Jan. 27, 2019 - The Joe Rogan Experience
03:19:24
Participants
| 
| Speaker | Time | Text |
|---|---|---|
| All the results. | ||
| 5, 4, 3, 2, 1. Boom! | ||
| And we're live, ladies and gentlemen. | ||
| It's a fight companion. | ||
| It's me, Brian Callens, on the way, but it's his birthday. | ||
| And he's old as fuck, and sometimes you get old, you lose your keys, and you don't know what time it is and shit. | ||
| Eddie motherfucking Bravo! | ||
| Yo, yo, yo! | ||
| And Brendan Chobb is up in this bitch. | ||
| What up? | ||
| And we're watching Bellator. | ||
| I hope nobody at the UFC gets mad. | ||
| But it's a big fight. | ||
| This is an important one. | ||
| We are... | ||
| Right now, this is... | ||
| The heavyweight finals is going to be Fedor versus Ryan Boehner. | ||
| I'm excited for that. | ||
| I am excited about that. | ||
| I'm very excited. | ||
| I like Ryan Boehner at heavyweight. | ||
| He looks fucking fantastic. | ||
| Love him. | ||
| He's bigger than me right now. | ||
| Dude, how many of these guys just should have done that a long time ago and just stopped cutting weight? | ||
| Went to heavyweight? | ||
| Just crucifying their body. | ||
| Chris Weidman, I think, is kind of one of the main ones. | ||
| You think so? | ||
| I think he's going to excel at light heavyweight. | ||
| He's got a disc replaced in his neck. | ||
| Yeah, he's fucked up, but I'll figure it out. | ||
| The worst nightmare, though, for a fighter in wrestling or MMA is just being overpowered by somebody. | ||
| That's why they're killing themselves. | ||
| They would rather go in there depleted than get thrown around. | ||
| It's so old school. | ||
| It's such an old school way of thinking, I feel like. | ||
| It makes sense, though, a little bit. | ||
| To be that bully? | ||
| In wrestling, it's still fun. | ||
| I know, but look at T.J. Dillashaw. | ||
| Look at TJ Dillashaw. | ||
| Oh yeah, but that's hard to say. | ||
| Let's talk about that fight. | ||
| Because I watched that fight several times. | ||
| I'm of the opinion that was a quick stoppage. | ||
| Early stoppage for sure. | ||
| Early stoppage. | ||
| Here's my other point with that. | ||
| When they're 125 pounds, you can let it go on a little longer than if they were heavyweights. | ||
| I'd hear more on the side of let it go longer because they're 125 pounds. | ||
| They could be 1,000 pounds each and that fight got stopped quick. | ||
| Let them fucking fight. | ||
| Let them fucking fight. | ||
| Especially when you're talking about a legacy fight. | ||
|
unidentified
|
Dudes were pissed. | |
| Dudes were expending 69 bucks. | ||
| How about TJ? Exactly. | ||
| Dude, that's a legacy fight. | ||
| Right, that guy drained his body to get down to 125 pounds. | ||
| Hey, don't get me wrong though, Henry Cejudo is a beast. | ||
| Bad motherfucker. | ||
|
unidentified
|
He's a beast. | |
| He probably would have beat him anyways. | ||
|
unidentified
|
Maybe. | |
| But for people that are paying for the event, we want to see some highlight shit. | ||
| We want to see a definite knockout. | ||
| We don't want to, you know... | ||
| I thought the ref, whoever he was, he was just... | ||
| In the beginning, you could tell he wanted to stop it. | ||
| There's guys that they just want to get in there and save their lives. | ||
| He's a really good ref, though. | ||
| You're not going to save anybody's life. | ||
| He made a mistake. | ||
| Look, it's fucking hard to do. | ||
| It's a hard job. | ||
| I am so glad I'm not a referee. | ||
| Because when they make a mistake, they can't say, Oh, I fucked up. | ||
| Let's do it again. | ||
| You remember they used to be able to? | ||
| Do you remember when Big John McCarthy stopped the fight between Murillo Bustamante and Matt... | ||
| Fuck. | ||
| Matt Lindland. | ||
| Matt Lindland. | ||
| Matt Lindland tapped and said he didn't tap. | ||
| And Big John McCarthy let the fight continue. | ||
| And he tapped him again. | ||
| Bustamante got him in an arm bar. | ||
| Check out this arm bar. | ||
| Oh, look at that right away. | ||
| Damn, we missed an arm bar. | ||
| That was some serious jiu-jitsu right there, dude. | ||
| Well, we'll see it in the highlights. | ||
| Jesus Christ. | ||
| Unfortunately, we have to talk. | ||
| We'll just warm it up. | ||
| Yeah. | ||
| Let's get real. | ||
| That was nice. | ||
| Hey, Bellator's got some fucking high-level fights now, man. | ||
| They are on the way up. | ||
| They're as close to the UFC as you can get right now. | ||
| They have the biggest prospect in the sport in Pico. | ||
| Yeah. | ||
|
unidentified
|
By far. | |
| Not even close. | ||
| Taking it back a little bit, what about Conan Silveira versus Sokka fucking Raba? | ||
| Remember that shit? | ||
| Oh yeah, man! | ||
| Same thing! | ||
| They redid the fight! | ||
| Yeah! | ||
| The whole fight got redid. | ||
| That's old school. | ||
| It got stopped early. | ||
| That was Big John too. | ||
| And then they decided, you know what, let him fight again. | ||
| Big John, he got hit. | ||
| Later that night. | ||
| Conan hit Sakuraba. | ||
| Sakuraba dropped and went down for a single. | ||
| And they stopped the fight. | ||
| And he's like, what the fuck are you doing? | ||
| But that was in Japan. | ||
| They pulled him aside. | ||
| In Japan, it's like, no. | ||
| Wild West, bro. | ||
| They were like, no. | ||
| I don't know why they don't let Big John score the rounds. | ||
| That's tight. | ||
| I don't know why they don't let him chime in unofficially with a scorecard and tell everyone how it's going. | ||
| Probably doesn't. | ||
| He probably doesn't want to do it. | ||
| The problem with that is... | ||
| When I did it, the problem was, when they announced the unofficial scorecard, and if I was right, and the general consensus was on my side, and they flash it, if the other fighter wins, dude, those judges get trashed. | ||
|
unidentified
|
They should get trashed. | |
| They should get trashed. | ||
| They have to be held responsible. | ||
| No, this is what it was, though. | ||
| In the beginning, the UFC was bending over backwards for the commission, because they had to. | ||
| Well, they still are. | ||
| They had to, but they had to. | ||
| But boxing doesn't have to do that. | ||
| Boxing doesn't have to bend over backwards for the commission. | ||
| Boxing was around before the commission. | ||
| So boxing doesn't have to kiss ass to the commission. | ||
| The UFC had to because they were a new sport and the commission could have easily just shut it down. | ||
| So it was a different dynamic. | ||
| That makes sense. | ||
| The difference is you were doing it as an independent, meaning you weren't doing commentary. | ||
| So we were doing commentary and you were coming in in between rounds. | ||
| It was very educational. | ||
| If Big John was doing it, the problem would be that he's actually doing commentary while he's doing it. | ||
| That's very hard to do. | ||
| I'm not a fan of doing that. | ||
| Because when I'm doing commentary, I'm telling you what's happening, but really what I'm trying to do is be entertaining. | ||
| I'm trying to give some life to it. | ||
| I'm trying to put some emotion to it. | ||
| But I'm not... | ||
| Really scoring. | ||
| No, I'm not saying that, but I'm not saying have, like, say you score it and then also do the fight. | ||
| I'm saying maybe have him outside of it, because they have 17 commentators. | ||
| Well, Big John is their big guy, though, now. | ||
| It's Goldie and Big John. | ||
| Well, you got Frank Mary, you got Chael Sonnen, you got Goldie. | ||
| But while the fights are happening, the voice you're hearing on television is Big John. | ||
| There's no way he can do that, in my opinion. | ||
| I don't feel like... | ||
| That would be a big cut in his paycheck. | ||
| Jimmy Smith used to do that. | ||
| I'm not saying he can't. | ||
| Jimmy Smith used to do it. | ||
| Jimmy Smith used to do scoring in between rounds. | ||
| And it was good. | ||
| It was good. | ||
| Jimmy's very good at it. | ||
| What's he gonna do now? | ||
| I don't know, man. | ||
| I'm not happy. | ||
| I'm not happy that the UFC got rid of him. | ||
| I think he's really good. | ||
| I get it. | ||
| I understand it. | ||
| They have a lot of other people. | ||
| Did he leave Bellator on bad terms or good terms? | ||
| I do not know. | ||
| I think they were cutting the money. | ||
| It was a financial thing. | ||
| I don't think he left on... | ||
| He's still on good terms, but they offered him less money because they have these other dudes. | ||
| So he's like, oh, the UFC's obviously their dream job, but they signed a one-year contract. | ||
| Did you ask anybody why they let him go? | ||
| They want to use fighters. | ||
| It wasn't a fit. | ||
| But he did fight. | ||
| They want UFC fighters. | ||
| They want UFC fighters. | ||
| You know what? | ||
| That's how the NFL is. | ||
| The color commentator is always a former NFL player. | ||
| Tony Romo? | ||
| Tony Romo as a commentator? | ||
| He crushed it. | ||
| I heard he crushed it. | ||
| Oh, the best. | ||
| He calls exactly what's going to happen before it even happens. | ||
| He goes, Alright, people kind of dislike it. | ||
| I love it. | ||
| He goes, this is going to be a run to the right. | ||
| Get ready. | ||
| And then, sure enough, that's what they do. | ||
| He reads it before it all happens. | ||
| Then they even check. | ||
| He goes, alright, he's going to throw a slant in the top left. | ||
| Hire that fucking dude. | ||
| Hire the fucking Mama Cleto of NFL. They were all talking about him at the store last night. | ||
| They were talking about how insane his commentary is. | ||
| I love him. | ||
| Jason Tebow was saying he's the best commentator in all sports. | ||
| What game did he commentate? | ||
| He did the Brady game. | ||
| The Patriots Chiefs. | ||
| Dude, that game. | ||
| I know it's about MMA, but fuck, dude. | ||
| Hey, Eddie, talk us through this, by the way. | ||
| Here. | ||
| He's going for the Kimura. | ||
| Yeah, fuck your football, Eddie. | ||
| But while this is happening, while this is happening. | ||
|
unidentified
|
Fucking Brady, dude. | |
| Well, let's call this guy's name out, too, because we didn't give this guy's name away. | ||
| To counter the takedown, he goes for Kimura, and he rides that Kimura all the way to an arm bar, and then he kind of swims with the Kimura still intact, the arm pops, and boom. | ||
| Fucking beautiful, huh? | ||
| That's some tight-ass submission. | ||
| He looks strong, too. | ||
| That's just a super-powerful Kimura. | ||
| Yeah, amazing. | ||
| Amazing. | ||
| Powerful beard as well. | ||
| Kimuras aren't just for Kimuras. | ||
| Kimuras are for back takes and for straight armbar setups. | ||
| You know what I mean? | ||
| So, the traditional Kimura is probably the heart, you know, when you take the arm and you crank it behind his back. | ||
| That's probably the hardest of the three. | ||
| You know, it's probably easier just to use the Kimura grip to take the back or to turn it into a spiderweb armbar. | ||
| Adele Altamimi. | ||
| Adele Altamimi. | ||
| A.K.A. Chris Pratt's friend. | ||
| Chris Pratt's in there with him. | ||
| Is Chris Pratt a comedian? | ||
| No, Star Lord. | ||
| He's the guy who controls the Philosoraptors, bro. | ||
| The fucking guy from Jurassic Park. | ||
| Dude, I don't watch Jurassic Park. | ||
| Guardians of the Galaxy? | ||
| Guardians of the Galaxy? | ||
| Oh my god, I walked out of that as soon as that fucking little wood, little animal thing. | ||
| What do they call it? | ||
| The Vin Diesel voice. | ||
| Groot. | ||
| Oh my god. | ||
| How dare you? | ||
| There's Chris Pratt right there. | ||
| He's with the guy the whole way. | ||
| What is happening? | ||
| Now, this is a little overboard, Chris. | ||
| Why is Chris so intense, too? | ||
| Chris, I love you, buddy, but get the fuck out of the picture. | ||
| He's translating. | ||
| And that shirt is way too tight. | ||
| And that's coming from a guy like me. | ||
| That's way too tight. | ||
| No, that's how I like to wear mine. | ||
| No, you don't, sir. | ||
| No, you don't. | ||
| Fuck yeah, especially if I'm on TV. Dude, he has a mid-trip. | ||
| Not only am I doing that, I'm doing push-ups before I get up there. | ||
|
unidentified
|
Bro, how dare you? | |
| I'm going to do some fucking dips on some chairs. | ||
| That's a beautiful armbar, though. | ||
| Dude, let's hear Chris Pratt get on the mic. | ||
| Shout out to Ernest Galaxy. | ||
| No, we don't have to turn it up. | ||
| It's okay, because I don't want... | ||
| Oh, we should tell people what the time code is. | ||
| Do we have a time code up? | ||
| I had it up, yeah, but it was so quick it froze, and then I took it off, and then I took it off. | ||
| We'll let you guys know. | ||
| Maybe that's Bellator's idea. | ||
| Maybe they think, hey, how about we have celebrities walk out with these fighters? | ||
| They'll try anything, bro. | ||
| They'll try porn. | ||
| They'll try fighter porn. | ||
| Isn't Bellator kind of blowing up? | ||
| The men fighters, the female fighters bang each other. | ||
| They're doing well. | ||
| Is this pay-per-view? | ||
|
unidentified
|
No. | |
| No, no, no. | ||
| That was a disaster. | ||
| They've done pay-per-view. | ||
| It was a disaster. | ||
| Not the Hoist Gracie one. | ||
| They made money on that one. | ||
| I don't think that was pay-per-view, was it? | ||
| These do well. | ||
| The Paramounts do well. | ||
| They get good ratings. | ||
| Am I wrong? | ||
| I think the Hoist Gracie one was not pay-per-view. | ||
| The Hoist Gracie, Ken Shamrock. | ||
| That's not pay-per-view. | ||
| That wasn't pay-per-view? | ||
| In 1996 it was. | ||
| They can't do a pay-per-view in 2016. Come on, man. | ||
| You know you watch that shit. | ||
| Did you watch it? | ||
| I watched it all. | ||
| I was excited. | ||
| I was excited, but I watch them all. | ||
| I have a problem. | ||
| Chuck Liddell and Tito Ortiz did 25,000 buys. | ||
| No way. | ||
| Dude, that's so fucked up. | ||
| Dude, you could do 25,000 buys. | ||
| I could piss into this beer can and get 25,000 buys. | ||
| You could do a seminar on Flat Earth and you'd get 25,000 buys. | ||
|
unidentified
|
That's true. | |
| That's true. | ||
|
unidentified
|
There's a lot of dumb motherfuckers out there. | |
| I mean, it is fucking crazy that Dad only got $25,000. | ||
|
unidentified
|
Is it crazy? | |
| No. | ||
| The card was so poorly done. | ||
| So bad. | ||
| Thundercard was so fucking terrible. | ||
| The production was awful. | ||
| Their intros were ethically bad. | ||
| Yeah. | ||
| Ethically fucking bad. | ||
| It was kind of a shit show to watch. | ||
| I enjoyed it because it was such a shit show. | ||
| It was just a decent product. | ||
| It's not as fun. | ||
| It was the Oscar De La Hoya show. | ||
| It's so bad. | ||
| Dude, if I look like a thumb, does Jay Glazer look like a big toe? | ||
| Big Torah dickhead. | ||
| Dude, I almost shaved my head. | ||
| I almost shaved my head the other day. | ||
| You should do it. | ||
| Completely? | ||
| It's freedom, man. | ||
|
unidentified
|
You have great hair. | |
| Dude, I'm losing it. | ||
| It's freedom. | ||
|
unidentified
|
Whoa! | |
| I'm eventually going to have to shave. | ||
| No, Eddie, too soon? | ||
| Fuck yeah, you got good hair. | ||
| Don't join that club. | ||
|
unidentified
|
Yeah, bro. | |
| Don't listen to these guys. | ||
| I'm about to go. | ||
| Might have to grow a beard. | ||
| I'm one guy here. | ||
| Callan needs to fucking let it go. | ||
| Let's be real. | ||
| His hair is going, we'll see ya. | ||
| I almost showed up with a bald head. | ||
| Don't do that to me, dude. | ||
| You got good hair. | ||
| Calen's got the same issue. | ||
| Calen had hair transplant, too. | ||
| So he's got a scar back there as well. | ||
| It's getting so light. | ||
| He probably didn't tell the world. | ||
| No, he's talked about it before. | ||
| No, he has. | ||
| I know. | ||
| I would never say it if he did. | ||
| I'll tell you who has the best fucking hairpiece is Piven. | ||
| That shit, I had no idea. | ||
| Do you know he used to play George Costanza on Seinfeld? | ||
| Because he had the same fucking bird's nest thing. | ||
| Well, he had a bunch of surgeries, I think. | ||
| Oh, no, that thing is dead meat up there, bro. | ||
| That thing is fucking, that thing is sewn into a skull. | ||
| I had no idea. | ||
| How dare you? | ||
| This is live. | ||
| Oh, what? | ||
| People are listening? | ||
| I'm just saying. | ||
| He has fucking, no, I'm saying good for him. | ||
| Good fake hair. | ||
| Yes, there's no problem, you know, there's no issues. | ||
| I'll probably do the same shit. | ||
| Yeah. | ||
| Thank God it's not the 80s, though, because in the 80s, man, if you had long hair and you were losing your hair, it was basically a death sentence. | ||
| I had a singer in my band. | ||
| No one could have a shaved head back then. | ||
|
unidentified
|
What do people do? | |
| Rob Halford was the only guy. | ||
| We allowed him to shave his head because he could sing so great. | ||
| We just said, okay. | ||
| He's also dressing really weird, you know, with his fucking biker leather shit. | ||
| Well, he dressed like people in the gay community dress. | ||
| Came out with the leather and the motorcycles and all that shit. | ||
| And all the kids thought that was heavy metal. | ||
| So I wore all that shit. | ||
| And I always thought in the back of my head, I thought it was weird that gay people wear the same shit and dumb dudes do. | ||
| I thought that was weird. | ||
| It must be a coincidence. | ||
| Dude, we've talked about that on the podcast before, that Rob Halford conned a whole group of people into dressing gay. | ||
| How about Freddie Mercury was telling everybody he was super gay, he was not trying to hide it from anybody, but I thought, oh, he's just a rock star. | ||
| His style was dope. | ||
| The band's name was Queen, but no one thought he was gay. | ||
| Are you sure no one thought he was gay? | ||
| Probably some people, but the masses didn't. | ||
| I bet everybody knew. | ||
| Not the masses. | ||
| It took a while. | ||
| If you watch the movie, like the documentary, everyone was like, what? | ||
| But now we look back and we're like, are you fucking joking me? | ||
| He was telling everybody. | ||
| How about Elton John? | ||
| Well, forget all of them. | ||
| Liberace is the craziest one. | ||
| Exactly. | ||
| Liberace, they were like, Liberace, when are you going to find a nice woman and settle down? | ||
| I keep looking. | ||
| I can't. | ||
| Well, you know what? | ||
| I don't know. | ||
| I think Freddie Mercury was a little crazier than... | ||
| No, Liberace, bro? | ||
| The name of his band was Queen. | ||
| It's true. | ||
| But he's a rock star. | ||
| Liberace played a piano and came out in a fucking gold Royals Royce and had fucking pigeons coming out of his asshole. | ||
| And we're like, no, he's normal. | ||
| Yeah. | ||
| Did we talk about this before? | ||
| Why there's such a disproportionate amount of gay singers? | ||
| No, why? | ||
| Because who's... | ||
| Dude, who's running the music business? | ||
| A lot of gay dudes, and who's gonna... | ||
| Wait a minute, is that true? | ||
| I don't know anything about that. | ||
| It's true, it's no big deal. | ||
| Gay guys are running the music business? | ||
| Did you know that, Brendan? | ||
| No, I didn't know that. | ||
| You didn't know that? | ||
| No, I didn't. | ||
| Who's down to suck dick quicker than a gay singer? | ||
| Wait a minute. | ||
| So you think the reason why there's so many gay singers is that they're the ones who suck the dicks to make it to the top? | ||
| That's just the theory. | ||
| That's just the theory. | ||
| Hold on. | ||
| There's a disproportionate amount of gay singers. | ||
| Let me offer you an alternative explanation. | ||
| Think about that. | ||
| There's way more straight than gay. | ||
| Hold on. | ||
| Hold on. | ||
| Here's the alternative explanation. | ||
| Gay people feel maligned. | ||
| They feel like they're left out. | ||
| They are sad because of this. | ||
| They live hard lives. | ||
| They maintain all of this emotion inside of them. | ||
| And they want to express it some way. | ||
| So they figure out a way to sing and to entertain. | ||
| That's that shit right there, bro. | ||
| Now you look at that. | ||
| Behind the Candelabra is the best movie ever. | ||
| That's what I think. | ||
| I think they're bullied and they're depressed. | ||
| The people that are the most pushed out in society, those are the ones who become comedians. | ||
| Those are the ones who become singers. | ||
| Those are the ones that become actors even. | ||
| They write the best shit. | ||
| They need something to get out. | ||
| Gay comedians, there ain't that many. | ||
| You'd be surprised. | ||
| Oh, there's a gang of them. | ||
| No. | ||
| There's a gang of them. | ||
| There's a couple. | ||
| No, there's a gang of them. | ||
| There's a lot. | ||
| I know quite a few. | ||
| I'd say there's more gay actors than there are singers. | ||
| Bro, singers? | ||
| Name some few singers. | ||
|
unidentified
|
We just talked about four or five that are dead. | |
| Two, three, Rob Halford, still kicking. | ||
| Liberace died of everything. | ||
| Dude. | ||
| He had the full cocktail running around inside of him. | ||
| Just everything. | ||
| Yeah, I hear that dick implant. | ||
| Fucked all the dudes. | ||
| Joey Diaz used to have a fucking bit, and we played a little bit of it one time on the podcast, but it's not the best version of it, of Beyond the Candelabra, the fucking HBO movie with Matt Damon. | ||
| I love that movie. | ||
| And Michael Douglas. | ||
| Do you remember Joey Diaz's bit? | ||
| Yeah, I saw it in San Jose. | ||
| That was probably one of the best sets I've ever seen him do in San Jose. | ||
| He had that whole bit down. | ||
| San Jose Improv? | ||
| Yeah. | ||
| Joey was a goddamn monster. | ||
| Well, he's still a monster, but that bit was just so funny. | ||
| It was such a funny bit, man. | ||
| Dude, Cole Conrad? | ||
| What? | ||
| Wait, why are they showing this? | ||
| Oh, they're showing the UFC heavyweight champs. | ||
| Oh, look at the birthday boy! | ||
| The Bellator heavyweight champs. | ||
| Even on your birthday, can't come on time. | ||
| Shob was shitting on your hair while you were gone. | ||
| He was what? | ||
| Shitting on your hair. | ||
| Why would you sit on my head, bro? | ||
| I told him you should shave his head. | ||
| How's Saturday, bro? | ||
| You never know, and there's a lot of room here. | ||
| Eddie, shave your head. | ||
| Dude, it's your birthday? | ||
| You're on microphone, so come over here and sit down. | ||
| Dude, it's your... | ||
| Don't make me fuck you up on your birthday. | ||
| Okay, dude. | ||
| Okay, dude. | ||
| Have a seat. | ||
| Have a seat, bro. | ||
| Did you bring wine and cheese? | ||
| Yeah, I brought wine. | ||
| No cheese. | ||
| No fucking cheese? | ||
| Did you bring your axe? | ||
| On your birthday, you didn't bring cheese? | ||
| I got some special wine, though. | ||
|
unidentified
|
But no cheese, dude. | |
| Bro. | ||
| I'm sorry. | ||
| Jesus Christ. | ||
| We were just in the middle. | ||
| You legitimately hurt my ear. | ||
| I'm sorry, buddy. | ||
| What the fuck is wrong with you? | ||
| What'd he do? | ||
| No, you came at me and I came at you. | ||
| Oh, he collided in my ear. | ||
| You guys both collided heads? | ||
| No, he shoved my earpiece in my ear. | ||
| Do you have a gold tooth? | ||
| No. | ||
| Oh, okay. | ||
| It looked like you had a gold tooth. | ||
| Do you have a gold tooth? | ||
| I tripped over that thing. | ||
| That's why I fell into your ear. | ||
| These are not good if somebody hits you in the side of the head. | ||
|
unidentified
|
Fuck no. | |
| They go right in your ear. | ||
| It's like Mike right there. | ||
| That does hurt. | ||
| That's surprising. | ||
| It's gold. | ||
| Remember when I missed that high five? | ||
| Shave it. | ||
|
unidentified
|
No, do not shave it. | |
| Shave it, bro. | ||
| You look good. | ||
| His hair's good. | ||
| You get a little crude cut. | ||
| I should wait a little bit on shaving it. | ||
| Listen to these dummies. | ||
| You're losing it? | ||
| Yeah, there's going to be a point where I'm going to have to shave my fucking head. | ||
| Dude, you have a beautiful head of hair. | ||
| That's what I said. | ||
| I look at it in pictures. | ||
| I'm like, God damn. | ||
| I got the biggest forehead ever. | ||
| Dude, when I do my show, they got to paint my scalp. | ||
| See? | ||
| And he's still rocking it. | ||
| At least you got paint. | ||
| Put some headphones on. | ||
| They paint my scalp. | ||
| Put some headphones on. | ||
| Shave your head. | ||
| B, all I was saying is if anyone's going to shave their head, it's you because Eddie has good hair. | ||
| Right. | ||
| Well, thank you. | ||
| If it's scale one to ten, who's losing? | ||
| You're never going to lose your hair. | ||
| I've got to worry about running my eyebrows. | ||
| You might need hairline reduction. | ||
|
unidentified
|
For reals. | |
| You know what I mean? | ||
| I got the Rogan route. | ||
| You got beautiful, shiny hair. | ||
| Can you imagine if that was a problem, like some dudes? | ||
| You know what I mean? | ||
| I know a couple Brazilian guys that have their hairline right above their eyebrow. | ||
| They might have to shave in a hairline. | ||
| Khabib has to, for sure. | ||
| His shit is like... | ||
| You too, though, bro. | ||
| You have a very short forehead. | ||
| How about Hanato? | ||
| Hinata Magno? | ||
|
unidentified
|
Yeah. | |
| Totally. | ||
| That guy will never lose his hair. | ||
| His hair starts here. | ||
| His forehead starts to inch above his eyebrows. | ||
| I love him. | ||
| He was my jiu-jitsu instructor for three years. | ||
| Great guy. | ||
| Street sports. | ||
| The best. | ||
| Couldn't be a nicer guy. | ||
| Yeah. | ||
| You know, Jonah Hill is training jiu-jitsu with Hinata right now. | ||
| Jonah fucking Hill. | ||
| He's on jiu-jitsu. | ||
| And he's skinny and shit. | ||
| He's getting skinny. | ||
| Dude, he lost so much weight. | ||
| He got skinny and then he felt like his head was too big. | ||
| He started gaining weight back. | ||
| Legitimately. | ||
| No, he's skinny again. | ||
| He's in great shape. | ||
| He probably realized how dumb that was. | ||
| That happens to people sometimes because, you know, when you get like 400 pounds, your fucking head gets big. | ||
| Your skull, dude? | ||
| Yeah, look at him! | ||
| Check that out. | ||
|
unidentified
|
Look at him! | |
| Wait a minute. | ||
| Is that real? | ||
| Henato would say when you roll with somebody, he'd go, make his face nice, clean. | ||
| Make nice. | ||
| Look at that, man. | ||
| Beautiful. | ||
| Good for him, man. | ||
| Good for him. | ||
| He looks good. | ||
| He does look good. | ||
| Well, you know, if his head's bigger and his body's too skinny, you're just going to build your body up and make it the size of your head. | ||
| I think John Hill's a very good actor. | ||
| He's a really nice guy, too. | ||
| I met him one day at K-Rock. | ||
| Back when people did radio. | ||
| Oh, there's Jen. | ||
| Who? | ||
| There's Cub Swanson, Jen, Stevenson, and then Jack Swagger. | ||
| Look at Cub Swanson. | ||
| Oh, there's Joe Daddy. | ||
| That's Joe Stevenson. | ||
| He just said that. | ||
| So we are watching the Bellator event. | ||
| Brian Callen. | ||
| Do you know who's fighting tonight? | ||
| Yes. | ||
| Fedor. | ||
| And who's he fighting? | ||
| Ryan Bader. | ||
| This guy's good. | ||
| Ricky Bandejas. | ||
| Damn. | ||
| He's the guy that beat that Irish kid. | ||
| The fuck's his name? | ||
| Oh, Gallagher? | ||
| Yes. | ||
| Yes. | ||
| Gallagher's a motherfucker. | ||
| Yeah, he KO'd him. | ||
| He did bad. | ||
| And Gallagher talked all that shit. | ||
| That's what Gallagher does. | ||
| He's basically trying to do the Conor McGregor thing. | ||
| He is, but he's talented. | ||
| He's very talented. | ||
| But more talented on the ground. | ||
| For sure. | ||
| That's filthy. | ||
| And Ricky's nasty standing up. | ||
| He's got filthy. | ||
| Filthy in a good way. | ||
| I love that. | ||
| I like that expression. | ||
| I love it too. | ||
| Dude, his stand-up is filthy. | ||
| Filthy. | ||
| Well, even when you're talking about a girl, it's like, dude, she's filthy. | ||
| That's a good thing. | ||
| I saw a Hellcat and I went, god damn, that thing's filthy. | ||
| Well, when you hear a girl texting about something being filthy the other day, what was it? | ||
| I forget. | ||
|
unidentified
|
I just throw filthy around. | |
| If you say filthy, it gets a man's attention. | ||
| You're like, ooh. | ||
| No, bro, she's a lawyer, right? | ||
| Yeah, and she's filthy. | ||
| My dick goes... | ||
| What a good kid. | ||
| It wakes things up. | ||
| My friend Jimmy D'Italio, my buddy from high school, we would always say that. | ||
| We'd see a girl, she was hot. | ||
| What a good kid. | ||
|
unidentified
|
Look at her. | |
| Her hot little miniskirt. | ||
| What a good kid. | ||
| What happened last night with that girl? | ||
| Oh, she sucked my dick. | ||
| What a good kid. | ||
|
unidentified
|
You always say that. | |
| Nothing better. | ||
| What a good kid. | ||
| That's a weird one. | ||
| What a good kid. | ||
| Good kid's weird. | ||
| It's weird when you're in your 50s. | ||
| It's weird when Brian goes, she's a good girl. | ||
| Well, that makes me feel weird, dude. | ||
| Yeah, it's real weird, bro. | ||
| She's a good girl. | ||
| She's a good girl. | ||
| Don't even say she. | ||
| She's a good girl. | ||
| That's creepy, dude. | ||
| How much do you hate acting now? | ||
| Now that you're acting on two different shows. | ||
| I'll tell you what I love, though, is you better like the people you work with. | ||
| It's so fun to be around. | ||
|
unidentified
|
But as far as doing a movie, it's so fun. | |
| That's my new dance. | ||
| We should all do it together, but take it seriously. | ||
| But doing a film where you're doing that, all the makeup, you're in makeup for three hours. | ||
| You would do that, though, B. If they called you like, hey, why don't you be that guy? | ||
| Look at me. | ||
| Look at me right now. | ||
| Dude, watch your fucking P's and Q's. | ||
| You look at me at 52. Everyone in here knows you very well. | ||
| I called him the other day. | ||
| You look at me at 52. No, I wouldn't. | ||
|
unidentified
|
Bullshit. | |
| They called you and said, hey, we want to do a feature film and you're going to be Robin. | ||
| Listen, you're going to be... | ||
|
unidentified
|
Robin? | |
| Yeah, you're going to be Robin. | ||
| You're going to be Batman. | ||
| No, you're going to be... | ||
| What's the butler's name? | ||
|
unidentified
|
I'm... | |
| What's the butler that takes care of Bruce Wayne? | ||
| Alfred. | ||
| Hey man, I'm not that fucking old, bro. | ||
| I bet you are older than Alfred was in the TV show. | ||
| Well, you know what? | ||
| How old was John Candy when he died? | ||
| This freaks me out. | ||
| He's a thousand. | ||
| How old was John Candy when he died? | ||
| 48? | ||
| 48. Maybe 40? | ||
| 43 years old. | ||
| Yeah. | ||
|
unidentified
|
God damn. | |
| Chris Farley, 34. Dude, he was 700 pounds. | ||
| John Belushi, 34. These guys died from drugs. | ||
| John Candy just died from obesity, right? | ||
| But they seem much older, and now I'm 10 years older. | ||
| Kurt Cobain, 27. How about the 27, Chris? | ||
| Amy Winehouse, 27. Jimi Hendrix, 27. Jim Morrison, 27. Janis Joplin, 27. What's your point, bro? | ||
| You're healthy 52. I'm not going to die. | ||
| That's the point. | ||
| No, you're not. | ||
| You're going to outlive me for sure. | ||
| Well, I don't know. | ||
| What is this? | ||
| Is this the Wild Whites of West Virginia? | ||
| Oh, dude, it's Cops, baby. | ||
| Cops is still running strong. | ||
| And killing it. | ||
| Cops might be the most successful show in the history of television. | ||
| That and Simpsons, right? | ||
| I think Cops might be more successful. | ||
| They need to remind the people that you're not going to get away with shit. | ||
| They need to see that. | ||
| Because don't you grow up thinking you'll never get away with anything? | ||
| I see your point, but that's not why it's successful. | ||
| It's successful because it costs zero money. | ||
|
unidentified
|
Zero. | |
| They don't pay those people. | ||
| Correct, it's zero. | ||
| There's no actors or no main guys? | ||
| Sorry, Warren Archuleta? | ||
| Warren Archuleta was a wrestler at Duke. | ||
| He was second in the nation, NCAAs. | ||
| A hell of a wrestler. | ||
|
unidentified
|
Oh. | |
| A beast. | ||
| Fights at 35 usually. | ||
| I think this might be 35. An outstanding fighter. | ||
| No shit. | ||
| And I think he's undefeated. | ||
| Well, this is a good fight then, because Bandejas is a nasty striker. | ||
| He's putting you on your back, no matter what. | ||
| He's a beast. | ||
| One of the best wrestlers in the country. | ||
| Dude, solid fights tonight. | ||
| Yeah. | ||
| Super solid. | ||
| Yeah, this is good. | ||
| You need a cork. | ||
| Yeah, I need a cork. | ||
| Is Pico fighting tonight? | ||
| You bet your sweet ass he's fighting. | ||
|
unidentified
|
Holy shit. | |
| It's his toughest test. | ||
| And once he, if he, I think he will, if he beats this guy, I bet you see him get a title shot next. | ||
| Did you find out if AJ won yet? | ||
| No. | ||
| Oh, here's the thing about Pico, too. | ||
| Listen to this, Rogan. | ||
| So I sat with Freddie Roach. | ||
| I did an interview with Freddie Roach. | ||
| Comes out Monday for Showtime. | ||
| Here it is. | ||
| Look at this. | ||
| Jesus, you got a back on you. | ||
| This is the Gallagher knockout. | ||
| Yeah. | ||
| He caught that kick and he... | ||
|
unidentified
|
Boom! | |
| Ah, that's not even the bad knockout. | ||
| Yeah, well, that's the beginning. | ||
| Yeah. | ||
| But that was his move. | ||
| Is that that Irish kid who's kind of like... | ||
| Gallagher. | ||
| Yeah, very kind of like flamboyant? | ||
| Great on the ground. | ||
| Very good on the ground. | ||
| He just, you know... | ||
| When he loses, the problem is he talks so much shit when he gets fucked up like he did in this fight. | ||
| It's the game you play. | ||
| I mean, he was in the guy's face, hands up in the air, and this kid beat the shit out of him. | ||
|
unidentified
|
Oh! | |
| He lit him up. | ||
| Oh, shit. | ||
| To the face. | ||
| Bing. | ||
| And he put him out here, too. | ||
| Doom, doom. | ||
| He was lit up from the start. | ||
| Filthy. | ||
| Yeah. | ||
| And he screamed in his face, fuck you. | ||
| But what I was saying is Freddie Roach said this about Aaron Pico. | ||
| He said he could be a world champion right now in boxing. | ||
| He goes, I want him to do boxing. | ||
| I go, why? | ||
| He goes, he's one of the best I've seen. | ||
| And he goes, for Miguel Cotto's camp when he was a kid, even younger, like four or five years ago, he would beat Miguel Cotto in rounds. | ||
| He goes, Miguel's not giving him shit. | ||
| He'd beat him in rounds sparring. | ||
| He's a ferocious kid, man. | ||
| He's very ferocious. | ||
| He was the number one high school wrestler in the world. | ||
| He's training at that training lab with Calavita as well. | ||
| And TJ. Yeah. | ||
| TJ's main training partner. | ||
| He's an animal. | ||
| Motherfucker. | ||
| And when Freddie told me that, I went, he could compete in boxing. | ||
| He goes, compete? | ||
| He'd be a world champion right now. | ||
|
unidentified
|
Oh my God. | |
| If he let me take him right now to boxing, he'd be a world champion. | ||
| What? | ||
| But why doesn't he do that? | ||
| Because isn't there way more money in boxing? | ||
| No, no. | ||
| Isn't there zero money in boxing? | ||
| Only certain guys can be. | ||
| You gotta be the top of the top. | ||
| Yeah, besides Pacquiao, Floyd Mayweather, Tyson Fury. | ||
| He's a lighter guy, too, so Lomachenko's like, do what? | ||
| Yeah. | ||
| You wanna do what? | ||
| The champ of who? | ||
| I mean, can boxing survive another generation? | ||
| Yes. | ||
| Fuck yes, how dare you? | ||
| There's no kids into boxing. | ||
| No, no, no. | ||
| There's kids in the ghetto. | ||
| You just live in a nice community. | ||
| Correct. | ||
| Son of a bitch. | ||
| You got your Mexican privilege showing. | ||
| Boxing's alive and well in Russia, in Mexico, they got some... | ||
| In America, too, bro. | ||
| The best boxers are American. | ||
| Open one bottle at a time, bro. | ||
| What are we getting hammered here? | ||
| One bottle at a time. | ||
| Why are you opening so many? | ||
| Why is this taking so long, bro? | ||
| What are you, an alcoholic? | ||
| Let it breathe, bro. | ||
| Well, you'll let it breathe. | ||
| One at a time. | ||
| Hey, don't be such a... | ||
| I don't want an empty bottle of wine here that I gotta pour down the sink. | ||
| No, we'll go through this. | ||
| It's his birthday. | ||
| Cal, I'm already drinking Miller Lite, bro. | ||
| Like a goddamn American. | ||
| Eddie Bravo, no one can ever accuse you of white privilege. | ||
| They try. | ||
| They try. | ||
| How can they? | ||
| You show them your 23andMe. | ||
| Say what, bitch? | ||
| What'd your 23andMe say? | ||
| 100% Mexican. | ||
| Wow, dude. | ||
| Is that true? | ||
| I am 100% Mexican. | ||
| I need to do it, man. | ||
| Did you do it, B? I did. | ||
| Did you do it? | ||
| 51% Southern Italian, the rest Western European. | ||
| Actually, I got Iberian, I got some North African. | ||
| I got 1.1% Asian. | ||
| Oh shit, you're Asian? | ||
|
unidentified
|
What if they're just collecting DNA? You know, here's the thing, it changes. | |
| As the DNA testing gets better, you get different results in the mail every few months. | ||
| I found out that I'm a little bit Greek. | ||
| There was no Greek in there before. | ||
| Now it's showing a small amount of creep. | ||
| Maybe that's proof of them just making shit up. | ||
| No, no, no. | ||
| When the database expands, when the database for the genome expands and they know the ancestry of these different people, it's very precise in the fact that it's only percentage points, but they're pretty fucking accurate. | ||
| Did you guys all do the same one, or is it like drug testing in the UFC where USADA finds it and... | ||
| I did 23andMe, but there's Ancestry, there's several different ones. | ||
| You did 23andMe too? | ||
| I did 23andMe, yeah. | ||
| It's really good. | ||
| They told me what my earlobes looked like, how long my ring finger was, weird shit. | ||
| Can they tell you how big a dick is? | ||
| Imagine if they could tell you. | ||
| Off the charts! | ||
| I've seen your dick. | ||
| Where are the charts? | ||
| You don't want these charts. | ||
| I need to get on these charts. | ||
| You've seen them at ease. | ||
| You've never seen them 10-hut. | ||
| Oh, at ease. | ||
| Here you go, buddy. | ||
| At ease, sir. | ||
| Happy birthday, brother. | ||
| Thank you, buddy. | ||
| Everyone knows it's Callum's B-Day, yeah? | ||
| Happy birthday. | ||
| What are you, 29 to... | ||
| I'm exactly 30. I'm in the 35 to 52 area. | ||
| Here you go, buddy. | ||
| Do you feel older, B? Thank you, sir. | ||
| Alright, don't get Eddie drunk because he becomes like a gremlin when you get water. | ||
| No, no, no, no. | ||
| Eddie Bravo can do no wrong. | ||
|
unidentified
|
I love Eddie Bravo. | |
| No conspiracy theories, I promise. | ||
| Eddie's a truly good human being, so I don't give a fuck. | ||
| He's been my friend forever. | ||
| No, we all love him. | ||
| Why don't you tell me that? | ||
| Yeah, we all love him. | ||
| We're just saying. | ||
| Cheers. | ||
| I like Eddie a little buzzed. | ||
| Jamie, nothing? | ||
| Fire up this Flat Earth shit. | ||
| Fight companions, motherfuckers. | ||
| No Flat Earth, okay? | ||
| Zero, bro. | ||
| Dude, how about MLK conspiracies, though? | ||
| I didn't mean to go down this road. | ||
| Oh, the Mike Baker? | ||
| Dude. | ||
| Did you hear that? | ||
| I watched Mike Baker's, and then I went down a rabbit hole on YouTube on MLK conspiracies. | ||
| Mike Baker from the CIA is convinced that someone helped James Earl Ray. | ||
| Dude, that guy's legit as fuck. | ||
| When he said it, I went, all right, let me look into it. | ||
| Here's the thing. | ||
| Although I like Mike Baker, he's a great guy. | ||
| When I brought up JFK, he's like, did the CIA kill JFK? He's like, you know, with this Martin Luther King Jr. thing. | ||
| What about this? | ||
| I'm showing him the bullet. | ||
| I'm like, I know you've seen bullets hit things. | ||
| He lost credibility with that. | ||
| He goes, yeah, I do believe he was able to pull that off. | ||
| And if you get up there, you can actually pull that off. | ||
| Any hunter could do that. | ||
| Wrong! | ||
| No, no, no. | ||
| That's not exactly true. | ||
| You could do it. | ||
| It's not that far. | ||
| It's less than 100 yards. | ||
| With that gun, it's a little shaky. | ||
| No, no, no. | ||
| It's not. | ||
| And the bullet, the way the bullet came in. | ||
| I'm telling you. | ||
| The only problem is the magic bullet theory. | ||
| Okay, here's the fight. | ||
| Here's the fight. | ||
| What is the gentleman? | ||
| Mike Baker seems like a very thoughtful guy. | ||
| What is the gentleman in the white? | ||
| Juan Archuleta is the guy with the bald head. | ||
| And he's a wrestler. | ||
| Yeah, high level. | ||
| He's 21 and 1. Real pedigree. | ||
| And I think Ben Dejas, is he a saxon guy? | ||
| Oh, look at that takedown. | ||
| Oh, Jesus Christ. | ||
| Now, once he's on you, you're not getting him off. | ||
| Watch this. | ||
| Oh, Jesus. | ||
| Slam. | ||
| Damn. | ||
| Brian Callen dropped the knowledge. | ||
| Well, he was on Warrior, so I spent a lot of time with him on set. | ||
|
unidentified
|
Did he throw you around, B? There was a guy in the last UFC. I'm a really hard guy to throw around, dude. | |
| Oh, shut the fuck up. | ||
| Who's the guy? | ||
| Hey, Brendan, who's the guy who fought in the last UFC, fights just like Khabib? | ||
| He's a mauler. | ||
| He's got tattoos. | ||
| He's from the East Coast. | ||
| Gillespie. | ||
| Oh, Gregor. | ||
| Gregor Gillespie. | ||
| Gillespie. | ||
| Motherfucker. | ||
|
unidentified
|
Motherfucker. | |
| He is a fucking gorilla. | ||
| They need to feed that man. | ||
| Damn. | ||
| What would happen if he fought Khabib? | ||
| They have the exact same style. | ||
| He's a very good fighter, man. | ||
| It'd be very, very interesting. | ||
| Talking about him and Kevin Lee. | ||
| That's a great fight! | ||
| You gotta hit him up, though, soon, because he's fishing. | ||
| He goes away. | ||
| He doesn't do interviews and shit. | ||
| He's fishing, doing the shit. | ||
| He loves fishing. | ||
| Yeah. | ||
| Best fishing in MMA. Yeah. | ||
| Grows his hair out and shaves it right before the fight. | ||
| He's a savage. | ||
| Yeah, I love that, too. | ||
| Me, too. | ||
| He's a motherfucker. | ||
| It's a beast. | ||
|
unidentified
|
Oh, oh, oh! | |
| Dude, how about MVP versus Daily coming out? | ||
| How about it's in Connecticut? | ||
| How dare you, Scott Kogan? | ||
|
unidentified
|
Is that? | |
| Yeah. | ||
| That fight's in Connecticut? | ||
|
unidentified
|
Yeah. | |
| Why not do that in England? | ||
| Everyone fucking loves us doing England. | ||
| Yeah. | ||
| I don't know. | ||
| That doesn't make any sense. | ||
| Why do they do that? | ||
| The problem is such a big fight, you do it in England, the time zones are all fucked up. | ||
| No, the problem is riots. | ||
| The problem is riots. | ||
| Those fucking soccer hooligans. | ||
| They're going to go crazy and rush the stands. | ||
| I think it's the time zone. | ||
| Oh shit, look at this. | ||
| Watch Archuleta. | ||
| Watch Archuleta move. | ||
| The UFCs in England are some of the lowest rated events. | ||
| They kill it in England, though. | ||
| Benday has just tagged him. | ||
| It's about the United States. | ||
| Dude, Benday has just tagged your boy with a right hand. | ||
| Not true. | ||
| Yes, he did. | ||
| He just clipped him as he's trying to close the distance. | ||
| Confirmation bias, I'm not going to see that. | ||
|
unidentified
|
How dare you? | |
| I have no confirmation bias. | ||
| Listen, bro. | ||
| I'm not attached to this guy, other than the fact that we've been friends on Instagram. | ||
| Well, I am. | ||
|
unidentified
|
Isn't it weird when a guy slides in your DM? They're like, ah, fuck yeah. | |
| I sent him one, bro. | ||
| I sent him one saying that was a great fight. | ||
|
unidentified
|
Oh! | |
| Oh, nice jumping front kick to the body. | ||
|
unidentified
|
And I know Juan, so no matter what, I'm rooting for him. | |
| I'm Instagram friends with Immortal Technique now. | ||
| I love that dude. | ||
| That was a recent thing. | ||
| I'm like fanboying out. | ||
| He's a good guy, man. | ||
| You never met him? | ||
| Never met him. | ||
| I'll introduce you. | ||
| Next time he's in LA, I'll try to kiss him. | ||
| Who is that? | ||
| Matt Brown? | ||
| Immortal Technique. | ||
| Who's that? | ||
| He's a rapper. | ||
| Bad motherfucker. | ||
| Very, very good dude. | ||
| We're talking about doing a song together. | ||
| What's his real name? | ||
| What's his rap name? | ||
|
unidentified
|
Who cares? | |
| Immortal Technique. | ||
| Just call him Immortal Technique. | ||
|
unidentified
|
Oh, shit! | |
| I told you! | ||
| Conspiracy theory rapper. | ||
| Nah, he slipped that. | ||
| Oh, let's tell everybody what time it is on the clock. | ||
| It's 2.03, 2.02, 2.01, 2. Two minutes, and this is the first round if you want to sync it up, but you probably can't. | ||
| Dropping level. | ||
| Come on, man. | ||
| I like that beard, though. | ||
| Me too. | ||
| Moving around. | ||
| I like the way he's moving. | ||
| He said fuck the hood, too, huh? | ||
| He's going wild. | ||
| He's very kinetic. | ||
| He's making these big leaping movements, and he's doing it in the first round. | ||
| If he tries his shit in the second and the third... | ||
| Like, he's going to get tired. | ||
| The movements are slower and more pronounced. | ||
| He'll start wrestling. | ||
| Yeah. | ||
| He's going to have to because he's not that good at closing the distance with his striking. | ||
| His striking is these big movements. | ||
| See that? | ||
| These are these big movements. | ||
|
unidentified
|
Oh! | |
| Holy shit! | ||
| Boy, you got kicked in the face, Brian. | ||
| If he can time these big movements and pause. | ||
| He's hurt. | ||
| He's hurt bad. | ||
| He got hurt earlier, too. | ||
| He got clipped with the right hand. | ||
|
unidentified
|
Uh-oh. | |
| And now there's a takedown. | ||
| Oh, guillotine. | ||
| Stuffed. | ||
| Stop. | ||
| Push that left hand off. | ||
| Oh, there you go. | ||
| Oh, your boy's tired, B. See, that's what I'm saying. | ||
| He's losing his fight like he's losing his hair. | ||
| He's already lost his hair, but he's still in the fight. | ||
| Oh! | ||
| Clipped him with the left hand there, too. | ||
| Ben Diaz is no joke, man. | ||
| I'm telling you. | ||
| Did you want Ben against Brian's guy? | ||
|
unidentified
|
I wanted to lose because Brian's guys are all against me. | |
| Once I shave my head... | ||
| You know what? | ||
| Arceleta's playing turtle right now and he's just decoying right now. | ||
| Looks like a turtle flurry. | ||
| I'm thinking about growing a beard once I shave my head. | ||
| Dude, that'd be fucking sick, bro. | ||
| Eddie, you've got a great head of hair. | ||
| Break it down to a crew cut. | ||
| What's this hair thing, man? | ||
| You've got great hair, bro. | ||
| Stop. | ||
| Let him shave it. | ||
| No, don't do it. | ||
| I'm trying to get everybody on my side. | ||
| I know. | ||
| Joe wants everybody to be in the fucking hairless. | ||
| The hairless misery club. | ||
| No, let me tell you something, man. | ||
| This is why. | ||
| Because I think people that take Propecia and stuff, I think you're fucking your body up with that stuff. | ||
| I take it. | ||
| I don't take that. | ||
| I think that stuff's terrible for you. | ||
| Why? | ||
| I used to alone. | ||
| I stopped like 10 years ago. | ||
| Why do you think it's bad? | ||
| Because it caused depression in Ari. | ||
| It caused depression. | ||
| Well, Ari already had depression. | ||
| No, no, no, no, no, no, no. | ||
| He did not. | ||
| Dude. | ||
| He did not. | ||
| You think it was just from Propecia? | ||
|
unidentified
|
Take down. | |
| There you go. | ||
| Nice take down. | ||
| Everybody shut up. | ||
| Back up to his feet. | ||
| The boy's exhausted now. | ||
| No, he's not. | ||
| Wasted effort. | ||
| Yes, he is. | ||
| He's probably on Propecia, too. | ||
| You see that take down? | ||
| There you go. | ||
| That Joe Benavidez did like two or three times in his last fight. | ||
| He sticks that leg. | ||
| That is super legit. | ||
| Henzo does that a lot. | ||
| That's huge. | ||
| Yeah. | ||
| Henzo did that in his last MMA fight. | ||
| God, I'm sick of this big bitch. | ||
|
unidentified
|
We're going to get deep into that one. | |
| You're sick of who? | ||
| I record a commercial. | ||
| Oh, that's not right. | ||
| She does the same movie every time? | ||
| What's her name? | ||
| I forget. | ||
| Something like that. | ||
|
unidentified
|
Just be nice. | |
| Be nice. | ||
| I am, dude. | ||
| She's nice. | ||
|
unidentified
|
Whoa. | |
| No, she's a good actress. | ||
| What's her name? | ||
| She's filthy, bro. | ||
| What were we talking about? | ||
| Oh, Propecia. | ||
| You don't think that he already kind of had a touch of the dog? | ||
| No, he didn't. | ||
| You're just going to chalk it all to Propecia? | ||
|
unidentified
|
No, listen. | |
| It's one of the side effects. | ||
| One of the side effects is severe depression. | ||
| What? | ||
| Propecia? | ||
| Really? | ||
| Brian's driving. | ||
| Propecia is a DHT inhibitor. | ||
| The reason why it works to keep your body from losing its hair is because dihydrotestosterone, which is a derivative of testosterone, is suppressed by Propecia. | ||
| Propecia was originally Proscar, and Proscar was something they used for people with prostate enlargement. | ||
| So, you get on that stuff, it inhibits DHT, so your hair stops falling out, and it grows back a little bit. | ||
| But it also fucks with your body, your energy levels. | ||
| Dude, for me... | ||
| For some people, right? | ||
| Yes, for me. | ||
| For me, it wasn't very good for my boners. | ||
| I still got them, but this is what happened. | ||
| I stopped taking it because I ran out of it, and I forgot to get a new prescription. | ||
| I know how that goes. | ||
| And my dick was... | ||
| It was just like this. | ||
| And I was like, what is happening with my dick? | ||
| And then I realized, oh my god, I'm not on the Propecia. | ||
| And then I realized Propecia was fucking up my boners. | ||
| A cat could not, would blunt his claw on my dick right now. | ||
| Let me keep going right now. | ||
| So then I got off of it, and the first thing I noticed is how much more energy I had. | ||
|
unidentified
|
Weird. | |
| Yes. | ||
| More energy, like lifting. | ||
| I could lift more. | ||
| I had more energy to roll. | ||
| I had more energy for everything. | ||
| I've heard that, and then obviously Callen's throwing up. | ||
| And my brother, too. | ||
| Jay's like, Jay is fucking... | ||
| Full set of hair now. | ||
| He was losing it? | ||
| He got it back? | ||
| He was losing it, yeah, and it's thick as shit, and it's a huge dick. | ||
| That kid has got a... | ||
| His dick ruined my day. | ||
| What's it taste like? | ||
| It's my brother, too. | ||
| I like to sneak it in there. | ||
| I saw his dick... | ||
|
unidentified
|
Shout out to Jay's dick. | |
| Your boy's getting fucked up, right? | ||
| He's tired, dude. | ||
| Oh, he's so exhausted. | ||
| Although I am worried about the knee. | ||
| He's kind of... | ||
| He's leading with his chin? | ||
| No, he's coming in with his head and that's... | ||
| Well, he's tired. | ||
| He's making these big movements. | ||
| He has to make big moves to get in because he's not a kicker and because he's not a really good striker, so he's far on the outside. | ||
| So he's got to close 18, 20 inches before he makes his run. | ||
| Oh, he got poked in the eye. | ||
| He got poked. | ||
| Oh, now he's really fucked. | ||
|
unidentified
|
Yeah, he's fucked. | |
| One eye, Kellen? | ||
| One eye, tired, can't see. | ||
| Oh! | ||
| See, look at that kick. | ||
| Oh, now you've got to wrestle on his back. | ||
| That's why he's on the outside. | ||
| He got ragdolled to the ground. | ||
| No, that's not true. | ||
| He'll never throw that kick again. | ||
| That'll be in the back of his head for the rest of his life. | ||
| Every time he throws that bitch-ass kick. | ||
| Oh, look at that, dude! | ||
| He's just setting him up. | ||
| There you go! | ||
| What happened now, Joe? | ||
| I don't know why he doesn't use more of this. | ||
| Your boy's going to get tired. | ||
| Nah, take a seat. | ||
| He didn't do shit in the first round. | ||
| He's tired. | ||
| It's time to take a seat. | ||
| Watch this. | ||
| You want to bet on this fight? | ||
| Yeah, I do. | ||
| Okay, how much? | ||
| I'll bet you a whole dollar. | ||
| One fucking million dollars. | ||
| Wow, you actually have a million dollars now. | ||
| I do. | ||
| So that's interesting. | ||
| I do. | ||
| Although the internet, if you look at my net worth, I think it says I'm worth 200 grand and there's a picture of Brandon Shaw. | ||
| Interesting. | ||
| Really? | ||
| For me too, my network was a picture of Brandon Shaw. | ||
| What the fuck is wrong with people? | ||
| Somebody's fun. | ||
| What's wrong with people? | ||
| Well, it said Brian and I were brothers on Wikipedia for like 10 years. | ||
| Yep, yep. | ||
| Everybody would say that. | ||
| Pauly Shore thought you were brothers for a long time. | ||
| Yeah, everybody did. | ||
| Well, it makes sense. | ||
| Dude, that picture that Brian posted of you guys in the early 90s? | ||
| Hilarious. | ||
| Dude, you had some swag, dude. | ||
| Good looking kid. | ||
| Drip, right, Jamie? | ||
| I was like, God damn, that's the first thing I noticed. | ||
| I went, look at Rogan's fucking fashion. | ||
| You guys must have dig down everybody. | ||
| I wore shiny clothes back then. | ||
| That was like 95. That's why you and I get along, bro. | ||
| He was a cutie pie. | ||
| I knew it. | ||
| He was a good looking kid. | ||
| He was a cutie pie, and girls liked him. | ||
| Look at that shit. | ||
| Yeah, man. | ||
| That Liberace front with the fucking leather jacket. | ||
| Those biker jackets are still in. | ||
| I still have that jacket, and I'm not lying. | ||
| He was very muscular. | ||
| It looks like you guys just got busted, jerking cattle off right there. | ||
| No, like a girl just pulled her dick out. | ||
| And by the way, you had never smoked weed. | ||
| You had never done any drugs. | ||
| People were like, oh, well, the cocaine. | ||
| No, we didn't do... | ||
| I'd never done blood. | ||
| Yeah, we had a little bit of booze. | ||
| Our drug of choice was... | ||
|
unidentified
|
Who's that? | |
| Brian, you look 16. I think I was 28, 29. Yeah, I think I was 27 there, dude. | ||
| Yeah, I was 27, you were 28. If I had a time... | ||
| Oh, your boy just cracked Ben Deos with a right hand. | ||
| That's right, dude. | ||
| Don't ever fucking forget about it. | ||
| Yeah, but he throws that bitch-ass kick again. | ||
| He gets taken down. | ||
| Dude, he's just buttering him up. | ||
| Ooh, Mitrion versus Garitanov is a good one. | ||
| Someone needs to take that guy to Duke Rufus' place. | ||
| Teach him how to throw a kick. | ||
| Dude, Belto's doing that back-to-back fights again, huh? | ||
| You got Mitrion, Kiritanov. | ||
| When is the next fight? | ||
| February 15th. | ||
| The next night's MVP versus Daily. | ||
| It must be working. | ||
| Do you guys want to go to Phoenix to see Kane fight Ngannou? | ||
| You want to just fucking get on a fight? | ||
| When is that? | ||
| When? | ||
| It's like... | ||
| It's a Sunday. | ||
| It's a Sunday. | ||
| I could do it. | ||
| I'm thinking about just fucking flying to Phoenix. | ||
| I never go to a live USC as a fan, but I want to see Kane versus Ngannou. | ||
| That'd be fun. | ||
| You think they'll let me in the arena, though? | ||
|
unidentified
|
100%. | |
| You don't think someone's going to snipe me out? | ||
| Who's going to snipe you out? | ||
| I don't know. | ||
| Come with me. | ||
| Come with me. | ||
| The four of us. | ||
| The four of us go live. | ||
| We'll put fucking Snapchat cameras on our eyeglasses. | ||
|
unidentified
|
Yeah. | |
| What is the date? | ||
| That's a great fight. | ||
| It's a Sunday night. | ||
| It's the 17th. | ||
| Let me check if you're free, Callan. | ||
| Yep, you're free. | ||
| I think I might be. | ||
| Are you down for that? | ||
| Would you want to do that? | ||
|
unidentified
|
I'd do it. | |
| I'd do it. | ||
| Take a private jet. | ||
| As long as it's not this weekend where I'm in Austin. | ||
| Sounds like we're talking Eddie into a murder. | ||
| What was that? | ||
| You seem stressed about it. | ||
| Oh, look at this. | ||
| Boy, your DM buddy has got good takedown defense. | ||
| Yes, he does. | ||
| Because he knew he was fighting a wrestler, bro. | ||
| Oh! | ||
| Blocked. | ||
| Blocked second round, two rounds in the book for Bandejas. | ||
| Dude, Francis Kane's an epic fight. | ||
| It's an epic fight. | ||
| Not really. | ||
| How about this? | ||
| Not even a little bit epic. | ||
| Here's why. | ||
| Why? | ||
| Because Mr. Ngannou, all due respect, great athlete, amazing guy. | ||
| Kane's been off for two years. | ||
| Okay, once again. | ||
| Kane's had 150 surgeries. | ||
| You want me to tell you how it goes? | ||
| He's 37 years old. | ||
| Cool. | ||
| He has a fake skull. | ||
| You want to know how it goes? | ||
| Ready? | ||
| Okay. | ||
| Single leg, lower single leg. | ||
| Kane takes him down and then punches him in the face until it's over. | ||
| I don't think so. | ||
|
unidentified
|
No. | |
| Yeah. | ||
| He might not. | ||
| Yeah. | ||
| It could be like JDS. I think Kane gets an underhand. | ||
| I hate to agree with Brian, but yes. | ||
|
unidentified
|
It was the only time we've ever agreed on anything. | |
| It's true. | ||
| What does Zingano do against that wrestling? | ||
| We can knock him out like JDS did. | ||
| I think Kane wins. | ||
| I think Kane... | ||
| But I don't think he gets a single leg and just takes him down. | ||
| I think he controls him against him. | ||
| Zingano is fucking JDS part two. | ||
| And Gano is fucking dangerous. | ||
| Unless you have cardio. | ||
| But he's shown something. | ||
| That fight, he didn't know what the fuck he was doing. | ||
| Which one? | ||
| Well, the Stipe fight. | ||
| He thought he was going to win that fight by KO. He thought he was just going to go out there and KO him. | ||
| He did land good shots on Stipe, too. | ||
| Well, he fucked up Curtis Blades in that second fight, and Curtis Blades is a good wrestler. | ||
| Look, Ngannou's a beast. | ||
| What would be more fun? | ||
| He fucked up Curtis Blades in that second fight. | ||
| You gotta remember, he just fucked up Curtis Blades. | ||
| I totally forgot about that. | ||
| I didn't forget about it. | ||
| That's why I went for the UFC, and you're gonna have a hard time getting in the arena. | ||
|
unidentified
|
Wouldn't it be way funner just to do a fight companion? | |
| Hey guys, there's a fight going on. | ||
| It would be fun to do a fight companion, but all I was thinking... | ||
|
unidentified
|
You're gonna be taking five million pictures. | |
| A party. | ||
| Have a good time. | ||
| Uh-oh, uh-oh, goodbye. | ||
| We're all married, man. | ||
| No, your boy's not going to take him down. | ||
| He hasn't taken him down yet. | ||
| This is the third round, dude. | ||
| It's not happening. | ||
| He needs to let that go and learn how to kick with that left leg. | ||
| Oh, boy. | ||
| Yeah. | ||
| He's going to pummel under with that left hand. | ||
| He's going to get it. | ||
| And when he gets it, he's going to circle off. | ||
| And when he circles off, your boy's going to be more tired. | ||
| That's why I'm a commentator. | ||
| And you're an actor. | ||
| You're an actor. | ||
|
unidentified
|
Oh! | |
| There's the knee side! | ||
| Your boy got fucked! | ||
| You've got to watch that knee. | ||
| Dude, he's fucked up. | ||
| That knee was perfect. | ||
| What did his right leg just do there? | ||
| Archuleta's a wrestler. | ||
| He's fine. | ||
| Oh, he's in a world of shit. | ||
| They don't get kneed in wrestling. | ||
| He's in a world of shit. | ||
| Your boy's in a lot of trouble, dude. | ||
| Be honest. | ||
| Be honest. | ||
| If you didn't know him. | ||
| I was a terrible kid. | ||
| He tried something and bailed on it halfway in. | ||
| You know your boy's losing the fight. | ||
| You know that. | ||
| We understand that. | ||
| He might not come out, bro. | ||
| Is that what Hunter said? | ||
|
unidentified
|
Oh, look at this! | |
| Wait a minute. | ||
| Look at the aggressions! | ||
| Yeah, what? | ||
| How long is it going to be before he gets back up to his feet? | ||
| That doesn't even count, dude. | ||
| TJ's right there. | ||
| TJ's giving him Joe Daddy. | ||
| They're talking to him. | ||
| Yeah, what are they saying? | ||
| I'll text both of them right now. | ||
| They're saying, you need to stop him. | ||
| No, they're going, yeah, we got this. | ||
| Dude, he has Cub Swanson, TJ Dillashaw, and Joe Daddy Simpson in his corner. | ||
| That's a hell of a corner. | ||
| Is it the best ever? | ||
| That's a hell of a corner. | ||
| Pretty goddamn good corner. | ||
| Yeah. | ||
| Your boy's aggressive, I'll tell you that. | ||
| Yeah, he is. | ||
| He's not letting go. | ||
| No. | ||
| Dude, I told you. | ||
| I think Bendejas is winning, though. | ||
| Bendejas is losing. | ||
| He's landed way better shots. | ||
| I'm collecting a dollar at the end of this fight. | ||
| Not a shot. | ||
| Oh, look at this. | ||
| Look at this. | ||
| Start tapping. | ||
| Archuleta's probably winning the fight, Joe. | ||
| Just from control. | ||
|
unidentified
|
What? | |
| Just from control. | ||
| Nonsense. | ||
| We know this. | ||
| We know this. | ||
| I DM this guy. | ||
| You guys are out of your mind. | ||
| Oh my god. | ||
| It's my birthday. | ||
| I get what I want. | ||
| It would be kind of fun to do a fight companion. | ||
| That might be better. | ||
| They're the best. | ||
| And we never get to really do them for big UFCs. | ||
| And we don't have to go anywhere. | ||
| We don't get to do them. | ||
| We get fucked up here. | ||
| But legit, once I quit the UFC, we should travel one or two in Vegas. | ||
| And do live companions? | ||
| Yeah. | ||
| What if they would let us? | ||
| Well, I don't know if they'll let me. | ||
| But from like a dope fucking sweet. | ||
|
unidentified
|
Ooh. | |
| But you want to be on the floor, man. | ||
| Yeah, I like your food truck thing. | ||
| It's pretty good. | ||
| Thank you, sir. | ||
| With Bader. | ||
| Dude, I got so hungry looking at those steak and cheese. | ||
| So did I. I texted Brendan immediately. | ||
| Fuck. | ||
| They were so good, dude. | ||
| Must have. | ||
| And I'm doing a lobster roll one. | ||
|
unidentified
|
Ooh. | |
| There's a place called, fuck, I think it's Maine Lops or something like that. | ||
| They are the best lobster. | ||
| I've had that. | ||
| Cousins, son. | ||
| Yeah, I've had that. | ||
| Yeah. | ||
| They are phenomenal. | ||
| Callan, I bought you one. | ||
| Remember that fucking roll? | ||
| The best lobster roll in the world. | ||
| It's like $15 and you don't care. | ||
| I don't give a fuck. | ||
| So good. | ||
| I buy four of them. | ||
| Brian, you're worth $200,000 according to Celebrity Net Worth. | ||
| I know, so what's that? | ||
| Come on, your boy's getting fucked up. | ||
| You know he's getting fucked up. | ||
| He snatched his ankle. | ||
| This is a disaster. | ||
| Look at this. | ||
| Watch this. | ||
| Just keep your hand up. | ||
| Look at him toying with him. | ||
| Toying like a cat and a mouse. | ||
| Hitting there. | ||
| Fucking your DMs mean nothing. | ||
| Dude, you know what else we should do companions for? | ||
| Big-ass boxing fights, too. | ||
| Like Fury Wilder 2. I might be working it, but like Fury Wilder 2. Whatever you're not working, let's do one. | ||
| And my TV show, guys. | ||
| Oh, that'd be so much fun. | ||
|
unidentified
|
Hey, did you guys... | |
| No, we're not doing that. | ||
| Do you see Broner versus Pacquiao and then Broner afterwards saying that he beat that guy? | ||
| Well, we watched it in the back of my taping. | ||
| What the fuck? | ||
| I watched the whole fight afterwards. | ||
| Me too. | ||
| On Sunday. | ||
| What the fuck is wrong with him? | ||
| Did he beat the shit out of him forever? | ||
| No, he just beat him. | ||
| What's that? | ||
| That Roar movie. | ||
| Oh, you got it? | ||
|
unidentified
|
I downloaded it a long time ago. | |
| Oh, that crazy movie with the fucking lions? | ||
| Who's the goat man? | ||
| It's a guy who trained lions and did a whole movie with real lions where they wrestled them and shit and they had the lions like played actors in the movie. | ||
| Did someone die? | ||
| People got fucked up making the movie. | ||
| Oh, really? | ||
| Yeah. | ||
| Well, they're giant cats, man. | ||
| Is this the worst movie of all time? | ||
| It's a pretty bad movie, but it's like super dangerous because they taunted the lions to get them to do shit in the scenes. | ||
| What? | ||
| These actors definitely get paid enough. | ||
| How many people died during the making of that movie? | ||
|
unidentified
|
17. I think a few. | |
| People actually died? | ||
| Your boy got sidekicked in the body. | ||
| People died. | ||
| He's winning this one. | ||
| Oh, look at that. | ||
| What? | ||
| What are you talking about? | ||
|
unidentified
|
He missed. | |
| That's capoeira, bro. | ||
|
unidentified
|
Oh! | |
| Not enough capoeira. | ||
| Stand there right there. | ||
| Look at this. | ||
| That's it. | ||
| That's the third round. | ||
| Archuleta probably won, dude. | ||
| Archuleta, yeah. | ||
| 100%. | ||
| Almost inside. | ||
| That guy's a stud. | ||
| In his debut, too. | ||
| Took some hard shots. | ||
| Well, he's 21-1. | ||
| Is that his debut? | ||
| No, he's 21-1. | ||
| Not in Bellator, but... | ||
| Probably his first fight in Bellator. | ||
| What's he been fighting yet? | ||
| Why are you saying this is his debut, Brian? | ||
| I think in... | ||
| I don't know. | ||
| He wasn't fighting in Bellator for... | ||
| I think this is one of his... | ||
| What's he been fighting in, Jamie? | ||
| I mean, 21-1. | ||
| Get in there, bro. | ||
| Jack Swagger has zero experience. | ||
| He's fighting in the middle. | ||
| Fourth fight in Bellator. | ||
| God damn it, Brian. | ||
| Trying to hype the guy up. | ||
| Just throwing shit on the wall. | ||
| Just let me throw some stuff on the wall. | ||
| I thought you were friends with him. | ||
| He's my buddy. | ||
| Dude, you were on set one time. | ||
| I did a bunch of episodes of Kingdom. | ||
| Does anybody want any of this whiskey? | ||
| I'm thinking Warrior. | ||
| Does anybody else want any of this whiskey? | ||
| I don't do well in whiskey. | ||
| You think he turns into a demon. | ||
| Indian will come out. | ||
| I'll shit my pants. | ||
| What is our rating of this wine? | ||
| Is it just okay? | ||
| You know, I haven't tried it. | ||
| Is it okay to mix it? | ||
| I'm not too happy with it. | ||
| Almost corked. | ||
| Yeah, let's try the other bottle. | ||
| I'm not too happy with this, those fuckers. | ||
| This cost me a lot of money. | ||
| Do you want to be great with this? | ||
| Cheese, B. Cheese. | ||
| I got some old cheese in the fridge. | ||
| Bastards. | ||
|
unidentified
|
I forgot the cheese. | |
| Is there anything less attractive than old cheese? | ||
| I just pretend I didn't hear it. | ||
| Old cheese actually holds. | ||
| If there is, it'll be fine. | ||
| Get the fuck out of here. | ||
| My refrigerator? | ||
| Old cheese? | ||
| Old cheese sitting next to a block of elk. | ||
| I would fuck those ribs up. | ||
| How about government cheese? | ||
| What the fuck was up with that? | ||
| At school? | ||
| At school, they'd give you the government cheese? | ||
| They would give you a big block, like a loaf, and you'd go, boom! | ||
| We got government cheese. | ||
| Were you ever on food stamps? | ||
| What the fuck did they put in that cheese? | ||
| Well, it's just shitty cheese. | ||
| Did you ever get food stamps when you were a kid? | ||
| Believe it or not, my mom qualified for one month. | ||
| She made too much money. | ||
| She made like 200 bucks, 150 bucks a week. | ||
| But we did get it. | ||
| I'll never forget. | ||
| We got one for one month. | ||
| We got food stamps and we went to the supermarket. | ||
| We went to Vons on Bristol. | ||
| I'll never forget this because my mom said... | ||
| Get anything you fucking want. | ||
|
unidentified
|
Wow. | |
| Because she knew it was going to be her last one. | ||
| So we just went straight to the cereal aisle. | ||
| And generally my mom would get us like toasty oats, like a big sack. | ||
| Because she knew if she brought like Cocoa Pebbles, that shit would be gone in like 15 minutes. | ||
| Yeah. | ||
| So she would always get us like the worst cereal just so it could last. | ||
| You know, so but that time she... | ||
| What'd you get Lucky Charms? | ||
| Everything. | ||
| What did kids do before there was sugar and cereal? | ||
| Fruity Pebbles. | ||
| Cookie Crisp. | ||
| Honeycomb! | ||
| My chef made me a crab. | ||
| Count Chocula. | ||
| Alright, who won? | ||
| Who won? | ||
| Let's say yes. | ||
| Do you have a dollar ready? | ||
| Do you have a dollar ready for me? | ||
| Yeah, dude. | ||
| There's no shot your boy won. | ||
| He got taken down over and over. | ||
| Not really. | ||
| He didn't control it. | ||
| But I think he controlled the octagon enough. | ||
| Your boy landed better shots. | ||
| He won. | ||
| You win. | ||
| What was the score? | ||
| Do we know? | ||
| Doesn't matter. | ||
| It was like 100 to zero. | ||
| Here's a dollar. | ||
| Here you go. | ||
| That's a better fucking one. | ||
| Dude, look at Frank Trigg was the ref. | ||
| Did you notice that? | ||
| No. | ||
| I try not to. | ||
| Dude! | ||
| I don't want to do it to him. | ||
| What were you going to do? | ||
|
unidentified
|
That was good. | |
| I caught myself. | ||
| The better angels of your nature. | ||
| I'm getting better. | ||
| Getting better at this. | ||
| It's like a demon inside of me. | ||
| I just want to blurt it out. | ||
| 17 fight win streak, dude. | ||
| That's awesome. | ||
| Wrestlers, man. | ||
| Was that 35 or 45? | ||
| Handsome young fella. | ||
| That's a good question. | ||
| I think he's 45. I might be wrong, though. | ||
| Yeah, 45, right? | ||
| I don't know. | ||
| Is he 45? | ||
| Pretty sure. | ||
| It's hard to tell. | ||
| I'll tell you what, though. | ||
| Your boy is game and hell of a fighter. | ||
| Yeah, he's a hell of a fighter. | ||
| Fuck. | ||
| You know what, man? | ||
| If there's one... | ||
| Ooh, that nice head kick right there that he ate. | ||
| If there's one skill that a fighter should have, it is wrestling. | ||
| Yep. | ||
| Goddamn. | ||
| If you could dictate where the fight takes place... | ||
| It's everything. | ||
| That is so giant. | ||
|
unidentified
|
It's everything these days. | |
| They keep showing him getting lit up. | ||
| Brendan, I know you're against kicking to the knee. | ||
| What about stomping to the foot? | ||
| Like foot stomps. | ||
| It's a bitch move. | ||
| I remember when guys would do it, you'd be like, come on. | ||
| It's like bro code. | ||
| You're like, what the fuck are you doing? | ||
| We're stomping feet? | ||
| What kind of bitch stomps a foot? | ||
| What are you doing, bro? | ||
| It's obviously not going to affect the fight. | ||
| It's just a bitch move. | ||
| It doesn't affect the fight? | ||
| Not really. | ||
| You can't feel it. | ||
| You're so amped up. | ||
| Now, afterwards, your foot's fucked. | ||
| But during the fight, you're like, what are you doing, dude? | ||
| Can you break a foot? | ||
| You think you can break a foot? | ||
| Maybe if you're fucking Bigfoot Silva and you stomped someone's foot. | ||
| Marco Huas used to do that shit. | ||
| Yeah. | ||
| You're so hard. | ||
| I'm sure if you were a real bitch, you could do it. | ||
| If you practiced it, it's a bitch move. | ||
| What if you broke someone's foot? | ||
| If we stomped down their foot and snapped their metacarsal? | ||
| Okay, you won by foot stomp. | ||
| Congrats. | ||
|
unidentified
|
Wow. | |
| Damn. | ||
| Yeah. | ||
| Brian knows what I'm talking about. | ||
| I know exactly what you're talking about. | ||
| I don't fucking ever stomp feet when I fight. | ||
|
unidentified
|
Ever. | |
| Ever. | ||
| You notice most people don't. | ||
| Most guys don't. | ||
| John Wick used it in the bathhouse scene. | ||
| Stomped the dude's foot and shot him in the chest. | ||
| Fitch and McDonald. | ||
| When is that going to happen? | ||
| That's for the title. | ||
| That's how quick Fitch gets a shot at the title. | ||
| Well, it's because it's the welterweight tournament, so anyone who fights Roy gets a shot at the title. | ||
| It's pretty dope. | ||
| Yeah, he wrestled fuck Paul Daly, and then he's immediately getting a shot at the title. | ||
| It's a good fight. | ||
| It is a shot. | ||
| Great wrestler. | ||
| It is an interesting fight, and especially if... | ||
| I like it in Bellator, because they're a little more lenient in their substance detection. | ||
| Oh, don't get me started. | ||
| Sir? | ||
| Yes. | ||
| Excuse me, sir? | ||
| Yes. | ||
| What are you trying to say? | ||
| Well, Fitch tested positive before. | ||
| No one gives a fuck about who Pete goes in Bellator. | ||
| Roy McDonald looks like he works at Google right there. | ||
| Holy fuck. | ||
| He works in a murdering department at Google. | ||
| dude he's there somebody like leaks out some trade secrets I know. | ||
| He shows up at your house with a fucking metal pencil and shoves it through your forehead. | ||
| He looks like a guy who's in shape, but he works. | ||
| He's an engineer. | ||
| He looks exactly like the guy who plays the Riddler in Gotham. | ||
| Exactly. | ||
| No, he's the Canadian psycho. | ||
| Have you seen that? | ||
|
unidentified
|
He's the Canadian psycho. | |
| Exactly. | ||
| The thing at the end of the day about Rory is as much as you see his glasses, his preppy shirt, you look in his eyes and you go, yeah, I'm good. | ||
|
unidentified
|
You get it. | |
| Yeah, I'm all set. | ||
| I'm all set with this guy. | ||
| I'm just going to go over here. | ||
| I'm not going to argue with you, sir. | ||
| I asked him about that on the podcast a long time ago. | ||
| Look at that. | ||
| Oh, my God. | ||
| That's crazy. | ||
| Good call. | ||
| That's a crazy call. | ||
|
unidentified
|
Wow. | |
| That's crazy! | ||
| Virtually identical. | ||
| That's crazy. | ||
| In every angle. | ||
| It's not just certain angles. | ||
| It's every angle. | ||
| Dude, they're twins. | ||
|
unidentified
|
Look at that. | |
| That's crazy. | ||
| Look at him on TV and look at Rory. | ||
| That is crazy. | ||
| And Rory hates this shit. | ||
| Because I told him he should go by Canadian Psycho and he did not. | ||
| Look at that right there. | ||
| That's crazy. | ||
| That's impressive. | ||
| Dude, Fitch is a thick dude. | ||
| Fish is a fucking savage, but he's been in the game a long, long time. | ||
| At Welterweight, there's an argument. | ||
| He's one of the top, I mean, top six of all time. | ||
| He didn't lose. | ||
| Look at his record. | ||
| They fucked him over. | ||
| GSP fucked him up. | ||
| I mean, Hendricks, Johnny Hendricks fucked him up. | ||
| He's a very, very tough guy. | ||
| Dude, he went on a fucking streak for a long time. | ||
| He's an animal. | ||
| No doubt about it. | ||
| Animal. | ||
| Tough guy. | ||
| Yeah, my boy Jake Hager, also known as Jack Swagger, y'all. | ||
| He beat Eric Silva when Eric Silva was not under the care of USADA. How big is that guy? | ||
| Is he bending? | ||
| Is he not able to fit in that room? | ||
| He's taller than me. | ||
| He's a giant dude. | ||
| They say 6'7", that's bullshit. | ||
| He's 6'5", and he wrestled at Oklahoma, and he beat Kane twice. | ||
| That looks like Alice in Wonderland. | ||
|
unidentified
|
In overtime. | |
| Holy shit. | ||
| They're getting him to fight a guy who makes meatball subs for a living. | ||
| Meatball subs? | ||
| Oh my god. | ||
| Oh boy. | ||
| I like that right hand. | ||
| That one right there? | ||
| Dude, I like his shoulders. | ||
| I like the chicken and waffles Roscoe's in the background representing. | ||
| Dude, that guy's about to get... | ||
| When was the last time he ate at Roscoe's? | ||
| Dude, when I was in Vegas for Fight Week when Tony fought Anthony Pettis, they got this chicken and waffle place. | ||
| I forget what it's called, but it's a chain. | ||
|
unidentified
|
Dude, I eat chicken and waffles every fucking day, dude. | |
| It's a delicious combo. | ||
| Jesus Christ, I forget the name of it, but it's a chain. | ||
| It's a good way to get fat. | ||
| Dude, I heard Max always in Dublin right now. | ||
|
unidentified
|
Did you see that? | |
| Yeah, it was hilarious. | ||
| Vacation? | ||
| He did a whole thing, a series of posts from a whiskey place, talking about how great this whiskey is, the best whiskey in Ireland. | ||
| That's hilarious. | ||
| And people are like, he's throwing shade, he's throwing shade. | ||
|
unidentified
|
I love that. | |
| How is he throwing shade? | ||
| They paid him. | ||
| They paid him to go out there. | ||
| He's the fucking featherweight champion of the planet Earth. | ||
| Superstar. | ||
| He goes out there, they paid him, but they paid him to go to Dublin. | ||
|
unidentified
|
Whoever did that, they made him a bottle with his name on it. | |
| Who did that? | ||
| The whiskey company. | ||
| They made a bottle for him. | ||
| Jameson? | ||
| Oh, dude, what a classic move! | ||
| Classic move! | ||
| Fuck your proper whiskey! | ||
| Check this out! | ||
| Wow! | ||
| Champ Champ what? | ||
| I'm a fan of proper whiskey, however... | ||
| Have you tried it? | ||
| I'm not a whiskey guy. | ||
| Why don't you try some Buffalo Trace, motherfuckers? | ||
| I don't know good whiskey. | ||
| That could be piss. | ||
| Is that a good whiskey? | ||
| Oh, it's very good. | ||
| Really? | ||
| I'll try it. | ||
| Is that on rocks? | ||
| Hold up. | ||
| Hold up. | ||
| You ready for this? | ||
| Yeah. | ||
| This company was established in 1773. It's not an ad right now. | ||
| It is an ad. | ||
| Oh, it is? | ||
| At the beginning of the podcast, it's an ad. | ||
| Hold on. | ||
| This is legitimate. | ||
| I like a good whiskey. | ||
| They've been around since the 1700s. | ||
| Really? | ||
| Where's your fucking glass? | ||
| I don't have one, apparently. | ||
| Brian, you scared. | ||
| No, I understand. | ||
| Let your birthday get fucked up. | ||
| No, I got my wrap party later. | ||
| Wrap these nuts in your mouth. | ||
|
unidentified
|
What? | |
| What are you talking about? | ||
| I would eat the wrap party. | ||
| This is the wrap party, bro. | ||
| I wrapped my TV show. | ||
| I'll just have a sip of his. | ||
|
unidentified
|
Cheers. | |
| I'll have a sip of Brian's. | ||
| You don't want to waste it. | ||
| First shot I've ever done that got good rating. | ||
|
unidentified
|
Try it. | |
| Tell me what's up. | ||
| What's up? | ||
| Yeah. | ||
| That's beautiful. | ||
| That's beautiful. | ||
| That's a beautiful whiskey. | ||
| That's real. | ||
| What is that called? | ||
| Buffalo Trace. | ||
| That's a beautiful whiskey. | ||
| No bullshit. | ||
| This shit's really been around since the 1700s. | ||
| Really? | ||
| Yeah. | ||
| Smooth whiskey. | ||
| What did I say? | ||
| The oldest running whiskey in the country? | ||
| Yeah. | ||
| Oldest running distillery on the planet Earth. | ||
| That's a smooth whiskey. | ||
| It's real shit, bro. | ||
| I love a good whiskey. | ||
| That's real shit. | ||
| I like Blanton's. | ||
| I like that. | ||
| I like Nika Coffee Grain. | ||
|
unidentified
|
Oof. | |
| I don't like whiskey, and that is smooth as fuck. | ||
| Smooth as fuck. | ||
| You know what? | ||
| It's earthy caramel. | ||
| Correct, sir. | ||
| Earthy? | ||
| You got some earth and some caramel on it. | ||
| That's weird with people with wines. | ||
| Oh, it's got tannins. | ||
| Hey, I just said that because I heard Calum say it before. | ||
| How about this? | ||
| It's not earthy. | ||
| I don't know what earth tastes like. | ||
| I'm with my buddy who made a lot of money. | ||
| Hold on. | ||
| Conversations. | ||
| I go to my buddy, and my buddy made a lot of money. | ||
| Whatever you think is a lot, he made more. | ||
| We go to the vault, and the sommelier is there. | ||
| And he's looking at wines that are, you know, $700, something crazy. | ||
| So we're going to get a crazy wine, eat a bunch of caviar. | ||
| And he goes, and she said, how would you describe this? | ||
| I've never had this, but I've had the sister wine. | ||
| And she said, it's like getting roundhouse kicked in the face by a ballerina. | ||
| The chick said this? | ||
| That's really how you can describe this wine? | ||
| It tells me nothing. | ||
| Was it nice? | ||
| That makes me think you're an asshole. | ||
| Dude, I don't have a drink. | ||
| This might be my fucking drink. | ||
| If a ballerina roundhouse kicks me in the face, I'm like, I'm hanging around with the wrong girl. | ||
| I gotta get the fuck out of here. | ||
| Not me, I think filthy. | ||
| This bitch kicked me in the face. | ||
|
unidentified
|
Filthy. | |
| I think filthy. | ||
| Yeah, but a girl kicks me in the face, she's definitely gonna call TMZ. You ever had a girl hit you? | ||
| I had a girl swing at me once, back when I was fighting. | ||
| And I saw her hand come up, and I saw her shoulder go back, and I saw her right hand come my way, and I'm like, I don't believe this is even happening. | ||
| Did you double like a bitch? | ||
| I ducked under her, and I just grabbed her. | ||
| I ducked under the right hand and grabbed her. | ||
| I didn't even think about hitting her, because it was so ridiculous. | ||
| I had a girl reach down and grab a boot. | ||
| I said, you're being dumb. | ||
| I didn't say you're dumb. | ||
| I said, you're being dumb. | ||
| She was trying to hit you? | ||
| She didn't just try to hit me. | ||
| She reached down. | ||
| She goes, I'm dumb. | ||
| I said, you're being dumb. | ||
| I didn't say you're dumb. | ||
| She goes, I'm dumb. | ||
| And I went. | ||
| And before I could get out, she fucking, she was athletic. | ||
| She reached down and grabbed my boot. | ||
| She grabbed my boot. | ||
| By the, you know, and swung so hard and I remember I ducked. | ||
| I just saw it coming and I just went, I ducked and it made a, it crashed into my closet, you know, and it just went, and made a huge hole. | ||
| Was this back when you didn't have a door knob? | ||
| Uh, that's true, sir. | ||
| That was the house. | ||
|
unidentified
|
Yes. | |
| The first time I went over to Brian's house, he has no doorknob. | ||
| Yep. | ||
| Like, there's a hole. | ||
|
unidentified
|
Yep. | |
| He was a front door? | ||
| Yeah. | ||
| I pushed his door open. | ||
| Jesus, dude. | ||
| And I go, bro, you don't have a doorknob. | ||
| He's like, ah, I gotta get it fixed. | ||
| So, one day, a homeless lady walked into his house and started making breakfast. | ||
| I had two pit bulls, too. | ||
| He was asleep. | ||
| A homeless lady was making breakfast in his kitchen. | ||
| She's like, you got a really nice house. | ||
|
unidentified
|
Yeah. | |
| Just chilling? | ||
| I actually wasn't asleep. | ||
| I came home, and the neighbors were freaking out. | ||
| They called the cops to come in, and she goes, and I'm in there, and she's making me a whole meal. | ||
| And I came, and my dogs were there, and she's like, honey, you got it going on. | ||
| You got it going on. | ||
| And I was like, and the cops came. | ||
| I was like, no, no, it's fine. | ||
| I go, thank you, sweetheart. | ||
| No doorknob. | ||
| Who called the cops, though? | ||
| The neighbors. | ||
| There was no doorknob. | ||
| She was making me a full meal. | ||
| It was fantastic. | ||
| Makes sense. | ||
| You fucked her, too. | ||
|
unidentified
|
I was going to say, not terrible looking. | |
| Really? | ||
| Back then I was like, you know what? | ||
| Maybe. | ||
| Roll the bag. | ||
| I mean, if you got a little less crack, a year before the crack epidemic, maybe. | ||
| Dude, when I first started training, the girls I would date, because I was training all the time, whenever we'd get an argument, they'd hit me. | ||
| Not in the face, they'd always punch me or push me. | ||
| I hated it. | ||
| Because you're so big. | ||
| I hated it. | ||
| Because they didn't get away with it. | ||
| Correct. | ||
| Because it's like hitting a punching bag. | ||
| Not cool, man. | ||
| Nothing's going to come their way. | ||
| Correct. | ||
| And then I remember I was living in this basement with all these roommates, and me and my girl at the time were fighting, and I was, like, lifting a lot. | ||
| It was probably 265 at the time. | ||
| And she did something that horrible, I forget what, but it pissed me off. | ||
| And there was a couch, and I wanted to leave. | ||
| And I remember I was like, just fucking do it! | ||
| I lifted up the couch, and to me, you know, I thought it was a heavy couch, but it was like one of those Ikea couches. | ||
| This thing went poof! | ||
| And fucking hit the ceiling, landed on the wall, and she's like, oh my god. | ||
| I was like, oh shit, that's not good. | ||
| And then you fucked and she got hot. | ||
| No, she wanted to call the cops. | ||
| I'm like, for throwing a sofa? | ||
| I didn't mean to launch this shitty sofa. | ||
| Can you get in trouble for throwing a sofa? | ||
| I don't think you can. | ||
| I don't think so. | ||
| If the cops came, you'd be like, I didn't throw it at her. | ||
| They have to arrest someone if it's a domestic violence call. | ||
| So even if it's not true, they gotta take me away. | ||
| Yeah, but if it's not violence, if the cops come... | ||
| Hashtag no Greg Hardy. | ||
| But if the cops come and you say, I didn't do anything violent to her, I just got mad and I threw the sofa over there. | ||
| Yeah, but then crazy bitches go, yeah? | ||
|
unidentified
|
I know a guy who did that with a girl. | |
| He started clawing his own arms. | ||
| Oof, yeah. | ||
| He's kind of a pussy. | ||
| Just his arms. | ||
| Do your face, bro. | ||
| That's my joke where I talk about sometimes you get so mad at a girl that you want to kill yourself. | ||
| I don't think that's what happened. | ||
| I think he did that because he thought that she was going to fucking do it to him. | ||
| He thought that she was going to call the cops. | ||
| They were screaming at each other and they probably thought the neighbors heard. | ||
| And he's like, I'm gonna just fucking... | ||
| He just started clawing himself. | ||
| Yeah, but I told you the story where I was breaking up with a girl. | ||
| It's like foot stomp. | ||
| You remember that story I told you where I was breaking up with a girl. | ||
| She was moving out of my house. | ||
| She started opening my windows going, stop hitting me! | ||
| Oh, yeah. | ||
| And I was like closing the window. | ||
| Dude, this looks like an even match. | ||
| We know you don't hit me. | ||
| Look at this fight they're setting. | ||
| Dude, look at the jeans. | ||
|
unidentified
|
He looks like the fucking guy from Orange County Choppers. | |
| He's going to fight in those jeans just so he can get dressed quick on the way out. | ||
| What a beast. | ||
| Yeah, this is a set. | ||
| Here's the fight. | ||
| Ready? | ||
| Take down. | ||
| Ground and pound. | ||
| Stoppage. | ||
| In a minute. | ||
| Quickly. | ||
| Yes. | ||
| Yeah. | ||
| This is a set up. | ||
| I don't like that. | ||
| Is that his debut? | ||
| He's never fought before. | ||
| So have him fight in a smaller organization. | ||
| Or not. | ||
| Just feed him to these fucking... | ||
| He shouldn't be in jeans. | ||
| He shouldn't be in jeans. | ||
| It's not disrespectful to him, and it's not disrespectful to the sport, but it's disrespectful to a large-scale organization to have a guy who's a guy who's coming in from pro wrestling, who's got a big fan base. | ||
| Do it the right way, and then eventually make your way into a big organization. | ||
| Greg What are you talking about? | ||
| He's a co-main event on ESPN. Well, how'd that go? | ||
| How'd that work out? | ||
|
unidentified
|
Awful. | |
| We watched it together and we were clowning it the whole time. | ||
| Yeah, it was a joke. | ||
| Well, I knew that guy was fading quick. | ||
| We were talking about it in your green room. | ||
| I was like, he's fading. | ||
| I don't like the way he's stepping. | ||
| He looks exhausted. | ||
| He tired out quick. | ||
| Then he hit that dude with an illegal knee. | ||
| Do you think he's still going to be in the UFC after that? | ||
| 100%. | ||
| They've invested too much in him. | ||
| Dana said he's going to give him another fight. | ||
| Really? | ||
|
unidentified
|
Wow. | |
| Interesting. | ||
| Interesting. | ||
| It's a bummer, but that's the life we live. | ||
| And what do you do with him? | ||
| What do I do with him? | ||
| Francis Ngannou. | ||
| Wouldn't his learning curve... | ||
| I give him Derek Lewis and give him the fuck out of it. | ||
| I go, oh, you like to kill women? | ||
| Here's Derek Lewis who came from a domestic violence home. | ||
| He's pretty good. | ||
| Enjoy this. | ||
| Oh, you want to be a fighter? | ||
| Here's Derek Lewis. | ||
| Derek! | ||
|
unidentified
|
Derek! | |
| But that guy, you know, he has... | ||
| How many fights has Greg Hardy had? | ||
| What's that? | ||
| That'd be his fourth? | ||
| He had three on the whatever. | ||
| Dan and White. | ||
| With a guy like that, he was a pro bowler, really athletic. | ||
| Wouldn't his learning curve be very, very steep or quick? | ||
| Wouldn't he? | ||
| He has the potential. | ||
| There's too much to download, especially at his age. | ||
| He's 30. So you've got to download a lot of information. | ||
| So maybe he's working a lot on striking, but you can't cover jiu-jitsu, kickboxing, wrestling, boxing, all that. | ||
| No matter who you are. | ||
| No, it doesn't matter. | ||
| Yeah. | ||
| Take Herschel Walker. | ||
| It doesn't matter if they're that great of an athlete. | ||
| It takes a fucking while to learn the skill, man. | ||
| Well, Herschel Walker was a world-class athlete and a lifelong martial artist. | ||
| Correct. | ||
| Different animal. | ||
| Yeah, different animal. | ||
| But I'm saying even if you take an athletic... | ||
| Like, LeBron James would struggle. | ||
| If you threw him to the UFC. I firmly believe that Herschel Walker would have given a lot of dudes a hard fucking time. | ||
| At his age or if he started earlier? | ||
| Even in his 40s. | ||
| Even in his 40s. | ||
| I think he was such a fucking freak stud of an athlete. | ||
| He's such an outlier. | ||
| He would have given a lot of guys. | ||
| He had world class speed. | ||
| He had 235. He was running Olympic speed. | ||
| He was in the Olympics. | ||
| He was such a freak. | ||
| Super freak. | ||
| He's such an unbelievable, and a real martial artist. | ||
| He really had skills. | ||
| When I first saw him fight the UFC, or Strikeforce rather, I was like, oh my god. | ||
| He can actually fight. | ||
| Dudes are scared of him. | ||
| He was moving in the right way. | ||
| He wasn't doing anything wrong. | ||
| He was taking guys down, smashing them, and the physical power that he had was just scary. | ||
| Well, his body is so stupid. | ||
| Ridiculous. | ||
| And also the team he trained with, AKA. | ||
| He did it right. | ||
| He went to the right place. | ||
| And they gave him the right fights. | ||
| It was good. | ||
| But if he started younger, you'd have a real problem on your hands. | ||
| Real problems. | ||
| Yes, real problems. | ||
| If he wanted to be an actual fighter. | ||
| It's interesting because when you get elite athletes, how many of them actually want to fight? | ||
| Who's the most elite athlete? | ||
| In the UFC? I think Yael Romero. | ||
| Yes. | ||
| 100%. | ||
| I think you're right. | ||
| And he's a wrestler, Cuba. | ||
| In Cuba, it's either boxing or wrestling. | ||
| Yeah, but remember, Yoel Romero is a freak and so amazing because he came to MMA at, what, 35? | ||
| Yeah. | ||
|
unidentified
|
30? | |
| Yoel Romero is going to be 62 years old walking on the beach with a dick like a fucking Quaker Oats box. | ||
| Yeah. | ||
| Just hanging between his legs. | ||
| Correct. | ||
| Dude, he's fighting a fucking homeboy. | ||
| The other dying piece. | ||
|
unidentified
|
Yeah, I know. | |
| Eddie Bravo sent us the fucking tweet. | ||
| Hey, I just reposted it. | ||
| He just sent it to us. | ||
| But it's hilarious. | ||
| That's some private shit. | ||
| It's hilarious. | ||
| I didn't make that. | ||
| It was a meme that I sent to it. | ||
| We got a little group. | ||
| I'm sending it to Jamie right now. | ||
| It's fucking great. | ||
| We got a little group. | ||
| I didn't make the meme up. | ||
|
unidentified
|
Who is this guy? | |
| Who is this guy? | ||
| You would never do that. | ||
| J.W. Kaiser. | ||
| I don't do memes. | ||
| He's some guy who's about to get fucked up, Brian. | ||
| Don't need to download his information. | ||
| The guy coming up, Jack Swagger, is the guy you should probably take notice of. | ||
| Okay. | ||
| I'm not mad at the Bellator girls. | ||
| I'm not mad at all. | ||
| Oh, dude. | ||
|
unidentified
|
Mercedes? | |
| I'm not mad at all. | ||
| Oh, my. | ||
| Yeah. | ||
| Wow. | ||
| Paula Costa and Yolo Romero for sure have the best boy at DC. 100%. | ||
| 100%. | ||
| 100%. | ||
| You toss Luke Rocko pound for pound? | ||
| Yeah, but Luke Rocko's longer and thinner. | ||
| He's beautiful and all that. | ||
| He's a model. | ||
| He's beautiful, but there's a big difference. | ||
| He doesn't look like a gorilla. | ||
| Look at this. | ||
| Yolo Romero versus Paula Costa. | ||
| Who made that? | ||
| Who made that? | ||
|
unidentified
|
I don't know. | |
| It's fucking great. | ||
| Eddie sent that to us today. | ||
| We're fucking crying. | ||
|
unidentified
|
Howling. | |
| Howling. | ||
| I did not make that. | ||
| No, but you sent it. | ||
| I did not make that. | ||
| You did make it. | ||
| I don't even agree with it. | ||
| I agree with it. | ||
| I sent it. | ||
| I agree with it. | ||
| This is private. | ||
| Damn! | ||
|
unidentified
|
You have to agree with it. | |
| That was private. | ||
| I agree with it. | ||
| I don't even want to know what to say right now. | ||
| I'm fucking outraged. | ||
| Let me say that shit. | ||
| You stay off the whiskey, bro. | ||
| I'm trying to get fired. | ||
| They're calling me in this week to do fucking the breakdown shit. | ||
| Fright breakdowns. | ||
| I think you saw the test two more. | ||
| That dude's got a Bellator tattoo on his back. | ||
| Oh shit, he does. | ||
| It's like slash Bellator slash The Caribbean slash 300 movie. | ||
| He's enthusiastic as hell. | ||
| Imagine if a guy had all Johnny Depp's tattoos. | ||
| That'd be sick. | ||
| No, the other guy's a pro wrestler. | ||
| I don't know anything about him. | ||
| Yeah, in the NWF for a long time. | ||
| I think this guy's going to win. | ||
| Anyone want to bet? | ||
| Let's bet $10. | ||
| I'll bet you the dollar that I lost on Brian. | ||
| No, $20. | ||
| $20. | ||
| $20. | ||
| All right. | ||
| Did I take that dollar? | ||
| I actually took it, didn't I? I gave you a dollar, bro. | ||
| Nice. | ||
| You're the guy that doesn't think CM Punk should have gotten a shot. | ||
| And now you're favoring this pro wrestler? | ||
| See, that's the problem, Eddie. | ||
| CM Punk doesn't have any amateur background. | ||
| This dude beat Cain Velasquez twice in college. | ||
| Oh, he's a wrestler. | ||
| Legit. | ||
| I take it back. | ||
| I don't want to take your money. | ||
| Who beat Cain? | ||
|
unidentified
|
Jack Swagger beat Cain Velasquez in college. | |
| He wrestled at Oklahoma. | ||
| Had offers from Oklahoma State, everyone, and decided to go to Oklahoma. | ||
| What's his real name? | ||
| Jack Hager. | ||
| Hager's a good name. | ||
| Handsome guy. | ||
| Handsome guy. | ||
| Great dude. | ||
| Really good dude. | ||
| 17 feet tall. | ||
|
unidentified
|
Humble too. | |
| Pretty humble. | ||
| What is he? | ||
| 6'7". | ||
| Taller than you. | ||
| Jesus Christ. | ||
|
unidentified
|
He's tall. | |
| He's not 6'7". | ||
| What is this? | ||
| It's his birthday. | ||
| It's vitamins Take a real It's your birthday Don't take a real I got a drive Take a hit Don't take a hit Take a hit Take a real I got a drive It's his birthday I got a drive It's Brian's birthday It's your birthday I can't You have a Tesla You have a Tesla Yeah you got a Tesla Will I be cool? | ||
| You're going to be so much funner on the set You think so guy Elon Musk took a hit I just want to be friends with you guys Come on, just don't inhale. | ||
| Do it, bro. | ||
| No, I don't want this. | ||
| It's your birthday. | ||
| Come on, bro. | ||
| It's your birthday. | ||
| It'll make me sluggish. | ||
| It'll make me sluggish like you guys. | ||
| Killer Mike's like that. | ||
| Yeah, yeah, yeah. | ||
| Killer Mike, dude. | ||
| Come on, bro. | ||
| All right, that's good. | ||
| I don't want you getting crazy. | ||
|
unidentified
|
Look. | |
| That's nothing. | ||
| That was nothing. | ||
| Come on, man. | ||
|
unidentified
|
Elon Musk took a big ass down. | |
| There you go. | ||
| Let me see. | ||
| Blow it out. | ||
|
unidentified
|
That's legit. | |
| You got nothing. | ||
| It's his birthday. | ||
| I can't smoke weed, man. | ||
| Dude, no one's not your birthday. | ||
| You know what? | ||
| It's not your birthday. | ||
| Fuck it. | ||
| I'm only a wine guy. | ||
| Oh shit, look at this! | ||
| Who's this? | ||
| Turn this up. | ||
| I want to hear him. | ||
|
unidentified
|
Is that an OSP? No, it's an OSP. He's got nice pants and shoes. | |
| Ovin St. Prue is rapping? | ||
| No. | ||
| Is that what you just said? | ||
| Check the pants and the shoes. | ||
| I think you might approve. | ||
| What is he doing? | ||
| We the people? | ||
| Oh, my God. | ||
| Oh, that's his walkout song. | ||
| Well, lucky for us. | ||
| What do you think about the pants and the shoes, Brendan? | ||
| I like the red jeans, but I don't like the white shoes with it. | ||
| Eddie, let me ask you this. | ||
| You ever think you'd get into fashion, or are you just like me? | ||
| You know what? | ||
| If I was single, I'd be all up in fashion. | ||
| I'd be hanging out with Brendan. | ||
| Dude, you liked fashion back in the day. | ||
| What are you talking about? | ||
| That vintage moto jacket? | ||
| How bad my style was. | ||
| This is what I would wear. | ||
| I would wear bowling shirts that were very flashy. | ||
| I would find them and they were shiny and I'd wear them on stage. | ||
| We were probably headed to a show. | ||
| Brian and I were probably on our way out to a show. | ||
| Brian, do you have any idea where we were going in that photo when we were 12? | ||
| Yeah, I know exactly where we were going. | ||
| Where were we going? | ||
| You had performed at the Gotham Comedy Club. | ||
| Shout out to my boy Chris Mazzilli. | ||
| I did, dude. | ||
| Big one. | ||
| And you crushed him. | ||
| We were with Patty Jenkins. | ||
| In fact. | ||
| And you crushed the room. | ||
| I remember you crushed it. | ||
| And then we were with my friend Marie Miserudino. | ||
| I wasn't very funny back then. | ||
| Long ago? | ||
| What do you mean you weren't? | ||
|
unidentified
|
What year? | |
| What year was that sloppy? | ||
| You used to crush rooms. | ||
| What year? | ||
| Oh, dude. | ||
| In 90... | ||
| Remember him in 98, 99? | ||
| That was just your first CD. When he would do the tiger fucking... | ||
| You would crush rooms. | ||
| I told you that. | ||
| I've never seen anybody crush Room when you would do that shit when you were younger. | ||
| It was nuts. | ||
| You'd come off completely drenched in sweat. | ||
| Shout out to Baby Slice, Kimbo Slice's son. | ||
| Is that true? | ||
|
unidentified
|
Yeah, bro. | |
| His name's Baby Slice. | ||
| I don't know. | ||
| Shit, I gotta go. | ||
| No, you don't, bro. | ||
| When's your wrap-out parties end? | ||
| I gotta go to... | ||
| It doesn't start until you get there. | ||
| Yeah, when does the party end? | ||
| Midnight. | ||
| But it's your show, right? | ||
| Yeah, so I gotta... | ||
| It's 7.30, B. What time does it start? | ||
|
unidentified
|
8? | |
| It starts at 7, but I got time. | ||
| Oh, dude. | ||
| Yeah, 8.30. | ||
| Wait a couple hours. | ||
| Wait for the food to get out, bro. | ||
| Bro. | ||
| Imagine if you get there and there's no one there. | ||
| If you go there now, you're gonna be met with the extras who have scripts for you. | ||
| Yeah. | ||
| Hey, Brian, I want to talk to you about this independent film. | ||
| Dude, let me on your podcast. | ||
| On your podcast. | ||
| Do you have people try to get on your podcast and you don't want on your podcast? | ||
| What do you do? | ||
| All the time, B. We have some issues for that. | ||
| And we blame each other. | ||
| I go, you've got to talk to Brian. | ||
| He books all of it. | ||
| That's what I do. | ||
| And Brian blames me. | ||
| He goes, you've got to talk to Shab. | ||
| He books it. | ||
| I just say this. | ||
| I say the truth. | ||
| I say we have sponsors. | ||
|
unidentified
|
No, you don't. | |
| They don't let you. | ||
| I called them. | ||
| They said no. | ||
| We hear about it. | ||
| We hear about it from our sponsors. | ||
| And also, Brendan doesn't like you. | ||
| I say those things. | ||
|
unidentified
|
No. | |
| Oh, so your homeboy's 36? | ||
| Hager's 36? | ||
| Yeah, he wrestled for 12 years out of college. | ||
| I like how he's going with his real name. | ||
| He wrestled... | ||
| He has to. | ||
| That's legit. | ||
| Like, you know The Rock can't go as The Rock in movies anymore? | ||
| Otherwise, WWE gets a percentage of it? | ||
| Because they own the name The Rock? | ||
| Yeah. | ||
| Oh, so he's a legit professional wrestler, as in? | ||
| WWE for 12 years, but before that, wrestled at Oklahoma. | ||
| Like, legit wrestling background. | ||
| How badass. | ||
| Oh, and got a scholarship. | ||
| Hold up. | ||
| First of all, this is how much of an athlete he is. | ||
| Got a scholarship to play football at Oklahoma, and then was like, eh, I don't know about this, and went and did wrestling instead. | ||
| Jesus. | ||
| Freak. | ||
| Jesus. | ||
| Freak. | ||
| Oklahoma's as big as they get. | ||
| He was there the same time I was there. | ||
| So he's a walk-on? | ||
| Was he a walk-on? | ||
| I think they gave him a scholarship. | ||
| To both? | ||
| Yeah, he's a monster. | ||
| So did he wrestle in high school as well? | ||
| Yeah. | ||
| This guy looks... | ||
| I'm sorry, all due respect, that guy looks like a regular guy. | ||
| He sells cheesesteaks. | ||
| Dude, he sells tires. | ||
| Is that true? | ||
| Yes. | ||
| And discount tires. | ||
| Alright, well, so this is his first... | ||
| If this guy's listening at one point in his life, no disrespect, bro. | ||
| No. | ||
| No, tires is fucking tough. | ||
| He's in there. | ||
| He might win by knockout. | ||
| By the way, he's in there. | ||
| You gotta respect anybody. | ||
| Imagine if that tire salesman just fucking hits him with a hammer. | ||
| He got himself in there. | ||
| Yeah, he's a professional fighter. | ||
| He'll beat the shit out of me. | ||
|
unidentified
|
Ah, Mike Beltran. | |
| Could Mike Beltran beat him up? | ||
| Yes. | ||
| Well, Mike Beltran would kill him with his mustache. | ||
| Correct. | ||
| He's got that shit ready in case a motherfucker slips. | ||
| He's a good man. | ||
| Mike Beltran is a brown belt in jiu-jitsu. | ||
| He's a legit referee, too. | ||
| Also one of the best refs and legit person. | ||
| Yeah, really good guy. | ||
| Super smart. | ||
| Great guy. | ||
| He always gives you a real warm hug, and he's a very, very good referee. | ||
| And his beard smells like olives. | ||
| I'd say he's the top three referee on the planet. | ||
| Hands down. | ||
| 100%. | ||
| And a great guy. | ||
| You know, there's a few. | ||
| Well, I don't even want to put them in order. | ||
| You don't have to. | ||
| Here's one who doesn't get enough love, Josh Rosenthal. | ||
| Oh, he got clipped! | ||
| Oh boy. | ||
| Here's the wrestling. | ||
| Here it comes. | ||
| Dude, Rosenthal didn't get left because he was gone for eight years. | ||
| No, no, no. | ||
| He wasn't gone for that part. | ||
| Oh boy. | ||
| Six? | ||
| He went away for... | ||
| No. | ||
| I don't even think it was three. | ||
| He went away for a while. | ||
| Oh, how dare you. | ||
| He got longer than three, bro. | ||
| A couple years. | ||
| He got six years, right? | ||
| I think... | ||
| I don't know. | ||
| Over some shit that he wouldn't be... | ||
| That's legal now. | ||
| Yeah, that's legal. | ||
| I'm saying... | ||
| I love Josh. | ||
| He's the best. | ||
| But I'm just saying he went away for a hot minute. | ||
| There was also... | ||
| I think you have guns and it's not just pot. | ||
| You get caught with guns and pot together. | ||
| Yeah, that's a no-no. | ||
| Even if you have the guns legally, I think there's a lot of shit. | ||
| Your boy Swagger's about to... | ||
| Submit him? | ||
| Well, he's in half guard. | ||
| The Ron Waterman fucking key lock. | ||
| Can't he go with that with the old key lock? | ||
| You can win a Kimura from half guard. | ||
| Fuck yeah. | ||
| You definitely can. | ||
| Oh, there you go. | ||
| He's got it. | ||
| He just needs to sit back. | ||
| There you go. | ||
| Well, don't do the straight arm. | ||
| He's not sure how to do it, though, is he? | ||
| No, he does. | ||
| He's trying to power his way through it. | ||
| Matt Hughes tapped somebody with a Kimura from half guard. | ||
| That's my shit. | ||
| Matt Hughes tapped Joe Riggs with a Kimura from half guard. | ||
| Oh, shit. | ||
|
unidentified
|
I believe. | |
| Oh, that was a big elbow that just missed. | ||
| Head and arm. | ||
| Get that head and arm. | ||
| Once wrestlers, like a real wrestler, gets a hold of you, like a Matt Hughes or this character, Oh, shit. | ||
| That could be it right there. | ||
| Gorilla strength. | ||
| Those elbows, dude. | ||
|
unidentified
|
Holy shit. | |
| You know who's one of the strongest people I've ever... | ||
| Football, NFL, UFC? Who? | ||
| Bobby Lashley. | ||
|
unidentified
|
Oh, Jesus. | |
| That motherfucker is, hashtag no racist, gorilla strong. | ||
| Fucking will squeeze your dick off. | ||
| He's so jacked. | ||
| He's a bad situation for a guy. | ||
| And such a good wrestler. | ||
| Yeah, so jacked. | ||
| I mean, he might have the most muscle. | ||
| Get that head and arm! | ||
| Get that head and arm! | ||
| Oh, that's the arm. | ||
| She's got the smash down. | ||
| He's pushing up. | ||
| He's still trapped in half guard. | ||
|
unidentified
|
It's over. | |
| It depends on how tough this guy is. | ||
| It depends on how tough this guy is. | ||
| I don't know, man. | ||
| It's over. | ||
| And that's it. | ||
|
unidentified
|
See? | |
| Eddie Bravo. | ||
| Jack Swagger, baby. | ||
| Congrats. | ||
| That's why Eddie Bravo teaches jiu-jitsu. | ||
| Look at him. | ||
| He looks good, man. | ||
| Well, now a huge guy, man. | ||
| Big guy. | ||
|
unidentified
|
Huge. | |
| Jesus Christ. | ||
| And a competitor. | ||
| Yeah. | ||
| I mean, he has some work to do, obviously, but he looks great. | ||
| For sure he does. | ||
| And he's going to get on the mic and rip a great promo. | ||
| Yeah, but... | ||
| That's what he does. | ||
| Let's hear the promo. | ||
| We'll definitely hear the promo. | ||
| He's a heel, so you know he's good on that mic. | ||
| But listen, that guy's fucking tough. | ||
| That guy he fought... | ||
| That guy's, I mean, he gutted it out for as long as he said, don't look at me while I'm saying this. | ||
| Look at Brendan's soft glare. | ||
| Brendan's giving you the soft glare. | ||
|
unidentified
|
He's a soft guy! | |
| We call that the soft glare. | ||
| He might not be the most skillful, and he definitely couldn't handle this huge top flight wrestler. | ||
| Probably didn't belong in there with a guy that athletic and strong. | ||
| Hey, Brendan, let me ask you this. | ||
| How many guys you know that have fucked up, chipped up elbows? | ||
| That's a super common thing, right? | ||
| Here? | ||
| How fucked up are yours? | ||
| That's shit floating around in here. | ||
| Little bone chips and shit? | ||
| Jesus Christ. | ||
| And I wasn't a big elbow guy. | ||
| Just life. | ||
| Did you ever see that picture of Jacare? | ||
| Jacare went to the hospital to get bone chips taken out of his elbow? | ||
| No. | ||
| Dude, it was like, you know how they put a little cup of nuts on your table when you go to a nice restaurant? | ||
| Or when you're on the airplane? | ||
| Macadamia nuts. | ||
| That's what it looked like. | ||
| Airplane nuts. | ||
| When they dropped the nuts off, that's what it was in his elbow. | ||
|
unidentified
|
What? | |
| But just macadamia nuts. | ||
| That's it right there. | ||
| Oh, no! | ||
| That's all the shit from Jacare's elbow. | ||
| What the fuck? | ||
| Fuck, man. | ||
| Yeah, bro. | ||
| Listen, when you just won't tap like Jacare, did you ever see that? | ||
| It wasn't Abu Dhabi. | ||
| What was it? | ||
| Was it the Mundials when he got armbarred by Hodger and he wouldn't tap and Hodger broke his arm and he tucked his arm in his jacket and won a decision? | ||
| Oh, Christ. | ||
| Do you remember that? | ||
| Oh, my God. | ||
| Elbows. | ||
| Hodger tucked his arm. | ||
| Was it Hodger? | ||
| Hodger tucked his arm. | ||
| Again, oh, I'm wrong. | ||
| Yeah. | ||
| Who tapped him, though? | ||
| It wasn't Jacare, was it? | ||
| No. | ||
| Was it Bouchesha? | ||
| Did you ever roll with Buchesha? | ||
| Did the same thing happen with Jacare, though? | ||
| I feel like Jacare got his arm broken and he would not tap. | ||
| And he wound up winning the fight. | ||
| I know. | ||
| That happened with Vinny Magalhães and Fabricio Verdum. | ||
| That's true. | ||
| That happened there, too. | ||
| Fabricio had... | ||
| Hadra Gracer breaks Jacare's arm. | ||
| Yes, thank you. | ||
| Jesus Christ. | ||
| Don't ever question my fucking goofy memory. | ||
| That memory that makes no sense. | ||
| Hadra also tucked his away, too. | ||
| Yeah. | ||
| Look at that. | ||
| So Jacare got his arm fully snapped and just would not fucking tap. | ||
| How good is Jacare, by the way? | ||
| Well, how good is Hadra? | ||
| Hadra's breaking his arm here. | ||
| I mean, I meant Hadra. | ||
| He almost tapped there, it looked like. | ||
| He almost tapped. | ||
| So he gets out, and when he gets out, his arm is fucksville. | ||
| So they stand him back up again. | ||
| Now watch when they stand him back up again. | ||
| He realizes his arm is fucked, and so he can't use it. | ||
| So check this. | ||
| He tucks it in his fucking belt. | ||
| What a tough motherfucker. | ||
| Dude. | ||
| Savage. | ||
| What a tough motherfucker. | ||
| Savage. | ||
| Wouldn't tap. | ||
| Won the decision. | ||
| Dude, Jacare's such an animal. | ||
| Animal. | ||
| Did they give him a fight? | ||
| I think Jacare's fighting soon. | ||
| I think he's got a good fight. | ||
| It's a good fight, right? | ||
| Who is it? | ||
|
unidentified
|
Who is it? | |
| Oh, Jesus. | ||
| Just one. | ||
| You might as well, dude. | ||
| I'm not drinking this. | ||
| Okay, okay, okay. | ||
| Just a little wine, dude. | ||
|
unidentified
|
Keep it together. | |
| It's a little red wine. | ||
| Everybody calm down. | ||
| It's Brian's birthday. | ||
| Fuck, man. | ||
| It's my birthday. | ||
| I mean, I can't have a couple glasses. | ||
| You want to talk conspiracy? | ||
| What the fuck is the problem? | ||
| Go chemtrails, please. | ||
| It is his birthday. | ||
| Oh, fuck. | ||
| He already believes that the moon landing is real, so... | ||
| It is a good point. | ||
| Back on that. | ||
| We did. | ||
| I just want to talk a little conspiracy about that MLK thing. | ||
| What do you think of that being? | ||
| Because you're kind of a government show. | ||
| I'm listening to half the Mike Baker. | ||
| I like Mike Baker. | ||
| I didn't hear anything about that. | ||
| That's later. | ||
| It's towards the end. | ||
| It's one of the last things I wanted to ask him in the last half hour of the show. | ||
| There's a lot of YouTube videos on that, by the way. | ||
| MLK. I went down that rabbit hole. | ||
|
unidentified
|
Hold on. | |
| That being a... | ||
| You know, conspiracy theory, that's just one of the conspiracy theories. | ||
| I think most, like, there's the John Lennon one, too. | ||
| You know what I mean? | ||
| Well, for sure, but just MLK, for sure, he was disrupting this, he was bringing people together in a way that could disrupt power. | ||
|
unidentified
|
Masses. | |
| Look at the difference in body types. | ||
| This is ridiculous. | ||
|
unidentified
|
Looks like a before and after picture in the magazine. | |
| Martin Luther King was just a shill. | ||
| There's one of those. | ||
| There's pictures of him and the Rothschilds and the Rockefellers hanging out partying. | ||
| Dude, they said he used to have parties and fucked just white girls. | ||
| Well, I would too if I was him. | ||
| Me too. | ||
| That's the move. | ||
| That's another conspiracy theory. | ||
| But that conspiracy theory, for sure he probably met those people. | ||
| Because for sure they probably wanted to meet him. | ||
| It's not like you're either in or you're out with a group like that, right? | ||
| Well, it isn't just about those two pictures I mentioned. | ||
| There's YouTube videos on MLK. Are you giving the promo? | ||
| Let me hear this. | ||
| Let me hear this. | ||
| Is he screaming? | ||
| He said Oklahoma stand-up. | ||
| But they're in LA, so it's tough. | ||
| Yeah, Oklahoma stand-up. | ||
| You got like two dudes in the audience and they're lying. | ||
| They're lying that they're from Oklahoma. | ||
| Fuck yeah, we need Oxtap. | ||
|
unidentified
|
I drove through once. | |
| I drove through once. | ||
|
unidentified
|
Big John McCarthy. | |
| I was trying to slow everything down in my mind. | ||
| Good answers. | ||
| Trying to slow everything down in his mind. | ||
| You know, with a guy like this, you almost wish he got in 10 years ago, you know? | ||
| Yeah. | ||
| He can do some work at Bellator Heavyweight, though, without wrestling back, man. | ||
| He'd probably win the whole thing. | ||
| If he can figure out a way to not get hit, you know? | ||
| He's huge! | ||
| Giant Viking. | ||
| What does he weigh? | ||
| 235. 265. Sorry, man. | ||
| I'm high as fuck. | ||
| 237. 245. I was trying to listen to the... | ||
| 245? | ||
| I think they said it. | ||
| No, he's 240-something. | ||
| He's a big fucking dude. | ||
| Do you think there's a point where you're too big? | ||
| Some people think 265 is too big. | ||
| Too big. | ||
| Really? | ||
| Look at all the champions. | ||
| Stipe 240, Kane 240, JDS 240, 235. You know what? | ||
| It all depends on how you train. | ||
|
unidentified
|
Fedor 230. You could be 300 pounds if you train right. | |
| Guys, you can't talk over each other. | ||
| Come on, bro. | ||
| You could be 300 pounds and athletic. | ||
| The problem is, in my opinion, as far as jiu-jitsu goes, the bigger the guy... | ||
| The less training partners, he has to really get real roles in it. | ||
| So they end up not really training right. | ||
| And that's why, generally speaking, the bigger the guy in jiu-jitsu, the less technique he has. | ||
| Because he's used to rolling day after day just using his weight and his power. | ||
| It's not his fault. | ||
| You know what I mean? | ||
| But if you got... | ||
| A dude that's 285 pounds, and somehow he had a billionaire backer, and he just got all these big guys. | ||
| Every day he had 15, 20 big guys to roll with. | ||
| Buchecha. | ||
| Yes. | ||
| See, that's an example. | ||
| Buchecha's a big motherfucker, and he's super technical. | ||
| Super technical, moves like a cat. | ||
| Yeah. | ||
| It's just the bigger the guy, the shittier the training. | ||
| Same for girls too, right? | ||
|
unidentified
|
Same for females. | |
| Nobody wants to roll with the big dudes. | ||
| Yeah, you'd have to put together a super camp. | ||
| Big guys come through and they quit jiu-jitsu often because no one will roll with them. | ||
| I think that's a big reason why DC's as good as he is and Kane's as good as he is. | ||
| 100%. | ||
| Those two fucking superheroes smashing into each other every day. | ||
| Fuck yes, you are correct. | ||
| Luke Rockhold told me that when Kane was healthy, without question, baddest guy on the planet and gave all of them All of them. | ||
| He was a nightmare for all of them. | ||
| Dude, DC said he was healthy. | ||
| He goes, brother. | ||
| Beats all of them. | ||
| Yeah, and this is off my everything. | ||
| He goes, dude, I'm telling you. | ||
| We've never seen anything like healthy Cain. | ||
| Nobody likes him. | ||
| You can't fuck with him. | ||
| No one fucks with him. | ||
| DC said to me that he goes, if that guy was healthy, he goes, I really watch Cain. | ||
| I train with Cain. | ||
| I can't beat that dude. | ||
| He said, I can't beat that guy. | ||
| And DC was saying it just with 100% humility and just saying, look, the guy was the best. | ||
| I wish there was a way to find out who really was the best. | ||
|
unidentified
|
You can't. | |
| Because the most accomplished is Stipe. | ||
| And he doesn't get into the picture enough, and it's not his fault. | ||
| Oh, Aaron Pico's fighting next. | ||
| Fuck yes! | ||
| Because with Stipe, Stipe, look, he did what he had to do. | ||
| He won the title, but the guys that he fought in that time period were not the best of the best. | ||
| It wasn't like he fought Kane when Kane fought JDS2. Oh my god, that fucking fight, bro. | ||
| That was vintage, bro. | ||
|
unidentified
|
Fuck. | |
| And that's prime JDS. JDS was a motherfucker. | ||
| But also, the argument to that too, Fedor went undefeated for what, seven years? | ||
| That is a good argument. | ||
| And Mr. Pico, you know what I'm saying? | ||
| Like, they did all the Picos. | ||
| So it didn't matter. | ||
| They did everything. | ||
| And he went undefeated. | ||
| We don't know what Fedor did, but we know that they definitely let people do things. | ||
| So whether or not he did anything or didn't do anything, it's just purely speculation. | ||
| I'll leave that up to you. | ||
| I mean, I bet my life on it, but not a big deal. | ||
| But some people over there were definitely doing stuff and they were encouraging it. | ||
| All the stuff. | ||
| And we know people that went over there, they encouraged these people to take stuff. | ||
| And Fedor was undefeated for seven years at that level. | ||
| But my point was that take everything aside, leave all that go. | ||
| What Fedor has that none of them have is that motherfucker will catch arm bars off his back like a lightweight. | ||
| That's the one thing that separates him from everybody. | ||
| People would throw him through the air. | ||
| He would hit the ground and five seconds later he'd have you in something. | ||
| Also, his technique was so unconventional. | ||
| You can't train that. | ||
| His hands down at his hips and shit, it's weird. | ||
| Wing punches at you. | ||
| He could take a shot. | ||
| I mean, the Fujita fight, remember when we went on rubbery legs? | ||
| He got fucking rocked, man. | ||
| Not to mention, the biggest thing, dude had dad bod during all this. | ||
| All of it. | ||
| Didn't give a fuck. | ||
| Run through the mountains with fucking trees. | ||
| Ate all the corn. | ||
| That's what I feel like. | ||
| Drawing weird shit on the side. | ||
| Oh, here's something about Fedor that people told me. | ||
| You know his favorite restaurant? | ||
| What? | ||
| Red Lobster. | ||
| That motherfucker loves Red Lobster. | ||
| You know his favorite clothing store? | ||
|
unidentified
|
What? | |
| Abercrombie& Fitch. | ||
| Well, it smells good in there. | ||
| What's up now? | ||
| Dropping fucking gems. | ||
| Red Lobster. | ||
| That motherfucker can't get enough of the shrimp scampi, I guess. | ||
| I guess if you're from another country, you don't know any better. | ||
| Well, you don't think someone's like, bro, this place is awful. | ||
| Jack lobster's not bad. | ||
| Like, if we were all on the road, if we were in Kentucky, and we're just driving through some weird fucking truck stop, and there's a red lobster, we'd be like, ah, fuck it, there's a red lobster. | ||
| It's pretty tasty. | ||
|
unidentified
|
It's not bad. | |
| They're crab legs. | ||
| How do you fuck up lobster? | ||
| Yeah, exactly. | ||
| What are you gonna do, butter? | ||
| Boil it too much? | ||
| Butter and lobster? | ||
| It's expensive. | ||
| Do they have lobster in Russia? | ||
| Absolutely not. | ||
| Is it like an exotic cuisine? | ||
| For sure, gangsters get it. | ||
| We get that. | ||
| No, I'm sure they get it, but is it hard to get it? | ||
| Is it really expensive? | ||
| There's got to be lobster up there in the dark sea or wherever the fuck it is. | ||
| Whatever the fuck that is. | ||
| Dark sea. | ||
| There's got to be lobster in the dead sea, right? | ||
| There's a black sea there too, right? | ||
| No, the dead sea is... | ||
| That's Israel. | ||
| No lobsters, no. | ||
| Too much salt, right? | ||
| Yes, sir. | ||
| The Dead Sea is dead because there's so much salt. | ||
| But Salt Lake City has some organisms, correct? | ||
| I'm sorry? | ||
| Salt Lake? | ||
| Salt Lake in Utah? | ||
| I don't know. | ||
| It has some organisms, I think. | ||
|
unidentified
|
I don't know. | |
| I don't think it has fish. | ||
| Nothing Fedor can eat. | ||
| It's salt flats, Bubba. | ||
| Salt Lake City? | ||
| It's dry. | ||
| It's actually dry salt. | ||
| Yeah, but there is a lot of water in there. | ||
| In Salt Lake. | ||
| Dude, can you imagine? | ||
| That is a lake. | ||
| You ever fly over it when you go do Wise Guys? | ||
| You ever do that? | ||
| You do Wise Guys? | ||
| My parents retired in Utah. | ||
| Oh, that's right. | ||
| You ever do that? | ||
| Wise Guys Club? | ||
| I'll be in Wise Guys. | ||
| It's the greatest club. | ||
| I'll be in Wise Guys. | ||
| Shout out to Wise Guys. | ||
| I'll be there March 1 and 2. I love it there. | ||
| Come see me. | ||
| And the owner is my favorite owner out of all the clubs. | ||
| Keith is the fucking best. | ||
| Keith is a great guy. | ||
| Last time I was there, I was hanging out, talking to him after the show. | ||
| The staff's all super cool. | ||
| And Keith knows sports like a motherfucker. | ||
| His brother was an offense coordinator at Alabama. | ||
| Great Salt Lake is too saline to support fish and most other aquatic species. | ||
| Several types of algae live in the lake. | ||
| Okay. | ||
| Brine shrimp and brine flies can also tolerate the high salt content. | ||
| Those are like sea monkeys, though. | ||
| Brine shrimp eggs are harvested commercially and are sold overseas as prawn food. | ||
| Goddamn. | ||
| Dude, can you imagine Fedor comes here, meets some hot girl, and takes her to Red Lobster and Abercrombie and Fitch? | ||
| She's like, what the fuck are you doing? | ||
| She's like, I can't believe you're the goat. | ||
| The goat took me to Red Lobster with his fucking goofy sweater of honor on. | ||
| That sweater of victory. | ||
| But he thinks it's just a baller move. | ||
| He just doesn't know. | ||
| Josh Thompson. | ||
| Yeah, but bulletproof cars pull up to drop them off there. | ||
| You're still eating shrimp scampi. | ||
| Bulletproof Suburbans with solid rubber wheels and shit and armed guards everywhere. | ||
| He just smells like doused fucking cologne from Abercrombie. | ||
|
unidentified
|
Jackar. | |
| Smells like Jackar. | ||
| Hey, does Craig Glazer, did he play football? | ||
| Jake Glazer? | ||
| Jake Glazer, did he play football or train MMA or anything? | ||
| But he's a coach. | ||
| It looks like he's standing. | ||
| I think he is. | ||
| Isn't he an MMA coach? | ||
| Sometimes people like to stand because they can... | ||
| Well, it's... | ||
|
unidentified
|
Yeah. | |
| Yeah. | ||
| Josh and Frank Twig. | ||
| Oh, shit. | ||
| Oh, shit. | ||
| Pico. | ||
| That body... | ||
| That's Prospect and mixed martial arts. | ||
| I watched that over and over again, dude. | ||
|
unidentified
|
Oof. | |
| Look at that shit, dude. | ||
| He throws a nasty left hook, man. | ||
| He's a bad motherfucker. | ||
| He's the number one amateur wrestler in the nation when he came out of high school. | ||
| And he's so young. | ||
| What is he now, 23? | ||
| Oh my god. | ||
| 22. 22, that's so crazy. | ||
| And Freddie Roach, he's the only guy Freddie Roach cosigns like this, especially in MMA. He came to 10th Planet, right? | ||
| Yeah, a little bit. | ||
| I was trying to convince him. | ||
| I had no idea. | ||
| What his... | ||
| His background? | ||
| No, his strategy was for his MMA career. | ||
| I had no idea. | ||
| All I knew is he came to me and he was just fucking monster wrestler. | ||
| How long ago was this? | ||
| How long ago though, Eddie? | ||
| Two years ago. | ||
| Before his debut. | ||
| Who was this? | ||
| Aaron Pico. | ||
| Come on, bro. | ||
| Did you roll with him? | ||
| Let me tell you the story. | ||
| So, he shows, actually, Joe texts me and goes, hey dude, there's this fucking beast named Aaron Pico, new dude coming up. | ||
| He wants to train with you. | ||
| They were looking for my contact info. | ||
| And I said, yeah, yeah, yeah, have him text me. | ||
| And then he texts me. | ||
| And to be honest, seriously, when people come through and they tell me they're going to be a fighter and they're going to be a champion and they wrestle 12 years, seriously. | ||
| But Aaron Pico? | ||
| I didn't know who he was. | ||
| At this point, I didn't know who he was. | ||
| He just told me he was still wrestling. | ||
| He's got co-signed from Rogan, though. | ||
| I'm just being honest with you. | ||
| How many guys have I ever sent you? | ||
| How many guys? | ||
| Shit, I don't know. | ||
| Not a ton, right? | ||
| Not a ton. | ||
| I don't know. | ||
| Where a guy's super legit, and I'm like, dude. | ||
| Yeah, so he texts me, and to be honest, that doesn't... | ||
| I just go to my class every night, and I teach my heart out. | ||
| If you want to join in on the class, come on down. | ||
| If you... | ||
| I don't want to hear... | ||
| Well, that attitude is why you're so fucking good. | ||
| I don't want to hear that I'm going to be a champion. | ||
| Yeah, I agree. | ||
| That's probably best, Eddie. | ||
| So I didn't get too excited. | ||
| You would treat a high school kid the same way you'll treat a college wrestler. | ||
| I just wasn't excited. | ||
| I'm like, okay, I got a bunch of motherfuckers I'm training right now. | ||
| I got a lot of shit that I'm working on right now. | ||
| There's He's so special. | ||
| So he texts me, he goes, hey, Joe gave me your number. | ||
| I want to come down. | ||
| I said, yeah, sure, come down. | ||
| And then I just kind of flaked on some texts or something. | ||
| And then he finally just showed up. | ||
| And he showed up, and then I looked him up. | ||
| I'm like, oh, shit, okay, okay. | ||
| So I had no idea that he's been working on being the ultimate version of... | ||
| He's our LeBron James. | ||
| Strategically as a fighter. | ||
| Like Chuck Liddell. | ||
| Like Chuck Liddell in his prime. | ||
| He wrestled. | ||
| So it was very hard to take him down. | ||
| And if you did, very hard to keep him down. | ||
| And that's what he used his wrestling for. | ||
| But Chuck Liddell was going to come out and take heads off. | ||
| I had no idea that's what Aaron Pico's strategy was. | ||
| So when I heard about him, I pulled him to the side and I told him, I said, listen, don't listen to anybody trying to tell you That you can be the best striker in the world and knock people out. | ||
| This is what I was telling him. | ||
| I had no idea that he was trying to be Chuck Liddell. | ||
| All I knew is that he was a stud wrestler. | ||
| So I was like, this is the best advice. | ||
| If I was on my deathbed, this is what I would tell you. | ||
| I would say, fucking wrestle. | ||
| Take dudes down, pass their guard, mount them, smash them, choke them. | ||
| That should be your number one strategy. | ||
| You're such an amazing wrestler. | ||
| Don't let anybody... | ||
|
unidentified
|
He's boxing is better. | |
| He's sitting there listening to me. | ||
| Meanwhile, he's going, what the fuck is he talking about? | ||
| Because I'm going to do the opposite of what you're saying. | ||
| But he didn't say anything. | ||
| He didn't say anything. | ||
| So I kept reminding him this every time he came down. | ||
|
unidentified
|
That's hilarious. | |
| But really, he just wanted to learn jujitsu just in case he ever got taken down and he ended up on the ground. | ||
| He had no intentions of using his wrestling to take people down and win the fight on the ground. | ||
| But every time, I remind him, I'm saying the same shit over and over. | ||
| You know the guys he trains with. | ||
| They say, that motherfucker. | ||
| You know the guys he trains with. | ||
| The best of the best. | ||
| He does not lose a round. | ||
| He doesn't lose a round. | ||
| Because you know, then he fought in his first fight. | ||
| He got caught with an uppercut. | ||
| He got staggered. | ||
| And then he got guillotined. | ||
| Correct. | ||
| He fought a bigger guy. | ||
| You can YouTube him wrestling international guys like from Turkey, Iran, whatever, when he was 16. Okay. | ||
| But check this out. | ||
| So let me just finish the story. | ||
| So even up to that point, right after that loss, I still didn't know that was his ultimate strategy. | ||
| I didn't know. | ||
| So after that fight, what I said was like, you know what? | ||
| It was almost like I told him, let's turn your ass into that Khabib, that GSP, that unstoppable takedown machine where you smash motherfuckers on the ground and you fucking choke them out. | ||
| Let's do this shit. | ||
| This was after that first loss. | ||
| And then I didn't hear from him after that. | ||
|
unidentified
|
It was over. | |
| It was done. | ||
| So the first loss, because when he got clipped and he got hurt, then he got submitted. | ||
| So for me, I was like, see, you should have just... | ||
| Have you watched all his fights? | ||
| Yes. | ||
| My only issue with him, because he trains with world-class guys and, like I said, doesn't ever lose rounds, he's so confident. | ||
| He's like, dude, this isn't TJ Dillashaw. | ||
| This isn't this guy. | ||
| He goes, I'm going to smoke this guy. | ||
| So his respect isn't there yet. | ||
| And he just comes in because he's... | ||
| Knocked down Miguel Cotto on training. | ||
| So he comes in and got a clip and he just doesn't give a fuck. | ||
| Let me finish this though. | ||
| Before I forget, let me just finish this. | ||
| So now, once I realized that I was giving him advice that was the complete opposite of his whole training, all his coaches, all his coaches wanted to use the wrestling to keep the fight standing so he could use his striking. | ||
| You know what I mean? | ||
| So... | ||
| Then I finally realized that. | ||
| Then he went his own way. | ||
| And then, you know, it took me a couple, two or three fights to realize that damn, they were right. | ||
| Shit. | ||
| This motherfucker can be that dude. | ||
| I get excited for him as I do Jon Jones fighting. | ||
| I was wrong. | ||
| Is this McKee's son that he's fighting? | ||
| No, this is the top featherweights. | ||
| Oh, okay. | ||
| Do you understand what I'm saying? | ||
| Do you guys understand what I'm saying? | ||
| I understand 100%. | ||
| So now at this point, I just want to make this clear. | ||
| Now at this point, I realize, damn, holy shit, they did have the right strategy. | ||
| He is an amazing striker. | ||
| I was just going by... | ||
| That's your thing though, Eddie. | ||
| Like, no, no, just like the odds. | ||
| What are the odds? | ||
| I'm like, dude, we already know you're one of the best wrestlers in the game. | ||
| We already know that. | ||
| Let's stick to that. | ||
| But you know what? | ||
| I had no idea that his striking is extraordinary. | ||
| This is a tough fight for him. | ||
| This is? | ||
| Yes. | ||
| Why do you say that? | ||
| Henry Corrales is a very good fighter. | ||
| This is the toughest fight by far. | ||
| I was talking to the Bellator guys today, the insiders. | ||
| Don't expect him to smoke him in the first round, which I always think... | ||
| I think he finishes him under four minutes, but no, no, no. | ||
| This is a tough fight for him. | ||
| One of the things that I think is critical for a young fighter that's coming up is to not rely on any one thing. | ||
| Now, if you're talking about a guy who doesn't have to rely on any one thing, you're talking about Aaron Pico. | ||
| You're talking about a legit, world-class wrestler. | ||
| But if people know that you want to stand... | ||
| And they know that you, even though you're one of the best wrestlers in the world, you're not going to threaten them with the takedown. | ||
| That becomes an issue. | ||
| Because there's certain guys like Gaston Bolanos, or there's certain boxers or strikers, they've got some nasty shit for your ass. | ||
| And they know for a fact you're not going to take them down. | ||
| If you're standing up with Paul Daly, and he knows for a fact you're not going to take him down, he's going to launch a left hook from the moon. | ||
|
unidentified
|
Correct. | |
| He's going to hit you in your fucking head. | ||
| He's going to separate your senses. | ||
| That being said, that's probably their plan B. Their plan B would be gone. | ||
| But then that's not what I'm saying. | ||
| If it's not going good on the feet... | ||
| Please let me finish. | ||
| The most important thing, if you can do all those things, is that the other guy has to not know what you're doing. | ||
| That was George St. Pierre's greatest strength. | ||
| You never knew when he was punching you or he was taking you down. | ||
| And you were always behind. | ||
| Kostak fight. | ||
| Jabbing and double-egging. | ||
| So fucking good at that. | ||
| And he's not the best wrestler, and he's not the best striker. | ||
| But he was the best at figuring out how to do things you didn't know what was coming next. | ||
|
unidentified
|
Where were you? | |
| He overloaded your... | ||
| Firas Ahabi and him were a phenomenal combination, because Firas is so intellectual, he's so smart, and he's thinking rationally. | ||
| He's not like, you're going to go in there and you're going to fuck him up. | ||
| None of that. | ||
| There's none of that. | ||
| It's all about overloading his mind. | ||
| It's all very rational, very technique-based, very psychology-based. | ||
| But the reason that made that GSP so good also is you didn't know what he was doing, but he was facing that high-level competition. | ||
| Kostek, Matt Hughes, with Pico, all these guys, he goes, oh, I don't need to use my wrestling. | ||
| I'm going to knock him out with a body shot. | ||
| This guy with Henning Corrales, you're going to see the best version of him in Pico because he can't just sit there and fucking box with him. | ||
| You're going to see his wrestling. | ||
| I bet you're going to see something different and mix it up. | ||
| He's never been pushed. | ||
| He dominates everybody. | ||
| Do you remember what John Danner told us the secret to GSP is? | ||
| Do you remember? | ||
| Was that when we were eating at that restaurant? | ||
| Yep, and he had hair. | ||
| He said the secret to his success is it's super simple. | ||
| He's either going to faint jab, or he's going to actually really jab you, or faint take down, or actually take you down. | ||
| So there was always a faint before everything. | ||
| He's always throwing faints, so you never know when that shot's coming. | ||
| Are you talking about pico? | ||
| No, GSP. Well, that was the whole thing. | ||
| Farasa Hobby is just so... | ||
| The two of them together worked so well because they both have a great check of their ego and an understanding of the consequences. | ||
| And he barely threw right hands to them. | ||
| Nate Markkorn has plenty of right hands. | ||
| And they're both really smart. | ||
| They're both really, really smart. | ||
| Nate Markkorn told me, because he's trained with them all the time, said that he's an amazing chess player. | ||
| Ah, that's George. | ||
| Yes, and so George is amazing. | ||
| So he's really strategic, and I feel like he could always find out where you were empty, where you had a weakness in your game, and that's where he would capitalize. | ||
| Well, he was super open-minded too, man. | ||
| Didn't he learn back kick from you? | ||
| Yes. | ||
| At Eddie's place. | ||
| I felt so embarrassed. | ||
| I just felt like it was ridiculous that I'm going to show him anything. | ||
| Yeah. | ||
| Dude, there's a video on YouTube of Joe Rogan giving GSP a fucking kicking lesson. | ||
| Your back kick is legit. | ||
| Well, I wouldn't ever have tried to sell it to him if I didn't have anything. | ||
| But that came out of that same meeting with Donaher when we were in the restaurant. | ||
| Donaher set it up. | ||
| And he told me afterwards that he set me up. | ||
| He kind of heard. | ||
| So he's like, I'm looking for someone to teach GSP how to throw a turning sidekick. | ||
| His technique is off. | ||
| It's like we're in a fucking James Bond movie or something. | ||
| That's funny. | ||
| With his accent. | ||
| So, Corrales is 10 years older. | ||
| He's no punk man. | ||
| Yeah, it's a tough fight for Pico. | ||
| But I still think Pico gets it done. | ||
| Well, it's all about where's Pico at right now. | ||
| It's all about where is he at right now because one day he's going to be unbeatable, right? | ||
| Yes. | ||
| It's like he's 22. What is he? | ||
| 45? | ||
| Is it 45? | ||
| 45, yeah. | ||
| He's on this streak that if he can keep up this intensity and he keep up this mindset, he's going to be a world champion. | ||
| The only thing that could stop him is a grave injury. | ||
| A grave injury or some sort of a mistake in his thinking where he starts taking things for granted or finds some woman who fucks up his life. | ||
| I don't think he will, man. | ||
| Dude, a hot girl will fuck your life up. | ||
| Dude, super crazy humble. | ||
| He's been training for so long. | ||
| Super crazy humble. | ||
| No, he's on a path, man. | ||
| He's super nice. | ||
| You know what he's good at, though? | ||
| The one thing that he got out of training at HQ is he's pretty goddamn good at twisters. | ||
| He likes twisters. | ||
| He's standing like a fucking matador. | ||
| He lives for this shit, dude. | ||
| He lives for this shit. | ||
| The thing is, how long can he keep this up? | ||
| Right now, he's doing it, though. | ||
|
unidentified
|
Forever. | |
| Right now, he's 22. He's making money. | ||
| He's a fucking savage. | ||
| Come on. | ||
| He's something special. | ||
| That's where he belongs, right here. | ||
| Look, I mean, he does everything so well. | ||
| Everything. | ||
| From his defense to his striking. | ||
|
unidentified
|
Double jab. | |
| I mean, dude, he looks like a world champion boxer when he's got his hands up. | ||
| It doesn't mean he can't get caught. | ||
| It doesn't mean he can't get finished. | ||
| He can. | ||
| He'll get a little reckless. | ||
| This motherfucker is... | ||
| Gotta keep your hands up. | ||
| He's gonna be so good. | ||
| He hits so fucking hard. | ||
| Yeah. | ||
| Dude, his body shots are ridiculous. | ||
| His left hook is one of the best left hooks. | ||
| Look at that. | ||
|
unidentified
|
Oh! | |
| Went with the duchy. | ||
| Went with the duchy. | ||
|
unidentified
|
Oh! | |
| Oh, my goodness. | ||
| That elbow. | ||
| Holy shit. | ||
| Got caught with the right. | ||
| A little bit. | ||
| A little bit. | ||
| He definitely got hit. | ||
| Morales, Corrales. | ||
| This is a real fight, you know? | ||
| Morales and Corrales are tough. | ||
| Pico also has a crazy six-pack, too. | ||
| I mean, it's like a super shot. | ||
| Oh! | ||
|
unidentified
|
I better tell you what I tell you, Eric and Bellator, under four, bro. | |
| Oh, the left hook's coming. | ||
| There's one bouncing off the forehead. | ||
| Uppercut's coming, son. | ||
| He's a little concussed. | ||
| Corrales is a little concussed. | ||
| Don't stop it. | ||
| What about Morales? | ||
| Is Morales okay? | ||
| Morales is great, but Corrales is not doing well. | ||
| Oh, he needed the body. | ||
| Dude, he's eating some shots too bad. | ||
| Be smart, Pico. | ||
| Oh, shit! | ||
| He's out cold! | ||
| Oh, shit! | ||
| Oh, my goodness! | ||
|
unidentified
|
Oh, shit! | |
| Oh, my goodness! | ||
| Oh, no. | ||
| Oh, my goodness! | ||
|
unidentified
|
Oh, no. | |
| Oh, my goodness! | ||
| Oh, no. | ||
| That's what happens in fighting. | ||
| That's what happens in fighting. | ||
| Holy shit. | ||
| Speechless. | ||
| I don't like seeing a young man get hit like that. | ||
| That was crazy. | ||
| Poor Brendan. | ||
| That was crazy. | ||
| Watch this. | ||
| Watch this again. | ||
| Why is he so reckless? | ||
| Why is he so reckless? | ||
| Because he's a savage. | ||
| But it's what we're talking about. | ||
| Look, look, look. | ||
| He's 22. He'll learn. | ||
| Watch this. | ||
| Jon Jones didn't do this. | ||
| So he just wades in, and you could tell that Corrales had recovered. | ||
| Look at this. | ||
| Body shot, body shot. | ||
| Hurts him there. | ||
| Hand. | ||
| Hammer. | ||
|
unidentified
|
Oh, no. | |
| Hand snaps back out cold. | ||
| Out cold. | ||
| Two big bombs. | ||
| Look at this. | ||
| One more time. | ||
|
unidentified
|
Boom! | |
| Oh, shit. | ||
| That's all she wrote, dude. | ||
| Everything goes out. | ||
| Dude, I'm the Drake of MMA. And then two on the way down. | ||
| I don't like that. | ||
| Two on the way down. | ||
| His head is not... | ||
| Look at this again. | ||
| Look at this. | ||
|
unidentified
|
Boom! | |
| Perfect shot. | ||
| The lights go out in Georgia. | ||
| One, two, on the way down. | ||
| And then a third one when he's already out cold. | ||
| Holy shit. | ||
| That's some killer instinct right there. | ||
| That could stop you. | ||
| You know what you're talking about? | ||
| You stop this progression? | ||
| That'll stop you. | ||
| Catastrophic injury. | ||
| Well, the first knockout... | ||
| Look at him. | ||
| He doesn't know what happened. | ||
| He's trying to figure out what happened now. | ||
| I mean, he was completely... | ||
| Freddie's going, fuck this MMA stuff. | ||
| You understand my deathbed confessional now? | ||
| Yes. | ||
| Astral traveling. | ||
| Your deathbed confessional, you're correct. | ||
| He could have taken him down. | ||
| Who's going to stop Aaron Pico from taking him down? | ||
| He could have Khabib'd him. | ||
| He could have Khabib'd him. | ||
| Here's the thing. | ||
| Why not do that early? | ||
| But here's the thing. | ||
| You can do all things. | ||
| Okay. | ||
| You can do all things, but if you're standing in front of a guy all the time, if you get that guy hurt the way he got that hurt, that guy hurt, if you're objective, okay? | ||
| It's easy to be Monday morning quarterback, right? | ||
| But objective, looking at it right now, I would say, take him down. | ||
| He's hurt. | ||
| Take him down, smash him up, and choke him. | ||
| And then you take no damage. | ||
| Fuck! | ||
| No chances. | ||
| It's all about variables. | ||
| It's all about mitigating variables. | ||
| You close all the variables down when you take a guy down and mount him and start dropping elbows on his head. | ||
| You close all the variables. | ||
| If you can maintain the mount position and keep punching and you already know he's fucked up, it's all a matter of whether he's going to tap to strikes or you're going to get a choke. | ||
| I don't like seeing that. | ||
| Such a bummer. | ||
| It's a bummer. | ||
| It's a bummer, but it's also not a bummer for Corrales. | ||
| It's like, this is what the game is. | ||
| It's a heartbreak. | ||
| And everybody needs to see that. | ||
| Young guys coming up need to see that. | ||
| As good as you are, you've got to understand the mind. | ||
| You can't let yourself get sucked into this path for glory where you're wild and reckless and you're not keeping your hands up and you're not respecting the power of the guy that you're fighting. | ||
| Especially when you have The technique, though. | ||
| There's no reason to play that game. | ||
| What mistake did he make? | ||
| He's a fucking killer, man. | ||
|
unidentified
|
He had the guy hurt. | |
| He hurt him and then just saw blood and was like, fuck it. | ||
| Doesn't have the experience. | ||
| So he came in and... | ||
| He's 22 and he thought he could just smash that guy. | ||
| And he hurt him. | ||
| Which it looked like he was going to. | ||
| It looked like he was going. | ||
| And he probably would have if he fought technical. | ||
| But he abandoned ship. | ||
| Experience is price. | ||
| He got caught in a clinch and this kid had him here and he was hitting himself. | ||
| Well, the kid hit him to the body twice in Corralston, and he clipped him on the chin with a perfect punch. | ||
| Perfect right hand. | ||
| I mean, his neck snapped. | ||
| His fucking head spun around. | ||
| I mean, it was perfect. | ||
| He was out cold before he went down. | ||
| And on the way down, he clipped him two more times. | ||
| And then one more time when he was down. | ||
| I gotta buy a dunix. | ||
| All right, both of you. | ||
| Listen, all three of you. | ||
| I gotta go to my rap party. | ||
| I love all of you. | ||
| Happy birthday to me. | ||
| Come see me in Austin. | ||
| You're gonna miss the Fedor, bro. | ||
| The end of the week in January 31st. | ||
| Fedor's next. | ||
| Fedor's next. | ||
| I gotta go. | ||
| January 31. It's going to be a quick fight. | ||
| Are you sure you don't want to just stay for the first round? | ||
| It's definitely not going to go more than one round. | ||
| Nope. | ||
| Brendan and Joe are going to open for me. | ||
| Brian, I'll open for you, but you've got to stay here right now. | ||
| And Jamie's going to be there too recording it. | ||
| Jamie doesn't record. | ||
| He has a filling in his tooth that hurts when he records things. | ||
| Dude, Aaron Pico right now is going, what the fuck? | ||
| I feel bad for him, man. | ||
| I don't think he totally understands even what happened. | ||
| I still think he's going to be a world champ. | ||
| I still think he'll figure it out. | ||
| Me too. | ||
| He certainly could. | ||
| Anything can happen. | ||
| He just needs to fucking... | ||
| The game plan. | ||
| You gotta fight technically always. | ||
| And there's moments where you have to open yourself up. | ||
| But the guys who do it correctly... | ||
| I'm gonna give you a perfect example. | ||
| Stylebender. | ||
| That motherfucker, when he gets you hurt, he goes after you correctly. | ||
| He doesn't rush in. | ||
| He keeps his hands up. | ||
| He could have took him down immediately. | ||
| That's the fucking thing. | ||
| That just smashed him. | ||
| His jiu-jitsu's good. | ||
| He knows how to pass and smash. | ||
| There's no way you're going to get knocked out from the mount. | ||
| You can knock a guy out from the mound, but he can't knock you out. | ||
| Although it has happened once. | ||
| Let's talk about great all-time MMA strikers. | ||
| Let's talk about Anderson Silva. | ||
| Anderson Silva, when he would hurt you, he would take his time. | ||
| He would take his time, and he would stay focused. | ||
| And if he knew you were fucked up, and he knew he could just walk in and smash you, then he would take advantage of that. | ||
| Let's see this. | ||
| Watch this. | ||
| So now, he uppercuts. | ||
| See, boom. | ||
| Perfect uppercut. | ||
| He gets the guy hurt. | ||
| Unbelievable. | ||
| He falls back. | ||
| But look at this. | ||
| He moves towards him like he can't hit him. | ||
| Like he can't hurt him. | ||
| And look at him. | ||
| He just stays in that clinch and Pico's right there when the right hand hits. | ||
| Boom. | ||
| Because he stood right in front of the guy. | ||
| Even when he was getting hit with shots, he never adjusted. | ||
| He just was bullying his way forward. | ||
| See? | ||
| He's bullying his way forward. | ||
| I mean, look, he got clipped, and the guy launched a perfect right hand, but my thing is, Pico really shouldn't be standing in front of him right here, flipping a coin. | ||
| Okay, because maybe it's heads, maybe it's tails. | ||
| He took the body shot and went upstairs. | ||
| Yeah, two to the body and one upstairs. | ||
| But my thing is, if you're Aaron Pico, one of the best wrestlers to ever do MMA, why wouldn't you shoot right there? | ||
| You've got that guy in a position where he's throwing wild shots. | ||
| He wants the knockout. | ||
| That GSP's looking for that duck under, right? | ||
| GSP's going to duck under a shot, take you down, and then you fuck, he's going to beat you up when you stand back up. | ||
| You're going to be bewildered and exhausted. | ||
| He's going to hit you again. | ||
| He's a young guy, man. | ||
| He's a young guy with phenomenal talent. | ||
| But this is a lesson... | ||
| Take ego and take your personality and take your personal identity out of this and look at this as these are little pieces that are moving around on a board. | ||
| And these pieces have properties, they have values, and they have powers, and they have weaknesses. | ||
| And if you watch these pieces play out like you're looking at a mathematical algorithm, you realize when there's flaws. | ||
| When can it go wrong? | ||
| Here's when it can go wrong. | ||
| We stand in front of each other and just do this. | ||
|
unidentified
|
Right. | |
| It can go wrong for everybody. | ||
| Everybody that's ever lived. | ||
| Gokhan Saki got knocked out by Khalil Roundtree with a perfect left hand. | ||
| Gokhan Saki is one of the greatest kickboxers of all time. | ||
| Doesn't mean Khalil's not a great fighter. | ||
| He's a very, very high-level fighter. | ||
| It's just anybody can get caught. | ||
| If you're standing in front of someone... | ||
| Your jaw can only take so much pressure. | ||
| Especially with those little gloves. | ||
| Think about all the fighters in MMA history that have been known to have rock-solid chins. | ||
| All of them have one thing in common. | ||
| For a while there... | ||
| They never got hurt. | ||
| They never got rocked. | ||
| Right. | ||
| For a while. | ||
| So like, damn, he's got a great chin. | ||
| He's never been rocked and he's been hit solid. | ||
| Right? | ||
|
unidentified
|
Right. | |
| So we know that guy has a solid chin. | ||
| It's probably going to fall apart later... | ||
| You only get so many of those knockouts. | ||
| But you know already, with Pico, he got rocked in his first fight. | ||
| And in this fight, he got rocked, obviously. | ||
| He got knocked out. | ||
| So we know now that, damn, he's not going to be known to have the ultimate chin, for sure. | ||
| I think he was hurt already. | ||
| I think he was hurt, and even though he's moving in for the kill, I think he'd been tagged a few times in the mix there. | ||
| Who? | ||
| Pico. | ||
| Oh, really? | ||
| Yeah, I think there was punches that landed, and maybe they didn't take him out, and maybe they didn't even make him buckle. | ||
| But when you get clipped, have you ever walked into a door, and people don't know you walked in the door, and you can just keep walking, but your head's like, fuck. | ||
| Now, imagine if you're in the middle of a fight. | ||
| With the earphone, I just bumped into you lightly, and it hurt the motherfucker. | ||
| Yeah, that thing shoved right into my earlobe. | ||
| And it hurt, though. | ||
| It stopped you for a second. | ||
| Yeah, I went, ah! | ||
| Like a bitch. | ||
| But if you get that many KOs that early in your career, it's not a good sign. | ||
| It's dangerous. | ||
| Maybe he's as hard as fuck, too. | ||
| That doesn't help either. | ||
| I got boxing sparring against Kodo at his age? | ||
| It could be. | ||
| Yeah. | ||
| I mean, those things are accumulating. | ||
| Luckily for Pico, he's such an amazing wrestler that he can actually... | ||
| He has the choice to go, you know what? | ||
| I could... | ||
| Go to my next fight and the next fight after that and just trade fucking blows. | ||
| It's like Russian roulette. | ||
| You could do that. | ||
| You could keep doing that. | ||
| Or you could just play it safe and go, you know what? | ||
| I'm going to use my wrestling to take this motherfucker down, mount his ass, and Khabib these motherfuckers. | ||
| You know what I mean? | ||
| Bye, Brian. | ||
| One round, dude. | ||
| One round. | ||
| It's going to happen right now. | ||
|
unidentified
|
It's your birthday. | |
| One round. | ||
| It may be ten minutes. | ||
| Save for ten more minutes. | ||
| Dude, one round. | ||
| Guys, when you're the life of the party, you're with me. | ||
| But you're the life of the party when you get there anyway. | ||
| This party's going to go on forever. | ||
| I bet most of the cool people aren't even there yet. | ||
| Dude, the main stars aren't there, B. Fader! | ||
| Oh, my God. | ||
| Come on! | ||
| It's his last fight ever. | ||
| It's his last fight! | ||
| Come on! | ||
| It's his last fight ever. | ||
| He's fighting Ryan better. | ||
| No, you got to stay, dude. | ||
| All right. | ||
| We love you, man. | ||
| Love you, dude. | ||
| Happy birthday, brother. | ||
| Happy birthday, dude. | ||
| Happy birthday. | ||
|
unidentified
|
Thank you. | |
| I love all you guys. | ||
| 52, huh, kids? | ||
| Yeah. | ||
| Here's the 52 more. | ||
| Eddie, I think what you just said is very important. | ||
| I think what you said is very important, and this was a really interesting thing that happened. | ||
| There's just two choices. | ||
| Keep doing what you're doing, or go Khabib style. | ||
| But this is really interesting what just happened. | ||
| Well, there's three choices. | ||
| One is mix both of them up like GSP. The thing about GSP that's so interesting is it wasn't just Khabib style. | ||
| It was who knows what's going to happen. | ||
| Who knows if he's jabbing. | ||
| GSP was safe. | ||
| The only reason he was striking is because you just can't go in there at the bell and take a guy down. | ||
| You gotta set it all up. | ||
| So he was always just setting it all up. | ||
| He was throwing jabs, setting shit up. | ||
| But the number one mission in his mind was to take his opponent down and play it safe and mount him and pound him on the ground. | ||
| Correct. | ||
| You fought a guy that you could take down. | ||
| But that wasn't the blueprint with Josh Koscheck. | ||
| Yeah, it was. | ||
| And that was the blueprint with Johnny Hendricks. | ||
| With Josh Koscheck, he jabbed the shit out of him. | ||
| And then double-liked him. | ||
| I think he tries to take everybody down. | ||
| I think he tries to take every fucking body down. | ||
| GSP? But he didn't take Hendricks down. | ||
| Not because he didn't try. | ||
| Johnny Hendricks is hard to take down. | ||
| He tried a few times, but he wasn't successful. | ||
| Josh Koscheck, the game plan was literally to get him to move forward so you double-liked him. | ||
| I remember when he was holding on to... | ||
| I would say 99% of GSP's fights are designed to take the fight to the ground. | ||
| They got real boring too, let's be honest, fellas. | ||
| But he also fought an intelligent way of fighting. | ||
| There was no way he could win. | ||
| I'm not saying it's not intelligent. | ||
| As far as entertainment... | ||
| GSP's one of the greatest fighters ever. | ||
| He'll fuck up a pay-per-view. | ||
| That was fun. | ||
| He'll blow up a pay-per-view. | ||
| For sure. | ||
| How could he look against Bisping? | ||
| Look great. | ||
| Phenomenal. | ||
| He's in LA right now training with Freddie. | ||
| And they said he's real thin too, looking at a 55 fight. | ||
|
unidentified
|
Wow. | |
| And even though Khabib does stand a lot and play on his feet a lot, his main objective is to take a motherfucker down. | ||
| Yeah. | ||
| That's the main, that's number one. | ||
| But he will fuck around and throw some strikes. | ||
| Why are they still talking about a Floyd Mayweather fight? | ||
| It's embarrassing. | ||
| I don't know what the fuck they're doing. | ||
| He was just talking about it. | ||
| I know. | ||
| He goes, I have three fights left if it's up to me. | ||
| It's Tony, GSP, and fucking Floyd Mayweather. | ||
| When I hear that, I want to throw up. | ||
| But what do you think? | ||
| He just wants all that giant paycheck? | ||
| Just money and get the fuck out? | ||
| Do you think he thinks he can beat him? | ||
| Because he's such a savage. | ||
| Yeah, they do. | ||
| He might think he can beat him. | ||
| They don't think Floyd can knock him out? | ||
| They're in for a rude awakening. | ||
| Well, he could certainly batter you. | ||
| Maybe he lasts all 12, but he'd get battered the fuck up. | ||
| It'll be awful. | ||
| Yeah, but Khabib, I mean, it's a great payday. | ||
| If it's only boxing, it's going to be awful. | ||
| If that's what you want to do, get paid, dude. | ||
| I'd much rather see him fight GSP. Yeah, me too. | ||
| But I don't think it's, I mean, it's a terrible move for him to fight Floyd. | ||
| Floyd would just, look, Floyd is the best boxer, maybe, of our era, maybe of all time. | ||
| I mean, he's undefeated. | ||
| Here's the problem. | ||
| The UFC let Conor do that once. | ||
| Now he's Conor. | ||
| We can barely get him to fight. | ||
| He's worth a hundred gigillion dollars. | ||
|
unidentified
|
Right. | |
| And they're like, dude, please fight. | ||
| He's like, nah, I make so much money off whiskey and this. | ||
| I'll fight when I'm ready. | ||
| They're not going to let that ever... | ||
| You're never going to see that again. | ||
|
unidentified
|
What? | |
| I don't think you're ever going to see that. | ||
| You're crazy. | ||
| They made money off that too. | ||
| It's going to keep happening. | ||
| It's going to keep happening as much as it can. | ||
| It's going to happen more than ever now. | ||
| Now that the Fertittas don't own the UFC and now this corporation owns it, now everyone is thinking about themselves. | ||
| Not all Dana's at the helm. | ||
| No way. | ||
| What are you saying? | ||
| I'm saying that Conor has so much leverage now where it's not a good thing. | ||
| So you think they're going to not make someone a giant star who could be a giant star because they're worried that person's going to have leverage? | ||
| No, they'll make him a giant star in the UFC. They're not going to let him jump over and do a co-promotion with Floyd Mayweather again. | ||
| Maybe put that in the contract. | ||
| And if you think they keep doing it, who else would they do it with? | ||
| That's the better question. | ||
| Here's the thing. | ||
| If they had another Conor, they'd do it the same way. | ||
| It's a way to make money. | ||
| It's a smart way to make money. | ||
| It was a fun fight. | ||
| We watched it. | ||
| It's an education. | ||
| It's an education for people that appreciate martial arts. | ||
| Because you really got to understand what a world-class, top-of-the-food chain, maybe the best-of-all-time boxer does to an MMA fighter. | ||
| And you think we're going to pay for it? | ||
| The general audience can keep paying for that. | ||
| I'm not what I'm saying. | ||
| What I'm saying is, it was good for the sport, and if someone comes along that's different, someone comes along, it's not Floyd, it's someone else, and the same situation arises again, and there's another opportunity to make a shitload of money, they're going to do it again. | ||
| How many times can you do it with Floyd? | ||
| Floyd's 40 years old. | ||
| He probably doesn't want to do it that many more times. | ||
| The only thing that would fuck Floyd up is his extravagant spending. | ||
| Isn't it a bad look for MMA too? | ||
| So let's say Floyd's 27 at this point. | ||
| And he's one of the greatest. | ||
| And we go, here's Conor. | ||
| Smokes him. | ||
| Here's Khabib. | ||
| Smokes him. | ||
| Here's Stylebender. | ||
| Smokes him. | ||
| At what point is UFC like, this is a bad look, man. | ||
| Our guy's getting fucking torched. | ||
| It depends on whether or not it's obvious that they had no chance. | ||
| With Conor, the interesting thing is, he landed a couple of shots, and you go, okay, if this guy could take this guy down, or even just kick his legs, if Conor could just kick his legs, it would be a wash. | ||
| And it's interesting to watch someone even fail against someone who's way better at their sport. | ||
| The real question is, are you ever going to see a world-class boxer? | ||
| By the time we saw James Toney, he had been really late in the game. | ||
| When Vince Phillips fought Masato in K-1, he was late in the game. | ||
| They were on their way out looking for money, right? | ||
| Afterthoughts, yeah. | ||
| Right, afterthoughts. | ||
| For the most part. | ||
| For the most part. | ||
| Do you ever think you're going to see a... | ||
| A Crawford step into MMA. A Lomachenko step into MMA in their prime. | ||
| I don't think so. | ||
| Why would you? | ||
| They're making so much money. | ||
| I know. | ||
| Because if they're at that level, they're making so much money. | ||
| And why would you risk going into the UFC? Think about in 50 years how awesome that poster is going to be of Conor and Floyd. | ||
| Think about how classic. | ||
| You're going to frame that shit. | ||
| You're going to be 90 and it's going to be framed in a little bit. | ||
| And I have that shit. | ||
| I have the official one. | ||
| Joe Louis, Max Schmeling. | ||
| Yeah. | ||
| Or Muhammad Ali Inoki. | ||
| Yeah. | ||
| Amazing. | ||
| Can you imagine having that poster in your living room? | ||
| See, I'm all good on that. | ||
| See, I saw that. | ||
| It was a great spectacle. | ||
| I love watching it. | ||
| I'm glad it killed the pay-per-views. | ||
| I'm out, man. | ||
| If someone else does it, it's not as fun, I don't think. | ||
| What are you talking about? | ||
| So, if someone else comes along, and the same person wants to find her. | ||
| I'm saying Khabib and Floyd. | ||
|
unidentified
|
I would love that. | |
| That would be awesome. | ||
| Well, you're talking a degenerate. | ||
| I watch women in their underwear beat each other. | ||
| Well, then you like it. | ||
| Okay, me too. | ||
| You like it. | ||
| Yeah, I'm saying the masses I don't think are. | ||
| Don't worry about the masses. | ||
| I don't think you're right. | ||
| Well, that's what the UFC wears. | ||
| I think many more people... | ||
| If Khabib stepped in and tried to fight Floyd right now... | ||
| Right now, if they set it up in two months, I guarantee you it would sell at least a million paper. | ||
| It does better than Conor Floyd. | ||
| And you would like it. | ||
| You would watch it and like it. | ||
| No, I'm saying you think it does? | ||
|
unidentified
|
No. | |
| I don't think it does. | ||
|
unidentified
|
Close. | |
| I said a million. | ||
| I said it does a million. | ||
| Dude, Khabib Floyd could fight fucking Jamie for a million. | ||
| That would be fucking him! | ||
| Do you think he would do a million pay-per-views or more? | ||
| Something like that. | ||
| It would be profitable. | ||
| It's Floyd. | ||
| He doesn't miss. | ||
| Who was Floyd's last... | ||
| Was it Pacquiao and then Tim Bradley? | ||
| Pacquiao, then Tim Bradley, and then retired, right? | ||
| And Pacquiao got the most pay-per-view numbers ever, but then Tim Bradley, if I'm correct... | ||
| Only got a few hundred thousand, like 300,000 pay-per-view buys. | ||
|
unidentified
|
Yeah, that was a bad fight. | |
| Wasn't that right? | ||
| Yeah, that's right. | ||
| It didn't do well. | ||
| So then afterwards, he fights Conor and he gets like two million whatever the fuck it was. | ||
| A giant pay-per-view sale. | ||
|
unidentified
|
Andre Berto. | |
| Andre Berto. | ||
| Andre Berto, that's right. | ||
| So he fought, my apologies, Tim Bradley. | ||
| So then he fights Andre Berto. | ||
| That only gets 350,000 or something like that, pay-per-view buys. | ||
| Then he fights Conor and it's millions of pay-per-views. | ||
| If he fought Khabib, it would still be better than fighting any of those other guys. | ||
| Agree 100%. | ||
| Bradley. | ||
| Say if he had a fight with Bradley. | ||
| No one's tuning in. | ||
| It's not going to be that many. | ||
| Manny Pacquiao versus Floyd Mayer is probably going to get that again. | ||
| That's a big one. | ||
| That's a big one. | ||
| Especially Manny Pacquiao. | ||
| Now, after he beat Broner. | ||
| After he knocked out that Australian dude. | ||
| He looked good. | ||
| He looked very... | ||
| He lost to an Australian guy. | ||
| How old is Pacquiao? | ||
| He beat Matisse. | ||
| He knocked out Matisse. | ||
| How old is Pacquiao? | ||
| 40. 40. Okay, he's still good. | ||
| Yeah. | ||
| I mean, not in his prime, but yeah. | ||
| Yeah, no disrespect to Jeff Horn either. | ||
| I fucked that one up. | ||
| He's a math teacher. | ||
| He is a math teacher, right? | ||
| Did you see when Crawford fought him? | ||
|
unidentified
|
Woo! | |
| That's when you realize how good Terrence Crawford is. | ||
| That's when you realize he's a math teacher. | ||
|
unidentified
|
Woo! | |
| Well, you realize Crawford is, if he's not the best in the world, he's top two or three. | ||
| Even Freddie said that. | ||
| I asked him, I said, who's the best? | ||
| He goes, it'd be tough to go against Crawford right now. | ||
| Notice nobody calls Crawford out. | ||
| Everyone talks shit to him. | ||
| Everyone challenges him. | ||
| No one really fucks with Crawford. | ||
| He's so good at switching, too. | ||
| Switching stances. | ||
| I think Bader's going to take out. | ||
| He doesn't have a good win. | ||
| Because of his promotion. | ||
| That's what's wrong with Bogdan. | ||
| Joshua, Eddie Hearn. | ||
| Yeah. | ||
| Interesting. | ||
| Bader's going to take Fedor out. | ||
| Do you think so? | ||
| I agree. | ||
| I think Fedor has shown massive signs of chin deterioration. | ||
| Well, Bader's in his prime. | ||
| I really fully believe that. | ||
| I mean, when I saw him beat the shit out of Mitrion and take him down at will, I was like, I am so impressed. | ||
| Dude, how about he starched King Mo in like 30 seconds? | ||
| Dude, he's a different guy. | ||
| When he moved over to Bellator, too, something happened. | ||
| And, I mean, it was almost like he realized, like, holy shit, I'm not even in the UFC anymore. | ||
| I gotta really make something here. | ||
| When he beat Phil, you know, he's beaten some really good guys, man. | ||
| Really good guys? | ||
| When you look at him, like everything about him, like technically, the way he's moving, the way he fights. | ||
| And he's a good example of what we were talking about earlier. | ||
| You don't know what he's going to do. | ||
| He's going to take you down. | ||
| He's going to strike with you. | ||
| He's doing everything and he's mixing everything up. | ||
| And his mentality. | ||
| Yes. | ||
| He's a fucking pro, man. | ||
| Here's the other thing he was telling me. | ||
| So he was trying to negotiate with Bellator his contract. | ||
| This is his last finance contract. | ||
| So I went, hold up. | ||
| You're going to be a free agent and be a double champ champ? | ||
| Because that's, yeah, we're risking that. | ||
| Like, holy fuck. | ||
| If you own the light heavyweight title and heavyweight title, you're about to get paid. | ||
| And I said, oh, how about a super fight with DC? Whoa. | ||
| Double champ, double champ. | ||
| Well, the thing is, although he's famous in the Bellator circle, how many people know who he is outside of Bellator? | ||
| Well, he fought in the UFC, though, for a long time. | ||
|
unidentified
|
Right, but people forget. | |
| Ultimate fighter winner, bro. | ||
|
unidentified
|
People forget. | |
| In terms of pay-per-view buys, people forget. | ||
| They need to see you there. | ||
| If they don't see you there, they go, where's he been? | ||
| You don't think you can sell double champ versus double champ? | ||
| You can sell it if you're willing to acknowledge Bellator. | ||
| They never have. | ||
| They never acknowledged Fedor. | ||
| They never acknowledged when we was fighting in Pride. | ||
| They literally didn't even want me to say Pride. | ||
| They don't want to acknowledge other organizations. | ||
| Especially back then because Pride fucked them over. | ||
| Remember they had that whole sneaky deal like they gave him Chuck Liddell and Vanderlei is supposed to come over here and then they reneged. | ||
| It was a disaster. | ||
| Shady shit. | ||
| And I was still, as a person who's a martial arts commentator, you have to bring up Fedor. | ||
| You had to bring up Vanderlei. | ||
| You had to bring up a lot of the people that were making big noise over in Japan. | ||
| And he was one of them. | ||
| It'd be cool if they had opened up so we could see who's the absolute best in the world. | ||
| Bader is really good, man. | ||
| He's really good. | ||
| And I would be very curious to see how much better he's gotten. | ||
| Because sometimes guys turn a corner, and then all of a sudden they just become the best. | ||
| It's tough to tell against Bader. | ||
| His opposition right now, because Mitrion, right? | ||
| He was never a world beater in the UFC. I mean, he was in a top five guy. | ||
| You know what I'm saying? | ||
| He was never a contender, really. | ||
| And then Phil Davis, though. | ||
| Phil Davis is a guy who beat a lot of fucking good people. | ||
| And Phil's another one who looked better once he got to Bellator. | ||
| He looked better. | ||
| He turned a corner as well. | ||
| When there's a new chapter in your life like that, you've got to rise to the occasion. | ||
| And then King Mo off the older in his career. | ||
| Yeah. | ||
| And then Fedor old as shit in his career. | ||
| So it's like, I don't know where Bader's at. | ||
| They're great wins, though. | ||
| Yeah. | ||
| And at light heavyweight, he would keel right now in the UFC. There's nobody. | ||
| I'd be heavyweight. | ||
| Once Bellator stars started signing with the UFC, like with Chandler and Alvarez. | ||
| Not Chandler, Alvarez. | ||
| Yeah, Alvarez. | ||
| Once they started going that way, and now Ben Askren. | ||
| Yeah. | ||
| You can't say shit about Bellator no more. | ||
| No. | ||
| Exactly. | ||
| You're trying to take... | ||
| When Bellator fighters are being signed to UFC based on their stardom, Bellator's legit as fuck. | ||
| Oh, super legit. | ||
| Especially certain weight classes. | ||
| Rory McDonald, for sure, one of the best on the planet. | ||
| He beat Woodley. | ||
| Yeah, he beat Woodley. | ||
| I mean, Mousasi is absolutely one of the best on the planet. | ||
| Chandler has beaten Alvarez. | ||
| Alvarez is one of the best on the planet. | ||
| Chandler is one of the best. | ||
|
unidentified
|
Do you think he'll ever go to the UFC? They treat him well. | |
| He likes being over there. | ||
| Here's an argument too. | ||
| Ben Henderson, UFC, world class. | ||
| Comes the Bellator. | ||
| It's been a struggle. | ||
| It's been a struggle. | ||
| Well, he fought Koroskov, which I don't think was the right move. | ||
| Terrible idea. | ||
| Terrible idea. | ||
| The weight class is not his weight class. | ||
| He's a 55-pounder. | ||
| And I love Ben, a friend of mine, but he doesn't look like the same Ben that competed against Frankie Edgar and those guys. | ||
| That's true, but you have to remember that he's been fighting world-class competition forever. | ||
| So has Eddie Alvarez, though. | ||
| Yes. | ||
| Yes. | ||
| True. | ||
| And he crossed over. | ||
| Yes, but... | ||
| Eddie Alvarez was later. | ||
| He came along, his career was hard and rough, but it was later in the time period than Ben. | ||
| Underground King, yeah. | ||
| Yeah, Henderson was like WEC, right? | ||
| The Showtime kick. | ||
| That's right, the Showtime kick. | ||
| You've got to remember, he was the champ back then. | ||
| Great career, yeah. | ||
| Pettis takes his title with that crazy kick to close out WEC. They go over to the UFC. He fights everybody. | ||
| He fought so many fucking tough guys. | ||
| So many guys. | ||
| He got stopped by Dos Anjos when Dos Anjos was on his up-come. | ||
| When Dos Anjos was on the way to the title, that was the big fight. | ||
| It was him and Henderson. | ||
| He KO'd him. | ||
| He was a motherfucker back then. | ||
| Dos Anjos, for that time period, there was a time period of like two years where I think Dos Anjos was just a fucking berserker. | ||
| Like one of the best lightweights of all time. | ||
| And then, and it's not, I don't know, it could be a coincidence. | ||
| Then USADA came. | ||
| He went on losing. | ||
| No, I'm just, I don't know. | ||
| Well, you know, one thing that'll never change. | ||
| And then when to 70, he's a fucking monster at 70. He's not as good at 70 as he is at 55. He's fucking good at 70, bro. | ||
| Yeah, but the guys like Kamaru Usman. | ||
| It's going to be a problem for him. | ||
| The guys like Kobe Covington. | ||
| He's a little undersized. | ||
| Yes. | ||
| The big, strong wrestlers are giving him a hard time. | ||
| Two fights. | ||
| No matter what fighters go from Bellator to the UFC or UFC to Bellator, no matter what, in that debate, the one One thing that will never change is the level of prestige in the belts. | ||
| Like the UFC belt. | ||
|
unidentified
|
Dude, the UFC belt will always be king. | |
| No matter what. | ||
| No matter what. | ||
| Because you have to go through a tougher road to get that belt. | ||
| Also, it's not even like saying A and B. It's like saying A and F. There's so many separations between the Bellator belt and the UFC belt. | ||
| When you're talking about the prestige, that's for sure. | ||
| But when you're talking about talent, Douglas Lima, in my opinion, is one of the best fucking welterweights on the planet Earth. | ||
| Rory McDonald, who beat him in a very close decision, one of the best welterweights on Earth. | ||
| Gegard Mousasi is one of the best middleweights on the fucking planet. | ||
| These are all realities, man, for anybody who understands MMA. But yeah, the belt's just different. | ||
| You don't crawl through the same shit that you'd have to if you were in the UFC. A UFC champ? | ||
| Dude, you better be... | ||
| You're the best. | ||
| You're hands down the best. | ||
| At 55? | ||
| You walk away, you know, Chuck Liddell is always going to be a former UFC champion. | ||
| Hoyce Gracie, UFC champion. | ||
| They beat three guys. | ||
| Champions. | ||
| UFC. It means more. | ||
| It's always going to mean more. | ||
| It's like Q-tips. | ||
| I don't want cotton swabs. | ||
| It's easier to get... | ||
| It's easier to get signed to the UFC and fight in the prelims than to go from the prelims to the main card. | ||
| That's way harder than getting in. | ||
| To get in, yeah. | ||
| To get on the fucking main card, you know how hard that is? | ||
| Unless you're a 145-pound woman. | ||
| Then they'll let you right in. | ||
| Yeah, exactly. | ||
| And probably fight for a title. | ||
| Or you're a WWE superstar. | ||
| Who do they have Cyborg fight now? | ||
| If Amanda Nunez decides to take time off of fighting at Featherweight after she knocks out Cyborg, who do they have Cyborg fight? | ||
| Megan Anderson. | ||
| Megan, she won her fight. | ||
| But how crazy is the way she won? | ||
| A toe goes in the eye? | ||
| What are you going to do? | ||
| I'd rather see that fight. | ||
| You know what? | ||
| You've got to have a fight again. | ||
| You've got to do a redo right there. | ||
| That's what I think. | ||
| Redo, and then just leave Cyborg on the sidelines and not fight her enough? | ||
| She gets pissed. | ||
| I almost think you need to have a technical foul, an accidental foul, and that's the end of the fight. | ||
| Because if it's a foul, if you poke someone, how the fuck is it not a foul if your toe goes in someone's ass? | ||
|
unidentified
|
Exactly. | |
| I agree. | ||
| It doesn't make any sense. | ||
| They need to fix that. | ||
| But at that weight class, If you throw a punch, if you throw a punch, and as you're throwing your right hook, your thumb goes in someone's eye and they stop the fight, they look at the replay, they say it's an eye poke, the referee says it's an eye poke, you get disqualified. | ||
| How is that any different than you throwing a round kick and the toe inadvertently goes in your eye? | ||
|
unidentified
|
It's not. | |
| It's just stupid. | ||
| It's not Megan's fault. | ||
| I mean, she did what she was supposed to do. | ||
| She was tracking her down, using her range, lands a nice kick, but she caught her at the toe, toe in the eyeball. | ||
| But also, Kat turned her back and waved like, I'm done, I'm done. | ||
| She's like, it's over. | ||
| But she has to say it's over. | ||
| Her fucking eyeballs popped. | ||
| Isn't it weird that there's a shortage of big women? | ||
| In MMA! You would think there would be an abundance of that? | ||
| Really? | ||
| I can't believe they even do it! | ||
| They're all in the WNBA. No one wants to get punched in the face. | ||
| Think about it. | ||
| There should be a shortage of 115 pound girls. | ||
| There should be a shortage of that. | ||
| No, there's a ton of 150 pound girls. | ||
| Dude, if you get like a... | ||
| There's Frank Trick. | ||
| Shout out to Frank Trick. | ||
| You get Valentina Shevchenko. | ||
|
unidentified
|
It's weird. | |
| You get a Valentina Shevchenko. | ||
| There should be a shitload of them. | ||
| Eddie, if you get a Valentina Shevchenko or Amanda Nunes or Ronda Rousey, there's like a hundred of those on the earth. | ||
| You think there's a hundred? | ||
| No, the ones who could really transition from Kyokushin or kickboxing, Muay Thai. | ||
| There's some badass Muay Thai girls, but they might be wrapped up in Muay Thai. | ||
| They might be Miriam Nakamoto or something like that. | ||
| Is she ever going to go back to MMA? She's trying. | ||
| She's got some injuries, man. | ||
| She's like 41, I think. | ||
| She's working her way. | ||
|
unidentified
|
I'll be working my way back to you, babe. | |
| She's a beast, and as a Muay Thai fighter, she's a monster. | ||
| And there's a few of those girls that are that way with MMA or that way with jiu-jitsu. | ||
| It's finding them all in MMA. It's less than 100. Dude, but girls, what is it? | ||
| What's the weight class fucking rose fights in? | ||
| Tatiana Suarez is the motherfucker. | ||
| Tatiana Swartz is such a nightmare. | ||
| Rose fights 25 and 15. She fought 25 and lost to Valentina in a good fight. | ||
| But Valentina just seems to be stronger, more physically powerful, just a little sharper, a little more suited to 25. She's almost like a tweener. | ||
| It's like Joanna's not quite 115, not 125. When you're that little, man, 5 pounds means a lot more than 10 pounds means 185. Dude, Fadar's walkouts are always epic. | ||
| Yeah, look at his sneakers. | ||
| He just found those somewhere. | ||
| He didn't pay for those, did he? | ||
| Somebody gave them. | ||
| He's walked out and put these on. | ||
| He can't go barefoot. | ||
| They're definitely not Reeboks. | ||
| We know that. | ||
| What do you think they are? | ||
| Sauconies? | ||
| New Balance. | ||
| Tom McCann. | ||
|
unidentified
|
New Balance. | |
| Yeah, probably not even. | ||
| The TSA New Balances. | ||
| He's always got that wooden cross, man. | ||
| Kisses it. | ||
| Goes through the whole deal. | ||
| Someone in the media asked him if he ever cries and he said once. | ||
| Wow. | ||
| Yeah, once I did. | ||
| Chopping onions. | ||
| That's it. | ||
| Fuck, man. | ||
| What do you think? | ||
| If he loses, it's probably last time for him, huh? | ||
| You never know, man. | ||
| I mean, he might just be, like, really bored with everything else in his life and willing to take the punishment. | ||
| This is the real question. | ||
| When a guy is as great as Fedor, has had a career that Fedor's had, and still wins every now and then, like knocked out Frank... | ||
| Frank Mir. | ||
| Beat Chael Sonnen. | ||
| Beat Chael Sonnen. | ||
| He still can win, right? | ||
| He still can beat good guys and beat real, quality UFC fighters that have transitioned over. | ||
| Both those guys. | ||
| Chael Sonnen was a quality fighter. | ||
| Frank Mir's a quality fighter. | ||
| He's a heavyweight champion. | ||
| Who's to tell him he can't keep doing this? | ||
| This is probably the most fun he ever has. | ||
| All day, what does he do? | ||
| He doesn't say anything, and he eats ice cream, and he draws pictures. | ||
| Give him a chance. | ||
| He gets into that cage, and he reignites the fuel inside of him that led him to be, if not the greatest heavyweight in the world of all time, in my eyes. | ||
| Top three. | ||
| Top two. | ||
| Well, see, the thing is... | ||
| It's all about time period. | ||
| It is about time period, but it's also about what happened when they fought. | ||
| Fabrizio Verdum's got to be in the argument. | ||
| He's got to be, but then so does Stipe. | ||
| Well, you got to do four. | ||
| You got to do Kane, Stipe, Verdum, Fedor. | ||
| Yes. | ||
| Yeah, I think those are the guys. | ||
| I don't need a particular order either. | ||
| Those are just the four best. | ||
| That's Mount Rushmore of heavyweights. | ||
| The argument for Fabricio Verdum is very strong because he beat them all. | ||
| It's a great argument. | ||
| But Stipe KO'd him in the first round. | ||
| He got reckless and Stipe KO'd him. | ||
| And then Volkov KO'd him. | ||
| Dude, to your point with Fedor, you're like, oh, it's cool. | ||
| He gets out there. | ||
| So you're cool with Liddell and Tito? | ||
| Keep doing it? | ||
| There's a difference between them, first of all, because Fedor stayed active and I was cool with Tito. | ||
| What I was not cool with was Chuck. | ||
| It didn't look right. | ||
| He didn't look like he was prepared. | ||
| Even on the mitts. | ||
| I don't know. | ||
| He didn't look like he was prepared on the mitts. | ||
| I don't know where he's at. | ||
| I don't know where he's at physically. | ||
| I don't know what damage he sustained. | ||
| When I see Fedor fight, he wins or he loses like Mitrion KO'd him. | ||
| That was a good fight, though. | ||
| It was a good fight. | ||
| And I think that shot that Mitrion KO'd him with, he just KOs a lot of people like that. | ||
| Oh, Mitrion touches anyone on the chin you're going to sleep. | ||
| He's a fucking super athlete. | ||
| Freak. | ||
| Played in the NFL for six years. | ||
| And he's so light on his feet and he's fast as fuck. | ||
| He's like a tank. | ||
| Dude, he knocked out Derrick Lewis in like 15 seconds with his hip. | ||
| He took it to him. | ||
| Took it to him. | ||
| I don't think it's indicative of Fedor being done. | ||
| Did you see the Maldonado fight though? | ||
| Yes. | ||
| That'll bum me out. | ||
| He's not as resilient as he used to be. | ||
| Maldonado's an underrated boxer. | ||
| Maldonado touched him up. | ||
| He's a zombie. | ||
| He's a Brazilian zombie, but he really should be fighting at 170 if he didn't eat all the acai in the world. | ||
| And he gave fucking Fedor everything he'd handled. | ||
| I think he won that fight. | ||
| I thought he won that fight. | ||
| And you know he tried to fucking reverse it in Russia? | ||
| They're like, what are you, at your fucking mind? | ||
| It's Russia. | ||
| No, he won. | ||
| Get the fuck out of here. | ||
| He's trying to get him to do a... | ||
| Yeah, in Russia. | ||
| An official reversal. | ||
| Dude, Fedor's best friends with Putin, for fuck's sakes. | ||
| You're not getting shit reversed there. | ||
| Why are these Marines coming in? | ||
| What's going on? | ||
| Ryan Bader. | ||
| National Anthem. | ||
| Bader was in the military. | ||
| Oh, they're doing a National Anthem? | ||
|
unidentified
|
I don't know why. | |
| Oh, they're doing a Russian National Anthem. | ||
| Oh my, they're scaring Fedor with guns. | ||
| They brought a gun in the Octagon. | ||
| Dude, Fedor don't give a fuck about a gun. | ||
| But how weird is that? | ||
| They bring guns into the Octagon. | ||
| That is odd, right? | ||
| It's a ritual. | ||
| I understand ritual. | ||
| This is not a ritual. | ||
| They got shoes on, too. | ||
| Right. | ||
| They got shoes on. | ||
| Great point. | ||
| Both those things are weird. | ||
| There's a lot of shoes in there. | ||
|
unidentified
|
I just thought about that when I said it. | |
| What is happening? | ||
| Are they going to shoot those guys? | ||
| Well, they do this thing for the troops. | ||
| Shot holes through the ceiling. | ||
| I would celebrate that. | ||
| But they do a whole thing with giving back to troops and shit. | ||
| Is that what they're doing here? | ||
| Yeah. | ||
| Okay, so he's saying something. | ||
| Oh, shit. | ||
| Check out this guy with the bootcut jeans. | ||
| Who's that guy? | ||
| Is he singing America, America? | ||
| Let me hear this shit. | ||
| Well, they gotta sing Fedors, right? | ||
| Yeah, well, this guy's gonna sing both of them, but he's gonna sing the Rush one all fucked up. | ||
| What if he did sing both of them? | ||
| How come we can't hear them? | ||
| Oh, shout out to Black Rifle Coffee. | ||
| I can't hear anything, Jamie. | ||
|
unidentified
|
It's gotta be all the way up, sorry. | |
| The guy looks like he came out straight up Hot Topic. | ||
| We can only hear it if you take your earphones off, Jamie. | ||
| I know, I don't have it. | ||
| Are you doing that on purpose? | ||
| It's not fed into the show. | ||
| Right, but can you make it a little louder? | ||
|
unidentified
|
Barely. | |
| Keep going. | ||
| There you go. | ||
| Dude, now we have to sit through the Russian one, too? | ||
|
unidentified
|
Are you allowed to hear this? | |
| No, it's going to get recorded. | ||
| Oh, okay, okay. | ||
| Alright, you can kill it. | ||
| Dude, do you think they're going to do the Russian one, too? | ||
| That's such a bummer. | ||
| It takes so long. | ||
| Well, we were talking to your Showtime buddy about that. | ||
| Like, why do they still do this with the fights? | ||
| I know. | ||
| When Broner and Pacquiao fought and they had to do both anthems. | ||
| It takes forever. | ||
| It's like ten more minutes. | ||
| Look at that star-spangled banner, you motherfucker. | ||
| Look at that flag flying in the background. | ||
| Do you know who this gentleman is? | ||
| Craig Morgan is just a country music artist. | ||
| He's got an Apple Watch on. | ||
| How dare he? | ||
| That's racist. | ||
| He's a veteran. | ||
| As a country dude, he got an Apple Watch on? | ||
| Yeah, that seems like I'm not buying it. | ||
| I'm not buying it. | ||
| I'm not buying it. | ||
| You're faking, bro. | ||
| Yeah. | ||
| Is that an Apple Watch? | ||
| That's an Apple Watch. | ||
| Dude, also those fucking Chris Daughtry wristbands he's wearing, that ain't fucking very country either. | ||
| Country's a different thing now. | ||
| Yeah, you've seen Florida Georgia Line? | ||
| Yeah. | ||
| A little bit country, a little bit 21 forever. | ||
| Yeah, it's a mix. | ||
| Forever 21? | ||
| You know what? | ||
| And I dig it. | ||
| And I dig it. | ||
| You like those kinds of pants? | ||
| Yeah, I love that shit. | ||
| Not his pants. | ||
| Those bootcuts are awful. | ||
| All right, give me some predictions. | ||
| Ryan Bader, TKO, second round, ground and pound. | ||
| Wow, TKO. First round. | ||
| Jesus, Eddie, give him respect, bro. | ||
| He's going to knock him out in the first round. | ||
| Wow! | ||
| TKO? Really? | ||
|
unidentified
|
Wow. | |
| Eddie's been on one tonight, though. | ||
| You might be right. | ||
| I hate to ruin it for you. | ||
| So calm. | ||
| I think if Ryan doesn't respect Fedor, he can get cracked. | ||
| That's still real. | ||
| Here's the thing about Bader, too. | ||
| Bader? | ||
| Bader. | ||
| I'm high. | ||
| I'm so high. | ||
| Remember in his big fights, he lost to Rumble Johnson, Jon Jones. | ||
| A lot of the big moments, he gets caught up sometimes. | ||
| Johnson, he shot a bad shot, and he bounced his head to the moon. | ||
| So this is the finals of their heavyweight tournament that would make Ryan Bader be the heavyweight champion of the world. | ||
| Champ champ. | ||
| And he owns a light heavyweight one right now, too. | ||
| Yeah. | ||
| What's up, Jon Jones trying to run it back, bro? | ||
| That was years ago. | ||
| Why are you bringing up bold shit, as Eddie says. | ||
| Why are you bringing up bold shit? | ||
| Let's run it back. | ||
| Is that what he said? | ||
| Nope, that's what I'm saying. | ||
| Terrible fighters like that champ champ shit, right? | ||
| That's how you get paid, bro. | ||
| Connor started it, and now fucking everyone wants to do it. | ||
| Well, there's a few guys that can pull it off. | ||
|
unidentified
|
It's a good thing. | |
| I like that. | ||
| I love it. | ||
| It ties up the division, so it gets a little messy, but... | ||
|
unidentified
|
I'd love to see Khabib at 70, and Woodley's going to 85. TJ still has the belt at 35, right? | |
| Yes, correct. | ||
| He still has a 35-pound belt. | ||
| So who's going to go up there? | ||
| I ain't mad at that. | ||
| Here's the thing. | ||
| I really believe this. | ||
| I think if some... | ||
| This is an egregious error, and there's a fight that stopped prematurely. | ||
| I think you should almost put it up to the vote of the internet. | ||
| I really do. | ||
| Oh, no. | ||
| Are you at your goddamn... | ||
| Let the internet decide? | ||
| It's a popular vote. | ||
| Yes. | ||
| Popular vote, didn't you say most people, like, 70% of the population are dummies? | ||
| No. | ||
| Right? | ||
| 60? | ||
| It's like 80. It's about 80, right? | ||
| So why the fuck would we ever want to popular vote anything? | ||
| Okay, but listen, how about we have... | ||
| That's insane. | ||
| How about we have an organization of esteemed ladies and gentlemen... | ||
| An organization of maybe 200 accepted martial artists, world-class martial artists, people that... | ||
| The committee of 100. Yeah, 100 people. | ||
| If you have 100 people, you're going to get the decision right every time. | ||
|
unidentified
|
I agree. | |
| That's a great idea. | ||
| So much better than the internet trolls voting. | ||
| John Hacklemans and John Donahers and Ferasa Hobbies and Duke Rufus and Matt Humes and Mike Winklejohns and Trevor Whitman. | ||
| And you've got a committee of those. | ||
| And you've got a committee of those. | ||
| Yes. | ||
| If you had all those people in like a database and they all put in their opinion, you would be 100% probably in agreement. | ||
| Especially if they're experts. | ||
| Yeah. | ||
| All right, here we go. | ||
| Fedor looking stoic as fuck. | ||
| I'm kind of nervous for Ryan. | ||
| Well, it's a scary fight, man. | ||
| He's fighting Fedor, bro. | ||
| Here it goes. | ||
| And he comes out the gate. | ||
| You know, as he's older, he definitely doesn't give a fuck anymore. | ||
| He just wants to take your head off. | ||
| Second round, not on my watch, bro. | ||
| Look at him. | ||
| He's looking for that hammer. | ||
| Look at that right hand. | ||
| Fedor's just got that left hand loose and that right hand balled the fuck up. | ||
| Dude, I didn't think Pico was ever going to lose again, so I don't know what's going to happen. | ||
| Hey, man, anything can happen. | ||
| It's still one of the greatest heavyweights of all time. | ||
| And Ryan Bader is a better fighter than he's ever been. | ||
| And really slick, man. | ||
| He's smart. | ||
| He's smart in his approach. | ||
|
unidentified
|
Oh! | |
| That's him! | ||
|
unidentified
|
Oh! | |
| Oh, Ryan Bader! | ||
| What's up, bro? | ||
| That was beautiful! | ||
| What did I tell you? | ||
| One shot! | ||
| I told you! | ||
| Dude! | ||
| Holy shit, his left hook! | ||
| Fucking Eddie! | ||
| Called it, dude. | ||
| Dude, he's got a sneaky left hook. | ||
| It's like almost a jab. | ||
| Dude, think about what he's done this fucking tournament. | ||
| Start Lockdown King Moe, beat Mitrione, Fuckin' I just starch fuckin' Fedor. | ||
| No one starches Fedor. | ||
| Dude, he busted his eye open too. | ||
| Dude, he fucked him up. | ||
| And it was a weird left hook. | ||
| It was almost like it looked like it started out as a jab and then turned over at the end. | ||
| That Arizona State left hook? | ||
| Like how Rose knocked out Ioana. | ||
| Correct, sir. | ||
| Yes. | ||
| I want to see that. | ||
| Holy shit. | ||
| Call that the top shelf. | ||
|
unidentified
|
Goddamn. | |
| That's where Grandma keeps the cookies, Eddie. | ||
| I'm trying to tell you guys. | ||
| You guys don't listen. | ||
| Top shelf, huh? | ||
| Damn. | ||
| Look at this. | ||
| Let's watch this. | ||
| Watch this left hand. | ||
|
unidentified
|
Boop! | |
| Look at this. | ||
| It's almost like a jab. | ||
| He dropped the shoulder down. | ||
| It almost looked like he was going to fake the single. | ||
|
unidentified
|
Boom! | |
| Yeah, look at that again. | ||
| Boop! | ||
|
unidentified
|
Bing! | |
| So crazy. | ||
| Good for him. | ||
| Get down! | ||
|
unidentified
|
Boom! | |
| Get down! | ||
| That's a good stopper. | ||
| That's a good stopper. | ||
| He touched two shots. | ||
| Gosh! | ||
|
unidentified
|
Yeah, boom! | |
| That was almost like that Dan Anderson Bisping shot. | ||
| That extra shot. | ||
| Do you think that's evident? | ||
| Watch this again. | ||
| Is that evidence that Fedor just can't take a shot or is it a perfect punch? | ||
| Or is it both? | ||
| I think it's both. | ||
| I think it's more. | ||
| He's also 40. It's a little bit of that. | ||
| It's a little bit of both. | ||
| But damn, that's a perfect punch. | ||
| He dropped his shoulder down almost like he was going to jab to the body. | ||
| Right? | ||
| Yeah, it looked like almost a shot jab. | ||
| Bam! | ||
| Dude, Fedor's about to get... | ||
|
unidentified
|
Paid! | |
| So what happens now? | ||
| He's a free agent. | ||
| They gotta pay the man. | ||
| Wow. | ||
| Look at the heavyweight KOs. | ||
| Light heavyweight champ. | ||
| KOs Fader with a left-right. | ||
| Shout out to Ryan Bader. | ||
| Fuck yes. | ||
| Congratulations, sir. | ||
| Man. | ||
| Is part of you sad to watch Fader get cracked like that? | ||
| No. | ||
|
unidentified
|
Wow. | |
| Interesting. | ||
| Well, just because I'm up. | ||
| Bader's my buddy. | ||
| I told you guys. | ||
| You guys wouldn't listen. | ||
| You did call it, dude. | ||
| Eddie's texting everybody. | ||
| You ain't tweeting that right now. | ||
| He's texting everybody. | ||
| Told you, bitch. | ||
| Told you, motherfuckers. | ||
| No, at a certain point, you just can't take shots. | ||
| You just can't. | ||
| You get hit. | ||
| That was a nice shot, but it didn't appear to me that it was the... | ||
| Heaviest shot ever. | ||
| I hate to say I told you so to anybody, but to young fighters, this kind of shit is what I'm always trying to point out. | ||
| Don't get caught up in the moment. | ||
| Don't get caught up in wars. | ||
| Because every one of those will eventually, there's going to come a time when that credit card bill is going to come. | ||
| And you got all these charges, and you don't have the money anymore. | ||
| You're going to have to pay eventually. | ||
| There's no way around it. | ||
| And if you fight a smart, calculated fight, like who the fuck gets hit the least in MMA? You could definitely say Askren. | ||
| Wonderboy, Stylebender. | ||
| Askren. | ||
|
unidentified
|
Askren. | |
| Well, Wonderboy's been dropped twice by Woodley. | ||
| Demetrius Johnson at the highest level, but for a long time he's hard to hit. | ||
| I think Askren's probably the number one, but he's never fought anybody at the caliber of the UFC, like in their prime. | ||
| He's gonna now. | ||
| We're gonna find out. | ||
| But just avoid it. | ||
| Whatever you can do. | ||
| Again, Jon Jones really doesn't take damage either. | ||
| He's so calculated and just such a fucking beast. | ||
| For the young fighters, too, the other thing is you do all that work in the gym. | ||
| All that work. | ||
| and you have these advantages. | ||
| Those even out when you're playing rock'em, sock'em. | ||
| Then all that game plan, your coaches, you're disrespecting them because now it's level playing field. | ||
| Whoever lands first, it's fucking idiotic. | ||
| Cyborg versus Nunes. | ||
| Yes, there you go. | ||
| Same thing. | ||
| Didn't respect the game. | ||
| Thought she could just steamroll her. | ||
| Walked towards her. | ||
| She was going to blow her out of the water. | ||
| Pinned her up against a cage. | ||
| And Nunez ca-ca-ca-rapped her. | ||
| Correct. | ||
| And that's what happens. | ||
| You learn. | ||
| This is one person fighting on a narrative and fighting on emotions and trying to just overwhelm someone. | ||
| And the other person responding and catching someone while there's these openings. | ||
|
unidentified
|
Exactly. | |
| Aaron Pico, same thing. | ||
| I mean, he was pressing forward, pressing forward, and he gets hit with that fucking haymaker of a right hand. | ||
| Dude, you think that's Fedor's side piece, or is that his translator? | ||
| She's with him everywhere. | ||
| Translator. | ||
| She's the translator. | ||
| I'm very impressed. | ||
| How can you not be impressed? | ||
| What's next for Bader, though? | ||
| How much did he weigh for this fight? | ||
| 240? | ||
| 240? | ||
| Was he 240? | ||
| I don't know. | ||
| I think 230. Let's find out. | ||
| See if Jamie gets the weigh-in results. | ||
| He looks good. | ||
| What's he going to do? | ||
| He's a solid fucking 230, I'll tell you that. | ||
| That's a legit heavyweight. | ||
| I mean, he can definitely make 205. 205? | ||
| No. | ||
|
unidentified
|
I mean, that's what it has here. | |
| Oh, no, that's right. | ||
| See official Bellator weigh-ins. | ||
| See if they have it. | ||
| There's his wifey. | ||
| He's super pumped, man. | ||
| He's a champ champ now. | ||
| Scott Coker in the house. | ||
| And he's a free agent. | ||
| Bet on himself. | ||
| What is that? | ||
| He's the heavyweight Grand Prix champ? | ||
| Is that what that is? | ||
| Heavyweight champ. | ||
| And light heavyweight. | ||
| And light heavyweight. | ||
| 227. Okay. | ||
| So, kind of a light heavyweight. | ||
| Kind of light. | ||
| Yeah. | ||
| Oh, he's got three belts. | ||
| What happened there? | ||
| I don't know. | ||
| I think he gave him another one. | ||
| Have another one, bro, because that was awesome. | ||
| Oh, that one has jewels on it. | ||
| That one's better than the UFC belt. | ||
| The new UFC belt? | ||
| Doo-doo. | ||
| Yeah. | ||
| I wonder why they changed it. | ||
| Just to mix it up? | ||
| But why? | ||
| I don't know. | ||
|
unidentified
|
I like the old ones. | |
| And here's the thing now. | ||
| If you're champ, so let's say Tony becomes champ and he gets that belt, they don't give you another belt. | ||
| They just add another stone to it. | ||
| Budget cuts. | ||
| Was it real? | ||
| That's the word. | ||
| That's the rumor. | ||
| You don't get a new belt. | ||
| They just add stones to your belt. | ||
| I swear to God, I would negotiate that in my contract. | ||
| You've got to give me another fucking belt. | ||
| I want the old belt. | ||
| I want a legacy belt. | ||
| Those old belts are so sick. | ||
| Best belt of all time. | ||
| Maybe I just don't like change, but I look at them like, God, that looks like we went a step back. | ||
| It's like when Porsche went from the 993... | ||
| To the 996. Yeah. | ||
| Those goofy headlights. | ||
| Those weird lights. | ||
| The long ones. | ||
| Only 1,200 people understand what the hell that means. | ||
| And then Porsche went like this. | ||
| Then Porsche went like this. | ||
| 1,200. | ||
| A lot more. | ||
| But you know what's great about Porsche? | ||
|
unidentified
|
My bad. | |
| My bad. | ||
| Let's round them up again. | ||
| You guys like those? | ||
| We'll round them up again. | ||
| UFC goes, fuck that. | ||
| You guys are going to take this shit. | ||
| Yeah, we got an octagon belt motherfucker. | ||
| You love the UFC. Love the UFC, yeah. | ||
| Not the belt, though. | ||
| How can you not love the UFC? Are belts necessary? | ||
| I like them, right? | ||
| Of course. | ||
| Look how he did that. | ||
| Look how he did that. | ||
| Very interesting. | ||
| Dude, how about Fedor didn't throw one punch? | ||
| No, he caught him perfect, man. | ||
| I want to see that one more. | ||
| Watch how he does this. | ||
| I really like this. | ||
| Dips his left shoulder and loops it in a weird arc, man. | ||
| Watch this. | ||
| Boom! | ||
| Like half a jab, half a hook. | ||
| It was like this, right? | ||
| Wasn't it like this? | ||
|
unidentified
|
Boom! | |
| It was like this. | ||
|
unidentified
|
Long. | |
| And he caught him at the very end of it. | ||
| I kind of want to hear what he's saying. | ||
| Yeah. | ||
| I don't think they'll let us. | ||
| What if he gets on there and he's like, DC, you fucking pussy. | ||
| You absolutely suck. | ||
|
unidentified
|
John, John, Mr. Pico, come get some. | |
| Just drops the ultimate fucking... | ||
| Yeah. | ||
| I think he's probably... | ||
| If I was him... | ||
| He's real humble. | ||
| I think I'd probably say I'm super thankful. | ||
| I want to thank my team. | ||
| And it was an honor to fight Fedor. | ||
| Thanks a lot. | ||
| Now pay me. | ||
| I don't think he's going to say that on the mic, man. | ||
| He's too smart. | ||
| Pay me. | ||
| No, he's really smart. | ||
| And, look, good-looking guy. | ||
| Articulate. | ||
| He's knocking motherfuckers out like Fedor. | ||
| I mean, that's a real heavyweight champion. | ||
| You want that guy as your champ. | ||
| Dude, he has so many belts on him right now. | ||
| And that one has diamonds on him. | ||
| Might want to put those down so you could use your hands. | ||
| No, don't, dude. | ||
| I'd wrap them all around my neck so I can't see. | ||
| Put one on your head like a turban? | ||
| Yeah. | ||
| And put the other on my face and talk to them like... | ||
| Hey, you guys want to go see Fabrizio Verdun versus Gordon Ryan? | ||
| I can't. | ||
| I can't go to Mexico. | ||
| No, it's not in Mexico. | ||
| It's in LA. We moved it. | ||
| I thought it was in Mexico. | ||
| It's not in LA. When? | ||
| Friday, February 22nd. | ||
| It's going to be on Fight Pass. | ||
| That's a great fucking fight. | ||
|
unidentified
|
Yeah. | |
| And Josh Barnett. | ||
| It's a four-man tournament. | ||
| Josh Barnett, Rustam Chiziev, who fought Gordon Ryan in the finals of EBI 6. That's where Gordon Ryan was born. | ||
| He won the absolute of EBI. That was EBI 6. That was his first tournament. | ||
| This is combat jiu-jitsu? | ||
| Combat jiu-jitsu. | ||
| Barnett's about to slap a bitch. | ||
| So it's Barnett, Rustam, Gordon, Fabricio, four-man tournament. | ||
| That would be sick. | ||
| It's going to be fucking crazy. | ||
| It's an amazing tournament. | ||
| Yeah, it's going to be crazy, dude. | ||
| Because Josh Barnett just got beat by Gordon Ryan, too. | ||
| He got triangled. | ||
| There could be a rematch there, and Rustam, now he was in the finals, and Gordon beat him in the finals of the absolute EBI 6. So there's two potential rematches alone, but then on top of that, you got Fabricio Verdun versus Gordon Ryan in round one. | ||
| Dude, I think Gordon Ryan is obviously the best thing in jiu-jitsu, but he wants to do MMA too? | ||
| With his personality, his skill set, I think he's going to take over MMA too. | ||
| He's a motherfucker. | ||
| Well, it seems like Donaher is guiding him the right way too. | ||
| Donaher is telling him, like, you're going to learn how to strike first. | ||
| You're not going to go in there without any skills. | ||
| Enjoy that. | ||
| You're going to get better at that. | ||
| His jiu-jitsu is going to be, you know... | ||
| It's going to be good for him. | ||
| You know what? | ||
| He'll do fine because if you watch his last few fights, he likes to mount. | ||
| He's not like this big leg locker. | ||
| He's an expert at leg locks. | ||
| He's got that whole system down. | ||
| But he likes to mount, underjack, and get arm triangles. | ||
| And that's perfect for MMA. Arm triangles in MMA, that's one of the... | ||
| You have to be a savage with arm triangles if you're fighting MMA. Plus his personality. | ||
| He's a star. | ||
| He's a star. | ||
| Yeah. | ||
| Well, he's a handsome kid. | ||
| He's got a 28-pack. | ||
| Tattoo on his chest. | ||
| Tattoo on his chest. | ||
| Might have the most ridiculous six-pack of all time. | ||
| Him and Wiz Khalifa should have a six-pack off. | ||
| Dude, Wiz Khalifa is the size of this might. | ||
| He doesn't count. | ||
| It's true. | ||
| It doesn't count, but he's got a ridiculous six-pack. | ||
| It's like saying that the starving kids in Africa are shredded. | ||
| Are you guys going to be in town Friday, February 22nd? | ||
| Dude, I think I'm in town. | ||
| If I'm in town, I'm 100% there. | ||
| Mike Tyson's going to be there. | ||
| You know, he's part sponsor. | ||
|
unidentified
|
Oh, damn. | |
| His reach... | ||
| Well, the guy that's his partner in that owns Copper Gel. | ||
| Yeah, they gave me some of that. | ||
| Yeah, so Copper Gel is sponsoring. | ||
| That stuff is legit. | ||
| That's a CBD. Look at him. | ||
| Look at him. | ||
| Look at his six-pack. | ||
| That's what I'm saying. | ||
| I'm not lying. | ||
| No, I know he's shredded, but you compare him to Wiz Khalifa. | ||
| Wait, you see Wiz Khalifa. | ||
| No, but he doesn't count. | ||
|
unidentified
|
Stop. | |
| Stop and give the man his propers. | ||
| Let's see Wiz. | ||
| Wiz Khalid. | ||
| Show me that one with his super... | ||
| No, no, no. | ||
| Not like Wiz. | ||
| No, Wiz has muscles. | ||
| Like thick ass. | ||
| He got in that TRT program? | ||
| I don't know. | ||
|
unidentified
|
Look at him. | |
| Seriously! | ||
| Holy shit! | ||
| I told you bitches! | ||
| Damn! | ||
| I told you bitches! | ||
| He's got a three pack, but they're like jumbo. | ||
| He's bodied up. | ||
| But they don't separate in the middle. | ||
| That's a solid six pack. | ||
| They're so dense. | ||
| All he's doing is Muay Thai. | ||
| He does Muay Thai like crazy. | ||
| Put on 30 pounds of weight. | ||
| The Muay Thai do that to you. | ||
| Yeah, you gotta go to the right taco shop for lunch. | ||
| Fuck. | ||
| He is fucking good. | ||
| Yeah, but Gordon Ryan's is even more impressive. | ||
| And also, Gordon Ryan is 230 pounds. | ||
| And he doesn't have to go chocolate body. | ||
| You can consider that. | ||
| That's true. | ||
| What does he weigh now? | ||
| He's probably 225 now. | ||
| Didn't he do something crazy and get down at like 170, like just within a year or two ago for a tournament? | ||
| Well, yeah, he used to be, he used to fight at 170. That's crazy. | ||
| Yeah, and then he decided to bulk up. | ||
| How many picos? | ||
| All of them? | ||
| No comment. | ||
| Who's testing? | ||
| Nobody's testing. | ||
| That's the thing, though. | ||
| If you've got Picos and you're USADA, you're good. | ||
| Here's the thing. | ||
| If you are a young guy and you're indulging in various ways to enhance your physical recovery, and then you get off of that stuff, you're going to have an adaptation period. | ||
| And that adaptation period, I mean, this is an issue. | ||
| Hold on. | ||
| Why is it an issue, Joe? | ||
| It's not an issue. | ||
| Well, the issue is your performance is going to suffer. | ||
| Oh, you're saying if you get off it. | ||
| If you're on it and you get off of it, he's a young guy, if he's on it. | ||
| We're assuming he's on it. | ||
| We don't know. | ||
| Gordon? | ||
| Yeah. | ||
| Oh, I don't know. | ||
|
unidentified
|
Yeah. | |
| What would you say? | ||
| He could just have phenomenal genetics. | ||
| Yeah. | ||
| Okay. | ||
| All jokes aside, if you do find someone, though, not him, let's say someone else. | ||
| Let's say he just has phenomenal genetics. | ||
| Take anybody else, yeah. | ||
| Someone else that does it. | ||
| If they do do it, and they're doing it in an untested form, like submission grappling. | ||
| Correct. | ||
| Why wouldn't you do it if you're on that? | ||
| You can get away with whatever you want. | ||
| Correct, Eddie? | ||
| There's no testing. | ||
| General. | ||
| You guys test like them. | ||
| Speaking completely honestly, we know for a fact that some competitors are indulging. | ||
| I don't know that. | ||
| I would say yes. | ||
| I'm sure some are. | ||
| We know for sure some are. | ||
| I don't want to accuse any individuals, but we know for sure some are. | ||
| When you do have that situation where someone is on something and then they get off of something, then you have this adaptation period where their body's not producing testosterone as much anymore. | ||
| They're going to have to get on something else in order to kickstart it back up. | ||
| But he can do that. | ||
| He can do that. | ||
| But here's the thing, too. | ||
| You know, with this John Jones thing and the picogram thing, and he did test positive now with Vada, right? | ||
| And they still allow him to fight. | ||
| Well, now, let's say you are a jutsu guy who comes to the UFC, and you did do stuff prior, and those picograms get flagged? | ||
| Right. | ||
| What do you do? | ||
| It depends entirely on what you're doing. | ||
| It depends entirely on who you are, Joe. | ||
| Well, no. | ||
| With USADA, it does not. | ||
| It depends entirely on what you're doing. | ||
| Now, in terms of whether or not you get punished twice for the same crime... | ||
| So if they can prove exactly the same way they proved with John, one of the things that's happening is that the testing is getting far better. | ||
| So they can test you for stuff now that a year ago was absolutely impossible. | ||
| For sure. | ||
| So the threshold right now that they were saying, this is where it's confusing to me, the threshold that they tested John was supposed to be more stringent than VADA. Yes, and then the night of the fight, this is where it gets weird to me. | ||
| The night of the fight, the commission tested them, all the same period, same piss. | ||
| Commission, USADA, and VADA all tested them, same piss. | ||
| USADA didn't report anything. | ||
| Commission didn't report anything, right? | ||
| Andy Foster cleared them to fight. | ||
| But then VADA did. | ||
| Does VADA have better testing now? | ||
| It's all the same. | ||
| So how's that possible? | ||
| So you think shenanigans? | ||
| With USADA, yes. | ||
| I think it's shenanigans. | ||
| Here's the other thing, Joe. | ||
| Here's what no one talks about. | ||
| With USADA in the rule book, no matter if it's Picos, whatever it is, if you get flagged, it doesn't matter if it's from residue, whatever it is, you cannot compete until that is out of your body. | ||
| That's the rule book. | ||
| Black and white. | ||
| It doesn't say, well, if it's picograms, you're still good. | ||
| It doesn't matter. | ||
| Right, but do you understand that he's not testing positive for the actual steroids? | ||
| Again, that doesn't matter. | ||
| It's a metabolite. | ||
| But in the rule book, it doesn't say that. | ||
| Is that what it says? | ||
| Yeah, it says, if you test pod, regardless what it is, we cannot grant you the license to compete. | ||
| Interesting. | ||
| Which is interesting to me. | ||
| Now, I'm not saying they should. | ||
| This is why they don't suspend. | ||
| This is why I honestly think why they're doing this. | ||
| Because they don't know exactly how this is happening. | ||
| I think they have their theories, which, you know, it works right now. | ||
| But ultimately, they don't really know what's going on. | ||
| So if they were to suspend John, and he's really not taking shit, he could sue the fuck out of him. | ||
| So I think that's what's going on. | ||
| Well, there's that, and then there's also this concept of double jeopardy, that they've already punished him for having this stuff in his system. | ||
| There's no indication that he has recently taken it. | ||
| That's not the rules though, Joe. | ||
| I understand, but they're making the rules up as they go along. | ||
| Which is an issue, because if this was Corey Anderson, phenomenal fighter, not the same drawing power as John, what happens to a guy like that? | ||
| That's where it's scary. | ||
| What's the argument? | ||
| Even if they're making it up as they go along, the parameters are changing. | ||
| So the ability to test things is changing. | ||
| So if someone takes, say, you take creatine, the creatine is tainted, and you have some forbidden substance in your system, and it's supposed to only stay in your system for six months if it's this certain stuff. | ||
| But now the testing gets better. | ||
| And so now instead of punishing you for something that you accidentally took and then they test you and they say, oh, we can prove that you accidentally took it, so we're only going to give you a six-month suspension. | ||
| But then after the six months is over, they can still test it in you. | ||
| Why? | ||
| Because the testing's gotten better. | ||
| Well, what do they do now? | ||
| Because in the past, they would have said, well, it's time served. | ||
| This is the only argument for the John Jones thing that makes sense, is that you don't want to punish a guy for something you've already punished him for if you've proven that this is what he took. | ||
| But the rule book is, you can only compete when you pass the test. | ||
| Have you read this rule book? | ||
| Yes. | ||
| I had a discussion this morning. | ||
| Me and Chael went back and forth on text. | ||
| How does Chael feel about this? | ||
| What does he think? | ||
| He shouldn't be allowed to compete because it's still showing up. | ||
| No matter whether you meant to take it or not, the rule is if you do not pass the test, we can't grant you a license to fight. | ||
| That is the rule that is explained to most all the fighters except for John. | ||
| The real problem would be is what if it's proven at some point in time, let's just say a big for if, what if rather, what if it's proven one time that they can tell if you've ever taken anything, ever, your whole life? | ||
| And they just disqualify anyone forever, even if it's an accidental test. | ||
| But if that happens... | ||
| I know. | ||
| It's a problem. | ||
| You won't have a sport. | ||
| This thing is a weird thing. | ||
| This pulsating thing of the metabolite, they don't really understand it. | ||
| Here's where it's weird. | ||
| It makes no sense with our USADA testing. | ||
| The USADA testing, their parameters are based off Olympic testing, right? | ||
| Based off suspending guys two to four years. | ||
| You know how fucked up that is to do a fighter like Josh Barnett? | ||
| So how small is your window? | ||
| We're not the Olympics. | ||
| It doesn't come every four years. | ||
|
unidentified
|
Right. | |
| It's such a small window. | ||
| You suspend these guys for two to four years? | ||
| It's fucking silly. | ||
| Right, but here's the other question. | ||
| What do you do, but if a guy does juice and he hurts someone and gets away with it, and then you catch him, like you've been trying to catch him and then you catch him, how much should you suspend him for? | ||
| Say if you got a guy who's... | ||
| Hired some Victor Conte type individual back when Victor was doing this with the Clear. | ||
| And he hires some guy, and this guy gets him on some shit that no one knows what it is, and he's just running through people. | ||
| And he's looking like Yoel Romero and smashing people. | ||
| You mean Vitor Belvoir? | ||
| And everybody's like, I don't buy it. | ||
| Something's wrong. | ||
| And then one day you catch him. | ||
| So you shouldn't have a career ever again? | ||
| I don't know what you should do. | ||
| Not four years. | ||
| That's ridiculous. | ||
| Because we're going based off Olympic curriculum. | ||
| The real question is how many people are cheating, right? | ||
| And what should the punishment be? | ||
| Should it be based on how many people are cheating or should it be based on the philosophy we're trying to get cheating out of the sport? | ||
| I don't know. | ||
| Are you ever going to get it out? | ||
| Do you wish that the Japanese were super crazy strict about steroids back before Pride? | ||
| No. | ||
| As a fan, no way. | ||
| All those fights wouldn't have happened. | ||
| Anderson was making a point the other day, an irrational point, for letting a guy like him take something so that he could recover. | ||
| Because he's 40 years old. | ||
| He still enjoys fighting. | ||
| But his body doesn't produce testosterone the right way anymore. | ||
|
unidentified
|
Correct. | |
| He's been trained. | ||
| He's beaten. | ||
| They tried that for a while. | ||
| Remember, they made that. | ||
| It was legal for a while. | ||
| Vitor fucked it all up. | ||
| And Overeem. | ||
| Overeem and Vitor, they're like, bro. | ||
| I gotta piss. | ||
| Overeem didn't have a testosterone use exemption. | ||
| Vitor did. | ||
| Vitor did it legitimately. | ||
| Dan Henderson did it legitimately. | ||
| There's a few other guys that did it. | ||
| With Vitor, they're like, alright. | ||
| I'm not sure what the doctors know, right? | ||
| You show what the doctors know? | ||
| It's way worse. | ||
| Yeah. | ||
| It's way worse. | ||
| They don't test you. | ||
| And they didn't let anybody know. | ||
| It was totally legal. | ||
| Just like insiders knew. | ||
|
unidentified
|
Oh, we knew. | |
| Yeah, like the insiders. | ||
| I remember there was a guy in our gym. | ||
| They're like, he got a TRT pass. | ||
| We're like... | ||
| Fuck, man! | ||
| But you have to be kind of a big name. | ||
| You have to be in with Dana and Lorenzo. | ||
| You can always be a guy. | ||
| If they had big veins on their bicep and on their shoulder they had that little spider vein, you're like, that motherfucker's on TV. We were so jealous, man. | ||
| I was like, I want a TRT exam. | ||
| How do you get it? | ||
| Like, you gotta know someone deep inside. | ||
| Oh, you have to be fucking co-op. | ||
| And no one believed it. | ||
| It was like a conspiracy theory. | ||
| It was like, no way! | ||
| They allow it. | ||
| He goes, yeah, dude, if you have a doctor's note, you could fucking do TRT. And why not? | ||
| And no one would believe it. | ||
| It was like, dude, you're full of shit. | ||
| It was a tinfoil hat conspiracy. | ||
| Yeah. | ||
| Now I think the conspiracy's all with USADA. It's been such a shit show. | ||
| It just got exploited and everybody was jumping on that doctor's note. | ||
| With TRT? Yeah. | ||
|
unidentified
|
100%. | |
| Yeah, yeah. | ||
| And then they put a stop to it. | ||
| For a while there, it was fucking legal. | ||
| Sure was. | ||
| How crazy is that? | ||
|
unidentified
|
Hell yeah. | |
| And it was awesome. | ||
| Oh yeah, he had a doctor's mouth. | ||
| But it was awesome. | ||
| And now it's two straight and it's fucking things up and guys have to do other shit and they're getting caught. | ||
| How would you like it if you got to be the president of MMA? You were the fucking godfather. | ||
| USADA kick rocks. | ||
| It's just making it more complicated. | ||
| We'll put the money elsewhere. | ||
| It's obviously not really working. | ||
| What do you do about steroid testing? | ||
| I kind of do a how Bellator, yeah. | ||
| How does Bellator do it? | ||
| Just has the commission do it. | ||
| What does that mean? | ||
| It means you've got to be a moron to get caught by the commission. | ||
| So if you're going to do shit, you've got to be clean. | ||
| Wait a minute, I didn't know this. | ||
| So if there wasn't a USADA... Each state would have their own... | ||
| The commission would be responsible for it. | ||
|
unidentified
|
Correct. | |
| And what is it? | ||
| They just don't know how to do them right? | ||
| They don't do it as strict. | ||
| You get tested. | ||
| They don't do it weeks before. | ||
| They don't come randomly. | ||
| You get tests when you weigh in or the day of the fight and after the fight. | ||
| And so what did fighters used to do? | ||
| They could get it out of their system? | ||
| They could tailor it off, yeah. | ||
| Oh, really? | ||
| But there were certain states like L.A. or New Jersey were super strict. | ||
| So guys like Chael Sonny got caught in California. | ||
| What happened to the Keith Brown fight? | ||
| Oh, I don't know. | ||
| Keith Thurman. | ||
| He fought tonight on Fox. | ||
| Is that over? | ||
| It should be over. | ||
| It started at 6. Maybe not. | ||
| Maybe there's some fights on before it. | ||
| There was, but... | ||
|
unidentified
|
It's midnight on the East Coast. | |
| Fox has done so. | ||
| Keith Thurman, it is? | ||
|
unidentified
|
I'll check. | |
| Was it on Fox? | ||
| Is that what it was? | ||
| Or was it ESPN? It's over? | ||
| Who won? | ||
| I'm trying to find... | ||
| What'd you guys talk about? | ||
| Japanese tweeted your boys back tonight. | ||
| Oh, he won? | ||
|
unidentified
|
Whoa, hold on. | |
| Hold on, hold on, hold on. | ||
| Keith tweeted that? | ||
| Yeah, it retains title. | ||
| Yeah, it was a good fight for him, for God's sakes. | ||
| Now everyone wants to see him versus Earl Spence. | ||
| But Earl Spence fight Mikey Garcia. | ||
| I asked Brendan if he was the king or the president of MMA, what would he do about the steroid situation? | ||
| And he said he would get rid of USADA. Correct. | ||
| And then have the commission test, which basically means that all you got to do is just be... | ||
| It's a stupid idiot test. | ||
| You're still going to do shit, but night of the fight, you're clean. | ||
| Night of the fight, you're clean. | ||
| But if you're clean the night of the fight, wouldn't that be a... | ||
| Clean from a piss test. | ||
| Oh, okay. | ||
|
unidentified
|
Is that how they used to do it? | |
| That's how they did it when I fought. | ||
| When Alistair fought Brock, he was clean. | ||
| You know, he tested clean. | ||
| Yeah. | ||
| Because it was a very simple urine test. | ||
| It was like Quest Labs type shit. | ||
| If you get a job at UPS, they're not checking you for mushrooms. | ||
| Yeah. | ||
| So you would just have the commission do it. | ||
| It was a better sport then! | ||
| Yeah. | ||
| So that's how Bellator does it. | ||
| They just don't really... | ||
| Let me ask you this. | ||
| Did anybody ever approach you and said, hey man, I think we can get you on some stuff? | ||
| Oh yeah, for sure. | ||
| How do they say it? | ||
| It was like locker room talk. | ||
| They're like, oh, I got this guy, dude. | ||
| He's great. | ||
| He does this, this, this. | ||
| I couldn't afford it. | ||
| That's how it starts, the fighters. | ||
| Or a coach would be like, hey man, you could do this, this. | ||
| I couldn't afford it though. | ||
| How much were they talking? | ||
| I don't know, because they were going through, like, a doctor, and I just remember, a doctor, I don't think he's still in business, and I remember they're like, your insurance won't cover it, so you gotta pay him cash. | ||
| I remember I asked, and I remember at the time, I was like, oh, fuck, that's a car payment, man, there's no way. | ||
| I couldn't do it. | ||
| Would I have done it? | ||
| Probably. | ||
| Yeah, probably. | ||
| Interesting. | ||
| Short window, man. | ||
| I wonder what Bob Sapp is up to lately. | ||
| That's a good question. | ||
| Fucking girls in Japan. | ||
| He's on Weedie Boxes and dressing up as Scots. | ||
| Dude, he had a real problem in Japan. | ||
| He didn't know he had to leave. | ||
| Oh, for the Yoko... | ||
| He did a K-1 fight, and they wouldn't let him sign a contract before he fought. | ||
| He's like, I'm not fighting without a contract. | ||
| And they said, first you fight, then we give you a contract. | ||
| And they were like, fuck you. | ||
| And so he walked out on the finals, and it was the end of him. | ||
| See, Bob Sapp had become a huge star in Japan. | ||
| And I don't think people in America completely understood. | ||
| I mean, he was like... | ||
| He was on literally the cereal boxes. | ||
| Big billboards. | ||
| He had fucking figurines made of him. | ||
| I mean, he's like, what is a comparable celebrity in the United States? | ||
| Like a super athlete, maybe? | ||
| Who would be big right now? | ||
| He was so big, and he was such an oddity, because he was literally 370 pounds with ass. | ||
| Do you think about those little Japanese girls just sucking them off? | ||
| Good luck, ladies. | ||
| Good luck. | ||
|
unidentified
|
God. | |
| And he probably, yeah. | ||
| Oh, dude. | ||
|
unidentified
|
Jesus. | |
| Can you imagine? | ||
|
unidentified
|
Yeah. | |
| Hey man, the guy beat Ernesto Hoos twice. | ||
| Remember the sketch that we wrote? | ||
| Yes. | ||
|
unidentified
|
Designed. | |
| Look at him. | ||
| So he's still fighting. | ||
|
unidentified
|
This was a couple years ago, yeah. | |
| He won the MMA fight. | ||
| If he's doing well, he was a prom. | ||
| He still looks big. | ||
| Oh, he's still giant. | ||
| He's giant again. | ||
| Does he tap from mount? | ||
| No, I think he beats this guy out. | ||
|
unidentified
|
He won this fight. | |
| He was always a little bit of a... | ||
| Damn. | ||
| He's got a belly. | ||
| But dude, when he fought Noguera, he was about as fucking scary as a human being. | ||
| Dude, he almost broke Noguera's back. | ||
| Damn, that guy's in shape that he's fighting. | ||
| He almost broke Noguera's back. | ||
| Dude, he landed him on his head. | ||
| Remember that pile driver? | ||
| Yeah. | ||
| Noguera said Noguera for a long time. | ||
| For life? | ||
| Yeah, he still fucked up for me. | ||
|
unidentified
|
Really? | |
| He had some problems. | ||
| That's crazy, man. | ||
| Bob Sapp was so big. | ||
| So ginormous. | ||
| He was such a nightmare. | ||
| Like, what do you do with that? | ||
| And because he was on everything, his fucking cardio wasn't the worst for a guy that big. | ||
| He didn't have the best fighter's heart, but he's just such a fucking monster. | ||
| Science project. | ||
| Yeah. | ||
| But if the fight went for a long time... | ||
| Yeah, that was an issue. | ||
| The fight went for a while. | ||
| Well, you know, and after a while he took a bunch of beatings and he's like, that's enough. | ||
| Like after Cro Cop broke his eyeball. | ||
| Oh yeah, that'll do it. | ||
| Cro Cop smashed his eyeball. | ||
| Remember one eye was open more than the other eye was? | ||
| Because that orbital is fucked, man. | ||
| When people get their orbital smashed, almost always one eye is more wide. | ||
| I call it the sniper. | ||
| You don't want the fucking one eye bigger than the other. | ||
| Can you make the other one bigger? | ||
| I don't think so. | ||
| Is there surgeries? | ||
| Is there surgeries you can do? | ||
| Yeah, tell him to go in there and fucking straighten out that eyeball. | ||
| You don't want the sniper, bro. | ||
| Yeah. | ||
| I thought that was Theo Vaughn for a second. | ||
| Gender neutral haircut, son. | ||
| Gender neutral. | ||
| You don't know what I am. | ||
| That's Marky Mark. | ||
| Iron and Clothes. | ||
| Oh, this is Four Brothers. | ||
| Good movie. | ||
| All adopted. | ||
| Mom gets murdered and they have to avenge her death in Detroit, Michigan. | ||
| Oh, I remember this movie. | ||
| Look at you, dude. | ||
| You're like IMDB. Yeah, dude. | ||
| I know my movies. | ||
| You're like a database. | ||
| I know. | ||
| It's useless. | ||
| I get 90s reference for four days. | ||
| So we wrap this bitch up? | ||
| I think so, man. | ||
| Pico bummed me out. | ||
|
unidentified
|
Fedor... | |
| Well, it didn't bum me out. | ||
| It bummed me the fuck out, dude. | ||
| It sucks for him, for sure. | ||
| I sucked him off so hard before that fight. | ||
| But for Corrales, it's a great thing. | ||
| And for martial arts, when something like that happens... | ||
| Every young fighter gets another little piece of information in his database of experiences that he can at least view. | ||
| Maybe not have, but view and put that in your mind. | ||
| Okay, this is what happens when you throw caution to the wind and you just slug it out with somebody. | ||
| When you just slug it out and you stand right in front of somebody, sometimes you get knocked out. | ||
| It's a bad idea. | ||
| I mean, he was winning the fight up until that moment. | ||
| He cracked the guy. | ||
| He had hurt him. | ||
| He looked amazing. | ||
| And then, boom. | ||
| He's standing. | ||
| I mean, he's so good, but he's still human. | ||
| And that's just the reality of being a human being that's fighting. | ||
| And I'm bummed out. | ||
|
unidentified
|
Yeah. | |
| I get it, because you know the guy. | ||
| I get it. | ||
| I can't say... | ||
| I think those experiences, it's not good for him, right? | ||
|
unidentified
|
Because it happened and he got hurt bad. | |
| But it's valuable for all of us to take in what happens when, you know, look, every time a guy gets knocked out, believe it or not, it's valuable for the overall database of martial arts. | ||
| Even a striker Like, Mirko Krokop has decided on at least two fights, I think, where he decided, you know what? | ||
| I think I have a better shot taking this motherfucker down and throwing elbows on the ground from the top. | ||
| You know what I mean? | ||
| That was like a strategy that he thought, you know what? | ||
| I'm getting clipped every now and then. | ||
| It's like Russian Roulette. | ||
| He's one of the greatest strikers of all time. | ||
| One of the most dangerous motherfuckers out there. | ||
| And he even got to the point where he was like, you know what? | ||
| I think I have a better shot taking this motherfucker down and smashing him. | ||
| Even Vanderlei Silva did that once or twice. | ||
| Sure. | ||
| Well, you remember when Krokop fought Randomman. | ||
| Randomman KO'd him. | ||
| And Randomman was known as more of a wrestler. | ||
| But, you know, he's a fucking stud athlete. | ||
| Well, that's why he punches you in the jaw. | ||
| This is literally why it's the best sport. | ||
| Well, it's certainly the craziest to watch. | ||
| When Pico got knocked out, we all jumped out of our chairs. | ||
| I fell on the ground. | ||
| We all walked around. | ||
| I started crawling on the ground in disbelief. | ||
| It's crazy. | ||
| It's a crazy fucking sport, man. | ||
| A crazy sport. | ||
| How crazy is it that we all work in it somehow? | ||
| What happened there? | ||
| My family is fucking still confused. | ||
| They're like, how the fuck is anybody paying you to learn how to fight? | ||
| I'm like, I don't know. | ||
| I'm pulling it off. | ||
| It's working. | ||
| My family does not, I left my family as a musician, as a pussy, who never got in any fights. | ||
| I got in a couple fights, but I wasn't known as a fighter. | ||
|
unidentified
|
Right. | |
| You know what I mean? | ||
| I wrestled a couple years, so I thought I was cheating. | ||
| When I would fight, I would just double-leg a dude and punch him in the stomach until the teacher broke it up. | ||
| But I was never, ever considered a dangerous guy at all by my family, by my closest friends that I grew up. | ||
| So even today, they're still like, man, how did you pull that off, dude? | ||
| Like, what the fuck? | ||
| I'm like, dude, I don't know. | ||
| I got lucky. | ||
|
unidentified
|
I love it. | |
| You paid attention to it, you know? | ||
| I got fucking lucky, dude. | ||
| It's a good path, though, because it shows everybody that if you really just learn something, you get good at it, you keep getting better at it, you keep acquiring information, testing yourself, really being obsessed with it, you eventually, one day, after years of training... | ||
| You become a fucking wizard at it. | ||
| Whatever it is, in comparison to how you were when you first started. | ||
| It doesn't matter what you do. | ||
| Like, stand-up. | ||
| Like, you doing stand-up. | ||
| Dude, you did two years in, you did a fucking Showtime special. | ||
| Me and Brian were in the back room, we were shaking our heads. | ||
| Like, two years in, you did a fucking Showtime special. | ||
| It's crazy. | ||
| That's incredible. | ||
| But you put in the fucking work, you started out, you were uncomfortable at first, you got better and better, you kept working on it, you chipped away at it, you were constantly, constantly doing sets, constantly going over your material, and you pulled it off. | ||
| You had the MMA work ethic with comedy. | ||
| Yes! | ||
| A pro-athlete work ethic. | ||
| Yeah. | ||
| But it's that thing that's good for people to see. | ||
| I know it feels bad if you're not doing anything in your life. | ||
| And it was one of the things that people do when they hate. | ||
| One of the things that people do when they hate, like if you're kicking ass, they get upset because they're not. | ||
| And they're looking at you like, you're not that good, you're not that this, you're not that that. | ||
| Sometimes those criticisms are valid. | ||
| But at the end of the day, the reason why they're expressing them as exuberantly as they are is because they find flaws in their own life that they don't like to address. | ||
| And when they see someone that's doing well, they go after them and they shit on them. | ||
| It's the hater culture. | ||
| I think it's natural. | ||
| It's natural. | ||
| Is it natural? | ||
|
unidentified
|
I'm not like that. | |
| What I'm trying to say, though, is for all those people... | ||
| If you just... | ||
| Stop putting any energy into that. | ||
| Stop. | ||
| It doesn't help you. | ||
| I've done it before. | ||
| I did it when I was younger. | ||
| I 100% am guilty of what I'm saying. | ||
| But it's a waste. | ||
| It's a giant waste of time. | ||
| If you just get better at stuff. | ||
| Just find a thing. | ||
| Whatever that... | ||
| Focus on you. | ||
| If it's stand-up comedy. | ||
| Whatever it is. | ||
| Just find that thing and keep going. | ||
| Just keep going. | ||
| Concentrate on getting better. | ||
| My favorite is when people go, Rogan writes your shit. | ||
| I'm like, yeah. | ||
| Yeah, Rogan wrote the hour for me. | ||
| Yeah, that's exactly what he did. | ||
| Imagine if I had the time to do that. | ||
| Yeah, yeah. | ||
| That's exactly what's happening. | ||
| He's giving my perspective and he's writing it, you fucking man. | ||
| That's hysterical. | ||
| That is impossible. | ||
| Impossible. | ||
| Comedy doesn't work that way. | ||
| Well, you know who did do that, though, for a lot of guys? | ||
| Well, definitely did that for Chris Rock, was Richard Jenny. | ||
| Richard Jenny would tighten up dude's material. | ||
| You would bring him in. | ||
| You would punch it up? | ||
|
unidentified
|
Yeah, yeah. | |
| You would go do sets, and he would sit in the back of the room, and he would watch, but hey, you gotta drop that. | ||
| You gotta drop that. | ||
| Get rid of that. | ||
| Just start it with this, and go into that. | ||
| He would give you this, and guys would just listen to him. | ||
| That's kind of cool. | ||
| Some guys have done that, you know? | ||
| Well, I've gone with Bert Kreischer. | ||
| I told him my story, and he's like, but he doesn't say, do this. | ||
| He'd go, it's too long here. | ||
| Right, right, right. | ||
| Focus on this and do this. | ||
| You do this and take the time on this. | ||
| You've always done that. | ||
| Back when I did those few open mics like 15 years ago, I remember I bombed so bad this one set in the OR that you just grabbed me and said, follow me. | ||
| And you just dragged me to the back of the parking lot. | ||
| I remember I had to tell you because I was high. | ||
| And I had to tell you why. | ||
| Because when you're high, thoughts, they're slippery. | ||
| You were so mad at me. | ||
| No, I was not mad at you. | ||
| I was never mad at you. | ||
| Not mad at me, but disappointed. | ||
| No, no, no. | ||
| I was not disappointed. | ||
| But I recognized what that was because I had done it. | ||
| I've done it before. | ||
| You went in there, it didn't go well, and then you just crashed and burned. | ||
| Yeah. | ||
| But what happened with you, which is interesting, is you got really good at talking publicly. | ||
| And as you got better at talking publicly and doing classes and teaching classes, then a transition back to stand-up comedy actually made sense. | ||
| Because now you weren't nervous at all. | ||
| Because before you were always really funny, but the hard part was you being yourself on stage. | ||
| Yeah. | ||
| That was hard. | ||
| It's still... | ||
| And I had no public speaking experience. | ||
| That's huge. | ||
| I mean, I had zero. | ||
| Zero public speaking experience. | ||
| And I knew it. | ||
| And I thought, you know what? | ||
| I'm going to have to really spend a lot of fucking time with this if I'm going to do it right. | ||
| And I just didn't want to spend the time, so I decided, you know what? | ||
| I can't do it. | ||
| Let me just focus on jujitsu. | ||
| You know what you could do? | ||
| If someone's going to do it eventually, but if you could get Joey Diaz... | ||
| For his comedy to come off on a special, like the same way he had all of us in the back of the comedy store. | ||
| We're all doing something right. | ||
| I'll tell you after the show. | ||
| I'll tell you after the show. | ||
| I got something going on. | ||
| I thought I broke my rib the next morning. | ||
| I was laughing so hard I was in tears. | ||
| Yeah, we have a plan. | ||
| My rib almost... | ||
| Yeah. | ||
| Ari and I were literally just texting right before this show started. | ||
| But I watched his Netflix special. | ||
| Not that anything's wrong with it. | ||
| He's still a fucking monster. | ||
| But if you could capture that, man. | ||
| Game over. | ||
| Best in the world. | ||
| Those Netflix specials, what they're doing is a half an hour set. | ||
| They're doing with a bunch of other people that they probably don't work with a lot. | ||
| And they have two shots. | ||
| They have the first show and then they have the second show. | ||
| And sometimes it doesn't work out as well. | ||
| It's hard. | ||
| You're under pressure. | ||
| It feels weird. | ||
| You're not used to the crowd. | ||
| Maybe the audience is lit up in a weird way. | ||
| It also gets lost in the shuffle, though, because there's a ton of them on there. | ||
| You know what I'm saying? | ||
| Joey, he's in with a bunch of other guys. | ||
| You can't fault that, because the ones that stand out, I mean, look at whether you like it or not, like that Nanette thing from Hannah Gadsby. | ||
| I still haven't seen it, but it stood out, and a lot of people liked it. | ||
| For different reasons, though, right? | ||
| Okay, but there was other ones that didn't stand out for that, but they stood out because people really responded to it. | ||
| Tom Segura's. | ||
| I mean, Tom's selling out these places because people responded so well to his specials. | ||
| No, Netflix is amazing. | ||
| I'm saying how his was released in Degenerates. | ||
| There's 830 minutes. | ||
| It's a package. | ||
| It still doesn't matter. | ||
| It really doesn't. | ||
| You're thinking if it's good, it's good. | ||
| I've been hearing a lot about Neil Brennan's special from people that watched the last one. | ||
| Oh, he was on there. | ||
| That's right. | ||
| Comedians of the World. | ||
| I've been hearing a lot about that set. | ||
| I love that set. | ||
| Neil Brennan is a monster. | ||
| I want to say anything about his new stuff because I'll give away the premises, but he's murdering them. | ||
| I was super impressed with Neil Brennan. | ||
| I was like, whoa, this is the funniest I've ever heard of him. | ||
| I love that. | ||
| He's a monster. | ||
| He's definitely the best one I've seen so far on that special. | ||
| He's very smart, man. | ||
| His new stuff is excellent. | ||
| His analogy of ISIS? His analogy of ISIS? Fuck. | ||
| He punches up a lot of people. | ||
| Your favorite comedian's shit, he punches it up. | ||
| Yes. | ||
| Ellen's, Chris Rocks. | ||
| Yes, he does. | ||
| I mean, Dave Chappelle. | ||
| He was Dave Chappelle's writing partner. | ||
| Well, for the Chappelle show, yeah. | ||
| That was back when we were friends with him. | ||
| He hadn't even done stand-up yet. | ||
| Remember that? | ||
| When we hung out with him in New York? | ||
| Eddie came with me when I did the Fear Factor Chappelle sketch. | ||
| Yeah. | ||
| We did it. | ||
| The weird ass warehouse. | ||
| How long ago is this though? | ||
| 2004. It was a long time ago. | ||
| Was it even? | ||
| It might have been three. | ||
| It could have been three. | ||
| We fly out to New York and they're filming all day in this fucking old ass warehouse with no windows and it's freezing. | ||
| Everybody's in winter coats and everyone's freezing. | ||
| One of those burner heater things. | ||
| Those portable, like, inferno heater things. | ||
| Eddie and I were fucking huddled by this guy. | ||
| Yeah, everybody was. | ||
| The cameraman, the grips. | ||
| And he did the crackhead character, Dave Chappelle. | ||
| Oh, shit. | ||
| So he stayed in character. | ||
|
unidentified
|
Y'all got any more? | |
| Yeah, exactly. | ||
| Got any more rocks? | ||
|
unidentified
|
Yeah. | |
| He stayed in character the whole fucking day. | ||
| And he's trying to tell him about me. | ||
| Like, he introduced me to Dave Chappell. | ||
| He goes, this guy, he just tapped Hoyler Gracie. | ||
| And he was like, Hoyler Gracie? | ||
| God damn. | ||
| He was doing a whole bit. | ||
| Yeah. | ||
| So, every time we ran into each other throughout the day, he'd look at me and go, you tapped Hoyler Gracie? | ||
| Damn. | ||
| It was hysterical. | ||
| Over and over and over and over. | ||
| He would say the same shit. | ||
| I wonder why it took Neil so long to get into stand-up. | ||
| He's such a brilliant writer. | ||
| I think he sat back and watched it and probably thought he could do it and then said, you know what, let me just give it a shot and just took to it like a duck to water. | ||
| Yep. | ||
| Yeah. | ||
| But I had a good conversation about stand-up with him last night. | ||
| I just saw Sebastian's special yesterday. | ||
| Last night, Sebastian. | ||
| Dude! | ||
| It's so crazy that we've seen him. | ||
| He was just one of the regulars at the OR when we'd go in. | ||
| You ready for this? | ||
| He just sold out four shows at Madison Square Garden. | ||
| It's incredible! | ||
| Do you know how many people that is? | ||
| It's 18,000 people a show. | ||
| He sold out four shows. | ||
| He sold out four shows. | ||
| It's the top ten, right? | ||
| For most highest earnings. | ||
| Oh, yeah, yeah, yeah. | ||
| Comedy. | ||
| Well, this year he's probably going to be number one, if I had to guess. | ||
| Seinfeld's saying, hold my bear. | ||
| No, no, no. | ||
| Seinfeld can't do that. | ||
| He can't sell out four shows at Madison Square Garden like that. | ||
| He might sell out one. | ||
| Four is crazy. | ||
| There's guys like Louis C.K. Kevin Chappelle. | ||
| But Louis C.K. I think sold out two in a row. | ||
| I don't think he ever did four like that in a weekend. | ||
| It's a weekend, dude. | ||
| He sold out four in a weekend. | ||
|
unidentified
|
That's insane. | |
| It's insane. | ||
| It's almost unprecedented. | ||
| Dice did it. | ||
| Dice sold out Madison Square Garden. | ||
| How many times? | ||
|
unidentified
|
Kevin Hart. | |
| I don't know. | ||
| I don't know. | ||
| Kevin Hart's the biggest. | ||
| The thing about Dice that you always have to give up is that Dice was numero uno. | ||
| Nobody did that before. | ||
| Nobody did anything like that before. | ||
| What he did, he would sell out arenas when nobody had ever heard about doing this before. | ||
| Nassau Coliseum. | ||
| Not even Eddie Murphy? | ||
| Eddie Murphy was close though, right? | ||
| He was until he stopped doing stand-up, but he never quite reached the heights that Dice did. | ||
| Dice was absolutely, without a doubt, unprecedented. | ||
| Because I remember, it was happening as I was getting into stand-up. | ||
| So as I was getting into stand-up, Dice was selling out arenas. | ||
| And he would sell them out like two, three nights in a row. | ||
| And he'd done hundreds of arena shows all over the country. | ||
| Nobody had been like that before. | ||
| Yeah. | ||
| Before, everybody was doing places that I used to do. | ||
| Sebastian is kind of like a different version, a newer, cleaned-up version of Dice, sort of. | ||
| You know what I mean? | ||
| Well, they used to go on the road together. | ||
| Sebastian used to open Dice. | ||
| Yeah, yeah. | ||
| He tells a story about not doing a long enough set. | ||
| Have you heard this? | ||
| No. | ||
| Sebastian talked about this. | ||
| He's opening for him, and he's supposed to do 12 minutes, and he did eight, and he came to the back, and Dice just fucking tore him a new one. | ||
| He's like, what the fuck are you doing? | ||
| Well, you gotta do 12. Yeah, you gotta do your shit. | ||
| You gotta do 12. Because Dice, I guess, was asking his mind, right? | ||
| Yeah. | ||
| Went too early. | ||
| Oh, dude, I did a show with a guy once. | ||
| I went to the green room, and a minute and a half later, he came backstage. | ||
| It was great! | ||
| The crowd's great! | ||
| I go, what are you doing? | ||
| He goes... | ||
| He just goes, I can't do it. | ||
| What? | ||
| You can't do it? | ||
| You're done? | ||
| He goes, yeah, I'm just, I can't. | ||
| So I walked out through the green room door onto the stage and the audience is looking at me like, what the fuck? | ||
| Was this in the UK? Yes. | ||
| Yes! | ||
| I remember that. | ||
| I remember that shit. | ||
| Famous guy? | ||
| Oh, yes. | ||
|
unidentified
|
No, no, no. | |
| Don't throw him under the bus. | ||
|
unidentified
|
You don't want to say his name, but a guy went out, bombed. | |
| You remember that? | ||
| Yeah. | ||
| And then the whole night, you were trying to coach him back. | ||
| He was like, I'm done with it. | ||
| I quit. | ||
| I'm never going to do this. | ||
| Wow, he was just trying to coach him back. | ||
| The crowd didn't like him. | ||
| This is what happened. | ||
| He used to do stand-up, and then he stopped doing it. | ||
| He had a regular job, too. | ||
| And he wasn't doing it as much. | ||
| I think he was drinking. | ||
| Would I know him? | ||
| Would I know him, Joe? | ||
| No, no, no. | ||
| Good guy, though. | ||
| I like him a lot. | ||
| It was a bummer. | ||
| Hopefully you figured it out. | ||
| But it's fucking hard, man. | ||
| It's even harder in England, man. | ||
| You want to make it in England? | ||
| It's not as easy as it is over here. | ||
| Have you ever had just a nightmare show that was just horrible? | ||
| Not at one of my one hours. | ||
| If I'm on the road, no. | ||
| If you bomb it there, I don't know what you're doing. | ||
| But at the Comedy Story, I've ate all the dicks in the room. | ||
| Because it's not generally coming to see you. | ||
| They're coming to see you. | ||
| They're really excited to see you. | ||
| That's what I'm saying. | ||
| When I'm on the road, those are my people. | ||
| But That's why... | ||
| But the Comedy Store Laugh Factory have eight tons of dicks. | ||
| Those are so important. | ||
| Those weird shows where there's 15 people on the lineup and they might be there to see D'Elia. | ||
| They might be there to see Theo. | ||
|
unidentified
|
Correct. | |
| They don't know who I am. | ||
| That's scary shit. | ||
| That's the only way to get you. | ||
| That's scary shit. | ||
| That's what you were supposed to do. | ||
| I did Flappers the other night and it wasn't my crowd. | ||
| I could notice right away. | ||
| There's old people in the back. | ||
| It's kind of... | ||
| They're all on pills. | ||
| Yeah. | ||
|
unidentified
|
Yeah. | |
| It's always better when they're there to see you. | ||
| All I know is that whiskey is fucking good. | ||
| It's good whiskey. | ||
| Yeah, it's good whiskey. | ||
| You want another one? | ||
| I got to drive, dude. | ||
| And that thing's fast as fuck. | ||
| How funny is doing stand-up? | ||
| It's the funnest shit. | ||
| It's the funnest shit ever. | ||
| When you don't bomb. | ||
| Yeah, when you don't bomb. | ||
| Yeah, if it goes great, it's too much fun. | ||
| Dude, last Saturday at my special, so Rogan introduced me. | ||
| I come out in the crowd. | ||
| You're so awesome. | ||
| Boom! | ||
| And I start getting emotional. | ||
| My eyes start to fill up with tears. | ||
| I'm like, oh, fuck, dude. | ||
| Fuck, do not cry. | ||
| Do not fucking cry. | ||
| So they'll definitely use the edit of the second show because I didn't get emotional. | ||
|
unidentified
|
Wow. | |
| Because I had to find my way in that first one. | ||
| It was a great crowd too, man. | ||
| They were super hyped. | ||
| Ridiculous. | ||
| It was really fun. | ||
| It was so cool, man. | ||
| Yeah, Cal went up and did like 10 minutes. | ||
| I did like 10 minutes. | ||
| Oh, really? | ||
| Stepped off the side and then I brought Brendan up. | ||
| Yeah, it was awesome, man. | ||
| We were so proud of you. | ||
| Yeah, I love it, man. | ||
| It was so cool. | ||
| Yeah, it was so cool. | ||
| It was so fun, man. | ||
| Best night of my life, man. | ||
| Hands down. | ||
| It was super positive, man. | ||
| Dude, I drove all the way the fuck down and all the way the fuck back in a night. | ||
| I can't believe you did that. | ||
| I drove five and a half hours down and two and a half hours back. | ||
| Eight hours of driving, son. | ||
| It was rough. | ||
|
unidentified
|
Ah. | |
| By the time I got home, I got my head out the window. | ||
| Trying to stay awake. | ||
| You're just imagining how good that bed is going to feel. | ||
| You're just like, fuck. | ||
| Dude, I told you I'd get you a room, whatever you want. | ||
| I'd pay Burr to fly in a helicopter, but he's like, no, you're going to get back. | ||
| Helicopter would have been great. | ||
| How much would a helicopter be? | ||
| I don't know. | ||
| I offered it. | ||
| No, no, no. | ||
| I had to drive. | ||
| My daughter had a gymnastics event, and so I was going to get back. | ||
| I had to get back in the morning. | ||
| I got emotional before the thing because obviously you showing up, Brian, my boys, and then Theo sent me this video, this heartfelt video, D'Elia, Bert, Tom Segur, I'm like, what the fuck? | ||
| Joey Diaz? | ||
| Yeah. | ||
| I'm like, what the fuck, man? | ||
| Yeah, when you were like, hey man, you don't have to come like, listen, motherfucker, I'm coming. | ||
| I'm like, I'm coming. | ||
| I'm like, I'm not going to miss that. | ||
| I need to see that. | ||
| I need to see that. | ||
| It was fun. | ||
| It was a good night. | ||
| It was very positive. | ||
| Positive vibes. | ||
| I was beaming like half the way home until I started getting tired. | ||
| I was super happy. | ||
| Yeah, I was so happy. | ||
| When does it come out? | ||
| I'd say May. | ||
| May or April. | ||
| So, you gotta tour now, and then try to work in new material while you're touring. | ||
| Here's the thing. | ||
| No, I'm not going on the road to March. | ||
| I have, and you're gonna be like, you're a fucking idiot. | ||
| I almost have a scene, because I recorded the special, I'm done with that, man. | ||
| So, I'm trying to, I'll still do, obviously I have to do certain bits when I do it at the store, but I'm trying to get at least 30 minutes before. | ||
| Well, you should, but it's not a bad idea to do the road while you still can, because you can make money doing clubs and doing theaters and all the different things you do. | ||
| And the reps. | ||
| The strategy that I always employed, it's not the best one. | ||
| You can do whatever you want. | ||
| But what I like to do is do a bit that I know works and then some new shit. | ||
| And then a bit I know works and then some new shit. | ||
| I make sandwiches. | ||
| I make shit sandwiches. | ||
| And then eventually I turn that shit into beef jerky and then eventually it's a steak. | ||
| It just takes time. | ||
| But that's the best way I've found is you've got to give them some stuff that's 100% legit. | ||
| You have to. | ||
| I definitely still do workout sets like in town where there's fucking around. | ||
| But even now, it's like, what if I do a workout set at the store? | ||
| Like a lot of times it's mobbed, man. | ||
| At the store? | ||
| Yeah, I can't do it. | ||
|
unidentified
|
It's mobbed. | |
| It's mobbed. | ||
| I mean, you go to the main room and you go on stage and they go fucking crazy? | ||
|
unidentified
|
Yeah. | |
| They've got babysitters, bro. | ||
| I got a plan because I had horrible anxiety. | ||
| Literally, the next morning I woke up, I had the worst anxiety. | ||
| I'm like, I come up with all new shit. | ||
| I got a plan because I feel better about it. | ||
| I don't bump people, but I understand it. | ||
| Because with a guy like Chris Rock or Louis C.K. or a lot of the guys that would... | ||
| When I say bump, it's not thought of as a negative thing. | ||
| It's thought of as a negative thing if you really don't deserve it. | ||
| If you're a certain person and you try to bump people and people are like, this fucking guy's bumping people? | ||
| But, you know, if Chris Rock shows up, generally most people just let him go on stage. | ||
| Dave Chappelle, perfect example. | ||
| You just let him go on stage. | ||
| I think it's a respect thing. | ||
| I think it's a complete respect thing. | ||
| But what it is, it's how they manage to try stand-up when they know it's not their audience. | ||
| Like, they're famous, so it's almost like every audience is Dave Chappelle's audience. | ||
| Home games for them. | ||
| But that's how you develop material. | ||
| Because if people are coming to see you, 100%, then you feel more inclined to do new stuff. | ||
| Whereas if you're just dropping in, you feel like you can work on new stuff better. | ||
| If people come to see you, you're going to do stuff that's tried and proven. | ||
| I caught him last Tuesday night. | ||
| He was in the OR. I was leaving. | ||
| And I passed by, and I'm like, oh shit, Dave Chappelle's on stage. | ||
| And everybody, I mean, there was so much goddamn loving, positive energy in that room. | ||
| And he was just sitting on a chair, smoking a cigarette. | ||
| And he was just, anything he said, People lost their fucking mind. | ||
| Like, one line, he would just sit there. | ||
| Don't ever tell your wife's gay friends shit. | ||
|
unidentified
|
And then people lose their fucking mind. | |
| They didn't even have to hear the rest of the story. | ||
| Everybody, comedians were dying. | ||
| That's such a funny premise. | ||
| Yeah, it's like, fuck, dude, he's so good, so confident. | ||
| He's just, he's like the fucking Yoda, you know, of comedy. | ||
| He's just incredible. | ||
| He's as good as anybody that's ever lived. | ||
| Yeah. | ||
| Hell fucking yeah. | ||
| And he's got his own style to this laid back, you know. | ||
| So confident, dude. | ||
| Just calm and silly. | ||
| He knows he's going to kill. | ||
|
unidentified
|
It's like impossible. | |
| Also, I love how he wears his own clothes. | ||
| You notice that? | ||
| What do you mean? | ||
| So this is a Gucci fucking shirt, right? | ||
| He would have that Gucci sign taken off, and it says, Dave, DC. He has his logo on it. | ||
| I think it's just a C, right? | ||
| Is it just a C? It's just a C. It's just a C on all his clothes. | ||
| He doesn't have all his clothes? | ||
| Does he get those clothes made? | ||
| I think it's his own line. | ||
| I'm not sure, but obviously I'm a weird fashion dude. | ||
|
unidentified
|
I wear my shirts all the time. | |
| His is like designer shit. | ||
| His jean jacket will just have his logo on it. | ||
| His chain will be his logo. | ||
| His shirt will be his logo. | ||
| He's smart as fuck. | ||
| He's like, why am I going to wear other people's shit? | ||
| Well, it's also like you don't want to get caught up in that designer name trap where people are trying to wear Gucci everywhere and all these different... | ||
| You know what I'm saying? | ||
| People get caught up in that where they have to show that off. | ||
| I hear you. | ||
| It's fucking stupid. | ||
|
unidentified
|
Yeah, yeah, yeah. | |
| Wouldn't you rather have a big old B on everything? | ||
|
unidentified
|
Oh, man. | |
| Just have a B. Why don't you go for it? | ||
| Dolce, Gurbana? | ||
| No, Dolce, no. | ||
| Okay, what is... | ||
| I don't know what's good. | ||
| What's top of the line? | ||
| Gucci? | ||
| Is Gucci top of the line? | ||
| Gucci's still good. | ||
| Louis Vuitton in probably six months with Virgil's release. | ||
| He's the head creator now. | ||
| They're going to take over. | ||
| What the fuck did you just say? | ||
| I don't know. | ||
| I know. | ||
| Jamie understands a little bit. | ||
| Do you understand, Jamie? | ||
| He's on black Twitter. | ||
| Gucci. | ||
| What else is the shit? | ||
| Gucci off-white's huge right now. | ||
| Prada's still good? | ||
| Prada's good. | ||
| Are there certain watches that guys try to wear? | ||
| Rolex is always killing it. | ||
| Rolex is never going to go anywhere. | ||
| Never goes anywhere. | ||
| You've got an iced up Rolex and you're a rapper, you're a winner. | ||
| Yeah. | ||
|
unidentified
|
Right? | |
| Always. | ||
| The Daytona's classic. | ||
| But if you're like a Floyd Mayweather, you've got to take it to another level. | ||
| Louis Vuitton? | ||
| Can Floyd wear... | ||
| Louis Vuitton? | ||
| No, he wears a Louis Vuitton all the time. | ||
| He wears Gucci all the time. | ||
| Gucci's like hot in the streets. | ||
| That's number one. | ||
| Gucci's like hot in the streets. | ||
| It's a crossover. | ||
| How do you know this? | ||
| Because their style. | ||
| Is it in the magazines? | ||
|
unidentified
|
Is there like a pound for pound top 25? | |
| It's just like it's out there. | ||
| I don't know. | ||
| It's just... | ||
| You have your finger in the pulse, but where's the bloodline? | ||
| What magazine do you have to read? | ||
| The pulse is like... | ||
| What's the magazine? | ||
| The pulse will start with like... | ||
| What's the website? | ||
| There he is. | ||
| Where do we go? | ||
| This is him with... | ||
| This is millions of dollars worth of watches. | ||
| Play this because it's so preposterous. | ||
| Start it from the beginning and play it. | ||
| He's so ridiculous. | ||
| He's got like 30 watches with him. | ||
| But can you do it from the beginning? | ||
| What's that? | ||
| I can't start it over. | ||
| Okay. | ||
| Look at this. | ||
| Do you know the kind of security he has to have? | ||
| Look at this. | ||
|
unidentified
|
But you know what? | |
| You know what? | ||
| What's crazy is this. | ||
| 30 days, 30 watches. | ||
|
unidentified
|
If we add 10 more days, I'd take 10 more watches. | |
| Jesus Christ. | ||
|
unidentified
|
Look at this. | |
| But then I say, fuck it. | ||
| If I want to bring out the one and only, then I bring out the watch that costs 18 million. | ||
| Oh my god. | ||
| That's so preposterous. | ||
|
unidentified
|
Shit. | |
| $18 million on your wrist? | ||
| That's insane. | ||
| Plus, press play, Jamie. | ||
| That's a lot of millions. | ||
|
unidentified
|
Matter of fact, you know what I'm going to do? | |
| For you motherfucking haters today, I'm going to go fuck on $50,000 because I ain't got shit else to do. | ||
| You motherfuckers. | ||
| Money made. | ||
|
unidentified
|
All motherfucking day. | |
| That's the end. | ||
| That's ridiculous. | ||
| He's a crazy person. | ||
| $18 million watch? | ||
| Does he really hate 50 Cent or is that an act? | ||
| That's a good question. | ||
| That's the real thing? | ||
| I think they're really mad at each other. | ||
| Yeah, I don't think Floyd is a fuck. | ||
| It seems like 50 Cent and a lot of people get in little scraps. | ||
| Yeah. | ||
| Yeah, I don't know. | ||
| Floyd gets some scraps. | ||
| Well, you know, I mean, when you act like that, that's his whole thing. | ||
| I hope people are going to hate you. | ||
| But the problem is like Adrian Broner tries doing the same thing, but he doesn't win, so it's tough. | ||
| You know, I think his slogan's about billions. | ||
| Yeah. | ||
| Adrian Broder. | ||
| A.B. About Billions. | ||
| It's tough. | ||
| It's a tough sell. | ||
| Well, if he was lighting everybody up on fire... | ||
|
unidentified
|
Sorry. | |
| Whoa. | ||
| No shit. | ||
| Jamie's mixing it up. | ||
| Dude, how about... | ||
| Shit. | ||
| DJ Jamie. | ||
| Jamie. | ||
| What was that? | ||
| Black Twitter? | ||
| No, it's 50 Cent's Instagram page. | ||
| He's talking about Adrian Broder. | ||
| Y'all know I beat that boy, he said. | ||
| What is 50 Cent saying? | ||
| Is he talking shit about Adrian... | ||
| Oh, damn, AB. I want my money. | ||
| I bet on you back. | ||
| Oh, look at this. | ||
| 50 Cent's the guy that just jumps in to stay relevant, huh? | ||
| That's a little bit of it. | ||
| Like, he's trolling, and he gets his name out there. | ||
| Well, he definitely does that. | ||
| Yeah. | ||
| What does he still do these days? | ||
| It looks like he's got a bunch of parties he's doing. | ||
| He's on Power, right? | ||
| He's on Power? | ||
| Those are shows? | ||
|
unidentified
|
Those are launch parties, so he's got a brand of... | |
| I think he owns that club. | ||
| Yeah, I think he's doing parties. | ||
| I don't think he's necessarily, like, rapping there. | ||
| No, he's not. | ||
| Doesn't rap anymore, right? | ||
| Does he rap anymore? | ||
| No, he's an actor, right? | ||
| He's on power, and then he made a shitload of money off vitamin water, they say. | ||
| Although that might be a rumor, because they said he's bullshit. | ||
|
unidentified
|
I think he might be an investor in Bellator. | |
| Yeah, he's a co- like... | ||
| What is he doing with Bellator? | ||
| He's involved in it. | ||
| It's almost like he's doing that same shit that... | ||
| What was the girl? | ||
| Carmen Lecter did? | ||
| You know, we were like a celebrity. | ||
| Remember when she was connected to the UFC? Carmen Lecter was? | ||
| Yeah, you don't remember? | ||
|
unidentified
|
Eddie Bravo? | |
| She was the post-fight interviewer or something. | ||
|
unidentified
|
No, no, no. | |
| What? | ||
| No, no, no. | ||
| She was the liaison. | ||
| She was like a celebrity... | ||
| She was like a promoter. | ||
| Celebrity promoter of the UFC. That's a brilliant... | ||
| Like MC Hammer? | ||
| No, he's a manager. | ||
| He's my manager. | ||
| I want to say I wasn't working for the UFC then. | ||
| Yeah, see there. | ||
| Look at her. | ||
| Carmen Electra with Carlos Mouton. | ||
| Jens Pulver, Tito Ortiz. | ||
| Chuck Liddell. | ||
| Yeah. | ||
|
unidentified
|
Wow. | |
| Pedro Hizzo. | ||
| Who's the other guy behind her? | ||
| Who's the guy behind her? | ||
| Dan Anderson? | ||
| So look at Randy Couture. | ||
| Randy Couture. | ||
| Look at that picture. | ||
| Crazy. | ||
| In this current culture, you're going to make that. | ||
| So Carmen Electra was like, you know, she was a hot celebrity. | ||
| Top 10 hottest of all time. | ||
| And she would do these interviews and she would talk about the UFC. Yeah. | ||
| Dude, I'm all about that. | ||
| Bring that shit back. | ||
| They tried it for a little while, but I don't think they got a lot of mileage out of it, and so they bailed on that. | ||
| That's a bad idea. | ||
| She's so hot. | ||
| Yeah, well, she was really nice, too. | ||
| I did a thing with her for Spike TV back in the day. | ||
| We did some car thing. | ||
| You're fucking right, dude. | ||
| With Kid Rock and Spike. | ||
| Were you single at the time? | ||
| No. | ||
| Sorry. | ||
| Well, that ends the show. | ||
| I don't think she was either, so it's alright. | ||
| Now you can figure it out, you know? | ||
| This podcast is brought to you by tfatk.com. | ||
| Brandon Schaub will be out on the road. | ||
| I'm not on the road till March. | ||
| We can check below the belt. | ||
| What are you going to do between now and then? | ||
| Just write new shit? | ||
| The new shit. | ||
| Set, set. | ||
| I'm lying set, set up. | ||
| I got a point. | ||
| You going up Tuesday? | ||
| I think so. | ||
| Tuesday, Wednesday, Thursday. | ||
| I'm doing the late show. | ||
| I'm doing the early show. | ||
| Maybe I'll run into you. | ||
| Maybe I'll be there. | ||
| Motherfuckers. | ||
| Alright. | ||
| That's it, everybody. | ||
| 10thplanetjj.com. | ||
| Eddie Bravo 10 on Instagram. | ||
| At Eddie Bravo 10p. | ||
| 10p on Instagram. | ||
| And Eddie Bravo regular on Twitter. | ||
| Do you go to Twitter anymore? | ||
| I'm never on Twitter. | ||
| I post shit that gets posted on Twitter, but I never mingle. | ||
| I never mingle on Twitter. | ||
| It's just Instagram. | ||
| Too toxic. | ||
| Twitter's a bunch of haters. | ||
| Instagram is just so much better. | ||
| Alright, shout out to Marky Mark and Four Brothers, whatever it is. | ||
| Yeah, Four Brothers. | ||
| Shout out to Ryan Bader. | ||
| Ryan Bader, holy shit. | ||
| Jesus, double champ champ, baby. | ||
|
unidentified
|
Yeah, amazing. | |
| You know what it is? | ||
| The Philly cheesesteak on Below the Belt. | ||
| Probably. | ||
| Yeah, and you can see that on Showtime and YouTube. | ||
| Below the Belt. | ||
| Below the Belt YouTube. | ||
| Okay. |
Export Selection