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April 27, 2018 - Project Camelot

01:14:31

REMOTE VIEWING MOSES & THE 10 COMMANDMENTS WITH COURTNEY BROWN, DAZ SMITH AND PRINCESS JEANEE

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	Hi, everyone. everyone.
	I'm Carrie Cassidy from Project Camelot, and we've been having a couple connection issues today.
	Not surprising considering the strangeness of the topic we're going to be discussing.
	So today we're talking about the remote viewing of Moses and the Ten Commandments, although it seems that it was encompassing a lot more than that.
	The parting of the Red Sea and other areas Other things that went on back in those days.
	And so we've got Courtney Brown and his team of remote viewers, at least two of them, Daz Smith and Princess Janae, I believe is her last name.
	And so I'm going to bring them on the screen here now and let them give themselves a brief introduction.
	So let's see if this screen works.
	I've got a lot going on here.
	We're trying different methods.
	Okay, so everyone, I guess you can hear me okay, and if you can go ahead, Courtney, perhaps you want to start introducing the project and yourself, and then let's go to Princess and then Daz, if that's okay.
	That sounds great.
	Well, just for those who might be a little bit new to this, I think a lot of people already know in your audience what we do.
	But the Farsight Institute is the leading venue in full public projects using remote viewing and using methods that were derivative of those that were originally used by the U.S. military and used for espionage purposes.
	But because we're civilian, we use it for scientific projects and for exploration.
	And at Farsight.org, F-A-R-S-I-G-H-T, like seeingfar.org, because we're a non-profit, all of our projects can be found there.
	And basically, it's a mental procedure for perceiving across time and space and describing things that we call targets.
	And targets are done totally blind by the remote viewers.
	Remote viewers are not told anything about what they're told to do.
	And in this particular project, when they were doing their sessions, it was very interesting because We got three remote viewers coming in with essentially the same thing, all corroborating reports, which makes it really fascinating from my perspective as the project manager.
	And the remote viewing is all recorded live on video and we put it out so people can actually see it being done and be amazed and watch the jaw-dropping stuff.
	We had a number of targets for this particular project on Moses.
	And the first target was, of course, the basic one, which is the Ten Commandments, which is at the moment that Moses was either getting or receiving or making the Ten Commandments, his interaction with the actual thing, that was number one.
	And the second target was where the artifact is now.
	We were sort of interested in, well, if there is a Ten Commandments, Where is it now?
	Where is it?
	And it was supposed to be in the Ark of the Covenant and so on.
	And then the third target was the first of the ten plagues that was mentioned in Exodus chapter 7 verse 14 to 24.
	That were experienced in Egypt that eventually led to the Israelites to be released according to the biblical story.
	So we were assuming that something happened.
	We weren't tied to the actual Exodus literal story, but we're assuming that something did happen.
	And so whatever did happen that led to the Israelites being released Or leaving Egypt?
	What was that thing?
	And so we focused on that first of the plague.
	And the last one was the crossing of the Red Sea, which was fascinating because we actually got stuff on the Red Sea, on the crossing of the Red Sea.
	Fascinating stuff and corroborating reports.
	So that was the basic project.
	And this was as Indiana Jones-ish as you can imagine.
	In terms of stuff that was not in the traditional biblical story, there was very interesting stuff.
	So I'm going to let Daz and Princess talk about some of that stuff.
	Now, Daz did the first three targets.
	He was doing other work for the project, some of the graphics as well.
	But for the first three targets, he did the actual Ten Commandments, and it was fascinating to watch it.
	He really focused on the object itself.
	That's how it started out.
	And then he expanded outwards.
	And so he can talk to you about that.
	He also did the second target, which is where it is now.
	Fascinating information of where it is most likely located.
	And then the third target, which was the plagues.
	You're going to have to hear from them.
	And again, everyone who wants to see the actual project, which is spellbinding, it's at farsight.org.
	F-A-R-S-I-G-H-T. And I have to mention that all the remote viewers that work at Farsight have long public Track records, public track records.
	It's not that someone privately said, oh, they don't remote viewing.
	These are public track records that goes back years.
	So, Princess Jeanette, Aziz Brown, Dick Elgard, Daya Smith, they're people that have been working for a great many public projects so people can see their work on a regular basis.
	So, to see the quality of the remote viewing applied to this type of a project, It is fascinating.
	Okay.
	And just, Courtney, could you describe your role?
	Because I think a lot of people are confused.
	You're not one of the viewers, apparently.
	You are...
	More of a sort of a guidance counselor, interpreter, how do you describe it?
	The remote viewing has to be done blind.
	So somebody has to create the targets and that person can't do any remote viewing.
	So that's my job at Farsight.
	I create the projects, I send out the emails to everybody saying, we have a target, remote view it, and then totally blind in different locations.
	They do it.
	So Aziz did his sessions for this project in Thailand and Korea, and then Daz did his sessions for this project in Bath, England, and then Princess did her sessions for this project.
	Most of them were done, the paper sessions were done in North Carolina, and then the video sessions were done Here in Atlanta.
	So I'm the one who writes the projects, who designs the projects, gets all the communications done.
	They send their remote viewing stuff to me.
	So they scan the paper sessions in, they send them to me.
	And then when it's time to go to video, I say, all right, go to video.
	But I'm the one who collects everything.
	And after all the remote viewing sessions have come in, paper as well as video, for all viewers, only then are they told What the target is and that moment is called the target reveal and we record those now so if you go to farsight.org At the top banner, you'll see the Moses Project.
	You can actually see both Daz and Princess being told what the target is after all of their months of work doing that.
	You can see their reactions when they say, oh, so that's what that was about.
	So that's called the target reveal.
	It really brings to life the idea that I'm the one who controls the project, but they're really doing it blind because they're really quite surprised when they find out what the target is.
	Yeah, that is fascinating and I do want to discuss that later.
	So why don't we go to Princess.
	Princess, give yourself a brief introduction if you don't mind.
	I'm Princess Janae.
	I have been remote viewing for about four years now.
	And I... Wow.
	Well, I've been told that I was the first person at this level to do it while pregnant, which is very difficult because you have to be in a very sound state of mind.
	You have to be emotionally stable, physically stable, and well, we all know that pregnancy is neither of those.
	So it was a task for me because the bulk of my work when I started doing bigger projects was done during that time, and so it pushed me.
	But I have I've grown to finally know how to understand what I'm doing, which is still awkward to even me as a remote viewer.
	In the beginning, I was just like, I don't know what I do, but I do it, and it's been right.
	So, hey, now I'm able to say, hey, you know, this is what I'm doing.
	I'm a spiritual being, and we are able to perceive beyond time and space, and this is how it goes about.
	I'm able to talk about it now.
	I'm able to understand it.
	And every day, I am amazed at the work that we do.
	I have questions every day.
	You know, even with Dad Smith, I admire his work.
	I always was like, hey, I want to, how do I, how does he?
	And I always had questions.
	I always asked Courtney, how does guys do this?
	And why don't I do it that way?
	And so, you know, it's been fun and exciting and knowledgeable.
	Great career path for me.
	You know, I went to school for psychology and now I'm a scientific researcher and I went to school for dance as well.
	So it's like two opposite ends of the spectrum of where my career has taken me.
	Wow, yeah, absolutely.
	Well, fascinating and thank you so much.
	Daz, a brief introduction if you don't mind.
	Yeah, sure.
	I'm Daz Smith from the UK. I've been a remote viewer for Nearly 24 years now.
	I'm totally obsessed by it.
	I live, breathe and sleep remote viewing.
	I've published four books and I try to participate in as many remote viewing projects as I can find, which is why I love doing the stuff with Farsight because it's leading edge, cutting edge and no one else is doing this kind of work.
	That's pretty much it really.
	I love remote viewing.
	I love the fact that anyone can do it and we can all travel anywhere In the universe, anywhere in time and space.
	And I just love sharing it with people like your audience on the internet.
	Okay, excellent.
	So what I'd like to do now is...
	This is quite a complex project that you guys got involved in, from what I can tell.
	It seemed to have a lot of layers, even more so than maybe at least most of the viewings we've talked about.
	So if...
	If it's appropriate to have Courtney or whoever describe the, you know, literally, like, is there four or more?
	Things that you were looking at so people can really understand What you're going to be talking about.
	Just kind of clarify it a little bit more.
	Sure.
	Each stage, the first stage, the second stage, and so on.
	So I'll turn that over to Courtney if that's the right person for this question.
	Sure.
	Well, when they start doing their sessions, they do a number of, all the remote viewers do a number of remote viewing sessions for each target.
	And we're now calling each one of those sessions a pass.
	So a pass through the target.
	And when we present the information, we like to show everybody through doing their first pass, and then everybody doing their second pass, and then everyone doing their third pass.
	And what you can see is every time they go after a target again and again and again, they get deeper.
	They often start at different locations, but they focus on something that eventually expands out.
	So in Daz's situation, every viewer starts sort of uniquely.
	But we always are looking for the verifiable components in the session.
	So in this particular case, the verifiable components were, we know there is a Ten Commandments because it's available today.
	So wherever those things, those ten statements were written or came down on, where was that at the first point?
	So that was there.
	We also know it was a dry environment because it was the Middle East.
	So we're talking Egypt and we're talking A time period that didn't have modern buildings.
	So we're expecting primitive people, animals, pyramid structures, definitely pyramid structures.
	And we're also expecting some discussion of the object, that there is an object.
	So they have to find this out all by themselves.
	So as they do each pass, they get that.
	So with Daz's approach to the target, It was really interesting because he zoomed right in on the object, on this thing, on this Ten Commandments type of thing, this object, this thing.
	And it wasn't just...
	I'm sorry to interrupt you here, but it's not exactly what I... I'm trying to help the public here, and I appreciate you're kind of deep in.
	But, Courtney, what I'd like you to do is, in as clear a way as possible, explain the four sort of Or three or four.
	I can't remember which it is, and maybe that's not the correct number.
	But you gave them targets three times or four times, and what those targets, what did they get as a target?
	They just get a number?
	Is that correct?
	Or do they get more than a number?
	No, they don't even get that.
	They're just told there's a target, and they're told how many targets there will be so that they can manage their time.
	So for the first target that they get, they know it's project 20 and there's four targets, so there's 20A, 20B, 20C, 20D. They work on things called target coordinates, but they generate those themselves.
	Other than an email saying there's a target, we're doing project 20, four targets, start with 20A. That's it.
	That's all they get.
	And then they have to do their sessions, and then they scan them in as paper sessions and send them to me.
	And when they have enough stuff, then we finish with target A, 20A, and I say, okay, just finish that and go to 20B now.
	And then they do the same thing for 20B, and when they have enough stuff there, then I say, okay, you're done with 20B, now go to 20C. That's all I get.
	They don't know what 20A is or what 20B is.
	All I know is me saying, okay, do that one now.
	And then, okay, do the next one now.
	Just wondering, when you say now, I mean, in real time, are they not working on their own?
	Well, they do the session on their own totally, and then they scan it in as a paper session and send it to me.
	And then I look at it as a paper session and I say, well, okay, seems like you have enough.
	Go to the next one.
	Okay.
	Now, sometimes they don't have enough, meaning they have something that's obviously, they're really good viewers, so they always start with something that's obviously verifiable.
	I look for that first.
	If they were to give me a session which doesn't happen, but if they were to give me a session of downtown New York City, I'd know they were off.
	Something was not working.
	But with these viewers, that doesn't happen.
	So Daz immediately focused on that dry desert environment and this object.
	And this object, he described the shape and the size, and it was exactly the type of thing we expected from the legends of what the Ten Commandments look like.
	And then he later went on.
	Then he sent me that and I said, keep going.
	And then he did another session and he sent me that and I said, keep going.
	And he did another session and he sent me that and I said, keep going.
	When I say keep going is I sent him an email after I look at the session and I say, okay, keep going.
	So this process takes a few months to work out.
	As they do sessions, scan them in, send them to me.
	Then I say, okay, keep going.
	And then I wait for them to schedule a time.
	Okay, so they don't look at the four targets all one right after the other on the same day.
	No, no, no.
	They work on one target at a time until it's totally finished.
	And that could take a month.
	Okay, does it mean it's finished in their mind or in your mind?
	It means that I think that they have enough in their paper sessions to be able to tell a coherent story I think I know what she's trying to get.
	I believe she's asking, how do we know where the targets are?
	When we say there's a target, even though he named them in the beginning of the interview, only he knows, only Courtney knows exactly what's happening.
	We as the viewers know nothing at all.
	We have a template of paper and we, he says, you have a target.
	And we're like, all right.
	And we write our target out and we send it in unknowingly if we're anywhere near right or wrong.
	We don't know what we have done at all the entire duration of the time.
	Okay.
	And that can be for a month.
	And then, but all of you are doing this.
	Are you doing, you know, because a person's day is taken up by, I don't know, you might look at this target.
	I have no idea.
	Do you look at it for an hour that day?
	Do you walk away?
	Can you maybe, Daz could describe the process a little?
	Because I think people are curious, you know, what exactly are you guys doing?
	Sure.
	And also, are you mixing it with other targets?
	Is he calling up and saying, now I have another target, now I have another?
	Or are you only giving one target for the whole month?
	Each viewer can work however they want.
	I mean, with this project for Courtney, we knew we were doing target 20.
	We knew it had four parts.
	I personally just went through it part two.
	A, B, and C. I didn't do the D part.
	But what I do as a remote viewer is I, you know, I just start, I essentially just start at the beginning.
	So I write down on a sheet of paper.
	I sit down at a desk with a stack of paper and a pen.
	I write at the top of the page, okay, this is the target 20A. And then I just do my thing.
	And it usually takes me an hour, an hour and a half at a time.
	But there's a bit of time after that because then I have to scan the session in and email it across to Courtney.
	And with setup time as well, you're talking each remote viewing session usually takes between one and a half or three hours.
	So me personally, I tend to only do one remote viewing if I can every two to three days.
	And on 20A alone for this target, I think I went back to that one, Courtney, four or five times.
	So if you think that I'm doing that five days with two days in between, then you can see the timescale that this extrapolates to.
	Okay, so it's very interesting that it goes for a month.
	And I assume, and I know I want to get into a little more detail about the targets and your results and all that.
	But just for a last question here, when you're getting these results that you're getting, it fascinates me that you actually don't know until the end what the target is.
	Even though you're going to a place, you're sort of seeing all that you're seeing and your descriptions are quite elaborate.
	And it would seem, I don't know, you know, I did study remote viewing and I've done it myself, but it seems that at some time you may get a flash of what it is.
	So are you really saying that at no time you get any flash?
	And, you know, because I'm just wondering, is there a bleed through in your daily life, etc.
	And or do you just have to discipline yourself to not accept when you're doing your session, so to speak, not focus on it?
	And this would be the viewers, I guess, that would have to answer this question.
	Do you want to go first?
	Okay.
	I know with me, I'm not visual when it comes to the...
	Everyone has their own way.
	I'm not a visual person when it comes to remote viewing.
	I base my thing off of feeling.
	My perceptions of things are more in feeling, so I can feel emotion.
	I can feel, okay, this feels hot.
	This feels sandy.
	This feels...
	I don't visually see things, but my feelings and energy comes up with It comes up with the way that maybe, I think I mentioned pyramids a couple of times.
	A zillion times.
	In here, and I was like, this structure, this pyramid-shaped things.
	We're disciplined to not jump to conclusions, because if we jump to the conclusion, we could be wrong.
	So I know that there's a structure, but it could be a tent.
	It could be the top of a building.
	It doesn't necessarily mean that it's a pyramid.
	It could be anything, but at least for me, it's the shape and the filling within it that creates my perceptions.
	And I just send it to Courtney.
	He either goes, hey, dig a little deeper, or You found something here, focus more on that thing or focus on what you found.
	What did you find?
	Okay, now go to whatever it is that you found and see what else you can find on that.
	Kari, it is true that sometimes it does seem amazing to the non-remo viewer that they don't jump to conclusions and say this is obviously Egypt because When Princess was describing her session she was clearly saying she had a multiple array of pyramid structures made of stone on one side and on the other side smaller rectangular buildings.
	I mean she was describing the Gaza area really clearly.
	And then she was also describing some of the people.
	And one of the persons was really weird because he had this huge mask on, this head on, that was like the shape of a bird.
	And she said, this looks like the Egypt guy in the...
	An Egyptian guy.
	Yeah, but on the other hand, she just reported it.
	And, like, you would like to say, well, then she knew.
	But they're trained not to conclude that.
	So she just said, I don't know what this guy is, but he has this bird helmet on.
	So, you know, they really...
	Don't know what they're doing, and they don't get any help from me.
	And Daz had the exact same type of thing happening.
	So Princess feels these things, so she can visualize through feelings this guy with the bird helmet and describe it exactly through feelings, whereas Daz is a graphics artist.
	He visualizes and actually sees it, but they still end up getting the same type of stuff.
	Right.
	Okay, so Daz, do you want to augment what's just been said about this a bit?
	I pretty much agree with those guys, really.
	I mean, you know, if I've done like on 20A, by the time I've done my fifth visit to the 20A, I kind of do have an image of what I think the target may be in my mind.
	But because of the years of training...
	We are taught to put all conclusions to one side.
	We call them AOLs or analytical overlays.
	We're taught to mark them to one side and to move on.
	And 24 years of repetitive training in this technique has just taught me to follow that.
	Yeah, 24 years is quite a long time, I have to say.
	Okay, fair enough.
	So now at this point...
	I think that that kind of sets the scene.
	Now, do you want to start, however you want to do this, with what you got?
	So it looks like, Daz, you got the first evidence of the first viewing, what you were getting, and then maybe we can get, you know, for each section, you know, a little bit.
	Obviously, we don't want to reiterate your whole tape, you know, the video that you've made, which is excellent.
	But for the purposes of this discussion, can you talk about what you found?
	Because what I think is most interesting about this, and everyone's going to have a different perspective, and there is a synchronicity because I just got back from Egypt, as you may know.
	And so what I want to know is, Is it so obvious, even when Courtney is looking at the history, what if the history wasn't there and you still had this information?
	You know, is the Ten Commandments literally the Ten Commandments?
	Or is it something else entirely?
	And was what was put into the Bible, you know, misinterpreted?
	Because we know that there's so many different interpretations of the Bible, to say nothing of the I guess, machinations behind the scenes, the powers that be, the Illuminati who were active even then, and, you know, a certain overlay going on, as well as the ET intervention here, because you've got a lot of UFOs in these sessions, which indicates off-planet beings.
	We didn't have a secret space program back in those days, in theory.
	However, I do want to say that a lot of, you know, Egypt was settled by the people from Atlantis.
	So these are not backward individuals.
	They're quite sophisticated.
	And so this is something to keep in mind.
	And I think it's really interesting.
	Sum up everything you got.
	So I'd like to cover, you know, as much as we can in as brief a period of time here.
	And then this discussion is really for feedback about what you got beyond what you got, if you can understand.
	Yep.
	Should I go first on this?
	Yeah, I think you're first, Des.
	Yeah, I mean, I'm reviewing this now.
	I'm totally blown away by it.
	The data that I got, because right from the very first page, I think, of the very first remote viewing session, I wrote down that this was an ancient artifact, and I kept using this word artifact, and it was really strong within remote viewing.
	And I knew that this artifact had somehow come from above.
	It had come from the skies, and it had been given to a bearded man who was a leader of men.
	Who was embroiled in some good and bad conflict and that this artifact was then kept for many years in a protective box and that this artifact was not only a communication device with God and beings above but it was a weapon in its own right and it kind of exuded its own power which It was very akin to some kind of nuclear power.
	So maybe the box was more of a protection device or a device to kind of entomb it in some way.
	So all that, you know, straight from the bat, just blew me away when I saw the feedback that we were looking at the Ten Commandments.
	My understanding is the Ten Commandments, you know, thou shalt not kill, etc.
	This is not a weapon.
	So how does that, you know, what you're saying is the protection around the box The scrolls or something?
	Is this what you're saying?
	I'm saying whatever the device is, this communication device, and all I can say is it's an artifact.
	I think I did some sketches of it and it looks like it was a stone tablet or tablet shaped with carvings on it.
	So all I can say is that it felt like it came from above.
	I mean, I've got to be honest, when I first did the remote viewing, it kind of had the impression that it was some kind of like meteor in feeling.
	But that might have just been because I felt that it came from the sky downwards.
	But, you know, all my data indicated that this was, it wasn't just a communication device.
	It had its own power source, its own power source.
	And many armies and many men have fought battles over this object, which we now know because it's in the Ark of the Covenant.
	People have been battling for this because they've been wanting to use it for some kind of weapon, because anyone that has it ahead of themselves as a weapon or a device is seen to be the victor.
	Okay, well, you're beginning to sound like it's what we in these times would call a tablet.
	uh or something like a very sophisticated uh tablet uh in other words you know I mean like an iPad for example uh I don't I don't know I can't say that in detail detail all I knew oh I mean I did in the remote viewing sessions on paper and I think on camera detailed the the microscopic kind of energy that I was feeling that radiated off this and it did feel very much like some kind of Self-power source in itself.
	So it really did feel like it could possibly be some kind of, I don't know, machinery, or if it wasn't machinery, then it was esoteric in some way.
	Okay, and you, just to cut to the chase, you also, I can't remember, you know, which person saw which, but some of you saw UFOs.
	Did your particular viewing have a...
	You said it came from the sky, but did you actually see craft and or beings landing and giving this to this bearded man?
	I don't think I saw any craft, although there was a heavy sky and above element because I kept detailing that there were these very protective...
	Angelic type beings and I felt I did feel that there was a what we would call angels or angel type beings that were both trying to protect and follow the artifact but other ones are maybe working against it at the same time.
	Okay and now I guess for this this portion can we talk to Princess and get what she she was getting at this portion what her interpretation of what she got in other words.
	As far as the artifact or the UFOs?
	Well, this is the first target.
	Why doesn't you start with the artifact?
	Because that was what Des started with.
	All right.
	Okay, so I definitely, I am doing, this is my first time hearing and knowledge of what Des saw.
	So I was really intrigued by that because the way he describes He described it, we described it differently, but they had similarities.
	You know, I definitely saw that it was a powerful object that was created, that people were needing, that was important.
	I knew it was important.
	I did feel, I kept saying it was a map or it was instructions.
	I kept saying whatever this is, it makes me feel like the constellations, you know, how the stars are a map.
	That's how I perceived it to be.
	And so hearing it, it makes a lot of sense from what he's saying.
	Especially dealing with what it really actually is.
	I didn't necessarily recognize that it was with a leader of a village.
	And so those things are, you know, that's how I perceived it.
	When it comes with the UFOs, I didn't necessarily perceive the UFOs with the artifact.
	I saw that being created.
	I saw it being made.
	But it was of power.
	I saw light.
	I felt like the light was shining through it, but it could have just been like that tablet effect that both of you were saying.
	We all perceive a little differently.
	The UFOs came more so with the plane.
	So you saw them later in the session is what you're saying.
	I saw them later in the session.
	I peeked at it earlier on, but I got more confirmation on it later on when it came to what caused the plague, what caused it.
	Something was affecting the atmosphere.
	And I kept seeing that.
	And I'm like, well, what's causing it?
	And I kept seeing things that reminded me of chemtrails.
	You know how the airplanes have chemtrails.
	I kept seeing a disc-like drone is what I called it.
	I called it a drone that had something coming from it that was killing the land.
	Okay.
	On the one hand, now we've started with an object.
	And the next thing, let's go back to Daz.
	The next thing you saw, what was the next big thing that you saw in the viewing?
	I don't know if it would be the second session or whenever it occurred.
	I think the next part was pretty much a secondary connected part of the object itself and I think I did some work on the location of it and where it was now.
	I did all these sketches and drawings that it was stored away in this containing box hidden away, secreted away by religious people and it had been fought over for years and it seemed to be in an underground chamber now And it seemed to be underground but with a structure above ground above it and it felt like the structure was part of an ancient city and it felt like the structure was domed.
	And to me, if I had to interpret it now, I would say that, I'm not saying it's there now, but at some point it would have been in that dome on the mountain in Jerusalem, which is alleged by the Knights Templar to have held the Ark of the Covenant at some point.
	So that kind of does all tie in.
	Alright, that's fascinating.
	I mean, I think it's interesting that you guys are linking the Ark of the Covenant Technology with the Ten Commandments.
	Those are not two things that necessarily go together, normally at least, as far as I understand.
	The Ark's meant to contain the Ten Commandments, isn't it?
	Well, maybe that's your...
	I don't know if that's written in the Bible that way.
	I'm not a biblical scholar, so I couldn't say.
	I don't know either.
	I have my own interpretation of what's the Ark of the Covenant, which has appeared to be indeed a weapon.
	However, again, the Ten Commandments seem like a separate thing.
	Now, there can be more than one piece of technology, I guess, in this situation you're viewing, and you're seeing, in other words, a box containing something, and either the box or the technology within the box is dangerous in some way.
	Is that correct?
	Powerful.
	Yeah, powerful.
	All right.
	Dangerous, but also...
	Only if used that way.
	I felt it had a dual purpose, that it was a message.
	The whole thing was a message, but it could also be used in a different way.
	All right.
	Fascinating.
	And then, Princess, to go over to you again, what was your second big viewing?
	I don't know in order, but...
	If you saw the object of the box or the tablets, which I don't know whether you saw the box and the tablets or only the box, or what else did you see at that point?
	Around that time, I definitely saw a large Structure, a large building of some sort.
	And my first instinct was a sacred temple.
	I wrote it on there.
	I'm like, this feels like a sacred temple, a sacred place.
	It feels very cave-like, which I guess that was leading me to it being underground or underneath something.
	I felt that it was surrounded by a city, but the city was outside of where it was.
	I got more of a natural environment within it.
	I definitely saw, I said, okay, I found the artifact.
	I found the piece that I'm looking at.
	I kept calling it a map.
	So I said, I found my map.
	It seems to be encased in something.
	It seems to be, you know, I said, it's about the size of, you know, a sheet of paper.
	You know, I described the weight, how big the box was and that it was within there and it seemed to be, have been hidden or I thought lost at one point in time.
	But I noticed that I felt like it was hidden.
	It was kept away.
	It was being in a sacred place.
	Okay.
	So then at that point, and Courtney, you can certainly weigh in here if you'd like, but the next step on the road that they were going down, at once they'd achieved those two things, what was the next sort of direction they were going?
	Well, the first two targets dealt with the Ten Commandments.
	The object itself, and both of them, including Aziz, came up with the idea that it was an object that had power.
	It was a powered object.
	It wasn't passive.
	And the next target was where it is today.
	And that was, we only did one session each for each viewer on that.
	And that really focused on the idea that it's in a very war-torn area.
	And currently, there is nobody looking over it.
	There are no guardians.
	So there may have been at one point, but They're not there now.
	And it's in a damp, dark place.
	It's a Middle Eastern type of a place, but it's like ruins.
	Now, it could be war-torn ruins and the people that were guarding it just ran, so they're not there now and they'll come back, but it's in a bad place.
	And everybody got the same thing, that they had Evidence of war above.
	In fact, Aziz actually got people driving around in machines like Jeeps and IEDs going off.
	Currently, it's not a safe place to be.
	Okay.
	Sounds like Syria.
	No, just extrapolating there.
	The third target that they did was the first of the great plagues in Egypt, and both Princess and Des did that session.
	So that was no longer focusing on the Ten Commandments.
	This is now focusing on the first of the plagues.
	By the way, the Ark of the Covenant idea, And the Ten Commandments being linked with the commandments being in the ark.
	That is a biblical thing and it goes with legends going all the way back.
	And that's the basis of the famous Indiana Jones movie dealing with that subject.
	Correct me if I'm wrong, but I thought that the tablets came to Moses on a mountain.
	Am I wrong?
	Yeah, and some of the...
	So somehow after that, they got into some kind of box.
	You know, I'm just saying in terms of the story as it's known.
	But what you're doing is remote viewing the past and actually that doesn't matter.
	You know, the fact that, you know, you're linking now the stories together.
	It seems.
	But in all fairness, on the one hand, you've got a man on a mountain getting these tablets.
	Is that not the root of what the so-called story goes?
	Yeah, but different remote viewers focus on different things.
	The mountain thing was something that Aziz really focused on.
	So for him, and this is clear and very clear in his work, is that he had a bunch of people on the ground away from the mountains This object, this man-made flying object, making a huge amount of sound, goes zooming in and lands on the mountain.
	And one guy was not frightened of this thing, and he knew he was, he gives him some type of communication, and he went to that mountain in order to do it, and that's where he got the thing, the object.
	Okay, wait a minute.
	You said a man-made flying object or just a flying object?
	Yeah, back in those days, you clearly would have said it was a triangular UFO. Okay, but it doesn't mean it's man-made.
	UFOs can be made by aliens or man.
	It was alien, clearly, the way Aziz described it.
	And it came down in the mountains, and this human guy with the beard...
	He received some type of communication that he was supposed to go there.
	Everybody else was scared to death.
	But this guy was saying he was okay with it and he understood and he went in the mountains and he got that thing.
	And was it Aziz?
	I mean, I know Aziz is not here, but didn't Aziz also describe the beings that were in the craft?
	Yes, he did.
	And we have different descriptions of the beings.
	Princess Genée at a different location at a different time during the crossing of the Red Sea, she went in and described them differently, but the beings that were in the craft that were involved with the mountain Ten Commandments incident seemed to be more classic alien type Large eyes, things type.
	And Princess, when describing the spacecraft that was involved with the crossing of the Red Sea, that had people that were more like you and me, more human type.
	But still odd.
	They still had distinctive looks, like it would just be an odd looking person.
	Okay.
	You know, so definitely the wide eyes, because I do remember saying wide eyes, but I also had squints.
	So that kind of makes a little bit of sense now, knowing it makes sense now.
	Okay.
	Well then, you know, because I just want to get this straight in terms of the next step.
	So now we're at the plague and, you know, I think we kind of, you know, doubled back for just to get the Moses, because it is clear to me, at least the way Aziz described it, that indeed there was a man, there was a mountain, and somehow he got these tablets.
	It came in a craft, according to him.
	Which sounds completely logical to me, just in the real world.
	But the next thing is that somehow those tablets got associated with this other thing, which is a box.
	And the box has some kind of powers, etc.
	And they got put together.
	And so that now, basically, it kind of sounds like you guys viewed them as being together.
	But they didn't initially come together, unless you're saying that the tablets given to Moses came in a box.
	No, the idea is that the tablets were the things that were powered.
	The box was the container of the powered stuff, but it was considered a box like a shoebox.
	The shoes are the things that are of the importance and the shoebox is the thing that contains the shoes.
	Okay, but when people say the Ark of the Covenant, usually it is drawn.
	In fact, in front of your video, you have a picture of this traditional view of the Ark of the Covenant containing technology and looking like a box, right?
	Yes, but that traditional view does come, if I'm correct, from the Bible itself.
	Alright.
	Okay, you know, because there's going to be, people are going to have questions on all these different stages.
	You know, this is a very complex and, of course, nuanced situation throughout our history as having, you know, all kinds of, I'm not a religious person, but I know there are a lot of religious people out there that this might throw some water on some of their beliefs or whatever.
	It definitely started off as an artifact.
	I mean, as most of us saw, it started off as an artifact that came from the skies, but later on when we were tasked to view where it is in its current location, it was in a sealed box underground in a war-torn city.
	And then the next thing is a plague, or a series of plagues.
	So let's start with you, Das, and what did you see in terms of plagues?
	And you didn't know you were viewing a plague, but what did you see?
	And that's what freaked me out on this target, really, is because at one point I'm viewing this esoteric object that's ancient and it came from the skies, and the next thing I'm viewing some kind of conflict that involves...
	A viral kind of war and a bacterial attack on people and people dying.
	So I was like freaked out.
	I was like, what the hell?
	I've got to be off target here because it's just a nice sense.
	These two targets don't work together.
	I said the same thing.
	Okay.
	Yeah, so that's what I got as data read.
	I got over a period of, I think, three paper remote viewing sessions, it unfolded that there was a An attack in a city, and there was a religious connotation to this.
	For every part of my remote viewing, I picked up that there was religion involved and there was God involved.
	And I really do believe that I kind of at some point touched on the presence of a God-type being being involved in this.
	Well, let me just stop you there just because, you know, again, this is nuanced.
	What is a God-like being?
	From your point of view.
	Now, the people back then would say a godlike being was someone who is maybe eight to nine feet tall, was humanoid, etc., walking around but had a lot of power of some kind.
	What would a godlike being look like and be when you say that?
	Okay, well, I'll just read quickly what I wrote down on the sheet of paper.
	I've got a life and it's made of energy.
	It has a feeling of ascendance.
	And I wrote here, this feels very much like I'm glimpsing a very powerful, intelligent, caring and sharing life form, but this is non-physical.
	This feels deep in space, and I can see a wide vista of space.
	It's cold, dark, and it's open.
	And it feels like this life is part of a network of similar, connected, light beings.
	They seem happy to communicate, educate, energy, share, and to just exist.
	And then I kept seeing that it was made up of a shifting pattern of gas-like, white, yellow, and energy, pink-type, rainbow-type patterns.
	So it was made up of energy.
	It didn't have a physical form, and it existed everywhere in space, and it was conscious.
	Okay, very good.
	So now, Princess Janae, what did you see in terms of the plagues?
	How did that materialize or, you know, feel, since you go kind of through feeling into material reality?
	It felt like death was around me.
	I kept feeling like the land was dying.
	I'm like, okay, I'm in a natural environment, but it seems dead.
	Animals are dead.
	The water doesn't seem safe to drink.
	The food doesn't seem safe to eat.
	People are dying.
	I kept feeling the feeling of bacteria and dead and darkness is what I kept feeling.
	It was very dark.
	Usually with me, after I remote view, it's almost after I get what I've gotten, it's almost like a memory, like you remember a part in a movie, so you almost see the flashback of the movie, or a childhood memory.
	So that's when my vision comes in, is after I've already done the work, and then I can say, oh, this is what I, in my mind's eye, is what it sees.
	And so I started to see deterioration after my session.
	Did you see physical bodies or only the earth?
	I was focused on the earth.
	I felt bodies.
	I never saw them, but I felt them.
	I felt more animals of being dead-like.
	Fish, you know, fish in the water.
	I felt like they were dead.
	The birds, I felt like they were just dropping and dead.
	I felt like it was all around.
	It was in the air.
	It was in what we're supposed to eat to keep us healthy.
	It was in everything.
	Like, you touch it.
	It was in the body.
	It was in the person.
	Didn't you also see drones in a chemtrail-like substance?
	Yes.
	I saw that when I went deeper into the...
	What caused this death?
	I kept seeing drone light things that affected the rain.
	It affected the sky, the atmosphere in the area, and it caused a rain.
	It caused a...
	I at first felt chemical, but I said this is biological.
	It's not something chemical.
	It's something that's created, but there.
	It wasn't like a...
	It wasn't acid or gas or anything.
	It was something naturally made.
	Let me ask both of you at this point.
	One thing that you noticed, I think, Princess, you were saying, I think you both or maybe all three of you were saying something about a dry I don't know if the other two so much saw pyramids.
	But what I'm wondering is, back in the days of Moses, now I don't know how far back that is.
	I guess this is BC, you know, or AD, like where the crossing of BC and AD. Somehow.
	I'm not sure the exact years we're targeting here, but we do know that, for example, the Middle East used to be a very lush jungle, actually, and had lots of water.
	So what I'm curious now, I don't know about the days of Moses.
	I don't know if in the days of Moses it had already dried up by then.
	So can either of you address what you were seeing in that way at all?
	I'm just trying to look through my work now.
	I mean, I detail a city and a city under attack and under attack At the time when you were seeing a city, wasn't that, where is the object now?
	Wasn't that a modern day?
	No, this was on Target C that I did, 20C, and there was a city there that was under attack, and it was a city that was being destroyed.
	People were dying, dying in the streets.
	Okay, so this is back then associated with a plague.
	Did you think it was a plague when you were seeing it, or what?
	Yeah, because in my paper session here, I wrote down that this is a viral attack.
	It's biological.
	It's a virus.
	People are choking.
	Okay.
	But you don't...
	And I've got pyramid structures.
	Do you have a dry climate or not?
	Just curious.
	I don't have any...
	It doesn't look like I have anything about the climate itself.
	I have loads of drawings of pyramid structures in the city itself and pyramids.
	But no, nothing about the actual climate of the city, just that it was a city under attack.
	All right.
	And what about you, Princess?
	In the beginning, I saw more of a dry climate.
	I don't have my sessions in front of me to recall most of it, but I know around the end when it was the plague, I was definitely focused on the water.
	I know my focus was on the...
	Water.
	But in the beginning, I definitely had a dry desert-like climate to where I was.
	Okay.
	So I was just curious.
	You know, Carrie, to answer your question a little bit extra, Princess did, in addition to a dry desert-like environment, she did nonetheless get a large amount of foliage at the time.
	So it doesn't mean it was like a dry desert environment that we see today.
	It had.
	It had greenery.
	You could see trees.
	You could see sand.
	You could definitely see natural environments.
	I'm closing my eyes because I'm actually picturing it again.
	Okay.
	Okay, fair enough.
	So now we've got a plague, but let me ask both of you, did you see more than one incidence of this?
	Because I think, Courtney, you said the target that you knew about was all the plagues.
	Was it all the plagues, or were you just trying to get them to get one plague?
	Well, the target is very specific.
	The target says...
	That it will be the first of the plagues.
	So according to the biblical thing, there are 10 plagues and the target says whatever the first of these things was, So we didn't go after the second, third, and fourth, and fifth, and so on.
	All right.
	All right.
	That's good to clarify that.
	Okay.
	Very good.
	So then the next thing after the plagues, what happened?
	Let's go to Daz for this next step.
	I didn't.
	That's when my dissipation ended on this.
	I did the first free and didn't do the fourth target.
	Okay, and that was just because you were busy that you couldn't do it?
	Yes.
	Okay, so Princess, what did you get?
	And maybe we can also address, maybe Courtney can speak for your son, Aziz.
	I know, I believe that was the parting of the Red Sea.
	Yeah, the last target was the parting of the Red Sea, and Princess So you mentioned something earlier about this being kind of like throwing salt on people, you know, who have a Christian background.
	And I have a very strong Christian background, so this definitely threw me for a loop to the point where I actually cried.
	I was very emotional about this.
	But I definitely saw the parting of the Red Sea.
	I said, I see water.
	I see something happening.
	And it's an opening, like a crater.
	And then I see water.
	So I saw water on two sides and land in the middle.
	And people walking to the other side of the water.
	Yeah.
	You know, we're getting a little bit close to the hour.
	So let me just summarize a little bit that session.
	Both Aziz and Princess, they had overlap, tremendous overlap.
	They had a spacecraft.
	They both described the same thing.
	A spacecraft that took, like, Toad, an asteroid from the asteroid belt, into this Earth, and it crashed in the water.
	Now, the idea was that they got different stuff.
	Princess clearly got that it crashed in the water, causes a gap, and then the people walk across.
	Aziz got that before it Before it was sort of the final spot of where it came down, that the craft actually broke up the gastroid into pieces and that they came down.
	There's a ton of rocks that hit the water.
	And it's interesting.
	I just want to mention one thing.
	There have been people that have been studying the Red Sea and this Exodus thing, like where could it have happened?
	The Red Sea is underneath in the water.
	It's a very deep cavern.
	But there is one area in the Red Sea, and they've been exploring it with submarines.
	There is one area, one spot, where there's like a bridge underneath the water.
	But normally it would be difficult, even if there was no water, to cross over.
	But there's one spot that has elevated, that's just a bunch of stuff, rocks that sort of elevate and sort of make a bridge.
	Now there's still water over it.
	So my guess is, based on these two remote viewing sessions, they both said the same thing, that rocks came down, hit the water, split the water.
	My best guess is if the extraterrestrials were clever enough to be able to tow an asteroid in and make it smash to the water, they probably also had the technology to keep the water separated for a while.
	But they still needed some way to fill the cavern so that the people could walk from one side to the other.
	And that's what the viewers saw.
	They saw that these rocks created a place that people could walk across.
	So that there was kind of a bridge created somehow during this incident.
	Yeah, yeah.
	And somehow the water was kept apart at the same time.
	That came across in both those sessions.
	All right.
	So is it true that you guys, I don't know, you know, how long we're going for, but were you saying that you have to go soon?
	Yeah, we were scheduled for an hour and we needed to wrap up.
	All right.
	I appreciate that.
	So, you know, I know we have a chat room.
	I'm sure they probably have all kinds of questions for you.
	At this point, just in terms of wrap-up comments, perhaps it would be great to have one from each of you.
	On what you saw, maybe Things that you might...
	You know, I'm always wondering how such a viewing must change your perception of the world, as Princess was saying.
	And it's quite interesting in that way.
	And, of course, for the people watching and so on, I'm sure that for some of them that will be also changing if they want to take it on board.
	Yeah.
	Being real so any any comments just in a sort of Overall wrap-up sort of sense.
	Let's go to Daz first of all Okay, well, I definitely saw an object or what I call the artifact fall from the skies and It was picked up by people.
	It was a revered it was powerful and It was then later stored in a box and it was fought over for centuries by armies because it was a powerful device.
	I also saw that at one point there was a city under attack and it was a virus type biological attack.
	Lots of people dying and stuff.
	And I had the God element as well because I'm not a religious person.
	I don't believe in any kind of religion other than spirituality.
	So It was quite interesting to me to see this God-type part to this project, which is, I've got to be honest, it's made me kind of question a bit more that maybe there is some truth to some of the biblical stories after all,
	because I clearly did see this God and angels and entity-type Interference in our planet and I have to believe in my remote view and data because it obviously didn't come from some kind of belief structure I had because I didn't believe in any of that beforehand.
	So yeah, it's opened my mind a little bit more to the Bible stories having some validity to them.
	I have a different I definitely have a different experience with that.
	It kind of shuddered My beliefs a little bit because I wasn't feeling like a God-like situation.
	I was feeling more of an extraterrestrial or odd-like situation.
	And so coming out of it, knowing what it was, it kind of made me feel like, okay, what do I believe?
	What's true?
	Because remote viewing is real.
	The God-like feelings you had, God might be...
	An extraterrestrial or something.
	Yeah, yeah and I've actually had discussions about that you know learning from with Courtney and so it just kind of it kind of made me feel I was a little off kilter with the information that was given because I was like okay I believe in this right here um what is what is this how does This makes a little bit more sense than some super being in the sky that you can't see.
	You know, this, some being able to see something makes a lot more sense than random water just open up for me.
	Like, that makes more sense.
	So it made me feel a little like, well, it's not magic.
	Yeah, I hear you.
	Well, very good.
	You know, I mean, it's great that what you're doing is exploring these things that people are actually having to take on board and encounter in their everyday lives, obviously.
	If and when they listen to something of this nature, or Project Camelot for that matter, or the people that are putting out information every day.
	And of course, I just came back from being at the pyramids and the temples, and I'm doing a documentary on The extraterrestrial visitation that's depicted on the temples of Egypt, which is very clear to me.
	And these people that they call gods and goddesses are basically ETs, what we would call ETs or extradimensionals, interdimensionals, etc.
	So that's a whole, you know, sort of extension of what you're kind of maybe encountering here.
	So I think that's great, you know, information and sort of adds to the whole playing field, if you will.
	So I really appreciate you guys coming on to talk a little bit about your experience.
	I think there's a lot, you know, people are going to feel probably like I do, that there's a lot more here to be discovered.
	And it's the kind of thing where once you've sort of broken into this arena, it would be great to get more.
	But I understand you're not going to be blind targeting if you've already kind of gotten this far.
	So that is kind of problematic at this point.
	But I'm sure there are other viewers out there that are going to be looking at this in other ways or have and so on.
	And anyone is...
	You know, able to learn remote viewing and certainly take that up in some way.
	I said to have, Carrie, that the movie itself is two and a half hours, over two and a half hours long.
	So this interview has just touched on some of the points.
	There's a ton of stuff in it.
	Absolutely.
	No doubt about it.
	All right.
	Well, you know, hopefully this acts as a kind of, you know, Advertising, if you want to call it that, or a promo for your other work and for the movie itself.
	And so that's how it will stand.
	So I encourage everyone to go over to your site and take a look at that.
	So we've gotten some parting words, I guess, from both of you.
	Courtney, you were kind of out of the room at the time.
	Yeah, I'm dealing with a bunch of stuff at the same time.
	But Carrie, I have to say the following.
	First of all, Farsight.org.
	F-A-R-S-I-G-H-T.org.
	Or it's because we're a non-profit.
	And that's where to go to get everything.
	But I'm going to end by saying, Carrie, you're still a hero.
	Because you're one of the people that bravely keeps bringing this stuff up in a very interesting way.
	Provocative, but interesting.
	And you...
	The thing I love about you so much is you don't have...
	You don't have, like...
	Binders that say, I can't go there.
	I like that.
	Yeah, you're really great in the way that you sort of go where no one has gone before, and you don't really care whether people are wanting to raise a certain question.
	You don't have any boundaries.
	I love it.
	And it's not common, and you're really special, and I think your audience gets a lot of just that quality of you, seeing you do that.
	Is really great.
	I hope that a little bit of that is infectious so that the world gets a little better because of you.
	All right.
	Thank you very much.
	That's very kind of you.
	So just last parting remarks that you want to say, Courtney, before we close this down.
	Yeah, we're the largest public venue for these large public projects.
	I can say that we're the largest and biggest and best because we're the only place where you get these large public projects.
	So it's easy for me to say that.
	And these public projects where you do remote viewing and you get to see the remote viewing live on video, And one project after the next, we've got so many down that we've done from everything from domestic ones, the 9-11 events, JFK assassinations, things like that, up to Phoenix Lights, some extraterrestrial stuff, and now the War in Heaven, we just completed that, which was an unbelievable thing, and then I cried with that too.
	And on our website, you also see the target reveal videos where you get people talking about the targets the very first time after they've done the sessions for months.
	And you see the shock on their faces when they see it.
	So it really brings to life that this is all done under blind conditions.
	And if anyone's interested in remote viewing, all of our instructional stuff, we have a ton of instructional stuff up there.
	That's for free.
	So, you know, people can sort of dive in if they want as well.
	Anyway, it's Farsight.org.
	F-A-R-S-I-G-H-T.org.
	Alright, very good.
	I have one question.
	I know I'm leaving this to the end, but I think I can get a quick answer.
	Princess, when you talked about the bird being, was this a human with a bird helmet on that looked like a bird, or was this a bird being?
	Do you know?
	It felt like a bird being.
	It did not feel like a helmet.
	Alright, fair enough.
	And I know that that's what Courtney had me to write because we are not allowed to jump into conclusions about things, but it definitely felt like it could have been a hat, but it definitely felt like one of the gods that I have seen in studies I researched it because I was like, Courtney, I can't describe what I'm seeing.
	So I went online and I started like Googling my thoughts and then I found a picture and I like zoomed it over to him and he was like, okay, write that down.
	Okay, so is this, Courtney, you maybe know, is this the ibis?
	What is known as the ibis?
	Yeah, it looks like that.
	That's what she sent over.
	I have to say at this point that When you look at this and you ask questions like that, it's really good to go back to our website and watch the movies available for free on YouTube now, The Great Pyramid of Giza.
	Dad has participated.
	He was one of the viewers for that, and Dick Algar was one of the viewers for that.
	So when you look at this Moses thing, also watch The Great Pyramid of Giza because that sort of fills in the context of a whole bunch of very complex events that were going on at essentially the same time.
	That was actually the first video I ever seen about remote viewing.
	Very first video, and I was like, what is this?
	Okay, very good.
	So thanks again for being on the show, and I'm sure everyone will really enjoy watching this and going over to your website and investigating further.
	So take care and stay in touch.
	Thank you, everybody.
	Thank you.
	Bye.
	All right.
	Bye-bye.
	So that is very interesting, as I'm sure everyone would say if they're watching.
	And this will go on to my main YouTube channel, as right now I'm doing this for my PCTV channel.
	So we're actually having a smaller audience than normal because I can't notify all the...
	Subscribers to the other channel when we go live, it's very problematic.
	I do use social media, but I can't reach everybody the way YouTube reaches them, and I don't have that list.
	It's one of the problematic sort of logistical issues about being a YouTube channel.
	You know, person that has a, you know, channel.
	We don't have access to the actual list of people that subscribe.
	So I have like 194,000 people on my other channel, but I can't notify them when I'm doing a live event anymore because I'm not allowed to go live on that channel at the moment because of this Walls flag video I just did about a month ago with, well, you know the story.
	So at this point, this is how we're operating, and I don't know how long this stupid ban will last on my other channel, but for now, at least I can broadcast here, and I will be broadcasting next week with some more really fascinating stuff.
	We've got Simon Parks, and he's going to be on the show.
	And I believe it's Thursday at 1 p.m.
	So next Thursday at 1 p.m.
	I'll have Simon Parks.
	He's going to be talking about what is Brett Stewart's remote viewing of what is the Urantia book, but the authors of the Urantia book, which ended up to be the praying mantis or mantid beings, of which Simon Parks claims to be related.
	And so the take that came through to Brett Stewart as a very good remote viewer on the mantid beings was much more diabolical in nature than what Simon has been portraying.
	Although Simon is certainly aware of their diabolical side, I believe he I don't think he would sort of shirk from that.
	But in from his point of view, they've changed and they are now working towards ascension and supposedly with humans, although according to Brett's information about the mantids.
	He saw that that is actually a fake agenda in order to cover their real agenda.
	So there's a lot more to that story.
	I'm also having Brett on my show in the future.
	I've notified him about Simon coming on to talk, and he likes and admires Simon.
	In fact, the feeling is mutual.
	I wanted to get them both on at one show, but it wasn't possible.
	But Brett, in a few weeks, will come on the show and talk about it from his point of view a little bit more about that remote viewing.
	So we've got some really interesting stuff coming down the pike, and there's a lot more going on.
	I'm in talks right now with other people to come on the shows next week.
	So stay tuned to Project Camelot.
	Take care.

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