#1090: Swinging On The Uneven Bars
In this installment, Dan and Jordan tune in for an interview that Alex did on his personal trainer's podcast, which is just about as good as that sounds like it would be.
Nov. 3, 2025 - Knowledge Fight
01:38:08
Participants
| 
| Speaker | Time | Text |
|---|---|---|
|
unidentified
|
I have great respect for knowledge fight. | |
| Knowledge fight. | ||
| I'm sick of them posing as if they're the good guys. | ||
| Shang, we are the bad guys. | ||
| Knowledge fight. | ||
|
unidentified
|
Dan and Jordan. | |
| Knowledge fight. | ||
| I need money. | ||
| Andy and Pansy. | ||
| Andy and Tandy. | ||
| Andy and Kansas. | ||
| Andy in Kansas. | ||
| Andy. | ||
| It's time to pray. | ||
| Andy in Kansas. | ||
| You're on the airplane for holding. | ||
| Hello, Alex. | ||
| I'm a fish trend color with you just saying, I love your room. | ||
|
unidentified
|
Knowledge fight. | |
| Knowledgefight.com. | ||
| I love you. | ||
| Hey, everybody. | ||
| Welcome back to Knowledge Fight. | ||
| I'm Dan. | ||
| I'm Jordan. | ||
| We're a couple dudes. | ||
| Like to sit around, worship at the altar of Celine, and talk a little bit about Alex Jersey. | ||
|
unidentified
|
Oh, indeed we are. | |
| Dean. | ||
|
unidentified
|
Jordan. | |
| Dan. | ||
| Jordan. | ||
| Quick question for you. | ||
| What's your bright spot today, buddy? | ||
| My bright spot today. | ||
| Let's get back to MacGyver. | ||
| Let's get back there. | ||
| So watch the next episode of MacGyver. | ||
| All right. | ||
| No kisses. | ||
| No smooches? | ||
| No. | ||
| No ants. | ||
| No ants. | ||
| Okay. | ||
| The bad guys in this episode were some fellas who stolen a Brinks truck. | ||
| Are they bad guys? | ||
|
unidentified
|
Yeah. | |
| All right. | ||
| They've taken over an airport, a little small airport. | ||
| So MacGyver's going out. | ||
| He's trying to go fishing at this place that him and his dad used to go to back when he was a kid. | ||
| Okay. | ||
| Takes a wrong turn. | ||
| Right. | ||
| Ends up going to this airport trying to get directions. | ||
| What are you going to do? | ||
| Right. | ||
| It has been taken over by thieves. | ||
| Just so happens. | ||
| Tiny little airport. | ||
| So they take MacGyver hostage along with the rest of the people. | ||
| Huge mistake. | ||
| Huge mistake. | ||
| And chaos ensues, and a guy heals from his trauma about Vietnam. | ||
| That's good. | ||
| That's nice. | ||
| It's wrapped up in a good 45-minute episode. | ||
| Most of the story, a lot of it hinges on whether or not this guy is willing to fly a helicopter in order to save everyone there. | ||
| Right. | ||
| Because he swore after Vietnam he would never fly another helicopter. | ||
| And so he finally finds it within himself. | ||
| I mean, I suppose that's a positive. | ||
| I mean, I like a guy who sticks to his guns, even in the face of adversity. | ||
| But I understand the guy sentencing everybody to death is probably not a good TV character. | ||
| Yeah. | ||
| So instead of kisses, there is sort of like MacGyver being the best guy in the world. | ||
| Right. | ||
| Because the guy who's recovering from Vietnam is in love with the waitress from this airport. | ||
| Right. | ||
| And they just can't get it together because he can't get over Na. | ||
| Right. | ||
| Right. | ||
| And so like by encouraging him to fly this helicopter, he has allowed them to love each other once more. | ||
| It deserves a peck on the cheek at least. | ||
| No. | ||
| Nope. | ||
| Come on. | ||
| Nope. | ||
| MacGyver is selfless with the kisses. | ||
| I don't know when smooches became MacGyver's thing, but I like it. | ||
| I appreciate it. | ||
| Well, I think it was because there were two in the first episode where it was jarring. | ||
| Yeah, that's just too bad. | ||
| Now, this episode also features a young Jackie Earl Haley. | ||
| Really? | ||
| Not that young. | ||
| Not the kid Jackie Earl Haley. | ||
| Not like Bad News Bears. | ||
| No, adolescent Jackie Earl Haley. | ||
| Yeah. | ||
| He plays one of the creeps who's taken over the airport. | ||
| One of the criminals. | ||
| Man, did he say that you guys aren't locked up here with me? | ||
| I'm like, wait, no. | ||
| I think I got it backwards. | ||
| You're doing a Rorschach? | ||
| Yeah, yeah, yeah. | ||
| No. | ||
| He doesn't do that, but he does. | ||
| I'm a youth. | ||
| He's a lot younger than the other criminals. | ||
| Right. | ||
| Anyway, it was fun. | ||
| I'm excited to keep watching, although I will say that this one was a little bit of a meh compared to ants. | ||
| I mean, come on. | ||
| Yeah. | ||
| Ants are like a season finale. | ||
| You can't just ants in the like sixth episode. | ||
| What is that? | ||
| Yeah. | ||
| That's way early on. | ||
| So what's your bright spot? | ||
| My bright spot is: I met my childhood best friend for lunch. | ||
| Yay. | ||
| He reached out and was like, ah, I exist. | ||
| And I was like, wow, me too. | ||
| We were alive at the same time. | ||
| And then we went and had lunch. | ||
| He's a great person. | ||
| Nice. | ||
| Which is cool because I was thinking about this afterwards. | ||
| I was like, considering where we're from, considering where the world is and how it's heading and how it changed while we were growing up, the chances are much higher for both of us to be horrible people. | ||
| Yeah, that's true. | ||
| That's true. | ||
| The odds are not in your favor. | ||
|
unidentified
|
Yeah, yeah. | |
| So that the two of us worked out made me think maybe there was truly something of like when we were growing up, we influenced each other to keep us from being pieces of shit later on in life. | ||
| I doubt it. | ||
| You know, I kind of doubt that too. | ||
| But it was nice to see credit for him being decent. | ||
|
unidentified
|
No, no, no. | |
| I was going far the other direction. | ||
| He was responsible for you being decent. | ||
| He's basically kept me from throwing my life away. | ||
| Or, I guess, maybe becoming the most popular right-wing podcaster there's ever been. | ||
| Yeah. | ||
| There were only two options for me. | ||
| Well, one's still available to you later. | ||
|
unidentified
|
Sure, sure. | |
| That'll happen. | ||
| Yeah, that's always on the horizon. | ||
| It could be. | ||
| But yeah. | ||
| I'm glad you had a good time. | ||
| And reconnecting is always a little bit scary, a little bit stressful beforehand, but I think it always is nice. | ||
| I think it usually is nice. | ||
| I mean, it could have been even, it could have even been fine, but it was great. | ||
| That's awesome. | ||
| Well, congratulations. | ||
| Today is not going to be great. | ||
| That is unexpected. | ||
| But it is a meeting of friends. | ||
|
unidentified
|
Okay. | |
| And there are some friends that we'll talk about on this episode. | ||
| Oh, no. | ||
| But first, before we get into any of this, let's take a moment to say hello to some new wonks. | ||
| Ooh, that's a great idea. | ||
| So, first, from the king of cats, forget the frogs, stepdad to my bisexual roommate's bisexual cat who gets bullied by my girlfriend, my girl Yannefer. | ||
| I'm sorry. | ||
| Thank you so much. | ||
| You're an Iow policy wonk. | ||
| I'm sorry. | ||
| I'm a policy wonk. | ||
| Says I'm sorry at the end. | ||
| Yes. | ||
| Next, taking a fist full of super male vitality and backstroking at Barton Springs. | ||
| Then hum the jaws theme. | ||
|
unidentified
|
Da-dum. | |
| Da-dum. | ||
| I'm a policy wonk. | ||
| Thank you so much. | ||
| Thank you very much. | ||
| And I will karate chop you if you land in Shenzhen or Hong Kong. | ||
| And I'm swimming in rare earth minerals here in China. | ||
| Thank you so much. | ||
| You're now policywonk. | ||
| I'm a policy wonk. | ||
|
unidentified
|
Thank you very much. | |
| Hey, go. | ||
| And we got a technical editor in the mix, Jordan. | ||
| So thank you so much, too. | ||
| The episode numbers jump from 425 to 427, and I'm filled to the brim with righteous indignation. | ||
| Release the 426 cut. | ||
| Thank you so much. | ||
| You're an Iowa Technocrat. | ||
| I'm a policy wonk. | ||
|
unidentified
|
Four stars. | |
| Go home for your mother and tell her you're brilliant. | ||
| Someone sodomite sent me a bucket of poop. | ||
| Daddy Shark. | ||
| Bomb, bomb, bomb, bomb, bomb. | ||
| Jarjar Binks has a Caribbean black accent. | ||
|
unidentified
|
He's a loser, little, little kitty baby. | |
| I don't want to hate black people. | ||
| I renounce Jesus Christ. | ||
| Unfortunately, Todd Snyder owns that episode. | ||
| We're not allowed to. | ||
| Well, that was the one where we found out that both our mom's names were Martha. | ||
|
unidentified
|
Right. | |
| And that allowed us to, I guess, connect on a more emotional level. | ||
| And we no longer own the rights. | ||
| Right, that's true. | ||
| So, Jordan, today, like I said, we're talking about some friends. | ||
| And that is, I wanted to branch out a little bit and see what was going on in some of the other people in the Alex Overseas. | ||
|
unidentified
|
Sure, sure, sure, sure. | |
| And it just so happened that Alex was recently on his trainer, Sean Johnson's podcast. | ||
| Sean Johnson got a podcast. | ||
| Why wouldn't you? | ||
| Not Sean Johnson, the Olympic gold medal gymnast who won Dancing with the Stars. | ||
| Yes. | ||
| Very different one. | ||
| That's not. | ||
| She does not train Alex Jones. | ||
| That would be an interesting twist, though. | ||
| It would. | ||
| Yeah. | ||
| It would. | ||
| No, this is a guy who's a former enlisted guy. | ||
| Sure. | ||
| And someone who has no juice. | ||
| Probably in really good shape, though. | ||
| Yes. | ||
| I think that is definitely fair to say. | ||
| He is yoked. | ||
| Yep. | ||
| But I don't think he has a lot of charisma. | ||
| And so I wanted to see what these other figures were like. | ||
|
unidentified
|
Sure. | |
| Because we only really know him as a name that Alex brings up. | ||
| That's true. | ||
| And so, hey, let's see what they're all about. | ||
| I would be delighted to see what they're all about. | ||
| So what it turns out they're all about is ripping off Rogan. | ||
| Are you not entertained? | ||
| Is this not why you're here? | ||
|
unidentified
|
Rolling. | |
| All right. | ||
| Rolling, rolling, rolling. | ||
| Keep them doggies moving. | ||
| Episode 23, Alex Jones, the man. | ||
| Nope, Sean B. Johnson's the man. | ||
| No, no, sir. | ||
|
unidentified
|
No. | |
| You're paving the way for young guys like us. | ||
| What you're doing is incredible. | ||
| Thank you for coming on. | ||
| You bet. | ||
| Love it. | ||
| That just feels like a Rogan opening to me. | ||
| There's this music. | ||
| There's a little sound drop of, are you not entertained? | ||
|
unidentified
|
Yeah. | |
| You know, Rogan as the train by day, Rogan podcast at night. | ||
| You know, like, there's this intro, and then it's as if we're just rolling. | ||
| We're just rolling. | ||
| We're just starting the conversation. | ||
| Like, it just aesthetically is a, it feels like a cheap knockoff. | ||
| It is when you're being an artificial performer, you know, you're acting. | ||
| You're saying somebody else's words. | ||
| But you're, you know, you're a mechanical person existing within this job, right? | ||
| A level of quality is how well you pull it off, how well you make it look like it's not artificial at all. | ||
| This is not that. | ||
| This is very much artificial as shit. | ||
| Yeah. | ||
| This is like an AI making a podcast about, like, make a Rogan show. | ||
| Yeah, and I think it's a testament to how heavily influenced all of these people in that sphere are. | ||
| Yeah. | ||
| That, like, I don't know if they can really conceive of much else but doing another Rogan thing. | ||
| And it sucks because they're not Rogan. | ||
| Well, I mean, creativity isn't really rewarded in their spheres either. | ||
| True. | ||
| And at the end of the day, when you really look at it, what he did wasn't that creative. | ||
| Like, Rogan wasn't that creative. | ||
| He just got there early. | ||
| Yeah, and he was really good at being high. | ||
| Yep. | ||
| Boy, the world. | ||
| So Sean starts off this interview by asking about the recent news that the Supreme Court is not interested in Alex's appeal. | ||
| Not at all. | ||
| And so he asks about that, and Alex has a take. | ||
| I know we wanted to get you back on here as soon as possible because the verdict just came back. | ||
| They are not going to hear your appeal with the Supreme Court. | ||
| And so I don't want to talk about anything else. | ||
| Let's jump right into that. | ||
| What the fuck is going on? | ||
| And we were also layering into the latest on Charlie Kirk, Trump, but it all ties together. | ||
| This is a lot bigger than just me. | ||
| We've sued them. | ||
| It's come out in court that Obama put me under National Security Investigation 2013 and Comey. | ||
| Those items were released by the Trump administration about seven months ago. | ||
| And they had a drag net and were looking for something criminal to put me in jail. | ||
| And even once Trump got in 2016, 2017, it still continued on. | ||
| Trump never got control of the Justice Department. | ||
| And so they settled, and I've admitted this, on claiming I said and did things concerning Sandy Hook I've never even said. | ||
| Years of discovery and then found nothing wrong. | ||
| So they claimed that I didn't give them evidence that they claim existed with no proof. | ||
| So that answer that Alex gives is interesting, I think, on two fronts. | ||
| The first is that he's saying that the courts claim that he failed to turn over evidence with no proof. | ||
| He's arguing that they insisted that Alex held a piece of evidence that he wasn't giving them. | ||
| But in reality, this evidence didn't exist. | ||
| They were demanding him turn over something that wasn't real. | ||
| So this is essentially a trap that he got put into. | ||
| In a situation like this, it's very difficult to prove that someone's withholding evidence without knowing what that evidence is. | ||
| In Alex's case, though, the court absolutely knows that he withheld evidence because his lawyer accidentally sent the plaintiff's lawyers in Texas part of Alex's phone records. | ||
| In Discovery, Alex was required to turn over all communications that he had that mentioned a ton of key terms, including Sandy Hook. | ||
| And he turned over a bunch of stuff, but it appeared incomplete. | ||
| When his text messages were accidentally sent to the lawyers, there was one where Paul Joseph Watson was warning him that this COVID stuff that he was doing was, quote, Sandy Hook all over again, which should have been turned over in Discovery. | ||
| Yeah, but that one's really incriminating. | ||
| Yeah. | ||
| The fact that this text wasn't produced in Discovery irrefutably proves that there was material that Alex was required to turn over to the court that he did not. | ||
| There is rock-solid proof that he didn't comply fully and appropriately with Discovery. | ||
| So when he's saying that they say I didn't turn over everything with no evidence, it's so often very easy to make that argument. | ||
| And he is one of the few cases where you can't. | ||
| Yeah, it is, it is like to the point where I feel it escalates to a moral obligation to say, yeah, you got me. | ||
| You know, like this was, you got me. | ||
| You got, you got me. | ||
| Like if we're in a dunk tank, bullseye, you're in the water, you know? | ||
| But how is it? | ||
| How can we live in a world where he's still allowed to say you didn't get me? | ||
| That's bullshit. | ||
| Yeah. | ||
| Right? | ||
| It is. | ||
| It is. | ||
| It's a refutation of the continuity of reality. | ||
| It makes you question what is real. | ||
| Yeah. | ||
| If this is allowed. | ||
| He can't possibly ever be held to account for anything if this is not. | ||
| Yeah. | ||
| Yeah. | ||
| It's, I mean, it's there. | ||
| Like, it makes you scream things like it's there. | ||
| So the second thing there is that Alex's story about this case seems to have changed. | ||
| For years, it was started by Hillary Clinton because she was too afraid of Alex's connection with Trump. | ||
| She wanted to destroy Trump, so she cooked up a case against Alex to attack Trump by extension. | ||
| But now Obama started this in 2013? | ||
| The fuck are we talking about? | ||
| Yeah, I thought we were in the 2015 region is when she started bringing everything back to the fore. | ||
| Yeah, yeah. | ||
| Now it goes deeper still? | ||
| How could I believe that? | ||
| So this is about some FOIA documents that came out recently that showed that the FBI was assessing, quote, white racially motivated extremists in 2013. | ||
| It says nothing about Alex. | ||
| It's just kind of understood by all these media figures that he is a white identity extremist. | ||
| So this must have been Obama trying to crush him. | ||
| I can say this with no uncertainty. | ||
| If Clinton, Obama, or Biden were half as inclined toward dictatorship as Trump is, Alex would be in prison right now. | ||
| He has committed crimes, and the only thing that's protected him is that his enemies believe in upholding the traditions and protections that our legal system affords. | ||
| He is living free because other people believe in the rules that he pretends to care about. | ||
| Yeah, yeah, I know it would be a tough sell, but it would be something where I would consider it much more cleanly if Obama had been like, guys, listen, I get it, but I'm just going to take this one off the board. | ||
| This one's me. | ||
| I'm just going to take this one off the board. | ||
| Come what may. | ||
| I think it makes more sense than to go through all of your bullshit. | ||
| But you know what? | ||
| Chess is the way it is. | ||
| Bye. | ||
| You know, I would have been able to accept more of that argument. | ||
| I believe in the rule of law. | ||
| Everything is very important. | ||
| Seriously, fuck this guy in Texas. | ||
| Listen, 100%, I am all on board with the law. | ||
| I'm a lawyer. | ||
| Fuck that guy. | ||
| Let's get him. | ||
| So Alex believes and argues that there was fake evidence that was used against him in court. | ||
| Right. | ||
| And so he says that. | ||
| And Sean asks him, like, what? | ||
| What was the fake evidence? | ||
| Uh-oh. | ||
| They had two show trials produced three years ago where I was already found guilty by the judge. | ||
| The judges instruct the jury I'm guilty. | ||
| And they put on all this fake evidence. | ||
| I'm not allowed to challenge it. | ||
| And Texas had a $45 million judgment, and Connecticut a $1.4 billion. | ||
| What was that evidence? | ||
| What's this fake evidence that they put out? | ||
| Well, when a judge defaults you, then they're still supposed to put on a trial on damages, but even that wasn't real. | ||
| So it was just completely rigged. | ||
| That's an impression. | ||
| Now they've done that to Mike Lindell and my pillow. | ||
| I just saw that. | ||
| Where a federal judge said, I decide you're guilty. | ||
| Sean doesn't get that he's not supposed to ask a question like that. | ||
| He's just supposed to nod along and say, oh my God, they were so mean to you, Alex. | ||
| This is the kind of question an actual interviewer might come up with because it's interesting. | ||
| And if Alex was telling the truth, it would lead to some good conversation. | ||
| Alex is just making up that they presented fake evidence, though. | ||
| So if you ask him what the fake evidence is, he doesn't have an answer. | ||
| And that kind of reveals the illusion of this whole thing. | ||
| He has no answer. | ||
| So you can see how Alex has to awkwardly change the subject and see if he can get some momentum going in another direction. | ||
| Talking about my pillow. | ||
| See if we can get Sean to forget what his question was to begin with. | ||
| Yeah, you'd really think he's had a lot of time to find that fake evidence at this point in time. | ||
| Or at least make up some of your own. | ||
| Fucking, you're using the contracts that fake George Soros made for Antifa. | ||
| Make up a contract for, we're using fake evidence against Alex Jones. | ||
| I think Obama signed it. | ||
| Well, I think one of the issues that Alex has is he has to stay pretty vague on this because I do think that if he were to say that the lawyers introduced fake evidence and use a specific, they would fuck him. | ||
| Right. | ||
| You might be able to be able to get him into court real fast with that. | ||
|
unidentified
|
Right. | |
| Right, right. | ||
| You can't do it to lawyers. | ||
| Yeah. | ||
| Then you'll get in trouble. | ||
| They're a fake. | ||
| You can do it to parents. | ||
| Come on. | ||
| I think that I think he understands that the hammer could fall pretty quick if he was accusing them of committing crimes within a courtroom. | ||
| Right. | ||
| And so he used to keep it vague and be like, oh, the whole trial was fake evidence. | ||
| Right, right, right, right. | ||
| It's fucking nonsense. | ||
| I do like that. | ||
| I do like a good. | ||
| Hold on, hold on. | ||
| This whole thing is imaginary. | ||
|
unidentified
|
Oh, all right. | |
| All right. | ||
| So Alex rants a little bit here about his forefathers and all of these intellectuals that used to come on his show and coached him and taught him about life. | ||
| The sick, beautiful irony of this is, even if you guys kill me or put me in prison or whatever you do, you can't stop a signal because now Alex Jones is everywhere. | ||
| It's like Spartacus. | ||
| We're all Alex Jones now. | ||
| Okay. | ||
| And the truth is, I only popularized what the former head of the FBI in Los Angeles taught me, what the former head of Air Force Weapons Development taught me, what my uncle, who was in black ops all over Central South America, Iran, contrary, you name that, Southeast Asia before that, everything he taught me. | ||
| Everything that all these amazing people taught me when I was a child and a teenager and then an adult. | ||
| So the truth is, I didn't discover all this. | ||
| I didn't, I know. | ||
| I simply got on air when I was 19 and already had the background and then was able to get syndicated and successful by the time I was 21. | ||
| And then I got to be interfaced with all the top brains, the Anthony Suttons that ran the Frank Church committee hearings on the deep state. | ||
| All of them, the G. Ember Griffins, the Ron Pauls, all of them, all of them, all the inside experts from Reagan, all the head of the Department of Education, Charlotte Isaby. | ||
| I got to sit there with thousands of all the best people we've got seven days a week, interviewing them, researching, traveling, being sent documents by them. | ||
| And that's why, that's why I've been proven right. | ||
| Because all I did was take what all these people that didn't have media and were doing conferences and writing books and trying to warn people and going to Congress and trying to get them to listen. | ||
| That Congressman Larry McDonald, the Democrat who was super hardcore and was going to win the presidency, so they killed his ass. | ||
| You know, the John Birch Society, William F. Jasper, all these people. | ||
| So I stood on their shoulders, but I was able to take this giant brain trust and put it out in an interesting, I guess, entertaining way. | ||
| I wasn't trying to, but that's just how it happened. | ||
| And so none of the credit goes to me. | ||
| It goes to all the people's shoulders I stand on. | ||
| But now they were the core. | ||
| I was the next big wave, blasted out. | ||
| And now this new wave's 100 times bigger. | ||
| I'm getting chills. | ||
| And it's just everywhere. | ||
|
unidentified
|
Woo. | |
| Chills. | ||
| So what about the visions from God that Alex got as a child? | ||
| Like, what about his gift of prophecy and all the dreams that tell him the future? | ||
| I get that Alex wants to make it sound like he comes from a serious line of thinkers and all that, but he just ranted for two minutes about what makes him important. | ||
| And there's not a single word about God. | ||
| It's almost as if he has a sense that Sean's brand is a little more in the Rogan space than the Tucker space, where it might be a little embarrassing for him to just let Alex make himself the Messiah on this show. | ||
| And like, he's his trainer. | ||
| They know each other. | ||
| Yeah. | ||
| If you were like, God chose me as a child to lead the resistance against the devil, your trainer might be like, hey, man, what the fuck are you talking about? | ||
| We got three sets in of leg presses the other day. | ||
| You also didn't fall to your knees and get healed by Jesus. | ||
| Yeah. | ||
| Come on, man. | ||
| I've seen you sweat. | ||
| I wonder if there was a conversation between Alex and God at some point where God was like, listen, let me get out in front of this. | ||
| You're going to have to lie to people about me. | ||
| I can't, you know, you're not going to be able to sell my brand on other people's shows. | ||
| So I give you full permission to omit me from your list of accomplishments, even though, yes, I am God. | ||
| Right? | ||
|
unidentified
|
Yeah. | |
| He's like, I'm not going to take it personally. | ||
| Right. | ||
|
unidentified
|
Right, right. | |
| I'm God. | ||
| I already planned this whole thing out. | ||
| I can't be mad at you. | ||
| I have to let you know in advance, it's cool. | ||
|
unidentified
|
It is cool. | |
| It has to be cool because he doesn't seem to feel any guilt about it whatsoever. | ||
| No, it seems very different than what he says in a lot of other subjects. | ||
| Yeah, yeah, yeah. | ||
| Weird. | ||
| Also, a small point. | ||
| There's no way Alex said Larry McDonald on his show because that dude died in 1983. | ||
| McDonald was on a Korean airlines flight to South Korea that was shot down when it entered Soviet airspace. | ||
| And because he was a die-hard anti-communist, a John Birch Society guy, it became part of an elaborate conspiracy. | ||
| Incidentally, Larry McDonald also ran his own intelligence company called Western Goals. | ||
| An article about it in Politico quotes one of its former employees, Mary Joe Buckland, as saying, quote, a lot of funding came from Germany, more than what came from the United States. | ||
| A lot of it was kept from us. | ||
| The Germans were all a lot of medals and they had a lot of money. | ||
| The Germany people never came to the United States. | ||
| They would fly Western Goals accountant to Germany. | ||
| Something didn't feel on the up and up. | ||
| Western goals, former John Birch Society guy, Germany. | ||
| I'm not liking it, buddy. | ||
| That triangle doesn't hunt. | ||
| Yep. | ||
|
unidentified
|
Yep. | |
| So that's the people that Alex looks up to. | ||
| That's great. | ||
| Good stuff. | ||
|
unidentified
|
Yeah. | |
| Not God. | ||
| I would say 95% racist, explicit and extreme. | ||
| 5% crypto racists. | ||
| Still 0% God. | ||
| Crazy. | ||
| Yep. | ||
| So a lot of this is obviously, but Sean's not much of a spark of life. | ||
| Not super entertaining. | ||
| I think Alex can feel it. | ||
| And so he's got to fill space. | ||
| And a lot of this is just giving him a platform to complain about the Sandy Hook stuff. | ||
| Right. | ||
| Because the appeal to the Supreme Court just got rejected. | ||
| I can't imagine they thought that they would still, you would still be standing strong after this amount of time. | ||
| I'm stronger. | ||
| Yeah. | ||
| Because I know you're evil. | ||
| I mean, I loved in Connecticut when he goes, you know, you know about the Godfather? | ||
| You know the movie, The Mafia? | ||
| I'm like, yeah, Mario Puzzo's, you know. | ||
| I'm like, that's a great story about. | ||
| He was going to go speak at a college, Mario Puzzo, who'd never written anything, never done anything, and he just hung around as Italian in New York and actually knew all the real mobs. | ||
| So he put a fiction thing on him, actually with real people. | ||
| He just changed the names. | ||
| It's actually a documentary, literally. | ||
| And he writes it, and he's going to go speak at a top college on top college screenwriting. | ||
| Not one of those lower college. | ||
| You can pull this up, the story's in the interviews. | ||
| And they say to him, they say, so they want him to go address the whole class of writers and film students on how to screenwrite. | ||
| So he goes to the bookstore to buy the best-selling book on screenwriting. | ||
| And the whole thing's about the godfather script in Mario Puzzo. | ||
| I didn't know that. | ||
| But the funny thing is, like, you know what the godfather is, Sonny? | ||
| And I'm like, yeah, I'm like, yeah, the Mario Puzzo book. | ||
| He goes, no, no, the movie. | ||
|
unidentified
|
You know, the Godfather, the mafia, you know what that is? | |
| And I'm like, oh, do I know what it is? | ||
| You know what the real mafia is, jackass? | ||
| Anyways, and so called good people. | ||
| Did you mess with long enough, you find out? | ||
| But the point was, he's like, well, that's who we are, and you're going to lose no matter what. | ||
| So I'm going to talk. | ||
| But the point was, he's like, yeah, kid. | ||
| Once you learn we're thugs, once you learn we're crooks, you're going to go piss on yourself. | ||
| No, it's why I'm waging war on you. | ||
| I know. | ||
| The idea these people play these fucking games. | ||
| I'm coming for you. | ||
| You're not coming for me. | ||
| Are you though? | ||
| You understand that? | ||
| I'm not locked in here with you. | ||
| You're locked in here with me. | ||
| Hey! | ||
| Five points turned against you, and you're on the wrong side of history. | ||
| They know it. | ||
| You should have saved that for the end. | ||
| That would have been the end right there. | ||
| We've still got so much farther to go. | ||
| Well, here's the thing. | ||
| I haven't talked about this as much as I should. | ||
| It's just built to a head now. | ||
| Oh, I know. | ||
| I know. | ||
| But I mean, I feel great about it because, you know, oh, God, you get a website and you shut down our building. | ||
| Ooh, well, you just go work for other people. | ||
| Already got my crew, new, new management, new everybody. | ||
| And then I've just got a job there that they chase me around. | ||
| And I don't give a shit. | ||
| I'm not a high roller. | ||
| So, I mean, what's he going to do? | ||
| So this is fun, but Alex doesn't realize what his actual appeal is. | ||
| If he has to sell Infowars and go work for somebody else, it pierces the entire premise that his career is based on, which is that he's totally free. | ||
| He's his own man, and no one can tell him what to do because he runs the whole thing. | ||
| If he closes up shop and goes to work for Bigley, then he can get fired. | ||
| Bigley obviously supports the political ideology that he pushes, but they're first and foremost a money-making operation. | ||
| They sell shit. | ||
| And if he does something that makes it impossible for them to make money selling shit, he's no longer worth employing. | ||
| Alex can take on this posture that he doesn't need to be flashy and living a ritzy lifestyle. | ||
| And that's fair enough. | ||
| I do think that he would accept a certain amount of diminished luxury and continue doing what he's doing. | ||
| But this isn't about that. | ||
| It's about his soul and being free. | ||
| At InfoWars, Alex is free because it's a one-talent business built entirely around him. | ||
| If he wants to get drunk and cry about demons on his show, no one can stop him. | ||
| If he wants to pretend that an Ebola outbreak is about to happen in Denver, no one can stop him. | ||
| If he wants to continue to harass the Sandy Hook plaintiffs and cover new stories in ways that mirror how he behaved to get those lawsuits started in the first place, no one can stop him. | ||
| But Bigley isn't a one-talent business. | ||
| They may like Alex and see a profit in him, but they run stores for tons of shitheads in the right-wing media and they don't need Alex. | ||
| The audience may not immediately understand this, but the idea that Alex is an employee of someone else's thing will become a problem for them. | ||
| In the back of their minds, the audience gets that in order for Alex to make money, he can't own any business ever again. | ||
| And that makes his position vulnerable. | ||
| Bigley may be better than him going to work for like Fox News, but ultimately it's not that different. | ||
| He's giving up his independence and putting himself in a position where corporate interests can very easily exert pressure on his content or fire him. | ||
| So all this talk about victory and all this bluster is fine. | ||
| And I'm sure it feels good to do these rants and talk about Mario Puzzo. | ||
| But underneath this, Alex almost certainly knows that it's not just a website or studio he's giving up. | ||
| It's the entire idea of his career. | ||
| Now, he can't go back again. | ||
| He's like, he's going to be in a pocket. | ||
| Whoever's pocket it is, it's still a pocket. | ||
| Yeah. | ||
| Yeah. | ||
| There's no way to either reveal that everybody already knew that you were doing what you were told from, you know, Trump or whatever it is, and they didn't, and they don't care that you work for somebody else now, or you are revealing that even though you quote unquote work for somebody else, it's a bullshit arrangement and you should have all of your shit stolen from you again, right? | ||
| Like you're either ruthlessly independent or you're safe from the bankruptcy. | ||
| It's one of the two. | ||
| That's the whole point. | ||
| Can't have both. | ||
| Being Alex Jones is you get to pick one. | ||
|
unidentified
|
Yep. | |
| There's no amping. | ||
| Everybody else has to live with like, oh, maybe I should do this or maybe not in this situation. | ||
| Maybe I should. | ||
| No, you're Alex Jones. | ||
| You do the thing. | ||
|
unidentified
|
Yeah. | |
| And if you're who Alex pretends to be, it's an automatic decision that you maintain. | ||
| Every decision is an automatic decision. | ||
| Ruthless independence. | ||
| Right. | ||
| And the fact that he doesn't speaks to how this is all fake to become. | ||
| Yep. | ||
| So Sean, he's a young gun on the Rogan impersonator scene. | ||
|
unidentified
|
Sure. | |
| And so he wants to ask Alex for some like advice for other people in this media. | ||
| Should I do like 20 bicep curls or 30? | ||
| No, no, no. | ||
| That's the advice that he gives out. | ||
| Oh, okay. | ||
| Okay. | ||
| This is the other way. | ||
| All right. | ||
| So a lot of these other kind of, I guess, fringe influencers that are out there, quote unquote fringe. | ||
| What are some like warnings you would give to them based off of what you've had to live through? | ||
| I never put out sensational stuff for attention. | ||
| I genuinely, and I've been wrong some and gotten things wrong. | ||
| I had people on it were wrong, but never intentionally. | ||
| I see a lot of people just jumping on bandwagons because the public has woken up to their being lied to, but they haven't woken up to exactly what's going on. | ||
| So just because you got the general public that wasn't awake yet, it's kind of like there's a fire alarm. | ||
| You wake up, you don't know where the fire is. | ||
| You're kind of like in the dark. | ||
| So you got to flip the light on and get your bearings. | ||
| So we have the Great Awakening happening. | ||
| It's part of the fourth turning. | ||
| It was predicted decades ago. | ||
| It's here. | ||
| But you got a lot of people now that don't have enough depth or sophistication or context. | ||
| And I see what they're doing. | ||
| And they will just jump on things just because they know it's clickbait. | ||
| And Whereas the globalists lie in the seed for their power and control, there's an organization to that, and it's still very destructive. | ||
| But because they've been proven to be liars, now Hillary Clinton could walk out in a blue sky day and say the sky is blue, and people wouldn't believe her. | ||
| And so then there's also a danger that people then think everything's a lie, everything's a conspiracy, everything's a scam. | ||
| And then I get to hear, oh, you're the guy who thinks the earth's flat, or you're the guy that thinks reptoids really run things. | ||
| I'm like, no, that's somebody else. | ||
| No, no, no, no, no. | ||
| Alex doesn't believe in reptoids or flat earth. | ||
| Those are just the things his friends believe. | ||
| And he does clickbait interviews with them about those things. | ||
| Right. | ||
| And how dare people try to associate Alex with such silly ideas? | ||
| He only covers the real, hard-hitting, not disputable facts, like how God gave him 200 prophetic dreams about Gene Hackman in the year before his death, and Alex just ignored them for some reason. | ||
| Yeah. | ||
| Or how God tells Alex what time it is in the middle of the night so he can prove that it's God talking when he tells Alex that he needs to slow down on the booze. | ||
| And also that it's okay he doesn't tell people about God. | ||
|
unidentified
|
Yeah. | |
| Yeah. | ||
| Alex absolutely lies and does clickbait on purpose, but I think that he doesn't even register it like that. | ||
| No. | ||
| I think he just doesn't care what's true or not. | ||
| He's not lying to the audience because truth is irrelevant to how a headline can be used in order to push what he thinks is a larger, more important truth, which is that white Christian men should hold all the power in society. | ||
| Yeah. | ||
| And so I think in service of that larger truth, he allows himself to lie or imagines that God has given him permission. | ||
| Yeah, I would say that, like, whenever he says those types of words, I think he's more meaning it in like a, this is a successful decision or a failure decision based upon how much money or influence I received from it. | ||
| Right. | ||
| So yeah, I've gotten some things wrong because people got mad at me and didn't give me more stuff afterwards. | ||
| Yeah. | ||
| But all the things that I'm right 99% of the time, look, I'm rich. | ||
| Yeah, I think that there is like, I think there's an irrefutable argument that comes down like this. | ||
| He's the stupidest motherfucker in media. | ||
| Yeah. | ||
| He's been wrong about almost everything fairly constantly. | ||
| Yep. | ||
| And he is still here in this place where people are willing to take him seriously. | ||
| Jesus Christ. | ||
| And that is a success in a way. | ||
| I agree. | ||
| Yeah. | ||
| I agree. | ||
| It has nothing to do with truth or falsity, but there's an achievement somewhere. | ||
| Or, or I guess, like, I mean, it's not really an achievement for water to fill the open space, right? | ||
| Like, if there's, if you pour water, it's going to fill up the open space. | ||
| So maybe he's just a fucking bowl of water that got poured in the right area, and he's just, that's where he's going to be, you know? | ||
| Yeah. | ||
| And people didn't do a good enough job of setting up whatever sandbags would be needed to stop this flooding or whatever. | ||
| This is fucking Katrina. | ||
| Yeah. | ||
| That's what it is. | ||
| So Alex talks about some good stuff that Trump's doing. | ||
|
unidentified
|
Yeah. | |
| Which is surprising because there's a lot of really bad stuff that he seems to be ignoring. | ||
| We have to get engaged and we have to be in charge by leadership. | ||
| I do. | ||
| Not by deception, not by theft, not by lies, but by election and by example and by quality, whether it's in businesses, corporations, everything is a vote in this world. | ||
| And we have to hang our shingle out and we have to advertise that we are superior to these globalists and we want prosperity and goodwill. | ||
| And Trump definitely wants that. | ||
| He's definitely for a renaissance. | ||
| I mean, you saw what he did two weeks ago. | ||
| He pressured Saudi Arabia to basically double oil output. | ||
| No one's ever done that. | ||
| Now think, people. | ||
| He's got us as the number one producer in the world. | ||
| We're number three under Obama. | ||
| He cut it off. | ||
| Cranks us up to number one, beating Saudi Arabia. | ||
| And then Biden comes in, prices double, which is the ultimate tax on people's energy cost. | ||
| And then Trump skyrockets it back in just a few months to number one producer again. | ||
| And then he tells U.S. oil companies, I want you to work even harder to cut prices. | ||
| And then he goes to Saudi Arabia and says, I want to help the whole world. | ||
| So you know this is going to hurt U.S. oil producers. | ||
| The whole world's connected, which is true. | ||
| I want to lower energy prices for everybody because this is a global problem. | ||
| And my economists explained that to him. | ||
| He already knew it. | ||
| So he got the Saudis who they went. | ||
| Actually, you're right. | ||
| Everybody collapses. | ||
| We're screwed. | ||
| So they did the biggest increase in oil production ever. | ||
| Wow. | ||
| Now that is how you fight inflation is the base level. | ||
| So the Saudi government did agree to increase their oil production in the last months of 2025, but part of that agreement was also to not increase in the first quarter of 2026. | ||
| A lot of this does have the optics of a win for Trump, but the larger picture here is that OPEC understands that Russian oil companies are under sanctions. | ||
| So raising production is a move that's designed not necessarily to lower prices, but to be more stabilizing on the supply end of the supply and demand. | ||
| Yeah. | ||
| A lot of experts view it as a kind of risky move, but one that's not very surprising. | ||
| More to the point, though, shouldn't Alex think this is the government getting involved in price fixing for commodities? | ||
| I feel like everything about his political ideology should be against the federal government getting another country to change its energy policy in order to manipulate prices. | ||
| This isn't the free market that Alex loves and yells about being so important all the time. | ||
| Trump is very manipulating here. | ||
| Yeah, with these types of things, it's when you know that you're so starved for a victory that what is actually a huge, horrible loss, because in the moment seems like you've got a big fist up in the air, you call it a victory anyways. | ||
| Like there's no situation where in the long term, Trump has done the country good. | ||
| You know, like this is just a couple of days for him to go, oh, look at how great I am. | ||
| And then we move on with getting shittier. | ||
| Yeah. | ||
| Yeah. | ||
| It's it's a little it's a little blip of, hey, hurrah. | ||
| But I don't know if it's as impactful as Alex wants it to be. | ||
| Nope, but you're right. | ||
| It's because all the other surrounding stories are like, what the fuck? | ||
| Yeah, I mean, it is wild to consider that part of the decision making for a government like the United States is includes what can I make us look good about tomorrow on the paper. | ||
| Half of these fucking people who are in prominent positions are media figures, right? | ||
| So of course. | ||
| It doesn't mean anything like, oh, do people get to have more roads? | ||
| I don't care. | ||
| No. | ||
| That's six months from now. | ||
|
unidentified
|
Yeah. | |
| And who cares about roads? | ||
| All that's important is whatever I can say in a media hit about roads. | ||
| Exactly. | ||
| I got a promise for a thousand roads. | ||
| Great. | ||
| Cool. | ||
| Great. | ||
| So Alex talks about how he would do this for free. | ||
| He loves it. | ||
| He loves the fight. | ||
| I bet. | ||
| And they got a non-dischargeable debt, okay? | ||
| Which means even with bankruptcy, it never goes away. | ||
| So to them, it's just a way to harass me and stalk me and have me be a hunted man and come after me. | ||
| And they somehow think that means anything to me because it doesn't. | ||
| I mean, I will live under the bridge. | ||
| I mean, I will live on the roof of the new studio they're building. | ||
| I'll live, seriously, I'll live on a couch. | ||
| In fact, I'll do it for free. | ||
| I'll do this for free. | ||
| And there could be a charity and I just give them my food. | ||
| I literally don't give a shit. | ||
| So, I mean, they can put a gun to my head. | ||
| I'm not going to stop. | ||
| They think this does anything to me. | ||
| So Alex in 1999 might have been willing to do this shit for free and live under a bridge. | ||
| But hearing him say this in 2025 is a little much. | ||
| It's important to understand that the reason that he set up these fake companies like Dr. Jones Naturals and the Alex Jones Network are to make sure that he can still profit from his very easy job. | ||
| If he really didn't care about being poor or living under a bridge, then he wouldn't be doing everything he can to protect his assets and wealth from the bankruptcy, up to and including giving away his autonomy. | ||
| Yeah, Alex can say that he would do this for free and that he would live under a bridge if it meant that he could get the truth out, but his actions are all in service of making sure that he's able to maintain his wealth and doesn't have to resort to some kind of harder job than being a guy who yells and makes shit up to piss people off. | ||
| So I don't know. | ||
| I find it unconvincing. | ||
| You know, I guess it is technically true that you could say, right, I would live under a bridge. | ||
| I'd do this for free. | ||
| As long as you keep in parentheses, so long as I have exhausted every available fucking option to not do that, I will then do that. | ||
| Yes. | ||
| But I will do every single thing, including die, before I do that. | ||
| So would I really do that? | ||
| Right. | ||
| And I'm pretending that I'm so committed to the fight and being this person that I am that I would suffer the you know, like living under a bridge in order to stay that. | ||
| Yeah. | ||
| And unfortunately, all of Alex's actions are like, okay, I'll give up on being that kind of a guy if I don't have to live under a bridge. | ||
| Yeah. | ||
| Yeah. | ||
| Absolutely. | ||
| So it's kind of easy the opposite. | ||
| Every temptation to give up a piece of his integrity was taken. | ||
| Yeah. | ||
| That's why we have none left. | ||
| So go under that bridge. | ||
| Yeah. | ||
| Good luck. | ||
| Yeah. | ||
| I think his riddles would be bad if he was a bridge troll. | ||
| I mean, that's a good question. | ||
| Would they be harder to answer because they would be more incomprehensible, or would they be easier to answer because they would be as easy to understand as he could? | ||
| I think they would be half and half. | ||
| Some would be so fucking easy. | ||
| Right. | ||
| Like, I open a door. | ||
| What am I? | ||
| Right. | ||
| You're a fucking knob. | ||
|
unidentified
|
Right, right. | |
| Or like a key. | ||
| Okay. | ||
| It was so easy. | ||
| Yeah, yeah, yeah. | ||
| And then others would just be like using concepts no one's ever heard of. | ||
| And like, this is, there's no way I could ask this. | ||
| Two men go down the road. | ||
| The sky is green. | ||
| What is your name? | ||
|
unidentified
|
Uh, uh, uh, uh, Fred dead. | |
| Ah, shit. | ||
| Yeah, I think they're half and half. | ||
|
unidentified
|
Yeah. | |
| Okay. | ||
| So, uh, Sean asks Alex, uh, like, hey, you're going out of business. | ||
| How do you feel about that? | ||
| How do you feel about that? | ||
| He feels great. | ||
| Does he? | ||
| How do you feel about this? | ||
| This will probably be shut down within about three weeks. | ||
| This next chapter in your life. | ||
| Okay, they shut you down in the next three weeks. | ||
| I mean, I told you we're going to do it. | ||
| I said, I feel great. | ||
| Well, you tell him what I said with the audience. | ||
| Yeah. | ||
| You tell him what I said. | ||
| Well, I want you to tell him. | ||
| I want you to tell the audience, like, this, like, you're literally turning the page. | ||
| Infowars, done, moving over to AJ Live, right? | ||
| Well, here's the deal: it'll make the term InfoWar, but it's just generic bigger than ever. | ||
| No, I understand. | ||
| They'll have a website, but no, actually, Alex Jones Network. | ||
| But I'm talking to you. | ||
| Like, how do you feel closing a chapter, a really long chapter in your life, and moving to the future? | ||
| Are you feeling reinvigorated? | ||
| I feel great. | ||
| Is this because it's obviously something you were trying everything to avoid, and now it's here? | ||
| Well, I pledged to do it, and they want the name to misrepresent act like they're me and a bunch of other harassment, which is fine. | ||
| And when I say I'm going to fight and support the listeners, they buy so much product at the authorshore.com and support us that I was 100% not pulling punches. | ||
| I was fighting as hard as I could. | ||
| But then there's something when you know you've been in a rigged game like the movie Gladiator, but you still get them at the end. | ||
| This is their defeat, and we're only going to get bigger out of this. | ||
| And now they can target me all day instead of targeting my organization, trying to shut it down. | ||
| Now I'll work for other people. | ||
|
unidentified
|
Yeah. | |
| And then now the money can go not to legal most of it, but to new crew and more hosts and going like basically 24 hours a day, at least 20 hours a day. | ||
| So, yeah, I'm excited in that I fought the fought, left it on the field, you know, exposed them, won the court of public opinion, and now they basically, I got a tug of war, think they pulled something out of my mouth and run away with it. | ||
| I know it's a lipstick of dynamite. | ||
| To paraphrase, but you went down to the bottom of the bottom. | ||
| Is that a tug of war? | ||
| It's kind of like Wiley Kylo thinks he's going to get the Roadrunner. | ||
| It's the opposite. | ||
| Yeah, to paraphrase a cartoon. | ||
| Yeah. | ||
|
unidentified
|
Okay. | |
| All right. | ||
| So like this whole thing that we've been through is a lot like Wiley Coyote. | ||
| Not a horrible tragedy that we have existed in for fucking ever. | ||
| Oh, okay. | ||
| I don't think that Sean seems convinced by Alex's answer. | ||
| I think that there is an internality that he'd like to discuss of like, how is this affecting you, this change of era in your career? | ||
| And Alex is just unwilling to give him an inch. | ||
| I appreciate this because this is unexpected for this guy. | ||
| He is a personal trainer, and somehow he's like, you are very shallow in an emotional sense. | ||
| I would like you to open up and reveal more to me. | ||
| I'm a sensitive soul. | ||
| Well, maybe like some of the things you say when we're exercising or hiking, maybe there's something that you've let me in on and you are not giving any of it. | ||
| Do you cry a lot when you work out? | ||
| Is that what we're really finding out? | ||
| That would be great. | ||
| That would be great if it was just an intro to this interview. | ||
| All right, I just need you to know Alex cries a lot. | ||
| He cries every time we do fucking lat workouts. | ||
| It's crazy. | ||
| So instead of crying, they laugh. | ||
| Oh. | ||
| And they laugh a little bit here, reflecting on Alex's depositions in the Sandy Hook and stuff. | ||
| It feels good because men are supposed to crush tyranny. | ||
| We're supposed to crush scum. | ||
| And that's what we're supposed to do. | ||
| And it feels good to be doing what I'm supposed to do. | ||
| It just feels good. | ||
| Like a mountain morning or a beautiful sunset. | ||
| It's just, or you're toddler, running around the backyard, playing with bubbles or whatever. | ||
| It just feels like what you're supposed to do. | ||
| Yeah. | ||
| Just smash. | ||
| That's when they asked me on the stand of the show trial. | ||
| They go, is always being accurate and telling the truth your number one mission? | ||
| I said, no, crushing globalists. | ||
|
unidentified
|
Because they were going to come out with, oh, such a legendary situation. | |
| It's funny. | ||
| And where they go, you claim high-powering politicians are smuggling and trafficking children. | ||
| How outrageous. | ||
| Tell us about that. | ||
| I go, you mean like the Clintons and Epstein? | ||
| It's like they just walk into this stuff. | ||
| I think at this point, it would probably be best for Alex to not even bring up Epstein anymore. | ||
| His actions have thoroughly demonstrated to anyone paying attention that he does not care about the actual crimes that were committed, and it's all just a prop that he uses to attack his enemies. | ||
| So the less attention brought to it now, the better. | ||
| He's taking a victory lap for bringing up Clinton and Epstein in his deposition many years ago, but seems uninterested in holding Trump in any way accountable for the very obvious connections that he has with the guy. | ||
| By continuing to pretend to care about this when it involves Clinton, but giving Trump a full pass on it, you run the risk of the audience catching on that you really don't care about crimes against children. | ||
| You're just happy to exploit people's revulsion about the subject for profit, and you kind of look like a real asshole. | ||
| Yeah. | ||
| Hey, but at least they're having fun with it. | ||
| They are. | ||
| You know, they're just doing laughing, you know. | ||
| And I don't think it's fair personally to be Alex Jones having gone through the verbal Lashings, the exanguination via word that he's gone through to then be like, these stupid guys, here's how I zinged them. | ||
| Here's how I zinged them. | ||
| Yeah. | ||
| You know, like, I can't imagine some of those places that I remember doing in stand-up. | ||
| If a guy went home after that night and told his wife, like, I got him, I would want to have witnesses. | ||
| I want audio. | ||
| I want cameras. | ||
| You did not get me, my friend. | ||
| Also, I recall that, like, the deposition when Alex brought up Epstein. | ||
| Mark was like, we will get back to that. | ||
| Yeah, exactly. | ||
| I promise you. | ||
| Absolutely. | ||
| We will be coming. | ||
| Don't you worry. | ||
| We'll cover this topic a little bit later, but answer the question that's in front of us. | ||
| Absolutely. | ||
| He was not like, hey, don't talk about this. | ||
| Derek, oh my God, I have been dunked upon. | ||
| If you paid somebody 30 grand because people made fun of you too much, you don't get to talk about how you zinged the lawyers. | ||
| Yeah, I think that's you should reflect. | ||
|
unidentified
|
Yeah. | |
| So this is one part of Alex's, I think there's a media push. | ||
| This is definitely something that was in his Tucker interview to this idea of like focusing on Todd Blanche. | ||
| He's the evil guy. | ||
| He's the bad guy. | ||
| Right. | ||
| Ed Martin was trying to get Alex, like the DOJ, to help him go after the Sandy Hook plaintiffs. | ||
| Because fuck it. | ||
| And then Todd Blanche was like, shut it down. | ||
| That's the thing. | ||
| We're not that crazy. | ||
| Are we that crazy? | ||
| So now Alex is on the warpath against Todd Blanche. | ||
| He was against letting out Jay Sixers. | ||
| These guys are foaming. | ||
| Can you believe it? | ||
| Elitist leftist going, oh, Alex Jones's friend's a horrible person. | ||
|
unidentified
|
We don't protect him. | |
| Oh, little peasant down there. | ||
| I mean, it's disgusting. | ||
| So listen, it's not about me. | ||
|
unidentified
|
Okay. | |
| It's that if obviously Todd Blanch was to protect the FBI and DOJ because they ran this illegal crap against me. | ||
| It's cover your ass time. | ||
| And I waited a week. | ||
| I said, well, they're just doing that to cover my ass. | ||
| Let me see if he talks smack. | ||
| Oh, he talks smack. | ||
| Which is good because I already knew what he was. | ||
| And I'm like, good. | ||
| You just, for everybody, just came out and said Alex Jones is scum. | ||
| Good. | ||
| Good. | ||
| We already knew that. | ||
| We already knew what you thought. | ||
| You just told us who you are. | ||
| Thanks for the confession, buddy boy. | ||
| So you'll stack yourself up against me with the general public. | ||
| And now everybody's investigating you and all the stuff's going to come out. | ||
| And we're going to get rid of you up there. | ||
| We're going to get better people in. | ||
| And if they don't tell the line for the truth, we'll get rid of them too. | ||
| It's called public pressure. | ||
| You're like, oh, God, he's dangerous. | ||
| He can indict you. | ||
| They've already tried a whole bunch. | ||
| Whatever. | ||
| I've always been an active guy. | ||
| Training, pushing myself. | ||
| But once I learned how Catherine forces your body into that fight or flight mode, I realized that it's wrecking my recovery. | ||
| I get the boost, but I couldn't really rest. | ||
| That's when I came across Methylene Blue. | ||
| Now, obviously, like, I'm someone who's fairly opposed to advertising in most of its forms. | ||
| Pretty much all of them. | ||
| Pretty much all. | ||
| I will be against. | ||
| I'm not interested in it. | ||
| I don't expect the rest of the world to follow exactly the standards that I would set for myself and my behavior. | ||
|
unidentified
|
Sure. | |
| I think that this is embarrassing. | ||
| If you must do an ad, do an ad. | ||
| Sure. | ||
| Don't do it like this. | ||
| Don't edit it like this. | ||
| Find a natural point in the episode to just like, okay, here is where the subject changes. | ||
| We can insert the commercial there. | ||
| This and Tucker, it's disrespectful. | ||
| Yeah, I will say this. | ||
| I think what happens with these things now, all right, is I've heard of a few companies that have like an automated, we insert the ad thing. | ||
| You know what I'm saying? | ||
| I'm sure. | ||
| So they probably don't even listen to the show. | ||
| It's just like at minute blank second, this ad goes in. | ||
|
unidentified
|
Yeah. | |
| And I think automatic. | ||
| And I think that that is horrifying. | ||
| That is maybe meaning you don't really give a shit about your show at all. | ||
| Yeah. | ||
| I would, I, I, and, and, God, I mean, obviously we don't get any ad revenue from anything, but like if some platform was inserting commercials on our shit, I would hope someone would tell us so I could like address that. | ||
| I mean, like, if I were creating the show like this, I would feel really bad about this being the product. | ||
| Like, I understand you've got to insert the ads wherever they go. | ||
| Yeah. | ||
| Have a little bit of thought about it. | ||
| Yeah. | ||
| Like back in the day, back in the day of broadcast television, you would plan around commercial breaks. | ||
| Right. | ||
| And it's better. | ||
| You would know way in advance. | ||
| Yeah. | ||
| You would have segments that were almost religiously to the second. | ||
| Yes. | ||
| Yep. | ||
| We need to go back to broadcast TV. | ||
| I mean, I don't. | ||
| How do I? | ||
| Because I don't want to be too much of one of those guys. | ||
| But there is just a craft to making a show, man. | ||
| Like, if you're not interested in making a good show, if you're not even interested in asking people who make good shows, like, hey, should I cut off things mid-word? | ||
| Yeah. | ||
| You know? | ||
| If part of your process for making a show is understanding and accepting the possibility that a passionate rant that Alex is in the middle of could get cut off by a commercial, I think you don't care about the product. | ||
|
unidentified
|
Yeah. | |
| I think you don't care about the show. | ||
| How could you sell me on caring about the show? | ||
|
unidentified
|
Right. | |
| I don't know what word you're going to finish the sentence with. | ||
| What if Alex was just about to confess to a murder? | ||
| Absolutely. | ||
| Absolutely. | ||
| We got to do an ad. | ||
| Sorry. | ||
| Nothing we can do. | ||
| It's not like this is not a live product at all and something that we can edit over and over and over again. | ||
| Yeah, it shows a lack of care. | ||
| Yeah. | ||
| Just care about making a show. | ||
| Yeah, he's a personal trainer. | ||
| I'm sure he cares about that. | ||
| I mean, that's fair. | ||
| So Sean asks Alex about Charlie Kirk's murder. | ||
| Right. | ||
| And Alex, unprompted, I think he brings up something about Tucker Carlson that I think is very illegal, if true. | ||
| What do you think about the whole Charlie situation going on right now with all the people and all the question marks surrounding this? | ||
| And a lot of people are not believing the narrative. | ||
| Well, when I was up at Tucker's last Monday in Maine, he was going to dinner that night about to jump on a jet up to Maine over to D.C. to have dinner with the vice president and with Charlie's widow, Erica Kirk. | ||
| And I was talking about all these things with him and he said, well, the way Kash Patel and them haven't been releasing more videos and more documents and putting their narrative out, he's talked to him and Mongino, and they're like, well, we don't want to give the case up. | ||
| And Tucker's been his first job as a crime reporter. | ||
| He goes, you guys always put out the narrative of what's there. | ||
| That's not true. | ||
| And he said, that's what's generating all of this. | ||
| And, you know, he literally just had. | ||
| Did he tell me that? | ||
| Was that off-record? | ||
| God, they tell you so much stuff. | ||
| I better just not say it. | ||
| But the point is, Tucker's dialed into everything. | ||
| I mean, I mean, everything. | ||
| A little more than meets the eye with that guy. | ||
| So he's like the secret. | ||
| I mean, this is known out. | ||
| He's like the secret U.S. ambassador of the world. | ||
| Flies around constantly. | ||
| World leaders meet with Trump messages. | ||
| Oh, man, that's super illegal. | ||
| I mean, I can't think of anything less legal than unofficial ambassadors. | ||
| To the world. | ||
| From the president of the United States. | ||
| Right. | ||
| And the sort of leaders that he seems to be sending messages to are like Putin. | ||
| Yeah. | ||
| I mean, listen, Kissinger was evil, but at least he was hired to do the evil job, right? | ||
| You know, he wasn't like suddenly there. | ||
| Like, oh, I'm just Kissinger. | ||
| I'm just here causing hell all the way. | ||
| He's in an appointed position that is theoretically like Congress can do something. | ||
| Yeah. | ||
| You know, it's not like we sent Dan Cortez over to negotiate with the Contras. | ||
| At the very least, later on, that stuff will be written down somewhere. | ||
| Or there will be a recording of something. | ||
| You know, something. | ||
| Not just like, oh, Tucker was there. | ||
| That's no good. | ||
| I don't want that for history. | ||
| No, and it also, like, I don't know the extent to which I believe this. | ||
| But if you're someone like Alex who is distrustful of power, and you have a guy who has a weird media show, and he also is the ambassador to the world, a lot of power carrying secret messages to world leaders on behalf of the president of the United States. | ||
| Right, right, right. | ||
| I would be careful. | ||
| You know, if you were carrying secret messages from the president, a notoriously elderly man who says and talks a lot of shit that he doesn't mean and won't take back or will take back at a moment's notice, maybe you think I could change some of the words to what I want them to be. | ||
| Well, sure, that is a possibility. | ||
| But I think more realistically, if you're this guy, if you're Tucker, and like Alex is doing an interview on his trainer's podcast where he reveals that you tell him a bunch of stuff that maybe he can't repeat publicly, maybe you stop telling him stuff. | ||
| Yeah. | ||
| I mean, on the other hand, there is a little bit of a waggle. | ||
| There's a little bit of a dick waggle to just be like, yeah, go on your trainer's podcast and say all kinds of national secrets. | ||
| No one will believe you. | ||
| I got attacked by a demon. | ||
| Right? | ||
| Exactly. | ||
| Believe whatever you want. | ||
| You can't trust me. | ||
| So all of this just has a little bit of that feel of like Alex has been seduced by the cool kid crowd. | ||
|
unidentified
|
Yeah, yeah. | |
| And he doesn't even realize how much he's unrecognizable from his past self. | ||
| JD Vance is good friends with him. | ||
| When I was up at TPUSA last year, three months before Vance was announced, I was back there with Vance and Kirk in the green room. | ||
| They called me in there. | ||
| Oh, and I was talking to Vance been a listener for a long time. | ||
| I was like, hey, I hear your problem. | ||
| He goes, yeah, I got it. | ||
| And even, he didn't even say, don't tell people. | ||
| He's just, yeah, I got it. | ||
| It's me. | ||
| I was like, wow, that's the weird thing. | ||
| Is he just, I'm like, I did ask that on record, off-record. | ||
| So I went ahead and said, oh, JD Vance, he's got it. | ||
| But they're all buddies back there drinking ginger ale and high-fiving and watching YouTube clips and X clips of people. | ||
| Like they're like us. | ||
| Then fire them. | ||
| I drink beer. | ||
| And so, and so, I mean, these people are like goodie tissues. | ||
| Yeah. | ||
| I mean, like, there's the rumor, oh, Don Jr. is a drug addict. | ||
| No. | ||
| I mean, Trump doesn't even like his kids drinking. | ||
| So the point is, is that these are, I mean, Erica Trump is an actress. | ||
| Erica Trump has done thousands of these events. | ||
| So when her husband gets killed, she gets up and executes and does a great job for him because that's what you do in those times. | ||
| It's an interesting slip that Alex calls Erica Kirk Erica Trump twice. | ||
| Yeah. | ||
| Let's not think about it. | ||
| I don't want to think about anything anymore. | ||
| Also, I love the angle that Don Jr. can't possibly be on drugs because his dad doesn't want him to. | ||
| Nobody's ever made more sense to me. | ||
| He's 47 years old. | ||
| He's not a fucking teenager. | ||
| Somebody's ancient father doesn't want their middle-aged child drinking. | ||
| So obviously they don't. | ||
| Yeah, he can't possibly. | ||
| Of course not. | ||
| I think that there is a weird prism of infantilism that Alex works through. | ||
| Yeah, yeah, yeah, yeah. | ||
| There is an amount of like if the world works like the way you think it does, it should collapse. | ||
| Yet somehow, because the world works the way it does, you're allowed to think that the world works the way you think it does, and it doesn't collapse. | ||
| Wild. | ||
| Yep. | ||
| I think that he wants Trump to be his dad. | ||
| Yeah. | ||
| And I think he projects the daddliness onto everybody else, like he's my dad, too. | ||
|
unidentified
|
Sure. | |
| Whatever. | ||
| That's sad and gross. | ||
| But it makes sense. | ||
| I mean, it runs through like Tucker's dad's home. | ||
| He's going to shake you kind of shit. | ||
| We can't complain too much. | ||
| Just about, I would say maybe 75 to 80% of all great literature kind of rolls around daddy issues. | ||
| So, you know, what are you going to do? | ||
| No, I get it. | ||
| I think having issues with your parents is totally fine. | ||
| And I think that there's better ways to channel it from bringing back the Nazi Party. | ||
| Write a book. | ||
| But not one that brings back the Nazi Party. | ||
| Don't write mine comps. | ||
| Yeah, yeah, yeah. | ||
| So Sean brings up that, like, you know, Trump didn't, he didn't seem all that emotional about Charlie Kirk getting killed. | ||
| Because he doesn't give a shit. | ||
| Well, no, no, no, no, no. | ||
| Oh. | ||
| Alex explains. | ||
| He cried privately. | ||
| Oh, of course. | ||
| Of course. | ||
| You can't see it. | ||
| So Trump was devastated. | ||
| It looked like hell. | ||
| You go back to the, he was like, and then Trump gets over things. | ||
| They're like, oh, how are you feeling about Charlie? | ||
| And a week later, he's like, well, it's okay. | ||
| Look how great we're rebuilding this over here. | ||
| Yeah, everybody flipped out. | ||
| That's what Trump does is he moves on. | ||
| He's not like a liberal. | ||
| Oh, God. | ||
| Oh, help me. | ||
| Tallest building in New York, I believe. | ||
| These people cry behind the scenes. | ||
| And that's just what people do. | ||
| I mean, I have to tell you, the implication is, and I've heard this, and I want to be very clear. | ||
| People have a right to say this. | ||
| Just like I had a right to say what I wanted about Sandy Hook, I just didn't even say the things they said I said. | ||
| It's a First Amendment. | ||
| Okay? | ||
| So what you're getting at, and let's just say it, is what now five weeks into this, what people are telling me two weeks into it, all these Green Berets, Delta Force, sniper experts, medics, unless they release the HD and we see a bunch of blood on the ground, and I'm sure that's the case, and other stuff going on here, they're saying Charlie Kirk didn't get killed. | ||
| And that's what all this builds towards. | ||
| I believe he got shot from a higher angle. | ||
| I was the first to get the information from the head of TPUSA because he put out a little bit and he called me when I said it sounded crazy that the 30 odd six didn't go through. | ||
| He said, no, it came down from an angle, went down his vertebrates, bounced back up. | ||
| Shrapnel, that's now been said by the doctor. | ||
| And they say they're going to release it at the end of the month. | ||
| The autopsy, that better happened. | ||
| So I'm giving the benefit of the doubt. | ||
| I don't think the doctor's lying. | ||
| I don't think Charlie Kirk's best buddy's lying. | ||
| And all of this, though. | ||
| But people have a right to say the moon's made of cheese. | ||
| People have a right to say, you know, that didn't happen. | ||
| That's an American right. | ||
| And you brought this up to me. | ||
| You don't believe it. | ||
| There's got to be some other explanations. | ||
| But what you and I, what you said to me two, three weeks ago is what during the breaks when I'm talking to these green berets and all these guys are like, you're like, man, it just, you know, if they don't release that HD or at least, you know, show it because if there's not blood down there and it's just a squib pack, because that's how they do it in stunts, is it pops and then pops the back of the movie to make it look like it's real. | ||
| And I'm not saying that happened. | ||
| Alex Jones does it again. | ||
| But here's what's different. | ||
| You're doing it again. | ||
| There are a bunch of people saying this weeks ago. | ||
| Nobody's even attacking him because nobody believes anything anymore. | ||
| Oh, yeah. | ||
| Yeah, I mean, I guess no one does believe anything anymore. | ||
| How could you when you're listening to that man speak? | ||
| Exactly. | ||
| Right. | ||
| So apparently, I think Sean doesn't believe that Kirk got killed. | ||
| Yeah. | ||
| So he's still alive. | ||
| Or somebody else or the government killed him? | ||
| Or. | ||
| I think he must still be alive. | ||
|
unidentified
|
Okay. | |
| But I don't know what the end game is in that. | ||
| Yeah, now I'm interested to know what when does Charlie Kirk coming back like Gandalf the White solve a problem for us? | ||
| Well, I mean, he could be the Antichrist. | ||
| I mean, CK. | ||
|
unidentified
|
Oh, boy. | |
| Louie. | ||
| Free associating. | ||
| Yeah, but he's just doing, let's just go. | ||
| Let's just roll. | ||
| I think that this might dovetail with that idea that, you know, like, is it Kosh Patel said, I'll see you in Valhalla. | ||
| Right. | ||
| And, like, that's the resort in New Zealand or whatever. | ||
| Right, right, right. | ||
| Oh, that's right. | ||
| I remember that one. | ||
| Yeah, so I think that might dovetail with this. | ||
| Like, Charlie retired essentially, and they made a martyr out of him or whatever for Trump and the right wing to use. | ||
| Right. | ||
| I feel like that. | ||
| He doesn't fully explain what the reason for faking the death would be, but that's the best I can come up with. | ||
| Okay, so the idea is, here's our plan. | ||
|
unidentified
|
All right. | |
| I'm coming to you. | ||
| Here's my pitch. | ||
| Charlie, we need a murder, or we need a martyr. | ||
| A murder martyr. | ||
|
unidentified
|
A murder martyr. | |
| We need a martyr to get murdered. | ||
| But we don't want to kill you. | ||
| For some reason. | ||
| You're too cool. | ||
| We kill so many people according to these people. | ||
| Well, you know so much about us that we want to keep you alive. | ||
| Probably. | ||
| It makes the most sense. | ||
| And we want to give you more incriminating evidence. | ||
| Like the fact that you're alive. | ||
| Absolutely. | ||
| And that we've made a big deal out of it. | ||
| Yeah. | ||
| So then, yeah, we'll just fly you to New Zealand. | ||
| I don't, this is. | ||
| This feels like what people really believe whenever you're like, oh, they went to live on the farm. | ||
| Like, no. | ||
| That dog's dead, man. | ||
| Yeah. | ||
| Because, like, Charlie's power and leverage, like, he ceases to have the same power that he had the second everyone thinks he's dead. | ||
| Right. | ||
| But he has a very different power. | ||
| Massive power. | ||
| And the only thing he has power over is you. | ||
| That's the problem. | ||
| If I'm leaving, if I'm a guy who's against loose ends, I'm not, I'm blowing up New Zealand before I'm moving him to New Zealand. | ||
| All the shit that Charlie is useful for alive stops once he's believed to be dead. | ||
| Yeah. | ||
| So like the only way that this conspiracy would make sense is if they like told him they were going to fake the death and then actually shoot it. | ||
| Right. | ||
| And then that kind of. | ||
| But even then, that would only work if then you're the one telling Sean Johnson this information. | ||
| Like, hey, we didn't actually kill him. | ||
| I don't know, man. | ||
| And Sean Johnson believes you. | ||
| I don't see a world where there's a reason to do this. | ||
| No. | ||
| Like, to fake Charlie's death. | ||
| I don't see who has an advantage there. | ||
| Yeah, I could see it being some sort of Dada as terrorism. | ||
| You know, like a true, this will be inexplicable for all time. | ||
| A joker? | ||
| A joker? | ||
| Yeah. | ||
| I don't know if that's inexplicable. | ||
| He's crazy, man. | ||
| I think it's fairly explicable. | ||
| I am willing to say that Charlie is probably more useful now than he was before. | ||
| Sure. | ||
| Like, he is an incredibly potent symbol and martyr that these folks can use. | ||
| They're having a grand time. | ||
| I don't think that justifies killing him. | ||
| And it wouldn't be served by faking killing him. | ||
|
unidentified
|
Well, there's just doesn't make sense. | |
| I mean, you could, if you've got him already on the we can kill you tip, right, but then pick a better time for it. | ||
| There's, I mean, I'm not saying he's not a murderer, but it didn't feel like there was that much to change the world with in July or whatever, you know? | ||
| Well, I mean, it was deeply traumatic. | ||
| Sure, it was deeply traumatic, and some like professors lost their jobs and shit, but well, yeah, I don't, I just, I don't, I get the sense that this is what happens when you talk to a conspiracy theorist's trainer. | ||
| Yeah. | ||
| Is that this is the kind of shit that you entertain. | ||
| It's like, oh, yeah, they faked Charlie's death. | ||
| Like, what do you think? | ||
| I mean, even you're forcing a conspiracy. | ||
|
unidentified
|
Yeah. | |
| Like, I mean, it's not even like your conspiracy is they're going up to the other side in some way, right? | ||
| So it's not even like they got a congressperson fired, right? | ||
| Like, or something like that. | ||
| They didn't get a high-value target out of it. | ||
| Yeah, I don't know. | ||
| So Alex, he doesn't want to talk about, he doesn't want to say that this is fake or anything. | ||
| Sure, right. | ||
| So instead, he wants to do is prompt Sean to discuss the anomalies. | ||
| Yeah. | ||
| No, I mean, look, Trump got shot. | ||
| I know real stuff when I see it. | ||
| We all know fake stuff when we see it. | ||
| I thought we could tell fake A. Charlie Kirk blasted. | ||
| But I get why people look at all the weird anomalies because it all points towards that. | ||
| You do a good job laying them out. | ||
| You want to lay them out? | ||
| What, as far as what I'm going to do? | ||
| Well, proviso, you're not saying this. | ||
| You're just recounting what. | ||
| Well, listen, when something like this happens, you have to look at what are the possibilities of the actual motive and who did this. | ||
| In my opinion, it's like, okay, option number one, what they're telling us is absolutely correct. | ||
| It was Tyler Robinson. | ||
| He shot him from the roof, and everything else is just weird. | ||
| The second option is there was a second gunman, and maybe they used Tyler as a decoy, and we're kind of seeing what looks to be, I mean, to me, it looks like they're covering something up, and I don't quite know why. | ||
| I don't know why they took the narrative and ran with that so quickly. | ||
| I don't know why Erica Kirk was giving Tyler forgiveness so quickly after the investigation was still ongoing. | ||
| Why are you giving forgiveness to somebody that just killed your husband and you don't even know if he's the actual guy? | ||
| They haven't finished the investigation. | ||
| So I feel like this is a really good encapsulation of how Alex likes to do business. | ||
| He talks to a person who's willing to say some crazy shit, and then if the audience is into it and it drives traffic and sales, it slowly becomes the InfoWars position while Alex pretends to have not endorsed these ideas himself. | ||
| Sean is painfully uninteresting in this interview, and this anomaly that he comes up with is idiotic. | ||
| Erica was forgiving the guy who killed her husband because that was what she was required to do to perform the character of a saintly Christian, which is the brand that she's inherited from Charlie. | ||
| Sean is acting like there needs to be a conviction in the courts before you forgive someone, which is fucking dumb. | ||
| If this is part of your group of arguments why you think maybe Charlie's death was fake, you are grasping at straws. | ||
| And that makes sense. | ||
| You're a conspiracy theorist's trainer. | ||
| Yeah. | ||
| I do like the presentation. | ||
| All right. | ||
| The way I see it, there's three options. | ||
| Option number one, they're telling the truth. | ||
| Option number two, they're lying. | ||
| Those are all three options. | ||
| Well, no, there is a third option that he's going to express, which is just that it's fake. | ||
| Oh, well, I'm not. | ||
| The second one is they're covering something up like a second shooter, and then the third one is like, it's all fake. | ||
| Right. | ||
| But here's the here's the thing about possibilities, right? | ||
| He doesn't have a reason for these being possibilities. | ||
| Nope. | ||
| These are the three things that I'm thinking. | ||
| Yeah. | ||
| Right? | ||
| Here's the three fantasies that I've decided to cover all possible scenarios. | ||
| Yeah. | ||
|
unidentified
|
Cool. | |
| You haven't explained why it's possible there was a second shooter. | ||
| Erica forgave him. | ||
| See, that's not an explanation for why there's a second shooter. | ||
| What? | ||
| I mean, Erica, it could be evidence that something happened, but why is second shooter a possibility in this situation? | ||
| Well, it's just weird. | ||
| It stinks. | ||
| That smells. | ||
| There's too many anomalies. | ||
| That's fine, but that would mean there's more than three possibilities at the very least. | ||
| There's so many possibilities. | ||
| If something stinks, it could be anything. | ||
| Right. | ||
| But I think that the three possibilities actually do kind of cover everything because they're so vague and meaningless. | ||
| Right, right. | ||
| There's like, they're telling the truth. | ||
| Right. | ||
| The government is. | ||
| Which covers everything. | ||
| Well, that covers one thing. | ||
| Right. | ||
| Then there's like, there's a second shooter and they're covering that. | ||
| All the shooters. | ||
| There's a half cover-up. | ||
|
unidentified
|
Right. | |
| That's one slice. | ||
| Right. | ||
| And then the other slice is it's a full cover-up. | ||
|
unidentified
|
Right. | |
| We're doing Goldilocks and the three conspiracies. | ||
| But a million stars could be in that right sky. | ||
| Right, right, right, right. | ||
| It's the hierarchy of infinities. | ||
| So there's the third possibility that everything is fake. | ||
| The last option, and there's only one option that answers every single question mark that all of these influencers have that are floating out all of these theories and all these video angles and everything. | ||
| There's only one answer that answers all of it. | ||
| And this is fake. | ||
| This was all staged. | ||
| And that like why'd you send people their houses to harass them? | ||
| What's that? | ||
| Why'd you send people to his house to harass this family? | ||
| Why'd you pee on their graves? | ||
| Are you falling asleep? | ||
| No, no, no, that's what they'll do. | ||
| Are you drunk? | ||
| They're not. | ||
| Kirk's not going to do that, but imagine now. | ||
| Why'd you send people their houses to harass them? | ||
| All you did was ask questions. | ||
| Why'd you pee on the grave? | ||
| Why'd you make $300 million off that? | ||
| It's like, you just made $300 million by saying that. | ||
|
unidentified
|
Yeah. | |
| No, but that's how it works. | ||
| But see how the world's moved on? | ||
| That's totally reasonable. | ||
| And a bunch of the military people are saying what you're saying. | ||
| They're saying, looks real when he gets shot. | ||
| Where's the blood? | ||
| And then all the rest of it. | ||
| And then where's all the footage of him on the roof? | ||
| They got all these cameras. | ||
| Why are we showing only him running? | ||
| And then all the weird anomalies there. | ||
| What does he go to? | ||
| The point is, it's good you're asking those questions. | ||
| It's American you're asking those questions. | ||
| And it's not just okay. | ||
| We're supposed to do that. | ||
|
unidentified
|
Yeah. | |
| Yeah. | ||
| Even if we're wrong, it's okay. | ||
| Dig into this. | ||
| As long as you're not going to hinder the investigation that they're doing on Tyler for this case that. | ||
| That's your bar? | ||
| Like, right? | ||
| You don't want to hurt the case. | ||
| Like, if, because if. | ||
| All I know is, though, since when can he like he's supposedly confessed three times and all this. | ||
| Yeah. | ||
| Why would they put the confession out? | ||
| They always do that. | ||
| Yeah. | ||
| On certain level, yeah. | ||
| If the families of turning point workers like Erica Kirk get harassed by people who have been incited by Sean's coverage of the shooting, then they should be able to take legal action against him. | ||
| He's not just playing around with interesting ideas. | ||
| The interesting ideas he's throwing around require that Erica Kirk be involved in gigantic crimes. | ||
| These aren't just theories. | ||
| They're also accusations. | ||
| And that's the piece of this that folks like Alex have worked so hard to obscure. | ||
| The implications of their dumb fuck conspiracies. | ||
| That's why people harass those folks. | ||
| If I say, why did Erica forgive him so fast? | ||
| Right. | ||
| I am not asking you. | ||
| Yeah, exactly. | ||
| It is like, okay, well, obviously Erica's in on it. | ||
| Is she paid for it or is she a happy idiot? | ||
| It's that. | ||
| It's like, are you in on it or are you a useful idiot? | ||
| I have now gotten rid of all that. | ||
| It's quite obvious that you're in on it. | ||
| Yeah. | ||
| How dare you say there's three possibilities? | ||
| There's two possibilities, a half cover-up and a whole cover-up. | ||
| This is not a fucking original recipe chicken. | ||
| Only one that one explanation that explains everything. | ||
| It's all sad. | ||
| And think about it on this level. | ||
| Yeah. | ||
| I don't know what the end game is here for faking Charlie's death. | ||
| But just on a really simple level, you have defrauded thousands of people with that memorial service that they held. | ||
| The president spoke at the fraud memorial service. | ||
| Yeah, at the very least, he should be morally judged for such behavior. | ||
| Well, no, and I think there's crimes involved in that. | ||
| I would have to think so. | ||
| It's like a fully, it's like they isolate this incident so that this incident can be analyzed and all of these theories can be made, but these theories cannot have any effect on the larger world, despite the fact that this incident only exists because of its relationship to the larger world. | ||
| Yeah, it's removing continuity of reality. | ||
| Right, right, right, where it's like, no, no, no, it's okay for Erica to have been in on it. | ||
| It's not. | ||
| No. | ||
| You can't be in on a massive cover-up and still be a good guy. | ||
| Yeah. | ||
| And it would stand to reason that the entire Trump administration is also in on it. | ||
| Right. | ||
| And everyone involved in the memorial. | ||
| You would have to be. | ||
| Yeah. | ||
| Yeah. | ||
| On another level, though, like, yeah, who cares if dipshits are asking stupid questions that aren't really questions? | ||
|
unidentified
|
Sure. | |
| If they aren't interfering with the investigation, all they're doing is wasting everyone's time. | ||
| That's true. | ||
| There's no law against wasting time. | ||
|
unidentified
|
No. | |
| The consumers of this media would be wise to ask themselves: at what point do questions demand answers, and at what point are they not really questions? | ||
| The game that Alex and Sean engage in is pretending to be asking questions that demand immediate answers, but the answer that satisfies their question and gets them to say, well, that explains that, that doesn't exist. | ||
| If the police don't release the confession, then that's suspicious. | ||
| If they release the confession, why did it take so long? | ||
| Because it's suspicious. | ||
| If there's an explanation for the delay, then why does this one word in the confession seem weird? | ||
| There's always going to be another question to replace the last one because these aren't sincere questions. | ||
| They're excuses to believe something idiotic while still pretending to be rational and making money off it. | ||
| And it's really important, I think, if you're consuming this kind of media to understand that dynamic and reject people who play those games. | ||
| Yeah. | ||
| I've got a new. | ||
| Here's another thing I've got. | ||
| All right. | ||
| Here's my new, here's my new thought. | ||
| Can't restrict free speech. | ||
| Trump has. | ||
| Right? | ||
| Whatever, legally. | ||
| I am going to tack on to free speech, right? | ||
| If you say it's the First Amendment, you have to say the entire First Amendment. | ||
| That is now a rule. | ||
| That's a law. | ||
| I'm not going to restrict your free speech. | ||
| You can say First Amendment all you want, but if you say First Amendment, you have to say, for the government shall not make a law infringing upon the right for people. | ||
| You have to do the whole thing. | ||
| And then you have to recite pie down to 20 decades. | ||
| Absolutely. | ||
| We're going to amplify this to the point where people who say it's the First Amendment aren't allowed to talk at all. | ||
|
unidentified
|
Yeah. | |
| And then you have to, periodic table, you have to say something about absolutely. | ||
| What a noble game. | ||
| There are no gases, right? | ||
| Are there seven? | ||
| Are there four? | ||
| It's so sad that we both immediately just went to the noble gases. | ||
| The noble gases. | ||
| What are you going to go to? | ||
| Fucking uranium? | ||
| I don't know. | ||
| So Candace Owens has been blaming Israel for Charlie's death. | ||
| Sure, why not? | ||
| And so Sean wants to know what Alex thinks about what Candace has been up to. | ||
| And Alex doesn't realize what he's asking. | ||
| Uh-oh. | ||
| What do you think about Candace? | ||
| What do you think about her stance on all of this right now? | ||
| Because she has fucking backed herself into a corner and she's fucking got the claws out. | ||
| She's fighting. | ||
| Well, that's, I like Candace Owens. | ||
| We really discovered her. | ||
| I like her too. | ||
| I was like Paul Watson, my husband. | ||
| We're the first to really ever get her on air. | ||
| You know her origin story? | ||
| The red, what is it? | ||
| Red, pill, black, or black, pill, red. | ||
| Well, she was in a sort of social media for women. | ||
| And then the liberals wanted to get control of it. | ||
| So they were false flagging her, threatening her, like white supremacist stuff, but it was the women in the group doing it. | ||
| So that's kind of how she woke up as a liberal because they were like Jesse Smolletting her. | ||
| They were staging stuff. | ||
| So, and my lawyer, Norm Pattis from Sandy Hook, up in Connecticut, where she's from, he actually represented her and got her a big settlement where she did go through racist stuff in high school stuff. | ||
| So I know all about Candace Owens. | ||
| I think she is a good person. | ||
| I think she means what she says. | ||
| You think there's any truth to what she's saying? | ||
| Well, you've got to give me the latest because all I know is this. | ||
| She came out a few weeks ago and it's like, he was shot from the front and it goes through the vertebrae and all that. | ||
| And everybody's like, oh my God, Candace Owens, I'm not lessening it. | ||
| I'm like, I broke that. | ||
| Like three weeks before that. | ||
| I'm not a part. | ||
| I'm glad that whatever she says, everybody pays a lot of attention to it because that was true what she said. | ||
| And then they had the details was the TPUSA head guy says, oh, you know, he's got my number. | ||
| He calls me up 30 minutes after I do a post on X and he's like, oh, 30 odd six. | ||
| And I said, no way at that angle. | ||
| And then, so he called me and gave me the full details of what later came out. | ||
| And what he said, you know, which Candace is saying, you know, actually happened. | ||
| My point is, she's going off what they say. | ||
| We haven't gotten a coroner's report yet. | ||
| Does that make sense? | ||
| Yeah. | ||
| So she's talking to the same people. | ||
| Yeah. | ||
| She thinks this was an Israeli hit, correct? | ||
| Oh, is that what you're getting at? | ||
| Yeah. | ||
| Oh, oh, ouch. | ||
| Gonna have to redo that one. | ||
| Can we take that from the top? | ||
| And I guess day one, everybody said it was Israel. | ||
| So my thing is, the Israel thing is something that sucks all the oxygen out of the room. | ||
| So I wasn't being coy earlier when I'm like, well, what is she talking about? | ||
| She said so much stuff. | ||
| She said so much. | ||
| This lady talks so much shit. | ||
| I didn't know the clear question you were asking me. | ||
| Sean, I need you to understand something. | ||
| You're the person who listens to all of us talking shit. | ||
| You're the conspiracy theorist's trainer. | ||
|
unidentified
|
Right. | |
| We talk shit. | ||
| We don't listen to each other talk shit. | ||
| Why would we talk? | ||
| Why would we listen? | ||
| Mostly just know when something becomes a problem. | ||
| Yeah. | ||
| I'm an annoyance. | ||
| Yeah, so I like the. | ||
| You know, I discovered her. | ||
| You know, she stole that news from me. | ||
| I mean, I'm trying to ask you about her saying that the murder was an Israeli hit job. | ||
| You know, I'm pretty. | ||
| Have you considered how great I am in this question about somebody else? | ||
| Yeah. | ||
| Pretty great. | ||
| I'm pretty great. | ||
| I'm pretty great. | ||
| What did she do? | ||
| I'm sorry. | ||
| So one of the things that's really great about Alex is that, you know, you have people like Candace Owens saying that the murder was an Israel hit job. | ||
| Sure, because why not? | ||
| And, you know, that's a representation of how Candace is a sincere actor in this space who has criticisms about Israel. | ||
| She believes it. | ||
| Now, Alex early in his career learned how to tell anti-Semites from people who have concerns. | ||
|
unidentified
|
That's good. | |
| Yeah. | ||
| I bet he did. | ||
| Yep. | ||
| Okay, but there's all sorts of groups and organizations like that, but I don't sit there at night jacking off like, I hate the Jews. | ||
| You know, that stuff just gets really old. | ||
| So, well, that's what a lot of these guys that hate them do. | ||
| I mean, they literally, look, maybe I have an allergy to it because I've been on here 30 years plus. | ||
| And I was on here just a few months. | ||
| And like, I'd have guys come down the studio and go, you're talking about the new world order, but you know, it's the Jews. | ||
| And here's some pamphlets. | ||
| We want to come on your show. | ||
| They'd be up there the next week. | ||
| I've been on here like a month, 31 years ago. | ||
| They're like, I noticed you didn't call me back. | ||
| I guess you work for the Jews. | ||
| And my friend, I was like, no, I hadn't read the stuff yet. | ||
| I was like in the back of my car. | ||
| I'm like, yeah, Joe's is kind of a Jewish name. | ||
| We'll be watching you, boy. | ||
| So my first experience was like, these people are like, just, I was like, whoa, they're the worst ambassadors there are because they're the little club that's good, and everyone else is not pure. | ||
| And all leads, all roads lead to the Jews. | ||
| Smash cut to Alex hanging out with Nick Fuentes. | ||
| Fuentes. | ||
| Shaving a Hitler mustache with Sean Johnson. | ||
| With Sean Johnson. | ||
| As a bit. | ||
| It's so funny. | ||
| I think that what he's describing about this Nazi that he interacted with a month into his career is literally exactly the same thing that happened with Nick. | ||
|
unidentified
|
Yep. | |
| Alex was not being hard enough on Jewish people. | ||
| And Nick took to his show and said that Alex was a fat drunk who got a call from Israel and he worked for the Jews. | ||
| And now they're good buddies. | ||
|
unidentified
|
Yep. | |
| What an idiot. | ||
| It's just one of those patterns. | ||
| It's just like Alex, Joe Rogan's fucking liar, and I'll gut him like a pig. | ||
| And now we're best friends. | ||
| And it's their kids on the playground. | ||
| They just need to blow off some steam sometimes. | ||
| Man, these guys. | ||
| Yep. | ||
| I hope Sean Johnson is a really good trainer. | ||
| I mean, look, I don't know how much of it is all organic. | ||
| You know, like, I don't know if Alex got on the shot or whatever. | ||
| I don't know. | ||
| Yeah. | ||
| He did lose a lot of weight. | ||
| I mean, and like, if Sean Johnson is the trainer responsible for that, he's not bad. | ||
| No, I think that might be where we're, I think this might be our issue, right? | ||
| He succeeded too well at his good job that made him think I could also do Alex's job, right? | ||
| I'm skinny. | ||
| He's skinny now. | ||
| He can do a radio show. | ||
| I can do a radio show. | ||
| Makes sense. | ||
| I think that there's a lot of people who are in like some proximity to Alex that get the idea that what he does is super easy because it is right. | ||
| They just don't realize that without the past, like the bullshit of the past like 20 years, no one cares about the easy shit that Alex is doing. | ||
| You're just another streamer. | ||
| Right. | ||
| It is, it is like, it is super easy because I'm me. | ||
| It's impossible for you. | ||
| Yeah. | ||
| Yeah. | ||
| It's impossible to stand out as conspiracy theorist trainer. | ||
| Right. | ||
| So Alex, he lists off here some suspects that could be behind the assassination of Charlie Kirk. | ||
| And I think if you have this wide of a net, you don't really know anything. | ||
| You know, for me, Candace can, you know, talk about how she thinks Israel did it. | ||
| And that's the big popular thing to think. | ||
| And I think she really believes that. | ||
| It's kind of like, you know, those ink blocks where you kind of see what you want in it. | ||
| And I wouldn't be surprised if it turns out that a weird RNC alliance that wanted control of the group because it was bigger than the RNC now and bigger than CPAC with Israel, you know, didn't use Israeli operatives because they're very competent assassination to do it. | ||
| That's a possibility, pure speculation. | ||
| The DNC knows he got two and a half million people to vote for Trump was the reason he won. | ||
| And they're the ones calling for him to die, celebrating when he died. | ||
| And then you got all these other transifa, trans antifa out blasting people every week and you know shooting up. | ||
| I saw him like, I'm like, yeah, DNC, RNC, Israel alliance. | ||
| Makes sense. | ||
| And then could it have been? | ||
| I mean, if you got to sit there and start speculating, could the Chi Coms do it? | ||
| Now, here's the twist. | ||
| You actually don't have to engage in rampant, idiotic speculation about every event that happens, desperately chasing clicks and attention. | ||
| If you really think that it's possible that all these different groups could have been involved in an elaborate assassination plot against Charlie, then you have no evidence about any of it because you sure as shit haven't ruled out any of these suspects. | ||
| Yeah. | ||
| The truth is that Alex has nothing to say, which is why he has to say so much. | ||
| Yeah. | ||
| This is so dumb. | ||
| Yeah. | ||
| You don't have to do this, and it's kind of embarrassing too. | ||
| I mean, it's what it should really prove backwards thinking, right? | ||
| Is how few people, especially nations, want to assassinate anybody. | ||
| Right. | ||
| Because if I'm a nation, like say I'm just like a regular ass, say I'm Luxembourg, France, right? | ||
| How do I want to get on the map? | ||
| I'm just going to start assassinating people and they'll blame it on Israel. | ||
| Like there's no, why wouldn't you? | ||
| Well, Luxembourg France works for Israel. | ||
|
unidentified
|
Right. | |
| But this is what I'm saying. | ||
| Like if you do some shit now, it will be blamed on Israel by these crazy people. | ||
| I mean, it's exactly what Alex was saying earlier. | ||
| No one believes anything anymore. | ||
| There's yeah, and I think that one of the things that's really shocking too is that like I don't think that Charlie Kirk's assassination was that hard to pull off. | ||
| It looked very straightforward. | ||
| I don't believe that you would need elaborate conspiracy in order to have done that. | ||
| Nope. | ||
| And that reveals a really like a kind of comforting thing in that like this could be happening all the time. | ||
| Yeah. | ||
| And the fact that it's not kind of means that most people don't want to kill each other. | ||
| Nobody wants to assassinate anybody. | ||
| Right. | ||
| And I think that that is, I hate to say a silver lining of this event, but it is kind of like, well, this would be happening a lot more if the world that Alex lives in was the real world. | ||
|
unidentified
|
Right. | |
| Oh, and not just that, but every, like, the most common part of all major political assassinations is very simple and straightforward. | ||
| Any complications, almost every one of them is foiled. | ||
| The moment, even, even if you've got two guns and you're trying to kill Andrew Jackson, it's going to get foiled. | ||
| Right. | ||
| Once you call the Chinese. | ||
| Right. | ||
| What are you talking about? | ||
| It's done. | ||
| You're done. | ||
| It's over. | ||
| You have a gun. | ||
| You're a guy. | ||
| You walk up close. | ||
| You shoot him. | ||
| That's as good as you're going to do. | ||
|
unidentified
|
Yeah. | |
| And like the bottom line, I feel with this kind of interview and this tone is like Alex is coming up with fun, fanciful things to be like, well, maybe they did it. | ||
| Yeah. | ||
| But he's also saying like, if I were forced to speculate, like you force yourself to speculate. | ||
| You don't have to do any of this. | ||
| If I were forced to speculate. | ||
| If somebody were going to ask me in my professional expert opinion. | ||
| If speculating about nonsense and making shit up were the only way that I could make money, then I would say that maybe the Chinese or maybe the Trans Antifa gone to my head. | ||
| It could be literally anybody I don't like. | ||
| And for good measure, it might be people I do. | ||
| Yeah. | ||
| But it might be the kind of people who I do like who I also don't really like. | ||
| It could be both. | ||
| Rhinos. | ||
| So the interview comes to an end and Alex is trying to drive home this message that Todd Blanche sucks and needs to go. | ||
| Yeah. | ||
| I don't own the AlexShowstore.com, so they can't shut that down. | ||
| That's got the best supplements, t-shirts, all of it. | ||
| That's funny, the new thing we're doing. | ||
| And so much, you know, very, very exciting things happening there. | ||
| And so I just thank people for their support, their word of mouth. | ||
| And thank you so much, Sean, for helping get me back in shape. | ||
| Thank you, brother. | ||
| I appreciate you for coming on. | ||
| And I'll end it with still no Epstein list. | ||
| So all you know is chaos we've been talking about. | ||
| Still no Epstein list. | ||
| You know who's over, not releasing him? | ||
| Todd Blanche. | ||
| Oh, that's weird. | ||
| The guy that went and interviewed Gislane Maxwell and then put her in a minimum security prison, the best of the country. | ||
| Yeah. | ||
| He's a nice man. | ||
|
unidentified
|
Yeah. | |
| And he's Trump's right-hand man right now. | ||
| So, anyways. | ||
| Yeah, that implicates Trump. | ||
| I mean, here's the deal. | ||
| They had that high-level whistleblower that was the head of the case the first five years that they caught on tape going, no, Trump's not involved. | ||
| Which we already know. | ||
| But it doesn't matter. | ||
| After the fact, he's been convinced for the CIA and Masad, who are both involved, to cover it up. | ||
|
unidentified
|
Yeah. | |
| And so, and who is there? | ||
| Todd Blanche. | ||
| Yeah. | ||
| So, and now that he's got that, now that he's over that case, he feels invincible that he can then deep six anything else he wants. | ||
| Maybe he has something over Trump's head. | ||
| Never know. | ||
| Epstein. | ||
| All right, brother. | ||
| I love you. | ||
| Let's do this again soon. | ||
| People can find me on Exit. | ||
| Real Alex Jones. | ||
| Find the live feeds there and so much more. | ||
| Thank you, Sean. | ||
| Thank you, everybody. | ||
| Bye. | ||
| So we impeach Trump then? | ||
| Like, what are we talking about? | ||
| Absolutely insane way to end and not go like, we're crazy, right? | ||
| Yeah. | ||
| We have accepted all fanciful things and nothing means anything because I'm both like, hey, Epstein should come out. | ||
| But also I'm like, but I don't care. | ||
| Fucking crazy. | ||
| Well, and I think that this reveals a system that could be threatening the conspiracy community a little bit. | ||
| And that is like Alex and his brand of shit. | ||
| It's similar to the way that some of the more mainstream right-wing talking heads, radio show hosts would work in the past. | ||
| And that is for the friend group, we scapegoat someone. | ||
| So like nothing is Trump's fault. | ||
| Right. | ||
| It's Bill Barr's fault. | ||
| Right. | ||
| It is Todd Blanch's fault. | ||
| We find this other person. | ||
| He's the one who the Epstein stuff definitely totally mad about that, but it's his fault. | ||
| We do not let the buck stop with Trump. | ||
| Right. | ||
| Whereas with the other side, every single underling, everything they do is Obama's fault. | ||
| Everything is Clinton's fault. | ||
| Clinton actually orchestrated all of these little downstream decisions and everything. | ||
| And I think that some of the more like newer wave conspiracy folks, they don't buy into that same old right-wing mentality of protecting where the buck stops. | ||
| Yeah. | ||
| Like Sean seems entirely willing to be like, well, that fucking means that Trump is involved in this. | ||
| And people like Nick Fuentes isn't willing to just be like, yeah, Trump gets a pass. | ||
| We'll just blame the guy at the DOJ or whatever. | ||
| And I think if they can't get on the same page about that, that's going to be a problem. | ||
| Yeah, I mean, I think in our lifetime, I can only point to examples of them essentially circling the wagons, being like, listen, sure, we've yelled about this for a while, but now that we know we're not going to get any traction with this, we're just going to pretend it didn't happen. | ||
| We're just going to move on like, bah, ba, ba, ba, bay. | ||
| Yeah, sure. | ||
| They caught this guy doing whatever. | ||
| Didn't happen. | ||
| We're moving on, you know, because we've already agreed that we're going to let Trump off the hook for it. | ||
| So if we've already done that, then let's not like pick it a scab. | ||
| Right. | ||
| Yeah, totally. | ||
| Yeah. | ||
| And that's what this ending feels like. | ||
| Exactly. | ||
| It feels like Alex kind of trying to be like, hey, look, we've already kind of litigated this. | ||
| Yeah, we moved on. | ||
| We don't care. | ||
| He lost. | ||
| He gets to do whatever he wants. | ||
| He can rape kids. | ||
| I don't care. | ||
| He was right. | ||
| He can shoot a guy in the street and we'll be like, you get to be more president. | ||
| Yeah. | ||
| And I think that There's, I don't know exactly how it plays out because I think that people who are willing to call out the hub of power or whatever and not be like, well, let's blame the scapegoat. | ||
| Yeah. | ||
| I think that they have possibly more of a moral indignation behind them. | ||
|
unidentified
|
Sure. | |
| And I think that they can sell their argument better to people who aren't like already in. | ||
| And so I feel like that would be ascendant. | ||
| Yeah. | ||
| But then, like, who's going to fucking listen to Sean Johnson? | ||
| I mean, that's, I think that's probably the, if, if, if we had, let's say, a fair marketplace of ideas, I think maybe Sean Johnson's point of view would get more traction overall. | ||
| But since the overwhelming money can put its put a hand on the scale to like, hey, Trump gets to do whatever he wants. | ||
| It's Blanche, you know? | ||
| Yeah, but the problem is like the marketplace of ideas, like if it were just like a free and open marketplace, like the guy who's like, no, we still need to blame Trump is also the guy who's like, I don't know. | ||
| I think Charlie Kirk's assassination might have been faked. | ||
|
unidentified
|
Right. | |
| So like, what kind of quality of ideas are we working with? | ||
| I mean, I think here's my problem. | ||
| I agree with you. | ||
| I think that's probably because we're downstream of those guys already. | ||
| You know what I mean? | ||
| Like, if we had gone back to a place before where they have poisoned us all in this horrible well of bullshit, then maybe we would have Sean Johnson be like, you know, I have questions about regular government. | ||
|
unidentified
|
Where did Texas go? | |
| What's a bill? | ||
| What is a bill? | ||
| Can we start with what is a bill? | ||
| Is there a song I could listen to that explains how a bill becomes a law? | ||
| I mean this very seriously. | ||
| When you are writing a bill, what words do you use? | ||
| Are they in French? | ||
| Anyway, I regret this. | ||
| I think that Sean is boring as shit. | ||
| I think he I don't know, man. | ||
| These people, like InfoWars is thin. | ||
| Yeah. | ||
| I don't even think that he works for InfoWars. | ||
| I think he's just a Jason. | ||
| Yeah. | ||
| And like, this is the kind of like media talent we've got around. | ||
| It's bad news. | ||
| Yeah. | ||
| I watched a couple of Owens shows and they're terrible and pathetic, right? | ||
| But I think there's something interesting going on there. | ||
| There's nothing going on with this guy. | ||
| No, this is brutal. | ||
| Yeah. | ||
| Yeah. | ||
| This is emptiness. | ||
| So I will not return to the Sean Johnson well. | ||
| I bet his triceps are great. | ||
|
unidentified
|
So good. | |
| I bet they are fucking tight. | ||
| And you know what? | ||
| I would love it if he was my trainer. | ||
| Yeah. | ||
| Because I think it would be adversarial. | ||
| And I think that that might be able to get that might get you an extra couple of sit-ups is being like, I gotta tell you, you suck. | ||
|
unidentified
|
Yes. | |
| I gotta tell you, you suck. | ||
| Yeah. | ||
| I gotta tell you, you suck. | ||
| Yeah. | ||
| So, Sean, I'd like to hire you. | ||
| My trainer. | ||
| All right. | ||
| But I'll never listen to this. | ||
| But we'll be back with another episode about some other dumb bullshit. | ||
| Indeed. | ||
| But until then, we have a website. | ||
| Indeed, we do. | ||
| It's KnowledgeFight.com. | ||
| Yep, we'll be back. | ||
| But until then, I'm Neo. | ||
| I'm Leo. | ||
| I'm DZX Clark. | ||
| I am the Mysterious Professor. | ||
|
unidentified
|
Yeah, and now here comes the sex robot. | |
| Andy and Kansas, you're on the air. | ||
| Thanks for holding. | ||
| Hello, Alex. | ||
| I'm a first Tim Caller. | ||
| I'm a huge fan. | ||
| I love your work. |
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