| Time | Text |
|---|---|
|
Protecting What Matters Most
00:10:07
|
|
| The storm is coming. | |
| Markets are crashing. | |
| Banks are closing. | |
| When the economy collapses, how will you survive? | |
| You need a plan. | |
| Cash, gold, bitcoin, dirty man safes keep your assets hidden underground at a secret location ready for any crisis. | |
| Don't wait for disaster to strike. | |
| Get your Dirty Man safe today. | |
| Use promo code DIRTY10 for 10% off your order. | |
| When uncertainty strikes, peace of mind is priceless. | |
| Dirty Man underground safes protects what matters most. | |
| Discreetly designed, these safes are where innovation meets reliability, keeping your valuables close yet secure. | |
| Be ready for anything. | |
| Use code DIRTY10 for 10% off today. | |
| And take the first step towards safeguarding your future. | |
| Dirty Man Safe. | |
| Because protecting your family starts with protecting what you treasure. | |
| Disaster can strike when least expected. | |
| Wildfires, hurricanes, tornadoes, earthquakes. | |
| They can instantly turn your world upside down. | |
| Dirty Man Underground Safes is a safeguard against chaos. | |
| Hidden below, your valuables remain protected no matter what. | |
| Prepare for the unexpected. | |
| Use code DIRTY10 for 10% off and secure peace of mind for you and your family. | |
| Dirty man safe. | |
| When disaster hits, security isn't optional. | |
| Here we go. | |
| What was that, honey? | |
| What'd you say? | |
| Oh, there we go. | |
| Okay, we're on now. | |
| There we go, honey. | |
| We're on now. | |
| We're live. | |
| We are live. | |
| We are live. | |
| That's right, everybody. | |
| You know, I was watching something the other day, and I was thinking about something. | |
| I was watching our replay of what we do here. | |
| And I don't know if it would be something that I would want to watch unless I were participating along. | |
| I don't know how that would work. | |
| I don't know how that would work. | |
| I don't know. | |
| Do I want to see this later? | |
| Or do I want to see it when it's happening? | |
| Does this matter without the interaction? | |
| Is this important without finding out who is he talking to exactly? | |
| I don't know the answer to that. | |
| I'm not sure. | |
| I was watching parts of it. | |
| I had to stop because I cannot watch myself. | |
| I watch myself just to see if there's a weird Like a positional thing. | |
| Like, for example, I got rid of my glare-proof glasses. | |
| See this? | |
| You get a lot of that. | |
| And the reason why I glare, don't ever get that clear coating because it cracks and it's horrible. | |
| This will last forever. | |
| So I'm saying, do I put my head down? | |
| Do I put my head up? | |
| That's all I look for. | |
| I wrote a book. | |
| I never read it. | |
| Did a CD. | |
| Never heard it. | |
| Once I do something, I don't want to see it. | |
| I don't want to watch it. | |
| It means nothing to me. | |
| It's over. | |
| I have no interest in anything I've done. | |
| But I was watching what we do, and it was very interesting. | |
| It was very, very interesting. | |
| And I've got to tell you something. | |
| It seems, I think, it seems better with all candor. | |
| It seems so much better than the other folks who've done this as well, because you see, I like you. | |
| They don't. | |
| Do you know what I'm saying here? | |
| I like you. | |
| Faye Page says, I like to re-watch sometimes. | |
| I think that's what Chauncey Gardner said. | |
| I like to re-watch. | |
| Okay. | |
| Or whatever. | |
| It's very interesting. | |
| Ethan says, like, so he doesn't complain about the likes. | |
| So he complains. | |
| What are you going to do? | |
| Yeah, he's complaining. | |
| We live in this stupid world of metrics. | |
| How many do you have? | |
| How many do you have? | |
| We saw the other day something that was the most Mrs. L gave a wonderful, wonderful, wonderful presentation. | |
| I'm so proud of her. | |
| Among a group of concerned parents. | |
| Do you mind if I mention that film that we saw? | |
| It's called Childhood 2.0. | |
| Now, O is a letter, zero is a number, I know, but it's 2.0. | |
| It doesn't sound right. | |
| It just doesn't sound right. | |
| Some say, you're who I trust. | |
| Well, it's whom I trust, but that doesn't sound right. | |
| Well, it is 2.0, but we call it 2.0. | |
| And it was the most incredible, it was the most fascinating. | |
| You've got to see this. | |
| Go to lenswarriors.org. | |
| She'll show you where to see this. | |
| It is It is the most... | |
| And what do you think they did? | |
| They talked to kids, and the parents were talking about when the parents were. | |
| And the parents were younger than me, but they said the same thing. | |
| And I've been thinking lately, am I getting too nostalgic all the time? | |
| No. | |
| Am I getting too... | |
| No. | |
| No. | |
| Because this is the essence of something. | |
| When you get too far away from the essence of it, it's not that thing anymore. | |
| For example, there's country music, and if you keep straying from it, eventually you're into pop. | |
| You're into folk or something. | |
| There are things or areas. | |
| And that's why childhood, kids in particular, they're so gone it's not even funny. | |
| But what's interesting also is today the news. | |
| Now I just did a video. | |
| Did a presentation for LionelMedia.com. | |
| And the story of stories of stories of stories of stories, the one today, I don't want to go into it now, because I think it's contrary to this particular medium that we're in right now, but it's Kissinger at Davos. | |
| And Kissinger basically said, Ukraine, you better talk about ceasefire or withdrawal or surrender, and West, you better back off. | |
| This is what I've been saying since day one. | |
| This is from Kissinger. | |
| So if you want to go into that deep, dark, heady stuff, really into the interstitial weeds, lionelmedia.com, become a subscriber, that's it. | |
| But this is something which I find fascinating. | |
| And it's something that's on my mind lately. | |
| It's called conviviality. | |
| How we deal with each other. | |
| When you go someplace, when you go someplace, when Mrs. L does her presentations, you always go to, and by the way, you know who have been terrific? | |
| Churches have been great, organizations. | |
| They're the, don't expect government to bend over backwards. | |
| Yeah, sure, talk about protecting kids. | |
| Come on in, we'll help you. | |
| Gee, I wonder why. | |
| But you always look and see, like, oh, what do we have? | |
| We're going to bring some snacks. | |
| Ooh, what are those? | |
| Isn't that something? | |
| There's something about this, and I'm looking at this, I'm saying, this is so human. | |
| This is the Lionel lens. | |
| That's what this is. | |
| I want you to see, I'm sitting back and I'm just watching this. | |
| This has, this happens in every corner of the world and our country, whether it's a PTA meeting, if they even have those anymore. | |
| An AA meeting, or some 12-step. | |
| God bless those people, by the way. | |
| Garden clubs. | |
| It's people meeting together. | |
| People meeting. | |
| It's this thing. | |
| I see it now. | |
| That's what we're doing. | |
| We're doing it. | |
| We're using social media to meet each other from all over the world. | |
| This is only possible through social media. | |
| It's good! | |
| It's something that's good. | |
| I can't explain it. | |
| It's good. | |
| It's beneficial. | |
| We drive by this thing the other day. | |
| It's very interesting. | |
| It's a... | |
| We live in New York, but we drive through, you know, upstate and Westchester and this and Jersey and drive around. | |
| Because, you know, there's the city and then you can go so far. | |
| Where's that place? | |
| Was it in Montclair? | |
| The Iris? | |
| What's that called? | |
| Iris Gardens. | |
| The Presley Iris Gardens. | |
| The Presley Iris Gardens in Montclair? | |
| Yeah. | |
| In Montclair, New Jersey. | |
|
Why We Left The Softball Game
00:02:58
|
|
| And we're driving. | |
| And there's all these cars. | |
| I'm saying, what is this? | |
| A concert? | |
| What's going on here? | |
| Because across the street there's a field. | |
| It must be a softball game or something. | |
| No. | |
| I think, what the hell are these cars here for? | |
| What's going on? | |
| They were looking at the iris. | |
| The irises. | |
| They're getting out. | |
| They're walking around looking at the iris. | |
| This is great. | |
| They're looking at plants. | |
| They're looking at a flower. | |
| That's it. | |
| They're lined up. | |
| How great is that? | |
| Finally! | |
| Finally! | |
| This is it. | |
| This is what humans do. | |
| This is what we do. | |
| There's a comedian named Sebastian Maniscalco. | |
| And Sebastian Maniscalco is a modern version of a dear friend of mine whom I love. | |
| His name is Pat Cooper. | |
| Pat Cooper is a... | |
| Well, he's one of my heroes. | |
| One of my absolute comedic heroes and the like. | |
| And Pat Cooper has been around forever. | |
| And he's like 93 now? | |
| 93? | |
| No. | |
| Yeah, 93. 93 years old. | |
| And he's big. | |
| He's a big guy. | |
| You know how they have... | |
| Sometimes when people get older, they get kind of scrawny. | |
| Not him. | |
| So, Sebastian Maniscalco kind of does this thing about Italians, and Pat Cooper did this. | |
| And Sebastian Maniscalco does this thing about when you were a kid and you had company, and he does one of the best presentations of his act. | |
| He's very theatrical. | |
| And he talks about how people, when you had company, people would just show up. | |
| Did you have that when you were a kid? | |
| Somebody knocked on the door. | |
| Who is it? | |
| Hey! | |
| We were in the neighborhood. | |
| Pasquale Caputo. | |
| That's right. | |
| He is great. | |
| And I mean that sincerely. | |
| And I send that to you, Matthew. | |
| From me to you, buddy. | |
| But there was this... | |
| People would just show up. | |
| Christmas time. | |
| I remember as a kid we had this guy who would... | |
| Bring over a ham. | |
| I don't know why, but every year he'd just show up. | |
| Here we go. | |
| Here he is. | |
| He'd spend hours. | |
| Hey, look at you. | |
| Just come by. | |
| Now, if you told kids that today, come by. | |
| What are you talking about? | |
|
Crumb Cake Conspiracy
00:05:18
|
|
| You just went there? | |
| Yeah. | |
| I was in the neighborhood. | |
| Today, of course, you hide. | |
| If somebody pulls up, if it ever does happen, you grab the gun. | |
| You hide. | |
| You turn off the lights if it's at night. | |
| You try to... | |
| A lot of these people... | |
| Have you seen this? | |
| You'll see it a lot in New York apartments. | |
| They have these devices underneath the door. | |
| That's to keep all the weed smell out. | |
| But that's so that nobody can see you walking back and forth. | |
| And they can see the show. | |
| They're there! | |
| I see the movement. | |
| Maybe it's a dog. | |
| No, that's not a dog. | |
| Those are people. | |
| They're back there. | |
| I see you! | |
| I know you! | |
| I mean, it's weird. | |
| If you told kids today, they actually went to people's homes. | |
| The men of Chicago talks about they have the intimate cake, which you keep for company. | |
| You've got the nice stuff, the pot of coffee, maybe some Sanka. | |
| Do you ever go someplace and somebody says, well, I've got some frozen coffee. | |
| What? | |
| I've got some instant coffee. | |
| You've got what? | |
| Instant coffee. | |
| Do they still make that? | |
| Yeah, I've got instant coffee. | |
| Oh my God. | |
| That's my reaction. | |
| Oh my god. | |
| Wow. | |
| Have you ever had instant coffee lately? | |
| It's serious. | |
| It's like ten times the octane. | |
| It's very interesting. | |
| Anyway. | |
| Visiting. | |
| Conviviation. | |
| talking talking talking Sitting down and saying, what have you been up to? | |
| Well. | |
| Oh, been a few things. | |
| What about you? | |
| What have you been doing? | |
| Well, we've been doing some things. | |
| Really? | |
| Yeah, that's interesting. | |
| Yeah, yeah. | |
| Okay. | |
| Have you been terrific? | |
| We don't do that anymore. | |
| Not only do we not do it, we don't want to do that. | |
| We don't want to do that. | |
| How many times do you see people, you drive through neighborhoods, I'll bet you there are people who've never met the person down the street. | |
| Never. | |
| Never. | |
| Look at this. | |
| Liz says, I dropped in on two friends unexpectedly over the weekend. | |
| We had the best visits. | |
| Until you left, Liz. | |
| Then your friend said, what the hell is that about? | |
| What, did she just show up like this? | |
| She's drinking again. | |
| Just kidding, of course. | |
| Look at this. | |
| Alphonse Ragusa. | |
| Is that a beautiful name? | |
| Alphonse Ragusa. | |
| I constantly have people over and I make espresso. | |
| It's fantastic. | |
| And thank you, Alphonse, for not saying expresso. | |
| E-X. | |
| People were hospitable. | |
| Kevin says that. | |
| Roland says connections. | |
| It's true! | |
| Shade moving and floor creaking. | |
| Who could it be now? | |
| You're right about that. | |
| That's, of course, Donald Newell. | |
| A house is not a home without crumb cake. | |
| You hear that? | |
| Crumb cake. | |
| Crumb cake. | |
| I can't believe you said that. | |
| The other day we're at this event and somebody says, what is that? | |
| They say, what's crumb cake? | |
| Crumb cake? | |
| Wow. | |
| How about this? | |
| What is that? | |
| It's pound cake. | |
| Oh. | |
| Oh, that's nice. | |
| Pound cake, huh? | |
| Yeah. | |
| What's that? | |
| Sarah Lee? | |
| Yeah, yeah. | |
| The brick? | |
| Yeah, yeah. | |
| There's a place in Jersey. | |
| I'm not advertising it. | |
| I'm just telling you. | |
| B&H? | |
| In Hackensack? | |
| Where is it? | |
| They're known for their crumb cake. | |
| The thing weighs like 10 pounds, and it's just, and they wait, and it's a bakery on Sunday. | |
| Where you go and you get a number, and you have that device, that little, on the stanchion, and you pull this, and you look up and you go, oh no, 42? | |
| What's this, 12? | |
| You wonder, how is this possible? | |
| 12? | |
| 13? | |
| Remember that scene from The Sopranos? | |
| Anyway, this is just what I want to reaffirm. | |
| We are so... | |
| It was so funny. | |
| I was watching. | |
| I just happened to have something. | |
| I cannot watch cable news. | |
| I go through these things where I get into a food I like or a thing I like and I stick with it and I stick with it and I say, alright, it's enough of that. | |
| I'm tired of that. | |
| I cannot watch cable news anymore. | |
| I can't watch it. | |
| I can't. | |
| I learn elsewhere. | |
| I learn elsewhere. | |
| The information's there. | |
| But you know what drives me crazy? | |
|
Why We Use Words
00:15:18
|
|
| And it's not a very long ride, I admit. | |
| These shows have tried to come up with, so we're happy you can join us. | |
| Oh, but you shut up. | |
| What are they doing? | |
| They're perpetuating what I'm doing. | |
| They're doing what I'm telling you. | |
| Convivial. | |
| Conviviation. | |
| Confabulation. | |
| Talking. | |
| Hey, look at us. | |
| We're talking. | |
| Hey, wait for us. | |
| Hey, welcome. | |
| How were you? | |
| How was your weekend? | |
| Both the Yankees did great. | |
| Is that great? | |
| What did you do? | |
| Well, I couldn't believe the price of gas. | |
| Would you stop that? | |
| This is insincere. | |
| There's something. | |
| We are just losing, losing this. | |
| You know what? | |
| You can say what you want about dogs. | |
| But they go up and they smell each other. | |
| And you know where to. | |
| And that's all it takes. | |
| Okay. | |
| Yeah, you're okay. | |
| You'll do. | |
| That's good. | |
| That's nice. | |
| That's nice. | |
| What is that? | |
| Interesting. | |
| I like that aroma. | |
| We're friends. | |
| What do humans do when they meet? | |
| Nothing. | |
| Nothing. | |
| Do you ever have this one where you meet a... | |
| You run up with a friend of yours. | |
| And they introduce you to their kid. | |
| You've never met their kid before. | |
| You go, Hi, how are you? | |
| This is Morgan. | |
| Hi, Morgan. | |
| Oh, no. | |
| What is the matter? | |
| Wearing the mask. | |
| No eye contact. | |
| Hiding. | |
| Like this. | |
| Have you met this? | |
| They're all over the place. | |
| Hey, Morgan. | |
| What grade are you in? | |
| What grade are you in? | |
| What? | |
| What grade are you in? | |
| I don't know. | |
| I don't go to school. | |
| You don't go to school? | |
| I remote learn. | |
| I don't know. | |
| What's your favorite subject? | |
| Subject? | |
| Where do you go to school? | |
| My kitchen table? | |
| Go to kitchen table. | |
| What the hell's the matter with this kid? | |
| You got a girlfriend? | |
| What? | |
| Don't say that. | |
| Remember when you were a kid? | |
| Hey, you got a girlfriend? | |
| No. | |
| Remember when you were a kid and kids would always get into that girlfriend? | |
| You know, girls are icky kind of a thing. | |
| What are we talking about? | |
| I used to do this routine all the time where kids would just... | |
| Not that long ago. | |
| This is my routine all the time. | |
| How old are you? | |
| Good. | |
| What are you, about 15? | |
| 15? | |
| I'm this many. | |
| What are you showing me with your fingers? | |
| What is this, a secret? | |
| How old are you? | |
| This is my... | |
| Quit. | |
| How old are you? | |
| Not even done yet. | |
| What is this? | |
| And they start... | |
| They realize this guy's funny. | |
| What are you, 12? | |
| 12! | |
| I'm a kid. | |
| This guy's crazy. | |
| And of course, the one that killed him. | |
| Was that you? | |
| It was not. | |
| Broke the ice every time. | |
| Kids loved it. | |
| We had this kid one time who lived down the hall from us. | |
| Oh, they took him to his squash class. | |
| And then he was going to his bassoon lesson. | |
| And then he was going this. | |
| And he's got his private school. | |
| I said, hey, can you do this? | |
| And the mother said, no! | |
| He goes, that's great! | |
| How do you do that? | |
| He like dropped everything he had. | |
| This was the greatest. | |
| Instead of, you know, he drops the bassoon, drops the squash racket, just drops it. | |
| How do you do that? | |
| I said, if you learn how to do this, it will change your life. | |
| For the rest of your life, wherever you are, you're the party. | |
| You can break up things, anything. | |
| Funerals, weddings, church, doesn't matter. | |
| Just all of a sudden, it just... | |
| The mother looked at me. | |
| I don't want to say you don't want to kill me, but maim? | |
| This figure? | |
| Certainly. | |
| Certainly there. | |
| No doubt about it at all. | |
| I'm serious. | |
| I see it all the time. | |
| Everywhere we go, I'm seeing the human connection absolutely Absolutely non-existent. | |
| And it's getting worse. | |
| And getting worse. | |
| And here's the best part. | |
| This is the part that I will say to you repeatedly. | |
| And I think it's very true. | |
| And that is that the... | |
| How do I say this? | |
| This device that we're on now. | |
| This one that we always talk about. | |
| We always hate. | |
| And watching this Childhood 2.0. | |
| Oh my God. | |
| This will terrify you. | |
| If you have children, oh my God. | |
| But it can do so much, so many great things by bringing people together in a different way. | |
| The power of a powerful Bronx cheer. | |
| How many people? | |
| I really miss my old neighbors, talk to them, says. | |
| They were great, lovely people. | |
| Where I'm at now, not so much. | |
| I know. | |
| Jimmy Kumia sent me. | |
| Thank you, my friend. | |
| First name, last name. | |
| I like this. | |
| The cheese breaks the ice. | |
| It's true. | |
| Um... | |
| My dad taught me to always give a firm handshake when meeting someone. | |
| Never the dead fish. | |
| Absolutely. | |
| And by the way, there's so much of an art to that. | |
| If you are There are some people who are really, some are almost violent with this. | |
| But make sure you get the webbing. | |
| This is called a perlicue. | |
| It has a name, the perlicue. | |
| Make sure your perlicues connect. | |
| And when you drive your hand up into this, I don't care if they've got hands like blackjack mulligan, it doesn't matter. | |
| You're in. | |
| And look. | |
| And there's all kinds of variations. | |
| The handshake, the hand on top, the shoulder. | |
| Remember when the right arm thing came? | |
| Not right arm. | |
| I used to go right on. | |
| I called it right arm. | |
| In the 70s. | |
| Remember this one? | |
| How about this cool thing where you go up and you put your shoulder? | |
| What is that? | |
| Hey, how you doing? | |
| Hey, how's it going? | |
| Hey, how's it going? | |
| What is this? | |
| Oh, it's something. | |
| Do women even do that? | |
| Men at least. | |
| Something. | |
| Hey, how you doing? | |
| Women... | |
| I don't know. | |
| I guess. | |
| I have no idea. | |
| I have no earthly idea. | |
| Trump handshake? | |
| Don't squeeze too early. | |
| You're right about that. | |
| Look them in the eye. | |
| Here's one for you. | |
| I knew somebody one time who had... | |
| I don't want to... | |
| I think sometimes we use a word. | |
| We use Asperger's too much. | |
| We talk about spectrum. | |
| People say, did it want to make eye contact? | |
| Well, sometimes eye contact can be a little intimidating. | |
| So I said to this young person years ago, I never forget, I said, I've got a trick for you. | |
| I said, do me a favor. | |
| I said, it's very simple. | |
| I said, when you talk to me, because you're looking down like this, I said, when you look down at me, I want you to do something different. | |
| I want you to... | |
| I want you to look at one. | |
| Look at me right here. | |
| Not in my eye. | |
| Look right here between my eyes. | |
| Just look there. | |
| I said, you see how you're looking at me? | |
| Yeah. | |
| I said, it looks like you're looking at me, but you're not. | |
| You're looking here. | |
| Now, you can look at me all day long, can't you? | |
| Yes. | |
| Exactly. | |
| Just look right here. | |
| You can stare down anybody. | |
| Forever. | |
| Do you freak people out? | |
| Don't do it in New York. | |
| Believe me, don't do that. | |
| But if you ever want to talk to somebody, look right here. | |
| It was like that. | |
| Absolutely. | |
| Changed everything. | |
| He did it from that moment on. | |
| I say, it's a trick. | |
| It's simple. | |
| It's simple. | |
| And when you meet people, there's a couple of things too. | |
| Always know when to nod. | |
| Nodding is good for two things. | |
| Number one, it gives somebody the false sense of affirmation and approval and approbation and also keeps you awake. | |
| Another trick. | |
| People love to hear their names. | |
| They love it. | |
| They love to hear their names. | |
| You know, John, you make a hell of a point. | |
| My name's not John, but whatever, that'll do. | |
| You know, John, you're right. | |
| You know, John's right here. | |
| There was a guy one time years ago at one of the best burger places ever. | |
| It was called El Cap, St. Pete. | |
| That's when I was eating burgers years ago. | |
| And the fellow who owned it was a guy named Frank Bonfile, nicest man in the world. | |
| And he would never forget a name. | |
| He would never forget a name. | |
| And one day I asked him, I said, how do you do this? | |
| I don't know if you ever get me yet, but I realized. | |
| He said your name a million times. | |
| He would say, I'll tell you what, Tommy. | |
| You're right, Tommy. | |
| You gotta love those reds, Tommy. | |
| Gotta like those reds. | |
| Tommy. | |
| Tommy. | |
| And pretty soon after, he said, and you said, okay. | |
| He never forgot the name. | |
| Whenever you don't know what to ask somebody, if you forget a name, do what I do. | |
| I always say, what do your friends call you? | |
| Oh. | |
| I used to do, how do you spell your name? | |
| Smith. | |
| Oh, they're going to be Smythe. | |
| No. | |
| What do your friends call you? | |
| Or, You say, Jerry, why don't you do the introductions? | |
| That's because you don't know this person's name. | |
| I don't know about you, but when I hear names for the first time, I just don't, I don't, I slough right over them. | |
| It's not that I don't remember, I just, it's inconsequential. | |
| So I have to stop. | |
| And when people say, see you later there, Lionel. | |
| How does he remember? | |
| I don't even know this guy's name. | |
| I've been talking to him. | |
| I'm very bad at that. | |
| Not because I don't remember, I just don't put any stock in it. | |
| Now I've changed. | |
| I'm doing it differently. | |
| I try to do something. | |
| I try to say it. | |
| Something that I remember. | |
| Something that I remember. | |
| It's like when you learn a new vocabulary word. | |
| If you never use it in a sentence, it means nothing to you. | |
| You'll forget it immediately. | |
| It doesn't mean anything. | |
| But if you say it, if you say, well, that seems rather anodyne to me, well, I remember saying that. | |
| I remember saying it because I remember when you reacted like that. | |
| Anytime you pair something, anytime you, I love this. | |
| I used to eat meat. | |
| I still do, but I used to as well. | |
| That's an old Nick... | |
| No, what's his name? | |
| Nick... | |
| What's his name? | |
| Hedrick... | |
| No, the comedian says, I used to do drugs. | |
| I still do drugs now, but I used to do them. | |
| Nick... | |
| What's his name? | |
| You know what I'm talking about. | |
| It's a very good joke. | |
| He's very, very good. | |
| He, Stephen Wright, what is his name? | |
| He had the, he never made eye contact, he had stage fright, died of a drug overdose. | |
| It was brilliant. | |
| There's another one too, the fellow with the Greek name, Mitch Hedwig. | |
| Mitch, yes, Mitch, yes. | |
| Hedberg, or as you say, Herberg. | |
| Close enough. | |
| So leave it to Alphonse Ragusa. | |
| Alphonse for the score. | |
| Let me tell you something. | |
| Hedberg. | |
| Yes. | |
| Excellent. | |
| What about that guy with the Greek name? | |
| Not Demetrius or Splitkin, but Demetrius or whatever his name is. | |
| Brilliant! | |
| See, but that doesn't grab me. | |
| Yes, Mitch Hedberg. | |
| Brilliant stuff. | |
| You know, Nick DiPaolo. | |
| I used to work with him. | |
| Well, I was on a show years ago called IATA. | |
| IATA was the first internet radio station. | |
| But we didn't have broadband. | |
| Didn't have bandwidth. | |
| And he used to come on all the time. | |
| He was very, very good. | |
| Let me see. | |
| I'm trying to figure out... | |
| There was a fellow... | |
| Yes, hit the like button too. | |
| In any event. | |
| Don't talk about that. | |
| So, the good news is... | |
| As we start today, this Tuesday, I want to tell you why I think Tuesday is the worst day of the week. | |
| And I wanted to share this with you, and I think it's worth noting. | |
| First of all, Mondays are bad, but at least you can say, well, it's Monday. | |
| Let's get this thing going. | |
| Who knows? | |
| We'll start off new. | |
| Wednesdays are great because Wednesdays are at least like, well, it's the middle of the week. | |
| You know, it's hump day. | |
| Yeah, it's hump day. | |
| Hey, it's hump day. | |
| Thursday, even better, tomorrow's Friday. | |
| Friday, ta-da! | |
| Last day of the week, of the work week usually. | |
| Saturday is, I think, the best because it's the first day you say, you know what, free and unencumbered. | |
| Sunday, tomorrow's Monday, but at least Tuesday is the worst day because there's no way around it. | |
| Tuesdays are the worst. | |
| I hate them. | |
| I don't know why. | |
| You ever understood that? | |
| You ever understood that whole notion of this? | |
| But it's absolutely true. | |
| So anyway, my friends, feels like a Monday, Mitch. | |
| Our sense of humor is an important one. | |
| You know, it's funny you say that. | |
| Roland Hasbrook, from Hasbrook Heights, by the way, sense of humor is one of the things which I do not know how to explain this better than this. | |
| Sense of humor does not mean you're funny. | |
| Sense of humor means you have a sense of it. | |
| Can you understand it? | |
| Do you get it? | |
| Do you have a... | |
| You can have a tremendous appreciation for food and be a food critic, but you can't cook. | |
| But you have a great palate. | |
| You got it. | |
| You understand it. | |
| That's the way of a sense of humor. | |
| I find it to be, right now, the worst of the worst of the worst of the worst. | |
| I'm glad you brought this up. | |
| I'll give you a couple of examples. | |
| Number one, Dave Chappelle. | |
| Dave Chappelle is now funny because he's Dave Chappelle. | |
| And that is absolute zero hour. | |
| Not good. | |
| The thing that Carlin did... | |
| He always, and I'm going to tell you something right now, which people don't like me to say. | |
| Maybe you agree, maybe you don't. | |
| Carlin was not funny. | |
| Carlin was a philosopher. | |
|
Nobody Wants New Stuff
00:07:22
|
|
| I didn't really laugh. | |
| I mean, we laughed. | |
| But what he said was brilliant. | |
| Bill Hicks one day will get the credit he deserves. | |
| He was a philosopher. | |
| He was a sage. | |
| He wasn't just a comedian. | |
| But Dave Chappelle is now going into the I'm Dave Chappelle. | |
| I don't have to be funny anymore. | |
| The guy tried to attack me. | |
| We're going to milk that for all that's worth. | |
| And when you're at that, he's got to be the most frightened now. | |
| Because unlike music, let's face it, when you perform, nobody wants to hear your new stuff. | |
| Nobody wants to hear your new stuff. | |
| When you're out there performing, This may be something which is a problem for many people, but nobody really wants to hear your new stuff. | |
| It's not something that anybody's interested in or cares about. | |
| It may be terrific, may mean a lot to you, may be great and all this stuff, but nobody really wants to hear your new stuff. | |
| But when you're a comedian, it's the new stuff. | |
| It's the only stuff they want to hear. | |
| You can't do a joke twice. | |
| It's not the same. | |
| Andrew Dice Clay. | |
| Had a wonderful routine. | |
| Until you went and go, I heard this before. | |
| How many times are you going to hear it? | |
| I never understood that one. | |
| So what Dave Chappelle is doing right now is he's letting the fact that he's Dave Chappelle kind of get in the way. | |
| And you go there with such a hyped sense of this is going to be great. | |
| You're always a little disappointed. | |
| Nobody wants to realize that. | |
| You're a little disappointed. | |
| Because he now has to hit you with his best stuff ever. | |
| Humor is the weirdest thing in the world. | |
| On July the 16th, July the 16th, not September, July at the cutting room, I'm going to be there. | |
| You're going to find it very, very funny. | |
| You know why? | |
| Because it's true. | |
| Because it's the absurdist thing. | |
| It's the line of lens. | |
| It's the way I see things. | |
| I mean, anybody else can make the same observation, but it's not the same. | |
| And it's my unique thing. | |
| And if you're like, it's funny, not because I'm funny, it's funny. | |
| What I'm telling you is funny. | |
| The subject matter. | |
| It's good stuff. | |
| When humor is dependent upon him telling you, it's not good. | |
| I'm sorry. | |
| And the person that I cannot say, I cannot talk to you. | |
| Who is so overdone is Jerry Seinfeld and these comedians having coffee. | |
| Hey, let's talk to a funny comedian. | |
| And you realize one thing. | |
| They are not funny. | |
| And comedians love to sit back with this forced, fake, over-the-top... | |
| Laughter, like they're hysterical, they're cacinating, they can't see straight. | |
| They're going through paroxysms of laughter. | |
| Seizures, convulsive laughing. | |
| This is the funniest thing I've ever heard in my life. | |
| You will rarely ever, ever meet somebody who is even remotely interesting where they're not doing their act. | |
| When they're not doing their act, they are not even remotely. | |
| Dave Chappelle, by the way, was so interesting when he was on the Actors Workshop with Lipton. | |
| It showed a side of him that... | |
| Did you ever hear George Carlin? | |
| Most boring person you'll ever want to meet in your life. | |
| If he's not on stage. | |
| If he's not on stage, absolutely the... | |
| You know what? | |
| He doesn't have to be. | |
| Nobody expects Mick Jagger. | |
| Do you ever have Mick Jagger say anything interesting to you? | |
| No. | |
| Keith Richards? | |
| No. | |
| But you don't expect him to be. | |
| But you think that a comedian is going to be funny. | |
| You would think a comedian, by virtue of the fact that they're into a voice, would be naturally funny. | |
| No! | |
| It's an act. | |
| It's like an actor. | |
| Watch any Paul Newman interview. | |
| And you'll be asleep and there's nothing there. | |
| It's a really weird thing. | |
| It's one of the strangest things I've ever seen today. | |
| And now I'm seeing also this exceedingly gratuitously look. | |
| Anytime you see somebody will melt for Lionel. | |
| What? | |
| You should have t-shirts made up for your show. | |
| Liz Sola. | |
| You know, you got a good point there, honey. | |
| Have some t-shirts made. | |
| It's just a thought. | |
| Yeah, or no, no, just t-shirts. | |
| We'll just... | |
| Wouldn't it be funny if we just sold, like, Blaine t-shirts? | |
| Yeah. | |
| Remember Louis Anderson that time? | |
| Remember Louis... | |
| Louie Anderson, we saw him at the cutting room. | |
| He's nice. | |
| We walked by afterwards. | |
| He's standing with us here. | |
| People can go to the shop. | |
| You can buy them there. | |
| By the way, what I do is I take a picture with everybody, whether you like it or not. | |
| Oh yeah, you can't leave. | |
| I will take a picture of you. | |
| That's the thing I do not understand. | |
| I do not understand. | |
| You pay money, you go and see somebody, and then you don't talk to them. | |
| And by the way, let me explain something to you. | |
| And I think you realize this, for whatever it's worth, this is me. | |
| This is it. | |
| I'm not... | |
| This isn't an act. | |
| I don't know how you can act like this, but this is not me. | |
| I am the... | |
| How do I say this? | |
| And I'm going to say this with all due respect. | |
| I know it sounds weird, but I'm going to say this. | |
| I am the perfect entertainer. | |
| The reason why is because... | |
| I don't do an act. | |
| I am the act. | |
| That's it. | |
| It just so happens I'll do what I'm going to do whether you're watching it or not and if people do want to watch it, great. | |
| But when I get done it's going to be the same thing. | |
| I do not understand I think Pat Cooper was the only person I've met. | |
| I haven't met a lot of people. | |
| Pat Cooper I love. | |
| Roseanne is Roseanne. | |
| I think people would like Roseanne even more. | |
| Roseanne's a hell of a cook. | |
| I don't know if you knew that. | |
| She loves her family. | |
| She's a hell of a cook. | |
| She's the most real. | |
|
Jokes and Positive Signs
00:15:43
|
|
| Last time, well, two times we saw her. | |
| Once was... | |
| Once she was here in New York. | |
| We went to see her. | |
| It was at the time... | |
| Remember when people had the... | |
| Remember when we weren't using... | |
| What the hell am I trying to say? | |
| What am I trying to say? | |
| When we weren't having plastic straws. | |
| Remember that? | |
| All the plastic straws are gone. | |
| And they give you those paper that kind of dissolved. | |
| And then you had that metal that would get too cold. | |
| Remember that? | |
| Now they're back. | |
| I almost broke my teeth. | |
| Yeah. | |
| Who? | |
| Plastic straws were killing orcas? | |
| Not anymore. | |
| Roseanne was telling me stories about when she was from her youth. | |
| She is absolutely the funniest. | |
| She's naturally funny. | |
| You know who else was very funny? | |
| Phoebe Snow. | |
| Phoebe Snow and I know when I tell people this women now hear me out I'm not trying to be sexist or anything. | |
| Women are not raised telling jokes. | |
| This is the truth. | |
| They just don't do it. | |
| It's a guy thing. | |
| And you tell jokes and you hear jokes and even if you're not That great at delivering them, you want to tell jokes. | |
| I'm sorry, it's a male thing. | |
| I'm sorry. | |
| A friend of mine's wife one time, I said, so two guys, so a Scotsman, a Japanese, and an Australian walk into a bar, and his wife says, really? | |
| I said, no, it's a joke. | |
| Or people who just don't understand this. | |
| They don't understand the fact that, why are you telling a joke? | |
| What does this mean? | |
| It's weird. | |
| Anyway, Phoebe Snow, Could tell a joke. | |
| Phoebe Snow absolutely made me laugh. | |
| I'm not going to go into others that I met who I think are great professionally, and then when you meet them, their politics are just. | |
| I've never seen anything like this. | |
| Humor is a gift. | |
| Let me tell you something about humor. | |
| This is going to be funny. | |
| about this um so When people are depressed, you know the positive and negative signs of mental illness, like schizophrenia, positive signs? | |
| Positive signs do not mean good. | |
| Positive signs mean exaggerated signs. | |
| For example, like paranoia is a positive sign. | |
| Fear is normal, but this is excessive. | |
| Laughing is excessive, but this is excessive. | |
| Positive means too much. | |
| Of what's normal, and the negative signs are things that are not. | |
| Okay? | |
| Things that are, for example, fear of crowds, fear of people, fear of interaction. | |
| That's lower. | |
| You're showing a negative inclination towards a particular behavior. | |
| You don't have to be outright But there is a certain degree of humor where you want to see something that's funny. | |
| And I hate when people try to define humor. | |
| I hate it. | |
| But when there is an absence of humor, either your ability to recognize it, not to reproduce it, but to recognize a sense of humor. | |
| If you don't see anything... | |
| In anything. | |
| Irony. | |
| Sometimes people have a very base sense of humor, maybe a slapstick, whatever. | |
| But if you don't, there's something very wrong. | |
| It's mental illness. | |
| Mental illness. | |
| One of the hallmarks of schizophrenia, sad to say, is the inability to use expression, um... | |
| Can I got your tongue? | |
| No. | |
| There's no cat. | |
| They can't... | |
| Abstract and humor. | |
| It's one of the deadliest sides. | |
| Not that you don't even have it. | |
| You don't recognize it. | |
| It's not that you're not funny. | |
| But when you don't even recognize its existence. | |
| And things can make you laugh in the strangest way. | |
| Sometimes you can laugh at your own frustration. | |
| The only laughing that you don't want to hear is this. | |
| That's not good. | |
| That's not laughing. | |
| That's evil. | |
| And that's not a good, good thing. | |
| Look at this. | |
| Sarah says, my great aunt Shirley is hilarious. | |
| Just sitting around talking to her is the best. | |
| There are women, not too many, who are naturally funny and witty. | |
| You know what? | |
| I shouldn't say that. | |
| It's unfair. | |
| To say that there aren't funny women. | |
| There are funny women. | |
| But it's not... | |
| I don't know why. | |
| There is a male component sometimes to... | |
| There's always something... | |
| Have you ever listened to British humor? | |
| Versus... | |
| To hear... | |
| Listen... | |
| And I can't... | |
| I can only listen to humor in English. | |
| But to hear British humor... | |
| One of the greatest things that ever happened to us was when Monty Python and the British Invasion came. | |
| I never understood the goon show. | |
| Never got that. | |
| I can't say I saw everything, but Spike Milligan and the two Ronnies I thought were brilliant. | |
| But Monty Python came along and that was our... | |
| Oh! | |
| See, to me, in my generation, Carlin came along. | |
| That was the first time we said, this is a little... | |
| This is... | |
| This is not just regular humor. | |
| This is... | |
| This is radical. | |
| This is not just funny. | |
| You know, Richard Pryor... | |
| He was great, wonderful, but I didn't get the... | |
| It was different. | |
| One time I saw Richard Pryor in Tampa, the highlight for Antonia, I think my friend and I were the only white people in the entire, the entire place. | |
| He was making a movie called Bingo Long, and he had his hair, and it was processed, and they put the light right on it. | |
| He goes, oh, you do travel in groups, don't you? | |
| It was part of the routine. | |
| He was great, wonderful, wonderful, but not like Harlan. | |
| Carlin was the hair and the, hey man, and he, transformational. | |
| That was very important. | |
| Monty Python 2. That told us, that is, stick your, stick your, put your foot in the clutch and just let the engine just go crazy. | |
| Whatever you want. | |
| Just go nuts. | |
| That was a very, very, very, very, very important. | |
| For me also, and Seinfeld agrees, The moment where I saw the light, so to speak, was Robert Klein's Child of the 50s. | |
| That was... | |
| And then before that, Bill Cosby? | |
| Stories? | |
| Stories? | |
| Bill Cosby cannot be repeated. | |
| Nothing that Bill Cosby says per se is funny, but the way he says it is very funny. | |
| Forget what he did later on in life. | |
| Forget this. | |
| You're right, he's a terrible person. | |
| But when he was at his prime, And then before that, Bob Newhart. | |
| Button Down Mind. | |
| Biggest comedy seller ever. | |
| And what did Bob Newhart do? | |
| He did the phone thing. | |
| Hello? | |
| And what did Andy Griffith do? | |
| The phone thing. | |
| And they got this thing called football. | |
| And where did they get that from? | |
| Georgie Jessel. | |
| Who was on the phone? | |
| Mama. | |
| He would talk to his mother. | |
| Everything is kind of a derivative. | |
| These were huge people. | |
| Georgie Jessel was huge. | |
| I will never understand how people think Milton Berle's funny. | |
| I don't understand it. | |
| I watch sometimes... | |
| Did Bob Hope ever make you laugh? | |
| Did Bob Hope ever... | |
| Did he ever say anything even remotely funny? | |
| Thanks for the memories. | |
| They go, yeah, but that's Bob Hope. | |
| But he's a comedian. | |
| I never... | |
| I don't know if it's generational. | |
| I have no idea. | |
| Never got that. | |
| Never understood any of it. | |
| Benny Hill, somebody said, that was okay. | |
| National Lampoon. | |
| Two things. | |
| Maybe it's a generational thing. | |
| National Lampoon. | |
| SCTV. | |
| SCTV is absolute genius. | |
| One time, I had wisdom teeth taken out. | |
| We had this doctor in Tampa who would just knock you out. | |
| None of this local stuff. | |
| He would put you out. | |
| And God forbid, you know, you have a... | |
| But it was very painless because you were knocked out. | |
| But before he would knock you out, he would put you in the room. | |
| Give a little Ativan or something. | |
| Kind of loosen you up a little bit. | |
| And I had, at that time, it was the National Lampoon. | |
| Addition on foreign, on travel. | |
| And one was going to, now I know I'm explaining this, and you can't explain cartoons. | |
| But I'm going to break my rule and tell you what it was. | |
| Going to cruise ships. | |
| And the premise was, these cruise ships are so big. | |
| They're just too big. | |
| One was a ship. | |
| You looked and you saw, okay, there's a ship. | |
| But if you look at the bottom, you see the skyline of New York. | |
| Now I started laughing. | |
| Because I've looped up on this stuff. | |
| And I'm laughing. | |
| And it's suppressed. | |
| I can't laugh because of whatever. | |
| Then they showed foreign travel. | |
| I think it was Gay and Wilson. | |
| One was irregular money. | |
| You can't put it in your bills like this. | |
| He's trying to put them in. | |
| And then the one that killed me was I'll just tell you this. | |
| It was on Handicapped Olympics. | |
| That's all I'm going to tell you. | |
| We were at something recently. | |
| One of the funniest things I've ever seen. | |
| Honey, I don't know if you recall this, but let me see if I can set this up for you. | |
| I do agree. | |
| Don Rickles was wonderful. | |
| How do I say this? | |
| Don Rickles is great. | |
| Watch him when he had to do the Reagan something for the inauguration when Emanuel Lewis Emanuel Lewis, TV's Webster Hands him the mic. | |
| It says, be funny. | |
| Great stuff. | |
| Honey, I don't know if you recall this. | |
| Recently, we were at an event. | |
| It was a church event. | |
| And it was something we went to to honor somebody who, you know, sometimes you can have a mass, you know, and honor somebody. | |
| So we go. | |
| It was interesting. | |
| And we're there, and we're behind somebody, and I don't know what happened. | |
| We have a friend of ours. | |
| And for some particular reason, I don't know what happened. | |
| I don't know why. | |
| Who knows why? | |
| It was a very interesting, it was a kind of a funky mass. | |
| The priest sounded like Bela Lugosi. | |
| I don't know about you, but a lot of times you go to places and they have people. | |
| I guess parish priests are hard to get. | |
| Remember the one we had, a friend of ours, her funeral, we had somebody, I don't know what, he would say, Christ in his love. | |
| And we're thinking, I don't know where he is. | |
| I can't make out where he's from. | |
| I'm looking at him. | |
| I don't know. | |
| European. | |
| I don't know what this is. | |
| That was one. | |
| But this guy was talking like this. | |
| He sounded like Bela Lagoza. | |
| And he took the cup. | |
| Gave it to his disciples and said blah. | |
| It was weird. | |
| I don't laugh. | |
| The sign of peace. | |
| I haven't been to Mass in a while. | |
| I'm still theoretically a member. | |
| I'm retired, but nonetheless. | |
| All of a sudden they started doing this for the Our Father. | |
| I don't know why. | |
| We didn't do this. | |
| Hey! | |
| Where did this come from? | |
| Hey! | |
| Hey! | |
| Our Father! | |
| Hey! | |
| Okay, that's alright. | |
| The sign of peace is the weirdest thing in the world. | |
| The sign of peace is like this. | |
| Norma's saying, oh God. | |
| Okay, here's... | |
| He took his cup, gave his... | |
| No, I give you peace. | |
| My peace I give you. | |
| And now show each other the sign of peace. | |
| Okay. | |
| And this is what you do. | |
| The guy behind you turns around. | |
| Hey, how are you? | |
| Peace. | |
| Peace. | |
| Pace. | |
| In Pace. | |
| Thank you. | |
| Okay, fine. | |
| Alright, great. | |
| And then you turn the one behind you. | |
| I like that. | |
| That's it! | |
| Guy in front of you turns around, you turn around the one in the back. | |
| That's it. | |
| Maybe one, two, two tops. | |
| We're not going to do the whole row. | |
| It's quick. | |
| It's more of a, let's just pretend we're giving people. | |
| Some people will absolutely go crazy. | |
| They get out, they walk down the aisle, they go over here, and the priest is, you know, Bella's waiting. | |
| If you don't mind. | |
| Now one woman was like this. | |
| Remember this, honey? | |
| She was like this. | |
| She was like giving, like, points. | |
| She was like pointing to people. | |
| Hey! | |
| Hey! | |
| So I went back to her like, hey! | |
| I'm giving them back. | |
| I don't know if it was that point or something else, but these people we were with behind us, all of a sudden, out of nowhere, there wasn't anything particularly funny, which made it even funnier. | |
|
Church Woman's Repressed Laughter
00:03:12
|
|
| You heard this, but I can't make that noise without throwing up. | |
| It was the loudest bronchial exhalation. | |
| It was Years of repressed laughter coming out. | |
| It wasn't just, you know, at the moment. | |
| It was, I mean, it was the loudest thing I've ever heard in my life. | |
| And it was like, this is just beautiful. | |
| And I was thinking about this. | |
| Why is that funny? | |
| It's Chuckles the Clown, repressed laughter, solemnity of all places, not now. | |
| In church? | |
| With this woman? | |
| And I thought, I could have gone on forever. | |
| And as soon as you're outside of the church, it's not funny anymore. | |
| Now what was that? | |
| Was that humor? | |
| No. | |
| Was that a sense of humor? | |
| Well, obviously not, because there was nothing funny at the time. | |
| But what was it? | |
| What do you laugh? | |
| It's not laughing. | |
| It's something else. | |
| It's... | |
| Something in you is over. | |
| Something's fighting you. | |
| It's not sorrowful. | |
| But it's just like a cry. | |
| It's a paroxysm. | |
| It's blurting. | |
| It's almost like you've been... | |
| It means something. | |
| It's very, very symbolic. | |
| It's not just, you know... | |
| And of course, we're... | |
| We normally would say, ah, whatever. | |
| No. | |
| I've been thinking about that forever. | |
| What did that mean? | |
| Animals don't do it. | |
| Dogs don't do it. | |
| Dogs don't laugh. | |
| People don't laugh. | |
| I don't know why people laugh. | |
| Babies laugh. | |
| Babies, from the moment they're babies, they understand this, they get this. | |
| They laugh. | |
| You don't have to teach them. | |
| And by the way, they will cry for a variety of reasons, but they don't laugh unless they're happy or they're funny. | |
| Or you see something, you're doing something to them, but they realize... | |
| What an asshole. | |
| They look at you and you go and they're laughing and the baby's thinking, can you believe this? | |
| This is my parent. | |
| Look at this. | |
| There's it. | |
| We'll talk about it one day. | |
| You've got stuff to do. | |
| I've got stuff to do. | |
| Pardon me for waxing. | |
| What's that, honey? | |
| You alright? | |
| It's okay. | |
| Alright, that's enough. | |
| Follow me at linomedia.com. | |
| Don't forget Lin's Warriors. | |
| Please go to Lin's Warriors and on YouTube, Lin's Warriors. | |
| Sign up. | |
| Please follow it. | |
| Thank you very much for being a part of this thing. | |
| Thank you. | |
| I hope you don't mind me not talking about Russia today. | |
|
Same Bad Time
00:00:30
|
|
| I'm having a... | |
| I'm really... | |
| I'm really... | |
| I'm being more focused and targeted in my anks because I'm always, I'm just angry about everything. | |
| I'm always angry about this. | |
| And the cash prices are this. | |
| And they came with a baby for this. | |
| And Biden did this. | |
| And Trump did this. | |
| And it's like, you know, it's like, this is just not the way to live. | |
| It's important to recognize it. | |
| Anyway. | |
| All right, my friends. | |
| Have a great and a glorious day. | |
| See you tomorrow. | |
| Same bad time, same bad channel. | |