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*music* *music*
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*music* You got to love Romanian ingenuity.
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Brand new roof.
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One day old.
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And would you look at that.
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The whole house is soaked.
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Everything's leaking.
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Lovely.
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This is a design feature.
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Design feature.
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Saves the morning shower time.
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No, this is not a built-in feature.
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This is obviously a fault.
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I said the police can't get in.
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I never say anything about war.
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Oh, you're scared of war?
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I'm not scared of water.
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Personally, I'm happy with my purchase.
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Yeah.
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Just saying.
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You're not going to bring us down, faggot.
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Why are you insulting my house?
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You live here rent-free.
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Why don't you get the fuck out?
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You don't like my ceiling?
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You get out.
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You don't like it?
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You get out.
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You don't like it?
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Ready?
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You're about to spar in a few minutes, and you're having a massage and pepper soup before you spar.
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Changing it up a bit.
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I thought you were supposed to do that after.
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Rule breaker.
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I don't know how your body is feeling right now, but it must be feeling rough because you did Megatron yesterday.
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You were Megatron the day before.
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The day before that, you sparred 20 rounds with Nigel and Marcel.
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The day before that, you sparred another 20 rounds.
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The day before that, you were sparring.
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You're on house arrest.
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All you do is spar, which is badass, but your body must be feeling it.
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And what are you doing today?
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Sparring.
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Got pepper soup, though.
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Does pepper soup heal you?
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You wouldn't get it.
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You're white.
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I am white.
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Pepper Soup gets you powers.
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Unexplainable powers that the white man doesn't understand.
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Like ignoring your baby mothers.
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Like having children you don't really care about.
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You don't get it.
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You're all like, oh, I have a baby.
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She's baby trapped me.
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I better pay all her bills.
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You don't get it.
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When you've had Pepper Soups the other way around, I've baby trapped her.
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And I don't have to reply to her anymore.
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You know what's funny?
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It's not actually funny.
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Is it 100% true?
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I had a child.
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White people think the baby traps the man.
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You people are weird.
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You people are weird.
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You better go change the diapers.
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Fucking gay, bro.
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It's funny because that's my mental paradigm, bro.
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Yeah.
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Well, it's my one-year-old's birthday.
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I'll be there.
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Yeah, they'll remember.
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They'll remember the one-year-old.
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Bro, shut up.
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Bro, that's hilarious.
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That's my exact mental paradigm.
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You white people are so obsessed with raising kids.
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You raise our kids because you pay taxes.
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And they're in a council house.
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You're raising our kids, too.
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Fucking idiots.
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Bro, how busy?
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How do we get onto this topic?
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We're talking about sparring.
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We need some pepper soup, bro.
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Man up.
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He's good.
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I just have old man tricks, that's all.
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You're in there flowing.
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It's tricks.
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Either go back on the angle or don't go back at all.
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Either go back on the angle or go out.
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Ten seconds.
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Go out and headbutt him.
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Put your head down and fucking headbutt him.
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Fuck him, it's boxing.
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Headbutts, who cares?
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It happens all the time.
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Let's go.
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Relax, chill, give it your job.
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That's it, chill.
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Good.
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Control this left hand.
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Aikido it and then fucking jab it.
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Nice.
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That's it.
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Go forwards.
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Go backwards.
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Forward.
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Keep your feet climbing.
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Let's go.
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Forward.
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Go backwards.
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Forward.
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There we go.
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Nice job.
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Boom.
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That's it.
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And then left hook.
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The left hook.
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There, not backwards, forward.
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Let's go, let's go.
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One minute.
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One minute.
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You know what to do, Marcel, because you're staying.
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You jump in and out of it.
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You have it.
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Boom, boom, boom.
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Then they do something that makes you start worrying and just swinging.
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But when you're controlled and calm, you have it.
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But then you panic when they come at you.
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When they come at you, just chill, let them come.
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People rush at me, just block the jab and clinch.
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It's here!
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It's like...
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Time!
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Go!
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It's just you're not used to getting hit, so it's like, it's zen.
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It's like, fuck it, get hit, it carries.
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Don't use to jab more.
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You're used to jab, you're going in that shot's good, but then you jump back.
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I don't know why you jump back, that doesn't help you ever.
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Because you're too far away to hit them, they can still hit you, and if they're tired, they just rest.
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So there's no point in you jumping back.
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If you're gonna back off from him, back off at an angle, so you can hit him still.
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Don't go straight back.
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Especially with, like, head kicks.
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We didn't get kicked.
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You gotta go off at an angle or stay there.
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You're going back to rest, but you don't have to go back to rest.
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You can rest point blank.
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Put your gloves on his gloves and fucking rest.
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Then rest.
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Rest there if you want to rest.
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You get in his face and rest.
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I get in his face and just fucking sit there.
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Block, block.
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Rest there.
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It's the same.
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And the ring is small, like...
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You can't run and rest.
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It takes more energy to run.
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You get one breath max if they're on you.
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If they're on you, you get a breath.
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It takes more energy to jump away than it does to get that breath.
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You're not gaining anything.
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You're still tired.
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You rest more from being in the pocket, tying them up.
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That's how you rest.
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Worry.
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I know it's easy for me to say because I've done it my whole life.
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I'm just saying, if you want to rest, you can be in his face, jab cross, body hook.
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Block, block, block, cross, cross, jab cross.
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You rest more like that than you will try to run all the time.
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It's a mental lie.
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Yeah, it's a mental lie.
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You're not getting any rest.
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You can't hit them.
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And if they're lanky like me, they're going to hit you.
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You're going to get out of it.
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And if you're going to go back, go back at an angle, at least.
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But like there was a time there where you Aikido'd his jab and you jab back and you just missed because you jumped back and Aikido'd it.
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If you'd have stood there, Aikido'd it, boom, you'd have fucking clucked it.
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The whole fight game's distance, your job at the beginning of all the starring is to get into fight range against Aikido.
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So don't keep resetting your own jaw.
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You want to be point blank.
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You want to rest point blank.
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You want to rest with your chin.
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You want to try and headbutt us.
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Put your head on our fucking headbutt us in fights.
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That's where you rest.
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It's harder for us to hit you up that hole.
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What is it?
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Bro, you just got to the side before you jab once.
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Jab three times and hit me.
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With you, you jab, I do this, I get the position.
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That's how I'm hitting you so clean.
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You want to flick it all the time, so I have to be doing this all the time.
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Or I have too much thinking time.
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And I choose my punches.
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It's too easy.
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|
When you throw the jab, it doesn't make me throw it.
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Like you hit me back.
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You hit me where I'm going to hit.
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Yeah, I make it and do this.
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Or I jab here, then I change to southpaw cross and the southpaw hook.
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So like, I'll show you.
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I jab, I go back to southpaw.
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With southpaw punches.
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If I jab you, go here.
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Now swap the southpaw.
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There you go.
|
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Now lift that hand.
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See?
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That's what I'm doing.
|
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So again, I jab you, slip.
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There.
|
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Boom.
|
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Cross.
|
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All body.
|
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And people don't expect it because it's unusual.
|
|
I might use 26. Come
|
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Come on, don't wait.
|
|
What are you waiting for?
|
|
Waiting to get hit.
|
|
Come on.
|
|
Come on, what are you waiting for?
|
|
What are you waiting for?
|
|
What are you waiting for?
|
|
It doesn't have to get into your butt.
|
|
Stand up!
|
|
Come on!
|
|
Snap, brother.
|
|
You got me snapping.
|
|
Don't be lazy with it.
|
|
Stand there waiting to get hit, brother.
|
|
Come on.
|
|
You got me snapping.
|
|
Snap, snap, snap.
|
|
There you go.
|
|
Snap, come on.
|
|
Okay.
|
|
Be comfortable.
|
|
Be comfortable now.
|
|
Stop, stop, sit.
|
|
Over.
|
|
Hold.
|
|
Start to start dancing there.
|
|
Start until you'll be in trouble.
|
|
One minute left.
|
|
Two, one, let's go.
|
|
Do it, Sam.
|
|
That's it.
|
|
Come on.
|
|
Come on.
|
|
Two, one, two, one.
|
|
Two, one, two, one. Two, one, two, one.
|
|
Two, one, two, one.
|
|
Come on.
|
|
Two, one, two, one.
|
|
Come on.
|
|
Twenty seconds.
|
|
Two, one, two.
|
|
Two, one, two. Two, one, two. Two, one, two. Two, one, two. Two, one, two.
|
|
Two, one, two. Two, one, two. Two, one, two.
|
|
Come on.
|
|
Twenty seconds.
|
|
Two, one, two.
|
|
Let's go.
|
|
Come on.
|
|
Ten seconds, let's go, let's go, let's go!
|
|
Five, four, three, two, one.
|
|
It's fine, it's fine, it's fine.
|
|
Gotta get in there, hey?
|
|
So I duck with Tristan.
|
|
I used to drink with Tristan all the time, right?
|
|
And I'm like, yeah, I've got him.
|
|
And I sat there and I was sober one time and I watched him drink and I said, mm-mm.
|
|
I've never thought I've had you, but I'm like, hey, I'm getting better.
|
|
I'm better.
|
|
What the fuck?
|
|
He's playing with us this whole fucking time, bro.
|
|
And that wasn't even 100%, and that was fucking scary.
|
|
Bruh.
|
|
It's mind games.
|
|
You go get in the head and take a match of it.
|
|
You've got to be brave enough to do it, though.
|
|
It's like a gambit.
|
|
It's like poker.
|
|
You know, you start betting.
|
|
It's the same thing, bro.
|
|
Bruh.
|
|
You're here, and you want to rest until you go back.
|
|
But back ain't going to help you.
|
|
If you want to rest, Control this hand, and go here.
|
|
Here's where you rest.
|
|
Because he can't hit me.
|
|
And you can just either clinch him, or you can hit him.
|
|
If it's MMA, you take him down, just to that side angle.
|
|
So if I want to rest against him, and wait for him to jab.
|
|
Jab him in the face, jab him.
|
|
Good, okay?
|
|
I'll do this.
|
|
I usually hit him.
|
|
And then I'll just do this.
|
|
And then just push him.
|
|
And then do this.
|
|
Rest here.
|
|
You're winning.
|
|
If you back up, he gets to swing and it looks bad.
|
|
Jumping back.
|
|
Also, you don't realize how much energy you're using jumping.
|
|
It's tiring.
|
|
And you're not.
|
|
You're going to lose all your energy to hurt him.
|
|
You're using a lot of energy to jump.
|
|
To get out of the way.
|
|
If he gets to throw a punch and you avoiding the punch takes more energy than his punch, then you're losing.
|
|
It's like an energy exchange.
|
|
If he spends two points of energy and you spend ten, then he'll just keep punching.
|
|
It doesn't matter if he hits you.
|
|
Whereas if he punches, and I just do this, and hit him back, see what I mean?
|
|
So you've got to be a lot more...
|
|
With you, you've got to be a lot more...
|
|
So I know he's far away, I know he's awkward, but as soon as he just come in, and he covers up, then just come in low.
|
|
If he covers up like that, just come in fucking low.
|
|
Come in down here so he can't even hit you.
|
|
And then just...
|
|
And then when he starts backing up, going anywhere, hit the angle.
|
|
And then hold it.
|
|
And then get him against the wall.
|
|
Then beat him up again.
|
|
It's a fight!
|