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Oct. 31, 2025 - Project Camelot
01:29:37
Awake & Aware 2013 : PRESTON NICHOLS : TIME TRAVEL, TESLA, MONTAUK
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Time Text
Well, it's really great to be with Preston Nichols, really the one person who's brought the awareness of time travel, time control, government projects since the 80s.
He's been, in a way, the grandfather of the movement with the books around the Montauk experiment.
I met Preston in the basement of a psychotronics meeting in the 1980s, and he had told me he got all this equipment that was still left at Camp Hero in Montauk, and he dug up this equipment and he started to get on the track of what was really going on there at Montauk.
And if you go to Montauk now, if you go to Camp Hero, there's this really strange satellite disc there.
You know the one that's still there, that big iron metal thing?
Oh, the banana peel antenna.
The banana peel antenna is still there.
It looks like a creepy 1950s science fiction movie.
Someday it's going to be the biggest frisbee in the world.
But it's still really strange.
The energy is still really strange at Camp Hero there.
You can feel the stuff going on, the etheric energies.
And Preston has sort of lived a multi-dimensional life since recovering those memories of the Montauk experiment.
And we're really fortunate to have him here with us today because he doesn't come public much with this information.
So let's give Preston Nichols a big hand.
Oh, I don't think that.
I got this.
All right, folks, we're going to go at a fairly fast pace here.
I'm going to open with a description, a thumbnail description of what the Montauk project was.
As we know, it started out as mind control, evolving out of the Philadelphia experiment.
I'm not going to go into the mind control aspect because this is a time travel conference.
So on the blackboard, here's the system, how it worked.
This is your signal source.
This produced the UHF signal that would go normally to the antenna, but was also amplified and put into a group of cavities.
This also put out the pulse signal, put out an analog signal, and it had three axis of audio signals going to these huge audio transmitters, amplifiers, that put out about 50 kilowatts each.
That's 50,000 watts, five or four zeros after it.
Here we had 150,000 watts.
This thing had a pulse power of 66 megawatts above ground and went to about 500, 600 megawatts with the VMU system underground.
Now, what this is over here, this is the actual time travel unit.
This is a particle accelerator with the vacuum vessel.
This was fed from two other particle accelerators.
It was fed from an accelerator that ran from Block Island to Montauk Point.
That was the two-direction LINAC, you know, the 2-2 LINAC that just went around like a racetrack.
That accelerated the particle charge to about four-tenths the speed of light, 0.4 C. Then that was conducted down a magnetic tube to a thousand-foot accelerator circle in the middle of the village of Montauk.
If you drive through the village, you'll see this big traffic circle.
That's the second accelerator.
We proved that because when it's active, I can pick up the signals from it.
That then went through another magnetic tube to this accelerator circle, which was about 200 feet in diameter and sits just outside the Air Force base fence.
Now, this was set up like a giant microwave tube.
It had the orbit, the path, that was pulled down with a vacuum, huge pumps, and it had a group of UHF cavities around it, like with a magnetron.
Remember, a magnetron has its filament, and it has a group of cavities, and as it accelerates, forced by the magnetic field, it forces a frequency orbit based upon the cavities, the width of the input network, and it generates a microwave signal.
Your microwave oven runs about 4 gigahertz.
This one ran at 435 megahertz.
It was a pulse system.
Now, in the beginning of this is where you have the Montauk chair, where the psychic would be entranced, sat in the Montauk chair, and then the chair system, which was in a little cubicle of a room that we played music to them to help do the entrancing, would pick out the quantum and electromagnetic emanations from the body, decode them, went to the computer system that would further decode.
That's where your thought form code was, and then went to the signal generators.
You know, the triple audio source and the analog and pulse source.
And then the UHF would, you know, went here, the pulse went here, like a regular radar transmitter.
This thing pulsed the UHF on and off, but it would do something like this.
You know, it was what they called a synchrotron function, which is where it would bounce back and forth between the low-level amplifier path until it built up a bigger quantum charge.
And I hate the term scalar, but in this business it's called a scalar.
And I'm sure Dick and I know what a real scalar is.
That's why I've coined the term quantum wave.
And that would then, the RF out, would go into the cavities.
The charge from the earlier accelerator system, you know, the IPA accelerators would go in here.
And this and that, what I've attempted to draw here is the delta antenna, you know, which is one of these things.
And this.
That's why you got the three 50 kilowatt audio amplifiers.
And that, the purpose of that was to control the acceleration.
The cavities would put the signal, you know, the modulation on the acceleration.
Now, I'm going to digress here for a second.
Everyone's heard the term wavical.
Photons, electrons, are wavicals.
That means under some circumstances, it's a particle.
You know, it looks like a gazillion golf balls coming at you.
But you put them through a magnetic field correctly.
It unspins and comes out like a rug, a rug of energy.
You know, an infinitely thin rug of energy.
That's your wave.
And we can make use of both the particle and the wave aspect of the wave, of the electron.
I guess this is why, ever since I was this high, I was fascinated with electronics.
As you'll learn a little bit later on, electronics can be the key into other parallel realities and quantum spaces.
So what's happening here, we're accelerating in the orbit, we're bunching the charges based upon the pulsing, and we're taking the signal from the delta antenna and like squeezing the charge down.
Now, when we come out of the accelerator in the town, you're at about 0.8, 0.85 C. This you go to see.
But what happens when you get to C?
You no longer have a particle.
You have this huge, you have this huge field of wave.
Now, does a wave have to have a vacuum?
No.
Waves will propagate through the atmosphere.
So what happens is the wave comes out of the orbit and spirals down and actually crashes in this little space at the center of the circle.
Now, this works on the very simple aspect.
You take this little space, you bang enough energy into it, you're going to walk space and time.
Now, if you have an information function encoded onto the stream, you can control where that space-time forms a vortex to a wormhole.
Now, the system at Montauk had 16 degrees of freedom.
It means it could accept a 16-digit code, which really was not enough.
It's just enough to make inanimate objects.
But we couldn't make any live objects.
But if the psychic in the chair has in his mind fields the time capability, guess what you got?
Come on, guess what you got, folks?
You got a time machine.
That's it, right there.
Very simple.
Of course, to control this monstrosity, oh my God.
Most of the time it didn't work right.
We've lost quite a few people.
So that's how the time device works.
If there's any quick questions on the time device, from here I'm going to go on and go into my later research.
All right.
We have a key right here, the vacuum function.
Of course, what devices do we have in the electronic field in this world that has a vacuum?
White wall.
Vacuum tubes.
Vacuum tubes.
They have a vacuum in them.
A number of years ago, I was searching through early books.
I came across a book, I think it was Charles Reich, wrote this fancy vacuum tube textbook for MIT.
What it basically said was actually a simple concept.
They were talking about the pentode, five elements.
An anode, three grids, and a cathode.
And they had it like this.
Because we all know you got to heat this.
And they showed a diagram of a potential diagram.
It was flat from here to here.
Then it went up.
No, I'm sorry.
I'm showing my age.
What you do is you have zero.
You have a grid voltage.
You have a screen voltage.
And you have a suppressor voltage and an anode.
What this usually was was zero, minus maybe ten volts.
This would be plus 200 volts.
This again would be zero.
And this would be 500 volts.
So our potential chart's going to look like this.
And what I'm getting to is the quantum well right now.
Starts out at a low voltage.
Then at the screen voltage, it goes up.
Then at the suppressor voltage, it goes down.
And then it goes up again at the plate.
Now this is imaginary here.
Although it really isn't.
And then this is the anode.
What do we have right here?
Right in this space.
We got an up, a down, and an up.
What does that do?
That makes a voltage potential well.
Now, the grids have a lot of palladium in them.
The cathode usually, I mean the plate, I mean the grids have palladium in them.
The plate typically has tannalum in them or titanium.
What do we got the mechanism here for?
Sort of like a potential accelerator, right, Dick?
You follow that?
At this point, right down here, a mini singularity, many quantum singularity forms due to the rotations in here, which forms a miniature black hole.
That's your quantum well.
Now we know the black holes couple into all the contingent parallel realities to us.
It ties them all together in this big circle.
So it means if you optimize these voltages, you get a miniature strong black hole in the tube, which means the electron goes in, it starts out as a particle coming off the heated cathode.
As it enters the space, it becomes a wave.
It goes into the quantum well.
It's spun, but it's still in a vacuum, which means it can't go back to a particle.
What happens is that wave basically gets distributed through the whole path that that black hole goes through.
This is the key right here to the difference between vacuum tube audio and solid state audio.
If you get enough potential in the depletion zone of a solid state device, I'm not even going into the MOS part of the solid state either yet.
You have to get the depletion zone beyond the base and the collector.
And what happens, anyone know what happens if you pull the depletion zone beyond the crystal structure?
It burns out.
It means if you're going to operate that transistor in this mode, you're going to blow the thing out.
And then of course in the modern technology, you've got this MOS, metal, oxide, silicon, film business, and we know it only takes less than a volt to punch through that layer.
So you're not going to have any quantum aspects in your solid state devices.
Now, let me explain here my definition of quantum.
I know what quantum theoretically represents is jumps, you know, continuous jumping, which our reality is doing anyway.
To me, quantum is photonic light type activity between the parallel reference frames.
My degree is in quantum electrodynamics, which means it's how electroelectrons jump between the reference frame.
And when you're sitting here, you got the electron and two reference frames over.
What's it doing?
How does it reflect back to here?
That's my specialty, guys.
Of course, we can also do something like this.
I'm not going to be called Professor of the Rights of the Races.
Let's consider another thing here.
How many people have heard of the Maxwell's wave equations?
What does that mean?
You've got a function here.
You do a cross product of it.
It gives you a secondary function.
What that says in electromagnetics, electronics, is that you have the E field here.
That equals a constant, which, you know, if you're going through college, you know what's in all those constants, you know, all that imaginary crap and all those accelerations, which is now you perform a curl on it.
That's what the del cross is.
It's a curl.
You get the B, the magnetic field.
Of course, the other equation that's important here is the exact opposite.
What this is telling us right there, now I will describe to you the correct interpretation of a curl.
You can look at it as like a differentiating sphere.
You know, the equation represents a fear, a sphere.
What it's saying is if you put in an electric field into the sphere, and it can rotate any way it wants.
It doesn't care.
Just that it rotates.
Hence your torsion aspect.
It's going to generate a normal to that sphere.
So this is telling us that the electric field and the magnetic field is at 90 degrees.
It's orthogonal.
What does that mean?
If you've got electric field here in this reality, the magnetic field is coming from the hyperspatial point that's 90 degrees away from us.
This is why we've never found a magnetic particle.
And if you have a magnetic field, as long as you've got a motion to move that magnetic charge, it's going to come back to be an electron.
So what this is telling us is already in the electric and the magnetic domain, you already got multi-dimensional, multi-reference frame activity right there.
You hold a magnet in your hand.
You already have multi-dimensional activity.
Because the particle that generates that is in the space 90 degrees away.
Of course, the parallel realities are separated by 180.
So you got like our reality, a jump, which is a cross product, which of course, if any of us have been in electronics college, we've seen this one function is equal to E cross V times the sine or cosine of the phase angle between them.
We're going to assume the phase angle is 90 degrees here.
This is how you generate a radio wave.
This is what the antenna does.
You got a wire, you got your current going through, right-hand rule.
Your current flow is going to be this way.
It means the magnetic field is going to go around this way.
Again, that is multi-reference frame activity.
This is probably why, since I've been this high, I've been fascinated with electronics.
What I'm trying to show you here is probably, besides developing your own mind, electronics is probably the fastest way to get into other parallel realities.
And sure, we also have the torsion aspects, which of course the right-hand rule is torsion.
Now, I want to go and see, I'm giving you like a primer here.
I want to go into propagation.
How a wave propagates, you can envision it as a spiral going through the atmosphere through the background ether.
With the spiral, you have something, I'm going to draw a top or a bottom view of the spiral.
You got the activity this way or that way.
Around this, you got little wavelets.
This here propagates at the group velocity.
This propagates at the phase velocity.
Now, I don't know how to draw this, but I gave this for a reason.
A gyroscope.
As you spin up the spinning mass in the gyroscope, they're always circular.
Has anyone ever seen a square gyroscope this?
No.
What actually happens as that wheel is spinning up?
you're getting a circulation of what I'm calling quantum currents, which is electron-positron pairs.
Because when you spin off and you get a rotational velocity going, it basically goes into the Dirac C, which I worked four summers with Paul Dirac down in Miami, and releases from the Dirac C's positron electron pairs.
Don't you find that interesting?
So what's happening?
Let's say this wheel is spinning 50,000 RPM.
Now, the phase velocity in the edge of the wheel may be 1,000 times that, 100,000 times that.
What's going to happen?
You're going to go beyond the speed of light.
This is why you spin up a gyroscope, you get it relativistic.
You'll feel it.
One day, back in the 90s, I started to collect gyroscopes.
I was always fascinated with those things.
And I picked up this little gyroscope that ran at 50,000 RPM.
A little three-phase, you know, I can't think of it.
It's not a regular gyro.
No, it's not a position gyro.
It's the other gyro.
I can't think of the term.
Huh?
Servo?
No, that's what's in the gyros that pick off the position.
No, that's a, you know, that's a totally free gyro.
I'll think of it in a minute.
And I was sitting there with my three-phase 400 hertz power supply spinning these things up.
Hey, this one I feel.
This is making me lightheaded.
And I'm listening to it, and I'll say, I don't drink, I don't take drugs, I don't do any of that.
I heard voices in the damn thing.
So I took it apart after I got a second one, and I noticed you had the spinning wheel on the three-phase 400 hertz jump motor that got up to 50,000 RPM.
Up on the bottom, you had the screw ball voice coil motor, voice coil transducer motor.
Instead of the voice coil going in and out around the magnet, the magnet's pole came up, but it had a cylinder with flat coils on it, which means it's going to transduce voice coil-wise, you know, electromagnetic rotation, not up and down like you have in that speaker over there.
So what I did is I looked, hey, we got an audio transducer here.
So what's the first thing you do with an audio transducer?
You hook it to an audio amplifier and a speaker.
Of course, it had other neat things.
It had a whole bunch of little magnets embedded in the wheel with a pickup coil.
That would tell you the velocity.
And then it had the typical servo pickoff, you know, the resolver that sits on these things, the position.
It's called a rate gyro.
I just remembered that.
It's a rate gyro.
And what's interesting to you, it didn't say Mercury program.
It said Mercury project on it.
And I could tell you a little bit about that at some point.
So I fire the thing up, turn up the gain on my amplifier.
I hear people talking.
So, okay, stranger things have happened.
Now we're entering the twilight zone.
So I got the idea.
It was just like an inspiration.
Let's take the second one and put an audio signal into the voice coil transducer.
Let's see if this thing is some sort of a torsion audio link.
I suspected that because that voice coil transducer looked like an audio sensor of some sort, sensing torsion functions to linear function.
You should find that interesting.
So, I got the one gyro hooked to the guitar ramp.
I got another gyro hooked to a CD player and an audio amplifier.
And I turned them both on at once, off the same 400 hertz, turned on the CD player.
I heard the music coming out of the guitar amp.
Hey, the thing works.
I just discovered another way to communicate.
Guess what happened, folks?
I shut off the transmitter.
All of a sudden, I hear a loud clack.
And then this voice comes on and says, whoever you are, don't ever go on this mode of communications again.
We'll track you down and put you in jail.
You were on a top-secret communications channel.
Since then, I haven't turned on.
Because I don't like jail.
You can come up and shoot me.
Fine.
I'm out of this mess.
But you put me in jail.
I don't like that.
Although you're trying to put me in jail, you should see what's going to happen, especially nowadays.
Did you know Eric Lathwaite?
Eric Lathwaite?
Never heard of him.
He did a lot of work with gyros.
I've always liked him since I was this high.
All right, now, I'm going to have to sit down for a few minutes, but let's now go into another topic, the human mind.
Of course, everyone in this room is interested in the human mind, right?
Okay, the classic model for the human mind, including the one we used at the Montauk Project, was mansions with rooms, and each room was a different level of the human mind.
That's a rectilinear model.
That's bold.
It's not rectilinear.
You probably know what it really is.
It's circular.
It's a sphere, and you have a number of cones.
We have eight physical levels, like a computer with eight parallel processors.
When we're born, seven of those processes, those levels, are working together on our conscious awareness of our reality.
One, the eighth level is going from the point I'll describe in a minute to the non-physical mind, the soul, whatever you want to call it, the quantum mind.
Now how this works, you have the sphere and you have the cones open to the edge of the sphere, symmetrically placed.
When you're born, you have six cones interfacing into our physical, you know, projected world that we exist in.
The eighth cone, the tips meet all in the center.
The eighth one comes out of the center and goes beyond the sphere, which is our physicality, through the non-physical mind.
Now, as we grow up, whatever we perceive as a trauma, and as a little kid, your father wails the hell out of you, you'll perceive that as a drama.
What happens with that is that concept, that trauma, is buried deep in the mind.
As you keep burying more and more and more trauma deep in your mind, anyone can guess what happens.
It's buried in the eighth level, I mean the seventh level.
It closes off the eighth level.
Which means you lose contact with the non-physical, the soul.
So what that is telling us is we have to have a working non-physical mind being fully connected to our physical mind.
Which means once you get old enough to really want to start to use this connection, you've got to remember all your psi activities generally take place in the non-physical mind.
There's a little bit coming out of the central nervous system.
But I spent years trying to identify the carrier of like mental telepathy.
And it resembles electromagnetic waves, but it isn't.
Actually what it is, it's a positron electron wave, you know, what I'm calling a quantum wave, out of parallel realities.
So it's necessary.
I'm now giving you the key to how to develop this psi sense.
You've got to clear your mind.
Now what happens, as your mind gets cluttered, a number of the mind levels break off and float free.
Hence you get the conscious and the subconscious mind.
Then you've got the superconscious mind, which is usually disconnected.
What happens is level one through four is the conscious mind.
That's why most people can concentrate on four things poorly or three things a little bit better, two things quite well, and one thing very well.
Because you either combine the processes or you separate the processor.
But now we got three levels that are floating.
That's where you get your sublinimal messages from.
Because although that's disconnected, it still has some influence.
Which means the soul consciousness has to go through this free-floating subconscious.
And I call it subconscious because it is disconnected mostly.
If you bring all seven levels into one conscious level, that's how you are when you're born.
If you want to see what your child is going to do, watch that child as a baby and a toddler.
You have to pick out what he or she is experiencing and identifying because they're not going to be able to tell you.
There are ways, which we don't have time to go into, how to clear the clutter out of your mind, open your mind up.
Now I want to go into a very brief description of the Montauk boy work, where it was like the Manchurian candidate.
We were using procedures that would break up the mind with trauma, program the different sections, and then it became my assignment to put all the broken mind back together again.
And I went on a wild mission in the late 80s and into the early 90s.
Any Montauk boy I found, it was my duty to deprogram, help him deprogram.
The procedure, I finally developed it to where as he was going down into his consciousness, I could follow.
About four fellows I work with actually got to the eighth level, cleared the eighth level, and got into soul consciousness.
And I have a psychic procedure to follow.
First couple of times I did that, I came out of the state amazed.
What do you guys think I heard?
Music!
Classical music!
Now we're getting to the connection of music to the mind.
Classical music.
Got me thinking.
I started to research the classical composers.
They got all their music in meditation, in a meditative state.
They had to be going into the same area I got into.
Now, what we've come to the conclusion of, there is a section of the non-physical mind that has a frequency transform representing the ideal structure of your DNA.
If you can correct your DNA errors when it replicates, theoretically you can live until the whole system runs out of energy.
What's supposed to happen is this pattern is supposed to be surfaced in the conscious mind.
You go into a trance, sort of like an orgasm, a sexual orgasm.
That's as far as I'm going to go into that.
What will happen is that pattern will be distributed over the entire body structure.
At the point of that orgasmic state, your DNA opens.
The pattern is distributed over the DNA.
What do you think happens?
Your DNA is corrupted.
And we got a sort of qualitative proof of that.
Males can typically, if they have no other problems, they can father children up in the 80s and 90s.
What happens when you go into a sexual state as a male, this energy with a soul fracture, a soul fragment, courses up and down the channel.
And it goes right to the gonads, which means it's correcting the DNA in the testes.
This is why the body may be half on dead if you can still get an ejaculation, you can still father a child.
And that child will most likely be normal.
That's because at the orgasmic state in the male, the DNA in the testes is renewed.
That's the only thing that explains it.
I've also learned that when they had an experiment a number of years ago where they would take the sperm cells right out of the testes, tubules, they would try to fertilize an egg.
It didn't work.
My theory is that as you reach ejaculation in the male function, that soul fragment energy goes to the penis.
The penis is in the antenna.
What does the penis remind us of?
Tesla's antenna right a warden cliff.
That looks like a huge penis.
It has a resonant surface.
As, hey, I'm clinical here.
I'm not trying to be funny.
I'm clinical.
As the sperm passes down the ejaculative tube in the penis or the urethra, at the point when the sperm reaches the head, it's being energized by the soul energy, the soul patterns.
What they're beginning to find out, I saw a program on one of the science channels where they attempted to read the DNA of a sperm cell.
It was just threads with no differentiation in the threads.
I think when the DNA, when the unwritten DNA passes through that electromagnetic, or whatever you all call a field, that's when the code is written on it.
So what we've learned is at the peak of sexuality, you get the physical material to fertilize the egg.
You also get a non-physical mind fragment that combines with the female mind fragment, and that's the mind, that's the soul of the new baby.
Now, the reason I'm going into this is very simple.
We have here major clues to do age regression.
If we can somehow trick that soul fragment to come out, instead of going out into the female or into the atmosphere, you know, where the little critters hit a wall, now I'm trying to be funny.
If we can capture that fragment and then trick the body into going into the orgasmic state where the DNA in the body opens, you can now correct the damage that the n number of replications of the DNA is done as you aged.
This is how if we can learn this, if we can figure out what to do here, we could reverse aging.
We could take dysfunction, correct the DNA, and over a period of time, whatever it takes for your body to replicate itself, you'll grow young.
Isn't that interesting?
This is one of the major aspects of my work.
This is why, although I'm playing with amplifiers and torsion stuff, most of the time I don't take any data.
I just look at it and record it here.
You were asking about the using the big tuning fork and multiplying the frequency and putting it against a lightweight crystal.
I was taking data at that point, but I don't know if I had that when my psiloscope camera was working.
It may have, you know.
See, I'm not a scientist to make money, publish papers.
I don't give a shit about that.
Excuse my language.
It's my hobby.
Which means I don't really care.
As long as I've seen the data, it's up here.
I'm happy.
Now, when I was working as an engineer, oh my god, was there paperwork?
I hated it.
When I left the plant and resigned, and then I took a voluntary layoff.
What do you think I did with that soup?
I burned it!
And I vowed never to wear a suit again.
Now, the reason we're going into this is now we got the audio aspect of my work.
I just described to you how the quantum well works.
I have derived, which I can document, the engineering model for the quantum well aspect in the vacuum tube, in the pento vacuum tube.
What I now have is I have four vacuum tube amplifiers with the optimized quantum well.
I have a C D player with some very specialized signal processing that corrects the phase distortion above 10 kilohertz using the sacred mathematic concepts to realign the phasing of the treboharmonics.
That's where your 44 kilohertz digital audio falls apart.
Because you go to 44, that's how you only go to 20.
Because you have your regular bass band, 0 to 20, theoretically 0.
Then you have your anti-aliasing band, which is no man's land for the signals, and then you have like a modulated signal around the sampling rate.
And when they collide, we call that aliasing errors.
That's distortion.
This is why in a lot of CD players, they up the sampling rate artificially a number of times, because then that makes the anti-aliasing zone bigger and bigger.
It simplifies the low-pass filters.
I have digital signal processing that, oh, I'll tell you at this point, it came from a group that calls themselves the WingMakers in the future.
And they just handed it to me, and I then went over and handed it to friends at Computer Associates.
And I asked them, what would this do?
They said it was so complex, I didn't know what it would do.
And they say, by the way, you need a job writing computer code?
I said, I didn't write this.
What I told them was I went to an estate sale and I found this briefcase with all the printouts and these CD-ROMs with the codes.
And that's what I gave them.
No, the guys from the WingMakers gave me the printout and the CD-ROMs with the codes.
And that's when we implemented it.
It made digital sound sound like analog sound.
You couldn't tell the difference.
You still can't.
That I have in my sound system.
I have four amplifiers, each one with eight quantum wells, eight quantum well output tubes, which gives us 32 quantum wells.
What does that remind us of?
Stonehenge!
Accidentally, I built a system that emulates the Stonehenge functions because of the 32 stones that are supposed to be around the outer edge.
I actually verified that today because David showed a picture of Stonehenge and I started to count.
I got halfway around.
It was 16, so we called up all the net and get this.
There's theoretically 32 there.
So somehow I duplicated the Stonehenge function.
Now, I have four vacuum tube amplifiers.
I have three bass amplifiers.
Of course, they're solid state.
You can't beat transistors for a bass response because the dampening factor is almost infinite.
Of course, the dynamic impedance is less than a tenth of an ohm going into an 8 or a 16 ohm voice coil.
So it means if you've got a big enough magnet, when the bass signal stops, that cone is going to stop right where it is and then float back based upon the IR losses generated by the resistance of the voice coil and the stored currents in the magnetic field of the voice coil.
So what this means is I got this focused on a lounge bed, very similar to the Montauk chair.
Person lays in it, and I got three 18-inch subwoofers on the back wall.
I got two 15-inch subwoofers literally shaking the lounge and four 12-inch subwoofers on the front.
And with this system, if you take like a CD of 78 records, they're menorrow, the sound stereo, it sounds like a good modern recording.
Now, let me explain how this works.
Remember, your mind crosses into the non-physical parallel realities.
The quantum well crosses into the contingent non-physical parallel realities.
Now, we have an oddity about this function.
In our physical projected world, the information flow is from the amplifier to the speaker to the listener.
In some of the other parallels, it's opposite.
Now, does anyone know what the quantum well actually represents in electronics?
It's a non-linear function.
It follows the laws of sines and cosines, which means it's going to produce a cross-product between the signal from you that's being pulled back into the quantum well and the signal that's driving the quantum well, which means those electrons are coming into the tube, unspinning into little rugs, going out through the parallel realities, and the signal is coming back as little quantum rugs, and it's crossing.
It's doing a cross product.
It's going to produce a group of products which represents your function and the music function.
Means you're going to be right in that music.
Don't play heavy metal on this.
And don't play Smetana's first piece in My Fatherland.
That's death.
Don't play the beginning of Angelus' Heaven and Hell on it.
That's death.
I've laid there listening and I felt like I was going to die.
That's why I had to stop it.
That's why I always go to the next step on those recordings.
But now, what this means, I have a meditation system, a meditation function, oodles again, that represents 32 functions.
That means this thing can take a 32-point frequency transform.
Remember, the Montauk project was only 16 points, which means this system theoretically can go way beyond the Montauk project.
Now, I will say this.
Back in 1989, I was tooling around a handfest, but that is, that's an amateur radio swap meet.
That's where I got a lot of my equipment I came up to upstate New York with.
I didn't rent the U-Haul truck.
I bought it.
And then I sold it for what I paid for it.
But I moved up 9,000 square feet of U-Store, wall-to-wall five-foot-high, of electronic equipment.
This is why I can probably do almost anything electronically.
Because I have a huge stockpile.
Of course, at this point, I can't afford to buy any electronics, not the prices they want these days.
So I basically built this meditation chamber.
Now, the guys here, including you, were talking about pyramids.
What's under my house?
A buried pyramid.
A friend of mine came up from Fort Meade.
You know, that's the front office of NSA that I used to work through for through the military contractor I work with.
And that's when I went out to Montauk and they said, well, you've got to be in the Air Force.
Well, I'll join the Air Force.
Raise your hand.
You swear to uphold the Constitution of the United States.
Okay, Lieutenant Nichols, you're now in the Air Force.
Am I going to have to go to boot camp?
No, we're not going to send you to boot camp.
You've already been in boot camp with your engineering degree college.
And you have other aspects we want.
So basically, I built this huge meditation chamber with a pyramid when we swept my property with the ground-penetrating radar, which the guy pulled out of the warehouse.
He wished he could have given it to me.
But I don't know if I wanted it anyway because the floppy disk drive didn't work in it.
I've never got a recording of what it was.
How are we doing on time?
I guess he doesn't know.
How are we doing on time?
It's quarter after cloud.
So I asked the official timekeeper.
About 40 minutes.
Okay, I think we can finish this.
All right, one day, Preston of the Future appeared again, and he gives me a C D okay, what's this?
He says, You want to play a track number eight and you want to project yourself into that droning noise at the end of it.
So, okay, I put it on the C D flyer.
Beautiful song.
All of a sudden, as the song is fading out, you hear like that.
When the next time I saw Preston of the Future, I said, What's that droning noise on the end of that recording?
He says, Well, when the galactic superwave hit the planet, that was the microphones being destroyed as it went through.
He said, like an atomic blast.
You know, you have a telephone in the atomic blast, you hear all sorts of strange noises as it goes off.
So he said, I should project myself.
So I did.
You know, I concentrated through that droning noise.
I made it repeat that section.
And I went out.
I ended up at what I identified as the galactic center.
And I encountered this huge torus of energy and dynamics floating inside the energy field inside the torus.
And there is an equation in physics, quantum physics, whatever you want to call it, that says this, very simply.
If you have enough energy, enough power, and you have enough dynamic function which is changing in generation of functions, you got an intelligence.
Now I'm sitting here looking at this thing, which is both energy and dynamic to infinity, literally.
As far as we're concerned, that's infinity.
And I said, Who are you?
I just said that.
Came back saying, I am the beginning and I am the end.
Okay.
I said, okay, what do I do?
Said, you could ask any question.
So over a period of time, I put a lot of technical questions I didn't know the answer to.
And I got the answer, and it was always right.
That entity, whatever you want to call it, is why my sound system is where it is.
That entity told me to put four dual pentos for the output tubes.
That's the A quantum well four amplifier of Daisy 32.
I didn't know why.
I always thought that four was necessary, you know, for the quadrants of a full rotation.
I said, no, do eight.
It told me to make the speakers in a triangle structure, which has become known as the interocidor design of speaker cabinets.
And what happens when that plays, the quantum energy is launched as solitons whenever the Bush coil changes direction.
Because remember, you're storing the energy and the thought form, whatever you want to call it, the transform, in the coil that is moving linearly.
The minute it changes direction, that's launched in a soliton-type field.
That's how the speaker gets into the person's mind.
It's launching these quantum wave solitons.
So after a while, my first thought is, is this God?
No, no, no, it's not God.
We can't talk to God.
I can't see it.
25.
25.
Okay.
So I worked with this being, and I remembered my mother loved my fatherland by Smetana.
I put that on the system.
I started with the first band.
Oh my God, it made me feel horrible.
So I skipped that band.
And then I played the second band, which is the Moldow.
And I realized that's a river.
So I called up a friend of mine, Eric, who lives in Boston, who's a composer.
I said, Eric, can you tell me anything strange about my fatherland?
I already looked on the net, and it says it represents the land he lived on in the Transylvania area.
He said, well, that's not really what it is.
What he learned was that Smetana got sick, went into, at that time, the asylum.
Remember, this is the 1500s, this was written.
And he died in the asylum.
He went up to heaven, met God, and came back and wrote this music.
So that's how I realized the Moldow is the river of life.
That beautiful flute sequence in the middle of it is the tree of life.
And then it goes on to the enter into the domain of the angels.
Then it goes into entering into Balhauer.
Then it has, you know, number five is called, I thought it was Tabor the Great, T-A-B-O-R.
And then the sixth, we translated as being a re-entrance, which is going back into the body.
This is some of the most healing music you'd ever want to hear.
Some of the most beautiful music.
So next time I visited, well, I was calling the galaxy critter, I said, are you known as Tabor?
See, what happened after I talked about this on a radio show, I got this guy with a thick European accent.
You Preston Nichols?
Yeah.
What has God said to you?
I said, huh?
And he says, well, you're saying Tabor.
In our country, it's Tabor.
And that's our name for God.
Which, you know, this might be God.
So I started with a boom box going around the different psychics I knew were genuine.
I got to seven of them.
Five told me that that's a very powerful universal being, is what they said.
And the other two said it scared the hell out of me.
So I still don't know for sure.
This was about 2006, 2007.
I've come to the conclusion that this probably is what we call God.
Now, in 2010, I still had the cable TV and I picked up off the Discovery Channel a series from the Science Channel called Through the Wormhole.
They had three episodes of it.
That's all we ever had on the Discovery Channel.
And I'm looking at this thing and saying, you know, this is quite metaphysical.
So I decided, let's edit out all the commercials and stick them all together in a two-hour movie.
And after watching it a few times, I realized, hey, you know what these guys are saying?
And they're proving it.
This is a computer projection.
All right, so I researched further, talking with Tabor, and there turned out to be a second one.
Guess what the second one told me its name was?
Ra!
Raw, I think that fellow David this morning would be quite interested in that.
You know, with the whatever that universal rule was he was talking about.
And what he was talking about was slightly different description of the same thing I was getting from what I called the galaxy critter.
So, okay.
Now I finally realized something.
That basically this is why the Bible is so freaking confused.
On one page, God is telling Abraham to sacrifice his kids.
On the other page, God is telling Christ that we all got to love each other.
So I realized we got a negative God and we got a positive God.
This is why the Bible is so confusing.
In Catholic school, I used to call it cataclysm.
Not catechism, cataclysm.
And when we would go into St. Mary's Church, us and little kids would look at each other and say, we better be good.
See that guy up there on that cross?
We could end up like him.
Now I'm joking a little.
I'm trying to add a little levity to it.
Now, I've been getting a ton of information.
As things look right now, we are headed for a calamity in about 10 years.
As it looked 2006, we were headed for a calamity of 2012.
Since then, it's been pushed ahead.
It makes sense.
Because at this conference, I realized that what's been said to me, which I didn't fully understand, now I understand it.
This executive program in this supercomputer with a duality, which that fellow Dave spoke of as the second step, you know, the second law, that the single points got to go to a dual point and then evolve into multiples.
That computer, the single point is when the computer was turned on, quick.
And then as it processed, it split off the executive program to make the two God critters.
To us, since we exist, each one of us is like a memory location in the memory of the supercomputer.
And that it's emulating the life form that built this supercomputer.
Now, we have a clue as to where it came from.
Tabor told me that roughly 10 million Earth years ago, we ended up in a major galactic war.
What was actually happening is 10 million years ago, Sagittarius was a galaxy.
And the Sagittarian galaxy was crashing into the Milky Way.
And the intelligences were battling each other.
What Tabor said happened was a truce was called, and it was agreed they build this super duper pooper computer and have it run a simulation starting out with billions of possible simulations.
And as each one failed, it would truncate down to the one.
That's the solution to the battle.
And we're almost there.
Because up to about a year ago, we had seven parallels with us as one.
Now it's down to five.
Now, this is all great and good.
I've been getting all sorts of information, which you always check your source, like I checked the source with that channeler.
You know, I asked him what happened to Tabor.
And he said, who or what is Tabor?
Now, if that guy was a phony, he would have said Tabor is blah, blah, blah, blah, blah.
He said, what's the boar?
So I described him as cryptic, it was part of the executive file of a supercomputer.
And he went into whatever state he was doing.
He came back and said, well, what happened is one function was pulled out and the other one is shattered and fragments were all over the place.
You got some fragments in this reality and I got to look for the other fragments in the parallels.
So this being that he was channeling knew, he didn't know what Tabor was.
I didn't expect him to because that's our term.
Once I described it, then they looked through their records and found out what happened, but I didn't tell him that I can only find fragments of this critter.
But he came back and told me that this fragment's here, which is what I see.
And, you know, that there's others distributed.
So we can change it.
Right now, March 23rd, mark that down, March 23rd, something happened.
Ra disappeared out of the computer.
I couldn't find any reference in the executive files to Ra whatsoever.
The day before, I had it.
And Tabor was shattered, but there wasn't enough pieces to put Tabor back together.
Because the first thing I've done is I performed like a defrag and attempted to reassemble Tabor.
I only got about a third of it so far.
And I picked up all the fragments I could find.
You know, being a Native American shaman, I'm good at picking up soul fragments.
So, you know, now since the executive program that directs the activity of this cube, of this computer, which by the way is known as Cytros, Duncan Cameron channeled that name 20, 30 years ago.
And he said it was a super non-physical, non-physical computer that runs our universe, which is our galaxy.
Our galaxy already knew this, that our galaxy is in a bubble in the main existence.
And I thought at that point the Montauk project and all the corollaries across the timeline generated the bubble.
But I think the bubble is the isolation for the computer simulation from whatever reality that computer actually exists in.
I don't think it's even a physical machine as we know it.
I'm picturing now a group of frequency patterns, very dynamic, that keep cohed, you know, cohere together, and that's the computer.
And that we're all part of it.
Now, I realize that Tabor and Ra is the negative positive side of all of us combined.
Which means this computer is a self-programming, self-generating function.
Which means, as quite a few of the guys here said, each quanta, you know, quantum, the quantum, the quantum, the quantum, is different because you get this flash, it goes, we all put back into the computer, we modify, we get another flash that keeps going cycle, cycle, cycle, cycle, cycle, cycle.
And they have picked up pixelation of our reality.
That was two things they were basing it on.
That they detected the quantum cycling, which actually turns out to be about three and a third gigahertz.
And they tell me if you go below the physical level, you know, I got this right out of a friend in CERN.
It looks like the atoms are made up of little squares.
And they said essentially this on the through the wormhole program.
So we got pixelation and we got framing.
What is that?
That's a TV picture.
Except we're in such a strong TV picture to us it appears real.
Of course this is backed up by the idea that most solid matter is 99% space.
And this also fits with the metaphysical idea, which I do know to be true, that every atom, every particle has a frequency signature or a frequency transform if you're in engineering.
Which means everything that we perceive started out one time as frequency as an energy field with all these frequencies.
Now, what's music?
Somebody should be able to answer that.
It's a group of frequencies.
A musical note is a frequency transform.
That's all it is.
The information that's contained in that frequency transform is the relation of the amplitude, the frequency, and the phase.
Hence, you can get it right out of a fast Fourier transform.
But I don't want to go into who Fourier was here.
I'm sure you know.
You don't know?
So it now makes sense that our DNA lattice is probably just so many DNA functions in the world.
Our classical composer music, probably everyone's DNA frequency lattice is in there somewhere.
All I have to do is find out what piece of classical music each individual resonates with.
I now have identified the frequency lattice for their DNA.
And I've had some success in that.
You know, I study body language, very deep body language.
Yes, sir.
Can this room do healing?
Can your room, the chair, the music, and the amplifiers with Mob Loss, definitely.
Do healing.
Well, when Smantana's being came back to the body, the body had to heal right there.
So I look at it that number five, which is meeting God, and number six, which is putting back into the body.
That's very healing.
I will not officially say the results of this.
You've got to remember, I do musical meditation.
There's no healing.
I cannot claim, of course, I don't have a medical license healing anything.
But the medical practice does acknowledge the healing aspects of just listening to music, and I got a better sound system than anyone else has because of my expertise in quantum physics or electronics.
You know, the internet says Preston Nichols, eccentric person, world-class electronics engineer.
So yes, any form of DNA reference music which is coming out of the old composers that meditated their music.
They heard music when they meditated and then put it down on the score.
That can be healing.
Okay, next question.
Yes.
Have you worked with cats and dogs and plants?
I had a plant in the sound room and in one month it grew to the ceiling.
My dog loves it.
I can't keep him off the bed if I'm playing.
Now, I'm going to put out a little commercial here because I know we're getting towards the end.
The home of Preston B. Nichols has a huge overdue tax bill.
I'm in the process of setting up a foundation type.
The only way I see out of this is donations.
Because I'm on social insecurity.
I'm sure everyone knows what that is.
That's below the poverty level.
And I got a government pension.
Does that give you much?
A government pension?
No.
I'm still below the poverty level.
And in a year, I'm going to lose the house and my laboratory.
And probably my pile of equipment, which is what's needed to do quantum research, because of the fact solid-state devices won't survive it.
I probably have the largest collection of electromechanical and vacuum tube material in the country.
Yes, ma'am.
John Hutchinson is sending out GoFundMe.
It's an online thing where some we can help you to set this up and make it.
We'll have to look at it.
Yeah.
I met with some other people here at the conference that already has a website.
What was it?
Preston Nichols Foundation?
Yes.
Yeah, Preston Nichols Foundation.
We're going to get going on that.
And maybe we can take some of this money if it's over my old bills and we can go scavenge more vacuum tube equipment.
Because I'm sure everyone knows it's getting harder and harder.
Yes, sir.
Did you realize if you sold a third of that to the Japanese, you'd never have to worry about money again.
Well, yes or no.
I know.
since 2008 none of this crap is really selling that's why last summer I went to an estate auction of an engineer who became a judge yes he He has probably half of the equipment I have.
I bought it all for $200.
They tried to sell it over the internet.
It did not sell.
I even bought the electron microscope that I worked with with Paul Dirac that proved the existence of the Dirac C. Now I have hopes to take that and make that into phase and group velocity and get electrons really beyond the speed of light.
That was set to Physics World on this year, although the Hydrogen Collider has already done that.
But yeah, afterwards, I'll be happy to talk with anyone and even accept donations at this point.
I just have to set it up so I can clear it with the Rio and IRS.
I'm not going for a C3501, so you won't be able to deduct it as a tax deduction.
That's too complex.
Because what's been going on around me?
I don't think I'd love to get a judge to sign it.
Because there has been problems with the local town.
I got prime real estate.
If someone acquires two pieces plus my property, they got about 20 acres in the town of Carroll.
It's the last large parcel.
And if Hannafet actually opens and do well, the value of those properties are probably going to go up five to eight times.
And somebody's trying to force me out.
They forced me to do a cleanup.
That's why I got this big sore on my foot.
Because I was pushed one day all of a sudden that evening I was wiping my foot.
What's the sweat for the mirror down there?
Holy shit, what are those blisters?
And then the doctors rather tell me, well, those are diabetic foot sores.
Like fun.
I know exactly how it happened.
And that whole diabetes thing, that's another conspiracy.
But we're running out of time.
If anyone's really interested, you talk to me later on that.
Okay, well, we have a few minutes.
Any other questions?
All right.
The music is Broken Dreams by Justin Haywood.
There is a version on YouTube that has the droning on the end.
That's the rock piece.
It's beautiful.
Huh?
You see the Moody Blues?
Yeah.
Yeah, well, he's not the Moody Blues anymore.
The other piece is My Fatherland by Bedrich Smetana, S-M-E-T-A-N-A.
And I have a Deutsche Grammophone recording.
But yeah, right now, right in the house doors.
All right.
But we're running out of time.
Well, you can give us a little bit more to do with this.
Okay.
I got to erase the group and phase velocity poorly drawn diagram.
And I'm sure there's a few people in here that knows what that is.
broken and
by the way Justin Hayward that appeared on Smallville is his son And my father, of course what the reality is, father is God, by Smetana.
Why is the first track negative?
Because the first track is what he wrote based upon when he died.
Now there's a third.
Vangelis' first piece, Heaven and Hell, is something similar.
And what you'll find, every other piece is in Heaven and Hell.
Don't play the first 4.35 minutes of that.
That's death.
And that's a very powerful death sequence.
Huh?
Other questions?
Yes.
Yes, sir.
You.
All right, the lady in the back.
Can you make any comments on 432 hertz?
Oh, that's interesting.
Right now, I'm putting together a variable power frequency source to hook to my Hammond organs with the tone wheels.
All I got to do is put 58 Hertz into the tone wheel motor, and we now got an octave based upon 432.
Now, interestingly enough, the soundtrack music from the Stargate movie, that is orchestrated music.
The only oddity is every instrument is tuned exactly to guess what?
Yes.
Does anybody know why that is changed?
Well, from what I can find out, I forgot to mention this.
I get this group of people that appears every so often and say we represent a group you know as the Wingmakers.
They claim that they made the music in the future.
And when the real Stargate was opened, this guy that became David Arnold came through with two master copy C D's.
And if you ever seen David Arnold, he looks like a freaking alien.
He looks like one of those guys that some of the people here were talking about.
And when I was working for DARPA, I was handed the steel phonograph record.
All it had on the label was, you want to miss out?
Okay.
On the label said 20 pi.
So I figured that was the RPM.
So I set up the big turntable at Ireland Broadcasting, which I was partners in, and set it up to 66.8 RPM.
Put the record on the needle, the cartridge they gave me, I put it on.
What I hear, the Stargate music.
So I called up Ron Thompson, you know, the general.
I said, hey, what kind of a joke is this?
He said, well, yes, it is a Stargate music.
He said, well, you remember that big ring that gets the water in it?
When that guy came through, he handed us the music on CD-ROMs.
It happened to be there's a cave in Chayco Canyon, and yes, the Chayco Canyon cave is real.
I've been there.
And on the wall back to the last wall, there was the ponygraph record sitting on a pedestal and a phonograph cartridge.
And the problem is, at that time, there was a copyguard code on the CD-ROMs.
Whenever you tried to copy it, all you got was 30 selections of the first piece.
Now, what the wingmakers told me this does, this is something I promised to go into and I forgot.
So I got another few minutes.
Do we have another few minutes?
No, we don't.
That's the most important.
You won't get through without it.
Whatever you want to do.
What are you going to tell them?
The 24th demo.
Oh, the 24th chromosome?
Yeah.
Can you do it fast?
Yeah?
We're going to move some furniture white.
Okay, yeah, that's fine.
Okay, folks, it goes like this.
When the wingmakers appeared to me, they handed me this computer code for this, you know, this digital signal processing, which worked.
I'm not capable of even running a computer, let alone write computer code.
And they told me that there was, you know, they told me where the phase distortion was in my original amplifier design, which was impossible to find, you know, with normal mathematics.
What they told me is they recorded and wrote the music for Stargate.
And when the fellow David Arnold came through the water hole, he handed it to the government.
And for some reason, the government followed his directions and published the music.
Now, what they explained to me back in 1999 was that we now have 46 chromosome pairs.
We're supposed to have 48 chromosomes.
We got 23 pairs, and then the 24th pair is collapsed into the 23rd.
They said their music is arranged, so if you play 1 through 24, that will surface the 24th out of the 23rd.
And then the last up to 30 is different ceiling signatures for the different races of man.
Caucasian is number 30.
Now, interesting part, back in 2010, the medical profession announced that we're supposed to have 48 genes, 24 gene pairs, and they're saying the first has collapsed into the second.
I heard that on the Discovery Channel, which is vindication, which says all this hallucinations I've been having is real.
Okay, that's it.
That's all I can think of.
All right, we've got a question here.
Thank you, thank you, thank you.
Oh, you can come up and ask questions.
This is for your benefit.
This is not for my benefit.
This is for your benefit.
Each one of you has to go out and work on restoring our reality and work on bringing your genetics to 24 gene pairs.
If you don't have 24 gene pairs, see 24, 23, 22, those are the negative genes.
You need them or else we'd be cows grazing in the field.
You need that for the push.
The 24th is altruism, which is supposed to keep the others in check.
Those, if you don't have the 24 gene pair, you're a greedy bee-something.
Now, if you're altruistic, you have it working.
Now, you're not going to get through.
Whenever this galactic superwave hits, you're not going to be able to get through unless you can refer reference to both sides.
Without the 24-gene pair, you're only going to reference to this side.
You'll literally be scared to death.
That's what the ringmakers told me.
So, this is an important thing.
This may be more important than repairing the Cytros computer, whatever the frick that is.
And how the hell am I going to do that?
don't have a clue power to the people Power to the people.
Oh, you can come up and ask questions.
That's the original soundtrack, the Stargate, but you're not going to get the correct one.
Oh, you're not.
You might find it.
It's a black label CD.
You might find it in the UCD shots.
It's Stargate soundtrack music written by David Arnold, who looks like an alien.
What's his last name?
David Arnold?
Arnold.
Are you okay with the check?
I don't make enough that IRS is even going to be worried about it.
I know, I know, but I'm just saying YouTube check as opposed to campus.
Well, I'd rather carry this through the fire.
Which tracks do you play?
So 30 was Caucasian?
Yeah.
And then what's the universal one that takes the 2014 out?
Well, that's you play tracks one through 24.
One through 24.
Okay, and then the other ones are for the race.
Preston, have you been able to play with the Rhoden coil?
With what?
The Ruben coil?
Oh, you mean one of those true scalar coils?
I play a number of those.
Oh, you made me a sheet piece, though.
So we're going to have to ask you to come and sit back down.
I'm sorry, if you don't mind, and we can take questions.
But Preston, people can follow Preston outside.
It's just that we have limited time in the rental of the room, so we're actually over time for Preston at this point.
Really quickly, I do want to say that, yeah, he needs $4,000 for his house, and so we can try to set up a donation situation for him.
Preston, do you have PayPal donation on your website or any of that?
Not yet.
Okay, I'll get Tommy to help you set that up.
Can we take a minute and find out my address or something?
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