Robert Ghostwolf reveals a 100-foot Sphinx-like granite formation in the Rocky Mountains, alongside 70-foot griffins, Orion-aligned pyramids, and petroglyphs of kangaroos and didgeridoos, defying conventional human history. Photographs—verified by Richard Hoagland and GPS data—show deliberate carvings above 14,000 feet, including a Gabriel-like "gatekeeper" blocking access to a chamber with possible liquid crystal technology, mirroring claims from Area 51. Ghostwolf ties these findings to Zachariah Sitchin’s Anunnaki theories and warns of looting, urging cautious disclosure while insisting they prove humanity’s ancient, unified origins across dimensions. [Automatically generated summary]
From the high desert in the great American southwest, I bid you all good evening or good morning.
This may be across all these many time zones from the Tahitian and Hawaiian Island chains in the west, eastward to the Caribbean, south into South America, and north to the Pole.
This is Coast to Coast AM.
Good morning.
This will be a paradigm shattering program.
This morning, Robert Ghostwolf has just returned from a month in the U.S. Colorado Rockies, or maybe I better correct that and just say the Rockies.
All right?
What he has found is going to cause a lot of people to rethink a lot of things as if we weren't already regarding our origins.
It's that big.
Now I'll tell you this.
For those of you who have computers, you can begin heading up to my website right now.
And if you will scroll down to Robert Ghostwolf's name, you will see the link.
Click on that, and you will get a set of photographs.
And I am not now going to tell you what it is.
We'll do sort of the double blind reverse test.
You go take a look at what it is.
And if this doesn't blow your mind, if this doesn't cause you to begin thinking about our origins and whether we really know the whole truth or not, then you're just not thinking.
So to be kind of interesting, in this first hour, I'm telling you, if you have a computer, if you have access to a computer, if you can borrow, beg, don't steal a computer, whatever you can do, get to one, go to my website, and just take a look at what Robert Ghostwolf has found.
Is that dramatic enough for you?
Well, it deserves that much drama.
It really does.
As a matter of fact, it has been blowing my mind all day long.
So in the next hour, Robert Ghostwolf back from a quest and a successful quest and tonight's guest.
So all of that, ladies and gentlemen, directly ahead.
I'm telling you, I'm telling you.
I guess I ought to give my website, huh?
For those of you who might not have it, www.artbell.com.
Get up to my website, scroll down to the name Robert Ghost Wolf, and get ready for the shock of your lifetime.
We have been talking a lot lately with all kinds of guests, from astronomers to investigators, to religious people, to, you name it, about our origins, about where we came from, who we are.
Robert Ghostwolf, in a one-month quest in the Rockies, has come up with a big, big piece of the puzzle.
And so I suggest you get up there and take a look-see.
It's at my website, www.artbell.com.
Are you now?
One more item, and then we are a little more than caught up, which is what I want to be because of the drama of what is coming this next hour.
I have had so much fun with that thing, and so can you.
It's a 16-bit piece of digital technology that weighs only 7 ounces, operates on batteries, 3 AA batteries, and you can have a blast with this thing, or you can use it for practical and hopefully moral reasons.
But I can tell you this, they will not recognize your voice.
You see, I can enhance the effect a little bit by closing my microphone all the way so that you don't get a mixture.
That's it.
$69.95.
Call Bob Crane in the morning, get one on the way.
It's 1-800-522-8863.
1-800-522-8863, The C. Crane Company.
The announcement I am going to leave to Robert Ghostwolf, and he certainly deserves to make the announcement of what he has found in the Rockies, but it's going to shake you.
Now, what I'm suggesting is that you just go up there now and take a look.
If any of you prior to his announcement would like to react to what you see, I'd appreciate a facts at Area Code 702-727-8499.
If you're sitting there frustrated because you do not have a computer, don't worry.
It will be described to you in detail, and we will, of course, continue to have this page and these photographs, the photographic proof, sitting there for you throughout the weekend.
So if you don't make it through right away, just hang in there, and if you don't have a computer, don't worry.
We're going to tell you what's there.
Well, a big breaking story about a respiratory care employee at Glendale Adventist Medical Center who is confessing to killing between 40 and 50 patients that he believed were so ill they were close to death.
Now, he has not yet, as far as I know, been arrested.
They are looking into this very carefully.
I wonder why he suddenly admitted it.
Guilt, I think.
He confessed.
Do you think that it was guilt?
He said he had a criteria for killing them.
They had to be unconscious, have a do not resuscitate order, and look like they were ready to die.
Look like they were ready to die, really.
That's quite a judgment for one person to make.
In Jonesboro, the horrid tragedy goes on.
The Fed say they will not prosecute these children, 11 and 13.
These children who, with forethought and malice, are accused of luring students and teachers into an area where they could be picked off at will with rifles.
It is a part of the quickening.
I saw a kind of interesting interview earlier tonight on CNN.
They interviewed several primary school teachers of varying degrees of experience.
And they all agreed on one thing.
Today's children are very, very different than those of 20 years ago.
Their attitudes, their rebelliousness, their absolute disinterest in authority figures.
And it went on and on and on and on.
Yes, there is a change in our children.
But is that really a surprise to you, those of you who have been listening to this program for any sort of period of time at all?
Is it really a surprise?
I think not.
But I don't pretend to understand it either.
One other item.
Earlier tonight, Mount Aetna blew her top.
Actually, it was earlier in the afternoon, and one of you alert people out there who have been watching the Aetna Live page called me, actually faxed me, and said, good Lord, look at Aetna.
And I did, and so did Keith.
And sure enough, boy, she was blowing.
And I think we've got those photographs on the website as well, the poor burdened website.
Somebody sent me a fax and said, also, Mount Shasta appears to be awakening as of 11 a.m.
Pacific.
Several three-point magnitude and many two-point magnitude shakes have been occurring in the area of Mount Shasta.
Now, we've had earthquakes.
A big one in Italy.
Do you see that?
A very large one in the Antarctic, 7.9 in the Antarctic.
And now we're beginning to get activity, volcanic activity hither and yon.
That, too, might be adding up to something.
Or you could say, well, these are very diverse places, Art.
No big deal.
These mountains are active.
They erupt every now and then.
They do indeed.
But I think there is a relationship between the earthquakes, the volcanic activity.
Don't you?
No?
Well, it seems to me there could be.
Maybe, probably is.
But that's just me.
One more item, and then we'll take some calls.
Art, listening to your show last night, you discussed what NASA released with respect to El Niño.
Like, see this came from a client.
El Nino, the phenomenon disrupting the weather in the Pacific and the Americas, getting ready to rain here again, by the way, has made the days longer than usual.
The U.S. Space Agency said Wednesday that February 5th was the longest day of all, about six-tenths of a millisecond above normal.
The Earth is actually slowing down because of El Nino.
However, NASA believes that as El Nino lessens, if it does, the Earth will once again speed up.
And I know a lot of people have explained this to me, but I still don't properly understand how bad weather slows the rotation of the Earth.
Well, I meant to point that out, and I still feel the same way.
And here it is.
I understand that those who have achieved a pretty good degree of understanding of the nature of reverse speech can grasp and understand the metaphoric reversals.
unidentified
Yeah, I don't think we can dismiss those because...
When you consider the world of reverse speech, and it is a world that is just beginning to have the light dawn upon it, when you consider that world, and it's a very wide world dominated, actually, by metaphoric reversals, you've also got to consider how best to get the American people to understand it.
And as you pointed out, Vince, metaphors are interpretive.
And it gives the critics of reverse speech much more of an opportunity to criticize.
I mean, the more controversial something is, obviously, the harder you can go after it.
And it makes it very easy for them to say what, BS.
Come on.
Not only is it difficult to hear in reverse, But now you're ascribing a meaning to it that is coming from your own mind.
So that's my attitude about metaphors.
I too believe that they're absolutely accurate and that it is a completely valid line of research.
I just think, though, that for the beginning stages of those hearing reverse speech, it's almost indigestible.
And as you learn more and more and you calibrate your ear, we talked about that a little bit last night, then you can move into the metaphors.
And you've got to remember that David John Oates himself said that he took years and years and years before he began to understand the reverse metaphors.
I was wondering next time you have Richard Haugland on, can you ask him if he thinks that the submarine experiments in the Pacific Ocean had anything to do with hyperdimensional earth physics, since the big island is at 19.5 degrees Celsius?
If those Navy submarine experiments could fall in line with hyperdimensional earth physics, because there was an earthquake in Antarctica just a few days after that.
My guest is Robert Ghostwolf, a Native American of mixed blood.
He'll tell you about himself in a moment.
He has made a discovery in the Rocky Mountains of our own America, here in North America, that is so startling, so paradigm shattering, that you have got to get up and take a look at it.
Now, my website is a good website.
It's capable of handling a great deal of bandwidth.
However, because we're making this announcement, because we've got photographs of all of this on the website, it is getting bogged down.
Even with all the bandwidth we have, it is getting bogged down.
So I have turned off the webcam, the live webcam.
Please do not go to the webcam.
We want people to be able to go and see these amazing photographs that Ghostwolf got.
So I would urge you to go to my website, scroll down to the name Robert Ghostwolf, and go take a look at the photographs in question, which are about to be described by Robert Ghostwolf.
Is it www.artbell.com?
One more time.
www.artbell.com.
So all of that and Robert Ghostwolf coming up in just a moment.
Ab, tell him you want the ignition system Art Bell has on his Hot Rod Metro.
It's like a heart transplant for your car.
That's 1-800-627-8800.
And check out their webpage at www.jacobselectronics.com.
All right, as background, in a way, for what we're about to do, I suppose, today's news is a background in a sort of a strange kind of way.
There is a hospital aide in Los Angeles at Glendale Adventist Medical Center who is confessing to killing between 40 and 50 patients that he thought were ready to go.
In Jonesboro, the tragedy continues as hundreds turned out to say goodbye for the last time to two or five people killed in that school's ambush by an 11 and 13-year-old.
Mount Edna earlier today blew its top.
Boy, what an eruption.
And we captured the photographs for you.
Those are on the website as well.
And there are other interesting geophysical things going on right now.
The ground is shaped all things.
And we're beginning to get a few rumblings here near some of our mountains.
At any rate, let us begin this incredible night of revelation by allowing, first of all, saying hello to Robert Ghostwolf.
Now, it was about, you tell me, Robert, how long ago did you, you sent me an email and you said you were going into the Rockies for a specific purpose looking for something, and that if you didn't get back, papers would reach me and that sort of thing.
Well, it started out with my trying to explain to some of the elders that I work with that in order for people to understand the impact of what they had to say and the messages that they had to deliver, that they had to see hard facts.
They had to see, we're basically dealing with a Missouri attitude.
Show me, and I'll believe you.
A lot of what we deal with in prophecy, a lot of what we deal with in telling ancient mysteries and disclosing the knowledges from various cultures, we deal with the mind, and we deal with potentialities, and we're dealing with concepts.
And that leaves room for a lot of people to say, well, that could be or that couldn't be, or this is or that isn't, or, well, that may work for you, but it may not be for this.
Or the Earth really isn't slowing down because of El Niño.
It's just the way it appears at the moment.
And what I wanted to do, because my main purpose in life is to build bridges, so we can understand the old knowledge and compare it to the new knowledge.
So we can take 10,000-year-old prophecies and show the similarities of the prophecies between cultures, and that we can take them right now, today, home so that people can see beyond a question of a doubt that these things are happening.
A lot of things that tend to happen in our own reality, we don't see whether we want to shut ourselves off to them, or we just don't want to ignore them.
Well, a good example of that, Robert, would I had Daniel Brinkley on the other night, and he gave us news of a new discovery in Egypt, which is dating way past 10,000 years.
They've discovered the ruins in Egypt, and this absolutely destroys everything Egyptians thought about themselves, and frankly, even throws into question whether the Egyptians built the Sphinx and the pyramids at all.
No, I was led here by a Mate who knew about these places.
The stories have come down from the Ute Indians about this place and about our connection to the Star Nations, because I think that's a really important thing to get across to people that it is not a fantasy.
It's not a conjecture.
It's an actuality.
And when I said, okay, but there better be something there, and they sent me some photographs, which I think I showed you a couple of at that time.
And it was enough to substantiate to me that there was something there.
And some of the problems that I ran into when I was there was strictly the weather because it was still snowing.
And I was trying to transverse through 16 inches of snow through the Rockies.
And every day we had to climb up with my party of people, which included some representatives from the Blackfoot Nation up in Canada that came down to see these things because they had stories about them.
There was supposed to be a Lakota elder that was supposed to come, but he wound up getting ill and didn't join us.
But every day we had to climb up basically 2,200 feet to the top of the site, which will be indicated when we get into the pictures.
I went in to discover not only an ancient city, but what could be a UFO base because I was interested in where do these ships come from and where do they go.
We have a lot of stories about ships that come from the inner earth.
Yeah, and before anybody else, anybody out there says, boy, is this Kookie, when you see what he has found, you will recognize, this goes to our origins.
It goes to who we are, how we got here, whether we are the first or whether there have been other civilizations that have come and gone, whether there have been visitors from elsewhere that have produced these artifacts that are now beginning to be dated older than they possibly could be.
You can get light-headed if you don't pace yourself.
But I'll tell you one thing, when I was up at the top, I could look straight across at the horizon, and I could see just about the very peaks of the continental divide.
And to make a journey like this, to invest time to talk to elders, to ask them to come and to ask them what they knew about this location, to ask them if they had any stories or they had any knowledge of these kinds of places, people get very spectacle.
And skeptical is like, yeah, yeah, we've heard that before.
And, you know, there are these places, we know about them.
But a lot of these places are even lost to our memory.
Meaning, there's a lot of people in the native world right now who are going through their own trials and tribulations because so many of the elders are passing over and not passing their ways down.
They don't know the ceremonies anymore, a lot of them in their whole entirety.
I know amongst the Hopi, a lot of the elders, the Hopi Sinum, the spiritual leaders, many, most have passed over that remember their sacred songs and their sacred ceremonies.
So you're dealing now with people trying to remember.
And so a lot of these stories are lost, the facts about the stories.
They remember things being told when they were younger about these kinds of places existing.
But they don't have a hard record of them.
So there we were, like, comes the middle of nowhere in the middle of the winter.
And now we must consider the fact that the bulk of the people out there do not have computers.
The bulk of the people don't have computers.
So it is time to tell them, describe for them those who are able to see the photographs and most particularly those who are not able to see them right now, what you found.
Yeah, that I know of between where I was in the Rockies down to South America.
And what I'm going to be doing over the next year is documenting their existence.
Because we are a lot older than we think.
And I think that when you turn down to these pictures, and I'll try to describe them, if you go into my site, all you have to do is go through enter, and the first thing you'll see is Stargate Expedition.
Because I'm working right now with coming up with the truth about knowledge, everything from the codes in the Bible to the deciphering of star maps and constellations and their correlations and meanings in ancient prophecies with scientific fact.
And this is what Stargate is about.
We found out so many things about how to cure diseases with frequencies, why people 10,000 years ago, 5,000 years ago built cities in the plan and format that they did.
It wasn't just accidental.
The geometry in which they built created energy waves and frequencies which helped consciousness.
And, you know, it's funny, but if you go back 5,000 years ago, we were building temples and we were building pyramids and we were building everything to spirituality and the human spirit.
Because I don't want any chance of these sites being disclosed until I sit down with the elders and with people who I can trust and they can trust and we can figure out the full impact and meaning of what we're...
Because they can call up and get my books, and if they get the books today with your show, and they mention that they don't have a web, we'll send them copies of the photos.
So what happens is I'm in the middle of the Rocky Mountains, and I'm walking into this site.
And as you walk in, there are several sculptures or formations.
We can leave that up to mind, your own discernment.
The nature of the stones here, the rock formations, is very rapidly decomposing granite, most likely due to some of the pollution in the air.
It's amazing how much pollution floats into the mountains and gets hung up from the cities that are even hundreds of miles away.
And I suppose it's like what I've seen in Egypt and the decomposition of the Sphinx and the other pyramids there, they're just crumbling.
So when you're crawling on these rocks, it's kind of difficult Because even your fingers, if you put your fingers on them, you go to grab, and you're literally pulling off a handful of stone, powdered stone.
I think that, from what I looked at, the extent of the rapidness of the decomposition, yes, which also leads to the fact that it's amazing that this much detail has been left in these formations.
As we go through, there's several formations that have the names that I use are my own names, so I can clarify that.
I just name them myself.
So as we go through, we go down the valley, we pass several formations, including a very large dragon or reptile.
It's about 70 feet tall.
It's obviously a Tryanosaurus rex, which catches your eye and go, that can't be anything else.
We see the picture of what appears to be an old Indian chief with a lizard crawling on top of his head.
I mean, it's a lizard.
It's like a horny toad.
And then you go in and you pass by what I call the guardians.
And the guardians are the first pictures that we come up to.
And what we can see in the pictures is that what remains of the feathers on the wings are there, the formations of what were the feet or the bird-like feet of this entity.
And then this humanoid bird head that's staring off in a particular direction at a specific angle.
And it's obviously a bird.
It's obviously a griffon.
You could call it a gargoyle.
Incidentally, I might add that when we were brought in, we were brought in with armed escort.
And the reason why we were brought in with armed escort was because there had been a lot of mysterious things going on in the area.
The disappearance of a lot of bighorn sheep, the disappearance of a lot of deer, and the locals were telling a lot of stories about Chupacabras.
And the people who guided us to where this was would not go in unless they were armed.
And so you definitely have two of these griffins looking in the valley.
And they're looking on either side of the canyon.
They're both staring down either side of the canyon.
So the question actually comes up, okay, when they built these things, they were obviously guardians, because from my knowledge of what they were built for.
And what are they guarding?
What are they pointing to?
What are they looking at?
What are they protecting?
So you start to come down through the canyon, and there are several others, other formations that I deciphered.
A lot of them looked like greys.
And later on, as I get to the petroglyphs, I realized that they weren't greys at all.
But what they were what the Hopi called the praying mentis people.
I mean, they were very clearly oval-eyed, triangular-shaped heads that were very clear.
And I was like, well, this is really interesting.
And, you know, meanwhile, as you're transversing the mountain, you're like crawling up the side of this granite cliff.
And there's like a lot of rose quartz and white quartz, which was very important because at a lot of these sites, and at most sites where spiritual work was done, where high ceremonial work was done, which is what we term it today, you'll find certain commonalities.
One of those commonalities is you'll find quartz.
The other commonality is you'll find limestone.
There's always limestone, there's always quartz.
You go to Giza, there's limestone, there's quartz.
You go to Manchukuo, there's limestone, there's quartz.
You go to the Black Hills, there's limestone, there's quartz.
Limestone plays a very big part in the energies, the frequencies within the Great Pyramid, the holding of the tones, and it plays a very big role with its reaction and interreaction with granite.
And when they're placed in a specific way, as in an architectural structure, they actually produce antennas, sort of needles, if you will, that can puncture dimensions as well as the atmosphere And send and receive frequency.
This is a proven fact that is written about in many books.
One of the friends of mine who goes into that quite extensively is Dan Winter.
They guard places where supernatural things occur, where things happen on another level of consciousness that cannot necessarily be comprehended by the everyday layman, the everyday ordinary human being, unless they were trained at certain levels of understanding.
And they're always around ancient temples.
They're always around ancient sites.
This got carried over into France and the Gothic buildings where you had gargoyles.
Notre Dame has gargoyles and griffins, which basically are the same all over the architecture.
And they're used to put away the dark, to move away the dark.
Thus, we call the Griffin, the one of the two that I have photographed that I'm showing, as the Guardians, which meant to me that obviously there was something big going on in here.
Well, if everybody can lend with me and use a little bit of my let me submit an interpretation, I don't want to shock people's realities.
I just would like people to wake up and realize that perhaps there's something else.
And when there is something else, it doesn't mean it's the end of anything or there's no God or it's all darkness.
It means that maybe we're a little more than we've been led to believe.
And in my understanding and in my belief pattern, and this is my belief pattern, based on the countless books that I've had come across to me from seeing things like the face on Mars, from understanding what the elders taught me about our origins and our beginnings, the Sphinxes were built way, way longer than 50,000 years ago.
They were built by a race of beings that traveled through many galaxies and through many planets.
And there is a strange correlation between, again, between all sacred sites.
You have granite, you have limestone, you have quartz.
All of these elements are used.
I used to sit there when I was younger and go I remember when I was I saw the movie Charity of the Gods and I wondered why did they build these things like this I mean if they were so technologically advanced why don't they build Natural elements can survive dimensional shifts because everything is connected to consciousness.
But let's just leave that there simply for now and get back to the Sphinx.
The Sphinx in Egypt, in my opinion, is well over 28,000 years old.
Just from the evidence that I saw of erosion, where you can see where the water eroded in a certain way along the bottom, along the base, that was not rain.
And there is no way that there could have been any communication between continents from what we know, if what we know is correct, which it obviously is not.
it's like I often go into the discussion about the Mayan and the Toltec cities and all the thousands and thousands of miles of beautifully engineered roads that they had, and yet they had no wheels.
So why would they go to that extensive method of engineering to create roads for a civilization that had no wheels?
I can't know whether it was a prior civilization, whether it was ETs, I have no idea, but somebody is going to have to come up with some really, really serious answers to explain this.
There's a lot of rubble around the bottom, a lot of rubble, because most of the granite, again, is decomposing.
There are carvings on the bottom of the Sphinx, carvings around where the shoulder of the leg would go into where the pore was, which is no longer in existence.
There are carvings down the bottom of faces and so for the sake of argument, I'm going to call one the old man and I'm going to call the other one the boy.
So in other words, people who would say, oh, this is just a one-in-a-gazillion formation of rock that happens to be identical to the Sphinx with the carvings, no way.
He has made an archaeological find in the Rocky Mountains, our Rocky Mountains, that is going to shake a lot of people right to their foundations.
We've got the photographs.
We've got the proof.
We'll tell you more about it.
Catch you up in a moment.
Here's one that just came in.
Deerard, Stitchin, Turnage, Oaglund, Ghost Wolf.
The pictures, the information are absolutely awesome.
I'm almost hyperventilating with this proof of our origin.
It's been here all the time.
It must be getting very close to the end and the new beginning, according to the star maps.
Could you ask Robert if the polar shift is coming within the next 10 years?
What Robert has found is nothing short of astonishing.
It is a gigantic archaeological find.
We have proof.
He has found at the 14,000-foot level in a remote portion of the Rocky Mountains, a Sphinx.
The Sphinx.
As far as I can see, from what I can judge, in every sense, the Sphinx.
I've been to the Sphinx in Egypt.
When you see that, and when you see this, if you don't sit down because you have to sit down, then you just aren't thinking.
I'm telling you what this man has found is incredible.
And we're going to kind of recap the story for you.
Move on.
Get comments from Richard C. Hoagland, of course, who was also blown away earlier today when I was able to show these photographs to Richard before we put them up.
If you would like to see them, go to my website at www.artbell, A-R-T-B-E-L-L, dot com.
That's all lowercase.
Scroll down to the guest area and click on the name Robert Ghostwolf on the links there.
And what you will see is going to blow you away.
And we have not even finished describing what is there.
Back to Robert in a moment.
Here's the snappy for yourself and discover the company behind this amazing technology.
They're on the web now at www.play.com.
That's P-L-A-Y.com.
It was about five weeks ago that Robert Ghostwolf contacted me and said, Art, I'm going into the Rockies.
There's something I'm looking for.
I may and may not make it back.
He made it back.
He went there with a group of elders to locate what you are now able to see on my website or his website.
We'll give you the addresses again.
We can also get you photographs, by the way, and we'll tell you all about that in case you don't have a computer.
Anyway, he made it back, and what he has found, well, people are using words in the facts as I'm getting like amazing, incredibly significant, wow.
It obviously is a Sphinx.
There's no absolutely no question about it.
People are going absolutely wild, as they should be.
Somebody said he asked his wife to download the images, had to wake her up out of bed to get the images, and his wife, not a believer in this kind of thing, downloaded the images that we're offering you tonight and said, oh my God, if what I'm seeing is not fake, then I've got an awful lot of thinking to do.
Robert, welcome back.
Let's roll this over one more time.
You're at the 14,000-foot level, and you made about 2,000 feet a day to get up to this.
Found first these griffins, these bird-like creatures, rock formations, about 75 feet in height, each one, guarding, in effect, what you then found, which you call the Archangel Gabriel, the gatekeeper to the spirit world.
Well, you know, if you look at the photographs, and I think I better make a statement here because I just got one of these emergency photos that the photo, if people don't have web with the purchase of the books, because people are calling up thinking they were just giving away free photographs.
And that would be an impossible demand to meet anyway.
If they can't do that, if they really want hard copies of the photographs, you will sell them copies of the photographs or they call 509-465-1606, 509-465-1606, which is my office.
And if they call that number, the books are even autographed.
If we look at the photographs, and you can see the trees, you can see stones, you can determine distances and heights, because I'm certain that as people start to look at this, I'm going to get all sorts of cynical engineers and mathematicians looking at it.
And that's why, if they want it, they can get the photographs from me.
And they can see that this is exactly what's on the photograph.
Where on the site I did enhance certain photographs for the purpose of viewing, that was only done with the petroglyphs, which we'll get to later.
But you can see here the height of a tree, which is obviously full-grown pine trees.
And as you're looking at them, you can sort of Determine, well, that's a tree.
It must be like 15, 20 feet tall.
So obviously, it's about the size of the Sphinx's eye and jaw.
It's like if I go to the Sphinx that I talked about a while back on your show in St. Louis, what I'm looking at is a Sphinx carved along a mile and a half ravine.
But the face is there, the eye is there.
You can only determine it from an aerial photograph.
But it's there.
And it's not the whole Sphinx, but it's the head and the chest.
What we're dealing with here is the head, the chest, and what's left of what was the feet.
What is amazing to me, too, is that they were identical.
Everybody who looked at it was like, oh, I know you.
It was not like it was a different kind of a Sphinx.
And that's the amazing thing when we look at this, when we look at what's in Sidonia, in Mars, when we look at the Sphinx, when we look at the Sphinx Achieve, they are identical.
They are these lion-featured beings with these faces and these headdresses that come down along the side, very Egyptian-looking, maybe Atlantean-looking.
No question.
And what, to my knowledge, this represented a race of beings that were called Hathors.
There is, at the end of this canyon, which is the next photograph we'll get into, is the angel, which is another remarkable thing and undeniable for what it is.
But when we positioned the main figures, what we came up, in my estimation at this point, was constellations.
We came up with points that literally showed constellations in the sky.
We have not completed the research on this totally.
Because I want to make sure that we're totally accurate with this.
But what it appears to be right now is that we have, between the Sphinx, the old one looking in who's not here, what we have with the Griffin, what we have with the Angel, and what we have with some of the other ones, is we definitely have the top half and right down the leg of Orion.
Now, this is too coincidental to me because if I go to Stonehenge, I have Orion.
If I go to Giza, I have Orion.
If I go to the Black Hills in South Dakota, I have Orion.
The nature of them at this point, I'm just going to say there's a man's head, there's a boy's head.
The man's head and the boy's head appear throughout the valley in a few locations, and they're specifically there for direction.
The man, or the old one, apparently points toward the heavens or points toward potential danger.
Sometimes from the other side of the head, he'll be looking straight across at what is a dragon formation, sometimes another kind of formation, and wherever the boy seemed to be pointing was leading you to the next place to go, the next site, the next location.
The Sphinx itself is facing south, and the carvings that I looked at on the bottom indicated to me that there was a southern gateway, a southern connection, there was something specifically to the south, because I was starting to realize now that there was nothing here that was accidental.
And eventually, that wound up leading me to Arizona, where I found with the Hopi, who understood exactly what I was showing them, which also threw me for a loop.
It was like they knew all about it.
And then they took me to a place, which is where I took the pictures later of the petroglyphs.
And the Sphinx is sitting in front of a formation that I call the castle.
And there are openings in the rocks that allow light to come through that it's kind of eerie.
It's like I haven't had time to be there at different times of the year.
But it wouldn't surprise me if at certain times, like equinoxes or solstice, the light shone through these openings to a certain point.
And so as I was going through all these things, we were just recording locations.
And there were points where, just like a compass in certain areas or around certain sacred sites, it won't make any sense.
It'll spin backwards.
It'll be like anti-magnets.
The polarities will be reversed.
There were places where we had trouble reading the GPS.
But where these main formations were, and there are others, where these main formations were, when we came back later on that evening and we're sitting here looking at these things, I'm staring at the GPS and we're drawing the locations on a piece of paper.
And I am sitting there having a cigarette because, excuse me, folks, I do smoke.
And I was sitting there having a cigarette and a cup of coffee and looking straight up at the sky and I'm looking at Orion and I'm looking down at the GPS and I'm looking up at Orion.
I'm looking down at the GPS and I said, my God, there it is.
Once again, here I am, a major archaeological find in the Rocky Mountains.
It is the Sphinx.
It is the Sphinx.
Now, how would a Sphinx get into the middle of the Rocky Mountains?
Well, that certainly is a good subject for discussion, isn't it?
We'll get back to Robert Gostwolf in a moment, and waiting on the line is Richard C. Oakland, who also got to see these photographs earlier in the day.
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All right, back now to my guest, Robert Ghostwolf.
You know, when you were talking before and describing this, I couldn't help but remember an experience I had many years ago when a gentleman named Bill Cody called me.
Okay, Bill Cody was the producer of the first of our two videos.
He is a cameraman par excellence.
He's worked very closely with Boris and John West.
In fact, he was the director of the Mystery of the Sphinx, the special NBC that won the Emmys, that presented John's work first to a national audience.
Bill came to me many years ago when I was in Virginia, and he wanted to have permission to use some of the Sidonia material as part of an archaeological dig and expedition that he was doing at that time into something completely different here on Earth down in South America.
In fact, in Peru.
Robert, have you ever heard of a place called Markawasi?
Well, you will have many ahas because there is a plateau in Peru located, again, kind of like the 14,000-foot level, where there is a set of figures carved in the rock.
This was the claim.
And Robert had sent me, or I'm sorry, Bill had sent me some photos so I could look at what was there, including some video.
That was astonishingly anthropomorphic.
There were figures of, you know, as you have described and demonstrated on your website, Robert, Griffins and other things, including things that look like synxes.
And what Bill wanted me to do...
Exactly.
And what he wanted me to do was to kind of give him the imprimatur of the Sidoni investigation and permission to use this as part of a video he was putting together to basically try to get some people to fund a true archaeological expedition.
What he didn't know is that we had a grid.
And so when I looked at the photographs, the first thing I asked him was, is there a Sphinx?
And there was a kind of a tremorous nature to his voice, and he said, yeah.
And I said, is it on the northern part of the plateau?
And does it sit at such and such on the coordinates?
And he says, oh, my God, it does.
In other words, by using the grid, I was able to test the veracity.
Because lots of people claim things, Robert, as you know.
But there are a few things that are real, but when they really are real and they are the kind of paradigm shifts that this represents, you know, you basically know that you're onto it.
I talked with David Webb, who, by the way, is getting better.
He sounded much stronger, and he has a book that he actually is getting ready to maybe do an interview with you, Art if you would like to talk to Dr. Webb.
And there are a lot of overlaps between the Enterprise mission and the Sidonia investigation and its various permutations, as I'm sure Art can tell you, and the things that I'm looking at on the screen here.
One of the projected models we have been working on for Sidonia, for what we see on Mars, is that somehow the human species is connected.
And Tom was on our show a few weeks ago, maybe a couple weeks ago, and discussing a very extraordinarily intriguing model that Mars is a satellite of a larger planet that blew up and there was some kind of migration and we're the result.
This evidence that you're presenting, these remarkable effigies, because of how old they look, they just have that feel of being on the order of hundreds of thousands of years old.
They look very much like the Markawasi ruins, and they look very much like the Sphinx looks if you don't keep patching it.
Now, it was interesting that you made the comment that this Sphinx that you're seeing is only the front part.
And the paws appear to be severely damaged, from what I can see?
And one of the things that Kinthia, our artist in the project, has been doing is sculpting the face over and over again on Mars.
You know, she has been the one who has really kind of given me this perception when looking at these things that it's very difficult art for an artist to fake it.
In other words, when you come across something that has the power and majesty of true art, that has the soul and the creation put into it by the eye and the heart and the mind of man, even when you degrade it, it still retains that essence of higher level creativity.
Maybe they should look at the fact that what you're looking at when you look at that on the web is that you're looking at two completely different photographs taken from two different angles.
I kept trying to get some sort of comparison between the trees and the height of the trees and what we were looking at.
The back side of it, the north side, because it is on the north side of the hill, the back side of it you couldn't, I mean, it was basically coming down was like cross-country skiing.
Right.
You sort of made it on your rump down most of the hill.
And going up again, the quality of the rocks is very sheer.
These cliffs are very sheer.
And the rubble makes it rather precarious to get foot.
He's the B-52 engineer living in New York State, who we met many years ago, who has found, Robert, a series of grid measurements relating to the ultimate 360 circle, you know, degrees, minutes, and seconds.
All over the world, he is able to integrate both old and new world sacred sites, including a lot of the mound culture material in the eastern United States and a lot of the material in the Central American region, such as Takao and Palenque and Teotihuacan and all that.
If you were to take your GPS measurements and overlay them on his grid, my bet is if this is real, it'll pop out to be exactly on the grid.
And it will relate to other sites.
It will predict the location of other sites yet unknown.
And if you don't have a copy of his book, I can get you a copy.
In order to be able to see the portals, which might appear to us as stone, but if you get to a certain frequency, you see the opening.
So here is, looking up at this cliff, right alongside as you go down along the Castle at the far end of the canyon is this figure that I'm looking at, and I'm going, my God, look at that one.
And as we look at the photographs, it looks like what I'm going to call an angel that was carved by Raphael.
I mean, the features are there, the page boy haircut, the wings are there.
Seems to be holding some sort of a book or some sort of an object, which is that indicating that he's reading the Akashic records?
He's looking back at the other sculptures or figures or formations.
And he's looking back that way.
And the strange contrast is that what he's looking back is the ancient past.
It's almost like when you walk through this canyon, you are looking at a library of times, events, and things that happened on Earth in different time realities.
And which gives one the impression of, am I looking at a library or am I looking at a game board?
Is there some sort of game board for the gods?
Because everything back toward the Griffins is very old, very ancient.
And maybe part of what the work that I'm doing, that Richard's doing, that Zachariah's doing, we're trying to show that there's something more to the picture.
And when we can look at the wholeness of what we are, then maybe we'll understand why things are the way they are.
This is a man who's been up and who has been climbing in the wilderness now for a very long time, just back and presenting you with the evidence of what he has found.
And it really is something past the word.
The photographs are on my website at www.artel.com.
Scroll down to Robert Ghostwolf, the name.
You'll see the link.
Click on it.
Take a look.
Let us know.
unidentified
AM 15 to talk with Art Bell in the Kingdom of Nye from outside the U.S.,
first dial your access number to the USA, then 800-893-0903.
If you're a first-time caller, call ART at 702-727-1222.
From east of the Rockies, 1-800-825-5033.
West of the Rockies, including Montana, Wyoming, Colorado, and New Mexico.
Call ART at 1-800-618-8255 or call ART on the Wildcard line at area code 702-727-1295.
This is Coast to Coast AM from the Kingdom of Nigh.
There has been a major archaeological find in the Rocky Mountains of America.
Robert Ghostwolf has found a sphinx and a lot more.
So pass the word.
We're going to leave the photographs up on our website.
And if you have not yet seen them, go beg, borrow, don't steal a computer.
Go to a library on the weekend.
Do whatever you have to do and see these photographs.
They're at www.artbell.com.
All you do is scroll down to Robert Ghostwolf's name, click on the link, and it will take you right to the photographs.
We, because of bandwidth problems, because obviously so many thousands and thousands of you are going up there right now, where you have turned off the studio cam to conserve bandwidth.
So please don't go there and try to look at the studio cam because it's off.
We also, of course, you can go to Robert Ghostwolf's site, and we'll tell you about that in a moment.
But the reactions are pretty uniform.
For example, hey, Art, Jason from Wisconsin, holy, and you know what he said, holy something.
I'm working graveyard right now at a rock station in Madison and was listening to you on satellite.
Wow.
I am a Christian still and always will be, no matter what's discovered.
But, wow, it really causes oneself to begin to think.
It has to.
I mean, you can't look at this and not begin to think, where did I come from?
Did I really come from what I think I did?
Did mankind come from the origins that we all imagined we came from?
These photographs are, in my opinion, conclusive.
Carbon dating, I'm sure, to follow.
I don't know how much is going to be allowed in terms of access right now.
Robert Ghostwolf is not telling you where this is.
For obvious, obvious reasons, it would quickly be ruined.
And I'm not really sure exactly how he's going to proceed with an investigation under these conditions.
We'll ask in a moment, and we will go to the phones.
You've got nothing to lose but the pain.
This has got to be one of the most important archaeological discoveries in North America in my memory.
I could read you faxes forever.
Hey, Art, great Joe.
Definitely a Sphinx.
Talk about paradigm busting.
People who'd get upset over having their beliefs challenged are forgetting that an infinite God is not going to have a hard time surprising limited human minds.
If God is a God of truth, then truth is never something to attack.
Boy, do I agree.
God is God whether the earth is 7,000 years old or umpteen gazillion years old.
After all, the Bible says that to God, a day is like a thousand years, and a thousand years like a day.
Could it be that our Creator is not shackled to the notion of time?
That we are the ones shackled to that notion?
Once again, Robert Ghostwolf, and we will begin to take calls shortly.
Robert, again, for those who may have joined late, you are not disclosing the location of these incredible artifacts.
All right, so then one question, my question, and I'm sure many questions would come of a similar nature, and that is, how do you then continue to investigate, authenticate, and date this find?
Well, if it stood secret this long, it can stand secret a little longer.
I've seen the desecration of sacred sites before.
I think like I was speaking to you this afternoon.
Two years ago in my book Last Cry, I talk about an opening that the Hopi took me to.
And they were rather free, even though they didn't put it in public knowledge and put it on a radio show like this or in a national magazine.
But they would take people to this place to show them that what they were saying was not just something out of their heads, not just something created, that these places existed.
And the records were there of the first, second, third, fourth, and fifth world, how we got here, what happens to man.
And I was just back there a couple of weeks ago, and almost half the petroglyphs had been chipped off by rock hunters.
You can't let these places be disclosed only for the fact that we have to understand, again, when you find something like this, you're going beyond cultural borders.
You're going beyond religious borders.
You're going to a point of spirituality and awakening that is everybody's heritage, everybody here.
And to have these records gone, again, we're going to have people who are going to go pro and continent.
Well, maybe it's good that these things are going Because now we have to figure something new out.
But, you know, it's kind of hard to figure something new out when you don't know where you came from.
And if the more and more that we can do to establish that we might have come from someplace else, that we are not necessarily all that we've been told that we are, that we might be more, how can we move forward?
I mean, wasn't there a time when we thought the world was flat?
What did they do to the Inca and the Mayan when they told them about traveling to the stars and about using flying machines?
And when they talked to them about the technologies that they had.
And they became so frightened that they literally leveled these cities to the ground.
They leveled the temples to the ground.
We're in this cycle of self-destruction and self-doubt that's got to stop.
And the only way that I can figure out how to do it, the only way that the elders who talked to me and taught me can figure out how to do it, is why don't we do something different this time?
And instead of attacking people's falsities, their untruths, why don't we just bring out the truth?
And if you bring out the truth to people, sort of like in the letter that you just read, if you bring out the truth, how can you deny your own truth?
Art, please ask Robert if he thinks it possible that those civilizations, the ones that built what we're seeing, may have destroyed themselves from too much technology.
I think that from what I've been taught, from what I know, some of them simply moved on to another level of reality expression.
They moved to another dimension.
I don't believe that there was any destruction when they found Manchu Picchu.
And as a matter of fact, when they first got there, I believe there was even still the remains of mummified food and whatnot in the plates and bowls and the houses.
No sign of pestilence, no sign of disease, no sign of war, and yet everybody vanished.
What happened to all the people at Eastern Island?
Where did they go?
We're entering a time now where we have to open up our minds to the fact that perhaps what some of the metaphysicians have been telling us is not fiction.
Perhaps the powers of the human mind go way beyond what we presently allow ourselves to perceive.
And allowing that to happen, that's how we come up with great discoveries.
That's how we come up with new genius and new ideas.
That's how we create new da Vinci's.
That's how we come up with a new renaissance.
And we are definitely in a new renaissance.
I don't look at this time as an ending.
There are a lot of things that are going awry, but there's also a lot of miraculous things happening.
And we went to this place that they showed me that was right next to what they called an Aztec throne where you went and there was this throne and there were these small group of buildings, but there was this throne chair that you could sit down and you could look directly to the south.
That wasn't that strange.
A comparison to the way the Sphinx looks to the south.
And then they took me to the place where they said the other opening was.
And I said, what do you mean the other opening?
And they said to me, well, this is the opening that's connected to where you came from.
And when I went to the opening and looked at the petroglyphs at what they call the portal, what they call the sepapu, the opening, sepapu, there before me, if you go down to the picture that says a kangaroo in a didgeridoo, and if you look at those photographs, there's a kangaroo in a didgeridoo.
I said, so are you saying that this is where the Sphinx was pointing to?
and they just said yes but there's an incredible We're starting to find out that everything that we thought in ancient mysteries is true.
We're starting to find out and get the proof, as I wrote about in Last Cry, as I wrote about in Winds of Change, that these ancient cities, our connections, and our heritage would all be revealed In this time.
Now, that's not me, myself.
The Mayans told us that, the Inca told us that, the Lakota tell us that, the Hopi tell us that.
We can go to Australia, and the stories are there on their rocks.
And when we look at these photographs, they're very, very similar to that.
And then the other thing is when we look at some of these photographs, which we could spend all night going through them of the petroglyphs, there's Celtic writing.
And so if we can simply put something in front of people and go, here it is.
What do you see?
What do you know?
Then we can use our collective minds and our collective knowledge to start revealing things that are probably very necessary for us to know at this time.
Whatever they figured out, that was something that I sort of just sprung on them this afternoon.
There's a lot of people who aren't going to have these, and they're going to want them, and there's a lot of people who are going to want the photographs to examine them to make sure that we didn't do some studio wonderment with computer enhancements.
If they get Volume 1, Volume 2, if they purchase these at this time and from this show, in other words, I'm going to do this from now until, say, Tuesday.
Yep.
If they can verify that they heard it on the show, you know, just say we heard it on our bell.
And if they get the books, then we will give them the tape that explains the story of where we're going and why this is all coming about.
Plus, we'll do copies of the photographs.
If they want actual photographs, those can be purchased as well, but they have to be purchased to at least cover the cost.
But for hard copies, he's willing to supply them, but you're going to have to buy them for whatever it costs him to make them.
The numbers are 800-905-8367.
That's 800-905-8367 or area code 509-465-1606.
That's 509-465-1606.
Now, Robert, this is so significant that other media is going, you know, a lot of media is going to be coming to you, and there's going to be a lot of pressure for you to disclose where all of this is.
This is what people kept asking me to start showing because I've talked about places that I've been how many times now on your show and things that I've seen.
And people want you to come to the photographs of the amulets.
And in that amulet, if we go back to those amulets, there was an absolute depiction of Horus, the god Horus, the hawked god.
Or we could call it Rigel, the eagle, winged eagle god.
But they were definite.
These came from mounds.
And I've seen so much of this, but I've never recorded it because when I would go to these places, I would go with my elders for the purposes of learning so that I would understand that there was more to our history than I might have conceived.
And I have my obligations to these people, to our own heritage that is already crumbling.
And as we can see by the devastation of so many sites, they cannot be allowed to be numb until the world becomes a place where they start protecting these locations.
I'll tell you, we're going to do something a little special so that those of you who do not have a computer, and I understand that would be the larger portion of you out there, so those of you who don't have one can hear those who do.
I would like to restrict all of my caller lines right now to those of you that have had an opportunity to actually see the photographs we are discussing.
Obviously, over time, many more will.
But what I would like is the impression of those who have actually seen the photographs.
So please cooperate, if you would, all the caller lines right now.
Let's restrict them to people who have actually had an opportunity to see the photographs.
That will give you some way to gauge reaction.
All right?
So everybody else, hang up.
If you have seen the photographs, and only if you have seen the photographs, call us on any one of the call-in numbers.
Coming up next, your turn with Robert Ghostwolf.
unidentified
From the Kingdom of Nigh, this is Coast to Coast AM with Artfell.
From east of the Rockies, call ART at 1-800-825-5033.
West of the Rockies, including Montana, Wyoming, Colorado, and New Mexico at 1-800-618-8255.
First-time callers may reach Art at Area Code 702-727-1222.
All right, because of the really important nature of what's being discussed this morning, I really would like in the next half hour or so the opportunity to speak with those of you who have seen the photographs.
So if everybody else would just lay back a little bit and not call, we'll get those on who have seen them and wish to comment and have questions.
They did take videos, but we couldn't shoot the videos given the conditions of the weather and the climes.
unidentified
Okay, and also, can you elaborate a little bit more on the expedition going in there as far as, you know, you said you took security in there and armed men and things like that?
The people who let us in, which were two, came armed because of strange things that have been going on in those mountains.
As I indicated earlier, there's been an obvious decrease in the population amongst the bighorn sheep and the deer in that area.
There were many, many stories of chupacabras.
And so they would not, absolutely not go in there unless they had protection, protection for us, considering that we were going to go in there with our pipes and our sacred pipes and do our ceremony before we went in.
And they didn't necessarily understand that.
Some of them were just God-fearing cowboys.
And they said, well, you do what you're going to do, Wolf.
We're just going to sit here in case.
And they absolutely made sure that we had to leave every day by 3.30 the latest so that we could get out of where this was and get back to civilization before dark fell.
And I was wondering if, like, well, I know you talked about how big they were, but compared to the other pictures, the Archangel Gabriel looks to me like it's a lot bigger than the rest of them.
So I can only do a guesstimation, and I could be off by 15 feet, 20 feet, a guesstimation.
Looking at it from the angle that we looked at it.
The interesting thing to me about the Archangel is if we look really at the face of it, at the face of it, it's like almost identical to the face on Mars.
And I also believe from the knowledge that I've gathered that this is some of the knowledge, technology that they discovered in some of the ships that they've captured, like in Area 51 and Hangar 18, where they are working with this and they don't understand it.
And, well, yeah, you're going to find more than one, I'm sure of it.
The second thing is keep up the good work there, Robert.
I really, really believe that it's going to do some good.
Third thing, I have some supposition.
You wonder why it would have kangaroos and the such in the petroglyphs.
And I kind of almost connect this.
You said that you've broken Bible code to a certain extent.
I'm wondering, back in the early Old Testament, they discussed the Tower of Babba and how God, or if I believe there is, sundered all the races and split them apart, basically making sure that all knowledge was kind of...
So what we're dealing with is an animal, and if we study some of the animal species throughout history that we have recorded of the species that are in Australia, they have some very unique creatures there that are specific to that area only.
So to see that here, plus the didgiridoo, I don't have any record of that being a commonly known Native American instrument.
As a matter of fact, I've never heard of it until the past 10 years being played in any connection with Native American music.
It is not an instrument indigenous to the Turtle Island here.
They're just names I've given them because it was convenient.
It's like there's a petroglyph that I have there that I call, are these flower children or illuminated beings?
Did Woodstock really happen?
Where in the petroglyphs, these beings have rays of light coming out of their head.
Well, I saw things like that in the 70s, but that's another discussion.
I can say this.
What I am establishing is a Global vision, that we all come from one place, that at one time we were all one people, and that that's where we have to go now.
And if we can see that we were all one and that there really is no separation, how come no matter what I hear in spiritual conversations and different theologies and religions, and what I hear in the prophecies or what I hear in the stories, they all basically come to the same place.
They all speak of the flood.
They all speak of the beings from the stars.
They all speak of this ultimate shift that we're headed toward in the quickening, which I wrote a very good book about.
Thank you.
And if you haven't read my books, you should at least read his book and then get the other two, and it'll all start making sense.
unidentified
Color?
Yeah, I understand that you say that all the things you've looked at, do you see this general thing, but I don't see those things in other religions, you know, such as the Vikings and Egyptian mythology.
I've never, I don't seem to, you know, here's the thing.
All Native Americans talk about, and I mean both North and South America, talked about the winged tribes, the winged beings.
I believe Ken Carrey wrote a book called The Return of the Bird Tribes, where he talks about the Alguahanwe, the winged people, the winged beings that were here.
We go to Egypt, we go to Babylonia, and we hear about the winged people, the people with plumes.
We go to South America, and we hear about Quatsiquado, the plumed serpent.
We're dealing with winged beings, and don't let the language get in your way.
When you get into these kinds of discoveries, when you get into these formations, these sculptures, these paintings, these petroglyphs, these hieroglyphics, you have to get into what is it beyond the word?
Don't let the word stop you.
One place it may be an angel.
In another place, it may be a master with Vesica Pisces coming out of his solar plexus.
Well, I can simply say that when I looked at the topos of the area, that what they read on the maps went from everywhere from 9,000 feet to 14,000 feet.
Where I was standing, there was nothing above me except very far away.
It is, and we are discussing a remarkable, remarkable archaeological find in the Rocky Mountains, an unspecified location.
We have photographs.
If you wish to see them, go to my website, www.artbell.com.
That's A-R-T-B-E-L-L dot com.
Scroll down to the name Robert Ghost Wolf and see the photographs.
Just click on the link.
Or you can go to wolflodge.com.
Either one will yield these photographs for you, just absolutely amazing photographs.
What do they mean?
Well, I'll leave that up to you.
There have been an occasional one or two people say, Art, I just can't see it.
I just can't see it.
And if you can't see it, then you're not looking or you don't want to see it.
But look, I have been as critical as anybody can be of various rock formations that I, frankly, have been unable to see that others have shown us.
To me, there is no question about this.
If you can't see it, then I suggest to you, my friend, you are not looking.
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Well, all right, back now to Robert Ghostwolf, who has made what I consider to be the archaeological find of my lifetime right here in North America and of all places in the Rocky Mountains.
Robert, were you surprised to find this where you did?
It just goes to show that you never keep learning.
You never stop learning.
You just keep learning.
And, you know, when I find these things and these sites, and I go there, it's like what happens to me is I start to realize that it's time for petty squabbles and separatism and arguments over things, resources, materials.
It's like it's time to realize that we are really moving forward into something where the only thing that matters is the soul.
So what does it matter?
We're going to find things like this in Tibet.
We're going to find things like this in South America.
We're going to find things like this in Africa.
We are starting to find, and people are starting to come out and present this because of the way the world's shrinking with internet and web.
You don't have to wait for Charlton Hesson to produce a movie.
You can just put it up like we're trying to do tonight.
And I just think I know that this is going to shock some people.
It's going to anger some people.
It's going to excite other people.
But I just think it's incredible that we're now evidencing what prior to this was just story and myth.
Well, with only radio, you know, if we were to come on the air and do a radio program and we were to describe this to people without having the backup of these photographs, it would be very easy to dismiss.
unidentified
Right, and it's easy for things to vanish quickly and things to change quickly when you don't have instant worldwide.
Now people have downloaded pictures everywhere and there's a way for things like this to come out nowadays and having teams of people working on it and working through, actually you have a focal point.
What I see is one of the most focal points in possibly history if everybody works together in the right way.
I do have one other thing to throw in because it's just kind of strange, but I know it goes along the whole thing.
And it's another part of this that people haven't been talking about much, is that giant bird sightings are Recently, there was even a program on some cable show about a giant bird sighting.
And I saw myself in the middle of the city of Houston with other witnesses, a giant bird about 18 feet tall with 22-foot wings.
And then a couple weeks later, somebody told me about another thing about a giant bird that had actually attacked a dog or something up there in Colorado somewhere or something.
And I wonder if there's any response on that.
But I looked all over the internet for different kinds of things.
I found a lot of different things about in Missouri a giant bird with people.
I really meant to cover the seven thunders tonight, but this information, these photographs, are so astounding that it's hard to get off on anything else.
We will, though.
Wildguard line, you're on the air with Robert Ghostwolf.
Hello.
unidentified
Hi, this is Ian in San Luis Obispo, home of the Shoe Mash Indians.
There's a lot of similarities between Hopi writings and Mayan writings and Korean writings.
One of the people who went to the sites in Arizona with me, the Petroglyphs and the Caves that I took them to, where I took these pictures in the caves down there, was the Grand Dow master, Master Lee from Korea.
And he was fascinated with the similarities.
unidentified
And the last thing, Robert, are you familiar with the sighting in May of 1996 near the Dinebato Rocky Ridge area of the Navajo Hopi Reservation?
Yeah, in a lot of these sites, you know, when they find out where they are, they come in with their cryon spray cans, and they write their names and the kind of graffiti you see on the sides of trains and things.
unidentified
I mean, are you saying this is modern graffiti or ancient graffiti?
So it's modern, but there's other places where, at that particular site, where things are a lot more recent.
And this is another reason why we just can't let these things be known until there's some measure or some program where the people get together and say, hey, we have to protect this stuff because our records are here.
You know, the West is an incredible treasure house of information with the amount of sites.
I mean, I've seen ancient cities that people don't even know about where they inhabited 300, 500 people and the size of cliffs where they had chambers and pictures of the goddess and lunar wheels and sacred geometry that were done thousands and thousands of years ago.
And I personally concur precisely with Zachariah and with Richard Hoagland on the fact that these places are well over 2,000 years old, but most people aren't ready to swallow that.
unidentified
Well, I can understand that.
Now, the Archangel Gabriel, was that something that appeared almost sculpted, or would you consider that more of a natural formation?
There was a lot of snow on certain sides of the mountain, and there was a lot of snow on the way to where I was going.
And it took us some major delays to get to where we were going and drive through some areas that had some pretty deep snow.
And the strange anomaly about where we went is it was fairly warm.
And one morning there was like a 14-inch snowfall, and two days later, it was gone.
unidentified
Well, I mean, it certainly looks like there's some good snow melt where these were taken.
It sort of looks to me like all three of the photos were taken from the same direction.
But maybe I'm just fooled by the shadows.
But it seems to me like it would be much below 14,000.
And the other thing about the 14,000 peaks, they're pretty heavily traveled, especially in the summertime when there would not be any snow on the ground because there's a circuit that a lot of people in Colorado like to climb and claim that they've climbed all of the 14,000-foot peaks in the state.
He's saying, I believe he said it could be as low as 10.
unidentified
Yeah, I just feel like it's probably a lot lower.
And the other thing on the direction, if you're saying like some of the pictures face the southwest, I don't know of any peaks that would face south in Colorado that would face anywhere but New Mexico if it was facing south.
One, I didn't go on a scientific expedition here with 12 scientists.
I couldn't afford that.
And obviously, I'm not a scientist.
And if I were to give exact elevations, I know there's a lot of mountain climbers out there that know exactly what elevation, what peak is at, where it is.
So that in its own way would be giving away a map, wouldn't it?
And when you're traveling 20 miles back into the mountains, you're going up and down and up and down and up and down, and you're climbing up and down and up and down.
You don't really know how high you are anymore.
Regarding to why I went there in midwinter, the window was open.
And the purpose of going there was a spiritual reason so that people in the native world as well as the other worlds would understand that many of the stories that have been told about these kinds of places were real.
That we would understand that we had other beginnings.
And the window was open and the people were all there.
And we went into ceremony and realized that the weather would stand back, which it did, and it did in this area.
And all around me was nothing but storms and blizzards.
Do you want to continue with what your line of question?
unidentified
Well, sure.
And I'm really not calling to try and debunk anything.
I think that the comments that Robert just made go a long way to answering the questions that I had.
To me, obviously, because I live here in Colorado, it doesn't seem to be the right altitude, and it doesn't seem to be, you know, have the kind of snow coverage that if you said you took this yesterday, it would be still hard for me to believe because the kind of snow coverage at 14,000 or whatever, you could come back in two months and it would still be more than what's in these photos.
You might remember back to the jet crash, you know, up around Eagle that they had such a tough time getting the pilot's body out.
Based on the photographs as you see them, sir, can you imagine what would happen if we were to give the actual altitude and location?
Can you imagine what would happen?
Well, I think that just because of the questions that I've raised, that's why it's imperative that there needs to be some sort of scientific proof or verification because what I'm saying is, though, just based on what you see, can you imagine what would occur if you were to disclose where this is?
unidentified
Oh, well, I tend to give people a bit more credit.
I don't know that there would be as much damage and looting as maybe you guys have referred to.
I think it could be a great important find for the world.
My first thought is I'm very glad this is going out over your program, Art.
And my question to Mr. Ghostwolf is, is there any way to get a scientific person or team to this location to verify the exact date of this location so that there would be a less likely occurrence of individuals trying to defame you or the sites here in this area?
I think that eventually the hope of myself and some of the people involved is that some people with integrity who we are contacting through our own sources would turn around and do exactly what you're saying.
And there definitely is the intent of verifying things beyond that, which is why this is only the beginning of the story.
I've only had a couple of weeks to put this thing together.
I believe one of your past, or one of the previous callers, was mentioning the San Luis Valley in southern Colorado, and I'd just like to vouch for the strange things that do happen in Colorado.
There's a book out by a gentleman named Christopher O'Brien called The Mysterious Valley.
And he documents the cattle mutilations.
Supposedly, a crystal skull was found there.
There's glowing balls of light very, very frequently.
I was wondering, people were saying that, you know, it could be very easy to find a site like this in the mountains because of the obviousness of the formations and the rock.
Well, I've been in Colorado quite a few times myself, and hiking around in the mountains, it's like you can look at a face of rock from one angle and not really see anything except the face of rock.
But once you catch it at the right angle, I mean, it's right there as clean as day.
And I'm sure that millions of people have hiked through this location and probably thought nothing of him because their angle was just another rock face.
My primary question was with the petroglyphic carving.
It's not like going to a place like Sedona where you see things that from one angle look like something and then from the other angle don't look like anything.
Also, you know, when you do go by these kinds of places, even when you go by where the petroglyphs are, a lot of it has to do with where your mindset is.
It's like if you're all agitated and you're all full of anxieties, you can walk right by 50 petroglyphs and not see them.
Definitely.
And all of a sudden you get into a certain space and like you turn around and you go, wow, this is the same rock I was just looking at and they sort of come out.
Or one of the terms I like to use is it lights up.
It's like you lit it up and you see it now.
unidentified
There's a certain vibe that it emanates in order to bring it to your attention as well.
And their colors, one of the things that was remarkable to me about the petroglyphs was some of the colors that you could still see the flakes on the paint.
I mean, there were some brilliant tones there.
There were some turquoises and pinks and greens and violets, blues, that I haven't seen before.
unidentified
So I can see some of the patterns that are very reminiscent of the effigy mountain structures along the Mississippi River.
I've done a lot of research on those.
There's a lot of turtles and looks like some lizard-type things.
Well, they're really quite remarkable petroglyphs because they verify a lot of prophecies.
And these particular petroglyphs, in my interpretation thus far, I haven't had a lot of time.
But in my interpretation thus far, everything that I look, when you look at some of these places, especially this place, you have to look at all of them to get the story.
I mean, I think people are getting hung up on the terms that Robert gave them because he just annoyed them with terms that he was compelled with.
And so people are going there and they're looking for a Sphinx.
And in regard to the people that couldn't make it out or said they couldn't see it, you might want to, or let's advise them to look to the side of the rock where the face is on the side and not directly straight on, look trying to make something out of the shadows directly straight on.
If you look to the side of the rock, it's absolutely perfectly crystal clear.
And the other thing that I really quick wanted to say was earlier you had said wolflodge.com and it's wolflodge.org.
And the other, but the question I had for Robert, and I'm really curious, Robert, do you feel that because the elders had this knowledge and because you've found other aspects to these discoveries about the Stargate,
as you talk about on your site, do you think that there was any kind of derailment for mankind because of the genocide of the Native Americans?
I think that we lost a lot of very valuable information during a time of incredible zealot ignorance.
But it's not the first time we've gone through that.
So this is not about casting blame.
It's about realizing what might have gone wrong.
unidentified
I understand that.
I don't mean to suggest blame.
I mean, it was a tragedy, of course, but I guess what the heart of my question is, is did it affect the time factor in us reaching a particular destiny or greater knowledge?
Did it slow us down or did it derail us or did it take us onto a different path?
It made it harder for us to put the whole picture together.
We're now dealing with a lot of fragmented information where at once that information was totally intact.
That information is now totally fragmented.
But there are places and there are records that are still intact.
Right now, what's being shown, not particularly here at this site, but what people are discovering all over the place.
I am not the only one who's discovering things.
I know.
And what we're seeing now is an incredible realization of something that's getting us beyond the stereotype image of a bunch of guys in loancloths riding on horses shooting buffaloes.
Like there was a part of our history where that's where we were.
There was a part of the European history where everybody wore 500 pounds of metal and sat on a horse, and if they fell off, they stayed there for 30 days.
But now we are moving into a place where we are starting to see the oneness of so many things that go beyond what we have been allowed to see because only a privileged few knew about the information and they kept it secret.
Now what we're seeing is like, wait a minute, you know, what I just saw over there in Tibet looks just like this thing that I saw down in Indonesia, which reminds me of what I saw in Africa.