to the production company that churned the second trailer out, there's a story to be told there that might answer some of our questions.
unidentified
I do believe, I do believe.
richard c hoagland
Well, one of the things that David's source in Washington was going to try to do is to get close to Dan Golden, which apparently is possible, and ask him point blank what the hell is going on.
art bell
You're going to pursue that, David?
unidentified
Yes, definitely, definitely, and find out.
I mean, she recognized as well that there's a real story here.
art bell
Have you written a story on this already?
In other words, on this whole controversial aspect of the thing?
unidentified
Yeah, I ran an advanced piece about two weeks ago, and tomorrow is the next piece.
richard c hoagland
The advanced piece still hasn't arrived in the mail, David.
art bell
You've got another piece coming out tomorrow.
Tomorrow, yes.
Any hints?
unidentified
Any hints on?
art bell
What it's going to be.
What did you say?
unidentified
Since I wrote it.
Yeah, it's more of what I started two weeks ago.
I mean, it's more discussing the film, the interviews, and this enigma of what's going on behind this film.
I mean, these mixed messages that are coming out here.
On the one hand, you have NASA endorsing this film, and then on the other hand, they're saying that they're behind a conspiracy and a cover-up.
art bell
Well, I think they've done this just for Richard and myself.
Drive us out of our minds.
Anyway, everybody should go see it.
I certainly am going to.
Richard, final words.
richard c hoagland
Well, obviously, we're going to go see it this weekend because I want to talk about it next week, and I want to bring on some more surprise guests that I think will be appropriate.
And I want to get into the content because, look, the backdrop to this film is a reality sitting on Mars tonight.
And we need to take all the attention the film is going to generate and create a political tool to get new pictures of Sidonia and resolve this mystery once and for all.
art bell
Real pictures.
richard c hoagland
Real pictures.
art bell
I'm all for it.
unidentified
All right.
art bell
Richard, as always, thank you.
David, Giamarco, thank you so very much for coming on tonight.
No problem.
And when you learn more, you'd be in touch, all right?
Absolutely.
All right, good night.
unidentified
Good night.
art bell
Good night, everybody.
And so the Mars mystery continues.
Mission to Mars mystery continues.
unidentified
I tried to reach for you, but you have come to find whatever happened, you are lost.
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