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Aug. 11, 2024 - Project Camelot
28:39
KERRY CASSIDY INTERVIEWED BY SCOTTY SAKS: HOLLYWOOD AND COMING CHANGES
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Thank you.
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Today on Sovereign Radio, the woman that's gone down the rabbit hole on some very controversial subjects like the Secret Space Program, extraterrestrials, UFOs, mind control, and time travel.
We'll talk about those things and more with the very fascinating Harry Cassidy from Project Camelot.
And we'll talk to her first up today on Sovereign Radio in just a minute.
I'll also have a conversation with my good friend, Dave Hodges from the Common Sense Show.
As Dave and I talk about the powerful event coming up June 29th, the Take Our Border Back North American Alliance Summit and Prayer.
Dave and I will also debate what the Chinese soldiers are doing on American soil.
Are these Chinese soldiers friends here to help our military or foe that can attack American cities across the country at any time?
That's later in the show.
But first, Mary Lynn Cassidy has a BA in English with graduate work in sociology and an MBA certificate from the UCLA Graduate School of Management.
She was competitively selected to attend a year of film school at the UCLA Short Fiction Film Program as one of their first hyphenated writer-director-producers.
After 19 years in Hollywood working for major studios and as an independent producer, she set the standard for new media and citizen journalism, and she has written a number of screenplays and started work on her UFO documentary in 2005.
Also in 2005, Carrie picked up a consumer-grade camcorder and began interviewing people on the subjects of UFO, the paranormal, and the secret space program.
Gary Cassidy formed Project Pamelot when she met her partner Bill Ryan.
Ladies and gentlemen, you're in for a treat the next two weeks as I talk with one of the most informative people I've ever interviewed.
Here's part one of my conversation with Gary Cassidy.
Now joining us on Sovereign Radio via Zoom, please welcome investigative journalist, former Hollywood independent producer, Carrie Cassidy.
Carrie, great to have you on the show.
We appreciate your time.
Welcome to Sovereign Radio.
Hi, glad to be here.
Excellent to have you.
So, let's start with, we have a lot in common.
I produced, directed, and syndicated radio and TV productions for Johnny Cash, James Brown, the Blue Angels, various sports leagues, and I saw a lot in my years in Hollywood.
What's your best recollection?
What sticks out the most about your days in Hollywood?
Uh, that's an interesting question.
Uh, I don't know.
I, I, there was so much, you know, I was there for 20 years and it was my younger years when I, you know, when I started out, I had just gotten out of college and, um, went to LA to make a name for myself, so to speak.
So, uh, I guess the, um, I was from Northern California, so I think that to some degree, this is going to sound a little strange, but the number of New Yorkers that I was dealing with constantly was very fun and very interesting.
Also, a lot of them are Jewish and they have a certain culture of being right in your face and being very open about their emotions in ways that I was not familiar with.
In Northern California, but in my family, we were kind of like that.
So it felt very at home to me.
And so I think that was the biggest thing in the early days that I just the culture was so different and so refreshing.
At least this, I know I have sort of a different point of view, some people.
And prior to that, I had lived in New York for four years.
And so having come back to California, and then being thrust into that world, it, you know, reminded me of my days in New York.
And it also, like I said, I think in a strange way, I think it's healthy.
I think it's more healthy than sort of the other way of being, which is like, you know, people that are polite to each other lie to each other's faces constantly and that sort of thing.
Well, very interesting, your perspective, a very it sounds like a very positive one rather than some of the things some of the things that stick out in my mind.
And I have some positive things to say.
I met a lot of great people, of course.
That's the best part.
And not people that were caught up in the in the in the bad, you know, the dark side of Hollywood, either.
I met some really good people.
And having grown up in a house with six loud Jews myself, I understand exactly what you're saying about the culture.
We were Jewish by heritage, but not religious at all.
We didn't really observe the religion, but we were loud, and we wore our hearts on our sleeves, so I understand that a lot.
My foremost recollection, I'll share with you, of Hollywood happens to be the dark, dark, darkest side, because that's what I remember, beyond all the good stuff.
And that's, I was exposed to Andrina Chrome.
You're kidding.
Okay.
Well, that's a whole different.
Maybe I should be interviewing you then.
Yeah.
Well, but for me, I was not exposed to any of that.
I can say that what I also loved about it was that people came there, you know, because I was among a lot of younger people, because I wasn't In a lead position in Hollywood.
I was working my way up the ropes.
So, my colleagues were all young.
I was young.
And there was, you know, coming to the city of dreams, really.
There was this attitude that everyone had.
You were all optimistic, obviously.
Yeah, pursue our dreams.
And so, it wasn't really dark and negative in the end that I got involved in.
Yeah, and it wasn't dark and negative for me most of the time, just a few things.
I'll tell you a couple of things I did see and see if you ever, it doesn't sound like you caught any of this, but particularly in the music industry, you know, Johnny Cash wouldn't go to meetings and he wouldn't go to the meetings with either the record labels or the radio stations.
I was syndicating a radio show.
We got it on 200 stations.
He would never go with me as much as I Deplored him to go to the major radio networks.
He wouldn't go with me.
And when I had to go negotiate a deal for the music in the show, which Johnny forgot that he didn't own the music in the radio show, he waited until there were on 200 stations.
The record label waited until we cleared every station nationally to tell us, you don't own that music.
We get a piece of the action.
So I said to Johnny, get on a plane with me and go negotiate.
Just sit there and stare at him while I do my negotiations.
And he wouldn't go.
I'm leading up to the point of the story.
So when I got back, having successfully done the work, I was with his wife, June Carter Cash, in a green room.
And I asked her, June, you know, Johnny would never explain to me, maybe you can, why he doesn't go to meetings with me.
She looked around, her family and friends were around, and she gave me the sign.
She said, that's because they're a Luciferian satanic cult.
They worship Satan.
So that always stuck out in my mind.
I had no idea what that meant even, but I did a little homework and I still didn't wrap my arms around it.
Having seen the Andrina Chrome, having seen James Brown diddle with 15 and 14 year old girls backstage, Sickening.
They appeared to be 20s, 24, 25, but I saw him smoking cigarettes backstage without hair and makeup.
They told me they were 14 and 15 and there were no parents around.
Johnny abused them frequently.
Very sad, very, very unfortunate set of circumstances.
So yeah, I saw a lot of things that, but you know, the people were great.
And I also went there very young.
I was 28 years old.
When I started producing independently, I was also at the lower echelons, an independent producer, never worked with a studio or anybody in Hollywood.
I completely worked alone, other than some of the crew, you know, the lighting guys and the camera guys, you know.
Yeah, I mean, crews were amazing.
Their camaraderie, they're hanging in there, they're working all hours, just exhausted, freezing cold, rain, you name it, and the amount of devotion.
And, uh, you know, to the directors and to the producers and to getting the job and making sure the show, you know, happened.
That kind of attitude, uh, actually stuck with me my whole life and, uh, probably was the greatest work ethic that I could have, you know, that was my early days, uh, you know, in, was, was in the motion picture business.
So I started in around 21, uh, you know, right after, after college.
Yeah.
What a, what a, um, Positive to come out of that work environment, that work ethic, long hours.
And I never heard, particularly cameramen or lighting guys or grips, never heard them bitch moan and gripe.
They love their work.
Oh God.
Such dedication and professionalism and also being very technically good at their jobs.
Excellent.
That kind of technical excellence to be around that day to day is fabulous.
Yes, and I'd say the Hollywood people were better than the people in mainstream media television as well.
But anyway, the only time they complained is when they were hungry.
Yes.
You know they like to eat, right?
Everyone, yeah.
Yeah, we all do when we're on the set and we're working long hours.
So, Carrie, you live in California for many years.
How has it changed?
I lived in San Diego for 23 years before I moved here to Puerto Vallarta.
How has it changed in the years you've lived in California?
Um, well, it's, it's very similar to the way it always was.
I mean, let's, you know, just so you understand, I don't actually, I although I used to live in, it was Beachwood Canyon below the Hollywood sign, that's where I lived for a long time.
And I would go to the studios.
And actually, I worked as an assistant, an executive assistant for many years, and eventually worked my way up as an Independent producer trying to shop projects.
So I really sort of stayed on that side.
I did go to a few Hollywood parties, but I was not, I think, I believe now that I had sort of a shield of protection.
No one, although sometimes, you know, people tried to seduce me or something, but there was something about my attitude and the way I came across, which really hasn't changed.
That, you know, because coming from Northern California and the family I came from, I spoke my mind.
I was very direct.
I, you know, I also wasn't one of those kind of women that are intimidated by men because I grew up with a father who You know, maybe his right hand man, so to speak.
So I was always treated like an equal.
I always thought of myself as an equal.
So I noticed in, you know, the Me Too movement that a lot of those women were brought up in a situation where they weren't supposed to say no.
to anything.
And I didn't have that problem.
I was also my father was in the Navy, and he warned us when we were kids, you know, he was actually kind of hyper protective.
And so he would warn me when we went out on the street.
And so I sort of developed a sixth sense about um the men that were around me whether they had good intentions or bad and and so and so.
So I I didn't I sort of had a totally different approach to life.
When we come back I continue my conversation with Carrie Cassidy.
What surprises will she have in store?
Let's go down the rabbit hole as Sovereign Radio rolls on after the break.
Welcome back to Sovereign Radio.
I'm your host, Scotty Sachs.
Let's jump right back into my conversation with a real truth warrior.
Here's part two of my conversation with Carrie Cassidy.
Yeah, we have so much in common.
We were mentored by our fathers.
Mine lived till I was 40, so I was a little more fortunate.
Interestingly enough, my mother died when I was 17.
Oh.
And it was your father that died.
Yes.
We have that in common.
I lived in California.
I became an independent producer at a very young age.
We traveled a lot of the same paths, but a story I'll share.
I never have talked about this on the radio.
When I was 17, my dad was producing television.
He took me to L.A.
for a meeting with Arthur Godfrey, Art Linkletter, and several others, including Sammy Davis.
In the meeting, when Sammy Davis walked in, they were hugging on him, kissing him, telling him they love him, Sammy.
When Sammy left, They were calling him every name in the book.
It was very, very two-faced to me.
That's one thing I noticed early on.
Fortunately, not everybody's like that.
But so I saw, you know, unfortunately, I did see some of the dark side.
But, you know, and of course, in recent years, they've become part of the indoctrination machine.
For, you know, for the globalist agenda, they've been pushing, you know, the whole they've been pushing the agenda.
Well, I mean, we could talk for hours about Hollywood, because if you were in the business back in those days, even and, you know, I don't I think you're a bit older than I am.
But I would say that, you know, Spielberg runs the town.
These are, you know, I know all kind of secrets.
So even though I wasn't Sort of party to getting involved with, you know, sort of the insiders.
I did make some friends and, you know, I had great letters of reference, for example, that got me to be a YouTube director and also got into film school with the help of Hollywood.
And into this executive program, with the help of JPL.
So I, you know, I did have some good connections, but I couldn't get past that glass ceiling, because I never got mentored by any, you know, top person.
And I think the reason is because, again, I was very independent I was strong-willed and yeah people you know didn't when I actually was I told the story already and on a recent interview I haven't talked about Hollywood forever but I actually you know I was working at Sony Pictures for You know, Peter Guber and John Peters.
I haven't even said those names in a hundred years, but I would, so I was a top, top, top executive assistant.
So I was in there, but I couldn't cross that barrier.
And maybe it's because I, you know, I grew up in a very upright family.
You know, I, I, I never was a used drugs.
I never drank.
I didn't even drink back in those days.
I mean, now I drink wine.
On occasion, but I am not, I mean, I just not an addictive personality.
I didn't smoke, you know, and I was, I guess I, you know, again, I was, I don't know how to explain it, but I was sort of my own woman.
I'm not surprised.
You seem very independent to this day to me.
I don't know you well.
We don't know each other well, but I've watched a lot of your content.
And look, if you weren't tough, if you weren't the way you are, you wouldn't be where you're at, let's face it.
And I know you were sniffing around Hollywood because you're an investigative journalist.
So I know your nose was sniffing around for the story.
Well, I wasn't back in those days, but I did train in college.
You had it in you.
I trained in college to be a journalist.
So and I always was doing investigations.
And I also was doing a lot of spiritual work and investigations.
So I studied Eastern philosophy, the I Ching, the Tarot, I studied the I wanted to study I was very aware when I was a kid, I don't know why.
And I was interested in Aleister Crowley and the dark side in the sense of I wanted to know our enemy because I wanted to understand why the world is the way it is.
Because I thought when I just being a kid, being a sort of psychic intuitive kid, I couldn't believe, you know, the way the world was.
I remember when I first heard about Nazi Germany.
It was around Christmas time, and I was very young, I don't know, 11 or 12 or younger.
And I had just, you know, you go to school and they tell you, and then they show you these films.
And I was so shocked by that, that I didn't, I didn't tell my parents this, but I didn't celebrate Christmas that year.
I just, I just couldn't believe that humans were so evil to each other.
And so that really, these kinds of things made a big impression when I was young.
Well, another thing in common about 10 or 11 years old, my uncle Irving showed me the number burned on his arm from a concentration camp.
And he explained it to me.
He didn't talk much about it, but he told me a couple stories.
It wasn't, wasn't very kind and gentle there.
Let's say, leave it at that.
I don't want to really get into it, but, um, let's say I got a call from a friend in LA.
He says, Hey, a lot of homes for sale in Hollywood.
They're all leaving.
What do you know about that?
Why are they exiting Hollywood?
Right now they are.
Yeah, for sure.
Yeah.
Well, I, you know, I have to say, I mean, first of all, there's a guilt by association, unfortunately.
Now I don't think that that's fair.
And I also think, and you can maybe weigh in on this.
I also have a theory that a lot of the people that got addicted to adrenochrome had no idea what they were taking in the beginning.
Okay.
I agree.
Maybe they found out eventually and maybe they never have until now.
But I have to say that I think people are scared.
I think they're running scared.
I think they don't want the guilt by association and there's too many ways to have associated with people that were on the very top levels.
You know, like I said, I worked for top officers of companies.
And actually his name is escaping me right now, but you know the producer that is so flagrant and that he, during the Me Too movement, he was really targeted and he is, you know, kind of a bad guy.
You know who I mean?
Um, not Harvey.
He worked for Saban.
Yeah.
Harvey Weinstein.
So I worked for him for like as a temp for two or three days.
Yeah.
Yeah.
One-on-one.
And, but he didn't touch me.
He didn't touch me, but you know, again, people have said, you know, when I was younger, they used to say I was arrogant.
Um, I always wondered what did that mean?
Yeah.
You know, self-confidence is often confused with arrogance.
Yeah so I think that's you know again I think and I have to I have to thank my both my mother and my father for a lot of this because not only did my father treat me as an equal and that's the whole time I was growing up but my mother was an adventurer she was a ballet dancer a prima ballerina who quit to have kids and she was uh she was an adventurer she took us backpacking and we taught you know learned those kinds of things So she was a very independent thinker.
She was making us eat health food back in the days when it wasn't even known or popular.
She was kind of her own adventurer self.
And even though they didn't get along, they were both known for being radical.
Not radical politically, but radical in the sense that they weren't go along and get along.
And they taught us how important it was to be independent, And to stand on your own two feet and, of course, never lie and never, you know, do anything horrible like that.
So I think it's my upbringing that kind of accompanied me.
Did movie promotions, buying media television time for Sony and HBO to promote their movies.
So another thing we have in common, I work with them.
I work with the marketing people, obviously, and I've negotiated over a billion dollars in advertising and sponsorship deals with mainstream media, TV and radio.
And that was one of our clients in the day.
So, you know, Peter, I got to share something with you to find out when you knew the mainstream media was in on the game.
I was told in 1991 by Peter Jennings, I was at an ABC party, sitting all alone with Peter Jennings at a table, by circumstances.
It was filled up, I was late, the only seat in the house was at a table way in the back that Peter was sitting at alone.
So I sat down, started to eat, looked up, it's Peter Jennings!
Well, I got a chance to ask him, after he had four or five cocktails, I wasn't drinking either, I don't drink, I got a chance to ask him, Peter, my grandfather hated you.
He threw things at the TV.
He flicked a live cigar butt at you one time.
He said you're an anti-Semitic Jew hater.
Is there any truth to that?
Peter said, well...
Your grandfather's perceptive.
When I was a rookie reporter, I didn't get hotel rooms.
I got a host family.
And I broke bread with a Palestinian-Arabic family for 18 months.
I suffered the human emotion called sympathy.
I sympathized with their cause.
So while I'm sympathetic to the Arabic-Palestinian cause, I am not a Jew-hater, and I'm not anti-Semitic.
He said, but Scott, it doesn't matter.
What I say.
I said, what do you mean it doesn't matter?
You're Peter Jennings.
You have 10 to 12 million homes watching you.
You're the most watched newsman in the world.
Of course it matters.
He said, no it doesn't because everything you see and hear on TV is a media construct and a narrative to fit an agenda.
He told me that.
Peter Jennings said that.
That's great.
When did you know that was the case?
Well, you have to understand also what kind of person I was in college.
So, in college, I was a radical, politically.
I studied, first of all, I studied all the isms.
Socialism, communism, feminism, you name it, ism, okay?
And I wanted to understand the political landscape.
You started young, wow!
Yeah, and I also became a reporter in college and I interviewed Well, I wanted to interview Angela Davis, but I actually interviewed, I think it was Bobby Seale.
I took a class from him.
So I was very interested in radical politics, because I grew up in the San Francisco Bay Area, and Berkeley was right up the bay from us.
The heart of radical.
And my cousin went to Berkeley, and I loved Berkeley, although I never went to college there.
I went to Sonoma State University.
Which was known to be a radical school.
And I got involved in basically kind of radical politics, although I didn't do anything, I was studying it.
And so that that shaped my view of the world.
So I had always been even before that.
I was a Beatles fan.
I read voraciously.
I didn't go along with the mainstream, even when I was a kid.
I was hip.
I was cool, but I was not a kiss-ass.
In fact, I made fun of those people, right?
Although I was a little bit Ivy League, like I fell in love with a football player, for example, when I was really young.
You know, that was probably my first, his attempt at seducing me, which didn't go that far.
I was much younger than him.
Oh, that's funny.
And, you know, this kind of thing.
So I didn't grow up, I really, I haven't been, I was sort of a different person than most, even when I was young.
So when I went to Hollywood I was not naive in that sense and in fact being um you know when you're psychic intuitive I had you know I knew about ghosts and I knew about other entities I also had an abduction scenario which I didn't know was abduction but some part of me seemed to know because and I've told that story many times I'm not going to repeat it here but it was when I was around 12 years old.
Thanks to Keri Cassidy and she'll be back next week for parts three and four of our conversation.
Until then, you can find Kerry at ProjectCamelot.tv.
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