ERIKA KIRK Will Be Brought Down by Her Lies and Deception
ERIKA KIRK Will Be Brought Down by Her Lies and Deception
ERIKA KIRK Will Be Brought Down by Her Lies and Deception
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Nothing to See Here
00:14:10
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| This address is to those of you who might be new to this game. | |
| And I always keep thinking of the young folks, the ones who are saying, hey, I'm jumping on the conspiracy train. | |
| Well, welcome aboard. | |
| Choo-choo. | |
| Let's get this on the road, huh? | |
| Couple of things people are going to tell you. | |
| If you are finding the Erica Kirk story more interesting, which is what I am. | |
| I mean, this may sound sacrilegious. | |
| I'm telling people right now that I know, and they think I am out of my mind, which could be, but I doubt it. | |
| As everything blows up regarding Prince Andrew, I'm saying, that's nothing. | |
| That's easy. | |
| That's not even as complicated and as fascinating as Erica Kirk. | |
| And they look at me like, what are you talking about? | |
| Well, first, let's look at the parallels. | |
| The parallels are what's important. | |
| Don't worry so much about the minutia. | |
| Step back a little bit. | |
| Look at the big picture. | |
| Don't look. | |
| We can spend every five minutes talking about this tail number and this and this transaction and Candace wrote this thing and this text. | |
| That's important. | |
| Step back. | |
| It's like looking at a like a mural or looking at some type of a mosaic. | |
| If you get too close, you see the particular tiles and you don't understand the big picture. | |
| If you step back, you get a picture of it. | |
| No one to be a microscope, no one to be a telescope, no one to step back and look at the big picture. | |
| That's the important part. | |
| Look at the parallels for those people who were insisting upon Andrew and talking about him. | |
| And now, as you know, not Prince Andrew, Andrew, Mount Madden, Windsor, whatever this. | |
| He's a predator that they caught. | |
| Now, we can't say this yet about Eric, Erica, as far as being a predator, but look at the similarities. | |
| First, a complete and total detachment from reality. | |
| Funneled and a funnel, fueled by virtue of the sense of I'm above it. | |
| You don't understand who I am. | |
| Here's Andrew. | |
| Here's Erica. | |
| Both of them would say, you don't know who I am. | |
| I am loved. | |
| You worry about your laws. | |
| You worry about how things look. | |
| If I want to decide to troll or groom or bother or pester online some 15-year-old, it's none of your business. | |
| Because let me explain something. | |
| I'm Erica Kirk. | |
| I don't need this. | |
| I do what I want. | |
| How dare you? | |
| How dare you even suggest that I have to abide your laws, your sensibilities? | |
| Do you know who I am? | |
| I'm America's sweetheart. | |
| I'm loved. | |
| Shall I show you pictures of me waving again? | |
| Did you ever see me at TPUSA? | |
| Did you ever see me jumping out of cannons or whatever it was that I did? | |
| Did you ever see this? | |
| You just don't understand who I am. | |
| That's Andrew. | |
| He said, I don't care about this. | |
| Then there's the lying. | |
| The lying that just is breathtaking. | |
| In case you don't remember, Andrew, when he was hanging out with Epstein, was seen in a picture with Virginia Juffray, who, by the way, they most probably, okay, and nobody seems to care about that. | |
| They'll get around to that later. | |
| The same way they got to Epstein. | |
| They won't say that. | |
| And of course, you must understand something. | |
| And let me, I should have really said this first. | |
| How do I say this? | |
| If you're new to this, you must understand our press, our supposedly the journalistic press, they are, for all practical purposes, retarded. | |
| They don't do anything. | |
| They don't know what to push or pursue. | |
| And cable news, which is the last bastion of this, these are the folks who perpetuate this idea that, I mean, they believe everything in anything. | |
| They have this idea, you know, the hands-off she's a widow bit, which, by the way, the patina of that, the protective coating of that, the Kevlar of that, that's long gone. | |
| That's long gone. | |
| By virtue of her own particular behavior. | |
| But going to what I was saying before, when Andrew was with this Virginia, they had him in a picture, caught him in a picture, said, I don't remember that at all. | |
| I have no idea what that is. | |
| Who, Virginia, what was her name? | |
| Juju, Jufre. | |
| Is that picture? | |
| There's a picture of she was there, Ghillaine Maxwell. | |
| I don't remember. | |
| And then they start lying and they pull it out of their arse. | |
| They figure I can say anything. | |
| And what he does, that Erica does, which is beautiful, when they came up with him to him and they said, she says you were in this club dancing and you were sweaty, he says, you don't understand. | |
| I don't perspire. | |
| I don't, I have this unique genetic trait in which even under pressure, I don't perspire. | |
| I don't sweat. | |
| I don't in any way become wet under the armpits, under the axle. | |
| And there's pictures of him sweating like a whore in a church. | |
| I mean, come on. | |
| That's what she does. | |
| That's our era. | |
| She does the same thing. | |
| I know, hey, guys. | |
| Hey, guys. | |
| This is so great. | |
| Did you see our merch numbers? | |
| You go out there, you work those 29 hours a day, and you take one for the team. | |
| Oh, sure, you might keel over from a heart attack, but this is about something bigger. | |
| It's about me. | |
| You love me. | |
| Listen, if you think that's being cruel, you must not have ever seen her before. | |
| The parallels are incredible. | |
| And once they say, you don't understand, your past is caught up. | |
| We know. | |
| We know because it's that royalty thing. | |
| They look at you like, what do you mean you know? | |
| Do you not understand? | |
| I'm above you. | |
| You love me. | |
| Now, in, I guess, Andrew's defense, maybe. | |
| He's known this his whole life. | |
| And by the way, if you're new to this game, Andrew's father, real father, many suspect, is Lord Porchester or Porchy as the Queen's groom. | |
| In fact, some people say that when he was conceived, his father Philip, who's this reptilian cad, was out on maneuvers. | |
| Well, Queenie was maneuvering. | |
| In fact, the queen mum, who is Andrew's grandmother, called him our little miracle. | |
| Now, not to focus on Andrew, because you don't care about Andrew, and I don't blame you. | |
| But the parallels are perfect. | |
| Step back. | |
| Look at the entitle. | |
| Look at the people who act like they're, for whatever reason, they're blessed. | |
| They can say whatever they want. | |
| They can do whatever they want. | |
| That's the issue. | |
| And as we speak, Erica says, and because Candace is away this week, oh my God, you think they would be meeting. | |
| You would think they would have high-level meetings at TPUSA saying, what are we going to do? | |
| Notice how some of the minor characters are rising to the top. | |
| They're coming out of the woodwork, saying terrible things about our Miss Candace or our Mrs. Candace. | |
| You notice that? | |
| For a while. | |
| No, this is still the story. | |
| This is still phenomenal. | |
| And I tell people, either you understand this or you don't. | |
| Another thing which is important to note, why is this? | |
| This is about crime. | |
| And when it comes to Andrew, there are crimes. | |
| There is the dispatch, the unliving, the unenlightenment, if you will, of Virginia Juffray. | |
| And in this case, the same that happened to Charlie. | |
| Charlie, the man that everybody supposedly loves. | |
| Charlie, the person that everybody, this woman, she just, oh, I mean, there is nothing so glaring. | |
| There is no moment so gross or so gauche and irresponsible and out of the out of the ordinary, including the hand scene at the casket, which just, God, that just, ugh. | |
| There is nothing, there is nothing that they can do that you can express to them, do you know what you're doing? | |
| Same with Andrew. | |
| Do you know what you're doing? | |
| Do you know how this looks? | |
| They're saying, what are you talking about? | |
| I don't have to worry about this. | |
| And going back to the issue of the crime, we have actual, specific, forensic elements, aspects to this case. | |
| As you may or may not know, there was this and is this tragic kidnapping in Tucson, which I think is also a, sorry. | |
| This woman's gone for 19 days, 84-year-old woman without medication. | |
| What? | |
| She's being hydrated and fed by a bunch of, what, Mexicans in a safe house in Sinaloa? | |
| Come on. | |
| It doesn't make any sense. | |
| The level of law enforcement and competence is breathtaking. | |
| Same thing with Andy and the same thing with Erica. | |
| Nobody cares about Charlie. | |
| People are still, they're giving you this case close idea. | |
| This Tyler Robinson, they're going to hang this nut out to dry. | |
| We don't learn. | |
| Santayana said, those who do not learn from history are sworn or cursed to repeat it. | |
| Tolstoy said history would be a wonderful thing if only it were true. | |
| Napoleon said that history is a myth that men agree to believe. | |
| And that's what we have. | |
| We have this idea. | |
| We have this case closed. | |
| Again, this is cluelessness. | |
| Let me also go back and tell you one thing. | |
| And let me remind you why we are here. | |
| Let me remind you what happened. | |
| They took it upon themselves, just like Andrew did, when Andrew decided to meet with the BBC and answer questions, which was so disastrous, they still can't believe, is he serious? | |
| Is he serious? | |
| The same thing that happens when Erica and these folks meet the time she went on that news blitz on every cable news show, certainly everyone on Fox. | |
| And one after another, they didn't realize, why don't you spread this out a little bit? | |
| Why are you putting all of your eggs in one basket? | |
| Didn't matter. | |
| Why? | |
| Because the rules don't apply to her. | |
| She's royalty. | |
| Whatever she does, you will like, you will agree to, you will think is brilliant. | |
| That's the way things are. | |
| And there's nothing you can do to change that. | |
| Nothing. | |
| There's nothing you can do to change this. | |
| It's this idea. | |
| And by the way, the monarchy is TPUSA. | |
| The crown is TPUSA. | |
| She's the queen. | |
| She's the head of it. | |
| They all, just like the taxpayers of the UK, put their hard-earned money to support these homozygotic, inbred, reptilian losers. | |
| Those people who have been donating to help the cause of Charlie are now going to funnel, to fund and promote her lifestyle and this cadre and coven of weirdos and freaks and strange people in the background. | |
| And let's also go back to something. | |
| I'm going to say this again to you. | |
| I'm going to give you this caveat, this proviso, as it were. | |
| Most of us, most of I think us, do not respond to any claims of somebody being gay. | |
| It doesn't, you know, look, I'm old enough, and my wife and I are in New York. | |
| This doesn't gay doesn't matter. | |
| We have people walking around holding severed heads in cassocks. | |
| It means nothing to us. | |
| But when you are the head, the titular head of an organization that lives by the word of Almighty God and scripture and the precepts and edicts and imprimaturs and rules and fiats and absolutes, one of the things which they do not abide at all, that is gay. | |
| Gay. | |
| Irrespective of me, irrespective of you, I'm not even passing judgment on it. | |
| They don't dig that because that does not comport with their belief in rudimentary, basic, ABC Darian, elemental, granular, atomic, | |
| fundamental precepts and doctrine regarding Christianity, the Bible, and this very strict, conservative ethos or eco-system that has drawn young people in. | |
| Charlie Kirk made it very clear: gays are sinners. | |
| LGBT is a sin. | |
| They shouldn't be stoned or anything. | |
| Premarital sex is wrong. | |
| Wives should be home supporting their husbands with their children. | |
| Everything you can imagine. | |
|
Funeral, Funeral?
00:03:27
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| So, first of all, we've got the beauty queen, somebody who should be, she looks like an extra on dynasty. | |
| Doesn't she look like a character? | |
| Anyway, she's basically said, not only do I say, the hell with this, I'm the star. | |
| My kids, yeah, yeah, yeah, they're fine. | |
| Charlie's parents, who, who? | |
| Funeral, funeral. | |
| Has there been a funeral yet? | |
| We don't even know. | |
| No, no, excuse me. | |
| Hey, it's a look at me. | |
| It's about me. | |
| So what I'm saying is, when you pull up pictures, text messages, screenshots of texts, this is not somebody, this is not hearsay in the classic evidentiary sense. | |
| This is evidence. | |
| This is direct evidence. | |
| This was said, best evidence rule, whatever you want to call it. | |
| This is it. | |
| You've got basically a woman who is trying to tease, taunt, entice, lure, cajole, wheedle, attract, groom, seduce a 15-year-old and others, referring constantly to the female pudenda, which is redundant. | |
| Female sexual references, love notes, pet names for various genital accoutrements. | |
| You can't be this glaring. | |
| And why does she do it? | |
| I'm telling you again, she doesn't care. | |
| She doesn't care. | |
| She doesn't care about you. | |
| She doesn't care what anybody says. | |
| She doesn't. | |
| She's beyond this. | |
| She's the queen, the princess. | |
| That's the part which I find so fascinating. | |
| And she will be hoist by her own petard or retard, depending upon how you look at it. | |
| She's going to be brought down by her own hubristic disinterest in garnering and maintaining your respect and your continued belief. | |
| She doesn't give a damn about Charlie anymore. | |
| That's over. | |
| Move him out of the way. | |
| The sooner we get him in the past, the sooner we get this trial over, we can talk about me. | |
| Because she has her ideas. | |
| She wants to show up and fill coliseums and arenas and stadia with her beauty and countenance and her glory. | |
| And she knows when she comes on and she pulls that magic hanky out and starts dabbing at her lids and waxes lachramous. | |
| Oh my God. | |
| You're going to forget everything. | |
| You're going to forget your name. | |
| Because once you find yourself ensconced, bathed in the warm spiritual clieg of her soul, which is effulgent, which is just, which is glowing and just it lures the siren call of this woman of immane beauty. | |
| Beauty, charm, sexiness. | |
| So, so appealing, so magnetic. | |
| Men, women, mollusks, small pets, you will drop to her knees and cover your eyes because you are not worthy to gaze upon her countenance. | |
| She is not human. | |
| She is not of this world. | |
|
The Enchanting Call
00:03:51
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| Do you not understand? | |
| Do you not understand the parallels to Andrew, to the royals, to the monarchy? | |
| You can take, I don't know who, Barbara Streisand can't get near her in terms of this unearned, well, maybe I'm earned to an extent, but this, well, it's funny you say that, or that I say that. | |
| Barbara Streisand, say what you want, it's got talent. | |
| What is Erica's talent? | |
| What version of Erica? | |
| What is it? | |
| The Franz Vey the spook? | |
| Franz Vey the beauty queen? | |
| Franz Vey in the sizzle rule? | |
| Franz Vey with boyfriend one, two, three, or four, the drinking, the crapulous, the dipsomaniacal, anti-teetotaling, certainly not Christian appearing. | |
| She is so fraudulent, so synthetic, so beyond anything we get put. | |
| We are amazed at the level of synthetic, this fucate imposter, this camouflaged simulacrum. | |
| Dude, am I making myself clear? | |
| Did you just let me know? | |
| Comment. | |
| Do you think I'm overdoing it? | |
| No. | |
| You love this. | |
| You're looking at me right now and you're saying, that is exactly what I feel. | |
| So let me tell you something. | |
| Let them talk about whatever they want. | |
| You want to talk about Nancy, poor thing, Guthrie, who probably is no more? | |
| Good. | |
| Let them talk about Andrew. | |
| Let them talk about whatever they want. | |
| We're on to this. | |
| We were here first. | |
| And one more thing. | |
| step back from the mosaic. | |
| Don't worry so much about sometimes there are wonderful people doing such a great job. | |
| Think, oh, I've got a new podcast because I can talk about yet another little interstitial granular moment of some event that happened. | |
| That's important. | |
| Step back. | |
| Look at the big picture. | |
| And let me thank you. | |
| Thank you for watching this. | |
| Thank you. | |
| Let me also tell you something. | |
| You want to know what guts is? | |
| You want to know what leadership is? | |
| I also want to thank you for following my beloved wife at Lynn's Warriors. | |
| As we're talking about this, I almost feel embarrassed. | |
| Right now, there is one of the biggest cases ever in American jurisprudence, in American litigation history, of Mark Zuckerberg and others being put on trial for aiding and abetting, counseling, procuring, and hiring, and being liable in an almost products liability vein for the addiction of children to social media, which has resolved or resulted in self-harm and a variety of horrors that we can't even put into words. | |
| You hear what I'm saying? | |
| We can't even put into words. | |
| And that's going right now. | |
| She talks to victims. | |
| She talks to people front and center. | |
| And probably one of the most important issues, please follow her. | |
| Please show your love. | |
| Show your respect. | |
| Show your support by going to Lynn's Warriors on YouTube right here. | |
| I appreciate that. | |
| Now, in the meantime, like this video. | |
| You know the routine. | |
| Please subscribe. | |
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| I don't even know why. | |
| But subscribe and also put your thoughts in comments. | |
| Do you think I'm going overboard? | |
| No. | |
| Do you think I'm missing the point? | |
| Oh, no. | |
| Do you think I'm accurately depicting the gravity, the importance, the special character and nature of this particular issue? | |
| Yes. | |
| And do you think we're overdoing the whole area thing? | |
| No. | |
| Not at all. | |
| Good. | |