April 2, 2018 - The Joe Rogan Experience
02:38:16
| 
| Speaker | Time | Text |
|---|---|---|
|
unidentified
|
*Sigh* No headphones? | |
| I'd rather not have headphones. | ||
| You're crazy. | ||
| No, because I learned that hearing my own voice in my head makes me focus on it, and I don't want to focus on the sound of my voice. | ||
| I want to focus on the thoughts. | ||
| I'm focusing on, ooh, it's like blowing out in my head and all this shit's going on. | ||
| That's smart. | ||
| Tell me one. | ||
| What's up? | ||
| We were talking about whether or not you should have headphones on or not have headphones on. | ||
| Are we up? | ||
| No? | ||
| If you're hearing the audio recording of this, what's happening is we switched to a new TriCaster. | ||
| We were having problems with our old one. | ||
| The TriCaster is the machine that allows Jamie to switch cameras and put everything up on the internet and hopefully include Skype so we could get some people from like... | ||
| It's getting signaled but there's no video showing. | ||
| Are we going to restart? | ||
| I don't know. | ||
| I'm trying to make sure that that's actually true. | ||
| Sorry. | ||
| It's okay. | ||
| We might have to restart, folks. | ||
| We're trying live while we're going live with some new shit. | ||
| But I want people on YouTube. | ||
| Is it? | ||
| Audio but no video. | ||
| I don't know why. | ||
| I'll figure that out in a second. | ||
| Ladies and gentlemen, if you are just staring at a blank screen, would you have to shut this show down to get the video back up? | ||
|
unidentified
|
I shouldn't have to. | |
| It should work. | ||
| Alright, just do a double camera, a two-shot. | ||
| I think it's going to be okay now. | ||
| Is it live now? | ||
| It would suck if we did like a half an hour and it turns out none of it got picked up or we did a whole show. | ||
| It's going on YouTube right now for sure, just they don't see us right now. | ||
| He's trying to fix that. | ||
| Tech motherfuckingology. | ||
| We were having problems with our old TriCaster crashing a lot, so we got a new TriCaster. | ||
| But it turns out that... | ||
| What is it that doesn't match up? | ||
| What part is wrong? | ||
| The control panel? | ||
| There it goes, there it goes, yeah. | ||
|
unidentified
|
Okay. | |
| Now we're live. | ||
|
unidentified
|
Hey, everybody. | |
| Oh, shit. | ||
| Oh, shit. | ||
| What were we just talking about? | ||
| We're talking about material. | ||
| Headphones. | ||
| Headphones. | ||
| Oh, listen to yourself in the headphones. | ||
| What I think of is though, it makes me like, I close out the outside world totally and I just lock in on the conversation. | ||
| Yeah, it's only psychological. | ||
| But if he puts up a video, it would be nice to hear it. | ||
| Then you put your headphones on. | ||
| Right, then you have to put the headphones on. | ||
| I just feel like when that's on, it's just like I pay more attention to it. | ||
| Not talking over people, too. | ||
| I can't stand the sound of my voice. | ||
| So hearing it in my... | ||
|
unidentified
|
You've got a beautiful voice, bro. | |
| Thank you. | ||
| Thank you. | ||
| But I can't stand the sound of it. | ||
| And I hear it enough. | ||
| I don't need it blasting in my ears as I talk. | ||
| Then I focus on it. | ||
| And then I get depressed. | ||
| I think that's a good quality. | ||
| It's a good quality to hate your own voice. | ||
| Dude. | ||
|
unidentified
|
Oh, my God. | |
| Because if you love your own voice, you would listen to it all the time. | ||
| Like, ugh. | ||
| You know how hard it is to listen to my stand-up? | ||
| That's very hard. | ||
|
unidentified
|
For everybody. | |
| It's death. | ||
| It kills me. | ||
| But I always hear your voice. | ||
| You've got to listen to your shit. | ||
| You've got to go back and edit. | ||
| You've got to edit your shit. | ||
| I'm like, I don't want to listen to myself. | ||
| I want to put every time I go up on stage behind me. | ||
| I don't want to go back. | ||
| But I know that's not the right thing to do. | ||
| You take a lot of time out of the development of a joke process if you just listen to the previous versions of it. | ||
| Because I have this new bit that I'm doing right now, and I have three different versions of it. | ||
| Right now it's very shaky. | ||
| It's very shaky. | ||
| It goes one way, it goes the other way. | ||
| Sometimes it gets big laughs, sometimes it's just clunky. | ||
| And I've got to figure out which one's the right formula. | ||
| So the only way to do that really is to listen to how I did it right and then play it back and then write it out. | ||
| I'll listen to how I said it and then I'll write it out. | ||
| And then I'll think about what I would be thinking if I was sitting there listening to this or someone was saying this. | ||
| Would I anticipate what they're saying, what the punchlines are going to be beforehand? | ||
| Because if you do, that takes a lot out of it. | ||
| You've got to find a way to sneak it in. | ||
| You've got to find a way to make it where it really relates. | ||
| You ever have an old bit that you like an old one from like 10-15 years ago that you think like damn I should have added that you know, you're adding shit to it today. | ||
| Oh, yeah, man If you kept going that's like the argument like Ari had a good point about that. | ||
| He was like if you Just keep adding to your bits and making them better and that's why you don't want to release a special you could have used that same creativity to come up with new bits and Instead of doing the same old bits for 10 years, you could have used that. | ||
| Because there's some guys that think that. | ||
| If you've got those old, old, old bits, they're samurai swords, man. | ||
| They've just been hammered down and polished tight. | ||
| Certain bits, they have this rhythm to them. | ||
| You're like, Jesus Christ. | ||
| I remember... | ||
| I did a I did a special once and I ran I didn't have like hardly any new material and so there's like 2009 ish or something like that so I did some of my old old shit from like 1999 Tiger bit no no it was uh some other stuff What I didn't I didn't do that bit when I retired that bit I retired that you gotta bring that you could always bring that back you could always bring that back It's over. | ||
| But I remember thinking, damn, these 10-year-old bits that I had for literally 10 years before I did my first recording. | ||
| I started in 88, and I recorded in 99. So almost 11 years before I actually recorded anything. | ||
| They were so tight! | ||
| Because I'd never done them on anything. | ||
| So I could do them all the time. | ||
| I'd do them on the road. | ||
| I'd just... | ||
| It's like jujitsu. | ||
| Yup. | ||
| Yup. | ||
| You learn that path. | ||
| Yeah, your go-to's. | ||
| You got like a fucking ninja. | ||
| It's unconscious. | ||
| Yeah. | ||
| I love your description of it. | ||
| You were talking about tying your shoes. | ||
| You know how you tie your shoes? | ||
| You don't think this loop's going in here and this is going in here and then I'm going to bring it here. | ||
| You just do it like that. | ||
| You couldn't even teach it to someone over the phone. | ||
|
unidentified
|
I couldn't explain. | |
| Teach me over the phone and be like, I gotta do it a few times first and figure out what the hell I'm doing, because I don't even know what I'm doing. | ||
| I have no idea what I'm doing when I tie my shoes, and I do it every day. | ||
| Yeah. | ||
| My son, when he learned to tie his shoes maybe six months ago, he never wanted to. | ||
| He wants to do everything. | ||
| He wants to decide where we eat every day, but he doesn't want to tie his own shoelaces. | ||
| So we finally made him, and he was struggling with it. | ||
| And I use that as an opportunity to show him how you can master anything, anything that you're having trouble with. | ||
| Go, look, right now, you're having trouble with it. | ||
| You could do it. | ||
| He could do it. | ||
| But he struggles. | ||
| I said, one day you're going to do it like daddy. | ||
| Look how daddy does it. | ||
| I'm not even looking at my shoes. | ||
| Look. | ||
| And I do it, and I go, boom. | ||
| And he's like, I go, look at daddy. | ||
| Isn't that crazy? | ||
| Isn't that crazy? | ||
| I'll do it again. | ||
| Look, my other shoe. | ||
| And I do it and he's like, whoa, how did you do that, Daddy? | ||
| That's like magic. | ||
| And I go, you can do it too. | ||
| Watch, one day you're going to do it and you're not even going to look. | ||
| So like the next day he's trying not to look. | ||
| He's like, Daddy, I'm not looking. | ||
|
unidentified
|
Look. | |
| He's struggling, but now he's got it. | ||
| So now I could use that, that whole story that he won't forget and go, remember when you had trouble tying your shoes? | ||
| And remember how good you get? | ||
| Look how you are now. | ||
| This is the same thing. | ||
| Whether it's gymnastics or breakdancing or jujitsu or karate, whatever we do, it's the same exact thing. | ||
| Your body is magic. | ||
| You just gotta tell it a thousand times. | ||
| And then it finally listens and it'll do it itself. | ||
| I thought about that today. | ||
| Not today, but now. | ||
| If I had to learn today how to do a 360 roundhouse kick at 50 years old, I'd be like, what? | ||
| What am I going to do? | ||
| Yeah. | ||
| Hold on. | ||
| What are you doing? | ||
| But when I do it, it's just something I've done my whole life. | ||
| It's like a dance. | ||
| And your bits, like you were talking about, your Noah's Ark bit was so goddamn tight. | ||
| Back in the day, if you went on the road, I hung out with you. | ||
| I went on the road. | ||
| If you weren't on the road, we were at the comedy store. | ||
| Every weekend you weren't on the road. | ||
| So I saw your act over and over and over to the point where I wasn't listening to the jokes no more. | ||
| I was listening to the audience reaction. | ||
| That was what was entertaining. | ||
| I gotta sit through another hour of your shit. | ||
| So for me, I started being entertained by the audience, like which jokes worked. | ||
| And it's fascinating when there's women out there That go out there and they had to drag their husband out. | ||
| He didn't want to go out. | ||
| He wanted to stay. | ||
| She goes, you never take me out. | ||
| And she dragged him out. | ||
| He spent a lot of money. | ||
| They're buying money. | ||
| They're buying drinks. | ||
| She wants to make sure that they have a great time. | ||
| So there's always like 10 of those wives that drag their husbands out and they just want to laugh. | ||
| So they're laughing at stuff that isn't the punchline. | ||
| There were so many things that you would say that just the way you said them, it wasn't the joke at all, but they'd be like four chicks, four, just laugh, and they're like ready to laugh, you know? | ||
| Yeah, well, people that love stand-up comedy, you definitely can get into certain rhythms, but then it's like everything else, right? | ||
| You like one level of comedy, like one kind of comedy, but then you see a bunch of comedians, and then the original stuff that you liked, you think sucks. | ||
| Oh, yeah. | ||
| I used to think Comic View was the funniest shit. | ||
| I was obsessed with... | ||
| My whole life was all about music, but my two side things were fighting. | ||
| I loved boxing ever since I was a kid. | ||
| I was a huge, gigantic boxing fan. | ||
| Then I got into the UFC. And then comedy. | ||
| All I taped at home on my VCR was comedy specials and Tuesday night fights, any kind of boxing. | ||
| It was just comedy and fights. | ||
| I'm in the same boat. | ||
| Comedy and fights were my hobby and music was the goal. | ||
| That was my life. | ||
| I taped any time Comic View was on. | ||
| Which one's Comic View? | ||
| It was all black. | ||
| Is that BET? Yes, yes. | ||
| Is that the one that D.L. Hughley used to host? | ||
| Yeah, okay. | ||
| And, you know, Live at the Apollo, the Def Comedy Jams. | ||
| Oh, yeah. | ||
| I was the biggest fan of black comedy. | ||
| The biggest fan. | ||
| I mean, you know, right away. | ||
| And then you look back at some of those stand-ups. | ||
| After hanging out with you, though, I started going... | ||
| Oh shit, okay, that's low level. | ||
| A lot of those guys are low level. | ||
| Well, it's just there's premises that just get, you know, there's guys out there like Bill Burr or Dave Chappelle or the real high level guys that are seeing things and then they're commenting on things and they're pointing things out that maybe other people didn't notice. | ||
| Then there's other people that are doing bits because they know other people have done bits on that subject successfully. | ||
| So it's not totally stealing, But they're not really being creative. | ||
| They're just trying to recreate some... | ||
| There's a few guys that do that. | ||
| You hear them and you go, man, you know that Bill Hicks did a bit about that. | ||
| You know that this guy did a bit about that. | ||
| I see what you're doing. | ||
| You're trying to redo... | ||
| You don't have your own original point. | ||
| A lot of those shows were like that. | ||
| They were just trying to make it. | ||
| Because it was the comedy boom, man. | ||
| What you're talking about was like... | ||
| There was a comedy TV boom that included Evening at the Improv, MTV Half Hour Comedy Hour, Spotlight Live on VH1, some Friday night thing they had on Fox that used to be at the Laugh Factory. | ||
| They used to have a weekly show. | ||
| It was crazy. | ||
| There was so much comedy, man. | ||
| It was out of control. | ||
| There was a lot of guys that just didn't belong in the business yet. | ||
| I mean, I couldn't say that they couldn't eventually have broke, but they were basically like, did you ever notice? | ||
|
unidentified
|
Hey! | |
| Like, there's a lot of those fucking guys where they were like, hey, and there's a goddamn Wild Kingdom playing out in my living room. | ||
| They had this, like, comedy rhythm that they would do, but they didn't have shit to say, but it still worked. | ||
| A lot of those guys were doing comedy to get a sitcom. | ||
| They didn't really want to do comedy. | ||
| Exactly. | ||
| They thought it'd be easier if they did it that way. | ||
| Well, there was a lot of actors that I talked to about it. | ||
| They're like, hey, man, for me, it's real hard to get auditions. | ||
| And he goes, and for the longest time, I'd sit around and watch you guys get development deals. | ||
| And I'd be like, fuck that. | ||
| These guys don't even act. | ||
| And then I realized, like, why am I complaining? | ||
| Why don't I just do what they do? | ||
| How hard could it be? | ||
| Yeah. | ||
| It's hard. | ||
|
unidentified
|
That's easy. | |
| Sam Tripoli did a special last week at the Viper Room in Hollywood. | ||
| Man, we've known Sam forever. | ||
| I don't know. | ||
| I've known him for 15 years or something like that, maybe longer. | ||
| Goddamn, dude. | ||
| Goddamn. | ||
| Sam's special. | ||
| It was his first special. | ||
| It took him 10 years to get his shit together, but holy fuck, that hour... | ||
| Slammed. | ||
| Beautiful. | ||
| He crushes. | ||
| He did it at the Viper Room, too. | ||
| He crushes. | ||
| That's a great place to film a special. | ||
| Yeah, man. | ||
| I stayed for both shows. | ||
| When you film, you do two, just in case something goes wrong. | ||
| And he would do some stuff, too. | ||
| It was weird. | ||
| I've never seen a comic before. | ||
| Fuck up a bit go. | ||
| Wait a minute. | ||
| Let's do that one again and then start again like three times He just wanted to make sure it was perfect because the response was so great that he was just on stage He couldn't even believe it. | ||
| He couldn't everybody was dying Edwards was there beautiful. | ||
| Yeah, it was he it was it's really good to see him Blossom I think that you know based on the Netflix specials that I see on average three minutes at a time There's a lot of bad ones, huh? | ||
| Dude, they're just putting out comedy specials left and right by random dudes you never heard of, and a lot of super vanilla Netflix comedy specials. | ||
| Vanilla. | ||
| Like, they're not going deep. | ||
| Deep. | ||
| There's a little bit of that going on, and there's also, I think people need to film more shows. | ||
| I think they're just filming one show sometimes, sometimes two. | ||
| I really think if you can afford it, you should do four. | ||
| Ricky Gervais, his new one, I was never a giant fan of his, never really paid attention to him. | ||
| Like, Ricky Gervais? | ||
| Didn't he do like cartoons or something like that? | ||
| His new special on Netflix, that one is a grand slam. | ||
| He's fucking good. | ||
|
unidentified
|
Really? | |
| That's awesome. | ||
| Oh yeah. | ||
| That's awesome. | ||
| Did you see Chappelle's? | ||
| Oh yeah. | ||
| Those are great. | ||
| Yeah. | ||
| How about the one in the belly room? | ||
|
unidentified
|
Crazy. | |
| I was there for that one. | ||
| Do you remember how he ended that shit? | ||
| Basically telling people exactly why he went to Africa, that's pretty crazy. | ||
| That took balls. | ||
| That's dangerous shit. | ||
| He's rich as fuck. | ||
| I mean, Cat Williams' latest special is pretty good, too. | ||
| I didn't like that one as much, man. | ||
| I didn't like it as much as I liked his other ones. | ||
| He spent the first 20 minutes on Jacksonville, because that's where he filmed it, and I thought, you know, okay, I see what he's doing. | ||
| But I thought he had some pretty good stuff. | ||
| Considering all the crazy stuff he went through, I thought maybe he'll never be back, and he's just going to be insane or whatever. | ||
| Right. | ||
| But he did come back, and he is... | ||
| I'm a big fan of his. | ||
| Don't get me wrong, I enjoyed it. | ||
| But his old stuff is some of the best ever. | ||
| Oh my God! | ||
| The Pimp Chronicles? | ||
| Oh my God! | ||
| I mean, come on. | ||
| Yes! | ||
| Cat Williams was one of the guys that if I don't have shit to listen to in my car, I just put YouTube and just Cat Williams just some random bit. | ||
| If I don't have anything to go, he's a go-to. | ||
| Yeah, he's a go-to for sure. | ||
| It's a good time, man. | ||
| It's a good time for comedy, man. | ||
| Yeah, and now the comedy store is un-fucking-believable. | ||
| It's nothing like... | ||
| We used to hang out there every day in the early 2000s. | ||
| 2000, 2001, before Tenth Planet was even a thought. | ||
| Yeah. | ||
| My life consisted of DJing at strip clubs for money. | ||
| At home, trying to make it, you know, in music, and hanging out with you doing comedy, you know? | ||
| Dude. | ||
| It's crazy. | ||
| It's crazy when you think about it. | ||
| That place was always half empty. | ||
| Yes, it was like a dying dinosaur. | ||
| It was ready to go. | ||
| That shit was ready to go. | ||
| And then when you had that Mencia shit and you left, man, the place was, it was like, how is it surviving? | ||
| Right there on Sunset, it's a prime spot. | ||
| You could put a giant hotel there. | ||
| How is that place not going to get knocked down? | ||
| And then when you came back, I remember asking you a couple times in that seven-year absence or whatever it was, going, do you ever going to go back to the Comedy Store? | ||
| Because I wanted you to go back. | ||
| And you were like, fuck that! | ||
| I ain't going back. | ||
| You felt like you got really screwed by them, and you did. | ||
| Those motherfuckers turned their back on you at the Comedy Store and took that dude's side. | ||
| And then looking back, they know they made a big mistake. | ||
| So you were like, you're standing on your goddamn ground. | ||
| Like, fuck that. | ||
| I'll go to the Ice House. | ||
| I'll go to improv. | ||
| Fuck the Comedy Store. | ||
| And then you came back, man. | ||
| And it's like a different world. | ||
| Literally a different world. | ||
| Like, it's fucking... | ||
| Boom! | ||
| It's selling out every goddamn night. | ||
| Both rooms are packed. | ||
| It's like, it's like, it's unbelievable. | ||
|
unidentified
|
It's crazy. | |
| Like, you couldn't, nobody would believe that shit. | ||
| It's so alive at the Comedy Store. | ||
| Yeah. | ||
| People just go there, like, during the week, like it's a big event. | ||
| Tuesday nights. | ||
| Tuesday nights, sometimes they have two sold-out shows, the main room and the original room. | ||
| You know, the Comedy Chaos Tuesday nights? | ||
|
unidentified
|
Crazy. | |
| Yeah. | ||
| It's crazy. | ||
| What the fuck? | ||
| Yeah, it's never been like that before. | ||
| They opened up all those old decrepit rooms and made a bar. | ||
| They're opening up and everything's... | ||
| That back bar that used to be a video room. | ||
| That back bar's the best. | ||
| You can get away from people and chill out back there. | ||
| Yeah, that shit wasn't around back in the 2000s. | ||
| They have that whole smoking corridor in the back now, too. | ||
| Everybody goes out back to smoke. | ||
| And outside, the outside bar, it's booming. | ||
| There's always people there drinking. | ||
| It's crazy. | ||
| It's weird, right? | ||
| The front bar is always mobbed. | ||
| It's nuts, man. | ||
| And then across the street, House of Blues, they knock that shit down. | ||
|
unidentified
|
Like, what? | |
| Dude, when you walk outside and you go up that ramp, you know where that ramp is in the parking lot next door? | ||
| That view is insane. | ||
| Yeah. | ||
| The view is incredible. | ||
| Like, they have the best view in the world. | ||
| Comedy stores, like, it's like Guns N' Roses, man. | ||
| Big in the fucking 80s. | ||
| Disappeared for 20 fucking years, 25 years, and now Guns N' Roses not only made a comeback, but they're bigger than ever. | ||
| Yeah. | ||
| They're bigger than ever. | ||
| Guns N' Roses is unbelievable. | ||
| Everywhere they play, they just sell it out. | ||
| I saw them in Mexico City and got completely blown away. | ||
| You saw them in Mexico City? | ||
| Were you there for a seminar? | ||
| I was there for... | ||
| Combat Jiu Jitsu? | ||
| Tony's fight. | ||
| Oh, no kidding. | ||
| That brings us to Tony. | ||
| Wow, that's crazy. | ||
| You suck. | ||
| Yeah, that brings us to Tony. | ||
| Oh, it was incredible. | ||
| And I was never a giant Guns N' Roses fan. | ||
| I respected them. | ||
| I liked their songs and shit. | ||
| But as a kid, once one of your friends claims them as their favorite, now they can't be your favorite. | ||
| So it's like some stupid... | ||
| It's some stupid shit. | ||
| My friend Matt, he claimed Guns N' Roses. | ||
| I'm like, okay. | ||
| If he bought a Guns N' Roses record, I would just tape it. | ||
| I wouldn't buy it, too. | ||
| So whoever actually owned the master, that was their band. | ||
| Fuck you, that's my band. | ||
| It's like a sport. | ||
| It really is. | ||
| But you have a bunch of teams at yours. | ||
| My band was Kiss. | ||
| Even when everyone made fun of them, I'm the only one who admitted they still liked them for a while. | ||
| Did you get like that with Boxers, too? | ||
| No, boxing was different. | ||
| Boxing is all racist. | ||
| It's completely racist and it's okay. | ||
| It's racist? | ||
| It's the only sport that could be racist. | ||
| My guy was a black guy. | ||
| My biggest bummer was Donald Curry getting knocked out by Mike McCallum. | ||
| When Mike Tyson fought Jerry Cooney, Oh, yeah. | ||
| Every white guy was praying for... | ||
| No, it wasn't Mike Tyson. | ||
| It was Larry Holmes. | ||
| Oh, whatever. | ||
| Larry Holmes. | ||
| Yeah, yeah. | ||
| That's right. | ||
| What white guy didn't... | ||
| Mike Tyson ever fought... | ||
| Mike Tyson fought a bunch of white guys. | ||
| But not anybody famous. | ||
| No, not really. | ||
| Anybody... | ||
| Well, Gulotta, the Polish guy, Andrew Gulotta. | ||
| That's right. | ||
| But does he count as white? | ||
| Yeah. | ||
| He's from Poland. | ||
| He's pretty white. | ||
| Sometimes European whites... | ||
| Yeah, we don't think of them as American whites. | ||
|
unidentified
|
They're different. | |
| They're animals. | ||
| We want American whites. | ||
| Yeah, yeah. | ||
| We definitely... | ||
| Yeah, yeah. | ||
| We want like... | ||
| Well, Russians are always going to go for the Russian guy. | ||
| So boxing is the only one... | ||
| I didn't give a... | ||
| Fuck who the Mexican was fighting, I'm going for the Mexican. | ||
| Even if I didn't know the Mexican, I already had love for him. | ||
| If he wasn't Mexican and he was Panamanian, that's good enough. | ||
| If he was Argentinian, Juan Rodan, remember him? | ||
| Argentina. | ||
| I was like, if he's fighting a Mexican, I'm going for the Mexican. | ||
| But if he's fighting a white guy or a black guy, I'm always going for the Latin guy. | ||
|
unidentified
|
That was the only sport where you could be totally racist. | |
| My best friend was black growing up, and we both watched boxing together, and he always went for the black guy, I always went for the Latin guy, and it was okay. | ||
| There was nothing wrong with that. | ||
| There was another Argentinian champion that was championed before Marvin Hagler. | ||
| Goddammit, it's at the tip of my tongue. | ||
| I cannot remember his name. | ||
| I was into Pepino Cuevas, Alexis Arguello. | ||
| As long as they were Latin, they were Mexican to me. | ||
| He was right before Marvin Hagler. | ||
| God damn it. | ||
| I see him. | ||
| I see his curly hair. | ||
| He's a handsome looking fellow. | ||
| Carlos Monzon. | ||
| Thank God I got it. | ||
|
unidentified
|
I was ready. | |
| I was scared Jamie's going to pull it up. | ||
| Jamie's going to pull it up before I can remember. | ||
| Monzon was a bad motherfucker. | ||
| Wasn't he from Argentina? | ||
|
unidentified
|
Yeah. | |
| He was. | ||
| Beautiful. | ||
| Yeah. | ||
| He was a tough guy, man. | ||
| Those were the blood and guts days of boxing. | ||
| You know? | ||
| Roberto Duran, Ken Buchanan at lightweight. | ||
| 135 pound killers. | ||
| It was a different world back then, man. | ||
| Those guys were tough as shit. | ||
| 15 round fights. | ||
| Comedy's different, though. | ||
| I was always there. | ||
| There was a point where I thought generally overall... | ||
| Just black people are way funnier than white people. | ||
| Based on stand-up comedy, I'm like, Richard Pryor, Eddie Murphy, you know? | ||
| I really believe that. | ||
| And, like, Mexican comedians, I wasn't, like, rooting for Paul Rodriguez. | ||
| I was like, fuck you! | ||
| I didn't root. | ||
| Some people do. | ||
| Yeah, I know some people do, but I didn't. | ||
| I was racist against white comedians. | ||
| That fuckmancia more than anything. | ||
| When people found out he wasn't really Mexican. | ||
| They were like, what? | ||
| He's Honduran, right? | ||
| Honduran and German or something. | ||
| Yeah. | ||
| Did he ever claim Mexican on stage? | ||
|
unidentified
|
Yes. | |
| Yes. | ||
| Many times. | ||
| He was like an Andrew Dice Clay. | ||
| I think he was kind of raised by Mexican people, though. | ||
| He should have said that. | ||
| He said, listen, this is my character. | ||
| You can't change your name, man. | ||
| I'm Carlos Mencia. | ||
| Andrew Dice Clay. | ||
| Yeah, but that's, first of all, that's like a character name. | ||
| But I'm saying, like, you change your ethnicity. | ||
| Like, if I decided to put tape on my eyes and change my name to Joe Chan, people would be like, what? | ||
| Right? | ||
| You can't do that. | ||
| If I try to claim German, right? | ||
| You don't know any better. | ||
| You've never seen my 23 in me. | ||
| Or maybe you did like a Borat character. | ||
| Could you do German accent, not Arnold Schwarzenegger? | ||
| That's Austrian. | ||
| Oh, okay. | ||
| I could probably do one if I listen to some German. | ||
| But Arnold's so easy. | ||
| I can't do Trump, man. | ||
| You can't do Trump? | ||
| No, I can't do it. | ||
| My voice doesn't make those sounds. | ||
| I'm not a good impressionist. | ||
| I'm just good at the ones that I can do. | ||
| What does Arnold think of Trump? | ||
| Basically, we've had this conversation before. | ||
| He's not a bad guy. | ||
| He's just a guy. | ||
|
unidentified
|
Oh, that's right. | |
| We already did this. | ||
| Listen, he's doing what everybody wants. | ||
| He's making billions. | ||
| He's fucking porn stars. | ||
| And you're mad at him? | ||
|
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|
This is the fucking American dream. | |
| For real though, who looks like him and fucks like he does? | ||
| I'm a little bit more impressed with Donald after all these scandals. | ||
| It backfired. | ||
| You guys are trying to go Clinton on him. | ||
| You can't go Clinton on this guy. | ||
| He's not trying to fuck kids. | ||
| Here's the thing about Roseanne Barr. | ||
| They were saying that Roseanne Barr was talking about some conspiracy theories that have been disproven. | ||
| She was talking about Trump breaking up child sex rings. | ||
| But he really did spend a lot of time concentrating on that and having people go out and try to break up these sex rings and sex trafficking. | ||
| This is not something that is a conspiracy theory. | ||
| This is something that he's discussed many times. | ||
| It's also not a conspiracy that there's sex trafficking. | ||
| So as much as you want to discount Trump, here's a problem that I have with people that are on the left right now. | ||
| They're not looking at everything. | ||
| They're only looking at what they want to look at. | ||
| He's bad for the environment. | ||
| He's always lying. | ||
| He cheats on his wife. | ||
| He does this. | ||
| He does that. | ||
| They say all these things he does bad, but when something comes up like Roseanne says, I'm giving him the benefit of the doubt because he's going after sex trafficking. | ||
| And then it turns out, all these other people say, that's a conspiracy theory, that's a bullshit online. | ||
| No, he's said it. | ||
| He's put effort into it. | ||
| Like, you've got to give the guy credit. | ||
| Because if you don't give him credit for things that he does that are important, nobody's going to listen to you when you're criticizing him either. | ||
| Because all you're trying to do is win. | ||
| You're not trying to look at the thing for what it really is. | ||
| Yeah, this guy, he's not a perfect person. | ||
| But he did. | ||
| Make note on many times about wanting to break up sex trafficking rings. | ||
| Do you know that your kid is 20,000 times more likely to get kidnapped than to get shot at a school? | ||
| Do that make sense? | ||
| Yeah. | ||
| And 20,000 is conservative. | ||
| It's probably really like 70,000 because if you go by the numbers, 800,000 to a million kids go missing every year in the United States. | ||
| I looked that up though. | ||
| I never found a source for that. | ||
| You said that before and I looked that up and I couldn't find that. | ||
| It wasn't nearly as much. | ||
|
unidentified
|
You know what? | |
| I read it online so it could be wrong. | ||
| It could be wrong. | ||
| There's a problem with these things like when we say them, especially we say them like right now 2 million people are going to listen to this or whatever the fuck it is. | ||
| Even if it's 100,000 kids. | ||
| Even if it's 100. Even if it's 100 kids. | ||
| Yeah, 100 kids, that's more than school shootings. | ||
| That's my point. | ||
| It's more than school shootings. | ||
| Right. | ||
| Like, what would you rather have? | ||
| You know, what's worse? | ||
| I don't know what's worse. | ||
| Having your kid get shot at school? | ||
| Is it Eddie Wright? | ||
| Look at this. | ||
| According to the National Center for Missing and Exploited Children, citing U.S. Department of Justice report, nearly 800,000 children are reported missing each year. | ||
| That's more than 2,000 a day. | ||
| The NCMEC says 203,000 children are kidnapped each year by family members. | ||
| Oh, family members. | ||
| That's a little different. | ||
| That leaves 600,000. | ||
| Yeah. | ||
| That leaves 600,000. | ||
| So what's worse? | ||
| That's crazy. | ||
| Having your kid, because the conspiracy theory is that there's this giant... | ||
| International child sex trafficking network going on that is being covered up. | ||
| That's what's going on. | ||
| And if you look at Jimmy Savile in the UK, that brought a lot of light to what's going on. | ||
|
unidentified
|
Savile, right? | |
| Is that how you say his name? | ||
| Savile. | ||
| Savile? | ||
| Yeah. | ||
|
unidentified
|
Jimmy Savile. | |
| That was a terrifying story. | ||
| Yeah, so the story with him is Jimmy Savile, he's dead now. | ||
| He died in his 80s in 2011. He was a... | ||
| A super famous, like Dick Clark kind of guy. | ||
| He was the host of Top of the Pops. | ||
| If your band got on that show, you're going to be mega. | ||
| He was huge. | ||
| He was friends with the royal family, with the prime ministers, Margaret Thatcher, Tony Blair. | ||
| Pull up a picture of him, Jamie. | ||
| He looks disgusting. | ||
| Pull up Jimmy Savile, this guy. | ||
| He looks like a child molester. | ||
| Look at this guy. | ||
|
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|
Imagine getting fucked by that guy when you were 12. Super, super famous. | |
| And you know what he would do? | ||
| He would raise money for hospitals and specifically psychiatric hospitals. | ||
| And he would bring the Queen of England. | ||
| He had all this power to raise millions for these hospitals, these mental institutions. | ||
| That's what he preyed on. | ||
|
unidentified
|
For kids. | |
| For kids. | ||
| So what he would do is he would... | ||
| He would do so much for these hospitals that he would put himself on the board and give himself a job there in a position and he would hang out at these hospitals. | ||
| There's at least 500 people that have come forward to say they were raped by him when they were at a... | ||
| Is it 500 people now? | ||
|
unidentified
|
At least. | |
| It's in the thousands. | ||
| What does that sign say that he's holding up on his neck? | ||
| What does that say? | ||
| Oh, that was his show. | ||
| He worked for the BBC. Super famous, super... | ||
| He had Christmas dinner with Margaret Thatcher multiple times. | ||
| What is that red hat he's got that looks like a MAGA hat? | ||
| Right above that. | ||
| Yeah. | ||
| Just a hat. | ||
| Crazy guy who, it turns out, he was a child rapist. | ||
| Yeah, and that's the same thing with Sandusky. | ||
| And they're covering it up. | ||
| They're covering it up. | ||
| The question is... | ||
| Still they're coming this up? | ||
| Oh, dude. | ||
|
unidentified
|
This? | |
| Yes. | ||
| Because people knew they're complicit and they'd be in trouble. | ||
| The mystery. | ||
| The mystery is how is he so tight with the prime ministers, the royal family, all these politicians, all this shit comes out when he died. | ||
| Because every time there would be an allegation while he was alive, he would just sit them down and go, what are you going to do? | ||
| I'm going to ruin your life. | ||
| You better drop this shit. | ||
| Do you think they're gonna come after me? | ||
| You know how many millions I've given this hospital? | ||
| So he would just shut everything down and there was all these underground covered up allegations. | ||
| He admitted getting knighthood was a relief because it got me off the hook. | ||
| What does that mean? | ||
| Got me off the hook. | ||
| He was knighted. | ||
| Right. | ||
| So it got him off the hook. | ||
|
unidentified
|
What do you think? | |
| How crazy is that? | ||
| He got knighted. | ||
| When you get knighted, can they not arrest you anymore? | ||
| Is that what happens? | ||
| Is it like being the president? | ||
| Yeah. | ||
| There's a documentary on YouTube called The Ninth Circle. | ||
| Jimmy Savile, The Ninth Circle. | ||
| You find out why they covered it up. | ||
| Why did they cover it up? | ||
| Why didn't this agent DJ, it's like Dick Clark. | ||
| They should have just mashed him up. | ||
| Why was it all being covered up? | ||
| It's fucking insane when you find out why. | ||
| He had enthusiasm for dead bodies in general that could be unnerving. | ||
| Dude, he fucked dead people. | ||
| What? | ||
| He loved fucking dead people. | ||
| Where'd you hear this? | ||
| The Ninth Circle. | ||
| The Ninth Circle. | ||
| Jesus Christ. | ||
| On YouTube. | ||
| Watch that. | ||
| Jesus Christ. | ||
| It's insane. | ||
| It's insane. | ||
| When you find out, when you watch that shit, dude, It is crazy that you're saying this, and it sounds like it could never be possible. | ||
| It sounds like it never could be possible that some giant television star that worked with children and was always helping out children could have actually been fucking them the whole time. | ||
| And a bunch of them, hundreds of them. | ||
| Raping them. | ||
| And then people must have known. | ||
| There's no way everybody... | ||
| He was killing them, too. | ||
| He was killing them? | ||
| Dude, they found all these bodies. | ||
| It's a big scandal in the UK right now. | ||
| They found bodies? | ||
| Jesus Christ. | ||
| There's an island called Jersey Island that's owned by the Queen, and look into that shit. | ||
| I don't even want to get that deep into it. | ||
| Jimmy Savile raped children as young as nine while working at BBC. Leaked report unveils, and this is in the Independent... | ||
| How come there's not the same kind of effort for this kind of stuff like there is with the gun shooting, the Florida school shooting? | ||
| Why isn't there that? | ||
| Because it's not a big event where it's one thing where all the deaths happen in one group. | ||
| It's deaths or deaths, dude. | ||
| Well, I understand. | ||
| I'm with you. | ||
| I understand. | ||
| But, I mean, this is also why people don't freak out about 500,000 people dying every year because of obesity. | ||
| Like, what's worse? | ||
| What's worse? | ||
| Having your kid get shot at a school shooting or having that motherfucker rape your daughter multiple times and then kill her? | ||
| I don't think you want to quantify them. | ||
| They're both horrible. | ||
| They're both horrible. | ||
| What's scary is that that is being protected. | ||
|
unidentified
|
Yes. | |
| That there's someone that either knew about it and now is trying to cover their ass because they knew about it. | ||
| A lot of people. | ||
| That's the thing about Sandusky. | ||
| You know, Sandusky did the same thing. | ||
| He was raping all these kids and the whole time he was running these programs for underprivileged children and helping all these orphaned kids. | ||
| You gotta watch your kids, man. | ||
| He allegedly got away with abusing 500 children and sex with dead bodies. | ||
|
unidentified
|
Whoa. | |
| Hanging out with the queen, dude. | ||
| This guy's tight with the queen. | ||
| Look at him, too. | ||
| God. | ||
| And all these little kids around him. | ||
| You know what? | ||
| I'm going to tell you why they left him alone. | ||
| Do you know? | ||
| According to the Ninth Circle. | ||
| What is the Ninth Circle? | ||
| It's a documentary about the whole thing. | ||
| Why? | ||
| Because everybody's doing it? | ||
| They're all doing it? | ||
| He was supplying everybody with kids. | ||
| That's what he used the hospitals for. | ||
| Well, this is not a new theory. | ||
| This is not a new theory when it comes to like groups of freaks. | ||
| He was the pimp, dude. | ||
| Yeah. | ||
| He was supplying everybody with kids. | ||
| This is something that people have talked about, like very intelligent people that I know that have talked about in terms of like, there's been stories about people that have taken politicians to like islands and shit because that's where they keep like young girls. | ||
| You know, I don't know why I'm looking at you, Jamie. | ||
| You know what? | ||
| Someone talked to me about this and they were saying you have to understand that if you are in a group of incredibly wealthy people and you have extreme a desire for extreme sexual scenarios whips and you can't whatever the fuck it is you can't young girls you can't let anybody know about this so people come into these people's lives that can facilitate these things and then they develop this sort of bond of silence and And this is how, | ||
| when this shit gets out of hand, you can get a Jimmy Savile or you can get a Jerry Sandusky. | ||
| That's the other thing about Sandusky. | ||
| This guy was not on his own. | ||
| He was supplying children. | ||
| Tip of the iceberg. | ||
| Wasn't that one of the things? | ||
| That doesn't come up. | ||
| Google Sandusky was supplying children to other pedophiles because that was something that was also speculated about some of the donors that were donors to his charities. | ||
| We're also somehow involved in molesting those kids. | ||
| You know what a death ride is? | ||
| Death ride? | ||
| Death ride. | ||
| No. | ||
| Jimmy Savile would supply 10, 15 boys to a certain politician. | ||
| He'd have a boat. | ||
| He'd take them out on the boat. | ||
| He couldn't afford to have any witnesses. | ||
| So those were always the last rides those kids would take. | ||
| They're called death rides. | ||
|
unidentified
|
Jeez. | |
| They couldn't have witnesses. | ||
| This is from that same documentary? | ||
| Ninth Circle. | ||
| See, but how do they know that for a fact? | ||
| You just got to watch it and make the... | ||
| Conclusion. | ||
| Yeah. | ||
| Well, I'm not ruling it out. | ||
| He's already a shitbag, so you got to look at him like a prosecuting attorney, not a defense lawyer. | ||
| He's already a shitbag. | ||
| He's already confirmed. | ||
| He's already raping kids. | ||
| What's the stopper from killing kids? | ||
| Exactly. | ||
| Exactly. | ||
| Yeah, I mean, that's a good point, because if you're the type of person that could rape a child, what can't you do? | ||
|
unidentified
|
Yeah. | |
| And that's what I'm saying. | ||
| In the UK, the numbers could be wrong, but I heard that every three seconds, a child is reported missing in the UK. That's 175,000 kids a year get reported missing in just the UK. It's a big business, man. | ||
| It's got to be more than that amount of seconds in a year, isn't it? | ||
| Every three seconds at 175,000? | ||
| That seems low. | ||
| Every three minutes. | ||
| I'm sorry. | ||
| Not every three seconds. | ||
| I'm sorry. | ||
| That's crazy. | ||
| How many seconds are in a day? | ||
| I'm sorry. | ||
| Every three minutes. | ||
| Every three minutes. | ||
| This is according to something I saw. | ||
| 31 million seconds in a day? | ||
| Yeah. | ||
| I'm sure the numbers are probably... | ||
| 175,000 isn't as big as 800,000 a year, but damn. | ||
| That should be... | ||
| Think about all this, all what we're doing for the Florida shooting and for these shootings and with that David Hogg guy. | ||
| Come on, man. | ||
| That's what's scary is that people are buying all that stuff. | ||
| Buying all what stuff? | ||
| The whole gun control propaganda, you know, it's so obvious. | ||
| It's ridiculous. | ||
| It's ridiculous. | ||
| What do you think the gun control propaganda is? | ||
| It's really simple, man. | ||
| You have to disarm the population, and that's what they're doing inch by inch, trying to disarm it. | ||
| They used to say, oh no, we just want some restrictions and some background checks. | ||
| Now they're just saying it. | ||
| Some people are saying, revoke the Second Amendment. | ||
| Yeah, they're tearing the Constitution. | ||
| They're tearing the Constitution? | ||
| Those four kids? | ||
| Those four kids? | ||
| There's a Constitution? | ||
| No, no, no, they weren't. | ||
| They weren't. | ||
| That's not true. | ||
| No? | ||
| No, that's Photoshopped. | ||
| Oh, it is? | ||
| Okay. | ||
| There's an original image that that girl was tearing. | ||
| It was like a target. | ||
| She was saying, we're not a target. | ||
| And someone replaced that image with the Constitution. | ||
| Okay. | ||
| But they're essentially doing the same thing. | ||
| Yeah, no, I know what you're saying. | ||
| Look, first of all, they're 17. They were at a school that got shot up. | ||
| Their friends died. | ||
| I get it from their point of view. | ||
| If I was 17, I would think, and also they got cameras in their face, and everybody's paying attention to them, and the New York Times is interviewing on the Washington Post. | ||
| Everyone's calling them up. | ||
| If I was them, I'd probably be doing the same thing. | ||
| You would probably, too. | ||
| If you were in high school with those kids and all that shit went down, I don't blame them by any stretch of the imagination. | ||
| I don't even blame people that are trying to revoke the Second Amendment. | ||
| The thing that infuriates me the most is that all people want to look at is the guns. | ||
| That's all they want to look at. | ||
| You need to look at the mental health of individuals that are willing to fucking shoot up a group of kids. | ||
| Like, why? | ||
| Why the fuck would someone do that? | ||
| Psychiatric medications are a big one that if you bring up, people roll their eyes like, oh, this again. | ||
| There are massive changes to the fucking chemical composition of your brain when you take these things. | ||
| What you're capable of doing, what bothers you, what freaks you out, what you don't give a shit about. | ||
| When you got all these people that are on SSRIs and antidepressants and anti-anxiety medication and over and over and over again, when they test these shooters, They all test positive for something. | ||
| The pharmaceutical companies do not want to fucking hear about this. | ||
| They don't want to talk about this. | ||
| Phil Hartman, my friend who got shot by his wife, she was on Zoloft. | ||
| They got a settlement from Zoloft. | ||
| The family got a settlement from Zoloft after she fucking shot him in the head while he was sleeping. | ||
| There's a lot going on. | ||
| It's not just guns. | ||
| It is crazy that that fucked up kid could get guns. | ||
| It is crazy. | ||
| It's crazy that the FBI went to his house two years before, but what can you do? | ||
| Did you hear about that kid that they just stopped, the Chinese immigrant kid they're sending back? | ||
| His roommates in college were saying, this fucking guy's stockpiling guns. | ||
| The cops went to visit him. | ||
| He went out and bought another gun, and he's talking all kinds of crazy shit, and everybody's nervous about him. | ||
| Like, he's a fucking shooter ready to happen. | ||
| Stop going to class, and that's how they sent him back. | ||
| Because he's on a student visa. | ||
| You can't not be in class. | ||
| This kid was like gearing up. | ||
| He was gearing up. | ||
| Maybe they caught it before it happened and maybe they wouldn't have like two years ago when they interviewed the kid from Parkland. | ||
| Now, the strangest thing about that Parkland shooting is the interview one of the teachers did on ABC. This doesn't make any sense to me at all. | ||
|
unidentified
|
It's like she said... | |
| I have the video. | ||
| I could send it to you. | ||
| It's less than a minute. | ||
| She says, I opened up, I heard shots, opened up the door, all the kids ran in, they hid behind their desk, and there I saw the shooter 20 feet away from me. | ||
| But at first, I thought he was a policeman. | ||
| I'm like, what is the police doing here? | ||
| He had full body armor, a mask on, a helmet on, and was shooting. | ||
|
unidentified
|
I was like, what are the cops doing here? | |
| That is the strangest video I've seen. | ||
| Was it possibly someone shooting at the kid? | ||
| That's not what she said. | ||
| She said she saw the shooter. | ||
| Right, but I mean, how long was she watching for? | ||
| Right, if you're like looking out the window and you see someone that's shooting someone, or shooting a gun, or even holding a gun. | ||
| First of all, you have to realize that people in those traumatic situations, their memory is very fucked up. | ||
| It's very shaky. | ||
| Your brain's flooded with adrenaline. | ||
| You remember, you're open to suggestion. | ||
| People can put things in your head and you all of a sudden think that that was a real memory that you saw. | ||
| There's been like scientific studies on that. | ||
| And about suggestive memory and about someone can literally, especially during periods of great duress, they can introduce ideas into your head and you will tell those ideas hours later, days later, as your own. | ||
| And you don't even realize that they put them in your head. | ||
| It's real weird. | ||
| Memory in traumatic situations like gun shootouts and shit like that is haywire because you're working on that reptilian part of your brain. | ||
| You're down to the lowest level. | ||
| Like, my friend Steve Rinella got attacked by a grizzly bear. | ||
| He was in a Fognac Island. | ||
| It's a crazy podcast. | ||
| Him and these other guys, they had killed an elk, and they were packing this elk out, and they left the elk by the tree while they were at their camp. | ||
| Then they went to go back, and a bear had claimed the elk. | ||
| And this bear rushed them, and he was like, one of the ways he described it to me is like, you have an idea in your head of what an animal instinct is like. | ||
| And he goes, I'm telling you, this goes way deeper than that. | ||
| This goes, wait, when you really think your life is in danger, you really think it's over, you don't even exist anymore. | ||
| You're moving. | ||
| You have no idea what you're doing. | ||
| You have to piece together what happened afterwards, and you were barely there in the first place. | ||
| You're just gone. | ||
| You're gone. | ||
| You see somebody else like, da-da-da-da-da-da-da! | ||
| You have no fucking idea who you even are right there and then. | ||
| All these people that are like, I would have run in the building and kicked that fucking guy's ass. | ||
| You barely even know who you are. | ||
| You got this video? | ||
| Really? | ||
|
unidentified
|
Oh, I sent you the video of that. | |
| People have to understand memory. | ||
| Well, let's listen to her and then let's see if she sounds like she's full of shit. | ||
| Okay, let's hear what she says. | ||
| I actually sent you the actual clip. | ||
| This is not it? | ||
| I sent you one, right? | ||
| On your phone. | ||
| That's the lady, but I don't know when she's gonna say... | ||
| Well, let's just play it, because we don't hear it. | ||
| We're not hearing it, Jamie. | ||
| Oh, okay. | ||
|
unidentified
|
Writing love letters when the fire alarm went off. | |
| As students filed into the hallway, she heard gunfire. | ||
| The killing had begun. | ||
| I was about two feet away from my door. | ||
| All of a sudden, I heard gunshots in the stairwell, which is about 20 feet away from my room. | ||
| And then kids were screaming and then running back towards me and towards the end of the hallway. | ||
| So I just went in this very strange autopilot mode where I pivoted on my feet. | ||
| I unlocked my door and the kids just started pouring in my room. | ||
| I don't know how many kids were in there, but I was pulling them and getting them in and shouting at them to get in the room. | ||
| And then I suddenly saw the shooter, about 20 feet from me, standing at the end of the hallway, actively shooting down the hallway, just a barrage of bullets. | ||
| And I'm staring at him thinking, why is the police here? | ||
| This is strange because he's in full metal garb, helmet, face mask, bulletproof armor, shooting this rifle that I've never seen before. | ||
| I don't know. | ||
| That sounds like someone who saw something. | ||
| Yeah. | ||
| That sounds like she got a very good look at it. | ||
| Yeah, there's another video of a girl saying, yeah, we heard shots and we're running through the hallway. | ||
| And then I run into Nicholas Cruz and I looked at him and I told him, Mike, isn't it weird that everyone thought this was going to be you? | ||
| And then he just stood there and then we ran off because we heard more shots. | ||
|
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What? | |
| It doesn't make any sense. | ||
| Doesn't make any sense. | ||
| And that stuff, those videos get taken down. | ||
| Those videos get taken down. | ||
| But that video is not taken down. | ||
| They've been taken down. | ||
| When they find them, there's people actively taking down witness testimony that doesn't go with the official narrative, man. | ||
| So you think that this is like a false flag? | ||
| Like someone went in there, shot up the school? | ||
| They do it all the time, dude. | ||
| That's what they do. | ||
| And then they focus on it. | ||
| They had this Nicholas Cruz guy, and they go, oh, we got a perfect guy. | ||
| So they come in, they have a professional team, they drag a Nicholas Cruz, they do what they got to do, they throw him in there, arrest him, and go, we got him. | ||
| And then everyone buys it. | ||
| That's what's going on. | ||
| In my opinion. | ||
| But this is a... | ||
| This is a crazy opinion, right? | ||
| Because you weren't there. | ||
| I'm not the only one saying this. | ||
| I'm sure. | ||
| But every time there's any sort of mass event, some horrible event, there's always conspiracies. | ||
| You know? | ||
| What was going on right before this was the release of the FISA document. | ||
| What's the FISA document? | ||
| The FISA document was a document that Trump released and got zero play from mainstream media. | ||
| And it was a document that showed that A lot of really important people in government from all the agencies were all colluding together to take down Trump. | ||
| And there's text messages and emails. | ||
| They're going back and forth. | ||
| They all work together with Hollywood, using Hollywood. | ||
| So FISA document was about to get dropped and everyone was saying, wait, they're backed into a corner. | ||
| They're going to pull something off. | ||
| Watch. | ||
| Here it comes. | ||
| They're going to pull off. | ||
| There's going to be a shooting or something. | ||
| Wait for it. | ||
| Here it comes. | ||
| And then boom. | ||
| So as soon as it happened, the reason why conspiracy theorists were going, that's it. | ||
| And look at all the mistakes. | ||
| Look at all the testimony that doesn't make any sense that they're ignoring like that. | ||
| The thing that gets me is there's so many fuck-ups in that shooting as a false flag or like all these witness testimony that doesn't make any sense that to me, I think they did it on purpose to keep all the conspiracy theorists busy because there's so much shit that's clear to keep everyone away. | ||
| That doesn't make any sense. | ||
| To keep everybody away from the FISA document. | ||
| But you know what? | ||
| It's also possible the people that were at that shooting, their memories all fucked up because there was somebody shooting people. | ||
| That's a real thing. | ||
| Like, that's 100%. | ||
| Did she sound like she didn't know what she was talking about? | ||
| She didn't sound like it then, but that wasn't when the shooting was going down. | ||
| When you see people, like, right when they've seen some shit, their brains scrambled. | ||
| That's something to have to take into consideration, especially some nice lady, probably never saw anybody get shot in their life, probably never saw much violence. | ||
| Yeah, maybe. | ||
| Maybe. | ||
| I don't know. | ||
| There's two sides of it. | ||
| There's people that believe the official story, and then there's people that see it as, oh, this was the false flag to distract from the FISA document. | ||
| Listen, I'm not saying that false flags don't exist. | ||
| I mean, you and I have discussed on this podcast in great detail the most important false flag, which is Operation Northwest. | ||
| Yeah, if they're willing to do that, they're willing to do anything. | ||
| Well, it's not... | ||
| This is also the problem. | ||
| When we say they... | ||
| Operation Northwoods was 1962. The question is, if that's how they did business back then, which is what they did. | ||
| I mean, Operation Northwoods, they were planning on attacking Guantanamo Bay with Cuban, going to arm Cuban friendlies, have them attack Guantanamo Bay. | ||
| They were going to sacrifice American lives. | ||
| They were going to blow up a drone jetliner, blame it on the Cubans. | ||
| All this was to get us enthusiastic about going to war with Cuba. | ||
| Yeah. | ||
| They were going to sacrifice American lives. | ||
| This is 100%. | ||
| They were going to lie and fake shit. | ||
| Which is normal. | ||
| Which is normal. | ||
| For empires. | ||
| For all countries. | ||
| This is just a normal... | ||
| False flags are... | ||
| It's nothing new. | ||
| It's been going on since the dawn of time. | ||
| Right. | ||
| False flags... | ||
| It's old school. | ||
| The question is, and this is for the rational person who's like, this is ridiculous. | ||
| You have to wonder, is that evolved, right? | ||
| Everything evolves. | ||
| The way we use technology evolves. | ||
| The way we use literature evolves. | ||
| The way we use TV evolves. | ||
| Everything evolves. | ||
| Does that evil corruption in government evolve, too? | ||
| Or does it just somehow or another get snuffed out because of the light? | ||
| I don't buy that. | ||
| I don't buy that. | ||
| If you look at all the different things that we've shown that there's collusion in, just look at the fact that someone like Hillary Clinton can run for president while she was making hundreds of thousands of dollars giving speeches to banks. | ||
| Like when she was in that debate with Bernie Sanders, and Bernie Sanders was like, release his transcripts. | ||
| Tell us what you said. | ||
| Tell us what you said to those nice banker people that gave you half a million dollars or whatever the fuck they gave you. | ||
| That's insane. | ||
| To think that someone was like, listen, dude, she is so fucking entertaining. | ||
| We're going to give her $250,000 for an hour. | ||
| It's worth it! | ||
| Trust me, I know we're in the banking business, and I know we make money with money. | ||
| You know what I mean? | ||
| We're all about money. | ||
| We know the value of money. | ||
| We're in the banking business. | ||
| This lady talking is worth a quarter million dollars. | ||
| It's the best. | ||
| She's gonna go up there, she's gonna knock your socks off. | ||
| She's so good. | ||
| She's amazing. | ||
| And she's funny! | ||
| She's hilarious. | ||
| Oh my, she's amazing. | ||
| Her speech is super well prepared. | ||
|
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It's so worth it. | |
| And she stands up there on the podium and just knocks your fucking dick into the dirt. | ||
| What is this? | ||
| Hillary Clinton gets humiliating $7,000 less than Snooki for a speech at Rutgers as her story grows old. | ||
|
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|
Oh, wow. | |
| So she got her price slashed to $25,000. | ||
| I think they're going to throw her under the bus. | ||
| Her standard fee was $200,000 per speech, but some folks suggest that it may be her broken record that set the recent slash price of $25,000. | ||
| She made so much money off the Clinton Foundation. | ||
| She's fine. | ||
| Just stop and think about that. | ||
|
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She's just fine. | |
| She's like, I'll do it for a thousand. | ||
| Dude, I got fucking a hundred million from that Haiti earthquake. | ||
| Are you getting me? | ||
| Yeah, but those people, people like her, I think one of the things in the back of their head is always the potential litigation. | ||
| I think they always want to stockpile legal funds because someone could always come after them. | ||
|
unidentified
|
Yeah. | |
| And plus they get used to it. | ||
| They're like, damn. | ||
| They're like, you know, if you had a hundred million and now you have, you know, 75 million, you're like, oh my God. | ||
| I got to take some odd jobs and shit. | ||
| Do some speeches in Saudi Arabia. | ||
| Listen, it should be illegal for someone to run for president, if someone who they could influence in a positive way with passing things and signing legislature, pushing things forward, using their influence, if someone is in a position that they could do that for a company and that company wants to give you $200,000 to talk, that's just fucking insane. | ||
| That's insane. | ||
| That's bribery. | ||
| Are you saying that it's worth $200,000? | ||
| If she sucked every dick in the room, it wouldn't be worth $200,000, right? | ||
| There's no way! | ||
| Who's gonna pay a thousand dollars for a Hillary Clinton blowjob other than for the story? | ||
| I think she can get a lot of money for blowjobs. | ||
| Do you think so? | ||
| Dude, I think fucking... | ||
| Alt-right guys would just be fucking throwing down, dude. | ||
| Busting, having bukkakis. | ||
| You know what I mean? | ||
| Do a bukkake for... | ||
|
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|
This feels like a disrespectful turn we're taking with Hillary Clinton. | |
| Yeah, I'm sorry. | ||
| As a person, forget about it as a woman. | ||
| Just as a politician. | ||
| No one should be... | ||
| It should just be impossible. | ||
| There's a conspiracy theory that... | ||
| Hillary Clinton's father, Hugh Rodham, I'm assuming he's not alive anymore, but was a huge Jewish mob boss who was responsible for opium going into Chicago. | ||
| I don't know if that's real, but it makes sense to me. | ||
| Look, we know for a fact that some politicians have run drugs before. | ||
| The Bushes? | ||
|
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Look at them. | |
| Here's the biggest one. | ||
| The fucking Kennedys. | ||
| Open. | ||
| Open, flat out. | ||
| I mean, it was moonshine at the time, but guess what? | ||
| That's drugs. | ||
| Yeah, same thing. | ||
| That's as much of a drug as weed. | ||
| Worse than weed. | ||
| It's worse. | ||
| Way worse. | ||
| I mean, that is how the Kennedy family made their money. | ||
| We needed a president to run marijuana. | ||
| How cool would that have been? | ||
| Tommy Chong for president. | ||
| Jimmy Carter was like, he was just doing, he just stuck to marijuana. | ||
| Tommy Chong for president. | ||
| Tommy's got diversity on his side. | ||
| Cheech could be the running main. | ||
| Cheech and Chong, 2020. Guys, get on it. | ||
| I'll have you on the podcast. | ||
| I'll support you 100%. | ||
| If you think about all the stuff the government was willing to do over time, like Operation Northwood, for instance, they were willing to kill their own people. | ||
| There's a lot of corruption, bribery, a lot of shit in the government, right? | ||
| If you had to equate that to one person, you could say the U.S. government is kind of like John Gotti. | ||
| Right? | ||
|
unidentified
|
Right. | |
| Kinda, right? | ||
| Yeah, a little bit. | ||
|
unidentified
|
A little bit. | |
| Like, killed some people. | ||
|
unidentified
|
Yeah, for sure. | |
| Killed some people if they cross them. | ||
| Definitely mob bossy. | ||
| Yeah, a lot of scamming going on, a lot of stealing. | ||
| He's kind of like a politician. | ||
| He's kind of like the overall, you know, how could anybody trust Anything he would say, right? | ||
| Yeah, and anytime someone would say a dude like a Some John Gotti nerd came up because dude, you know, he killed 15 people one night in Miami. | ||
| You wouldn't go dude Where's the proof? | ||
| Where's the proof? | ||
| Show me you wouldn't say that you would go you believe it and even if it wasn't true He's like it's still a douchebag. | ||
| He's still a criminal. | ||
| You're still killing people. | ||
| So yeah, you were wrong about that I was actually, you know traffic Conte and it wasn't you know, but still you know what I mean? | ||
| People just naturally, when it comes to the government, they know how corrupt they are. | ||
| They know that they're willing to kill their own people. | ||
| Politicians aren't waking up going, how am I going to make everyone's lives better? | ||
| So all those speeches you hear, they're not thinking about helping. | ||
| They're thinking about keeping their power. | ||
| They're criminals. | ||
| That's what's going on. | ||
| Well, they're in a business, and this business has criminal rules. | ||
| They've allowed them to have these criminal rules. | ||
| It's all about how can every politician, they're all trying to get a hold of that tax money. | ||
| Oh, that's the endgame right there. | ||
| You get that tax money. | ||
| You could steal tax money, and people were never going to come after you. | ||
| You steal corporation money, you're going to die. | ||
| Yeah, they don't even get mad if you steal tax money. | ||
| Yeah, the tax money. | ||
| It's like, just come up with a bill. | ||
| Come up with something. | ||
| Anything. | ||
| Just anything. | ||
| Okay, this bill is to build churches, and we're going to help children around the world, and we're going to find a cure for leukemia. | ||
| Fuck yeah! | ||
|
unidentified
|
Cool. | |
| Boom. | ||
| It's really easy. | ||
| You just got to make up some shit. | ||
| You got to pretend that you're going to help people. | ||
| Oh, this one's the Affordable Housing Act. | ||
| You know, we're going to help out poor people. | ||
| Like that politician's really trying to help. | ||
| What they're trying to do is rip off tax money. | ||
| That's it. | ||
| It's all... | ||
| Well, they're allocated. | ||
| Move it to the people that they want to have it to. | ||
| Yeah. | ||
| It's a dirty business. | ||
| I'm hoping that that changes in the future. | ||
|
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I think the way... | |
| We are being programmed and indoctrinated. | ||
| I think it's genius. | ||
| It's working so goddamn well because it works on really smart people. | ||
| There's intelligent people all over the goddamn world. | ||
| Because people are invested in the system. | ||
| Everybody's invested in the system. | ||
| The indoctrination, the school system, man. | ||
| School really is designed to take the kids from the family. | ||
| The kids believe their teachers more than their own parents. | ||
| The state takes your kids. | ||
| They're raising their kids. | ||
| It's ridiculous, man. | ||
| I think most of what's going on in schools is not that. | ||
| I think most of it is people that are just totally apathetic about teaching people. | ||
| They don't give a fuck. | ||
| Most of these people that are teaching, they're doing it as a job, there's a lot of terrible fucking teachers out there, and they don't get paid anything. | ||
| That's the big conspiracy that it's not. | ||
| They're taught and told how to teach and what to teach. | ||
|
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|
Sure. | |
| They're not like, okay, just give us your own version of English. | ||
| Right, but this is all put together with educators. | ||
| They get together and try to figure out a way to get people to learn these things. | ||
| It's uninspired. | ||
| That's more than anything. | ||
| There's no money to it. | ||
| The conspiracy theory is that Rockefeller, John Rockefeller and Carnegie designed the school system to create slaves and to separate the family. | ||
| That's the conspiracy theory. | ||
| The conspiracy theory is they designed to create workers, right? | ||
|
unidentified
|
Yeah. | |
| People that are slaves to the system. | ||
| The conspiracy theory is they openly said, we don't need any more Geniuses. | ||
| Philosophers or geniuses. | ||
| We got enough of that. | ||
| We got science right here. | ||
| We got any science you need, come to us. | ||
| When was the last great scientific discovery in the last 40 years that wasn't government funded? | ||
| I don't know who's funding these studies. | ||
| Why do you think that they're government funded? | ||
| Some new shit they come out with. | ||
| I don't know. | ||
| See, I don't know. | ||
| No one can name anything. | ||
| Well, I don't know. | ||
| I mean, we'd have to go over some of the studies, but I'm sure a lot of them are not government funded. | ||
| I'm assuming that most scientists are getting paychecks from the government. | ||
| I'm just assuming that. | ||
| I'm assuming that most scientific data is coming from a bunch of scientists who... | ||
|
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Getting grants. | |
| Yeah, they're getting grants, and they can't say crazy shit. | ||
| I sent you that one email, that one guy was telling me that he worked for a team of scientists, and they're working for a pesticide company, and they're told to, they go, we're going to do some studies here, and we want it to look like this. | ||
| And let's keep doing it, let's keep doing the studies until, boom, we get, oh, look! | ||
| Well, that's legal. | ||
| They can do that, yeah. | ||
| That is insane. | ||
| That's insane. | ||
| They keep doing a study until they get the results they want, and then they don't publish the bad studies, they only publish the good studies, and this is what they've done. | ||
| It seems like there's basically, in a nutshell, like three kinds of science. | ||
| There's the pseudoscience. | ||
| It's like pretend science, but for sure it's not real. | ||
| It's false science. | ||
| And then there's the scientific facts. | ||
| Like, for sure. | ||
| It's a scientific fact that I can get on the internet with my iPhone. | ||
| I don't need to read a study about it. | ||
| And say, oh, I actually can. | ||
| I know it. | ||
| My friends know it. | ||
| That's a scientific fact. | ||
| Another scientific fact is my car will take me to point A, to point B, to point C, over and over, and it may break down every now and then. | ||
| That's a fact. | ||
| The science of my car, I believe that science. | ||
| That's a scientific fact. | ||
| And then there's a science that you have to take the scientist's word for because there's no way that you can verify. | ||
| If you have to have faith in science, that's like a religion. | ||
| That's scientism. | ||
| Hold on a second. | ||
| What are you talking about? | ||
| Like what particular subject? | ||
| Any kind of science, whether it's medical science. | ||
| If you have a choice to believe in science that you can't verify yourself, you could believe it, but you don't have to believe it. | ||
| Right, but the experts in the field verify it. | ||
| All the people that understand and study it verify it. | ||
| All the science that we know that has been corrupted, just the big ones. | ||
| Sugar science, tobacco science. | ||
| Marijuana science. | ||
| Vaccine science. | ||
| We know for sure, just those four, that there's been a lot of corruption, and so it's hard to trust. | ||
| So when someone comes out, especially the government, and goes, yeah, our scientists say that it's safe and effective. | ||
| You gotta be like, damn, I don't know about that. | ||
| I'm not gonna just take your fucking word for it. | ||
| You know what I mean? | ||
| You guys are criminals. | ||
| You're John Gotti. | ||
| And you guys are saying that this is safe and effective? | ||
| I don't know about that. | ||
| Maybe it is. | ||
| I hope it is. | ||
| I don't know. | ||
| I don't know because I can't prove it for myself. | ||
| Oftentimes drugs that get passed as being safe and they turn out to not be safe. | ||
|
unidentified
|
Exactly. | |
| This is one of the problems with these studies. | ||
| Exactly. | ||
| This is like what we were talking about earlier with that nobody wants to discuss the idea that psychotropic drugs have played a part in school shootings. | ||
| This is all a very recent thing with human beings. | ||
| If those kids really didn't. | ||
| But they're talking about the recent spike in shootings, even by people they know were mass shooters. | ||
| Those people are almost all on these pills. | ||
| But these pills are very recent. | ||
| They leave Big Pharma alone. | ||
| Yeah, so when you're talking about just the history of human beings involved in mass killings, It's really recent. | ||
| They're crazy. | ||
| It's ramping up. | ||
| It's going crazy. | ||
| Yeah, well, you know what also is ramping up? | ||
| People taking pills. | ||
| Yeah. | ||
| These things are somehow, they might not be the cause of it 100%. | ||
| It might be society. | ||
| It might be suppression. | ||
| It might be terrible childhood rearing. | ||
| It might be childhood abuse. | ||
| It might be all sorts of mental health issues that are inherited. | ||
| All sorts of crazy diseases that people inherit. | ||
| Mental diseases. | ||
| In the vaccine pamphlets, I think the HPV vaccine, girls are taking it at 10, 11, and 12. Man, the shit that it says in the pamphlet. | ||
| That's a dangerous one, too. | ||
| One possible side effect is suicidal thoughts. | ||
| It's called impending doom. | ||
| I watched Take Your Pills last night, that documentary on Netflix that's been going around. | ||
| How is it? | ||
| It's pretty good. | ||
| There's not a lot of information. | ||
| That's not the Adderall one, is it? | ||
| No, it is, yeah. | ||
| It is, yeah. | ||
| So there's not a lot of information we don't already know, I feel like. | ||
| They just kind of compile it and make it look really good. | ||
| But one interesting thing that you just brought up, Dr. Cezanet, there's no side effects to pills. | ||
| There's just unintended... | ||
| Benefits or non-benefits that you want. | ||
| They're all effects. | ||
| There's no like side effect of like diarrhea for instance. | ||
| It's an effect of the pill. | ||
| Just wasn't what you wanted. | ||
| I see what you're saying. | ||
| So don't call it side effect. | ||
| Call it an effect. | ||
| Right, so if you take something and on some people it gives suicidal thoughts. | ||
| It's not a side effect. | ||
| It's just an effect of taking that pill. | ||
| Yeah, there's girls wanting to kill themselves for taking the HPV vaccine. | ||
| Not just that, for taking acne medication. | ||
| Accutane is a big one for that. | ||
| Dude, come on! | ||
| Do you know Andrew Santino? | ||
| Hilarious comedian? | ||
| Nuh-uh. | ||
| Funny motherfucker. | ||
| He took Accutane when he was, what did he say, in high school? | ||
| Is that what he said? | ||
| It was like the best thing that ever happened to him because his face totally cleared up, but the worst thing that ever happened to him in terms of how it made him feel. | ||
| It makes you feel a lot of people get it and they get suicidal thoughts. | ||
| Yeah, for sure. | ||
| So you've got to ask yourself, even if whether kids really are shooting up schools or it's a false flag and they're setting up the kids to do it, that's the other side. | ||
| Whatever the truth is there... | ||
| There's a gigantic problem with these pills that are making people crazy. | ||
| And no one really... | ||
| This is not a big push to stop it or anything. | ||
| They're being protected. | ||
| They are, but there's a giant business in it. | ||
| There's billions of dollars for sure. | ||
| But there's also a lot of people that like those pills. | ||
| There's a lot of people that love Xanax. | ||
| Like, this is, again, this is one of those things where we always want to look at the bad side of it. | ||
| A lot of people love crack, too. | ||
| Crack business. | ||
| You could get thrown in jail for that. | ||
| Yeah. | ||
| No, for sure. | ||
| But I mean, people that are functional people, just how you like weed, I like weed. | ||
| Some people like Xanax. | ||
| I'm not saying you can't have that. | ||
| It's not my opinion. | ||
| That's not how I feel. | ||
| What I am saying is, like, we need to be honest about the consequences of all these things. | ||
| And that this is somehow another left out of the equation when I think it's a major part of the equation. | ||
| I don't think it's the only reason why people are shooting up schools or any of this shit. | ||
| But I think it absolutely must be playing a factor. | ||
| And for whatever reason, people don't want to consider that factor. | ||
| And I think some of it is because there's a lot of people out there who like those pills. | ||
| They like the way they feel on antidepressants. | ||
| They like the way they feel on anti-anxiety medication. | ||
| They like taking Ambien before they go to bed. | ||
| They don't want to hear. | ||
| They like what it gives them. | ||
| I know people who can't sleep without Ambien. | ||
| They can't sleep without it. | ||
| And if you tried telling them that Ambien fucks up your heart rate or does this to that or, you know, make up some things. | ||
| I don't know if it fucks up your heart rate. | ||
| I'm just saying that. | ||
| If you started saying that to people, they would just immediately tune out. | ||
| Whatever, dude. | ||
| I'm sleeping like a baby. | ||
| You know what would be a great false flag is if they set up another shooter and just said he was totally stoned. | ||
| That way they could reverse the legalization of weed. | ||
| Of course, it's a joke. | ||
| Do you know what I started smoking then that changed my mind? | ||
| They have the power in the media to turn it into that. | ||
| All of a sudden, these guys are getting really high in Colorado and California. | ||
| We need a... | ||
| It's a joke, okay? | ||
| It's not funny. | ||
| That wouldn't work today. | ||
| I've been smoking blunts, and I smoked them. | ||
| I was like, okay, now I understand rap music. | ||
| I was like, these rappers are so aggressive, but they're also high. | ||
| I'm like, what the fuck's going on? | ||
| It's the goddamn tobacco. | ||
| Tobacco mixed in with weed? | ||
| That is a different thing. | ||
| That's a different animal. | ||
| It's a little too potent sometimes. | ||
| It's a little too, woo! | ||
| You're like, what are we talking about? | ||
| I like it every now and then. | ||
| Every now and then, I like it. | ||
| I'm like, you know what? | ||
| It gives you a different kind of head buzz. | ||
| Well, tobacco gives you... | ||
| Donald Cerrone got me on the dip when he was not... | ||
| I haven't done it since then. | ||
| But when we were in the podcast, he did it. | ||
| I swallowed some of it. | ||
| But one thing I liked about it, I was like, oh, now I get why you guys do it. | ||
| It hypes you up. | ||
| It gets you kind of elevated. | ||
| You ever smoke a cigar? | ||
| Maybe two. | ||
| It's a powerful version of a cigarette. | ||
| Like you're getting some serious fucking nicotine in your system when you smoke a fat stogie. | ||
| You got a big ol' fuckin' Hoyo de Monterey double Corona. | ||
| Fidel Castro style. | ||
| By the time you get to the end of that thing, you're high as fuck, dude. | ||
| You're not high like you can't talk, or like you can't walk, or you can't function, but you're definitely feeling that tobacco. | ||
| It's doing something to your system. | ||
| And they say it actually has a cognitive enhancing function. | ||
| That's similar to nootropics and coffee as well. | ||
| It actually can make you perform better in tests if you smoke cigarettes or if you smoke a cigar. | ||
| And writers always say that. | ||
| I know a lot of people who write, like writers for sitcoms and stuff like that, those guys always smoke cigarettes when they write. | ||
| They say they can't write without smoking. | ||
| Stephen King said that. | ||
| It's like they're weed. | ||
| Yeah. | ||
| Well, it does have something going on, man. | ||
| But to me, it's more like amped than it is creative. | ||
| Weed is super creative. | ||
| Weed makes me think of thoughts where I write them down. | ||
| I'm like, I can't even claim that. | ||
| That's not even my thought. | ||
| That's weed's thought. | ||
| You know what I mean? | ||
| Yeah. | ||
| Like, I would have never just leave me by myself with no drugs and a notebook. | ||
| I would have never come up with that idea. | ||
| But the weed's like, hey, man, listen to this. | ||
|
unidentified
|
Bah! | |
| You know, the weed is way more of like an idea steroid. | ||
| I believe it. | ||
| Dude, I see people who don't smoke weed and they write, and I'm like, oof, you're so brave. | ||
| Out there with no helmet, you got no life preserver on. | ||
| And now it's crazy legal everywhere. | ||
| That's amazing. | ||
| This recreational weed in California, it's insane. | ||
| You just walk... | ||
| Nine states now. | ||
| Yeah, crazy. | ||
| I think 18 states have legal medical and nine states have legal recreational. | ||
| Nine. | ||
| Massachusetts. | ||
| Yeah, it's a wave. | ||
| It's going across the whole country. | ||
| It's changing everything. | ||
| And it's good. | ||
| And you know what the next wave is? | ||
| MDMA. MDMA therapy for PTSD patients has unprecedented results. | ||
|
unidentified
|
Really? | |
| MAPS is involved in this. | ||
| What is it? | ||
| Multiple Disciplinary Association for Psychedelic Studies or something like that. | ||
| MAPS is an amazing, really above-board organization that is at the forefront of legalization of psychedelics and of psychedelic research. | ||
| And they've been involved in studies of soldiers, and they have amazing results with this stuff. | ||
| MDMA just lets you forgive yourself. | ||
| It lets you forget everything. | ||
| It reprograms your brain. | ||
| It lets you forgive other people in your life. | ||
| It changes. | ||
| One hit. | ||
| of mdm mdm mdma that always confuses me molly it's a lot easier one hit can change your uh taste in music forever forever i believe it because before i ever did it the first time i did it was 1997 and before that i was a dj at this point And I couldn't stand techno. | ||
| I hated techno music so much. | ||
| And I was a DJ. And any time a girl went on stage and she was a techno girl, I'm like, this is... | ||
| Because I play drums for real. | ||
| So when you listen to techno or house, it's like... | ||
| That's the most basic dumb shit. | ||
| Every song. | ||
| Every fucking drum beats the same. | ||
| I couldn't accept it as a musician. | ||
| And most musicians feel that way about techno. | ||
| And I went to a birthday party at the Key Club in Hollywood and I walk in and upstairs is techno and downstairs in the little bottom club is hip hop. | ||
| And it was a birthday party and everyone was downstairs and me and my buddy Rick, we walk in and we're standing at the edge of the techno floor. | ||
| And there's like all these dudes just like dancing by themselves. | ||
| And there's like mental cases, right? | ||
| And I was just standing there looking at him going, what the fuck is wrong with these people? | ||
| Oh my God. | ||
| So I went downstairs, they're playing hip hop. | ||
| I'm like, that's what I want to hear at clubs. | ||
| I want to hear hip hop at a club. | ||
| I want to dance with a girl, not by myself. | ||
| You know, so I'm downstairs and then they start passing around some Molly and some say, you want to do it? | ||
| And I'll never forget that. | ||
| That first one was blue. | ||
| I'm like, whew. | ||
| I don't know. | ||
| I don't know. | ||
| So I took it, me and my buddy both took it, and it hit us. | ||
| That first hit just hits you like a fucking ton of bricks. | ||
| We go upstairs, and we're on the dance. | ||
| We're dancing like morons, dude. | ||
| And we're looking at each other and go, you get it? | ||
|
unidentified
|
He goes, I get it! | |
| I go, you get it! | ||
| I get it! | ||
| And from that point on, got all into trance. | ||
| From that point, and it wasn't just like that night. | ||
| It changed my musical taste in one hit. | ||
| And I had a friend at the club who was a total R&B dude. | ||
| He hated techno. | ||
| And he would talk shit when I played techno. | ||
| I go, one day, you're gonna do some Molly and you're gonna be all into techno. | ||
| He goes, fuck you, that'll never happen. | ||
| I can't stand this music. | ||
| He starts dating the raver chick, like six months later at the club, some raver chick. | ||
| He ends up at a rave. | ||
| He ends up dropping some Molly. | ||
| He starts coming in and bringing all these new techno CDs and he's all into it. | ||
| Full blown into trance and techno. | ||
| Just one hit. | ||
| This is the real problem. | ||
| It's illegal. | ||
| So when you get it from someone, you don't know what the fuck you're getting. | ||
| That's the real problem with Molly. | ||
| That's the real problem with MDMA. It's also the dosage. | ||
| You don't know what the dosage is supposed to be. | ||
| Look, you can overdose on alcohol and alcohol is everywhere, but everybody knows what the dose of alcohol is. | ||
| If you go to a bar and you get a shot of Jack Daniels, you know what that is. | ||
| It's not like sometimes you get a shot of Jack Daniels and it's Jack Daniels. | ||
| Sometimes you get it and it's super fucking moonshine at 17 times You get stronger and you die. | ||
| That's the problem with heroin. | ||
| That's the problem with a lot of things. | ||
| The real problem with MDMA seems to be that it's illegal. | ||
| That's the real problem. | ||
| And what they're finding is that there's great benefits if it's used correctly. | ||
| I mean, anything could be abused, but that doesn't mean we should make it illegal. | ||
| And what they want to do, I think their timeline is somewhere around 2021. Making it legal for therapy. | ||
| It's going to change the world. | ||
| It's going to change everything. | ||
| It's going to change the way people feel about the past. | ||
| It's going to change the way people interact with each other. | ||
| You're going to know just by people's behavior whether or not they've ever done it or not. | ||
| You know where it comes from? | ||
| Where MDMA comes from? | ||
| The part of it, the active ingredient that takes you... | ||
| It's a plant, right? | ||
| Where's that plant at? | ||
| It's in Thailand or... | ||
| It's like a bark. | ||
| What's Cambodia? | ||
| It's in Cambodia. | ||
| It's like the bark, like the... | ||
| Something about the root of a tree trunk or something. | ||
| It has something to do with a tree. | ||
| Jamie's pulling it up, but it becomes very dangerous for those people, right? | ||
| The trafficking becomes crazy. | ||
| They fuck up forests like forests are being chopped down just for the... | ||
| Not only that, people are being murdered. | ||
| It's heavy-duty stuff. | ||
| Is it sassafras? | ||
| I don't know. | ||
| Is that what it says? | ||
| I googled it and just looked at the images and that's what's popping up. | ||
| Maybe put MDMA Cambodia trees. | ||
| Is it sassafras? | ||
| Okay, maybe that is. | ||
| Sassafras and saffroli. | ||
| Sassafras, yeah. | ||
| I guess it's sassafras. | ||
| Dude, it's a plant. | ||
| Whatever that plant is, they take the... | ||
| Just Google Vice, the making of ecstasy. | ||
| Because I'm pretty sure Vice did this. | ||
| Could you Google that, please? | ||
| I think Vice had a special on that. | ||
| I wonder what would happen if you just ate it raw. | ||
| I wonder. | ||
| Can you do that? | ||
| Is there a special? | ||
| What does it say? | ||
| The truth about ecstasy. | ||
| Yeah, so there's some sort of vice episode where they grow this stuff. | ||
| Anyway, this should be something that's not distributed by criminals wearing ski masks like you've seen in this video. | ||
| It should be something distributed by stores. | ||
| And there should be doctors. | ||
| And if you wanted to, you could have a rave where you even have medical centers in the rave where you keep people from overdosing. | ||
| Yeah. | ||
| When there's a transitionary period from people going from drugs being totally illegal to some drugs having massive benefits. | ||
| Like if you go to a club, right, and everyone there is, come on, we're doing shots, we're doing shots. | ||
| The whole fucking bar is getting wasted and drunk. | ||
| Everybody's fine with that, but you're not fine with a club where everybody does a small amount of ecstasy. | ||
| Well, why can't you do that? | ||
| Well, that's drugs. | ||
| Well, the other one's drugs, too. | ||
| You're just used to those drugs. | ||
| Once we get past that hurdle, and it might take a whole generation before people get used to places where you can go. | ||
| One drug gets you violent. | ||
| One drug makes you want to have sex. | ||
| But listen, you're not going to stop that drug. | ||
| Here's my point. | ||
| It's a powerful, really useful drug. | ||
| People are going to find out about it. | ||
| It's an amazing experience. | ||
| They're going to do it. | ||
| So what's the best way to handle that? | ||
| Best way to handle it is make it safe. | ||
| Make it legal. | ||
| Make it regulated so they know what actually is in each one of these fucking pills. | ||
| You're not getting it from some pimp or some asshole or some fucking crazy dude who stuffed it in a balloon and put it up his asshole and made it across the border with it. | ||
| You don't know where the fuck you're getting this stuff from. | ||
| And they cut it with all sorts of shit too. | ||
| All sorts of shit. | ||
| Amphetamines and all sorts of crazy shit. | ||
| And people die from it because they don't know what the fuck is in there. | ||
| Here it is. | ||
| Okay, it says M-R-E-A-H-P-R-E-W-P-H-N-O-M trees. | ||
| M-R-E-A-H-P-R-E-W-P-H-N-O-M trees. | ||
| M-R-E-A-W-P-R-E-W-P-H-N-O-M trees. | ||
| M-R-E-A-W-P-R-E-W I mean, there's got to be some shit where they haven't tapped into it yet. | ||
| They're finding all sorts of different pharmaceutical drugs that they concoct out of stuff. | ||
| In the Amazon? | ||
| Yeah. | ||
| Isn't it something like insects are evolving so fast in the Amazon that they only have names for, I think, 10% of the insects. | ||
| 90% they have no name. | ||
| No, it's crazy. | ||
| Is that true? | ||
| They have all sorts of bugs in the Amazon for sure that they haven't identified. | ||
| They know that for a fact and they do evolve. | ||
| They're a rare thing where you can, there's like some primitive life forms you could find that didn't exist before. | ||
| Like they found this crayfish, I think it's in India or Europe, maybe Europe, crayfish that produces by cloning. | ||
| They don't have sex. | ||
| So female, they're all female. | ||
| And one crayfish just makes a bunch of other babies. | ||
| Just makes babies. | ||
| She doesn't need sex. | ||
| She doesn't need sex. | ||
| And they're like, what the fuck? | ||
| I mean, obviously there's no genetic diversity, right? | ||
| Because they obviously would need a male DNA to mix with the female DNA. There it is. | ||
| Mutant crayfish clones itself and it's taking over Europe. | ||
| So this crayfish doesn't fuck. | ||
| They just reproduce. | ||
| Like one crayfish could just reproduce. | ||
| It's really bananas. | ||
| So this is a new thing that didn't exist 25 years ago. | ||
| This is something that they are very sure wasn't a living organism up until recently. | ||
| Here's a good thing. | ||
| Crayfish are delicious. | ||
| People are starving to death. | ||
| Now they got some motherfuckers that all you have to do is just throw some stuff in there. | ||
| You don't have to count on them fucking. | ||
| Maybe it's the same stuff that made the frogs gay. | ||
| Could be. | ||
| Could be, bro. | ||
| Maybe it's linked. | ||
| Could be, bro. | ||
| I mean, it could be. | ||
| It could be pesticides. | ||
| Look, there's another thing about the amount of people that flush pills down the toilet and how much that shit goes through water treatment plants and into aqueducts and into reservoirs and shit. | ||
| Yeah. | ||
| There's a lot of pills that get flushed down our toilets, and some of them make it into rivers and shit. | ||
| Some of them make it into the ocean. | ||
| You know what's supposed to be particularly bad? | ||
| I never thought about this until a friend of mine who was a surfer told me. | ||
| He was a yoga teacher who was a surfer and said nobody told him and he got real sick because he went into the ocean right after the rain. | ||
| You can't go to the ocean after the rain. | ||
| Because when it rains in LA, all that bullshit, all the chemicals and toxins and cleaners and oil and gasoline and plastic washes into the water, like right at the shore. | ||
| And that's where it's all just swashing around in there with the waves. | ||
| And you get in there and you get sick as fuck. | ||
| You're basically getting poisoned. | ||
| Is there some kind of filtration system before they just let all the water just run right into the ocean? | ||
| It runs right from the streets. | ||
| From the runoff. | ||
| Just from the streets. | ||
| Where does the toilet water go? | ||
| Toilet water goes through a sewage system. | ||
| Different system. | ||
| Yeah, it goes through a sanitation system. | ||
| But sometimes those break. | ||
| I was at the Charles River in Boston once, and it was right across the street from where I lived. | ||
| And I'd hang out there all the time when I was a kid. | ||
| And I was standing there on the shore, and I saw these bubbles and these chunks of things floating up to the water. | ||
| And I was like, what the fuck is that? | ||
| And then I saw a condom. | ||
| Bloop, come up. | ||
| And I went, oh, that's a sewer pipe. | ||
| They're flushing condoms and like shit and condom water. | ||
| It's coming right through the fucking ground into this river where all these fish live. | ||
| These fish are probably living off of human shit. | ||
| What's the water like after the sewage water runs through the filtration system? | ||
| What is that water like? | ||
|
unidentified
|
Perfect. | |
| And where does it go? | ||
| Fiji bottles. | ||
| Does it go into Fiji? | ||
| $2.99 for eight ounces. | ||
| Based on what I saw online, it seems like Fiji water is the best water out there. | ||
| It's pretty good. | ||
| They tested a lot of bottled water, and a lot of bottled water has a lot of bullshit in it. | ||
| Look at this. | ||
| After 50 years, Boston's Charles River just became swimmable again. | ||
| Took $500 million and nearly two decades of work. | ||
| Here's how the city did it. | ||
| That's it, man. | ||
| That was the river that's connected to... | ||
| That river went all the way down near my house. | ||
| Why was it so polluted? | ||
| People are gross. | ||
| Dude, when people started building shit in the 1800s, they didn't give a fuck about the future. | ||
| They took that sewer pipe and went just lay it right there and pump it right into the fucking ocean. | ||
| I'm going to take a shit right in that water. | ||
| It's going to go shooting down that pipe. | ||
| And drop right on a fish's head. | ||
| Who cares? | ||
| They didn't give a fuck. | ||
| When they were building things, they would have all their industrial runoff just go right into rivers. | ||
| They polluted thousands of rivers. | ||
| Like, who the fuck knows how many fish died because people in the early days of the Industrial Revolution were fucking assholes. | ||
| They didn't have any consequences. | ||
| They didn't think about the possibility of completely destroying the environment. | ||
| Like, that didn't exist before the age of the industrial machines. | ||
| The only time it existed before that was when dead bodies would pollute river systems and shit after war. | ||
| You know? | ||
|
unidentified
|
Yeah. | |
| Like when people would throw bodies into rivers, like that would, you know, that would fuck up people's wells, that would fuck up, you know, any drinking water. | ||
| People got real sick from that. | ||
| How did kings shit? | ||
| What did their toilets look like, like back in the 1500s, 1600s? | ||
| Looked like some dude that hates mouth. | ||
| Yeah, you know, exactly, right? | ||
| They had to have pimp ass toilets for the kings back in the day. | ||
| I'm sure they did. | ||
| Why don't you Google it, Jamie? | ||
| Toilet from King Henry the eighth that King Henry this ago killed all his wives, right? | ||
|
unidentified
|
I got toilets from all the way back in the BC's, but I'm gonna go to more King Henry a got tired of those ladies just cut the fuck where is it? | |
| Where does the King's loaf go to mmm? | ||
| Where does it lead to expected by by doctors? | ||
| They want to make sure he's got enough fiber in his diet Keep his highness alive. | ||
| Where did the king just found something? | ||
| Oh, which is fine Jamie. | ||
| What's that face? | ||
| Something called a thunder mug. | ||
| Oh, nice. | ||
| Pull that up. | ||
| Make sure it was what it's supposed to be. | ||
| Here we go. | ||
| Hold on. | ||
| Make sure. | ||
| Oh, okay. | ||
| This is from the 1600s? | ||
| That's what he shit into? | ||
| No, that's why I say this is a Shakespearean chamber pot, not the Bard's own thunder mug. | ||
| But it is a typical chamber pot. | ||
| That's what they would call them? | ||
| Chamber pots? | ||
| I think. | ||
| So it's a pot that you shit in. | ||
| Like literally shit in a pot. | ||
| That looks sturdy. | ||
| So it's really like a toilet bowl. | ||
| It's like a toilet bowl. | ||
| It just doesn't have water in it. | ||
|
unidentified
|
Right. | |
| Do you think they've left water in it to make it easier to clean? | ||
| Probably next to it. | ||
| Probably smarter to have water in there. | ||
|
unidentified
|
Yeah. | |
| So you plop in the water. | ||
| Yeah. | ||
| Yeah. | ||
| Otherwise. | ||
| And you get a couple slaves to pull it out, dump it, and you're good. | ||
| Like if you ever have to take a shit on a plane and you see how little water there is and that little thing that you're dropping logs into. | ||
| And then when you flush, it never gets at all. | ||
| You know, and you gotta think, do I just like play stupid and get out of here? | ||
| Or do I give a courtesy flush? | ||
| Yeah, American Revolution is a hole in the ground. | ||
| Nice. | ||
| Imagine falling into that hole. | ||
| That's your death. | ||
| You choke to death on shit. | ||
| It's happened. | ||
| 100% has happened. | ||
| It's happened. | ||
| I read about a dude who fell into a septic tank. | ||
| He fell into a septic tank and drowned. | ||
| He had a septic tank in his backyard. | ||
| And he was fixing it somehow or another, and it broke, he fell through, and he DROWNED! In a fucking septic tank! | ||
| How did they get rid of their shits in the city, just regular peasants? | ||
| They just threw it out on the streets? | ||
| Or did they have to collect it and drag it out to the woods? | ||
| That's a good question. | ||
| Well, there was a real issue in Rome in the early days of people shitting in the streets. | ||
| And apparently there's a lot of people in San Francisco right now that are shitting in the streets. | ||
| It's a real issue. | ||
| Jake Shields, my friend, the MMA fighter, jujitsu master, Jake Shields, you know Jake Shields, of course. | ||
| He put a video up on Instagram of some dude shitting, like pulling his pants down and like shitting right into the street. | ||
| Like he said, it's happening everywhere. | ||
|
unidentified
|
Yeah. | |
| San Francisco has an amazing amount of bums. | ||
| I think it was Jake Shields. | ||
| I don't want to speak out of turn. | ||
| Pretty sure it was Jake. | ||
| That's the best city for homeless people, for sure. | ||
| They let people do whatever the fuck they want in that city. | ||
| They're so nice. | ||
| They're so open-minded and they feel so guilty because they made a billion dollars from like Brazzers.com or some shit. | ||
| You know, they made all that tech money. | ||
| It's a different kind of money. | ||
| They're so liberal. | ||
| In comparison to Wall Street banker type dudes, those dudes are like cutthroat, right wing, private jet, fuck you, minko, big watch, go, go, go. | ||
| I'm doing coke. | ||
| Whereas the money on the other side, like the tech money, they're all like, well, diversity is really important, and women, they need to be represented in tech, and this is their space. | ||
| This is a space for them, too. | ||
| We need to let them know. | ||
| We need to encourage that. | ||
| Like, they're so left-wing. | ||
| They're like, these homeless people, they also, just because they don't have an address doesn't mean this city is not equally theirs. | ||
| You know, we have to... | ||
| Help them and offer aid. | ||
| Crackheads just taking diarrhea splatter shits against walls. | ||
| They just let these people get away. | ||
| They were fucking mentally ill people. | ||
| And they just let them wander around through their streets. | ||
| If they really cared, you know what they would do? | ||
| They would really put some money into taking care of these people. | ||
| Instead of just letting them wander around the streets shitting all over the place. | ||
| Have a place where you can get them clothes from the Salvation Army or something like that. | ||
| Have a place where you give them regular showers. | ||
| Have something that's like appealing. | ||
| They can go to all the time. | ||
| So you keep them from just shitting on the streets in front of everybody. | ||
| Like that's crazy. | ||
| Billy Corrigan had a residency in San Francisco maybe eight years ago. | ||
| And it was all about him just writing songs on the spot and then going on stage that night and doing brand new songs, like a weird kind of residency. | ||
| And he had this one song that he wrote about. | ||
| He was just hanging out in the park in San Francisco and just wrote about the bums and how disgusting it all was. | ||
| And called the song Peace and Love. | ||
| Excellent song. | ||
| One of his greatest songs. | ||
| It's deep. | ||
| It's about the bums. | ||
| There's so many, man. | ||
| We used to run into them all the time when we did gigs in San Francisco. | ||
| We'd go out to eat, and you'd have to do like this bum obstacle course on the way to the restaurant. | ||
| Like, oh, here comes one. | ||
| Get across the street. | ||
| Oh, no, no, no. | ||
| I don't have any money, bro. | ||
| They're super aggressive, too. | ||
| Yes, yes. | ||
| People are real tolerant there. | ||
| Yeah. | ||
| But isn't that better? | ||
| That's better than the opposite. | ||
| I think it's good to live in a place that's as tolerant as possible. | ||
| Even if the super lefties get annoying, you don't want the opposite. | ||
| See, they might fuck up because there's the same sort of mentality that goes on with people on the far left and people on the far right. | ||
| That mentality is, my way's the right way, I'm right, you're wrong, fuck you, I'm gonna make you change. | ||
| I'm gonna make you do it and that doesn't work that doesn't work on anybody but I always feel like it's safer and better when that's happening towards like Kindness and compassion and income equality and all these things that are I see like even though it gets very authoritarian I See that at least it has like a good heart to it all like even if it's misguided some of its miss some socialism's misguided or even if they're pretending Yeah, there's always that. | ||
| That's a good move, right? | ||
| If you're going to pretend, you pretend towards the left. | ||
| Yeah. | ||
| If you want to make some money. | ||
| Yeah, you could steal all sorts of tax money. | ||
| Just pretend you're helping people. | ||
| There's definitely a lot of that going on. | ||
| There's no doubt about that. | ||
| Dude, we haven't talked about Tony Ferguson. | ||
| It's 2 o'clock. | ||
| Yeah. | ||
| This is the kind of podcast we do. | ||
| Is it 2 o'clock already? | ||
|
unidentified
|
Dude. | |
| Holy shit. | ||
| We ramble. | ||
| God damn. | ||
| We have to talk about Tony Ferguson seeing as how you're his jiu-jitsu coach and I was fucking convinced I told Jamie I told Jimmy Smith. | ||
| I'm like, I'm not buying it. | ||
| I'm not buying it. | ||
| It's April Fool's. | ||
| The shit's coming on April Fool's. | ||
| Fuck you, man. | ||
| You'll fool me once shame on you Fool me 50 times or how many times I've been busted by April Fool's like there's no fucking way Tony Ferguson got hurt a week before the fight. | ||
| There's no way. | ||
| Yeah, and it's true That's the first thing I thought. | ||
| I'm like, oh my god, everyone's going to think this is April Fools. | ||
| That's what Dana said. | ||
| Yeah, no one's going to believe this. | ||
| You know, I found out late Saturday night. | ||
| You know, I'm in the studio with Danny Loner just making some music. | ||
| And, you know, I knew something might have been wrong because we were supposed to work Saturday afternoon and He never know shows. | ||
| He's late a lot, but he was late, and I'm just hanging out in front of a studio. | ||
| He's got his own gym now. | ||
| And after a while, he didn't return his text. | ||
| I'm like, something, you know, he's a fucking superstar. | ||
| There's a lot of shit going on, so I just said, okay, fuck it. | ||
| So I left and went on with my day, went in the studio, and then I get the text, like at 11.25 at night, Saturday night. | ||
|
unidentified
|
He said, I fucked up my knee. | |
| Blew my fucking LCL out. | ||
| He wants to fight. | ||
| He wants to fight. | ||
| He did not not want to fight, but his doctor said, you can't fight. | ||
| And he was like, I need a second opinion. | ||
| So he went to the UFC doctors. | ||
| They said, nope, you can't fight. | ||
| His LCL is detached from his knee. | ||
| So it's pulled from the bone. | ||
| It's pulled off the bone. | ||
| That's what they said. | ||
| That's how Dana described it. | ||
| Yeah, usually you tear your LCL or your MCL, usually, because I've done my MCL before. | ||
| It repairs on its own. | ||
| It's so thick, according to what the doctors tell me. | ||
| I don't know shit. | ||
| But you tear your meniscus, you probably need surgery for that. | ||
| Or you tear your ACL, you for sure need surgery for that, if it's a complete tear. | ||
| But the LCL and the MCL, the only time they're... | ||
| Again, according to what I hear, the only time he needs surgery is if it's fucking blown the fuck out, like motorcycle accents, like freak things. | ||
| And when I say Tony wanted a fight, he would have fought with that shit. | ||
| He didn't give a fuck. | ||
| They wouldn't let him fight. | ||
| He wanted a fight. | ||
| Was he walking with sunglasses on indoors? | ||
| I don't know. | ||
| I don't know what he was wearing. | ||
| This is what Dana was saying, I think. | ||
| He said he tripped over some wires. | ||
| You know those thick cables that they lay on? | ||
| Yeah. | ||
| Apparently he tripped over water and fell. | ||
| Fuck. | ||
| That's insane. | ||
| It's the craziest thing ever. | ||
| It's insane. | ||
| It's so crazy. | ||
| It's so sad. | ||
| That fight is doomed. | ||
| Dana White said he would never put that fight on again. | ||
| I'm like, are you crazy? | ||
| Book that shit again. | ||
| The thing that sucks is... | ||
| Maybe four is the magic number. | ||
| Dana said in an interview, kind of hinted or alluded to the fact... | ||
| I hope I'm wrong. | ||
| I hope I'm wrong. | ||
| But that they're going to strip Tony of his interim belt. | ||
| Like, you know, Robert Whitaker... | ||
| Where'd you see that? | ||
| Someone told me. | ||
| I didn't hear it, so that's why I'm saying I don't know if it's true. | ||
| Someone said, yeah, Danny just did an interview. | ||
| He was hinting like... | ||
| He said it in such a way that... | ||
| Tony is going to get stripped of his belt. | ||
| And I thought, like, that's ridiculous. | ||
| Well, here's my question. | ||
| If someone is the champ, right, and they get injured and they can't defend their title, then they have an interim title, right? | ||
| But if the interim guy gets injured and can't defend the interim title, do they strip the interim title? | ||
| Does that ever happen? | ||
| Robert Whitaker, he went through the same thing. | ||
| Tony Ferguson loses interim lightweight title when Nurmagomedov and Holloway square off. | ||
| So I guess they're taking the title from him. | ||
| Yeah, they didn't do that to Robert Whitaker. | ||
| He was the interim champion. | ||
| Should they have an interim interim? | ||
| No? | ||
| I don't know, man. | ||
| It doesn't seem right. | ||
| They let Whitaker take 11 months off to recover. | ||
| Why would they do that? | ||
| It was the exact same thing. | ||
| It was the exact same situation. | ||
| Robert Whitaker was fighting for the interim, or he had the interim title. | ||
| He was going to fight. | ||
| I forget who it was. | ||
| It was either Yo Romero. | ||
| I forget who it was. | ||
| And then he got injured. | ||
| They didn't strip him. | ||
|
unidentified
|
Right. | |
| Why are they stripping Tony? | ||
| Do you feel like it's punishment for him getting injured a week out, like they're pissed, and like, fuck it, strip him? | ||
|
unidentified
|
Injuries? | |
| Yeah, I don't know. | ||
| I don't know, but that's... | ||
| You can't do that, right? | ||
| That's not right. | ||
| I mean, Tony wanted to fight more than anybody. | ||
| You've got to believe me on that one. | ||
| Like, if he happens four weeks ago, and it's an injury in training, and he tears it from the bone, is that, they just reschedule the fight, right? | ||
| Yeah. | ||
| It's still for the interim title. | ||
| Why is it like a week out the interim is canceled? | ||
| Maybe it's because they have to make a big fight with Max Holloway versus Khabib for the world that cost Tony a lot of money because he has the interim belt he This was going to be by far the biggest payday ever for him. | ||
| I mean, he was making some good money. | ||
| It's because of the belt. | ||
| So if you strip him his next fight, he doesn't have that belt anymore to get money. | ||
| So he'll get significantly less money? | ||
| If you don't have a belt, hell yeah. | ||
| What if Max or Khabib wins, right? | ||
| One of them I assume is going to win. | ||
| Whoever won it is. | ||
| And then Tony gets healthy. | ||
| And then they're going to have Tony fight one of those guys for the title. | ||
| Like he would get less than he would have for this fight? | ||
| If he doesn't have the belt. | ||
| Really? | ||
| So that's part of the contract? | ||
| If you're going to negotiate for a fight and you have a belt, you have way more power than if you don't have a belt. | ||
| So by stripping him of the belt, his next fight when he heals up and comes back, it's going to cost him. | ||
| And it's not fair because, again, Robert Whitaker didn't get stripped of his interim belt. | ||
| Max Holloway and Khabib should just fight, just a main event fight. | ||
| It doesn't have to be for a belt because that's going to fuck Tony. | ||
| Well, why would it fuck Tony if he still gets the interim title? | ||
| If he kept the interim title, then it wouldn't fuck him. | ||
| Yes, exactly. | ||
| For his next fight, when he negotiates for his next fight. | ||
| And then he would be interim title holder versus world title holder. | ||
| Yeah. | ||
| Why does Max and Khabib have to fight for a belt? | ||
| It doesn't have to be for a belt. | ||
| Well, the thing is, the UFC holds all the cards. | ||
| They can make up the rules. | ||
| They can do whatever they want when it comes to the rankings and stuff, right? | ||
| They can't do whatever they want when it comes to rules. | ||
| So with their position, they're like, look, this is going to cost a shitload of money. | ||
| How do we recoup that money? | ||
| You know, how do we, okay, we get Holloway to fight. | ||
| Oh, that's almost as big. | ||
| That's a giant fight too. | ||
| Okay, now we're back. | ||
| Now we're back in business. | ||
| And the stripping him thing, I don't know what the policy is on that. | ||
| I don't know if there's a public policy or if it's just, they just make the call. | ||
| I think they could do whatever they want to do. | ||
| They would never give up that power if they did have it, like to some organizing body. | ||
| Like why would they, right? | ||
| Because organizing bodies could even get corrupted. | ||
| But I think you have to be very careful when you make like interim titles that you don't make too many of them and you don't have them around too often. | ||
| You know, like once you have them, you got to get them resolved pretty quick. | ||
| Like they're a way to build up excitement about the fight. | ||
| But yeah, I mean, I don't think they would have stripped him if he got injured four weeks ago. | ||
| But who knows? | ||
| I might be wrong. | ||
| Maybe they have a new policy. | ||
| Maybe they're just stripping people. | ||
| But then Conor hasn't fought in 500 days. | ||
| He's not stripped yet. | ||
| Conor's not stripped yet. | ||
| He hasn't fought in more than 500 days. | ||
| MMA. Last time he fought was Eddie Alvarez. | ||
| That was his last MMA fight. | ||
| That was a long time ago, man. | ||
| That was a long time ago. | ||
| And then he hasn't been stripped. | ||
| So imagine being a lightweight, just sitting around waiting while he's on boxing TV, having a boxing match with Floyd Mayweather. | ||
| He doesn't even get stripped of his title, doesn't defend it, makes a hundred million bucks. | ||
| They're like, when you're fighting again, I was like, who fucking knows? | ||
| He doesn't say shit. | ||
| It'd be a lot clearer as to what to do in this situation. | ||
| If Conor would have just fought like a regular lightweight champion, there wouldn't be this interim confusion. | ||
| It's so good for Conor though. | ||
| All of it just makes him bigger and bigger. | ||
| It's like they even changed the rules for him. | ||
| You know? | ||
| I mean, think about that. | ||
| For him, it just makes him bigger. | ||
| He hasn't fought in 500 days. | ||
| Who fucking cares? | ||
| He's just rolling around in a bathtub full of $100 bills every day. | ||
|
unidentified
|
Just diving in there and swimming. | |
| He can do whatever the fuck he wants. | ||
| Did you see that documentary on Netflix? | ||
| No, I didn't. | ||
| It's really good. | ||
| He knew he was going to be a champion back in the day. | ||
| It starts when he has just one tattoo, the one down his back, that's it. | ||
| None of the neck tattoos or anything. | ||
| He already knew. | ||
| He knew he just had dynamite in his hands. | ||
| Crushing people on the local scene. | ||
| Crushing them. | ||
| One shots. | ||
| Boom. | ||
| Yeah, I saw him fight in 2013, I think. | ||
| Somewhere around there. | ||
| In his first chance at the UFC, I wouldn't have known if I didn't see this documentary, it's hard to keep track of everything, but it was in Sweden. | ||
| It was a Swedish show, it was like last minute replacement, they brought him in, and he fought, what was his name? | ||
| Black guy. | ||
| Shit, I forget his name. | ||
| Good guy real good guy and he lit him up and that was like damn after that one fight Like there's there's footage of of him and Dana and like Dana was already here any new he goes man I guess the hype was real Jesus My favorite fights with him are the two fights with Nate Diaz though, you know You know why? | ||
| Because those are the fights where he couldn't put someone away. | ||
| Just crack them and put them away. | ||
| So you had to see him fight. | ||
| He had a fight. | ||
| And it's a totally different game. | ||
| Like, if you see what he did to Eddie Alvarez, that was a totally different kind of fight. | ||
| Because he stung Eddie early, had him hurt, and he was his. | ||
| He owned him. | ||
| And then he fucked him up and stopped him. | ||
| That was a beating. | ||
| What round was that? | ||
| I think it was a second. | ||
| Second was a second. | ||
| He barely made it out of the first, right? | ||
| Yeah, barely made it. | ||
| I mean, he got fucked up from the get-go. | ||
| Conor just had his numbers. | ||
| Way faster, way quicker, and like covering distance. | ||
| Just like laser beams at night. | ||
| And I don't think Eddie fought right. | ||
| I think Eddie was a little bit too caught up in the moment. | ||
| This is the big hype of the fight, getting to fight Conor McGregor, and he just got fucked up. | ||
| And Conor had his hands behind his back and standing right in front of him, chicken necking him and then popping him in the face. | ||
| That was ugly. | ||
| So that, you know, like what year was that? | ||
| That was 500 days ago. | ||
| That kind of fight is a great fight for Conor, but that's all hammer. | ||
| When he fought Nate, he had to be the nail through a lot of that. | ||
| The whole fucking second round of the first fight when Nate got him down was the second round submission, right? | ||
| Wasn't it? | ||
| I don't know when he submitted him. | ||
| Did Nate submit him in the second round? | ||
| What are you looking at me funny? | ||
| You got something? | ||
| These fool pull out more than I do with my dick. | ||
| That's what Connor said. | ||
| These fools pull out more than I do with my dick. | ||
| I like how he had to specify with his dick. | ||
| So he must have only pulled out four times max. | ||
| That's not that great. | ||
| The fights with Nate were fights. | ||
| You know, he had to dig deep and he lost the first one. | ||
| He got beat up, he got taken down, he got his back taken, he got choked, he tapped. | ||
| I mean, he fucking lost that fight. | ||
| And then the second fight, he drops Nate, but he can't put Nate away. | ||
| Nate gets back up. | ||
| They're going after it. | ||
| There's fucking times where he's gotta stand and walk away. | ||
| He's gotta walk away because he's too tired. | ||
| He can't engage right now. | ||
| So he walked away a couple times in those exchanges. | ||
| Those were dig, dig fights. | ||
| What's this, buddy? | ||
| Round two, yeah. | ||
| Yeah, okay. | ||
| Submission, re-naked choke. | ||
| Four minutes and 12 seconds into round two. | ||
| Yeah, he beat him down, wore him down, and then stopped him. | ||
| And the fight that Conard won, could that have gone either way? | ||
| Yes, yes. | ||
| It was arguments, right? | ||
| Yes, very close fight. | ||
| I don't remember that much. | ||
| I think under the new rules, Conor probably would have won because I think, look, I think even just one knockdown is not good enough for a 10-8 round. | ||
| It's just not. | ||
| You know, in a five minute round, like one knockdown, it depends on how the other exchanges were going. | ||
| If the exchanges were all the same and then you cracked them once, you definitely won. | ||
| But did you win 10-8? | ||
| Like 10-8 is a beatdown, I think. | ||
| But even I think that should be wrong. | ||
| I don't think it should be that. | ||
| I think it should be like 100 points. | ||
| And I think they should have like scores for like 1 through 10 in striking, 1 through 10 in wrestling, 1 through 10 or non-applicable. | ||
| If there's no wrestling at all, you just 10. But you got to look at it this way, though. | ||
| If you could have a fight and in one round it's super close and really nothing happened. | ||
| It was super close and no one really connected anything. | ||
| And that happens all the time. | ||
| That's a 10-9 round, right? | ||
| Right. | ||
| And then you compare that to another round where a guy got dropped, but it was kind of a flash knockdown. | ||
| He pops back up, and then it's kind of even for the rest of the round. | ||
| That can't be a 10-9-2. | ||
| So either you've got to make more 10-10 rounds or 9-9 rounds, and then you could say, okay, a knockdown doesn't necessarily mean 10-8, because then a 10-9 is going to mean one dude clearly won and he landed some good shots. | ||
| That's a 10-9. | ||
| Right, right. | ||
| So it's all how you lay it down. | ||
| So if you're going to give, you know, a dude where the round could have gone either way and you're going to give someone a 10-9 and it looks just like a dude getting knocked down, that should be different. | ||
| So it all depends on add more draws or... | ||
| Make it so that if you knock a dude down, that's an automatic 10-8 round. | ||
| You knock a dude down, that's 10-8. | ||
| You knocked him down. | ||
| But what if he's beating your ass all over the place, and then you catch him with like five seconds to go, drop him, and he gets right back up, and he cracks you with a jab. | ||
| Do you still get a 10-8 because you dropped him? | ||
| I think I would say that's a 9-9. | ||
| Yeah, it's a 9-9 maybe. | ||
|
unidentified
|
Right? | |
| I guess. | ||
| But it depends on how much he's beating your ass before that. | ||
| If the guy's beating your ass down the whole round and then you clip him once and he drops, maybe you weren't really beating him down that hard. | ||
| Maybe it just looked like it because he still cracked you. | ||
| If you were really beating him down, how was he able to knock you down? | ||
| That happens all the time. | ||
| Guys still have power, especially if you run into something. | ||
| That's a hard one to score. | ||
| That's a hard one to score. | ||
| A knockdown, then a beatdown, you get outclassed the whole match, or the whole round, and then you get knocked down once. | ||
| Do you remember when Drago, Pete Sell fought Scott Smith? | ||
| From Rocky IV? No. | ||
| No, I'm kidding. | ||
| I thought that's what you were saying. | ||
| Do you remember when Drago in the second round against Rocky? | ||
| We met him a long time ago at Matt Serra's place. | ||
| I remember Pete Sell. | ||
| Do you remember Pete Sell? | ||
| Yes, I know exactly who he is. | ||
| Pete dropped. | ||
| He hurt Scott Smith real bad with a left hook to the body. | ||
| Scott doubled over and winced. | ||
| And Pete moved in for the kill. | ||
| And Scott Smith just landed the perfect picture point. | ||
| But wasn't he faking it? | ||
| No! | ||
| He dropped in agony after he knocked him out. | ||
| Pete hooked him to the body, hurt him real bad, and when Pete moved in for the kill, Scott Smith hit him with a picture perfect right hand. | ||
| That I do remember. | ||
| I remember that one. | ||
| Just knocked him out. | ||
| He falls back, and then Scott Smith drops to the ground after he stopped the fight, and he's in agony holding onto his side. | ||
| It was crazy. | ||
| It was crazy. | ||
| See, that can happen. | ||
| Like, even if you're beating a guy down, they're still moving. | ||
| If they still just plant and just uncork one. | ||
| Pat Berry, Czech Congo. | ||
| Remember that shit? | ||
| Pat Berry had Czech Congo on Coeur Street. | ||
| He was wobbling and all over the place. | ||
| It looked like the fight was over. | ||
| And Pat moves in for the kill and boom! | ||
| Czech Congo hits him with a haymaker as he's running in. | ||
| Flatlines Pat Berry for the first time in his career. | ||
| Shit can happen. | ||
| If you're not knocked out, you're still moving, you still can knock someone out. | ||
| It can happen. | ||
| Especially if they get careless. | ||
| There it is. | ||
| Hits him with the left. | ||
| Look at this. | ||
|
unidentified
|
Boom! | |
| I mean, that's a picture-perfect left hook to the body, but watch this. | ||
| He's in agony. | ||
| Pete moves in. | ||
| Bam! | ||
| I mean, that is a crazy right hand. | ||
| That's like round nine of Lange versus Balboa. | ||
| Look at him on the ground in agony afterwards. | ||
| Pete's cell couldn't even believe it happened. | ||
| Yeah, you should always faint before you move in. | ||
| Always. | ||
| Always. | ||
| Even if you think you got a guy hurt, give him one of those. | ||
|
unidentified
|
Yeah, just check. | |
| Just see us up. | ||
| Feast like this, like, oh, okay. | ||
| Okay. | ||
| Give me something. | ||
| Show me what you got going on. | ||
| I mean, the best guys, they never just charge. | ||
| Like Max Holloway, we finished off Aldo. | ||
| It's just constant pressure, constant pressure. | ||
| But when he feels Aldo firing back, he's like, oh, I'll step back for a second. | ||
| Right back on you, baby. | ||
| Who's the best fainter? | ||
| That's always pretty goddamn good at it. | ||
| It seems like I just saw someone fighting the UFC or maybe Bellator that was always just fainting. | ||
| Wonderboy might get my vote for the best fainter. | ||
| Because Wonderboy also has... | ||
| It's like what style fainting is most effective. | ||
| Wonderboy has an extra advantage of having that right leg forward or left leg forward, whichever he chooses. | ||
| Sideway stance. | ||
| With that long body of his, that's a weird thing. | ||
| I've dealt with that, man. | ||
| In the old martial arts days and Taekwondo days, it's the hardest thing to deal with. | ||
| Those long guys that have a powerful front leg, he just keeps you away. | ||
| You don't know what the fuck he's doing. | ||
| So he faints, and then BAM! He comes in with the left hand, or he faints, and BOOM! There's a roundhouse kick in your face. | ||
| I think he's the most effective. | ||
| Also, he doesn't move like everybody else. | ||
| Everybody else has sort of a modified Taekwondo style, or Muay Thai style rather, except for the Taekwondo guys. | ||
| There's a few guys like, even Conor. | ||
| Conor has more of a karate style a lot of the times. | ||
| He'll stand like, when you see him fight Aldo, he stood totally sideways. | ||
| I mean, he was bouncing back and forth, back and forth like a karate fighter. | ||
| Remember how Don the Dragon Wilson used to fight? | ||
| He used to just get up on one leg and just keep his left leg up and kind of flip it and just be on one leg and just keep the left leg all the way up? | ||
| Dude, I sparred with that guy once. | ||
| It's annoying, right? | ||
| He's very good at that. | ||
| He's very good at that. | ||
| He was real nice to me. | ||
| How come more people don't do that? | ||
| Too much energy? | ||
| Well, he was... | ||
| You could tie kick him, right? | ||
| Dude, he's good at that too. | ||
| If you watch Don Wilson's fight with Dennis Alexio, Don Wilson fucked Dennis Alexio up back when Dennis Alexio didn't know about leg kicks. | ||
| Dennis Alexio wound up becoming one of the very best guys at leg kicks. | ||
| He was also one of the first guys I ever saw get his leg broken in a fight. | ||
| He fought Stan the Man Longinitas and he had a grass skirt. | ||
| And Stan Longinitas, he used to work with my friend Shuki. | ||
| Remember Shuki? | ||
| The Israeli guy who was teaching me kickboxing back in the day. | ||
| His leg was all fucked up because he would hold pads for Stan Longinitas. | ||
| He had that big old tied leg pad. | ||
| Like if you think... | ||
| Some people, like if you see a guy who kicks real hard, right? | ||
| The heavyweight, world champion Muay Thai guys, or Thai boxer, kick boxer guys, like a Stan Longinus, the power they have on their kick is unfathomable. | ||
| Remember, I brought this up with you, but you say it wasn't you. | ||
| I was at Beverly Hills Jiu-Jitsu once, and we were watching Pedro Hizo kick the bag. | ||
| And I was like, what? | ||
| Like, you just think of one of those slamming into your thigh, and you're like, there's no way. | ||
| There's no way. | ||
| Shooky's whole leg was fucked up. | ||
| He was holding the pad on one side. | ||
| He was going to need a hip replacement. | ||
| Damn. | ||
| Dude, imagine a guy kicks your leg while you're holding pads for him so hard you need a hip replacement. | ||
|
unidentified
|
What? | |
| Was not worth it. | ||
| Don the Dragon Wilson beat Dennis Alexio with leg kicks, is my point. | ||
| But Don had that weird style. | ||
| He would stand totally sideways. | ||
| And he didn't take any chances. | ||
| He fought super intelligent. | ||
| He fought deep into his 40s, too, man. | ||
| He's an OG. Yeah, yeah. | ||
| Don Wilson's a real OG. I did commentary with him. | ||
| He was my partner in King of the Cage for maybe five or six shows. | ||
| Man, talk about the worst commentary ever. | ||
| Me and Don the Dragon Wilson. | ||
| Oh, yeah. | ||
| Can you imagine? | ||
| Oh, no. | ||
| Commentary is just not, that's not my gig, man. | ||
| I could do color, but being the play-by-play guy, that's just a whole different animal. | ||
| I did that once. | ||
| With Phil Barone. | ||
| Phil Barone was fucking hilarious. | ||
| He was great. | ||
| It was the Miami show. | ||
| Yep, yep. | ||
| We had a good time. | ||
| Was that the only UFC in Miami? | ||
| I think that was the only one ever, right? | ||
| Um, I don't know about that. | ||
| Is this Don the Dragon? | ||
| Don Wilson? | ||
| Who's he fighting here? | ||
| There he is. | ||
| Look at him in these red pants, man. | ||
| Oh, it's him fighting Dennis Lexio. | ||
| Yeah. | ||
| See how he would just flip that thing out? | ||
| Everything was like light and flippy. | ||
| And they couldn't... | ||
| Yeah, they didn't know what to do with it. | ||
| They couldn't kick to the legs, right? | ||
| Oh, they could. | ||
| Oh, they could? | ||
| Yeah. | ||
| Oh, look at that side. | ||
| Yeah, no, they could. | ||
| See? | ||
| He just kicked him in the leg right there. | ||
| Don Wilson fucked him up with leg kicks in this fight. | ||
| See, Dennis Alexio is trying to kick him in the legs. | ||
| This is after what had happened was a lot of these guys like Don Wilson that had a traditional karate background, learned how to kickbox, they realized how potent leg kicks were. | ||
| A big factor was Rick the Jet Rufus, Duke Rufus's brother, who was one of, you know, the all-time best PKA style above-the-waist kickboxers. | ||
| Rick Rufus, when I was a kid, man, I wanted to be like Rick Rufus. | ||
| He would fight dudes sideways, stance, and just fuck them up. | ||
| Fuck them up with hook kicks and roundhouse kicks and dive in with punches, like blitz karate-style punches. | ||
| I mean, Rick Rufus was doing shit that nobody was doing. | ||
| And he fought this Thai dude. | ||
| I do not remember the gentleman's name, but Duke Rufus brought it up on a podcast as being like a big transformation in his life. | ||
| I saw that fight. | ||
| They were like a mixed rules. | ||
| A little bit of Muay Thai, a little bit of American kickboxing. | ||
| They allowed the leg kicks, but they didn't allow elbows or something like that. | ||
| They mixed it up. | ||
| Like K1? Yes. | ||
| Here it is. | ||
| What is the guy's name? | ||
| Did you hug out pause that real quick? | ||
| Chang's black key at song grit get some great Chang quick chan quick cut song great and he had an okay record. | ||
| It was like he Oh, well, he had more than 100 professional fights. | ||
| I mean, he was a world champion. | ||
| He wasn't an okay guy. | ||
| Yeah, he was really good. | ||
| He was a beast. | ||
| Okay, let's see what I think they say. | ||
| He was fucking him up with his hands though. | ||
| Rick Rufus was fucking him up with his hands. | ||
| Had him hurt. | ||
| Had him almost knocked out a couple times. | ||
| But he kept landing those leg kicks. | ||
| He didn't know about the leg kicks back then. | ||
| And he had to be carried off in a stretcher. | ||
| He couldn't fight because he couldn't walk. | ||
| His legs were gone. | ||
| Well, he didn't know what it was there. | ||
| So, I mean, this is like a long time ago. | ||
| He didn't understand, but he tagged him with some punches, man. | ||
| Oh, yeah, he couldn't hang with his hands. | ||
| No, look at that. | ||
| Spinning back fist and the punch behind it. | ||
| Yeah, he was fucking him up. | ||
| He really was. | ||
| But little by little, he was landing them leg kicks. | ||
| Look how tough that Thai guy is, though. | ||
| To take those shots and to bounce back. | ||
| One of the greatest fights ever in kickboxing history. | ||
| Just the fact that this is how Rick Rufus learned the power of leg kicks. | ||
|
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|
Look at that! | |
| Look at that fucking... | ||
| Go back there real quick. | ||
| Go back there. | ||
| That guy's almost out. | ||
|
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|
Go back. | |
| At the end of the round. | ||
| Go back. | ||
| Watch this. | ||
| Look at this move that he does. | ||
| He does that touch, jumping side kick, spinning wheel kick. | ||
| Hit him in the head. | ||
| Dude's out on his feet. | ||
| At the end of the bell, they sit him down in the corner. | ||
| Out on his feet. | ||
| Just keep playing this. | ||
| This is one of the greatest matches ever. | ||
| It's so historically significant in martial arts. | ||
| I mean, this is where they learned. | ||
| This is where those American kickboxers, this was an eye-opener. | ||
| This is like UFC 1 for kickboxing. | ||
| Dude, I remember the first time someone ever kicked me in the leg, and they didn't even do it hard. | ||
| They did it to show me how hard it is when you get kicked in the leg. | ||
| It was like a light bulb went off. | ||
| It went, Oh no. | ||
| The first time I've ever heard of a leg kick, I was working at the strip club as a DJ and one of the managers was all into karate. | ||
| Tournament, you always say, I've done tournament karate for 12 years. | ||
|
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|
Oh shit. | |
| Look at this. | ||
| Dude, he's lighting them up with these leg kicks. | ||
| And then he took me in the back one day and he goes, dude, Stand there. | ||
| Let me kick you. | ||
| And he kicked me with his shin. | ||
| He goes, people are doing this now. | ||
| How does that feel? | ||
| He was experimenting on my leg. | ||
| He goes, does this hurt? | ||
| They're landing with their shin. | ||
| And I'm like, damn, fuck. | ||
| People are kicking with their shins? | ||
| That's weird. | ||
| Well, the crazy thing is when you feel it from someone who's just tapping your leg how much it hurts. | ||
| Now think of this dude. | ||
| Whose name I can't pronounce again. | ||
| Boom! | ||
| So Rick would try to throw his own kick, but his low kicks were like foot kicks. | ||
| I mean, he was a foot kicker. | ||
| He wasn't like a shin kicker back then. | ||
| Like most karate guys were instep kickers. | ||
| You would hit a guy with a roundhouse kick, but you would hit him in the body with your instep. | ||
| You'd hit him in the head with your instep. | ||
| Almost everything I ever did up until I started doing Muay Thai was with my insteps. | ||
| Or you heal, you know, like heel kicks, wheel kicks, stuff like that. | ||
| It was incredible that Americans didn't figure that out, you know? | ||
| Isn't that insane? | ||
| Nobody had kicked him in the leg yet. | ||
| I mean, this is crazy shit. | ||
| Did he hit him with a punch on the way down? | ||
| Back that up again real quick. | ||
| Back just a hair. | ||
| Look at this. | ||
| He goes down. | ||
| Yeah, he elbowed him in the back of the head! | ||
| Holy shit! | ||
| Dude, show that again! | ||
| Dude, watch this again. | ||
| Watch what happens. | ||
| He goes down, and on the way down, watch this. | ||
| Boom! | ||
| See that elbow? | ||
| Yo, dude, no doubt. | ||
| Dirty elbow to the back of the dome. | ||
| One more time, please. | ||
| One more time, please. | ||
| Look at this. | ||
| Down. | ||
| On his way down. | ||
| Watch his left. | ||
| Boom! | ||
| He fucking cracked the back of his head with an elbow. | ||
| Referee didn't even know what an elbow was. | ||
| That's an invalid technique. | ||
| Continue, gentlemen. | ||
| He totally missed a punch, landed with his elbow. | ||
| Yeah, he tried to land a punch, but I'm not going to take any points away because you didn't land. | ||
| Dude, he's fucking that right leg up. | ||
| Southpaw to Southpaw. | ||
|
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Boom! | |
| Look at that. | ||
| Made him switch stances. | ||
| Look at that. | ||
| He's chopping him down. | ||
| Dude, you can't even imagine how bad this must hurt for Rick Rufus in the middle of this fight. | ||
| He doesn't know how to block these things. | ||
| He's taking one on the front leg, one on the back leg. | ||
| He's just getting crushed. | ||
| I mean, this is crazy. | ||
| He's going across the front where the dick is. | ||
| Dude, he's flat-footed now. | ||
| He can't take it. | ||
|
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|
Boom! | |
| See, he can't spin. | ||
| He can't spin. | ||
| Look at this. | ||
| Accompanied by a stomp. | ||
| He stomped him. | ||
| Oh! | ||
| That stomp to the body was legit. | ||
| Oh my god. | ||
| Damn. | ||
| They need to make a movie out of this. | ||
| This is crazy. | ||
| Right? | ||
| They should make a movie. | ||
| They should make a documentary about this. | ||
| From his point of view, from a poor Thai fighter. | ||
| Right. | ||
| And Rick Rufus is trying to get up. | ||
|
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|
And make him evil. | |
| Like, make Rick Rufus the evil white guy. | ||
| He can't even move. | ||
| Who wants to blow up the world. | ||
| He can't even move. | ||
| This is like... | ||
| These guys are so important. | ||
| It's so important to our understanding because Rick Rufus was so good. | ||
| He was so good and he was doing movie shit on people. | ||
| Those jump roundhouse kick, spinning hook kicks. | ||
| Look at this. | ||
| Round two. | ||
| I mean, he was doing some really wild shit and even landing it on this guy. | ||
| Like, he was fucking good. | ||
| He was a legit champion, no doubt about it. | ||
| But he just did not understand the low kick game yet. | ||
| It was so important for a guy. | ||
| Look at that, he lands that high kick. | ||
| It was so important that a guy as good as him fought this guy, so we know for sure. | ||
| It wasn't just that Rick Rufus wasn't any good. | ||
| No, Rick Rufus was fucking real good. | ||
| Real good then, too. | ||
| He's getting crushed with those. | ||
| And this Thai guy, look at his open hands too. | ||
| Look how he's moving forward. | ||
| Just open hands. | ||
| He's all about protecting himself, pushing off, and low kicking. | ||
| Look at his hands. | ||
| See his hand placement? | ||
| I mean, that's crazy shit. | ||
| Look at that. | ||
| Boom! | ||
| Pushing off. | ||
| He's barely even trying to punch with him. | ||
| He's basically just using his hands to create space and distance and give Rick Rufus something to think about and to block the punches and the kick that Rufus throws and then, boom, leg kicks. | ||
| He just leg kicks him to death. | ||
| Look at that. | ||
| He's not punching. | ||
| He's just leg kick, leg kick, hands up, hands up, leg kick. | ||
|
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|
Boom! | |
| That is crazy! | ||
| As soon as he stopped exchanging punches, he just started dominating the space and then slamming those leg kicks in. | ||
| Look at that. | ||
| Boom! | ||
| Fakes with the hand and across both thighs. | ||
| That's one of the most painful ones, man. | ||
| The ones across both thighs? | ||
| Ah! | ||
| Ah! | ||
|
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|
Dude. | |
| Rob came in back when I was getting coaching from him. | ||
| He tapped me across the front of my thighs with his shin. | ||
| Just dunk. | ||
| Just tapped me. | ||
| My legs hurt all day. | ||
| This guy? | ||
| Wow! | ||
| Look at that throw! | ||
| Holy shit! | ||
| Those ties can chuck each other around too, man. | ||
| I posted a little clip of a fight where they just wrapped up their hands. | ||
| They didn't have gloves and headbutts were legal. | ||
| It was kickboxing where you could throw people and you could headbutt. | ||
| Did you see that clip? | ||
| No, I didn't see it. | ||
| Dude, it's evil. | ||
| A guy headbutts his opponent standing up. | ||
| He just... | ||
| Just spears his head right into it, knocks the guy down just from a headbutt. | ||
| And Rufus, like, he only stands that one way most of the time, too. | ||
| So that front right leg is so vulnerable to that left outside kick because they're both southpaw. | ||
| If Rick, see, now he's trying to switch up and he's putting his left leg forward because he's in so much pain. | ||
| Like, look when he walks back to his corner. | ||
| Dude, he could barely walk at the end of the third round. | ||
|
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|
Barely walk. | |
| Was this in Thailand or was it in the States? | ||
| I don't know where it was. | ||
| It looks, it says Coors Beer on the canvas, so I want to think it's in America. | ||
| And plus the way they're making him, he's wearing those pants, I gotta think it's America. | ||
| Those pants look so stupid in comparison. | ||
| And also, Rick Rufus was also wearing pads on his feet. | ||
| Oh shit, how did he go down there? | ||
| Leg kick. | ||
| Another leg kick. | ||
| Oh, can you rewind that, Jamie? | ||
| Look at the pads. | ||
| Look at the pads on his feet. | ||
| Look at this. | ||
| How does he go down? | ||
|
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|
Boom. | |
| That was just a leg kick. | ||
| Yeah, just a low kick. | ||
| Caught him in the spin and just totally took his leg out. | ||
| And he's wearing those booties on the tops of his feet to protect the bones of his feet because he's a foot kicker. | ||
| See what I'm saying? | ||
| That's extra weight. | ||
| You're wearing extra four ounces or whatever the fuck it is on your feet. | ||
| It slows your kicks down. | ||
| And the Thai guy just has taped up ankles and shorts on. | ||
| It's really interesting because this really is like kickboxing versus Muay Thai. | ||
| Boom, he chops the leg again. | ||
| Boom, he chops the leg again. | ||
| Look at this. | ||
| Rick Rufus is in so much danger here. | ||
| I mean, he's basically just totally helpless. | ||
| And this Thai guy is going across the shins. | ||
| He's going across the... | ||
| If he's blocking with his knee, he doesn't give a fuck. | ||
| He's just kicking through him. | ||
| Everything. | ||
| Boom, look at that. | ||
| Boom, look at that. | ||
| He's just walking him down. | ||
| Imagine how terrifying? | ||
| Dude, boom, and then another one. | ||
| You know how terrifying that must be? | ||
| To have that guy walk you down like that? | ||
| Hands out like this. | ||
| That's it. | ||
| They called it. | ||
| They called the fight. | ||
| I think, is that J.T. Will, the referee? | ||
| He's a famous referee. | ||
| Look at that. | ||
| He was in all those karate. | ||
| That's Duke right there. | ||
| No, that's not J.T. Will. | ||
| That's Duke right there telling everybody that he didn't think that it took a lot of skill to kick someone's legs. | ||
|
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|
The guy did not touch anywhere else in the body, you know. | |
| I think, you know, that Rick should have won the fight. | ||
| He had the guy out there. | ||
| The big historical. | ||
|
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|
Listen to this stuff. | |
| I mean, Duke became like the man. | ||
| Look at this. | ||
| Bam. | ||
|
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|
What's crazy now? | |
| Because he's all about legs. | ||
| Well, what's crazy is, I mean, Duke, I think, was only 19 at the time. | ||
| And he's changed. | ||
| He's learned. | ||
| And one of the reasons why he's so good is because he's open-minded. | ||
| But he became a world champion Muay Thai fighter himself, which is crazy. | ||
| It's just like jujitsu and leg locks. | ||
| You know what I mean? | ||
| It's just like that. | ||
| Like, ah, that doesn't take any talent. | ||
| You're just jumping on a guy's leg. | ||
| Dude, all martial arts techniques that are effective. | ||
| There's still people that don't believe in certain techniques. | ||
| And the big... | ||
| Another big moment for Muay Thai in the history of that martial art was Paul Varlins versus Marco Huas. | ||
|
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|
Oh, yeah. | |
| That's when we saw... | ||
| It was UFC 7. That's when we saw the damn... | ||
| Because before UFC 7... | ||
| Everybody was thinking, okay, you can't really do any kind of striking. | ||
| You have to learn jiu-jitsu or you will lose. | ||
| People were just losing faith in striking altogether. | ||
| It was almost like jabs didn't even work back then. | ||
| Like, who throws a jab in MMA? You're going to get taken down and get choked out. | ||
| And UFC 7, that's when we learned, okay, leg kicks work. | ||
| You've got to learn leg kicks. | ||
| Yeah, because Paul Varlins was 300 pounds. | ||
| Yeah, that changed everything. | ||
| Varlins was huge. | ||
| The polar bear, they'd call him. | ||
| That guy was gigantic. | ||
| Marco Huas just took his legs out. | ||
| And then Marco Huas, he also beat Remco Pardue, that judo champion. | ||
| You remember? | ||
| He mounted him and then Remco tapped. | ||
| He goes, it's over. | ||
| Once you get the mount, it's over. | ||
|
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|
Isn't that crazy? | |
| That's what he thought. | ||
| That is what he thought. | ||
| Isn't that crazy? | ||
| Look at this. | ||
| Marco Huas would get heel hooks on people and shit. | ||
| Who's he fighting here? | ||
| Larry Curitan? | ||
| Yeah, he gets him in the heel hook right here. | ||
| I think this was the first heel hook in the UFC. Might have been, if it wasn't him, it was... | ||
| Oh, that's amazing. | ||
| Oh, wait a minute. | ||
| Maybe Ken Shamrock against Patrick Smith. | ||
| Yes. | ||
| I don't know if that was a heel hook. | ||
| That was an ankle lock, wasn't it? | ||
| Was that an ankle lock? | ||
| I don't know. | ||
| Or a heel hook? | ||
| Yeah, Ken probably had the first ever leg lock. | ||
| And then I was going to say Oleg Taktarov. | ||
| Didn't Oleg get some heel hooks? | ||
| He got a knee bar and a straight ankle lock, I think. | ||
|
unidentified
|
Hmm. | |
| Old school, son. | ||
|
unidentified
|
Oldie old school. | |
| Oh, is that like some kind of MMA show reviewing old fights? | ||
| Man. | ||
| Oh, there's Marco Huas. | ||
| King of the streets, baby. | ||
| Can you find Paul Varlins? | ||
| It's V-A-R Varlins. | ||
| You ever talk to Eric Apple about his old days sparring with Marco? | ||
| They would spar Brazilian style, which is get ready for concussions. | ||
| It didn't matter if you get your nose broken, get back in there. | ||
| Everybody was just going to war. | ||
| Yeah, that's what everyone was scared to death of back in the early days when I was a white belt. | ||
| You hear about Half Gracie School up in... | ||
| It's Paul Varlins versus Marco Huas. | ||
| That's Paul Varlins fighting, it looks like, in a pre-UFC fight. | ||
| Or maybe after his UFC career. | ||
| He was a master of... | ||
| Was it trap fighting? | ||
| I don't know. | ||
| Something like that. | ||
| It was trap fighting. | ||
| Yeah, I think you're right. | ||
| There it is right there at the top. | ||
| It's the UFC fight. | ||
| He wore a singlet, remember? | ||
| He wore a wrestling singlet. | ||
| Yeah. | ||
| Like, look. | ||
| He's 6'7". | ||
| This big fella. | ||
| Can you wear those singlets anymore? | ||
| No. | ||
| You can't, right? | ||
| No. | ||
| Why not? | ||
| It's a good question. | ||
| Girls can. | ||
| Well, it actually looks like he's got different color shorts on, or is that the monitor? | ||
| So he's a tank top. | ||
| He has a tank top on. | ||
| He's fighting with a tank top on. | ||
| It's not even a singlet. | ||
|
unidentified
|
Right? | |
| It looks like a singlet. | ||
| A little bit, but doesn't it look like different colors? | ||
| Well, maybe you're right. | ||
| Maybe it's just we're seeing his legs. | ||
| Go to the last minute of the fight. | ||
| The last minute of the fight. | ||
| That's where he chops him down. | ||
| He just chopped him down there with the first one. | ||
|
unidentified
|
Boom. | |
| Yeah. | ||
| He's so much smaller than him. | ||
| Look how small Marco is in comparison. | ||
| Marco's a big guy. | ||
| Boom. | ||
| See, Paul Varlance doesn't have any idea what to do here, so he just keeps kicking back. | ||
| Oh, he just touched his leg. | ||
| Oh, there it is. | ||
| Marco's chopping him. | ||
|
unidentified
|
Boom. | |
| Oh, chopped him down. | ||
| Get your fucks now, son. | ||
| Yeah. | ||
| And Marco just got on top of him and dropped hammers on him. | ||
| Boom, boom. | ||
| No gloves. | ||
| Yeah. | ||
| Damn, dude. | ||
| Old school. | ||
| After that everyone started training leg kicks. | ||
| Firmly believe we need to go back to no gloves. | ||
| Firmly believe. | ||
| I can't emphasize it enough. | ||
| I think people would get less hurt. | ||
| I think it'd be more realistic. | ||
| You gotta have Rogan fighting championships on an Indian reservation. | ||
| I don't think it makes sense. | ||
| I mean, I'm beating a dead horse. | ||
| I know. | ||
| I'm a broken record. | ||
| I just don't think it makes sense to tape your wrists up. | ||
| Your wrists are very vulnerable. | ||
| You shouldn't be able to just make a cast out of them and slam them into things. | ||
| I feel the same way about your ankles. | ||
| Like, imagine if you could tape your wrists up to the point where nobody or your ankle up to a point where nobody could ever get you in a footlock because your ankle was protected. | ||
| It's ridiculous, right? | ||
| Well, essentially, when you get someone in a wrist lock, what are you doing? | ||
| You're pulling against the wrist. | ||
| Well, is that a valid technique? | ||
| Okay, a valid technique, like a wrist lock like this, very hard to do when someone's wrist is taped the fuck up. | ||
| When your wrist is really... | ||
|
unidentified
|
Where does the tape go? | |
| Right across? | ||
| All over here. | ||
| It goes all over your knuckles. | ||
| It goes all around your wrist. | ||
| It goes all around your wrist. | ||
| It makes it much more stable. | ||
| You can really dig into things. | ||
| It feels way better. | ||
| It feels way better to hit things. | ||
| Because when you don't, especially like my hand is bigger than my wrist, so if I hit things on either side, it'll be like more wobbly. | ||
| Yeah. | ||
| You want that bitch taped up, you know? | ||
| Solid. | ||
| Yeah, and even if your hand is the exact same size as your wrist... | ||
| Man, this is a joint that is super articulating. | ||
| Look at this wrist. | ||
| I mean, look at all the stuff your wrist does. | ||
| Your wrist is crazy. | ||
| If you really think about joints, it's the only joint like it. | ||
| Your knees don't do that shit. | ||
| I guess your shoulders are kind of crazy. | ||
| But your wrists... | ||
| When you're punching, you would have to develop some serious strength in your forearms to be able to be a really effective bare knuckle fighter. | ||
| I mean, truly bare knuckle. | ||
| No wraps in your hands. | ||
| No nothing. | ||
| Just truly bare knuckle. | ||
| You would also learn that you must punch things with the top knuckles. | ||
| You have to. | ||
| And even then you could break them. | ||
| But if you start hitting people in the jaw, like right there, with this, crack, this fucking thing's just gonna break. | ||
| Hit somebody in the forehead right here, crack, it's gonna break. | ||
| You're going to break them. | ||
| Elbows? | ||
| Break them for sure. | ||
| You're going to break them. | ||
| But with those gloves on, you can get away with that shit. | ||
| You can get away with that shit and you could pity pack guys. | ||
| You could do that more and just not even try to find specific spots. | ||
| Just start hitting them. | ||
| You can't do that. | ||
| You have to make sure you're getting the soft tissue. | ||
| You've got to target soft tissue. | ||
| You've got to look for the jaw. | ||
| Bang! | ||
| You've got to look for the body. | ||
|
unidentified
|
Bang! | |
| But it appears to the public to be more brutal, right? | ||
| If you don't... | ||
| Listen man, all you need to do is watch anybody kick somebody. | ||
| Just think the fact that we let someone slam their fucking shin into some dude's face. | ||
| Watch Jeremy Stephens. | ||
| When Jeremy Stephens fought Honey Jason. | ||
| Remember Honey Jason? | ||
| Jeremy Stephens' Honey Jason? | ||
| It is like the head kick to end all head kicks. | ||
| Damn, I don't remember it. | ||
| Pull that shit up. | ||
| You guys aren't allowed to pull up UFC footage? | ||
| I wish we could. | ||
| I wish we should have a special exemption from the UFC. What about Fight Pass? | ||
| Like, maybe promote Fight Pass every time you use it. | ||
| That would be a great way to promote it, right? | ||
| I wish they would let us, though. | ||
| They sent me a thing one time. | ||
| They reached out and said, like, here's an account, but then they never responded. | ||
| I was like, okay, let me have it. | ||
| It would be a great way to promote it, right? | ||
| Yeah, I'll talk to the UFC. I'll try to see what we can get done. | ||
| If on your show you could talk about fights and have no issues with pulling up Fight Pass, that would be huge for them. | ||
| That would. | ||
| And it's free. | ||
| They don't pay me for this. | ||
| And that's how people would do it at home. | ||
| They'd be hanging out with their friends, going, fuck, remember that one fight? | ||
| Put it on! | ||
| Find it! | ||
| Are you coming to New York this weekend anyway? | ||
| No. | ||
| Coming to New York? | ||
| No. | ||
| Because I've got to be there the next week anyways. | ||
| I've got to go to Brooklyn again the following weekend. | ||
| Gio's fighting Gordon Ryan's brother, Mickey Ryan. | ||
| Oh, shit. | ||
| That's going to be amazing. | ||
| It's going to be awesome, man. | ||
| Those guys are awesome. | ||
| I love the level of jiu-jitsu that's available right now. | ||
| It's insane. | ||
| It's better than ever. | ||
| Way better than ever. | ||
| I mean, the level of just the purple belts these days would destroy purple belts of like eight years ago. | ||
| It's amazing. | ||
| It's crazy. | ||
| And it keeps going up and up too. | ||
| I was watching some videos today online. | ||
| Instagram's huge. | ||
| The loop, when you watch a technique and you can just watch it over and over again, that accelerates the learning process so much. | ||
| I was watching a clip today. | ||
| I watched it like 15 times in a row. | ||
| It was Cyborg doing that tornado guard pass on some big giant dude. | ||
| Cyborg BJJ, I think is his thing, he hit this giant dude with that tornado sweep. | ||
| You know how he does that? | ||
| He gets under you and spins and rolls over. | ||
| Very, very interesting. | ||
| Very few people can do that. | ||
| He's so strong. | ||
| But that's what his post was about. | ||
| His post is about technique and strength. | ||
| Is that like your technique is like the steering wheel, but your strength is the engine. | ||
| Yes, I believe that. | ||
| I believe that too. | ||
| I mean, every top pro athlete has a serious strength and conditioning program. | ||
| Look at Gordon Ryan's body. | ||
| Yeah. | ||
| Look at that kid's body. | ||
| That kid's a gorilla. | ||
| It's not a coincidence that he's jacked as fuck and has awesome technique and tapped Cyborg. | ||
| Think about how good Cyborg is and then think about him tapping Cyborg and tapped him pretty handily. | ||
| Look at that sweep, man. | ||
|
unidentified
|
Boom! | |
| That was Orlando Sanchez, too. | ||
| That guy weighs 300 pounds. | ||
| Exactly. | ||
|
unidentified
|
Damn! | |
| That's why it's crazy. | ||
| That's why it's crazy. | ||
| That's way crazy. | ||
| Look how big this is. | ||
| Look at the sweep. | ||
| Look at the sweep. | ||
| Leg up in the air and a hand, too. | ||
| Damn! | ||
| He gets his foot in between the legs and then he pushes the hip with his hand. | ||
| That's one of the greatest sweeps of all time. | ||
| Of all time. | ||
| Of all time. | ||
| Holy shit. | ||
| Look at that. | ||
| Look at this. | ||
| Look how he's holding his right arm. | ||
| Look, he's using his foot and he tucks him under and pushes him. | ||
| I'd like to know where the left hand is at. | ||
| Left hand's on the hip. | ||
| Watch how he rolls. | ||
| When he rolls him, watch. | ||
| See his left hand? | ||
| See his right hand's on top of the left hand? | ||
| See it on the hip? | ||
| See it? | ||
| Pushing? | ||
| Where on the hip, though? | ||
| It looks like it's right here. | ||
| It looks like it's right here. | ||
| He's probably just getting anything that he can that's flat. | ||
| If you look at the way... | ||
| See the left hand? | ||
| His left hamstring has got to be so strong. | ||
| Oh, dude, he's a gorilla. | ||
| That left hamstring. | ||
| Insane, right? | ||
| But it's not even just a hamstring because he looks to me like his foot's sideways. | ||
| Watch when he does it again. | ||
| Look, his foot is sideways like a sidekick. | ||
| Look. | ||
| Yeah. | ||
| Look at that. | ||
| I mean, it's like he's going against the inside of the leg. | ||
| This is what's even crazier. | ||
| The strain is like the abductor muscles. | ||
| He's going like this way. | ||
|
unidentified
|
That's nuts, man. | |
| Look at his left leg blocking dude's left arm. | ||
| Or his right leg, I'm sorry, the right leg. | ||
| It's amazing. | ||
| And that guy he just swept is an ADCC gold medalist and he's 300 pounds and he's a really good wrestler. | ||
| He's a black belt in jiu-jitsu. | ||
| That's phenomenal. | ||
| He should just leave that on a loop. | ||
| At a school. | ||
| You know what I mean? | ||
| Well, Cyborg's a gorilla. | ||
| He's got an amazing... | ||
| Has he ever seen his strength and conditioning routines? | ||
| No. | ||
| That motherfucker doesn't play, dude. | ||
| He's a gorilla. | ||
| He's a gorilla. | ||
| All the top guys. | ||
|
unidentified
|
Oh, yeah. | |
| You got to. | ||
| I just saw Andrew Galvao doing deadlifts. | ||
| Yes. | ||
| Today, he's doing deadlifts in his garage. | ||
| Hey, let me ask you this. | ||
| Is it better to just let the deadlifts... | ||
| I was going to ask you, because of that, when he deadlifts, he drops it go. | ||
| Is that the best way to do it? | ||
| You tell me. | ||
| I don't know shit. | ||
| I don't know shit either. | ||
| I would always think that the negatives are important. | ||
| Because negatives for me are very important. | ||
| Like for chin-ups, I go way slower going down. | ||
| It seems like every six months there's a whole new philosophy on strength. | ||
| And it's totally the opposite of the last one. | ||
| It's so crazy. | ||
| Like now the big thing is, you know, with intermittent fasting, it's like, okay, there's all these diets and eat this and gluten that and all this. | ||
| And then now the new diet is don't eat for 18 hours, you know? | ||
| I know. | ||
| Isn't that crazy? | ||
| It's crazy. | ||
| Dude, that shit works. | ||
| You know what's great about that? | ||
| Is it makes you have a time every day where you're going to have the most fabulous meal ever. | ||
| Because when I eat, I'm starving. | ||
| And salads taste so good. | ||
| Like, oh, I want a bacon. | ||
| 16 hours off. | ||
| Yeah. | ||
|
unidentified
|
Yeah. | |
| And when you're not that hungry, now I feel like if I'm not that hungry, I don't want to waste a meal because it's so much better when you're starving and you're out of control. | ||
| I eat that way most of the time except on days when I know I have a really brutal workout in the morning, like a weightlifting workout. | ||
| I'll run fasted, I'll do yoga fasted, but if I'm going to lift... | ||
| I want to have something. | ||
| I need some fruit or something. | ||
| It's almost three right now. | ||
| I haven't eaten at all. | ||
| I'm fine. | ||
| It's an interesting diet. | ||
| I hope it isn't bullshit. | ||
| No, it's definitely not bullshit. | ||
| I was never a morning person either. | ||
| I never really looked forward to breakfast. | ||
| I'd have a protein bar or something just because I had to. | ||
| Did you ever listen to my podcast I did with Dom D'Agostino? | ||
| He's a scientist from, I think he's University of Florida, but a ketogenic specialist. | ||
| Does a lot of keto research and research on fasting and the benefits of fasting. | ||
| He goes into the scientific benefits, the proven benefits of fasting. | ||
| Very, very interesting stuff. | ||
| What were the most... | ||
| I would really want to direct you to that. | ||
| I don't want to fuck it up. | ||
| But it's for prevention of cancer. | ||
| Really? | ||
| Yeah, ketone bodies in the blood increase, cognitive improvements. | ||
| I just think we eat too much. | ||
| I just think we eat too much. | ||
| We eat all the time. | ||
| It's so easy. | ||
| I like watching TV and snacking. | ||
|
unidentified
|
I like to watch a little Netflix and have some snacks. | |
| We all do. | ||
| But if I'm watching Netflix and it's 9 o'clock at night, I really shouldn't be eating anything. | ||
| Isn't it weird that popcorn became the official food for watching movies? | ||
| Isn't that weird? | ||
| I know. | ||
| It's loud, chewy and shit. | ||
| You can't hear a dialogue. | ||
| No one says, hey dude, let's go get some popcorn. | ||
| No one ever looks for popcorn unless they're at the movies. | ||
| That's a good point. | ||
| It's the only time it's for the movies. | ||
| It's not that good. | ||
| Maybe at Disneyland. | ||
| Because it's like, yeah, I forgot about popcorn. | ||
| Fucking buy that while I'm here too. | ||
| Other than that, like the circus. | ||
| Just the movies, man. | ||
| Circus. | ||
|
unidentified
|
Circus. | |
| Circus got peanuts into the mix. | ||
| Maybe there's something about the popcorn that's genetically modified and it helps with the brainwashing. | ||
| The popcorn opens you up. | ||
| It's microwave, dude. | ||
| That's what it is. | ||
|
unidentified
|
They microwave the kernels and it fucks with your head, bro. | |
| Basically, microwaves just kill everything, right? | ||
| When you microwave your food, you basically just don't have anything. | ||
| It's just like... | ||
| Yeah. | ||
| Nothing survives a microwave, right? | ||
| Isn't it crazy that we haven't really improved upon microwaves? | ||
| Like, they mastered that shit 40 years ago, and it's still the same goddamn microwaves. | ||
| You know what's really bad for you, and they're going to take out of microwave popcorn? | ||
| When you get microwave popcorn, there's fats in there that your body just doesn't know what the fuck to do with. | ||
| That's why those things can sit on a shelf for so long, those little packets. | ||
| Yeah. | ||
| I think, what is the toxic ingredient in microwave popcorn that they're eliminating? | ||
| It's hilarious. | ||
| They decided, oh, this shit kills you, but we're going to let you sell it for two more years. | ||
| They didn't just make it illegal. | ||
| They made a moratorium. | ||
| I think it's trans fats. | ||
| I think it just might be vegetable oil fats. | ||
| There's certain trans fats that your body's just like, what in the fuck is this non-food you're making me eat? | ||
|
unidentified
|
Yeah. | |
| We were talking about delicious protein bars before the show that give you the most unbelievable farts. | ||
| That's how I know I shouldn't be eating something. | ||
| Yeah. | ||
| If I'm eating something and I'm just lighting the inside of my car on fire, here it is. | ||
| Chemicals used in the lining of microwavable popcorn bags, including perfluorocatononic acid, or PFOA, are part of a class of compounds that may be linked to infertility in humans, according to a recent study from UCLA. | ||
| In animal testing, the chemicals cause liver cancer, testicular cancer, and pancreatic cancer. | ||
| So that's one thing, but I know that they ban trans fats. | ||
| I might have conflated the two stories. | ||
| Because the ban of trans fats is the one where they're giving them all the hostess cakes, those bullshit cakes that sit on the shelf forever. | ||
| Ding-dongs are my favorite. | ||
| Those pie cakes that you get from hostess, like the lemon filling, those are just trans fats to the gills, son. | ||
| The whole Twinkie myth that they last 20 years or whatever. | ||
| I mean, do people eat Twinkies still? | ||
| Who's eating Twinkies? | ||
| You and I were laying around, fucking bored, smoked a little weed, watching some TV, and I'm so hungry. | ||
| What do you got here, man? | ||
| And I opened up your cabinet, and you had like ringdings and Twinkies. | ||
| I might grab a Twinkie. | ||
| Yeah, if I'm starving. | ||
| Just laying around, watching TV, chilling. | ||
| I might eat a Twinkie. | ||
| Twinkies are like the worst wedding cake ever. | ||
| It's just... | ||
| Well, you know what I had last night? | ||
| I had strawberry shortcake. | ||
| U.S. popcorn makers could face long, expensive road to lose trans fats. | ||
|
unidentified
|
Oh. | |
| Okay, this is why I conflated it. | ||
| Microwave popcorn makers could face a long and difficult task, ridding their snacks of trans fats. | ||
| U.S. Food and Drug Administration proposal to ban the additive goes into effect. | ||
| So the U.S. is banning. | ||
| So the U.S. ban on trans fats is what I... What I got confused with. | ||
| Isn't it crazy? | ||
| That U.S. ban on trans fats is like, they're giving these people like two years. | ||
| Isn't it crazy that they're making a big deal out of this? | ||
| They're going after the trans fats, but they don't go after like real shit. | ||
| Like alcohol is like killing people all day, every day. | ||
| I know, right? | ||
| It's like you say, why don't you say, hey, this is going to kill you if you keep eating it. | ||
|
unidentified
|
Yeah. | |
| But it's awesome. | ||
| But you're going after trans fats? | ||
|
unidentified
|
Yeah. | |
| Maybe it's like someone in the popcorn industry just pissed off in an Illuminati member going, you don't want to go after them. | ||
| And this is just like a smear campaign. | ||
| Well, trans fats, people need to know they're bad for you. | ||
| Once they know they're bad for you, should you be able to just take them? | ||
| What about that one drug that everyone's getting addicted to that's legal? | ||
| Adderall? | ||
| No, it's like heroin. | ||
|
unidentified
|
It's... | |
| Morphine? | ||
| Fentanyl? | ||
| No, no. | ||
| Methadone. | ||
| Very popular prescription. | ||
| Oxycontin? | ||
| Oxycontin. | ||
|
unidentified
|
Oh. | |
| Yeah, Oxycontin for sure fucks your life up. | ||
| 100%. | ||
| But if you have serious pain, it also alleviates pain. | ||
| And the thing is, can you just ride it for a few days? | ||
| And they're going after trans fats here? | ||
| It's crazy. | ||
| Yeah. | ||
| Let them have their popcorn. | ||
| Fuck it. | ||
| They're making news articles about it. | ||
| We're going after trans fat. | ||
| What about the 800 kids that go missing every year? | ||
| Why don't you go look for them? | ||
| Well, there's a different people. | ||
| Go look for them. | ||
| Okay, that's true, but these are different people. | ||
| These are food scientists. | ||
| Yeah. | ||
| But I think the point is that this stuff, that there's other ways to make food. | ||
| But the thing is, I don't know. | ||
| What is the benefits of trans fats? | ||
| Does it make processing easier? | ||
| Why do they use that as opposed to other healthy fats? | ||
|
unidentified
|
Yeah. | |
| I don't know why. | ||
| It probably has something to do with shelf life, maybe? | ||
| Yes, probably. | ||
| That's probably why it fucks you up, too. | ||
| You gotta think about what a preservative is, you know? | ||
| Like, someone was explaining... | ||
| Did you see What's Wrong With Wheat? | ||
| Or What's With Wheat? | ||
| Did you see that documentary? | ||
| Maybe. | ||
| They were talking about Roundup and glyphosate. | ||
| They were talking about how Roundup, the stuff that they spray on some plants, that they said, well, don't worry, this only affects bacteria. | ||
| Yeah. | ||
| In the 50s they said that. | ||
| Well, this is when they were creating it. | ||
| And this is one of the reasons why they allowed it to be used. | ||
| But what they were explaining in this documentary, I don't know if this is true or not, but what they were explaining was, yeah, you have bacteria in your body, dummy. | ||
| Like, you're taking this stuff into your body. | ||
| They didn't say it that way. | ||
| You have bacteria in your body. | ||
| You're taking the stuff into your body that only kills bacteria. | ||
| It's going to kill a part of your body. | ||
| Like, your body is partly bacteria. | ||
| In fact, there's more bacteria cells in your body than there are human cells. | ||
| Like, that's just a fact of being a person. | ||
| So this is a crazy thing that they don't know that. | ||
| And they either know it, and they did it anyway. | ||
| Or they didn't know that. | ||
| In which case, what you were saying earlier, they should have no business telling people what's the good science and the bad science. | ||
| If they allowed that to go through. | ||
| Yeah, it's another example of bad science. | ||
| Well, it's definitely an example of maybe they didn't know when they first came up with the stuff, but as technology has advanced, they haven't eliminated it. | ||
| Either way, whether they didn't know or they did know and it was a diabolical plan, whatever it is, that science is bogus. | ||
| Yeah, but should you be allowed, like, we know Diet Coke's terrible for you. | ||
| Should you be allowed to sell Diet Coke? | ||
| Do most people know how bad Diet Coke is for you? | ||
| Or diet soda, I should say. | ||
| Do most people know? | ||
| Most people don't. | ||
| Most people don't. | ||
| They don't know. | ||
| I'll have a Diet Coke every now and again. | ||
| Once a month or so. | ||
| I'll have a Diet Coke. | ||
| I've been pretty good at keeping sodas out in my life. | ||
| I discovered the Pellegrino. | ||
| Pellegrino is great. | ||
| Just water with a little sparkles in it. | ||
| I love it. | ||
| I used to struggle with being at a restaurant and struggling with, should I just drink water or can I get a fucking, I'm gonna have a Coke and then I have two Cokes and then I feel guilty all night. | ||
| That struggle went on my whole life. | ||
| Dude, I've been drinking way too much water lately. | ||
| But Pellegrino? | ||
| The Pellegrino, that Imperier, that satisfies me enough. | ||
| Yeah, Zevia is a good one, too. | ||
| And there's a couple other, like, flavored waters. | ||
| They're like more mild. | ||
| Is carbonated water... | ||
| Lacroix? | ||
| Is Pellegrino and carbonated water, is that bad for you? | ||
| Is it going to come out that we get cancer from that? | ||
| Are the bubbles fucking me up? | ||
| They are. | ||
| What? | ||
| The soda's not good for your teeth. | ||
| What do they do? | ||
| The bubbles are? | ||
| It's just as bad as soda water is. | ||
| I mean, it's just not good for your teeth. | ||
| It is soda water. | ||
| I mean, isn't Pellegrino soda water? | ||
| It's the same thing. | ||
| Carbonated water is bad for your teeth? | ||
| In mass amounts, I mean like one or two probably not a bad thing. | ||
| But what about once it gets in your stomach, do the bubbles like fuck you up? | ||
| Illuminati, bro, they're all ideas. | ||
| Those ideas in those bubbles are getting you to buy into bonds. | ||
| Who knows? | ||
| Maybe they find out that the bubbles in your system do something bad for you. | ||
| Right? | ||
| I mean, I wouldn't be surprised. | ||
| I hope not. | ||
| Shit. | ||
| I hope it's completely benign. | ||
| I think we have heard about it. | ||
| I drink the shit out of it. | ||
| I do too. | ||
| Here, along as it's plain carbonated water with no added citric acid or sugar, the answer is no. | ||
| The process of carbonation is a simple addition of pasteurized, pressurized carbon dioxide gas into plain water. | ||
| Acid, sugars, and salt are not being added. | ||
| It's the addition of those ingredients that ups your risk for tooth decay. | ||
| So, no harm at all. | ||
| So it's just carbonated water is just carbon dioxide gas. | ||
| Or maybe that's an Illuminati. | ||
| Dude, stop freaking me out, man! | ||
| Did you know that funguses, like mushrooms, they breathe in oxygen and breathe out carbon dioxide like we do? | ||
| Does that make it good? | ||
| It's like an animal, more than it is like a plant. | ||
| They're closer to animals than they are to plants. | ||
| Fungus. | ||
| Yeah, fungus are like an animal almost. | ||
| Not really because it doesn't move. | ||
| I mean, but it's closer to the animal kingdom. | ||
| Ringer moves. | ||
| It gets bigger and bigger and bigger. | ||
| Fuck that fungus. | ||
| That's the worst, man. | ||
| That's the worst. | ||
| But, like, mushrooms are, um, they're some sort of other thing. | ||
| They're not a plant. | ||
| Fungus is a different kind of thing. | ||
| Dun, dun, dun. | ||
| It's from another fucking planet, man. | ||
| That's what I think. | ||
| You think... | ||
| Mushrooms aren't legal, right? | ||
| There's not recreational mushrooms, right? | ||
| It's on the ballot for 2018. That's coming? | ||
| California. | ||
| Any states already legalized mushrooms? | ||
| No, but they should. | ||
| They should do it the same way they do what they're going to eventually do with MDMA. Look, mushrooms are great. | ||
| So MDMA is in the process, right? | ||
| Do you remember the first time you and I did mushrooms? | ||
| You were living at your old house? | ||
| We were chilling in the backyard, dude. | ||
| We didn't do that much, though. | ||
| We were just talking about life. | ||
| Yeah, we didn't. | ||
| It wasn't that much. | ||
| It was a small dose. | ||
| But it was enough to go, whoa. | ||
| It just gave me a better perspective. | ||
| It just opened up my mind to that I was relying on all the patterns that had been explained to me about life to be correct. | ||
| Instead of looking at it with fresh eyes. | ||
| I felt like at 30 years old, it was the first time I was able to look at my life with fresh eyes. | ||
| Look at life itself and go, oh, this is just this weird, temporary experience. | ||
| You could see it in your comedy, too. | ||
| Your comedy just, you know, from the early Joe Rogan, like your first CD, Someday I'm Gonna Be Dead, right? | ||
| I'm Gonna Be Dead Someday. | ||
| I'm Gonna Be Dead Someday. | ||
| From that comedy to once you started getting into psychedelics, big old difference. | ||
| Yeah, it changes who you are. | ||
| Well, it also makes you super humble. | ||
| Because even if I don't appear humble, when you get hit by that big dose, whatever it is, DMT or whatever you do, when you get hit by that dose, you realize you're just a part. | ||
| You're not the big thing. | ||
| You're just a part of something that is indescribably big. | ||
| And the idea that you're important or that you're the most significant thing around you is pretty ridiculous. | ||
| You got to do your best to keep your body alive and do your best to do your part and whatever the fuck you do for a living do your best at that but You're just a part of something that's infinite. | ||
| Did your experience with mushrooms and DMT did that make you think? | ||
| There's got to be a creator to all this Not that there's a creator like a guy in a lab that's like making a person inside of a fucking test tube or some shit. | ||
| Not a creator in the sense of an individual, but I think that the idea of an individual became more ridiculous than anything. | ||
| It's like I understand that like what we are is almost like something filtered through these predetermined, like almost like we're a membrane, like something from another dimension Expresses itself through this physical membrane, and then we're almost like the barrier to what comes out on the other side. | ||
| This is the thought that I had when I was on mushrooms. | ||
| That what we are as a person is almost like the carrier, like a vehicle for whatever a soul is. | ||
| And this thing uses this life to pass that that thing through on to another experience that happens in the next dimension that'll be so fucking alien that you can't even imagine it today in this dimension and this dimension would be alien to that dimension that it was just this never-ending infinite process of soul traveling I had this very bizarre like thought about like if you like people will often say like if you had to live your life over again you were born again tomorrow you got to do it all over again could | ||
| you do it you'd be like what Oh my god, I gotta start over from scratch? | ||
| I gotta be a baby again? | ||
| And rely on those same fucking people again? | ||
| Oh my god, I gotta go back to first grade? | ||
| That was terrible! | ||
| And that's when my parents broke up. | ||
| And people start freaking out and thinking, but you already did it. | ||
| You already did it. | ||
| What if you have to do it forever? | ||
| Could you do it forever? | ||
| Forever and ever and ever. | ||
| Over and over and over and over and over again. | ||
| Could you do that? | ||
| Like reincarnation? | ||
| You might be doing that. | ||
| That is just as possible. | ||
| What hit me is it's just as possible that you've lived this life an infinite number of times. | ||
| And you will continue to live this life an infinite number of times. | ||
| And when you do, maybe... | ||
| So you're saying there's a possibility that we have some kind of soul type thing, right? | ||
| I think there's a possibility that you're on a loop. | ||
| Just like those YouTube videos or those Instagram videos of Cyborg hitting that sweep. | ||
| We're on a life loop. | ||
| So if there is a loop, and let's say either it's involuntary or voluntary, either you say, either when you die you wake up and you're like, whoa, that was an awesome ride, let's do it again, or it just happens automatically. | ||
| I don't think you get the choice. | ||
| Either way, maybe you do, maybe you don't. | ||
| Some spiritual gurus say that yes, some souls choose to keep coming back, some stay in the infinite heavens forever or whatever. | ||
| And then come back every now and then. | ||
| Who knows what's real? | ||
| But you're talking about there's some kind of soul thing and there's either... | ||
| You're saying that there's probably involuntary reincarnation of some sort, right? | ||
| I think it's possible. | ||
| Maybe either if you decide to come back, for sure, if that's the case... | ||
| You would say, okay, I'm going back into that earth realm and you for sure don't want to know where you came from. | ||
| It would seem, I'm guessing, that the beauty of life is after you die and you realize what the hell, oh, that's right. | ||
| You don't want to know. | ||
| It's like watching a movie. | ||
| Like the other day I watched a movie and I'm watching the trailer and 30 seconds into the trailer is unsaying the movie. | ||
| 30 seconds, I stopped it. | ||
| Because I didn't want to watch the rest of the trailer because now, okay, I got enough. | ||
| I want to see this thing. | ||
| I didn't want to see more of the trailer because I wanted to go to the movie and be fooled. | ||
| I didn't want to know what was going on. | ||
| I wanted to be confused. | ||
| I didn't want to be able to figure something out from a trailer. | ||
| And most people are like that. | ||
| I'm not special. | ||
| Like if you went to a movie and you already saw it and your buddy didn't and you told him how it ended, he would sock you right in the chest. | ||
| What the fuck are you doing? | ||
| You just ruined the movie for me, you faggot. | ||
| You know what I mean? | ||
| Strong words. | ||
| But I don't mean that in a homosexual way. | ||
| I'm sorry. | ||
| I'm just... | ||
| Trying to be funny, and I apologize to all gay people out there. | ||
| I apologize. | ||
| I love gay people. | ||
| I love gay people. | ||
| That was just me trying to express an emotion. | ||
| And no one's also at the same time going to go to a movie with you if you already saw it and say, dude, before it starts, tell me the whole movie. | ||
| I think a better analogy is that you never get a chance to see the future. | ||
| You're not going to get a chance to see the future once you're reborn again. | ||
| This life, when you come back, do you want to have a memory of your past? | ||
| You don't. | ||
| You don't get a chance. | ||
| It's a part of the system, I think. | ||
| Yeah, I think it's, whether it's voluntary or involuntary, it's best to not know where you came from at first. | ||
| It's best to figure it out. | ||
| That's probably what this is all about, is figuring it out. | ||
| Because when we go to the movie, part of it is, it's all about the journey. | ||
| It's not about the destination. | ||
| People always use that as, you know, on Instagram. | ||
|
unidentified
|
Right. | |
| I thought about the journey or thought about the destination. | ||
| It's a journey. | ||
| That's one of the most popular sayings ever, and it's beautiful. | ||
| You have to say it every now and then to remind people. | ||
| Another thing to remind you, don't even think about it as a journey. | ||
| Just be in the moment. | ||
| Accept the moment and be in the moment. | ||
| Live in the moment. | ||
| Think about the We're good to go. | ||
| Filled, you know, with chicks. | ||
| Oh, that's what I was after my whole life. | ||
| They got me good. | ||
| When I saw Kiss and I saw that shit, I'm like, I want that. | ||
| I knew right when I saw Kiss Meets the Phantom of the Park, 1978 on NBC, one of the worst movies of all time. | ||
| I remember that movie. | ||
|
unidentified
|
Oh, it just blew me the fuck away. | |
| It was a power outage when I went to see that movie. | ||
|
unidentified
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Oh my God. | |
| I was watching at home, and the power went out, and I was devastated. | ||
| And the weird thing about that era, it was 1978, and if you followed Kiss, if you were older, I was eight, and if you followed Kiss from 73 on, they already had their early cool years, and then after Kiss Alive, they had a few more awesome albums, and then they got to the point where they started doing disco, and that was 1978. That's when I got into them, when they started doing disco. | ||
| So I didn't even know what selling out was. | ||
| I just heard, I was made for loving you, and I loved it. | ||
| You know what I mean? | ||
| I had no idea. | ||
| But, man, I don't even know what my fucking point was. | ||
| What were we talking about? | ||
| I don't remember either. | ||
| The point was you're never going to get to know what the future holds. | ||
| You're just going to be living your life, and that's how it is with everybody. | ||
| I don't remember what the fuck your point was. | ||
| Oh, the rock star thing. | ||
| Oh, you wanted to be a rock star. | ||
| They get you. | ||
| There's so many different ways they can, like, TV. You get yourself, too. | ||
| You've got to think about what you're exposed to. | ||
| But look, it's like music videos. | ||
| What they sell in music videos, they sell that. | ||
| It's like they're offering it. | ||
| And a lot of those rappers that are flashing all the cash, it's not even their money. | ||
| It's not even their mansion. | ||
| But it's pushing that. | ||
| You want to do whatever it takes. | ||
| Whatever it takes to make it. | ||
| I was so zeroed in on that. | ||
| You know me up until a few years ago. | ||
| I was just zeroed in on it. | ||
| Then I began to realize, wow, they got me real goddamn good. | ||
| You know, I was obsessed with some, an illusion. | ||
| Fame is an illusion. | ||
| Well, you're obsessed with the destination instead of the journey, right? | ||
| Well, I enjoyed the journey, but it was like... | ||
| You know what I'm saying? | ||
| You're obsessed with it. | ||
| It was all about conquering the music business. | ||
| That's all it was about. | ||
| And it's not about that anymore, obviously. | ||
| Thank God. | ||
| Thank God I sucked musically. | ||
| Because if I would have had a record deal in my 20s, shit, I would have did some crazy Illuminati shit back then. | ||
| I would have did whatever. | ||
|
unidentified
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Illuminati shit? | |
| Like, whatever. | ||
| I would have been to those parties with a crazy mask and been doing... | ||
| I would do whatever. | ||
| I'm like, let's do it. | ||
| They have parties with the crazy masks. | ||
| Eyes Wide Shut? | ||
| They just let you in. | ||
| You don't think Eyes Wide Shut is real? | ||
| All you have to do is have a hit album. | ||
| They're like, hey, Eddie Bravo. | ||
| Eddie Bravo from Santa Ana. | ||
| Come on, California. | ||
| Come on down. | ||
| Thank God my music sucked because I would have went along with all that shit in my 20s. | ||
| I was so obsessed. | ||
| I was so obsessed with making it into the music business, I would have done anything. | ||
| I know, but you wouldn't have done that. | ||
| Yeah. | ||
| You wouldn't have gone and partied with Jimmy Savile or whatever the fuck his name is. | ||
| Dude, I would have been hanging out with whoever was famous, you know? | ||
| That's hilarious. | ||
|
unidentified
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Shit. | |
| Well, you know, it's like retirement is a lesser example of that. | ||
| People are always looking for those golden years. | ||
| One day I'm going to retire and we're going to be walking with our hands at the sunset. | ||
| Like, no, you're thinking about death then. | ||
| That's what happens. | ||
| Those people don't do shit anymore. | ||
| They don't have nothing to do. | ||
| You know, the only time you should think about retirement is if you have a job that you can retire and they pay you still. | ||
| And then you can go do whatever the fuck you want. | ||
| That's when you should be thinking about retirement. | ||
| But thinking about it is this time where finally we get to relax. | ||
| We put our feet up and then they turn you into Soylent Green. | ||
| Yeah. | ||
| That's what you were really aiming for. | ||
| And everyone is working to get that vacation at some faraway beach where they can have a beer. | ||
| And the destination is that they go far away at least five to eight hours. | ||
| You can't just use the beaches you have here. | ||
| These beaches don't count. | ||
| They count for people on the East Coast. | ||
| They count because they come here. | ||
| But you live here, so it doesn't count. | ||
| You got to get on a flight and go to a goddamn beach that looks just like Malibu. | ||
| Just like now. | ||
| But you gotta travel. | ||
| Gotta go across the country. | ||
| You gotta go. | ||
| You gotta go to Fiji. | ||
| Go over the ocean or go to Mexico. | ||
|
unidentified
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It's an illusion. | |
| Everyone's chasing that beach. | ||
| And then what are you gonna do on that beach? | ||
| The first thing you're gonna do is check to see if there's internet. | ||
| That's the first fucking thing you're gonna do. | ||
| Right? | ||
| It's an illusion. | ||
| And then every time you go to the airport, you see that picture of like some dude just laying there on some deserted beach. | ||
| Like that's even possible. | ||
| I thought that was possible. | ||
| Where's the beach that's deserted? | ||
| Like you have your own deserted beach. | ||
| You don't see that off camera, out of the frame of the picture, is a bunch of people trying to sell you an inner tube and some people trying to rip you off and sell you shit. | ||
| They don't show that part. | ||
| They just show your feet. | ||
| They show your feet in a beer. | ||
| If you have a perfect beach like that, you're going to sell it to a bunch of people. | ||
| It's not just going to be this one dude. | ||
| Unless you're one of those Richard Branson guys. | ||
| That's when you go full ball or you got your own beach. | ||
|
unidentified
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What? | |
| Yes, yes. | ||
| What? | ||
| Those only exist for Jay-Z. You know what I mean? | ||
| You got to buy an island. | ||
| Well, those Richard Branson type dudes or Tyler Perry. | ||
| He's got an island. | ||
| Man, it just seems like these vacations are all like rip-offs. | ||
| I remember me and my wife went to Cabo San Lucas and we looked at the package and like, oh shit, let's get this resort. | ||
| There's five different restaurants. | ||
| Amazing, all-inclusive. | ||
| This is amazing. | ||
| You get there and it's the same kitchen, five different restaurants, but only one is open at a time. | ||
| They just take different shifts and it's the same waiters, the same food. | ||
| Oh, you went to a bonk-ass place. | ||
|
unidentified
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Yeah! | |
| I gotta send you to good places. | ||
| There's some good places you can go. | ||
| There's a good place in Cabo. | ||
| It's called the one and only Parmia. | ||
| I'll never go back there ever again. | ||
| Cabo's amazing. | ||
| I love it. | ||
| Oh, man. | ||
| When you land there, everyone's trying to rip you off. | ||
| They're throwing up. | ||
| Yeah, that happens. | ||
| What about Hawaii? | ||
| Do you like Hawaii? | ||
| If someone gave me a non-stop first-class ticket to Hawaii and a five-star hotel for two weeks, I wouldn't go. | ||
| Why not? | ||
| I've traveled so much, it's an illusion to me. | ||
| Oh, I see what you're saying. | ||
| All my shit is at home. | ||
| I want to sit in my house and look out the window and go, fuck yeah. | ||
| I want to chill. | ||
| I want to be with my family. | ||
| I want to be with my son. | ||
| It's an illusion. | ||
| I'm going to travel with my family for them, but I've traveled so much, to me it's an illusion. | ||
| I've never been to a place where I was pissed that I was leaving. | ||
| I was always ready to go. | ||
| Like, dude, you want to change our flights and leave early? | ||
| Shit, when we went to Cabo, we changed our flights and left early. | ||
| Wow. | ||
| Like, what are you gonna sit on a beach? | ||
| We got that right here. | ||
| We go to Santa Monica. | ||
| We got a free vacation. | ||
| Me and my family get hotels because my son loves hotels. | ||
| We just get a hotel in Burbank. | ||
| Like a VIP hotel in Burbank where you got like this gigantic room and we stay there for a day. | ||
| You gotta just do, we'll talk after the podcast. | ||
| Just do vacations the right way. | ||
| There's ways that you could do, go ziplining in Costa Rica, go to the rainforest. | ||
| Dude, I got tricked into going to Costa Rica. | ||
| I told you that story. | ||
| I'll never go to Costa Rica ever again, okay? | ||
| Unless it's for a seminar. | ||
| I'll go for a seminar, like a jiu-jitsu seminar, but I ain't trying to go to the jungle or anything like that. | ||
| Fuck that shit. | ||
| We gotta wrap this up because I'm gonna piss my pants. | ||
| I've been drinking too much water. | ||
| Can I throw a plug down? | ||
| Yes. | ||
| Fuck yeah. | ||
| Me and Sam Tripoli are doing tinfoil hat comedy in San Francisco at Cobbs June 1st and June 2nd at the Punchline in Sacramento. | ||
| Thanks for the shirt. | ||
| Oh, shit. | ||
| Combat Jiu-Jitsu, baby. | ||
| Combat Jiu-Jitsu Worlds, Eddie Bravo's birth child. | ||
| Along with EBI, the EBI Invitational. | ||
| Best fucking Jiu-Jitsu tournament in the world. | ||
| But this, this is the shit. | ||
| Combat Jiu-Jitsu, we've talked about it a million times. | ||
| This is going to change Jiu-Jitsu. | ||
| Make it much more applicable to MMA. Positions on the ground where dudes are allowed to bitch slap you. | ||
| It's strong. | ||
| Yeah, it's crazy. | ||
| People love it. | ||
| It's great. | ||
| It's super exciting. | ||
| It's the fastest rising video ever on my YouTube channel. | ||
| It got to 300,000 views in a month. | ||
| It's next level. | ||
| None of my other videos get that kind of views. | ||
| It was crazy. | ||
| It's next level and it shows these positions where the vulnerabilities are. | ||
| So it's like a real good first step in MMA. I like it a lot. | ||
| Boogie is fighting Wagner Rocha for the Combat Jiu-Jitsu World Championship at EBI. The next EBI, which is in San Diego, June 24th. | ||
| It's a 16-woman tournament. | ||
| The Combat Jiu Jitsu World Championship of Boogie against Wagner Rocha. | ||
| And we got amazing women. | ||
| We got all ADCC IBJJF champions. | ||
| Bia Basilio, she's the best chick out there. | ||
| Bia Mesquita, she's right there at the top. | ||
| So one more time, the date and what's the website? | ||
| You can watch it on UFC Fight Pass. | ||
| It's going to be at, or pay-per-view, inchbyinch.tv, June 24th, Sunday, June 24th, in San Diego. | ||
| Tickets go on sale in a couple weeks. | ||
| It's going to be amazing. | ||
| All right. | ||
| That's it. | ||
| Bye, everybody. | ||
| See you tomorrow. | ||
|
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See ya. | |
| Cool. | ||
| Thank you. |
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