| Time | Text |
|---|---|
|
The Storm Is Coming
00:12:59
|
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| Check 1, 2, 3. Check 1, 2, 3, 2. May I ask you a question? | |
| I need perhaps your assistance. | |
| Maybe you can help me. | |
| Mrs. L and I were trying to figure something out. | |
| We received, as have many, many people, indications, notices, that on July the 26th or something, the photo stream, the photo stream on Apple will somehow be discontinued, and photos will be sent, I think, to iCloud, and we're saying, okay, how do you do this? | |
| Well, we'll go to photos. | |
| Go to albums. | |
| Find PhotoStream. | |
| Where's PhotoStream? | |
| I can't find it. | |
| She can't find it. | |
| Where the hell is PhotoStream? | |
| That's my one thing. | |
| Where the hell is PhotoStream? | |
| Have you seen this? | |
| What is going on here? | |
| Then today, we look outside. | |
| Did we ever figure out what was flying over the Hudson River? | |
| There was a banner, you know, like a plane pulling a, you know, a banner, a notice, and it said, what was it, gender or something or other? | |
| We couldn't even read it. | |
| What? | |
| Gender what? | |
| Is it, do we ever look up what that was? | |
| All right. | |
| Gender realities, is it dot com? | |
| We could barely read it. | |
| We couldn't even see it. | |
| Anyways, flying around, is this pro? | |
| So anyway, so between that and the photo stream, what the hell is going on here? | |
| What the hell is happening? | |
| I'm pretty good at this stuff. | |
| I'm not exactly a dummy. | |
| Where's photo stream? | |
| What are they talking about? | |
| Is this a joke? | |
| Have you seen this? | |
| Am I the only one who has been through this? | |
| Am I the only one who has been through this? | |
| Then, then, This is my favorite. | |
| Then, I don't know how to do this. | |
| I don't know how to do this, but I want to do this. | |
| It means a lot to me because I'm petty. | |
| Maybe I'm just petty. | |
| I'm just a petty person. | |
| I'm very petty. | |
| But, there are people, I swear to God, By the way, anybody with a phone, Liz, I don't know if you have an iPhone, but check this iPhone on July 20-something or whatever. | |
| All your photos are gone or they're going to be deleted or something's going to happen. | |
| And about photo streams. | |
| So I'll call one of our friends at the Apple techs, which are very nice people. | |
| Very, very nice. | |
| So then, I don't know how to say this, but I'm just going to say it. | |
| I have these. | |
| I guess I'm petty. | |
| I think I said this. | |
| I do not understand. | |
| Look at me. | |
| I do not understand this. | |
| I will never understand this. | |
| Maybe you know people like this. | |
| Do you have friends like this? | |
| Who say, here I am. | |
| Remember the skinny arm pose? | |
| Nobody does this anymore. | |
| Remember the skinny arm pose? | |
| Remember that? | |
| It was big. | |
| It was huge. | |
| Every woman held her hand like they broke the shoulder or something, like it was at a weird angle. | |
| And that was the skinny arm pose. | |
| So I guess if people had fat arms or it made it look like you had a skinny arm, I don't know. | |
| But every woman, every single, you could go to a convent and see sequestered nuns and they would have the skinny arm pose. | |
| Everywhere you went. | |
| What are you doing? | |
| What is this? | |
| Why are you doing this? | |
| I don't know. | |
| I don't know. | |
| Why are you doing this? | |
| Because that's the way you do it. | |
| But you look stupid. | |
| I know. | |
| But everybody does that. | |
| They don't do that anymore. | |
| Have you noticed it? | |
| They don't do it. | |
| You don't see it. | |
| You don't see any more skinny arm pose. | |
| How many of you ladies... | |
| Remember glamour shot? | |
| Was it glamour shots? | |
| They were in the mall. | |
| Remember that glamour shot? | |
| Where you had this weird look where you turned your head like this? | |
| Like you broke your neck or something? | |
| Remember that? | |
| It was this weird thing in the mall. | |
| Glamour shots. | |
| Glamour shots or something. | |
| And Women, and everybody, I mean, everybody, I mean, aunts, uncles, everybody had their glamorous. | |
| I'm thinking, is this glamorous? | |
| And one time, one time my mother got it. | |
| And I said, excuse me, I said, may I just say something? | |
| I said, that is glamorous. | |
| May I just say something to you? | |
| That is a glamorous. | |
| Did you know that? | |
| I noticed you were in a glamour set. | |
| What exactly? | |
| And now we'll get into the ontological, epistemological aspects of Glamour. | |
| What is glamour? | |
| And does this qualify as glamour? | |
| Does this... | |
| How does this work? | |
| What is glamour? | |
| How... | |
| All of these things fascinate me. | |
| In any event... | |
| Just got an interesting one right now. | |
| Interesting picture. | |
| Fascinating. | |
| I've got to get this note. | |
| This is very interesting. | |
| This is very, very interesting. | |
| I normally don't do this, but this is very good. | |
| I'm trying to get a word maybe on my photo stream. | |
| How's my photo stream doing? | |
| How's your stream? | |
| This is a very important thing. | |
| Alright. | |
| So anyway, I don't understand that. | |
| And I thought to myself, Why are people having pictures of a glamour shot? | |
| Why? | |
| I don't know. | |
| I've only had a picture done professionally for a headshot. | |
| You've got to have one. | |
| You're on a radio station, TV, and that's it. | |
| That's the headshot. | |
| Or maybe a thumbnail. | |
| Maybe a thumbnail or some kind of thing like that. | |
| If Mrs. Alden and I or somebody say, hey, here we are. | |
| You know, my picture. | |
| But it's not, look at me. | |
| It's kind of like... | |
| Look, a farm. | |
| Whatever it is. | |
| And then something happened a while back, which maybe you can help me with. | |
| And this, I think, has gone away. | |
| I'm not sure. | |
| It's called duck lips. | |
| Or fish lips. | |
| I don't know where this came from. | |
| I don't know where somebody said, hey, this is sexy. | |
| So when people would start to... | |
| ...the people would be... | |
| How do I say that? | |
| Interesting. | |
| My friend just sent me, there's an old picture of me, there's an old picture of me, an old headshot, in a movie. | |
| So my friend just sent me a picture of it. | |
| Okay, whatever it's worth. | |
| Alright. | |
| So the duck lips. | |
| The duck lips were this. | |
| I think it looks as we say Babu. | |
| Now Babu in Roman means daddy. | |
| That's daddy. | |
| Babu. | |
| Or Babu maybe. | |
| It's more Sicilian. | |
| Babu. | |
| Babu is daddy. | |
| But Babu. | |
| You look like a Babu in one of these people. | |
| I don't know why they look like this. | |
| I don't know what the story is. | |
| But this is the... | |
| So there's one from... | |
| We have... | |
| Whenever you take the picture, it makes it look like this. | |
| And I can't help it, because I'm petty. | |
| Excuse me, what are you doing? | |
| Are you having a mild stroke? | |
| Is this an ischemic attack? | |
| What are you doing? | |
| What's your mouth? | |
| Did the bug get in your mouth? | |
| Why are you doing that? | |
| Is everything alright? | |
| Yeah. | |
| You're okay, right? | |
| I'm pretty good at... | |
| Being able to tell the signs of a stroke and maybe you might be having one because all of a sudden you were talking and now it's like you're kissing the invisible man. | |
| What's going on here? | |
| Why are you doing this? | |
| Is this sexy? | |
| Does this look... | |
| Does this... | |
| Does this turn you from... | |
| to... | |
| Because you're puckering your lips? | |
| Is that it? | |
| Fill me in on this one. | |
| I don't know where this goes. | |
| So before you did it, you were whatever it is. | |
| But you are demonstrably and significantly more attractive now because of the fact that you've got that. | |
| Okay. | |
| Alright, I'm buying it. | |
| Yeah. | |
| Yeah. | |
| Okay, sure. | |
| I'm a... | |
| I don't understand this. | |
| I do not understand this. | |
| I swear to God there's something and the internet to an extent has caused Tremendous. | |
| Tremendous. | |
| And my friends, as I get older, oh my God. | |
| The people I know, the people who are just, I guess, in my age range. | |
| Look, I don't know what you're going to do. | |
| I don't know what we're going to do. | |
| This is it. | |
| Whatever it is. | |
| Gray hair, no hair. | |
| Hair falls like this. | |
| You can lose weight. | |
| You might want to try it out. | |
| You might want to try losing weight. | |
| No, I don't know. | |
| Instead of making the duck lips and making the whatever it is, you might want to lose a few pounds. | |
| You ever think about that? | |
| Because you know when you get older, they stick. | |
| They stick. | |
| What you used to eat when you were younger. | |
| Forget it. | |
| You know that, right? | |
| You don't know that. | |
| But you want to make the duck lips instead. | |
| I see. | |
| I see. | |
| That's attractive. | |
| See, most people don't realize that. | |
| Oh, hey. | |
| Do you have friends who don't know anything? | |
| Aside from the photo stream. | |
| I don't know where my photo stream is. | |
| Do you understand people, do you have friends who say, hey, how about that Paris? | |
| Paris? | |
| Paris? | |
| Yeah, you're watching what's going on in Paris. | |
| No, what's going on in Paris? | |
| You don't know what's going on? | |
| No. | |
| Don't you? | |
| Do you have friends like this? | |
| Don't you want to say, oh my God. | |
| Oh my God. | |
|
Love Smell and Consciousness
00:05:05
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|
| You found it. | |
| Good for you. | |
| We're getting to the bottom of this. | |
| Mrs. L can find anything online. | |
| Anything. | |
| Anybody? | |
| Anything? | |
| Jimmy Hoffa? | |
| Name it. | |
| It's just, I swear to God, I am so... | |
| I just, I hate people again. | |
| Again, I cannot stand... | |
| Today we had lunch with a friend of ours. | |
| He's one of the few people I can stand. | |
| And you know what I love? | |
| I'm going to tell you this right now. | |
| And please let me just... | |
| Speak to you normally without getting real heavy. | |
| Because we'll talk about reclaiming our culture, which we can't, because it's over with. | |
| It's just gone. | |
| But I love going to... | |
| They have these old places, like an old... | |
| There's this one place we like to go to. | |
| It was supposedly... | |
| It was right around the time of George Washington. | |
| You know, Jersey's got a lot of George Washington Revolutionary War stuff. | |
| And you walk in, and there's, who loves the smell of a basement? | |
| That kind of a sweet, but good, moldy smell of a basement. | |
| You know what I mean? | |
| It's woody, it sounds like years and years. | |
| I walked by, there was a building, I guess they were renovating, I forget where it was. | |
| Yeah, I guess it was, yeah. | |
| And I smelled it. | |
| I love it. | |
| That smell. | |
| Because we never had basements in Florida. | |
| Never. | |
| Never. | |
| And that smell of old. | |
| Don't you love that? | |
| Don't ask me why. | |
| I love that smell. | |
| I love the smell of a basement. | |
| I love the smell. | |
| I don't know why. | |
| I have no idea what it is. | |
| I love it. | |
| In Israel, when you go, in Jerusalem, when you go below the street, there's this part, you walk down, I mean, really? | |
| It's in pitch black, and you're just, you can barely get by. | |
| And if you're claustrophobic, but you keep going down, down, down, down, down. | |
| And the guide says, okay, here we are! | |
| We're almost to the Romans. | |
| We're going down to the period of the Romans. | |
| This is it. | |
| This is the time of the birth of Christ. | |
| Right around here. | |
| And there was a smell that was so funky, so musty, it was beautiful. | |
| It was really, really... | |
| This is, oh my God, 2,000 years old? | |
| You ever smell 2,000 years? | |
| That's something. | |
| Old books, yes! | |
| Yes. | |
| Yes. | |
| Jen says, I like book smells. | |
| Isn't that something? | |
| What is it? | |
| I just... | |
| Jen is a mold-phobic person. | |
| You're a misophobic, which is also a germ-phobic. | |
| But there are just some incredible... | |
| Did you know that right now there are going to be... | |
| AI models that will be able to smell Alzheimer's, cancer. | |
| Did you know that? | |
| Did you know that? | |
| Crank that baby up. | |
| Did you know that? | |
| Now, I hope it doesn't say, no, we don't want to do this anymore. | |
| What do you mean? | |
| Well, we just don't like you. | |
| We don't want to help you detect cancer. | |
| I hope that doesn't happen. | |
| Because remember, it's consciousness. | |
| But just imagine if all of a sudden this thing says, uh-oh, I smell it. | |
| Wouldn't that be something to be able to smell Alzheimer's or smell some type of cancer ahead of time? | |
| It would be the most incredible thing in the world. | |
| By, through smell. | |
| We lose smell. | |
| We lose smell. | |
| We have nothing anymore. | |
| We have lost by virtue of our own development. | |
| Maybe we can smell like when rain's coming or snow. | |
| You can kind of, you know, the electrons or whatever it is. | |
| As I'm looking around the rest of the world, I realize the following. | |
| It's following. | |
| It's all going at some point to come to some form of end. | |
| But I don't know when. | |
| When do you think it's going to end? | |
| And what form? | |
| And by what year? | |
| Today we heard 20... | |
| You know there's a agenda 21, a agenda 2030. | |
| I don't know if it's going to end. | |
| I don't know what they mean by ending. | |
| Have you heard this before? | |
| It's going to end. | |
| I don't think it's going to be a bomb or anything. | |
|
Wouldn't You Love to See
00:03:52
|
|
| But I do know that we are being set up for a catastrophic movement. | |
| Did you see France? | |
| France! | |
| Let me ask you something. | |
| And I want you to listen to me carefully. | |
| And I want you to just answer my question. | |
| Wouldn't you love to hear of a country where there is a tragedy, not this, you don't want to hear a tragedy, a young man, African, Italian, whatever, pulled over by police, maybe there's a shooting, tragic, and instead of saying, let's get to the bottom of what this is, all of a sudden, there is a huge riot. | |
| All over the world, all over the country. | |
| And all of a sudden, now think about this, could be France, could be Belgium, could be Germany, Berlin, I don't know. | |
| Spain, Madrid, who knows? | |
| Where all of a sudden, you're watching and somebody says, no, no, no, wait, watch this. | |
| And all of a sudden somebody says, okay, move them in. | |
| And all of a sudden, Tanks. | |
| You're welcome. | |
| Tanks, military personnel carriers, armed helicopters, troops. | |
| Did you ever see those? | |
| I saw them. | |
| They used them here in New York during the Republican National Convention where all of a sudden the police would just wrap you up. | |
| Wrap you up in my love all over, all over. | |
| By the way, are you buying that Madonna story about the peptic sitmia? | |
| Yeah. | |
| I think we know what that's about. | |
| Anyway. | |
| Have you seen that? | |
| They had this plastic fence and the police would just surround you. | |
| And all of a sudden, hey, we're in a fence. | |
| And they would just corral you. | |
| And that was it. | |
| Wouldn't you love to see the cops say, alright, that's it. | |
| They grab the looters, grab them, throw them in the back of a van and it's done in a minute. | |
| The guy lights something, he's about to throw it and immediately he's hit with a... | |
| Some kind of new wave. | |
| Doesn't kill them. | |
| Turns their ambient temperature up like 200. | |
| They fall to the ground. | |
| They're not hurt. | |
| But it's over with. | |
| Wouldn't you love to see this? | |
| Wouldn't you love to say, holy wow! | |
| Can we see that again? | |
| This was the fastest. | |
| Did you ever see that guy on TV? | |
| The French guy with the knife? | |
| And he's sharpening it. | |
| He's going like this. | |
| And he's making all these. | |
| Wouldn't you love to see this? | |
| And all of a sudden, there's this dart. | |
| He's like, what is this? | |
| He falls and he's taken away. | |
| Wouldn't you love this? | |
| Wouldn't you love to see Law and Order? | |
| I think I would watch it over and over again. | |
| Uh-oh! | |
| Don't do that! | |
| If you want to protest, protest! | |
| Don't break stuff! | |
| That's it. | |
| See, this is the part, and I have a hard time with this. | |
| See, part of this, I don't believe everything I hear about China. | |
| I don't believe it. | |
| I believe that China is authoritarian. | |
| I believe that China is control crazy. | |
|
Shanghai's 22 Million Population
00:02:26
|
|
| But I do not believe their main goal, It's because they are evil. | |
| I think they have a whole different idea of making sure they don't lose control over the people that are there. | |
| Right now, the population... | |
| What do you think the population of China is? | |
| Quick, don't look right now. | |
| Just tell me. | |
| What do you think the population of China is? | |
| What do you think? | |
| 1.4 billion people. | |
| How about the biggest cities? | |
| The biggest cities in China. | |
| Look at this. | |
| Shanghai, 22 million. | |
| Beijing, 19 million. | |
| Shenzhen, 17.5 million. | |
| Guangzhou, 16 million. | |
| We've got eight here in five boroughs. | |
| Try 22. How about largest cities in the world? | |
| Look at this. | |
| Largest cities in the world. | |
| I think Mexico City was up there. | |
| I think number one. | |
| The list of the largest cities. | |
| You ready for this? | |
| Number one. | |
| Tokyo. | |
| 37 million. | |
| 37 million. | |
| This is 2018. | |
| Delhi, 28.5 million. | |
| Shanghai, 25, not 26 million. | |
| Sao Paulo, 22 million. | |
| Mexico City, 22 million. | |
| Cairo, 20 million. | |
| Mumbai, 20 million. | |
| Beijing, 19.5 million. | |
| Dhaka and Bangladesh. | |
| New York City. | |
| Oh! | |
| No, it says New York. | |
| 18 million. | |
| No, no. | |
| That must be the city. | |
| I don't know what they mean by New York. | |
| Maybe the state. | |
|
Control And Chaos
00:14:57
|
|
| Anyway. | |
| Now, let me tell you what I'm trying to say. | |
| And this is something that I can kind of sort of understand. | |
| And I'm not somebody who's Mr. Law and Order. | |
| That's not my thing. | |
| Okay, everybody. | |
| I'm telling you the truth. | |
| I would watch this like people watch porn. | |
| I would watch the police stopping riots. | |
| Just, that's it. | |
| Done. | |
| Let's play it back. | |
| Let's watch it again. | |
| Watch this. | |
| Here they come. | |
| Here the police come. | |
| And the next day, photo recognition. | |
| We know who you are. | |
| Come on! | |
| Is this you? | |
| The most incredible thing in the world. | |
| What did you love? | |
| Oh, we don't riot anymore. | |
| What? | |
| Oh, no, we don't riot. | |
| Antifa. | |
| Sorry, Antifa. | |
| Got to figure out something else to do. | |
| What? | |
| We don't riot anymore. | |
| What do you mean? | |
| Oh, no, no, no, no. | |
| I can't tell you what I would do if I was a... | |
| This is my... | |
| Ready for this? | |
| This is my latest... | |
| Thought experiment? | |
| My fantasy? | |
| I would be a despotic ruler. | |
| But I'd like people. | |
| I'd like people. | |
| And they would like me. | |
| And I would say, I'm not going to be with you. | |
| And somebody says, and I say, what's the matter? | |
| And I'm the leader. | |
| And they go, well, what? | |
| No, tell me, what is it? | |
| These people over there, who? | |
| We can't go to the park anymore. | |
| Why not? | |
| Because of these people, they're hoodlums. | |
| Oh, those people? | |
| Yeah. | |
| Oh, come back tomorrow. | |
| Hey, those people are gone. | |
| I know. | |
| Where'd they go? | |
| Don't worry about it. | |
| Are they okay? | |
| They're fine. | |
| Where'd they go? | |
| Don't worry about it. | |
| You got a problem? | |
| You call me. | |
| Nobody does that. | |
| First time, all of a sudden, the bad guys get there and they say, did you happen to Dave and Larry? | |
| Yeah, they're gone. | |
| The ones who were causing the problem? | |
| Yeah. | |
| You don't think he's that new despotic leader, do you? | |
| I don't know. | |
| You think we should watch out? | |
| No. | |
| They may have left. | |
| Then the word gets out. | |
| No, no. | |
| We saw this van shows up and they get in and we don't see them again. | |
| I don't know where they go. | |
| But the troublemakers, they're just gone. | |
| And the word spreads. | |
| Wow. | |
| Did you hear about Murray? | |
| What? | |
| Well, you know, Murray one time threw that brick through that window. | |
| Oh, that's not good. | |
| Yeah, what happened? | |
| Murray's gone. | |
| He's gone? | |
| He's gone. | |
| And I'd be on TV all the time. | |
| Now listen. | |
| Don't raise, don't, don't, don't, don't make noise. | |
| We're very quiet at night. | |
| Turn your stereos down. | |
| Turn your music down. | |
| I heard this card. | |
| I haven't heard this in a while, but really that filthy... | |
| Oh my God. | |
| Kids are listening to this. | |
| I put an end to it. | |
| Gone. | |
| Hey, did you hear about Larry? | |
| Remember he played those speakers? | |
| I don't know where he is. | |
| Really? | |
| Yeah, he's gone. | |
| Mower Man USA is here. | |
| Ladies and gentlemen, back after a long absence. | |
| Nothing would make me happier than to see someone put a decisive end to this nonsense. | |
| You are spot on regarding China. | |
| Ping's main objectives? | |
| Keep this place under control and I stay in charge. | |
| More, man, thank you. | |
| Where in the hell... | |
| By the way, this is for you. | |
| My friend, where in the hell have you been? | |
| This is like a voice from the past. | |
| See, I like law and order. | |
| I like this. | |
| My father had a friend years ago who tells this story. | |
| And he was in Spain during, I guess, Franco. | |
| During the regime, the totalitarian regime of Franco. | |
| Remember, Generalissimo Francisco Franco, remember? | |
| It's still dead. | |
| And there was a... | |
| I think they went to the airport or something, and they had their bags. | |
| He goes, come on, let's go. | |
| We'll go to the car. | |
| Just leave your bags, and we'll go to the car, and then we'll... | |
| He said, no, should we take our bags? | |
| He goes, no, the bags are heavy. | |
| Just leave them there. | |
| He said, wait a minute. | |
| I've heard this story a million times, and I loved it. | |
| We're going to leave our bags here, our luggage? | |
| Yeah. | |
| And they're going to be here? | |
| Yeah. | |
| Nobody's going to take it? | |
| No. | |
| Why? | |
| What, are you kidding? | |
| You're stealing? | |
| No. | |
| See, that's the beauty sometimes, the good parts, of leaving what you would be calling a totalitarian, fascistic regime. | |
| They don't like crap. | |
| It's a trade-off. | |
| You know the story behind the mob in Sicily and the mob in Cuba. | |
| Socialists, let's face it, Castro was a commie, but he was a totalitarian, authoritarian. | |
| That's what he was. | |
| There was no fooling around, unless he did it. | |
| But in Italy and Sicily, The men of honor, you know, the men of honor, those guys, they, oh, oh, and all of a sudden, here comes Mussolini, and don't forget Cesare More. | |
| More was his chief of police, his Torquemada. | |
| He used to torture these people. | |
| They took off. | |
| They left. | |
| They said, you stay here with the sulfur mines, that's ours. | |
| Now, this is not the way to do it. | |
| But, and the people, Actually liked. | |
| They were called a mafia. | |
| There was no such sting there. | |
| But they needed them because of a very interesting story about the story of Sicily. | |
| From the beginning of time, Sicily was, as you know, conquered by virtually everybody. | |
| The Phoenicians, the Carthaginians, you name it. | |
| The Canadians would have taken over. | |
| And the tribes, tribespeople, the local folks, have to turn to the men of honor. | |
| They didn't have a name for this. | |
| To handle beefs. | |
| Somebody, you know, assaulted your daughter. | |
| That's why that godfather theme is kind of interesting. | |
| Where you go to Don Corleone. | |
| You go to him. | |
| You don't go to the police. | |
| I mean, you try, but we do it our way. | |
| And they kind of liked it. | |
| And they didn't really bother anybody. | |
| Sort of. | |
| It's gotten out of hand right now. | |
| But I'm sorry. | |
| I love the idea of law and order. | |
| I love this. | |
| I absolutely crave the idea of I'm not going to hurt you. | |
| I'm not going to rob you. | |
| I'm going to leave you alone. | |
| I have no interest in touching you or your family or your daughter or your children. | |
| I'm not going to take any of your stuff. | |
| I want to be a good neighbor. | |
| If I'm making too much noise, you let me know. | |
| If the Homeowners Association says, bring in your garbage cans, I bring in the garbage cans. | |
| I follow the rules. | |
| I love the rules. | |
| I love it. | |
| I'm crazy that way. | |
| I'm crazy about that. | |
| I'm a nut. | |
| I love the rules. | |
| That's what I'm going to do. | |
| Period. | |
| And I want to live in a society where people do that. | |
| And I believe, I know this sounds terrible, in militias. | |
| I don't believe that there is a need for us to necessarily turn our problems over to the police. | |
| The Constitution under the Second Amendment refers to militias. | |
| And when you're in, did you look up Tenchcox yet? | |
| T-E-N-C-H-C-O-X-E It might be pronounced Cokes for all I know, but we went and we saw his grave, his tomb in Philly. | |
| This may sound crazy, but we don't have to ask for permission for this. | |
| We want to say, hey, listen, I have a deal for you. | |
| I have no problem. | |
| Let's say you live in a community, right? | |
| You live in a community, you live whatever it is, four, five, six blocks, and you go and you say, let's meet at whatever's house. | |
| Okay, good. | |
| We're going to have our own security. | |
| We'll do it. | |
| Drive around the house. | |
| I love the idea of security. | |
| I just love that. | |
| And, I don't think you know, I don't think you should. | |
| Take physical actions. | |
| The Brad. | |
| Thank you, Brad. | |
| But I don't see why you can't do this. | |
| And say, okay, we found you. | |
| That's it. | |
| We're taking care of this. | |
| We're taking care of this. | |
| You don't have to ask the police. | |
| Excuse me, can we have a militia? | |
| No. | |
| Okay. | |
| No. | |
| Second Amendment. | |
| A well-regulated militia. | |
| We should also have... | |
| Education militias? | |
| We have to completely just get rid of public education. | |
| Listen, I'm going to change the subject. | |
| Now listen to me very carefully. | |
| I don't know how to break this to you. | |
| And I mean this. | |
| But there are people in the world, and I'm not going to go too much into detail, but there are people who are never going to be learnable. | |
| They won't learn. | |
| They're not educable. | |
| They don't care about things. | |
| The school to them is a rite of passage or a child care or something. | |
| And we know who they are. | |
| And we should put together a little community place. | |
| Go to the community. | |
| We'll give you a certificate of attendance. | |
| Hey! | |
| We'll give it a name. | |
| Like Benjamin Franklin School with a lowercase s so you'll know. | |
| Oh, oh, oh, yeah. | |
| But you go there, and you can have a little team, and you can play, you can date, and you go there. | |
| You're over there. | |
| See? | |
| You're in school. | |
| It'll qualify. | |
| We'll give you something. | |
| Because, let's face it, you can't speak, you can't write, you're a mutt. | |
| Nobody in your family has ever, ever even gotten near junior college, which is fine, or high school, or anything for that matter. | |
| So you're going to be over here. | |
| Now, Then we go and we scour the area. | |
| And we say, who are the real smart people? | |
| And we have class of these smart people. | |
| And if they're 100% white, great. | |
| If they're 100% black, great. | |
| If they're 100% non-binary Alsatians with a limp, I don't care. | |
| Meritocracy. | |
| You're smart. | |
| And we're going to treat you Like gold. | |
| You're going to be our heroes. | |
| You're going to be the way we treat sports heroes. | |
| We're going to treat you like that. | |
| You're going to be the golden boy and golden gal. | |
| Again, gender? | |
| Don't care about it. | |
| Don't care about it. | |
| Race? | |
| Don't care about it. | |
| Because we're going to have to go against people from other countries. | |
| Europeans and Asians. | |
| And these are scary, scary people. | |
| And they're scary smart. | |
| And we're going to be living in a world right now with AI and AGI. | |
| And let me tell you something. | |
| You may not like this. | |
| But you ain't seen nothing yet. | |
| And I want to officially say it's over. | |
| I'm the now, I'm the despotic leader. | |
| And in some respects, I'll make Xi Jinping look like Mr. Rogers. | |
| Yeah, I don't believe in having, you know, camps and all that. | |
| No, no, no, no, no. | |
| And may I tell you something? | |
| And I want you to take this the right way and don't take it the wrong way. | |
| But when you tell me Anything about Xi Jinping. | |
| Anything. | |
| Or Macron. | |
| Or good, bad. | |
| Or Putin. | |
| Or anybody. | |
| I will take it under advisement. | |
| I will say, okay, thank you for that. | |
| But I'm not going to believe it. | |
| I don't believe anything you say. | |
| Anything. | |
| I don't believe anything you say. | |
| Anything. | |
| I've got to understand context. | |
| We have friends of ours. | |
| We had food. | |
| Well, we haven't seen her. | |
| I don't know where she is right now, but Mrs. Zelle had a friend. | |
| We know more Chinese people than you can imagine. | |
| And one, both, both basically, said, got no problem, got no beef. | |
| They're great. | |
| I think they're retired at like, what are they, 50, 40 some years old? | |
| I don't know what the hell they are. | |
| They're retired. | |
| And they're like, we're happy. | |
| They go outside, they have their thing. | |
| We're not walking around dissenters. | |
| Maybe that's not good. | |
| Maybe that's not your cup of tea. | |
| All I know is they're telling us straight up, we're not making this up. | |
| They're happy. | |
| There may be other problems. | |
| Don't know about this. | |
| I'm not defending China, but unless I live there, I don't believe anything. | |
| During the 30s, 40s, 50s, when black people were being... | |
| Just, oh my God, mistreated. | |
| We, most folks, I wasn't here then, but said, I don't know anything about this. | |
| I'm not in favor of this. | |
| I'm not, you know, it's wrong, but it's not in our city. | |
| It's not here. | |
| That's over there. | |
| That's in the South. | |
| It's wrong. | |
| But yet the world looked at this like this one big, Klan meeting or something. | |
| No, it was too much. | |
|
Ford's Safety Promise
00:09:38
|
|
| Same thing with people looking at them. | |
| People look at, for example, they go, oh, you live in New York? | |
| Oh, my God. | |
| Have you been here before? | |
| No. | |
| Well, you know, what was the highest crime rate in some other cities? | |
| Portland, you can forget it. | |
| Now, I think what I'm trying to tell you is that unless you know what you're talking about, keep your mouth shut. | |
| And if I ran for office, I'd say, I'm going to tell you one thing, and one thing only. | |
| Yeah, I do the best, but let me tell you something. | |
| You vote for me for whatever it is, and I promise you, you will live in the safest city you have ever seen in your life. | |
| But I need your commitment. | |
| You've got to agree with me. | |
| I'm going to do some stuff. | |
| Some people aren't going to like it. | |
| Criminals. | |
| Oh, I'm going to get aggressive. | |
| Oh, yeah! | |
| But if you don't want me, don't want for me. | |
| I understand. | |
| I understand. | |
| But if you want me, I'll fix this place up. | |
| But you've got to back me up on this. | |
| You've got to back me up on this. | |
| We'll make mistakes, but we'll keep them to a minimum. | |
| But, oh, you just wait. | |
| I'm going to hire the best people. | |
| You will see a police presence. | |
| You'll think, wow. | |
| Look at all these police. | |
| I don't know if I like this. | |
| But your 8-year-old daughter could walk home from a movie by herself at 11 o 'clock at night and nobody will touch her. | |
| So what do you want? | |
| Do you want that? | |
| Or do you want to live in a world where we have all kinds of... | |
| Yeah. | |
| I think I know where you want to live. | |
| I want to bring community. | |
| I told you this thing. | |
| I'm going to tell you a story. | |
| I got a friend of mine. | |
| I'm not going to give up his name, but he's a pretty serious, what you would call a conservative type media. | |
| He told me he lived in China years ago. | |
| And he said there were signs on the wall, on the wall, on the polls that said something about, if you have a problem... | |
| If anybody bothers you, you call me. | |
| My name is Sergeant or Captain or whatever. | |
| I'm with the police, whatever the area. | |
| Call me. | |
| Here's my cell number. | |
| Because I'm in charge of this. | |
| And I like my job. | |
| And if I don't do a good job, they're going to remove me and put somebody else in there. | |
| So you call me. | |
| Oh! | |
| He said it was the greatest thing in the world. | |
| You call me. | |
| Anybody bothers you, you call me. | |
| Forget 9191. | |
| You call me. | |
| I'll come. | |
| And the word got out, don't go to this neighborhood. | |
| Don't go to Captain Lee or Chang or whatever. | |
| Don't go there. | |
| And he also did something else. | |
| He was talking to somebody one time. | |
| And he said, you know, we're pretty rough. | |
| He said, let me ask you a question. | |
| He said, what would happen if somebody raped your daughter or killed your daughter? | |
| What would happen? | |
| Just rape your daughter. | |
| This is terrible to say this. | |
| What would happen? | |
| The guy would probably just go to prison, maybe. | |
| Today, could we get let loose? | |
| I don't know. | |
| Right? | |
| Right? | |
| He says, you know what would happen in China? | |
| Yes. | |
| And fast. | |
| And you know what? | |
| We have an idea that where you do it to one of us, or you, it's like you do this for everybody. | |
| We're all Chinese. | |
| Ford Frey says, Regarding the presidency, it seems like we're all focused on the 2024 election. | |
| However, I'm equally concerned about the next 60 months. | |
| Carmelita is currently next in line. | |
| Ford, thank you very much, by the way, for your kindness. | |
| Ford, it doesn't matter. | |
| It doesn't matter, my friend. | |
| It doesn't matter. | |
| You could take a... | |
| You could take a... | |
| I don't know. | |
| Here we go. | |
| This is my magic pickle. | |
| This is a pickle ornament. | |
| And you could put this in the vice president, and you would say, it doesn't matter. | |
| Because whether it's Carmelita Harris, whether it's Biden, whether it's Gavin Newsom, who will be the next president, they're going to have a pen and say, here's the story. | |
| Here you go. | |
| Sign this. | |
| Sign your name. | |
| Sign this. | |
| Thank you. | |
| And you're going to say this about transgender this. | |
| And you're going to say this about the school debt. | |
| And that's it. | |
| It doesn't really matter. | |
| So feel better about that. | |
| It doesn't matter. | |
| It doesn't matter. | |
| That's true. | |
| There's just... | |
| I mean, there's... | |
| It's like something... | |
| I've never seen anything like that. | |
| Notice how Bobby Kennedy's been kind of... | |
| Kind of quiet. | |
| I'm waiting for him all of a sudden to go, remember. | |
| You know, when you walk in, you know, Charles Manchin used to do this thing called creepy qualities. | |
| I think he'd break into people's houses and move furniture. | |
| They'd come home and say, hey, what the hell's going on here? | |
| What if you walked in and your couch is over here now? | |
| It's like, wait a minute. | |
| That freaks people out. | |
| It's like, something's weird here. | |
| You know, something's... | |
| Something sort of strange. | |
| You know? | |
| And so it's based upon our ability to notice what's missing. | |
| Older people are better at telling the difference between this situation and that situation. | |
| It's called judgment. | |
| So if all of a sudden you see, hey, where is this? | |
| Have you noticed Tucker Carlson is just kind of... | |
| He's that leaf that's kind of like, okay. | |
| Hey, I saw on YouTube, oh, he's on with Ben Shapiro. | |
| Oh, he's nice. | |
| Good for Ben Shapiro, but not... | |
| You notice that? | |
| It's just kind of, what's happening next? | |
| Who's next? | |
| Where is it going? | |
| You know who's kind of a little like this? | |
| DeSantis. | |
| You know who's not? | |
| It's Trump. | |
| Trump's not done yet. | |
| So notice what to pay attention to. | |
| That's all I'm going to say. | |
| Anyway, my dear friends, tomorrow is the 4th, as people say. | |
| What is everybody doing? | |
| Anybody got any big plans? | |
| We'll talk about that tomorrow. | |
| RFK is in New Hampshire today. | |
| Good, Alan. | |
| That's excellent. | |
| That's excellent. | |
| Chappaquita? | |
| You mean Chappaquiddick? | |
| Marshmazz? | |
| Mary Jo Kopechny? | |
| Mary Jo Kopechny, by the way, I heard an interesting story. | |
| She might have been alive in the backseat, and Teddy may not have even known she was there. | |
| That's all. | |
| Just be able to look at things and say, I wonder what's going on. | |
| This one's big, this one's not, this one's here. | |
| Things just kind of, just sort of change. | |
| Next thing you know, it's gone. | |
| It just happens. | |
| Things just go away. | |
| People just... | |
| I'm very good at trying to keep an eye on what's happening and what's changing. | |
| Okay, my friends. | |
| Now, do me a great and a big, very, very important favor. | |
| I want you to do this. | |
| This is Mrs. L's YouTube channel. | |
| You have been terrific. | |
| Absolutely splendiferous in your support of her. | |
| Where in the hell is this? | |
| Where in the name of... | |
| just a second Where is this? | |
| Why am I asking you? | |
| You don't know. | |
| Stand by. | |
| Ah, here we go. | |
| There we go. | |
| I've got to label this a little bit better. | |
| Pardon me for that delay, that inordinate delay. | |
| Here we go. | |
| This is her YouTube channel. | |
| Please follow it. | |
| Please sign up. | |
| Please subscribe. | |
| It's a very, very important, very, very critical thing. | |
| And you, you, you have a great and a glorious day. | |
| Thank you so much. | |
| And by the way, I forgot to mention our dear friends at MyPillow.com, promo code Lionel. | |
| Did you see their 4th of July specials? | |
| Unbelievable. | |
| Use promo code Lionel or MyPillow.com slash Lionel. | |
| Get a free gift. | |
| The link's right there. | |
| A free gift! | |
| As opposed to a gift you pay for. | |
| Alright, dear friends. | |
| Thank you so much. | |
| It was a wonderful night. | |
| It was such a pleasure speaking with you. | |
| And Ford Frey, thank you so much. | |
| You were terrific. | |
| Oh, and the Brad, thank you as well. | |
| And to our good friend, a mower man USA. | |
| Welcome back, dear friend. | |
| Welcome back, and thank you for your generosity and your love. | |
| We'll see you tomorrow. | |
| Same bad time, same bad channel, 8 a.m. | |
| Until then, remember, the monkey's dead. | |
| The show's over. | |