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Protecting What Matters Most
00:12:03
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| Far too often, far too often the term stupid is used, or dumb, or oafish, or doltish. | |
| People who are referred to as Boeotians and dimwits. | |
| Dullards. | |
| Pheebs. | |
| Rubes. | |
| Simpletons. | |
| Morons. | |
| But then there are people who transcend that. | |
| People who give it a new flair, a new taste, a new texture, a new something. | |
| And that is Karine Jean-Pierre. | |
| Karine Jean-Pierre, in my imane History. | |
| Of studying and cataloging and paying close attention to every form, every aspect of political dimwittery. | |
| I come across somebody every now and then who is just perfect. | |
| And she is in a class by herself. | |
| A class by herself. | |
| Nobody comes close to it, even Even outdoing Carmelita Harris, who is the cackinating loon, the pseudobulber-affected, hebephrenic, cackinating, guffawing, chortling, laughing hyena, but who has minimalistic, nonetheless, but a style. | |
| Karine Jean-Pierre, no style, no nothing, just pure, unadulterated vacuity. | |
| Let me explain. | |
| And I've studied this, as you can tell. | |
| This is not something I take quite easily. | |
| I know my buffoonery, and this, she is a bladderoon of all bladderoons. | |
| Let me begin. | |
| First, I must do this. | |
| I must bore you because every single... | |
| You know what's coming. | |
| Everybody says this. | |
| Please like the video, subscribe to the channel, hit the bell so you're notified of live streams and new videos. | |
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| When Corrine Jean-Pierre first arrived on this scene, I thought, okay, here we go. | |
| Normally there's that first period where these folks go through. | |
| You know, they're kind of new at it. | |
| They don't really know what's going on. | |
| Even, what's her name, Peppermint Patty before. | |
| She wasn't that great at first. | |
| And then she got better. | |
| Great terse. | |
| Great terse. | |
| There were these others that just, well, came along that... | |
| I don't know what to even tell you. | |
| I don't know how to say it. | |
| But these folks were just incredible. | |
| And we can go through that. | |
| But I don't want to waste your time. | |
| I don't want to waste your time in going through this whole thing. | |
| Sarah Huckabee Sanders was still the best. | |
| She was like a principal. | |
| She was authoritative. | |
| She was terrific. | |
| But then we get this one. | |
| And she is terrific. | |
| In fact, I think that Sarah Huckabee Sanders was still superior. | |
| The best. | |
| In terms of getting the point across. | |
| But what you've got to do, and you've got to watch, when you watch this Camille Jean-Pierre, is the fact that Camille Jean-Pierre is that she does this. | |
| It's an affect, and Saturday Night Live must be thinking, please let us do her. | |
| Please, anybody can imitate her the way she... | |
| It's as though she's saying nothing and trying to convey to you the idea that she thought of this herself. | |
| I don't know. | |
| It's hard to say what it is. | |
| Cocaine? | |
| I don't know. | |
| Maybe this could be there. | |
| I don't know. | |
| Maybe. | |
| It's hard to say. | |
| A lot of people pass through this area. | |
| A lot of people in the public just walk off the street and traipse through and perambulate and locomote through this particular area where the cocaine could be. | |
| I don't know. | |
| She has the shrug. | |
| Peasiest muscles must be just like Dorian Yates from doing this all day long. | |
| She's incredible. | |
| With a sense of unabashed, unrelenting cluelessness at levels of incongruity and detached vapidity, the likes of which we have never seen. | |
| Oh, she's good. | |
| Oh, she is good. | |
| She is my favorite of them all. | |
| Whenever she's on, she has kind of a book. | |
| Maybe she goes, I don't know, it could be this. | |
| And she is so good at virtually recategorizing everything as being inappropriate to be asking. | |
| I don't know. | |
| I can't speak on behalf of the president. | |
| You're the White House press secretary. | |
| I know, but I'm the White House. | |
| I speak on behalf of the building itself. | |
| Not anybody in particular. | |
| I don't know. | |
| It's his son. | |
| No, no, no. | |
| His son is being accused of laundering money. | |
| I know, but you see, that's enough. | |
| Remember when Peter Doocy used to go, I don't even watch this anymore, but they would get into it, and it was great. | |
| It was wonderful. | |
| And here's the best part. | |
| This is the genius part. | |
| You have a president. | |
| Who is hobbled by decrepitude, waylaid, saddled by this absolute incomprehensible senescence, this dotage, this, I don't even know what the word is. | |
| This mouth-breathing, speaking of vacuity, I mean, I'm no neurologist, but if you don't notice these things, shaking hands with nobody there, hello? | |
| Isn't that called a hallucination? | |
| I don't know. | |
| Losing the voice? | |
| Everybody else, you know, they were diagnosed as dementia, Parkinson's. | |
| I'm not a neurologist. | |
| I don't know. | |
| But as a friend of mine once said, would you let him drive you home from the airport? | |
| Nope. | |
| So that's number one. | |
| Number two, Carmelita Harris. | |
| Brilliant in saying nothing. | |
| The circuitous circular logic. | |
| The reason for the discussion is the discussion for which we base the reason, formulate the purpose of the reason so that we I mean, it's wonderful. | |
| But at least she laughs. | |
| At least, maybe she's nice. | |
| Maybe she conveys at least some form of demented, disconnected, and totally abstruse laughing and freneticism over nothing. | |
| But when you've got KJP, I don't know. | |
| I don't know. | |
| Complete Befuddlement. | |
| Befuddlement at levels and in colors and in shapes and expressions and at particle levels never before seen. | |
| She is the Rula Lemska of vapidity and vacuity. | |
| An insipidity, completely devoid of any kind of concrete contact with any reality, always met with a shrug. | |
| I don't know. | |
| It's like, you caught me. | |
| Where did you put your wallet? | |
| I don't know. | |
| I have it here one minute. | |
| Answers nothing. | |
| Even with a book. | |
| A book. | |
| She's going through it. | |
| Read the book and still incredulous. | |
| I don't know. | |
| Page three. | |
| Is it the left? | |
| Is it alternating pages? | |
| I prefer this number. | |
| The numeration of the center line versus alternate. | |
| This is the way it's been. | |
| Listen to me. | |
| Listen, good. | |
| I got one simple question for you. | |
| You want four more years in this? | |
| And it may not be these same people, but replacements who are just as bad, if not worse. | |
| And they tend to be worse. | |
| Do you want four more years of that? | |
| If you do, there's something wrong with you. | |
| But I know there's nothing wrong with you. | |
| That's why you're here. | |
| All right, dear friend. | |
| Have a great and glorious day. | |
| Please like this video. | |
| Subscribe to the channel. | |
| Hit that little bell so you're notified of live streams and a like. | |
| And also, dear friend, please do us a favor. | |
| Do us a great and wonderful favor and, and don't forget our friends at MyPillow.com. | |
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