Nov. 5, 2025 - The Joe Rogan Experience
02:57:59
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unidentified
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The Joe Rogan experience. | |
| Train by day, Joe Rogan podcast by night, all day. | ||
| Don't worry, sir. | ||
| Good to see you. | ||
| Rogan. | ||
| Yeah, good to see you. | ||
| Nice to see you, man. | ||
| Your movie's great. | ||
| Thank you very much. | ||
| When does it come out? | ||
| In the United States, it comes out November 7th. | ||
| Okay. | ||
| And then various dates over the next month and a half or so around the rest of the world. | ||
| It's a fucking heavy movie, man. | ||
| Yeah. | ||
| It's a heavy movie. | ||
| The trial. | ||
| That footage, was that all real footage? | ||
| The Holocaust footage? | ||
|
unidentified
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Yeah. | |
| Real footage of the one of the reasons that inspired Jamie to go ahead, that he was given access to that footage, some of which has never been seen since 1946. | ||
| It's a very interesting way that he makes the subject matter accessible because it's such a dry topic from the outside, right? | ||
| Here's a court case. | ||
| Here's yet another courtroom drama, procedural or whatever. | ||
| So I can imagine that people would see that and go, well, it's, you know, might not be an exciting watch or something. | ||
| But he sort of puts the audience in this position where he allows them to start to be amused by some of the things that are going on and the interpersonal relationships. | ||
| And, you know, when the commandant of the prison has to call up his two top mental health experts and dress them down for getting into a fistfight, things like that. | ||
| There's a charm to it. | ||
| And then he gets you into the courtroom and he locks the door. | ||
| And he goes, now you're going to see what we're talking about. | ||
| So I think it's a very interesting film device to disarm people before he starts giving them the real juice, you know? | ||
| Yeah, it's also a fascinating psychological tape from the psychiatrist, from Kelly's perspective, you know, because the way he's describing all human beings, that all human beings are capable of these horrific acts. | ||
| And that's the thing that was a very unpopular take at the time, actually led to his removal from the process because he wasn't fulfilling what the War Department wanted him to say, which is, you know, all Nazis are crazy, you know, ruled by a madman. | ||
| And this is a unique experience. | ||
| But that's not what he found. | ||
| In sitting down talking to the 22 major Nazi sort of names that he was assigned to post-war, he realized that every single one of these people was, you know, as normal. | ||
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unidentified
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Well, there was a couple that were pretty out there. | |
| But, you know, for the most part, he was dealing with rational men. | ||
| Yeah, that's what's scary. | ||
| How the hell did they end up making this series of decisions if they're rational men? | ||
| Well, it just seems like things just get pushed slowly but surely into this unbelievably horrific place. | ||
| Right. | ||
| Like it starts off, it's just a war. | ||
| It starts off Hitler's in power. | ||
| And then slowly but surely, things get incrementally. | ||
| Yes. | ||
| And that's the thing that's difficult because gigantic jumps, we can all read. | ||
|
unidentified
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Right. | |
| But little incremental changes. | ||
| Right. | ||
| The boiling of the frog. | ||
| Just how you take away this person's rights, that person's personal power, and slowly, you know, you get to a point where the average person then turns around and goes, how did we get to here? | ||
|
unidentified
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Right. | |
| Yeah, I thought it was, I thought it was about something else. | ||
| You know, there's a smoke screen going up, and I thought we were doing that. | ||
| And as it turns out, it's very different. | ||
| Yeah, that's the one of the scariest aspects of human beings is our ability to dehumanize others, to turn others into something less than us. | ||
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unidentified
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Right. | |
| Non-human, an other humans, with families, with mothers, and fathers and children. | ||
| It's one of the most dangerous things, and I see it going on everywhere at the moment, that we're trying to say that you're either, you know, and for want of a better team name, that you're either red or that you're blue. | ||
| Right. | ||
| And humans are far more nuanced than that. | ||
| We're not that extreme, you know? | ||
| And the idea that you can split all of us into two camps is kind of nuts. | ||
| It's nuts. | ||
| You know? | ||
| Yeah, it's nuts. | ||
| And it takes out all the room for subtlety in a discussion. | ||
| And therefore, it makes communicating with each other less and less available. | ||
| Well, it's just in this country in particular. | ||
| I don't know about Australian politics, but we only have two parties. | ||
| And they're both essentially financed by enormous corporations. | ||
| So it's a ruse. | ||
| The whole thing's a ruse. | ||
| And you have different social issues on each side that come up, and then it becomes this year with us or against us, right versus left. | ||
| But it's going nowhere good. | ||
| Nowhere good. | ||
| We have the same sort of two-principal party system in Australia as well. | ||
| But we have a slight advantage in that we're kind of on the edge of the world in a lot of ways. | ||
| So what I've always said is when you're growing up in Australia, New Zealand, you grow up looking out. | ||
| Yes, you understand your own culture and all that, but you grow up looking at what else is happening in the rest of the world. | ||
| What's happening in Europe? | ||
| What's happening in America? | ||
| By and large, Americans grow up looking in. | ||
| The principal sports are only played by American teams, American football, in some instances, baseball, but they're not the types of sports that we play where the pinnacle of that sport is international competition. | ||
| Right. | ||
| Rugby union, rugby league, cricket, football, soccer. | ||
| So we grow with that as being the pinnacle of any particular sport if you get to represent your country. | ||
| And that's only really relevant in an American sense in an Olympic period, you know. | ||
| Right, that's it. | ||
| Yeah, we never think about other sports. | ||
| We mock them. | ||
| We think about, you know, like, what are you doing playing cricket? | ||
| And it's a fascinating game. | ||
| And anybody who loves baseball, generally, I've found baseball lovers are all about the minutiae. | ||
| They're all about the stats and what those stats mean. | ||
| You know, there might be a certain score on the board, but, you know, and their team might be getting beaten, but they see in the stats that there's a certain dominance in an area. | ||
| And so they still have a hope that the outcome of the game may come their way. | ||
| And cricket fans are the same as that. | ||
| So the fact that the two never seem to meet is odd to me. | ||
| It is odd. | ||
| Because it's the same type of game. | ||
| Cricket is larger worldwide, right? | ||
| Much larger. | ||
| Yeah, well, you have India and Pakistan and Sri Lanka and countries like that with huge populations playing the game. | ||
| Do you guys have home runs in cricket? | ||
| Like where someone really cracks the ball and smashes it out of the park? | ||
| It's called a six. | ||
| If you hit the ball over the fence without it bouncing, you get six runs. | ||
| And that's the moment of an home run. | ||
| There's different forms of the game. | ||
| You have T20, then you have one day. | ||
| So this is going to be difficult. | ||
| T20 means that each team gets to bowl 20 overs. | ||
| An over is six balls. | ||
| So you have 26 ball overs that you're bowling to the batting team, and they've got to try and get as many runs as they can. | ||
| And then you will have a go at batting, right? | ||
| So you have that version of the game, which is very short. | ||
| It can happen in an evening. | ||
| Then you have a one-day game, which maybe starts in the afternoon, finishes by eight or nine at night. | ||
| But then you have the test match. | ||
| And this is what I grew up with. | ||
| It's sort of been dialed down a little bit now because they brought in shorter forms of the game. | ||
| But the test match is between two countries and it's played over five days. | ||
| And the idea is that both teams have to bat and bowl twice. | ||
| And the result will be whatever it is at the end of five days. | ||
|
unidentified
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Five days? | |
| Five days, man. | ||
| Five full days. | ||
| And they start and then they have morning tea and then they have another break, they have lunch, and then they have afternoon tea. | ||
| And if it's really hot every now and then, somebody will walk out and give them drinks. | ||
| It's very civilized. | ||
| My cousin Martin was a great cricket player. | ||
| He was the captain of New Zealand. | ||
| My other cousin Jeffrey was also a captain of New Zealand. | ||
| So I kind of grew up in a cricketing family and it was one of the pathways for me that was, you know, to potentially play cricket. | ||
| But when you've got two of your cousins who are as good as they were, it's a very crowded room. | ||
| So how am I going to make any kind of statement here when one of them, Martin, at his peak, he was called by Sports Illustrated, I believe, the Michael Jordan of World Cricket. | ||
|
unidentified
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Wow. | |
| He was a very dominant player in his day. | ||
| And he used to call, we used to discuss test matches as the gentleman's war because you have a defined space. | ||
| You have X amount of players and you've got to stop that little ball in this gigantic 180 meter by 120 meter oval. | ||
| You've got to stop that little red ball from going between the players and therefore, you know, preventing the batsman from scoring runs. | ||
| But that five-day game, the way that it ebbs and flows, once you're into it, it's the only way you want to watch cricket. | ||
| Because it's like, you know, at one moment, your team can be just so far ahead, you're like, and then it'll turn on a dime. | ||
| And day two, things get really dark for your team. | ||
| Day three, you've got an edge back again. | ||
| Day four, it's fantastic, man. | ||
| And as a kid, I used to go and attend every day of a five-day game. | ||
|
unidentified
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Wow. | |
| Yeah, it was crazy. | ||
| Yeah, there's nothing like that here. | ||
| No, no. | ||
| I mean, it really requires, I mean, just like, look at the five-day game. | ||
| It's like five news cycles, right? | ||
| Yeah. | ||
| We're not really set up for that sort of patience. | ||
| How is it broadcast? | ||
| Is it streamed? | ||
| Television. | ||
| Television. | ||
|
unidentified
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Yeah. | |
| Yeah. | ||
| I mean, you know, there's cables and companies and stuff have got involved now, but it used to be national network. | ||
| And when cricket season was on, I mean, you know, back in the day, people would come from overseas and into Australia this summer and ask the question, is there anything else on television except sport? | ||
| Is it so? | ||
| Do they take commercial breaks? | ||
| Yep. | ||
| Okay, they do. | ||
| So that's the problem with soccer, right? | ||
| Soccer in America, the reason why it's very hard to sell is not just that a lot of people don't play it, but it says there's no commercial breaks. | ||
| They used to be. | ||
| So you have a huge number of people who play association football, soccer in this country. | ||
| Oh, for sure. | ||
| Listen, they have a professional team here. | ||
| Yeah, yeah, yeah. | ||
| I've been to the game, but it's nowhere near the involvement that football has. | ||
| American football. | ||
| American football in this country. | ||
| It's not even close. | ||
| Yeah. | ||
| Well, see, all of our sports that we like in Australia, apart from cricket, tend to be quite compact, you know. | ||
| 80-minute game, 90-minute game, 10-minute half-time. | ||
| And it's part of your day. | ||
| It's not your whole day. | ||
| It's like we'll go to a football game and then we'll go and have dinner or go and do something else. | ||
| So we have that same thing where the action is so continuous that the idea of stopping for a commercial break gets quite tricky. | ||
| Yeah, that makes sense. | ||
| It's always been fascinating to me that rugby never took off in America. | ||
|
unidentified
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Yeah. | |
| Because it seems like kind of a more savage version of football. | ||
| Yeah. | ||
| Well, the way I think it sort of plays out is you've got rugby union, right? | ||
| Which is 15 men a side. | ||
| Every time a player is tackled, you recompete for the ball. | ||
| You have rocks, malls, you have lineouts. | ||
| It's a very different game. | ||
| But there's another version of rugby called rugby league, which was played in the north of England. | ||
| And that has a defined period of offence and defence. | ||
| And I think that's where American football comes from. | ||
| I actually own a team in Australia in the NRL, the National Rugby League, the South Sydney Rabbitos, the oldest team in the game, 1908, we were formed. | ||
| Bought the team in 2006. | ||
| And it's very easy to explain to Americans. | ||
| I have American friends come down. | ||
| I spend maybe 20 minutes talking to them, and they get the game. | ||
| And they start to dig it. | ||
| My girlfriend at the moment, actually, Brittany, was one of the reasons why I really started being attracted to her because she understood the game straight away. | ||
| Then I find out that when she was younger, she was a cheerleader for the New Orleans Saints while she was studying electrical engineering. | ||
| So, yeah, rugby league is a very easy game for Americans to follow. | ||
| Now, how it's refereed becomes frustrating for an American audience because there's so much room for interpretation, referee to referee, game to game, situation to situation. | ||
| So it can get frustrating. | ||
| I think one of the greatest things about American football from the outside or from an objective point of view, it seems that every single thing that the NFL try to do is based on an across-the-board fairness for everyone. | ||
| So those conversations between the referees and what have you seem to be everybody's on the same page. | ||
| And sometimes when you're watching rugby league, something that you saw somebody else get sent from the field for the week before, and now nothing happens this week. | ||
| But it's the same kind of hit or whatever. | ||
| It's like, well, you know, so I've had a few Americans get quite frustrated. | ||
| No, I think that's, yeah, I think the game moves very fast. | ||
| Right. | ||
| And, you know, referees don't have eyes on all sides of their head. | ||
| But do you have referee corruption over there? | ||
| Because you have gambling. | ||
| We definitely have gambling. | ||
| Yeah, I know you have gambling because I read ads for them. | ||
| Last brokes. | ||
| Absolutely crazy the way gambling has become such a significant player. | ||
| I also read the other day that now it turns out that 50% of ownership of all the major gambling things are in the hands of sports teams. | ||
| Oh, boy. | ||
| Going on. | ||
| I think what we have, as opposed to corruption, is natural bias because guys come out of the game. | ||
| So there's 17 clubs in the NRL at the moment. | ||
| And guys who are in positions like referees or video refs or whatever, they have a club. | ||
| They grew up associated to one particular geographic area and that's their club. | ||
| So it's very difficult for anyone to truly objectively see their own natural bias. | ||
| But also, there's got to be some corruption if there's gambling. | ||
| If it's so subjective that you can make calls that you would, that didn't, that someone got in trouble a week before, and then this week nothing, like that kind of subjectivity where it's up to the referee to make a decision. | ||
| If I was a corrupt person, a gambler, especially if I was a mobster, I would reach out to that referee and say, you know, it's within our best interests to work together on this. | ||
| Yes, let's say that. | ||
| I would hope in all innocence. | ||
| Well, you have to say that. | ||
| You own a team. | ||
| Yeah, and you've got to sort of remain a little impartial in these things. | ||
| What was that scandal in America, Jamie? | ||
| The most recent one, the basketball one. | ||
| It had to do. | ||
| It's still ongoing. | ||
| It's still ongoing. | ||
| Yeah. | ||
| What are they accusing these guys of, though? | ||
| I know they rigged poker games, but there's also accusations about the basketball games themselves. | ||
| Most of it would have been based off of player props. | ||
| So they know that they're not going to take themselves out of the game. | ||
| So I just take the under on I'm not going to score 20 points. | ||
| I'm only going to be there for 10 minutes. | ||
| Wink, wink. | ||
| Or like, you know, these players aren't going to play in this game against us. | ||
| That sort of way. | ||
| This is players gambling, is it? | ||
| One of the coaches was doing it too, or like giving information. | ||
| I mean, he was. | ||
| Thing is, they were tied to the poker game, too. | ||
| Oh. | ||
| So it was just a full-on criminal. | ||
| I just saw on the news today that the one player who's been tossed around, he had a big IRS debt, and all of this sort of started around the same time, too. | ||
| Oh, he's trying to pay off his debt. | ||
| So he got corrupt. | ||
| Who knows? | ||
| Who knows? | ||
| But weren't they ripping off their friends in the poker games? | ||
| That I don't know because I've seen it. | ||
| I've seen clips of this. | ||
| People knew about this a year or two ago on Instagram. | ||
| They're like, I was at a fucking rigged game, and I know the people involved and know that I should not have, like, I'm not going there and losing my money. | ||
| How did they know it was rigged? | ||
| The people involved, he said. | ||
| He's like, someone else told me this. | ||
| It's all in the up and up. | ||
| And then he's like, I know everybody in the game. | ||
| It's definitely not. | ||
| What are you talking about? | ||
| How that guy knew I knew he didn't really care? | ||
| Well, they had crazy shit. | ||
| Like, they could read the cards. | ||
| They had like an x-ray machine. | ||
| They had cameras and the chip holders. | ||
| I don't know who they were communicating to, though. | ||
| There's a lot going on, but it was happening in L.A., Vegas, New York, all over the place. | ||
| God. | ||
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| A lot of money. | ||
| Gambling. | ||
| $50 million. | ||
| I stay away from it. | ||
| I know how you feel about it. | ||
| About gambling? | ||
| Yeah. | ||
| Yeah, I had an experience when I was a young fellow. | ||
| It was the first time I was in America, actually. | ||
| And I'd had all these intense meetings and what have you, and I had a decision to make. | ||
| I had 10 different people wanting to be my agent. | ||
| So I rented a car and I went for a drive and I went up to San Francisco along the coast and then I turned inland thinking, you know, well, I've heard of Reno, so I'll go there, right? | ||
| So I went to Reno, Nevada, and I had X amount of money, right? | ||
| It was a very, I wasn't, you know, I was doing well in my career, but I didn't have a lot of cash. | ||
| So I had a couple of hundred dollars in my pocket, that's all, you know. | ||
| So I went and had a beer and I started playing blackjack on a $5 table and it was a single deck. | ||
| This is how long ago this was, 92 or something, right? | ||
| So I'm playing and I did pretty well. | ||
| I amassed a few hundred dollars, feeling very cocky and confident about myself. | ||
| And I probably just then had one beer too many. | ||
| And I went for a walk down the street and I saw a roulette table and I think, that'll be me, right? | ||
| Sucker. | ||
| And so everything I won, I lost. | ||
| And by the time I sort of got my shit back together, I had $25 in my pocket. | ||
| I'm in Reno. | ||
| I got a quarter tank of gas and I got to get back to LA. I don't have a credit card. | ||
| Oh, boy. | ||
| So as it was, I'd paid for my hotel in advance. | ||
| So that's all cool. | ||
| But I was like, okay, I've got to sober up here. | ||
| So I go back to the place I started, back to that same $5 table. | ||
| And I just very carefully, when I got to like $190, which I knew was going to be enough to get me back with petrol and food and all that stuff, I stopped. | ||
| I go out into the car park of this hotel. | ||
| It's like 11 midnight, something like that. | ||
| And I just started vibrating, man. | ||
| My whole body was like shaking like I was having some kind of fit, you know? | ||
| And it was just really weird. | ||
| I got back to the hotel room and I called my mum, Collect, in New Zealand. | ||
| And I just, I just did this. | ||
| I went through this. | ||
| She goes, darling, something I've never told you, but your great-grandfather was a professional gambler. | ||
| And at one point in time, he gambled his house away. | ||
| He had to go and get his daughters, wake them up, get his wife and tell them this is where they no longer live. | ||
| And that one act kept that family in, you know, relative terms poor for another two generations. | ||
|
unidentified
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Wow. | |
| That one impulsive act to gamble his house. | ||
| Yeah, so I know it's in me, so I don't go anywhere near it. | ||
| That's fascinating. | ||
| So you think it's genetic. | ||
| There's a horse race in Australia called the Melbourne Cup. | ||
| And I will focus on that. | ||
| And if I happen to be at home and I have the day off kind of thing, I'll put a bit of money on that. | ||
| But that's it. | ||
| Everything else that I do in my life is gambling. | ||
| Becoming an actor, massive gamble. | ||
| What are you talking about? | ||
| It's ridiculous. | ||
| Buying the football team. | ||
| It's all a version of gambling. | ||
| But the idea that you're just giving money away to a system that's not fair. | ||
| It's not going to benefit you. | ||
| And at the end of the day, in the longer term, you're simply not going to win. | ||
| That drives me a little crazy. | ||
| I don't want to get involved in that. | ||
| The vibration thing, do you think gambling is genetic? | ||
| Like, there's a thought that a lot of there's there's certain behaviors that are in people that are passed down from their parents. | ||
| There's certain thought processes, there's certain inclinations, that it's some genetic proponent that we haven't clearly identified yet. | ||
| That it's, you know, they used to think that people are a blank slate. | ||
| You're born, you're a blank slate, you learn everything from your environment. | ||
| But we know that's not real. | ||
| It's not real. | ||
| No, there's a shit ton that you get from your genes. | ||
| It's very weird. | ||
| And I wonder if you got that from your grandfather. | ||
| It really feels like it's in me and I have to work against it. | ||
| Thank God you have discipline. | ||
| That you could go back to the table in one area. | ||
| Well, that's a good area to have it, isn't it? | ||
| But that's how desperate the situation was. | ||
| It's like I'm standing there in Reno realizing I can't even get back to L.A. I've got a real car. | ||
| So I just took it really, really slowly. | ||
| And I do this thing if I'm playing in a situation like that, because occasionally I will go and play blackjack at a casino if I'm in a group of people. | ||
| Because if you're all disciplined and if you hold every seat on a table, you can turn the tide against the house very easily. | ||
| They hate you doing it. | ||
| They try to break it up and put somebody in the middle of you, whatever. | ||
| But if you actually, funnily enough, it was Tom Cruise that taught me this. | ||
| If you have it, so the first chair and the last chair make the calls and the decisions, and everybody else just sits on 12 and above. | ||
| And you watch the mathematics come your way. | ||
| Now, way, way back in the day, right? | ||
| It would have been 95, 96, 97, something like that, right? | ||
| Tom calls me. | ||
| He's married to Nicole Kibman at the time. | ||
| Calls me and he goes, you know, hey, bud, we've got this thing set up. | ||
| Steve Wynne has put on a jet. | ||
| He's going to fly us to Vegas, right? | ||
| We are allowed to play at Shadow Creek. | ||
| We're allowed to play golf at Shadow Creek. | ||
| So I'm not really a golfer, but it sounded good to me. | ||
| Jumped on the plane, went there. | ||
| We're playing Shadow Creek. | ||
| Lightning Storm comes up. | ||
| Tom's like in the middle of the fairway, still trying to play. | ||
|
unidentified
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We're going, dude, put the iron down. | |
| It's this lightning. | ||
| So we enjoyed ourselves at the golf course. | ||
| Then we go back to the Wynns Hotel and they've given us Michael Jackson's Lanai to change clothes in or whatever. | ||
| We go and get some Chinese food. | ||
| The jet's comped, the golf's comped, the Lanai's comp, the food's comped, and then we go and play blackjack together. | ||
| Tom explains what the team's going to do, and we take $25,000 or more off the table, go back to the airport, get on the comp jet, fly back to LA. But we finished as a group. | ||
| We then attacked the New York Times crossword and we did the last word as we were landing in Los Angeles. | ||
| So to me, it was like, that, I believe, was a perfect day. | ||
| That's a team effort. | ||
| That sounds like a lot of fun. | ||
| It was a great day. | ||
| But that sort of like, that was one of the early experiences where, okay, so you can have fun with these sort of games as long as you don't take them too seriously. | ||
| My current girlfriend is a massive poker player. | ||
| She loves it and she's really quite good at it. | ||
| She's played in a couple of female-only tournaments and things like that, you know. | ||
| So I watch them play, but I don't get involved. | ||
| I don't want to get involved. | ||
| I don't want to activate that. | ||
| Yeah, because I am kind of, you know, I do have a reckless streak. | ||
| You know, I can imagine in the wrong moment if I'm, you know. | ||
| Tipsy. | ||
| Well, it wouldn't be tipsy. | ||
| It would be more like drunk on some kind of ego power kind of thing where, yeah, I can turn the universe. | ||
| I can make it come my way. | ||
| I'll bet my house. | ||
| So I just got to stay away from that. | ||
|
unidentified
|
Oi. | |
| Did you see Uncut Gems? | ||
| No. | ||
| Oh, it's probably the best gambling movie ever. | ||
| Adam Sandler plays a degenerate gambling junkie. | ||
| Okay. | ||
| Not a comedy at all. | ||
| Amazing Mill. | ||
| Amazing movie. | ||
| I love how he's getting, it just seems like he's getting some due respect these days. | ||
| Yeah. | ||
| People are really starting to see how big his effect was and what he can do. | ||
| Also, those movies are fun. | ||
| All those Happy Gilmore, and they're fun movies. | ||
| I love those movies. | ||
| They're innocent, enjoyable entertainment. | ||
| And he's really good at them. | ||
| Jack and Jill, they're hilarious movies. | ||
| Yeah, and that right these days, because I've got a project at the moment, which on the surface you would have to call a comedy. | ||
| Nobody wants to discuss it. | ||
| Nobody wants to talk about adult comedies. | ||
| So where's that scared? | ||
| Where does that comedy mean we're going to? | ||
| If we're sort of reducing comedy as a genre. | ||
| It's only in the film world. | ||
| In the stand-up world, it's like everybody's completely pushed back against it and they're going the other direction. | ||
| They're going back to like 1990s style comedy. | ||
| Right. | ||
| Which is just say whatever the fuck you think is funny. | ||
| Confrontational. | ||
| Stop. | ||
| No one means these things. | ||
| You're saying things because they're funny. | ||
| That's it. | ||
| You know, it's just like Bob Marley didn't really shoot the sheriff. | ||
| You get it? | ||
|
unidentified
|
Right. | |
| You know, it's like we're just talking shit. | ||
| I heard a funny story about that, actually. | ||
| Yeah. | ||
| Just in passing, I can't remember who told me. | ||
| Maybe I won't even guess. | ||
| But I think Clapton was living in New York or London or somewhere, and he had a party at his house because he just had that record come out and it would go on number one. | ||
| And he had it stuck on his fridge with a magnet, you know, like the charts with a circle around it. | ||
| You know, I shot the sheriff, number one, Eric Clapton. | ||
| And Bob Marley was at the party. | ||
| And apparently he found a pen and he wrote onto Clapton's fridge, No, Eric, I shot the sheriff. | ||
| Bob Marley. | ||
|
unidentified
|
I shot him first, bitch. | |
| That's hilarious. | ||
| But that Uncut Gems film is, it is, it is a perfect movie in regards to the way it treats a degenerate gambler. | ||
| He's a jewelry broker, jewelry salesman. | ||
| And he's just out of his fucking mind. | ||
| It's always sports. | ||
| It's always this. | ||
| There's always a game that's going on and he's betting this. | ||
| And you get so much anxiety watching the movie. | ||
| Like, oh, God, don't do that. | ||
| Don't do that. | ||
| Oh, Jesus. | ||
| What are you doing? | ||
| It's like the whole movie, my palms are sweating. | ||
| I'm moving around in my chair because I, as a kid, grew up in pool halls. | ||
| Like from the time, not grew up in pool halls, but I spent so much time between age 23 and into my 30s. | ||
| I was in pool halls all the time. | ||
| And I played a lot of pool and I was around a lot of addicted gamblers. | ||
| And I never got it. | ||
| It never hit me. | ||
| But I was always just fascinated by the grip that it had on people. | ||
| It was like their eyes would be going back and forth. | ||
| Their fucking skin would be pale. | ||
| It gripped them like a drug. | ||
| It gripped them like crystal meth. | ||
| I really dislike the way in Australia we have normalized it. | ||
| You know, they're doing a sports report on the news, the national news. | ||
| And they'll tell you. | ||
| The odds. | ||
|
unidentified
|
The odds. | |
| Well, we do that with the UFC. With the UFC, we give the odds. | ||
| They even, I don't know if they announce round-by-round odds, but the, I think they do. | ||
| But the, I don't, I try not to pay attention to it because I don't vote. | ||
| Excuse me. | ||
| I don't gamble on the UFC, but I used to. | ||
| So I used to gamble on the UFC when I first started working for them. | ||
| And then I was like, I don't think I should do this anymore. | ||
| This is a long time ago, though. | ||
| So what I started doing is giving my friend Aubrey, who's my business partner at Onit, I started giving him tips. | ||
| And he was like 84% because I know the sport. | ||
| And a lot of these guys would be coming from Japan or coming from Russia. | ||
| And I'd be like, oh, this guy from Brazil, Anderson Silva, bet the fucking house. | ||
| I go, bet the fucking house. | ||
| Not my house, though. | ||
| Not my house. | ||
| But there's people that were coming across from other organizations that I was a giant fan of, and the bookmakers were woefully uneducated about, especially foreign fighters. | ||
| And there's a thing, like if you are gambling on MMA and you don't know how to fight, you're just guessing. | ||
| You don't really, we're all just guessing when two guys get into the cage together, but you're really guessing. | ||
| Like, you really don't, you can't recognize like how fast a person is. | ||
| You can't recognize how good they are at countering. | ||
| You just know stats and you know, but you don't know how to do it. | ||
| And if you don't know how to do it, you can't really see it. | ||
| You don't really know. | ||
| So at a certain point in time, I stopped just on my own gambling. | ||
| So like, I don't, because I was, people were accusing me of being biased one way or the other anyway, which maybe I was. | ||
| You know, I got better at that. | ||
| But I wanted to make sure that no one thought that. | ||
| So I was like, I'm only gambling a couple hundred bucks or something like that. | ||
| I wasn't doing anything crazy. | ||
| But the fucking people that I have friends, like good friends that are just hooked. | ||
| And when they start talking about like fights that they're gambling on or they put so much money on this and money on that, I'm like, oh my God. | ||
| I know guys that put millions of dollars on a fight. | ||
| I'm like, oh my God. | ||
| You're freaking me out. | ||
| You're fucking freaking me out, man. | ||
| I don't care how wealthy you are. | ||
| If you put a $3 million bet on a fight and you lose, like, you're not going to sleep for a week. | ||
| Man, I just wouldn't be able to wake up with myself the next day. | ||
| And then if you win. | ||
| It's so foolish. | ||
|
unidentified
|
If you win, it might be even worse because now you're going to keep doing it. | |
| Now you get the sting. | ||
| Yeah. | ||
| The thing is, with what we do in Australia, like the newspapers, like, you know, network news services, we allow betting ads. | ||
| It is so all-prevailing. | ||
| You know, I had an experience probably a year or two ago, and I see my two boys are talking to a mate of theirs, and they've all got their phones out. | ||
| And I realized they were checking up on their bets. | ||
| You know, so I had to have a big conversation with my boys and say, look, every single dollar that you have comes out of my pocket. | ||
| And if I give you a dollar, that's not a dollar to gamble with. | ||
| I had to have a very serious conversation with them about it. | ||
| It's like, I don't care if you think it's fun. | ||
| You've got to actually see it for what it is. | ||
| Because what's $5 or $10 now is easily going to turn into $400 or $500 in a minute. | ||
| $1,000, sooner or later, you will allow yourself to think that this thing is beyond fun and it's a way for you to earn back your losses or whatever. | ||
| So I just had to have a chat with them and they were probably looking at me going, how old is our father that he doesn't understand that everybody does this? | ||
| But I just had to let them know from my point of view, I didn't appreciate them taking my hard-earned dollars and wasting them. | ||
| I get it. | ||
| But I also like that it exists because I want the ability. | ||
| Like if I wasn't working for the UFC and I could go to the fights and gamble on the fights, I would definitely do it because it's a knowledge thing. | ||
| This episode is brought to you by Uber Eats. | ||
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| Doesn't sound so crazy. | ||
| And wing formations, well, those can only mean buffalo wings, as if they're ever not in play. | ||
| Even the goalposts start looking suspiciously like french fries. | ||
| It's almost like football is sending the message to eat more food. | ||
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| I don't need it. | ||
| If I'm into the sport, I want to see the game. | ||
| I care about what happens in the game. | ||
| I get it. | ||
| Possibly because from the owner point of view, I wouldn't want any extra pressure. | ||
| Of course. | ||
| So I don't understand why here's this game. | ||
| It's like two teams of pristine athletes who have busted their nuts to get in this situation. | ||
| And the competition, the physical competition between these two teams isn't enough. | ||
| You've got to put something else on the line. | ||
| Well, it just adds. | ||
| It adds for some people. | ||
| For some people, yeah. | ||
| Yeah, they get that extra juice out of the knowing. | ||
| The thing is also, as a commentator, I am as unbiased as humanly possible. | ||
| And it's a hard thing when friends fight because there's some guys that fight that are my good friends. | ||
| And I just hope they don't get hurt and I want them to win, but I have to be excited about the other guy winning, which is kind of crazy. | ||
| The other guy's beating up your friend. | ||
| Right. | ||
| And you have to be excited about it. | ||
| So it's good that I don't have any money riding on fights because I don't have, I'm not happy if one person wins or loses. | ||
| My idea is we're going to see who's the better athlete, who's the better fighter. | ||
| And I can handle gambling. | ||
| I've never had a gambling problem because I'm not a risk-averse person, obviously. | ||
| I like risks, but I'm safe. | ||
| Like I know what I'm doing, even though I do dangerous things. | ||
| You've had a look at it first. | ||
| Yeah. | ||
| But you examine it. | ||
| You have that ability and inclination for examination. | ||
| You have to have that. | ||
| And I feel like that's the case with alcohol. | ||
| That's the case with cigarettes. | ||
| I'm in favor of all those things being legal. | ||
| But I know so many people that have a problem with alcohol, like cannot live without alcohol. | ||
| I know so many people that can't quit smoking cigarettes. | ||
| I feel like you should be able to do whatever you want to do. | ||
| And I want freedom. | ||
| And that comes with gambling. | ||
| And I think gambling freedom, like the ability to decide that you want to take a risk with something, that should be available. | ||
| But we should educate people as to like what is actually going on in your mind that's allowing you to get captured by this thing. | ||
| And now you're chasing bad money and you're in a downward spiral. | ||
| Management, like understanding, okay, this is a thrill, but this thrill could take over your whole life if you are maybe genetically susceptible, psychologically susceptible. | ||
| Like understand what it is, but I don't think we should take away cars that can go over 60 miles an hour because some people crash their cars and die. | ||
| You know what I mean? | ||
| I feel like I like that gambling exists and I always wish that it existed back in the day. | ||
| I was like, it'd be fun, bet $100 on this or $100 on that. | ||
| But I don't have the problem. | ||
| Like, I could see if I came from a family that was torn apart by gambling, you'd go, you know, you don't understand, my dad lost our house. | ||
| Like, okay, but that was a bad decision. | ||
| You know, your dad could have died drinking and driving and smashed into a tree. | ||
| These are bad decisions. | ||
| You don't have to make bad decisions just because something is tempting you. | ||
| It's an interesting, it's an interesting debate because do you nanny state the whole world? | ||
| Do you think gambling should be illegal? | ||
| You think you should have to go to Vegas for it? | ||
| That seems kind of crazy. | ||
| I mean, it's certainly not a black or white issue to me. | ||
| There's a lot of gray area involved in it. | ||
| And I know there's a lot of people that push back on the idea of whether these gambling apps and all these different things should be legal. | ||
| It's the normalization process that bothers me the most. | ||
| That it's part of the new service with the apps. | ||
| But it's just put in front of you, whether you're interested in it or not. | ||
| You know, this team is playing that team, and here's the odds. | ||
| Right. | ||
| I just don't, I don't think it's healthy to have that as much of, you know, those stats as much a part of the actual news report as who's playing and what's on the line. | ||
| The thing about it, though, is it does lead you to have debate about, like, here's a perfect example. | ||
| Canelo Alvarez versus Terrence Crawford. | ||
| Terrence Crawford was going up two weight classes. | ||
| In my mind, though, he's so skillful, I gave him a chance. | ||
| I was like, I favor him to win, but I believe he was the underdog. | ||
| Find out what the odds were for the Canelo Alvarez-Terrence Crawford fight. | ||
| I believe he was the underdog, even though he was an undefeated multi-division world champion, like one of the greatest of all time for sure. | ||
| But he was jumping up from the 154-pound weight class where he just won the belt. | ||
| He was the 147-pound weight class all the way up to 168. | ||
| That's a big leap, 14 pounds. | ||
| And everybody thought Canel is going to have too much power. | ||
| He's going to be too big. | ||
| I'm like, I don't think so. | ||
| I don't think that's correct. | ||
| It was odds. | ||
| Crawford was underdog. | ||
| Yeah, Crawford was the underdog. | ||
| So not a huge underdog. | ||
| Plus 135 versus plus 140, somewhere around there. | ||
| So it's not huge, not even two to one, not even one and a half to one, but enough where I was like, I think they're wrong. | ||
| You know, so it's like it fosters debate. | ||
| You know, even if you're not gambling, and I didn't gamble on that fight, but I did. | ||
| I was telling my friends, I got a long discussion with a good buddy of mine who's a real boxing connoisseur. | ||
| He's like, Canelo's too big. | ||
| He hits too hard. | ||
| I'm like, that guy doesn't get hit much. | ||
| Like, I don't think that's as big of a factor as we're thinking. | ||
| I think it's a skill thing. | ||
| They're not that different in size. | ||
| I'm like, I don't think so. | ||
| And so that odds thing is, to me, exciting. | ||
| Like, it fosters debate. | ||
| Like, you start talking about, you know, and if it's a game, you start talking about players. | ||
| Like, he chokes in the outfield. | ||
| He does this. | ||
| He does that. | ||
| This guy, he's always stealing bases. | ||
| I'm factoring that in. | ||
| And, you know, the odds become a part of the discussion. | ||
| But yeah, it is ultimately the problem is, first of all, kids are addicted to apps as it is. | ||
| They use them. | ||
| They're always on their damn phone. | ||
| And they'll go from TikTok to Instagram to X to, you know, they'll check this and then they'll check that and they'll check their Snapchat and they'll check their gambling app. | ||
| And then it's like you're just addicted to this goddamn phone. | ||
| So something on your phone that's also addicting. | ||
| It's like addiction on top of addiction because you're already getting your little dopamine rush just by looking at your phone. | ||
| But then if you're also getting a gambling rush on top of that, yeah, we got to educate people. | ||
| Yeah. | ||
| But I think we've got to educate people on social media addiction, which I think a giant percentage of our population is completely addicted to social media. | ||
| Possibly including me. | ||
| I spend a large amount of every day scrolling through TikTok for some reason. | ||
| And what's your algorithm like? | ||
| What kind of stuff are you getting? | ||
| I'm getting a lot of dating apps at the moment, which is really embarrassing because I'm not looking on any dating apps. | ||
| So I'm not sure that the algorithm is fully truthful. | ||
| I think there's a certain amount of things you just get fed. | ||
| Right. | ||
| Especially like a dating app, because that's a promotion. | ||
| They're promoting that. | ||
| Yeah, there's a lot. | ||
| There seems to be a lot coming up. | ||
| But that's the problem, isn't it? | ||
| Because the way the algorithm shapes it, pretty much everything that comes up on your phone, you have some form of interest in. | ||
| So that keeps you looking at what you're looking at. | ||
| I've got to probably got to dial it down a little bit, but I'll be in the bush in a minute. | ||
| This has been such a crazy year, man. | ||
| You know, we finished Nuremberg last year, and then I went on that big tour, which is when I was here when I came to see you the first time. | ||
| But this year, since between December and August, I made five movies. | ||
|
unidentified
|
Wow. | |
| And I was on the set of the sixth and so weary. | ||
| And I had no juice. | ||
| I still feel it a little bit, actually, man. | ||
| You know, I've had a little bit of time off, but I've still had so many responsibilities. | ||
| I kind of feel like I broke my brain or something in August, and I'm still trying to recover. | ||
| And I won't really recover till I get home the next time, as I was saying to you before. | ||
| Because when I land at home now, I won't know when I'm flying out again. | ||
| And that is such a relief. | ||
| Because when you do know when you're flying out again, every day is just counting down. | ||
| Counting down to me. | ||
| You might have three weeks, but it doesn't feel like three weeks because you 100% know when you're leaving again. | ||
| But this time I'll get home and I'll have three months and I'll be in the bush and I'll be waking up with the birds. | ||
| And, you know, hopefully all of those things that I emptied out through the earlier part of the year will fill up again. | ||
| Because I was on that set and that was the set for the remake of Highlander with Henry Cavill. | ||
| So I'm playing Ramirez, which was the Sean Connery character. | ||
|
unidentified
|
Oh, wow. | |
| So I'm excited by it and really looking forward to it. | ||
| But there I was turning up to the gym to do my katana sword and going to these meetings and everything. | ||
| But I was empty. | ||
| I was absolutely empty. | ||
| And it was just to the point where I, you know, I texted my agent and I'd said, you know what? | ||
| I maybe need to talk to these guys because I'm not sure if I've any juice here. | ||
| I don't know what I'm going to be bringing. | ||
| I'm sitting in these meetings and everybody's talking, but it's all just bouncing off my face. | ||
| I'm not really taking anything in. | ||
| And that same night, I get a phone call around 10:30. | ||
| And it's so unusual because I have everything turned off on my phone. | ||
| It never rings. | ||
| But for whatever reason, it did ring. | ||
| It was the director saying, Look, I'm so sorry to tell you that Henry's injured himself. | ||
| He's ruptured his Achilles. | ||
| So we're going to have to push the film. | ||
| Now, I love Henry. | ||
| I've known him for a long time. | ||
| I've known him since he was a schoolboy. | ||
| Oh, wow. | ||
| And I met him at a place called Stowe School in England. | ||
| I was doing a scene in a movie called Proof of Life, talking to my son in the movie, and in the background, a rugby game's going on. | ||
| And, you know, we're doing the scene and everything, but I've got my eye on the field. | ||
| And there's one guy on the field who is just displaying he's got a great brain for the game. | ||
| And as it happens, we finish the scene and they break up what's going on behind us. | ||
| And that one kid is walking towards me. | ||
| And he's the kid that I've been watching. | ||
| And he wants to have a chat. | ||
| He introduces himself. | ||
| And, you know, he just asked me, How do you get into acting? | ||
| And so we had this very, very brief conversation. | ||
| Then we got swamped by these other kids. | ||
| A couple of days later, I was doing a present for the kid from that school who'd played my son. | ||
| It was a boy called Merlin Hanbury Tennyson, his name's. | ||
| And so I was doing a thing for him. | ||
| And then I had some other things left over. | ||
| And I was like, what was that other kid's name? | ||
| Oh, Henry. | ||
| So I wrote on a photo of Gladiator of Maximus, which was a movie that had not actually been released yet to Henry. | ||
| Journey of a thousand miles begins with a single step, Russell. | ||
| Wow. | ||
| He kept that photograph with him for wherever he lived, from place to place, and he kept his dream alive and burning. | ||
| The next time I see Henry Cavill is in a gym in Illinois, the outskirts of Chicago. | ||
| And I'm working on one side of the gym, he's working on the other. | ||
| And I'm thinking to myself, well, I'm Superman's dad. | ||
| I reckon that must be Superman over there. | ||
| Kind of looks like it, you know. | ||
| So we worked in the gym a week or so more together before we talk, you know? | ||
| And finally one day he comes over, puts his hand out and we start talking. | ||
| And I just, at one point, I went, do I know you? | ||
| He goes, yes, sir, you do. | ||
| And he reminded me, and I went, Henry? | ||
| That Henry? | ||
| Is this Henry? | ||
| It was crazy. | ||
| That's wild. | ||
| Absolutely wild, right? | ||
| And so now we have this other situation where, you know, he's kind of in the position of being the Highlander. | ||
| And they asked him who he wanted to be Ramirez. | ||
| And he said, I've only got one option and you've got to get him. | ||
| And so, you know, that's fantastic. | ||
| It's going to be a lot of fun when we do eventually get around to Henry. | ||
| What must that be for him to have been a kid and met you and got you to sign that and then working with you when he's Superman? | ||
| Superman. | ||
| Yeah, it was. | ||
| Oh my God, that's amazing. | ||
| What a great story. | ||
| And so now we've got, you know, we've got the third stage of our connection. | ||
| And when we get to do it, it's going to be great. | ||
| But I know this sounds really weird because I love Henry and the last thing I'd want is for him to be under any pressure or injured or whatever. | ||
| But it was a prayer answered. | ||
| I'm talking to the director expressing that I'm so that's terrible, but I'm also shaking my girlfriend going, we get to go home. | ||
| Yeah, as I said, it's been a big year. | ||
| I have never done that many individual films in that space of time. | ||
| What caused you to say yes to that kind of a schedule? | ||
| Well, but that's not what you do because most of these are independent films. | ||
| So for example, I agreed to do Nuremberg in 2019, but we don't shoot it till 2024. | ||
| Oh, wow. | ||
| Set up and collapsed three different times before we actually made it because there's a lot of variables in independent film. | ||
| So a bunch of these things that I did, I agreed to do two years ago and that never got together. | ||
| And then suddenly they all just started landing one after the other. | ||
| So everybody's got to start working like it's air traffic control. | ||
| And I'm like literally having a few days between sets flying from one place to the other. | ||
| And now it's, you know, what I always describe it as like going to a new school. | ||
| Now you're going to meet, you know, hundreds of new people and all of the different things that you've got to answer in terms of your costume and your makeup and blah, blah, blah. | ||
| Am I wearing a fake nose? | ||
| Have I got scars? | ||
| What am I doing this time? | ||
| All of those things you've got to do very, very rapidly and get onto the set. | ||
| And that sort of string of movies was not easy. | ||
| The first one was called The Beast in Me, which is an MMA movie. | ||
| I think we talked about that briefly. | ||
| It was going to be a UFC thing, but we ended up doing a deal with one championship. | ||
| So it's set in Australia and Thailand. | ||
| And it's doing some little private screenings in Los Angeles at the moment and getting a lot of really positive reactions. | ||
| The kid that's the, no, he's not a kid, but the lead role in that, Daniel McPherson, has done an extremely good job by the sounds of things. | ||
| And I'm also attached to that. | ||
| I only play a very small role, but I rewrote it for them just before we started. | ||
| And I've done a lot of writing in my career, but it always goes uncredited. | ||
| But in this particular occasion, I think, I believe I'm going to get my first actual writing credit. | ||
|
unidentified
|
Oh, wow. | |
| So that's cool. | ||
| But I wrote the character that I play specifically to not be the character you think it's going to be, to not be Burgess Meredith. | ||
| You think this guy's going to be, you know, the old coach who sort of like, you know, comes back out of retirement and everything. | ||
| I know enough people in the boxing world to know that once an old bloke makes a decision about you being a shithead, he's not going to change his mind. | ||
| So I wanted to play that guy. | ||
| So I went from that set to then I think called Bear Country, where I play an Albanian money launderer. | ||
| And that's got a great cast, Theresa Palmer, Luke Evans, Nina Dobrev, Aaron Paul, Danny Zavado. | ||
| And it's funny. | ||
| It's really funny. | ||
| That's with the same director that I did Unhinged with, a guy called Derek Bort. | ||
| And it's goofy and dramatic, but it's just funny. | ||
| When does that come out? | ||
| I'm not sure when that comes out. | ||
| That's also, I think they've got like six or seven different offers at the moment from different distribution companies because everybody's digging it and they're looking at it going, that would be an hilarious movie to follow up, Nuremberg. | ||
| Well, that would be. | ||
| Yeah, because Nuremberg's. | ||
| So then after that, I go back to Budapest and I make a thing with a young British director, Armo Sante, called Billion Dollar Spy, with a young English actor called Harry Lorty, who is the future of British cinema. | ||
| He's a very intelligent, classy actor. | ||
| And that one I play a Russian selling state secrets to the Americans, a Russian scientist. | ||
| And then after I did Billion Dollar Spy, I went to Montreal and made a thing called Unibomb, where I play a Harvard professor, the man who taught Ted Kaczynski at Harvard, who put him into this series of tests and things that he was doing. | ||
| And some people say that he very, very much affected Kaczynski's brain. | ||
| You know, he was a part of the Harvard LSD studies. | ||
| The guy I play was. | ||
| Yeah. | ||
| So that was a lot of fun. | ||
| Kaczynski was sort of associated. | ||
| He was there at the time that Leary also started working at Harvard. | ||
| But the study that my character was doing is more based on sort of like intellectual confrontation and like stripping people of their self-belief and stuff. | ||
| So there are people who think that it was the character I play's intellectual aggression towards Kaczynski that turned Kaczynski the way he turns. | ||
| So there's that. | ||
| And then I just did a movie in Germany. | ||
| It's set in Portland, but we shot it in Munich. | ||
| Okay. | ||
| How weird. | ||
| With a guy called Patrick McKinley, who I've done other projects with before, but he doesn't always get the credit he should get. | ||
| But he's the guy that cut the loudest voice, which made it as dynamic as it was. | ||
| And he also cut a movie called Pokerface for me. | ||
| And we're working together on a music doco. | ||
| But usually when I work with him as an editor, but this is him as a director, and that's with Ethan Hawke. | ||
| Again, that's a smaller role in that one as well. | ||
| But there was a very strong vibe on that set. | ||
| And Patrick's a great filmmaker, so I imagine that's going to be a good movie too. | ||
|
unidentified
|
So if you're a film fan, that sounds like you're killing it. | |
| There's a few things to come out. | ||
| That's very exciting. | ||
| The comedy is very exciting because there's just not a lot of comedies anymore. | ||
| It's hard to find a really good comedy. | ||
|
unidentified
|
Yeah. | |
| Yeah. | ||
| And this is one of those ones where it's not like a series of jokes. | ||
| It's just certain types of characters put in certain situations. | ||
| And then you see how that plays out. | ||
| And Aaron Paul and Nina Dobrev, just hilarious. | ||
|
unidentified
|
I can't even begin to explain what they do in the film because you'll just go, what the fuck are you talking about? | |
| It just sounds so stupid. | ||
| And it is stupid, but it's also very funny to experience. | ||
| I can't wait to see it. | ||
| So it just sounds like all those things just sort of came together coincidentally at the same time. | ||
| And so you're just doing all things that you might have agreed to years before or whatever. | ||
| And it just so happened that they got their financing and I just went one after the other. | ||
| Do you take, do you do anything like IV vitamin drips or anything when you're on set? | ||
| I haven't really done that. | ||
| That's probably help you. | ||
| Well, potentially. | ||
| But the other thing is, man, you just stay disciplined and you get to bed. | ||
| Yeah, that too. | ||
| I'm actually going through a really weird time at the moment. | ||
| For the last month, it doesn't matter where I am in the world. | ||
| If I'm in Spain, if I'm in Australia, if I'm in America, I cannot sleep between midnight and 5 a.m. | ||
| It's just very odd. | ||
| And I think it's related to that feeling that I was expressing before that somewhere in August I broke my head. | ||
| I'd just done too much. | ||
| Too much. | ||
| And I need to go home and I need to be in that rhythm. | ||
| I call the place I have in the bush, it's not its official name, but I call it the Panacea. | ||
| It will fix all ills, but you have to give over to its rhythm. | ||
| You have to wake before the birds. | ||
| You have to sort of put yourself in a situation where you're going deep into the bush so you're getting that kind of oxygen. | ||
| You just have to really give yourself over to it, you know, and spend your days just checking if the cows are okay, having a look, you know, if the new trough system is working away, just getting your sort of hands a little bit dirty and forgetting all the other stuff. | ||
| Yeah. | ||
| And, you know, but we'll hopefully see me come charging back out next year. | ||
| You'll be charging, but that sounds like a perfect balance to offset the charging. | ||
| Yeah, well, that's the recharge. | ||
| I always, like, I look back at my 30-year-old self who made the decision to take the little bit of money that I'd earned at that point, 31, 32 I was, and buy 100 acres in the bush because somehow I knew I would need that place. | ||
| So it's like, you know, I could have bought an apartment in the city, you know, but I didn't. | ||
| I bought 100 acres of basically blank bush. | ||
| No fences, and the fact that it's been in my life, January 20th, 1996, I paid for that first hundred acres. | ||
|
unidentified
|
Wow. | |
| So that's before LA Confidential, it was before I even shoot LA Confidential. | ||
| Wow. | ||
| So it was, I don't, I don't know where it came from, but I look at that 32-year-old and go, mate, well done. | ||
| You gave yourself a battery. | ||
| Well, I gave up a bush for myself an island. | ||
| Yeah. | ||
| You know, I go through that gate and because you know what it's like. | ||
| People don't just call you Joe. | ||
| They call you Joe Rogan. | ||
| They call me Roscoe Roscoe Roscoe. | ||
| You know, so this brand name, this sort of stamp, and that's all you hear, you know, Roscoe Grove, Roscoe Grove. | ||
| And then I go beyond that gate and I'm no longer that. | ||
| I'm a son. | ||
| I'm a brother. | ||
| I'm an uncle. | ||
| I'm a dad. | ||
| All of those things. | ||
| I'm the boss of the operation of the farms and stuff and all that as well. | ||
| But all of those things come into play and the whole brand thing drops away. | ||
| And you've got to prove yourself on a way different level when you're at home. | ||
| You've got to exist in a natural world. | ||
| Yeah. | ||
| As opposed to in a world where you're the center of attention constantly, people are at your beck and call. | ||
| People are, Mr. Crow, Mr. Crow. | ||
| Yeah. | ||
| It's not good for you. | ||
| But it's also the amount of attention that you time you have to spend when you're on that many sets in a row. | ||
| Five movies in a row. | ||
| A lot of people are probably like, oh, boohoo. | ||
| Yeah, to be in five movies. | ||
| Boo hoo. | ||
| But that's and that's the brilliant famous Russell Crow between people who are not in the business's understanding of what it really takes and the realities that you deal with. | ||
| And look, I'm the last person. | ||
| I'm not whinging about the job at all, but I am just pointing out that I went a little bit too hard and I burnt my brain and I need a bit of a break. | ||
| Well, if Nuremberg is an indication or if it's an example of what you did, if it's on par with the rest of them, it's going to be an awesome run because Nuremberg is great. | ||
| It really is. | ||
| It's very disturbing. | ||
| Just to see that footage, the footage in the trial is just. | ||
| People should see that. | ||
| And the fact that it's never been released before, just to cement into our heads. | ||
| That's the thing. | ||
| It's like that war was one of the first wars where we got regular footage. | ||
| I mean, if you think about people going into World War I, they're going blind. | ||
| They have no idea what to expect, what they're going to see. | ||
| And then by the time Vietnam comes, and now it's on television. | ||
| And that seeing horrific things at least cements into your head. | ||
| Like, this is where this all could go. | ||
| This is where this all can go. | ||
| Yeah, well, just think about that because, you know, in my lifetime, you know, when I was a little boy and I'm watching the news at night with my parents, there's Vietnam footage. | ||
| You know, I see the Anzac Day, which is Australia New Zealand version of Memorial Day. | ||
| I see those marches every year, the old soldiers getting together. | ||
| That history is so fresh. | ||
| I'm surrounded by older people who fought in the war, in World War I. And then there's another generation of guys who still appear to be young, and they fought in World War II. And now I'm watching Australia at war because we've been through Korea and now Australia is at war in Vietnam. | ||
| I'm seeing that on the nightly news. | ||
| So at the age of six, seven, eight, I believe I'm going to be a soldier. | ||
| Really? | ||
| And everybody at school believes they're going to be a soldier because that's what we do. | ||
| You know? | ||
| Because our parents' generation are connected to the Second World War. | ||
| Our grandparents' generation is connected to the First World War. | ||
| And here it is. | ||
| We've now got this new war. | ||
| So it was very definitely part of cultural uprising. | ||
| I mean, I was in Army cadets in high school. | ||
| So, you know, that was a couple of days a week. | ||
| You dress up in an army uniform and you go to school instead of in your school uniform in Jungle Greens. | ||
| Just get you ready. | ||
| Just get you ready, man. | ||
| They're putting SLRs in the hands, which is like, it's not an unusual thing for this country, but it definitely is for Australia. | ||
| Put a self-loading rifle in the hands of a 13-year-old and teach him how to use it. | ||
|
unidentified
|
Wow. | |
| Jesus. | ||
| That was one of the things about the Iraq war, too, where they stopped showing people coffins. | ||
| They were preventing photographers from taking photographs of coffins, flag-traped coffins. | ||
| Like, that's crazy. | ||
| That should not be legal. | ||
| You shouldn't be able to prevent someone from documenting history. | ||
| That's what that is. | ||
| And that's the consequences of what's going on. | ||
| You're seeing American people coming home in boxes. | ||
|
unidentified
|
Right. | |
| And you're not even allowed to take photographs of it. | ||
| Kind of crazy. | ||
|
unidentified
|
Yeah. | |
| Well, this is the thing where, you know, Anzac Day that I talked about, it's April 25th. | ||
| ANZAC stands for Australian New Zealand Army Corps. | ||
| Because both the First World War and the Second World War, Australia and New Zealand combined their armed forces. | ||
| And then a lot of places fought alongside each other. | ||
| But, you know, we have that day as a memorial day, as you have in this culture as well. | ||
| But we tend to forget that we have that day as a reminder that we should never do this again. | ||
| That's what it's there for. | ||
| You know, to respect the passing of these young people who died in battle, but to also remind ourselves of how pointless that whole thing was, how pointless the First World War was, how pointless the Second World War was. | ||
| Ultimately, it's just death. | ||
| And the people that started the war, the people who benefit from the war, are not the ones generally standing at the graveside mourning their dead because they will protect themselves. | ||
| Their children don't have to go to war. | ||
| Their children are not going to get conscripted. | ||
| So it's like, you know, every time this stuff comes up and we now have almost constantly the words of war being spoken as if it's just sort of an offhand thing that we can should attack these people, invade these people, do this. | ||
| Like this goes absolutely nowhere good. | ||
| And we were talking earlier about the technology we can hold in our hands. | ||
| We get out our phones. | ||
| We can explore the entire world. | ||
| There's no piece of knowledge which is held back from us. | ||
| We can get it through this device that we carry in our hands. | ||
| So here we are all of these, you know, millennia later as a species. | ||
| We have that level of technology available to us, but we still think that war is some form of solution. | ||
| It just blows my mind. | ||
| It's hard to imagine if you were living in the past, if you could come up with the circumstances that we live under today, like you just described, a device in your pocket that provides you with all the information you could ever want. | ||
| We would say, oh, well, that would be the solution to most of what ails us. | ||
|
unidentified
|
You'd think once we have that available, it'll all sort itself out. | |
| We'll see each other clearly and understand, you know, celebrate our differences. | ||
|
unidentified
|
Yeah. | |
| That there's more that connects us than divides us, all of those things. | ||
| I don't think they ever anticipated social media and the divisive nature of that. | ||
| Because I think it accelerates. | ||
| But it's only divisive because we let people pervert it. | ||
| Right, with an algorithm. | ||
| We just let people actually take something. | ||
| I remember when I started on Twitter, I thought it was the stupidest thing I've ever heard of. | ||
| But when I started, which was about 2009, 2010, and suddenly from a couple of decades of having who I was described by others and pushed across to people, this breath of fresh air where I could just express myself and people would know exactly what my real opinion on something was and how I felt about something, it was fantastic. | ||
| Didn't last very long, though. | ||
| People were like, oh, we've got a whole lot of truth going on here. | ||
| We've got to shut that shit down. | ||
| As soon as individuals started using their power to say, you know what, I had an experience with this company or that company and it wasn't very good. | ||
| And those companies were like, man, we didn't spend millions of dollars a year on advertising just for this arsehole to tell the truth about how shit we are. | ||
| Yeah. | ||
| So they had to turn it around somehow. | ||
| So that's when you start, you know, look, quite frankly, if you run bots and stuff like that, you should be put in prison. | ||
| Forget about it, man. | ||
| That's not the way it should be. | ||
| No, it shouldn't work that way. | ||
| In fact, you shouldn't be perverting people's understanding of something. | ||
| Yes. | ||
| Because it benefits you. | ||
|
unidentified
|
Yes. | |
| That's a great way to put it. | ||
| Yeah, that should be illegal. | ||
| It's kind of amazing that there's no laws because it's essentially, I mean, you could propagate through bots a complete and total lie and it catches traction, makes its way through, and there's zero consequences. | ||
| Yeah, and then people get upset about it, and they're fighting over the family dinner table based on pure misinformation. | ||
| And I think a lot of it, you know, we can't trace who's doing it. | ||
| That's where it gets really weird. | ||
| Yeah, but why? | ||
| Well, it's complicated, right? | ||
| Like, you can hide your IP. You can do it through a virtual private network so they don't know what country you're in. | ||
| And you do it with AI. Like, they busted China, was using ChatGPT to run a bunch of accounts. | ||
| I don't know how many accounts, but a huge amount of accounts. | ||
| And they were all sorts of stuff that people are fighting about in America, like immigration, closing down USAID, those kind of things. | ||
| And they were just involved with these chat bots that they were running. | ||
| And these things would argue specific points and get everybody inflamed and just start wars and call everybody fucking. | ||
| There was a moment a little while ago where there just seemed to be all social media was just flooded with violent images, flooded with people fighting, people getting knocked out by a king hit in a bar or whatever. | ||
| And it was like, where is this coming from? | ||
|
unidentified
|
It's just Instagram is loaded with it. | |
| I see more violence on Instagram, more accidents, more people falling off balconies, more people climbing trees and falling. | ||
| It's like all over Instagram. | ||
| And I don't know if they can stop it. | ||
| I don't know if they can even recognize what these things are until somebody reports them. | ||
| I know it sort of speaks to sort of a low level of intellect, but, you know, I do like the occasional falling down a hole. | ||
| I have to admit. | ||
| Well, there's a reason why it's out there because a lot of people agree with you. | ||
| I mean, I've watched a lot of horrific accidents. | ||
| I don't know why. | ||
| I don't want to watch anybody get run over by a truck. | ||
| Yeah, for me, that's not a thing. | ||
| It's like the innocent sort of pie in the face kind of thing is what amuses me. | ||
| But if somebody really gets hurt, it's like it doesn't. | ||
| Well, it also excites me to watch it. | ||
| It very much desensitizes people. | ||
| Yeah. | ||
| Which is a problem already. | ||
| You know, we're already desensitized from violent video games and violent films. | ||
| And then now you're seeing like real violence and real like horrific dismembering accidents all day long. | ||
| And you're 13. | ||
| You know, that's the thing. | ||
| That is the thing, because we can discuss it as adults and what sort of like what we can deal with and what we can rationalize. | ||
| But the same thing I was talking about, the gambling. | ||
| My kids don't know or didn't know that there was a negative to that. | ||
| They see it all the time. | ||
| So they think it's normal. | ||
| Yeah. | ||
| No, that makes sense. | ||
| That makes sense. | ||
| And I think, like, how old do you have to be to sign up for those sites? | ||
| And is it possible to spoof that? | ||
| Like, it seems like you could probably, if you were a wizard at 14. | ||
| What's the security? | ||
| Yeah. | ||
| Are you over 18? | ||
| Press here. | ||
| Like, what is it? | ||
| It doesn't take a lot. | ||
| They make you enter in your driver's license. | ||
| What do they do? | ||
| Now, did you see that thing from TikTok that I sent you with Jimmy? | ||
| I don't have TikTok. | ||
| Oh, you don't? | ||
| No. | ||
| So I sent it to you and you can't. | ||
| I know I can't watch it. | ||
| What was it about? | ||
| It was just him on stage talking about a company that he and I and Ed Sheeran got involved in. | ||
| I was shooting the Pope's Exorcist in Ireland, right? | ||
| And I got told this story About this lady, Laura Bonner, whose grandfather was an Irish potato farmer, right? | ||
| And wondering what he should do with his leftover potatoes, you know, the unsightly shaped ones that nobody wants in the supermarket. | ||
| And he came up with the idea of making this Irish sort of moonshine called Pochin. | ||
| So every Friday, his relatives and his friends and everything would rock around to Phil's house and they'd bring their old medicine bottles and whatever and just fill up from the still. | ||
| So they had a weekend. | ||
| And when she was a little girl, she would see this party being created every Friday in the island. | ||
| And so they're singing songs and they're enjoying each other's company and laughing uproariously and all that. | ||
| And she said, one day I'm going to legitimize what granddad does for fun and make it into a business. | ||
| So around about her mid-20s or something, she was a lawyer. | ||
| She got involved in this big deal. | ||
| It went well for her. | ||
| So she was sort of like faced with a crossroads. | ||
| Okay, now I've got money to finance my idea or I can continue in the job that I'm in. | ||
| And so she decided to back herself. | ||
| She comes from a little town in the north of Ireland that is called Muff. | ||
| It's actual towns across the river from Derry. | ||
| And she formed a company called the Muff Liquor Company. | ||
| And that amused me. | ||
|
unidentified
|
I called Jimmy Carr and said, does this amuse you? | |
| And he goes, it actually does. | ||
| So then I called Ed Scheer and I said, does this amuse you? | ||
| And he goes, it does. | ||
| So we formed a company called the Muff Liquor Men. | ||
| And we bought a big slice of the company. | ||
| It's now, I think it's in about 40 states here in America now. | ||
| Oh, that's awesome. | ||
| Pretty sure you can get it in Texas. | ||
| We're a sucker for a good name. | ||
| Yeah. | ||
| So I bought you a dozen whiskey. | ||
| Oh, boy. | ||
| A dozen potato-based gin. | ||
| Oh, boy. | ||
| And a dozen potato-based vodka. | ||
|
unidentified
|
Oh, yeah. | |
| But there it is. | ||
| With the bottle sort of shaped like an old medicine bottle. | ||
| It looks great. | ||
| That's an awesome bottle. | ||
| Yeah, it's great to hold, actually. | ||
| And that whiskey is what I call like a cowboy whiskey. | ||
| Oh, it's peat-smoked. | ||
| Yeah, but it's very light. | ||
| I like that. | ||
| It's very light. | ||
| You'll see when you have it. | ||
| It's like that's not the sort of whiskey where everybody ends up crying in a corner remembering the things that they did wrong in their lives. | ||
| It's the sort of whiskey that'll keep you laughing all night. | ||
| So that's why I call it a cowboy whiskey because you can sit with it with your mates all night and have a laugh. | ||
| What do you think is more addictive, alcohol or gambling? | ||
| Hmm. | ||
| Well, the problem that we have with alcohol is what's becoming the burgeoning problem with gambling is that we just accept it. | ||
| It's everywhere. | ||
| So accept it completely as the thing that you do. | ||
| And as long as you're a certain age, you can do it. | ||
| We'd never look at the damage that it causes. | ||
| Now, I'm a big proponent of having a drink. | ||
| It's my cultural heritage. | ||
| And as a working class man, it's my goddamn right, Joe. | ||
| And you enjoy it. | ||
| And I do. | ||
| I do. | ||
| But as you get older, there's certain things that you start to learn about your capacities and stuff when you're a younger fella. | ||
| And now that I'm an older guy and I know that, you know, one night a week, if I'm having fun, is plenty. | ||
| That's plenty, you know. | ||
| And I try to cut out the interstitial stuff, you know. | ||
| If I decide I'm going to have a glass of wine with dinner, then it's going to be a really nice wine. | ||
| And it's going to be an occasion. | ||
| And I just, I try not to have the casual drinks now, just to have a drink for the sake of it. | ||
| Those add up. | ||
| Yeah. | ||
| Yeah, there's definitely a great social quality to drinking. | ||
| There's a thing to it that I enjoy. | ||
| I always enjoyed and bonding. | ||
| You know, you never really find out about your mates until you've had them on the piss and you see who they really are. | ||
| Some people, yeah. | ||
| Yeah. | ||
| Alcohol is weird because it's the only drug that they offer you when you sit down for dinner. | ||
|
unidentified
|
Right. | |
| It's the, we've agreed that this drug goes really well with a good steak. | ||
| That everybody can have this drug is fully available. | ||
| And like I say, we never count the social costs. | ||
| We don't count, you know, I mean, this is this would be true for pretty much a lot of countries that have a focus on sport. | ||
| But, you know, three to five of the worst nights of any given year in Australia in terms of domestic violence are 100% connected to a sporting event. | ||
| Really? | ||
|
unidentified
|
Yeah. | |
| So a sporting event connected to alcohol. | ||
| And then that drives the thing that brings terror to wives and children. | ||
| So it's, you know, it's the same thing with all of this stuff. | ||
| You know, like, you know, we always talk about that, you know, everything in moderation kind of thing. | ||
| Yeah. | ||
| But, you know, we always have to remember that we got to move at the pace of the slowest member of our community. | ||
| That's a great way to put it because that's the real issue, right? | ||
| It's not, well, I can handle it. | ||
| So everybody else can too. | ||
| That's not it. | ||
| It's like, why can some people handle it? | ||
| And what could have been done? | ||
| Like, if you just in school, you're going to have to accept that some kids are going to try marijuana. | ||
| Some kids are going to try acid. | ||
| Some kids are going to try alcohol. | ||
| Most kids are going to try alcohol. | ||
| Like, why don't we have education on the proper way to use these things where you don't get in trouble? | ||
| You know, like at least most people, I would imagine most kids are not going to listen anyway, but more will than would if you didn't talk about it at all. | ||
| Right. | ||
| If you don't talk about it at all, there's no information out there. | ||
| At least they can talk. | ||
| It should be an ongoing process of education. | ||
|
unidentified
|
Yeah. | |
| And not just education through failure. | ||
| Right. | ||
| And that's. | ||
| Not just let me talk to you about it now that you've crashed your car into a tree. | ||
| Or now that one of your friends has done that. | ||
| You know, there's a lot of that. | ||
| You see your friends doing something horrible. | ||
| So I'm like you. | ||
| I'm open to all of this sort of stuff being available and freedom of choice being a paramount. | ||
| But the responsibility to educate has got to start at a young age. | ||
| Yeah, I think so. | ||
| Especially if you're using things that are on apps. | ||
| You know, apps are just young people are so accustomed to using apps. | ||
| And most apps are giving you that same jolt, that same dopamine brush. | ||
| You know, it's just, I think you should be able to do whatever you want to do, but you should know what you're doing. | ||
| And that's where the problem is. | ||
| You kind of have to figure out what you're doing from your knucklehead friends. | ||
| I was going to suggest that we had a whiskey, but I know that's going to ruin my day if I do. | ||
| Because I'll get nothing else done. | ||
| Some people have such a great time drinking during the day. | ||
| It just doesn't suit me, man. | ||
| Yeah. | ||
| You know, it's like if I have a drink at lunch, either I'm asleep by five o'clock, right? | ||
| Or I'm raging at 5 a.m. | ||
| So it's like I've learned over time, don't drink during the day. | ||
| Yeah, I stopped drinking entirely for about seven months, something like that. | ||
| And then I decided to occasionally have a drink. | ||
| So I'll have like a glass of wine at dinner or a margarita and I'm out with my wife. | ||
| But that's it. | ||
| I stopped there. | ||
| I don't drink drink anymore. | ||
| Like, let's go get drinks. | ||
| I haven't done that in a long time. | ||
| And the reason why is because I just felt like shit because I was just doing it too many nights a week. | ||
| And then my workouts would suffer in the morning. | ||
| And I'm like, why am I doing this? | ||
| I do everything so healthy in this one stupid thing that I do. | ||
| Let me just try not doing it and see if I miss it. | ||
| Also, notice as you got a little older that the hangovers don't go away after a couple of hours. | ||
| Sure. | ||
| It's also one of the most important things in my life is energy. | ||
| Like, how much energy do I have to do things? | ||
| Like, it's not just about doing things, it's about doing them with focus and enthusiasm. | ||
| And when you don't have energy, it's very difficult to muster up that enthusiasm. | ||
| Well, I hate that feeling that the follow that, you know, I've had a great time the night before, but the following day, nothing gets done because I had fun the night before. | ||
|
unidentified
|
You're fucking funny. | |
| Yeah, I just feel that it's such a waste. | ||
|
unidentified
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It is. | |
| We've only got X amount of days, right? | ||
| But just managing the human mind and managing what to do and what not to do and when to do it. | ||
|
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It's such an important part of being an adult. | |
| And it's one of those things that's just not explained to kids. | ||
|
unidentified
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It's weird. | |
| I love that old Bill Hicks routine where he asks the question: you know, the last time you're in a social situation, it would be a private party, a concert, a sporting event, and people started fighting. | ||
| Were they stoned or were they drunk? | ||
| Right. | ||
| Yeah. | ||
| It's like, yeah, I don't get why people can be so aggressively negative towards marijuana, yet, you know, half a dozen, dozen drinks for them socially is a, of course. | ||
| You know, it's easy. | ||
| It's like these two things, you know, are very different outcomes. | ||
| You're not going to have the, you know, people aren't going to be attacking the base camp when they're all stoned. | ||
| They may well have a go at it when they're on the piss. | ||
| Well, all that's because of propaganda from the 1930s. | ||
| That's all that is down to Harry Anslinger and William Randolph Hearst. | ||
| But you know, it also connects to the formation of the United Nations. | ||
| Does it? | ||
| Take Thailand, for example, a country that's had hundreds of years of cultural marijuana use. | ||
| But in order to join the United Nations, they had to accept an American attitude towards drug laws. | ||
| Just recently, they've taken those drug laws away, and now they're in a bit of panic because they didn't plan it very well. | ||
| Because, like, you know, reality break is, I think, you know, California did it through Arnold Schwarzenegger properly, knowing exactly how you're going to tax and where the money's going to when you do tax for the consumption. | ||
| And so I think, you know, 140 or something or more shops sprung up overnight in Bangkok. | ||
| And they're like, oh, gee, that went quicker than we thought it was going to go. | ||
| But I think it's actually great for Thailand. | ||
| It's a, you know, a drug that particularly suits the groove of that country, you know? | ||
| Yeah. | ||
| The food is so incredibly tasty, and the beaches and the sunshine and the heat. | ||
| And, you know, so, yeah, it's sort of it, but that's what I was told. | ||
| I was told that it comes down to a decision that they had to make in order to join a global community. | ||
| That makes sense. | ||
| That makes sense the United States has pushed that on everybody else. | ||
| In Texas, there's a lot of push from the alcohol lobby to try to make marijuana even more illegal. | ||
| Yeah, because people don't necessarily have to drink that much. | ||
| Yeah, that's what they're worried about. | ||
| They're worried about people talking about alcohol. | ||
| It's a stupid, I mean, the fact that it works is crazy that people are still with like zero deaths ever, that they're still pushing to take this one drug away when you've got one drug that everybody uses. | ||
| It's very strange. | ||
| But it all really goes back to the 1930s. | ||
| Right. | ||
| You know, and it was really just about the comm commodity of hemp more than it really was even about the drug. | ||
| Right. | ||
| You know the history of that? | ||
| Yeah, well, I know a bit about the making of rope from hemp. | ||
| Yeah. | ||
| Because of Master and Commander and spending a lot of time on tall sailing ships. | ||
| The whole thing was about an invention. | ||
| And there was a new invention called the decorticator. | ||
| And it allowed them to effectively process hemp fiber with a machine. | ||
| Right. | ||
| Because before that, it was very time intensive, very labor-intensive to break it down because they're very, very strong fiber. | ||
| So then Popular Science Magazine has it on the cover. | ||
| Hemp, the new billion-dollar crop, because of this machine. | ||
| And so then William Randolph Hearst, who also owned Hearst Publications, he also owned paper mills. | ||
| So paper mills and cereal, he owned forests where he'd make paper out of the forest. | ||
| All of a sudden, there's this competing commodity where they're going to use hemp for paper. | ||
| It's a far superior paper. | ||
| Hemp is going to, it's way quicker to grow. | ||
| You can grow entire fields of it in a year. | ||
| You get a whole new crop. | ||
| Like it's not like trees that take years and years to grow before you can chop them down and make paper out of them. | ||
| And so then they started printing these stories about Mexicans and blacks that are raping white women because they're on this new drug called marijuana. | ||
| Right, the jazz cigarette. | ||
| Yeah. | ||
| And so marijuana was really the term for a wild Mexican tobacco. | ||
| It didn't even apply to cannabis. | ||
| So they made a new name for it and they attached this new name. | ||
| And they got Congress to ban it. | ||
| And before they didn't even understand it was hemp. | ||
| Like most people didn't know what was going on. | ||
| They thought there was this new drug that was like running through the world. | ||
| And they just pulled the wool over everybody's eyes. | ||
| And they did it because of a commodity. | ||
| And then they made Reefer Madness and all those crazy movies. | ||
| And everybody's like, oh, my goodness, if you smoke Reefer, you're going to die. | ||
| You're going to jump out of buildings. | ||
| Meanwhile, people had been smoking it for thousands of years. | ||
| It's like a pretty amazing way of manipulating public perception and using propaganda. | ||
| And, you know, William Randolph Hearst, obviously the subject of the movie Rosebud, he was a real piece of shit. | ||
| Citizen Kane, yeah. | ||
| Yeah. | ||
| Yeah, excuse me. | ||
| Citizen Kane. | ||
| He was a real piece of shit. | ||
| It's a real bad guy. | ||
| You know, according to folkloric tales, he did everything he could to prevent Orson Welles from becoming the filmmaker that he should have become. | ||
| Right, after he made that film. | ||
| Yeah. | ||
| And it seems like he was effective with it because, you know, Citizen Kane was so good. | ||
| And then years later, he's doing wine commercials for money. | ||
| Yeah. | ||
| There's a funny thing. | ||
| It's like a recording where he's trying to do a voiceover for Norwegian salmon or something. | ||
| He's getting more and more pissed off with the young producer who's trying to get him to read it in a certain way. | ||
| Yeah, it's kind of fucked, man. | ||
| Have you seen those little footage bits of the who's the tilting at windmills fella? | ||
| Don Quixote. | ||
| Yeah, he went to Mexico somewhere and he sort of started shooting little bits and pieces for potentially a Don Quixote movie. | ||
| But it's just madness. | ||
| It's like there's nothing in there that could actually be in a film. | ||
| He just had gone crazy. | ||
| Yeah, we'll get a bloke with a donkey. | ||
| We'll have him walking over there. | ||
| We'll shoot that. | ||
| But it's like there's nothing cohesive in it that you could make a movie from. | ||
| I wonder if that's just from the pressure of essentially being like one of the first guys to ever get canceled. | ||
| He just probably lost his mind. | ||
| Potentially, right? | ||
|
unidentified
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Absolutely. | |
| Because you would think that Citizen Kane is your passport to a lifetime of being financed for whatever idea you want to put onto film. | ||
|
unidentified
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Yeah. | |
| I mean, it's to this day a classic film that people talk about. | ||
| And then also, you're the same guy that did the War of Worlds. | ||
| You read that on the radio and freaked half the country out. | ||
| Right. | ||
| The same guy. | ||
| And so, I mean, he was a wonderkind, right? | ||
| Was this guy that like everybody thought was like a once-in-a-lifetime talent and he snuffed out. | ||
| And back then, you have to consider: if you're William Randolph Hearst, you have Hearst publications, you're essentially in control of whatever narrative you want to push forth, and no one's going to get in your way. | ||
| So, all you'd have to do is make some phone calls, and that guy, fuck him, he doesn't work again. | ||
| Crazy. | ||
| It's a little bit, a little bit. | ||
| We've got way too much power in the hands of media moguls. | ||
| Yeah. | ||
| And as we go on, that reduction of opinion just keeps happening. | ||
| One company swallows another, swallows another. | ||
| And I think we're in a situation now in America, right, when 20 years ago, there was two dozen major media companies or 30 years ago. | ||
| And now it's three. | ||
| I know. | ||
| That's crazy. | ||
| And just like with the share market and the biggest companies in the world, they end up owning each other. | ||
| So it's not three big companies. | ||
| It's really just one with three different names. | ||
| Yeah. | ||
| And they decide what the news is. | ||
| It's nuts, but that's the one beautiful thing about today is that independent media takes up the slack and often gets more views than main, you know, air quote, mainstream corporate media. | ||
| And so now corporate media is forced to report on things eventually. | ||
| Like the New York Times is forced to report on certain things that are inconvenient eventually, where they would have just liked to have ignored it. | ||
| But it gets so big in the zeitgeist that it has to become something that's discussed. | ||
| And that's fascinating because it's like dragging them into the reality that the internet lives in, which is a reality of a free exchange of information. | ||
| The whole horizon of television is just so dramatically different now. | ||
| So different. | ||
| You know, I get to a hotel and I'll scroll through 160 available channels. | ||
| There's nothing I'm interested in watching. | ||
| It's like, how is that even possible? | ||
| It's also watching something that's already going. | ||
| Like it starts at seven. | ||
| Why? | ||
| Why doesn't that start whenever I sit down? | ||
| This is stupid. | ||
| Like you have an old model. | ||
| This model's dumb. | ||
| It's like radio versus podcasts, the same kind of thing. | ||
| It's like no one wants to have to be listening, sitting in their car waiting for you to finish a sentence. | ||
| They want to hit pause, go do whatever the fuck they're doing, come back and play again. | ||
| This is a dumb way you're doing things. | ||
| You're doing things. | ||
|
unidentified
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And on 8 p.m., it's Mikey and the boys. | |
| See, I never had that life. | ||
| You know, the last time I remember that being a thing is maybe in high school, where my mum and dad, my mum particularly, would like to watch Dallas. | ||
| So we would all get together and watch Dallas at 8 o'clock or whatever on a Tuesday or whatever. | ||
| And that just doesn't just hasn't happened in my life at all anymore. | ||
| The last time it happened, I think, for me, was the Sopranos on HBO. Because it was on, I believe it was on Sunday nights. | ||
| And everybody knew what time it was on. | ||
| And you go home and I had a TiVo back then. | ||
| You remember those? | ||
| Right. | ||
| Where you could record shows and go back and watch them later and pause them and stuff like that. | ||
| And it was like revolutionary before streaming. | ||
| Oh my God. | ||
| You could record shows and watch them whenever you want. | ||
| Embarrassingly, I've only ever seen maybe four or five Sopranos episodes. | ||
|
unidentified
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Really? | |
| Yeah, yeah, yeah. | ||
| And every time I watch it, I go, I cannot believe that I didn't get overtaken by this at the time. | ||
| Because Gandoffini was a mate. | ||
| I met him like early 90s. | ||
| Yeah, early 90s in New York. | ||
| Him and a friend of mine called Lenny Lofton used to rent a place together on 44th and 9th and Hell's Kitchen. | ||
| And, you know, this is like an apartment on maybe the fourth floor of a building. | ||
| And there were a couple of windows that didn't even have glass in. | ||
|
unidentified
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They had like plastic sheets and a blanket nailed up against the window. | |
| And that's what, you know, the situation that Gandofini was in when I first met him. | ||
|
unidentified
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Wow. | |
| A few years later, he was obviously very successful. | ||
| But my youngest son, Tennyson, is like a sopranos expert. | ||
| Like you can say a lie to him, and he'll know what episode, what season, and who said that. | ||
|
unidentified
|
Wow. | |
| It's like he's so into it. | ||
| And, you know, when I have started watching very recently, actually, some ducks landed on a pool on the farm. | ||
| So I took a photo and there was like thousands of comments or whatever it was straight away going, ah, it's like Tony Soprano. | ||
| I had no idea what people were talking about. | ||
| I had to discuss it with my son. | ||
| He goes, oh, yeah, there's this sequence. | ||
| So I watched that sequence with the ducks. | ||
| Yeah. | ||
| But Gandofini, man, what a great actor he was. | ||
| He was a great character, I'm not sure. | ||
| He was good on that show. | ||
| He was so, it was the first guy who was essentially the hero of the show, who was a murderer, a murderer, a terrible person, a mob boss. | ||
| And you liked him. | ||
| It was insane. | ||
| Like the fact that he could pull, that he had the depth to pull off that, where he's doing horrible things to people and you're rooting for him. | ||
| You're rooting for him. | ||
| You're not hoping he gets shot. | ||
| You want Tony to live. | ||
| Who's that guy that you have on here every now and then? | ||
| Joey Diaz? | ||
| Yeah. | ||
| Yeah, he's a funny guy. | ||
| Oh, he's the funniest guy that's ever lived. | ||
| I heard him tell that story one time about the same week that Cinderella Man came out, I went to the premiere of Longashard. | ||
| Because, you know, Chris Rock was in that and stuff. | ||
| And there's a few people in that cast who I really like. | ||
| And so I went to the movie and I just remember him telling a story about the lights come up and he didn't realize he was sitting next to me or whatever. | ||
| I think it'd be a very dangerous room for me and Joey Diaz to be in. | ||
| I think we'd be having a good time. | ||
| You guys have a good time. | ||
| A little bit. | ||
| Joey brings the party. | ||
| He's the funniest guy I've ever met. | ||
| Oh, man. | ||
| He's got some stories. | ||
| Oh, my God. | ||
| They never end. | ||
| I've known him for fucking 30 years. | ||
| He's always got a new story. | ||
| He's just a maniac. | ||
| And, you know, I mean, went to jail for armed kidnapping, kidnapped a drug dealer with a machine gun. | ||
| He was half his mind on Coke. | ||
| Yeah, he was a wild fella. | ||
| He was a wild fellow when he was young. | ||
| When I met him, he was like right out of jail. | ||
| How did you meet Jimmy Carr? | ||
| I think I met Jimmy at the comedy store, I believe. | ||
| Pretty sure. | ||
| I'd already known about him. | ||
| Yeah. | ||
| Yeah, I'd already known about him. | ||
| What a fucking great guy. | ||
| Yeah, man. | ||
| And so funny. | ||
| Oh, my God. | ||
| He performed at the mothership last time he was in town. | ||
| We were all in the balcony watching. | ||
| He's so good. | ||
| So crisp. | ||
| The punchlines are so, oh, he's so good. | ||
| It's such a pleasure. | ||
| And he just keeps educating himself. | ||
|
unidentified
|
Yeah. | |
| You know, he's got this voracious mind. | ||
| Well, he's a brilliant guy, you know. | ||
| And to see that brilliance applied to an art form, you know, to comedy. | ||
| It's like you're seeing it. | ||
| He's just as funny in casual conversation. | ||
|
unidentified
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Oh, yeah. | |
| You know, you sit down, we have a chat, because we spend a little bit of time together. | ||
| And it's funny because he's, you know, significantly younger than me, but he's teaching me stuff. | ||
| You know, I've never been a vacation person, for example. | ||
| You know, there's work and home. | ||
| But home isn't often fully restful because, you know, I've got a football team. | ||
| I've got other businesses. | ||
| I've got the farm to run, you know, cows to look after and all that sort of stuff. | ||
| So, but a couple of years ago, he just put it in my mind, like, let's just say, we'll take these dates and I'll meet you somewhere, you know? | ||
| So the first time we did it, we met up in Puglia in southern Italy. | ||
| And earlier this year we met up in Marbea. | ||
| But I've already booked a vacation for next year. | ||
|
unidentified
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I don't do that. | |
| But it's like that thing of going somewhere which isn't home and isn't work, having no agenda, sort of hanging out by the pool, reading a book, right, from beginning to end. | ||
| Yeah. | ||
| You know, without having to sort of put it aside and come back to it a week later and go, oh, what was the protagonist doing again? | ||
| You know, yeah, it's very interesting. | ||
| It's very interesting that I should be, you know, I'm getting this late life education from a British comedian. | ||
| That is funny that he's teaching you how. | ||
| No wife taught you how to do that. | ||
| I think there's a reason why people go on vacations. | ||
| They're not all stupid. | ||
| There's a benefit to it. | ||
| But see, I didn't grow up in that sort of family. | ||
| We didn't have the money for that sort of thing. | ||
| We went on one big family holiday in 1970 where we all piled into my dad's station wagon and we drove from Sydney up to northern Queensland. | ||
| But a cyclone came through on the way. | ||
| So we had like four days of sunshine and 26 days of rain. | ||
| So living in a caravan, playing Monopoly. | ||
| So it's not like I look back, oh, I remember the great vacations of my childhood. | ||
| So it was like, you know, my dad used to run pubs. | ||
| So you don't get a holiday. | ||
| You have to learn it. | ||
| Based on the licensing laws, you have to be the first person there in the morning. | ||
| You have to be the last person there at night. | ||
| So we kind of lived that sort of life where everything was based on running the pub. | ||
| But it's cool. | ||
| It's a good time for me to learn about it now. | ||
| Well, don't you think like as a person who does anything creative, you have to have a bunch of different kinds of experiences to draw from. | ||
| And if you just stay in the same environment all the time, it's probably generally not good for you. | ||
| Like you need to go see other people. | ||
| You need to go different places, not just to refresh and relax, but also to take in. | ||
| You see, I do so much traveling. | ||
| For work. | ||
| You know, for work. | ||
| Oh, that's what I was going to ask you. | ||
| Why are they doing a Portland film in Munich? | ||
| Is it that cheap to go? | ||
| Like, how bad did they fuck up Portland? | ||
| That it's cheaper to go to Munich to film? | ||
| Is that what it is? | ||
| You have tax incentives that are being offered various places. | ||
| And that happens a lot here. | ||
| There'll be X amount of movies pretty much in every state who can apply for a tax incentive. | ||
| And some states are more competitive than others. | ||
| Louisiana, for example, Georgia. | ||
| California basically gives you nothing. | ||
| So it's very hard to shoot in California. | ||
| So silly fucks. | ||
| Well, the thing is, it's such a busy place. | ||
| And the studios there, the studios would rather have a television show that's going to be there for a decade than a movie that's in and out in four months. | ||
| It's better for them. | ||
| But the world has opened up hugely in the last 30 years in terms of film production. | ||
| And you're taking advantage of homegrown film talent and then building on that with international investment. | ||
| Well, that's great. | ||
| That's a great aspect. | ||
| Australia has a big history, for example, of making films. | ||
| Technically, arguably the first full-length feature film, the true history of the Ned Kelly gang might have been called that was like 1906, 1908, something like that. | ||
| It was made in Australia. | ||
|
unidentified
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Really? | |
| Yeah. | ||
| And, you know, all the way through, but it takes to about the 70s or whatever, then you have this sort of new generation of Australian filmmakers who are actually making stories that reflect the current culture. | ||
| And I think that's sort of happening worldwide as well. | ||
| Have you seen Talk to Me? | ||
| No. | ||
| Talk to Me is a fantastic horror movie that these two young guys from. | ||
| I'm saying the right name, right? | ||
| They were on the podcast. | ||
| I'm pretty sure it's Talk to Me. | ||
| It's about this dead hand that someone found. | ||
| What are the gentlemen's names? | ||
| Danny and Michael Philippoo. | ||
| I think that's how you say it. | ||
| Philippoo? | ||
| Philippoo. | ||
|
unidentified
|
Yeah. | |
| Hilarious guys. | ||
| Just bundles of energy. | ||
| They're fucking nuts. | ||
| But this was like their first real film that they made. | ||
| They put together this. | ||
| They did it all themselves. | ||
| And it's a horror movie. | ||
| And it's really good. | ||
| It's like... | ||
| Where are they from? | ||
| They're from Australia. | ||
| I don't know what part. | ||
| These two guys. | ||
| Jamie will find out. | ||
|
unidentified
|
There they are. | |
| These two fellas. | ||
| And they finish each other's sentences. | ||
| They're just nuts. | ||
| And they're just like they're on 10 all the time. | ||
| Oh, cool. | ||
| Did it say Adelaide? | ||
| There you go. | ||
| Right. | ||
| So they're 32. | ||
| But that's a completely Australian-made movie that was a hit worldwide recently. | ||
|
unidentified
|
Yeah, obviously Mad Max was a giant. | |
| When you start going through it, you sort of do realize there's been, you know, probably a much larger percentage than you would expect given the population of the country in terms of people in film, whether it's directors of photography or directors themselves or actors. | ||
| Editors and the actors. | ||
| Think about how many famous actors have come from there. | ||
| It's crazy, man. | ||
| Think about it. | ||
| When I was a young fella making my first movies, you had Mel Gibson and Judy Davis. | ||
| But Mel was born in America, so it didn't really count. | ||
| There was other guys around, like, you know, Brian Brown had done Cocktail and Gorillas in the Mist. | ||
| Prior to that, you have guys like Jack Thompson. | ||
| But when you really look into it, you know, then you have these other guys. | ||
| It goes all the way back to Errol Flynn. | ||
| There is a connection all the way through that, you know, there are certain people working in the business. | ||
| Erol Flynn was Australia? | ||
| What's that? | ||
| Errol Flynn was Australia. | ||
| Yeah, he was born in Tasmania. | ||
| Wow. | ||
| And either born in Tasmania or born in Papua New Guinea and grew up in either place. | ||
| But I think he was born in Tasmania. | ||
| But if you think about it, since the early 90s, you know, Nicole Kidman, Kate Blanchette, Hugh Jackman, Chris Hemmersworth, Margot Robbie. | ||
| It's just outrageous. | ||
| Jeffrey Rush. | ||
| You know, there's like name after name after name of people who've made a significant contribution in cinema. | ||
| Yeah, I mean, you consider the population size, which is essentially the population of the entire country is basically LA, right? | ||
| It's 25 mil. | ||
| Yeah, it's basically Southern California. | ||
| And it's gigantic. | ||
| But it's hard to explain to people. | ||
| You show them where the major cities are and they go, oh, what happens in the middle? | ||
| You go, not a lot. | ||
| Yeah. | ||
| You don't want to be there? | ||
| It's mainly desert. | ||
| It's like, you know, if you like wide open spaces, you're welcome. | ||
| And a lot of things can kill you. | ||
| A lot of things. | ||
| A lot of things. | ||
| Yeah. | ||
| Just had a little sort of thing on the farm, actually. | ||
| My girlfriend's got a Papillon dog, which is a beautiful dog, sort of long-haired. | ||
| And it got a paralysis tick. | ||
| And they realized, she realized that between her and this other girl that looks after the puppy women not there, they'd got their dates mixed up. | ||
| And so it wasn't actually covered for flea and tick, you know, stuff in its bloodstream. | ||
| So very dangerous. | ||
| So they had to shave the dog completely and everything. | ||
| They pulled off another couple of ticks, but there was only just the one paralysis tick, so it's okay. | ||
| But if you leave that and if you don't deal with it, the dog's going to be dead in a minute. | ||
| Paralysis ticks. | ||
| Yeah. | ||
|
unidentified
|
Yeah. | |
| It gets into their body and it is, it affects them the way the name says on the box. | ||
| There's one that's going on in America now called the, well, what it gives, it's a lone star tick is what gives you this bite and produces something called alpha gal. | ||
| And it makes you allergic to red meat. | ||
|
unidentified
|
What? | |
| Yeah. | ||
| My friend, my good friend Evan Hayfer got it. | ||
| And he was allergic to red meat for a good solid year. | ||
| And then eventually it went away. | ||
| And then it came back again recently. | ||
| It's a huge pain in the ass. | ||
| So we have ticks in Australia, but we've never had to deal with Lyme disease like you have here. | ||
| But in the last four or five decades, people started raising deer in Australia for meat and what have you. | ||
| And few of them get away. | ||
| There's no deer farms around where I am, which is north of Sydney by 600 Ks. | ||
| But recently, a couple of the guys that work for me on the farm said they've seen deer going through the bush at the back of my block. | ||
| So that means that there's some just animals that have escaped and they're most likely to have been in the southern highlands, which is south of Sydney. | ||
| And somehow they've got themselves all the way up to where I am. | ||
| How many miles is that or kilometer? | ||
| Well, we're probably talking about 700-something kilometers. | ||
| They just wandered. | ||
|
unidentified
|
Yeah. | |
| Wow. | ||
| And didn't get run over or didn't get, you know? | ||
| That's crazy. | ||
| Absolutely crazy. | ||
| And they probably bring in ticks. | ||
| Probably. | ||
| And the wrong kind of ticks. | ||
| In America, they have a problem with that too, deer farms and this disease called chronic wasting disease. | ||
| And it's spread throughout large swaths of America have a giant issue with this, where deer herds get infected. | ||
| My friend Doug Duran, he has a farm out in Wisconsin, and they've had a significant problem with it to the point where they've started issuing more tags and thinning the herd. | ||
| They're trying to kill more deer to try to lessen this spread of this stuff because chronic wasting disease, it's a prion disease. | ||
| So it's like it gets on plants. | ||
| It stays on them for a long time. | ||
| So they start drooling when they have it. | ||
| And in that drool is more chronic wasting disease. | ||
| So another deer will come along and graze on the ground where they drooled. | ||
| Then they get it. | ||
| Horrible, horrible disease. | ||
| And a lot of it emanated from these deer farms. | ||
| When I first bought the farm, which was 100 acres to start with, but it's now like 1700. | ||
| And it's attached to a state forest as well. | ||
| So I can get up behind my place and go for days. | ||
| Oh, wow. | ||
| Which is just sort of like, you know, which is cool. | ||
| But back in the day, we used to have platypus in the creeks. | ||
| We had wombats. | ||
| And now I see more foxes than I see native animals. | ||
| Or I see an equivalent amount of foxes as I see wallabies. | ||
| Are foxes invasive? | ||
|
unidentified
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Yeah. | |
| Okay, there you go. | ||
| And they're absolute, you know, because they eat anything and everything. | ||
| I used to have a big family of what we call bush turkeys living behind the house. | ||
| And they're still there. | ||
| But they used to just proudly walk around, you know, and it was fun. | ||
| You're going through the bush and then suddenly there's a road full of bush turkeys. | ||
| It's great. | ||
| But now the population is right down and they're totally ninja now. | ||
| You don't see them very often. | ||
| When you do, they're like very suspicious. | ||
| They're checking you out. | ||
| Just being hunted 24 cents. | ||
| That's foxes, man. | ||
|
unidentified
|
Yeah. | |
| You also have a large feral cat problem, right? | ||
| Gigantic. | ||
| Gigantic. | ||
| The one and only cat that I let my mother have at the farm. | ||
| This is way back, man. | ||
| I was training for Cinderella, man. | ||
| And, you know, they sent me this group of boxes, Olympic guys, and stuff like that. | ||
| And every single one of them can smash the piss out of me in the ring. | ||
| So I've got to smash the piss out of them in other areas. | ||
| So I train them until they drop, you know, getting them on bicycles and taking them to the bush, you know, things like that, just to sort of like keep the balance. | ||
| You know, and this one particular day, and I had it in my mind that I was just going to absolutely smash them. | ||
| I was going to get into this situation because this is one road, you know, and I was just going to get so far in front of them, psychologically damage them, you know. | ||
| How devious had a conversation with my mum, and she was like, oh, darling, you know, you know, I'd really love to have a cat. | ||
| And I'm like, Mum, we lived in this privileged situation. | ||
| We've got sulfur-crested cockatoos, rosellas, king parrots, all these beautiful birds. | ||
| And the worst thing that we could do for them is put a cat into that. | ||
| So you can't have a cat, you know. | ||
| I'm riding through the bush, 25, 30ks in at this point, right? | ||
| I'm getting to the top of this hill. | ||
| I'm looking down. | ||
| I'm seeing these boys struggling quite some distance, probably about a kilometer and a half away from me, you know. | ||
| And I'm going, I'll just have a little rest here. | ||
| And I just hear this little noise, and I'm like, what the hell is that? | ||
| So I just take three or four steps off the road. | ||
| You know, probably about seven or eight minutes ago, I was coming around this corner and a car was there on the road, which is kind of unusual for the state forest in that particular area, right? | ||
| So I take these three or four steps in, and there's a little kitten sitting in the bush. | ||
| Like, what the hell? | ||
| So I pick it up, it's warm, you know, I can't leave it here. | ||
| So I put it in my backpack, right? | ||
| And I complete the ride, I get to the top of this hill where this trig station is, and everybody's standing around. | ||
|
unidentified
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I go, oh, I found a cat. | |
| So I bring it out, everyone's all these big boxes go, oh, you know, cute little kitten. | ||
| So I took it home to my mum. | ||
| I said, okay, here's your cat. | ||
| You know, and the way that I reasoned it is like, this is me saying to my mother, you cannot have something that will make you happy. | ||
| And then the universe goes, listen to your mother. | ||
| So now that cat hated human beings for the rest of its life, you know, the only person it got on with was my mum. | ||
| And we used to have like four bells around its neck to give the birds enough warning. | ||
| So it didn't cause too much damage. | ||
| So it was a feral cat then. | ||
| I think. | ||
| Or was it tossed out of that car? | ||
| I think so. | ||
| Yeah. | ||
| It was too clean and too warm for it to have been living. | ||
| But that's what people do. | ||
| They have a problem. | ||
| They have a cat that has a litter. | ||
| They don't know how to solve it. | ||
| Pet stores don't want it. | ||
| Their friends don't want it. | ||
| So they come up with the concept of just chucking them into the bush. | ||
| Well, didn't it start out what they brought? | ||
| They introduced cats to try to eliminate some other animal. | ||
| We have such a history of stupidity in that regard. | ||
| Have you heard of the cane toad? | ||
| Yes. | ||
| It's just so fantastic, right? | ||
|
unidentified
|
Yeah. | |
| So, you know, they're growing sugar cane in Queensland, and there's a particular flying creature that they want to control. | ||
| So they start looking around. | ||
| We always blame the British for this because it's usually a naturalist, a British naturalist or scientist that comes up with the concept. | ||
| And so they look through all the aisles. | ||
| I can't remember where they found it from, but they found this toad who seemed to have this appetite for this particular insect and they would feed it. | ||
| It ate it. | ||
|
unidentified
|
Great. | |
| So we'll introduce the cane toad to get amongst the sugar cane and lessen that creature. | ||
| When they were checking if the cane toad would eat the creature, they were feeding it dead ones, right? | ||
| It's a flying creature. | ||
| Toad doesn't have a tongue like a frog. | ||
| Can't catch this thing if it's flying. | ||
| So it was of no use at all in trying to lessen that population. | ||
| However, it became like a dominant species, and it was in Queensland, but now it's starting to come in New South Wales. | ||
| So they're basically marching south. | ||
| And it's a problem, man. | ||
| It's like a serious problem. | ||
| They secrete poison. | ||
| So if a dog gets interested and the toad gets afraid, the dog can sort of like sniff or lick its head, then get poisoned, and that's the end of your dog, you know. | ||
| But there was a period of time there where there's actually a documentary from the 90s called Cane Toads. | ||
| And it sort of just points out how crazy people were getting with it. | ||
| You know, people in small country towns walking from their house to the pub, taking a cricket bat and just smacking the cane toads off the road as they went. | ||
| You know, it's like all these people becoming like, you know, crazed with the idea of getting rid of the cane toad population, but it hasn't affected them. | ||
| They just keep growing. | ||
| How much is the population now? | ||
| How big is it? | ||
| So big. | ||
| And these things, Jamie, can you do me a favor? | ||
| Look up the weight of the largest cane toad that they found because it's always a surprise. | ||
| These things grow. | ||
| And if they're in the right environment and things that they can eat and feed on, they just get bigger and bigger. | ||
| The biggest one. | ||
| Look at this thing. | ||
|
unidentified
|
Look at this thing, mate. | |
| Whoa. | ||
| That's like an English bulldog. | ||
| Howdy-doody. | ||
| It's bigger than my dog. | ||
| Oh, my. | ||
| Look at his head. | ||
| What is the weight on that fucker? | ||
| What does it say? | ||
| That's crazy. | ||
| I gotta find another one to add fuck me. | ||
| Hold on. | ||
| Got a weight there. | ||
| Does it say how big? | ||
| That was a record. | ||
| Of course it's a little bit. | ||
| How fat that fucker is. | ||
| 2.7 kilometers. | ||
| 2.8 pounds. | ||
| Wow. | ||
| That looks bigger than 5.8 pounds. | ||
| It does, but it might be a perspective thing. | ||
| Either way. | ||
| I said that was the current one. | ||
| Oh, show the video. | ||
| Scroll up so you can see that video or make it larger. | ||
| Like what she's holding it. | ||
| Yeah, it looks like about five pounds. | ||
| Boy, have you ever seen when they there's a lot of horrible videos online where they take toads and they put them in a box with mice? | ||
| You ever see what toads do to mice? | ||
|
unidentified
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No. | |
| You would never think that toads are ferocious. | ||
| You know, you'd never think that toads are basically monsters, these just giant-mouthed monsters that swallow mice whole. | ||
| But they do. | ||
| They're super aggressive. | ||
| It's crazy to watch. | ||
| Jamie, I know you're going to get one. | ||
|
unidentified
|
Yeah. | |
| Just had to make sure it was worth pulling up. | ||
| Is this a good one? | ||
|
unidentified
|
Yeah. | |
| But there's ones where there's a bunch of them in boxes. | ||
| See, this one is kind of weird because he's not freaking out yet. | ||
|
unidentified
|
He's being sneaky. | |
| Wow, what's that? | ||
|
unidentified
|
Look at that head. | |
| Look at his head. | ||
| I mean, if that thing was giant, like that was hippopotamus-shaped, chasing after you. | ||
| Look how quick that is. | ||
|
unidentified
|
How did he get it? | |
| It must be closer than it looks like. | ||
| He just swallowed him whole. | ||
| Watch how quick he does it. | ||
| This bit here. | ||
| Oh, it's just one step forward and bang. | ||
| Yeah. | ||
| Just snap. | ||
| See if you can find one of them videos. | ||
| He just inhales them. | ||
| Like, he literally inhaled them. | ||
| Oh, he grabbed him with the tongue first. | ||
| And he yanked him in. | ||
| Oh, God. | ||
| See if you can find those videos where there's a ton of them in a box. | ||
|
unidentified
|
Maybe we're getting two live feedings Lovely mice. | |
| Like this. | ||
| Either way. | ||
| It's a giant bullfrog. | ||
| It's not a cane toad. | ||
| Slightly different. | ||
| Giant African bullfrog. | ||
| Either way. | ||
| Point is, they eat mice. | ||
| They eat them whole. | ||
| And how many of them are now in Australia? | ||
| How many million? | ||
| Oh, here we go. | ||
| This guy's just going to go ham. | ||
| So he starts. | ||
| He's going to eat all of them. | ||
|
unidentified
|
Look how gross those things are. | |
| They look so dumb. | ||
| Just so mindless and gross. | ||
| I don't think he's going to get all of them. | ||
| Videos not long enough. | ||
| He hasn't gotten any of them. | ||
| What's going on here? | ||
| Just gathering them in a corner. | ||
| It's a creepy animal. | ||
| And so, what are the numbers? | ||
| Like, put that into perplexity. | ||
| Cane toads? | ||
| Yeah. | ||
| How many cane toads? | ||
| Ask our sponsor, how many cane toads are in Australia? | ||
| What was the initial deposit? | ||
| Like, how many did they drop off? | ||
| It was only a couple hundred, and then they bred like 60,000 in 1937. | ||
| And the answer for now is estimated at 200 million. | ||
| Man. | ||
| And that little fly that eats the sugar cane, it's still there. | ||
| Oh, my God. | ||
|
unidentified
|
200 million. | |
| But see, look, if you see where those that see that cluster of light blue balls, right? | ||
| They basically, in there, in the middle of that cluster, is where they dropped them to start with. | ||
| And look at how they've migrated. | ||
| Well, they're going to make their way across the whole country. | ||
| Oh, there you go. | ||
| 49. | ||
| So the white one is actually where they put them to start. | ||
| Wow. | ||
| Everything else is migration. | ||
| And by 2000, look how far they've gone. | ||
|
unidentified
|
Wow. | |
| What's the plan to get rid of those things? | ||
| I'm not sure that they have a PhD plan. | ||
| There's no plan. | ||
| Well, that's the problem. | ||
| If they have a plan, they're going to bring in some lizard or something. | ||
|
unidentified
|
Yeah. | |
| Frogs. | ||
| That's going to end up doing something else. | ||
| Yeah, it's going to kill everything else. | ||
| Every single time they've done that. | ||
| In New Zealand, for example, they introduced the gorse bush as a way to have hedging instead of fences. | ||
| But New Zealand's got a way higher rainfall and sunshine hours than England, where it came from. | ||
| So now it's just everywhere. | ||
| So beautiful, arable farmlands just taken over by gorse. | ||
| And when it grows in Australia, in New Zealand, it grows thicker and more prickly and much harder to deal with. | ||
| We have the same thing in Australia with plants like Lantana. | ||
| It's just everywhere, all through the bush. | ||
| You know, in my lifetime. | ||
| So in 96, I used to be able to walk through certain areas of my property just under tall trees with subtropical ferns and vines on the ground. | ||
| Now there's many areas of my property that are just impossible. | ||
| You cannot get through it anymore because it's choked out with introduced weeds. | ||
| What is that crazy plant down south that we talked about once that has overrun some of these forests? | ||
| It's pretty beautiful, but it's also very creepy to see what it's done, just like taking over all the trees. | ||
| All the trees, anything on the ground just covered with styria. | ||
| Kudzu. | ||
| Yeah, I'll show you. | ||
| I'll make sure this throws off. | ||
| That's right. | ||
| Yeah, that's it. | ||
| Look at that. | ||
| Right. | ||
| Isn't that nuts? | ||
| Yeah. | ||
| Like, that image is creepy. | ||
| Yeah. | ||
| I mean, that's like a steep in my place, man. | ||
| I used to have waterfalls and creeks. | ||
| Look at that. | ||
| It's taking over that whole building. | ||
| That's crazy. | ||
| Everything. | ||
| Yeah. | ||
| Just where did it come from? | ||
| So that's in Fiji, yeah? | ||
| Yeah, it's in the United States, though. | ||
| So how was it brought in? | ||
| China? | ||
| Korea, Japan. | ||
| Oh, did people bring it in on purpose? | ||
| That's where it's that's where it's originated from, sorry. | ||
| Right. | ||
| History of U.S. introduction introduced from Japan in 1876. | ||
| New Orleans Exposition. | ||
| Oh, that's where I heard there's a lot of it. | ||
| Vine was widely marketed in the southeast as an ornamental plant. | ||
| And then it just took over. | ||
| Wow. | ||
| It's funny when people try to do that because they never learn and yet they still try the same thing. | ||
| Over and over. | ||
| There's so many times they've introduced invasive species. | ||
| I have a buddy of mine. | ||
| It's not necessarily an invasion species, but I have a buddy of mine who lives in Colorado. | ||
| And they just reintroduced wolves into this area where they have farms. | ||
| And so they took wolves from Washington State where they had been killing cows. | ||
| And so they had to relocate them. | ||
| So where did they relocate them to them? | ||
| They relocated them to a place with cows. | ||
| And of course these wolves start killing cows again. | ||
| Haven't they shown though in one of the national parks here that by supporting the apex predator, a whole bunch of other problems get solved? | ||
| That's the Yellowstone reintroduction. | ||
| And so that's called how wolves changed rivers, right? | ||
| That documentary. | ||
| There's a lot of people that push back against that. | ||
| I think you definitely need predators because there was at one point in time an overpopulation of elk in Montana to the point where they were having winter seasons, winter rifle seasons, where they would issue a lot of tags. | ||
| So in the winter, they're stuck in deep snow and you just go pick them off. | ||
| And it was because they had so many that it was actually detrimental to the herd itself, to the health of the herd itself. | ||
| So they reintroduced wolves. | ||
| The population dropped by, I think, more than 40%. | ||
| It might have been more than that. | ||
| I don't know. | ||
| See how much elk's population has dropped since the introduction of wolves into Montana in the Yellowstone introduction. | ||
| So there's definitely a balance that needs to be achieved. | ||
| The problem is that area where they're doing that, then the elk are going to eat, the wolves rather are going to eat the elk. | ||
| And occasionally they'll stray onto cattle and then they're allowed to issue depredation tags and you can get a problem wolf killed. | ||
| But what they did in Colorado is they brought them right to where the cows are. | ||
| They took wolves that had a history of, they know how to kill cows. | ||
| That's what they do. | ||
| They know how to kill calves. | ||
| They've been doing it for their whole lives. | ||
| And they took them and they introduced them to a place where there's no protection. | ||
| No one's ready for it. | ||
| No one has guards set up. | ||
| They don't have dogs set up. | ||
| They don't have anything set up to stop wolves. | ||
| So let's see. | ||
| When the reintroduction was in 1995, the winter count was approximately 17,000 elk when wolf reintroduction began. | ||
| It fell to 10,000 by 2003. | ||
| By 2013, only 3,915 elk represents a drop of roughly 75% from pre-reintroduction numbers. | ||
| That's kind of crazy. | ||
| But 19,000 is too many. | ||
| That's kind of nuts. | ||
| That's an overpopulation. | ||
| That can lead to disease and famine and all kinds of things. | ||
| And you don't have a good, stable ecosystem with both predators and prey. | ||
| You get a situation like you have in New Zealand where they have to gun down stags sometimes. | ||
| They have to helicopter stags because they just get overpopulated. | ||
| You know, New Zealand is one of those places where all these game animals from Europe were introduced specifically to set up New Zealand as a beautiful hunting refuge. | ||
| They would go there and hunt stag. | ||
| But, you know, the problem is you have to have balance. | ||
| Like this whole, you can't just enter into like human ideas. | ||
| You know, like, oh, well, one plus one is two. | ||
| So we'll just add one. | ||
| Now we got, no, it's not how it works. | ||
| Like, you have to maintain the population of these creatures that you've now dropped off with no natural balance. | ||
| We have a big problem in certain areas of Australia with wild horses. | ||
| Yeah, they know that in America. | ||
| We call them Mustangs. | ||
| We call them Brombies. | ||
| You know, obviously a horse was really important in Australia when it was being opened up and first colonised and populated and what have you. | ||
| And then, you know, First World War, we still had light horse cavalry and what have you. | ||
| So in certain areas, but mainly in the area where the mountains are in Australia, which crosses between New South Wales into the state of Victoria. | ||
| And, you know, we name things pretty simply in Australia. | ||
| You know, the black snake with red on its stomach is the red-bellied black snake. | ||
| You know, we keep it pretty simple for the tourists. | ||
| And what's that brown snake called? | ||
| It's called a brown snake, man. | ||
| So that area of the country is called the Snowy Mountains. | ||
| And, you know, we have this sort of cultural connection to the Brombies, which is things like, you know, the man from Snowy River is based on guys going out to capture wild horses. | ||
| But the population of wild horses has got to a point where it's destroying the ecosystem of that area. | ||
| So now they have to go and find a way of bringing that population down. | ||
| Yeah, they hunt wild horses. | ||
| And it's very difficult for people, particularly somebody like me who I love horses, but I have to put that love for horses aside to what it's doing to the rest of the native animals. | ||
| And in Australia, we've been blessed with so many unusual and fantastic creatures, but we haven't really been good husbands of the land. | ||
| And we haven't really focused on what's good for them. | ||
| Yeah, I have a good buddy of mine, Adam Greentree, who lives in Australia, and he tells me that people actually hunt the wild horses. | ||
|
unidentified
|
I was like, oh, I don't think I can do that. | |
| It sounds rough, but we've got to do something because, quite frankly, the wombats and the platypus and the quokkas and the kangaroos and the wallabies are a little bit more important than the wild horses. | ||
|
unidentified
|
Yeah. | |
| It's a strange thing. | ||
| You know, the balance of nature is a very strange thing. | ||
| It's very complex. | ||
| There's so many elements to it. | ||
| That's what they were trying to highlight in that Wolves Change River documentary. | ||
| The problem with that Wolves Change River documentary is the guy who created that is a proponent of rewilding to the point where I think he wants to reintroduce dangerous predators to Europe. | ||
| Like he's got some crazy ideas about rewilding, like going way back. | ||
| I mean, the kid that I was talking to you about, Merlin Hanbury Tennyson, came out of school, went in the army, did two or three tours, but now has found himself in a situation where he's taken over a block of land that his father bought in the 50s or 60s or something. | ||
| And he's turning that block of land back into temperate rainforest and seeing all of these benefits because of it. | ||
| So instead of trying to run sheep or run some other commercial herd, he's just letting the country go back to what it should be and seeing incredible results because of it. | ||
| Like what kind of results? | ||
| Well, what he's shifted now and is using it for now is like PTSD recovery. | ||
| So former soldiers are what have just go to this place and find a new balance because they're in that sort of natural environment. | ||
| But just without certain creatures eating types of trees as shoots and fresh shoots, those trees are actually getting a hold. | ||
| So it should be, you know, oak trees, for example. | ||
| And there's only like, you know, was only just a few there. | ||
| But by taking out the non-native animals, he's seeing those trees increase. | ||
| I mean, there's a book, I forget it. | ||
| If you could look it up for me, Jamie. | ||
| Merlin Hanbury Tennison, the book just came out. | ||
| It's a great book. | ||
| It really is. | ||
| It's an unusual read. | ||
| You're sort of reading it and you think, okay, like the re-establishment of a temperate rainforest. | ||
| How can this be good? | ||
| But then when he ties it in to the life journey of his father and his father's like health problems and stuff, it gets really emotional. | ||
| And it's quite a beautiful read. | ||
| I highly recommend it. | ||
| Could you find it? | ||
| Our Oak and Bones. | ||
| Our Oak and Bones. | ||
| Yeah, it's a really good read. | ||
| Yeah, nature in that form, in its pure form, is like a vitamin, I think. | ||
| It really is. | ||
| I think it's an actual good. | ||
| You know, like you go out in the sun, the sun produces vitamin D. I think there's something that we haven't quantified yet that you're producing, that you get. | ||
| Yeah, that getting around to things like what he's doing, where you can actually read the physical benefits for people going in the bush. | ||
| But that's what I get when I go home. | ||
| 100%. | ||
| I get out into the bush. | ||
| And sometimes, you know, I might drive a machine to a certain point and I just get off and I walk and I just listen, you know, and I go and visit trees that I like or areas that I like. | ||
| I'm actually going through a, you know, a long time ago, I planted like 38,000 trees as a kind of an offset, a carbon offset, right? | ||
| Now some of those trees are 25 plus years old. | ||
| So I'm going through the process in that 44 acres where I've planted that plantation of taking out all the non-native undergrowth. | ||
| And then the next stage is going to be putting back into that area the trees that were ripped out of there prior to the First World War, red cedar and white mahogany and all these things. | ||
| So, you know, beautiful trees. | ||
| And with the hope that I put enough in the ground that over time, red steer starts popping up all through the valley. | ||
| But this is going to be stuff that happens way after I'm dead. | ||
| But that process of stripping out the non-native stuff, I'm starting to look at that, go, okay, well, I'm doing that 44 acres there. | ||
| I got another 200 acres over here. | ||
| I know there's waterfalls. | ||
| I know there's creeks. | ||
| I want to take all of that lantana and stuff out and revive all that so you can walk through the bush. | ||
| But these are processes that I hope that will excite my kids to carry on with. | ||
| We'll see. | ||
| Well, that's exciting. | ||
| It's exciting to know that you have this long-term thing that you're doing that's actually beneficial to the land and brings it back to the way it used to be. | ||
| Yeah, not like in a sort of overbearing way, but like just that little 44 acres, hopefully over time, and we're already seeing it now. | ||
| We're sort of like, because we're clearing things out, we're finding lots of little tiny red cedars that are already there. | ||
| Because I put in 450 to start with, but my aim is to have, you know, within about the next probably two to three years, have 5,000 red cedars in the ground in that area. | ||
| It's just amazing when you think about the kind of impact that human beings can have on landscape. | ||
| It's just humans, whatever we've done, wherever we go, we inevitably alter everything forever. | ||
| And if you could just take a little bit of it, put it back to the way it was, and then start contributing to these plants regrowing again, there's a balance to that. | ||
| It's very cool that you can achieve that. | ||
| It's also exciting. | ||
| It seems like a cool project. | ||
| It thrills me. | ||
| Some guy that has the kind of pressures that you have and the work that you have to do and the intensity and the long hours on sets, like having something like that is a godsend. | ||
| Yeah. | ||
| Your 32-year-old self, whoever it was. | ||
| It was crazy. | ||
| You know what I mean? | ||
| You know, I look back and it's just, how did I know? | ||
| Because at 32, you know, I had a little bit of fame in Australia, but it was nothing compared to what I would have to deal with after that. | ||
| So having that sort of forethought is just interesting. | ||
| Is there anything that you ever always wanted to do, like a type of film that you've always wanted to do that you never got a chance to? | ||
| Well, see, there are definitely guys in my business that covet. | ||
| They go, I want to do this kind of role. | ||
| I want to be perceived like that, you know. | ||
| But for me, that's not what I pursue. | ||
| I pursue character. | ||
| And I only, you know, I'm very practical. | ||
| I don't get to choose from everything. | ||
| I only get to choose from what's sent to me. | ||
| So from what within what is sent to me, I always try to look for fresh ground. | ||
| You know, people will ask me, why would you play that kind of character? | ||
| And it's like, the bottom line is because I didn't do it before. | ||
| Why do you want to play Herman Goering? | ||
| Because nobody's offered it to me in the past. | ||
| And it's a fascinating character. | ||
| Yeah, it's a dangerous character. | ||
| And there's a lot of stuff that goes into being able to play a character like that. | ||
| But that danger is part of the excitement of the job. | ||
| And it's not always going to be that way. | ||
| Sometimes you're playing a character that doesn't really require a lot from you. | ||
| But you've got to play the weight of the character. | ||
| You can't just sort of suddenly make your New York detective act like a superhero because you feel like being a superhero. | ||
| So it's sort of like, you know, you just play the weight of what's required. | ||
| And then every now and then, you know, you play a character that sort of has a principal sort of role in the narrative or is the focus of the narrative. | ||
| But the decision to take on the weight of playing a character that's a Nazi, the second in charge, that's what was out. | ||
| That's heavy, right? | ||
| Yeah. | ||
| Yeah. | ||
| But that thrill comes from that thing of saying, this challenge is so big, I don't know if I can do this. | ||
| And then part of you goes, I should leave that aside. | ||
| And then the other voice goes, let's just have a go. | ||
| Let's have a go, see what we can do. | ||
| And see, someone like Goering, that word nuance is coming up a lot today because we can look at him in the stark sort of caricature version that a lot of people have in their minds of who he was. | ||
| But that against the reality of his life and how he grew up, how he was educated, what his experiences were, who he really was as a man. | ||
| There's a lot more to Goering than just looking at this going, oh, bad man, Nazi. | ||
| One thing I find fascinating, when he was a kid at school, he was like one of the dumbest students in his class at a normal school. | ||
| And because of his sort of continuous failure as a punishment, he got sent to military school. | ||
| In military school, he was a top student because it was stuff that interested him. | ||
| He comes out of school pretty much on the dawn of the First World War, has his first military experience in the infantry as a young officer, gets wounded, and realizes that standing on the ground on a battlefield is not really the right place for him. | ||
| What's interesting him is what keeps going on overhead. | ||
| So he manufactures a way to get himself assigned to a fighter squadron. | ||
| He's supposed to turn back up for duty with his infantry squadron, but sort of, you know, manufactures a way to keep him associated with the fighter squadron, learns how to become a pilot while he's doing that. | ||
| And at a certain point in the war, they're losing more pilots than they train. | ||
| So they go, he knows how to fly. | ||
| He can be a pilot. | ||
| Finishes the First World War with 22 kills, air-to-air kills. | ||
| That's three times a fighting ace. | ||
| And he's also, because he recently passed in battle, at the end of the First World War, he's in charge of the Baron von Richthofen, the Red Baron Squadron, which is the pinnacle of the German Air Force. | ||
| So here he is as a young man. | ||
| He's finishing that first war experience. | ||
| And he is a Fair Dinkum, which means true. | ||
| He is an actual war hero. | ||
| And so through the 20s, he's on cigarette cards in Germany. | ||
| You buy a packet of cigarettes and there's a picture of Hermann Goering. | ||
| Wow. | ||
| So, and he goes into that political environment, that post-Versai environment, with a very definite belief in his country as being something special, and he wants to make a contribution to bring lifting his country out of the mire that it's currently in. | ||
| So he starts looking for a political connection and ends up going upstairs in a coffee house in Munich, I think it was, and hearing a fellow called Adolf Hitler talk and realizes that he has a lot in common with this guy where he sees things and knows that Hitler was a soldier. | ||
| It's a funny thing we put into the movie at one point because there's a speech about Rami that Rami Malik makes about Hitler being a failed painter and a not very good soldier. | ||
| And I think the response I gave Goering at the time, which is not in the film, but he talks through Hitler's actual military record. | ||
| And yeah, he didn't rise above Lance Corporal, but he turned down promotion three different times. | ||
| He won an Iron Cross in 1914 and then he won a second one in 1918. | ||
| And doing things that were showing such extreme courage that he was awarded the Iron Cross. | ||
| And he delivered messages on the battlefield. | ||
| He would take the messages from headquarters and take it to the frontline troops and then bring their response back, things like that. | ||
| So one point in time I had Goering say, you call him a failed painter, but maybe he got to a certain point in his life where there were more important things to address than painting. | ||
| So nuance. | ||
| I thought it was also fascinating that you guys delved into the fact that he was an addict. | ||
| Yeah, we only touch on it a little bit. | ||
| But that is crazy. | ||
| There's a really good book. | ||
| I can't remember the name of it. | ||
| Norman Ohler. | ||
| Plitzed. | ||
|
unidentified
|
Yes. | |
| Yeah. | ||
| Which gave me a lot of information because when Goering was arrested, he had something like 40,000 pills on him. | ||
|
unidentified
|
40,000? | |
| In his car, right? | ||
| He had a habit of 40 to 50 a day. | ||
| So you look at him and you can see it. | ||
| When you know that fact and you start looking at photographs, you can see him kind of leave the planet at a certain point where he's just off his tits all the time. | ||
| From about 42 onwards, he doesn't really have Adolf's ear anymore. | ||
| Goebbels, Himmler, Heydrich, they've all taken those positions. | ||
| The things that he promised he could do with the Luftwaffe didn't actually come off as strongly. | ||
| They didn't know it at the time, but that's the Enigma machine, everything, the code's being broken. | ||
| So no matter what they did, they were always being second-guessed. | ||
| So, you know, Hitler's trust of him was adjusted a little bit. | ||
| And I also sort of liken it to him knowing he's going to get stabbed. | ||
| So he just doesn't bother going to the place where he would get stabbed. | ||
| So he does a whole bunch of other stuff and he keeps his authority, but he's not at in the center of things anymore for me. | ||
| Because of the pills. | ||
| A big part of it. | ||
| Big part of it. | ||
| It's personal safety because he thinks he's no longer has the definitive ear and trust of his leader. | ||
| The pills overtake his lifestyle and he decides to interest himself in other things for the greater good of Germany, like the collection of great works of art and things like that. | ||
| But there's a lot of things in this story that are just bigger once you start looking at it and examining them. | ||
| They're way bigger than what we know or what we commonly understand. | ||
| And that's what I was looking for to try and find a way to understand his base motivations. | ||
| And at the end of the day, he, you know, in his own way, he's a pure patriot. | ||
| Just so happens to be a sort of a set of beliefs or whatever that most of us in the Western world would call abhorrent. | ||
| Wow. | ||
| And you've got to take into consideration the drug aspect of the entire Nazi movement. | ||
| All the troops were on meth. | ||
| Hitler was on opiates. | ||
| I mean, Norman Ohler, that book just, I can't recommend it enough. | ||
| It's so eye-opening because you're like, well, that makes sense. | ||
| That's why they were so fucking psychotic. | ||
| That's why they could march through the night through the Belgian forest. | ||
| But it's very rarely taught. | ||
| This is not like when we grew up, we didn't grow up thinking that they were just drugged, psychotic, you know, animals that were on meth, you know, in tanks. | ||
| And the most, they gave the people the front line the most meth. | ||
| So they had different dosages for different people depending on what they were required to do. | ||
| And the tank guy has got the first thing. | ||
| When you think about Goering's position, he's the one ordering the drugs. | ||
| How many pilots have we got? | ||
| How many planes? | ||
| How many missions are we doing? | ||
| How many sorties? | ||
| Do that multiplication, add 10% for me. | ||
| It's a drug-fueled war, like probably the most drug-fueled war ever. | ||
| I mean, the kamikazes were using meth. | ||
| And then the Hitler thing was, I always thought that Hitler was meth as well, but Norman was saying that he was opiates as well. | ||
| So just like Goering, maybe it was how they dealt with what they were doing. | ||
| They all just stayed blasted out of their fucking head all day long. | ||
| Well, I mean, look, you're surrounded by guys that have a sort of a fanatical mindset. | ||
| You know, you're going to want to be awake. | ||
| Yeah. | ||
| You don't want to fall asleep at the wrong time if that's the group of people that you surrounded yourself with. | ||
| And that's the thing that I keep saying. | ||
| It's an old cliche, but I think it's something that he really learned. | ||
| You know, if you lie down with dogs, you're going to get fleas, Herman. | ||
| Yeah. | ||
| But I think him cleaning up by being forced by being in a prison environment, being forced by the Allies to go cold turkey, nearly killed him. | ||
| He had sort of heart problems because he went from 40 or 50 a day to nothing. | ||
| So but that clarity of thought that he had After being clean for six or nine months when the trial starts, that became dangerous because now he's sort of got his faculties back and he's intent on breaking down this whole idea of international law as being ridiculous. | ||
| That he's a man who served his country. | ||
| He is still in a uniform. | ||
| He's still like a military guy. | ||
| So he's quote unquote following orders. | ||
| And, you know, they were a democratically elected government who then step by step dismantled democracy once they were in power. | ||
| And the fascinating thing about this character and the way you play him is in the beginning, he seems like a guy on opiates because he's like so relaxed about everything. | ||
| You know, it's like he doesn't seem to be carrying the weight of what's happened to him. | ||
| Right. | ||
| And for you to put, and then there's dark moments, particularly like during the trial, where you're like, whoa, there's a lot of range to this guy. | ||
| And that's got to be a weird place to be, for you to try to put yourself in the mind of what ultimately became one of the most horrific figures in modern history. | ||
| Yeah, it's not comfortable. | ||
| It's not comfortable. | ||
| But that pain's part of the gig, you know? | ||
|
unidentified
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Yeah. | |
| It really is. | ||
| And there's you sort of learn to accept it. | ||
| I say this to people quite a lot because, you know, the big question is, how do you turn off? | ||
| You know, when you've been a Nazi for a day, what do you do to relax? | ||
| Definitely don't do method. | ||
| Yeah, but, you know, you ask anybody and you would be the same. | ||
| Just because in a little while the podcast is over for the day doesn't mean that that's the end of your job. | ||
| It doesn't mean you're just going to turn off and never think about it again. | ||
| You're going to obviously, you know, anybody who has a passion for the thing that they do is going to continue the process. | ||
| Five o'clock might be when the office closes, but you're going to go home, you're going to have dinner, you're going to think about the deal that you're currently doing, the presentation that's ahead of you, or whatever it happens to be. | ||
| You're going to keep processing. | ||
| And that's what happens when you're playing a character because you might have delivered X amount of dialogue today, but you've got X amount tomorrow too. | ||
| So you've got to keep that process going. | ||
| So you're just thinking about a novel. | ||
| 24-7, all the time. | ||
| There's no, it's relentless. | ||
| One description of making a movie is that it's a train journey. | ||
| It's not like a car, you know, where you can pull over and have a wee on the side of the road. | ||
| It's a train journey. | ||
| And once you get on that train, you're staying there until it gets to its destination. | ||
| And you've just got to accept that. | ||
| I mean, and there's, you know, good and bad in that. | ||
| There's a saying that goes with this, you know, the best thing and the worst thing about the job that I do is that one day it's going to finish. | ||
| Always finishes. | ||
| You can be having the worst time of your life, but it's going to finish. | ||
| But you can be having the greatest time. | ||
| You have an incredible relationship with the crew and the cast and the director, but it's going to finish. | ||
| And you have to get used to that. | ||
| You have to understand that. | ||
| How much time did you prepare? | ||
| And how much time did you film for? | ||
| So how much time were you actually in the head of this Nazi? | ||
| Well, I signed on in 2019. | ||
| So you started thinking about it. | ||
| I thought I was going straight from Loudest Voice, which finished shooting around April or something like that. | ||
| And I thought by the end of that year, we'd be doing, you know, we would have shot that film. | ||
| So that's when you started researching it? | ||
|
unidentified
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Yeah. | |
| And then, as it turns out, it got set up and collapsed three different times. | ||
| And so I had five years, five years of, you know, scratching around, trying to find little bits of information to humanize him in my mind, but also for me to try and understand him and understand what he got in. | ||
| Because it doesn't make a lot of sense when you read about his history and stuff and where he gets to doesn't make a lot of sense. | ||
| He was a mountain climber. | ||
| Really? | ||
| When he was a young man, there are traverses in the Austrian Alps that Hermann Göring was the first person to do that traverse of that peak. | ||
| You think about the mentality required of a mountaineer to stand at the base of a big-ass rock and look up and say, I'm going to keep going until I reach that summit. | ||
| That says a lot about who Hermann Goering really was. | ||
| And, you know, he's Bavarian, right? | ||
| So from southern Germany. | ||
| And once, because I didn't know he was a mountain climber, once I knew that, then I started looking around for, well, what does that mean to be a mountain climber, you know, prior to the First World War? | ||
| What kind of equipment would you have? | ||
| And it's very basic, man. | ||
| It's nothing, you know, you're relying on your wits and your strength just completely. | ||
| Yeah, they didn't even have nylon ropes. | ||
| Probably not. | ||
| No. | ||
| Just all stretchy hemp that's going to behave completely differently once it gets wet. | ||
| But it gave me some real insight to him. | ||
| And it also ended up giving me this great way of connecting to the other German guys who are playing the other Nazis, you know. | ||
| Because I just knew from the first day when they all arrived and they were sitting together in a group, I could see that they were already feeling the punishment of playing that kind of character. | ||
| So I just brought them together and I asked them because these guys, some of them are German, some of them are Hungarian. | ||
| And I said, look, you know, there's this song that I found and I'd like to learn the song together. | ||
| And they all, you know, most of them knew the song. | ||
| But that's what we would do every day as a group. | ||
| We'd get together, we'd sing that song and then we'd walk into court together, feeling connected as a unit, you know. | ||
| What kind of song was it? | ||
| It's called Mussi Den. | ||
| Is it a German song? | ||
| It's a German song. | ||
| And I didn't realize when I first came across the song, it's a barbarian mountain song. | ||
| So he definitely knew that song. | ||
| It's actually the melody that Elvis Presley uses for the song Wooden Heart in the movie G.I. Blues. | ||
|
unidentified
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Musi Den, Mussiden, Zoom stay the lit in house, stay the lit in house. | |
| but i don't have a wooden heart that's what we've been singing today So you guys would sing this to get into character. | ||
| Wow. | ||
| Yeah, so that's just a little thing just to remind that particular group of guys that we're just actors, we're just playing roles. | ||
| And, you know, this will finish. | ||
| There's a lot of people that don't want to show a human side of a monster. | ||
| And which I think is very dangerous and quite stupid, you know, because it gives you a complete misunderstanding of what a monster is. | ||
| You know, yes, okay, here's somebody with horrific acts, but as the joke used to be, even Hitler, you know, he used to love dogs. | ||
| So that's the joke, right? | ||
| You know, and that, but there's some real truth in understanding the human process in that. | ||
| That somebody who makes the absolute worst decision in the world can still be a loving father, can still have a group of friends. | ||
| But on, you know, particular in a particular moment, that is the same person who's made this horrific decision that will have terrible effect on a generation of people. | ||
| Yeah, I mean, it's really the same kind of thing we were talking about with Tony Soprano. | ||
| Right. | ||
| Like that this person is a terrible person, but yet loves his kids, loves his friends. | ||
| Yeah, well, charm is one of the greatest weapons of evil. | ||
|
unidentified
|
Yeah. | |
| It's a really, you know, it's a fun thing for us. | ||
| We see somebody who can tell a story, tell a joke, hold attention in a room. | ||
| You go, it's cool. | ||
| But when that process of charm goes to this other place, which becomes about life and death, or the taking away of people's rights, the dehumanizing of people, as we were discussing earlier, you know, and this, you know, I don't want to get into politics because I have this, my boys have this rule. | ||
| If you're going to talk to Joe, you're not allowed to discuss politics because they know once I start. | ||
| Your boys? | ||
| My two sons, yeah. | ||
| Because my youngest boy, I think I told you, he became obsessed with you and listening to your stuff for a while, and you became one of his sort of points of education. | ||
| And, you know, so that's why I started listening to you because I wanted to know what he was hearing, you know. | ||
| And I go, and after listening a few times, I was like, you know what, man, it's cool. | ||
| Because, again, we'll use that word. | ||
| You do actually have the allowance for nuance. | ||
| And that's the greatest thing about this situation. | ||
| We sit down to talk. | ||
| We're going to be talking for a couple of hours. | ||
| So I don't have to reduce everything I want to talk to you about to make it pop in three minutes. | ||
| Right. | ||
| And worry about things being taken out of context in a sound bite. | ||
|
unidentified
|
Right. | |
| Yeah. | ||
| And this is the issue with discussing any positive attribute to a Nazi. | ||
| You know what I mean? | ||
| Like, you open up that door. | ||
| Oh, my God, Russell Crowe's a Nazi sympathizer. | ||
| But the people that don't like you are just going to take that. | ||
| And here's what Joe Rogan's discussing. | ||
| Yeah. | ||
| Yeah. | ||
| But it's, I think what you're saying is absolutely true, that it is stupid to think that way because that's a human being and a very fucked up, evil human being that did horrific things. | ||
| But know that that is a path that people can go down even if they think they're doing the right thing. | ||
| So we are taught, for example, to regard Gaddafi in a certain way. | ||
| Okay. | ||
| But if you look into what happened in his country while he was the leader, you look into the fact that every person is given a house at a certain age. | ||
| You look at the fact that everybody's education and health care is free. | ||
| You look at if somebody showed a particular talent for something that required further education overseas, all of the costs of that were paid for by the government. | ||
| Now, these are all things put in place by the same country's leader that we're told is evil and corrupt. | ||
|
unidentified
|
Yeah. | |
| So it doesn't quite balance. | ||
| Well, there's also U.S. government interference. | ||
| That is one that we definitely monkeyed with. | ||
| I mean, he ran afoul of the United States government. | ||
| Well, what he was trying to do, as far as I understand the situation, is he was trying to unite Africa. | ||
| And a united Africa is going to be a problem. | ||
| Well, either it's going to be fantastic. | ||
| It's going to be amazing. | ||
| A problem for the people that want to run things. | ||
|
unidentified
|
Yeah. | |
| Yeah. | ||
| If all of a sudden there's a new situation. | ||
| You've got a whole bunch of countries that have a connection with a certain African nation or whatever. | ||
| Suck their minerals out of the ground or whatever, don't pay them properly for it, and greatly benefit financially. | ||
| And that's pretty much every European country's got some kind of African connection in that regard. | ||
| Including China. | ||
| Well, China's now coming in because it's able to offer a slightly better deal than they've been used to. | ||
| But people have to understand, the population of Africa is enormous. | ||
| Yeah. | ||
| Enormous. | ||
| You've got multiple countries with hundreds of millions of people. | ||
| Well, when you see the continent of Africa and you see all these other countries, how many would fit inside of it? | ||
| You're like, oh, boy. | ||
| Because that's the weird thing about maps and globes is you get a distortion of the actual true size. | ||
| There is a distortion, right? | ||
| Yeah. | ||
| Whatever that's called, which shows America at the center and being physically a larger landmass than it actually is in relative terms. | ||
| Oh, it's a little bit. | ||
| It's the size of Australia. | ||
| 100,000 square miles. | ||
| Continental USA is 100,000 square miles larger than the island of Australia. | ||
| That's not much. | ||
| Not much. | ||
| That's not much. | ||
| Especially when you think that you guys have 20, what? | ||
| 25? | ||
| 25? | ||
| And we have probably 325 plus. | ||
| I don't think we know really how many people we have, but we have at least 320. | ||
| Million. | ||
| That's a lot of folks. | ||
| A lot of people, man. | ||
| Yeah. | ||
| It's a hell of a lot of people. | ||
| So we'd like to think we're a lot bigger than we are. | ||
| And then you look at where we fit in Africa, you're like, oh, it's a little tiny, little tiny thing. | ||
|
unidentified
|
I think there's something like 55 countries in Africa. | |
| I don't know. | ||
| It's probably. | ||
| I mean, it's also Egypt. | ||
| That's the other thing. | ||
| It's also like the most advanced civilization possibly that ever existed before today. | ||
| And they were there too. | ||
| It's a wild place. | ||
| From top to bottom. | ||
| It's a very, and it's the origin possibly of humankind. | ||
| And a lot more desert, I think, than people realize. | ||
| You know, you had the Sahara, and stuff, we all know that. | ||
| But then there's these other gigantic areas like that. | ||
| What would that be, the West Coast? | ||
| Have you seen those roads in Namibia or whatever? | ||
| It's like a sand dune. | ||
| It's 40, 50 meters high, drops down to the ocean, and there's one little flat bit that there's a road. | ||
| And that's passable, you know, at certain times or whatever if the tides are not doing this and that. | ||
| But that's the road. | ||
| It's like a mountain of sand and an ocean and one little ribbon. | ||
| Jeez. | ||
| You know, the United States is one of the weird things about us is that we're a country that thinks mostly of ourselves and hardly ever leaves. | ||
| You know, some people leave, but I bet there's a solid percentage of people that never leave the United States and maybe never even leave their city. | ||
| Right. | ||
| And your version of the world, you're relying on other people to give you the story of what the world is until you go somewhere, until you go to Thailand, until you go somewhere. | ||
| Well, you're like, wow, this is a totally different way of living out here. | ||
| Yeah, I've even had people come down to help me with movies or whatever, like guys that are coming down to train me in some weapon or other or whatever. | ||
| And they do a lot of traveling, but it's all within the continental USA. And they come to Australia and they didn't realize that other people have opinions. | ||
| You're not going to find a heck of a lot of agreement to some very basic tenets if you're sitting in an Australian bar. | ||
| You'll find a whole bunch of people go, that's fucking stupid, mate. | ||
| Yeah. | ||
| But it's still, to me, the greatest country in the world is the United States of America. | ||
| Absolutely. | ||
| Greatest potentials are all here. | ||
| But how it's founded on balance and fairness and opportunity, that's how it remains great. | ||
| Not because you start taking opportunity away from people, because you're affording them opportunity. | ||
| And, you know, just keep that in mind, ladies and gentlemen. | ||
| Yes. | ||
| Because nothing's finished. | ||
| Nothing's done. | ||
| We're just in the process. | ||
| And it can all get better, for sure. | ||
| Yeah. | ||
| And it's the rare country that is almost entirely founded by people moving here over time. | ||
|
unidentified
|
Yeah. | |
| It's all immigration. | ||
| Yeah. | ||
|
unidentified
|
Yeah. | |
| Which is the strength and also, you know, the problem with the last four years was that they were just letting anybody in and they weren't vetting people and they were inviting people in. | ||
| And the problem now is they're grabbing people that are productive citizens and they're grabbing them and taking them out because they don't have the right paperwork. | ||
| So neither one is a good solution. | ||
| And both of them cause huge problems. | ||
| Yeah. | ||
| And one of the scary things. | ||
| But you do have to be aware, too, though, a lot of the information that we know about that is coming to us from a motivation that we don't necessarily read. | ||
|
unidentified
|
Right. | |
| They want us to think of things in negative terms. | ||
| Sure. | ||
| Both sides. | ||
| On both sides of the issue. | ||
| Yeah, 100%. | ||
| Yeah, we're constantly being manipulated. | ||
| I had Representative Luna on the podcast, and one of the things that she said that I kind of knew was probably true, but I didn't want to believe it. | ||
| She was like, there's a lot of problems they never solve on purpose so that they could campaign against them. | ||
| That's why they keep these things in play. | ||
| That resolutions could have been reached, problems could have been solved. | ||
| But these politicians are so self-serving that they don't ever want that to take place. | ||
| These people that run these two individual parties want to keep that banter back and forth. | ||
| They want to keep the argument going. | ||
| You see how absolute they are if somebody with that color hat is trying to promote something. | ||
| The person with the other colour hats, it's absolutely ridiculous. | ||
| Then it changes, an election happens. | ||
| Now the person with a different coloured hat, they're in charge, and they're going to put in place exactly what they said the other person was doing that was wrong is now part of their policy platform. | ||
| What is wrong with the way Australia is run? | ||
| Well, we're a little bit lucky at the moment. | ||
| We have a prime minister who's very much motivated by trying to help everybody, which should be the job of a politician, right? | ||
| To improve the lives of the people that they represent. | ||
| And he's kind of inherited, you know, a conger line of stupidity that was going on, you know, and he's trying to fix things. | ||
| But of course, just the way things are reported, whatever, you know, there's just haters on every corner. | ||
| But he's a good man, and he's doing his very best. | ||
| And he's, you know, working extremely hard. | ||
| But, you know, like he arrives off a plane the other day. | ||
| He's just come back home from some very successful international meetings where he's established various trade things and opportunities and situations for Australia. | ||
| Gets off the plane wearing a Joy Division t-shirt. | ||
| Big ban from his youth. | ||
| And he's just a relaxed character. | ||
| He's been wearing a suit and tie for weeks on the road. | ||
| He's just walking off Australia's version of Air Force One in a Joy Division t-shirt. | ||
| So the member of the opposition wanted to point out, and did so in Parliament, that Joy Division is a Nazi term and comes from a section of a particular camp where the women were prostituted, and that's why it was called the Joy Division. | ||
| And it's like, okay, what's the point of that? | ||
| We all know it's a band name. | ||
| We know it's a band name. | ||
| Just because you like the Rolling Stones doesn't mean that you want rocks to be falling on people. | ||
| What are you fucking talking about? | ||
| This whole stupidity. | ||
| And that's what you're facing all the time. | ||
| Picking up some pointless piece of minutiae and lighting it on fire and making a smokescreen to cover up the reality of the fact that that prime minister just worked his ass off on behalf of the country and successfully achieved a bunch of things and should be patted on the back, not pushed down the stairs. | ||
| Yeah. | ||
| Well, we have a lot of that here too. | ||
| But there is a timidity, a timidity, I think, is probably the thing in terms of how Australia is run. | ||
| Things like the gambling ads and stuff like that. | ||
| Common sense would tell you this is not a good thing to allow. | ||
| Put the timing of these ads back so kids are asleep or whatever. | ||
| Don't let them read out the odds on the news. | ||
| You could fix that pretty quick. | ||
| But that gambling section of the community is worth a lot of money and people in positions of power. | ||
| Because it's not necessarily, it's not the guy that's going to spend his whole wages gambling through an app that gets to have a say in this. | ||
| It's the guy whose family money allows him to run a string of 18 racehorses and he enjoys going to the races on the weekend. | ||
| And gambling for him is not such a big deal because he's got an income from other things. | ||
| Blah, blah, blah. | ||
| So it's the wrong perspective on a problem sometimes is the actual problem. | ||
| And the fact that this is a fairly new thing and that young people growing up with this, there's not a history of people abusing gambling apps. | ||
| It's not something their parents had to deal with. | ||
| Right. | ||
| Generationally, it's not something that I can, oh, from my experience, I can tell you this. | ||
| So I had to have a, you know, when I had that conversation with my boys, it was a broader conversation about gambling and about, you know, what it takes to earn a dollar. | ||
| Yeah, I think the accessibility issue is something that people have a problem with. | ||
| The fact that it's on a phone versus going to a place. | ||
| Like you choose to get your buddies together, you're going to go play poker in a casino. | ||
| That's a different decision. | ||
| Right. | ||
| Than just sitting at home than just constantly frittering away your money. | ||
| Well, this is the thing. | ||
| It's just there's always some sort of point of attack. | ||
| There's always an attack vector for people getting your attention or getting your money and trying to, and then we have to decide as a society, like, do we, is this good to just allow, like, we want freedom, but do we want to, like, you can't advertise cigarettes on TV anymore, right? | ||
| They decided at one point in time, this is crazy. | ||
| Cigarettes are bad for you. | ||
| You can advertise alcohol. | ||
| You still can. | ||
| Yeah. | ||
| Yeah. | ||
| Which is a weird time of day. | ||
| Yeah, it's weird. | ||
| Yeah. | ||
| It's weird. | ||
| Because alcohol probably kills more people than cigarettes. | ||
| That funny thing that we have that was fed to us that cigarettes are this incredible burden on our healthcare system. | ||
| In reality, if you look at it, it's a burden. | ||
| But there's a lot of people dying of lung cancer who've never had a cigarette. | ||
| So we haven't really solved that. | ||
| We don't really know where that's coming from. | ||
| But in reality, the burden on our healthcare system is obesity and all the problems that come from obesity. | ||
| That's the biggest. | ||
| We allow food production systems that we know to be extremely unhealthy and very bad. | ||
| We just allow them to continue on. | ||
| You know, we've got items of quote-unquote food that have been tested, and it turns out there's no actual food in this. | ||
| It's just a manufactured product. | ||
| I think the famous one here was the Twinkie thing, right? | ||
| When they actually got around to looking at what was in a Twinkie, they realized that every single part of it was completely unhealthy. | ||
| Yeah, it's just mostly sugar. | ||
| Yeah. | ||
| Yeah, but Twinkies are delicious, and I think you should be able to buy Twinkies. | ||
| You know what I mean? | ||
| So I'm on both sides of it. | ||
| I'm a healthy person. | ||
| I eat 99% of my food is very healthy. | ||
| But I think you should be able to do whatever the fuck you want. | ||
| It's just education is the most important thing. | ||
| Letting people know what they're doing. | ||
| And then teaching people some discipline and how to be able to exercise some control over yourself. | ||
| So I was 126 kilos when I finished Nuremberg. | ||
| I'm 100.9 right now. | ||
| That's amazing. | ||
| Congratulations. | ||
| Well, a lot of that. | ||
| You look great, by the way. | ||
| I really do. | ||
| A lot of that is because you introduced me to your mate Brigham. | ||
| From Waste Well. | ||
| Yeah. | ||
| Yeah. | ||
| And so I've probably connected with them about five times since that first time we went. | ||
| And the real benefit that I'm getting that I think, right, because I'm not completely over the science, but it seems to be with these injections that I've been getting into my shoulders, into my knees, but also IVs, that it's calmed down my body's inflammation. | ||
| You know, I think we've talked before about just how many old injuries I carry, you know, and how like injuries in my shoulders are deeply arthritic. | ||
| But we can now see in an ultrasound over time how what was messy a year ago and like big thick bands of arthritis now is just lessened, you know, probably by about 70%. | ||
| And one area in my right shoulder, probably about 90%. | ||
| So my range of motion, if we'd done this last year, would have been about there, right? | ||
| But now it's fucking rock and roll something. | ||
| Isn't that great? | ||
| It's all going good. | ||
| You know, and like just feeling like the musculature starting to build and everything. | ||
| I'm taking it really slowly. | ||
| And that was one of the things I was worried about with Highlander because jumping into that role with the shooting date coming, it was like, man, I've got to do three workouts a day. | ||
| And that, for me, is a bad recipe. | ||
| Because, yeah, I can do that for X amount of time. | ||
| But once I stop, I'm going to stop completely. | ||
| And what I want to do is I want to make all these changes and make it a long-term situation. | ||
| So I think the Waste To Well was a great call for me because it's calmed down a bunch of stuff. | ||
| It's taken a bunch of pain away, you know, so I can go and work out and not have to suffer for two or three hours afterwards. | ||
| You know, I'm still picking up injuries because I've got to face the fact I'm 61. | ||
| You know, like the other day I'm doing my katana saw trying to get this freaking move going. | ||
| I freaking tore the tendon here on the ulna. | ||
| So that's going to be bad for sword fighting. | ||
| But I'm trying to fix that without having to have a surgical. | ||
| How bad is it torn? | ||
| It's only a little bit, really. | ||
| You just got to make sure you don't overuse it while it's healing. | ||
| Can you brace it? | ||
| The problem I've got is I've got X amount of time to claim the skill. | ||
| And either way, right, if I do the rehab exercises without doing surgery, if it fails, I'm now falling right on production and I've retorn or something, right? | ||
| I can help you with that. | ||
| Just do the skills slowly. | ||
| Yeah. | ||
| Here's the thing about skills. | ||
| Skills that you learn slowly, you can translate into high speed quickly because you develop a neural pathway. | ||
| So instead of using an actual sword, use a foam sword. | ||
| Use like one of those little fucking noodle things that people put in the pool. | ||
| Use that. | ||
| So you just develop them. | ||
| When I was teaching martial arts, one of the things that I always tell people is don't try to do it quickly. | ||
| When I show you something, I want you to do it slowly. | ||
| It's exactly what I did. | ||
| I'm in a car park and we were talking about the speed of something. | ||
| And I went, oh, yeah, so you get sh. | ||
| And I went, oh, fuck. | ||
| But I just put my sword away and I kept the conversation going. | ||
| Didn't mention it, but I got home and I was like, oh, fuck. | ||
| You rushed. | ||
| You didn't warm up. | ||
|
unidentified
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Yeah. | |
| Well, the thing is, we were warm, but it was a thing that I just, just in that split second, I thought, I wonder what it's like to go full speed. | ||
| Oh. | ||
| And I did it. | ||
| And I just like, no, way too early. | ||
| But you're absolutely right. | ||
| Pace is deceptive. | ||
| Yeah. | ||
| If you learn something, I mean, that's like that old-fashioned sort of stuff with the karate I first did when I was a kid. | ||
| You know, they aim for you to do 10,000 of something before you have to use it in an actual competitive fight. | ||
| Yeah. | ||
| People who train people with guns have a saying: slow is smooth, smooth is fast. | ||
|
unidentified
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Right. | |
| Yeah. | ||
| Yeah. | ||
| You want herky-jerky movements. | ||
| And with martial arts and specifically sword fighting, there's very specific movements that you're learning. | ||
| And if you learn those movements slow, as you speed up, you'll be going along the right pathway. | ||
| And when I would teach people kicks in particular, because it's a weird thing to learn how to kick something, like you've got to do it slowly. | ||
| Because if you try to muscle it, you're going to develop a bad habit that's going to keep you from achieving full power because you want a proper technique. | ||
| Yeah, and you have to process where your balance is. | ||
|
unidentified
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Yeah. | |
| You know, how you're pushing your force about how you retain the ability to reset. | ||
| Yeah. | ||
| Yeah. | ||
| Jiu-Jitsu as well. | ||
| People that learn by drilling, they get way better, way quicker by doing it flowing and doing it more easy and play. | ||
| Like Gracies always say, keep it playful. | ||
| Yeah. | ||
| But see, the thing is, I know all this stuff, but I was in such a point of weariness that I was just trying to please people. | ||
| And so I mucked myself up. | ||
| And, you know, but I've got a bit of time now for it to heal and for me to start and actually do like I like to do. | ||
| Have you visited Brigham while you're here? | ||
| Yeah, I just saw a missed one. | ||
| Okay, great. | ||
| Yeah, he's looking great. | ||
| Yeah, he looks great, right? | ||
| He's looking good. | ||
| He'll look good. | ||
| The new place. | ||
| Now, here's the thing: we talk about this, and your listeners will probably be, you know, it's expensive. | ||
| No two ways about it. | ||
| So it's possibly not at everybody's grasp what the sort of things that I'm doing. | ||
| But I think, I'm not sure if this is absolutely right, but I think, you know, one of his sort of fervent ambitions, Brigham, is to make it more available. | ||
|
unidentified
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Yes. | |
| You know, because this should be, this is cutting-edge medicine. | ||
| Yes. | ||
| You know, if we can sort of write things in our bodies with an injection as opposed to an operation. | ||
| You know, the problem I had in my left shoulder, I go and see my shoulder surgeon who fixed it while I was doing Cinderella Man. | ||
| And so I did two operations with this guy, one in 2001 and the second one in 2004. | ||
| But it's always had a sort of problem. | ||
| And he did say at the time after the second operation that he had to cut a few corners and it would probably cause me problems later on in life. | ||
| So I probably went to see him about five or six years ago. | ||
| And he said, okay, so this shoulder is at a point of arthritis now. | ||
| What we have to do is we have to cut through the muscle bar. | ||
| We have to pop out the humil head of your armbone. | ||
| We have to shave off the top of the human head, and then we have to put a carbon fiber cap, and then we have to put it back in, sew everything back up. | ||
| You've got about 12 months of rehab, right? | ||
| Just sounds wrong. | ||
| It just sounds wrong. | ||
| It's like, you know, so this process that I've been going through with Brigham is basically having the effect of layering. | ||
| So I can now see that if the arthritis was that deep, it's now this deep. | ||
| You know, it's still there. | ||
| I haven't solved it yet, but I'm giving my body what it needs to make it better. | ||
| Also, there's new breakthroughs almost every week. | ||
| Right. | ||
| And these new breakthroughs, they're able to achieve their growing actual cartilage on people that were bone on bone. | ||
| So they're developing new methods to regenerate tissue. | ||
| That's the cushioning in between your knees and your elbows and all these things and shoulders that were requiring people to get those horrific things. | ||
| Putting an artificial joint in place because everything is so arthritic. | ||
| That's one of the things that does trouble me greatly for this country. | ||
| Health. | ||
| Medical systems to benefit everybody. | ||
| Something has perverted here where, you know, the drug that I might need that I can buy for $50 for a month supply in Australia is $2,500 for a month here. | ||
| Come on, man. | ||
| I know. | ||
| What's going on? | ||
| It's crazy. | ||
| You've got all these elected representatives here and this country's got a lot. | ||
| That's what you should be working on, man. | ||
| Yeah, but they can't. | ||
| Because everybody's got their hands tied. | ||
| Yeah, they're all got their, including the media. | ||
| That's the crazy thing, is the amount of money they spend on advertising for the media that really just serves the purpose of now the media can't criticize the pharmaceutical drug companies. | ||
| Yeah, it's interesting because, you know, I get back here as, you know, my girlfriend's from New Orleans. | ||
| And, you know, we're sitting and watching TV here. | ||
| And she's now seeing America from the outside because she spends most of the time traveling with me and we don't spend that much time within America. | ||
| You know, we live in Australia, but I've been working mainly in Europe the last few years. | ||
| So she's now coming back to her country, but she's got fresh eyes. | ||
| And she's sitting there the other night. | ||
| She was watching something. | ||
| She came out and she said, I've just watched like 12 ads for drugs. | ||
| Just one after the other after the other after the other. | ||
| What's this tiny little problem that you might have? | ||
| If I can say it in a certain way to make you think that you've got it, bang, I got a drug for it. | ||
| Bang, bang, you know. | ||
| And yeah, I mean, 600,000 plus people in this country in the next 12 months will go bankrupt because of their medical bills. | ||
| You know how many people will go bankrupt in Australia because of their medical bills in the next 12 months? | ||
| Zero. | ||
| Zero. | ||
|
unidentified
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Yeah. | |
| Yeah, it's one of the biggest problems we have. | ||
| You know, and the idea that you would let that happen and not do anything about it because you're bought and paid for by these enormous companies is kind of insane. | ||
| It's insane. | ||
| And they're trying to do something about that. | ||
| You know, and RFK Jr.'s fighting an uphill battle, trying to do something about that. | ||
| But it's a captured industry. | ||
| Yeah. | ||
| Yeah. | ||
| And, you know, socialized medicine. | ||
| That's probably the largest Western economy is punishing its citizens in that way. | ||
| Yeah. | ||
| Just beggars belief. | ||
| That's crazy that healthcare isn't such a principle thing because if we're not looking after ourselves and aiming for the longest life, what's the point of the human existence kind of thing? | ||
| So that should be a principle. | ||
| Everybody's health should be a principal focus of our elected representative. | ||
| Well said. | ||
| Russell Crowe, you're the fucking man. | ||
| Thank you for being here. | ||
| Joseph, Joseph, Joseph. | ||
| It's always great to see you, sir. | ||
| It's always great to talk to you. | ||
| Continued success and enjoy your vacation. | ||
| Cheers, mate. | ||
| All right, brother. | ||
| Bye, everybody. | ||
| And see Nuremberg. | ||
| It's amazing. | ||
| And all the other films when they come out. |
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