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May 6, 2025 - Lionel Nation
20:00
The Met Gala EXPOSED: Satanic Ritual or Fashion Show? You Decide.

The Met Gala EXPOSED: Satanic Ritual or Fashion Show? You Decide.

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Tonight is an event that I promise you the mainstream media will not be covering under strict orders for what it really means.
It's the Met Gala.
And this isn't just some fashion event.
It's a modern day aristocracy flexing its power in the open.
It's a cult.
It's evil.
It's everything you think it is.
It's Kubrickian.
Eyes wide shut.
I mean it right in front of you, hiding in plain sight.
What they call art and fashion is often little more than coded ritual and occultism drenched in symbolism.
So let's break it down for what it really is.
The Met Gala is a surreal masquerade ball for the elite.
And it's wrapped up in haute couture and secrecy.
Like Eyes Wide Shut.
Like a sequel directed by Vogue.
So what is it?
The idea, what I call this, is when glamour meets occult symbolism.
So every first Monday in May, the red carpet rolls out, not just for celebrities, but for global elites and tech billionaires and fashion royalty.
This isn't just about designers and models.
It's about...
Power.
Real power.
The kind that moves markets and shapes narratives and, yes, yes, possibly conducts rituals behind closed doors.
They're all coming in.
And whenever you have one central meeting point, whether it's the Met Gala, the Academy Awards, every freak, every lunatic, every reprobate in the world joins where the elite meet to finish the sins.
Now, let's not kid ourselves.
If you look past the glitter and you'll see it, you'll see inverted crosses, pyramid motifs, all-seeing eyes, checkerboard floors, veils, horns, crowns, a visual lexicon of the occult.
Again, remember I'm telling you, hiding in plain sight.
They say it's just fashion.
Sure, and Hunter Biden's laptop was Russian disinformation, right?
Is that the same people?
Now, the Met Gala is less about art and more about who's allowed at the table.
Listen to what I'm saying.
It's the official sense of who's allowed.
It's like when the FBI used to watch the mob and used to see walk talks and see whom Gotti was walking with.
You would see the power structure.
If you're in, you're in deep.
You get a seat at the elite's symbolic Last Supper.
No ticket sales, no access for average Americans, just the chosen ones.
Hand-picked, cult-like.
Now, Eyes Wide Shut.
I'm going to be saying that a lot.
Was this a warning or a blueprint?
What do you think?
Stanley Kubrick, in his famous final film, Eyes Wide Shut, portrayed the hidden world of secret societies and mass rituals and the powerful few who operate above the law.
Does this sound familiar?
That film came out in 1999, and Kubrick died mysteriously just days after showing the final cut to Warner Brothers.
Coincidence?
You know about coincidences.
There's no such thing as a coincidence, okay?
Some say yes, but if the Met Gala was a real-life scene from that film, would you be surprised?
They walk in with masks.
They leave more masks than ever, spiritually and politically.
And just like in the film, The party's not really about pleasure.
It's about allegiance.
These aren't parties.
They're initiations, bonding ceremonies for the globalist class.
Don't forget, symbolism is how the elite communicate with each other and the rest of us.
The costume, the themes, the rituals, not accidental.
Statements deliberately made.
Now, why does the Met Gala matter more than you think?
Good question.
It's easy to dismiss it as some harmless evening with a bunch of celebrity nonsense.
But that's what they want you to think.
It's like a magician distracting you with one hand while the other one picks your pocket or signs climate treaties or censors speech or funds fact-checkers.
This is all part of it together through a concatenation of a variety of movements.
Remember this.
The themes themselves often lean religious and mythical and straight-up Luciferian.
They don't hide this.
Remember heavenly bodies, fashion, and the Catholic imagination?
They use sacred symbols for designer clout.
Madonna in a bishop's robe?
Come on!
You couldn't dream up a more blatant mockery of faith.
It's a flex.
And what do Satan and Satanists and Luciferians always do to mock Christ, mock the Lord, mock your faith?
Everything to tempt, to taunt, to question your faith.
There's a message here.
We're above the gods.
And meanwhile, average Americans are worrying about gas prices and open borders, which they should, and these folks are parading around, flying in with their...
Balenciaga robes and diamond-studded devil horns.
Priorities, right?
They're worried about the Great Reset.
Yeah.
This is cultural warfare.
One red carpet at a time.
Listen to what I'm saying.
The Met Gala also reflects something even deeper.
It's the globalist capture of American culture.
It's not about American traditions or values anymore.
It's about pushing boundaries, subverting norms, signaling loyalty to a new world order, a woke, borderless, morally inverted one.
And don't think for a moment that this new pope, and please, check out my latest video as to how, most likely, the new pope, Or the newest Pope, Francis, wasn't the Pope.
But that's for later.
This stuff is so deep.
And each area is interconnected to another.
Look who's not invited.
Look who's not invited.
Traditionalists.
Faith-based leaders.
Working class heroes.
Veterans.
Nope.
Nope.
This party ain't for those folks.
The people who built the country.
It's for those who are building something else.
Something darker.
Think I'm exaggerating?
And notice how the media fawn over it.
They'll tell you it's empowering and it's aspiring and revolutionary, but they'll never question who funds it or what it promotes or why the same imagery pops up in elite circles from Davos to Hollywood.
They're in on it.
If you know, you know.
This is a very important moment.
I want you to listen.
This is a warning.
The Met Gala isn't the end of the world.
But it's a symptom of something sick in the culture.
A hyper-stylized distraction that reveals the rot in our institutions and the consolidation of spiritual and financial power.
It's not a costume party.
It's not cosplay.
It's a message to the rest of the world.
We own this world.
But here's the thing.
The curtain's slipping.
Americans are waking up.
We're waking up.
Our crew.
Remember, most people aren't in our team.
Bless their hearts.
They're simpler.
Faith and family and freedom still means something to us.
Even if they don't get a red carpet.
And what I thought was really corny, it's the bedrock.
It's the foundation of who we are.
So while they dance in masks under chandeliers, just remember something.
It's not about envy.
Oh, no, no, no.
It's about vigilance.
Watch closely.
Read the simples.
The symbols, rather.
And connect the dots, because they're not even hiding it.
They're not even hiding it.
So, let's look at some of the breakdowns, some of the past ones.
Maybe you didn't realize this.
Since 2015, exposing the occult and the esoteric and the elite undercurrents, you know, hidden in plain sight.
This isn't fashion.
This is ritual theater of the New World Order.
Okay.
You may not remember this.
Let's look at 2015.
What was the theme?
China through the looking glass.
Isn't that nice?
The occult undertone, illusion, duality, oriental mysticism.
It was homage to Chinese fashion.
It was a plunge into...
Mirror worlds and ancient symbolism, looking glasses, code for inversion, deception, and alternate realities.
Think Alice in Wonderland meets MKUltra.
This theme was about control through illusion, exoticizing the East, while echoing the esoteric idea that nothing is what it seems.
See, they, nothing, they don't pick anything just because.
Springtime!
Oh, no, no, no.
Then 2016.
Manus ex machina.
Remember this?
Fashion in an age of technology.
So what was the undertone?
Transhumanism.
Technognosticism.
Post-human future.
Elon Musk types.
Well, not him per se, but they love this one.
Celebs dressed like cyborgs and android priestesses.
This was the elite.
Nodding toward the man and machine, you know, the synthetic future.
Predictive programming meets Ot Kotura, a flashy celebration of the technocratic age.
Worshipping the god of AI.
2017.
I'm going to be pronouncing this incorrectly, but it's Rei Kawakubo.
Comme des garçons.
I remember garçons, I believe, were boys.
Art of the in-between.
Now, this is why I'm not a member of this.
The occult overtone.
Liminal space.
Gender erasure.
The fragmentation of identity.
I like the word liminal.
And as you know, I will...
Like there's subliminal.
Liminal is occupying a position on or at both sides of a border.
It's like a threshold relating to a transitional or initial stage of a process.
Liminal space.
Subliminal.
In between.
Remember what this is.
This is...
This is called, this is in-between.
The art of the in-between.
In-between is an occult phrase.
Neither here nor there.
Not male.
Not female.
Not alive.
Not dead.
This year glorified.
This is not your.
Glorified ambiguity.
A core concept.
In Luciferian and Gnostic teachings, dismantling the binary is not just political, it's metaphysical warfare.
Where do you think non-binary came from?
Identity is broken down to be reconstructed in their image.
Okay?
2018.
See this?
Heavenly bodies, fashion, and the Catholic imagination.
You can't believe this.
Occult overtone?
Desecration of sacred symbols.
Mockery of Christianity.
One of the most blatantly esoteric galas.
Rihanna as the Pope.
Crosses turned into accessories.
Sacred iconography made into runway props.
It wasn't just sacrilege.
It was a power move.
This was Luciferian fashion.
Dripping in blasphemy.
They weren't honoring religion.
They were owning it.
Turning it upside down.
Then in 2019, Camp.
Notes on Fashion.
This one in particular.
This was 2018.
This was...
I'm going to check this out.
Met Gala Themes Through the Years.
These are the themes.
the Met Gala Yeah, you look at the themes.
Karl Lagerfeld 2020.
Yeah, Line of Beauty.
Yeah, that's...
They didn't go back further.
Let me see this thing.
Met Gala Religious Catholic Themes.
Always be able to check this.
Yes, Heavenly Bodies.
Fashion and the Catholic Imagination.
They don't even...
They don't...
I'm just verifying this.
I can't.
They think nothing of it.
Heavenly bodies, the fashion and the Catholic imagination.
The occult overtone was a desecration of sacred symbols and the mockery of Christianity.
See, one of the most blatantly esoteric galas ever.
I just told you.
It was Rihanna.
They make no bones about it.
2019, Camp Notes on Fashion.
The theme was really, the undertone was exaggeration, deception, masks, the aversion of truth.
Camp celebrates the fake, the excessive, the performative, very Masonic, if you ask me.
It was a glorification of deception as an art form.
Men in dresses, women as caricatures, everything exaggerated to the point of parody.
Camp says nothing is sacred.
Nothing is real.
Does this sound familiar?
How about 2020?
Remember?
It was canceled because of the COVID lockdown.
Thank God.
The occult undertone was the ritual pause.
Strangely symbolic, the gala vanished during the global shutdown.
There was a collective reset.
As the world entered forced lockdown, the high priests of fashion went dark.
Some believe this was a spiritual pause, a marking point in the year's timeline.
A year zero for the Great Reset.
Then in 2021, it was, in America, a lexicon of fashion.
The occult overtone was, they were rewriting national identity, semiotic symbology, you know, warfare.
This wasn't about celebrating America, believe me.
It was about redefining it, re-identifying it, twisting it.
It was an alphabet of woke symbols, rewriting the I guess the cultural DNA, you know, of the nation.
The lexicon part gave it away.
Language manipulation is the key to mind control.
Words no longer mean what they used to.
We know this.
And what you're thinking right now is, you know he's right.
2022, the theme was, In America, an Anthology of Fashion.
A cult overtone was myth-making, historical revisionism.
The follow-up to the lexicon, this year they rewrote history.
They turned the Met into a temple of revisionism, canonizing and beatifying certain narratives, erasing others.
Fashion was used as propaganda.
Sacred American stories were deconstructed, reshaped, because he who controls the past controls the future.
2023, pretty benign, Karl Lagerfeld, a line of beauty.
The occult undertow was idolatry, worship of the creative God.
This was the year they canonized Karl.
The theme revolved around the designer himself, turning him into some quasi-deity.
His line, as in his sketches and creations, was the sacred text.
Celebrities dressed...
Not an homage, but a near religious adoration.
It was weird.
It was kind of a modern day...
It was a modern day kind of a calf, golden calf moment or something.
2024, last year.
Sleeping beauties.
Reawakening fashion.
Pretty benign, right?
The occult overtone or undertone was necromancy.
Speaking to the dead.
Resurrection.
Enchanted slumber.
This one was darkly poetic.
It celebrated dormant fashion pieces, clothes preserved like corpses in a crypt.
The language was telling.
Sleeping beauty being reawakened.
That's resurrection time.
Ritualistic.
Even necromantics talking to the dead.
Like breathing life into the past with occult energy.
And yes, more veils, more masks.
Now 2025, I think it is...
Let me see.
As of now, 2025...
2025 is...
The Met Gantt 20 is super fine, tailoring back style.
And the dress code is tailored for you, indicating a focus on menswear and suiting.
The theme and the dress code are inspired by the accompanying exhibition.
Not a religious theme.
Okay, that's what they're going to say.
Let us see.
You have to see it.
You have to see what's going on.
Insiders are buzzing.
Early leaks suggest a theme surrounding, you know, Well, they say, but it'll have reference to Greek gods or oracles or hidden bloodlines.
You watch what happens.
Because whatever they give you, whatever they give you in terms of what they say they're going to do is another story.
So focus carefully.
Listen to what I'm saying.
What they say to you about symbology and satanic overtones, this isn't an exaggeration.
It's the truth.
So my friend, pay attention.
Follow carefully what I'm saying.
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