Erika Kirk is a "pathological liar" and "24-hour con," fabricating personas—like "widow," "Christian," or "hot, sexy"—to fuel validation, admiration, and revenue, with no genuine connection to her claims. Unlike psychopaths or even actors, she lacks physical tells under scrutiny (e.g., Kenneth Bianchi’s inconsistencies) and thrives on deception without ethical limits, even crossing boundaries in alleged inappropriate behavior toward a 15-year-old, referencing "female pudenda." Her danger lies not in malice but in relentless self-perpetuation, prioritizing performative grandiosity over truth, contrasting sharply with Candace Owens’ blend of authenticity and charisma. [Automatically generated summary]
What makes Erica Kirk deadlier than anything we've ever seen in the pantheon or in the stage of mendacity or pathological performance, duplicity, whatever you want to call it.
What makes her different is that she is at the top of the food chain of dangerous.
And that is the pathological liar, but the con, the 24-hour con.
Let me explain.
In the course of your life, you will meet a variety of people.
Liars.
You probably will not meet a real bona fide psychopath or even sociopath.
You really won't.
They're far rarer than you can imagine.
And they don't normally exhibit or manifest themselves the way you would think they would.
They're not as bad necessarily as you might think.
And sometimes they're admirable.
Sometimes the traits that we see in others are actually veiled, if you will, psychopathy iterations.
We'll get to that.
So we've got the liar, we've got the psychopath, a little bit.
But at the top of the game is the pathological liar who never stops.
The con will lie if he has to.
The con would rather not.
The con would rather win you over.
The con does not want to lie.
The con wants to use it sparingly because in order to gain your confidence, he or she can't be caught in the lie.
They're not into lying.
They do it reluctantly.
When it comes to the big matters, they sell you something that's fake.
But other than that, you know, they may pretend they know about watches or jewelry, but that's as much of the performance as you get.
The con, the performance con, the Erica Kirk is the rarest of the rare and absolutely dangerous.
Let me explain a few things.
And let me beg your forgiveness because I'm going to jump all over the place.
Do not expect any cogent exposition or exegesis, so to speak, on the subject of the con.
First, let's talk about some people you don't like.
Well, let me rephrase it.
People I don't like.
I think politically.
Robert De Niro.
The late Robert, Robert, Rob Reiner.
Sorry, it's tragic that he died, but when he was spewing this political nonsense, it was horrible.
AOC, Jasmine Crockett.
You know what I mean?
Okay.
But let's take Robert De Niro.
Robert De Niro was not a con.
They say he's a great actor.
I don't think so, but he wasn't a con.
He was just bad.
He was trying to fulfill his role as the performance, if you will, anti-Trumper or whatever.
But he really wasn't lying.
He wasn't a liar.
Rob Reiner wasn't a liar.
Bet Midler wasn't a liar.
Pick anybody you want.
Listen, you might not like Trump.
They're really not liars.
They don't.
Sometimes they may fool you a little bit, but they really are what they say they are.
Let me say this again.
They really are what they say they are.
You just may not like it.
Robert De Niro is, for whatever reason, he is paid to be an actor, but he really is this kind of a dim-witted lefty or however you want to say it.
He's not lying.
He's not.
That's real.
That's who he is.
Honesty Is My Goal00:06:17
Understand?
He is probably more honest with you.
Than other people.
Honesty I can deal with.
Honesty is my, just tell me the truth.
I know people that I actually kind of admire, though I don't want to be around them.
I may not like them, but they don't lie.
They are who they are.
But if Popeye say, I am what I am, they are what they are.
Remember that.
So they're not lying.
Hillary Clinton, whatever you think about her, she is what she is.
You may not like her.
Oh, she'll say things in the course of politics to an extent.
She'll change your mind.
They all did.
Remember the old days they were against gay marriages and then they were for gay marriage and then they were that's politics.
But deep down inside, she is who she is.
She is.
She's not.
But Jessica, Jessica, Erica Kirk is nothing.
It's the role she is in.
She is in the role of the sad to say widow.
I don't want to mock that, but she is the ebulliant, exuberant, the unctuous, the performative, Christian.
These are the slashes, by the way.
Christian slash, by the way, it's called a solidus or a virgule.
Christian slash widow slash mother slash hot, sexy slash brilliant slash admiring leader subject of everything from lust to admiration.
She is being her.
This iteration of her.
And you might say to yourself, well, is who she always is?
No, You have never seen her.
She does not exist.
She is, she's almost like a balloon without the air.
And the particular manifestation, whatever the role is, that's what animates her.
When she was doing all those kind of that cheesecake, cheesy, you know, doing, you know, reels for, you know, look at me, I'm trying to get a job with her boyfriends.
She was kind of like the young, hip, sexy, you know, so to speak, actress, beauty pageant, Erica.
Now she's the older, attempts to be more of like the respected mother or she does not exist.
It's the role she is.
She's the most dangerous of them all.
She's not really lying to you.
She's in this performance.
When somebody's sleepwalking, they're not lying.
If you believe in multiple personalities, they're not lying.
When somebody is drunk, they're not lying, but they're in an altered state.
And her altered state is that reality doesn't exist.
So you don't know what you're getting.
Whatever you get from her, whatever she tells you, whatever you believe she is, it doesn't.
She doesn't exist.
It's the role at the moment.
She's not a psychopath.
We'll talk about that in a moment.
She is not a psychopath.
She is the con.
I worked for years with some great people in professional wrestling.
I knew some wonderful people, Gordon Soley, Bobby the Brainheen, and I loved him.
We worked together.
He was just a joy.
One of the funniest, smartest people I've ever known.
And what they tell me, and this is as close to this as possible, in the old days, during the days of Kay Fabe, when wrestlers maintained the myth and the character of wrestling, when they were, you know, the Undertaker or the Junkyard Dog or Bobby Heenan, whoever it was, it was 24-7.
If they were on the street, if they met somebody, if they met a fan, if they met a meazark, if they met somebody who was Smeazark, if they met somebody in the business or not, they knew they were that role 24 hours a day.
It wasn't just, you know, Robert De Niro isn't.
In fact, a lot of these people really have no personalities.
They're not that interesting.
Have you ever met a really interesting actor?
Really interesting?
No.
But they don't have to be.
That's not their thing.
They realize, they say, look, I'm not acting anymore.
In fact, they want to tell you that.
They want you to forget it.
They want you to leave them alone.
I mean, they want to, you know, count the money and be loved and everything.
But their whole thing is, no, no, I'm not, no, no, I'm not Jake Lamana.
No, no.
Erica Kirk is Erica Kirk.
This iteration.
Do you understand that?
She is real in her mind.
And she thinks you believe it.
And she will say, here's the scary part.
Anything she has to say, anything, for that manifestation to continue, anything she has to say, she will do so.
She's not letting down her guard.
Period.
End of discussion.
Okay?
This is the dangerous.
This is, it doesn't get more dangerous than this.
Because there's no let up.
You don't know who's there.
You don't know who's there.
I told you the story about Kenneth Bianchi from the Hillside Strangler, who during a quote, hypnosis session, when he was pretending to be under, he was pretending that he had these various manifestations, personalities, and they handed him something, and they knew right away he was lying because during hypnosis, you don't manifestly involve yourself in an exertion of a real, like grabbing something.
The Dangerous Pretender00:05:20
Anyway, he didn't know this.
Her tells are all the time.
Her tells are constant.
Now, what makes her even more difficult?
First, when they do this, when they're in the role, when they're in this self-induced personality disorder, she is the new Erica, all right?
She doesn't have any faith-based anything.
Everything she's done is an act.
How does a devout Christian mother, dutiful wife, she's not dutiful in the least.
Charlie was very old-fashioned about, I think women should stay at home and be moms and cook meatloaf and play at the park with their kids.
Whoa!
I don't know where he got that from, but she thought to herself, bullshit, no way.
But you never hear her mention kids.
Never.
It's about her.
Her role, mother is the least important in her performance.
In Erica, the whatever this particular iteration is means nothing to her never comes up, not even a wife, not even Charlie.
He's, they say some people who always say, praise God, remember the old pride the the the, the old, the old great, the ones who say praise god in the name of Jesus.
They just said this as a punctuation.
That was their um.
You know how some kids they say, like I was so like and like I was so like like well, that their like was always in the name of Jesus.
Praise be to God.
And and you expected it was a cadence, it was a.
It was like hamburger helper, it was a.
It was an interconnective type of um, offal or connective tissue, that's what.
But her act isn't very good.
She never, she never had the chance to really do it because Charlie was it.
When you take on a role, when you take on a, the act of the crying wife, you can only do this to for a while.
Actors who had to play somebody who was limping would sometimes put a stone in their shoe or something which would remind them obviously, to limp.
But when you don't have a stone in your shoe, when you don't have anything, when you, when you're so interested in the applause, in the uh, in the, the acclaim and the praise and the crowd exaltations and you forget sometimes how you're not coming across.
Nobody is telling her, all right look, you've done the, the crying handkerchief thing 50 times.
Drop it over a period of time.
When people tell a story, in order to be efficacious at it, you have to.
Sometimes you can't, you can't make your audience, you can't make your audience uncomfortable and you sometimes have to lose the lose the bit.
You have to lose the bit.
If they're finding, every time they see you, if you're crying, they're going to say I I I, just I, I can't do this.
You're reminding them.
It makes them uncomfortable.
Plus, it obfuscates, it interrupts the message, it confuses the message.
If you're constantly crying now, had she thought about this ahead of time, she could have done this so much easier.
But she doesn't do it, she doesn't think because she has no interest in trying to to, to come.
She doesn't want to come across as how do I say this?
She doesn't care whether she comes across as a dutiful wife.
She wants, she cares whether she comes across as Erica Kirk, movie star superstar, sex queen goddess uh babe, hot mom, middle-aged sylph and siren.
And you know what I mean.
She doesn't.
She doesn't care about TP USA in the least.
She cares about the money.
She cares about the, you know the, the revenue, she cares about the metrics.
She has no interest none, none.
But if she were smart but let me rephrase it, she's not, she's not dumb, don't get me wrong, she's not dumb.
If she were dumb, it'd be, you know, even easier.
But what she does is this is this is so interesting.
She does some things which are really weird.
She forgets, kind of, what people want to hear.
And the thing people want to hear is they want to talk about how the the, how the, the organization is doing and how, how it's working and how things are going.
She wants to hear this.
People want to hear this.
People want to hear, for example, if she came out and said last year we had, we started a hundred new um, a hundred new charities, or a new scholarships, or we have uh, a hundred new um Tpusa uh ambassadors, or something, talk about the mission, and then people will come to you.
Then people will say wow, do you hear what they're doing?
I love this woman.
She's not interested in that, she's not, she doesn't care about that.
Now that may seem counterintuitive, but she doesn't care about whether you admire her or not.
Legitimate Connection Loss00:03:06
She has no interest in that.
What she wants is she wants you to say, am I hot?
Am I sexy?
Please do not think I'm being cruel.
Please do not think I'm being cruel.
Please do not think for a moment that I'm being cruel.
Please do not think that what I'm saying is just being mean.
If you don't understand this, you don't understand how she works.
This is critical to who she is.
She is a movie star, Shous, actress, babe, sex pot.
Her world is titillation, B-girl.
Remember the B-girls from the old days, like a Betty Boop, pin-up girls.
It was a Betty Grable, not a great actress, but a hot number.
She has no interest in anything.
If I could say to her, listen, let's say I was the devil, some Faustian deal, and I said, listen, I'll make a deal with you.
You will give up any and all claims to being a legitimate ambassador of your husband's goodwill.
You will give up any and all connection with Christian goodwill, with spreading the Holy Word, with being a strong, with being a Christian bellwether pole star, example, exemplar.
You will lose all of that.
But in return for that, I will make you universally hot.
Everybody who sees you will immediately say, damn.
But you can never do anything remotely involving Charlie's good word.
Now, the money, remember the money in this hypothetical, let's assume money is not really an issue here.
Whereas other people would say, excuse me, my goal is to perpetuate his holy word, the holy word of truth, the Bible, the biblical edicts, the biblical, this is what I want.
I don't care about.
Do you think Billy Graham ever cared about being hot?
I mean, Billy Graham, of course, had an ego.
I mean, when I see a good, I mean, he had self-determination, and he had a consideration and a consideration, I should say, and a focus on how he is perceived.
But his whole world and word was a proliferation of the word.
I think he was legitimate.
I think Billy Graham was a holy man.
I'd have been perfect as a human, but he was incredible.
Candace will look at that and say, I don't care about that.
I don't care about that.
Candace, would you, I keep saying, Candace, forgive me.
Oh, my God.
Oh, please.
Oh, Jesus.
No, no, God, no.
Don't not strike me there.
Erica, Erica, Erica.
Oh, I didn't mean that.
Oh, Lord.
Oh, Lord.
She'll strike me down.
Erica, you think Erica wants to hang around in the jungles, not bathe for a couple of days so long as she can spread the holy word of truth?
Do you think she would want to be a part of a missionary?
No!
And she doesn't have to be.
To be fair, not everybody wants to do that.
But that's not who she is.
Her thing is that is the front.
Heart vs Head00:04:33
This is where the performative part comes in.
This is how this thing works.
And I can't say it enough.
Now, let me say something about the psychopath.
If ever there was a term that was overused, it's psychopath, if ever there was a word.
A psychopath, the best, best, best explanation for you to understand is that they're not necessarily a killer.
They're not mean.
They don't mean to hurt anybody.
That's not their focus.
If they have to go through you to accomplish something, what makes them dangerous is that the normal thing called conscience, they don't have.
So if their success happens to involve bulldozing you, so be it.
It's not because they want to, but you got in the way.
And the reason why they're dangerous is that this conscience part doesn't work.
What is conscience?
The best definition is the head and heart connection.
I can't say that enough to you.
The head and heart connection.
When you do something, part of what you do is paired with your guttural, visceral, emotional reaction as to how it will be perceived, how it will be manifested, whether people suffer, whether you'll lose your job, lose your freedom, get arrested, whatever it is.
Some people will say, I'm not going to do this because I could get arrested, right?
That's not moral.
That may be just fear.
But the head and the heart are connected.
The heart says, oh, no, It's the emotional part.
It's the reality.
It's almost like the Freud id, superego, and ego.
It's almost like that.
It's id versus superego, really when the ego is completely excluded from consideration, if that makes any sense.
One of the things you have to understand about these people, one of the best examples I saw was there was a test years ago.
And they did some fMRI kind of imaging research.
And they wanted to see, for example, they put a molecule of glucose or whatever in your brain.
And they wanted to see which areas fire during certain particular mental activities.
And one of the things they did was they took people and they told them that they were going to put on their finger a little, not a plethysmograph, but some type of little electrical charge or element or something.
And that at the count of 10, they would receive a mild electric shock.
And there wasn't a shock.
That's not the point.
But they told them it was.
They told him, they told the participant, when you do this, you will receive a shock.
Okay, fine.
So what happened was, when they did the 10, 9, 8, or they counted it forward or backwards, when they did this, they noticed parts of the brain were firing, indicating anticipation.
Why?
The head, the notification of what was going to happen, and the heart, the anxiety, the consequence.
Wait a minute.
I've got five more sickness.
I'm going to be shocked.
Whereas the head says, the rules are, at the count of 10, I will receive an electric shock.
The heart kick said, you idiot, don't you know what that means?
That's it.
The heart says, you idiot, don't you know what that means?
If I told you, hey, listen, we're counting the money on Sunday, you know, from the collection plate.
We're in the back of the church.
You know, we could take this money.
Or we could take parts of it.
You might say to yourself, wait a minute, if we do that and we get caught, then what the hell are you thinking?
Or would you know what's going on?
We could lose our position in the community.
We might embarrass ourselves.
We might be arrested.
Our families will be scoring and be thrown out of the church.
We can't do that.
Why?
Because the risk.
That's your head.
Your head and your heart connecting.
It's your heart saying, no, no, don't.
Psychopaths don't have that.
So in the particular test I'm talking about, when they did the 10, 9, 8, and regular people, their brains are going crazy, the anticipation.
I say going crazy, meaning the part of your brain that says, hey, idiot, two more seconds, get ready, brace yourself, here comes the shot.
With a psychopath, nothing.
Kirk Loves Anticipation00:07:54
It didn't.
Psychopaths are great heroes.
I'm hurt.
I'll get them.
No, what are you, crazy?
No.
Get them.
Terrible chess players.
If I move here, I'll move here.
There's no, it's your place, isn't it?
And you get your hand on the queen and you're looking around.
Oh, my God, I don't want to lose the queen.
There's nothing.
She doesn't have that.
Because even that connection may have nothing to do with morality.
She doesn't have that.
She is not that bereft.
The emotional part of her has not been tabled completely.
She's in an act.
And lately, not only that, we get somebody here who is weird coming on to a 15-year-old, referring to things as far as the female pudenda, which of course is irrelevant.
I mean, redundant, I should say.
Tautological, dare I say.
That was the scariest.
See, one word about the sex.
You see, when you are uniquely depraved, you do things and you exhibit things in different ways.
Most people have a range in terms of sexual expression.
It's this far.
And within that range, it's very healthy.
You might be quite the firebrand, the temptress, the devil woman or man.
You might be a little kinky, a little strange, a little weird, but not, you're just.
And that's within the realm of imagination and role-playing or whatever you want to call it.
A certain amount of identification of sex maybe as a target, flirtation, maybe getting a little randy.
There's this realm here.
There's this.
But there are these cutoff points.
Violence, serious deception, criminality.
Children.
Children.
In most of us in a Western society, I'll leave it at that because I can't argue about others.
We draw the line at children.
Not only, first of all, we do not feel any kind of sexual attraction, but we draw the line.
And even if that line is closed, we say, uh-uh.
15-year-old girl, uh-uh.
And most of us would say, especially now with how we know how things work, we will say, we are not going to put our names and our feelings and our desires and our lust into a series of columns and text messages where somebody can read these later on.
We're saying, nope, get away, get away to these people, to Erica Kirk.
Not that she doesn't understand it's wrong.
She just thinks she's smarter than you.
And she may not have ever even followed through with any of this stuff, but you know what?
It doesn't really matter.
And they love to feel smart.
That they're pulling one over on you.
See, Erica Kirk loves the fact.
By the way, let me know if I say Candace again by accident.
Erica Kirk loves to be Erica Kirk.
She loves it.
Oh man, does she love it?
She loves it like you cannot believe she loves it.
She loves it.
I could go on.
I think she is singularly one of the most fascinating examples of almost the inadvertent villainous.
Her goal is not to hurt.
Her goal is deception to sell her very limited, very closed off, very needy sense of perpetuation of this, the grandiosity of who she is.
She's Erica Kirk.
But remember, number one, Erica Kirk, woman, sexy, actress.
You love me.
Ah, Charlie, yeah, yeah, yeah.
You love me.
Christian, yeah, yeah, yeah, yeah.
Mother, yeah, yeah, yeah, yeah.
Me, you love me.
When I stand out on the wings of the stage and I hear them crying and yelling and applauding my name, they like me.
Remember Sally Fields?
They really like me.
It's about me.
Not only do they like me, but when I walk on, you can see their faces because they have never seen anything.
And I hope you don't think I'm being too cruel.
First and foremost, and in her mind since the beginning has always been sex pot, sexy.
You know how it is.
Look, I don't know.
This is not a phenomenon.
That's a new social media just exemplify.
It basically exacerbates.
It potentiates the problem.
That, my friend, I stop.
I stop.
I stop.
Let that sing in.
This is one of the most fascinating subjects.
And I thank the woman who made it possible.
The woman who put fire in this subject is Candace Owens.
There is nothing like Candace Owens.
Nothing.
She is phenomenal.
She is great.
There are a few people that I've come across in the pantheon of this particular medium.
Alex Jones is up there.
Alex Jones is in the Jesus, as far as I'm concerned.
And every now and then there's these ones who come along who are terrific, who are really good.
But Candace Owens, League of Heron, League of Heron, brilliant, gets it.
And is a performance genius incorporating both performance and the veracity because she means what she says.
So thank you.
Thank you, Candace.
Thank you.
Thank you for listening.
Thank you for following my wife, Lynn Shaw, at Lynn's Warriors.
Your support of her means the most to us.
The fight that's going on, which is more important than any of this, than Erica Kirk or anything, is what they're doing to children.
And this is why it bothers me so much, how when we see this predation, this targeting of this young girl, then it immediately, it's wrong.
It is so wrong.
We have to stop that.
So thank you for following.
Please follow her at Lynn's Warriors.
All right, good.
Now, in addition, dear friend, I want you to understand something.
I want you to listen carefully, and I want you to follow what I'm saying.
Listen carefully.
The most important thing for us to do is to not lose our sense of direction.
Make sure you understand where we are and the path that we are and what we're trying to do.
We believe in truth.
If truth is the focus of your attack, it's the target, the destination, you will always win.
You will always be successful if that's what you want.
And truth is very dangerous because sometimes when you get the truth, a lot of people who are the subjects of the truth don't care for that.
All right, dear friends, thank you.
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