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March 7, 2025 - Radio Renaissance - Jared Taylor
07:55
This is How the West Dies
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Since December 10th, that means for 87 days, hundreds of illegal alien Africans have occupied this beautiful 19th century building in the heart of Paris.
It's called the Gaete Lyrique Theater.
Last week, after 79 days of occupation, theater management threw up its hands and abandoned the building, which is owned by the city of Paris.
With youths everywhere, all performances had been canceled.
Revenue had plummeted to zero.
And claiming force majeure, management said it could no longer fulfill its contract to run the place.
Meanwhile, there have been demonstrations in front of the theater with Africans demanding legalization, housing, food, and medical care.
Music
A judge has ordered the city of Paris to solve the problem by March 14th, but so far nothing has been done.
This is how Western civilization could die.
Paralyzed whites unable to take the most obvious steps to protect what is theirs.
It is a camp of the saints in miniature.
Aliens invade and whites put up no resistance.
How did we get here?
First, with the lefty stupidity of the theater's management.
Lyric gaiety, to say its name in English, used to stage operas, but it fell into the hands of degenerates who don't seem to like lyricism or gaiety.
Here are the next concerts that had to be cancelled or moved elsewhere.
Theodora is a Congolese rapper who represents a diversity, musical and ideological, an explosive cocktail.
Even if sometimes I don't go down, it's because of my pride that it's too far away from my knees.
And my feet often do my feet.
Can Blaster.
is a unanimously respected and admired synthesizer artist.
This is from his latest album,
"Liberosis." And
so it was no surprise that when the theater put on a conference called Refugees Welcome in France, it let in 200 black street bums for free.
But Lyric Gaiety was outflanked by an even more insanely lefty organization called the Collective of the Youth of Parc de Belleville, which rounded up the Africans.
The Collective's job is to make an infernal pest of itself.
Here are its troops last spring, occupying a cultural center demanding housing, food, education, and medical care for illegal blacks.
And here they are outside, threatening to shut down the Paris Olympics if Africans don't get what they want.
The collective is run by whites, and it has no trouble whipping up flash mobs.
They usually get the boot quickly enough, but this time they hit the jackpot.
When the Africans refused to leave, this manager conceded that it was an illegal occupation, but he sympathized with the poor dears, who certainly could not be put out in the December cold.
And for 79 days, the staff played social worker, garbage collector.
And Security Guard.
While non-profits like this outfit, Samu Social, along with Doctors Without Borders, made sure the Africans were fed and medicated.
Meanwhile, the Flash Mob Collective was in high gear, launching appeals.
On the left, asking for donations of food, garbage bags, and cleaning supplies.
Middle, racist government, mayor's office.
We are sick of sleeping outside.
Right. An invitation to join a demonstration outside the theater.
Here you can see Africans shouting into bullhorns and waving posters that say equality means legalization, housing, education, and health care for everyone.
Or that say solidarity, disobedience, resistance, struggle, state racism paves the way for fascism.
Other banners appeal for help from leftist labor unions.
As always, this kind of insanity has nitwit white supporters.
This all finally got to be too much for the theater staff.
Look at those earnest white people.
They wrote an open letter to the mayor of Paris.
They did not say, get these swine out for God's sake.
They said the theater faced an explosive situation with violence of increasing frequency and seriousness.
That there had already been one dangerous fire.
That at last count, there were 446 squatters underfoot, for whom they begged the authorities to find shelter.
And with that, on March 1st, they walked out.
The city has reportedly taken over, but the place is still pretty spooky.
A Soros-backed newspaper called Street Press had been using free offices in the theater.
Street Press is proud to proclaim that it is anti-racist, against the radical right, feminist, against police violence, on the side of refugees, ecologists, and on the side of the poor.
But five days after theater management beat a retreat, Street Press's Mathieu Mollard, look at his nice X illustration, issued a statement.
He said staff had to move out suddenly.
For its own safety, he said that especially at night there is tension in the building.
He expressed continuing solidarity with the Africans, of course, and blamed their problems on reactionaries and racist propaganda.
But he begged donors for thousands of euros to pay for the staff's narrow escape.
And that, ladies and gentlemen, is the current state of play at the venerable gaieté lyrique.
The French media are surprisingly muted.
Maybe they are waiting for an explosion.
I will close with a scene from a 1985 production of Jacques Offenbach's opera, Voyage to the Moon, which premiered at the Gaete Lyrique in 1875.
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