March 9, 1998 - Art Bell
01:27:49
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| Speaker | Time | Text |
|---|---|---|
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unidentified
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of Nye, this is Coast to Coast AM with Art Bell. | |
| First time callers may reach Art at area code 702-727-1222. | ||
| 702-727-1222. | ||
| Now, here again is Art. | ||
| Once again, here I am. | ||
| And hey, this is the kickoff night, everybody, for our guest credibility poll. | ||
| As suggested by a caller last week, we should have a guest credibility poll on the website. | ||
| Well, we've got it. | ||
| You can only vote once. | ||
| It'll throw your computer a cookie. | ||
| That's a little thing that ensures that you only vote once. | ||
| But aside from that, you can go up to my website, and this is going to be a great night for it, too. | ||
| We've got Stephen Gibbs on, who makes time machines. | ||
| And it's not a fly-by-night business by any means. | ||
| He's been making them for years. | ||
| I interviewed him, I don't know who was it, must have been a year ago, more, maybe. | ||
| And now I've got another reason to interview him. | ||
| Somebody called last week and said he got his time machine, and he discussed its use. | ||
| Earlier today, I heard from a fellow who has used Stephen Gibbs' time machine with success, he claims. | ||
| And so Stephen is going to be a wonderful first-use kind of guest for our credibility plus. | ||
| Should be fun. | ||
| Now, I ask that you not judge Stephen on his vocabulary. | ||
| Stephen's a farm boy from Nebraska. | ||
| He'll tell you that himself here in a minute. | ||
| In fact, we'll ask him about his background. | ||
| But rather, judge him on what he says about his machine, its workings, and all the rest of it. | ||
| As you know, I am fascinated beyond belief with time travel. | ||
| I believe time travel is possible. | ||
| And I believe that based on guests that I've had that are obviously of very high credibility rating, like Michio Kaku, theoretical professor of physics, one of the best in the country. | ||
| And he certainly thinks it's going to be possible. | ||
| Going to take a lot of power, though, he says. | ||
| So in a moment, we enter the realm of the very unusual. | ||
| Like we don't always do that anyway, huh? | ||
| All right, look, tonight is a sale night. | ||
| Once a year, one time every year, the Z-Crane company has a $1 off sale on the American. | ||
| The Select Attendant was actually developed originally by the U.S. military as a direction finder. | ||
| And I guess one day somebody said, oh, my God, look what it does for broadcast radio. | ||
| Anyway, it's round, about the size of a frisbee or something. | ||
| Thicker, obviously. | ||
| And probably by 200 or 300% more. | ||
| At night, it will stop 90% of the fading, you know, fading in and out of long-distance stations you're trying to listen to. | ||
| During the day, it will increase coverage out to about 150 miles for the Big 50 KW kaboomers. | ||
| I'll tell you how good the Selectatenna is. | ||
| Here during the day, I can barely, barely hear Los Angeles on the radio. | ||
| Just barely tell it's there down in the static. | ||
| And you put a Selectatenna next to the radio, tune it to the frequency that you're listening to, and it pops out of the noise and becomes utterly and completely listenable. | ||
| Now, that's how much difference there is. | ||
| And if you doubt about it, it's static. | ||
| It's absolutely amazing. | ||
| Once a year, no wires, no batteries, none of that bloating. | ||
| It inductively couples the signal to your radio. | ||
| It normally sells today, or I don't know, depending on your time zone, whatever, in the morning. | ||
| 25 cents. | ||
| One day only. | ||
| And by the way, free shipping in Hamlin. | ||
| Call Bob Crane in the morning at 1-800-522-8863. | ||
| 1-800-522-8863. | ||
| The amazing C. Crane Company. | ||
| All right. | ||
| Now, here is a very, very unusual guy. | ||
| I mean, there is no question about it. | ||
| Stephen Gibbs is a very unusual guy. | ||
| Stephen, welcome to the program. | ||
| Oh, hello. | ||
|
unidentified
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Hi. | |
| Any idea where that might be coming from? | ||
|
unidentified
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Might be some UFOs. | |
| Do you have a portable phone or something? | ||
| no no I I mean is it Yeah. | ||
| Let me turn it off. | ||
|
unidentified
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Okay. | |
| Does that help? | ||
| No, it didn't make any difference. | ||
| It could be the fact that I could mention. | ||
| I'll tell you what. | ||
| Move your phone a little bit. | ||
| Can you do that? | ||
| Yeah. | ||
| Just move it. | ||
| Something's affecting that. | ||
| I got a coffee pot going, but I don't know if that would be what would interfere with it. | ||
| It's literally just got hum on it. | ||
| You don't have one of your machines running, do you? | ||
| No, no. | ||
| Oh, really? | ||
|
unidentified
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Yeah. | |
| There, it's almost gone. | ||
| Almost gone. | ||
| Wherever you are. | ||
| Stop there. | ||
|
unidentified
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That's what it is. | |
| All right. | ||
| Now it's coming back. | ||
| Steve, Nebraska. | ||
| What do you do in Nebraska? | ||
|
unidentified
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Well, that's pretty much what I'm doing now. | |
| It's, you know, I'm building and selling these machines, and then I kind of help my mother out around the farm, you know, when I'm not busy doing that. | ||
| So that's what I said. | ||
| You grew up on a farm, right? | ||
| Yeah, yeah. | ||
| You're where you've always been? | ||
| Yeah, yeah, cows and chickens. | ||
| Cows and chickens. | ||
| Were you born there at childbirth, and so I basically don't know who my real parents are, which is really a mystery. | ||
| Not if you want to use one of your machines. | ||
| I'm sure you've considered that. | ||
| Of some interest, a farm boy, born, raised, adopted, I guess, and then raised on a farm, chickens, cows, the whole thing, suddenly claims to be able to build a time machine. | ||
| Now, how do you get from the cows and the chickens to a time machine? | ||
| That's some interest to me. | ||
| Well, eserkus, it sort of kind of like patched me into the universal consciousness, which I prefer to the creator. | ||
| And once you get patched into that, then the information is just added to you. | ||
| When I first had you on, you told me you had a time travel catalog, and I thought, how cool, and it is. | ||
| I mean, to have a time travel catalog, even if you're not going to get a machine on your coffee table, I thought it'd be really cool. | ||
| I mean, what did you get for a time travel catalog last time you were on? | ||
| Oh, God. | ||
| I can't even number it. | ||
| Oh, geez, it must have been over 3,000. | ||
| 3,000. | ||
| You offer this time travel catalog for what? | ||
| A dollar still. | ||
| $1. | ||
| It is still $1. | ||
| So inflation has not hit time. | ||
| All right. | ||
| I took... | ||
| But you also have a drawing. | ||
| I would call it a drawing. | ||
| It's not exactly a schematic. | ||
| It's more of a drawing of this. | ||
| This originator. | ||
| Yeah, yeah. | ||
| I would have had a photocopy done of the machine, but that would be slurp. | ||
| Do you have any actual good photographs of your machine, by the way? | ||
| Yes, I do. | ||
| But I'm just going to make the audience aware of that shortly. | ||
| You are indeed going to be sending me one. | ||
| Yeah, and should anything happen to you, well, our bill isn't going to be around too much while you're talking about it. | ||
| All right. | ||
| Now, I want to know some about your machine, first of all. | ||
| I mean, I'm looking at the drawing, and by the way, folks, you can see it on the website. | ||
| I've put a drawing up on the website. | ||
| The front of the machine shows three circles, two of which say dial, three switches, one light which says witness, and as oh. | ||
| That is the, here let me get out one of my catalogs here. | ||
| Tell you everything is. | ||
| Well, the circle with nothing in it, that's the witness well. | ||
| It's the what? | ||
| That's the witness. | ||
| See, the witness below the circle? | ||
| Yes. | ||
| Yeah, that's the indication. | ||
| The witness is the indicates that the witness is above where it's written, you know, in the circle. | ||
| What does witness mean? | ||
| Witness well is the original. | ||
| Oh. | ||
| You know, in order to do a broadcast treatment. | ||
| Let's say, for example, the person that needs to be treated lives, you know, like six miles away from. | ||
| Oh, this is for health reasons. | ||
| Yeah, yeah. | ||
| I see. | ||
| So you would put a photograph or a hank of hair or something. | ||
| Yeah, but I have had reports of people moving through time, even just by putting their witness in my witness well. | ||
| All right. | ||
| You then have three switches. | ||
| What are these three switches? | ||
| Okay, the top switch is a red switch, and that activates the power, which allows the electromagnet to function the way it does. | ||
| And then the middle switch activates the multi-dimensional stabilizer. | ||
| Oh, slow up. | ||
| You're going much too fast. | ||
| The top switch activates the power. | ||
| How much power does this unit use? | ||
| Do you plug it into the wall? | ||
| Does it operate in batteries? | ||
| Yeah, it utilizes the, you know, approximately, yeah, it plugs right into your wall outlets, so it takes approximately 115 volts. | ||
| 115 volts? | ||
| Yeah, but by the time it gets out to the electromagnet, it's stepped up to, I think, around 200 volts. | ||
| 200 volts. | ||
| Wow. | ||
| So that gets to be a very serious electromagnet. | ||
| There's no question about that. | ||
| All right, so the top switch applies the power to the electromagnet. | ||
| Yeah, yeah. | ||
| All right, the middle switch does what? | ||
| That is the multi-dimensional stabilizer. | ||
| What in the hell is that? | ||
| Well, it was an idea that was given to me by a scientist who used to live up in Davenport, Iowa. | ||
| And it was basically designed to stabilize the dimensional harmonics that are transmitted out of the electromagnet. | ||
| See, what you have is a see the unit itself produces a multi-dimensional tachyon sine wave. | ||
| Really? | ||
| And when the dimensional stabilizer is in the off position, the wave becomes really rigid. | ||
| A multi-dimensional tachyon sine wave. | ||
| Holy smokes, what's that? | ||
| It's just a sine wave that locks onto all the dimensions. | ||
| Okay, and so that center switch stabilizes that? | ||
| Yeah, yeah. | ||
| Some people, I don't know what it is, But some people get better results when the switch is in the off mode than in the on mode. | ||
| Now, there is really an erratic breakup in the wave when it's in the off mode. | ||
| But when you have an oscilloscope hooked up to the machine and the multidimensional stabilizer is activated, it produces a number of dips in the sine wave itself, and each dip represents a harmonic. | ||
| Okay, all right, now that makes sense. | ||
| You know an awful lot of electronics for a farm boy. | ||
| Where did you get this design originally, before we continue here? | ||
| Well, it was given to me by a time traveler is originally where it origined from, or where it came from. | ||
| All right. | ||
| A time traveler. | ||
| You just said, here's a machine. | ||
| Welcome to the world of time travel or what? | ||
| Well, he came from Earth's future. | ||
| He has a real mysterious origin. | ||
| I don't dare mention his name on the air because, well, I don't know. | ||
| His counterpart could be listening. | ||
| He has a double that is on the verge of succeeding in traveling through time and repeating the same events that he repeated at an earlier stage. | ||
| And I know where his counterpart is living at right now. | ||
| But the last I've heard, the guy who sent me this schematic is now living somewhere in Maine. | ||
| In Maine. | ||
| Yeah. | ||
| In a different time or? | ||
| I don't know. | ||
| The guy sort of scares me because nobody knows where the guy came from. | ||
| I mean, where he lives. | ||
| He appears from out of nowhere. | ||
| He contacts people from out of nowhere. | ||
| And then he just disappears into thin air. | ||
| All right. | ||
| You've got a third switch at the bottom. | ||
| Yeah. | ||
| And that is the clear switch. | ||
| Clear? | ||
| Yeah. | ||
| And it's designed to clear the toxic radiations from out of the witness well, should there be any present. | ||
|
unidentified
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Okay. | |
| Now, there are two dials, one at the top, one at the bottom. | ||
| What's the top one? | ||
| Okay, those are basically tuning dials for setting your time travel coordinates or for setting up your location rates in reference to healing. | ||
| Well, let's stick with time. | ||
| With time, how would you operate the dials? | ||
| Okay, first of all, we place the time coils around our head, which would be basically a set of phone cords, which is designed to feed the third eye or the spiritual energy through the third eye region into the unit. | ||
| Okay, after these time coils are positioned around your forehead over the third eye region, you then start operating, well you then start turning the top dial while stoking the rubbing plate in a clockwise or counterclockwise rotation using your first yeah the rubbing plate is the second half of the machine down below the dials and the switches. | ||
| Yeah, that's correct. | ||
| So you've got these phone cords wrapped around your head, which are coils, in fact, and plugged into the machine. | ||
| And so you've got these around your head, and now you're rubbing this plate in a counterclockwise or clockwise position. | ||
| What's the difference? | ||
| It don't matter. | ||
| The current flows in both directions, so it doesn't matter. | ||
| Oh, I see. | ||
| Yeah, because there's not winding underneath that. | ||
| I was thinking clockwise might send you forward and counterclockwise might send you back. | ||
| Well, who knows? | ||
| It might be worth a try. | ||
| All right, anyway, so you start rubbing this rubbing plate. | ||
| Yeah. | ||
| And then what? | ||
| Okay, then while you're tearing the dials and stroking the rubbing plate, you concentrate on the time period you want to go to. | ||
| Let's say you wanted to go to like May 5th, 2000, which is supposed to be the date of that cataclysm. | ||
| Wouldn't it be a bad idea to go to a cataclysmic day? | ||
| I don't know. | ||
| It just popped into my head for some reason. | ||
| No, I understand that. | ||
| I mean, but that is a day when people say everything could suddenly stop and everybody could be dead. | ||
| Yeah, I know. | ||
| So that might be a poor first choice. | ||
| Yeah, you'd have to get out your skis or something like that. | ||
| Anyway, so you start thinking about where you want to go. | ||
| The second dial below, you haven't told me what that does. | ||
| Well, see, they're both used for tuning in into the year that you want to go to. | ||
| In other words, you concentrate on the question, like, what are the rates that will transport me to, say, such and such a date in the year 2000? | ||
| And then as soon as your fingers stick on that rubbing plate, then that indicates a dial setting. | ||
| Then you go to the second dial underneath that and do the same thing. | ||
| Oh, I see. | ||
| So in other words, you're concentrating on when you want to go, and you're rubbing, and you're turning the dial, and when your finger stops, you know you've reached the right place. | ||
| Yeah, yeah, that's correct. | ||
| And then you have to, then you repeat the process with the other dial. | ||
| Yeah, yeah. | ||
| And once you get that stick, the energy from your soul is fed right through the third eye region on into the unit where it's stepped up to the zero vector. | ||
| Okay. | ||
| Maybe I'm jumping too fast there. | ||
| Well, you might be. | ||
| You might be. | ||
|
unidentified
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All right. | |
| I'll tell you what. | ||
| We're coming to a break, so let's pick up on that point right after the break. | ||
| All right? | ||
| Okay. | ||
| All right. | ||
| Hold it right where you are. | ||
| And by the way, don't forget to check out that photograph on my website, the one that says Art wants to know who this girl is. | ||
| See if you can figure out who she is for me. | ||
| From the high desert, this is Coast to Coast AF. | ||
|
unidentified
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I'm Art Bell. | |
| Pretty woman, walking down the street. | ||
| Pretty woman, the kind I like to meet, pretty woman. | ||
| I don't believe you, you know the truth. | ||
| No one could look as good as you. | ||
| Mercy. | ||
| Mercy. | ||
| Call Art Bell in the Kingdom of Nye on the wildcard line at Area Code 702-727-1295. | ||
| That's area code 702-727-1295. | ||
| This is Coast to Coast A.M. with Art Bell. | ||
| It certainly is. | ||
| Top of the morning to you, morning now and most time zones. | ||
| My guest is the wild man of the prairie, Stephen Gibbs. | ||
| He produces, he makes, constructs time machines. | ||
| No kidding, folks. | ||
| I really mean no kidding. | ||
| And we'll get the rest of the description of the machine's operation here in a moment. | ||
| I'm telling you about an amazing new product that continues to blow me away by the day and the industry, I might add, the Snappy Video Snapshot from Play Incorporated. | ||
| What it does is take moving video and converts it to a still photograph, a computer photograph of any format you can imagine or you could ever possibly want. | ||
| And this video can come from a camcorder, a TV, or a VCR. | ||
| Now, normally you would expect, well, you have to put a card in the computer or something. | ||
| Ah, but not with Snappy. | ||
| They were very wise the way they built it. | ||
| They built it so it plugs right into the parallel port of your computer. | ||
| Because most people don't want to take their computer apart. | ||
| And so you don't have to. | ||
| It plugs in where your printer plugs in. | ||
| Snappy has won 25 major awards so far for what they do. | ||
| Nothing wins those kinds of awards. | ||
| Nothing has a longevity in the computer industry that Snappy has had and will continue to have because it is so stunning. | ||
| New Media Magazine said Snappy quote compares to a $20,000 digital camera. | ||
| Snappy is incredible. | ||
| You've got to see it to believe it. | ||
| It is the perfect gift for anybody with a PC or yourself if you have one. | ||
| If you'd like to see them on the web before you buy, they're at www.playplay.com or simply go to your favorite computer store and grab a snappy at the advertised price, which, by the way, should only be $99. | ||
| Well, that's a lot of technology for $99. | ||
| Everything is cool after dark. | ||
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| A lot of stuff in there, of course, that's not on here, and that's a good reason to get it. | ||
| All right, once again, Stephen Gibbs, wild man from the prairie. | ||
| All right, let's see. | ||
| Where were we? | ||
| Time coils wrapped around. | ||
| We've rubbed the rubbing plate in one direction or the other, set the dials. | ||
| Then there is the electromagnet. | ||
| Now, you're applying voltage. | ||
| This is an external electromagnet, right? | ||
| Yeah. | ||
| And you're applying 117 volts, or actually more, I guess. | ||
| Well, yeah, the dials step it up a little bit. | ||
| Yeah, to this electromagnet. | ||
| And that will produce a hell of a magnetic field. | ||
| There's no question about it. | ||
| A serious magnetic field. | ||
| Yeah, it's an 8-meter electromagnetic field. | ||
| Is it really? | ||
| Yeah. | ||
| Okay. | ||
| Remarkable. | ||
| It's a steel pore, and then it's what have you wrapped it with? | ||
| I use 21-gauge magnet wire. | ||
|
unidentified
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Of course, any type of gauge would probably work, but that's what I use on it. | |
| Does that thing heat up, by the way? | ||
| Yeah, after about a space of 12 minutes, which is about the maximum amount of time you want to leave it operating. | ||
| Right. | ||
| Yeah, the electromagnet starts heating up, and then you've got to let things cool down. | ||
| That would figure. | ||
| All right, so here we are with our time coils around our forehead, rubbing plate work done, dials are set. | ||
| Then what about the electromagnet? | ||
| Where does that go? | ||
| Okay, once everything has been tuned and set, you then activate the power switch. | ||
| Up top. | ||
| Yeah, yeah, the red power switch. | ||
| Yes. | ||
| And then there are a couple of bar magnets that come with the unit. | ||
| Now this is something that is not included in my catalog, but and these bar magnets are to help to determine the polarities on the open end of the electromagnet so that you only receive the north polarized field of it. | ||
| I've got you. | ||
| So you figure out with the bar magnets, that makes sense, which is north. | ||
| Yeah. | ||
| And it would depend. | ||
| In other words, you could probably plug it in either way. | ||
| Yeah, yeah. | ||
| Well. | ||
| Actually, you know, Steven, I just happened to think that you could factory set this by color coding, determining which is north before you send this out and simply color coding the two plugs. | ||
| Do you ever think about that? | ||
| Yeah, I I do, but uh it always seems like uh yeah, I I yeah, I know what you're talking about, but it's uh easier for me if I just put one color, one plug red and the other one black, and then if they don't do the trick, then they can always reverse the connection. | ||
| People will always get things mixed up, it's certainly true. | ||
| All right, so anyway, you you determine which is the strong North field. | ||
| Then what? | ||
| Okay, then you then place the open end of the electromagnet over your stomach chakra, which would be, well, I guess right over your pelly button. | ||
| So it's just radiating the hell out of you at that point. | ||
| Yeah, yeah. | ||
| And a lot of scientists have called me up, stating that, you know, to avoid the stomach region because it can zap you into a hell region. | ||
| But from my experience, the tremendous amount of white light energy that it neutralizes all negative. | ||
| All right, but I mean, why would a scientist say that it would send you to hell? | ||
| A scientist, in all likelihood, would go to hell. | ||
| Oh, come on. | ||
| Yeah, well, these were, I think, connected with the fallen angels spoken of in scriptures. | ||
| But that's another story. | ||
| Okay. | ||
| All right. | ||
| So that so now you've got the North field radiating electromagnetic energy into your belly button. | ||
| Yeah. | ||
| Like crazy. | ||
| You've got the timecoil around your head. | ||
| You've determined where you want to go. | ||
| And I assume at the moment that you turn the switch on. | ||
| Yeah, yeah. | ||
| After everything's positioned, you then activate the switch for the space of three minutes. | ||
| And if you're positioned over a grid point and the grid point is activated, you'll go physically. | ||
| There will be a flat. | ||
| What will happen is there will be a flash of white light. | ||
| I was going to ask, what would I see? | ||
| If I was standing there watching you do all this and all of a sudden it activated, I'd see a flash of white light. | ||
| Yeah, you'd see a flash of white light and the next thing you know, I'd be gone. | ||
| Just gone. | ||
| Gone. | ||
| Yeah, yeah. | ||
| Now, sometimes there ain't no time delay effect. | ||
| Sometimes you'll just be seen flickering out and then you'll come right back. | ||
| So in other words, that person, to the observer, that person will look like, you know, you've only gone for maybe a split second, but the person who went through time may have been gone for like a day or two. | ||
| Oh, I understand. | ||
| Just like in Contact, the movie. | ||
| Yeah. | ||
| They didn't think she had been gone at all in tact. | ||
| They had video of her vehicle falling through that machine directly with not even a pause in the middle, and yet she was gone for, I think it was 18 hours. | ||
| Yeah, I saw that movie. | ||
| Oh, great. | ||
| That was an awesome movie. | ||
| It was an awesome movie. | ||
| I agree with you. | ||
| Anyway, how long ago, Stephen, did you build your first time machine? | ||
| Well, I guess my first early time machines, this is something I never even talked about yet, was back in, oh, must have been in 82 or 83. | ||
| Wow. | ||
| And I discovered a way of converting a radio, an ordinary radio, into a time machine. | ||
| It could not nearly have been as effective as what you've got here. | ||
| No, since there was a lot of impurities in it, I got really a whiplash effect when it teleported. | ||
| All right. | ||
| So that's a long, you've been doing this a long time. | ||
| That's well over a decade. | ||
| Yeah. | ||
| Now, a lot of people are sitting out there right now saying, baloney. | ||
|
unidentified
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Baloney. | |
| This thing isn't sending anybody anywhere. | ||
| I'm not believing this for a second. | ||
| Now, you have some evidence, don't you, of quite a number of people who have used your machine. | ||
| Yes. | ||
| And the best thing we can do, now I know that you could talk about other types of travel, but the best thing we can do is talk about incidents of actual physical time travel. | ||
| Yeah. | ||
| Give me an example. | ||
| Well, I sold a unit to a man down in Australia. | ||
| Yes. | ||
| I don't know if this makes a really good example or not, but he had bought something like, oh, must have been 20 or 30 crystals from me. | ||
| And now, there was an editor of this one magazine. | ||
| I'm not going to mention the name because that could get me into a lawsuit. | ||
| But anyhow, he sent, he purchased one of my machines, this man in Australia. | ||
| And he called this guy up who is the editor of this one UFO magazine and told him, you know, I really got something here. | ||
| You know, I got one that gives us time machines, and I've been traveling, I've been getting some really serious time warps. | ||
| And he says, well, gee, whiz, I'd like to see that thing in person. | ||
| And so he, so this guy over in Australia sets a date where they can meet each other in person. | ||
| And but anyhow, the other man who was over in England, no, wait, no, he was over in Australia, too, where the other man was positioned. | ||
| He said, well, let's arrange a date, you know, three or four weeks from now. | ||
| We'll try to meet each other. | ||
| But he says, you'll have to call me up to let me know where I can meet you. | ||
| So he waited. | ||
| No, no, no, no, wait a minute. | ||
| Let me understand. | ||
| Meaning, you've got two guys. | ||
| One's got a machine. | ||
| They decide to test it. | ||
| The second guy says, all right, we'll meet three weeks in the future. | ||
| Is that about right? | ||
| Yeah, two or three weeks. | ||
| In other words, you know, the editor did not, you know, it had nothing to do with, you know, him going through time, you know. | ||
| You know, they were just going to meet each other, you know, two or three weeks later in the future. | ||
| And anyhow, so he waited a couple of weeks to see if, and no phone call came from this man who was working with one of my machines. | ||
| Yes. | ||
| And anyhow, he waited another couple of weeks and he called three or four times and still no answer from him. | ||
| And so he decided to send a few of his friends up there to investigate as to what has happened to this person. | ||
| Obviously. | ||
| And lo and behold, he waited a week or two and his friends also disappeared into thin air. | ||
| The ones that he had sent over to check on the guy. | ||
|
unidentified
|
Yeah. | |
| And I was talking with another person, you know, if he had set up some sort of a vortex or doorway when they went over to investigate the matter, they might have got transported themselves. | ||
| Well, here is a critically, actually several critically important questions. | ||
| Number one, when you launch yourself into the future or the past with this machine. | ||
|
unidentified
|
Yeah. | |
| I presume you have, I mean, you vanish in a virtual light, white flash. | ||
| Yeah. | ||
| The machine is still running. | ||
| It's not like you've got time to reach down and turn it off. | ||
| Well, if you program the machine to go with you, the machine will go with you. | ||
| But if you don't, then the, you know, like I was mentioning before, you know, part of the machine will stay behind. | ||
| Well, I was wondering if it might be possible that this fellow in Australia left the machine running and these other poor saps walked in and away they went. | ||
| Yeah, Presto changed it. | ||
| Is that what you think might have occurred? | ||
|
unidentified
|
Yeah, yeah, that's probably a good idea. | |
| Now, however, it could have been, gosh, it could have been any number of other things, too. | ||
| But what was the strangest thing about this man who disappeared, the letters he sent were postmarked in the future. | ||
| Or should I say in the past? | ||
| Because, well, you know, normally it takes a letter from Australia about around five to seven days to get to the United States. | ||
| Yeah. | ||
| Well, when I get the letter, it was postmarked the same day that it was sent out. | ||
| The postmark on the letter, the Australian postmark, was the same day. | ||
| Yeah, that he sent it out. | ||
| I've had that happen to me more than once with people. | ||
| I don't understand why that wouldn't be. | ||
| In other words, if I was in Australia and I sent you a letter. | ||
| Yeah. | ||
| On, let's say, March 9th. | ||
| Yeah. | ||
| They would postmark it March 9th. | ||
|
unidentified
|
Yeah, the day I would receive it. | |
| But the most I can make out is the guy was going into Right, let's see. | ||
| Yeah, he was going into the... | ||
| Let's see. | ||
| He'd have to go into the future, wouldn't he? | ||
| I think so. | ||
| I think he went into the future. | ||
| No, he went into the past and sent it off a week behind so that when I got it, it'd be the same date that it was postmarked. | ||
| You're saying you received the letter on the day you received the letter is the day it was postmarked. | ||
| Yeah. | ||
| Oh, that's impossible. | ||
| Well, yeah, that's what a lot of people have said, but it happened. | ||
| All right. | ||
| Now, also, earlier today on the phone, you told me that some kind of officials, FBI, NSA, CIA, I don't know who they were, recently came to see you trying to catch you for fraud. | ||
| Yeah, yeah, that's correct. | ||
| Now, do you know which eight, was it FBI? | ||
| Well, I kind of have a hunch they were probably FBI, but yeah, they really got a dose of their own medicine when they got one of my machines. | ||
| This is a cool story. | ||
| Now, did you give them a machine or did they confiscate it? | ||
| No, no, they asked me for a machine. | ||
| They wanted to show Warner Brothers as to what type of research I was doing. | ||
| They had convinced me and a bunch of other of my friends who were with me that they needed the machine to help them make a motion picture. | ||
| I see. | ||
| So they bought it? | ||
|
unidentified
|
No, they didn't buy it. | |
| I just gave it to them. | ||
| You did this on spec, thinking, oh, there's a movie in this. | ||
| Yeah, yeah. | ||
| All right, so they took your machine to California, was it? | ||
| Yeah, yeah, Los Angeles. | ||
| And what happened to them? | ||
| Well, after they started examining it for a while, they gave me a call, and he had a scientist who was really very much interested in experimenting with the device, or he knew a scientist. | ||
| And I warned him over the telephone, you know, don't activate it over in Los Angeles, otherwise you're going to go poof. | ||
| But, you know, I was kind of toying with him a little bit, because I figured if these people were going to get me for fraud, you know, what better way than to send them off to another time period? | ||
| And so they got what was coming to them. | ||
| And not only that, but they strangely disappeared right into thin air shortly after I told them not to mess with it, you know, giving them the apple, you know. | ||
| Now, how do you know they're gone? | ||
| Because I had a friend of mine over in Omaha try to contact them, and she knew some friends over in Los Angeles, and they said they can't locate them anywhere. | ||
| And so we kind of figured they went out to a grid site, and they went. | ||
|
unidentified
|
Bye-bye. | |
| Yeah. | ||
| So they're not going to be messing with you. | ||
| Yeah, that's right. | ||
| So kind of a Happy ending to a sad beginning. | ||
| How many people, Stephen, have purchased machines from you? | ||
|
unidentified
|
Rough, rough. | |
| Well, since 1986, I would say well over, oh God, I would say well over three or four hundred machines. | ||
| Three or four hundred. | ||
| And you have personally hand-constructed each one of these. | ||
| Yes, that's correct. | ||
| How have your sales mainly come, aside from the time you were on my program, was it word of mouth? | ||
| Or do you advertise time travel catalog somewhere? | ||
|
unidentified
|
Or how does this? | |
| Well, it was kind of strange. | ||
| A friend of mine in Omaha kind of mentioned about Art Bells. | ||
| He said, you've got to get on the Art Bell show. | ||
| I know, but you were selling these long before you were on the Art Bell program. | ||
| Yeah, and then shortly afterwards, I got a phone call from you. | ||
| Well, you probably emailed me or something. | ||
| No. | ||
| No? | ||
| No, it was a real strange situation. | ||
| I can't even remember how I found out about your first time, to be honest with you. | ||
| You know, those are what miracles are made of, I guess. | ||
| Maybe. | ||
| But obviously, you were producing these for at least a decade before I had you on the air. | ||
| Maybe more. | ||
| So how were you getting the word out then? | ||
| Oh, I was basically advertising through different sources. | ||
| There was a company up in Idaho that was distributing, well, he's still distributing my information. | ||
| I don't want to say who it is for certain, as that could also get me into trouble. | ||
| And he was saying to me one day, you know, you know, it'd be a great idea if you'd start your own business in this area by putting ads in different magazines. | ||
| And so I started things up and it finally took off. | ||
| So you put ads in magazines? | ||
| Yeah, yeah. | ||
| Like Nexus, Fate, and Alternate Perceptions. | ||
| I see. | ||
| Is your device UL approved? | ||
| Yeah, it's approved it. | ||
| Oh, God, Steven. | ||
| Do you know what the laws are? | ||
| Do you know that when you have a device that you plug directly into the wall, that you don't use a little step-down transformer, you've got to have a UL approval? | ||
| And you get a little sticker there on the back that says UL approved, or it's on the cord. | ||
| A lot of times when you buy something, your device is not necessarily UL approved then. | ||
| Yeah, no, not necessarily. | ||
|
unidentified
|
No. | |
| Oh, Stephen. | ||
| You're so strange. | ||
| But nevertheless, you claim that this, it works. | ||
| If you want to travel in time, one of these will, in fact, take you through time, right? | ||
| Oh, yes, yes. | ||
| Is there any limit to how far back or how far forward you can go? | ||
| Well, I think that depends a little bit on the type of grid point that's used. | ||
| Some grids don't put out very much power, and those type of grids can only move you somewhat like in days. | ||
| In days. | ||
| Okay, now grids are points on the Earth that have a specific magnetic anomaly to them, correct? | ||
| Yeah, yeah, that's correct. | ||
| Yeah, there exists, to my knowledge, something like three different types of grid points. | ||
| The positive grids will send you into Earth's future. | ||
| Right. | ||
| Negative grids will send you into Earth's past. | ||
| And zero grids will send you into present parallel universes. | ||
| Excellent. | ||
| All right, Stephen, hold on. | ||
| We're going to take a break here at the top of the hour. | ||
| And yes, we will. | ||
| You can go take a look at the sketch on the website. | ||
| It's only one page of his time travel catalog. | ||
| We'll tell you how to get Stephen's time travel catalog. | ||
| Now, Stephen is sending me a time machine. | ||
| I'm going to have to think very hard about when I want to go. | ||
| I've been waiting for this opportunity. | ||
|
unidentified
|
This is Coast to Coast A.M. If you have a fax for Art Bell in the Kingdom of Nine, send it to him at area code 702-727-8499. | |
| 702-727-8499. | ||
| Please limit your faxes to one or two pages. | ||
| This is Coast to Coast AM with Art Bell. | ||
| Now, here again is Art Bell. | ||
| Once again, here I am. | ||
| Stephen Gibbs is my guest right now. | ||
| Now, Stephen builds time machines. | ||
| Stephen is out in prairie lands of Nebraska, and he's a farm boy. | ||
| But long ago, somebody gave him plans for a time machine. | ||
| And by the way, I had no idea. | ||
| Stephen has a website. | ||
| I've just got a fact from his webmaster. | ||
| I had no idea that he had a website. | ||
| It is http: forward slash forward slash home in reach. | ||
| That's I-N-R-E-A-C-H dot com forward slash D as in dog, O as in ocean, V as in Victor, forward slash TT dot H T M. And according to his webmaster, his catalog is on his website along with the same diagram that I've got up on my website. | ||
| Now, I had no idea Stephen had a website. | ||
| We'll get back to Stephen and all of this in just a moment. | ||
| Let me first tell you about people who have money. | ||
| If you have money and you're going to invest, you have risk capital, then you do stand the chance of making big money in the global economy. | ||
| Listen to me closely. | ||
| The foreign exchange marketplace is actually 60 times the volume of the New York Stock Exchange. | ||
| And unique financial concepts can show you how to take advantage of changes in the value of the U.S. dollar versus all foreign currencies Such as the German mark, Swiss franc, British pound, and Japanese yen. | ||
| For example, the U.S. dollar versus the Japanese yen. | ||
| In a recent one-month period, the yen moved 10 points. | ||
| Positioned properly, you could have made more than $35,000 on an investment of only five. | ||
| You can get the complete reports and strategies. | ||
| Learn how you can invest in the very same currency markets that major banks and financial institutions use to make their gazillions of dollars. | ||
| Call 1-800-934-1188. | ||
| The information package and the call are free. | ||
| That's 1-800-934-1188. | ||
| Of course, risk, as I said, is involved, and you could lose part or all of your initial investment. | ||
| Only risk capital should be used. | ||
| Past performance is not necessarily indicative of future results. | ||
| And that's true in so many aspects of life. | ||
| I just got an email from Sarah. | ||
| Actually, it's a fact. | ||
| I always get this from a facts. | ||
| From Bill in Santa Clara, California. | ||
| Dear Art, kudos to you for advertising absolutely fresh flowers. | ||
| I sent their flowers to my mom on Valentine's Day. | ||
| I spoke to her this morning, and they are still there. | ||
| Of course, they are now dwindling in number, but hey, it's been 24 days. | ||
| You'll never get that from a florist. | ||
| Absolutely fresh flowers will get my business again, and you can say that on the air. | ||
| Thanks to you and your show. | ||
| David Kate Listener, Bill. | ||
| Santa Claire, listening on Kiesfo. | ||
| Thank you, Bill. | ||
| They send out more flowers for the dollar than anybody in the world. | ||
| They come in a large triangular box delivered by FedEx as part of the price. | ||
| Inside, along with this gigantic shipment of flowers, there is a card from you handwritten with your message of love and caring, whatever you want to say. | ||
| Happy birthday, happy anniversary, whatever. | ||
| And then your name at the bottom, handwritten, very personal. | ||
| Now, the delivery is fast, hence the name Absolutely Fresh Flowers. | ||
| In other words, you call today during the week and boom. | ||
| They deliver tomorrow anywhere in the contiguous USA. | ||
| $47.95. | ||
| The number to call, 1-800-562-6438. | ||
| That's 1-800-562-6438. | ||
| Absolutely fresh flowers. | ||
| Now, I have become aware of a man who has, well, I guess he bought one of Stephen Gibbs time machines. | ||
| And so I thought it might be interesting to hear from this person. | ||
| Now, you may recall the other day, we got a call on the air from somebody who had just received his time machine, was about to use it, tentatively considering using it. | ||
| Now, I will tell you something about his machine. | ||
| You know, the principle actually is fairly sound, it seems to me. | ||
| You know, looking at this, even though it may seem silly, you know, a coil coming out of one side of the machine that you would wrap around your head, and a very powerful electromagnet that you would put at the center of your body, and then the dials and the rubbing plate and all the rest of it. | ||
| But actually, if you believe in hyperdimensions, that there are other dimensions, then indeed this might be a way to resonate that. | ||
| Who knows? | ||
| At any rate, here's a guy who bought one of Steven's machines, and I thought I'd bring him on the air. | ||
| His name is Augie Nost. | ||
| Is it Nost? | ||
|
unidentified
|
Yeah, that's Augie Nust. | |
| Nust. | ||
| I'm sorry, Augie. | ||
| Where are you from? | ||
|
unidentified
|
I'm from Omaha, Nebraska. | |
| Well, at the moment, but you've got an accent. | ||
| You must have been from somewhere else. | ||
|
unidentified
|
Well, yeah, I grew up in Europe and Norway. | |
| Europe and Norway? | ||
| When did you... | ||
|
unidentified
|
Well, quite a few years ago, I found an ad in a magazine, which I forget which one it was now, and I wrote for a catalog from him. | |
| I think it probably was five, seven years ago. | ||
| All right, so it wasn't from my program. | ||
|
unidentified
|
No, no, no, no. | |
| I read the catalog. | ||
| It saw it fascinating, and I put it in a file somewhere, and that was the end of it at that time. | ||
| I think a lot of people do that. | ||
| I mean, it's so cool to have a time travel catalog. | ||
| Last time Stephen was on, you know, I'm not going to sit here and sell machines for Stephen, but I thought, you know, for the audience, just to have a time travel catalog sitting on their coffee table would be cool. | ||
| It's like a conversation piece or something. | ||
| And so I take it that you originally got that catalog and kind of looked at it the same way, but then filed it away. | ||
|
unidentified
|
Yeah, I did. | |
| All right, so some one day came, and you made... | ||
| These are not cheap. | ||
| What does this machine cost? | ||
|
unidentified
|
Actually, no, I think we got it wrong. | |
| I did not buy one. | ||
| I used the equipment because I'd known Steve for some time, and he was in Omaha. | ||
| He brought the machine with him. | ||
| I see. | ||
|
unidentified
|
And we were over to a friend's house, and there is where I strapped it on, and I used it. | |
| You strapped it on? | ||
|
unidentified
|
Yeah. | |
| You wound the cords around your forehead, as he suggests. | ||
|
unidentified
|
Yes. | |
| And then, just as he talked about on the radio, you put the magnet basically in your belly button area and activated tremendous current through it, huh? | ||
|
unidentified
|
Yeah, I remember the time coil got hot. | |
| It would. | ||
| It definitely would get hot. | ||
|
unidentified
|
Yeah, we had to switch hands to hold it in place. | |
| I'm sure it would get very hot indeed. | ||
| All right, so what happened? | ||
|
unidentified
|
Well, first of all, though, we have to kind of... | |
| You've got mental time travel, you've got physical time travel. | ||
| Right. | ||
|
unidentified
|
And we also have to understand what time is to really Understand what this is. | |
| We think that time is linear. | ||
| Well, it may appear that way, but there are much evidence to the fact it is not. | ||
| Okay. | ||
| And time, as Nikola Tesla and even Einstein, he questioned if it was linear. | ||
| And it appears to be like a wave. | ||
| Anything in the universe is based on frequency, right? | ||
| I believe that to be so, yes. | ||
|
unidentified
|
Yeah, if time is real, it also has to be frequency. | |
| I'm not going to disagree with that. | ||
| That's entirely plausible. | ||
| Okay. | ||
|
unidentified
|
And this, in a physical world, it appears linear. | |
| But in order to be able to travel on the wavefront of time, you have to step in between dimensions into the zero-point vacuum. | ||
| And then you can travel forward and backward. | ||
| Zero-point. | ||
| Tapping into hyperdimensional energy. | ||
| There you go. | ||
| All right, so I still want to know what happened. | ||
|
unidentified
|
Well, when I sat there, I went into a meditative state. | |
| Yes. | ||
|
unidentified
|
Meditated. | |
| And for a little while, nothing happened. | ||
| And I had a little handicap because I was in a hurry. | ||
| I really needed to go somewhere in a very short time. | ||
| But I sat there and thought about absolutely nothing. | ||
| And then after a little while, I started to see some light flickerings in front of my eyes, which I had closed at that time. | ||
| There was kind of like, well, little specks of light that just kind of showed up. | ||
| Right, right, right, right. | ||
|
unidentified
|
And then I started to see a little, kind of like a, almost, it appeared like a column in the middle. | |
| And then it was kind of like a vision or a, I was just like I was watching a dim movie that got clearer and clearer. | ||
| And it was like a mountaintop and it was like a volcano. | ||
| A volcano. | ||
|
unidentified
|
And the top of this volcano just plain came off. | |
| And that volcano erupted. | ||
| And the thing about this one is that I had a specific date and a year in time that I had targeted. | ||
| And what was that? | ||
|
unidentified
|
That was in 1999, the 7th of July. | |
| July 7th, 1999. | ||
| Do you know where you were? | ||
|
unidentified
|
I don't know where I was. | |
| I had an impression of a feeling that it was either on the west coast or the northwest. | ||
| That was a strong feeling, and that's all I had. | ||
| I could be wrong about that. | ||
| All right. | ||
|
unidentified
|
That was clearly a volcano that came unglued, and the whole gut spilled right up there. | |
| And this happened while you were using his machine. | ||
| You saw all this. | ||
|
unidentified
|
Yeah, yeah. | |
| I had the machine on at the time, and I started to feel a little dizzy. | ||
| And I also remembered that, well, maybe I got a little nervous, too. | ||
| That's possible. | ||
| I can understand that. | ||
| No question about it. | ||
| It's going to make me nervous to try it, too. | ||
| Yeah. | ||
| Because I know, my God, with this kind of voltage into this electromagnet, that sucker is going to get hot as a firecracker. | ||
|
unidentified
|
Yeah, it would. | |
| But I think that, well, this is something that I think it would be a phenomenal experience to try it out. | ||
| And I think if people go through the procedures that he's outlined for us, it's safe enough. | ||
| Well, all right. | ||
| Stephen is going to send me a machine. | ||
| Do you have any advice for me? | ||
|
unidentified
|
I would say keep the machine close by you because let's say for some reason that you do go somewhere physically, it would be nice to have this machine with you so you could plug it in wherever you're at. | |
| It's a very, very good point. | ||
| Listen, I want to thank you. | ||
| I'm going to go back to Stephen, but I did want to interview you and at least ask what had happened to you. | ||
| Now we know. | ||
|
unidentified
|
Okay. | |
| Thank you, Auggie. | ||
| You're back. | ||
|
unidentified
|
Take care. | |
| All right, that's Augie. | ||
| Here's Stephen once again, Stephen Gibbs. | ||
| Stephen, are you there? | ||
| Yeah, Augie's a very good friend of mine. | ||
| Is he? | ||
| Oh, yeah, yeah. | ||
| Yeah, I've known him for quite some time. | ||
| All right. | ||
| Again, Stephen, I'll ask you the same question. | ||
| You're about to send me a machine. | ||
| Yeah. | ||
| Stephen, do you have any warnings or cautions or instructions for me when I get this thing? | ||
| Well, if you activate it over in, well, how can I put it? | ||
| If you activate it in the Las Vegas area, I would most likely say that you're probably going to be going physically. | ||
| Yeah, there is a definite point between here and Las Vegas. | ||
| Yeah, and now Perump, I don't know. | ||
| Well, it's in Las Vegas. | ||
| I don't know whether or not a grid line goes through Perump. | ||
| Oh, I know where it is. | ||
| It's in the Blue Diamond area. | ||
| Yeah. | ||
| I know exactly where it is. | ||
| And there is... | ||
| And now, when I'm referring to negative grid point, I'm not referring to a past grid point. | ||
| I'm referring to a negative bad grid point. | ||
| Bad? | ||
| Yeah, it's bad. | ||
| It locks into a hell region. | ||
| So I might go to hell. | ||
| Yeah, you might, or else have a bad nightmare from it. | ||
| Great. | ||
| Just great. | ||
| But that's only if you activated it within the vicinity of Las Vegas. | ||
| If you activated outside the edge of Las Vegas, I probably wouldn't do much. | ||
| Except unless you were over a grid point. | ||
| But hopefully the grids outside Las Vegas are more positive than that sucker is. | ||
| All right. | ||
| Here is a very critical question, and I think a reasonable question. | ||
| If you were to travel physically, Stephen. | ||
|
unidentified
|
Yeah. | |
| To the far past, for example. | ||
| Augie was just mentioning, plugging it in, and I was thinking, what if you traveled to a time before there was power? | ||
| Now, what then? | ||
| Well, hopefully you'd have your vehicle With you. | ||
| What I suggest to a lot of people who buy units from me that, you know, in order because a lot of these grid points are far away from where a person lives at. | ||
| So you're saying a power source. | ||
| So you're saying take your car? | ||
| Well, yeah, what you get is a DC, a 12-volt DC or DC to AC inverter that converts 12-volt DC into 150-volt AC that plugs right into your cigarette lighter. | ||
| And that way, if you want to take your vehicle with you through time, you can just program that into the unit and off you go. | ||
| Well, that might create another problem, Stephen. | ||
| If you suddenly ended up back in, say, the 1400s with your car. | ||
| Yeah. | ||
| Right away, there could be a problem. | ||
| Well, they'll just probably think you're some sort of a space traveler or something. | ||
| Or a warlock. | ||
| And you're liable to get burned at the stake along with your machine. | ||
| Yeah, yeah. | ||
| One of those guys picks swords to you. | ||
|
unidentified
|
Okay. | |
| All right. | ||
| You'd have to have a set of clothing with you to match with the time period that you go to. | ||
| I can imagine it would, but how are you going to decorate your car so it does, you know. | ||
| Yeah, well. | ||
| Anyway, look. | ||
| Stephen. | ||
|
unidentified
|
Excuse me. | |
| Yeah, what was that? | ||
| Oh, I accidentally pushed a button on my telephone. | ||
| I see, all right. | ||
| Got one of these cheapies. | ||
| All right. | ||
| I almost don't know what to say to you anymore. | ||
| Oh, yes, I do. | ||
| The one cool thing that I have, whether people want to get your machine or not, eventually, is you do have your catalog, time travel. | ||
| Oh, yeah. | ||
| Now, if people want it, it's all of $1 for the catalog. | ||
| I've got one in my hands. | ||
| How did they get it? | ||
| Oh, they just send $1 to Stephen Gibbs, RR1, box 79, Clearwater. | ||
| That's spelt C-L-E-A-R, W-A-T-E-R. | ||
| And then Nebraska, that's abbreviated as N-E. | ||
| Right. | ||
| And then the zip is 68726. | ||
| And my time machines sell for $360. | ||
| Ooh, that's pretty pricey. | ||
| And now, if there are some people, you know, I wanted to state that if there are some people who order machines, that they would probably, the early ones who come in, the early orders that come in, I can probably have them processed before the end of this year, whereas the latecomers will probably have to wait until around the middle of 99 or towards the end of 99. | ||
| Yeah, you build these by hand, and you can only build a certain number every year. | ||
| Yeah, yeah, that's correct. | ||
| I can only build something like anywhere from five to seven units per month. | ||
| Five to seven a month. | ||
| Yeah. | ||
| So even the people that last time bought a machine, they've not all yet received them. | ||
| Quite a few have, or most. | ||
| No, I still have something like 37 back orders. | ||
| My God. | ||
| So it's going to be a while before you can get around to anybody's machine anyway. | ||
| Well, they, well, yeah, yeah. | ||
| But, you know, that's not unusual to have 37 back orders. | ||
| A lot of people who sell radionic machines usually end up having that. | ||
| Is there enough information in the drawing for people to... | ||
| No. | ||
| Is there enough information for people to build them themselves? | ||
| Well, now for the ones who want to build their own time machine, that's similar. | ||
| Now, it wouldn't be the same as the units I sell. | ||
| It just depends on which reports you go through. | ||
| But basically, if they want to build a machine which is almost identical to the one I sell, I would suggest they go with report number nine. | ||
| That gives instructions on how to build the multiverse resonator. | ||
| All right, now wait, where is report number nine? | ||
| That's in my catalog on the back page. | ||
| It sells for $19.95 plus $3 for shipping and handling. | ||
| And it reads, you know, the information contained in this report almost costed me my life, which it about did. | ||
| How so? | ||
| Well, I was harassed by some government people when I went over to Calgary, Canada at an earlier date to help these people activate a time portal. | ||
| And I was interrogated for three hours when I went through immigration. | ||
| Oh, you mean about your machine? | ||
| Yeah. | ||
| They probably said, what the hell is this? | ||
| Well, they didn't want any information to be let out in Canada. | ||
| See, they're really a bunch of SOBs as far as... | ||
| Be careful what you call them. | ||
| Yeah, yeah, yeah, that's true. | ||
| It's not all Canadians. | ||
| You mean the Canadian border guys? | ||
| Yeah, yeah. | ||
| Well, this guy was a government plant. | ||
| He was trying to get me on a drug charge, is what he was trying to do. | ||
| What does that have to do with the time machine? | ||
| Well, they just didn't want anybody to know about time travel in Canada. | ||
| They didn't want anybody doing research on the subject. | ||
| Well, what does that have to do with drugs? | ||
| I mean, how are they going to bust you on drugs when you don't have drugs? | ||
| All you've got is a time machine. | ||
| Well, yeah, but see, if it wasn't for my friend, I'm not going to mention any names. | ||
| If she hadn't threatened him with a lawyer, I probably would have been in prison by now. | ||
| Based on what? | ||
| Oh, who knows? | ||
| But, boy, he sure was keyed off when my friend threatened him with a lawsuit because he was forced to let me through. | ||
| All right. | ||
| Stephen, in a moment, we're going to take calls. | ||
| Stay right where you are. | ||
| Next segment, we'll take calls for Stephen Gibbs. | ||
|
unidentified
|
I keep hearing you're concerned about my happiness But all the time All that thought you'd given me is questions I guess. | |
| If I was walking in your shoes, I wouldn't be worried now. | ||
| For you and your friends are worried about me and having lots of fun. | ||
| Gallop of flowers on the walls, that don't bother me at all. | ||
| Playing solitaire, you're done with the deck of 61. | ||
| Smoking cigarettes and watching Captain. | ||
| Playing the room, now tell me. | ||
| I've nothing to do. | ||
| Last night I pressed in tails pretending I was on the ground. | ||
| To talk with Art Bell in the kingdom of. | ||
| Nigh, from east of the Rockies, dial 1-800-825-5033, 1-800-825-5033, west of the Rockies, including Montana, Wyoming, Colorado, and New Mexico, 1-800-618-8255. | ||
| 1-800-618-8255. | ||
| Now again, here's Art Bell. | ||
| Once again, here I am, and here's a brilliant idea. | ||
| I'll tell you, my wife suffers from time to time from asthma. | ||
| And when you suffer, those who suffer from asthma know, when you're in the middle of an attack, you can't lie down. | ||
| You have to sit up. | ||
| You have to be in a sitting position. | ||
| And so, you know, we usually end up bringing about a million pillows behind my wife if she even can get in bed so that she's sitting up. | ||
| Now, that brings to mind the fact that for somebody like her, an adjustable bed would be ideal. | ||
| Well, boy, do I have an adjustable bed for you. | ||
| The Truman bed buddy. | ||
| It does not get rid of your old bed. | ||
| It converts your old bed into an adjustable bed and at an amazingly low price, under $250. | ||
| All you do is place the bed buddy on top of your existing mattress, press a button, and voila, it electrically adjusts to an infinite number of positions for reading, watching TV, or perhaps listening to your favorite radio show. | ||
| But rather than just giving you my view on this great adjustable bed, I asked for a second opinion from my good friend Alan Corbeth, very good friend. | ||
| He's president of my network, been with me the whole time, and he loves it. | ||
| Alan says, quote, like a lot of other people, I spend many hours when I should be sleeping, listening to art. | ||
| And at the same time, I'm usually doing some paperwork. | ||
| The Bed Buddy is perfect for me. | ||
| It adjusts to just the right position to support my back. | ||
| And by the way, my wife loves it too for watching TV and reading. | ||
| Anybody can enjoy the comfort, convenience, and great value of the bed buddy adjustable bed priced at less than $250. | ||
| And now listen, right now, we're not even trying to sell you the bed. | ||
| We're just saying call and get the free brochure, and then you'll know when you look at it if it's what you want. | ||
| The call and the brochure are absolutely free. | ||
| So you can call them right now at 1-800-526-5000 right now. | ||
| And by the way, if you decide you want it, you can try the Truman Bed Buddy risk-free for 100 nights. | ||
| Now, there's a sponsor confident of their product. | ||
| The number is 1-800-526-1000, the Bed Buddy. | ||
| And I think it is absolutely spectacular idea for anybody who needs to get into a different position for whatever reason. | ||
| Are you having news but the pain? | ||
| All right, we are going to go to the top of the hour and then we are going to move away from the time travel subject because I am getting word that there is a downright, there's an emergency going on in the Midwest. | ||
| In the state of Indiana, in northern Illinois, and possibly other areas as well, I'm getting word that hundreds and maybe thousands of people are stranded. | ||
| That would be the storm that passed through my area a couple of days ago, now rearing its very, very strong El Nino head in the Midwest. | ||
| And I understand there is a sincere emergency going on. | ||
| So we're going to be looking into that here very shortly. | ||
| In the meantime, if you have questions for Stephen Gibbs, I'll come now. | ||
| Stephen, are you there? | ||
| Yep. | ||
| Okay. | ||
| All right, Stephen. | ||
| Here come some folks. | ||
| West of the Rockies, you're on the air with Stephen Gibbs and Art Bell. | ||
| Hello. | ||
|
unidentified
|
Yes, Stephen and Art. | |
| My name's Britt, and I'm calling from Shady Cove, Oregon, from your home station, K-O-P-E. | ||
| Hi there, Britt. | ||
| How are you doing? | ||
|
unidentified
|
Oh, pretty good. | |
| How about yourself, and I love your show. | ||
| Thank you. | ||
|
unidentified
|
I know you've been very honest with your callers in the past, and I'd honestly like to ask you if you think that your guest is for real. | |
| All right. | ||
| It's a good and fair question. | ||
| And the answer is, I don't know. | ||
| Stephen has been building these for a long, long, long time before I ever interviewed him about, you know, the machine. | ||
| But seven a month? | ||
| Seven machines, you mean? | ||
|
unidentified
|
And they say you build seven a month? | |
| Yeah, that's right. | ||
| That's correct. | ||
| Seven a month. | ||
|
unidentified
|
Sounds kind of off the wall to me. | |
| Well, it isn't like he does this as a full-time job. | ||
|
unidentified
|
It sounds like he sure should be. | |
| You know, I'm going to answer your question. | ||
| I understand, thank you, that as people listen to Stephen, you know, he's brought up at a farm. | ||
| His diction isn't perfect. | ||
| And that makes people judge people, which is really too bad. | ||
| But that's the way it is. | ||
| Actually, Stephen, I'll tell you something. | ||
| We've got this new credibility rating system on my website. | ||
|
unidentified
|
Yeah. | |
| And 200 people before you even went on the air voted. | ||
| And you were voted As being reasonably credible, right, sort of in the middle. | ||
| Yeah. | ||
| But as the program has gone on, your credibility rating, Stephen, has gone back to 1955. | ||
| So, you know, I understand, Stephen, why people react the way they do to what you say. | ||
| But the reason I brought you back is because I think there is something to you, and I see the principles involved in your machine. | ||
| Does it work? | ||
| Hell, I don't know. | ||
| Maybe I'm about to find out. | ||
| Yeah, I would say so. | ||
| Now, if I'm suddenly missing, when do you figure to get this machine to me? | ||
| I figure before I would say the 27th. | ||
| The 27th of this month? | ||
| Yeah. | ||
| So that's like 17 days from now? | ||
| Yep. | ||
| All right. | ||
| So, you know, in answer to the caller's question, until I have done this myself, how can I make that judgment? | ||
| I just know that Stephen really has been building these, and that I really have talked to people who have used them and claim they work. | ||
| I brought one on the air a little while ago. | ||
| So, you know, I would say to people in the listening audience, you ought not judge a book by its cover. | ||
| And people do that, and it's perhaps a gigantic mistake. | ||
| Anyway, first time caller line, you're on the air with Stephen Gibbs. | ||
|
unidentified
|
Aloha, Steve. | |
| Aloha, Art. | ||
| Hi there. | ||
|
unidentified
|
Doug in Honolulu, Hawaii. | |
| Yes, sir. | ||
|
unidentified
|
And I just wanted to ask you, Mr. Gibbs, have you had anyone with time travel actually having problems of, especially if they physically go into the future, of having problems with diseases or any kind of viruses or at all that are not introduced at this point? | |
| Nothing at all from what I've heard. | ||
| God, I never thought about that, Stephen. | ||
| If you were to go, we already have emerging viruses at a ridiculous rate, new viruses all the time. | ||
| And one can only imagine as time goes on, there'll be more and more and more. | ||
| What if somebody went into the future, contracted something, and brought the damn thing back with them? | ||
| In fact, let's think about it this way. | ||
| Maybe some of these emerging viruses came back with some of your customers. | ||
| Yeah, yeah. | ||
| But see, the thing that people don't realize is the unit puts an extremely powerful tachyon field around you that repels any chance for coming down with any of these viruses. | ||
| And not only that, you probably wouldn't stay there long enough to contract some. | ||
| Well, I don't know if you can say that. | ||
| I mean, all it takes is one person in the year 2006 to go. | ||
| And there you are. | ||
| But I mean, your machine may take care of it. | ||
| That's a good answer. | ||
| Wildcard line, you're on the air with Stephen Gibbs. | ||
| Hello. | ||
|
unidentified
|
Good morning, Art. | |
| This is Kathy and Renell. | ||
| Hi, Kathy. | ||
|
unidentified
|
Hi. | |
| Great show tonight, as usual. | ||
| Mr. Gibbs, fascinating. | ||
| By the way, I believe in you. | ||
| I have no reason not to. | ||
| I have one question, and I'll listen to your answer off the air. | ||
| All right. | ||
|
unidentified
|
Will you please tell us exactly what you have seen, experienced, or know about the cataclysmic event you mentioned on May 5th, 1999? | |
| Thank you. | ||
| That was May 5th, 2005, and that's when the planets are supposed to align. | ||
| Yeah. | ||
| And I just sort of chided Stephen for picking that date out of thin air. | ||
|
unidentified
|
Yeah. | |
| Well, I haven't personally gone to the year 2005. | ||
| Now, I know somebody who was using a couple of caduceus wound Tesla coils that went to the year 2008, shortly after the New World Order is established, and found out that the Christians are disposed during that time period by means of flamethrowers. | ||
| What? | ||
| I'm serious. | ||
| They're taken to an affirmatory. | ||
| The ones who don't accept the biochip, either in their right hand or in their forehead, from what I was told, are taken to an affirmatory in the year 2008 where they are literally burnt alive in front of several eyewitnesses. | ||
| Now, this is something that a scientist saw when he went physically to that year. | ||
| And he actually has a lot of documented evidence to back up that he has made this jump. | ||
| Now, I don't dare mention names because this could definitely get me into trouble. | ||
| But he was working for some government agency back in World War II from as close as I could tell. | ||
| But he likes to keep his whereabouts unknown because he's really not from this time period. | ||
| Aren't you afraid, Stephen, that somebody will get this machine and fry themselves with it? | ||
| No, no, there's safety catches in it that prevents any overload. | ||
| It's like if you decide to activate it over in Imprompa in Las Vegas, the amount of energy put out by the field put out by the machine is so fantastically highly intense that it would short out all manner of darkness in that area, even if it was tuned to a hell region. | ||
| And so basically the... | ||
| I'd throw the switch and I'd go straight to hell without passing God. | ||
| But no, I thought about, you know, that you might be going, that you might accidentally be tripped off into a negative dimension. | ||
| But the more I think about it, from my own experiences and what from other people have told me that even if you decide to activate it over a negative grid, the energy would short out the negative grid. | ||
| And so you probably wouldn't end up in a hell region. | ||
| You would probably just simply pass through the grid with one hell of a headache. | ||
| Well, even that doesn't sound like a lot of fun. | ||
| No, no, no. | ||
| All right, East of the Rockies. | ||
| You're on the air with Stephen Gibbs. | ||
|
unidentified
|
Hi. | |
| Hi. | ||
| This is Wanda from North Carolina. | ||
| Hi, Wanda. | ||
|
unidentified
|
It's A fascinating program, and I rate him up very high, like 1999 now. | |
| Stephen, I have a couple of questions. | ||
| One, I've studied Indian mysticism, and I know that from some of my studies that there are people who can time travel without machines, I guess, through other means. | ||
| But I have two questions. | ||
| One is in studying Nicola Tesla's inventions, and I actually had had my hand on one of the patents, which was called the Violet Flame Invention that he invented, which people are trying to figure that must have been for healing. | ||
| So I can conceive why this could and would work. | ||
| My two concerns would be, one, is there any problem of internal combustion if a person's physical health was to have a lot of gases in their body? | ||
| Yes. | ||
| No, no, there's no danger of internal combustion. | ||
| I never even heard of that problem. | ||
| The only thing I suggest to people who operate these machines is don't stick gemstones in it. | ||
| Don't stick gemstones in it. | ||
| Or in the witness well, because it steps up the energy too damn much, and you can then overheat yourself, or you could easily, you know, what they refer to as, you know, burst into flames. | ||
| To burst into flames. | ||
| Now, see, that's what the lady said. | ||
| Now, you're saying you could burst into flames. | ||
| Now, are these warnings contained in your catalog? | ||
| Well, you know, if people go by what is written in the catalog, they'll never, you know, suffer any, you know, any side effects. | ||
| It's only when they start doing things that aren't listed in my catalog. | ||
| Yeah, see, now, but that's the problem. | ||
| Stephen, for example, take me, for example. | ||
| Yeah. | ||
| You know when I read directions when all else fails. | ||
| Yeah. | ||
| I mean, it's like the last thing I do. | ||
| Now, believe me, after listening to your warnings, I will read the directions, but otherwise, I'd say, uh-huh, okay, this goes here, this goes here, turn it on, let's see what happens. | ||
| And with my luck, you know, somebody would drop a diamond or something in the witness well, and I'd go up like that. | ||
| Well, diamonds ain't going to affect that too much. | ||
| It's when you start using red-colored stones. | ||
| Red, reflected. | ||
| Some red steps down the harmonics in it. | ||
| Okie-dokie. | ||
| West of the Rockies, you're on there with Stephen Gibbs. | ||
| Hello. | ||
|
unidentified
|
Hi, Stephen. | |
| My name's Doug. | ||
| I'm in Plattsville, California. | ||
| Yeah. | ||
|
unidentified
|
Are you in 1998 right now? | |
| Yeah, yeah, I'm presenting. | ||
|
unidentified
|
Okay, I just, your comment at the beginning of the show was kind of curious. | |
| I have a kind of a narrative question that would, if I could just read it, I wrote it down, and maybe you could just answer it the best you could. | ||
| Go ahead. | ||
| Okay, I'm just listening to the whole thing, not the individual questions, but this would clarify it for me. | ||
| I'm 43 years old now in 1998. | ||
| I was 17 years old in 1971. | ||
| If you sent me back in time to 1971, would I be 17 years old or 43 years old? | ||
| And would I be in Germany in 1971? | ||
| Slow hold it. | ||
| Slow it up. | ||
| Take them one at a time. | ||
| What age would he be? | ||
| He'd still be the same age because, you see, you wouldn't be jumping into your own, you know, into your own past timeline in this universe. | ||
| you'd be jumping into a parallel universe. | ||
| So you'd still be... | ||
| Yeah, you'd still be 43, but with some rejuvenated qualities added to it. | ||
| All right. | ||
| Next question. | ||
| Would you be in Germany or would you be here? | ||
|
unidentified
|
Yes. | |
| Would I be in Germany or where would I be? | ||
| Okay, the answer is you would be wherever you had deemed to go. | ||
| In other words, you would not be suddenly yourself when you were 17, so that means you wouldn't be in Germany unless that is where you wanted to go. | ||
| Yeah, it would, yeah, you'd pop out wherever the, well, like if you went through a grid point in one location, then you'd pop out at that same grid point in the other time period. | ||
|
unidentified
|
So unless you program it for by location. | |
| If I went back to 1971, I would be 43 and I wouldn't necessarily be in Germany. | ||
| If I was somewhere else, could I travel to Germany and meet myself? | ||
| Ah, very, very good question. | ||
| And do you advise? | ||
| Yeah, you could, but it might there is a danger of meeting your counterparts in other parallel universes. | ||
| The reason for that is you can easily fuse into them, which would account for the split personality traits that are present in some people. | ||
| Terrible. | ||
| That's nothing you would want to do fusing with yourself. | ||
| First time caller line, you're on the air with Stephen Gibbs. | ||
|
unidentified
|
Hello. | |
| Hi. | ||
| Hi. | ||
|
unidentified
|
Hi, my name is Matt, and I'm calling from Omaha. | |
| Hello, Matt. | ||
| Hi. | ||
|
unidentified
|
I can't believe I actually made it through. | |
| I'm sitting here dumbfounded. | ||
| I've tried to call once or twice in the past, just constant busy single and gotten. | ||
| Well, you're on, so there's not a lot of time here. | ||
|
unidentified
|
Okay, okay. | |
| I'm a teacher, so I can't listen off, and I got hit by the El Nino thing here, so we've got no school tomorrow. | ||
| So at any rate, maybe nothing happens by accident, and that's why I'm listening here tonight. | ||
| I'm here pretty close. | ||
| I've just got two questions. | ||
| Okay. | ||
|
unidentified
|
First off, how long do you stay there? | |
| Do you automatically return? | ||
| Well, yeah, there's a, I would say at the maximum, there's a nine-hour time limit that you stay in the other time period, then you just automatically fade back to the present. | ||
| Okay, okay, so it just sort of automatically brings you back? | ||
| Yeah, yeah. | ||
| Unless you start screwing around with your own space-time containing them, then you may get locked in another time period. | ||
| Okay, okay. | ||
|
unidentified
|
But if you follow the instructions, it'll be all right. | |
| Yeah, you should, yeah, so long as you don't run into your other self. | ||
|
unidentified
|
Sure, sure, okay. | |
| And then the other question was, can I buy you lunch sometime? | ||
| I'm here in Omaha, so. | ||
| Yeah, yeah, I'm about three or four hour drive from there. | ||
| The next time, maybe when I go up to visit my friend in Omaha, you know, should you happen to be, you know, if you could leave me a phone number or something. | ||
| All right, we're going to give out Stephen's address again here in a moment. | ||
| One last question very quickly. | ||
| Wildcard line, you're on the air with Stephen Gibbs. | ||
| Hello. | ||
|
unidentified
|
Oh, hi. | |
| When you're time traveling, you're beyond time and space by, what, electromagnetic waves. | ||
| When you're beyond time and space, are you in touch with the eternal, the cost shift records? | ||
| Well, yeah, you're in touch with the creators. | ||
| When you pass through that zero vector, you see, you're actually, you know, passing through a realm that... | ||
| Well, in a sense, you do. | ||
| You're given whatever the Lord allows you to have in connection with the machine. | ||
|
unidentified
|
But wouldn't you become one with the Lord? | |
| Because you would be omnipresent and eternal, immortal, but you're beyond time and space. | ||
| Well, I think that a lot hinges on the aspect of faith. | ||
| You know, this unit is no substitute for faith. | ||
| Faith has to come from within. | ||
| Oh, that's a good place for us to end it, Stephen. | ||
| Listen, I'm going to give out your address. | ||
| Folks, you can get a time travel catalog, which I guarantee is great to have on your coffee table, even if you never get a machine, by writing to, sending $1 to Stephen Gibbs. | ||
| That's what, G-I-B-B-S? | ||
| Yeah, yeah. | ||
| Stephen, yeah, G-I-B-B-S. | ||
| That's R-R-1. | ||
| I bet that stands for Rule Route. | ||
| Yeah, R-R-1. | ||
| R-R-1, Box 79. | ||
| Box 79. | ||
| In Clearwater. | ||
| One word, Clearwater, Nebraska. | ||
| Zip code 68726. | ||
| Is that about right? | ||
| Yep, that's correct. | ||
| Well, Stephen, I am looking forward to getting my machine. | ||
| I am really looking forward to it. | ||
|
unidentified
|
Yes. | |
| And you're going to get an awful lot of requests. | ||
| Now, people need to bear in mind that you only build a certain number of these. | ||
| They're all hand-built, and you build them on, I guess, special order is a way to put it, isn't it? | ||
| Yeah, yeah. | ||
| I'm going to be building machines from now on until doomsday. | ||
| Doomsday. | ||
| Well, maybe on the next program, Stephen, you can tell us when that will be. | ||
| Yeah, yeah, sure. | ||
| Stephen Gibbs, thank you and good night. | ||
|
unidentified
|
Yeah, thank you, Art. | |
| Well, there's Stephen Gibbs, folks, from Nebraska. | ||
| And when I get my machine, what would you recommend that I do after hearing all of this? | ||
| I've got a lot of thinking to do about that. | ||
| All right, look, I understand there is a very, very serious situation going on in the Midwest. | ||
| And I know there are people in trucks and cars out there stuck. | ||
| And what we're going to do when we come back is open a special line for people in the Midwest who are stuck in this hellish storm that I've been hearing about. |
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