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June 10, 2025 - Project Camelot
43:33
MARIA WHEATLEY AA21
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Time Text
Okay, hi.
Thanks for hanging around for so long.
And I know you want your dinner, so we're going to finish at 10 o 'clock.
So I'm going to go quite fast through this presentation.
and may skip some slides so that we can go through to some Egyptian earth energies at the end.
So I'm just going to skip that.
We really do.
But I've discovered some long-lost light effects at ancient sites because when we think about alignments at Stonehenge, we think, for example, about the sun rising over the Heelstone at the summer solstice.
But there's far more than what the elongated skull, the long-headed people, integrated into Stonehenge.
They created a light show.
And they also created monuments that lit up at night.
And I'd just like to thank mathematician Richard Cardrew and engineer David Webb for helping me calculate what the ancient sites looked like back in about 5,500 years ago.
You would have seen them at night.
So we're going to look now at Stonehenge Phase 1. And it was built, like I said, by the long-headed people.
It had 56 blue stones going around.
Stonehenge isn't a henge.
A henge means a ditch on the inside and a bank on the outside.
But Stonehenge has got a bank on the outside.
Why?
Why is that the only henge in the world that has that?
And it's a chalk bank as well that would have gleamed chalk white.
When we look at the Heal Stone, again, we think of the summer solstice.
You're spoon-fed that.
The accurate alignment is to the moon at its midpoint swing.
And then there's another lunar alignment coming up quite soon.
It's going to be a time when the ancient sites are activated.
It's in 2024.
And it's the night of the highest moon.
And it's the dark night of the moon.
And all the sites that have been aligned to this alignment will rise.
Rising energy.
It'll be like a serpent rising up.
And they did that to Stonehenge around about 2010.
When this happened, they denied access.
And they may be denying access to sites like Kalanish, which have this alignment.
So when we look at the night of the high moon, we look at the first phase of Stonehenge that had 56 stones going around.
According to Gerald Hawkins, that's 19 plus 19 plus 18, which equals 56. That's why there's 56 blue stones in Stonehenge phase 1, which we now know came from Wyne Morn in Wales.
So it was a reconstructed stone circle, Stonehenge phase 1. Like I said, the ditch was not on the outside.
Now, to figure out what Stonehenge looked like to the long-headed people that had their ears set further back and could probably hear sound frequencies that we can't hear today, they created these arcs.
Can you see how it turns around and it creates an arc?
An archaeologist will tell you that the reason why that is an arc shape is because it was a mistake.
It was built by gangs of people and they created these arc shapes.
If you start to look at the mathematics and the astronomy of these sites, a new story unfolds.
And all Henge monuments and all causeway enclosures.
These sites here are called a causeway enclosure.
They predate any stone circle by a thousand years.
They're some of the oldest monuments that the long-skulled people created, all of which have these arcs.
Avebury has one, and Mardenhenge, for example, Mount Pleasant.
And like I said, these are all henges proper.
They have the ditch on the inside, the bank on the outside, not Stonehenge.
When we think about Stonehenge and sites, and especially phase one, imagine 56 highly polished bluestones.
So highly polished, you would see your reflection of your face in them.
That's how brightly polished they were.
More than that, they polished chalk.
The chalk bank would have been gleaming chalk white.
And if you use an angle to place a light, such as the light of the moon, on a henge corner, it starts to reflect back like a spotlight.
So the moon, as it comes up in its most highest nautical, It's when the moon is right at its highest, and it will activate all the underground water, all the earth energies, and that all of that energy will be fed across the world by the lay system it is aligned to.
So it's a huge event, and I think English Heritage will deny total access to that.
Moon in the right position, you get a huge reflection.
And this is the kind of sequence that the ancients made at phase one, which would have worked incidentally as well at phase two.
You see, the moon to the ancients was very, very powerful because it doesn't just affect the waters of the oceans in high tides, it affects the underground water.
It makes it kind of move its own waves beneath the earth.
And this generates a high lot of electromagnetic energy that is fed into the entire system.
And also, like I said, with the long-scale people, they were quite short as well in stature.
Their ears were further back.
And you also have, in this whole scenario, what's called infrasound.
The stones will start emitting the infrasound.
And acting like a mirror, you would get this huge line of light, moonlight, hitting that corner of the arc, then creating a line of moonlight.
And sometimes that line of moonlight would become a spot.
You need criteria for that.
You need a bank on the outside, which Stonehenge has got.
No other site has got that.
You also need a chalk floor.
Now, when Richard Atkinson dug out Stonehenge in 1959 with Professor Stuart Piggott, they said that they found chalk rubble on the bank.
That's what they said.
That's what they wrote.
And that's what every archaeologist will tell you today.
Oh, it's just chalk rubble.
Not according to the eyewitness that saw it happen with Stuart Piggott and Richard Atkinson.
And I inherited from my late father all the unpublished surveys of Stonehenge from the master dancer and archaeologist Guy Underwood.
and he had witness after witness saying they are lying to the British people.
What it was was a massive So it was like a huge bowl.
Do you see what I mean?
It wasn't just a Henge Bank round the outside.
And that's what the witness was saying.
Who's the witness?
Has he got any credibility?
You know, is he crazy?
Is he normal?
He was the actual guardian and custodian of Stonehenge.
That's why he was invited to the dig.
So when the archaeologists say, oh, it's just chalk rubble, it really annoys me because...
It's a ridiculous scenario.
It must have been laser-like technology because it was so, so smooth.
and it shocked the custodian.
And when the reports came out that, oh, it was just a rubble bank...
So, you put all of that criteria together and you have a sequence of events at Stonehenge when the moon rises at its most northerly.
Has anyone seen the moon at its most northerly?
Yeah?
It's huge.
It's massive.
Okay?
And the day is coming soon.
2024.
Okay?
It will be at its most southerly, which I didn't have time to tell you about, Kalanish.
Stone Circle.
I was there in 2006.
The moon comes up so massively, it's honeycombed.
And you're at now a much northern latitude at Kalanish.
So the moon rises and it goes across a hill range.
Then it enters the center of Kalanish.
And if there was a woman stood like this on the hillock at Kalanish, what would happen was she would be touching the moon either side.
And we're going to be doing that at Kalanish in 2024.
But the drama of Kalanish doesn't stop there.
Okay?
So imagine you're at a particular point down an avenue, and you're watching this woman in the moon, the atmospheric start to change in this honeycomb moon, She becomes gigantic and a whole shadow touches the end of the avenue.
And then suddenly the moon sets and everything goes jet black.
That's Kalanish.
And when I went there in 2006, we saw it all.
But guess what happened at the last minute?
It's Scotland.
It was cloudy.
And I cried.
But I was with the world expert at the time.
So what we're having at the moon's most northerly is it rises in the east.
It will hit that point where it says, like, number three east.
A beautiful long line of caustic light would go right across the chalk floor and hit the chalk bank.
We've worked out the mathematics and the light refraction of this.
And the length of the beam is half the radius of the henge.
And it reaches towards what came later was the Y and Z holes.
But they were a much later feature.
but we think the reason why they were put there is because the light ends there.
And then the moon would align at midnight or 1 a.m.
on the southern...
That's another entrance to Stonehenge.
You're only told it's got one entrance in the northeast, but it's got two.
It's got one in the south as well.
I'm working at the moment with some people from Seattle doing an animation film about what Stonehenge really looked like.
Take away what Atkinson tells you.
Take away what Professor Stuart Piggott has.
I found every single buried stone and there's missing artifacts and we're doing a whole animation video of what it looks like, even in color.
It wasn't silver-coloured stones in the beginning, and they know it.
But the drama of this event, when it moves and aligns to the southern causeway entrance, comes back round and has another huge line of light, which would have been directly opposite the first line of light.
And then the second alignment, which is number two, would be onto a stone itself.
Illuminating a stone full of moonlight, okay?
And don't forget, these are highly polished stones.
They're not like what English Heritage is doing to Stonehenge.
They're now green with lichen.
They were so bright that when sunlight or moonlight hit them, you'd need your shades on.
That's how bright Stonehenge would have been.
And if you polish and you polish and you polish and you polish, it becomes like a mirror.
And I've got lots of examples of polished sarsen and polished bluestone.
And plus, with the bluestones, we're talking about bluestones here, if you tap them like this, they ring a sound.
Okay?
So you could also have sound harmonics going on.
And in my forthcoming book that's going to be out in six months' time, have you heard of Kepler and the music of the spheres?
Yeah?
Well, with a mathematician, I found Gaia's music, the music of the Earth.
And if we put our resonance in with Gaia's music and heavenly music, I think that's where it's at.
So we're making really big discoveries with Earth energies and taking them into a new dimension, away from just looking at a ley line on a piece of paper.
They have sound harmonics rising up.
And if you walk around an ancient site in a particular manner, you walk the harmonic.
And we've also figured all about You would be in harmony with the music of Gaia.
So it's not just the planets, you see.
It's our wondrous Earth as well.
So that's the caustic lunar alignments.
And that could have happened at places like Avebury, Mount Pleasant, wherever you have an arc corner and you have a most southerly moonrise.
once every 18.61 years this happens it's not to know it's not a kind of every monthly occurrence because the moon has to be really high or the moon has to And also with the heel stone, this is obviously an old photograph, that was surrounded in its own white enclosure.
So that was like, the heel stone would have looked like it was in the moon itself.
This is massive chalk bedrock, yeah?
So that would have been stunning.
And again, in every single...
I was even talking to Professor Mike Parker Pearson about certain...
No.
If the professors don't agree with English Heritage, it's absolutely crazy.
But Stonehenge and places aren't just about one thing.
They're not about the sun or the moon.
They're about both.
Balance and harmony.
And grace.
It will bring you into balance.
Now, Kerry was talking about, you know, the nanotechnologies and things, and I really do feel that even with implants and things, according to the BASIS project, I had several implants, according to people at contact in the desert, I had lots of implants, and by walking on particular earth energies, it seemed to make them non-magnetic, so the magnets wouldn't stick to my arms after just four walks.
I think these energies can help us.
And Stonehenge integrates them all.
Lighting up the dark.
We see today Silbury Hill as grass covered.
Do we know Silbury Hill?
We know Silbury Hill.
Well, this is Silbury Hill, not quite as you know it, okay?
Because it is glass-covered and a bit like the pyramid to begin with, it was chalked off, again, in brilliant white chalk, polished, okay?
Polished chalk.
You see Silbury here has, like, got a flat platform on the top.
Can you see that?
And you're probably all familiar with that.
Well, that's the French.
The French came here in 1066 and said, "We need a lookout.
Let's slice the top of Silbury Hill off." And that's what they did.
Blame the French.
But originally, it would have been quite pointy.
And beneath that coverage of grass is a seven-step chalk pyramid.
And if you go online, it's my drawing that I actually did for Wessex Archaeology, showing it as a seven-step pyramid.
But more than that, if you placed copper on the top or gold, something that's conductive with the amount of energy beneath the bottom in Earth energies, but more importantly, thanks to David Webb, we registered a control at the bottom and a control at the top, and it was 20,000 volts coming out of Silbury Hill.
Pulling out.
It blew the equipment twice, actually, so we had to then go back.
So what we think is there was originally a copper plate in the Chalcolithic period, which is the Copper Age, that nobody really talks about because they leaped to the Bronze Age, but the Copper Age was innovative, massively innovative.
And they use copper a lot.
So if that was on the top, it would let off at night a discharge of blue tinge.
And there's a very well-known researcher and author in the area.
And he photographed Silbury Hill.
It was a photograph taken by Rob Irvin.
Some of you may know him here.
It can be quite controversial.
And this is the static field.
And he showed me this and he said, I think it could be right that it's emitting a static field.
So if you put that in chalk, white now, and then at night it would start to release that static field and glow blue.
There is always a mound next to an ancient site.
At Stonehenge, on military ground, you have the Endford Barrow.
That would have done the same as well.
And all of the barrows on top of the hills, I don't know if you've noticed the Stonehenge environment, you often get barrows on top of hills.
You may have noticed that.
Then this would have been a form of light source that was also feeding into the ground network beneath the Earth as well.
So an electrostatic field isn't just about releasing light, it can release energy into the ground.
So really it's by day and by night, but at night it becomes more and more active, especially at a full moon.
So some of the lunar ceremonies I don't think were at all about They were looking for these effects and creating these astonishing effects.
And as the more you go around the world, the more that you see these.
At the center of Aleppo, you had a huge mound, white mound like this.
In London, you have white mound.
We've heard of white mound in London, haven't we?
Where the Tower of London is now.
That was a huge mound.
A huge white mound.
And a lot of them got destroyed.
With the Aleppo one, that was, again, originally very polished finish to make it very sheen.
So it's a kind of new take on ancient monuments, looking at light effects that they do.
So I'm aware of time, because I know you're all hungry and wanting curry.
So I'm going to have a look now at Egypt and some new discoveries there with Earth energies that relate into what the Nazis were looking for under the guise of the SS with Himmler.
They were two very similar lay systems going on in Germany that was being activated in the Second World War and in ancient Egypt.
We've all heard of leis, haven't we?
We know what a lay is.
It's a straight line.
And a lay system is even more powerful than a lay line.
It's where you've got two currents entwining it.
One's male and one's female.
This is a lay system.
And that's very powerful.
It can look like a strand of DNA.
It can look like a caduceus healing symbol.
And the picture has a lay line going through it with these currents entwining it.
That's a lay system.
Commonly, you have a male and female current entwining it.
This was discovered by Hamish Miller and Paul Broadhurst in the 1980s, and Hamish has forwarded my books, and I've doused with Hamish, who was a master dowser of earth energies and learned a lot from him in the 1980s.
Now, when we look at how lays and earth energies go in one ceremonial landscape, Powerful.
Where they cross is a point of balance.
You want balance?
You want to get your body back into harmony?
You go to the crossing places of these energy currents.
They're not lines.
They meander.
The pink line is a lei.
That's just hitting two features in the three-mile ceremonial landscape of Avebury Henge.
Not one is left out because the earth currents are vibrant.
They're like, imagine colour coming out of the ground, encompassing you, coming up like that.
That's the power of earth energy.
And in COVID, I didn't stay at home.
I was off hiking to Avebury.
I've never known Avebury so quiet.
I really just let down.
And, you know, we were talking about mound and tinges of blue light.
I went to Merlin's Mount to investigate it at Belgrade.
It was lockdown proper, I think, then.
I had my dowsing rod.
I jumped over the fence, sprang up the hill.
Security came to me, and then they said, drop it, like it was a weapon.
It was a dowsing rod.
They go, drop it.
So I put the rod on the floor, and I thought, oh, I'm just going to have fun now.
So I can't touch it now.
It's got to be sanitized.
You're going to have to sanitize the rod, you know, and you're going to have to social distance from me like that.
And they escorted me off the premises really quickly and said, don't ever come back here again.
Why are you here anyway?
Now, moving on to looking at some of the Germanic Earth energies that are really powerful.
And this is obviously Hitler and Himmler.
And this is an extract from a letter in my family archives which says to Himmler saying to Joseph, Wimmer, best wishes for the future success of your dowsing school in Munich for RSS.
So they were investigating dowsing on a huge, huge level that has never been surpassed, I'm ashamed to say, as a dowser myself.
So what they were looking for was when you have more than two earth currents coming together, you have a superconducting system.
And you have a point that's called the mother point.
And that's what the SS were looking for.
So we're looking for not just two lines entwining, we're now looking for three.
And incidentally, the first thing that the SS wanted to do when they invaded Poland was they went directly, the SS, to Odrystone Circle, cordoned it off and started to try and activate the currents beneath the ground that they had found the mother point to.
And this is one of the mother points.
So you don't just have, you know, the two, you have three.
And these are all resonating a dominant color.
Okay?
So when you think about lays, when you think about earth currents, don't think about them as being colorless, like just a line.
They have what's called a dominant earth.
Gaia produces color through these energies.
And the German flag was changed color during the Nazi period because they were looking for the white frequency and the red frequency.
And that's what you're seeing there.
The white frequency is just a light green color.
And they changed their flag, Dauncers believe, because they were activating these sites.
Now, in the Celtic period, this was quite a dark site.
Unfortunately.
And it was used a lot for sacrifice.
And it was used to put people down wells in what's called the threefold death of the Druids.
It's not nice.
But that's the energy behind it that they wanted to activate.
When we come to a site, Carrie and I have been to Abydos on our tours, and we've got one of our tour people that you came to us with us, didn't you, and had a brilliant time?
In Egypt, you have exactly the same system as you have in Germany.
You have three currents of force coming together and targeting different places and different sites in the New and Middle Kingdom.
It's a little bit differently in the Old Kingdom of, like, the pyramids, but this is certainly going on.
And this is the very famous helicopter that, you know, everybody sees when they go there.
And I'm going to give you a demonstration of the earth currents that are going through it.
These, you know, in Egypt, they were using them on a kind of esoteric level.
and one really for betterment, whereas in And certainly in the Second World War they were being used in a very, very dark way.
In fact, on the red frequency alone that goes through Austria and it goes through the German countries as well.
And it was also the meandering current of the Black Plague pilgrimage path.
Everything about it was really, really dark and quite sinister.
But more than that, if you start looking at the churches that were on the red current, and you always get Christian churches on earth currents as well as ley lines.
It was like, you know, culture after culture would place it on it.
And if you start looking at the symbolism of these churches that the Dowson Academy of the SS were looking into, it is very strange because you see the Christ never just, you know, on the cross.
He's got his head cut off, his hands cut off, feet cut off, or dismembered pieces of, like, the Christ.
And then you go to another church and you have this pregnant saint.
Because she's got a kind of halo around her head.
She's got a knife and she's attacking her baby in her stomach.
And you go on and on and on with these churches.
And they were activating, reactivating all of that.
So when we look at a threefold ley system, and that's with the ley line it would be four, we notice at a place like Abydos that the ley, which is the yellow line that goes right the way up, it's the solar line.
It's the line to the northeast, which is the midsummer sunrise.
But the currents that surround it, the female current, targets the chapel of Isis, for example.
And then you have another male line going to the Osiris and the Horus.
We've got to think that these three currents, they meander all over the ancient Egyptian, Middle and New Kingdoms.
But again, we've got to think there's more to the activation of these leis than meets the eye.
If you, like I said, envision earth currents as having these wondrous colors of the earth, and there are 12 esoteric colors of the earth, okay?
and then you have all of the colors of the sun that we'll be having a look at in a moment, the esoteric colors of the sun, and when at certain times of the day these come together, the colors of the earth meet the colors of the sun, that's when you have real activation of sights.
And it's quite methodical in a way with the activation, because, for example, a good time to work in the day with the colors of the sun for emotional issues to heal is 1:00 p.m.
Because imagine, to the ancient Egyptians, it would have been Ra.
Ra is coming up to its zenith.
At 1 p.m. in the afternoon.
In the winter, it'd be 12 o 'clock.
And that's when the master dowsers would say the green ray is dominant and it comes down to Earth.
And so we can work with Earth energies on those levels with the colors of the sun, the esoteric colors of the sun.
These were discovered by two master dancers from France that I've spoken about before called Chormory and de Belezal.
And they looked into all of the artifacts in ancient Egypt.
And what did they mean?
They were finding these energy devices on the heart chakra of important burials in the Valley of the Kings.
and so they replicated it and thought, "What is that and what does it do?" Then they went to Abydos and noticed a particular What's happening there?
And then they look to other temples, like at Karmombo, which is off the Nile.
And they noticed the gods were holding these energy devices.
It's depicted right across the wall.
And they're very, very healing.
And we'll touch about that at the end because I think the more that we can get into healing at the moment and empowering ourselves and going to these ancient sites with intent, with purpose, that we can truly balance ourselves and work with the energies.
And it's very, very empowering.
For example, if you want to, you know, really get invigorated, get your health back, get your energy levels back, work with a solar earth current, work with a solar ley line, because some of them are lunar, some of them are solar, some of them are celestial.
And just behind Abydos, you have the Osirin, and Kerry and I, and Amro, our guide, got us private access, and that's quite rare, isn't it, Kerry?
We're really, really treated.
We have such a good Egyptian guy.
I think he could get us into anywhere, couldn't he, Carrie?
He really could.
So it's amazing.
It really does need a bit of a clean-up now.
That's much, much older than the temple we've just seen, Abydos in front of it.
And yet it's really powered.
And originally it would have had water all the way around and that kind of grey bit would have been an island.
But right beneath that you have a huge, huge aquifer that generates energy coming up.
So that's very, very powerful sites.
But the most important thing about an ancient site is where there's no energy.
And it's called a neutral point.
And European Macedos has discovered this some time ago because the ancients are really, they thought about everything.
They really did.
So imagine this.
I'm just booked into Stonehenge and so I'm going to, I always walk in the proper way, always walking through the avenue in the footsteps of your ancestors.
I always walk people through into Stonehenge on that level.
But our ancestors would have gone to the neutral point first.
They would have found the neutral point prior to going into an ancient site to cleanse their auric field, to cleanse themselves so they don't take their pollution into the site with them.
Do you see what I mean?
You become cleansed, then you go into the site.
And everywhere you go, whether it's Avery, Stonehenge, Carnac, even Catholic Church, Churches still integrate these energies.
That's where I was taught in the not-so-holy city of Turin.
It's not at all a holy city.
So the neutral point is very powerful.
We've got a couple more minutes, and then I'll wrap up for you.
Okay, sure.
So the neutral point is really, really important.
Just by the West Kennet Avenue, that's a huge, long processional way as you go into Avebury.
There's the stone by the road.
It looks so insignificant, but it's so significant.
It's in situ.
It's never been set in concrete.
It's been like that for 4,500 years.
go to the other side of it and then you'll see a ledge.
Sit on the ledge and that's in a neutral zone where a lot of negative ions are coming out of the ground Oh, it's a wonderful, wonderful feeling.
If you want to look it up archaeologically, on an archaeological map, it's known as Stone 4B.
Not a very ceremonial name for such a ceremonial stone, but that's how it is.
Now, the sun.
We have Arcanatum.
We have the rays of the sun coming down, 14 rays always encompassing Arcanatum, yeah?
The sun rays of Ra.
I was talking about the sun and its esoteric principles.
If you imagine that there's also, near enough, 13 to 14 colors.
Coming down from the sun.
You have black.
You have white.
You have infrared.
You have red.
You have ultraviolet.
You have what's called spiritual gold is generated.
You have a whole load of colors with green at the zenith.
Then that's really the power of what the Egyptians were looking for.
They were looking for how do we encompass the esoteric colors of the sun and the colors of the earth and how can we regenerate And what the Egyptians did, they came out with some pendulums that are energy devices.
The one with the lots of bars is called the Isis double-chambered pendulum.
Wherever you go in ancient Egypt, you will see that being depicted in every single temple.
But how the Egyptians are using it is it's got a kind of prong going down into the ground with a rod.
And then the priest is blowing the life force into it.
So one way that you attune to these pendulums, especially the Isis double-chambered, is quite a beautiful, poetic, ancient Egyptian way, where at noon or 1 p.m., daylight saving time, when the green ray comes down, you undo the double chamber, and then you've just got those four or six bars, and then you really resonate.
Visualize green going into you.
Breathe green into you.
And just like the priesthood, you then breathe your life force into the ISIS pendulum.
And then whenever you are tuned to green again, think green, breathe green, it starts to generate the green energy.
It's very, very powerful Egyptian energy devices.
If they do not unscrew, you don't use them.
They're not that good.
And the other one is called the Karnak Pendulum.
It's a very, very powerful pendulum that will shift energy.
It will shift blocks.
And it will shift things from past lives quite quickly.
Because it generates a force called the negative green, which I've spoken about before.
I mentioned the Chommery and Debelazel.
They used the Carnac Pendulum to put too much of the negative green into an object, which I've mentioned before, and he was found in his laboratory completely mummified.
and it went down in Dowson history.
Himmler, And they were good occultists, unfortunately so.
And so they started to try and generate the negative green into all of their...
They were manipulating the white frequency, the red frequency, and the negative green.
To try and move everything of theirs forward.
So what happened in Germany when the Allies joined together with the Russians and the Americans and the Brits and the New Zealands?
They were all going in on Munich, weren't they?
And they were then kind of making sure that the SS was going to close down.
Oh, unless they needed them to build rockets, of course.
Oh, come on over to America!
Yay!
We'll buy you a cup of tea.
Oh, no, they drink coffee.
But the point is that they really wanted to move Dawson forward with these types of energies and color frequencies.
So what they did, the Allies, they were under strict instructions to get every single information about Dawson from the SS Himmler.
But they were one step ahead, and they said they'd already planned that if anything was going to happen, they were going to burn the whole Dowsing Academy down to the ground.
They were not going to have anything, because they claimed they found the X Factor, not as in a TV show, the X Factor, but they claimed to have found the X Factor, which is what makes Dowsing go wrong.
What makes pendulum dousing inaccurate sometimes?
They claim they found that.
And they claim they could raise any frequency.
But the light will always shine bright.
That's the great thing.
Because there were some people from that academy in Germany, not resonating to the Nazi movement, that have gone on to teach other people around the world about these esoteric colors.
The truth about dowsing is.
So I'm going to wrap up because I know that you've been here all day and you've been very good listening.
I hope what this presentation is given is to look at ancient sites through different eyes, through the technology that they had of lighting up the landscape, lighting up Henge monuments, making allusions happen at ancient sites.
And that's just a few.
And the technology they've left behind, we're just catching up on.
And you've been a great audience to sit and listen this time.
And I thank you all, and I hope you've enjoyed the presentation.
Thank you.
Thank you, Maria.
It was lovely.
Thank you.
I didn't get to introduce you, so let me talk about you at the end.
And let me give you a hug.
Lovely to see you.
I'm your caring.
So, actually, it's been a year, right?
It's been a year.
I mean, it's extraordinary.
So every April, I think it is.
We go on our tour of Egypt and it's just wonderful and amazing and magical.
We have testimonies from the people that come with us and it's the most extraordinary thing to read those testimonies because it's way beyond anything I ever imagined that people would communicate their experiences.
You know, in coming with us to Egypt.
And it changed your life as well, right?
It changes everyone's lives.
changed my life, of course.
And so just if you ever want to do that, So if we do it in the fall or we do it next spring, keep an eye on my website, on Maria's website, and stay in touch with us if you're interested.
So thank you so much for being here tonight.
I guess we have dinner, so you can stay and mingle and all of that.
And, you know, just believe, understand that the power is in us, okay?
And that we are connected to source.
It doesn't matter what we encounter, that if we stand together, we resonate together, and we can change the world.
Okay?
So thank you very much.
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