That's Scott over at Dixie Republic who just sent me one of our TPC t-shirts in Confederate gray, a new color now for our t-shirts.
London, England, Pittsburgh, Pennsylvania, Collierville, Tennessee, Rice in Arkansas, Loves Park, Illinois, across the country and around, the World TPC fans sending in their support, and we need a little more.
All of you who send in $100 or more are going to be getting that book as our Christmas gift to you.
And we want to send out a few more before the first quarter fundraising drive ends on December the 31st.
So go to thepoliticals, pool.org tonight.
Put your city on the list, and we'll shout it out here on TPC.
So, Keith, here's something that was interesting that was sent in from one of those mentioned listeners in London.
And he said, hey, James, you may have heard that Gatwick Airport just outside of London and the UK's second busiest airport was shut down for a couple of days because of a drone attack from what is believed to be a single eco-warrior.
One activist plus one drone equals over 350,000 people and counting having their Christmas travel flights canceled and or postponed.
And in some cases, their entire holiday ruined.
So the city that survived the blitz has been brought to a standstill by a single drone.
They've called in the military who are using high-tech gear to try to find a culprit.
This is how vulnerable the modern world is.
And this can be good news for those of us who are unhappy with the current powers that be.
And then he went on to write, meanwhile, Macron is threatening to envelop central Paris in a chemical cloud to stop the yellow vests.
And Teresa May is going to be putting thousands of troops on the streets, a de facto martial law, to present to prevent civil unrest following the Brexit vote in January.
If I didn't know better, I think the ruling elite is beginning to lose control and may be panicking.
Thank you, Santa.
Yeah, I tell you what, it's a different England from the one my mother came from.
You know, she was a firefighter during World War II.
She would put out the fires in London that were started by bombs or by those, I guess, predecessors of drones, those V-1 buzz bombs and things like that.
So, you know, just pull out your helmet and go to the bomb shelter, I guess.
One guy, one note with a drone can bring London's airport to a standstill for several days, apparently.
But I don't imagine the English that survived the Battle of Britain would be too impressed with that.
I don't think they would be.
Well, this is one thing I've said on these live streams that I've been appearing on.
I've made the joke that it feels like I'm a traveling, I'm a band on the road playing the same songs every night because you get asked some of the same questions at each of these stops.
And with regards to what is the current standing of our cause, I would say that it's very good.
Overall, I think it's very good.
I mean, certainly here in America, it's been a down year with the deplatforming and street activism is a thing of the past.
And the college tours and all of those public speaking things, you can barely have a conference in private now.
But America and Western Europe are outliers.
What's going on in Britain?
What's going on here?
That is certainly pales in comparison to what's going on in Eastern Europe and now even in Italy and even Brazil.
I think if you look at it just from over the period of the last two years, two years ago was better than this year, seemingly so.
But if you look at it in a 10-year period, even here in America, we're much better off.
There's so many new outlets now.
The movement is so much more professional.
And we're in much better shape now with the many new unique voices in the world.
We've learned to adapt.
And basically, you know, it used to be that Eastern Europe was behind the Iron Curtain and we were outside of it.
I think now we're behind the Iron Curtain and they're outside of it.
Well, tribalism is ascendant, and I don't see that going back in the box.
The pendulum is going to swing back our way.
This is something that I've made mention of in a lot of these stops.
If we have to suffer a little bit more here in America, that's okay.
And we don't have to know exactly how it's going to turn.
But I just don't see our people going out like this.
I just don't see a group of people that have given so much to the world in terms of scientific and technological advancements and just the race that would scale the highest summit and sail beyond the horizon and shoot for the stars.
They're not going to go out because they're scared of being called the R-word.
Not at the end of it all.
Well, I think that people in Eastern Europe, Russia, and places like this now, have really had an eye-opener with the Trump administration to see just how repressive our society is in Western Europe and in America and in Canada.
It's incredible.
You know, we are the people behind the Iron Curtain now, and they're the free people.
And what one man can do, another can do.
Certainly, you know, it's cliché now.
But if you say that if you were a white Russian Christian during the throes of the Jewish-led Bolshevik Revolution and communism, where you got a bullet in the back of the head wherever you were found, or you went to the gulag if you were lucky, and probably died a hard death at the labor camps, I don't think they could have ever seen a Russia that we see today.
Not in the 1930s and 40s and on in Russia, not in the 1920s.
No, it's really, I've always said this about, you know, Memphis is always compared unfavorably to Atlanta because Atlanta is so much more progressive.
Well, being regressive is really a plus, as you can see with Eastern Europe versus Western Europe.
They're so glad that they avoided all the progress that they supposedly missed out on during the 30s, 40s, 50s, and 60s.
Well, you know, of course, the left has a big play on words.
Gay doesn't mean happy anymore.
It means sodomite.
And of course, progress doesn't mean progress.
It really means degeneracy.
But if what they call progress is progress, I want to be regressive, that's for sure.
But no, I think we're going to be okay.
I don't just say that because it's Christmas time.
I see things clearly.
There's no naivete here after 14 years in the public, believe me.
But I think our people are better off now than they were 10 years ago, even here in this country.
And I think we're going to be better off 10 years from now than we are today.
And I think in other parts of our civilization, there are strides being made that we can't even begin to imagine, at least here as Americans.
Well, the left is ramping up their efforts to censor and to shut people down, but basically it's just spawned a whole new wave of creativity of people in our movement to get the message out.
Well, folks, I just want to say again before we go to our featured guest of the evening, if you have not yet contributed to PPC's Christmas fundraising drop, get this autographed copy of Paul Nalen's book.
He has become a fast friend of ours.
The book's incredible.
Autographed by Paul, wrapped by my wife.
$100 or more, go to thepoliticalspool.org and do it.
If you're a quarterly contributor, you donate every quarter, do it if you have not yet done so.
If you donate once or twice a year, do it if you've not yet done so.
If you've never donated to PPC, tonight is a great night to start.
We've actually had a couple of people who have never donated before who have done so this month, and we're thankful for them as well as everyone else.
So donate tonight, thepoliticalspool.org, please, please, please.
And we'll be back with our guest next.
We fought. We learned. We struggled. We won.
Despite Obama's best efforts, the newspaper of the human resistance survives.
We have lived only to face a new nightmare, the war against the machines.
Read about our struggle in The Sovereign, newspaper of the resistance.
The Sovereign is a 24-page monthly tabloid newspaper about the war between man and machines.
We've tried reason.
We've tried legislation.
We've tried every peaceful means imaginable.
And all it's gotten us is shut out.
So now we fight the machines.
Order online today at thesovenews.com or find the sovereign at select newsstands.
Remember to read The Sovereign, newspaper of the resistance.
The human resistance's battle against the machines will be everlasting.
This is mercy.
It was never our destiny to stop the age of Obama.
It was merely to survive it.
Together, together.
Regrets?
Oh, we're all going to have them.
Doesn't matter who you are or what you do.
At some point, you're going to wish you'd done something differently.
You know, the woulda, coulda, shouldas.
But let me tell you a couple of things you will never regret.
You'll never regret spending extra time talking to your teenager.
Trust me.
You'll never regret answering your three-year-old's question about where the water in the bathtub comes from.
And I've never seen anyone wish they hadn't sat in the kitchen laughing with their children and telling them goofy stories about when they were kids.
Yeah, sure.
We're all going to have regrets, but talking too much with our kids won't be one of them.
No matter what you talk about, love is what they'll hear.
A thought from the Church of Jesus Christ of Latter-day Saints, visit us at Mormon.org.
I reinstated a policy first put in place by President Ronald Reagan, the Mexico City Policy.
I strongly supported the House of Representatives' pain-capable bill, which would end painful late-term abortions nationwide.
And I call upon the Senate to pass this important law and send it to my desk for signing.
We are protecting the sanctity of life and the family as the foundation of our society.
And most importantly of all, it is the gift of life itself.
That is why we march.
That is why we pray.
And that is why we declare that America's future will be filled with goodness, peace, joy, dignity, and life for every child of God.
All right, everybody, welcome back.
And now our final featured guest of the year.
Next week is the year-in review show.
And that's it.
That's a wrap for 2018.
Jason Kuna is our guest, an old friend of mine who began advocating for what he calls white well-being when he was 11 years old.
Since that time, he's assisted and been a member of scores of organizations that both directly and indirectly serve white well-being.
Professionally, his most relevant work history was his tenure in the Nerve Center for the Conservative Movement in Washington, D.C. In 2017, he launched his social media presence as No White Guilt, and he is the author of two books, the most recent of which he is on this evening to discuss.
The title of it is Born Guilty, Liable for Compensation, Subject to Retaliation.
Jason, welcome to the show.
It's a pleasure to be here, James.
How are you all doing today?
I see, if I'm the last guest, does that mean that you've saved the best for last?
Of course it does.
You know, that goes without saying.
Well, this is fantastic.
Thank you for having me.
A big salute to all of your audience and listeners out there.
I'm a big fan of the Cesspool.
Have been for a very long time and friends with a lot of the fans.
So hello to everyone.
Well, that's right.
And, of course, we had the opportunity to, that's the royal we, to be your guest on the after party a couple of weeks ago.
And I really enjoyed that appearance and all the graciousness that you and your co-host showed me.
And I'm really excited to have you on to talk about this book, which has, I think, the most provocative cover art of any book I may have ever seen.
And that is only a tip of the iceberg to what you'll find within the pages of the book.
But the cover art here, and we have a picture of it posted at my Twitter handle at James Edwards TBC.
It's got what looks to be a newborn being branded with a branding iron.
And you can see burnt into his flesh are the words sexist, racist, homophobe, this young white baby, xenophobe, colonizer, Islamophobe, bigot, hater, anti-Semite, on and on and on.
And that, of course, is the title of the book.
So that cover art should give you a little bit of an idea of what this book is about, if the title does it.
Born guilty, liable for compensation, subject to retaliation.
And you wrote it in a very unique style, Jason.
Start wherever you want to go, and you lead in the direction, and Keith and I'll follow.
Okay, fantastic.
It's good to be on the radio with Keith as well.
I'm glad to see that he's still with us.
I guess what I'll just say that it is experimental literature, so it's going to be very different from what the audience normally picks up and reads when it comes to a book.
I did this intentionally because I wanted to bring attention again to books, to something that would be a little bit more of an event, not something that is just another individual sharing his or her opinions about our current state of affairs and maybe some speculations about why these things are happening and perhaps prescriptions about how to get to our objectives and maybe even laying out those objectives.
I wanted it to be more than that.
I wanted it to be an event, something that someone, as they work through this book, it would really be an experience.
They would want to share this with their friends and family.
And in fact, the impetus to share it would be so strong that it would overcome for many people, certainly not for all, but for many that the infection, the anti-white infections with which we are had inflicted on us and make us, you know, I guess, censor ourselves, censor our own words.
So, as an experimental literature, essentially what I do is I do this in a number of ways.
I break the fourth wall so that I speak to you specifically as the reader.
I speak in all the points of view, first, second, and third person.
I even speak in first-person present tense.
I use several voices throughout the book: casual, expository, persuasive, and descriptive when I'm speaking directly to you as the reader, descriptive in the nonfiction essays that you read, and descriptive as well in a nonfiction novella, descriptive lyrical in a fictional mythopoetic novella that's also contained in the book.
So, just a rough sketch of the totality of the book.
You come to me as yourself.
You come out of the forest.
There are sketches in this book, by the way.
It is not a graphic novel in the sense of these comic books, but there are roughly 200 sketches inside the book.
And these are to provide you with more context of where you are, what's happening, more understanding about your host, which is myself.
You come to my home out in the Plains, Virginia, when I lived in this apartment on this multi-millionaire's estate.
He lived in the castle.
The apartment I lived in was fabulously appointed.
It was his when his castle house was being purchased.
I lived there amongst the stables with the horses that he used for fox hunting, a Clydesdale that he used for his sleigh and for his carriage.
And you come to visit me there.
You spent a weekend with me.
I'm your host and I am your guide over the course of that weekend.
And I acknowledge that we are separated by time and space as you sit down with that book and you sit down to be with me as I speak directly to you.
Since I can't know your name, I name you Reader.
And I acknowledge the fact that I'm hamstrung by that.
And that's why I have to give you that moniker.
I also anticipate your needs as my guest and as someone that I am guiding.
So I try to give you the kind of information you need to understand that environment.
I do that with description.
I also do that with the sketches that are contained in Born Guilty in those vignettes, those portions of time that I'm with you.
Now, I'm not with you the entire time.
At times, I leave.
I go to take care of other matters.
And when I leave, you read from some of the books that are in my study.
One being Prometheus Rising and the other being My Nation, My Fight.
My Nation, My Fight is a real book.
It's not been published.
It's essays of mine.
It's novellas of mine.
You read two essays from that book while I'm not with you.
You also read a novella titled Crucible.
All three of those are nonfiction.
The Crucible is a significant story in the book because that is a story about my time, a transitional period from 11 years old, seventh grade, the summer between seventh and eighth grade, and eighth grade.
And this is junior high school in the northern Virginia, D.C. area, when I began asking my teachers, the administration, and my peers about why we always ended up at these anti-white outcomes.
I was very innocent.
I just noticed these things.
And the responses are what led me to take a stand.
I doubted myself.
I bring that through in the material.
That's very much, it's written in a voice that's very much like a novel that you will be comfortable with if you are a novel reader.
And I doubt myself many times.
I struggle with wanting to have my friends versus being hated by the student body, being threatened and physically attacked by the non-whites in the school, and having to defend myself with not only my words, but my fists.
And I eventually resolved to stand up for our people in that story, so it's an inspiring story.
You also read from Prometheus Rising, which is, as I say, a mythopoetic tale that creates a creation myth of our people and follows or tracks the narrative arc from that moment all the way up to the present.
And I use that novella to teach lessons.
It's didactic.
So it's written in such a way that any given segment of that novella can be, one can draw larger didactic lessons from it, but you can also hone in and get narrow on a single segment and find finer didactic lessons within the text as well.
And that, of course, we have seen throughout the success of the anti-whites, how they have taught us to hate ourselves, our history, etc.
It is by way of these stories, it is by way of these endless scenarios that they give us in television and in movies that they have taught us to be anti-white, taught us to hate ourselves.
And so that is the crux of the book.
That is the overall sort of aerial view, if you will.
Well, Jason, this is Keith Alexander.
Can you hear me?
Yes, sir.
Can you hear me?
Okay.
Well, I had no prior experience with this book except to look at the cover art.
And I can tell that you have gone to extraordinary lengths to try to connect with your readers and with the people you're trying to communicate with through this.
It's the most incredibly graphic thing that an arresting thing that I've seen since the cover for In the Cannibals Pop by Alana Mercer.
In fact, it reminded me of that in many ways.
And I can't wait to look at the whole book and experience what you just described to us.
Well, we're going to learn a little bit more about the book from the author himself when he returns right after this break.
Stay tuned.
Cross the land.
You're listening to Liberty News Radio.
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That's American-Heritage.org.
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Its costs are innumerable.
Without monetary funding, the valiant efforts of freedom-loving Americans become diminished or outright defeated.
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The plan is quite simple.
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He will bring us a good news and time.
Welcome back, everybody.
Stay tuned once again.
I want to remind you that in our third and final hour this evening, we are going to be dedicating that to the audience from which we have received Christmas cards and personal letters from all over the world.
I mean this in no exaggeration that our broadcast studio tonight is absolutely overflowing with this correspondence from our audience.
And we are going to take the time, of course, using first names only or perhaps just cities only.
We're going to read some of these some of the things that have come in.
It is just incredible.
That's how we're going to spend our last hour together before Christmas next week, the Year in Review Show.
And then boy, do we have some surprises for you in 2019, including a brand new, totally revamped website, thepoliticalcesspool.org will be, will unveil a new look on January 1st.
And we're going to upgrade our production value here with some new bumps, some new spots.
We'll get those over to Sam and get them in the broadcast here in the early months of 2019.
If our support holds out and we need your support, we need you to help us get there only a couple of weeks from now.
It's exciting.
It's exciting.
But first, let's go back to our guest for the evening, Jason Kuna, who is the author of Born Guilty.
Now, he just gave you a little look-in as to what this book was about, what motivated him to write it, and interestingly, how he wrote it.
And it's really unlike anything I have ever read.
And I do want to read now for you, though, just to give you a little more idea about the contents of this book, the copy from the Amazon sales page.
Yes, you can buy this on Amazon, and we would encourage you to do so.
Prove you aren't racist, it reads.
Prove you aren't racist.
What is the long-term psychological and emotional cost of living in a system that presumes your guilt when you are not actively proving your innocence?
What is the cost for your children?
In Born Guilty, Jason Kuna recounts his extraordinary childhood struggle under the physical and psychological abuse of a society obsessed with an anti-white ideology.
From the dusky halls of his private preschool through his public suburban junior high school and onward, Kuna's rebellion exposes society's suffocating use of guilt, intimidation, isolation, and character assassination to break the will of those who dare to dissent.
Haunted by self-doubt and an internal struggle to either join the herd or object and suffer the consequences, Kuna boldly refused to compromise his moral values, fighting with his words and occasionally forced to defend himself with his fists.
Ingeniously avant-garde and rapidly becoming a folk classic, Born Guilty seamlessly melds Kuna's coming-of-age memoir with a parallel saga.
As the face of oppression devours our fragmenting society, Kuna lights the pole star over your last hope of escape.
That is a great copy, Jason.
And with that, I would turn it back over to you.
Very, very proactive.
Thank you.
And thank you to Keith.
I don't know if Keith had something more to say when the bunker came in.
I don't want to.
Well, I'm sure he did.
Keith is a social animal, if he's anything, and he has a dinner date tonight.
So he had to leave.
In fact, he stayed just for that previous segment just so he could say hello to you.
And then he had to run.
Okay, back.
Yeah, the commercial breaks are a cruel master here in Talk Radio.
But anyway, if there was ever a book that was timely and much needed for the America that we find ourselves living in in the current year, this is it.
Well, I really appreciate you saying that.
I appreciate the kind words about the copy on the back.
And yeah, I hope that it does.
I hope and anticipate the whole process of creating this text was a personal growth for me.
Essentially, the totality of the endeavor took eight years because it was a matter of education, of study, of experimentation, trial and error.
I didn't know how to tell a story when I got started.
There were many elements of human nature, my observation of human nature over all of the years prior to that, and my study autodidactically into these areas that were sewn into the document as well.
I saw at the council of many people.
I reflected upon the successes and failures of our movement, the white positive movement, if you will, over all of the years that I have participated and into the rearview mirror, if you will, from before my entrance into the cause.
And I tried to make something here that would resonate with people, people anywhere along the spectrum, so that even someone who was well along into their service to white well-being and their socio-political maturity, that they would get something out of this, but that it would also be accessible to those who were relatively new.
We have so many new people coming to the cause for white well-being simply because they can now investigate on their own.
And so many of these other so-called ideologies, if you will, they really are just gateways in the sociopolitical maturing process.
These people are really just sociopolitically immature.
And it takes some intelligence, at least average intelligence, but it takes a whole lot of courage.
And a lot of people have enough because they're getting sick and tired of the environments around them.
And the people who have looked in this book, the people who have read it over the years as I've presented it and experimented with different ideas, they have seen themselves.
They have seen their own stories in the stories that I share.
When I'm with you and you've seen yes in the study, in my kitchen, we break bread together.
You also, you dream on the two nights that you're with me.
While I'm with you, I'm sharing with you heuristic stories, didactic stories, all nonfiction from my life of the things that anti-whites have done, of the way that they behave, of a context and an understanding for them that will enable you to make the right decisions rather than need me around to tell you what's right and what's wrong.
That's really the point here with Born Guilty is to empower the reader and to do so in a way that is extremely entertaining and will keep them turning the pages.
And so that's what happens throughout the text.
There are all of these different threads are running throughout the text.
It was a very difficult, juggling process to keep them going.
And there were, as I say, there were a lot of fits and starts.
And there were even, I was even writing three versions of the book at the exact same time because when I got essentially at the starting line, I didn't know.
I had some ideas, some concepts about what would work.
Some of those concepts were incongruent.
They had to be standalone texts.
And really the only option was to write them simultaneously because I couldn't stomach the idea of working through even 100 pages of a book and then having to turn around and say, no, this one isn't going to work and start all over again.
Unfortunately, I didn't find out with the other two versions until they were almost completed that they were not going to be as effective for achieving the objective that I had set or objectives that I had set for Born Guilty as this one.
So it took a massive amount of time as a result.
But I feel firm that all of those out there who purchased this book and dig into it, read it from front to back.
There's a device in there that you have to hold a physical copy of this book in order to fully enjoy.
I'm not going to reveal what that is or ever own up to it, but you have to hold a physical copy to it, a copy of it.
And please reach out to me with your questions and comments.
So when you're working through the material, I'll happily answer all of those and return your comments.
Well, folks, luckily for all of us, we have one more segment with Jason coming up right after this next break.
And then in the third hour, again, we're going to turn our full and complete attention to Christmas and the majesty of this season and the reason for the season.
That's coming up in the third hour.
We do have another segment with Jason, and I'm going to ask him the question again that I'm going to ask him right now.
Jason, if people have already heard enough, they know they want to get the book, how can they do it?
Send us that information, and then we'll cover that one more time before the time runs out.
Yeah, indeed.
You can go to nowhiteguilt.org.
NowhiteGuilt.org.
That's my website.
And on the right side of that page, you will see the link to purchase the book.
Well, it couldn't be any easier than that.
And I can testify that it's true.
I am actually there right now.
I brought it up in the studio here on my computer that I use for the broadcast.
So I am there at nowhiteguilt.org.
And indeed, you can learn more about the book.
Jason, really making the rounds too, I might add.
Jason has certainly become a very popular commentator over the course of the last couple of years since he has gone out on his own endeavors with the writing and with his own live stream, which is fantastic.
As I mentioned, I was a guest on there not too many days ago.
And I see you were on the Millennium Yule.
You were on with Kayla.
You were on with JF.
I saw you on Red Ice yesterday.
Busy man.
Busy, indeed.
I mean, there's so much about this book, and there's so much to talk about.
There are love interests.
There are crushed feelings.
There are desires, their hopes, there are fights.
There are highs.
There are lows.
It's all there.
Well, listen, we're going to get a little more information about that and some more contact information for Jason so you can begin to watch his YouTube channel.
Coming up next, talking about Born Guilty with its author Jason Kuna, no whiteguilt.org.
We'll come back to the political cesspool right after these messages here on the Liberty News Radio Network.
Getting the kids to school, cleaning the house, doing the laundry.
It seems that the work routine as a stay-at-home mom is never ending.
And even though I'm the prime grocery shopper in our family of four, I simply don't have time to scrutinize all the labels on the countless food products I buy.
Oh, sure, I've noticed all the latest certification seals, organic, non-GMO, gluten-free.
It definitely seems to be the latest craze.
But it was only recently that kosher certification seals caught my attention.
You see, my husband had me download an app called Kosher Certified, and it shed light on a century-old certification industry that slipped under the radar screen from the majority of our public.
I also noticed a question mark at the end of the app name.
And that makes great sense as there's far more questions regarding this industry than answers.
In fact, the developers refer to this as the kosher question.
Sure, I'm a busy mom and didn't pay attention to our food culture, but now I have transparency, a convenient grocery list feature, and the ability to eat in favor of my family's best interests.
And you can discover it too at thekosherQuestion.com.
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Scott Bradley here.
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Lord and King of angels.
Oh, come, let us adore.
Oh, come, let us adore you.
All right, folks, back with Jason Kuna, author of Born Guilty.
More information available for you.
And go ahead and order the book at nowhiteguilt.org, nowhiteguilt.org.
Jason, I want to circle back to something that I thought was particularly powerful and we read it just a moment ago, and that is that your book exposes society's suffocating use of guilt, intimidation, isolation, and character assassination to break the wills of those who dare dissent.
Now, obviously, that's true.
I can attest to that, but your book was written autobiographical in nature, at least some elements of it are.
How can this book be applied by someone who is facing those pressures of guilt, intimidation, isolation, character assassination?
How can this book help them and encourage them to move forward with the good work and encourage them to do their duty regardless of what the world would throw at them?
Well, before I answer that question, which is a fabulous question, since I know where we begin, but I don't know where the conversation has to end, I just want to say right now that I want to warmly, just deeply thank you, your family, and your team for your service to white well-being.
And I want to wish you all a very Merry Christmas and a Happy Yule and Happy New Year.
I deeply, really appreciate everything that you all have done.
Jason, you truly are.
Well, first of all, let me thank you.
Let me thank you and let me reciprocate all of that to you.
And let me add on that by saying that you are a true seasoned professional.
Only a pro would know to answer the question with something that they may run out of time before they can get to before answering.
That is an old trick in broadcasting.
You know that those breaks come and they come hard.
So anyway, good on you.
I picked up on that.
Now, yeah, to the question, how can this book encourage people to move forward with what they know is right, even though society is going to place all this pressure on them?
And then an addendum to that, how much worse do you think it may get for our people?
Well, first off, I learned from the best by listening to one Mr. James Edwards.
I have never been on the radio before, so it's just been by listening to you, my good friend.
But secondly, the book, the way it will empower the reader is that, first of all, you'll see, and it's, as I say, this is if you're comfortable with a novel, this nonfiction telling of my period in the novella called Crucible relays the story in such a way that it will feel familiar to you.
You will feel comfortable with the story.
You will see yourself and those things having happened to me.
You will see that those things in your life or they had been in your life.
And you will also see that the fact that this child, this 11, 12, 13-year-old, could stand there and take it.
And it wasn't at any moment.
There wasn't a like supernatural moment.
There was no moment of like great heroism out of the movies, if you will.
There was a lot of internal battle, and it's apparent in the crucible in the story.
So you see that that same inner voice that's inside of you that's struggling with the decision, should I continue to do this or should I pull back?
Should I just say what the rest of the herd wants me to say?
Should I nod and bovine assent?
You'll see that those are the same questions that I wrestled with.
And that in the end, I decided to embrace the manhood and the heroism of our people.
That is accessible to all of you.
Those, the greatest generals, the greatest commanders and thinkers and poets, writers, painters, doctors, healers, and the rest are in your blood, just as they are in mine.
And you just have to, it takes that will, that desire to reach down in and to tap that power.
That's what I eventually ended up doing.
And you'll see it's a Story Crucible is an inspiring story.
There's a great victory there.
And you'll see the reward of doing the right thing.
So it's not just a matter of you'll number one, you'll realize I'm not alone.
These things are not just happening to me when the pressure comes down from the administration or the office or what have you at your place of employment or at school.
It's not just the pressure of your peers.
It's happening to all of us.
And if you resist, even when there is a physical threat, if you resist, you can win.
It's not a foregone conclusion, as all of the movies and television shows demonstrate to us that the anti-whites produce, that you lose in the end, that you're ugly from the beginning, that you are incompetent from the beginning, and that you will fail.
No, in fact, the conclusion is ours to write.
The pen is in our hands.
And this is what I said to those people there when I asked those teachers.
And it finally really confirmed for me what was happening in the world by way of what was happening in my junior high school.
And that is that we cannot be, and this is, again, to the cover as well.
We cannot atone for crimes we never committed.
We were born guilty.
So this is not something that can be, we can make up for.
There is no compensation.
There is no measure of atonement.
We are in a story, an anti-white narrative.
The kids that were at that junior high school before me, the white kids, they were the bad guys.
When I was there, we were the bad guys.
The kids that were after us are the bad guys.
And every generation thereafter have been the bad guys.
The only way the story changes is if we get off of their pages and write our own book.
And that's what we're doing, writing a new destiny for ourselves.
Jason, you are a fantastic guest.
If I could just throw one more element of praise out there.
Fantastic answers, well thought out, well composed.
And I have found that this is the way you conduct your own YouTube show as well.
And I would like to give you the opportunity to let people know how they can join you on that.
So many live streams out there now.
So many of them very good.
And like I said, I think I said this in the first hour.
I believe I've done about 20 in the past month, month and a half, including three in the last 24 hours.
And I enjoyed my time with you and your co-hosts as much as any I've ever done on YouTube.
And it's just really great work y'all are doing out there.
And it all goes to further the community.
And so tell us a little bit more about your program there on YouTube, how people can find it, and some of the topics of conversation that they can find you and Jason engaging in.
Well, yeah, we yes, Jared George of the Great Order is my co-host.
It's easy to find me.
You go to that same website, nowhiteguilt.org.
All of my social media tabs are linked there.
If you click on YouTube, that'll take you to my YouTube page, which is also called No White Guilt.
We have a show called TAP or The After Party.
It's usually on Fridays, and we host a wide range of guests, all of them Sterling, particularly the one I'm speaking with right now.
But we've also had Jared Taylor, Greg Johnson, Millennial Woese, Patrick Casey.
So a lot of names you're familiar with, and then maybe some others you're not.
People like Lovely Porridge, Lacey Lynn, Morgoth, Philosophy Cat, Dancing Dove, a lot of fantastic people, so many new people coming to the cause.
And we'd like to present their talent on tap.
So yeah, come on over if you haven't.
How many minutes do we have left?
We have about two or three.
So you can take it in any direction you'd like.
Well, then, just really quickly, what I'll say is in Born Guilty, if you have a hankering for the kind of reading and storytelling that is familiar in Lord of the Rings or similar type stories and movies that you've watched or read over the years, then you are going to love Prometheus Rising because it is exactly one of those types of stories, except that it centers on us as Western kind.
Prometheus, I've chosen to be our God.
He's rewritten.
It's not exactly the same Prometheus as from Greek mythology.
He's the only name that is kept in the precise form that it was handed down to us.
But he is our creator.
He embodies all of our strengths and weaknesses.
He creates us.
There are some other gods in the tale that create other peoples in our despite and our mockery.
There is Theomachy, which is war between the gods.
Of course, there is the hostility between the different children of these different gods.
And that conflict creates the stage on which the entire story takes place over the eons, if you will, as I say, from the beginning of our creation all the way up to the present.
So if that is interesting to you, there is the language is lyrical.
There are grand battles as there are and those sorts of stories.
All of that is sewn into Born Guilty.
That is one of the books that you read when I am not with you in the study or in my kitchen, as I said earlier in our discussion.
A very interesting way, as you put it in a separate interview, you break the fourth wall.
Now, the fourth wall is something that typically has to do with television, but you break the fourth wall in this book.
It's written in a very unique style, a very provocative cover art and content, of course, that as I mentioned before is just sorely needed in this day and age where all of our people are being browbeaten and indeed taught that they are exactly what your title suggests, Born Guilty.
Now, of course, we know that that's not true, and it takes a book like this and a man like you and the work that we're collectively doing in order to instill that sense of common sense within our people.
It shouldn't need to be done, but we're doing the work that most Americans refuse to do here on TPC and with No White Guilt and your live stream.
And folks, check out his YouTube show and check out Jason's book, of course, buy the book at nowhiteguilt.org.
Jason, Merry Christmas to you.
I know we're going to be seeing great things from you in the next current year, which is only about a week away now.
Well, I've treasured our conversations, James, and I look forward to having another one with you sometime in the near future.
And folks, let's quickly make this 2019 the year of the first Western sunrise.