Feb. 24, 2018 - The Political Cesspool - James Edwards
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You're listening to the Liberty News Radio Network, and this is the Political Cesspool.
The Political Cesspool, known across the South and worldwide as the South's foremost populist conservative radio program.
And here to guide you through the murky waters of the Political Cesspool is your host, James Edwards.
Ladies and gentlemen, I missed you last week.
I missed you badly.
I put out a tweet earlier, well, actually about 10 minutes ago, saying that it's amazing, I guess in a way, after all these years now, 14 years on the radio, I was 24 when we first started this show.
I'm almost 40 now.
I'll be 38 this year.
After 14 years, it's amazing how much I still look forward to doing the show every week.
I was like a caged lion.
I was talking to Eddie earlier tonight.
He had that same energy for the program tonight.
It's amazing how much you can get up for something you've done so many times before, but especially after you've missed a week, a very rare week for me to miss as I did last week.
But last week, I tell you what, there's not many occasions that would cause me to be away from you, ladies and gentlemen.
But last week I had one.
I took my little girl to the daddy-daughter Valentine's Day dance.
So this would have taken place last Saturday, a couple of days after Valentine's Day.
But we have gone to that every year since she's been old enough to walk.
We have gone to this daddy-daughter Valentine's Day dance.
And by the way, of course, you're family, and we share moments like these with our family, our extended family in the audience even.
And if you go to our Twitter at James Edwards TPC, you scroll back to last Saturday night.
I was actually tweeting from the dance some pictures of me and my little girl.
And we had a great time.
You know, it's all about family.
I don't get a lot of Saturday nights off, much to the chagrin of my wife and children.
I'm here with you every Saturday night.
So we have to plan our family time on other parts of the week outside of the night that most people would be doing family things Saturday night, birthday.
Saturday nights are big for going out, birthdays and other occasions.
But I'm here with you almost always.
But last week we went to the dance with my daughter, and we got some pictures of that up on Twitter.
Now, talking about extended family, I got this email from a young lady in our listening audience, and she wrote this.
Our son Bruce was reading our clans.
That's clan with a C. Remember, I'm leader of the clan with the K, according to the judges up in Michigan.
But our son Bruce was reading our Clans and Tartans book and was reading aloud on the McGregors.
Have you ever seen the motto?
It's fascinating, the McGregor family motto, going back, of course, to the history of Scotland.
I also didn't realize that James, King James banned the, that would be James VI, banned the McGregor name under penalty of death.
So basically, the McGregors have been giving the establishment hell for about 400 years.
It's in the blood.
I've attached photos of the book.
And thank you, dear lady, for sending that to me.
That meant so much to me.
By the way, the Klan motto for the McGregor line is, my race is royal.
So why am I sharing that with you?
I'm a McGregor.
My mother's maiden name is McGregor.
And I will tell you this.
I believe there is more to genetic predisposition than ever people ever talk about.
I think genetic predisposition plays a bigger role in how a person is going to turn out than the way they were brought up, their socioeconomic status, genetic predisposition, that is the biggest part of the pie.
400 years ago, McGregors were being banned by the establishment.
Their motto is, My race is royal.
And I just found that out.
I knew I have a crest of the McGregor family, but it didn't contain that motto.
And I didn't know about them being banned 400 years ago in Scotland, which is, of course, where our people came from.
In fact, there's a funny thing.
I still go to the McGregor family reunions down in Mississippi, which is where they settled and which is where my grandparents were born.
And half of the people in the McGregor family, my McGregor family, spell McGregor M-C-G-R-E-G-E-R.
That's the way my grandparents spelled it.
The other half, of course, spell it the traditional way, M-C-G-R-E-G-O-R.
And there was a big discussion about why that was, why half the people in the family spell it with an O, and why half the people spell McGregor with an E.
And the story is, I don't know if this is true, but the story is while the McGregors were coming over and immigrating to America, they got into a fight on the boat.
And when they got off the boat, half of them went away and half of them went the other.
They changed their name because they didn't want to be part of the family anymore.
That sounds about right, doesn't it?
Southerners?
I like how it is.
But hey, the point is, we're on this radio program, ladies and gentlemen.
We fight for our past.
I love the McGregors going back 400 years.
No, I don't even know their names, but they are a part of me.
They live in me.
They're still alive because I'm alive.
And they'll be a part of, they'll be alive in the present.
They'll be alive in the future through my children and grandchildren and great-grandchildren and on and on.
They live on.
We fight for our past, our present, and our future here on this radio program.
And it's such an honor to be here with you tonight.
And speaking of tonight's show, our showcase of champions is going to continue this Saturday evening, February 24th.
Welcome back to the broadcast Paul Kersey of StuffBlackpeopleDon'tlike.com, the wildly popular website of which she is the editor-in-chief.
Also, Mark Weber, the head of the Institute for Historical Review.
Paul Kersey and Mark Weber return to the show tonight.
Paul Kersey up first.
He'll be coming on next.
And he's going to be talking to us about the new movie Black Panther.
Have you heard about that?
Well, that's out in theaters now.
Just in time for Black History Month, don't you know?
And by the way, Hunter Wallace, Brad Griffin, if you will, at OccidentalDescent.com.
I have not seen much truth about black history during so-called Black History Month, but Brad Griffin has got it.
I mean, this guy is an amateur historian.
In fact, hell, he's probably better than most historians.
You go read his incredible, enlightening, informative, enjoyable, fact-based pull-no-punches about the history.
He's got a whole series, about 20 posts so far this month, about what a day, really, that we've had so much so far in February about black history.
Wow.
I mean, occidentaldescent.com, if you want to study about true black history, and it is something that they are not teaching in school, the history of the different African nations and figures.
It is just eye-opening.
I've got another interview request.
Let me read this one to you very quickly.
We still get, I guess we're fortunate to be able to serve as public advocates for causes greater than ourselves, and there's glory and honor in the struggle.
And if you make a name for yourself, you get asked to share what you think with the media.
And you know my association with the media.
But this one writes, this one couldn't have been more polite.
Let me listen to this.
Mr. Edwards, thank you for taking the time to read my request.
I didn't even respond to it.
I guess you just assumed I would read it.
I'm writing to request an interview with you about the rise of what the mainstream media calls the alt-right.
My goal is to talk to leaders of groups affiliated with the movement and other notable identity advocacy figures to discuss their views regarding the current political climate.
You are a highly influential voice, and your immensely popular radio show is often cited as a source of information.
I believe you would add an important perspective.
The interview should take about 30 minutes to an hour, and then she gives her contact information in her institution, her organization, her outlet, I guess you could say.
How about that?
How about that flattery, ladies and gentlemen?
I still haven't responded, but it was nice to read how much she holds us in high regard.
Of course, they always send you emails like that.
And then once you come on, well, who knows how it's going to come out?
I actually got a letter in from George Mason University.
They wanted to do a study on my brain.
They wanted me to come to George Mason University so they could study my brain to figure out why I turned out the way I did.
I would have gotten a lobotomy or something.
I don't know what would have happened, but I threw that one in the fire.
That one came in a couple of weeks ago.
Hey, you never know what the mail is going to bring you here in TPC.
But I tell you what, I'm going to bring you, and that is Paul Kersey.
stay tuned.
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The outlook wasn't brilliant for the Mudville 9 that day.
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Then all 5,000 throats recoiled upon the flat, for Casey, mighty Casey, was advancing to the bat.
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Well, ladies and gentlemen, as promised, Paul Kersey is with us, the editor-in-chief of the wildly popular website, stuffblackpeoplelike.com.
And he's returning to the show tonight to talk about the new movie, Black Panther.
Paul, welcome back.
James, it's always a pleasure.
How are you, my friend?
I'm doing good.
I'm even better now.
We don't have you on as much as we should.
We've got to rectify that.
And the last time we had you on, it was right before Christmas, not the most recent Christmas, but about, I don't know, about 14 months ago, I guess you could say.
And you were on to talk about another movie, Hidden Figures.
I actually re-watched Apollo 13 on Netflix just a few days ago.
Great movie, great cast.
Tom Hanks, Bill Paxton, Kevin Bacon, Gary Sinise, who has been a guest on this show, and Ed Harris.
I didn't see the three black secretaries who were responsible for all that success in the movie.
But of course, that was made in the 90s, I guess, before they were known, right, Paul?
I think that that movie came out in either 1994, 1995.
I was quite young, but I do remember seeing it in theaters.
One of my favorite actual memories of a movie experience.
And, you know, not too long ago, I was at the Udbar-Hawley Air and Space Museum in Northern Virginia, and I actually picked up something from my refrigerator that reads, failure is not an option.
That's, of course, the famous quote from the flight director who was in charge of mission control that was, gosh, played by Ed Harris, I guess was the gentleman who corrected the character.
I can't remember the guy's name, but I think that's something that you and all your listeners need to always take heart, that failure is not an option for us.
If we fail and what we're doing and what you're doing and what we're trying to motivate, you know, the men and women of the West to do, if we fail, well, guys, that's just not an option.
So I think that's a nice little segue into the whole Black Panther madness, really.
Well, I was going to say, Paul, you're hitting it so heavy.
I guess we're bringing you on to talk about a, well, it's not a light topic.
I mean, it's an important topic, even though it has to do with media in a comic book movie.
But of course, you're right.
And I'm excited by the trends.
I'm excited by what's going on in Eastern Europe.
I'm excited about the synthesis here.
Of course, your work, your work on your own website, and then with Jared.
I know you're a regular contributor to Amrin.
So things are happening, but they've got to happen quicker and they've got to happen bigger and better because, as you said, failure, not an option.
But let's get to this movie.
So the media and the establishment are in full propaganda mode promoting the Black Panther.
Tell us what's going on.
What's the movie about?
What's going on with the critics?
Why is it the number one rated movie of all time, according to one of the most widely respected movie review websites in the world?
Tell us everything.
Where do you want to go with it?
Yeah, let's just start right there.
Rotten Tomatoes, which aggregates the top reviewers' reviews of films.
It has been christened as the number one film reviewed of all time.
It's past Wizard of Oz and other.
I mean, every film ever made.
This movie is number one.
Interestingly enough, number five is 2017 to Get Out, a movie directed by a black guy named Jordan Peel, which is it's also an anti-white film.
So, two of the top five rated films of all times, and these reviewers are largely, largely white liberals for the major newspapers and entertainment magazines, websites.
Two of the top five films have been made the past past year, and they're both viciously anti-white, and they fit the zeitgeist of our time.
We'll click on Black Panther, an absolutely minor character throughout the history of the Marvel cinematic universe, or I'm sorry, the Marvel universe, created in 1966 by two Jewish, two white guys, Stan Lee and Jack Kirby.
It was entered Black Panther was introduced into the Marvel cinematic universe.
Of course, Disney owns this.
So, this is very important to point this out.
Disney owns Marvel now.
They bought them for $4 billion in, I want to say, 2009 or 2010.
So, Black Panther was introduced in the Civil War film, Captain America Civil War, in 2016.
They had already greenwitness owned film, and it had a budget of $200 million with an additional $150 million for marketing purposes.
The director is a young black guy named Ryan Kugler, whose claim to fame is his first movie, Was Fruitville Station, which is about the shooting of a black criminal, Oscar Grant, and an Oakland BART station.
Of course, your listeners probably know that the BART transportation system is pretty famous for in 2017.
They announced they would not release any video images of the criminals who were attacking people on the train because they didn't want to stigmatize racial minorities and perpetuate stereotypes, which I think is quite interesting that this is the guy who's directing Black Panthers from one of the more racially charged cities in the country in Oakland,
California, where white liberals are doing everything they can, James, to protect the images of these saintly black and brown children who are actually attacking white people on the train.
That's exactly what's happening with Black Panther in reverse.
White liberals are doing, white liberal movie reviewers and newspapers from the Wall Street Journal, the New York Times, you name it, are praising this movie, The Kingdom Come.
And, you know, I would say that this movie is the equivalent for black people of Passion of the Christ for Christians.
Blacks are going to see this movie three, four, five times, and it's going to make an awful lot of money in the United States because this movie is marinated and nothing but pure, unadulterated black power.
Paul, you couldn't have set the stage better than that.
My co-host, who's not mic'd up right now, he's not coming on to later on the broadcast.
He's shaking his head and making noises listening to your commentary.
Thank you for setting the stage as well as you did.
And I learned some things in that.
I've read a lot about this movie, of course.
God help me, I haven't seen it, but I've read a lot about it.
I had no doubt that the movie reviews would be what they were.
I knew whether the movie was good or not, that didn't matter, that they were going to have this orgasmic verbal response to the film because to not do so would be career suicide.
What did surprise me a little bit?
I didn't know that the movie had a $200 million budget plus $150 million for marketing, which means it has to make $350 million just to break even, which, of course, it's well on its way to doing.
It made well over $200 million in its first weekend.
So it's going to be hugely profitable.
And I would ask you this.
Who is driving that?
Yes, if all the blacks see it three or four times, there's still only 10, 12, 13, 14% of the population.
Surely a lot of the success of this movie has to be from cucked out whites.
Well, interestingly enough, demographic data for the opening weekend showed that 37% of the audience was black and 36% of the audience was white.
Normally, those kind of numbers are usually reserved for a Tyler Perry film to have that, you know, to have that large, you know, the black of a black percentage of the audience.
Guys, it's a Marvel film.
So this is part of the Marvel Cinematic Universe, Captain America for Iron Man, the Avengers film, the two Avengers films, Avengers Infinity's come out.
This is the most important franchise.
You know, look at it this way.
James, you and I are younger, so we weren't alive when the whole Daniel, when the whole Davy Crockett craze was going on with Disney, where the Coonskin hat was the greatest marketing craze of the 1950s, 1960s.
Every white kid had a Coonskin hat.
Well, now every, you know, every kid in America, regardless of race, is wearing a Captain America shirt or an Ironman shirt or some sort of Marvel shirt or even a DC comic shirt, Batman Superman.
So this is such a profitable franchise that, yeah, there are going to be a lot of white people who want to see this film because it is part of this multiverse that includes all these iconic figures and all the films are interconnected.
What's so bothersome about Black Panther is that the movie is so anti-white that.
All right, let's hold it right there, Paul.
I want to dig into exactly what is so anti-white about the film.
I can understand people, even grown adults, going to see a comic book movie.
Thor is part of our heritage.
I mean, that's a Nordic god.
I can understand that.
Going to see Black Panther, though, I can understand, even if, well, we'll talk more about it.
We got one more separate with Paul Kersey.
We're going to get to the bottom of it.
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Welcome back.
To get on the show, call us on James's Dine at 1-866-986-6397.
All right, everybody, back with Paul Kersey, an old friend of mine, a good friend of mine, an incredible talent.
Paul, before we get back to the movie, give us your website.
If you want to know what a prolific writer is, it's Paul Kersey.
This man has a book coming out about every month of the year.
I've never seen anyone who can write so much.
And that's in addition to his articles on his website.
Paul, how can people support your work, learn more about it, read you, etc.?
Yeah, head over to svpdl.com.
That's svpdl.com.
And you can always check out VDAR.
I think Paul Kirsty archives are there.
There's usually something pretty much every week.
And then a little podcast weekly with old Jared Taylor over at American Renaissance.
Pretty little apologies.
I'll tell you what, he's working with the best.
Peter and Jared both have been guests on this show in the last month.
Jared's going to be back with us again next week.
He's so in Twitter.
That's a whole nother story.
But yeah, so Paul, great work.
People support his work.
Read him.
Join his mailing list.
Buy his books.
Paul Kersey.
And we had one of your books for one of our incentives last year.
Great man, great, great friend.
But back to the movie Black Panther, which is what he's on to talk about tonight.
The New York Times, Paul, you probably saw this.
They wrote this.
To the politically minded, the Wakanda of Black Panther, that's the nation state in which the movie takes place, offers an almost too perfect rebuttal to President Trump's comments in January, in which he referred to African nations with the disparaging expletive.
The New York Times is writing that as if this is a real place.
I guess I'm missing something there, but so they've created this African nation state in which they're highly advanced and just an incredible productive race.
And the New York Times is reporting on this and saying, see how idiotic Trump's comments were?
Look at Wakanda.
That's what blacks can do.
Paul, answer that before we get into exactly what is so anti-white about the movie.
Yeah, I think that's what so fascinates us about the whole concept of what's going on in This movie is that Wakanda is this nation that is blessed with this mineral called vibrenium that has enabled the indigenous African population there to withstand any colonizing by European powers.
And they've developed technology that is superior to any that Europeans or Asians have.
And they camouflage, they put some sort of cloaking device around their nation so that no one can actually see the futuristic skyscrapers and this and the other types of technology they have, the green technology.
There are no cars.
There's flying aircraft and magnetically propelled trains.
It's basically the type of future that Europeans and America would have had had we not had the 1965 Immigration Act and had Europe basically to just terrifying wars in the 20th century that two international wars that just destroyed the will and vigor and killed just so many millions of people for New Zealand.
Amen.
Just so.
All right.
So I got to second that again, and that's worth repeating.
That will probably be the most important comment made of the night, what Paul Kirsty just said.
The future that's depicted for this fictitious African nation is the future we would have had had it not been for what Paul just mentioned.
Had it not been for diversity and brothers' wars.
But I'm reading now from your own website, Paul.
I'll read it very quickly.
Is this movie what we want in Blackface?
Is it anti-white propaganda or both?
And then you write, Can We Count the Ways Black Panther as depicted in this recent film as nothing more than an extreme celebration of the nation state?
You write that the Wakandans are xenophobic.
They have a big wall protecting their nation.
They're racially homogenous.
They're isolationist.
They put themselves first.
They're anti-refugee.
They have a society that's based on meritocracy.
So what is it?
Is it anti-white?
Is it what we want, but just with black people playing the part?
Tell us more.
Well, you never want to be reactionary, just some goofy conservative who tries to say, oh, you know, the Black Panther, whose name is T'Challa, he's the king, the protectorate, the monarch of Wakanda, but he's also the Black Panther.
You never want to just have this goofy response that, oh, you know, that's exactly what we want.
You know, that's, you know, I've seen some memes out there that, oh, you know, Black Panther is alt-right.
You know, it's not.
The movie is terrifying in actually what transpires, because by the end of the film, Wakanda decides to let the whole world know they exist.
And Prince, or I'm sorry, King T'Challa says something along the lines of the fools build walls, why the wise build bridges, which is a complete repudiation of the long-standing tradition of putting the Wakandans first.
In fact, throughout the whole movie, I have seen the film, throughout the whole movie, the line that stuck with me over and over again is one used by the elders, praise the ancestors.
So the whole concept of Wakanda is that it is an ethnostate.
It is a highly traditional society that values what their ancestors did and uses the past to guide both the present and decisions made in the present that will impact the future for Wakandans.
Well, why the movie is so pernicious, James, is simply this.
There's a black character by the name of Eric Killmonger, played by Michael B. Jordan, who, as I feared in the V-Dare column, most blacks who saw this movie would side with him because he, remind you, this was a $350 million Disney film, $200 million for production and $150 million for the marketing.
They're actually talking about white genocide in the movie.
That's Eric, that's Killmonger's motivation is to, and I'll quote you what he says.
He says quite clearly, where I'm from, when black folks started revolutions, they never had the resources to fight their oppressors.
That ends today, end quote.
So his whole motivation, because he's a Wakandan, basically what the whole story is, is that there was a member of the Wakandan royal family who went to America, had a child.
He was radicalized by the flight of blacks in America.
He thought that the Wakandan should help black people and Western nations.
The Black Panther's father, King Tuchaka, kills his own brother.
And then when King Tuchaka is killed in Marvel's Captain America Civil War, T'Challa takes over.
So here's what happened.
This guy had a son in America who grew up marinating and just seeing how blacks were treated in America.
And he grew to hate white people.
And his whole motivation is to then utilize Wakandan technology to arm black radicals all over the world.
And here's another quote that he has: Y'all sitting up here comfortable must feel good.
Meanwhile, there are about 2 billion people all over the world that look like us, but their lives are a lot harder.
Wakanda has the tools to liberate them all.
End quote.
This isn't a Disney movie where the villain at the film.
Now, I'm sorry for interrupting, Paul.
I just, there was something I wanted to say, and we only have seconds remaining.
You've got my blood boiling.
The fact that this is a Disney movie is the thing that's the most insulting because Disney was hashtag our guy.
I mean, Walt Disney, the man, was a radical traditionalist in many ways.
He would have never allowed anything like this to come out of his studio.
The fact that this is a Disney property is perhaps the most depressing thing of the takeover of the media that there is.
And I did happen to see two guys, you know, two white people on the poster for the film.
I'm assuming, I know you had to go see it to do the research, to write about it and talk about it.
I'm assuming the two white guys in the movie are the bad guys.
Is that one's a CIA asset who was in a prior film, and the other one was a villain from Avengers Age of Ultron, who's a South African villain.
But the most important quote, James, is when the Black Panther has killed the purported bad guy Killmonger, they're looking at a Wakandan sunset, and he goes, Hey, you know, we can heal you because we have this advanced medicine.
And the Killmonger character goes, Nah, dog, quote, bury me in the ocean with my ancestors who jumped from the ship because they knew death was better than bondage.
End quote.
This is a Disney movie that is boasting all of the Black Lives Matter, all of the Black liberation theology that you would hear if you were going to go to a Cornell West speech or any of these black intellectuals of Tiny Deco.
This was brimming with this type of language.
And, you know, it's not a good film.
I mean, I guess everybody, I guess everybody has to think that anytime that a black director gets to helm a project of this magnitude, that you have to keep applauding and not be the first to stop applauding to borrow To borrow an allusion from Dolphin Yitzen.
But no, I just gotta say it's not a good film.
And what's terrifying is that the anti-white zeitgeist is so deep with most people that they're not even able to see this film as having such anti-white tropes.
And that's the bad thing, I think, that we are at a point where people just see it every day and they're not even able to challenge the primitive.
Yeah, well, thankfully, people like you are challenging it, Paul, your website at V-DARE with Amrin and Jared and here on the show tonight.
We're out of time.
We got to have you back.
You are an all-star.
Thank you, Paul.
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Here I stand, head in hand, turn my face to the wall.
If she's gone, I can't go home.
Feeling two foot small.
Everywhere people stand, each and every day.
I can see them laugh at me, and I hear them say, Hey, you've got to hide your love away.
Hey, you've got to hide your love away.
Well, ladies and gentlemen, if we introduce a random segment with a song, it could be Jack Ryan's segment.
And you're in luck tonight if you want it to be, because it is Jack Ryan's segment, still on his month-long vacation in South Carolina.
Jack, how are you tonight?
I'm doing okay.
I've actually crossed the border.
I'm in Savannah, Georgia, last two dates.
So I'm actually in the South.
And thanks for that good lead-in song, The Beatles.
Do you know what the theme of that song, Hide Your Love Away, is?
Tell us.
Well, that's the theme is that the manager of the Beatles, Brian Epstein, was actually gay and he had to hide his love away.
But things have changed very much.
Now it's us, regular sane heterosexual people, that have to hide away, get our Twitter's account just taken away from Facebook.
But it's a good tune, and I think it's a nice song.
And I just think wish things were the way they were a little bit more there that way.
So we didn't have to hide, but that's the way it is now.
Well, that's absolutely right, Jack.
And I'm glad you're still enjoying your tour of the South before you head back up to Chili Chicago.
You know, down here in the South, it's supposed to be 90 in Florida next week.
Can you believe it?
In February?
What in the world?
But back to the Windy City you go next week.
Is it actually windy in Chicago?
I should ask you that very quickly.
Okay, well, that's a separate tale.
So the people at Windy City, the name is not just because it's windy.
The name is because Chicago was competing with New York City for the rights to hold the Columbian Expedition World's Fair 1894.
I think it was in 1896.
And New York City was already a great city with infrastructure and things like that.
And Chicago is kind of a cow town, but the press in Chicago was making all these boasts that they were going to drain this swamp and create a second Florence.
And the New York press dubbed Chicago the Windy City because they were full of hot air and they were talking a lot of stuff.
And it sort of took on.
Interesting.
Talked a big game, but he backed it up.
And my neighborhood in Chicago is where they did the World's Fair and it was a big success.
That is very interesting.
Actually, you know, we were talking about Walt Disney.
How about that last couple of segments with Paul Kersey?
Is that man not a brilliant commentator or not?
Paul Kersey does not get enough credit in this movement.
He is brilliant.
But we mentioned Walt Disney in light of the new Disney-released Black Panther.
Walt Disney, I think at that very World's Fair, debuted the Carousel of Progress, if I'm not mistaken.
Anyway, yeah, I thought it might have been the wind might have picked up on Lake Michigan there, but apparently not.
We were in Cleveland.
It's got a big, I mean, it's got other things too.
It's the hot air.
Our city is a beautiful city.
It's a great place to visit, but it's got rough things.
We've, again, 3,500 shootings last year, more murders and shooting than New York and Los Angeles combined.
They've got the population 15 times what we have.
And I'm going to do of the mayor and the district attorney and the sheriff, all these people I know.
I'm on first-name basis with these people, but they're just terrible.
So, the good people of the South, our listeners, should appreciate the good place that they are.
Visit my city of Chicago, come and visit, but understand that we're it's it's a hell.
I mean, we have just got awful crime policy.
I'm the only guy there.
It's worth visiting just for you, Jack.
But we got to get Eddie wants to know if you're from the South side, where Bad Bad Leroy Brown was written.
I'm from the South.
South, yeah, I still have an accent.
No, I'm from the South side, but it's people say, Oh, it's not the real South side because it's the University of Chicago community on the lakefront.
It used to be surrounded in my father's time by really tough, white, ethnic neighborhoods, guys like Dick Butkus were there.
And then the area went all black in the early 60s.
So, when I went to driver's education and got my life threatened by black gang members at Chicago location, my father said, Oh, it brings back good memories when like Dick Butkus and his crew were bush were busting us around.
But yeah, that is.
I'm on the south side.
That's what's made me from the south, the main streets of South Memphis.
I don't know what it is about the cities that the south side's always the bad side.
Anyway, hey, Jack, we haven't even started this segment yet.
I guess we'll start in earnest now.
We only have five minutes remaining.
But every time we talk to you, it's just like you're talking to families.
So we just get lost sometimes.
Let's go with the themes, rather, not the theme, but the recommendations: book, a movie, and we just heard the song.
Give us those very quickly so we can try to handle it.
Okay, the book is Dante's Inferno.
I think it was written like the 14th century Christian Europe, but he had pagan themes where the classical Roman writer Virgil goes into hell.
And it's not just heaven and hell.
There's very different versions, places in hell of bad places.
And so I've been in lots of different bad places of hell.
I thought it was in them this week on Hilton Head Island in South Carolina for the three weeks.
There were no southerners.
Everyone was from Ohio and Pennsylvania.
They're playing golf.
They're boring.
So that's one of the reasons why South Carolina politics are bad.
There's not Southerners on Hilton Head Island.
Okay, so I got the music.
Okay, the movie is The Great Santini starring Robert Duvall.
He's a Marine pilot trainer.
I think it's done in South Carolina.
It's about him and his family.
And it's the Marine in peacetime.
And Robert Duvall is a great actor.
And he doesn't really get involved in politics, but he's a solid guy.
And I highly recommend that movie.
Well, as I mentioned very quickly, as I mentioned to you on the phone earlier this week, Robert Duvall, who played Robert E. Lee in the incredible film Gods and Generals, which was released in the early 2000s, very pro-Confederate film for a major Hollywood motion picture release.
Robert E. Lee is a direct descendant from the, or rather, Robert Duvall is a direct descendant from the Lee Custis family.
All right.
So what's the core for tonight's segment?
Okay, my theme was a revolution is not.
And this comes from the successful Chinese communist nationalist revolutionary Mao Zedong, who said a revolution is not a dinner party.
It's rough.
It's not like nice.
And so my observation of three weeks on Hilton Head Island is that a southern nationalist revolution is not a bunch of snowbirds or retired, semi-retired people from Ohio and Pennsylvania playing golf.
So that's what we're doing on Hilton Head Island.
Not necessarily bad people, but they want to live their life as a vacation to play golf and to do those things.
I think they did vote in the presidential election for Trump, but they're just not involved in local, state, and local politics or academic or cultural things.
So we have to deal with the reality that a lot of our people are just sort of cowardly, lazy golf players.
So that's sort of my observation.
We're not going to win a revolution with those people.
And what's up with the carpetbaggers?
I mean, it's been going on since 1860.
Oh, it's not a carpetbagger.
Carpetbaggers, and they're just Midwestern people have good stock, but they're born.
They're just dull.
They're not taking on the world's problems and fighting communists, antifa people, Islamic terrorists, the Hollywood other people.
Again, they're just looking to play golf.
So I had a rough time on the island.
Hey, but, but, hey, let's give credit where credit is due.
I would say very quickly, I mean, they're just like most whites, they care more about status and getting their paycheck than they do about fighting for the future of their children and grandchildren.
And so, you know, they won't be remembered.
And I guess maybe they're not carpetbaggers because they're on vacation.
But unfortunately, a lot of those types come and stay.
And they're far more nefarious, the ones that stay.
Or they could be like the one in Nashville right now who's the mayor.
So I don't know.
We got a lot of those.
And like the one in Memphis, I think he's from what he's from Indiana or something.
I don't know.
Let's see.
But you want, let's talk very quickly about your vacation.
Tell us about your tennis match.
Now, that was something that impressed me.
Let's share that.
Okay, for audience.
I've got a couple of hobbies.
I used to play a lot of sports.
I was always good at ball sports.
Basketball got me through life in the city of Chicago.
So my main sport I play is tennis.
And I came down to Hilton Head.
It's supposed to be a great tennis place there, but for some reason, the tennis players were in Florida.
They weren't there yet.
So I was having a hard time finding anybody under the age of 70 to play tennis with.
But I had this pro.
It was really one of the best pros ever in my life.
This Indian guy, and he saw it and got it.
I played the best tennis set of my life.
I actually beat the pro.
Maybe he gave me a few points, but everything was working.
It was great.
And serving, just ripping.
And so that, so that was the one good thing.
And I recommend tennis.
I think it's much better than golf.
You get a good workout and you, you know, it's close to boxing.
So that was the one really good thing as I played the best tennis of my life.
So I'm happy about that.
What do you think about Savannah as compared to Hilton Head?
I've only been here two days, but it is south.
The Lyft drivers are all good.
I had a good time in downtown Savannah.
Yeah, I think it was good.
It is a southern place.
All places have touristy there, but I think the city's doing well.
So I would like to consider spending some other time in Savannah.
It is a southern city, the history, I like the black people and white people are southerners.
And everyone I talk to this season is pretty good.
So if I come back here, I'm not going to be hanging out in Hilton Head.
I'm going to be checking out Savannah.
So I've only been here a day and a half, two days, so I do recommend Savannah as a good place to go, and I'm doing well.
All right.
And then back to the Windy City.
And we now know what that means here in a few days.
And we'll continue this discussion next week for sure.
But Eddie has a very important question.
What do you think of handball and do you play it?
Handball?
No, once you get good at tennis, you don't want to play other indoor racquetball squash.
It's confining ping-pong with Chinese people and stuff.
You get good at tennis, you want to play tennis.
It's the best sport.
And ripping.
I'm playing better tennis in my mid-50s.
I did at 18.
You have good women there.
If your eyes are good, no, I think it's a good, it's a good sport.