May 28, 2025 - The Joe Rogan Experience
02:57:05
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| Speaker | Time | Text |
|---|---|---|
| What's up? | ||
| How are you, man? | ||
|
unidentified
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How are you? | |
| It's a pleasure to meet you. | ||
| It's a pleasure to meet you as well. | ||
| I really enjoyed you on the Jesse Michaels podcast, so I had to have you on. | ||
| Yeah, well, thank you so much, man. | ||
| I love it when young people know so much about ancient history. | ||
| Like, how did you get started in this? | ||
| Well, it's quite literally in my blood. | ||
| Back in the late, well, I should say the 1890s, my family, they were cattle rustlers right here in the hill country. | ||
| Actually, maybe a little bit further, quite a bit further west of San Antonio. | ||
| Damn, you come from a lot of criminals? | ||
| Probably. | ||
| Yeah, there's a lot of dark history in here. | ||
| And so they're cattle rustlers that are out in Dryden, Texas, in Sanderson, Texas, right on the Rio Grande. | ||
| And that's how they made their money. | ||
| They were fascinated, kind of like everybody, with finding gold, with finding lost Spanish treasure and Native American artifacts. | ||
| So they're living in this area called the Reagan Canyon. | ||
| And I've seen it all over the place. | ||
| If you look on, I think like the Smithsonian did something on the top 10 forgotten places in the United States. | ||
| It's like the most remote areas of our country. | ||
| And somewhere in there is Reagan Canyon. | ||
| And so out there, they... | ||
| There were bandits that would hide up in the hills and they would sack Spanish caravans and drag the gold up into the hills to not get caught, to hopefully come back for it later. | ||
| The Spanish are out there mining for gold and everything. | ||
| My family gets caught up in one of the biggest mysteries of Texas history. | ||
| If you were to go to some bookstore, there's a popular one called The Sons of Coronado. | ||
| It's like this legacy of people looking for Spanish gold. | ||
| Somewhere in there, my family will be in there. | ||
| So this started in the 1890s, and it's this long saga of the gold being – the treasure being dragged to San Antonio and all these people get killed, and only one of these four Reagan brothers makes it out. | ||
| He gets involved in oil drilling out in East Texas. | ||
| And then so my family moved out to East Texas. | ||
| And then his son was born, which is my grandfather. | ||
| And then he continues this legacy of continuing his father's oil company. | ||
| But then he also begins gold mining in New Mexico. | ||
| And while he's out in New Mexico, he hears these legends of these seven lost Spanish gold mines. | ||
| And because there was a local police officer who was like a treasure hunter. | ||
| And he knew who my grandfather was and the story behind our family. | ||
| He sought them out. | ||
| And they went off looking together. | ||
| And I don't know how long it took them to find it. | ||
| But he found the seven lost Spanish gold mines of New Mexico. | ||
| And he opened up this company called Three Bells Mining and Milling Company. | ||
| And that was open for about eight years. | ||
| And they opened up these mines that go back to... | ||
| So the Spaniards were up all the way in New Mexico in the 1530s, and they were opening up Native American gold mines and expanding them. | ||
| And so he found these gold mines that go hundreds of feet into the ground as this huge, expansive gold mining operation. | ||
| Well, somebody dies after a smelter explodes and the company goes under. | ||
| They lose everything. | ||
| My family falls into poverty. | ||
| My dad's born during that time, and my dad didn't really get to experience all of that excitement. | ||
| He had to spend his life climbing out of poverty. | ||
| But he had this love for history. | ||
| He had this love for American history, really, and he instilled in me the importance of history growing up. | ||
| And that fascination of exploration and fascination And so I've just, I have always been fascinated by this. | ||
| And I guess getting to where I am now, I was halfway through my marketing degree in college. | ||
| And I'm sitting on my bed in my dorm room with my girlfriend at the time, who I'm married to now. | ||
| We watched the movie The Lost City of Z about Percy Fawcett. | ||
| And something about that guy's journey reminded me so much of my family. | ||
| Kind of reminded me of my dad, reminded me of my grandpa. | ||
| And it changed something in me. | ||
| Like that day, I could not ignore... | ||
| I could not ignore this love that I always had for ancient history. | ||
| But, you know, archaeologists are poor. | ||
| You know, it's an extremely hard life. | ||
| and it's really hard on your family too. | ||
| And I just knew I had to... | ||
| And so I changed. | ||
| I got a degree in cultural anthropology. | ||
| I wrote, like we had a mock thesis statement, and I wrote it on the Amazon and the lost civilizations and how they were wiped out from... | ||
| And yes, that's where I'm at today. | ||
| Wow. | ||
| I think everybody, when you start looking at the history of the human race and you start looking at the history of civilizations, everyone gets fascinated. | ||
| Because we kind of like woke up in this life. | ||
| You know, we didn't choose to be born during this timeline. | ||
| We woke up in this timeline. | ||
| And we're like, how did collectively we get here? | ||
| And then you have this narrative of how collectively we got here. | ||
| But then you see there's holes in this narrative. | ||
| And it's real weird. | ||
| And then you find out about asteroid impacts and super volcanoes. | ||
| And then there's people like Zahi Hawass who are in charge of telling you what they know. | ||
| And this is the only answer. | ||
| And you're like, well, that guy's not right. | ||
| And then you start looking at guys. | ||
| It's like Graham Hancock. | ||
| Why is everybody calling him a Nazi? | ||
| Like, what the fuck? | ||
| And then you start getting deep into the weeds in this stuff, and you're like, wow, there's a lot of resentment from the gatekeepers. | ||
| There's a lot of people that have been teaching a narrative and teaching them in school, and they don't want anyone else teaching this stuff. | ||
| They want to be the only people that can tell people what the history of the human race is. | ||
| And unfortunately for them, There's too much other evidence. | ||
| It's too weird. | ||
| The whole picture is not settled. | ||
| It's too strange and they keep finding new things all the time. | ||
| That throw a monkey wrench into the gears of the timeline of civilization. | ||
| And so then, you know, you find out about Egypt. | ||
| And once, I mean, that was the big one for me. | ||
| Once I found out about Egypt, not found out about it, but really started exploring it. | ||
| When you discovered every grain of sand in Egypt. | ||
| I discovered it all. | ||
| I was there. | ||
| I dug the hole when I... | ||
| I was hoping it was going to go a little better, honestly. | ||
| He had a great opportunity to win over the popular audience and come in and make a really good impression. | ||
| And he did exactly the opposite of this. | ||
| Well, I think there was a bunch of problems there. | ||
| Ego being one of them, but another one being a language barrier. | ||
| Yeah, I think so. | ||
| also years of battle. | ||
| Like if you're in conflict with people about this very thing that we're talking about, And these people that you're in conflict with keep winning. | ||
| I remember there was an old documentary that was narrated by Charlton Heston. | ||
| He was the host of it. | ||
| I don't know if you ever saw it. | ||
| It's The Mysteries of the Sphinx. | ||
| Yes, I've seen it on YouTube. | ||
| Yeah, I believe it was on television at the time. | ||
| And one of the things in that was they were trying to talk about Robert Schock's work with the water erosion around the Temple of the Sphinx. | ||
| And there was this very arrogant archaeologist. | ||
| I don't remember his name, but I remember he had a smackable face. | ||
| He was just so arrogant. | ||
| He's like, where is the evidence of this civilization that existed 10,000 years ago? | ||
| Well, now we have evidence. | ||
| So, like, Gobekli Tepe threw a giant monkey wrench into the gears of this narrative. | ||
| And now they're forced to reckon with this. | ||
| Zahi didn't even know what Gobekli Tepe was, which was insane. | ||
| There was a lot of things that he wasn't familiar with, like Zeptepe. | ||
| It's either the Turin or the Turid Kings List, which talks about the pre-dynastic, semi-mythological kings going back tens of thousands of years. | ||
| How do you not know that? | ||
| Was he the former head of the Ministry of Antiquities and Culture? | ||
| How are you not familiar with this? | ||
| Right. | ||
| Well, he just dismisses it. | ||
| Yeah. | ||
| But aggressively. | ||
| Yeah. | ||
| Which is like, there's no way you know everything. | ||
| There's no way. | ||
| And then it was also the data from the Italian scientists that were studying this tomography and this ability to look underground with satellite radar and also dismissing that. | ||
| But then I brought up the Temple of Osiris. | ||
| But they looked into that. | ||
| Like, you could see it. | ||
| they have like they showed But this was only 50 feet in the ground. | ||
| You know, like, okay. | ||
| Yeah, pretty well. | ||
| Well, how do you know how deep that stuff goes? | ||
| If it works 50 feet, who's to say it doesn't work 2 kilometers, like they're saying? | ||
| Yeah, I was having a conversation with, like, my mentor, Dr. Ed Barnhart. | ||
| He's a friend of Graham. | ||
| He was one of Graham's guest experts on Season 2 of Ancient Apocalypse when he went to the Maya realm. | ||
| He and I were talking this morning and he was like, you know, it's become a battle of like, who has this right to talk about these things? | ||
| You know, does the fact that I have a degree in anthropology, that's what gives me the right to have more of an opinion on somebody else? | ||
| That's kind of what it's become. | ||
| And it's like one side is accosting the other over their fascinations and their interests and the fact that they're able to talk about. | ||
| to make a living from the things that they're fascinated about and talking about it. | ||
| And it feels like academia has become bitter because being in the academic world is a very rough and jaded place. | ||
| And a lot of young, aspiring archaeologists who existed, who maybe would have had an approach like me, but existed during this time where you could only have your pursuits if the university signed off on it, right? | ||
| But now universities are like ideologically captured and every little thing that you do has to be aligned with the university. | ||
| And so all of your fascinating ideas that you have in your mid-20s to your mid-30s when you're young and able to go off into the jungle and find something, they all get shut down by people who had their ideas shut down. | ||
| But now it's like it's the Wild West where you can have somebody like me or whoever put together an expedition and I legally cannot. | ||
| Can you legally dig things up in certain countries if you get permission? | ||
| Oh, well, I mean, yeah, if I got permission, but, I mean, it would be next to impossible for me, for somebody like me to do that. | ||
| Why would that be? | ||
| What would be the hurdles? | ||
| Oh, well, you would have the local universities there who also have their own, you know, high-credentialed people who are going to, you know, if I don't come in with a PhD, I'm never going to go get a PhD. | ||
| But if I don't come in with something like that, then I don't have the experience, I don't have, you know, the authority to be able to do something like this, and they would never trust me to carry out, like, a good excavation. | ||
| Right, not damage anything. | ||
| Yeah, yeah, so they would never trust that. | ||
| There's some reasonable explanations for why. | ||
| Yeah, yeah, kind of. | ||
| Because people have looted. | ||
| I mean, who knows how much of ancient Egypt is just gone. | ||
| I mean, who knows? | ||
| Oh, man. | ||
| So many wealthy people actually ate mummies. | ||
| Yeah, yeah, yeah. | ||
| They actually, like, for people listening, you didn't mishear me. | ||
| They ate mummies. | ||
| They would bring them to these European aristocrats, would bring them to parties, and people would consume the mummies. | ||
| Yeah. | ||
| Which is just like, what were you guys drinking? | ||
| Yeah, yeah, yeah. | ||
| It's gnarly, man. | ||
| What kind of ditty party were you guys having over there where that was the idea? | ||
| It's gnarly, man. | ||
| Yeah, so much of Egypt is gone. | ||
| And this is why I don't think that – like I love the mystery of the ancient world and why I'm so baffled when people want to immediately shut anything down because of the amount of history that is lost to us is – You know, Egypt has been getting looted, we know, for the last, let's say, 3,000 years at least. | ||
| Foreign nations have been coming in and raiding Egypt and taking the artifacts out. | ||
| And so, you know, so much of the artifact record is lost. | ||
| And I think that the real problem is the confidence with which somebody like Zahi speaks. | ||
| It's okay for you to have your... | ||
| But when you're so confident about your opinions that you then begin to chastise other people, put them down for it, and then go the next mile and start making accusations of them being racist and things like that. | ||
| The Flint-Dibble approach. | ||
| That's really not good. | ||
|
unidentified
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Right. | |
| It's not good. | ||
| But it's like that guy embodies what you don't like about academia. | ||
| You see him physically, he embodies it. | ||
| Like it's like that's what it is. | ||
| It's these weak men. | ||
| These weird kind of bitchy weak men that decide that they're in control of things. | ||
| And the way they shut people down is by casting the worst pejoratives on them. | ||
| Especially like the Graham Hancock stuff, calling him a racist. | ||
| Like what? | ||
| I really did not like the letter that they wrote to Netflix to try to get season one taken down of Ancient Apocalypse. | ||
| It's disgusting. | ||
| And, you know, they... | ||
| Like, well, okay, even if you didn't blatantly do it, you insinuated it and you were okay with insinuating it. | ||
| And some of these people exist in a realm where, in their little bubbles, where they throw around the word racist all the time. | ||
| And then when they get to the wider world where the rest of us exist, they find out very quickly that we don't throw that term around lightly and accuse people of these things. | ||
| And then, you know, at the end of the podcast, When he said, you asked, you know, the kind of temperature came down, and then I think maybe you asked something like, you know, well, what can people do to help archaeology? | ||
| And he was like, oh, you can donate to the SAA. | ||
| But the SAA is the one that wrote the letter. | ||
| And it's like, oh, man, that's just, it's not a good look. | ||
| Well, it's a real problem with human beings and ego when they have positions of power and authority. | ||
| especially over something that is very esoteric, something that is like... | ||
| and also completely complex. | ||
| Like when you're dealing with trying to decipher hieroglyphs and trying to... | ||
| So who knows what was lost in that. | ||
| Several different times. | ||
| Like five different times. | ||
| God. | ||
| I wonder if any of that just got stolen out of there. | ||
| And then they blamed it. | ||
| Like how much of that shit's in the Vatican? | ||
| This time, Caesar is chasing his rival Pompey across the Mediterranean. | ||
| And Pompey flees to Alexandria. | ||
| Alexandria was kind of in the basket of Rome. | ||
| The Ptolemies, who are the Greek pharaohs in Egypt, so the Greeks are controlling Egypt after Alexander comes in 332 BC. | ||
| So Alexander dies, his best friend Ptolemy becomes pharaoh. | ||
| But the Ptolemies were very weak, not very good rulers, and so Rome kind of does like what the US does, where they get pulled into conflicts, and then once they're there and they conquer everything, they seize all the power. | ||
| And so Rome had done this to Egypt. | ||
| And so they controlled Egypt and they were pulling all of their, they were keeping the Ptolemies in power, the Roman soldiers were, and they were pulling all that grain. | ||
| And so Caesar follows Pompey, chases him to Alexandria, and so that Pompey can't flee, Caesar says, we'll burn the docks. | ||
| Well, when you landed in Alexandria, you would land at this dock that went to a road called Soma Road. | ||
| Canopic Way. | ||
| And it was like the street corner. | ||
| It must have been amazing to see in real life. | ||
| Think about this. | ||
| You have the Library of Alexandria. | ||
| This is all in one block. | ||
| You have the Library of Alexandria. | ||
| You have the Museum, which is right next to it. | ||
| Both together, they make the world's first university. | ||
| And, I mean, you can just imagine, like, walking through those halls. | ||
| Across the street from that is Alexander's mausoleum. | ||
| So his mausoleum, we think, the Emperor Hadrian, if you've heard of Hadrian before, that he modeled his mausoleum on Alexander's. | ||
| So we kind of have an idea of, like, what the mausoleum looked like. | ||
| And we have a marble statue of Alexander on top. | ||
| So people are walking by every day in the middle of this town. | ||
| And then across the street from that is the palatial district where all the rich people lived. | ||
| And then off by the bay, you would have had Cleopatra's Palace. | ||
| And so it's this beautiful place. | ||
| But when the boats come into the dock, you had to give up all the scrolls that you had. | ||
| Because the Ptolemies are obsessed with obtaining the world's knowledge. | ||
| And they want the originals. | ||
| They don't want a copy. | ||
| So what they would tell people is, you give us your writings, we'll write down a copy, and we'll give you back your original. | ||
| But what they would do is give back the copy and keep the original. | ||
| And this is something called the Library Wars. | ||
| This is a whole thing. | ||
| But it was connected to the docks. | ||
| And so most of the buildings in Alexandria are made out of stone to prevent fires. | ||
| But the interior of Alexandria's library would have had all these wooden shelves that would cross where you'd stack all the scrolls in. | ||
| So everything just... | ||
| And so when Caesar sets fire to the docks to burn all of Pompey's ships, it crawls up the docks and burns the library down. | ||
| Augustus did the same thing a decade and a half later. | ||
| Augustus came and he seized Alexandria. | ||
| And this is when Cleopatra and Mark Antony die. | ||
| He seizes it. | ||
| And then there are rebellions because the Alexandrians are very rebellious. | ||
| They don't want to be ruled by the Romans. | ||
| And so there's – I think it's Caracalla that – I | ||
| haven't seen it. | ||
| He's one of the brothers, but the movie doesn't really depict the actual emperors very accurately. | ||
| But he gets tired of it. | ||
| So he just comes down to Alexandria on like a royal visit and executes 25,000 people in the city of Alexandria and burns down parts of it. | ||
| So he burned down the library for the third time. | ||
| And then there was another emperor named Aurelian when a local Alexandrian declared himself the new Egyptian pharaoh. | ||
| I think he was a real Egyptian. | ||
| He declared himself like the newest pharaoh and he created this revolt. | ||
| And then Aurelian had to come and put the revolt down and he burned down the library again. | ||
| So this is – we're getting close to like 300 AD at this point. | ||
| It's where the Minoans lived. | ||
| I believe it's there. | ||
| Or it's off the coast of Cyprus. | ||
| And so that earthquake just reverberates down to Egypt. | ||
| And this massive tsunami destroys the entire city of Alexandria. | ||
| And it said it was so catastrophic that I think it's plenty of the elder or plenty of the younger comes down in a rescue mission from Italy. | ||
| And he comes to Alexandria and he records that 50,000 people in the city are missing because of the wave that gets pushed in. | ||
| And that all of the giant boats – these are giant boats. | ||
| giant, gigantic boats in Alexandria's harbor are sitting on top of all the rooftops in the city. | ||
| And it's after this point that the location of Alexander's body and the location of Alexandria's library just... | ||
| All of the giant stones that were used to build the city were repurposed for other things. | ||
| But in one fatal swoop, Alexandria's library, the Museon, and Alexandria's mausoleum completely disappear from the historical record. | ||
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| Wow. | ||
| It just shows you how vulnerable knowledge is. | ||
| I really think about that today because Obviously, we have a lot of books and most things that are like most physics work, most work on archaeology, most work on history is available in book form. | ||
| But how much of what we have is on hard drives? | ||
| And if there was a power outage, just a global worldwide power outage that lasted six months, we're fucked. | ||
| We don't know anything anymore. | ||
| It's a small amount of time for an enormous cataclysmic disaster to completely erase tens of thousands of years of understanding of everything. | ||
| Everything. | ||
| We would have no knowledge. | ||
| One generation removed from electronics would have no knowledge of how to recreate it, what steps need to be taken. | ||
| You have to build a chip plant? | ||
| Where are they right now? | ||
| They're in Taiwan? | ||
| What the fuck are you talking about? | ||
| How are we going to do this? | ||
| Hard drives? | ||
| That's a precarious place for them to be. | ||
| Starting from scratch, starting from scratch today, would be very similar, I think, to | ||
| Civilization, if that stuff is correct, if Graham's position and Randall Carlson's position is that there was probably a much more advanced civilization than just hunter-gatherers that lived 10,000 plus years ago, how many thousands of years would it take before we started? | ||
| Calming down again. | ||
| Well, it seems like it took about five, four or five thousand years before civilization emerges. | ||
| A really long time. | ||
| A really long time. | ||
| Foraging, you know? | ||
| I was reading, yesterday I was reading Exploration Fawcett. | ||
| Have you ever read this before? | ||
|
unidentified
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No. | |
| Listened to the audiobook. | ||
| It's Percy Fawcett's? | ||
| Personal Diary. | ||
| Oh, wow. | ||
| There's an audiobook of that? | ||
| Yeah, it's on Audible. | ||
| Dude, you'll get wrapped up in it. | ||
| You won't be able to stop listening to it. | ||
| He just has these amazing experiences. | ||
| Oh, man, he would be like your best, like your all-time guest, you know, if you could have him on. | ||
| Sure. | ||
| He had a great accent, too. | ||
| Yeah, yeah, for sure. | ||
| And so you listen to his audio book and the way he talks about meeting the indigenous people that live deep in the Amazon. | ||
| You know, it would take him weeks to get to these little villages. | ||
| And while he was out there, he would see like the. | ||
| And these people were—he said that they had, like, beautiful skin. | ||
| They spoke elegantly. | ||
| They sang songs. | ||
| And he was like—he's like, this isn't—he's like, these people in the Amazon are not— Primitive savages like my colleagues at the Royal Geographic Society in London believe that they are. | ||
| These are people who are the descendants of a fallen great civilization. | ||
| He was like, the way they interact with each other is so sophisticated. | ||
| Why did he think they were the descendants of a fallen civilization and not the people that were currently living in the most modern version of this civilization? | ||
| I don't quite know. | ||
| There's some things that are left out. | ||
| Before he started writing this, I think he always had these ideas in the back of his mind. | ||
| And so you don't really get the origin of why he initially started thinking this. | ||
| But while he's exploring South America, he's hearing all these stories of semi-contacted people. | ||
| Natives who still live the native life, but they can speak Spanish, and he can speak a little bit of Spanish and communicate with these people. | ||
| So he would hear about, oh yeah, there's this huge city of gold off in the jungle, months traveled that way. | ||
| And it's the same kind of legend that all these Spaniards had heard. | ||
| So it's this idea of, well, there was this civilization that used to be out there. | ||
| And so Percy thought that maybe it has something to do with Atlantis. | ||
| And so that was part of his journey looking for it. | ||
| It's actually his wife, Nina Fawcett, I believe. | ||
| When she's in a library in England, she finds a Portuguese document. | ||
| I think it's Manuscript 512. | ||
| Have you ever heard of this? | ||
| I could have the name of it wrong, but I think it's Manuscript 512. | ||
| In that, it's these guys who are kind of like semi-professional Portuguese explorers. | ||
| In the mid-1700s that are going around Brazil, and they find this huge stone city with statues that they thought looked like Greek gods in the middle of the Amazon. | ||
| And so, you know, the perception, like my perception looking back through it is like, well, I mean, yeah, these are Portuguese guys who come from Europe. | ||
| So when they see something that's native, their only lens to see it through is what they've grown up knowing, which is the Greek and Roman world. | ||
| So that's how they communicate this idea. | ||
| But they found this big stone city. | ||
| I'm pretty sure it's Brazil's jungle. | ||
| And so this was completely forgotten until Percy's wife found this. | ||
| So when he first went down to the Amazon, he was only there on a mapping expedition on behalf of Great Britain, which he was probably a spy. | ||
| I'm guessing that that's what was actually happening there because he was a spy when he was in the military. | ||
| And I think what he was doing is on an official basis, he's charting the border around Brazil. | ||
| With the Amazon River. | ||
| But really what he's doing is collecting information so that maybe Great Britain can have a colony there someday. | ||
| But then the war disrupts all of that. | ||
| And he has to go fight in World War I, which is funny because it's the same thing the Nazis were doing in the 1930s. | ||
| But anyways, so while he's there on his first – while he's there on his first expedition, he's – really elegant little statues and things. | ||
| He found one that was made out of this like solid black stone that he could never, and it had this glow to it, and he could never, maybe not a glow, but like, Like if you shine the light on it, you can tell that it's translucent in a way. | ||
| I've seen stones like this in the Aztec realm. | ||
| They have these scepters that have these orb things on the top. | ||
| And if you shine a light on it, it's like this otherworldly looking thing. | ||
| I can only imagine if you're on like peyote. | ||
| What is the stone? | ||
| I don't know. | ||
| And it's missing now. | ||
| It's lost. | ||
| It went missing with him or somewhere in his expeditions that doesn't exist anymore. | ||
| But there's an illustration of it in Exploration Faucet that you could find. | ||
| And so he thought like when he was seeing all this on his first expedition, he's like, wait, these aren't these primitive savages that all my colleagues that I don't even like back home think that these people are. | ||
| This is an advanced culture. | ||
| There's something that's lost here. | ||
| And so Percy didn't know if it was a fallen civilization that lived in the Amazon or whether it was still out there somewhere. | ||
| And he was trying to find either the ruins of it or the living. | ||
| It's still interesting that he would think that way instead of this is the pinnacle of civilization in the Amazon, which is why they're so advanced. | ||
| I feel like a preconceived notion that he had that there was an advanced civilization and that it had fallen. | ||
|
unidentified
|
Yeah, yeah. | |
| Because if you're looking at the way the people were living, the way he's describing it, it sounds pretty advanced. | ||
|
unidentified
|
Sure, sure. | |
| Why wouldn't you assume that these people had lived for thousands of years and eventually risen to this current level? | ||
| Oh, yeah, yeah. | ||
| I don't know. | ||
| I don't know. | ||
| That's the problem with preconceived notions, too. | ||
|
unidentified
|
Yeah, yeah. | |
| But I do know that he had... | ||
| He had the utmost admiration and respect for these people. | ||
| Like he was completely infatuated with their way of life and trying to – you know, what his goal was was to prove that the – like the narrow-minded perspective – He was determined to prove them wrong. | ||
| And so he had a great admiration for these people. | ||
| And he wanted to try to find like a big, big civilization. | ||
| Something with enough people that could rival Europe. | ||
| And where he went missing was in the Mato Grosso region of Brazil. | ||
| And the last place that they know that he was at was on May 29th, 1925. | ||
| And he wrote a letter to his wife from Dead Horse Camp. | ||
| And he was like, it may be a while before you hear from me. | ||
| It could be up to a year or two before you hear from me. | ||
| I'm about to head into a very dense area. | ||
| And my trail runners who would go back and forth with his notes, they weren't going to follow him out there because it's too dangerous. | ||
| And that was the last letter that he had written. | ||
| And he was heading off into what's called the Zingu region, which is like the Zingu River. | ||
| And it's one of the most hostile regions in the Amazon, maybe even today. | ||
| Teddy Roosevelt had trouble when he went there. | ||
| But the Zingu region is where all of the major LIDAR came out within the last 10 years. | ||
| They found all the ruins of these giant cities. | ||
| And there's a city called Kiriguyu, I think. | ||
| And it had an estimated... | ||
| And, you know, when you look at the LIDAR images, you can't get a perspective of how big they are. | ||
| I have access to a LIDAR database of the entire United States, and I've mapped all kinds of huge, uncharted mound sites in Florida, all of the southeast. | ||
| I have hundreds of sites marked. | ||
| And when you first look at them on a map, you're like, oh, okay, maybe that looks like it's 50 feet long or something. | ||
| No, they'll be like 300 yards long, like these giant raised platforms in the middle of the forest here in the U.S. And if I had access to LIDAR data like that, where I could measure it down on the Amazon, some of these things are miles long. | ||
| Like, raised platforms are a mile long. | ||
| And they have highways. | ||
| Maybe we should pull up just an image of a LIDAR scan from the Amazon. | ||
| But you'll see this central city area. | ||
| You'll see step pyramids and raised platforms. | ||
| Maybe this is where people lived or maybe this is where the market was. | ||
| And there will be a road that cuts straight through it. | ||
| And you can see the road just goes off. | ||
| So this is one of these sites. | ||
| I believe this is in Brazil or maybe it's in northeast Bolivia. | ||
| And is all that area covered completely with jungle right now? | ||
| Completely covered in jungle. | ||
| Yeah, so if you went out there You may not realize that you were standing on a mound. | ||
| Like you really got to train your eyes. | ||
| You know, I put out this, I filmed this little series about a year and a half ago called Jungle of Stone where I was going through the jungles in Central America. | ||
| And we charted this city that had 16 pyramids in it. | ||
| You know, we were there all day long and we charted 16 pyramids. | ||
| And when I put it out, I got all these comments are like, you're not doing anything but walking on a bunch of hills because it's so hard to see it. | ||
| The jungle just claims everything back. | ||
| So it takes, you really have to sit with seeing these things in person for a while before it's, That is a structure under the jungle. | ||
| And so Percy Fawcett, where that LIDAR came out, is one of the places that he told his wife. | ||
| He didn't share this publicly where he thought that the city was, but it's like bang on. | ||
| He was exactly correct about where he thought a city would be. | ||
| And we don't know if he reached it or not. | ||
| Wow. | ||
| It's so interesting because how long has LIDAR been around for? | ||
| I don't know. | ||
| And how long has it been used? | ||
| I mean, think about for how long people had no idea that this existed because it was completely covered with jungle. | ||
| They just assumed that there was evidence of a civilization. | ||
| Pretty obvious. | ||
| Yeah, yeah. | ||
| But it's not. | ||
| And it makes you wonder, as technology increases in its potential, what other new technologies will be discovered that will allow you to, instead of having this ambiguous view of under the pyramids, have a crystal clear, accurate dimension by dimension, almost like a 3D map. | ||
| This century, for sure. | ||
| This century is going to be insane. | ||
| It's going to be insane. | ||
| Like, you're going to have everyone scanning everything. | ||
| All of the Amazon will be mapped with LIDAR by the end of the century. | ||
| All of the Sahara is going to be mapped with LIDAR by the end of the century. | ||
| The Sahara is a big one. | ||
| Yeah, yeah. | ||
| Well, those are my two big things. | ||
| Like when we talk about Atlantis and we talk about lost civilizations, I mean, my thing is the Sahara and... | ||
| Both of these things existed pre-Ice Age, especially if we're talking about pre-Ice Age civilization. | ||
| The Sahara is an oasis. | ||
| 10,000 plus years ago. | ||
| It's an oasis. | ||
| You have, what, two or three of the world's largest lake systems on there. | ||
| You have rivers everywhere. | ||
| You know, it would have been like a beautiful place to live. | ||
| Abundant resources, so there's no worry about food and shelter. | ||
| You have plenty of time to figure things out, which is the thing that has always made sense to me. | ||
| If you know the history of the Nile Valley and where Egypt was, like – Because you have so much food. | ||
| And once you have so much food and you're kind of separated from everybody, it's really tough to get to you. | ||
| So, like, they lived unchallenged in that civilization for thousands of years. | ||
| Well, yeah, that's amazing. | ||
| And you know, whenever I, you know, so growing up, And my dad comes up to me, he's like, that's a big book. | ||
| And I go, I know, it's like I'm reading a textbook for fun, you know? | ||
| And it was dense reading for me as a 16-year-old. | ||
| And so, you know, I was so inspired by Graham. | ||
| And then I went off and, like, got traditionally educated. | ||
| And so I kind of have both of these perspectives. | ||
| And I'm often shocked and disappointed at how other professionals There was an Egyptologist on another popular podcast, and the podcast host asked him to properly explain the mystery around the pyramid. | ||
| And it was just so subpar, I was shocked. | ||
| And I was like, I'm not even an Egyptologist. | ||
| I know how to explain these things. | ||
| And I felt the same way about Zahi. | ||
| Maybe there's some kind of language barrier there, but it was also like... | ||
| a basic level. | ||
| But one of the things that I never see talked about is the concentration of energy along the Nile Valley. | ||
| Like, okay, so, you know, if I had to drop a pin anywhere on the earth where I think Atlantis would be, I would probably put it like in the Sahara somewhere, you know, along one of these major lakes where there's a lot of people living at one time. | ||
| And then later on, as Say beginning around like 800, I'm sorry, 8000 BC, it starts rapidly drying up. | ||
| It's probably a little bit before that. | ||
| And then by about 4000 BC, it's completely dry. | ||
| So your Saharans only have a few places that they can go. | ||
| They can go to the Mediterranean coast. | ||
| They can go to the Atlantic coast. | ||
| They can go down kind of into the Congo and in the savannas. | ||
| Or they can go to this fertile valley oasis where it's like five And so some people went there. | ||
| And so you have this hyper concentration of energy and all these people living somewhere together. | ||
| For what we know is the first time in history. | ||
| We can verify it, I guess, if that makes sense. | ||
| And so rather than being able to have these huge pieces of property where they can all live separated from each other, kind of like in the Sahara, you have all this space and it's so luxurious. | ||
| Now you have to live on top of each other and you have to build up these cities. | ||
| know, you're like building cities. | ||
| And so all that energy compacted into one place in this fertile oasis is either destined to completely crumble and fall apart, or it's It's this thin strip of highly concentrated, genius, hardworking people figuring out how to extrapolate the most out of their natural world and create some of the greatest things the world has ever seen. | ||
| Just like New York City. | ||
| We did it, you know, and I've never seen any I think that's a good explanation, at least. | ||
| And I'm open to things in Egypt being much older. | ||
| Like the Sphinx is definitely older than the pyramids. | ||
| But I'm just always disappointed at like the very low level with which our And it's kind of like you were asking, okay, but how do you know that? | ||
| Explain that to me in a way that I can understand. | ||
| How do you know this? | ||
| And there's never a proper explanation. | ||
| and I don't know what that is. | ||
| It's like they strongly dislike the fact that there's That's exactly it. | ||
| So they have this knee-jerk reaction to it all. | ||
| They hate all of it. | ||
| They don't want to be a part of all of it. | ||
| And that's not going to work going forward. | ||
| Like, you know, not to be political, but this recent election showed that you're going to have to appeal to... | ||
| Everyone is. | ||
| Especially when there's these forums now like YouTube where someone like you can put up videos explaining things or Jimmy Corsetti or Graham Hancock. | ||
| The access to people to share fascinating ideas, it's not limited to universities anymore. | ||
| And I think that drives them crazy because they spent so much time being in control. | ||
| And then all of a sudden it's just like... | ||
| And then there's people that are going to support both of them on either side. | ||
| And who knows how much of it is even real because now we have AI bots that get turned loose by whether it's universities like the University of Zurich that just got in trouble for running that experiment with social media, which is really wild. | ||
| So we don't even know, like, how much of it is organic until you see something like voting. | ||
| And then you go, oh, this is how people really feel. | ||
| But how much of that has even been influenced by all these AI campaigns? | ||
| But what we do know is that human arrogance has always been a real problem. | ||
| And the same thing that Percy Foster was probably dealing with, or Percy Fawcett rather, was probably dealing with when he was, you know, the people back home that thought these people were primitive. | ||
| It's like this arrogance that human beings People love to be experts. | ||
| They love to be experts and they also equate their own self-worth with being accurate about information that you really can't be accurate about. | ||
| Exactly. | ||
| Instead of just being humble but yet knowledgeable, which is a great position. | ||
| And when you talk to someone and they're humble and knowledgeable, that's a wonderful thing. | ||
| Archaeologists are not doing that, which is why they're rejecting people like Graham Hancock. | ||
| What they should be doing is embracing the work that he's doing because he's self-funded. | ||
| And because he's just selling books and doing his thing and appearing on podcasts and developing this audience, he's allowed to do all these fantastic voyages. | ||
| He's in Iraq right now, studying the ancient Sumerian civilization with the remnants of it. | ||
| There's two things I'll say there. | ||
| I guess a running theme of this is we're about to enter into like archaeological wild west in a way. | ||
| You know, I think that, you know, Jimmy getting involved with with. | ||
| And they're removing them now. | ||
| Yeah. | ||
| Because of him. | ||
| And it's just proof that a guy I mean, gosh, was I – I just graduated from high school. | ||
| And so he was kind of – like inspired me to be like – he was this young, charismatic guy that could – And he was effective at doing it and inspired me for a long time. | ||
| And, you know, lo and behold, I guess, what, six, seven years later, he's still at it. | ||
| And he's actually... | ||
| Like when all this happened, I was like, yeah, I mean, I get the concern, but I don't think the Turkish government cares what any of us over here in the U.S. think. | ||
| Sure enough, they removed the trees. | ||
| And then there's kind of like the backpedaling of, oh, well, it was always in the plan to remove the trees. | ||
| But I think it's – I think people might disagree with Jimmy's approach, whatever. | ||
| But it's – you can't deny the fact that he himself, an independent guy – And in a way, it's like it shows me like, oh, you know, these expeditions that I'm planning and things that I'm going to go out and survey and document for myself, like these can make real changes. | ||
| And these are things I had planned in Florida, here in the Southeast, in the States, in Central America, and in the Amazon. | ||
| and it's like encouraging like wow I mean we're really approaching Right, but in the physical archaeology world. | ||
| Exactly, exactly, yeah. | ||
| Jimmy's so meticulous too. | ||
| He's such a good representative because he's really intelligent, really And he has counter-arguments to his own points. | ||
| He'll tell you something. | ||
| But also, it could be this. | ||
| And this is what we know. | ||
| And because he's been really careful in the way he expresses himself, he's established this community that understands what he does. | ||
| And they trust him. | ||
| And they go, no, no, no. | ||
| He's going to tell you the truth. | ||
| He's going to tell you what we know and why we know it. | ||
| He's not going to make any weird ideological leaps. | ||
| He's not going to make any weird judgments. | ||
| He's just going to lay out what is fascinating about these things. | ||
| And because of that, whether he has a degree or not a degree, that guy's having a massive impact. | ||
| I mean, I don't know how many What does Bright Insights YouTube channel have for subscribers? | ||
| And it's, by the way, if you haven't watched any of his videos, Love the guy. | ||
| Love the stuff. | ||
| 1.7. | ||
| By the way, he's been called a Nazi. | ||
| Which is – that's just – that's what they use. | ||
| These are the terms. | ||
| He's been called all sorts of terrible things. | ||
| None of them are true. | ||
| He's a wonderful guy and just a man who's deeply fascinated with these mysteries. | ||
| And when he's pointing out the things that we cannot – it's Baalbek and Lebanon, the trillion – what do they call the trillion stones? | ||
| Trilithon stones. | ||
| Trilithon stones. | ||
| There's certain things that you can point out that people go, okay, what the fuck? | ||
| He gets to the what the fuck stuff where everybody's like, okay, what else you got? | ||
| How come I didn't know this? | ||
| How come this isn't like something like when you're talking about ancient history, the history of whether it's Lebanon or Egypt. | ||
| And when they start talking about these things and they lay out the histories of the pharaohs. | ||
| And why aren't you? | ||
| They carry these fucking enormous 80-ton rocks through the mountains and how they cut them. | ||
| That's the mystery. | ||
| This is the big piece of evidence that these guys just want to dismiss. | ||
|
unidentified
|
Oh, it was the national project. | |
| You know, like, okay, yeah, but that doesn't say how you did that 5,000 years ago. | ||
| You need to help me out here. | ||
| And when these openings exist and guys like Jimmy run through them but meticulously document things and talk about them with humility and talk about them with a general understanding of the absolute undeniable facts. | ||
| And then it creates – And then because of that enormous audience, he has a huge impact on actual archaeology. | ||
| And that's why they hate him. | ||
| It's just because he's doing their job better than they're doing their job because he's not trapped. | ||
| He's not stuck in this compartmentalized, ideological. | ||
| And he doesn't have to worry about funding. | ||
| And he doesn't have to worry about, you know, being chastised by his peers because they're all a bunch of bitches. | ||
| He doesn't have to worry about that. | ||
| So he's free. | ||
| And there's a bunch of those guys that are emerging now. | ||
| And guys like yourself. | ||
| And I think that's really important because the gatekeepers have been wrong every step of the way with almost everything. | ||
| Whether it's medical science, whether it's health and nutrition, whatever it is. | ||
| They've been wrong every damn step of the way. | ||
| So maybe open it up. | ||
| Just like the Internet opened up information to everybody, we need to open up the exploration of information to everybody and not have it contained with a few people that have degrees from places that we know are ideologically captured. | ||
| We can see how they behave. | ||
| We can see the things they say and the way they do things and the way they act and even the way they affect enrollment. | ||
| Based on race and gender and sexual preference, you guys are fucking crazy. | ||
| This is not how you're supposed to handle knowledge and information. | ||
| This is a dumb approach. | ||
| And we see that through basically every place where there's a few group of people, this isolated, insulated group of people that has the ultimate influence. | ||
| It's just a danger that the human ego and the human mind fall prey to almost every single time. | ||
| The internet, what it's done is it's like this great equalizer. | ||
|
unidentified
|
It is. | |
| It has allowed people to have these associations. | ||
| You shouldn't be doing this. | ||
| Don't do your own research. | ||
| Those are stupid sayings. | ||
| Like, you can't think like that. | ||
| There's going to be people that say things that are absolutely ludicrous, and you have to be able to listen to them and then listen to people that are more intelligent and more rational and also objective and go, that guy is – I'm interested in this guy. | ||
| I know he's not gonna lie, you know, and there's too many Yeah, yeah. | ||
| attacking each other. | ||
| I mean, I just experienced this the other day. | ||
| You know, so I had a, a This is what I'm going to do. | ||
| And so I applied to the University of Athens in Greece, and I was really into the classics, and I was going to go for that. | ||
| And then I just had this – let's just say I was in the jungle, and I had a mind-opening experience. | ||
| And I was reminded of the fact that my purpose here – the reason I started doing all this was – And I'm interested in a lot of different things. | ||
| And I'm not going to specialize. | ||
| I'm not going to like hunker down in this academic path or whatever. | ||
| And so I just decided I'm not going to go through with this. | ||
| So I start publishing content in my research on the Americas again. | ||
| And the Americas are very mysterious. | ||
| Very comparable to Egypt. | ||
| The amount of questions that haven't been answered is insane. | ||
| And the Olmec world is fascinating. | ||
| Graham, in Fingerprints of the Gods, he talks about how the Olmecs, he thought that they may have African features. | ||
| And of course, that was 1995. | ||
| And so, I don't know, 2015, you guys are talking, and he's like, well, I published that then, but DNA research has come out that says that these people don't have African DNA in them, and that maybe this is Polynesian, maybe this is Australasian people intermixing, and that's why they have this unique look, whatever. | ||
| But in the Olmec world, there's this monument. | ||
| that is actually called El Negro and you look at it And it's not an Olmec. | ||
| It is an African man. | ||
| And so I post about this on my X account and I just kind of like list everything I've seen in the Olmec world. | ||
| And I'm like, you know, this is really fascinating. | ||
| Maybe this is evidence of Africans who were in the Olmec world. | ||
| And I hadn't seen this monument before I saw it in person. | ||
| Because you go in the Olmec realm or the region in Mexico and you go to these museums and you look at the log or the ledger that people have been on and nobody has visited this museum in the last four months. | ||
| It was six months before that. | ||
| And these monuments just kind of sit underneath these metal roofs to protect him from the rain. | ||
| It's like this completely lost civilization. | ||
| Is there an image of this that's available online? | ||
|
unidentified
|
Yeah. | |
| Yeah, yeah, yeah. | ||
| There we go. | ||
| There we go. | ||
| So if you pull up an Olmec head, you'll see that these guys are very different looking. | ||
| Yeah, yeah, there we go. | ||
| Look at... | ||
| So you can see that these are two different races of people. | ||
| You know, the Olmecs have very soft features, round faces, big eyes, big lips, kind of big noses. | ||
| They have very soft features. | ||
| And this El Negro monument has these high cheekbones, this defined jawline. | ||
| But isn't there a lot of variety just in, like, let's just say Italians? | ||
| Oh, yeah, yeah, yeah. | ||
| There's a lot of variety. | ||
| So couldn't this just be someone who's on a spectrum of features? | ||
| I mean, I don't think it's that much different than Olmecs. | ||
|
unidentified
|
You don't think so? | |
| No, when I'm looking at it, I could imagine. | ||
| Like I said, just, you know, So there's Italians with very thin faces, and there's these big, thick ones. | ||
| And, like, people vary quite a bit. | ||
| There's enough similarities that I could say, oh, those could be the same people. | ||
| Well, the only counter I give to that is when you visit the Olmec realm, you see a lot more than just the heads. | ||
| You see a lot of Olmec faces, dozens and dozens and dozens of them, maybe well over a hundred. | ||
| And when you've seen them all and you kind of get the gist of, like, the way they generally look, this guy will really stand out. | ||
| I took a group of students there, and as soon as we all came in and saw it, based on everything we'd been seeing for the past week, it immediately stood out to us. | ||
| Well, certainly the thick brow is unique to all the OMICs wearing helmets. | ||
| And that hair as well. | ||
| It's kind of that curly hair. | ||
| Or at least it looks like it to me. | ||
| And so anyways, you know... | ||
| My identity is not tied up in what I think this is or is not. | ||
| Also, Olmec could be African, like very, very clearly. | ||
| That one on the left easily could be an African man. | ||
| Which one? | ||
| This guy right here? | ||
| This one, the one next to the white one, to the left of that. | ||
| Yeah, right there. | ||
| Easily could be an African man. | ||
| It certainly does look that way, but I was on a plane to Mexico a couple months ago, and I was going into the Olmec realm, and I was like, I wanted to take a picture of this guy. | ||
| I looked to the left of me, and he was an Olmec man sitting next to me. | ||
| And he was, you know, he looked like, he didn't look like any Mexican I've ever seen. | ||
| There's something there with the DNA of the Olmec people that is definitely... | ||
| They have something in their DNA. | ||
| They have this very specific look about them, and I don't know exactly what it is. | ||
| But I'm, like, looking, and I'm like, this old Mac guy next to me. | ||
| So fascinating, because it clearly could have been African explorers that made it. | ||
| Yeah, well, I'll tell you what. | ||
| Could we look up... | ||
| Look up the Traveler Olmec Monument, if you would, please, Jamie. | ||
| It's the Traveler. | ||
| I want to call him, I think he's Monument 13. There's another one called Monument 19 that we should look at. | ||
| But he's this man that's very clearly not, there we go, top left, the one that's on Reddit. | ||
| In fact, this might be my post on Reddit. | ||
| Yes, yes, sir. | ||
| So this guy right here. | ||
| All right. | ||
| So this is really, really fascinating. | ||
| So let's diagnose this. | ||
|
unidentified
|
All right. | |
| So flags. | ||
| Flags are invented. | ||
| This is a very unknown fact. | ||
| Flags are invented, or the first place that we have evidence for it is along the Nile Valley on these pre-dynastic pots, which they're not the stone vases, but just like clay pottery. | ||
| They would make little paintings on them. | ||
| And people have these riverboats that have these flags on them. | ||
| And the flags would say what city you had come from or what village you had come from. | ||
| And so flags are an old world thing. | ||
| We don't have any evidence of flags in the new world. | ||
| All right. | ||
| He's also wearing a turban. | ||
| He's got this big turban that's draping off the back of his head, and he very clearly has this distinct beard that's popping out. | ||
| Now, Native Americans, sometimes, They have Asian DNA. | ||
| And Asians don't really grow typically. | ||
| Sometimes they'll grow with a little, like, stash and a little bit of a beard here. | ||
| But they don't have that big, thick beard that you would see, you know, like in Europe or along the Mediterranean in the Middle East. | ||
| And so this guy has this big, thick beard. | ||
| And then he's got boots on his feet as well. | ||
| And we think that these are these glyphs that you see to his left and right. | ||
| These are really, really early Olmec glyphs, and they interpret that foot to the left as saying that he came from somewhere. | ||
| He was a traveler. | ||
| They really have no idea when these are made. | ||
| Like you go to all the monuments and it says made somewhere between 1500 BC and 400 BC. | ||
| They'll say 1500 BC and 400 BC. | ||
| And so they really are uncertain about how old a lot of these monuments are. | ||
| Make a big again, Jamie, please. | ||
| But if we shoot for dead center 900 BC, the Phoenicians – These are the ancient world's greatest sailors that we know of. | ||
| And so there are like experimental archaeological or scientific, I don't know, expeditions done that show if you would send one of these early Iron Age boats or if you send any ship out | ||
| into the Bahamas, the Caribbean, and straight into the Gulf of Mexico. | ||
| And if that had happened, if people who had looked like they're in the old world like this guy, if that had happened... | ||
| And the reason I feel so strongly about that is because we do not have flags, turbans, or boots in the ancient Americas. | ||
| This guy looks nothing like a Native American. | ||
| And the flag, turban, and boots are all Old World features. | ||
| You know what's fascinating to me, too? | ||
| The image on the lower right of the bird's head looks very similar to the carvings on Gobekli Tepe. | ||
| Doesn't it? | ||
| Yes, very. | ||
| The curve of the beak, that's not how birds' beaks look. | ||
| That's a very distinct style of artwork. | ||
| If you can find the images of the birds from Gobekli Tepe. | ||
| It's this raised relief art style. | ||
| So people talk about it a lot with Gobekli Tepe. | ||
| I mean, think about this. | ||
| This is 11,600 years ago, and you have... | ||
| Not carve the artwork into the stone, but carve the stone away and reveal this sculpture from underneath. | ||
| How similar does that look? | ||
| It's bizarre, right? | ||
| Real similar. | ||
| And so it's the exact same kind of Art style that you see in the Olmec realm. | ||
| Yeah, exactly. | ||
| The 3D stone carvings. | ||
| Instead of carving it directly into the stone, carve the stone around it. | ||
| They're both doing the same thing. | ||
| It takes a lot of time. | ||
| Could you imagine? | ||
| Weird. | ||
| Weird stuff. | ||
| It's also, like, the idea that this is documenting time. | ||
| You know, the handbags or whatever those things are, what it actually is, is the sun going over the earth. | ||
| You know, I'm writing a paper about this, but this might be a good place to talk about it. | ||
| So you know, the handbag mystery is very fascinating. | ||
| We have them in Assyria. | ||
| We have them, um, uh, Mesopotamia, As far as I know, I don't think one's been found in Egypt. | ||
| You can see them on the top of those T pillars in Gobekli Tepe. | ||
| And there's one in the Olmec realm. | ||
| Are you familiar with this? | ||
| No. | ||
| Monument 19, if we can look that up. | ||
| And when I saw it in person, I jumped. | ||
| I had been waiting years to see it. | ||
|
unidentified
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That's crazy. | |
| Same thing? | ||
| Olmec Monument 19. So this guy, he's wrapped in, he's sitting in Quetzalcoatl. | ||
| Could you do the one at the top left where we get the full picture? | ||
| There we go. | ||
| So this stone is probably about this big. | ||
| It's probably about this big, and it sits on a table like this. | ||
| So he's sitting inside the feathered serpent, Quetzalcoatl. | ||
| And so he's sitting inside the feathered serpent and he's holding this handbag. | ||
| And I'm not sure. | ||
| So he has this... | ||
| I'm not sure what exactly is above him. | ||
| Well, there are actually two... | ||
| But the important thing here is the fact that this is the first depiction of the feathered serpent in all of Mesoamerica that we know of. | ||
| And it might be the oldest handbag known as far as what we have official dates for. | ||
| And so the idea here is that he's some kind of sacred shaman, bringer of enlightenment, bringer of knowledge, something like that. | ||
| And so I had been on the hunt. | ||
| For another handbag. | ||
| Everywhere I go, I'm always looking for a handbag. | ||
| I was in Cambodia a couple weeks ago. | ||
| I'm going around the temples of Angkor Wat, and there's hieroglyphs and carvings all over the walls. | ||
| I'm looking for a handbag. | ||
| I can't find one. | ||
| But when I was in Central Mexico, I was at a site called Kakashla, and I found another handbag person. | ||
| I've never officially published it. | ||
| It's on my X if you'd want to look it up. | ||
| What is the timeline for that one? | ||
| They don't really know. | ||
| When you look at the monument, it says anywhere from 1400 BC to 400 BC. | ||
| That's just what they think. | ||
| I mean the Olmec realm is so uncertain and we don't have hard dates for almost anything. | ||
| They appear on this historical timeline as a fully-fledged civilization capable of creating what you're seeing from the very beginning. | ||
| Just like so many civilizations, as soon as they arrive in the world, they're doing everything to the fullest capacity. | ||
| And we don't have any evidence in the Olmec realm of them working their way towards being able to do things like this. | ||
| It's just from the very beginning they're able to make monuments like this, move these 50-ton Olmec heads. | ||
| The largest head is – There was a nautical engineer that MEC, which is an organization I'm with. | ||
| It's the Maya Exploration Center. | ||
| It's run by Dr. Ed Barnhart. | ||
| I'm a member of it. | ||
| And one of the guys that worked with us traveled into the Olmec realm. | ||
| he's a nautical engineer. | ||
| He's fascinated with So they live in like the rivers, swamps. | ||
| They have to cross some mountain ranges. | ||
| How are you getting these heads 90 miles away from the Sierra de la Tuchela volcanic belt? | ||
| That's where they're pulling the basalt from. | ||
| Because we found unfinished heads like at the base of these big basalt quarries. | ||
| And they're transporting them 90 kilometers away through. | ||
| You know, like I was saying, rivers and valleys. | ||
| Not any miles or kilometers? | ||
| I think it's kilometers. | ||
| It's kilometers as the crow flies, I'm pretty sure. | ||
| And so much further when you're actually dealing with the complications of the terrain. | ||
| And so he was fascinated, like, okay. | ||
| How do they get them to the river? | ||
| And then how do they get them on the boat? | ||
| And when it's on the boat, how exactly does this work if they're transporting it by boat? | ||
| And kind of the same mystery in Egypt too, right? | ||
| How do the nuances of these things work? | ||
| So he devised this algorithm or whatever where you could put in the hypothetical size of your Olmec raft and put in the hypothetical size of an Olmec head into this database or whatever. | ||
| And when you made a raft... | ||
| When the raft was too big and too wide to actually go down the river, and you put a 5-ton Olmec head on it, it would sink that raft. | ||
| But the smallest Olmec head is 6 tons, and the largest one is 52 tons. | ||
| So how are they doing it? | ||
| And this is something that all archaeologists have quietly known. | ||
| This idea of they're just being transported on these simple balsa rafts must be wrong. | ||
| It's unexplained. | ||
| How are these things being done? | ||
| I just find this realm really fascinating. | ||
| Wow. | ||
| It is right. | ||
| And then when, do they even know what language they spoke? | ||
| No, we don't know what language they spoke. | ||
| We don't even know what they called themselves. | ||
| The only reason we call them the Olmecs is because Cortez, 1519 to 1521, he's moving through Mexico to conquer Tenochtitlan, the Aztec capital. | ||
| During this time, you have these Spanish chroniclers that are taking in information, you know, taking in information, but not at the rate that everything's being destroyed. | ||
| You know, all these people are dying from this disease and influenza. | ||
| And there's a record of what the people who lived in the Olmec region are called at that time in 1520, let's say. | ||
| And the Aztecs called them the Olmecs in their language, Nahuatl. | ||
| And those Olmec people, the name means the rubber people or the people of the land of rubber. | ||
| They produced rubber. | ||
| And that's how the Olmecs were so rich so early on in time. | ||
| But these were not... | ||
| The Olmecs have fallen and there are other cultures that have arisen and fallen in this same region as well. | ||
| The Olmecs are far, far, far, far into the distant past. | ||
| The Aztecs maybe didn't even know who the Olmecs were. | ||
| You know, so are you familiar with Teotihuacan? | ||
| Yeah. | ||
| You know, the three massive, where you have the Temple of the Sun, the Temple of the Moon, and then the Temple of Quetzalcoatl. | ||
| and they form this kind of like Orion's belt alignment similar to Giza. | ||
| Well, you know, when the Aztecs arrived in Mexico, Teotihuacan So when they arrived, Teotihuacan is already gone. | ||
| We don't even know the name of Teotihuacan. | ||
| We don't know the name of the people. | ||
| We don't know the name of the city. | ||
| We know their relationship with other people around them, like the Maya were at war with Teotihuacan, but the civilization had already fallen. | ||
| So when the Aztecs arrived, the Olmecs had been gone for – The Olmecs had already been gone. | ||
| Teotihuacan had been gone for 1,000 years. | ||
| The Maya had already collapsed. | ||
| The Maya collapsed long before the Spanish got there. | ||
| And so it's just again like the Americas are just so mysterious and there's so much to know there. | ||
| And so kind of getting back to what I was saying is when I talk about the mysteries of the Americas, I immediately get – I don't have any colleagues in the academic realm, but other academics who will immediately jump in my comment section on X or whatever, and they'll reprimand me, and they'll be like, oh, so back to the pseudo-archaeology, is it? | ||
| And I'm like, so I can't talk about anything that's fascinating. | ||
| I need to talk about things that are boring so you don't get upset with me. | ||
| And now it's just like the... | ||
| It's fun to watch. | ||
| Yeah, and they'll be like, okay, this is a perfect representation of what you guys do. | ||
| I step just slightly out of this line, or what you think is appropriate for me, and I'm talking about things that are interesting, that inspire people to be interested in the ancient world, to go see these sites. | ||
| These people, they don't like you, they don't like the people that you have on. | ||
| How many people do you think you've sent to Egypt? | ||
| You know, like, you had a significant impact. | ||
| This show had a significant impact on me being interested in the ancient world. | ||
| And I have traveled all over the world, you know, because largely, you know, some of the show inspired me to do that. | ||
| And I'm probably one of the few people that found you because of Graham Hancock. | ||
|
unidentified
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That's awesome. | |
| Yeah, rather than the other way around. | ||
| And so, you know, I've traveled all over the world, and then what I have done is inspired other people to travel around the world. | ||
| So, you know, how many of these archaeologists that are keyboard warriors hiding behind, you know, a desk or whatever, how many of these people are inspiring people to travel around the world? | ||
| And, you know, it's just, again, we're about to reach this, like, archaeological wild west where I don't really know what's going to happen in the future. | ||
| You're always going to have people that are threatened by an emerging new thing. | ||
| And they're going to attack it. | ||
| Like, you know, famously in this world, Howard Stern used to attack podcasts as being useless. | ||
| Oh, really? | ||
| Like, why are you wasting your time? | ||
| Yeah. | ||
| You know, get a radio show, figure out how to do it. | ||
| This is the beginning, the early days. | ||
| You know, obviously you can't do that anymore. | ||
| But I think the same thing is happening with archaeologists because Flint Dibble's own university that has an archaeology program, they're cutting the archaeology program. | ||
| I saw that. | ||
| This is why. | ||
| You're in this survival mode, this famine mode. | ||
| It's terrible. | ||
| But famine thinking is always very dangerous. | ||
| You see it with people that don't want other people to be successful. | ||
| It exists in the comedy world. | ||
| There's famine thinking. | ||
| When other people start doing better, they start attacking those people. | ||
| They never attack people that aren't doing as well as them. | ||
| It's just a natural human instinct, unfortunately. | ||
| And it's a natural human instinct from people with poor character. | ||
| And I think that these academic institutes, they reinforce poor character. | ||
| And they actually encourage it. | ||
| Poor character and this labeling people in the worst possible light. | ||
| In order to make your point, which is like ad hominem attacks are always a sign that your argument sucks. | ||
| Everybody knows that. | ||
| If you really understand debating and you really understand like the actual impact that these kind of conversations have on people, the objective person on the outside looking at it, they see someone attacking someone, calling them all these names, unfounded. | ||
| And you go, oh, that guy's argument probably sucks, like instantaneously. | ||
| So they're destroying themselves while they're doing this. | ||
| But you'll see this in every walk of life. | ||
| You'll see this in everything. | ||
| It's just a human thing when they don't want to work as hard as other people or they don't have the young fire like you have. | ||
| Like there's a thing that people have when they're very curious and young and they don't have maybe a lot of responsibilities or bills or problems. | ||
| And they can just – they can devote their energy to this pursuit that terrifies people that have been kind of like half-assing it for a long time. | ||
| Half-assing it and hiding behind these – It's not going to work anymore. | ||
| It doesn't work anymore with podcasts. | ||
| It's not going to work anymore with your kind of work in archaeology. | ||
| It's not going to work anymore with UFO disclosure. | ||
| It's not going to work anymore with any of this stuff. | ||
| Way more interested in getting to the bottom of things, and they don't trust institutions anymore. | ||
| Yeah, yeah. | ||
| And the institutions are feeling the pressure of independent media, you know, like going back to the Gobekli Tepe tree situation. | ||
| It'll be really interesting to see, you know, like Jimmy's in an interesting position where maybe there's a way that like the relationship between Independent people and the popular, enthusiastic audience and the archaeological departments in Turkey can have a better relationship because of these things in the future. | ||
| You know how that would work? | ||
| People like you become the head of an archaeology department. | ||
| That's, this is really the only way it's gonna work. | ||
| It's like, it's almost like these institutions have to feel so much pressure and so much You know, sort of like CNN is trying to hire objective journalists now. | ||
| We gotta get rid of Don Lemon and Brian Stelter. | ||
| Oh, actually, he's back. | ||
| So they try to course-correct because that's the only way to survive. | ||
| Because it's not working. | ||
| what you're doing is not working. | ||
| From what I can see, And this is the hard part is sort of we get a skewed view into the archaeological world or the academic world. | ||
| And sometimes I don't even know what's what because the archaeologists that make their opinions known are usually the ones with really bad opinions. | ||
| And then all the other people that are pretty agreeable, they just kind of sit on the sideline, right? | ||
| It's hard to know, like, what are most people, what are most of these future archaeologists, where are they thinking, where's their mind at? | ||
| And some of the young people I talk to, they are fascinated by Graham Hancock. | ||
| They may not agree with – I guess in a way I could say this. | ||
| They may love the first nine episodes of Ancient Apocalypse. | ||
| But in the 10th episode where Graham gives the end of his thesis, they'll be like, OK, I see the evidence differently. | ||
| But this is really fascinating. | ||
| And some of the mysteries you pointed out along the way are valid. | ||
| Like the idea of – well, you know, the – Okay, what's the answer to this mystery? | ||
| Could it have been that we're missing a chapter of history that's before that where a different civilization did it? | ||
| Or is there, for some reason, there's an artifact record that's lost to us today? | ||
| And so you have guys like Graham who will come in and posit, well, there could have been a lost civilization that did this. | ||
| An archaeologist, a young archaeologist, may disagree with the Lost Civilization, but they say, but Graham, you really pointed out the fact and made it well known that the artifact record that we have of how they built the pyramids, that's a big mystery. | ||
| And how they built the pyramids, that's a big mystery. | ||
| This is worth considering. | ||
| And they like Graham. | ||
| So a lot of young archaeologists, at least I say a lot, it's really just the ones I talk to in my spare time that are my age, they're fascinated by these ideas. | ||
| And my hope is maybe these people become leaders someday, but at the same time, I don't know, to get ahead in that world, man, you've got to be a dog. | ||
| The world's poisoned, and the people at the top are not going to let go. | ||
| They're going to stay in there until the Noam Chomsky's age. | ||
| I just think it's never going to end in that way. | ||
| I think it's got to become some sort of an independent Branch like you know a break off. | ||
| Yeah, you know Zahi is a is a You know, you have a lot of different missions from different countries working in Egypt. | ||
| You have like a German mission, you have the American mission, you know, different people working at different sites. | ||
| And I can't speak to every country that's working there. | ||
| You have Australian missions that are working in Egypt, digging at certain sites. | ||
| But, you know, when I watch Zahi, I'm like, yeah, this is the what you're seeing. | ||
| This is the attitude that has been at the spear point of Egyptology for the last lifetime. | ||
| Think about working in his industry underneath him. | ||
| Think about all the people that were a part of the discoveries that he made that feel so disrespected and so overlooked. | ||
| Not once during that podcast did he ever acknowledge all the hardworking archaeologists that – He just took all this limelight. | ||
| And so, you know, clearly his identity is tied into what's in his coffee table book. | ||
| And, you know, for him to act like that's the Bible of Giza is insane. | ||
| I own the book, and I've read it, and it has half of a page about the subterranean chamber in Khufu's Pyramid. | ||
| So you could write a whole book about that. | ||
| I don't mean to interrupt. | ||
| Keep going. | ||
| I was just going to say, man, when you go to Egypt, there are some things that you're going to be appalled by, by the modern Egyptian world. | ||
| I do this series on YouTube called Megaliths You've Never Seen Before, and I'm always trying to find these weird obscure blocks that you never see on Google, and I'm walking around the side of the Pyramid of Unas. | ||
| And there's a turd on the side of the pyramid. | ||
| A human turd? | ||
| Yeah, and it's from the guard that's like sitting up on top of the hill, the Egyptian guard looking down at me. | ||
| And I go around to Land of Kim, who I'm traveling with. | ||
| Have you heard of him before? | ||
| No. | ||
| He's an American that lives in Egypt and he's got his theories on the pyramids. | ||
| And I'm traveling with him and I was like, there's a turd on the pyramid over there. | ||
| And he's like, yeah, yeah, you know. | ||
| And I was like, a tourist? | ||
| And he goes, no, not tourist. | ||
| And so, you know. | ||
| The poop on the pyramid is pretty much like, that's kind of my mental, that's burned into my brain, my image of Egyptology. | ||
| In some aspects, like when it's isolated to Egypt, I can't speak for all the other missions that operate in Egypt, but what were you about to say? | ||
| I don't remember. | ||
| Where were we at when I was going to interrupt? | ||
| Oh, this is what I remember. | ||
| What is your opinion about Christopher Dunn's ideas? | ||
| I don't know. | ||
| I really don't know, man. | ||
| For people that don't know, Christopher Dunn has a theory that the Great Pyramid was actually some sort of a power generator. | ||
| Mm-hmm. | ||
| That it produced hydrogen gas. | ||
| I don't know. | ||
| I mean, you know, I know that the Egyptians, it's obvious that they have technology that... | ||
| The drill holes. | ||
| Yeah, yeah. | ||
| The way they cut the concrete, excuse me, the granite. | ||
| Yeah, yeah. | ||
| But, you know, I really don't know. | ||
| As far as the manufacturing aspects, the engineering, the potential usages of these artifacts, it's not really my specialty. | ||
| These vases are These vases are fascinating, but, you know, I guess my interest would be studying, like, what can we learn about the context around these things and how they existed in their world and how people interacted with them more so than, you know, what did these things, what were they actually used for, I guess, and how exactly were they made? | ||
| And so I just don't know about Chris Dunn's theory. | ||
| You know, I guess the first thing that comes to my mind is, like, well, you know, most of the pyramid is limestone and the interior is granite. | ||
| I hear people talk about how the makeup of the granite could be conductive in some way, but man, it's like the farthest thing from my set of knowledge. | ||
|
unidentified
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Right. | |
| It is absolutely fascinating, though, because if he's accurate, if he's onto it, boy, does that change everything. | ||
| And if those Italian scientists that believe that there's literally a two-kilometer deep structure underneath the pyramid, if they're correct, boy. | ||
| Yeah. | ||
| The whole thing is like, what are we even talking about now? | ||
| Yeah, I find that fascinating. | ||
| I think that the main drama around those scans was, you know, when the scans came out, I don't think anybody was denying what was seen on the scans. | ||
| I think it was like they had the... | ||
| And I think a lot of people were like, whoa, whoa, whoa. | ||
| Yeah, that was a little weird. | ||
| Because even me, I was a little bit like, huh? | ||
| When they made an art concept of it and they took the king's chamber and the relieving chambers in the Great Pyramid and superimposed it onto the Middle Pyramid. | ||
| And they, I guess, quintupled it. | ||
| they made five of them and I was thinking like wow why do that? | ||
| Like you're kind of undermining what your skin is when you're creating like a fantasy image Yeah, you're getting ahead of yourself because, you know, we need to do the whole scan again, but you need to have tests. | ||
| So, like, Luis Alvarez, are you familiar with him? | ||
| He worked on the Manhattan Project with Oppenheimer. | ||
| And after the war in the 50s or in the 60s, he got to go to Egypt and he scanned in the coffer pyramid. | ||
| He did the muon scans. | ||
| And when he was in there, they tested. | ||
| They tested it all before. | ||
| So he was able to scan up through the pyramid, and he got the pinnacle of the pyramid, and he got all four corners. | ||
| And so they tested it, and they did it several times just to confirm that what they were getting was right. | ||
| And I think the Muon scan only scanned like 19% of the pyramid. | ||
| This is the 60s. | ||
| But they didn't find anything, but the Stanford project came the next decade, and they found subterranean chambers under Koffer's pyramid. | ||
| There's one like 69 feet down and another one 120 feet. | ||
| And so, yeah, I mean, I guess we just have to wait and see what's going to happen. | ||
| And I know that the scanned pyramids guys, the ones who found the void above the Grand Gallery in the Great Pyramid, I know they're interested in this now and they're going to verify if this is true or not. | ||
| Yeah, I'm interested in seeing how this goes. | ||
| This could be a big year, man. | ||
| If they actually drill into that void above the Grand Gallery, that's going to be a big deal. | ||
| What do you think's in that void? | ||
| I have no idea. | ||
| It's pretty big, right? | ||
| It's the size of two semi-trucks? | ||
| It's the same size or bigger than the Grand Gallery itself. | ||
| The Grand Gallery, when you go in, it's a huge building. | ||
| You're inside a building inside of the pyramid. | ||
| It's as big or bigger than that. | ||
| And the most conservative explanation is that it's an open interior that served as a ramp where they were pulling the blocks up higher up to the top. | ||
| Nobody really knows exactly how they were built. | ||
| And the angle of that grand gallery is really, really steep. | ||
| I don't know that you could pull an 80-ton granite block up an angle that steep. | ||
| It seems like everyone who's an expert in that – To be honest, I have no idea. | ||
| I was fascinated when I heard an Egyptologist when I was in Egypt in January and I was asking him, what do you think that they're going to find in that void? | ||
| And he was telling me, I think that that's where Khufu is buried. | ||
| And I was like, oh, okay, really? | ||
| So you actually think that he's still in the pyramid? | ||
| And he was like, yeah, I think all the rest of it was a decoy. | ||
| And I think that his son, who's able to continue his legacy, like permanently sealed him in that tomb. | ||
| And I was like, that's fascinating. | ||
| And I said, you know, there's other voids that they found too. | ||
| What do you think of those? | ||
| And so we're standing on this felucca at 1am on the Nile, and we're just, you know, shooting the shit. | ||
| And he was like, he's like, I have something to show you. | ||
| And he pulls out his phone, and he was like, I cannot send to you, but I will show you. | ||
| For one second, he showed me a photo of the inside of a chamber that I hadn't seen before, and it hasn't been published yet. | ||
| I'll let you know when it comes out. | ||
| But it's burned into my mind. | ||
| It's from the floor, shooting across the room. | ||
| All you can see is two walls meeting each other and a roof. | ||
| And I said, that's in the Great Pyramid? | ||
| And he was like... | ||
| I didn't want to press him too much. | ||
| I stole his phone. | ||
| Give me that phone, motherfucker. | ||
| Shut up. | ||
| You can't keep this. | ||
| Get the fuck out of here. | ||
| Well, you know, man, that's happening all over the world. | ||
| Like, this delay of information is all over the world. | ||
| Do you remember the tunnels that came out, or the, maybe it was in November, the headlines that, no, yeah, it was in November, the headlines that came out about the tunnels that were found under Cusco in Peru that connect to Sacsayhuaman and they go underneath the Cora Concha? | ||
| They knew about that a long time ago. | ||
| Oh, yeah. | ||
| Yeah. | ||
| It's documented. | ||
| In fall of last year, I made friends with the head archaeologist at that site. | ||
| And one early morning at like 4 a.m., he took me down inside part of the tunnels. | ||
| And yeah, I was in there before it all came out. | ||
| And he took me into... | ||
| And these are all Inca people. | ||
| So they believe that they're studying their ancestral heritage. | ||
| These are really good people. | ||
| And I'm in their, you know, shoddy little home. | ||
| It's all on the archaeological site. | ||
| I mean, they probably make no money. | ||
| But they're just so passionate about this, and they feel like they're doing something that's one of the most important things anybody in the world is doing. | ||
| Have you been to Peru? | ||
| No. | ||
| When you go to Cusco, man, the Sacred Valley, it has something there that not even Egypt has. | ||
| I don't know how to explain it. | ||
|
unidentified
|
Really? | |
| It's a sacred place. | ||
| The Sacred Valley is exactly right. | ||
| It's a magical kind of place. | ||
| Machu Picchu... | ||
| But you're out there on this 7,800 foot mountaintop and it's so steep you cannot see the bottom when you're looking over the side of the city. | ||
| And you're just in this sacred place in the middle of the Amazon, up in the mountains. | ||
| And it's just a different place, man. | ||
| It has a type of charm that not even Egypt has. | ||
| Egypt, you're going to be blown away by the structures. | ||
| You're going to be blown away by the pyramids and the temples. | ||
| But this is something else. | ||
| It has an otherworldly... | ||
| It's fascinating. | ||
| Because of the environment? | ||
| Yeah, it's like the environment. | ||
| I wondered if it was... | ||
| And I wondered if I was missing oxygen to my brain. | ||
|
unidentified
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And I was like, whoa, this place is awesome! | |
| But no, it really is amazing. | ||
| And the people are so nice. | ||
| Machu Picchu is a trip. | ||
| What was that? | ||
| I think it was very similar to Alexandria's library. | ||
| I think it was a place of study where people are studying the stars. | ||
| Archeoastronomy is like the next frontier of archaeology. | ||
| It's the way that ancient people are interacting with the night sky and what they know about the cosmos. | ||
| You know, the Maya were calculating like millions of years into the future and millions of years into the past. | ||
| And they had this numerology system that's just amazing. | ||
| But anyways, so I'm at Sokse Oman, and they take me into this back room. | ||
| And they show me all these bodies that they pulled. | ||
| I probably shouldn't be saying this, but whatever. | ||
| They show me all these bodies that they pulled out of the tunnels. | ||
| And it was these, they thought that they were like sacred guardians of whatever is inside of this tunnel. | ||
| And these are all buried at Sac Stable Mont. | ||
| So there's like skulls everywhere. | ||
| There's boxes and all these bones. | ||
| There was like an obsidian mirror with like a little stick on it. | ||
| A bunch of gold artifacts in this room. | ||
| It was just boxes upon boxes upon boxes upon boxes. | ||
| I haven't seen any of this stuff published yet. | ||
| So this is how much of a delay there is on archaeology. | ||
| What is the delay in that stuff? | ||
| Because it would seem like such an enormous discovery. | ||
| Yeah. | ||
| What I think it is is, well, you kind of have – I would say it's a mix of a lot of different things. | ||
| Let's say the most non-malicious side is that these countries are totally dependent upon tourism and they want to prepare like a media – So they want to do it at the right time of the year and then it'll inspire people to book their trip down to the Sacred Valley. | ||
| You know, it's all, it's about, it's a money-making machine, right? | ||
| It's their biggest draw to come and see this part of the world. | ||
| That seems so counterintuitive because new discoveries would make people want to visit. | ||
| Yeah, yeah. | ||
| They just want to hold it off to like the right part of the year. | ||
| This is something I've heard in Peru. | ||
| something I've heard in Egypt. | ||
| You know, the... | ||
| I heard about that. | ||
| So let me think. | ||
| That came out two or three months ago. | ||
| And when I was there in October, I had heard that it was found. | ||
| So these things are happening way, way in advance. | ||
| Now, the other side is there's sort of this Zahiwas effect, like Ed Barnhart, my professor and mentor, he wanted to study... | ||
| So you've seen how the stones fit together in the same way that they do at the Valley Temple in Egypt, the red granite. | ||
| So they're using this gray andesite, which is sometimes the andesite is harder than the granite in Egypt. | ||
| Like morphing these stones together at impossible angles. | ||
| I'm sure you've seen the 12-sided stone and maybe you've seen the scoop marks on the side of the stone where it looks like the outside of the stone was softened at one point and you could like scrape a piece off. | ||
| And so it's Dr. Barnhart's idea that somehow – So in the Chilean desert, the Inca Empire were building upon roads that went all across South America. | ||
| And these roads weren't initially, the foundations weren't laid by the Inca. | ||
| They may have been approved by the Inca, but they go back to the Wari Empire, which predates the Inca, and it almost certainly goes back further than this. | ||
| The southernmost point of these highways, it goes off into the Chilean desert, into the Atacama desert, and they just kind of disappear into the desert. | ||
| And for a long time, it's been a mystery of... | ||
| What is it down there? | ||
| What's a resource that they need? | ||
| But there are these acid deposits that are down in that desert. | ||
| Somehow they invented this clay pottery that whatever they used to make it, the acid wouldn't melt through the pottery so you could carry it. | ||
| There's evidence of this at Tiwanaku as well, which I'm sure you've heard of Tiwanaku. | ||
| There's evidence of this acid at Tiwanaku and people would talk about how the acid could like melt the stones and sometimes they talk about how like bird poop or bird... | ||
| And so there's all these, you know, ideas or these myths about the stones melting. | ||
| Anyways, Dr. Barnhart's idea was that those roads go down there because they're mining and collecting the acids and they're bringing them back and they're softening the outside of the stone. | ||
| And rather than carving the stones to fit together, they're setting the stones on top of each other and it's creating its own morph, if that makes sense. | ||
| The stones are morphing together. | ||
| And so there's two reasons, but you see them a lot as to why he thinks this. | ||
| So you have this ancient city that's there, and the stones are so massive the Spanish couldn't tear them all down, so they just gave up and they built new buildings over it. | ||
| In 1650, this In 1950, another earthquake happened, knocked down the Spanish city, and the ancient city was still standing. | ||
| So now these are preserved as cultural heritage monuments, and they don't build over them. | ||
| But they're like a Starbucks. | ||
| building. | ||
| You'll walk in and it's like megalithic stonework inside of KFC. | ||
| It's amazing. | ||
|
unidentified
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Wow. | |
| But it's everywhere. | ||
| It's the whole city. | ||
| It's the whole modern city. | ||
| When you go one day, you just walk, walk, walk, walk, walk. | ||
| One of the projects we're going to do for the Maya Exploration Center is I'm going to go down to Cusco for a month and I'm going to make the world's first map of where all the stones actually are. | ||
| There is a map that tourists get, but it's a shitty map. | ||
| It's not even accurate. | ||
| So that's one of my projects is I'm going to map all of these stones and where they are around Cusco and it'll be like on an app or a website or something where you can find it. | ||
| But yeah, it's just incredible. | ||
| So they preserve the stones. | ||
| And so when you're walking around, getting back to why. | ||
| Can we see some images of the stones that would indicate that they possibly were melted? | ||
| How could you search this up? | ||
| Maybe just look up Cusco We may be able to find an image. | ||
| And I could show you something on my phone. | ||
| I know I've got it on my phone. | ||
| Okay. | ||
| Maybe I could send it to you, but I'll actually send you the photo. | ||
| So some of these are from Sacsayhuaman. | ||
| Okay, so to the top left. | ||
| So that's the 12-sided stone. | ||
| It's on this building. | ||
| When you walk around this building, the name is escaping me right now. | ||
| It's the Palace of Something. | ||
| When you walk around this building, you're going to see some of the stones where an earthquake has separated. | ||
| So you have two stones that sit perfectly on top of each other. | ||
| And when an earthquake happens, one of these stones will slide back. | ||
| And when it does, you'll see an angle that ramps up like this up to the exterior. | ||
| And so what it looks like is the stone is placed on top and it smushed the stone down. | ||
| Does that make sense? | ||
| Whoa. | ||
| Man, if we searched hard enough we could find it here. | ||
| I will send you this photo. | ||
| I've got it on my phone. | ||
|
unidentified
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Wow. | |
| Yeah. | ||
| Yeah. | ||
| Just that idea is fascinating. | ||
| It melted into place. | ||
| Yeah. | ||
| Oh, okay. | ||
| So they cut these stones, used acid. | ||
| This is the theory. | ||
| Is that it right there? | ||
| No. | ||
| So they cut these stones, use the acid, and set them in to seal... | ||
| so that there's no gap in between the stones. | ||
| So it's not that they have to carve it perfectly, but rather that the weight of the other stone... | ||
| Wow. | ||
| It's on one of these walls. | ||
| So that one you have your cursor on, that's fake. | ||
| I walked up to it and it's like hollow. | ||
| I was like tapping on it. | ||
| just a fake wall. | ||
| I don't know why in Cusco they have some... | ||
| You go knock on it and it's like plastic. | ||
| But there's tons and tons and tons and tons. | ||
| The majority of the city is just the ancient city. | ||
|
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What is this? | |
| Inca Stone Monument? | ||
| Irreparably damaged? | ||
| It's like someone cut out a piece of it. | ||
|
unidentified
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Yeah. | |
| Somebody went up to it in the middle of the night, like a drunk tourist and started hitting Yeah. | ||
| Yeah, yeah. | ||
| That's what's so weird about it. | ||
| Like, look at this stupid house that's falling apart that's on top of these ancient stones. | ||
| Yeah, it's crazy, man. | ||
| It's an amazing place. | ||
| You'll walk around and just be consistently stunned by the amount of stonework that's there and what they are able to achieve. | ||
| And this kind of Cyclopean stonework where the stones all have these, you know, no two stones are exactly alike. | ||
| You see that stonework in one place in Egypt, which is at the Valley Temple next to the Sphinx. | ||
| And you don't see that, as far as I know, recreated anywhere else. | ||
| But in Peru, it's everywhere. | ||
| Wow. | ||
| Yeah, so that's kind of a repaired wall. | ||
| You can see that it fell apart and they put it back up. | ||
| But these are mortarless buildings. | ||
| Oh, hey, if you go just one below the one that you're at right now, so this is the Temple of the Moon at Machu Picchu. | ||
| Look at the size of the stone wall. | ||
| That's one stone on the lower part of it. | ||
| And you can see that the size of the stones that are together, as earthquakes have rattled the city, the wall still kind of holds together. | ||
| It bends and holds together completely more. | ||
| It's just fascinating. | ||
| And on top of that, Machu Picchu itself, 60% of the megalithic construction work is in the foundation of Machu Picchu. | ||
| So it's underneath what you're seeing. | ||
| And there are areas that are roped off where you can go down like underneath the city, but it's all roped off and I don't know a lot about it. | ||
| I got a little bit of a photo of where you can go down into these. | ||
| I think they're like man-made labyrinths that are underneath the city, but there's a lot more there. | ||
| And so when you're there, you just get this intrigue. | ||
| And I was curious how Egypt would stack up, because I did Peru last year, and then the day I landed from Peru, I headed off to Egypt for a month. | ||
| Damn, what a life. | ||
| You've got a great life, dude. | ||
| That's cool. | ||
| Yeah, well, thank you. | ||
| That's really cool. | ||
| How far is this from Nazca? | ||
| Very far. | ||
| Peru is deceivingly big. | ||
| Peru is like half the size of the United States. | ||
| Really? | ||
| It's really, really big. | ||
|
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Wow. | |
| I had no idea. | ||
| Yeah, the Nazca lines are really, really, really far away. | ||
| It's very hard to do a... | ||
| It's too big. | ||
| It would be like if you were going to go on a United States tour. | ||
| Yeah, yeah. | ||
| Man, there's going to be so much like that that's going to be found. | ||
| What is all that stuff? | ||
| Well, you know, it's amazing, like, how exactly... | ||
| One, what's the inspiration for making these giant... | ||
| You know, the sophistication is in the planning and the math behind how exactly you make these images in the ground that are miles wide and very intricate. | ||
| Like if you look at the spider. | ||
| And there's some aspect about the spider, a detail that they incorporate, that you would only know if you were like really studying these little creatures and wanted to recreate it on a massive scale. | ||
| But the legs, man, they're mapping. | ||
| I mean, look, this is an enormous thing in the ground that if you don't have flight, you're never going to be able to know that you did it. | ||
| That you did it precisely, right? | ||
| Or unless you had very meticulous planning and everything. | ||
| But again, what's the inspiration for this? | ||
| What's the inspiration? | ||
| Why would you be doing this? | ||
| What is this for? | ||
| Why does it have that one leg that hooks off to the left? | ||
| I don't know. | ||
| See that? | ||
| That one lengthened piece? | ||
| very strange well you know the Nazca they But, I mean, they had disappeared more than a thousand years before the Spanish arrived. | ||
| Jamie, can I ask you, what is that all about? | ||
| Why does it have all those additional lines? | ||
| I don't know. | ||
| Someone's doing different Is that just art? | ||
| Yeah, I think they're making it on... | ||
| That'd be a cool t-shirt. | ||
| There's other weird ones, like the one that looks like an astronaut. | ||
| Yeah, he does. | ||
| I actually think that's a Pulpa line, which is a different culture that does the same thing. | ||
| If you look up Pulpa lines, you may be able to find it. | ||
| Oh, so there's quite a few of them. | ||
| Look at that one, the jester one, the one with the antenna on the upper left. | ||
| Oh, yeah, look at him. | ||
| No, no, no. | ||
| Yeah, there it is. | ||
| Like that one. | ||
| Where does that come from? | ||
| I guess you just can't make it that big. | ||
| Make it a little smaller. | ||
| There you go. | ||
| What is that? | ||
| AI Uncovers. | ||
| What's that? | ||
| It says AI Uncovers. | ||
| Oh, are they AI? | ||
| Yes. | ||
| But this is AI. | ||
|
unidentified
|
Oh, okay. | |
| I'm sorry. | ||
| This is the AI. | ||
|
unidentified
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Oh, hey. | |
| Look at the shark. | ||
| Look at the shark on there. | ||
| Isn't that cool? | ||
| So you have seafaring. | ||
| Dude. | ||
| Okay. | ||
| Do you know of Vanapu in Easter Island? | ||
| I think it's called Vanapu. | ||
| These people are traveling out into the Pacific Ocean and back. | ||
| You know, it just, it's... | ||
| Thor Heyerdahl with Kontiki. | ||
| He proved it. | ||
| Yep, there we go. | ||
| Yeah, so, you know, it's fallen apart. | ||
| It's not the same stone. | ||
| It's a local volcanic sandstone, I think. | ||
| I don't think that this is basalt. | ||
| It might be basalt. | ||
| But it's a volcanic stone. | ||
| I'm actually pretty sure it's basalt. | ||
| It's made out of the same thing of the Easter Island heads. | ||
| So you have this Vanapu, but another project that my exploration center is working on later this year is we're going down to – And I'm not going, but this is Dr. Barnhart doing it. | ||
| And there's another site down on the remote end of the island where there's another structure like this that you never see mentioned. | ||
| And so we're going to document that and put that out. | ||
| So there's no doubt that, I mean, these people are incredibly advanced, incredibly connected, incredibly intelligent, and it's just so mysterious. | ||
| Okay, do you know of the Blythe lines? | ||
| Have you heard of this? | ||
| Blythe, California. | ||
| There are NASCA lines up there. | ||
|
unidentified
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Really? | |
| Yeah, yeah. | ||
| We should look this up. | ||
| Where's Blythe? | ||
| I think it's right before you get to Nevada. | ||
| You're like driving. | ||
| So you'll pass right by if you're driving from Las Vegas into California, I think. | ||
| So Blythe lines, yeah. | ||
| Yeah, we should zoom in from Google Earth. | ||
| This would be cool. | ||
| Where is it, Jimmy? | ||
| It's on the 10. It's on the 10. It's right where my cursor is. | ||
| Oh, so that's Blythe, California. | ||
| You might be able to look up Blythe lines. | ||
|
unidentified
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No, I did, but I was trying to show you where it was. | |
| Oh, sorry. | ||
| So these are the lines. | ||
|
unidentified
|
Oh, whoa. | |
| Yeah, they're huge. | ||
|
unidentified
|
Whoa. | |
| So, dude, this is not... | ||
| What the fuck is that? | ||
| This is, I mean, to me, it's pretty obvious that there are people who are, and this is It's all interconnected. | ||
|
unidentified
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How many of these lines exist? | |
| It's not really majorly studied, but I think that there's a few of these images that are out there and more that are further off into the desert that some people have. | ||
| One of them was a monkey. | ||
| How do they even know what monkeys are? | ||
| Well, okay. | ||
| That's a great question. | ||
| Were there monkeys in California? | ||
| No, I doubt it. | ||
| But there are... | ||
| There were monkeys that we have found that were in zoos in Teotihuacan, like dead monkeys that are buried. | ||
| And this species of monkey is only found in the southern Amazon. | ||
| So it's all the way up in northern Mexico. | ||
| So all of these things are connected. | ||
| Okay, another... | ||
| Just for clarity, that one was a Nazca line. | ||
| The monkey was not in the California. | ||
| Oh, okay, okay. | ||
| That makes sense. | ||
| It came up just to check. | ||
| Yeah, yeah, yeah. | ||
| Those monkeys are in Peru. | ||
| Well, even so, there are Amazonian monkeys that are coming all the way up there. | ||
| Let's see what the other Blythe lines are. | ||
| That's what I was trying to go through. | ||
| The article started showing different stuff because I was explaining what they were. | ||
| So comparisons to Nazca images. | ||
| They're found in 1932 by a pilot. | ||
| That's what I was trying to figure out. | ||
| So that's one of them? | ||
| It looks like a giraffe. | ||
| It could be a deer. | ||
| Yeah, it could be a deer. | ||
| But are deer out there? | ||
| Well, there's deer in California for sure. | ||
| There's probably mule deer in that part of the country. | ||
| There certainly is in Nevada. | ||
|
unidentified
|
Nevada has a big population of deer. | |
| California's figure represents horses, reintroduced, historical date sometime after the 1500s, so maybe they don't know when these are going to go. | ||
| Scroll back up again? | ||
| Yeah, they have no idea. | ||
| I don't know if that's a horse. | ||
| Doesn't look like a horse to me. | ||
| I think you're right. | ||
| The tail, though, is a lot longer than a deer's. | ||
| Oh, yeah, a deer, they've got the little tails. | ||
| It's like a shitty artist horse. | ||
| I was stumbling down something with the Olmec stuff. | ||
| I think it was the Olmec. | ||
| there is a bunch of this because I see a zoom or seer. | ||
| It's a bunch of other weird rocks that had like anthropomorphic animals playing on top of humans. | ||
| Okay, do you know about... | ||
| No. | ||
| Oh, dude. | ||
| Okay, so wear jaguars. | ||
| It is another piece of evidence of at least... | ||
| Oh, dude. | ||
| This is this is badass. | ||
| All right. | ||
| So So you think of, like, where do you imagine that people migrate into the Americas? | ||
| Like, where do you think we would find the first evidence at? | ||
| Oh, boy. | ||
| Well, I would imagine it would be somewhere where the Olmecs were. | ||
| Yeah, maybe so. | ||
| Yeah. | ||
| Or, you know, traditionally. | ||
| Sure, sure. | ||
| Traditionally, people think that maybe you would find it, you know, in Alaska. | ||
| You know, people migrating over during or before and after the Ice Age. | ||
| Sure. | ||
| Or I'm sorry, during and before the Ice Age. | ||
| And then some people might think that, you know, you have Polynesians that are skipping across the Pacific that are coming into. | ||
| But most of the time, it's West Coast. | ||
| People think you'd find something out there. | ||
| Some of the oldest evidence that we have. | ||
| Are 30,000-year-old caves on the east side of the Amazon. | ||
| On the east side. | ||
| the opposite side of the Americas, as far away as you can possibly get from... | ||
| where people would have traditionally arrived in the Americas. | ||
| Now, that evidence is constantly changing. | ||
| There's constantly new things that are being found, like white sands, and there's 150,000-year-old bone tools or chisels that are being found where people were cutting into woolly mammoth bones, crazy stuff. | ||
| But one of these old evidences is people in the Amazon 20,000 to 30,000 years ago on the East Coast in Brazil, on the Atlantic Coast, and they have these... | ||
| I think it may have been Teddy Roosevelt's granddaughter that found this. | ||
| She was a South American archaeologist. | ||
| She was inspired to go to the Amazon. | ||
| And so it's really interesting. | ||
| In the Olmec realm, there's what's called a werejaguar. | ||
| It's just like a werewolf, spelled sort of the same. | ||
| But you have these two different dichotomies in the Olmec world. | ||
| You have the Olmec heads, which, by the way, I brought you a head. | ||
| Ooh. | ||
| Nice. | ||
| More stuff for this table. | ||
| Sit right next to hecklefish. | ||
| So this is made from basalt by the modern Olmec people. | ||
| Whoa, that's cool. | ||
| Yeah, super cool. | ||
|
unidentified
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So these guys... | |
| These guys, we don't know who they are. | ||
| We don't know exactly what they represent because they're just – They have Olmec faces, but they're all wearing this helmet. | ||
| What the hell does the helmet mean? | ||
| It could be two different things. | ||
| It's a signature of their divine rulership, like we think they might be kings. | ||
| Somebody who can commission a monument this big. | ||
| This is a testament to his power. | ||
| Or these are revered ballgame players, the Mesoamerican ballgame. | ||
| I'm sure you've dove into this a little bit. | ||
| Or it's both. | ||
| The most masculine thing that you can be is a great Mesoamerican ballgame player. | ||
| And that's the king. | ||
| He wants to see himself out of it. | ||
| It's the same thing as Marcus Aurelius' son. | ||
| Why am I forgetting his name? | ||
| The really bad emperor. | ||
| God, I can't remember his name. | ||
| But anyways, he wanted to be seen like Hercules fighting in the Colosseum. | ||
| And so we think this might be a kind of similar thing. | ||
| There's a whole different type of people that are existing in the Olmec realm. | ||
| We can look up Olmec. | ||
| Thank you. | ||
| And there's a whole different type of person. | ||
| So here's one image. | ||
| If you keep scrolling, you'll see images that are carved into... | ||
| So this is a little bit of a better image right here. | ||
| But sometimes when they're carved into jade and you can see the light reflecting off of it, you get a better – you get a better – So, wear Jaguar, Olmec, and maybe do Jade. | ||
| Oh yeah, there we go. | ||
| Uh, top, top right. | ||
| Yeah, check that guy out. | ||
| So that's a human. | ||
| That's not an animal. | ||
| It is a human who has turned into the essence of a jaguar. | ||
| And we see this everywhere, all over the Olmec world. | ||
| But they're never the colossal heads. | ||
| They're always in jade or they're smaller Olmec monuments. | ||
| And sometimes the heads are maimed, like the head is just completely destroyed and there's these jaguar claws. | ||
| Claws that are carved into an Olmec face, like tearing apart its face, tearing apart the symbol that's on the top of their head. | ||
| And so a lot of people have wondered, like, why are these scratch marks in all of these Olmec monuments? | ||
| But all the scratch marks And so what I think, this is a little bit of research that I'm doing, and I'm writing a book on the Olmecs right now, is what I think is there's a feud between the rulers and the shamanic class. | ||
| And I think that these were jaguar people, these people who are taking some kind of hallucinogen, taking a psychedelic, and basically imbuing the essence of a jaguar in some strange, crazy way that we can't explain, these are feuding with each other. | ||
| And when I'm in Mexico and I'm in these museums where you have these mushroom stone effigies that are all lined up, I'll ask a local archaeologist there. | ||
| I'll be like, so these mushrooms, do you think that these depict hallucinogens that they may have been taking to get high? | ||
| Oh, no, no, no, no, no. | ||
|
unidentified
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No. | |
| I'm like really If you look at ancient American artwork anywhere, you can tell it's all, like, mind-bending stuff to look at. | ||
| They're clearly, I think, they're being influenced by plants. | ||
| Now, this were jaguar isn't just isolated to the Olmec world. | ||
| It also pops up at a place called Chavin de Wontar. | ||
| Have you ever heard of this? | ||
|
unidentified
|
No. | |
| This is in the Andes. | ||
| It's one of the oldest cities in the Andes. | ||
| So before Chavine... | ||
| Like you can tell, okay, these people are younger if we carbon date their bodies that are buried underneath these temples, and they're related to these people that are older. | ||
| So you're trying to piece together this DNA web, but it's very, very loose. | ||
| So there's a place called, there's a culture called Coral Supe culture, and they are building pyramids. | ||
| Before the old kingdom of Egypt ever even existed. | ||
| This is 5,500 years ago at least. | ||
| On the coast of Peru, like right on the beach. | ||
| And there's like 15 huge pyramids out there. | ||
| But this is a non-pottery, non-artistic culture. | ||
| So we don't have pottery and we don't have art from them. | ||
| And we don't have stone statues or anything like that. | ||
| Just these structures. | ||
| And from what we can tell, they keep getting hit by these apocalyptic storms, these tropical El Ninos and La Ninas that are just destructive. | ||
| They're trying to rebuild it again. | ||
| And eventually they say, you know what? | ||
| Forget this. | ||
| We're moving up into the Andes. | ||
| Well, when they move up into the Andes on Chavin de Wontar, they then come in contact with Amazonians. | ||
| They meet Amazonians for the first time. | ||
| And all of a sudden, these people, they have pottery, they have art, they have gods, they have a pantheon, they have stone statues, and they are were jaguars. | ||
| They are these shamanic people. | ||
| Oh, this is from... | ||
| Oh, is this on my... | ||
| So I posted about this today. | ||
| So these faces right here, these are on the side of the temple of Chavin that faces east off into the Amazon. | ||
| And when you look at Chavin pottery, it's the same as Amazonian pottery in the region. | ||
| So the people of the Andes, as soon as they interact with the Amazon, they acquire this religion, this culture, this iconography. | ||
| They completely change as a people, and they start building the first structures that we know of that have interiors. | ||
| Because before this, these pyramids that were out on the coastline, you're like walking on top of this big stone mound. | ||
| But at Chavin, it's a huge square-style building that has open doors that you can walk in through. | ||
| And all of this happens as soon as they interact with Amazonians. | ||
| And so, yeah, it's a huge structure. | ||
| And the stones that make up the staircases, oh my god. | ||
| Okay, have you seen, the name is escaping me right now, but Wandering Wolf went out there, Michael Collins, and he saw these big trilithon stones that are sitting on the side of the mountain in Peru. | ||
| Do you remember this? | ||
| Giant stones. | ||
| That white stone is the same white stone that's used in the staircases and on the door jams and the lentils here at Chavine. | ||
| So you see the open door right there at the bottom? | ||
| Yeah, so those white stones on the side, those stones may have come from that quarry that he went and visited, where those gigantic, you know, trilithon, balbeck-sized stones are. | ||
|
unidentified
|
How far is that? | |
| It's really, really far from here. | ||
| I don't know. | ||
| That would be something good that I should know. | ||
| So some of it's megalithic, some of it's decent size. | ||
| It's really that front wall right there with that entrance, the steps going up to it. | ||
| And then on the inside of the temple, you have the megalithic stonework. | ||
| And then you have this monolith on the inside. | ||
| So you see this guy? | ||
| Look at that. | ||
| That's a human with jaguar fangs coming out of his mouth. | ||
| And all of these Tenenheads that are on the side of the temple, they're facing out towards the Amazon. | ||
| It's telling us that this religion, this idea of these people who are – Somehow doing these shamanic practices, which I think are so clearly, so obviously is plants like ayahuasca or whatever it is, inducing these people into a state of consciousness where somehow they're taking on the effects of the jaguar. | ||
| Like you and Paul Rosalie talked about this. | ||
| And when he was talking about his... | ||
| his experience with ayahuasca, I believe he said, and maybe it was on this show, that for a moment, like, he shrunk down to the size of an atom, and he's floating through the Amazon, and then all of a sudden, he was looking through, like, the eyes of a jaguar for a moment. | ||
|
unidentified
|
And this is something that- Yeah, yeah. | |
| So this is something that I think it's evidence— Oh, isn't this cool? | ||
| Yeah. | ||
| Well, there's also evidence that jaguars eat the same plants. | ||
| Yes, yeah. | ||
| Have you seen this on, what is it, Weird Nature? | ||
| There's a documentary out there called Weird Nature. | ||
| The war is tripping. | ||
| Yeah, and it's like, This is why I brought this up. | ||
| Terrence Magetta had a very fascinating theory about why ketamine in particular feels like an empty office building. | ||
| And his theory, it's like ketamine is like you enter a realm, but there's no one there. | ||
| And this is, by the way, he's talking about ketamine in, like, the 80s and 90s. | ||
| is that when you imbibe, when you take a psychedelic medicine, when you take any sort of psychedelic plant, mushroom, whatever it is, you're not just having an experience. | ||
| You are also interacting with all of the experiences that have ever been had with these things, which is one of the And his belief or his theory was that it's far more complex than you're taking a psychedelic drug. | ||
| You're taking this psychedelic that allows you to interact with all the experiences anyone has ever had with those, including jaguars. | ||
| Now, also, there's always been this conflict between the ruling class and the shamanic rituals. | ||
| This is the Eleusinian mysteries. | ||
| They shut all that stuff down. | ||
| Wouldn't it make sense that the claw marks would represent? | ||
| The battle between the shamans and these ruling class who, of course, don't want people tripping and opening their mind and questioning authority and trying to restructure everything. | ||
| It'd be a huge problem if you were a Zahi Hawass guy trying to keep the lid on everything and just keep control and power. | ||
| And then you got all these people that are tripping balls that have completely different ideas that you have to silence that. | ||
| Well, what's the issue here? | ||
| The issue is these guys, they get together in a circle and they drink this stuff and they start having these wacky ideas. | ||
| Let's put a stop to that. | ||
| Let's put it the same way they did with the Illicinian Mysteries, the same way they've done countless times. | ||
| Shamans that were like the whole Santa Claus things where he's coming down the chimney. | ||
| Why was that? | ||
| Well, it was because Siberian shamans were ostracized. | ||
| They were forced to actually not go through the doorways because they had to sneak into people's homes. | ||
| So they came down chimneys. | ||
| This is the theory. | ||
| Oh, that's fascinating. | ||
| Which is like, why the fuck would Santa come down that chimney? | ||
| It doesn't make any sense. | ||
| Yeah, yeah. | ||
| Well, that was the idea. | ||
| Like, Santa's a shaman. | ||
| Also, Santa, at least in modern depictions, has the exact same coloration as the Amanita muscaria mushroom. | ||
| Oh, wow. | ||
| You've never seen the comparison, she's Santa and the mushroom? | ||
|
unidentified
|
No, no, no. | |
| The fascinating comparison, and this is also hotly debated, you know, they say, no, well, Coca-Cola was the ones that made them red and white, the Santa Clauses. | ||
| Maybe. | ||
| But there's old pictures of Christmas images that always include elves. | ||
| And Amanita muscaria mushrooms. | ||
| There's old Christmas cards from like the turn of the century. | ||
| There's old like Merry Christmas. | ||
| It's fucking mushrooms. | ||
| There's mushrooms everywhere. | ||
| So mushrooms have a mycorrhizal relationship with coniferous trees. | ||
| Particularly Amanita muscaria. | ||
| you would find them underneath pine trees, the same way you find brightly colored presents under Christmas trees. | ||
| In order to dry them, they would pick these mushrooms... | ||
| and hang them in the trees so they would air dry just like ornaments on a tree. | ||
| Wow. | ||
| There's so many parallels. | ||
| It's really weird. | ||
| The Santa was a mushroom one is a weird one. | ||
| It's a really weird one because there's a ton of the... | ||
| Like, why are we so interested in fucking pine trees? | ||
| Those trees had this very connected relationship with those mushrooms. | ||
| Yeah, well, you know, I find that... | ||
| See if you can find some of them ancient pictures of Christmas, ancient Merry Christmas images. | ||
| Look, look at that shaman, that shaman to the left. | ||
| Go back, scroll back, look out, look at that. | ||
| Siberian shaman looks exactly like the coloration of an Amanita Mascaria. | ||
| Now go to that Merry Christmas image that you have there right next to your cursor. | ||
| Look at that. | ||
| Amanita Mascaria. | ||
| A Merry Christmas and a Happy New Year. | ||
| Amanita Mascaria image. | ||
| These women with good times Christmas, or these children rather, with good times Christmas. | ||
| Have you ever tried these mushrooms? | ||
| Yes. | ||
| Didn't work. | ||
| Really? | ||
| Yeah. | ||
| I think there's, well, McKenna didn't have a good experience with him either. | ||
| And there's a lot of thoughts that he had about whether or not they were genetically variable, whether or not they're geographically and even seasonally variable, that you're not dealing with the same mushrooms. | ||
| Sort of like, you know, there's different versions. | ||
| Obviously manipulated, but there's a very different version of banana that we're enjoying today. | ||
|
unidentified
|
Yeah. | |
| Versus the wild banana. | ||
| Oh, corn too. | ||
| Yes. | ||
| Maize. | ||
| Oh my gosh. | ||
| So different. | ||
| A lot of different plants have like similar history. | ||
| I mean, fungus is a very different thing, right? | ||
| Because fungus actually breathe air. | ||
| They're not plants. | ||
| They're much closer to animals than they are to plants. | ||
| Oh, that's fascinating. | ||
| Yeah, they're real weird. | ||
| And they're also really weird that they seem to be like the internet for plants. | ||
| Like the mycorrhizal relationship and the fact that they have this very bizarre network of mycelium that's under the ground. | ||
| Like the largest living organism is a mushroom colony that exists. | ||
| I believe in the Pacific Northwest. | ||
| Oh, really? | ||
| Yeah. | ||
| Let's see who can find that. | ||
| Yeah. | ||
| So instead of like saying, oh, there's a mushroom that pops out of the ground. | ||
| No, that's like the fruiting body of the entire thing. | ||
| And the entire thing is enormous. | ||
| Yeah. | ||
| It's communicating with plants. | ||
| It's helping the plants distribute and share resources. | ||
| It's helping them get information. | ||
| It's very strange. | ||
| You know, Paul Stamets is like the best guy to talk to about this stuff. | ||
| He's a mycologist, and he actually gave me that big-ass mushroom at the end of the table. | ||
|
unidentified
|
Oh, wow. | |
| That's a mushroom. | ||
| Yeah. | ||
| It's weird. | ||
| They're weird. | ||
| You know, this whole conversation... | ||
| The largest organism on Earth is a fungus. | ||
| The blue whale's big, but nowhere near as huge as a sprawling fungus in eastern Oregon. | ||
| Yeah. | ||
|
unidentified
|
Holy crap. | |
| Yeah, and again, it fucking breathes air. | ||
| Could be as ancient as 8,650 years. | ||
| Yeah. | ||
| Good night. | ||
| Good night. | ||
| Wild. | ||
| Wild stuff. | ||
| And, you know, this is what we know about, right? | ||
| What about, what the fuck is in the Amazon? | ||
| Oh my god, man. | ||
| Okay, so two things there as far as what's in the Amazon. | ||
| First, think about how, let's just talk about North America above Mesoamerica. | ||
| So let's just include the modern day United States. | ||
| Think about all the tribes that existed here, how complicated these histories are. | ||
| Squanto is born in the early 1600s among these tribes in Massachusetts. | ||
| And when he comes back, he forms this thing called the Wampanoag Confederation, whatever, whatever. | ||
| Just in that little area, there's all these different cultures with their own histories. | ||
| their own knowledge and everything. | ||
| That's one little part of Massachusetts. | ||
| Now think about the rest of the country and how vast and sprawling and intricate and how deep that history really goes. | ||
| And you can just, you could place the United States inside the Amazon. | ||
| That's how big the Amazon is. | ||
| And we just refer to natives, tribes who lived in the Amazon as Amazonians, but it's so much more complicated than just that. | ||
| Now the next thing is this whole conversation about talking about the were jaguar, you know, I get a lot of, I get a lot of flack for this, for this topic because, you know, you have, let's just call it like boomer archaeologists who have this knee jerk reaction to psychedelics and hallucinogens because it's so ingrained in them that like all drugs are bad as if all drugs are the same, you know what I mean? | ||
| And I'm talking to this I think it's like Pueblo ancestral tribes would have interacted with the night sky and studied the night sky. | ||
| And I was like, I asked him, I said, okay, so what kind of hallucinogens do you think they would have had? | ||
| And I think he told me like peyote and cannabis and stuff like that. | ||
| And I was like, Okay, so have you ever, you know, we were, like, every night we'd get together and we'd all smoke and just talk about ancient history and stuff. | ||
| You know, you come up with so many interesting ideas and perspectives and points of view, you know, when you smoke with, like, an actual purpose and you're trying to, you know, think. | ||
| I'm sure you know very well what I'm talking about. | ||
| And so he's sitting around with all of us and he doesn't want, you know, he's not interested. | ||
| And I'm like, so you've been studying archaeoastronomy for this long. | ||
| Have you ever tried cannabis or peyote or anything that's up there? | ||
| I think there's another one called Detura. | ||
| Have you ever heard of this? | ||
| That one's supposed to be very weird. | ||
|
unidentified
|
Yeah, yeah, yeah. | |
| McKenna had terrible experiences with that. | ||
| Well, maybe... | ||
| He was having a conversation with a guy in a market and he realized in the middle of the conversation the guy thought that they were in his apartment. | ||
|
unidentified
|
Oh. | |
| Yeah, like it does weird things. | ||
| Yeah, well, it might explain why Teotihuacan Like, if you look up the great goddess of Teotihuacan, it's these guys with handbags picking this detura and, like, putting them in their handbags. | ||
| Oh, boy. | ||
| Yeah, yeah. | ||
| Oh, so that's a weird one apparently. | ||
| So their whole civilization is like very dark and scary. | ||
| But I asked this archaeologist. | ||
| I said, okay, have you ever gone out and studied the stars from the Native American point of view while you're smoking cannabis or you take pay? | ||
| And I'm like, you have committed your entire life to studying this ancient culture that you know very well was studying the stars and taking hallucinogens. | ||
| And you, as someone who. | ||
| You don't want to put yourself in the shoes of these people. | ||
| I was like, dude, if you laid out at night with everything you know about the Pueblo ancestral people and you smoked weed for the first time or you did peyote or something, you stayed up and looked at the stars, you might have an epiphany about something that you've never realized because your brain's just operating in a different way than it normally does. | ||
| And he was very slow to be open to this idea. | ||
| And, you know, the Zahi thing kind of reminded me of this is like, you know, he has preconceived ideas about his world and his personal beliefs that interact with the archaeology. | ||
| And so it's really hard for us to study the ancient world from a completely unbiased point of view because you have so many preconceived ideas about your modern world that influence your archaeology. | ||
| And that's why the widely... | ||
| I really think it's because so many of these people are, you know, older archaeologists that have a knee-jerk reaction to drugs of any kind, and they couldn't possibly fathom the reality that the culture they spent their life studying are all doing hallucinogens all the time. | ||
| Yeah, unquestionably. | ||
| Unquestionably. | ||
| It's totally obvious. | ||
| It's completely obvious. | ||
| Yeah. | ||
| Well, it's also these people that haven't had these experiences, so they don't know what the effects would be. | ||
| Yeah, yeah. | ||
| So they're basically just guessing, and a lot of it is based on just-say-no propaganda from the fucking 80s. | ||
| It really is, man. | ||
| I was telling my wife this. | ||
| I don't smoke a lot. | ||
| When I do, I'm out in Big Bend, out looking at the stars and stuff. | ||
| Every time I smoke, it's some kind of purpose. | ||
| I'm in some kind of sacred place. | ||
| I don't do anything harder than just smoke cannabis. | ||
| I don't know, six or seven years ago when I first smoked. | ||
| I was laying up looking at the night sky, and we had taken some photos out in the desert, and I was looking at myself, and I put on a little bit of weight. | ||
| And as I was looking at myself, I had disassociated. | ||
| And I was like, this person does not represent the brain that's in my mind. | ||
| I need to lose some damn weight. | ||
| You know, I had this realization about myself. | ||
| The last time I was out, I was out in Big Bend, laying under the stars in the middle of the desert, and I had this, like, realization that, you know, all the time I spend traveling and I get to see Like I'm trying to just make this life work. | ||
| And I had this realization that the most important thing I do is make dinner for my wife and take my dog on walks. | ||
| And I would have never – And this is the stuff that you love. | ||
| Your purpose is to take your dog on walks and spend time with your wife. | ||
| And one day it's going to be to spend time with your kids. | ||
| And every time I go into it with this idea that I hope that I have some kind of realization, I always do. | ||
| And it's just like I have this – I know that ancient plant medicine is like the key to And so, yeah, it's fascinating. | ||
| To ignore that, knowing that they imbibed, to ignore that, knowing that it was a part of these sacred rituals, is kind of silly. | ||
| Especially when you deal with the Amazon and ayahuasca. | ||
| Oh, yeah, right? | ||
| Yeah, I mean, if you're going to be in a place where you want to completely convene with nature, like, that's the place. | ||
| Like, that's the place. | ||
| And if there's this... | ||
| which is a monoamine oxidase inhibitor, and you're combining them together in the perfect amount and boiling it. | ||
| It tastes like shit. | ||
| Like, why are you doing this? | ||
| And then when you ask them how they learn how to do this, they're like, Yeah, I know, right? | ||
| And then you can take that same chemical and they'll pour it in the water and rather than fishing or spearing fish in the water or hooking them, they pour it into the water and they create these little canals off of the Amazon and fish, piranha, whatever will swim up in it and they pour that liquid wherever that hallucinogen isn't and it stuns the fish and they all come to the top and they only take what they need and they send the rest back. | ||
| Which is another reason why I don't think that Native Americans are responsible for these. | ||
| I'm out in the woods in East Texas a couple weeks ago, and we're just walking around, and we're talking about the Caddo people. | ||
| Have you heard of the Caddo Indians before? | ||
| And I was trying to talk to my friend who doesn't know a lot about Native Americans, trying to give him the essence of the people. | ||
| And the words came to me and I was like, I was like, if nature itself took an anthropomorphic form, that's the Native American. | ||
| These are people that lived perfectly with their environment or tried to, at least most of them did. | ||
| So much can be learned from that. | ||
| They did some wasteful things. | ||
| I know, I know. | ||
| Like the buffalo jumps. | ||
| Yeah, yeah, yeah. | ||
| Well, yeah, that's true. | ||
| And I'm really speaking in generalities. | ||
| I could go on and on about all the horrific things that the Aztecs did. | ||
| This is just a general rule. | ||
| Or the Comanches. | ||
| Or the Comanches. | ||
| It's not at all like this was a utopia at all. | ||
| It was complete and utter war. | ||
| But then again, you're saying embodiment of name. | ||
| Well, nature's not utopia. | ||
| Exactly. | ||
| Jaguar's not utopia if you're an antelope. | ||
| Yeah, yeah, very much so. | ||
| So, you know, there's some nuance there. | ||
| But, yeah, it's just fascinating. | ||
| You had a good point in a podcast. | ||
| I think you were talking about Oriana. | ||
| His expedition down the Amazon, and you were talking about how he was able to use the stars to navigate back to Spain. | ||
| And you were like, well, you know, that's what, or not ancient people, but that's what people used to do. | ||
| Everybody was an astronomer. | ||
| How much of this experience has gone to us today? | ||
| We don't sit around and look at the stars anymore. | ||
| And that's one aspect. | ||
| We don't interact with natural plant-based hallucinogens anymore. | ||
| There's so many things about the natural world that we don't interact with. | ||
| Those two are huge, and particularly the one, the first one, the stars, because people don't even consider how much light pollution. | ||
| If you ask the average person… The night sky is polluted. | ||
| You just don't think it's polluted, but it's polluted by light, and you're missing this. | ||
| Incredible, majestic image of the cosmos that's so humbling that it puts you in check. | ||
| Yeah, for sure. | ||
| It puts you in check. | ||
| It really does. | ||
| Anybody that has a deluded ego, that's going to go away if you're confronted with the Milky Way. | ||
| Yeah, absolutely. | ||
| You have some delusions of grandeur and your place in everything. | ||
| You're like, well, it's not possible. | ||
| Just look at this. | ||
| It's like, I am nothing. | ||
| I am nothing, and I am everything. | ||
| I'm a part of everything, but I am nothing. | ||
| And so many of these people who still today exist in the, in These people are still around. | ||
| Paul Rosely sent me a video a month ago. | ||
| Oh, really? | ||
|
unidentified
|
Yeah. | |
| You want to see it? | ||
| Sure, yeah, absolutely. | ||
| Check this out. | ||
| I'll show this video. | ||
| I can't share it with the world. | ||
| So, haha, sorry. | ||
| I'm a gatekeeper. | ||
| Like, everybody's a gatekeeper, I guess. | ||
| But Paul doesn't want people to know where these people are, so he's trying to hide this stuff. | ||
| But he took this video while he was out in the Amazon, like, helping these people. | ||
| So this is, like, video from his phone. | ||
| God, where is it, Paul? | ||
|
unidentified
|
Oh, here it is. | |
| I can't share it with anybody. | ||
| I want to share it with you. | ||
| Just make sure the camera's not on it. | ||
|
unidentified
|
Wow. | |
| Man, that is crazy. | ||
| Wild. | ||
| I mean, you're looking into the past. | ||
| You're looking way into the past. | ||
| I mean, way into the past. | ||
| Just in your frame right there. | ||
| What you were looking at. | ||
| Has existed since the beginning of time. | ||
| Yes. | ||
| And that's what's interesting is that exists at the same time as you and I talking on a podcast where millions of people are going to hear it and it's all electronic recording of our voice and images and then distributed wirelessly into your phone instantaneously. | ||
| The moment this episode gets uploaded on Spotify, people will click it and watch it on their phone instantly. | ||
| Like, all at the same time where these people are living in a homemade canoe. | ||
| They're in the same time zone as you are right now. | ||
| Same time zone. | ||
| Whatever it is right now, it's the same time there. | ||
| That's crazy. | ||
| And when our civilization, when we all destroy ourselves and thousands of years go by and everything in this studio is gone, it all turns to dust, those people will continue the legacy of humanity. | ||
| Well, I wonder if those people are the preppers. | ||
| Of the Amazonian world. | ||
| Do you know what I mean? | ||
| Like if everything did go sideways because the Europeans came over and brought all the diseases and civilization collapsed, who's going to live? | ||
| No, you are exactly right. | ||
| So when when the Spaniards That's like the Hank Williams Jr. song in reality. | ||
| Dude, you are exactly correct. | ||
| I mean, you're exactly correct. | ||
| So when the Spaniards arrive, they obviously, they land in the Bahamas with Columbus, 1492, but they come down to like Hispaniola, Jamaica. | ||
| And in the early 1500s, they start poking around on the shores of the Yucatan. | ||
| And they're kind of trading and interacting with these people. | ||
| You know, these are explorers. | ||
| They're all curious. | ||
| But they didn't realize that they were giving these Native Americans disease. | ||
| And that disease was spreading through the Maya world. | ||
| And maybe more than a decade later, when Cortez arrives in the Maya world, he documents how all the Maya people are very scrawny and small and sickly and weak. | ||
| He didn't realize they were all dying off. | ||
| So eventually Cortes conquers Tenochtitlan, the Aztec capital in 1521, and he sends Pizarro down to find the gold that the Aztecs were getting from South America or from this distant land. | ||
| He goes down to South America and he conquers the Inca Empire. | ||
| And then after that, Oriana descends down the Amazon. | ||
| And when he descends down the Amazon, he sees these cities that would go on for 15 miles long. | ||
| I mean, these 15-mile-long cities full of millions and millions of people, these giant circular stone buildings, these huge bustling civilizations. | ||
| And then later on in the 1700s, 1800s, And then really densely in the early 1900s, like with Percy Fawcett, Theodore Roosevelt, everyone around them, they were looking for these big cities that the Spaniards had seen, but they didn't exist, and they didn't find any evidence of it at all. | ||
| And a lot of people, like the British and the Royal Geographic Society, they brushed it off as, oh, the Spaniards were lying so that they could secure funding for further expeditions, and this was like their livelihood, the way that they could stay rich. | ||
| Proves that these civilizations were there. | ||
| Now, the stuff that's been excavated in the Amazon, we haven't excavated anything in the center of the Amazon. | ||
| It's really expensive. | ||
| It's hard to do. | ||
| Archaeologists don't want to live out there. | ||
| Whatever, whatever. | ||
| There's a million reasons why it doesn't happen. | ||
| But on the peripheral of the Amazon, there are areas that get cut flat for logging. | ||
| Like, you know, as civilization slowly encroaches on the Amazon, they are finding these – Have you seen these in the Amazon? | ||
| They're huge. | ||
| I believe so. | ||
| I believe this is some stuff that Graham was showing. | ||
| Maybe so. | ||
| I think Graham has talked about this before. | ||
| Maybe he was in America before. | ||
| Which did he look if he's looking for image? | ||
| Just Amazon geoglyphs. | ||
| They'll come up. | ||
| They're these huge squares. | ||
| Yeah, perfect. | ||
| Yeah, we definitely talked about this. | ||
| These things are gigantic, and they're all over the peripherals of the Amazon. | ||
| But these were the preppers living on the outside. | ||
| They weren't living in the hustle and bustle of the million-plus population city in the middle of the Amazon. | ||
| These are the guys living on the outside, and they all survived. | ||
| This apocalyptic disease that went through. | ||
| They're the people living in Appalachia. | ||
| Exactly. | ||
| Mountain folks. | ||
| Actually, I'm moving there tomorrow. | ||
| Are you really? | ||
| Yeah, I'm in the middle of moving right now. | ||
| What a cool place to live. | ||
| It's beautiful up there, man. | ||
| Dude, it's an ancient place. | ||
| Have you heard of the Nantahala Rainforest? | ||
| No. | ||
| Oh, you gotta go there tomorrow. | ||
| It's in western North Carolina, in Appalachia. | ||
| I grew up going to Nantahala every year. | ||
| My parents live in Nantahala now. | ||
| And it's a beautiful, completely magical place. | ||
| And it was part of what inspired this, like, exploration. | ||
| When you're there, even as a kid, I knew that this was an ancient place. | ||
| It turns out, as an adult, when I start researching it, it's this pocket of green, I mean solid, dark green rainforest. | ||
| In the U.S., we have three rainforests. | ||
| We have Hawaii, we have Oregon, and we have the Nantahala rainforest that most people don't know about. | ||
| It's this pocket in the middle of these mountains that has looked exactly the same since before the Ice Age. | ||
| It's one of the oldest places in North America. | ||
| And it's just an incredibly magical place. | ||
| Old, ancient place. | ||
| And I'm just, like, drawn back there. | ||
| But anyways, yeah, you should go check that out. | ||
| That sounds incredible. | ||
| Yeah. | ||
| Yeah. | ||
| You're going to live out in that area? | ||
| In the Appalachians? | ||
| Yeah, yeah. | ||
| Well, so my wife is, so she's, like, from South Carolina. | ||
| And she came to Texas when she was younger. | ||
| And then we met in college. | ||
| And my family, when we first moved to the States, like, my family moved to North Carolina. | ||
| Like, 1694 or something crazy like that. | ||
| And so we have some roots up there. | ||
| Have you ever been to Gatlinburg, Tennessee? | ||
| No. | ||
| So the first name of Gatlinburg was Reagan Town. | ||
| And so that was where my family were one of the founders of that town. | ||
| There's an old hotel there called Reagan Motel. | ||
| So my family's originally from there, and then they moved down to Texas and started cattle rustling in the late 1890s. | ||
| But I don't know, just drawing back up there. | ||
| I always loved vacationing there. | ||
| And so my wife and I are like in the middle of moving right now. | ||
| And so two days ago, we packed up these two U-Hauls, drove them to East Texas to my in-laws, and then we drove to Austin last night, got a hotel doing this. | ||
| Tonight we drive back to East Texas, and then tomorrow we drive to North Carolina. | ||
|
unidentified
|
Wow. | |
| Yeah. | ||
| So what is the history in terms of like human occupation in that area? | ||
| Man. | ||
| The people sprouted out of the ground. | ||
| Yeah, it's that old, man. | ||
| There are... | ||
| And I'm kind of excited, in a way, to get out of Texas because it's hard to study Native American history in Texas because you've got to travel so far and everything's so arid. | ||
| Austin, this was an ancient Native American settlement here that we have built this city on top of. | ||
| The Alamo in San Antonio was built on top of a Native American settlement. | ||
| And all of our major cities are just a reskin of an ancient city. | ||
| And in Texas, it's really hard. | ||
| We have the Galt site that's here. | ||
| That's here in Austin that proves that Clovis I was wrong. | ||
| Maybe you're familiar with this. | ||
| But up there, you're closer to mound country, where all the mound builders are. | ||
| I'm a little bit north of that. | ||
| But in North Carolina, it's one of the places that the Spaniards had a really hard time infiltrating because of the mountain ranges and because of how fierce the Native Americans were. | ||
| And so the archaeological projects up there are headed up by two hillbillies that live in the country, and they're the coolest guys. | ||
| They own this little department store called the Tiger Store in Hayesville, North Carolina. | ||
| We have dug up Spanish armor under the ground and Spanish swords and all kinds of crazy stuff. | ||
| And I've gone hiking out there. | ||
| Oh, we got to look this up. | ||
| Jamie, can we please look up Judacula Rock? | ||
| It's one of the only megaliths in North America. | ||
| And it's this gigantic... | ||
| And it's some kind of primordial map of Western North Carolina. | ||
| It's massive, dude. | ||
| You couldn't fit it in this room. | ||
| It's called Judacula. | ||
| If you just try to spell it in some way, you might find it. | ||
| There you go. | ||
| And there's an old photo of an archaeologist laying behind it. | ||
| There you go. | ||
| To the top left. | ||
| That one, or maybe the one that's colorized. | ||
|
unidentified
|
There. | |
| That one's really, really pretty. | ||
| So nobody knows what this is. | ||
| And the Native Americans who were asked, Some of the stories about the early Native Americans who were asked how this got here, who moved it there, their stories are that giants placed this and that giants used to live in this land and that they created these stones. | ||
| And I have gone around, when I was a little bit younger, I would go through the rainforest and like wandering up these hillsides and you'd find these huge stones laying there with all of these images carved into them. | ||
| And of course, you know, there's no funding that's out there. | ||
| There's not even a police department out there. | ||
| So no research is being done out there. | ||
| But it's a fascinating place as old as time itself. | ||
| And all of these people are from like a chapter before contact period. | ||
| Whoa. | ||
| Yeah, it's fascinating, man. | ||
| It's a very ancient, mysterious, mystical place. | ||
| It's one of those places that kind of gives me the feeling that Peru gives me when I'm out there, that I'm in a very, very, very old place. | ||
| And of course, the Appalachian Mountains are the oldest mountain range in the world. | ||
| Is there any theory as to the age of that? | ||
| Well, I think when you go there, they attribute it to a culture that lived in the area between 100 AD and 1000 AD. | ||
| But, you know, that's just totally guesswork. | ||
| Wow. | ||
| Judicula and the Cherokee Indians. | ||
|
unidentified
|
Yeah. | |
| Now, you know, the hard part about studying some stuff with Native Americans in the U.S. is that there's a lot of, like, you know... | ||
| When I go visit the—I forget what exactly it's called—but there's a Native American village that still exists in this area of the country, and it's operated, and it's kind of a tour place where they take people through what the cities would have looked like or what the towns would have looked like in the middle of the rainforest. | ||
| But the hard part is when I talk to the representatives there, which are Native American, you know, Cherokee people, they'll tell me, oh yeah, you know, the ancient people that were here, they used to be six foot five. | ||
| They were very tall people or whatever. | ||
| And there's no evidence behind that at all. | ||
| And so it's hard to like, okay, we have Cherokee bodies. | ||
| So are these oral memories that are being passed down through time that come down to the Cherokee? | ||
| And, you know, as like a... | ||
| They want to build it up. | ||
| Or are they really holding on to something that's true? | ||
| Because, man, I would love to talk to Graham about this. | ||
| Okay. | ||
| So, you know, one of the biggest things that refutes, I know it sounds like I'm bouncing all over the place, but one of the biggest things that they tried to use to refute the Sphinx's age, you know, about the Sphinx that could date back to the time of Leo 10,500 years ago or 10,500 BC, 10,500 BC, is they say, well, there's no evidence that you could carry down the knowledge of constellations that far. | ||
| You've heard this before, right? | ||
| Like, how do we know that people in 10,500 BC even recognize the constellation of Leo? | ||
| And how is that knowledge carried down? | ||
| Dude, there is evidence of this. | ||
| Okay, the squared spiral. | ||
| Have you seen this motif anywhere? | ||
| We can look it up. | ||
| Greek meander pattern. | ||
| But you'll also see it in the American Southwest. | ||
| You'll see it out in the Mississippian cultures. | ||
| You'll see it in Mexico. | ||
| You'll see it in South America, Peru. | ||
| You'll see it in Greece. | ||
| You'll see it in Egypt, Rome. | ||
| Yeah, this pattern. | ||
| So, you know, a lot of times they say that this is like, well, when people use the term swastika, the swastika is just two meandering patterns or squared spirals that are laid on top of each other. | ||
| That's what it is. | ||
| Yeah, so it's a squared spiral. | ||
| But when you take two of those and lay them on top of each other, it becomes a swastika. | ||
| And you and I recognize where these meanders connect because of a certain recent culture that perverted this symbol and turned it into something evil. | ||
| But this is an ancient symbol, and it's found all over the world. | ||
| And it even dates back to Ukraine. | ||
| You may be able to find this. | ||
| There's an ivory bone handle in Ukraine from like 11,000 years ago that has this squared spiral that's on it. | ||
| So this is 11,000 years old, found on every continent on the planet. | ||
| Oh yeah, so it's even found in pottery. | ||
| You can see it in pottery in ancient China, ancient Japan. | ||
| It's in Cambodia. | ||
| it's all across the ancient world and I was asking uh uh Could you look up the Temple of Mitla in Mexico? | ||
| It's a Temple of Mitla. | ||
| And if we look there, you'll see it all up and down. | ||
| Now, the Temple of Mitla is a shamanic temple. | ||
| They think it was like a mecca site that people would go to. | ||
| It was built to last for all of eternity. | ||
| And of all the megaliths in all of Mesoamerica, or ancient Mexico and Central America, this site uses the largest stones. | ||
| So each one of these lentils that you see, this is like one solid piece of volcanic stone. | ||
| Very, very hard stones. | ||
| Okay, so you can see the squared spiral, right? | ||
| Can you see the step pattern that leads up to them? | ||
| And you can probably find another photo where you see the step pattern leading up to the spiral. | ||
| So it's like you're walking up steps into a spiral, and it's this loop that continues on forever. | ||
| I have a ton of these photos on my phone. | ||
| They're found all over Peru. | ||
| There we go. | ||
| Now, this is not quite exactly it. | ||
| You can go look at the Big Dipper and the Big Dipper changes over the course of the year. | ||
| So if you look at it as though it's not a Big Dipper and you look at it as though it's a staircase to a spiral, that's exactly right. | ||
| And the Big Dipper is spinning in the night sky throughout the year. | ||
| So this ancient symbol is them documenting a constellation. | ||
| For over 11,000 years human beings have been documenting a constellation. | ||
| So if you're looking for the proof as to whether or not people 11,000 years ago were recognizing a lion in the night sky, boom, there you go. | ||
| This is 11,000 years old. | ||
| Yeah, okay, so look in here. | ||
| So it's a step up to a spiral, a step up to a spiral. | ||
| And, dude, it's the Big Dipper. | ||
| Just look at the Big Dipper in the future as though it's this constellation, and it's the same thing. | ||
| Is this a theory that it's a Big Dipper? | ||
| Is this being corroborated? | ||
| This is my theory. | ||
| Your theory. | ||
| This is my theory and like something I've been studying for a long time. | ||
| But there are other archaeologists who – they're – But these then people, if I were to go to them and be like, okay, well, you know, this ivory bone handle in Ukraine goes back 11,000 years, so it's proof they'd be like, okay, stop. | ||
| You know what I mean? | ||
| So this is my theory that I have been studying for a long time, and everywhere I go in the Americas, I find that spiral pattern everywhere, and I always ask people, what does this mean? | ||
| When I'm in the Mediterranean, I'll ask people, what does this mean? | ||
| I'm going to go to Greece at the end of the year, and I'm going to ask, because it's all over Greek temples, you know, and all I ever get from Greek archaeologists is that it's a river. | ||
| Bullshit. | ||
| It's not a river. | ||
| And then in Latin America, I get a bit better of an explanation, and maybe this is really it. | ||
| They think that it's like the step. | ||
| The steps through life and the rejuvenation of life, right? | ||
| So it's like the Big Dipper has some kind of esoteric meaning with it. | ||
| But I have been thinking about this, and I think that the reason that throughout all these ancient cultures you see this meander pattern in so many different orientations is it's documenting the flipping of the Big Dipper through the night sky throughout the day. | ||
| And that's all, you know, I'm trying to explain something that's 11,000 years old. | ||
| What is the earliest evidence of the understanding of the procession of the equinoxes? | ||
| Oh god, I don't know. | ||
| I don't know. | ||
| That's getting, like, beyond my level of knowledge with archaeoastronomy. | ||
| Because Graham's theorized that the Egyptians were aware of it. | ||
| I mean, I don't doubt that they were aware of it. | ||
| Yeah, Buval, I think, believed that. | ||
| Or I know for sure John Anthony West believed that. | ||
| Yeah, I don't know, man. | ||
| I mean, the procession of the equinox is it takes at least, what, 12 to 24 – it's either 12 or it's 24,000 years to be able to – If we wanted to investigate an ancient culture that's possible of being able to document this, it'd be worth looking into if the Maya were aware. | ||
| Let's explain to people what it means. | ||
| So what it means is that the Earth, as it spins, it doesn't spin perfectly. | ||
| Like there's a pin in the top and the pin in the bottom, and it spins like a globe. | ||
| It spins in a wobble, and that wobbles a 24,000-year cycle. | ||
| The earliest understanding of the procession of the equinox is typically credited to Greek astronomers. | ||
| How do you say his name? | ||
| Hipparchus? | ||
| Yeah, Hipparchus. | ||
| Hipparchus in the 2nd century BCE, around 130 BCE. | ||
| I bet you he did it in Alexandria too. | ||
| Hipparchus noticed the position of the equinoxes, the points where the celestial equator intersects with the elliptic. | ||
| We're shifting westward over time relative to the fixed stars. | ||
| He calculated this slow movement known as precession by comparing his own observations of star positions with earlier Babylonian and Greek records, particularly those of Tamarcus and Aristilus. | ||
| From the 3rd century BCE, Hipparchus estimated the rate of precession to be about 1 degree every 100 years, which is remarkably close to the modern value. | ||
| Approximately one degree every 71.6 years. | ||
| There's no definitive evidence of earlier cultures fully understanding the procession as a systematic astronomical phenomenon, but some scholars speculate the ancient civilizations like the Babylonians, Egyptians, or Indians might have noticed relating patterns in star positions over long periods. | ||
| Yeah, well, and then check this out. | ||
| Hipparchus' discovery detailed in his lost work, but referenced by Ptolemy, the pharaoh over Alexandria in the Almagest, 2nd century CE. | ||
| So this is happening in the city of Alexandria. | ||
| All this is being studied in Alexandria's library. | ||
| Marks the earliest confirmed understanding of procession in scientific sense. | ||
| Dude, that was lost in the burning of Alexandria's library. | ||
| Yeah, how crazy is that? | ||
| It's all crazy. | ||
| It's so fascinating because it's... | ||
| Yeah. | ||
| Why would you just say, oh, it's just stars? | ||
| Of course you would. | ||
| It's so silly. | ||
| Of course. | ||
| They're so majestic. | ||
| You would have to be transfixed. | ||
| You know something interesting that I was just reminded of is this meandering pattern. | ||
| It continues in... | ||
| You see it on the monument of Augustus, which dates to about 9 BC, but that's for his death. | ||
| But Augustus would have seen Alexandria. | ||
| He would have been familiar with these motifs. | ||
| I believe after that in Rome we don't see this motif anymore of the squared spiral. | ||
| In Mesoamerica, in Mexico and Central America, this squared spiral motif stops with the burning of the Maya codices from Diego de Landa in like 1574. | ||
| He gathered all of the writing in the Maya world together in the city of what is modern day Merida. | ||
| And it was called multiple pyres. | ||
| So imagine, let's say a pyre is at least from the floor to the ceiling stacked with codexes. | ||
| Like have you ever seen the sticky notes that are connected on each side? | ||
| That's how the Maya books looked. | ||
| And he burned all that history. | ||
| Today we only have three or four that exist. | ||
| And one of them is like controversial as to whether or not it's a forgery. | ||
| So he destroyed all of the written history of the Mesoamerican world in like one fell swoop. | ||
| And to give you an idea of just how much it was, When the Spaniards arrived in the Aztec world, so the Aztec were standing on the shoulders of giants, being the Maya and all the other cultures. | ||
| The Aztecs were producing 250,000 pieces of paper a year. | ||
| It's something like that. | ||
| It's an incredible amount of written knowledge, and all of that knowledge is burned and gone. | ||
| And so, you know, just again, when archaeologists – It's so silly because we're disconnected from the ancient world by a considerable margin. | ||
| I mean, none of us really understand what's going on. | ||
| I was having a conversation with Dr. Barnhart, we were at the And we're looking up at it, and he's like, you know, I've always wondered, like, where's the love in their religion? | ||
| Like, you know, where are all the doves that you see like in Christian churches and stuff? | ||
| And he was like, but you know, in reality, if we could speak to them, we would probably be so embarrassed and shocked at how wrong our ideas are about who these people were. | ||
| Because, you know, he just presents, like, the evidence that's available, gives his idea of what he thinks the evidence means, while also saying, you know, this is just my idea from this. | ||
| We could be completely wrong, and we probably are completely wrong. | ||
| You know, think about, like, if you died and... | ||
| What would they think of you? | ||
| It probably wouldn't be a very good representation of you. | ||
| It depends on who's writing the story, right? | ||
| If CNN wrote it, it'd be terrible. | ||
| It'd be pretty bad. | ||
| It's really dependent upon who, again, is the gatekeeper of information. | ||
|
unidentified
|
Yeah. | |
| If you had a time machine and you could go and observe undiscovered any point in history, like you could put you in some time bubble where you could just like be in this invisible – Oh, God. | ||
| I'm not going to say Egypt. | ||
| I feel like Egypt is such a, like, everyone says Egypt. | ||
| I would say Egypt. | ||
| I know, I know. | ||
| If Egypt wasn't an option, If I gave you a legit choice, if it was a real thing, if there was real technology, if they had developed some sort of a time warp technology that allowed you to, in this controlled sphere, exist for a particular amount of time, like you have three days in this area, you bring food and water, and you just... | ||
| No one can scout me. | ||
| No one can see you. | ||
| You exist in a time warp inside there. | ||
| You could observe all of it. | ||
| It's got to be Egypt. | ||
| Well, yeah, yeah. | ||
| You'd have to figure out what time. | ||
| Because if you got there and they had already built it, you're like, shit! | ||
| God damn it. | ||
| Yeah, like maybe you say, let me go 10,000 BC. | ||
| And you go there and it's already there. | ||
| You're like, fuck! | ||
| Fuck! | ||
| You go back 20,000 BC. | ||
| Yeah, you can only do it once. | ||
| Like, fuck! | ||
| But if you go back 30,000 BC, maybe there's nothing. | ||
| Um, man. | ||
| Egypt is a creme de la creme, man. | ||
| It's the most monumental, beautiful, like, you know, when you try to imagine what it would have looked like. | ||
| If you've seen visual recreations of the Giza Plateau, the Valley Temple must have been absolutely stunning. | ||
| Okay, so one day when you go to Egypt, hopefully you go this year, when you go to the Valley Temple, that's the… I think it's more stunning what it must have looked like than even the pyramids themselves. | ||
| The blocks are absolutely gigantic. | ||
| Like, one block is bigger than this whole wall. | ||
| Brought from 500 miles south in Aswan. | ||
| These are the ones with the cyclopean strangely angled stones like you see in Peru. | ||
| And when you walk in, most people ignore it. | ||
| But that floor is a calcite white crystal floor. | ||
| And so imagine when it was polished and when it was finished off, it must have been gleaming. | ||
| And at some point in time, there were these diorite kofra statues. | ||
| Maybe you've seen them before. | ||
| They're like impossibly well made out of the hardest stone in Egypt. | ||
| The heart of stone in Egypt. | ||
| And it's this black diorite gleaming polished statues. | ||
| And the lentils that go above would have allowed when the sun reaches its zenith in the sky in the middle of the day, it would have shot through these holes in the ceiling. | ||
| And so it would have illuminated the white floor and you would have had the solid black statues that are shining in the sun's light. | ||
| And so you're walking in and it's like glowing inside of the temple. | ||
| And when you walk outside the front door of the temple, There's a dock, and you can see the dock slopes into the ground, so the water isn't there anymore. | ||
| The Nile is much further to the east now. | ||
| But the Nile came straight up to the front step of the Valley Temple. | ||
| So imagine you're going – you have someone pushing your little boat along on a pike in Egypt, and you're taking in – Imagine the sound of the water as you're coming up to the temple. | ||
| It's this huge temple. | ||
| It's the largest building on the planet at the time, probably, other than the pyramids themselves. | ||
| Then you step into it and it is the most sacred, most impressive thing that exists on the earth at that time. | ||
| No matter if it was made in 2500 BC or if it was made in 10,000 BC, it's the most impressive building that exists in the world at that time. | ||
| And what exactly was going on in these buildings, I don't know. | ||
| This is kind of another hot take of mine is, man, I don't believe that. | ||
| I mean, it's extensive. | ||
| Amount of work all across the entire world. | ||
| You know, the Maya are building temples for these gods, these beings that they're meeting. | ||
| The Temple of Luxor that you'll go to see, you know, the story goes that Amenhotep built this last chamber, which is made out of these huge... | ||
| To meet the god Amun-Ra. | ||
| And I'm standing there inside the chamber looking around. | ||
| He's the only person supposedly that's allowed in. | ||
| That's a story that we know. | ||
| How true that is, I don't know. | ||
| And I'm just thinking, man, either is it more likely that all this is made up or is it more likely that they went to the extent to do all this because it was all real? | ||
| and they're really interacting with these beings. | ||
| And the most realistic way I can think of is by... | ||
| And that adds to the allure of, like, when I'm standing in the Valley Temple, I'm like, what the hell is actually going on in here at this time? | ||
| So after going through all that, I have to say Egypt. | ||
| You have to! | ||
| As cliche as it might be. | ||
| My second one would be like, if I could be like, okay, take me to the height of Amazonian culture. | ||
| Just let me see just how amazing it is because, you Now, where Paul lives, it's all clay on the ground. | ||
| But when you get halfway through the Amazon, you start reaching like granite and limestone bedrock. | ||
| And that's on the eastern side. | ||
| So you're in like Guyana, French Guyana, Brazil. | ||
| And it's treacherous places to go through in the middle of the Amazon. | ||
| But I think that that's where cities in the Amazon are going to be found one day. | ||
| And it was towards the end of Oriana's expedition. | ||
| So that's about where he would have been. | ||
| And man, I bet you there's stuff out there that would just amaze us. | ||
| I think the Amazon is the origin, just me personally, I think the Amazon is the origin of American, you know, pre-Columbian American, the height of their civilization. | ||
| I think it's the origin of their religion and shamanic practices. | ||
| I think it's spread out all the way up to Mexico. | ||
| But I think before that, they had this were-jaguar religion where people are taking hallucinogens and psychedelics. | ||
| And so I think that all the evidence points towards that. | ||
| The origin of civilization in the Americas begins in the Amazon and spreads out from there. | ||
| And I would love if a time machine could pull back that canopy and show me what the actual height of that was like. | ||
| It's just so interesting. | ||
| It never stops being interesting. | ||
| And it's one of those things, it's a mystery that will never truly be totally solved because it's not possible to go back in time. | ||
| So we're always going to have this thing in our mind like, I wonder. | ||
| And it's such a fascinating inclination to sit and just wonder about the past. | ||
| And to look where we are now and how ridiculous life today is. | ||
| This was undeniable. | ||
| Humans are fools, particularly today. | ||
| And I think one of the reasons why we're fools is we're denied these experiences that these people probably had. | ||
| We've outlawed them. | ||
| Just like they did in ancient Greece. | ||
| just like they did, I'm sure, throughout history and all these different cultures. | ||
| You know, have you ever heard the... | ||
| Have you ever heard this before? | ||
| When I study, I only study native people in the Americas. | ||
| I've got my hands full with that. | ||
| I can't really start studying. | ||
| I'm fascinated by the people that live on Sentinel Island. | ||
| And akin to that are the people, the semi-contacted people of Papua New Guinea. | ||
| And when you listen to the songs that they sing, it reminds me so much of what I heard yesterday and what I've known. | ||
| But when Percy Fawcett says he hears the songs they sing, it reminds him like, oh, this is an advanced culture. | ||
| This is something that's being handed down through time. | ||
| It's beautiful. | ||
| It's timeless. | ||
| And when you hear the sound of the Papua New Guinea people singing and the way they harmonize with each other, these people are so connected to the earth that it's the earth singing to you through them. | ||
| Does that make sense? | ||
| Can we hear that? | ||
|
unidentified
|
Yeah. | |
| This may not be the one I'm talking about. | ||
|
unidentified
|
This may not be the one I'm talking about. | |
| It's beautiful though. | ||
| There's one of a man. | ||
| He's right next to the camera and he's singing and you have all these people around him and it's just like stunningly beautiful. | ||
|
unidentified
|
Here it is. | |
| Wow. | ||
| It's an extra love on it. | ||
|
unidentified
|
Yeah. | |
| I think it's just on loop. | ||
| Ten hours. | ||
| It's a ten-hour video. | ||
| But, you know, hearing that makes me, like, emotional hearing it. | ||
| Five grams and you listen to that. | ||
| It's beautiful, you know? | ||
|
unidentified
|
Oh, my God. | |
| It's gorgeous. | ||
| And you look in his eyes and it's like he has very innocent eyes. | ||
| You know, it is the... | ||
| And what's really fascinated by human cultures is the most satisfied, least anxious people are subsistence livers. | ||
| People that live off the land. | ||
| It's so true. | ||
| Have you ever seen the Vice piece about this guy named Heinmo, Heinmo's Arctic Adventure? | ||
| No. | ||
| There's a great bit. | ||
| A great video piece from Vice from back in the day, Vice Guide to Travel, where this journalist goes and lives with this guy who lives in the Arctic. | ||
| and he's one of the last people that's allowed to live off the land. | ||
| And he's a very intelligent guy who... | ||
| And he's essentially just hunting caribou and fishing. | ||
| And he lives, like, in peace and harmony. | ||
| And he never wants to live in a city. | ||
| Like, this is a natural way for us. | ||
| Does he have a little daughter with him or a little girl? | ||
| And he, like, cuts up the fish and he hands it to her and they give each other, like, an Eskimo kiss? | ||
| Have you seen? | ||
| I don't believe it's that. | ||
| His daughter's full grown at the time. | ||
| But I'm sure there's many people living like this. | ||
| If you look at modern society, we're so anxious and weird and depressed and all these things wrong with us. | ||
| I think a lot of that is because, A, we're disconnected from nature. | ||
| Especially if you're living in a city. | ||
| I mean, there's no more insulation from nature than a skyscraper. | ||
| I mean, you're completely removed from it. | ||
| You've covered the ground in concrete. | ||
| You're not interacting with nature at all. | ||
| Like, that's why everybody goes to Central Park. | ||
| They're like a little piece. | ||
| So give me a little bit of nature, right? | ||
| So you're disconnected from nature, which I think is a vitamin. | ||
| I genuinely believe. | ||
| It's just like the sun gives you vitamin D. I think nature gives you some unmeasured vitamin that we just haven't figured out yet. | ||
| And then we're removed from these ancient experiences that connected people to the spiritual world. | ||
| Yeah, yeah. | ||
| Yeah, it's so true. | ||
| I've been having these conversations with my wife recently. | ||
| You know, like all of our friends are sort of, you know, we're all kind of newlyweds. | ||
| Like my wife and I are about to approach our two year. | ||
| And our relationship is interesting because it kind of mimics like ancient people. | ||
| And they'd be rewarded by the gratification of the women that are there. | ||
| and then they would play their part in helping to feed everybody. | ||
| And you have this like a... | ||
| The man's helping take care of her. | ||
| You have this. | ||
| And then the men also get their time away to be manly and be masculine and brave. | ||
| Now, we exist in this world where before I was able to quit my job and pursue this full-time, I was doing marketing just to make ends meet. | ||
| And I'm existing in this digital world that doesn't even exist. | ||
| I produce ads for companies that don't even have a physical brick-and-mortar store. | ||
| It's all completely made up. | ||
| And I come home, I would come home every single day and I had no like, My wife is in the middle of dental school. | ||
| And so we're both going off and coming back and doing the same thing every day. | ||
| And it's like this unnatural cycle. | ||
| and you wonder why people are so unhappy. | ||
| And now that I've been traveling, You know, I go off. | ||
| You know, I go off. | ||
| I travel. | ||
| I'm able to, you know, help provide for us. | ||
| I'm gone. | ||
| I come back and our relationship is strong and it's intimate and romantic. | ||
| And she like, you know, admires that kind of aspect about me. | ||
| And I'm like, oh, this is kind of how this is a healthy, this is actually a healthy thing for our relationship. | ||
| And it's just reminding me more and more of how this modern world is so dystopian and so sick and poisonous to our minds. | ||
| We're operating in a made-up realm. | ||
| It's just so much of what we do is completely made up and unnatural. | ||
| We should be living by a fresh body of water, and you and I should be running off into the forest and killing something with our hands or with a bow and dragging it back, and all the women are, yay! | ||
| That's what life should be like. | ||
| But it's unfortunately science fiction. | ||
| I think you can live in this world and Yeah, for sure. | ||
| That's what I do. | ||
| For sure. | ||
| Yeah, I've seen that. | ||
| I mean, you go off on your hunting expeditions. | ||
| Those are like, to me, spiritual journeys. | ||
| It is. | ||
| It sounds ridiculous. | ||
| Totally. | ||
| But when I'm in the woods, like the real woods, when you're in the mountains in particular, because it's so unforgiving, it's so majestic, every part of me just goes, like, wow. | ||
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Here we are. | |
| Where are you at when you do that? | ||
| Well, I really love Utah. | ||
| I really love the Wasatch Mountains. | ||
| I love that area. | ||
| I'm scared of the Northwest. | ||
| My wife wants to take me to Montana and go hiking. | ||
| I'm like, I'm not going hiking out in the Northwest. | ||
| I don't belong out there. | ||
| There's grizzly bears. | ||
| I mean, those things, there's nothing you can do, man. | ||
| Nothing you can do. | ||
| I'm okay on the East Coast when it's just black bears. | ||
| They're like rabbits. | ||
| Dude, a grizzly bear? | ||
| Yeah. | ||
| Have you seen the video of the guy who's up on top of this granite facing? | ||
| And he goes, he's like filming and he goes, there's a young grizzly bear down at the river below me. | ||
| And he's up on this granite face. | ||
| And he was like, I'm going to scare him off. | ||
| And he goes, hey bear, hey bear. | ||
| And the bear goes and charges directly to him and knocks down all the little trees. | ||
| And it comes up to the granite face and it can't reach him. | ||
| But I'm like, dude, I would never want to go up there. | ||
| Your food. | ||
| You're food, man. | ||
| Yeah, you're a part of the chain and not the good part. | ||
| No. | ||
| You're not the hunter with the deer. | ||
| No. | ||
| There's an 800-pound super predator that can run 40 miles an hour, and he's headed right towards you. | ||
| Yeah, and if you're a good shot with a high-powered gun, you might be able to kill it, but you'll be mauled to death. | ||
| By the time it wanders off into the forest and dies. | ||
| Yeah, you might be able to kill it. | ||
| You need a large caliber rifle and shoot it in the head. | ||
| And a pistol, that's the other thing. | ||
| If you have a 9mm pistol and you shoot a grizzly bear in the head, it's very likely it's going to bounce off of a skull, which is so scary. | ||
| Oh, it's terrifying. | ||
| Could you imagine people trying to navigate or migrate into the Americas and they have to deal with the short-faced bear and polar bears? | ||
| Right. | ||
| The short-faced bear, which makes a grizzly bear look like a poodle. | ||
| It's utterly insane, man. | ||
| People lived in a gnarly place in the U.S. We had American lions that are twice. | ||
| Bigger than the African lions. | ||
| Yeah, exactly. | ||
| We had elephants. | ||
| We had woolly mammoths. | ||
| We had camels here. | ||
| We had gigantic horses. | ||
| We had huge dire wolves. | ||
| Giant sloths. | ||
| Oh, there's giant sloth caves in Nantahala. | ||
| And you can see them, and they're carved out. | ||
| And it's cool. | ||
| Because there's multiple layers of history there. | ||
| So you have this megafauna Ice Age history of these huge giant sloth caves carved out in these prehistoric mountainsides. | ||
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Wow. | |
| But the Cherokee used those caves to hide in to escape the Trail of Tears. | ||
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Wow. | |
| Yeah, that's fascinating stuff up there, man. | ||
| So you have like levels of history just in that one area of the country. | ||
| If you go out there, you'll feel like you're in a primordial place that's, you know, kind of spiritual. | ||
| I'll check it out. | ||
| Yeah, you definitely have to. | ||
| Listen, thank you so much for being here. | ||
| I really, really enjoyed this conversation. | ||
| And I think we could do a bunch more. | ||
| So let's do it again sometime. | ||
| I feel like I could have talked to you for 10 more hours. | ||
| I feel like we could too. | ||
| Yeah. | ||
| So tell everybody if they want to get into more of your work. | ||
| Where should they go? | ||
| Yeah. | ||
| So everything I do is just under my name, Luke Caverns. | ||
| You know, Caverns was just a name that like my wife and I came up with to use like a nomer because of privacy. | ||
| But my real last name is Reagan. | ||
| And, you know, like I shared, I have this family history. | ||
| Loosely connected to the presidential family. | ||
| That's like a different branch of our family from Tennessee. | ||
| And so I kind of want to do it for privacy, but that's impossible. | ||
| So I've just run with it. | ||
| But yeah, loot caverns, you can find everything I do under that. | ||
| And for a long time, I thought maybe I'd specialize in one area, but man, I'm interested in... | ||
| I'm glad you're out there, man. | ||
| I really appreciate it. | ||
| Thank you for being here. | ||
| It was really fun. | ||
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Thank you. |
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