| Time | Text |
|---|---|
|
Work Hard, Stay Strong
00:10:33
|
|
| Hey, you had sex with all my friends. | |
| Nigga, I got kids. | |
| I've seen this move pull. | |
| Listen, Dankak. | |
| I'm just having people there. | |
| I recognize buyer's remorse when I see it. | |
| It all exists in your later years. | |
| I used to work two jobs and train three or four hours a day at the kickboxing gym when I was 18 to 26, 27. | |
| I don't think you can get burned out when you're younger. | |
| I think if you are young and you're strong and you're fit, go and work on an oil rig. | |
| Do something crazy. | |
| Yeah, it's dangerous. | |
| Yeah, it's hard. | |
| Why not do that instead of something comfortable? | |
| I'm telling you you can get to that. | |
| I'm not sure. | |
| You can do it. | |
| I would like to do 100 times. | |
| Now they have to assert your weight in power. | |
| You got it. You got it. You got it. You got it. You got it. You got it. | |
| Andrew. | |
| Very few people on planet Bird can bench four plates each side. | |
| You can't just go in hold. | |
| Slid down, you have to dip and move it from your chest. | |
| It's called light work handshoots. | |
| Light work, light work, light work, light work, light work, light work, light work. | |
| Light work, light work, light work. | |
| That is light work. | |
| And it's a warm up. | |
| Well, even hard. | |
| That one is completely cold. | |
| Lizzie, you walked in and didn't even do a warm-up. | |
| Of course not. | |
| Physical health is not only about strength, endurance, fears, but the respect that comes with all of these qualities. | |
| It reflects your mental fortitude. | |
| It reflects your commitment. | |
| It reflects the level of care you have, not only for yourself, but the world at large. | |
| It is a symbol that you move the world instead of being moved by it. | |
| Your physical health leads into every single aspect of your life. | |
| There is no excuse to stay weak. | |
| You become strong, and you must stay strong for the entirety of your life. | |
| Andrew, keep an eye on this guy. | |
| Ladida Princess Marcel only eats chicken, bro. | |
| I ordered him a 50-euro plate of chicken, and I told him if he doesn't eat that leg properly, he will never live in doesn't eat down. | |
| Chicken's chicken. | |
| You do not eat that. | |
| It's optional. | |
| You don't have to, but I swear to God, one and a half years from now, when your check is separate at a restaurant in Japan, it's going to be La Di Da Marcel. | |
| La Di Da Marcel can't dine with us. | |
| Not a single part of it. | |
| It tastes different, I'm telling you, bro. | |
| Bro, chicken's chicken. | |
| Ladi da Marcel. | |
| That's not true. | |
| Chicken isn't chicken. | |
| It is. | |
| No, it is. | |
| No, it's not true. | |
| It literally is. | |
| I can literally close my eyes and tell you which part of the chicken I'm eating. | |
| You're being a little bitch, Marcel. | |
| I ate it. | |
| That is not eaten. | |
| What the fuck do you mean? | |
| Nigga, I got kids. | |
| I've done seen this excuse. | |
| I've seen this move pull. | |
| No, you moved it around your plate. | |
| That is an entire chicken leg and thigh cut up and moved around a plate. | |
| It's alright, Marcel, don't eat it. | |
| I fucking dare you. | |
| Go ahead. | |
| Make my day! | |
| Between you and me, there's enough of a problem. | |
| It's between you and me. | |
| This is off-camera. | |
| Backroom brawl. | |
| Turkish gas station snacks. | |
| I'm about to rock your fucking world, Maggie. | |
| Don't go one way or the other. | |
| I'm going to rock your world. | |
| This isn't even. | |
| It's just you and me and Carpenter. | |
| This stuff is, but I know that you're not going to survive it. | |
| That's what I know. | |
| We're going to get some Dankak, obviously. | |
| We're never going to do this. | |
| You're never going to make that live. | |
| We always have to stop at gas stations. | |
| You're done. | |
| It's curious. | |
| It's curious. | |
| I can't get this Turkish gas station soon. | |
| So we begin. | |
| Dan Keck. | |
| I heard that's good. | |
| Sour cherry juice. | |
| Heard that's good. | |
| Peach Red Bulls. | |
| Heard that's excellent. | |
| This cough spread, which we all know I love. | |
| They've got the cookies. | |
| No, I've heard that sucks. | |
| Fuck up, no one asked for you. | |
| Tissues in case Bailey continues to cry his eyes out. | |
| Baby. | |
| I'll get some cold brew coffee and a cigarette, get my life back on track, you know? | |
| Got derailed for a second there. | |
| Didn't really know what was going on. | |
| I was in Mexico. | |
| Dan Keck. | |
| I was a bad man. | |
| Bailey got impeached. | |
| Exactly. | |
| Sour cherry juice everywhere. | |
| Reminds me of my old days. | |
| What up the walls? | |
| But here we are. | |
| Rack and action. | |
| Coffee, cigarette, back in the game. | |
| Is this the actual boat? | |
| Okay, wait, so this is the boat. | |
| This is the boat. | |
| Marcel, you're going in the ocean. | |
| You're going in the ocean. | |
| What is your button in Marcel? | |
| Where's Tristan Gladstone? | |
| I'm going to get one of these rooms. | |
| Yeah. | |
| I'm going to get a floodable cage in the engine for Marcel. | |
| People are going to be exploring this ship. | |
| They're going to open up. | |
| You're a black guy in the cage. | |
| Girls will be like, what's that? | |
| What's that? | |
| Ship slave, ship slave. | |
| Press the flood button. | |
| Leave them alone. | |
| Hose them down with chills. | |
| Yeah, weird throw. | |
| Three usable floors. | |
| Everyone's a little on the top like a cat. | |
| Yeah. | |
| Reusable floors. | |
| This hangar's 50 meters. | |
| Our boat is 42 meters. | |
| What are we doing? | |
| Looking at the size of our boat. | |
| And it's about the size of this hang square. | |
| So it's a very big boat. | |
| Just convinced me to buy one. | |
| I didn't really want one. | |
| Now I kind of want it. | |
| There'll be endless shenanigans on the boat. | |
| So this is the reason we came to Turkey: to see. | |
| To see the yacht under construction. | |
| Under construction. | |
| So it'll be finished in a year. | |
| From absolutely no money to buying yachts. | |
| Wild. | |
| It's actually crazy. | |
| Yachts are the final flex. | |
| That's it. | |
| There's nothing else now. | |
| I buy every car. | |
| Two yachts. | |
| Bro. | |
| I'm just saying. | |
| Marcel. | |
| Luke, we need to do that. | |
| We do not need the two yachts at all. | |
| We'll make some more money now. | |
| Twin yachts. | |
| Marcel. | |
| Would twin yachts be sick? | |
| No, it would. | |
| Twin yield. | |
| No. | |
| We need twin yachts. | |
| We need another boat. | |
| Okay. | |
| And we need cutlasses. | |
| No. | |
| We need paintball cannons that don't turn. | |
| You have to maneuver the ship correctly. | |
| Whoever's boat gets the most painted isn't Horatio. | |
| Eye patches. | |
| Eye patches? | |
| We cut off loot. | |
| This would just be the camp thing. | |
| We need pairs. | |
| Cut off loot sleds. | |
| We have to grow our beards. | |
| Cutlasses. | |
| Yeah. | |
| Grog rations. | |
| Yeah, grocer. | |
| Heart attack. | |
| And loads of booze. | |
| And wenches. | |
| Yeah, wenches. | |
| Sea wenches. | |
| Marcel. | |
| And songs. | |
| Sea shanties? | |
| Sea shanties. | |
| Sea shanties. | |
| You do the fiddle. | |
| I'll do the... | |
| Alex, you're remaining. | |
| You do the accordion. | |
| If you don't learn how to play the accordion in a year and a half. | |
| No, no, no, the boat. | |
| I will learn. | |
| Sea shanties. | |
| And a plank. | |
| Walk the plank. | |
| Listen, bitches are walking the plank. | |
| I'm just saying. | |
| At some point, some girl will be like, hey, you had sex with all my friends. | |
| I'm like, walk the plank. | |
| We need a plank saying that. | |
| We need a plank so we can make people walk it. | |
| Walk the plank. | |
| Marcel. | |
| No, we need. | |
| Okay, no plank. | |
| Nah, we need a plank that. | |
| Marcel, Mr. 2 Yacht. | |
| Are you attempting a mutiny? | |
| You might be. | |
| How dare you? | |
| We can't start the yachts and down the gun. | |
| Are you mutinying on me? | |
| No. | |
| That's not me. | |
| I'll leave you isolated in life. | |
| I'm not sure who speaks English, but I just want to let you all know that this will be the most appreciated boat on the planet. | |
| My brother and I came from absolutely nothing. | |
| We don't have rich families or rich beginnings. | |
| We started with absolutely nothing. | |
| We made all our money the hard way. | |
| And we're going to be very appreciative and very happy when we get this boat. | |
| This is a big thing for us. | |
| So every single little detail, every piece of work you put into it is going to be greatly appreciated and noticed. | |
| If you want to put any defects, you can put them all in Marcel's bedroom. | |
| If you put holes and mistakes in his room, it's no problem. | |
| But everywhere else, we really appreciate all of your hard work. | |
| We cannot wait to see the final product. | |
| Thank you very much. | |
| There's a massive and fundamental difference between a dream and a plan. | |
| How will you become rich? | |
| Most people want to get rich with one of two tactics. | |
| Hoping for some dream in the future, or they just say, I don't know, maybe when my ship comes in, they want you to be patient. | |
| And this is what you do. | |
| This is a subversion tactic. | |
| If you want to keep someone as a slave, just say, don't worry, you'll be rich later. | |
| Don't worry, just keep waiting. | |
| Keep waiting. | |
| At 24, I couldn't pay the rent. | |
| At 28, I was a millionaire. | |
| And at 32, I bought a Bugatti. | |
| That's how quickly you can get rich with a plan. | |
| Real world solves that. | |
| You lack discipline, the real world salts that. | |
| You want accountability. | |
| You want to be rewarded for the good things you do, and you want to pay the price for being lazy. | |
| The real world salts that. | |
| If you want community, if you want to find all the other winners across the planet and talk to them and only them, the real world solves that. | |
| If you want information before other people have it, the real world salts that. | |
| If you want to know exactly what to do, if you want to be given instructions that you can follow that directly lead to money the same day, the real world solves that. | |
| It's almost like we're more than just a school which teaches you how to make money online. | |
| We're a toolbox for winners. | |
| There is nothing a winner does not need which is not taught inside of the real world. | |
| The price of the real world will continue to increase exponentially forever. | |
| day that passes it becomes more and more expensive to join our program guys that's fine That's fine. | |
|
Boat Life Decision
00:04:58
|
|
| Cool. | |
| Never seeing you again. | |
| Marshall, this will be end of our friendship. | |
| That's fine. | |
| I will never see you again. | |
| I never liked you anyway. | |
| Bye. | |
| So this is the last episode take on. | |
| That's how it happens. | |
| Riding off into the sun. | |
| Season ending. | |
| That's it. | |
| Ah, it's not the way. | |
| Yeah, boatswain. | |
| Marcel, Marcel, Marcel. | |
| Welcome to the Domain of the Sea, where maritime law applies. | |
| What shit chat, back talk bullshit do you have for me today? | |
| Which items of mine would you like to claim on this fine afternoon? | |
| Marcel. | |
| Marcel! | |
| It's good to see you, bro. | |
| Come on, bring it in. | |
| Come on, Marcel, bring it in. | |
| Bring it in, Marcel. | |
| How you doing? | |
| What's up, man? | |
| It's good to see you, bro. | |
| It's good to see you. | |
| I'm just glad to see you. | |
| I'm glad for you to be here with me on this beautiful yacht on this beautiful afternoon. | |
| It's all I'm saying. | |
| Let's take a look upstairs. | |
| This is a good door, man. | |
| Destructions like it. | |
| Yeah, just upstream. | |
| Hey, how you doing? | |
| You good? | |
| I'm just chilling. | |
| I'm good. | |
| I'm good. | |
| It's all good in the hood. | |
| Nah, you know what? | |
| It's the view. | |
| It's sick. | |
| Views also out here. | |
| Marcel, come this way, Marcel. | |
| Come this way, Marcel. | |
| Hang around that seat. | |
| There's no way you make it there, bro. | |
| That's three times on the five boys. | |
| There's no way you make it there. | |
| I'll make it. | |
| I'll do it. | |
| Nah, no way. | |
| I think we'll all be on the shore watching you guys. | |
| Right there, standing on that rock. | |
| It would take me about nine seconds to swim that distance. | |
| And then it's just like, all right, guys. | |
| Are you going to miss Marcel? | |
| Marcelo. | |
| Eulogy. | |
| Yeah, go out strong. | |
| I will take it. | |
| Go out strong. | |
| Just salute and sick, you know? | |
| Power fits. | |
| Do something. | |
| Power face. | |
| So we came to Turkey to see the construction of the boat. | |
| We decided to take this boat out to see what the boat life is all about. | |
| I'm hearing mixed reviews, so I just kind of want to see what the general group consensus is. | |
| Are we team boat or are we team no boat? | |
| Boat life's awesome. | |
| I'm not here to do questions on the boat. | |
| Some fucking white boat. | |
| Team bug or white nigga. | |
| I'm just wondering. | |
| I need to know. | |
| Are you team boat? | |
| Are you team management camera out? | |
| Bro. | |
| All right. | |
| Don't fuck with me on a boat, bro. | |
| I'm different on a boat. | |
| He is regretting it. | |
| I'm just saying. | |
| I'm different on a boat. | |
| I recognize buyers remorse when I see it. | |
| It's not buyers remorse. | |
| That is ancestral. | |
| It's ancestral trauma. | |
| That is buyers remorse. | |
| Ancestral trauma. | |
| Shit. | |
| Question someone else. | |
| All right. | |
| So Andrew is regretting his purchase. | |
| Marcel, how do you feel? | |
| Bro, Marcel's hype for the boat, bro. | |
| He's telling me the whole time. | |
| She was saying, I just am going to whoop the ocean. | |
| The ocean. | |
| I'm going to conquer this bitch. | |
| Bro, he's being going. | |
| No, I heard that. | |
| I heard that. | |
| Because as we know, I'm the captain of Team Boat. | |
| However, I will not be asked questions by a white boy on a boat. | |
| It is ancestral. | |
| I hear what Andrew's saying. | |
| I don't think that's buyers remorse you're hearing, but I hear him. | |
| I'm on a boat. | |
| Like, you're saying things to me. | |
| Getting a bit nervous right now. | |
| I'm looking around. | |
| Whips, chains. | |
| Scared. | |
| Really good life. | |
|
Fucking Bench Dare
00:00:06
|
|
| That's my fucking bench. | |
| I dare you to fuck my back before we are now Nigger, niggas are criminals. | |
| Let me suck at everything. | |