AN INTERVIEW WITH SOPHIA STEWART AUTHOR: THE MATRIX AND TERMINATOR
|
Time
Text
Hi everyone, I'm Carrie Cassidy from Project Camelot and I'm very happy to be here tonight.
I've got Sophia Stewart with me and she's going to be on the phone line because we've been having some trouble at her end and at my end.
I had some strange camera failure and so I had to go on to my Other computer.
So it's kind of a different look than the other one.
But at any rate, we are live.
So I just want to say that it's great to have you here, Sophia.
And what I'm going to do is I'm going to put a bit of your bio on the screen here and go over that with the audience so that we can...
I'll cover a few of the points in there and then ask you to sort of elaborate.
So what we've got is that basically you're the author of the Matrix and the Terminator series and you have claimed that Hollywood stole your works and made them obviously into blockbuster movies.
And we have an extensive bio here.
It's on my website.
I'm putting it on the screen as I speak here so that you can see it there.
But briefly, she was basically a prodigy, child prodigy, a prolific writer, poet, creative genius.
And those are terms that were used to describe her.
And she, I guess, worked in the, well, she received a Bachelor of Arts from the City University of New York and a degree in journalism, minors in law and psychology, and she came under the guidance of various celebrated authors and writers,
such as Max Siegel, who was a former journalist of the New York Times, Emil Capoya, a publisher, editor, and essayist and critic, and And Paul Cherry, a playwright on Broadway, and she also served as an intern in TV at the public broadcasting station WNET 13,
worked with the Oscar-winning film documentary producer Penny Miller, Adato, and her graduating class was honored with a special award.
Letter citation from Jimmy Carter in 1979.
Excuse me, President Jimmy Carter.
And her love and skills motivated her to move to New York and then to Los Angeles.
She studied cinema at the University of Southern California.
And there was given an opportunity to study film under producer Leon Roth, who is the father of Eric Roth, a screenwriter of the movie Forrest Gump.
Excuse my voice here.
And I'm just going to skip over the rest of this and ask you to elaborate for me.
I'm very sorry about this.
Not sure what's going on.
Yeah, let me go ahead and elaborate for you.
Hello, everyone.
I'm from New York City, and the last time I was on Carrie's show was a while ago, and I won my court case four years ago.
Actually, September the 25th, just a couple of days ago, the 25th, September 2018 is the fourth year of Of my win in the Utah federal courts.
I went on September 25, 2014.
I want everyone to know.
And if you don't believe it, I will give you the court docket so you can read it for yourself.
And everything has been going really great since my win.
The fourth installment of The Matrix is the book.
It's been out since 2010.
Eight years, selling around the entire globe.
And that's Matrix 4.
I know you guys have seen it on Amazon.com and of course my website, MatrixTerminator.com.
And so that movie is going to be coming soon.
I have some people on the table for it.
Warner Brothers offered me $30 million for the script.
And this billionaire came along and he upped a five more million, which is $35 million, which is on the table right now.
So you guys can't anticipate seeing the fourth installment.
Okay, that's really wonderful.
And you did give me a copy, I believe, of one of your books.
So I'm very happy about that.
Sorry about my voice here.
It should come back pretty soon.
So at any rate, Sophia, can you tell us why is it that some articles, there was one in 2013 who was saying that some reason that they said that your court case wasn't settled.
Was that because it hadn't settled yet at that point?
Yes, 2013 article, it was before I won the court case because what I needed to do in the second court case, which was never done in the first court case, was to enter in my copyrights, to enter in the derivative movies, and to enter in the copyrights to the derivative movies.
The government gave me the copyrights to all of those movies because I'm the And two federal judges, the Magister Judge Evelyn J. First and of course Federal Judge D. Benson, in their rulings validated it as a fact that the movie, these derivative movies, came from my third eye matrix script and book.
That's validated as a fact.
I can send the document over to anyone who want to dispute it.
All you guys have been reading and hearing about is the snoops, the snoops, the something that's been carrying old news on the internet ever since 2005, when my case got dismissed in California.
The defendants, Warner Brothers, Galey and Hurd, James Cameron, Andy and Larry Wachowski, and 20th Century Fox and all of these defendants, they never...
One, that case, a lot of them terminated out before the judge's ruling because they were scared of the RICO going to jail.
So a lot of people don't know this, but all they did was get the case dismissed.
That was it in California.
So they never won and I never lost anything until I filed another lawsuit in Utah Federal Court and they came in And joined in and asked for the money and the default judgment, which I can show the court documents, which I've shown to you, Carrie.
Sure.
Now, I had you on my show quite a long time ago, actually, when I was still doing radio, so now we do video, but it's been going on for quite some time, obviously.
So, why don't you tell people how it is you came to write, first of all, The Matrix, because I think that's the first one that came forward, and then the Terminator series?
No, no, the Terminator actually came first, and Terminator and Matrix is one epic story.
It's past, present, and future time travel.
Most of the fans know this.
The Matrix is the future.
Terminator is the beginning of the epic story.
And Sarah Connor is really Neo's mother.
Because it's past, present, and future time travel.
What I wrote was the second coming of the Christ.
The evolution of consciousness, man versus the machine.
In other words, the machines hear the oracle's prophecy that a baby is going to be born that's going to grow up to destroy them in the future.
So the Terminators are coming to kill Sarah Connor, but they're time traveling naked without shame because they look just like we look, wrapped in flesh, killed but cannot be killed.
They're looking for Sarah Connor just to kill her so the baby Neo will never be born.
So J.C. John Connors, J.C. John Connors, Jesus Christ, goes up to be Neo one and the same in The Matrix.
And when you get to The Matrix, Terminator was made October the 26th, 1984.
And my copyrights are 1981, 83, and 84.
My copyrights came way before the movie.
And all they did was adapt my script and my book to the screen and created the three Terminators immediately.
And then in 1999, March the 31st, the release of The Matrix, that's when they created The Matrix.
So you're saying that even though we saw them, you know, on the big screen, obviously, in the reverse order, then they were actually written, is what you're saying.
Yeah, and I already read the script in the book in 1980 while I was at USC Film School.
And this is where people are totally confused.
But you can see the material because...
The copyrights are all in the Third Eye Matrix book, which is being sold on Amazon.com.
And the fourth installment, Matrix 4, has been sold there for a number of years.
The Third Eye Matrix book has been selling around the world since 2005.
And the fourth installment just started selling eight years ago, 20 times.
So all the fans that want more Matrix and Terminators, Matrix 4.
Go on.
Oh, well, I just wanted to ask you.
So, you've got...
You sound like you've got the movie, The Third Eye, in the works.
Is that correct?
No, no, no.
The Third Eye became the Matrix and Terminator derivative movie.
It's called The Third Eye Matrix.
It's talking about the Matrix and the Terminator because it's the machines versus man, man versus the machines or, you know, God's children versus man's children.
No, but I guess what I'm asking is really about.
Okay, but I thought you were saying that there is a movie coming out that is being worked on right now.
Is there a movie being worked on?
Well, the one that they're trying to buy is the fourth installment of The Matrix called Matrix 4, Cracking the Genetic Codes.
Okay.
That's the fourth installment.
It's the fourth installment of The Matrix called M4, Cracking the Genetic Codes.
Now, that is your book as well?
Yeah, it's a book.
It's my book.
Okay, now...
I've written several books, but this is the second book.
The first book is called The Third Eye Matrix.
The second book is called Matrix 4, Cracking the Genetic Codes, The Evolutions of Consciousness.
Okay, and that's the movie that's still being worked on.
Are you saying that you sold your book to a production company?
No, what I'm saying is I'm selling the script for $35 million.
I see.
That's what I'm saying.
They're buying the script so they can make the fourth installment.
Okay, so they haven't bought it yet.
Is that what you're saying?
They haven't bought it yet because it's a bidding war going on.
There's other studios and production companies that are trying to get it also right now.
So there's several people on the table and I haven't decided who's going to get it yet.
So that's what's going on.
Oh, very interesting.
A bidding war.
A bidding war.
Okay.
So people can get the book on Amazon, correct?
That's right.
Amazon.com.
All they have to do is put in Sophia Stewart's books.
Or you can Google Sophia Stewart.
Sophia like the movie actress.
Sophia Stewart.
Stewart like Jimmy Stewart with a T. Go to Google and my website will come up for those who want to purchase for cheaper prices on my website.
For those in foreign countries who want to get it from Amazon.com, you can go there and purchase the book.
I also have e-books available.
For people who want e-books, I got those, Kindle.
I even have PDFs or whatever you may need for your iPads or your computer.
Okay, and I did put your link, at least on the YouTube, I think it might be on my article as well, to your website.
And your website, again, is that sophiastewart.com?
No, no, it's matrixterminator.com.
It's matrixterminator.com, www.matrixterminator.com is one word or truth about matrix.com.
When you Google Sophia Stewart, my website will pop up.
Anytime you Google me or hit images, all of my stuff will pop up for those who want to find me and they're not hearing this jumble for them or too fast.
You can Google Sophia Stewart and the website will come up.
Yeah, they do.
SophiaStewart.com actually does work.
Well, no, I don't have a website called SophiaStewart.com.
You don't?
I only have two websites, and they're called matrixterminator.com and truthaboutmatrix.com.
And when you go on Amazon, it shows in my book, it shows that both of my websites are right there, talking about my websites on Amazon.
But it's truthaboutmatrix.com and matrixterminator.com.
Okay.
Well, just so you know, there is a sophiastewart.com that does bring up your website as well.
Whether it belongs to you or someone else, I don't know, but it does seem to redirect to you.
Maybe you have a webmaster who kind of organized that.
Oh, someone must have created a link or something.
That's nice.
I didn't know anything about that.
Thank you, Gary.
Right.
Yeah, no worries.
It just, you know, for people to understand what's going on there, just to try to make things clear, and I'm going to put this on the page as well, so it's all clear for people, and also put it in the chat.
We do have a chat room alongside this conversation, so people can also click on it while we're talking, which will be helpful, I think.
Yeah, I wanted to bring up something, too, that's very bothering some.
You know, ever since I won four years ago, they've been covering it up in the media.
You know, I'm on the cover of a couple of magazines.
I've done over 4,000 media interviews non-stop since ABC Disney broke my story October the 17th, 2003.
And so a lot of people do know about me globally around the world.
But they have covered up the story that I won.
And that's horrible because people, my fans, they call me, they text me, they email me, they're on all the social networks.
And this is terrible, you know, very terrible for them to cover up this news.
Absolutely.
Because everyone has the right to know that I won and that I'm the creator and that I own the Matrix and Terminator.
Now, what's really bothersome is that I hear in the news that James Cameron and Gail Ann Hurd and these other David Ellison sky dance and Tencent Pictures and 20th Century Fox again and Paramount is trying to do a T6 and James Cameron is claiming that the two characters Sarah Connor and the Terminators belong to him and that is a lie.
He never created any Sarah Connor or the Terminators.
They read verbatimly on my work and my protective expression, which was all entered into the courts.
So now I'm going to file a RICO, which is a criminal case, against these people because I'm kind of tired of them infringing on my work, especially after two federal judges ruling.
They still want to steal.
They can't do the Terminator story.
But they want to steal the characters, Sarah Connor and the Terminator.
Oh, right.
Yeah, I don't know if you heard about that, but I'm going to file a restraining order in a RICO at the same time.
A RICO is a criminal case, racketeering, corrupted organizations.
It's when people do enterprises to steal.
Go on.
Well, what I'd like to know is whether or not you're winning your case, whether you were awarded any money to kind of keep you going.
Well, I was awarded almost a half a million dollars for attorney fees and $3.5 billion in liens on all of their property because what happened was I had three CPAs to come in and validate that they owed me $4.7 billion.
These three CPAs are certified public accountants.
Their testimony is worth $25,000 each.
They get three at $75,000 of expert witnesses.
And they validated that I was owed $4.7 billion.
But one of the CPAs Drop the bombshell there when he wasn't supposed to.
He was only supposed to, these three, was only supposed to tell about the profits that was made.
Because me being the plaintiff, I only needed to show the judges the profits.
Now, none of the defendants ever showed up in the courts.
It was kind of like a double whammy.
I was getting the four law firms at the same time that had sabotaged my California case.
They were supposed to have been on my side, but they were paid by Warner Brothers and these other defendants to sabotage me and to keep me from getting the evidence entered into the court to validate that I owned the Matrix and Terminator and the FBI and the DOJ's validations of the test.
But I was able to do that in my second court case in Utah Federal Court From 2007, it lasted 7 years to September 25, 2014.
So, what happened over there was the CPA dropped the bomb that they had lost $500 million when they never lost $500 million.
They only made a profit.
But there were slush fund payoffs and nobody knew where the slush fund payoffs came from.
And so that $500 million actually validated the sludge fund payoffs.
So that was another reason why I won the court case over there.
All right.
But where did you saying that you sort of had a lien, as you called it, I think, on certain individuals?
Yeah, I got $3.5 billion in liens.
Like, I own all of their properties.
And all I have to do is perform a debtor's exam where they have to come and open up their books and show how much money that they have to pay in order for their properties.
Either I just pay the money or to get their properties back or I can Actually, after the debtor's exam, sell the properties for money.
Okay, so when you're saying property, are you talking about whose property?
Warner Brothers or the individual?
Yeah, I leaned up Warner Brothers' property.
I leaned up James Cameron's property, Gail and Herd, Andy and Larry Wachowski.
In fact, I can send you over the liens after the show and you can actually see the property that I leaned up.
Because it was all entered into the courts and the judge did not kick out the lien.
So the liens are good.
It's like this.
Say, for instance, you come into my car shop and I fix your car and the bill is $3,000 and you cannot pay the bill.
And so I put a lien on your car and then I put it in public information, meaning the court system, to let people know that I'm the lien holder of that car.
And now I can sell your car.
Right.
The lien holder's information in the course is giving the notice to someone who really owns the car.
Okay, fair enough.
But how long have you had the liens?
The liens are good indefinitely.
I've had the liens for four years.
All right.
Four years, yeah.
Why have you not acted on that in particular?
Do you know?
Yeah, because debtors exams cost a lot of money.
I see.
And so a lot of people don't know that debtors exams, it costs money when you do a debtors exam.
So it costs money to collect.
See, the IRS, when they collect on your lien, the IRS, they got all this money, they got all this power, they got all these lawyers working for them.
So they come in, they lean up your bank account, they lean up your property.
And they can just take their time and sell off your property or auction it off or whatever, cash it in whenever they get ready.
So the fact is that they own your property.
Because once they go in and put the liens in, the liens are lethal.
There is nothing you can do unless you pay to get it back or buy it from them outright or wait until they auction it off and then try to buy it that way.
Okay, now let's talk a little bit about you as a creative writer because you're quite prolific and you're a wonderful writer and obviously you're quite brilliant in your sort of the way you put a story together and the way you have also wrapped spirituality together.
Into understanding our times, you know, involved with AI, involved with sort of the machine world, robotics, etc.
So where did you get all of this?
Like, did this just come through meditation?
Or were you, you know, did you think of this when you were a young woman, you know, growing up?
How did you get inspired?
I was inspired by God while I was at USC Film School because I read the Bible and I knew the first coming of the Christ story.
Hello?
The dark side.
I'm sorry, but you were cutting out there.
So we only heard the part up until you said you had been inspired by the Christ story.
Yeah, I was inspired by God and the Christ story, the first Christ story.
And I saw Star Wars in 1977.
I'm from New York City.
And when I saw Star Wars, I knew what Lucas had written.
Lucas had written the point of view of Satan, how Satan fell from the light side to the dark side.
Then I got to thinking about, what if I wrote the Christ, the second coming of the Christ, not the first coming, it was already in the Bible by both authors.
But what if I wrote a story about if the Christ came back, What would be needed at a time in the future?
Because in Revelations, in the Bible, when you read, it says that he was going to come back.
So I thought about that the whole world would be enslaved by the machines, man's children, artificial, the AI, the machines.
And that he would have to come back, be born of a woman, because the word matrix is a 7,000-year-old Latin word meaning the woman's womb.
And it comes out of the King James Bible, referenced five times in Scripture, three times in Exodus, two times in Numbers.
Exodus 34, chapter 19, verse, God says, He who comes out of the matrix, the woman's womb, on his children born with seeds, with souls, and that man would create his own children in the laboratory.
He would create the test tube babies, the petri dish babies, the artificial inseminated babies, the clones.
But they would be seedless and soulless.
They wouldn't be able to replicate.
The same way when man took a donkey and he cross-bred it with a horse, the donkey which is little and small, and the horse that is big and tall and weak, he'd create cross-bred it and he got the mule.
But the mule is made by man.
He's not made by God.
He's seedless and soulless because he cannot replicate himself.
He can't have any babies.
The mule cannot bear any children, and neither are the clones.
If you remember 60 Minutes, 60 Minutes was showing the polo player that was winning over it in one of the foreign countries.
He cloned his super horse that later on died that won him all of the victories every year.
He cloned that horse up to a hundred horses of that same clone.
You know, he took the DNA and they put the DNA in a syringe and the syringe of the doctor, the scientist, put the syringe into the egg and put the DNA in there.
Then they took that DNA or that egg and put it inside of a female horse and she gave birth to the clones.
And this is something you need to see those 60 Minutes.
The clones all do the same thing.
They mimic each other.
That's how you know they're clones.
Okay.
Well, let me ask you, was your information, was this research you did ahead of time or is this just research you've done since you wrote your book?
About the clones?
No, I knew about all of this.
It was like a gift inside of me.
I understood the matrix because I read the Bible, and a lot of people don't know that the matrix is the woman's womb.
It's a generic, just like cola, but when it's the matrix, or just like it's Pepsi Cola, Coca-Cola, that's what makes it yours.
You see what I'm talking about?
But if it's just using the word cola, it's nothing by itself.
Do you see what I'm talking about?
But the formula, Coca-Cola, Pepsi-Cola, is what makes it uniquely different.
So the word matrix is talking about the woman's womb and talking about what my story was all about.
The Christ coming back, born of a woman, Sarah Connor, coming back to destroy the machines when he gets older.
In the matrix, when he reaches 30 years of age, the rebellion began.
Reloaded.
Right.
And then he's prepared, he goes through the pod, he's human-sized, dies, and he's ascending to his light body.
He's defying gravity, he's flying, but he's not Superman.
He's able to go in such mirrors and other dimensions, and any bullets will not fade him, the bullets.
And this way he's being prepared to fight the machines and to destroy them.
And they're terrified of him.
Okay.
This is what The Matrix and Terminate is all about.
All right.
I appreciate that.
Now, did you plan to have Skynet?
Did you call it Skynet?
I don't know if you called it that in your book.
Well, it's just like this.
If somebody steals your property or steals your children and they change their names, Does it make it theirs because they changed the kid's name when they kidnapped them?
No.
Somebody stole your car out of it.
Alright, I was just curious what name you used.
So what name do you use?
Well, I used another...
I was talking about a network.
It's called Ava.
She was the first artificial collective consciousness.
Alright.
She was the network.
Her name was Ava, and she's written in the Solus When the gods walked the earth and solar, it tells how she was born.
It also describes her in Matrix 4 because she was the network, the collective consciousness, and has nothing to do with any Skynet or any of that, you know, because in the past, it's just talking about how this woman evolved and how she became the mother of Neo's mother.
How the Terminators came to kill her and how Kyle Reese came from the future to save her and he inadvertently gets her pregnant and falls in love with her and then he goes back to the future where he came from, the immaculate conception because now she's pregnant and it's the evolution of consciousness.
Was it a dream?
Was she with a man?
Was she with someone she fell in love with?
And then on to the Terminators where he's a teenager and he's a boy A young man, but consciously he's still asleep.
Right.
And you have the oracle.
Now, where did the oracle come from?
The oracle came in from the prophecy.
She was the one that prophesied that a baby was going to be born to destroy the machines in the future.
And so when the machines heard the oracle's prophecy, that's when they knew they had to time travel to the past to kill Sarah Connor So the baby Neo, which is an anagram, Neo, meaning the one, N-E-O-O-N-E, John the Revelator, is the only one to call Jesus the one.
That's where it really comes from.
Okay.
So all these people were doing, just like they do with the Gravity book or the Maze book or the Harry Potter book, all they're doing is interpreting the author's work and changing things and using some creative control and But they do not own it.
They did not create it.
And films are just when people, just like you, go with your camera right there and you start videotaping something outside.
Well, whatever you videotaped, you didn't create.
It was already there.
The source book was there.
All you did was took a picture, a film of it.
And that's all these people in Hollywood do.
I'm telling this so the audience can recognize that Film is not creating anything.
It is taking a picture of something and it's creating from the source work.
If there were no source work, then you would have no pictures or any film.
Okay, now you know about the Matrix movies.
When did you realize that your stuff was stolen?
In other words, what was the process by which it was stolen?
Yeah, I want people to realize there was never any battle or any fight or any war going on.
When I went, I didn't go to the movies in 84 because I was pregnant and I was married.
So I was not at that time thinking about any movies.
But in March the 31st, 1999, I go and I see The Matrix and I recognize my work on the screen.
And me being a paralegal, Because I studied to be an attorney and a doctor.
I called up Warner Brothers' legal department, plus I come from a military law enforcement family.
So I know the law also.
So I called them up and they offered me $5 million for the copyrights.
Well, the copyrights are worth more than that because I was doing taxes when I was 11 years old.
Like H&R Block, I was getting paid Like wrong people to do their taxes because they didn't understand how to do taxes.
That's why Agent R Block was born.
But I was already an entrepreneur and getting paid to do that and doing also as a teenager payroll.
I was creating grown people's paychecks.
And I scored a 98 on the IRS exam which is nothing but pure math so they wanted me to come and work for them.
So I understood numbers.
That's why you see in the matrix The binary codes, the one and the zero, matrix and terminates quantum physics, calculus, ancient sacred geometry.
It's a science fiction story, but it's a Christ story done in science fiction form, not in religious, not in religiously like the robe or the 10th commandment.
It's done in science fiction because numbers are the universal language, mathematics.
Sure.
All architects, all inventors, all engineers create with math, including music.
Sure.
Now, but when you said they offered you $5 million, so you realized when 1999 you saw the Matrix movie, you realized it was your work.
How did you go about the process of alerting them that it was your work?
Did you get a lawyer?
Well, I called up.
No, no, no.
I studied to be an attorney, so I know the legal rims.
So I called up their legal department, but they already knew about me because my work was copyrighted.
So they already knew that I came from Bronx, New York, because on the copyrights, you see my name and address.
When you go into the Third Eye Matrix book, the copyrights are there, and you will see my name and everything.
So when they stole the work, the first thing they do, their lawyers, is to check and see if it's copyrighted.
Right.
And when you put in the title, it's going to come up.
The copyrights are going to come up, and you're going to see who owns it.
So Gail Ann Hurd and James Cameron intentionally stole the work and Gail Ann Hurd put it under a constructive trust.
A constructive trust is a dummy company, a shale company called Pacific Western.
What makes it a crime is because she stole my scripted book and put it under this shale company without my permission or without my signature and then she started selling it She sold it to another company, Hemdell Films, and Hemdell Films was another shale company.
And then they sold it to Caracol Pictures and Caracol.
And then Halcyon.
They just kept passing it around to Skydance and Tencent Pictures and all of these people which are called Ricoh Enterprises.
because it's just like you go out, Carrie, and you steal 20 television sets, and then you start selling them to different various people.
And these people, they know it's stolen television.
They didn't buy it out of the store.
They're getting it from you, but they become part of a RICO enterprise.
They become part of a theft, aiding and abetting and a theft, and they have full knowledge of it.
Yeah, I appreciate that.
Okay, so Gail Ann Hurd is the first one in the chain, is that right?
Yes, what happened was she and Susan Menzbach.
Susan Menzbach from 20th Century Fox.
This is why when you read, Carrie, where the judges over in Utah said that the defendants had access.
Because there's the letters from 20th Century Fox where they're accepting the work, the script and the book.
And the people over at Paramount, David Madden, the producer, and Valerie Red, they're accepting the book.
And the judge sees the proof because there's the letters where they're accepting it.
And then Susan Mansbeck leaving Fox and going to Paramount where her friend Gail Ann Heard is.
And then Gail Ann Heard brought James Cameron in and they started working over at Roger Corman's.
Okay, now, but I still want to know, like, in other words, how did they get your work?
Where was your work?
Did you submit?
Because it kind of sounds like you didn't submit it to a film company in these early days.
No, I did not submit it.
I sent it over to 20th Century Fox looking for George Lucas.
Because when I saw Star Wars, and I didn't know that Star Wars belonged to George Lucas, I only saw that George Lucas was the director.
And I wanted him to direct my work.
I wanted him to send my work to Lucas because I saw on the film credit that he was at 20th Century Fox.
So I sent my script and book to him at 20th Century Fox.
And Susan Mesbeck, who was Vice President of Creative Affairs, she got hold of the script and the book and saw how valuable it was commercially.
And she just stole it right and brought in Gail Ann Hurd and Cameron and all these people and David Madden and Valerie Ray.
And they just started passing it around.
Right, I appreciate that.
But your name was on it.
Your copyright was on it.
How did you get it submitted over at Fox in those days?
Back in 1981, there were no agents to receive anything.
People were just receiving all kinds of stuff back in the day in 1980 and 1981.
So when you send your work, I was there in California at UFC, right there in Los Angeles.
Right.
And so it was easy just to send it over there looking for Lucas.
Okay, so you sent it in an envelope with a letter, one presumes, right?
You must have sent it directly to a person.
Do you have copies of that kind of thing, like going back that far?
I have copies, registered return receipts and everything.
It's in the Third Eye Matrix book, all of it.
Oh, right.
What I'll do is I'll send you over the e-book And you can see all the documents with your own eyes.
All right.
All right.
So, you know, it's kind of funny.
You know, a lot of people have had their stuff stolen, okay?
But yours is one of the most outrageous, sort of flagrant cases, I think.
And certainly maybe the most well-known.
But it is an interesting thing.
Well, you know why mine is the most fragrant of all?
Because it's copyrighted work.
So where's the government at?
Because if you go steal something right now, you go download 10 copies of Deadpool, the feds will come out and arrest you.
You don't even have to sell it.
Just download 10 copies of it.
This is what happened to a little guy that was 25 years old named Trayvon Franklin.
I'll send that over to you.
He got arrested for downloading 10 copies of Deadpool.
This was a couple of years ago.
It was three or four years ago.
So this is what makes it horrible because the government, if he doesn't protect my copyrights, they're not going to protect your copyrights.
That means that everybody, the people are getting their work stolen.
They're protecting the studios, but they won't protect our work and we pay for the same copyright.
Sure, of course.
This is really bad.
This is really bad for the people.
I totally agree.
But I'm just curious.
So when, during this sort of trajectory, did you ever get an agent to represent you?
Yes, I did.
And you'll see the letter from my agents, because that was the second letter that came from 20th Century Fox.
They wanted me to resubmit again, but this time with an agent.
And then I got the agent to do that.
All they were doing was giving me the runaround while they were creating A movie out of my work.
Right, okay.
What agent?
I mean, is that an agent?
Are you at liberty to say who that was?
It wasn't an agent that was signature with the Gill.
It was just an agent.
Her name was Esther Duffy.
Her name is on the documents.
She submitted the work.
All of this is proof and evidence.
But she didn't know anything about it, is what you're saying.
The stealing.
She didn't know about that.
No, she didn't know they were going to steal.
Neither did I. Okay, but at some point, it must have, you know, in other words, it made it through the labyrinth of the studio, which specifically, it sounds like, well, Paramount was involved, Fox was involved.
Then somehow it got over to Warner Brothers.
And you know that Columbia was involved also, and I was working for Columbia Studios.
All right, that's very interesting.
You know, I worked for all these people a long time ago.
All right, but how did it make it over?
Who's the final?
You know, I know it was the Wachowski Brothers, but who brought it to them?
What was the producer?
Was it Joel Silver?
Who was it?
Yeah, Joel Silver claims that he brought the Wachelsis over.
And I'm going to send you over a recode so you can read the entire story.
It's going to blow your mind.
All right.
Because I got all of the details, everything that you're asking and you want to know, we can do another interview where you'll have all the details.
But anyway, the Wachowski brothers never sold nothing to Warner Brothers.
Warner Brothers were involved with the theft from the beginning.
Okay.
The story about Joe Silver and the Wachowskis were all created It was to mislead the public.
All right.
Chelsea's never sold anything.
They never created anything.
None of them, when you look at the evidence and look at the copyrights, none of them have not created now one thing in the Library of Congress.
All they have is an assignment in dummy companies.
All right.
But Joel Silver...
Okay, wait one second.
So Joel Silver is a very famous producer, back in those days even.
And he brought those guys in to direct the movie, right?
That's what the story was in the media.
That was the cover-up story, the cover story.
What was the background?
That they created to fool the public.
Well, Joel must have been instrumental in what we call putting that package together.
No, I'm not saying that Joe didn't do anything.
Joe was a pro producer, a super producer who had accomplished a lot.
Right.
But that's what you would use.
You would use somebody like that to do what you needed to be done.
Well, he probably...
I don't know if he knew the material was stolen or not.
I have no knowledge.
But he did do the act.
Right.
He was involved in the act, and so was Andy and Lyra Wachowski.
And the FBI have told me that when they come in, they're going to arrest all of these people because since it was theft of the copyrights, they have to come in.
At some point, it'll be some kind of task force because they got special task forces to come in and do this type of work, especially when it's a conflict of interest.
Right.
They got these special task forces that they can send in to make these arrests, and then you would only get restitution, they told me, because they stole copyrighted work.
It's a RICO offense.
It's criminal.
Yeah, I hear you.
And every time they take money from royalty checks or they put out the Blu-rays, the statutes of limitations never run out, just like the way it got Bill Cosby just now.
The statutes of limitations never run out.
Every time you take a royalty check or you take something from something stolen or a criminal act, it stretches out the statutes of limitations another 10 years so you can be prosecuted.
Even if you're 81 years old, even if you're 90 years old.
As long as you're alive, when they come to get you, well, they can arrest you.
Just like Bertie Madoff, he was stealing for 20 to 30 years.
So by the time he caught up with him, he was 65 years old.
He got 150 years.
He's going to die in prison.
Okay, now wait.
Slow down.
Slow down.
Okay, wait one second here.
I just want to back you up a little because I still want to follow this trail a little bit more because, you know, I worked in Hollywood, right?
You know, I was an independent producer.
I actually wrote screenplays.
I tried to shop them around.
I met a lot of these players you talk about.
In some case, I work for all the studios at one time or another.
Okay, so the reason I'm asking you is that I'm curious if what happened was that the legal teams of Warner Brothers, okay, so they're going to have to clear what they call clear the title of your work in order to get this thing together.
So it's very interesting how different departments would have had to be involved, right?
In different players.
Yes.
Okay.
Now, do you know a very famous lawyer named Pierce O'Donnell?
Yes, I do.
He's the one that did the...
The Coming to America case with Eddie Murphy and Buckwall.
Yeah, he did.
And he won that case and it cost about over $2 million.
Alright, so Pierce is...
I actually have met him.
I used to work with his sister for a while, a long time ago.
And the thing is that he has the ability to prosecute a case like this, but it's almost impossible To get him to go up against the system in a way that's required here, right?
Yes, because they really did a lot of bad things to that guy, that attorney.
He's a very brilliant attorney, and when he took that case, he changed the whole thing of Hollywood, the theft system.
He changed everything, and they hated him for that, and they did a lot of really bad things to him.
You know, and they made a lot of attorneys afraid to go up against them.
They would put out, you know, work for you to do.
So it would be a conflict of interest.
All the best, phenomenal attorneys, they would send them some work to do.
And once they do the work for the studios, then it'll be a conflict to help anybody with an infringement or a criminal case.
Okay, now I'm going to ask you another question because it's very interesting.
You know Spielberg, right?
Yes.
Okay.
Well, the word is, and the word was, that nothing came into Hollywood that Spielberg didn't get to look at first.
Did you ever hear that?
Did you ever hear that?
No, I didn't know about that, that nothing went past Spielberg.
No, so everything...
Now, I don't know when this started, because you're way back there, but Star Wars was already out, so it could have already been going on.
And I don't know about Lucas.
You know, Lucas is kind of a different animal because he kind of kept his distance from Hollywood in some ways.
You're aware of that, right?
Yes, he did.
Yes, I'm aware of Lucas.
He's always been...
And I don't know, because, you know, Lucas has always, like you said, kept at a distance and always...
But Spielberg was entrenched in Hollywood.
And I think he was pretty much scared of them.
You know, if he didn't do some of the things they wanted him to do, I think they could have destroyed him.
And he knew it.
Right.
Well, he got some favors from them in early days, you know, around JAWS and various things, right?
He got insider stuff.
But it is interesting because, you know, what they call the sort of the screenplay, you know, where you submit a screenplay.
Of course, nowadays, everything's on computer.
So they've got even greater control now.
And I'm just telling you, the word on the street is that nothing comes into Hollywood.
Spielberg gets to see.
He's like the godfather.
He gets to see it before it goes anywhere else.
If he doesn't want it, then it moves on.
Wow.
I didn't know he had that kind of power.
Well, I'm just, you know, this is, okay, this is a rumor.
Don't, you know, come and arrest me and everything.
But, you know, and I have nothing against him.
No, you know what I'm saying.
I'm just saying how this system works.
So there's, you know, I worked in, you know, pretty deep in many years and But I never, they never would let me in, but I was quite psychic and I tapped into and heard a lot of gossip and whatnot.
So I know a lot of the stories back channel.
I can tell you that what went on with your screenplay, with your book and your writings, some people knew.
You know what I mean?
There's some really big names.
Now, I don't know who exactly, but for example, you could look into Gail Ann Hurd and you could look at who helped her in her career.
Okay?
Yes, I know who helped her in her career.
Okay.
Okay.
And the same with the woman that you named.
Actually, I'm not familiar with her, so I don't know her, you know, background.
You're talking about stupid men's back?
Yeah.
Vice President, she was at Fox.
She's still on the payroll, actually.
The FBI told me she was still getting paid off for that theft.
I see.
That she was still getting money, because, you know, I went to the FBI and I've had multitudes of interviews with the FBI concerning this theft.
It would blow your mind.
Yeah, I'm sure.
Well, it's really cool that you are so adept and so knowledgeable, not only about writing and fiction, and obviously taught yourself some law, but I don't know if you actually became a lawyer or not.
No, I'm a paralegal.
I went to school for it.
I was taught law under the Manhattan and Brooklyn famous lawyers.
Some of the most prolific lawyers taught me law at The City University of New York.
All right.
Fair enough.
But also you have the background with regard to the money.
So that's a real key asset as well.
So you're really in a position.
I guess they didn't know how well equipped you were to deal with their theft.
They were quite shocked because, do you know, the second lawsuit, I had to judge a court order my lawyers off and I went in there and won the lawsuit on my own.
And I was in there by myself three and a half to four years by myself.
And I was also fighting them over at the USPTO, the trademark, over their office.
I was fighting them.
I had two cases at the same time, and I was the attorney, my own attorney.
And I beat them in both cases.
Oh, really?
And they were expelled, yes.
What was the trademark for?
The trademark was I was trying to get Warner Brothers canceled on the end of the matrix because one of the Ava Frazier Thomas used to work for the trademark government.
She worked for them for 30 years.
And so they paid her to go in there and get an illegal trademark because they tried to get the trademark off of a video game called Enter the Matrix.
But they will not give you a trademark on a video game.
They can only give you a trademark on a continuation of a series of movies.
But The Matrix was a trilogy, three movies made.
So she lied under oath in a declaration that Enter the Matrix was a movie, the fourth movie.
So it made it a series.
Because they tried to get a trademark under Matrix Reloaded and Matrix Revolution.
And under 18 U.S.C., they told them it was a criminal act.
They couldn't give them the trademark.
Because they had stolen the Matrix and Terminator from me.
So they couldn't give them the trademark on the Matrix.
But they went ahead with it.
She was the inside job.
It's like, you know, you work for the bank.
So you would know how to rob the bank.
And you're higher up in the bank.
You've been working 30 years in the bank.
You would know how to rob the bank.
So they hired a trademark agent who had 30 years of experience.
And she's going to go to jail, too.
Because she swore under oath because that's how they get you.
When you swear under oath in any government facilities or government agencies, they use your own affidavit where you signed under oath to come and prosecute you.
Right.
That's why they always ask you if you swear under oath, this is true information.
All right.
Fair enough.
But what happened?
Because they just went ahead without the trademark and used it anyway.
Yeah, well she got it illegally and what happened, I took possession of it because the government had held up the copyrights to enter the matrix.
They had given me the copyrights to matrix.
They had given me the copyrights to Terminator.
They had given me the copyrights to enter matrix.
They had given me the copyrights to everything except for enter the matrix.
They held it up for two years.
But then when they saw that they were aiding and abetting in a criminal enterprise, they saw my fight over there at the trademark, they relented and gave me the Enter the Matrix copyright.
I'll send it to you so you can see it with your own eyes.
And I entered it into the courts.
Once I entered it into the trademark courts, I took possession of their trademark.
Enter the Matrix belongs to me, the trademark, because I own the copyrights to the trademark.
Because I got the copyright to the movie.
She's claiming it's a movie.
She's claiming it's a series.
And I own the copyright to the movie.
Right.
Okay, so tell me, when did this copyright stuff, when did that come down?
What years?
That came down in 2014.
2013, 2014.
Okay, so it had been out there for a long time, you know, until that happened.
Alright, so in terms of what happened after you realized that you had had your stuff stolen, did you hire a lawyer besides yourself at any point in those early years to prosecute and to go through with getting your money back?
Yes, I did.
Listen, I hired several law firms and they all sold out on me.
Oh.
Warner Brothers came in and bought all of them out.
I had to get rid of all of them.
You don't understand.
This is for real.
No, I hear you.
They bought them?
Are you sure they actually bought them?
They did buy them.
They bought Crooked Judges, too.
They bought two Crooked Judges.
The two Crooked Judges was Clark Waddoff and Brooke Shields.
Not Brooke Shields.
What was her name?
Brooke Wales.
Excuse me.
Brooke Wales.
Okay.
Brooke Wells and Clark Wadoff and I wrote a legal brief saying that she was a chief prostitute and he was a KKK grandmaster wizard and they both recused themselves off the case.
They were both crooked and they were trying to get the case dismissed for three and a half to four years.
That's all they tried to do.
My own attorneys and the opposition was working to try to get that case dismissed in Utah and I went in there by the grace of God and I did pray to God and he told me what to write and I wrote that she and I didn't know she was she had prostituted her way to becoming a judge until a attorney named Larry Long called me up with a witness On the phone and he was laughing and he was reading the
legal briefs and he asked me, how did you know?
I said, what?
He said, how did you know she was the chief prosecutor because she fucked my Johnson.
She sucked her way to the top.
I told him God told me and I wrote it in a legal brief and told me about the other judge.
I said, That's how I knew because I never met her.
I've never seen her.
I don't know nothing about her life or anything.
Okay.
I was inspired by God and I wrote what God told me to write.
That's how I won.
Okay.
Now, let me ask you, you know what's coming down in Hollywood nowadays, right?
With the whole pedophilia charges and all of this, right?
Yes.
Okay.
So did you know about some of that backchannel when you were kind of dealing with all of this?
Or were you pretty much out of the loop in terms of finding out who was kind of involved in all of that?
No, I knew that a lot of people were involved in pedophilism and what they had done to the children's stars and why people committed suicide and why a lot of them died for drug overdose and why a lot of them were killed and all of that.
Hollywood was getting a free pass because they were doing a lot of work for the government, especially when it came to the military.
They were doing all those doctrine of military movies and military propaganda to get all these young men and women into the military, but now they don't need Hollywood anymore because now...
The war would be fighting by computerized warfare like what I prophesied in the Third Eye Matrix book.
And then trafficking and women and children trafficking is $152 billion a year and the drugs being illegalized just like prohibition with the alcohol.
I knew all of this was coming and I prophesied it in the Third Eye Matrix book.
So they don't need Hollywood anymore and they despised them in the first place because Sure.
and that they could continue to do what they did.
They didn't think that they were ever going to be brought to justice or reckoning was going to come and change one day.
Sure.
That everything would change.
I'm just telling you the truth.
No, I appreciate that.
Listen, do you think...
Are you aware of...
I don't know what you follow in the news and stuff.
I think you were sending me stuff earlier tonight that looked like it was related.
Are you aware of the indictments that Trump is trying to get through at this time?
I know what Trump is doing.
He's got John Huber over there in Utah...
John Huber has got 450 lawyers under him.
And there's a lot of secret indictments going down.
And it's called the operation called drain the swamp.
He's draining the swamp.
And this is why they really hate Trump.
Especially Hollywood.
Because if Hillary did not come into office, they were all going to be destroyed.
They all know that whatever is going down the pipeline with less movies and Kevin Spacey and all these people, Weinstein...
They all knew this was coming, the day of reckoning.
Okay, now, the reason I'm asking you is because I'm wondering if you think that it's very possible that someone like you, who has this case going on all these years, might get basically vindicated by some of these indictments that are coming down and that perhaps your case might...
Sort of see the light of day in the mainstream press, etc.
Well, it definitely is.
The Illuminati told me in the year 2006 and the Masons, the Illuminati called me up and the Rothschilds and Leo Zagami are big fans of mine and the Matrix and Terminator.
And they told me that I would have a second lawsuit and I would win that lawsuit and I would play a major role in world events.
So they pretty much told me what was getting ready to go down in the year 2006 before I even initiated a second lawsuit.
All right, very interesting.
They already know what's going to happen.
I'm telling you, the Illuminati's, they know what's written in prophecy.
They know what's going to happen in everything.
And so what I'm trying to say to you is that they did everything in their power To put Hillary in there because they were going to keep everything the same with Hillary.
It was going to be business as usual.
And they were going to keep getting away with everything.
But they knew that Trump was part of the Revelations.
His name is like a trumpet.
T-R-U-M-P-E-T. And in Revelations, it tells you what happened when the seven trumpets blew.
Every time a trumpet blow, what would happen on earth?
What would be the prophecy and the downfalls of what was going to happen, the destruction?
So it was meant for trumpet, blowing the trumpet, it was meant for him to do this.
Okay, fair enough.
Now, in terms of where you're at now, you've got to You've got people that are bidding to buy your screenplay for this new Matrix 4, correct?
Yes.
Okay.
But you haven't decided who you're going to sell it to.
Are the people that are trying to buy it, do you consider them good production companies, people that are honest, above board, that sort of thing?
Well, some of them are.
Some of them are very powerful, but this is what concerns me the most.
That they do not change the message like in the first Matrix.
See, two and three is garbage.
That's why I made it into a dream that Neo and Trinity never die.
Because you don't kill out a billion dollar franchise because you can't write it or you can't continue it because it's mathematics.
You know what I'm talking about?
It's prophecy and it's nanotechnology and alien technology that you, you know, original work that you can't create.
So...
What they did was try to kill it out and I had to bring them back with it because I wrote The Evolutions of Consciousness, A Dream Within a Dream, like Ezekiel, A Wheel Within a Wheel.
Are you dreaming right now or are you awake?
Right.
Like the Truman Show, are you locked in a simulation right now and being used and you don't know that you are in an artificial world and you're being mimicked?
Yeah, absolutely.
Yeah, so...
This is what I had to do.
And so it's very important that the message stays intact because the Matrix message went around the whole globe.
It's got three to four billion fans in the Terminator because the message is in the movies.
Yes.
And the first three Terminators are pure Matrix and Terminator.
The first Matrix and the first three Terminators are pure.
And the other two, Matrix is contaminated and Terminator 4 and Genesis is garbage.
Right.
It's garbage.
It was meant to just...
I need to say this.
It was meant to get money out of the people and shortchange them of what they loved about the Terminator Matrix.
I hear you.
Okay.
So what people would like, I'm sure, is to know more about your work and other things that you might be working on at this time.
So are you, you know, I guess you're making a deal or whatever.
You're trying to make a deal with this Matrix 4 and it's already written.
Are you working on a screenplay for the movie or are you working on other projects?
The script has been made for seven or eight years.
The script was made a long time ago.
All right.
So they're buying the shooting script.
Oh, right.
Because the James Bond script, the James Bond franchise went for $50 million.
Because they already have built-in audience, the James Bond franchise, you know, the Fast and the Furious franchise.
Right.
It's just like Nike.
It's like Gucci.
It's like Apple...
All you have to do, they got the built-in customers, all you have to do is give them the new product, they're gonna buy it.
That's right.
So that's the way Matrix is.
The fan space is 3 to 4 billion globally, and they're waiting, they've been waiting 15 years, so the prophecy is that when the announcement comes out and they start selling the tickets to the movies, if you don't get it, a ticket immediately, you will be waiting two years or more to try to get in to see the Matrix 4 movie.
It'll be in real 3D for the first time ever.
Very cool.
The first matrix was not in real 3D because it didn't exist.
And then IMAX. It'll be IMAX for the first time in real 3D. Okay.
That's the numbers quantum physics jumping off the screen at you.
Very cool.
Now, I have read some of your work and I know you're really good.
Let me ask you, in terms of where your brain is at right now, are you thinking about aliens, you know, alien technology?
Are you thinking about the incoming AI that's basically alien technology?
You know, alien AI. Where is your mind going with everything now?
Well, I want people to know I'm amidextrous.
Amidextrous meaning is that I have the same strength in both hands and it means that I'm using both lobes of the brain.
Sure.
And that I see systems and I crack the codes on systems.
So that's why I never studied trademark law ever.
And I beat them in trademark law.
I can beat them in any law because I can crack the system on anything that I do and come up with things that you can't even imagine.
So in the Matrix 4 that you were reading, you see that I'm talking about a virtual penal system.
I'm talking about a...
This is eight years ago.
Eight years ago.
And then in 1980, I'm talking about the first virtual images that Going up and down the telephone lines, and Neo and them are in the ship sleeping their bodies.
That's right.
So now, if I'm talking about virtual reality, I'm talking about the first hologram virtual car that they stole and put in Black Panther movie.
It was the car that Neo and Morpheus was driving in.
And I know you remember this.
And you know that that was in the book before the Black Panther movie came out.
Come on, the book has been out for eight years and all my fans are pissed off because they read it in the book.
They said, oh my God, in the Black Panther movie, they stole stuff out of the Matrix 4 book.
Right.
Interesting.
You remember that?
I know you remember because you're reading the Matrix 4 book.
You do remember the virtue car?
Yes.
The hologram car that starts up with a musical note?
Uh-huh.
I think I do.
I'm still, you know...
The wireless, you can go back and look at it.
The wireless car, the virtual car.
It's the first virtual wireless hologram clones.
You saw the holograms in the movie.
They even said in the Black Panther movie, Hi, Sophia.
You do remember the Asian woman they called her Sophia?
You do know that the artificial AI in Saudi Arabia, that they made her into a citizen.
Yes.
And she's getting paid a paycheck.
Her name is Sophia.
Now, you know they read the Third Eye Matrix book and they read the fourth installment.
All right.
Fair enough.
And I'm talking about her.
Her name is Ava.
I know.
Yeah, I picked that up, actually.
So what I want to ask you, though, is where are you at now?
What are you working on now?
Are you, like, not going to tell me what you're working on because it's a secret?
Well, I've got a lot of work that I'm sort of like Prince now.
I've got to put my stuff in the vault because they still, you know, even out of the book that people are reading, millions of people are reading, They're stealing.
I mean, would you reveal your new work if they try to steal every minute?
No, I mean, it's interesting.
So do you work, just out of curiosity, you must work offline, then you probably don't connect to the internet when you're doing your work.
I can write by hand, and I can write, you know what I'm saying?
I do write, but they cannot...
Do anything with my writing because it's all original.
It's never been on the screen before.
So that's gonna pretty much bust them out.
You know what I'm saying?
But I got a lot of stuff that I wrote.
You gotta remember before the computer even came out, I was writing a lot of stuff.
So I got a lot of scripts and work that has never been seen ever.
I can name some of it.
I got a script called The Blueprint of Man.
When the Gods Walk the Earth, Solace, the Glitter Heights, the Beast Among Us.
Do you see what I'm saying?
I've had a lot of stuff that's still phenomenal that has never been seen on any screen.
Can you imagine that?
Totally original work.
Yeah, I hear you.
Now, do you have kids?
Yes, I have a boy and a girl.
Okay, are they as brilliant as you are?
My kids are very phenomenal.
My daughter, her name is Sasha, and my son's name is Paris, like the city Paris, V-A-R-I-S. And he has his own business.
He's a film director, video music director.
He's well known in the business.
He's done a lot of celebrity.
My daughter, she's on several stores, and she went to Howard University and got her degree.
She met her husband there.
He's an engineer.
They both were right out of high school.
They went into college and they met each other.
And got two kids, a boy and a girl.
My granddaughter is a professional model, beautiful, the Go-Jane girl.
Okay, so any more writers in your family?
Yeah, this is going to blow your mind.
My granddaughter, my two grandkids, I only got three grandchildren, a boy and two girls.
But my granddaughter, the first oldest one, Her name is Simone.
She wrote her first book when she was like two or three years old or five years old or something.
And the other one wrote one and got it published when she was nine years old.
Anaya.
That's lovely.
All right.
Very nice.
So they have the gift, but they also have my other granddaughter, Anaya, has the musical gift.
She can sing.
A phenomenal voice.
Yeah.
So they're gifted.
And my Okay.
and my grandson is 6'7 and my granddaughter is 5'10 and the baby one she's the shortest one she's only like 5'5 or 5'3 or something but everybody else is tall now we've got a huge chat room here I do I'm going to let you go because we've been talking a while, and it's a lot of fun talking to you, by the way.
What I want to do is just ask the people in the chat if they do have any questions, if the chat can slow down for a minute.
If anyone has a question, I'd like to be able to ask you a question from the audience or two.
Would that be all right?
Oh, I would love to answer their question.
Yes, please.
Okay, so let me ask them to put their questions in all caps, but they've got to stop.
You don't understand.
This is crazy.
They are chatting like so quickly that the screen is going too fast for me to read a question.
Wow.
That means that you've got a big audience here, a big live audience, and they're really kind of Going crazy.
Okay, I see a question here.
What about the moon?
Okay, so do you wrap the moon and are you aware of how bizarre the moon is?
I was talking about the dark side of the moon in the third eye book in the 1980s, you know, and this is where the machines were fueled from, the dark side of the moon, where they got their energy and why, you know, they became so powerful as artificial intelligence.
And I also want them to know that Homeland Security and the FBI, they all got autographed copies of my book, and Homeland Security called me up one year, and they were totally blown away.
They read the Matrix 4 book, and they said, I solved the Roswell incident.
And I said, what do you mean I solved the Roswell incident?
They said, we didn't know how these ships flew.
They had captured these ships back in the, you know, the 40s and the 50s.
And the aliens died, and they broke them down by aerodynamics, and they didn't know how they flew until they saw in the Matrix 4 book, where I said they flew with magnetic ring pulsion and the reversal of gravity, and how they cloak invisible, how they break the time barrier speed, but how they also hover like helicopters, and how they go in and out of portals.
And if you don't believe it, Carrie, I will send you over the classified information that they sent me from Homeland Security.
Actually, I do believe you.
You know, I've remote viewed the moon myself.
In fact, I just had a dream about it the other night.
Yeah, there's a lot of crazy stuff going on on the moon, let me tell you.
Now, someone wanted me to ask you something.
I think it just went by too fast.
Hold on one second.
Right.
Someone here seems to want to know, what about...
This is kind of a question I get asked from time to time.
They want to know about black aliens.
You know, the color of your skin doesn't really matter when you're, you know, a different race of beings.
But go ahead.
Do you want to talk about the various black aliens?
Yeah, I want to tell them something that's very phenomenal.
Because remember you had...
Clark McCullen on your show one night.
That's right.
I was listening to that interview.
Clark McCullen, the guy from NASA. That's right.
The guy from NASA. He was talking about the aliens were black.
And Stitchin also, I met Stitchin before he passed away.
And Stitchin told me that, and there was a witness that introduced me to Stitchin with this guy, Annette Edwards from Indiana, introduced me to Zacharaj Stitchin.
And Sitchin told me that J.J. Abrams and all the big directors, I mean, he named them all.
He said they all came to him trying to get his book.
They wanted to do the movie, but they all wanted to make all the aliens, then they're white.
And he said they were black.
And he said that he wanted me to do, and when it came time for it to become a movie, he wanted me to do his book and to be the screenwriter.
And he called his grandson in and introduced me to his grandson.
His grandson's name is Chris.
And he told Chris.
And this was several years ago before he passed away.
Right.
So for those who want to know, read Zachariah Hitchens' book.
They were black aliens.
And he didn't want them to be white aliens.
And that's why he didn't want J.J. Abrams and all the other ones in Hollywood.
They were going to change everything.
And that's why he never sold his book for them to adapt to the screen.
Okay, and that's true.
You know, they are different colors, actually.
There's many different colors, but there are blue-skinned beings as well.
And these are depicted on the temples of Egypt, by the way.
Yes, it's true.
So, let's see.
Someone wants to ask you about interdimensional fallen entities.
And also, I think that they're also wondering about the Nephilim.
So, do you want to talk about that at all?
Yes.
I want to tell people when the angels first came to Earth and they fell to the Earth, they were actually exiled to the Earth because they couldn't stay in Heaven because of their vibrations were turning everything negative.
So, they had to leave.
So when they came to the earth, they lost their wings.
And they became just like men walking around here.
And that's how come a lot of angels are walking around you right now.
And they look like regular people because they have no wings.
And they started having sex with the women.
And this is where our mythology came in.
And this is why Pegasus, a horse with wings, a miniature, a man with a bull head.
When you go to ancient Egypt hieroglyphics, You will see all of these animal heads on men's bodies.
That's right.
Because of the mixture, the angels start having sex with everything and everyone.
And this is where you see Hercules, Apollo, Diana, you know, all of these with the snakes on their head, Medusa, all of these different things, the giants, And the Bible talks about these giants, and it talks about the mythology, mythical, different types of beings.
Okay.
Breeding from the angels.
Okay.
Right.
Now, let's see.
There was another question I saw in here.
Someone wants to know, oh, have you been, basically, do you feel that you've been contacted by aliens, abducted, any of that?
Well, I'm going to say this.
While I was writing The Matrix and Terminator in 1980, I had a dream where I saw the ship that you saw in The Matrix, the Nebuchadnezzar.
I saw the ship in a dream, but I didn't know that the ship was an alien ship until Homeland Security contacted me in 2010 or 2011, and they sent me over the Pentagon, and they kept a picture of the ship.
Which I will give to anybody when they get the Matrix 4 book.
I will give you the Homeland Security Pentagon information.
It's real.
It's real documents from the Pentagon.
Well, yeah, that's very interesting.
Of course, you named it after the person that Saddam Hussein thought he was reincarnated.
Well, this is going to blow your mind.
He had nothing to do with the name of the ship because Nebuchadnezzar in the book of Daniels That's part of Revelations.
So that's why the ship got named Nebuchadnezzar, because there was a king with that name.
But all of the prophecies involved in Nebuchadnezzar and Daniels were the book of Revelations.
So this is what the story comes from, is the book of Revelations.
It's inspired by God.
So all of the stuff that's in the movies, It has to do with the prophecy of God.
Okay, now I'm just going to ask you one last question and then we're going to let you go.
Let's see, do you feel that you're what I would call a precog?
Do you see the future?
Yes, I'm the oracle.
The oracle was created after me being a visionary seer.
I have the gift of sight.
I'm talking about a virtual penal system that's coming.
I need to tell people this.
You're not going to be needing your old passports anymore, paper passports.
Very soon, in every airport, there's going to be scanners, retinal scanners, facial scanners that will scan your face, your fingerprints, your teeth, your dental, everything.
And they're going to tell you when you get there, you're not going to need that old paper passport.
Because they're going to see that if it's really you or not.
You're going to have a universal card, a driving license with your bank account information.
It's going to have your DNA, all of your information.
So when they scan you at the airport for international travel, there will not be any terraces getting over because there aren't going to be any paper, like I told you, the forged passports.
That's going to be done away with, and you're going to be scanned when you go into the international airports.
Totally scanned, and they're going to know if it's you by the bone structure.
Yeah, it's already happening, actually, I have to tell you.
So, you're right about that.
Yeah, but I was talking about this 10 years ago.
Yeah, I appreciate that.
Well, 15 years ago.
No, I'm serious.
I've been interviewing since 2003 and you can, there's a lot of my fans out there know that I was talking about this in the universal cards and they are getting their ideas from listening and reading my books because I'm talking about stuff that a lot of people are never talking about.
You got to realize that Third Eye Matrix book was written 35 years ago.
Very good.
I was talking about digital downloading 35 years ago, computerized warfare with drones, food scanners, body scanners, and I'm naming off the video games that I was playing.
Okay, now, well, that's part of it.
I mean, in many ways, from my point of view, of course, we're multidimensional souls, and we've all lived in many, many different lifetimes, and we've also lived in the future and the past.
So you're a time traveler at heart, and that's what it really sounds like.
Yeah, I told people that.
I told people, listen, this is real what you're talking about, time travel, that I am a traveler, and I have...
Let me tell you how I... I discovered all of this stuff that I'm talking about.
I would actually do astral traveling, which you can time travel in your astral form.
And I would go to the future and I would see the technology.
And I would ask what was the technology about and they would break down the technology to me.
And since I had a photographic memory, I would come back and write it.
And I knew everything about it.
Absolutely.
And details.
Excellent, yes.
And this is what Tesla did, and this is what Leonardo da Vinci did.
This is why Leonardo da Vinci came back and he sketched a parachute, and the tank, and the Gatling gun, and the submarine.
And why Tesla had the wireless...
What we're talking on right now is Tesla's towers.
AT&T, Sprint, Verizon...
One of these communications companies is using Tesla's powers.
Because when Tesla died, the government came into his hotel room and stole up all his patents.
That's true, except that they took the negative side of that energy.
He was actually trying to create a positive electromagnetic current, and they changed it.
No, he did.
He did, but you could flip anything around because it's only one energy.
They flipped it.
They changed it.
Yes.
Well, they flipped it.
They flipped the energy to use it for negativity because it looks like in your car, there's only one battery propelling the car, but it has a positive charge and it has a negative charge.
It shows you how energy flows.
Energy flows in a positive and it can flow backwards in negative.
In other words, when it's flowing positive, your car is flowing smooth.
But when it flows negative, your car can be burning down, breaking down and burning up.
That's right.
So all God was telling you was there was only one.
There can only be one, and that was good.
And that man took this good energy and he flipped everything backwards.
And that's what, look, L-I-V-E, live, going forward.
E-V-I-L, evil, is going backwards.
Very good.
But it's the same word.
It's the same word.
L-I-V-E, E-V-I-L. Let me hit you with a 69.
When it's up, it's heaven.
When it's down, it's Mars.
Or earth or man.
Do you see what I'm talking about?
Yes, I do.
All they're doing is flipping the energy and look at the CERN machine.
Instead of using CERN to create different weather patterns that the native, the indigenous people, the natives were using when they did the war dance for the rain, the rain dance.
That's right.
Well, they brought the rain down to water The earth when it had a drought so they could grow plants and food.
But these people are using the CERN to destroy and kill people so they can bring wealthy oceanfront properties and all kinds of evil stuff of wealth.
Right.
They wanted Hades.
They wanted Puerto Rico.
They wanted Cuba.
But Fidel died.
But you know what was holding them back on the voodoo?
In Hades, Cuba, Louisiana, voodoo.
Yeah, all right.
They couldn't get around the voodoo.
Yeah, that's probably true.
Because they didn't have any, look, Cuba didn't have any big army.
They didn't have no nuclear power.
They didn't have anything of destructive.
They were still driving cars that was from the 40s and the 50s and the 30s.
Yep, that's true.
And look at Hades.
And look at Louisiana before they flooded it out.
Look, the most powerful voodoo queens and kings and priestesses was in Louisiana.
They couldn't even get the land because of these people.
It all started in Hades with Toussaint.
Toussaint was using voodoo.
Right.
That makes perfect sense.
Yeah, you know.
You know what I'm talking about.
I do.
I understand what you're talking about.
Okay.
Fair enough.
All right.
Listen, Sophia, it's wonderful to talk to you.
I would like to have you back on the show sometime in the future.
And let's stay in touch and tell me when you've got a new development, something you want to talk about.
Okay?
Yes, I will.
I would love to come back as soon as to let you make the announcement who got the Matrix 4.
All right.
That would be great.
All right, thank you.
All right, so you take care, okay?
Have a good night.
All right.
Bye-bye.
Okay, so that was really fabulous, I have to say.
So I hope you enjoyed that.
It was a lot of fun to talk to her, and it's been many years, actually.
I interviewed her several years ago on my radio show, so it's nice to revisit her material and hear even more about the way she works Learns what she learns, how she puts it into practice, and really the background behind the matrix, etc.
So, thanks again for watching and listening.
I guess take care.
I'm going to be hitting the road tomorrow.
I'll be going up to interview Mark Richards and possibly some other people and we'll see what happens with all of that.
So I'll be back next week.
And so take care and I'll be checking in online periodically.