| Time | Text |
|---|---|
|
Bought a Bugatti Chiron
00:09:34
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|
| Good shot there from Tate! | |
| A lot of people say girls love money and that's not entirely true. | |
| But I'm not a girl. | |
| I'm a girl. | |
| She's back! Streets are not safe anymore. | |
| She's back. She could go for two months. | |
| She's back. Go back to this fucking production car you could buy. | |
| This will smoke anything. And look at the custom interior. | |
| Remember the old interior? Yeah. | |
| Custom interior. Get on the other side, bro. | |
| Get on the other side. All interior now matches the exterior. | |
| Purple, all, Lego, brand new, everything. | |
| Bro. Fucking gangster. | |
| Much better than the old one. | |
| It is gangsta. | |
| Purple leather all around. | |
| Check the floor mat. | |
| Cobra Tate. Here, in between the seats. | |
| McLaren, made for Cobra Tate. | |
| All. Boom. Bro. | |
| This is G. Everyone changes the outside of their cars. | |
| I put custom interiors inside my car. | |
| Purple to match the outside. Cobra tape all over it. | |
| It's my car. What about selling it? | |
| You're not going to fucking sit here. Do I look broke? | |
| Why would I sell a car? | |
| I'll just keep it forever and buy new ones. | |
| Yeah. Do I look poor? I ain't poor. | |
| You just bought two cars. I bought two and now my new one comes back with the custom interior. | |
| Custom materials and all of them. | |
| Cobra tape over everything. No one's driving my cars but me. | |
| It's like my women. Put my name on them. | |
| Boom. Done. Even though I don't want them anymore. | |
| They can just fucking sit at home while I play with the younger ones. | |
| Bro, the interior's sick. The interior is sick. | |
| Super sick! Nah, this is pro. | |
| Is it the best car? This is fucking good. Might be the best car. | |
| Might be the best car. | |
| Just might be the best car. | |
| You realize we haven't been filming anything for Tech Confidential. | |
| You haven't been filming. No, you haven't been filming. | |
| I'm filming right now. | |
| Why is Luke and Rory not filming? | |
| Oh, because Luke's a geek and Rory's a geek. | |
| There were two geeks, yeah. | |
| So what have we done? | |
| What are we even doing? Nothing. | |
| We haven't been doing anything. Pull that car. | |
| Hi, Andrew. So, just going to show you the car. | |
| In a bit of detail. | |
| I'm just collecting it from Ferrari now. | |
| So the guys have had it here for sale in the showroom. | |
| As you can see it's absolutely perfect the car. | |
| The car's absolutely perfect. | |
| It's like brand new. | |
| It's got all the carbon. | |
| Digital display passenger. | |
| There's carbon in the back there as well. | |
| It's got the front nose lift. | |
| Carbon there. Carbon seals. | |
| Yeah it's just pretty much perfect mate. | |
| Oh yeah okay we bought an 812 super fast. | |
| England London (*Toilet flushing noise*) (*Music playing."I've been running in a thousand triads..." The Choir, recounting the processor's voice who is now playing.) | |
| (*Mounting of the fевич sound system, then the transmission*) Supercar number 11 friend. | |
| Ferrari 812, super fast. | |
| 812, super fast! | |
| 800 horsepower. Let me tell you something, man. | |
| And this isn't bravado. | |
| This is no being arrogant. This is straight talk. | |
| For all you people out there worrying, we don't have enough money. | |
| I'm not talking about wanting loads and loads of money. | |
| I'm saying the people who don't have enough money. | |
| If you think that hard work is what gets you paid, you're wrong. | |
| You have to work hard, yes, but you have to work hard at the right things. | |
| And 99% of people are working hard at the wrong shit. | |
| You're working hard at the wrong shit. | |
| You can't smoke Cubans and you're super fast. | |
| You don't care if it gets covered in smoke. | |
| You don't give a fuck. I don't care. This car could set on fire today and you know what I'd do? | |
| I'd go buy another one. The same car. | |
| Wouldn't change a fucking thing. | |
| Me and you worked so hard for so long at the wrong stuff. | |
| And as soon as we worked out the right thing to work at, We became fucking rich with less work than we were doing before. | |
| People message me all the time. Well, I've got this, I've got this, I've got this. | |
| You guys are working on the wrong things. | |
| I will tell you the right things to work at. | |
| The question is, are you going to listen or not? | |
| I've proved. I have unlimited social proof. | |
| It's undeniable I'm worth at least $20 million. | |
| I have $3 million of cars alone. | |
| If I tell you something, you should listen. | |
| But... Fucking hate, man. | |
| Well, most of you are all concerned with the wrong things. | |
| We're going to learn how to make money. | |
| Music Playing... | |
| Music Fades... | |
| Thunder... | |
| That's it, so we went to London bought a Ferrari. | |
| Now that we went to Germany All those things happen that I can't talk about on YouTube, but we also bought a Bugatti Chiron in Germany So in Germany we bought a Bugatti after buying this in London. | |
| Yeah. We've got to watch out here, otherwise we're going to... | |
| And then it's just a minor detail, which is the carbon white. | |
| Okay, that's it. Then what do we do? | |
| Went to Vienna, met all those ballerinas. | |
| I don't think we've done anything. | |
| Then we drove all the way back here in that car. | |
| What about Koenigsegg? | |
| When was that? That was in Germany. | |
| They tried to sell us Koenigsegg. | |
| The before or after we bought the game? | |
| Before. So basically it's all fucked up because you haven't filmed it. | |
| No, I'm filming right now. | |
| You haven't filmed it. What the fuck do you want me to do? | |
| Film and drive? So where are we now? | |
| I'm lost. Transylvania. | |
| I'm officially lost. | |
| I no longer take place to take home that. | |
| I'm just a little girl. | |
| I'm just a little girl. | |
| There's just no time to die. | |
| I let it burn. | |
| Oh, my God. | |
| you You're no longer my concern. | |
| Faces from my past to time. | |
| Nothing else in the world To learn that I've fallen for a lie You were never on my side Fool me once, fool me twice Are you death or paradise? | |
|
More Than A Cry Day
00:00:22
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| You never see me cry This is more than a day More than a day More than a day | |