| Time | Text |
|---|---|
|
Hey Sir! Good Shot!
00:12:22
|
|
| I'm glad you're here, Joel. | |
| I haven't seen you in a while, Joel. | |
| It's been a while. | |
| It has been a while. | |
| Don't worry, just the one. | |
| I'm not the one who makes me turn in the void, void, turn in the void, void, turn in the void. | |
| He makes me turn in the void, void, turn in the void, turn in the void. | |
| He makes me turn. | |
| Good shot, man! Check it out! | |
| Hey! Hey! Hey! | |
| Hey, sir! Hey, sir! Hey, sir! | |
| Hey, sir! Hey, sir! | |
| Face! So the show goes on. | |
| No, it's not. Everyone's asking why we took down all Take Confidential videos. | |
| We don't just quit making the show. | |
| We also quit living the life. | |
| Yeah, it's all over. We quit existing. | |
| Without the channel, we don't exist. | |
| We're about to fade into the world. We're actually computer-generated astral projections of the machine world. | |
| Luke, you're about to disappear. | |
| The moment you close this video, you will cease to exist. | |
| Wait, so when we start taking off another trip, we just cease to exist? | |
| No, it is. Luke. Alright. | |
| Andrew, let's arrange something a little bit fun, but if Luke stops recording Take Confidential during what we're doing that's fun, he ceases to exist. | |
| No, but you guys all cease to exist. | |
| Do you want to cease to exist, or do you want to go down the rabbit hole of endless boos and private jets and stupid bullshit? | |
| That is a good question. | |
| Or do you want to cease to exist? You have to make a choice. | |
| Is there going to be boos there? Loads. | |
| Fucking loads. Loads of boos! | |
| I don't mind the jets, I don't mind the woobies, the boats, but there's going to be booze. | |
| Lots of booze. Nice G&T for you. | |
| Nice. In fact, I haven't had breakfast. | |
| The day started right. The day started right. | |
| Nice slice of lemon. Wake you up. | |
| Alright. Booze or eternal nothingness? | |
| I guess, I guess Take Home Financial is continuing. | |
| **Train noises** | |
| **Train noises** Good, good, good. | |
| The people are spoken to. | |
| Good, good, good. | |
| The way he looks about putting his sachi on now... | |
| he could have stood farther away. | |
| Maybe he's even hiding from us. | |
| Uh, okay fine I guess You know it's just a solves all problems anyway. | |
| You stare at it until you die... | |
| until you have to stop for a few seconds. | |
| Until you have to think again about it. | |
| They're called the Matrix Numbers. | |
| Yeah, the screen number went down a little bit. | |
| Yeah, right. | |
| I'll do the upline if I do! | |
| Fucking wall, dude. | |
| So it's begun. | |
| I don't know. | |
| So it begins. Shot glasses. | |
| Luke, you chose this. | |
| No, I didn't. You could have chosen non-existence. | |
| Non-existence. That's not really a choice. | |
| Shot glasses ready for ya. | |
| Non-existence would have been easier than this is gonna be. | |
| At least there's donuts. And I'll just slowly drive behind the rest of you. | |
| Look, Luke, man, I feel your pain. | |
| I refuse to put my foot down. | |
| The people who take confidential to understand my pain. | |
| I'm done. They don't understand. | |
| I'm done. It's good to see you, Jewel. | |
| Man, I missed you. Bro. | |
| Haven't you missed Jewel, Andrew? Fucking missed him. | |
| I'm glad you're here, Jewel. Glad you're here, Jewel. | |
| Glad you're here. Missed you. I haven't seen you in a while, Jewel. | |
| It's been a while. | |
| Missed you. It's been a while. It has been a while. | |
| Don't worry. Just the one. | |
| Don't listen to him, Jewel. That's code. | |
| That's code for many and many. | |
| That's code. I genuinely do not want to do this. | |
| I don't either. This is pure poison. | |
| No, alcohol is pure poison. You know, this is private jet peer pressure. | |
| It's a real thing. Private jet peer pressure. | |
| Watermelon vodka Aikido. | |
| My heart, my lungs. | |
| It's horrible. My lungs. | |
| I taste it down my spine. | |
| I can taste it down my spine. | |
| It's only one, baby, don't we? | |
| He's looking at me saying, but you said something. | |
| No, no, that's cool. No, no, no. | |
| No, no, no, don't drink anymore though, you better listen to your woman. | |
| You got your there, Joe. | |
| I'm going to get out and fucking walk to court. | |
| It'll be less painful than this shit. | |
| Oh, man. Would you like to have another shot? | |
| Yes, please. Four more shots. | |
| Yes, please. Thank you for the offer. | |
| Thank you. Four more. Thank you. | |
| Appreciate that. I think we're out of vodka. | |
| Thank you. Four more shots, please. We haven't even left, Leon. | |
| How much do I have to pay you for us to be out of vodka? | |
| Four more vodka shots, please. | |
| Thank you. Jewel, I'll contribute. | |
| I'll help. We can be out of vodka. | |
| We can forget the vodka. Why is it watermelon, guys? | |
| What are you doing? Who cares? | |
| We are half black. It's literally like bubble gum. | |
| It's a mixed race. We like watermelon. | |
| All African-Americans too. You don't understand. | |
| We eat Australians like kangaroo flavor. | |
| I know the Australians me too. | |
| Why'd you let me on the plane then? | |
| That's where we need Sterling. We're gonna have that conversation. | |
| You need to charge at the gunfire. | |
| Charge at the gunfire. | |
| for watching. | |
| You gotta move through the bullets. | |
| Don't let the bullets move through you. | |
| Even the smell of this shit is disgusting. | |
| It is horrible. It's horrible. | |
| Everyone who watches this, Jewel, everyone who watches this thinks that, ah, nah, Luke, I would love to do that. | |
| No. It hurts our bones! | |
| It's pure poison. | |
| Next one. Because I drink with them! | |
| Your life's great! | |
| It's a little bit of a party. | |
| It's because they work 52 weeks a year and they love a weekend of drinking with us. | |
| No, but that's the thing. They wouldn't even love a weekend of drinking. | |
| They wouldn't even love after the first, I think, 90 minutes. | |
| Yep, they'd realize. | |
| Holy shit, the pace. | |
| Do you remember my birthday? | |
| Sorry, I can't hear you, mate. Yeah, I can't hear you either. | |
| Sorry. Was Jule talking? | |
| Yeah, the sound of you not drinking is drowning out your voice. | |
| It must be like refracting off the booze back. | |
| Yeah, something weird. | |
| Something weird is going on. It's about the moving. | |
| I saw it's about the moving as well. | |
| The sound travels over water, but it might travel into booze. | |
| Oh, this is so horrible. So it's just blocking the waves. | |
| This is so horrible. | |
| It's so horrible, Jule. | |
| Jules, it's horrible. | |
| Welcome to big school! | |
| Welcome to the real world. | |
| Why though? That's the thing. | |
| It makes no sense that we do these things. | |
| It doesn't. It doesn't. Okay, so now that you can hear me. | |
| For my birthday, three weeks every day we got on it. | |
| I couldn't get out of bed without drinking two things of Red Bull. | |
| I couldn't move. And you were fine, you motherfucker. | |
| People don't know. They don't realize. | |
| No, they don't realize. Juvies, I see the comments all the time. | |
| Oh, I could do that. Luke just can't drink. | |
| The thing is, I think I could out-drink most of Take Confidential viewers. | |
| You can out-drink most men now. That's the thing. | |
| But they don't realize the levels. | |
| It's a different game. It's a different game. | |
| Oh, boy. So I woke up this morning, and loads of people are making YouTube videos about me. | |
| Loads. Now, I don't make YouTube videos about anyone. | |
| The idea that I'm going to sit there, watch someone else's video, talk about this person as if they matter, and break it down, don't give a fuck. | |
| Because I live a very, very good life. | |
| Because I'm an amazing man. | |
| So, when people are making all these videos about me, I don't even know until someone messages me, hey, this guy made a video about you, da-da-da-da. | |
| And in the comments, there's some people who love me, some people who don't love me. | |
| But there is a massive difference between the two types of people, right? | |
| The people who like me and the people who dislike me, there's a huge disconnect between the two. | |
| The people who like tape, they watch what I say. | |
| They join HU, they join the War Room, some of them spread the gospel, either among their friends or some of them spread it online, etc. | |
| They absorb the knowledge, they go to the gym, they work out, they work hard, give themselves five or six women, live a good life. | |
| The followers of these other people sit at home, watch their videos, get upset that tape's so fantastic, get angry and bitter and hate-filled, sit there fat, do nothing, jerk off and go to bed. | |
| So those are the two teams. | |
| You either follow Tate, end up motivated, rich, with a bunch of pussy, with a six-pack, or you follow the other people, sitting there, behind your computer screen, obese. | |
| Tate's a misogynist. | |
| Upset. If I'm such a misogynist, why am I fucking you ain't fucking? | |
| I'm such a misogynist. So why are the women coming to me if I'm such a misogynist? | |
| So you can choose a team. You can join the other side, the people who all make hate videos on me. | |
| Even some people I thought, you know what, they have their brain on, they're kind of cool. | |
| Now they're coming sideways because they're jealous of the success. | |
| And then they come and say, well, Tate's wrong, da-da-da. | |
| Bro, there ain't a person on that fucking platform, a wang, Richard Daniela would kick the fuck out of me. | |
| So shut the fuck up. | |
| I win. The internet's mine. | |
| I own it. All of it is mine. | |
| Excuse me, can we have four more shots of vodka, please? | |
| I appreciate that. So, Tristan was just joking about how he drank all the vodka and he needs to wash it back with the Ferrier and the ice. | |
| Danger down is. | |
| I can't hear that. And I wasn't even recording. | |
| But I hear them. I actually hear them do what's real and say it's there. | |
| I didn't hear that sound. I didn't hear that sound. | |
| No, you can. The sound carries. | |
| It amplifies the sound. | |
| It's a GMT. It's a Dodge Street. | |
| Why not enjoy it for a couple of minutes? | |
| Why does it have to be 50? | |
| Your boyfriend told me you only enjoy sex in five minutes. | |
| Joel, I'll tell you a trick. | |
| There is no enjoyable drink. | |
| It doesn't exist. | |
| That's a myth. Cocktails, drink 20 and down them. | |
| No such thing. | |
| Why does the word cocktail have cock in it? | |
| Yeah, not enjoyable at all. | |
|
Go Chief!
00:04:27
|
|
| Nothing. Look at that shit. So I don't actually know what country we're in. | |
| But yeah, we're here. | |
| I'm here to support the people of the United States. I'm here to support the people of the United States. | |
| Go Chief! Go Chief! Go Chief! | |
| And try to follow... | |
| Follow Chief. | |
| Go Chief! Go Chief! Go Chief! | |
| Can I get a back up, sir? | |
| you What's that? They're boats. | |
| No, my hand. Onwards? | |
| I told you it was my hand, you didn't even know what it was. | |
| Dom, what's this? | |
| Your hand. No, onwards. | |
| You're a fucking idiot. Why are you even doing TV? It's the best TV channel in the world. | |
| Biggest YouTube channel in history. | |
| I don't even do that. We have the most subscribers ever. | |
| It's true. People don't realize that, do they? | |
| And you don't even know the basics. | |
| No, that was onward. | |
| I said onwards first, and then he said it's your hand, and then you did the other one, and he said it's not... | |
| I said it's your hand, and you said it's onwards. | |
| That's a trick question. Yeah, nice try, mate. | |
| Nice try. We're in Croatia. | |
| It's super nice here. | |
| Croatia's a sick country. It actually really is. | |
| I think you need to be dialed in to know where the parties are at so it doesn't get too sleepy. | |
| But if you were dialed in correctly, I think Croatia would be one of the best countries in the world to live. | |
| Because even in the winter, it doesn't get back. | |
| It's still drivable in the winter. | |
| Yeah. But it'd be awesome. | |
| Croatia, if I could start again, Croatia would be a strong contender. | |
| But I own Romania now, so I can't. | |
| But if I could start again, Croatia would be a very strong contender. | |
| Because it is a sick place. | |
| It is sick. It is sick. | |
| Americans definitely don't know where Croatia is, by the way. | |
| 10 years it'll be mainstream. | |
| 10 years it'll be trashed. But for the time being, no. | |
| Who's your mate, Luke? It's not my mate. | |
| Who's your mate? It's not my mate. | |
| It's not my mate. I don't have mates. | |
| They're your mates. What about this kind of bike? | |
| Your mate? No. It's your mates. | |
| I don't have mates. You're the one with mates. | |
| You're the only one with mates around here. | |
| Do you like me? What about these people in the shade? | |
| Are they your mate? No. They've been sitting waiting for the event instead of getting a hotel like we did. | |
| They've been sitting here for four hours. | |
| Nice. So you're mates, yes? | |
| No, they're not my mates. No, it's not. | |
| Actually, it kind of is. | |
| To be honest, to be fair. Yeah, to be fair, it actually kind of is. | |
| No, but they're not my mates. | |
| Because I'd sit alone. | |
| Because I have no mates your mates | |
| Crochet is safe. | |
| What are they? Shoes? | |
| No. What are you walking on? | |
| What do you use to walk? | |
| Feet. Legs. | |
| Legs. So why you got those ones? | |
| What do you mean why do I have these ones? | |
| They're mine. You didn't bring your sea legs with you. | |
| I did. No, you're not. | |
| I did. I brought my sea legs. | |
| If there were sea legs, you wouldn't be walking like that. | |
| What do you mean? You left your sea legs at home like a dipshit. | |
| How am I walking differently? | |
| Luke, it is official. | |
| You are a dipshit. And you forgot your sea legs. | |
| So we're going to have a sea, yacht, bare knuckle straightener to fix this once and for all. | |
| How would that give me my sea legs? | |
| I can't think of another answer. | |
| Can you? If I lost my sea legs... | |
| Any other suggestions? I can't do anything else. | |
| Maybe sea legs aren't real. | |
| We'll see them, won't we? We're having that straight now. | |
| If sea legs aren't real, you should win. | |
| Shit. What does... | |
| I don't give a fuck about you, Luke. | |
| I don't give a fuck about nothing else. I don't give a fuck. | |
| You can die in a car crash. Take confidential. | |
| What does confidential? | |
| What letter does it start with? | |
| C! There was a hidden message all along. | |
| Smell it! No! Smell it! | |
| Smell it! Smell it! | |