May 30, 2016 - The Joe Rogan Experience
04:31:11
Participants
| 
| Speaker | Time | Text |
|---|---|---|
| Five, four, three, two... | ||
| Oh, shit! | ||
| We're back! | ||
| Goddamn! | ||
| My all-time favorite kind of podcast. | ||
| Fight Companions. | ||
| Eddie, motherfucking bravos in the house. | ||
| Thank you for having me. | ||
| Brendan, motherfucking kid keto shop. | ||
| He's got a kid keto t-shirt on. | ||
| I told the dude to make a kid keto t-shirt. | ||
| He fucking jumps on that shit. | ||
| This motherfucker is an entrepreneur. | ||
| What is that? | ||
| The keto kid stuff? | ||
| What is that? | ||
| Ketogenic. | ||
| What's that? | ||
| The diet? | ||
| Are you on the diet too? | ||
| Oh yeah, I've been on it for a while. | ||
| Before him? | ||
| No, no, no. | ||
| He got me on it. | ||
| I'm obsessed with it. | ||
| Last night I was in Phoenix walking by a restaurant. | ||
| This girl, maybe 18, goes, Shab, I'm a keto kid! | ||
| I'm a keto kid! | ||
| I'm with a bunch of older dudes. | ||
| Boxing dudes are like, what the fuck is she talking about? | ||
| That's hilarious. | ||
| That's so funny, man. | ||
| I just saw that documentary, Sugar Coated. | ||
| Have you seen it? | ||
| It's terrifying. | ||
| Holy shit. | ||
| There's another one called That Sugar Movie? | ||
|
unidentified
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Yeah. | |
| Have you seen That Sugar Movie? | ||
|
unidentified
|
Yeah. | |
| Jesus. | ||
| Jesus fucking Christ. | ||
| Sugar's terrible. | ||
| I'm Mr. Conspiracy Theory here. | ||
| I had no idea it was right in front of my fucking face. | ||
| It's on everyone's table. | ||
| It's not a conspiracy. | ||
| You know what it is, man? | ||
| It's a drug. | ||
| Yes. | ||
| And people are addicted to it, and it's in everything. | ||
| No, but what I'm talking about is there was a conspiracy to pay off Harvard scientists and professors. | ||
| Oh, here we go. | ||
| To keep sugar, according to that movie, unless that movie's bullshit. | ||
| No, no, I'm sure it was. | ||
| This is what the movie's talking about. | ||
| The movie's talking about the Sugar Association, they didn't want it to be labeled for what it really was, an addictive toxin. | ||
| They wanted to keep it, it ain't that bad in moderation, it ain't that bad, it makes things taste sweet, it's about love. | ||
| So they paid, according to this documentary, they paid off hard, you know, because everyone's like, I'm science, I'm science this, I'm science that. | ||
| So it's beautiful when people do that because then all you do is buy off all the scientists and you got everybody. | ||
| I love some sugar though, man. | ||
| Well, everybody loves sugar. | ||
| That's the thing about it. | ||
| It tastes awesome. | ||
| I mean, it's not a drug that works because the effects aren't pleasurable. | ||
| Sugar is very pleasurable. | ||
| But it also has its benefits too, post-workout, stuff like that. | ||
| Certain athletes need that stuff, so it's different than a lot of other drugs. | ||
| Well, there's arguments against that. | ||
| There's arguments against that. | ||
| I'd say there's more for it. | ||
| I don't know about that. | ||
| I don't know about that. | ||
| The conspiracy, Brendan, is about that, exactly. | ||
| I always thought when people ask me about sugar, yeah, it's bad for you, but as long as you don't get too crazy with it, and you don't have nothing to worry about, you're not fat. | ||
| Only fat people have something to worry about. | ||
| But according to this documentary, people that are in shape are getting adult-onset diabetes because they think that. | ||
| Apparently, according to this doc, one Coke a day... | ||
| Increases your chances for diabetes by 30% If that shit's true, it's a lot of coke Yeah, one Coke a day is some insane amount of sugar. | ||
| You're only supposed to have 25 in a day. | ||
| That's including fruit, lactose. | ||
| You're only supposed to get sugar in no more than 25 grams a day. | ||
| Virtually nobody deals with it. | ||
| As a kid, I was balls deep. | ||
| 200 grams a day at least. | ||
| That's what it's about. | ||
| Let me bring it back to the post-workout shit, because Mark Sisson was talking about actual gains, that your body has more gains if you wait up to an hour after working out before you supplement, before you take anything, before you're taking any food. | ||
| And I've started doing it. | ||
| And he said that there's a reaction that your body has where it produces more hormones, because your body's just had this brutal workout. | ||
| And your body hasn't had a replenishment. | ||
| So because it hasn't had a replenishment, I guess, during that time period, if you replenish, I think the science is, or according to him, I don't know what studies he's based on. | ||
| He's a smart dude though. | ||
| He's a very smart dude. | ||
| I'll take his word. | ||
| Yeah, that it's better to do it that way. | ||
| You get more results hormonally. | ||
| Yeah, it slows it down. | ||
| Most people are on slightly varied diets and slightly varied sleep schedules, so it's super hard to say, like, if a guy didn't do it that way, how much of a gain he would make. | ||
| I had some silly bitch tell me forever to drink chocolate milk. | ||
| That's supposed to be the craze for a long time. | ||
| That was supposed to be the craze. | ||
| It's a good excuse to drink chocolate milk. | ||
| Hell yeah it was. | ||
| Hell yeah it was. | ||
| Some Nestle Quick. | ||
| So with a fight that's about to start, Bruce Buffer looking slick as always, is Josh Berkman vs. | ||
| Paul Felder. | ||
| This is a fucking amazing fight. | ||
|
unidentified
|
Great fight. | |
| First of all, Josh Berkman has fought as high as 205. Josh Berkman fought Jeremy Horn one day, and Jeremy Horn choked him out and spit on him. | ||
| It's aggressive. | ||
| Oh my god. | ||
| They must have said some really dark shit to each other before that fight. | ||
| That's aggressive. | ||
| But Josh Berkman is a bad motherfucker, dude. | ||
| And at 155, he's so goddamn strong. | ||
| If he can do it and do it successfully, he's a bully at this weight. | ||
| He's just a tough, tough motherfucker. | ||
| And he's slick. | ||
| But this Paul Felder kid can crack a lot. | ||
| He has more tools, I feel like. | ||
| He also has more tools, I think. | ||
| Standing, he does, but Berkman is down, dude. | ||
| That guy wins bombs. | ||
| Berkman's more game, but I feel like the game, it's evolving fast, and Felder's more evolved, if that makes sense. | ||
| And younger, and Les Miles. | ||
| Well, what I like about this, Les Miles for sure, but what I like about this fight is it's essentially an old, real, fucking, crafty veteran in Berkman who's a dog. | ||
| I mean, he's a fucking bulldog. | ||
| Game as they come. | ||
| Game as they come. | ||
| Hector Lombard? | ||
| Yeah. | ||
| Fuck yeah, man. | ||
| He shot Hector Lombard down at one point. | ||
| Lombard was on juice, too! | ||
| Yeah, and Lombard was juiced up. | ||
| And, you know, Lombard kept swinging at him, and Berkman kept moving, but Berkman was cracking him a little. | ||
| Yeah. | ||
| And it got Lombard to a point where Lombard slowed down his attack because he kind of knew that he wasn't going to take Berkman out, and he was going to have to do the long haul. | ||
| I got Feldman TKO. Do we have to sink? | ||
| Man. | ||
| Yeah, it's 4.50 right now. | ||
| 4.48, 4.47. | ||
| First round, Paul Felder, Josh Berkman. | ||
| A fight that I've been really looking to fight. | ||
| I feel like this whole card is totally under the radar. | ||
| I mean, Henan Barat was fighting Jeremy Stephens in the fucking co-main. | ||
| It's insane. | ||
| That's the co-main. | ||
| I think it's more, you know, there's no, like, for the average fan, there's no huge draws. | ||
| But as far as Joe Silva, and Joe Silva, who's the other dude who does the matchups? | ||
| Sean Shelby? | ||
| Sean Shelby. | ||
| Bro, they got their money's worth. | ||
| You know what I'm saying? | ||
| They paid them exactly what they should do because these matchups, these aren't matchups that you can go, alright, five versus six, two versus three. | ||
| They're amazing. | ||
| To me, it's the best card of the year. | ||
| I'm pretty sure Sean handles the matchups for the lighter weight fighters. | ||
| Correct. | ||
| And then, I don't know what weight Silva takes over, but... | ||
| Both of them are doing a fucking awesome job. | ||
| This card shows it, though. | ||
| You look at it, you're like, Jesus Christ. | ||
| Most of the matchups I wouldn't think about. | ||
| They just went shin to shin. | ||
|
unidentified
|
Let's pay attention to this. | |
| That's card of the year, though? | ||
| No, no, no. | ||
| I'm saying as far as matchup-wise, it's an amazing card. | ||
| It's a really good card. | ||
| It's way, way better than people are giving it credit for. | ||
| If this was the first UFC I ever saw, I'd be like, holy shit, what a nutty sport. | ||
| I would call this UFC Just Fucking Watch. | ||
| Straight up, just watch it, man. | ||
| I know you don't know the guys, but this is going to be a great night of fights. | ||
| And if you're betting, it's going to be tough to pick, man. | ||
| For experts, try picking this card. | ||
| I'd like to see someone just go, whatever, 8 for 8. It's going to be a beast. | ||
| Yeah, you know what, man? | ||
| This is a sneaky fight. | ||
| Ooh, nice front kick to the body by Felder. | ||
| And Josh returns it. | ||
| Felder's got a lot of tools when it comes to stand-up. | ||
| He's real sneaky. | ||
| He does a lot of weird shit. | ||
| Like Cowboy, man. | ||
| Training at the ranch. | ||
| Real similar. | ||
| Real similar in some ways. | ||
| But also because he's got a Taekwondo background, he throws more spinning shit than Cowboy does. | ||
| Yeah, he does. | ||
| Cowboy is like straight Muay Thai. | ||
| Straight forward. | ||
| Felder has good angles. | ||
| A couple of times, man. | ||
| A lot of checking. | ||
| Good defensive skills here. | ||
| Felder's a fucking attacker, too, man. | ||
| He's tough as shit. | ||
| Berkman went to Bellator before, remember? | ||
| Because he got cut. | ||
| He went to World Series of Fighting, and he choked out John Fitch. | ||
| Remember that fight? | ||
|
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Yes! | |
| I do. | ||
| That was a huge fight. | ||
| Yeah, he choked out Fitch real quick. | ||
| Fitch shot in for a single. | ||
| Was that the fight when Fitch tested positive? | ||
| No, that was the Paul Harris fight. | ||
| Boom. | ||
| Paul Harris got that knee. | ||
| He got him, too. | ||
| Paul Harris, his fucking leg locks. | ||
| I mean, maybe Fitch was like, fuck it, I know this guy's on it. | ||
| Yeah, understandable. | ||
| Who knows? | ||
| Did you see Pajaras get wrecked? | ||
| Yeah, I did. | ||
| He got murked. | ||
| He got wrecked by who? | ||
| He got wrecked by some Viking. | ||
| Dude, fucked him up. | ||
| Someone named Meek? | ||
| In what show? | ||
| Like 50 seconds? | ||
| I don't even know the name of the show, dude. | ||
| It was the show where Mayhem weighed in 20-something pounds overweight. | ||
| He got murked, too. | ||
| He got submitted. | ||
| Yeah, I think that's a fatigue thing. | ||
| I think it's more he doesn't want to be there. | ||
| It's like self-sabotage, need the money. | ||
| Mayhem's ground game is so legit. | ||
| Super legit. | ||
| It would be real hard to tap that guy. | ||
| Ferviso Verdun black belt? | ||
| Yeah. | ||
| I've rolled with him a bunch. | ||
| He's a monster. | ||
| Yeah. | ||
| Jason's no joke. | ||
| Remember when Jason fought Jake Shields and had his back and had a fully locked in rear naked choke and the fucking bell rang? | ||
|
unidentified
|
Yeah. | |
| I mean, I believe he had a gable grip, but he had it under the chin and everything. | ||
| It was a tight, tight squeeze. | ||
| Oh, shit. | ||
| They're going to war. | ||
| Oh, Berkman. | ||
| Berkman with some good movement here. | ||
| See, but this is what Berkman wants. | ||
| Felder needs to not do this. | ||
| He's more technical. | ||
| Boom! | ||
| Berkman gets him on his back. | ||
| Oh, Felder's in a bad place here. | ||
| Because on the ground, Berkman's a beast. | ||
| Yes. | ||
| Super fucking strong. | ||
| Again, you've got to think about Berkman has fought successfully at 170 and all the way up to like 205. Well, he gets that old man strength, too. | ||
|
unidentified
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Yes. | |
| He just tossed his young ass. | ||
| He's just a guy who's been around a long fucking time He's a smart dude too Yeah, and that Hector Lombard fight shows you how smart he is. | ||
| He's never really in the pocket. | ||
| He just avoids all his counters. | ||
| He doesn't lose his shit. | ||
| No, like the fire will be hot as fuck and he sits in there and doesn't lose control, man. | ||
| Exactly. | ||
| He can do what he can do. | ||
| Yes. | ||
| And he's not going to fall short psychologically. | ||
| He stays in his lane, too. | ||
| He doesn't try anything too crazy. | ||
| You're not going to see a freaking stupid Chris Weidman bullshit spinning kick or something like that. | ||
| Yeah, but we never saw that from Weidman either. | ||
|
unidentified
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He did it once. | |
| Well, let's not see it ever again. | ||
| That's crazy. | ||
| Crazy. | ||
| It cost you the fight, son. | ||
|
unidentified
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Yeah. | |
| The art of getting back up is... | ||
| I mean, it's so deep. | ||
| The fence crawl. | ||
| Some guys are really good at it. | ||
| Some guys are okay at it. | ||
| You know who's the best I've ever seen? | ||
|
unidentified
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Who? | |
| Keith Jardine. | ||
| Really? | ||
| Oh, my God. | ||
| Keith Jardine is a goddamn animal. | ||
| Dude, he would always go straight to the cage and walk. | ||
| Go. | ||
|
unidentified
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Walk. | |
| He was such a beast. | ||
| Go straight to the cage and what? | ||
| Wherever you were, you had to get to the cage. | ||
| That was his thing. | ||
| And so I started doing that. | ||
| People were like, no, what are you doing? | ||
| The guy's going to pound your face. | ||
| But that was Keith's thing. | ||
| Really? | ||
| So he was one of the first guys to figure out to use the cage to get up? | ||
| That was his thing. | ||
| As soon as you get taken down, if the guy had your hips, you were scooting to get to the cage to use it to crawl up. | ||
| And he was so fucking good at it, man. | ||
| None of us could hold him down. | ||
| Interesting. | ||
| Yeah, Keith Jardine is a guy who doesn't get the credit he deserves in a lot of ways. | ||
| That fight with Chuck? | ||
| Remember that fight with Chuck? | ||
| What a fight! | ||
| Lift that leg up, man. | ||
| Yeah. | ||
| Keith was real smart with the application of leg kicks, and he hit him with that big right hand. | ||
| He was so awkward, man. | ||
| Yeah. | ||
| This whole, like, orangutan, jiggy hands. | ||
| So awkward. | ||
| Freddie Roach, orangutan style. | ||
| Boom. | ||
| Berkman cracked him here. | ||
| Look at this. | ||
|
unidentified
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Ooh. | |
| Side kick to the thigh. | ||
| Boom! | ||
| Straight left. | ||
| Lunging side kick. | ||
| Yeah, he's doing that. | ||
| A lot of guys are doing that to the legs now. | ||
| Dangerous, man. | ||
| John Jones loves doing that. | ||
| Dangerous. | ||
| You mean for someone's knee? | ||
|
unidentified
|
Yes. | |
| Look, you see, Berkman's win these exchanges. | ||
| It's more dangerous. | ||
| I'd rather have someone do that to my knee than someone's shin kick me in the head. | ||
| Definitely. | ||
| What's more dangerous than that? | ||
| I agree 100%. | ||
| Totally good point. | ||
| Neither's good. | ||
| Yeah, but the idea is that we're used to being able to tap from knee injuries. | ||
| So, you know, because of like a knee bar. | ||
|
unidentified
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It's a strike. | |
| So when people look at a strike to a knee, we go, oh, that's not fair because you can't tap. | ||
| But, Eddie, you made the perfect point. | ||
| It's the perfect point. | ||
| It's a fight. | ||
| Yeah, because if you kick somebody in the head, it's fucking way worse. | ||
| You can't tap to that either. | ||
| Is it, though? | ||
| So let's just go over the... | ||
| So if you knock me out by head kick, I'm, what, suspended six months? | ||
| You kick me in that front knee, you blow my ACL, MCL. I can't work for a year, at least, and I probably won't come back. | ||
| Let's be totally honest. | ||
| How often does that happen? | ||
| I've never heard of that ever happening. | ||
| I've never heard of it happening. | ||
| It's just a new thing. | ||
| Give it time. | ||
| No, it's not. | ||
| It's always been legal. | ||
| It's always been legal. | ||
|
unidentified
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No, no, no. | |
| It's been legal, but Jon Jones is really the first guy to start doing it actively. | ||
| Oh! | ||
| Felder just cracked him with a good left hook. | ||
| Show me the footage of guys getting kicked like that. | ||
| There's one fight. | ||
| There's one fight with Miguel Torres. | ||
| Miguel Torres gets oblique kicked on the knee. | ||
| This was in a legacy kickboxing fight, I think it was. | ||
| It was pretty recent, like within two years. | ||
| And Miguel Torres' knee just went fucking sideways. | ||
| It was nasty. | ||
| He screamed and fell down and got back up and kept fighting. | ||
| I don't know how the fuck he did it. | ||
| That's one guy that I thought for sure would still be at the top. | ||
| Miguel? | ||
|
unidentified
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For how long? | |
| Well, this is what I was going to say. | ||
| This is what I was going to say. | ||
| Knockouts, man. | ||
| It's not just as simple as you get your ligament repaired, you do your rehab, and you're back nine months later. | ||
| You might not ever be the same guy again. | ||
| Talking about a knockout? | ||
| Yeah, like a real knockout. | ||
| Like a real knockout. | ||
| But that's what you sign up for. | ||
| You expect concussions. | ||
| Now, I don't expect to get my knee blown out in a fight. | ||
| But it's a part of your body. | ||
| Like, if someone can attack your head, why shouldn't they be able to attack your knee? | ||
| That seems crazy. | ||
| Same reason in the NFL. Same reason in the NFL. Like, you can't attack guy low. | ||
| The NFL's a sport. | ||
| Yeah, that's a sport. | ||
| You're not trying to knock each other out anymore. | ||
| The UFC's a sport. | ||
| But this is a sport of fighting. | ||
| With rules. | ||
| Yeah, but the rules are... | ||
|
unidentified
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With strict rules. | |
| The rules are already really brutal. | ||
| Like, the idea of taking out a rule of kicking the knee when you can kick a guy in the fucking jaw face... | ||
| But I can't kick him in the face if he has three points on the ground. | ||
| So there are rules. | ||
| So you can't say it's not a sport. | ||
| Well, honestly, I don't agree with that either. | ||
| I don't agree with that either. | ||
| You see where that UFC line is? | ||
| See where the outside logo is? | ||
| And there's the line, the inner octagon? | ||
| What I say is everything outside that inner octagon, you can't kick them in the face, because it's too close to the cage. | ||
| The only problem with kicking someone in the face when they're down is that the cage could prevent you from moving, and you could get kicked with something that you couldn't normally have prevented, so there's an obstacle. | ||
| And that obstacle is sort of artificial. | ||
| And since we can't have just an enormous basketball-sized playing field, which is really ideal. | ||
| The ideal way to do MMA is not to have any walls. | ||
| There's something stupid about having walls. | ||
| What we really should have is a large, like, football-sized arena. | ||
|
unidentified
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You can't have that? | |
| Put a guy in and say, why not? | ||
| You have it for football. | ||
| You put a guy... | ||
| 22 guys on the field! | ||
| But that's the only way you're not having this bullshit. | ||
| See, there's nothing wrong with learning how to clinch and fight up against a cage. | ||
| It's super important because you use a cage. | ||
| But in reality, a real fight should not have anything to do with the wall you press a guy up against. | ||
|
unidentified
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You're talking about a fight. | |
| In a sport, you have to have a structure. | ||
| No, you stay in bounds. | ||
| This is your boundaries. | ||
| You have a big-ass basketball court. | ||
| You know how horrible you think that would be? | ||
| You know how terrible an experience that would be? | ||
| There's no walls in real fights. | ||
| But you wouldn't have this shit. | ||
| You wouldn't have this pressing against the wall. | ||
| That's an art form. | ||
| It is an art form, but it's an art form that's artificially created by an obstacle. | ||
| This obstacle should not be there. | ||
| You shouldn't be able to press people against it. | ||
| But no, that shouldn't be a part of fighting. | ||
| So there's water everywhere, too. | ||
| Should we bring trees in? | ||
|
unidentified
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Goddammit! | |
| You can't do it! | ||
| This is crazy! | ||
| But in football, that's like saying, well, there should be no out of bounds. | ||
| You guys just run if you catch them. | ||
|
unidentified
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No, no, no. | |
| Football has bounds. | ||
| They have plenty of room. | ||
| They have a large arena. | ||
| But, oh! | ||
| Oh, Felder just cracked him with the left hand. | ||
| I think fences are artificial. | ||
| And I think they should fight in large, unenclosed areas. | ||
| If you hate viewership and money, you gotta do that. | ||
| I want purity. | ||
| I want no gloves. | ||
| No more gloves. | ||
| No more hand wraps. | ||
| No wrist tape. | ||
| Start your own shit, Dave. | ||
| Yeah, no more. | ||
| This is nonsense. | ||
| These gloves are stupid. | ||
| These gloves only exist for people. | ||
| You're out of one today, brother. | ||
| Only for people watching at home. | ||
| If you're a real martial artist, you would not want gloves. | ||
| Because gloves give you this artificial idea that you can hit someone as hard as you want with your hands without them exploding on you. | ||
| But you have wraps underneath. | ||
| You got everything taped up and wrapped up. | ||
| Unless you're Gunnar Nelson. | ||
| That gangster ass motherfucker doesn't even wear wraps. | ||
| He says, go ahead, I'm just going to choke you anyway. | ||
| Because he wants to grapple your ass. | ||
| He wants to punch you and choke you. | ||
| He's like, I like to fit in my hands. | ||
| I can feel it better. | ||
| I feel it in my hands. | ||
| You're not getting on Fox with no... | ||
| No gloves. | ||
| Fuck you, no gloves. | ||
| I was cage-side when Feldman was getting hit by Barbossa with those kicks. | ||
| Felder, not Feldman. | ||
| Yeah, I call him Feldman, though. | ||
|
unidentified
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No gloves, no gloves, no ring. | |
| No, I call him Feldman. | ||
| The first thing he says is... | ||
| My nickname is Feldman. | ||
| That's the first thing he said. | ||
| He just walked in with a bottle of wine and some fucking goat cheese. | ||
| It's raw milk cheese, everyone. | ||
| For good enzymes. | ||
| Did you get it at Whole Foods? | ||
| Fuck yes, I got it from Whole Foods. | ||
| You did, you son of a gun. | ||
| Spent a lot of money too. | ||
| They were like, that much? | ||
| I was like, that's right, I have a successful podcast. | ||
| And I'm friends with Eddie Bravo. | ||
| They said you have that much. | ||
| Powerful cheese. | ||
| Powerful cheese. | ||
| Anyway, no gloves. | ||
| You're crazy. | ||
| You don't wear shin pads. | ||
| How come you don't wear shin pads if you have to wear gloves? | ||
| That's stupid. | ||
| It impedes grappling. | ||
| It keeps you from getting chokes. | ||
| Do you want no gloves boxing too? | ||
| No. | ||
| If they want to do that, that's their nonsense. | ||
| It's a silly person's sport. | ||
| Silly. | ||
| There's no kicks. | ||
| You're out of line, man. | ||
| It's a silly person's sport. | ||
| You're out of line. | ||
| You're crazy. | ||
| I guarantee you. | ||
| I don't know what you smoked before this, but you're crazy. | ||
| Listen, it's not a good way to do it. | ||
| I mean, boxing is a wonderful sport. | ||
| It's a wonderful sport to watch it. | ||
| But as far as, like, fighting, it's not a good way to do it. | ||
| Like, this is the only way to do it. | ||
| This is fighting, okay? | ||
| So if we represent real fighting, and this is what this represents. | ||
| This represents what happens when guys are allowed to do everything. | ||
| When they're allowed to do knees, like that stepping knee fell to just land. | ||
| That kick to the body fell to just land. | ||
| See, this is a real fight. | ||
| This is what you do when you can do everything. | ||
| You do everything. | ||
| So I love boxing, but it's only a sport. | ||
| This is fighting. | ||
| So if this is real fighting, why are we wearing gloves? | ||
| Why do we have wrist tapes and all that nonsense on? | ||
| I got a question for you. | ||
| So if someone doesn't get cut? | ||
| No, so you don't break your hands is easy. | ||
| But you shouldn't be doing things to break your hands. | ||
| Why don't we put nose protectors on? | ||
| Because we want to headbutt each other with our faces. | ||
| You know, oh, my nose is getting broken too much every time I headbutt. | ||
| Well, don't headbutt then. | ||
| You'd have to figure out what actually does work. | ||
| You have an artificial surface over your hands that protects your hands. | ||
| As far as a purist and a pure fight, you're probably right. | ||
| As far as a sport and growing it and getting kids to get involved in it, you have to have some sort of structure. | ||
| I think one day, they're going to figure it out, they're going to have no gloves, we're going to look at this, and they're going to say, this is silly. | ||
| And guys get hit with a lot more shots than they should have. | ||
| You're going to see more, more shit. | ||
| You're going to see probably bigger gloves, you're going to see headgear, some shit. | ||
| Oh no, that would be worse. | ||
| The science doesn't support that. | ||
| Just like football. | ||
| Just like football. | ||
| But bigger gloves is actually no better. | ||
| Worse, correct. | ||
| That's why boxing's so bad. | ||
| The science doesn't support it. | ||
| And even headgear, they're thinking now... | ||
| Oh, we just tagged him with the right hand. | ||
| Headgear does nothing. | ||
| Headgear actually can give you a larger fulcrum point, apparently, and it can spin your head around more. | ||
| You know what I like about the gloves? | ||
| Is that they can fucking punch full blast. | ||
| That's true. | ||
| And you don't cut your head. | ||
| I like that. | ||
| It's better if you don't break them. | ||
| But how come you can't tape up your shins? | ||
| Forget about that. | ||
| It's just like you could just hit them harder. | ||
| But why can't you tape up your insteps and your shins like they do in Muay Thai fights? | ||
| They should. | ||
| Well, granted, you can say the gloves are a hindrance grappling, but if you have shin pads on, you're not going to move as well. | ||
| Dude, you ever see some of those really good guys who do their shin and ankles? | ||
| I was in Maury's corner once, Maury Smith, when he had a kickboxing fight, and he's taping his ankles up and shit. | ||
| You know, when those guys do that, I mean, they make that thing almost like a cast. | ||
| For sure. | ||
| You know, it's all protected in there. | ||
| They layer it in there. | ||
| Some dudes more than others. | ||
| I mean, some guys don't wear shit. | ||
| You see a lot of even the top guys in Glory and Lion Fight and those kind of guys, they don't wear shit. | ||
| I'm psyched that Bellator's going to have that kickboxing organization. | ||
| Bellator Kickboxing? | ||
| Yeah, man. | ||
| I think that's awesome, man. | ||
| Dude, Felder with that beautiful combination. | ||
| Look at that. | ||
| That faking with the hands and the smoothness with that switch kick on the front leg and the back leg kick. | ||
| His Muay Thai is so pretty, man. | ||
| Yeah, he's fun to watch. | ||
| Yeah, it really is. | ||
| He's been fucked on decisions a bunch. | ||
| You know what, man? | ||
| He's just fought real tough guys and had real tough fights. | ||
| Close, too. | ||
| Like razor close. | ||
| But when people get upset, hey, man, that's just reality. | ||
| That's where you stand. | ||
| And you've got to get better. | ||
| Like, he looks right here. | ||
| He looks better right here, right? | ||
| Well, would you say he needs to go for a finish? | ||
| No, man. | ||
| He just needs to keep training and fighting and being Paul Felder. | ||
| He's going to get better. | ||
| Oh, look at that knee. | ||
| Dude, he's already getting better. | ||
| Like, look at this fight. | ||
| He's performing spectacularly in this fight. | ||
| He's smooth, his timing looks excellent, and he's fighting a fucking animal. | ||
| He's fighting an older guy, too, though, Joe. | ||
| He's fighting an animal, though. | ||
| He's fighting really good. | ||
| Still, his performance isn't slacked. | ||
| He might be older, but he doesn't look bad. | ||
| Berkman hasn't looked tired or weak in a fight. | ||
| Gentlemen, this is a 2010 boyac. | ||
| Enjoy this. | ||
| What's a boyac, Brian? | ||
|
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|
It's a boyac. | |
| It's a French boyac. | ||
| Ooh, he just took his ass down. | ||
| Oh, look at this. | ||
| Gentlemen, cheers, my boys. | ||
| Cheers. | ||
| Thanks, buddy. | ||
| We're back. | ||
| Put your headphones on so we don't talk over each other. | ||
| It's a rule, ladies and gentlemen. | ||
| We made rules for you guys. | ||
| One of them is we try not to chew into the microphone, because I know that is so annoying, especially if you're at the gym and you have headphones on. | ||
| And smacking. | ||
| Yeah. | ||
| If you have headphones on, it's even more rude, because it's like in someone's ear. | ||
| That's a nice wine, Brian Kellen. | ||
| So Berkman's cut. | ||
| He just landed a takedown, too. | ||
| We were talking, and I didn't get a chance to see what the fuck happened. | ||
| But he's got a pretty nasty cut. | ||
| There's a lot of blood. | ||
| I can't see. | ||
| I think it's his nose. | ||
| Man, it might be his nose. | ||
| Nice knee to the body. | ||
| Looks like the forehead, maybe more than one cut. | ||
| Looks like there's something coming out of his forehead. | ||
| Looks like his nose, the bridge of his nose and his forehead. | ||
| Does this kind of blood make the sport more popular or less popular? | ||
| It doesn't have an effect on it. | ||
| Just like I don't think that sponsors had an effect on it either. | ||
| I don't think anybody looked at it and goes, this shit is, how come they don't all have the same clothes on? | ||
| Nobody looked at it and said it needed a uniform. | ||
| No, that's more of the UFC brass doing it for a corporate to try and be like everyone else. | ||
| But it didn't matter. | ||
| It doesn't matter. | ||
| Blood doesn't matter. | ||
| Well, in pro wrestling, the more you bled, the more you got paid. | ||
| You got paid on blood. | ||
| Felder on his back at the end of the round. | ||
| Look at Berkman. | ||
| He helps him up. | ||
| He is a fucking stud. | ||
| Yeah, he is. | ||
| Man crush. | ||
| How old is that, Berkman? | ||
| Fucking animal. | ||
| I think he's probably 36, 37. Amazing. | ||
| Let's find out. | ||
| He's been through some wars, man. | ||
| Oh, that's what it is. | ||
| That elbow did it on the bridge of the nose. | ||
| Yeah. | ||
| Damn! | ||
| Oh my god, that's beautiful. | ||
| Hey Vegas, let's get more fucking people there. | ||
| And you know what? | ||
| That's going to win him the fight too. | ||
| Because they're replaying it. | ||
| Felder's so durable. | ||
| When Barboza was kicking him in the side, and you could hear it like a gunshot, and he just didn't, he never stopped. | ||
| You just wondered how somebody could take that kind of a beating in the fight. | ||
| Let me tell you something. | ||
| He hit Barboza with some good shots too. | ||
| But Barboza's just so goddamn fast. | ||
| He's too quick for him. | ||
| And that was just one of his first jaunts into the higher echelons of MMA. And what's going to happen is Felder, As you see in this fight, I think he looked as good in this fight as he's ever looked, and he's gonna continue to get better. | ||
| He looked good in those other fights, too. | ||
| He did, but I think he looks even better now. | ||
| I mean, he's a young kid, he's improving, and he's smart, and he works hard, and he's got Donald with him. | ||
| I mean, having Cerrone as a training partner... | ||
| That is so goddamn gigantic. | ||
| When you got a guy who, first of all, is an animal, will fucking fight anybody. | ||
| If they call him up to fight Stipe Miocic, he'll go, what I gotta do? | ||
| He'll fucking hop, ride a bull over to Stipe. | ||
| It's that whole camp over there. | ||
| He's an animal. | ||
| He'll ride a bull. | ||
| Donald is a legit wild man. | ||
| He's a total legit wild man. | ||
| And super successful as an MMA fighter. | ||
| So for a guy like Felder to have a guy like Donald and have him be a colleague and the two guys be able to train with each other like that and work with each other. | ||
| God, it's giant. | ||
| You know, it's like those camps that have other great guys. | ||
| Like, look at Cormier and Kane. | ||
| A.K.A. Nothing better. | ||
|
unidentified
|
Rockhold. | |
| Rockhold, yeah. | ||
| And then Habib Nurmagomedov. | ||
|
unidentified
|
What the fuck? | |
| You look at these fucking animals. | ||
| And now your boy, the kid, the K-1 champion's there now. | ||
| Trying for MMA. What's his name? | ||
| Oh, Rico Verhoeven? | ||
| Yeah, he's at AK. Oh my god. | ||
| Working takedown offense. | ||
| He's the best out of all of them. | ||
|
unidentified
|
Good luck. | |
| Good luck with that. | ||
| Oh my god. | ||
| Good luck beating him. | ||
| Well, he won with ground and pound his first MMA fight. | ||
|
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|
I know. | |
| But he is a fucking athlete. | ||
| He might be the best heavyweight striking athlete in combat sports. | ||
| He's ripped too big. | ||
| He's just like 240, solid Viking genetics. | ||
| Yeah, I'm going to need you to piss in this cup before we do anything. | ||
| Well, it's going to melt. | ||
| Let's go ahead and piss in this cup before we sign you up for the UFC. That cup's going to melt. | ||
| Those Colin guys don't give a fuck. | ||
| Go ahead and piss in this cup, bro. | ||
| Those Holland guys don't mind taking steroids. | ||
| Hey, that's an accusation. | ||
| No, it's not. | ||
| They drink a lot of raw milk. | ||
| And horse meat, right? | ||
| There's not a single person who's more of a fan of Dutch Muay Thai fighters than me. | ||
| Like Ramon Deckers. | ||
| Oh, the best. | ||
| Oh, come on, man. | ||
| Rob Kamen. | ||
| Ernesto Hoost. | ||
| So the greatest combat sports athletes of all time were Dutch kickboxers. | ||
| There's so many animals. | ||
| I guess Melvin Manhoof got robbed in Bellator. | ||
| I didn't watch their fight, but dude, people were calling me up saying, did you see that shit? | ||
| Yeah, people were furious. | ||
| Apparently even Scott Coker was pissed. | ||
| And Manhoof, he's another one, man. | ||
| Jesus Christ, is he terrifying. | ||
| He's scary. | ||
| And he's a regular training partner, Badr Hari. | ||
| He's another fucking psychopath. | ||
| Literally psycho. | ||
| Literally psycho. | ||
| You don't want to fuck with that guy. | ||
| Goddamn, he's good. | ||
| When he knocked out Overeem? | ||
| Yeah. | ||
| Overeem knocked him out, too, though. | ||
| They had that horrible grudge match. | ||
| It was the best. | ||
| Those were the days. | ||
| The best rematch with him, with Botter, is Stefan Letko. | ||
| Oh, yeah. | ||
| Because he fought Stefan Letko, and Stefan Letko knocked him out with a spinning back kick to the body. | ||
| So he came back and knocked Letko out in the neck with a spinning back kick to the head. | ||
| He got him with the same kick. | ||
| And he was mean about it. | ||
| He was a sidekick. | ||
| And he was real skinny Botter Hari back then. | ||
| He wasn't Jack Botter Hari as he got older and got involved with Mexicans. | ||
| He got mean, too. | ||
| Now that I'm a little more educated on the steroid use, alleged steroid use, when I go back and watch a lot of these guys fight in MMA, I go, oh, you're an absolute giant, and there's zero reason you should be that bulky. | ||
| And no body fat, and somehow or another can go on forever. | ||
| Huh. | ||
| How interesting. | ||
| Maurice Smith fought Kevin Randleman, rest in peace, who was a great guy. | ||
| Kevin Randleman really truly was a great guy. | ||
| And he was one of those guys that was probably like one of the freakiest freak athletes that's ever fought in combat sports. | ||
| Mostly the best athlete to ever compete in the UFC. Pretty close. | ||
| A lot of guys say that. | ||
| He looked like a better looking Mike Tyson. | ||
| Like a prettier Mike Tyson. | ||
| When he was in his prime. | ||
| I mean look at that. | ||
|
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Look at that dog. | |
| He was a fucking dog. | ||
| He looked like that silverback we were looking at earlier. | ||
| By the way, plucked eyebrows. | ||
| I promise you plucked eyebrows. | ||
| I don't think that's true. | ||
| 100% plucked eyebrows. | ||
| Okay, let's not get weird. | ||
| And dyed hair. | ||
| But beautiful. | ||
| He definitely dyed his hair. | ||
| He's a beautiful man. | ||
| He's a black guy with blonde hair, dude. | ||
| He's a beautiful man. | ||
| He's a stud. | ||
| He's a beautiful human being. | ||
| Where was I going with that? | ||
| Oh, he fought Maurice Smith. | ||
| And after the fight, Maury said, okay, freak of science or freak of nature? | ||
| Like, that was what Maurice called me up. | ||
| That's great. | ||
| What do you think? | ||
| And I said, man, there's really no way to tell. | ||
| There's Maurice in Roundabout. | ||
| It's tough to tell. | ||
| He said the guy never got tired. | ||
| He said he never got tired. | ||
| That's a difference. | ||
| Well, no, because he was in college at Ohio State. | ||
| He was a freak, too. | ||
| There's legendary stories. | ||
| Yeah. | ||
| So it's easy. | ||
| You know, you could say, has he tried him in his life? | ||
| Maybe, but that's not why he's such a freak. | ||
|
unidentified
|
Right. | |
| I don't like when people discredit guys like that. | ||
| He's a fucking animal. | ||
| Nobody's discrediting him, but when you look at how muscular he is now that you know a little bit, No, you gotta see him in college. | ||
| There's pictures of him in high school, jacked. | ||
| He's a freak. | ||
| Brock Lesnar was that way. | ||
| In high school, he looked like a freak. | ||
| There's definitely freaks. | ||
| I'm not saying that there's not a chance they dabble in the old Mexican supplements. | ||
| But this thing is, a guy like Randaman, you have to have two things to look like that. | ||
| You couldn't take a guy like... | ||
| Brian Callum? | ||
| I was going to say... | ||
| I was going to say somebody else. | ||
| I'm not even on that. | ||
| I'm not even on that. | ||
| You're talking about like a shitty body? | ||
| Let's be honest. | ||
| We took you. | ||
| There's no way you're going to look like that. | ||
| There's no supplements on earth that can do that. | ||
| You have to have the frame. | ||
| His frame is insane and muscular. | ||
| There he is in high school. | ||
| He's a stud. | ||
| That's college. | ||
| But look at him in college. | ||
| He's ridiculously muscular. | ||
| Stud wrestler. | ||
| I mean, just a really powerful athlete. | ||
| And there's guys that are just more mesomorphic than other guys. | ||
| They're out there, man. | ||
| Mike Tyson was not taking steroids, I don't think. | ||
| No, he was not. | ||
| Fuck you. | ||
| No, he was not. | ||
| Fuck you. | ||
| You. | ||
| You think he was? | ||
| You think he was when he was like 14, 15, 16 years old? | ||
| When he was 19? | ||
| Hold on. | ||
| When he was 16 years old. | ||
| Maybe not 16. And looking the same. | ||
| And knocking dudes into a coma. | ||
| Looking like a grown man. | ||
| Mike Tyson was a freak of nature. | ||
|
unidentified
|
No, no, I'm with you. | |
| I'm not discrediting that. | ||
| Watch him versus Evander Holyfield. | ||
| It's like, alright, what are we doing here, fellas? | ||
| Like, Evander Holyfield could have got first in Mr. Olympia. | ||
| Oh, of course. | ||
| And Tyson was... | ||
| Obviously on some shit, too. | ||
| Well, why do you think he was on some shit? | ||
| He was willing to do everything else. | ||
| He had no problem with any other drug. | ||
|
unidentified
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Right. | |
| You know what I mean? | ||
| You don't rate bitches and not take steroids. | ||
| It's not like... | ||
| That's too far. | ||
| Crack is okay. | ||
|
unidentified
|
No, no, no. | |
| I wouldn't think about it for health. | ||
| I would think about it for... | ||
| As a matter of fact, there's apparently very little evidence that with all the steroid use that people do, all the crazy bodybuilders, like... | ||
| Not that many are dying. | ||
| That's true. | ||
| The WWE begs the difference. | ||
| WWE is dealing with painkillers. | ||
| You know that, and I know that. | ||
| Painkillers and steroid use. | ||
| Yeah, steroid use sure, but it's the painkillers that are killing everybody. | ||
| My boy Chris Benoit was like, huh? | ||
| He's on some shit. | ||
| Well, that guy also had some serious CTE, probably. | ||
| All those dudes that are slamming each other and hitting each other with chairs and shit. | ||
| What about all the type of bodybuilders? | ||
| They're still alive. | ||
| They are, aren't they? | ||
| Most of them are still alive. | ||
| And some of them were really abusive. | ||
| Like, definitely their endocrine system is shut down. | ||
| Definitely they have to take hormone replacement therapy. | ||
| But that's available. | ||
| You can do that. | ||
| But you look at them, though, and you're not looking at old boxers or old... | ||
| You go to Muhammad Ali's era, which is the same, I guess, maybe he predated Schwarzenegger by a little bit, like 10 years or so, maybe more. | ||
| More. | ||
| More, when Schwarzenegger first burst onto the scene. | ||
| So if you look at Ali, and you look at, obviously he's in a bad place now, but you look at Joe Frazier before he died, and you look at a lot of those older boxers from that era, they're fucked. | ||
| They're fucked. | ||
| But the older bodybuilders, there's a lot of them that are still around. | ||
| How's Arnold doing physically? | ||
| He's fine. | ||
| He's killing them. | ||
| He had to have a heart surgery. | ||
| Yeah, but he's fine. | ||
| And that was a valve issue, but yeah. | ||
| They said that was something that he was... | ||
| Valve, heart, They said that was something that he was born with. | ||
| Right. | ||
| That it was a condition. | ||
| Yeah, there's no evidence that steroids and testosterone is terrible for you, like we thought, right? | ||
| Because it started with Lyle Azato. | ||
| Remember that? | ||
| He's like, oh, I have this cancer, this brain tumor, because I took steroids. | ||
| But there's no scientific research to back that. | ||
| The problem is some people just get brain tumors. | ||
| So you've got to wonder, like, how come everybody's not getting a brain tumor? | ||
| Right. | ||
| Are we sure that the brain tumor is from that? | ||
| With individual cases, apparently, it's really hard to tell what's the ultimate cause. | ||
| Because you're dealing with all sorts of environmental causes. | ||
| You can also look at broad trends. | ||
| They were talking about cell phone use. | ||
| Cell phone use has gone up a great deal, but since 1992, from the last statistic I just read, which was yesterday, the gliomas, brain tumors, the really dangerous kind, have stayed pretty steady since 1992. So you'd think with all that... | ||
| Bluetooth, bro. | ||
| Yeah, maybe that's what it is. | ||
| Bluetooth cars. | ||
| Yeah, no, that is interesting, Brian. | ||
| That's interesting. | ||
| Yeah, so you would see a huge market rise over that last 20 years. | ||
| Yeah, it should be massive. | ||
| Of course, but you just haven't. | ||
| But in 26 years, you haven't. | ||
| It stayed very steady. | ||
| Maybe it's like cigarettes for a while. | ||
| They said cigarettes don't cause lung cancer. | ||
| It took 50 years to figure out But it's not ionizing radiation. | ||
| It's radio frequency. | ||
| It's not ionizing. | ||
| Ionizing, like, which would be x-rays and gamma rays, that kind of stuff. | ||
| That's ionizing. | ||
| So what that does, actually, is it changes, it knocks atoms, I guess, off the DNA or screws with your DNA, which can then lead to cancer itself. | ||
| But it doesn't mean that it necessarily will. | ||
| But what happens is, like, if one guy dies of, you know, whatever, cancer, and he took steroids, and he accused that, then we're like, oh, that's what steroids do. | ||
| If there's one example, the media rushes to it. | ||
| Well, here's an important point. | ||
| Like, Chris Benrod was just a bad dude with some CTE. I'm looking for a good reason to get on... | ||
| A lot of things wrong. | ||
| He was on drugs, all kinds of painkillers. | ||
| He was on steroids. | ||
| Those things also, when you're taking painkillers, certain painkillers, they react really badly to other drugs and, of course, alcohol. | ||
| If alcohol's involved, I don't know if it was, but then they react even worse. | ||
| He could have been just a shitty person, too. | ||
| You know, like, maybe he's a bad dude. | ||
| And then got all high and did some fucked up stuff. | ||
| Yeah, anything. | ||
| And he could have, you know, gone crazy. | ||
| Who the fuck knows? | ||
| But the Lyle Alzado thing, an important point is that Lyle Alzado was taking human growth hormone Hormone in a time where they were getting it from cadavers. | ||
| They were getting human growth hormone in a different way than they gather it now. | ||
| The way they gather it now is they produce it with bacteria. | ||
| They use yams and stuff, don't they? | ||
| That's for testosterone. | ||
| No, not human growth hormone. | ||
| It's also for estrogen. | ||
| There's steroid fucking soaked yams. | ||
| It sounds so crazy. | ||
| But they get testosterone and they can get female birth control out of Mexican wild yams. | ||
| Goddamn, look at yams. | ||
| Yams are super good for you. | ||
| Goddamn, look at yams doing the damn thing. | ||
| Super good for you. | ||
| I've always liked yams. | ||
| So, like, everybody that is on testosterone replacement therapy is getting it from yams. | ||
| Yeah. | ||
| The problem with it now, according to Novitski, is that they seem to have figured out a way to get it from animals. | ||
| So you're going to get testosterone from animals, and it'll be bio-identical. | ||
| Yeah, because the carbon, they figure it out because it has a different color. | ||
| Carbon ratio or something? | ||
| Carbon isotope ratio. | ||
| He's on it, I'm sure. | ||
| We'll figure that shit out. | ||
| He's a fucking gangster when it comes to that shit. | ||
| Snitch, yeah. | ||
| The golden snitch. | ||
| The golden snitch. | ||
| The ultimate golden snitch. | ||
| Well, you know, ultimately we're finding out what really does and does not What's really legit? | ||
| And we didn't know. | ||
| As in what works, you mean? | ||
| No, as far as who's on what. | ||
| Oh, yeah. | ||
| Because everybody was lying. | ||
| But look at Overeem. | ||
| Overeem's like, yeah, I'm not on shit. | ||
| Look at me. | ||
| I'm fighting for a world title. | ||
| Well, how about my man Tim Means? | ||
| The dirty bird got busted for taking some creatine. | ||
| The fucking dirty bird. | ||
| For creatine? | ||
| Yeah, they tested his creatine and it pisses hot. | ||
| Oh, that's stupid. | ||
| They found some shit right off the shelf. | ||
| They tested it and it pisses hot. | ||
| I'm taking crazy. | ||
| Well, listen, you can take it, but you got to realize that most of the stuff you're buying, if you're buying things from like GNC, muscle building, they put steroids in them. | ||
|
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|
Wow. | |
| There's a list on the USADA webpage. | ||
| Brands on steroids. | ||
| It is massive. | ||
| There's a list in USADA. All these testosterone boosters, how many of them make you piss hot in the Olympics? | ||
| It's like thousands of them. | ||
| Goddamn. | ||
| Dude, Jamie and I went over the other day, we tried to just get through the letter A. Oh, it's exhausting. | ||
|
unidentified
|
Why? | |
| The letter A is like hundreds and hundreds. | ||
| So how are you supposed to... | ||
| Anabolic, anabolic, animal, animal this, animal... | ||
| You can't take anything. | ||
| All that stuff's steroids. | ||
| So you stick to whey protein, basically. | ||
| This is what they do, apparently, according to friends that are in that world, in the supplement world. | ||
| What they're allowed to do is they can take something. | ||
| That's why when you buy gas station boner pills, they have Viagra and steroids in them. | ||
| Who's buying that shit? | ||
|
unidentified
|
Really? | |
| Brian Redband. | ||
| He buys them all the time. | ||
| Hey, man. | ||
| He lives off them. | ||
| I don't have friends that do that. | ||
| He doesn't even test them. | ||
| Just fucking takes two, three, throws them down, goes to work. | ||
| Just rock hard all night. | ||
|
unidentified
|
So they actually work. | |
| Also, it's a steroid, too. | ||
| It makes you super horny. | ||
| It makes you aggressive. | ||
| But what happens is they get caught, and then they take it off the market, and then they come right back with a new name. | ||
| With a new name. | ||
| Now it's rhino power. | ||
| But don't they change like a molecule? | ||
| If it is on the band, they change the different names so it takes them forever? | ||
| It's not banned list. | ||
| They just lie about what's in it. | ||
| They don't go that far. | ||
| That's like being legit. | ||
| Nobody's paying attention, right? | ||
| You're talking about fake marijuana. | ||
| That's what you're talking about. | ||
| That's what they do. | ||
| No, no, no. | ||
| He's talking about basalts. | ||
| Basalts is what they do when they take MDMA or anything else. | ||
| Well it's usually crystal meth. | ||
| They do fake marijuana too. | ||
| People jump out of windows. | ||
| Kids tweak out on that shit. | ||
| But fake marijuana is a plant though. | ||
| Fake marijuana kids can buy it. | ||
| I used to work for a company that sold it. | ||
| What? | ||
| So how do they do that? | ||
| What do they do? | ||
| They would distribute it. | ||
| Head shops. | ||
| Yeah, the stores that were getting it, they would get hit up by the FDA or whoever was against it, the DEA, and they would tell them what specific chemicals were illegal. | ||
| They would then go back to the labs, take that specific molecule out, change the number from CL. Right. | ||
| But how could they do that with weed? | ||
| They did that with Androstein, too. | ||
|
unidentified
|
It's not weed. | |
| It's that spice. | ||
| They're spraying fake THC on it so people think they're... | ||
| Getting close to that. | ||
| Oh, really? | ||
| It's fake weed? | ||
| Yeah, yeah, yeah. | ||
| Okay, so that fake weed is like... | ||
| It's legal. | ||
| Anybody can buy it. | ||
| Whoa. | ||
| Havana, has anybody tried it? | ||
| Why the fuck would anyone try that? | ||
| That's what they do, and then they change it. | ||
| Then they get busted out, and then they go back, and the same company makes it, and they twist it a little bit. | ||
| Same thing with bath salts and a couple other things. | ||
| Bath salts. | ||
| If you've seen videos of kids freaking on that, what the fuck? | ||
| See, but the thing about these pills that they're buying from the gas stations is it's not like... | ||
| Similar stuff to Viagra. | ||
| They fucking throw Viagra in it. | ||
| Yeah, and steroids. | ||
| You're taking that Barry Bonds, son. | ||
| Yeah, you're taking all kinds of shit. | ||
| Go ahead and fuck girls, hit baseballs. | ||
| You know what I'm saying? | ||
|
unidentified
|
I can't believe you have a friend who takes that shit. | |
| I always look at him like, who the fuck buys this stuff? | ||
| Brian's out of his mind, though. | ||
| He's out of his mind. | ||
| Does he buy his Red Band? | ||
| Fuck those lot lizards? | ||
| No. | ||
| You've never met Red Band? | ||
| Brendan, you've never met Red Band? | ||
| I met him very briefly at our first live show at the Comedy Store, because Rogan and him came through there. | ||
| We talked to each other on Twitter, but I've never had a conversation with him. | ||
| Shit. | ||
| Which is weird, because he's Joe's friend, so you'd think we'd link up, but no. | ||
| He's ridiculous. | ||
| He'll take those things all day. | ||
| All day long. | ||
| Some people don't care. | ||
|
unidentified
|
Really? | |
| His endocrine system must just be shattered. | ||
|
unidentified
|
He doesn't give a fuck. | |
| He smokes a lot of cigarettes and drinks. | ||
| That's like my friend was like, I want more energy. | ||
| Can you help me? | ||
| I go, you smoke. | ||
| And he goes, yeah. | ||
| I go, you got to stop smoking before I start talking to you. | ||
| He goes, no. | ||
| I can't do that. | ||
| I was like, then I'm not going to have a conversation with you. | ||
| Who the fuck do you know that you're talking to and you said you've got to stop smoking? | ||
| He's a famous director. | ||
| No, I can't do that. | ||
| I'll tell you afterwards. | ||
| Okay. | ||
| But he's a famous director. | ||
| And I was like, you have to stop smoking. | ||
| He goes, no. | ||
| No, I can't do that. | ||
| And then I go, you're going to die. | ||
| He goes, what if? | ||
| Dude, I've never fucked with Viagra or anything like that. | ||
| Good for you. | ||
| You have? | ||
| No. | ||
| Of course. | ||
|
unidentified
|
Really? | |
| I took it once. | ||
| It gave me a headache. | ||
| I'm on it right now. | ||
| I knew this podcast was going to be strong. | ||
|
unidentified
|
There it is. | |
| Rhino 12, 7, 11. See, that Rhino 12, the graphic is so intense, I'm not taking that. | ||
| Yeah, you need that in your life. | ||
| It's pretty cool, though. | ||
| I wonder if you see that. | ||
| What kind of pussy picks up Rhino 7? | ||
| Damn, I don't know. | ||
| Who doesn't go right to Rhino 12? | ||
| I'm taking that Rhino 11. I'm like, are we here to party? | ||
| See, I'm like, you know what? | ||
| Rhino 7 looks for bitches. | ||
| Rhino 11, I'll take. | ||
| It's interesting that... | ||
| Rhino 7 might be for girls. | ||
| Is that his Instagram? | ||
| Oh, that's Red Band's Instagram! | ||
| Jesus Christ! | ||
| What's that? | ||
| It means he's getting ready to party. | ||
| Time, size, and stamina. | ||
| He's not kidding, man. | ||
| He really does take those things. | ||
| No headache. | ||
| Dude, some dude did a review of those things online, and he said they fucking work. | ||
| Not only did it work, it's like they're crazy good. | ||
| Maybe he's getting sponsored by them or something. | ||
| Red Band? | ||
|
unidentified
|
I asked him about that once. | |
| There's no way he's taking them every day. | ||
| You can't be healthy and take them. | ||
| I'm only kidding when I say every day. | ||
| But he takes it a lot. | ||
| Brian parties, man. | ||
| When you stop taking it, does your dick not work? | ||
| You know, like steroids? | ||
| Talk to him. | ||
| Lorenz Larkin and Jorge Masvidal. | ||
| Hey, Brendan, I'm not going to say if I've ever done Viagra or not. | ||
| Yeah, you for sure have. | ||
| But I'm saying if you ever do MDMA, you're going to need that shit. | ||
| Trust me. | ||
| That's it. | ||
| That's all I'm going to say. | ||
| That might be info I already know. | ||
| Let's watch this fight because this is a big one. | ||
| Lorenz Larkin and Jorge Masvidal. | ||
| This is another super skillful fight that's a sleeper fight. | ||
| It's a great fight. | ||
| Larkin and underdog. | ||
| A little surprised. | ||
| Well, Larkin had that fight with Tumanov that could have gone either way. | ||
| That was a super close fight. | ||
| Larkin is a slick stand-up fighter. | ||
| Real slick. | ||
| But so is Masvidal. | ||
| Remember, Masvidal was kind of the first Kimbo slice. | ||
| He was a backyard fighter in Miami. | ||
| Well, he was in the same group as Kimbo, right? | ||
| I mean, he was in some of those early videos. | ||
| Yeah, man. | ||
| Super game. | ||
| Phenomenal ref. | ||
| He's good at everything. | ||
| Yeah, he's good at everything. | ||
| He's a very smart guy, too. | ||
| Yes. | ||
| Very sneaky. | ||
| Remember when he fought? | ||
| He fought Eve Edwards and I think it was Bodog. | ||
| He head kicked him. | ||
| Dude, if he's on, I don't see how guys beat them. | ||
| He's so good at everything. | ||
| It was back when Yves was considered to be one of the best in the world. | ||
| Yeah, man. | ||
| It's like everybody thought Yves was... | ||
| I mean, it was after Yves. | ||
| I think it was after he had beaten Josh Thompson. | ||
| So talented for a long time. | ||
| Oh, yeah, man. | ||
| But, you know, father time catches up to everybody. | ||
| Just people that can do things that your body just can't do anymore. | ||
| After not just father time, but I think more importantly, beatings. | ||
| Yeah. | ||
| Yeah, you can't take the beatings. | ||
| I think it's more the reaction to it. | ||
| Yeah, I was going to say, it's a reaction. | ||
| Like last night I was working that Shane Mosley fight and I asked him afterwards, I said, you know, he fought a young guy who's 25. I said, what was the difference? | ||
| He goes, my reaction time is just not there. | ||
| He's way younger, faster. | ||
| Did he lose? | ||
| Yeah, he lost an incision. | ||
| He goes, I wanted to throw something, it's just not there anymore. | ||
|
unidentified
|
Wow. | |
| He's like, that's the first time I've noticed it to go. | ||
| And how long has it been since his last fight? | ||
| He fought like six months ago, seven months ago. | ||
| But he fought, you know, not the same caliber of guys. | ||
| He wasn't fighting young guys. | ||
| He was fighting older guys. | ||
| Now he fought a young, hungry line. | ||
| Right. | ||
| And Shane was always so quick when he was young. | ||
| So quick, man. | ||
| But you've got to think, Shane has also been punishing his body through camps. | ||
| He's 44. Yeah, for all these years. | ||
| He fought at the highest level. | ||
| For 20 years. | ||
| Yes. | ||
| You know, for more than 20 years. | ||
| You know, he was a stellar... | ||
| Nice switch kick to the body. | ||
| He was a stellar amateur fighter as well. | ||
| Amazing amateur fighter. | ||
| Yeah. | ||
| So you've got to think about all those years of boxing and all the damage that it does to you. | ||
| After a while, your body just does not want to perform anymore. | ||
| Dude, and he still almost beat that young cat. | ||
| Damn, where does Lawrence Larkin fight out of? | ||
| He's good, man. | ||
| Millennium Jiu-Jitsu. | ||
| Millennium MMA. But is he a stand-up fighter first and a grappler second? | ||
|
unidentified
|
He's... | |
| Yeah, well, he's got skills on the ground for sure, but on his feet, he's super slick. | ||
| Stand-up's his forte. | ||
| His takedown offense is amazing. | ||
| He came into rain one time, and just wrestling, fuck, people couldn't get him down. | ||
| Munoz, Cummings, myself, he's a monster. | ||
| What? | ||
| Well, he fought at a higher weight class. | ||
| He beat Robbie Lawler in Strikeforce at 185. People forget about that. | ||
| Lorenz Larkin is legit. | ||
| And at this weight class now. | ||
| Yeah, at 170, he's really, really good. | ||
| But it just shows you how deep the pool is because Tumanoff beat him, although, like I said, could have gone either way. | ||
| He throws this really creepy fucking spinning heel kick to the legs. | ||
|
unidentified
|
A lot. | |
| It's nasty. | ||
| He's really good at it, and he does it on the inside and the outside, but he did it on the outside a couple times against Tumanov, and I was like, whoa, I want to see him that nice jab. | ||
| Yeah, he was hitting that dude last fight he fought. | ||
| He was hitting the guy in the calf. | ||
| It was just crazy. | ||
| I was just thinking about, like, these guys are so talented, right? | ||
| And you look at welterweight, you look at middleweight. | ||
| It's like Bisping. | ||
| It took him 10 years to get a title shot. | ||
| 10 fucking... | ||
| That's how tough it is, man. | ||
| I know. | ||
| And meanwhile, if Yoel Romero didn't get popped, and if Jacare didn't get hurt, he wouldn't have even gotten that call. | ||
| No, he would have never got a title shot. | ||
| That's not necessarily true. | ||
| He could have beaten one more guy and gotten a title shot, but he wasn't really in line for it. | ||
| He's in a tough spot, man. | ||
| With his career physically, his eye, he's tough. | ||
| Did Yoel go to Jackson's? | ||
| Is he training there, somebody said? | ||
| I don't know. | ||
| I had heard something like that, too. | ||
| I don't know what they're going to do with it. | ||
| He was another one. | ||
| He's cleared in July. | ||
| He has another one. | ||
| He had a supplement that he took, an off-the-counter supplement, over-the-counter supplement that was tainted. | ||
| There's a lot of them that are tainted. | ||
| Stop taking shit. | ||
| Yeah, but it works. | ||
|
unidentified
|
Goddammit. | |
| Obviously, it works. | ||
| This is the reason why this stuff has shit in it. | ||
| There's a reason you can't take it. | ||
| Your friend tells you it works, and you're going to work. | ||
| You're going to mix wines? | ||
| Yeah, but with Bisping, I was glad to see him get a title shot, but it sucks it's that way, but now I think it's probably the only way it was going to happen. | ||
| Yeah, most likely. | ||
| Masvidal just landed a good right hand. | ||
| Well, I mean, it could have happened. | ||
| Look, he just beat Anderson. | ||
| They're both older, though, Joe. | ||
| If you toss him Jacare, Yoel, Weidman, it's going to be a tough night for him. | ||
| Could be. | ||
| Very tough. | ||
| The odds would be in my favor on that. | ||
| The odds would be in that favor, but not 100%. | ||
| You know what I mean? | ||
| There's a thing about guys that are tough, like Bisping, is they figure out a way to get shit done. | ||
| So, oh, he just poked the shit out of his eyes. | ||
| Goddammit. | ||
| And that looks like it hurts. | ||
| Oh, my God. | ||
| It's over. | ||
| There's no way. | ||
| You can't fight after that. | ||
| He's not coming back from that. | ||
| Oh, my God. | ||
| I fucking hate eye pokes. | ||
| He knew right away, too. | ||
| He said, fuck. | ||
| There's nothing worse. | ||
| Larkin knew. | ||
| His finger probably went into his brain. | ||
| Hey, Joe, here's an idea for you. | ||
| That's awful. | ||
| With title shots, you know how they say, well, anyone in the top five needs to stay ready if there's a title shot now. | ||
| I don't want to see this. | ||
|
unidentified
|
Ah, watch this. | |
| Boom! | ||
| Oh, my God. | ||
| That's knuckle deep. | ||
| Let's show you how fucking effective an eye poke is. | ||
| Oh, my God. | ||
| I don't think anyone's questioned that, Brian. | ||
| If you get in a street fight, forget all the technique. | ||
| That looked crazy. | ||
| That's that Carl McGraw, son. | ||
| Shit. | ||
| Right? | ||
| Man! | ||
| I fucking hate the open fingers. | ||
| Oh, he looks fine. | ||
|
unidentified
|
He looks fine now. | |
| No, no, no. | ||
| He's hurting. | ||
| No, he's not. | ||
| Now you've got one eye. | ||
| You've got to fight now. | ||
| He's good. | ||
| I know. | ||
| I'm plunging my fingers into dry rice from now on. | ||
| Yeah, listen, man. | ||
| Dude, think about when you get poked in the eye, how long it takes before you're ready again. | ||
|
unidentified
|
Well, look at it. | |
| He's ready to go. | ||
| Yeah, because they're making him. | ||
| He's acting like that. | ||
| No, he's acting like that. | ||
|
unidentified
|
You would see that he would be like this if he was fucked up. | |
| He is like that. | ||
| Do you know, I would like to see statistics on how, when guys fight, what happens after they get eye poked. | ||
|
unidentified
|
After? | |
| How many more guys? | ||
| Somebody do that. | ||
| One of you MMA websites. | ||
| You're going to have to get 100 guys and poke them in the eye and throw them in a cage. | ||
| No, we're talking about results from fights that have already happened. | ||
| So one of the MMA sites, please do something on this if you have the notion. | ||
| And kicks to the balls. | ||
| Kicks to the balls are big. | ||
| That's a good one, too. | ||
| But I think eye pokes are worse, honestly. | ||
| I bet you'd be surprised at both. | ||
| They're close. | ||
| Maybe you get kicked in the balls and that just saps everything out of you. | ||
| That's a good question. | ||
| Remember when Chris Duster got kicked in the nuts by Gonzaga? | ||
| And they were like, you good, bro? | ||
| He got kicked so hard. | ||
| He goes, yeah, I'm good. | ||
| Obviously, he looks like shit. | ||
| The douche head kick. | ||
| Game over. | ||
| Not that that won't happen anyways, but that was the worst I've ever seen. | ||
| Yeah, it can be bad. | ||
| It certainly can be bad. | ||
| It's part of Congo's game plan. | ||
| Balls are tricky now. | ||
| Because you got a cup, so sometimes when Gilbert Ivel and Vanderlei fought in Pride and Vanderlei kicked Gilbert in the balls, his cup was caught right on his balls. | ||
| That'll pinch your balls. | ||
| It was a different kind of pain. | ||
| Now that was like a stinging pain that he could not recover from. | ||
| No, it's a different game. | ||
| Yeah. | ||
| But I want to see a statistic on what happens to guys when it's a close fight like Mitrione and Travis Brown and then he gets eye poked and then from then on it's a blowout. | ||
| And there's a lot of fights like that where a guy gets eye poked and like it looked towards the end like Masvidal had recovered. | ||
| He looked like he was fighting really smooth and well. | ||
| It didn't look like Travis and Mitrione is a perfect example of like Mitrione was not the same after that eye poke. | ||
|
unidentified
|
No. | |
| You can tell he got jacked. | ||
| Didn't he get poked twice in that fight? | ||
| Yes, he did. | ||
| And they did nothing. | ||
| Yeah, it was not a good refereeing job, I don't believe. | ||
|
unidentified
|
No. | |
| Who did it? | ||
| What do you do, though? | ||
|
unidentified
|
I don't remember. | |
| I don't want to call him out. | ||
| I just remember being upset with it. | ||
| Like, when a guy gets his eye poked that bad, you know, like, there's a real problem with making a guy go fight when you know he's compromised, and the reason why he's compromised is a foul. | ||
| So everybody who's watching wants the fight to continue. | ||
| We don't want to be disappointed. | ||
| It's not like the fight is being stopped because of a legit technique. | ||
| The fight's being stopped because of a foul. | ||
| Would you give him five minutes or what would you do? | ||
| I would stop the fight. | ||
| He's blinking, man. | ||
| He's blinking a lot. | ||
| He won't stop blinking now. | ||
| Something's wrong. | ||
| I think when a guy goes down like that, there's almost a good argument to stop the fight. | ||
| It definitely changes the dynamics. | ||
| I would like to see those statistics, too. | ||
| I guarantee it's probably in the favor of the guy who pokes the guy in. | ||
| It's got to be if you see it in the... | ||
| The judges should be allowed to see the replay and go, okay, that shit was deliberate. | ||
| Boom, minus a point. | ||
| Well, it's not deliberate. | ||
| Most times, it's not deliberate. | ||
| But if it is... | ||
| Certain guys... | ||
| How are you gonna judge that, though, Eddie? | ||
| But what if it's clean? | ||
| Fuck if it's deliberate. | ||
| Who cares what they were thinking? | ||
| If you fucking landed it, you're gonna get penalized. | ||
| 100%. | ||
| That's it. | ||
| It doesn't matter. | ||
| It'd be the best way to stop it, for sure. | ||
| It's never gonna stop. | ||
| Because it's an instinct and because a lot of guys train Muay Thai. | ||
| And so they're used to open-handing people on the forehead and pushing them off. | ||
| And then you go to do it with regular gloves. | ||
| Some guys aren't Muay Thai and they do it. | ||
| If you don't get a point taken off, like for the first shot, then a guy knows he has one free shot at the balls, right? | ||
| Here's the words. | ||
| While they don't have complete data, they did find 32 eye pokes that led to a pause in the action from a sample of 1,333 fights. | ||
| And Ramy estimated you're likely to see an eye poke in 3-4% of UFC fights. | ||
| Taken at the high end, you're likely to see an eye poke once every 25 fights or so. | ||
| Conservatively, 96% of fights transpired devoid of eye pokes. | ||
| It doesn't say the success rate. | ||
| That's interesting, though, to hear that. | ||
| I figured behind that, 3-4%. | ||
| Well, how many Jon Jones fights? | ||
| That's probably the 3-4%. | ||
| I mean, there's some guys that just their style... | ||
| He's so long too. | ||
| I can't wait to see that Rumble Jones fight. | ||
| Well, they're not fighting. | ||
| Cormier's gonna fight. | ||
| Oh, that's right. | ||
| That's right. | ||
| Hey, bro. | ||
| Masvidal looks okay, but only he knows whether or not he got really compromised from that poke. | ||
| He's definitely compromised, but he can still get a win, but it's definitely... | ||
| Right, but it's not the same. | ||
| I agree. | ||
| No, I'm with you, John. | ||
| I wouldn't mind if they stopped it. | ||
| But then you're talking about entertainment. | ||
|
unidentified
|
Fuck that. | |
| They're just standing right in each other's... | ||
| There you go, ladies. | ||
| Dude, Masvidal looks good. | ||
| I'd be pissed if they stopped it. | ||
| Fuck that. | ||
| I agree with you. | ||
| I'd be pissed if they stopped it in this fight. | ||
| But I think in the Mitrione fight, there's a good argument for stopping it. | ||
| That fight, he looked like way more fucked up. | ||
| Like when he went back, he never looked the same. | ||
| And it was terrible, man. | ||
| The second time, I think there's a good argument for stopping it. | ||
| It's because it's almost unfair to let a guy fight on. | ||
| I think you disqualified a guy. | ||
| If you're talking two to three times, what the fuck you gotta do? | ||
| And it's still an accident. | ||
| Even if it's an accident, it still does damage. | ||
| I think it's up to the ref. | ||
| The ref's gotta assess exactly what kind of an eye poke to. | ||
| There's too much pressure on the ref to give him that kind of power. | ||
| Masvidal's a good ref player here. | ||
| Let's see if he can get Lorenz to the ground. | ||
| Lorenz is fighting it off. | ||
| Dude, his takedown offense is... | ||
| Nasty. | ||
| Lorenz is so slick. | ||
| But so is Masvidal, man. | ||
| I'm liking the way he's fighting here. | ||
| Real vet. | ||
| Right in the... | ||
| Just... | ||
|
unidentified
|
Bam, bam, look at that. | |
| Little doll. | ||
| Some dude made that. | ||
|
unidentified
|
Gave it to me in Atlanta. | |
| This is so fucking cool, man. | ||
| Come on. | ||
| That is dope. | ||
|
unidentified
|
That was the coolest fucking thing. | |
| That is really dope. | ||
| This could be like an animated series, man. | ||
| You could be the star of it. | ||
| It's hilarious. | ||
| It's funny because the UFC made those little dolls and they made one of me and they gave it to me, whatever the company was and I was laughing. | ||
| I was like, that is so ridiculous. | ||
| It doesn't look anything like me. | ||
| It didn't look anything like me. | ||
| I'm like, did you just pretend it was me? | ||
| Just a bald guy? | ||
| Just love it. | ||
| I don't even think it was back when I was bald. | ||
| I think I had hair back then, but it was so bad. | ||
| It looks like your torso and your arms. | ||
| Oh, it looks just like me. | ||
| The guy did a great job. | ||
| You look a little older in that. | ||
| Yeah, but still. | ||
| I was going to say, that's when you know we're all getting older. | ||
| We're all getting older, though. | ||
| I just want to put that out there. | ||
|
unidentified
|
Thank you. | |
| We're definitely getting older. | ||
| Everybody does. | ||
| I mean, nobody said immediately, ah, you look older. | ||
| It took a little bit, because we all expected to get, not you, Brennan, but for us in our late 40s. | ||
| Compared to you guys. | ||
| How old are you now, Brennan? | ||
| 33. Christ save. | ||
| Every bit of it. | ||
| Yeah. | ||
| Once you hit 40, you want those guys to hit 40. Ooh, look at that right hand. | ||
|
unidentified
|
Come up. | |
| Every year, come up. | ||
| Come closer. | ||
| You guys are wiser, though. | ||
| It's good to have friends. | ||
| Dude, Larkin is looking smooth here, man. | ||
| Masvidal is standing. | ||
| Ooh, Masvidal with that switch kick. | ||
| Damn! | ||
| I love that switch kick. | ||
| Somebody's going to get caught here. | ||
| Oof! | ||
| That uppercut, man. | ||
| Yeah, well, Masvidal is real sneaky, but so is Larkin. | ||
| Larkin is real sneaky with his attacks. | ||
| Larkin is stuff to train for, man. | ||
| He's so unconventional. | ||
| His angles are weird. | ||
| His style is weird. | ||
| Well, he's got a little bit of karate mixed in with a lot of boxing and Muay Thai. | ||
| Look at this, look at this, man. | ||
| Some of his moves are like karate moves. | ||
| But Masvidal might have tagged him there. | ||
| Look at this, Loracca with a takedown. | ||
| Who saw that coming? | ||
| His jiu-jitsu is good, too. | ||
| That'll win him the round for sure. | ||
| Joe, all I was saying on those title shots, what if, you know how they say anyone in the top five needs to stay in shape just in case a guy gets hurt? | ||
| What if during a title shot, the UFC tells a guy he's the reserve? | ||
| So if Wyoming gets hurt, Bisbee, you're up, brother. | ||
| So you don't have to go to training camp. | ||
| But be ready, because you're the first guy we go to, so we're not fumbling around. | ||
| We should have that laid out on the card, like the alternates. | ||
| I don't think you tell people, because let's say in DC Jones' case, let's say Rumble's the alternate, people want to see that fight. | ||
| It's like, come on, hopefully he gets hurt. | ||
| I don't think you tell anyone. | ||
| You just surprise him, but only that fighter knows. | ||
| Only that fighter knows. | ||
| Then you start paying people to hurt him. | ||
| I think Rumble's the most dangerous fight in many ways, because Jones does take hits to the face, and he can't do that With Rumble. | ||
| I don't think you do. | ||
| If you listed the alternate, either fighter might have someone pay someone off to make sure that motherfucker gets hurt. | ||
| You don't tell anyone. | ||
| So you can't tell anybody. | ||
| No one's going to do that. | ||
| Hey, it could happen in big title fights. | ||
| You're like, shit, I want to fight that guy. | ||
| I don't want to fight this dude. | ||
| What you'd have to worry about is some unscrupulous promoter or some character. | ||
|
unidentified
|
Tonya Hardy. | |
| For sure. | ||
| Don't forget about Tonya Harding. | ||
| Think if they told Bisping, hey bro, Sousa's out for a while, obviously our boy Yoel's out for a while. | ||
| If something happens with Weidman, there's a good chance because he does get hurt, you're up. | ||
| So don't go to fucking Toronto and film a movie. | ||
| Yeah, you tell them one in five. | ||
| You're one of five guys we're thinking about. | ||
| Yeah, but if you're a guy like Bisping and they offer you a fucking movie, you realize... | ||
| You realize you're at the end of your career, you gotta take that movie shot. | ||
| I'm not hating on him. | ||
| I'm just saying if the UFC had a plan in place, yes. | ||
| But then he would still have to take that movie. | ||
| You gotta take it because it's a bird in the hand. | ||
| You know, maybe he would train a little bit more. | ||
| In general, guys aren't filming Fast and Furious 9 or whatever. | ||
| You know what I'm saying? | ||
| You never know. | ||
| Like with Cheo Son and Jon Jones, if you had a backup in case... | ||
| You still have a fight. | ||
| So Weidman is out for a while, man. | ||
| He's got some disc issues in his neck. | ||
| He says he'll be back for that Madison Square Garden card. | ||
| Yeah, he wants to be, but he's got to be real careful because you don't want to rush something like this. | ||
| That's a bad one. | ||
| He's got a herniated disc in his neck that's... | ||
| Woo! | ||
| Goddamn, Lorenz is fast. | ||
| Speaking of herniated discs, I go into surgery Tuesday for my L5. Oh, shit. | ||
| Damn, bro. | ||
| Disc replacement, baby. | ||
| For your lumbar? | ||
| Lower? | ||
|
unidentified
|
Lower? | |
| Yep. | ||
| Wow. | ||
| Serious shit. | ||
| How bad is it? | ||
| My disc, my L5 S1 doesn't exist. | ||
| That's why I'm in it. | ||
| My lower back is an eternal constant state of inflammation. | ||
| It's just sore. | ||
| It's just a wreck. | ||
| Every day no matter what I do. | ||
| I could stop working out for two months and it would feel like I did squats the day before. | ||
| Or deadlifts, you know what I mean? | ||
| For sure get that surgery. | ||
| Is there anyone you guys know who trained in jiu-jitsu for a long time who doesn't have some issue with their back or neck? | ||
| No. | ||
| My doctor said that you're cranking on your neck and back all the time. | ||
| I mean, it's part of the game. | ||
| You're pretty injury-free now. | ||
| My neck's pretty fucked up. | ||
| My doctor said you get girls in here who've never done anything and they're 23. Oh! | ||
| Masvidal! | ||
| Masvidal is standing guillotine! | ||
| Keep it against the cage. | ||
| Nope. | ||
| Nope. | ||
| Goddamn Lorenz is tough. | ||
| Oh, shit, son! | ||
| Oh, shit. | ||
| This is a fight, dude. | ||
| Goddamn. | ||
| This is a... | ||
|
unidentified
|
Oh, my God. | |
| This is a fucking slobber knocker. | ||
| Yeah. | ||
| Real Donnie. | ||
| Oh, again! | ||
| Again! | ||
| He has to pass. | ||
| Nope. | ||
| He's out. | ||
| Do you see what he's doing? | ||
| That is crazy. | ||
| He's bridging on his neck. | ||
| Yeah, but he's in trouble. | ||
| Oh, now it's over. | ||
| He's going for the neck again. | ||
| Look at all that sweat. | ||
| Defense. | ||
| That's a lot of sweat. | ||
| Beautiful defense. | ||
| Masvidal is fucking relentless, too. | ||
| Jesus Christ. | ||
| How about Larkin's takedown defense? | ||
|
unidentified
|
He's getting up, man. | |
| Crazy takedown defense. | ||
| It's nuts. | ||
| I'll be telling you. | ||
| He's so athletic. | ||
| He just went up on his head! | ||
| His guillotine defense, too, is insane. | ||
| Goddamn. | ||
| Especially when he's this tired. | ||
| Yeah. | ||
| Third round of a brawl. | ||
| Would you mind if a dude started wearing rash guards if they wanted to? | ||
| No, you should be able to wear that if you wanted to. | ||
| And girls wear them, right? | ||
|
unidentified
|
Why not? | |
| They can't have their titties out. | ||
| Of course girls wear them. | ||
| I think it would take sweat out of the game, which I think would show more technique, especially grappling. | ||
| It would increase submissions. | ||
|
unidentified
|
Oh, oh! | |
| Is that a take-down? | ||
| For sure. | ||
| Does that count as a take-down when he just did it? | ||
| Of course. | ||
| It increases entertainment, it increases in submissions. | ||
| It doesn't matter if it counts because this guy gets right back up. | ||
| They should make rash cards mandatory. | ||
|
unidentified
|
No. | |
| No. | ||
| No, no, no. | ||
| Guys should wear sunglasses, too. | ||
| No, there's benefits to it and then there's negatives to it if you're a striker. | ||
| You want to keep... | ||
| You want to be all greased up? | ||
| Yeah. | ||
| Oh, he tagged him with an uppercut! | ||
| Jesus Christ, this fight is amazing. | ||
|
unidentified
|
This is crazy. | |
| Nuts! | ||
| Definitely not mandatory. | ||
| We've got to remember this. | ||
|
unidentified
|
Is greasing illegal or legal? | |
| Illegal. | ||
|
unidentified
|
It's illegal. | |
| Because it's a foreign substance. | ||
| Yeah, but it's a foreign substance. | ||
| No, no, no, no. | ||
| But why, though? | ||
| Because it's a foreign substance. | ||
| And then what happens? | ||
| What does it do? | ||
| Come on, don't play games. | ||
| It benefits the guy that has it on him because he can't get taken down. | ||
| And it's a foreign substance. | ||
| Yeah. | ||
| Of course, but... | ||
| It's nothing like sweat. | ||
| It's very much like sweat. | ||
| Sweat is slippery and greasy. | ||
| Sweat is very slippery. | ||
| It's very similar. | ||
| It's a lot more extreme. | ||
| It's a lot more extreme. | ||
| That brain and that back. | ||
| Just double duty. | ||
| Double duty, brother. | ||
| Eddie, what are they going to do, though? | ||
| Everybody's going to wear a mask for your back. | ||
| Eddie, that's like the gi argument. | ||
| Why doesn't everybody wear a gi? | ||
| No, it's just, if greasing is illegal because it makes shit too slick, if greasing is illegal, it has none to do with it, if greasing is illegal because it makes shit too greasy, but the problem is, there's no tests for it. | ||
| Right, but Rashgard is a foreign substance. | ||
|
unidentified
|
So if it's illegal, how do you test for it? | |
| You can test for it. | ||
| Rashgard is a foreign substance. | ||
| Tell me about the test, because there is no test, but tell me about the test you know. | ||
| With Vaseline or whatever? | ||
| Yeah. | ||
| How do they test? | ||
| Dude, you have a commission following you around from the locker room to the cage. | ||
| But there's no swab and then they put it in. | ||
| It's like testing in a cup. | ||
| There's no official test that says that you went over the grease limit. | ||
| We can't put grease on your body. | ||
| Let me stop this right now. | ||
| Because one thing you definitely can do 100% that has been done is you take a mineral oil bath the night before. | ||
| Yes. | ||
| Take a mineral oil bath the night before and then you get into that cage and you don't have anything on. | ||
| You took a shower. | ||
| You don't have anything on. | ||
| You are slippery as fuck. | ||
| Is that right? | ||
| 100%. | ||
| 100%. | ||
| And there's nothing anybody can do about it. | ||
| Nothing anyone can do. | ||
| Unless there's an official test. | ||
| But there is no official test. | ||
| But since girls wear rash guards all the time. | ||
| I don't think it's a huge issue where Dana's going, holy fuck, everyone's slipping out submissions. | ||
| We've got to figure something out here. | ||
| Every year the NFL has meetings to change stuff to make the sport more offensive. | ||
| They're always figuring out a way. | ||
| They're always handicapping the defense. | ||
| You know, you can't hit the receiver. | ||
| You're always handicapping the defense. | ||
| You want more offense as a league. | ||
| The same thing can be done for MMA. You get together and go, how do we improve submissions, for instance? | ||
| You improve submissions by making them more rash guards. | ||
| They want knockouts. | ||
| They want knockouts as much as they want submissions. | ||
| No, exactly. | ||
| We do something for the knockouts, too, but you do something for submissions, too. | ||
| Every year, you do something a little bit here and there. | ||
| Girls wear rash guards all the time. | ||
| I'll tell you what. | ||
|
unidentified
|
They can't have their tickets. | |
| I'll take rash guards, no gloves for a thousand, Alex. | ||
| Goddammit, no. | ||
| No, guys! | ||
| What were you saying about headgear? | ||
| Rash guards, no gloves, let's do it. | ||
| That'd be perfect. | ||
| You wouldn't have to create this test for this thing that you made legal. | ||
| It's illegal, but there's no test. | ||
| Because it's not that big of a deal. | ||
| Then why is it illegal? | ||
| Why is it illegal? | ||
| Hold on, I don't think you're right. | ||
| People grease all the time, dude. | ||
| I don't think you're right. | ||
| Because I know that Herb Dean tested someone before. | ||
| I know Herb Dean took a swab. | ||
| He took a swab off someone. | ||
| Maybe it's just a test of physics. | ||
| They pat you down. | ||
| I don't think it's that much of an advantage either. | ||
| It's a crazy advantage. | ||
|
unidentified
|
If you're a grappler, if you're a grappler it is. | |
| Of course, it's a tremendous advantage. | ||
| I don't think so. | ||
| What did Herb say? | ||
| Try grappling with someone greasy. | ||
| What did Herb say? | ||
| Punch him in the face. | ||
| You said you talked to Herb. | ||
| He said he's done on-site shit where he'll look and see. | ||
| But that doesn't stop a guy from... | ||
| How long ago was this? | ||
| Maybe a couple months ago. | ||
| Maybe three months ago. | ||
| I know there was at least... | ||
| I was asking everyone. | ||
| There's no test. | ||
| They just... | ||
| Lorenz Larkin to Monsoon with the victory. | ||
| I think that's a good decision. | ||
| I didn't watch it close enough to judge, but his takedown definitely helped him. | ||
| Those two takedowns. | ||
| I feel like he landed just a little bit more. | ||
| Amazing fight. | ||
| Well, we barely paid attention, let's be honest. | ||
| We're talking about illegal greasing and rash guard. | ||
| All I'm saying, if it's illegal, come up with an official test. | ||
| If there's no official test, then the simple answer, have them do what the girls do. | ||
| The girls wear tops. | ||
| What's interesting with sweat is that with sweat, the conditions naturally change. | ||
| They naturally change. | ||
| Dependent upon your preparation like that's one of the things where Nate Marquardt fought Paul Harris He wore a rubber suit backstage and Nate like really got super sweaty And then when he went out there to fight he was already sweaty as fuck And so when Paul Harris went for that leg lock Nate was all sweatied up Nate slipped out and Paul Harris started pointing at it and Nate punched his fucking lights up. | ||
| That was great. | ||
| One of my favorite fights of all time. | ||
| It was great. | ||
| It was a great ending Well, it was a great ending. | ||
| You'd like Turkish oil wrestling. | ||
| You should check it out. | ||
| I'll Turkish oil the wrestling. | ||
|
unidentified
|
They look like you with mustaches. | |
| Those guys reach into each other's pants. | ||
| Yeah, it's on YouTube. | ||
| And they grab each other's dick and they use each other's dick to manipulate each other. | ||
| No Bruno, man. | ||
| Where the dick goes, the body will follow. | ||
| I bet you guys want that too. | ||
| No gloves and dick grabbing. | ||
| What's next? | ||
| You should grow a mustache. | ||
|
unidentified
|
I like that. | |
| You should grow a thick handlebar mustache. | ||
| You'd look good. | ||
| I have a question for you. | ||
| Headgear, is that science that it actually is worse for you when you're boxing? | ||
| It can be worse. | ||
| It's not necessarily worse, but it can be worse. | ||
|
unidentified
|
Why? | |
| Because it makes a larger fulcrum. | ||
| Because it's a larger thing and you get clipped and it makes your head spin more. | ||
|
unidentified
|
Oof. | |
| Yeah, and it's also heavy. | ||
| Yeah. | ||
| So you have this thing, I don't know, what is a weigh? | ||
| Like half a pound, a pound? | ||
| It also allows you to take more shots, right? | ||
| It makes your head, it's slower for your head to move. | ||
|
unidentified
|
Mm-hmm. | |
| One of the things about punches is you see them coming, you gotta learn how to roll with shit. | ||
|
unidentified
|
Right. | |
| And you can't roll with shit if you have this big-ass fucking headgear on. | ||
| But then you can't begin... | ||
| It's good for cuts, so you can't get cuts. | ||
| Well, but that's just in training. | ||
| Which is huge, Joe. | ||
| Yeah, but it's not... | ||
| I mean, it's... | ||
| I think you're better off greasing your fucking head up. | ||
| But then there's a problem, because they grease heads up, they grease faces up and shit, and then you take that same grease, and you put it on a dude's chest as you're trying to take him down, and then you grab your arms, you wrap it around, and now you get grease on your arms. | ||
| Boxers are part of the sport, man! | ||
| How much Vaseline are they using in the UFC these days? | ||
| They're using less and less. | ||
| That's like leftover bullshit boxing shit. | ||
| Why do you bring Vaseline all over your fucking face? | ||
| It makes punches not cut you. | ||
| So they hit you, but they slide off. | ||
| Instead of them grazing and scratching with the leather gloves. | ||
| Hey, I'm down with that. | ||
| I'll say this. | ||
| No Vaseline, no gloves. | ||
| Jesus, Joe. | ||
| No gloves. | ||
| And rash guard. | ||
| You said rash guard. | ||
| You could wear rash guards. | ||
| I don't think there's a problem with rash guards. | ||
| I feel like your bones would cut skin more. | ||
| Are you against rash guard optional? | ||
| Are you against that? | ||
| Optional? | ||
| This is a good fight. | ||
| I think you'd be a bad look. | ||
| It's a bad look. | ||
| You could put your fucking Reebok on that. | ||
| Can you imagine the Reebok rash guards that can come up with with the red and the black? | ||
|
unidentified
|
How dare you. | |
| Loving Kamosi's hair. | ||
| This door, Vito Miranda. | ||
| Put that in the This dude's a bad motherfucker. | ||
| This is a serious fight here. | ||
| Is he? | ||
| Camosi, Miranda? | ||
|
unidentified
|
Yeah, Miranda. | |
| Fuck yeah. | ||
| Miranda is a nasty kickbacker. | ||
| Where is he from, Miranda? | ||
| Brazil. | ||
| Man. | ||
| Camosi's so game, it's not even funny. | ||
| He's game as fuck. | ||
| And he's been training with Weidman's camp. | ||
| Great hair. | ||
| Trains in Denver, and then he's going out to Wyden's camp. | ||
| Tough man. | ||
| And so is Miranda. | ||
| Miranda's a little older, I think. | ||
| Miranda, I want to say he's 34, 35, but he's a multiple-time kickboxing champion. | ||
| He's a nasty striker. | ||
| And a Russian assassin, even though he's from Brazil. | ||
| Look at him. | ||
| He's not Russian. | ||
| I know, but he looks like a Russian. | ||
| He was a finalist in the Ultimate Fighter of Brazil, remember? | ||
| He's a fucking monster. | ||
| He throws babies. | ||
| It's a tough fight for Camozzi. | ||
| It's a tough fight for Camozzi Salwise. | ||
| Click on his name, please. | ||
| Vito Miranda. | ||
| So we can find out what his last fights were? | ||
| One KO last fight. | ||
| I think last three fights, three finishes. | ||
| Am I right? | ||
| I can't see that. | ||
| Win, win, win. | ||
| Scroll down. | ||
| KO, KO, KO. What's up, son? | ||
| Oh, yeah, yeah, yeah. | ||
| Wow, look at that. | ||
| Marcelo Guimarez. | ||
| Guimarez. | ||
| I forget how to say that guy's name. | ||
| But he knocked that dude out. | ||
| It was nasty. | ||
| And Guimarez was a really good striker himself. | ||
| And the Clint Hester fight, too. | ||
| I was like, Jesus Christ. | ||
| So he's only lost that decision in the Ultimate Fighter finale, and he just wrestled him the whole time. | ||
| Yeah, he's a bad motherfucker. | ||
| Tough fight for Camozzi style-wise. | ||
| Camozzi's not a wrestler. | ||
| He's not a grappler. | ||
| He likes to stand and bang. | ||
| You know what, though? | ||
| Camozzi's so goddamn tough. | ||
| He's just so fucking tough. | ||
| He's one of those dudes you just can't count out. | ||
| No, unless he's fighting Jacare. | ||
| Jacare said, what? | ||
| I'm going to eat that ass up. | ||
| Easy paycheck. | ||
| Oh, you want it again? | ||
|
unidentified
|
So crazy. | |
| The exact same way? | ||
| Oh, I'll do this shit all day! | ||
| Yeah, well, those losses, like, you know, you recover from those pretty quick. | ||
| Oh, you're fine. | ||
| Fight in the next week. | ||
| Yeah, you can fight quick. | ||
| It's Jacare. | ||
| It's all good, baby. | ||
| Yeah. | ||
| That was fucked up twice. | ||
| Short notice fights. | ||
| The killer Jacare. | ||
| Jacare's ground game is so scary. | ||
| He tore his meniscus or something? | ||
| Yeah, he's got a knee that's a little beat up from training camp for Vitor. | ||
| What he did to Vitor was just... | ||
| Jesus. | ||
| He should have taken a fucking corner zone shot and jumped in that fight. | ||
| He really should have. | ||
| I agree. | ||
| You know, I almost feel like... | ||
| Unless it's really fucked up. | ||
| I just feel like, man... | ||
| He's gonna get a title shot. | ||
| But he fought against Rockhold, and everybody knows that Rockhold took that last fight with Staff. | ||
| It had Staff in his foot, and he's pretty fucked up. | ||
| Everybody fights hurt. | ||
| You know, you're telling me, like, this opportunity... | ||
| I guess maybe he just wasn't... | ||
| Maybe he was eating donuts and shit. | ||
| Maybe he just wanted a break, or... | ||
|
unidentified
|
Maybe he went on the bomba. | |
| The bomba! | ||
| You don't know what that is, do you? | ||
| You're laughing. | ||
| You don't know what we're talking about. | ||
| I don't think he did. | ||
| I don't think Jacare did. | ||
| It sucks that he didn't take that fight because I think stylistically that's a really interesting matchup. | ||
| It's going to happen though. | ||
| Rockhold, they fought. | ||
| They fought in Strikeforce and Rockhold won a decision. | ||
| I still think the guy who's going to beat both Weidman and Rockhold, any of those guys, is Joel Romero. | ||
| Maybe. | ||
| He's just so... | ||
| Romero beat Jacare. | ||
| Yeah, he did, but when you think about Wybin, you think about, of course, his striking, but his wrestling is amazing. | ||
| Jacare beat Romero, rather. | ||
| That's why he was next in line. | ||
| But when Jacare beat Romero, he almost got taken out in that first round, but then he came back and won second and third. | ||
| Yeah. | ||
| You know, Romero, I think we fucking missed out. | ||
| You can keep it up here. | ||
| What are you hiding weed for? | ||
| Romero missed out in that he's like 30s... | ||
| Late 30s. | ||
| Like 36, 37. He came late. | ||
| Yeah. | ||
| We got a hold of Romero when he was like 26. What? | ||
| I mean, he was just a goddamn super-duper athlete. | ||
|
unidentified
|
He's a beast. | |
| All natural. | ||
| He's a freak. | ||
| Well, you know... | ||
| I don't know. | ||
| But he did beat... | ||
| Kale Sanderson, I think twice. | ||
| Twice, dude. | ||
| You're talking about the Olympic gold medal. | ||
| He walked through the... | ||
| In that finals against that Korean guy to win the gold medal, he walked through that guy. | ||
| It was like he was just crazy, man. | ||
| He's a monster. | ||
| He was a wrestler. | ||
| I mean, I've seen him do stuff inside the octagon, like just his movements. | ||
| So like... | ||
| When I'm watching fights, you know, up close, and you watch, like, thousands of them, or whatever I've watched at this point, you, like, get used to, like, certain speeds that people move under. | ||
| And every now and then, someone will move at a speed that you're like, whoa, my brain's not recognizing this. | ||
| Like, how's, like, Barbosa's switch kick? | ||
|
unidentified
|
Yeah. | |
| My brain just goes, whoa, whoa, whoa, what the fuck? | ||
| I'm good, dude. | ||
| Right. | ||
| Let me see that, Brad. | ||
| I think that one of the biggest examples of that is Yoel. | ||
| Yoel, the way he moves, the way he throws people around, it's almost like he's not even the same thing as them. | ||
| He just tosses guys around like he's just some crazy ass silverback and you're some dude in a rubber gorilla outfit. | ||
| It's so weird. | ||
| He lost to Tim. | ||
| He lost to Jacare, I think. | ||
| Well, he didn't lose to Tim, but he definitely should have been disqualified. | ||
| Definitely cheated, and I thought he lost to Jacare. | ||
| He knocked out Tim in the third round, But he should have never made it to the third round. | ||
| He was not capable of coming off his stool for the third round. | ||
| They should have stopped the fight and they should have given it to Tim Kennedy. | ||
| So I think he should have lost that fight based off that disqualified. | ||
| I thought he lost to Jacare. | ||
| He definitely lost to Jacare. | ||
| He lost the decision. | ||
| He definitely did. | ||
| Yeah, but he was kind of close, and they failed. | ||
| No, I think, well, he almost put Jacare's lights out in the first, that spinning backfist. | ||
| And then after that was... | ||
| Thank you, my brother. | ||
| I think you're crazy if he beats... | ||
| When Jacare had him in half guard, did you see that? | ||
| When he stood right up? | ||
| There's something about Joel Moreira where it seemed like Jacare's jiu-jitsu, nothing was going to work. | ||
| Yeah, it was a very close fight, but I mean... | ||
| He's the ultimate athlete. | ||
| He makes other athletes look like fat slobs. | ||
|
unidentified
|
He's a freak, man. | |
| He's a freak. | ||
| He makes real athletes. | ||
| If you saw, Chris Weidman is a stud athlete. | ||
| Yes. | ||
| Chris Weidman standing next to Yoel Romero is like, Chris, why don't you work out? | ||
| Yeah, for real. | ||
| Right. | ||
| And Chris is a great wrestler. | ||
| He's a stud! | ||
| Chris looks like Dallas Buyers Club next to him. | ||
| He's just super skinny. | ||
| I'm bummed out that he's got a neck injury because I want to see that motherfucker fight. | ||
| It's a great fight. | ||
| It's amazing. | ||
| The rematch is amazing. | ||
| But that neck injury is no joke and I just hope he doesn't do something drastic quickly in order to repair himself quickly enough to get back. | ||
| Does he need surgery for the neck or is it just a... | ||
| It might not be. | ||
| I mean, it sounds similar to the exact injury that I had. | ||
| What I had to do is take a long time and you have to do decompression. | ||
| I have this neck harness that I hang on a door. | ||
| It hangs on a door frame. | ||
| It's like I'm hanging myself. | ||
| Velcro's in place, I pull it down tight, and I go like this. | ||
| Click, click, click, click, click, and I hang on my neck. | ||
| What the fuck? | ||
| How long does it take? | ||
| Why do we need surgery? | ||
| I'm pretty sure why we need surgery. | ||
| In doing that, what I just described, over a long period of time, and Regenikine, those two things, it stopped my bulging disc, and it sucked back into my neck. | ||
| My disc stuck out, like there was an MRI. When I looked at the disc, And it was like 6mm bulge. | ||
| Now I have none. | ||
| It went back. | ||
| You can do it. | ||
| But when you go to doctors, one of the first things you want to do is cut you. | ||
| Now obviously, this is super important to talk about, everybody's injury is different. | ||
| Because it worked for me, it might not work for you. | ||
| Your injury might be worse than mine, and it might get to a point where there's nothing they can do except for surgery. | ||
| You don't know that just by talking to some doctors, because some doctors are just ready to cut you. | ||
| And they might be right, and they might have had success with it, but that gentleman who's on TV right now is a testament to the fact that it does not always work. | ||
| And Boss will tell you, he's had several neck surgeries, and because of that, because of his neck injury, his arm, he has one arm that's atrophy that he calls baby arm. | ||
| Because his nerves weren't firing to his arm. | ||
| He was impinged. | ||
| Here's the argument though, Joe. | ||
| What they're going to ask, Chris's decision would be based off of what's going to get me back faster. | ||
| It's probably going to be surgery. | ||
| That's what they're going to tell him anyways. | ||
| He's got to think about the future because he's one of the baddest motherfuckers on the planet and I think he can get back in action. | ||
| But it's an injury and you've got to let it heal up instead of cutting it out. | ||
| Now in Eddie's case, Eddie's got a totally different case. | ||
| Eddie's disc is gone. | ||
| It's gone. | ||
| I'm bone to bone. | ||
|
unidentified
|
It's just gone. | |
| My lower back is in a constant state of inflammation. | ||
| It's been like that for maybe eight years. | ||
| I've tried fucking everything. | ||
| And he also has time though, Joe. | ||
| And I finally got my MRI. People kept saying, get an MRI. And I tried everything fucking. | ||
| Chiropractor, all this shit. | ||
| Acupuncture. | ||
| And... | ||
| Finally, I got an MRI and the MRI shows, I mean, any fool can see there is no disc there. | ||
| It's bone to bone. | ||
| You're in a constant state of inflammation because I would stop working out. | ||
| Once I started having back spasms and my back felt like it was just going to completely cut out, I stopped working out altogether. | ||
| And in two months, I still felt like I did deadlifts the fucking day before. | ||
| Miranda's back probably isn't great. | ||
| He's 37. Yeah, he's 37. I had no idea. | ||
| I thought he was a young dude. | ||
| No, I think he was 35 when he was on The Ultimate Fighter. | ||
| Good for him. | ||
| Yeah, no, he's a stud. | ||
| But, you know, hormonally, the thing is, when you get to be that age, it's like you're dealing with a reduced level of testosterone unless you're, like, super... | ||
| Vitor saying preach. | ||
| Super on point with your diet, super on point with your rest, super on point with consumption of saturated fats and cholesterol. | ||
| That's very important if you want to have a natural testosterone production. | ||
| And this is something that I really get pissed off when people... | ||
| Start talking about the dangers of saturated fats. | ||
| You're preaching some outdated nonsense, some non-scientific bullshit that people have said, and they've said it to demonize meat consumption. | ||
| That's right. | ||
| And meat consumption, look, scientifically, it's not bad. | ||
| What's bad is ethically. | ||
| I think we all agree that factory farming is bad ethically. | ||
| But when it comes to scientific consumption, saturated fats are super important for testosterone production. | ||
| Super important for brain function. | ||
| Cholesterol. | ||
| Not just cholesterol produced by the body, but dietary cholesterol. | ||
| Which, by the way, apparently barely moves the needle on blood lipids. | ||
| That's a big misnomer. | ||
| That's right. | ||
| There's a new science. | ||
| That's new, huh? | ||
| Well, yeah. | ||
| Eating the yolk of the egg is not going to move the needle in terms of what you're going to eat. | ||
| It's good for you. | ||
| That's where most of the nutrients are. | ||
| I just got five new chickies. | ||
| I got five little baby chicks. | ||
| Oh, from the other chickens. | ||
| You got a little farm, man. | ||
| You've never seen love. | ||
| You're eating your own chicken? | ||
| Yeah. | ||
| No, no, I don't eat them. | ||
| No, no. | ||
| You don't eat your own chicken? | ||
| No, they're pets. | ||
| They're like pets. | ||
| We pick them up and play with them and stuff. | ||
| Remember one thing about factory farming, though? | ||
| Your father names them and shit? | ||
| Oh, yeah, there's no way we're eating them. | ||
| You can't eat Greg. | ||
| They've died. | ||
|
unidentified
|
Really? | |
| They've died. | ||
| We don't eat them. | ||
| I'm fucking shocked. | ||
| No, I don't eat them. | ||
|
unidentified
|
Wow. | |
| No, they're pets. | ||
| Amazing. | ||
| Joe can be nice. | ||
| Well, they're pets, man. | ||
| I just thought it was about raising your own food, raise your own chickens. | ||
| You raise them to eat them. | ||
| I thought that was the ethical way. | ||
| And he's going, shit. | ||
| I hardly ever eat chicken. | ||
| No, you're using them. | ||
| Yeah. | ||
| But I wouldn't eat them. | ||
| Because we have a different kind of relationship. | ||
| The relationship that I have with them is that they're egg layers and they're our little friends. | ||
| Like, we go in there and my daughter picks them up. | ||
| Do they have different personalities or are they all the same? | ||
| No, they have different personalities. | ||
|
unidentified
|
Really? | |
| They're like cats. | ||
| They're like... | ||
| One of them is really smart and she knows when you... | ||
| Actually, my dog killed that one. | ||
| But we had one that was really smart and she would pick up the... | ||
| The dog got in the chicken coop, man. | ||
| It's so funny. | ||
| And the smart one died? | ||
| Yeah, the smart one died, unfortunately. | ||
| The smart one wanted to have the lowest perch. | ||
| I guess she wasn't that smart. | ||
|
unidentified
|
Yeah. | |
| The smart one might be the dumbass. | ||
| There was a smart one? | ||
| Yeah, she knew to follow me around and she knew that if anybody picked up rocks, that my wife would lift up rocks and she would go under there to get the bugs. | ||
| She knew. | ||
| She followed you around waiting for you to pick up rocks for her. | ||
| Smart little chicken. | ||
| Wow. | ||
| The other ones are too stupid to figure it out. | ||
| You kind of understand a little bit my obsession with my bunny, remember like five years ago? | ||
|
unidentified
|
Oh, no, no. | |
| Listen, I totally understand. | ||
| People thought I was nuts. | ||
| Listen, man. | ||
| I was obsessed. | ||
| I had a bunny, and I was obsessed with it, man. | ||
| I was in love with it. | ||
| Dude, I was fucking 41. 41 in love with a rabbit? | ||
| In love with a bunny, dude. | ||
|
unidentified
|
What? | |
| I was in love with it. | ||
| Oh, Camosi! | ||
| I was. | ||
| Oh, Camozzi! | ||
| Elbows, son. | ||
| Camozzi tagged him, dude, with a straight left hand. | ||
| When I was doing this show, and one of the guys, the second AD, had an African gray parrot, I think, or it was a cockatoo, and he had it for 17 years. | ||
| Oh, my God. | ||
| He and his wife got in an argument. | ||
| The parrot was on the ground. | ||
| He stepped on the parrot and killed it. | ||
| After 17 years, man. | ||
| And he came, and I had macaws, so I knew what he was going through. | ||
| And he came to work, and he was all bunched up. | ||
| And my friend was like, it's a fucking bird. | ||
| I go, dude, it's not just a bird, bro. | ||
| They're really smart, and it was like his... | ||
| He killed his best friend. | ||
| Yeah. | ||
| Stepped on his neck. | ||
| He stepped on it while arguing with his wife. | ||
| He's like, you bitch, and another thing. | ||
| And crack! | ||
| Like, he's like, oh no! | ||
|
unidentified
|
What the fuck? | |
| What did you make me do? | ||
| You made me do this. | ||
| 17 years! | ||
| He had the bird way before he met her. | ||
| He played her. | ||
| Oh, Miranda with the takedown. | ||
| Kamozi. | ||
| Scramble, scramble. | ||
| Hips out, hips out, hips out. | ||
| Get that fucking left leg. | ||
| Oh, be careful. | ||
| Be careful, knee bar. | ||
| Be careful, knee bar. | ||
| Doesn't look that slick. | ||
| I don't like it. | ||
| This might be an improvisational knee bar. | ||
| Get out of there! | ||
| Get out of there, everybody! | ||
| Scissor sisters, it's good defense right here. | ||
| This is a Purple Bell 50-50. | ||
| There you go. | ||
| Yeah, it really is. | ||
|
unidentified
|
It is, right? | |
| Yeah. | ||
| His defense with the one arm's good. | ||
| No, it's not the same 50-50. | ||
| No. | ||
| The defense on the one arm's quality. | ||
| I mean, it is in terms of nothing's going to happen. | ||
| No, Kamosi doesn't have it. | ||
| You know, Kamosi got something. | ||
| He's trying to set it up. | ||
| Kamosi got something. | ||
| If he wants it, he fucking definitely has something. | ||
| If he knows what he's doing... | ||
| Do you think he does? | ||
| He has a lot. | ||
|
unidentified
|
I don't know. | |
| Well, if you're Gary Tonin, yeah, he's going to be fine. | ||
| Oh, I don't know. | ||
|
unidentified
|
That's interesting. | |
| Chris Kamosi. | ||
| How hard are those elbows to the thigh from that position? | ||
| How much does that suck? | ||
| No one's ever... | ||
| I've never had a... | ||
| Done. | ||
| Because you would think that a guy who's got really good elbows could seriously fuck your leg up. | ||
| Ouch! | ||
| You see what I'm saying? | ||
| Miranda has got some serious elbows. | ||
| And I'm watching him and I'm like, I bet this guy could fuck your legs up. | ||
| This is interesting because Camozzi has got a nice jab there. | ||
| We've never seen a situation like this exactly in the UFC. He could release that body lock and jump the mouth maybe. | ||
| Release the body lock! | ||
| Release the body lock! | ||
| You know what's rare is the way Camozzi is punching him in the face from the bottom. | ||
| And fucking him up. | ||
| He's fucking him up with that right hand. | ||
| Generally you think, oh, you go for leg locks, guy's going to punch you. | ||
| Rarely do people say, get a leg lock position, but instead of finishing him, because Camozzi is in an offensive position, he could go after that heel. | ||
| What's going on? | ||
| He's punching the guy back. | ||
| What's going on is Miranda can't move backwards. | ||
| See, this is what's going on. | ||
| Miranda's trapped. | ||
| Camozzi can move his body forward and back, whereas Miranda can't. | ||
| Oh, now Camozzi's trying to lock it in. | ||
| Oh, time's out. | ||
| Camozzi hit him with some hard rifles. | ||
| I wonder how the refs are going to score that. | ||
| Well, you should actually give it to Camozzi. | ||
| Fuck yeah, give that round to Camozzi. | ||
| Well, not just that, that position. | ||
| Even though Miranda's above him, you have to understand who's close to getting something done and who's being more effective. | ||
| Oh, Camozzi had a heel hook. | ||
| He had a potential heel hook. | ||
| And then he also punched him in the face. | ||
| The big thing was the punches in the face. | ||
| Even though Miranda's on top, Camozzi's tagging him with that right hand. | ||
| Camozzi also... | ||
| Made that position happen. | ||
| He wasn't put on bottom. | ||
| Exactly. | ||
| Which is a big deal. | ||
| There's a new level of leg lock game that John Danaher put together that's a very, very important part of jiu-jitsu right now. | ||
| And 10 planets all over it, man. | ||
| We've taken the leg lock game to the next fucking level within ourselves. | ||
| You don't see a lot of it in the UFC now. | ||
| No, no, you're seeing it. | ||
| How about Ryan Hall? | ||
| Yeah, you're seeing it. | ||
| That's his go-to. | ||
| You know what you're going to see that's different? | ||
| That's his shit. | ||
| The one thing that you're going to see that's different is leg lock battles against the cage. | ||
| There's a whole different thing. | ||
| There's going to be moves. | ||
| Damn, don't you try to do rash guards and leg lock battles in the UFC now? | ||
| That's a super good point. | ||
| No, Eddie, that's a super good point because they can't go anywhere. | ||
|
unidentified
|
That's the future. | |
| I'm telling you about the future and you're sitting here talking about the present. | ||
|
unidentified
|
See, Eddie, Eddie Bravo. | |
| Miranda's got some nasty, smooth kickboxing. | ||
|
unidentified
|
Ouch. | |
| By the way, look at that leg. | ||
| Look at that inside knee. | ||
| Well, the inside leg kick, he's attacking the knee itself. | ||
| The last three strikes have gone right on there. | ||
| It looks like he's got skinny knees there. | ||
| Kamosi's made out of iron. | ||
| The fucking kid's a stud. | ||
| He's iron, man. | ||
| Nobody's knees are. | ||
| Your knees are not made for sports. | ||
| How about that? | ||
| Go ahead and kick the knee. | ||
| That's all bone, son. | ||
| Well, Miranda's been slamming his shin into the outside and the inside of that knee. | ||
| Ouch. | ||
| Ouch. | ||
| The mushy parts. | ||
| Yeah, he's definitely... | ||
| It looks a little... | ||
| Miranda. | ||
|
unidentified
|
Miranda. | |
| Inside knee! | ||
| Yeah, but why is that one okay? | ||
| If people are upset about attacking the knee, that one is almost as devastating. | ||
| Especially the outside low kick like Ernesto Who style, like right on the knee. | ||
| By the way, I flip-flopped. | ||
| I'm for stopping the knee strike. | ||
| I love flip-flopping. | ||
| You know what? | ||
| I thought about what you were saying this whole time. | ||
|
unidentified
|
I thought about what you were saying, Brandon, this whole time. | |
| I flip-flopping. | ||
| You know what? | ||
|
unidentified
|
Oh! | |
| Fucking what? | ||
| It's a sweep. | ||
| What? | ||
| Beautiful, beautiful sweep. | ||
| Don't ever bring that shit into my gym again. | ||
| Comozzi on top. | ||
| With those fucking leg kicks. | ||
| How are they going to walk with their grandchildren? | ||
| People don't think about that. | ||
| They never think about that. | ||
| There you go, Eddie. | ||
| Miranda's got a maze to get to his dick. | ||
| Buy a fucking ivory-handled cane. | ||
| Look at Miranda's left leg. | ||
| It's a maze to get to his dick. | ||
| You go in, and you gotta follow the line. | ||
|
unidentified
|
Follow this. | |
| Follow the breadcrumbs. | ||
| It's the grandfather clause. | ||
| He's got a maize! | ||
| There's a maize on his left hand. | ||
| Can you imagine him saying that in a Brazilian accent? | ||
| That's great. | ||
| I wanna show a girl from my knee a maize all the way to my cock. | ||
| All the way. | ||
| It's like mousetrap. | ||
| Just go north. | ||
| You find the way. | ||
| A lot of body art on both sides. | ||
| It's like a rat. | ||
| There's no cheese at the end. | ||
| Openly gay play-by-play commentator. | ||
| Commentate this fight. | ||
| Oh, don't do this. | ||
| Oh, good. | ||
| Oh, no, no, no, no. | ||
| Brazilian. | ||
| Brazilian. | ||
| This guy's hard. | ||
| He's so strong. | ||
|
unidentified
|
Brazilian. | |
| I mean, it's all of my... | ||
|
unidentified
|
They're wearing oil? | |
| It's not even oil. | ||
| He don't have questions. | ||
| I'll be answering you. | ||
| It's just sweat. | ||
| It's not oil. | ||
| Sweat for the body on body like that? | ||
| No, no. | ||
| They're just working out really hard and their body heats up. | ||
| All the heat, yeah? | ||
| Why are they so strong? | ||
| Well, because they're fighting other men. | ||
| They have to be strong. | ||
| Otherwise, you get your ass kicked and you want to protect your joints and all that stuff. | ||
| But sometimes, you know, maybe the clothes come off or something. | ||
| I don't know. | ||
| Well, you know, their clothes are on pretty tight. | ||
| They got quality Reebok gear on here and cups and stuff. | ||
| Everything's fine. | ||
| You don't have to worry about that. | ||
| Okay. | ||
| You are smelling good. | ||
| Dude, I didn't shower all day and I just got back from bear hunting. | ||
| Smell like bear and the forest. | ||
| You smell like the forest. | ||
|
unidentified
|
Yeah. | |
| Vitor Miranda. | ||
| Cut over the left eye. | ||
|
unidentified
|
Yeah. | |
| Tell you what, Chris is doing well, man. | ||
| Kamosi working on this grappling. | ||
| Handling, really. | ||
| Well, you know, you know as well as anybody that the gaps in grappling are the hardest to close for some reason. | ||
| Well, you know, not the hardest. | ||
| I shouldn't say the hardest. | ||
| Every gap is a hard gap to close. | ||
|
unidentified
|
Correct. | |
| You say striking, but not necessarily in the case of a guy like Damian Maia to a guy who's a good high school wrestler. | ||
| You're never closing that gap in your lifetime. | ||
| You're going to have to become obsessed with jiu-jitsu and live on the mats for the next 10 years to even get in his neighborhood. | ||
| That's a good point, because there's guys like Alistair Overeem who's just on... | ||
| Look at this! | ||
| Ben Brothwell, Fabricio Verdum added to 203 in Cleveland. | ||
| Good googly moogly. | ||
| Isn't that crazy? | ||
| I like that fight, by the way. | ||
| And you got Stipe Overeem as the main event. | ||
| I like that fight, too. | ||
| So why is there not an automatic rematch for... | ||
| Everybody doesn't get an automatic rematch. | ||
| I don't know why the UFC doesn't do that. | ||
| Because it was a KO. There's a lot of people waiting in line, like Overeem. | ||
| I want to see the Overeem-Stipe fight as much as I want to see any fight in the UFC other than the Kane and Verdum rematch. | ||
| I want to see Kane-Verdum see level. | ||
|
unidentified
|
I want to see that. | |
| I want to see Kane. | ||
| I want to see Kane in great shape. | ||
| I think I still maintain that I've seen, like, again, this is just coming to movements and what you see inside fights. | ||
| I think Kane, like, in the second fight with Junior Dos Santos, I think that is right up there in my eyes with Fedor's fight with Crow Cop, where you're just seeing a mauling by a better animal against an animal in his prime. | ||
| Probably the best Kane we've ever seen. | ||
| Yeah. | ||
| And that, He came after a loss. | ||
| What I really would have wanted more than anything else in the history of the heavyweight division is that Kane versus that Fedor. | ||
| Fedor versus Krokop versus Kane Jr. too. | ||
| That's sick. | ||
| That would be the ultimate who's the greatest heavyweight of all time. | ||
| Because right now, then it's just become speculation. | ||
| You know, after Kane gets a back injury and two knee surgeries and shoulder surgeries, you gotta go, how much of him does he have left? | ||
| I mean, how much are we seeing? | ||
| Are we seeing the same Kane that fought Junior Dos Santos? | ||
| Are we seeing the same Kane that ran through guys on the way up to the title, that ran through Rothwell? | ||
| I don't know if we are. | ||
| Especially with his style. | ||
| Yeah, styles just break everything, including himself. | ||
| He's just bulldog. | ||
| And training. | ||
| Mental toughness, ferocious individual born to fight, and the body just can't keep up with the mind. | ||
|
unidentified
|
Yeah. | |
| So to me, those are the two. | ||
| That's number one and number two. | ||
| But then Kane and Fedor were both submitted by Verdun. | ||
| That's right. | ||
| Both of them. | ||
| Verdum submitted the three greatest heavyweights of all time. | ||
| Dude, you could argue Verdum's the greatest heavyweight of all time. | ||
| You could argue it. | ||
| You really can. | ||
| You could. | ||
| Look who he's beat. | ||
| Stipe just shut the fucking show off, so you can't argue that anymore. | ||
| No, you still can't. | ||
| You can't base it off one fight. | ||
| Right. | ||
| It's not the product. | ||
| You can argue it. | ||
| And also, Verdum, realistically, is in his late 30s and clean. | ||
| What's going on over here? | ||
| Why are they stopping the fight? | ||
| Oh, it's cut. | ||
| It's cut. | ||
| Ooh, that's a bad one above the eye. | ||
| Isn't that bad? | ||
| I'm saying it's thick. | ||
| He's gonna be fine. | ||
| He says he's good. | ||
| Oh yeah, it looks nasty. | ||
| Yeah, just... | ||
| Don't worry about it, doctor. | ||
|
unidentified
|
Don't be a pussy. | |
| You got this, doc. | ||
| Smile. | ||
| Smile, Vito. | ||
| Come on. | ||
| That doctor's a UFC doctor. | ||
|
unidentified
|
One more round, right? | |
| That motherfucker is from Vegas. | ||
| He's not letting anything get stopped. | ||
| Oh, he says, nah, he can die, bitch. | ||
| Stop saying that. | ||
| If his eye was falling off, nah, you good. | ||
| He's not saying that. | ||
| We're an eye patch. | ||
| We're an eye patch. | ||
| He's got to let it go. | ||
| No doctor's going to stop that kind of shit. | ||
| It's got to be disgusting. | ||
| Like the crowd's got to go. | ||
| Oh, shit. | ||
| Like your ear's got to fall off. | ||
| Comozzi's kickboxing is very good, man. | ||
| Very good. | ||
| I'm really impressed. | ||
| It's like his kickboxing has gotten smoother. | ||
| His timing has gotten better. | ||
| And it must be because he was really concentrating on it knowing he was going to fight Miranda. | ||
| I think that, and then he also went to the East Coast training with Ray Longo and Weidman. | ||
| And then going back to Denver. | ||
| Look at this jab, man. | ||
| Ray Longo is an excellent coach. | ||
| Uh-oh. | ||
| Oh, look at this. | ||
|
unidentified
|
Uh-oh. | |
| Camosy with the takedown. | ||
| Kamosi's such a good dude, too, man. | ||
| Great guy. | ||
| Both guys are. | ||
| Miranda's a really nice guy, too. | ||
| Kamosi's been fighting forever, man. | ||
| On the Denver scene, he was kind of like the first guy who was just doing the damn thing. | ||
| Yeah, and again, not particularly physically gifted, just fucking smart and tough. | ||
| How old is Kamosi? | ||
| I thought he was younger than that. | ||
| Well, he's been around. | ||
| I think he's 34. Is he 34? | ||
| 34, 35, but he has a shitload of experience. | ||
| Powerful side control. | ||
| And great hair. | ||
| He's got shop hair. | ||
| It's the Denver water. | ||
| And Vito Miranda on his back. | ||
| This is not good for the third round. | ||
| No. | ||
| No. | ||
| Miranda. | ||
| Great job by Kamosi. | ||
| Kamosi clenched down. | ||
| Cover his face. | ||
| Stop the breathe. | ||
| Eddie. | ||
| Cover his face. | ||
| Go for head and arm. | ||
|
unidentified
|
Your fucking skin. | |
| From here. | ||
| And compress. | ||
| It's as smooth as saddle that I do. | ||
| Compress. | ||
| Congratulations. | ||
| Look at his skin. | ||
| He gets exfoliated with a lot of gi training. | ||
| Are you doing any facial stuff? | ||
| I gotta get a facial. | ||
| Got a gi training. | ||
| He's got nice skin. | ||
| I give myself facials. | ||
| I give myself. | ||
| Eddie has the best skin here. | ||
| Look at his skin. | ||
| He's got beautiful skin. | ||
| Come on. | ||
| What are you talking about? | ||
| How old are you? | ||
| Look at how full his mouth is. | ||
| You've had a lot of work done. | ||
|
unidentified
|
Let's go easy, B. You've had a lot of work done. | |
| Thank you. | ||
| Thank you. | ||
| If you're serious. | ||
| I am serious. | ||
| I am. | ||
| Maybe you're just being gay with me because you want to be funny. | ||
| Well, both, but you do look good. | ||
| Miranda back up to his feet. | ||
| Well, thank you. | ||
| Miranda got back to his feet and needed a body. | ||
| He's exhausted. | ||
| I'm turned on as well. | ||
| That helps. | ||
| Your hands, look at the size of them. | ||
| You could probably do anything. | ||
| Oh! | ||
| I got in there over the top. | ||
| You better not hold me down. | ||
| Jesus, Miranda taking down, controlled, still throwing head kicks. | ||
| Miranda's going for it, man. | ||
| Oh shit! | ||
| Wrestle him. | ||
| This is a frantic fight. | ||
| Here's another thing to take into consideration. | ||
| Time limits. | ||
| Time limits for rounds, they impose a different style of fighting. | ||
| More sense of urgency. | ||
| Better entertainment. | ||
| Better entertainment. | ||
| But, are we sacrificing reality for entertainment? | ||
| I don't know if it would make better fights. | ||
| I think you actually, under confines and boundaries, you can still have the same kind of excitement, or maybe more excitement. | ||
| Listen to me. | ||
| But if the goal is reality, you put... | ||
| One 30-minute round. | ||
| Hey, come on, man. | ||
| You're out of line, dude. | ||
| You're crazy. | ||
| This is too much. | ||
| You're crazy. | ||
| No, I'm a visionary. | ||
| You want, like, the Hunger Games shit. | ||
| I'm a visionary. | ||
| A football field. | ||
| Trust me. | ||
|
unidentified
|
Trust me. | |
| If you want reality, you throw, like, trash cans in there and hookers. | ||
| No, no, no, no, no. | ||
| And, like, bombs laying on the side. | ||
| I'm not looking for reality. | ||
| I'm looking for the least amount of No one in reality trains for a street fight for six weeks. | ||
| We're not talking about reality. | ||
| We're talking about the purest form of the competition. | ||
| Dude, Frank Mir on our podcast said that he just recently started warming up because he considered a fight in the octagon. | ||
| He was looking at it as practice for a real street fight. | ||
| Yeah, well Frank Mir's a maniac who walks around like an armed fucking weapon. | ||
| Yes. | ||
| Straight up. | ||
| He's a maniac. | ||
| Very ready for the zombie apocalypse. | ||
| He's one concussion away from doing some crazy shit, I think. | ||
| All of us would be running for the gun store. | ||
| Frank would be like, I've been ready. | ||
| I've been waiting for this moment my whole life. | ||
| Great guy is the best way to cap it in that sentence. | ||
| I do love him. | ||
| As soon as I said that, I was like, well, he's the best. | ||
| He is a great guy. | ||
| Nah, I love Frank Mayer. | ||
| Can't have 60 guns on you, though. | ||
| Yes, you can. | ||
| Even one is... | ||
| Oh, look at this! | ||
| Camozzi with the uppercut and Miranda tries a wheel kick. | ||
| This is a crazy fight. | ||
| We're missing it. | ||
| Frank Mayer's the most dangerous man on the planet. | ||
| I'd be going nuts right now. | ||
| You know one thing I really worry about? | ||
| That all the years of yelling in the UFC have strengthened my vocal cords. | ||
| My vocal cords will get out of shape if I stop commentating. | ||
|
unidentified
|
Or will they blow out? | |
| I don't yell like that. | ||
| I don't know. | ||
| But the yelling is a fucking 100% natural. | ||
| I don't even realize I'm doing it until it's out of my mouth already. | ||
| You've never lost your passion for the fight. | ||
| I don't know how many times... | ||
|
unidentified
|
I just don't know. | |
| I just keep screaming. | ||
| I don't know how many times I've said this, but yesterday I did a podcast with Nick the Tooth. | ||
| I did his podcast. | ||
| I love that dude. | ||
| Good guy. | ||
| Great guy. | ||
| Anytime you come up... | ||
| What's that, buddy? | ||
| I got more wine. | ||
| I got two more bottles. | ||
| Damn, son. | ||
| You got cheese, too? | ||
| I laid on thick for 10 minutes how much better of a commentator you are than anybody out there. | ||
| I mean, no one even fucking comes close. | ||
| Bryan Stan's good. | ||
| Kenny Florian's good. | ||
| I like him. | ||
| There ain't no Rogan, man. | ||
| But there ain't no Rogan out there. | ||
| That's very nice. | ||
| You can't throw it down like you. | ||
| You can't. | ||
| Well, because he has personality and knowledge. | ||
| When you guys start talking about UFC, I feel like I'm fucking lower than an amateur. | ||
| You feel like that smart chicken. | ||
| I'll just let you guys talk. | ||
| Holy shit, you guys retain a lot more than I do. | ||
| Well, I have only UFC in my head. | ||
| I don't have any other... | ||
| No, you got kickboxing and boxing like a motherfucker. | ||
| When are you watching this shit? | ||
|
unidentified
|
How are you watching Game of Thrones? | |
| And doing podcasts three times a week. | ||
| And then have a neurosurgeon on. | ||
| You got a family and kids that you spend a lot of quality time with. | ||
| Yeah. | ||
| He's part of the Illuminati. | ||
| How the fuck are you watching kickboxing and boxing? | ||
| He's a robot. | ||
| And Bellator and all that shit. | ||
| Here's how I look at it. | ||
| What the fuck is going on here? | ||
| Do you sleep? | ||
|
unidentified
|
Yeah, I sleep. | |
| I feel like he has some supplement we don't know about. | ||
| If I have the option of sleeping eight hours a night and not watching fights or sleeping six hours a night and watching fights, I'll take the six hours. | ||
| I watch two hours of fights and then I go to sleep. | ||
| Is that what you do? | ||
| I love it, yeah, I love fights. | ||
| You watch fights before you go to sleep? | ||
| All the time. | ||
| Holy shit, I never do that. | ||
| All the time. | ||
| I have everything. | ||
| I fucking never do that. | ||
|
unidentified
|
I have everything. | |
| I watch conspiracy theory documentaries. | ||
| Oh, see, that's why I'm... | ||
| Well, that's fucking weird. | ||
| That's why you're paranoid and I'm happy. | ||
| You're out there killing bears and shit! | ||
| You're like, fuck the octagon! | ||
| I need to fucking kill gigantic monsters! | ||
| That's how I get my meat, sir. | ||
| Do enough for meat, sir. | ||
| Ethical meat acquisition, sir. | ||
| Eating bear? | ||
| I'll cook you some bear. | ||
|
unidentified
|
That's what it is! | |
| This motherfucker watches two hours of fights every night. | ||
| No wonder he's killing bears. | ||
| It all makes sense now. | ||
| You're killing elk! | ||
| I always want to watch small organizations. | ||
| You're like, fuck a wrestler. | ||
| I want a fucking bear. | ||
| Fuck a wrestler. | ||
|
unidentified
|
You want to kill the motherfucker they refer to? | |
| Kamosi, easily won this. | ||
| Kamosi gets this? | ||
| You're like a bear. | ||
| You're like, fuck him, I want the real bear. | ||
| It's not even close. | ||
|
unidentified
|
3027. Kamosi! | |
| Powerful Kamosi! | ||
| Great fucking win. | ||
| Very nice. | ||
| Very nice. | ||
| You know what, man? | ||
| You watch boxing and everything? | ||
| This is what I'm attracted to. | ||
|
unidentified
|
Holy shit. | |
| I just go with what I'm attracted to. | ||
|
unidentified
|
Holy shit. | |
| I love watching Muay Thai. | ||
| I've been watching a lot of Muay Thai lately. | ||
| Do you go on waves, though? | ||
| Yeah, I go on waves. | ||
| I go on waves, and then I have to do that boxing. | ||
| So for like two weeks, I was balls deep in boxing, which is so much fun, man. | ||
| But then... | ||
| I'll take a break from fighting, then I'm balls deep in cars. | ||
| Well, dude, I will go days and days of watching hours and hours of archery every day. | ||
| I watch hours and hours of dudes shooting arrows every day. | ||
| Hey, sir, that's weird. | ||
| That's fucking weird. | ||
| Well, it is weird until you start shooting things with bows and arrows. | ||
| And you realize, like, you've got to be really good at archery to kill a fucking elk. | ||
| You miss with a bear. | ||
| It's game over, son. | ||
| When the shit hits the pan, I'm going to go find Joe Rogan. | ||
| Really? | ||
| I know. | ||
| You're going to be my fucking master. | ||
| When the shit hits the pan, we're going to Joe Rogan's fucking house. | ||
| Well, I'm not doing it for that reason, but I know how to do it. | ||
| Like, I can tell you where animals would likely be more than most people. | ||
| You will be my leader. | ||
| And you listen to hunting podcasts. | ||
| I will listen to you, Joe. | ||
| On the winds of Iowa for six hours. | ||
| No, not just listen to Honey Podcast. | ||
| You look at my podcast, like all my podcasts, it's all like antlers and skulls and shit. | ||
| All of it. | ||
| Of course to fight with the kids on there. | ||
|
unidentified
|
You know what? | |
| Gentlemen, I'm so upset. | ||
| I'm with you all the time. | ||
| I'm not listening to your shit. | ||
| I'll start criticizing... | ||
| You're gonna lead the most powerful apocalyptic crew ever. | ||
| I'm gonna lead him right to the Yellowstone where the fucking super volcano is gonna blow. | ||
| I'm like we want to be like right there when it blows. | ||
| I'm so sorry to interrupt. | ||
| You can't go to Joe's. | ||
| He looks too far. | ||
|
unidentified
|
I'm just going to keep you, because if you're going to be a leader, you need to get them leg locks together. | |
| You know what I mean? | ||
| So I'll be right there. | ||
| I'm going to bring you in. | ||
| I'm going to update you on all that shit. | ||
| We need someone to hold pads, too. | ||
| You know what I mean? | ||
| But I ain't hunting. | ||
| You know what I mean? | ||
| Oh, dude, you say that, but you would like it. | ||
| You're going to pay me. | ||
| You're privates. | ||
| Okay, I'm cool. | ||
| Listen, here's the good thing. | ||
| An elk is 400 pounds. | ||
|
unidentified
|
There we go. | |
| If you kill an elk, it's feet. | ||
| I got two commercial freezers back there filled with elk meat. | ||
|
unidentified
|
You got that sausage back there? | |
| I need more. | ||
| What's up, dog? | ||
| Is it frozen, though? | ||
| I need more. | ||
| Is it frozen though? | ||
| Yeah, it's frozen and solid. | ||
| Well, I want to eat it. | ||
| I might have some... | ||
| Do we have any of the elk? | ||
| The summer sausage? | ||
| That's not frozen? | ||
| Gentlemen, we're drinking at Bell Pugio. | ||
|
unidentified
|
I'll be drinking at Bell Pugio. | |
| I'll stab him, motherfuckers. | ||
| Hey, Mayweather just tweeted that. | ||
| What? | ||
| Mayweather, Connor, live on pay-per-view? | ||
| Mayweather just tweeted that? | ||
| It's supposed to be in November. | ||
| It doesn't have a date. | ||
| Oh my god. | ||
| Is this serious? | ||
|
unidentified
|
Yes. | |
| Check this out, Joe. | ||
| So I was with the boxing community this past weekend. | ||
|
unidentified
|
This is for real? | |
| This is for real. | ||
| This is happening. | ||
|
unidentified
|
Oh my God. | |
| Investors in Mayweather's camp. | ||
| When did you know about this? | ||
| When did you find out about this? | ||
| Last night. | ||
| Investors in Mayweather's camp, they're like really big in this promotion. | ||
| Right. | ||
| Say it's going to happen in probably November. | ||
| And they don't know shit about MMA. They're like, oh, do you know Conor McGregor? | ||
| I'm like, I should slap the fuck out of both of you. | ||
| Oh my God. | ||
| This is insane. | ||
| I think Dana White, Matt, Sarah, and Nick LeTooth just rode a bull. | ||
| Yeah, they did ride a bull. | ||
|
unidentified
|
Jesus Christ. | |
| Yeah, Dana, they're going to do stand-up on Sunday night at the Laugh Factor. | ||
| You're on the show, right? | ||
| I guess so, yeah. | ||
| I couldn't be on it because I'm ramping up for my special in a few weeks. | ||
| You big time. | ||
| Well, they want me to come in. | ||
| I had to do Brea. | ||
| No, I'm doing Brea. | ||
| I'm doing the improv. | ||
| I have two sold-out shows. | ||
| I'm coming in on Saturday to help them, I guess. | ||
| Oh, that's a good idea. | ||
| That's a good idea. | ||
| You going to help anybody more than anybody else? | ||
| You going to throw anybody any fucking fake advice? | ||
| Sure, why not? | ||
| No, I'll help both. | ||
| I don't know. | ||
| Make sure you jack him off for me, too. | ||
| I would not want to be in an insult contest with Matt Serra. | ||
| I think Matt Serra is probably going to be really good at stand-up. | ||
| Dana White is super used to public speaking, and I think Nick DeTooth does a lot of drugs, so this should be a lot of fun. | ||
|
unidentified
|
It could be weird. | |
| Plus, Nick is like an open-minded, very smart dude. | ||
| Really smart guy. | ||
|
unidentified
|
Nick the Tooth is one of the coolest fucking guys I've ever got. | |
| He's one of the best guys ever. | ||
| He's a sweetheart. | ||
|
unidentified
|
He's so goddamn cool. | |
| He's so cool. | ||
|
unidentified
|
Never met him. | |
| Love that guy. | ||
| He's a sweetheart. | ||
| He's real smart, open-minded. | ||
| He's a really interesting cat. | ||
| And he's really good at jiu-jitsu, too. | ||
| I'm psyched to help him. | ||
| He's like a high purple belt level, right? | ||
| He's in tremendous shape. | ||
| He's in his 40s. | ||
| He's my age. | ||
| Tremendous shape. | ||
| Really careful with his diet. | ||
| He's tight with Hoffa Mendez. | ||
| They're like bros and shitly. | ||
| He trains with him. | ||
| The Mendez brothers are so fucking technical. | ||
| God damn it. | ||
| I went on a jujitsu rap page a couple months ago and I watched a lot of... | ||
| One of those phases? | ||
| I watched a lot of rolling. | ||
| I watched him roll with... | ||
| It was him or Guy. | ||
| Who rolled with Jake Shields? | ||
| Where they put a video of it online. | ||
| It was Hoffa. | ||
|
unidentified
|
Hoffa. | |
| And Hoffa was just... | ||
| Just impenetrable. | ||
| Impenetrable off his back, and then once he swept Jake, and he got his back, I'm like, Jesus Christ, you're seeing just this laser samurai-shored scalpels fucking sharpness of technique. | ||
| Fascinating to watch. | ||
| It's this, like, small guy. | ||
| Not small, but, I mean, in comparison to Jake. | ||
| I mean, Jake's probably 190 in a pretty strong style. | ||
| High 180s, yeah. | ||
| Yeah, high 180s. | ||
| And maybe Hoffa's, like, 160? | ||
| Right? | ||
| What would you say? | ||
| Just a killer. | ||
| Walk around, I would say 160. This movie looks scary as fuck, by the way. | ||
| Yeah, 160. But he does Abu Dhabi, 145, same day. | ||
| Jesus. | ||
| Yeah, yeah. | ||
| So he's not a big guy. | ||
| He's not a big guy at all. | ||
| But he's strong like a big guy. | ||
| I've seen roles with him and Andre Galvao. | ||
| Oh, he's world class. | ||
| You know what it is, man? | ||
| Andre Galvao's like 200 pounds. | ||
| And world class. | ||
| And Hoppe's right there. | ||
| And on that acai. | ||
| You can't pass Hoppe's guard. | ||
| They bomba. | ||
| They bomba. | ||
| On that Brazilian beef jerky. | ||
| Well, you know what, man? | ||
| There's strength that you develop from repetitive technique. | ||
| If you look at someone's body, here's a perfect example. | ||
| Michael McDonald. | ||
| You know that dude. | ||
| Fights in the UFC. He's 21. Maybe he's 22 now. | ||
| A youngster. | ||
| Wicked knockout artist, man. | ||
| Wicked. | ||
| But if you looked at his body, you would never know. | ||
| But there's a strength in his ability to execute particular techniques. | ||
| Bang! | ||
| He's just got that groove carved in his synapses. | ||
| And when he unleashes shots, man, they're just ferocious bombs. | ||
| Bro. | ||
| And you know, like, here's a perfect example. | ||
| Honey Yaya. | ||
| Honey Yaya's not a big guy, but that motherfucker gets your neck and he's a fucking squeeze. | ||
| Bro, Sage Northcutt! | ||
|
unidentified
|
They got that squeeze! | |
| Bro, think of Sage Northcutt. | ||
| His dad at like six had him fucking hiking up mountains with tires. | ||
| Yeah, but he's 19. He's jacked! | ||
| At 19! | ||
| But there's baby strength. | ||
| There's 19 strength. | ||
| No, no, no. | ||
| Not compared to Randy Couture. | ||
| Randy Couture's got I'm going to fuck you strength. | ||
| That hold your wrist. | ||
| I'm going to fuck you. | ||
|
unidentified
|
Fair play, sir. | |
| You know, those young guys just don't have that. | ||
| Shane Carlin had that all fucking day. | ||
|
unidentified
|
I'm sure he did. | |
| Well, Frank, Shane Carlin's also 285 pounds. | ||
| But I mean, there's like some ridiculous grapple strength that certain dudes have, right? | ||
| For sure. | ||
| Jake Shields has that. | ||
| There's a squeeze to be developed in every choke. | ||
| It's not just... | ||
| If you have a squeeze in one choke, it doesn't mean... | ||
| How about Marcelo? | ||
| Marcelo's a perfect example. | ||
| No, Krohn Gracie. | ||
| Krohn Gracie is Gracie. | ||
| I think Brennan Schaub has that kind of strength. | ||
| But Brennan's also a gorilla. | ||
| Yeah, but there's a thing about Krohn is that Krohn looks physically imposing. | ||
| Like when Krohn doesn't have his shirt off, you go, when he has his shirt off, rather, you look at him and you go, well, that kid is obviously doing something. | ||
| He's obviously doing some gymnastics. | ||
| Yeah, but you want to think his grip is like fucking... | ||
| Ridiculous. | ||
| Ridiculous. | ||
| Oh my god. | ||
| Dude, ridiculous. | ||
| I saw Krohn, there's a video of him doing this shit on Venice Beach, or Santa Monica Beach, where he's swinging and flying to the air and catching the next bar, and then swinging and flying to the air. | ||
| See if you can find that, Jamie. | ||
| He's also a dime piece. | ||
| Yeah, he's also a really good looking guy. | ||
| He's also a very smart kid. | ||
| Yeah. | ||
| Runs Krohn Academy there in Culver City. | ||
| He's killing it. | ||
| And principled. | ||
| I've seen our boy over here take some pretty big heavyweights and do whatever he wants to. | ||
| Okay, let off the gay stuff, buddy. | ||
| Here's Krohn. | ||
| Here's Krohn. | ||
| Check this shit out. | ||
| Watch this video. | ||
| Yeah, this is in Venice. | ||
| But he does this shit on these bars. | ||
| Like, look at this. | ||
| Don't wear your socks like that. | ||
| Why not, man? | ||
| You can wear your socks whatever the fuck you want if you're Krohn Gracie. | ||
| No, Joe. | ||
| Dude, he is the lineage of the greatest fighter in the history of Jiu-Jitsu. | ||
| He's the son of the great Hickson Gray. | ||
| He can wear those Marvin Hagler socks from the fucking 80s. | ||
| The shit Marvin hasn't worked. | ||
| That's so terrible! | ||
| Lee Flatt must stop the hang show. | ||
| He's thick. | ||
| He's thick in this, man. | ||
| Who let him out there with those songs? | ||
| Krohn's a bad motherfucker, dude. | ||
| He's a bad motherfucker. | ||
| Fuck yes! | ||
| One of the best guys ever. | ||
| And here's the thing, man. | ||
| His dad is the greatest of all time, for sure. | ||
| His dad is like a legit, like a mystic, almost. | ||
| Bro, his dad would roll in. | ||
| I'll never forget this. | ||
| The room full of the baddest dudes on the planet. | ||
| UFC fighters, the who's who of jiu-jitsu. | ||
| He walks in there. | ||
| It was like Mufasa. | ||
| Even I bowed down and shit. | ||
| Shit, let me get on a knee. | ||
| The one thing he has... | ||
| That most high-level jiu-jitsu players don't have when they're going to MMA, besides the good looks, is when you're talking about just pure jiu-jitsu, whether it's gi or no gi, the full guard is totally optional. | ||
| You don't ever need to develop a full guard if it's just grappling. | ||
| If you ever have someone in full guard and don't want to play, you open it up and you start playing, you know, butterfly guard or whatever. | ||
| Full guard is totally optional. | ||
| There's many great jujitsu players that just said, fuck playing full guard. | ||
| I'm going to do some other shit. | ||
| We're going to play open guard, De La Riva. | ||
| We start opening up and start swinging around. | ||
| Never really engage in this full guard dimension that's completely optional. | ||
| Gi or no gi. | ||
| No gi. | ||
| If you don't want to play full guard, if you don't want to develop a full guard, you don't have to. | ||
| Just open up your fucking legs and then just start playing. | ||
| But you know what, man? | ||
| But in MMA, I'm sorry. | ||
| Let me just finish this real quick. | ||
| But in MMA, it's the most important guard. | ||
| Full guard. | ||
| It's the most important. | ||
| You have to fucking play full guard when a guy is trying to smash your fucking face. | ||
| So now you're forced to play a guard. | ||
| You didn't have to play in grappling ever, and now in MMA, but Krohn is one of those rare jujitsu guys that in his grappling, his full guard is his main weapon. | ||
| He gets dudes in full guard. | ||
| That's his shit. | ||
| If he watches gi grappling or no gi grappling, he wants to get you in full guard. | ||
| His guillotine is among the best. | ||
| That's why he's doing good in MMA, because in MMA, he's forced to play a guard that he wants to play anyways. | ||
| Krohn on-barred me in front of a ton of people. | ||
| Super embarrassing. | ||
| Super embarrassing. | ||
| That's gotta be rough considering he's like 170 maybe. | ||
| Less, right? | ||
| We rolled for 25 minutes straight and we were like going back and forth. | ||
| No one tapped. | ||
| No one tapped. | ||
| Getting ready for metamorphosis. | ||
| And then it just came out of nowhere. | ||
| Everyone... | ||
| Standing up. | ||
| I was all embarrassed. | ||
| It's beautiful that he got you. | ||
| Hell yeah. | ||
| You gotta appreciate it. | ||
| You know you're a gorilla. | ||
|
unidentified
|
Dude, that's... | |
| Hey, that dude is way big. | ||
| He was even 170. He was smaller than that when he submitted me. | ||
| It's... | ||
| It doesn't matter. | ||
| One of the most satisfying aspects ever. | ||
| He won Abu Dhabi. | ||
| Satisfying aspects of jiu-jitsu is that it's truly one of the only martial arts where a smaller, more technical person can overcome a bigger, more powerful person. | ||
| Unless Shane Carwin rolls in that motherfucker. | ||
| That's a different gorilla. | ||
| That's a different gorilla. | ||
| But he's so far beyond. | ||
| But I guarantee you if he got in there with Fabricio Verdum and they were just grappling, Fabricio would tap him. | ||
| You know it and I know it. | ||
| Correct, sir. | ||
| 100%. | ||
| Fabricio's gonna tap him. | ||
| And who's bigger? | ||
| Fabricio or Shane? | ||
| Shane's bigger. | ||
| But it doesn't matter. | ||
| He's taller. | ||
| But there's a level. | ||
| It gets to a certain level where the technique can overcome massive physical advantage. | ||
| Call a pecking order. | ||
| Dude, it's a fucking... | ||
| Look, our friend Cade. | ||
| You know, like, Cade is maybe one... | ||
| How much does Cade weigh? | ||
| 135. Maybe 135. That motherfucker has put me in danger. | ||
| Like a bunch of times. | ||
| Way smaller than me. | ||
| He's 135? | ||
| Locked me up in triangles where I'm like, oh shit, I'm going to have to tap to a dude who's 70 pounds lighter. | ||
| Go ahead and rampage him though, huh? | ||
| Go ahead and rampage him. | ||
| Okay, I could do that, but he's your friend. | ||
| You're not supposed to do that. | ||
| But I mean... | ||
| What I'm saying is that his technique, like my friend Denny, Denny's lighter than me. | ||
| Denny taps me all the time. | ||
| If Denny and I roll right now, I haven't rolled in a while, but if we were rolling, he would always tap me. | ||
| He's better than me. | ||
| Because even though he's smaller than me, someone's heavier. | ||
| He's just more technical. | ||
| People get, they're just better. | ||
| Yeah. | ||
| They're just better. | ||
| When I was watching... | ||
| Everything lines up with your weight. | ||
| Has anyone else... | ||
| It's so good. | ||
| Try this. | ||
| Try this. | ||
| Guys, we can't talk over each other. | ||
| Sorry. | ||
| Try this raw milk. | ||
|
unidentified
|
Hold on. | |
| Has anyone else eaten this cheese? | ||
| Guys, we're talking about the Brunello did Molotichino, the 2010... | ||
| Why are you eating cheese? | ||
| We're on the same diet. | ||
| Yeah, because I'm not into it. | ||
| All right. | ||
| It's okay. | ||
| I thought you were going to say, oh, you didn't hear Ketogenic candy cheese. | ||
| He's looking away from you. | ||
| I'm thinking about that poor little cow sitting there getting its tits sucked. | ||
| Not bad. | ||
|
unidentified
|
What? | |
| No, he enjoys that shit. | ||
| Otherwise, it builds up. | ||
| They don't enjoy it. | ||
| It's like... | ||
| They have to keep him in a state where they're perpetually pregnant. | ||
| Hey, here's a good fight. | ||
| Tarek Safedine, who I love watching... | ||
| It was a very good fight. | ||
| Rick Story, who's a goddamn gorilla. | ||
| Well, he's been out for a grip. | ||
| Yeah, where's Rick Story been? | ||
| It's a long story Too easy Timing That ball landing in the bed of my I My word! | ||
| Slam Dunk Sally. | ||
| That bread, that ball broke the window of a convertible. | ||
|
unidentified
|
That's like Archie Bunker type shit. | |
| It's a long story. | ||
| Saffodine trying to avoid that takedown. | ||
| Cal, get this fucking cheese on my face. | ||
| You know what I mean? | ||
| Is it that good? | ||
| Yeah, it's that good. | ||
| Give me a piece. | ||
| It's so good you go, fuck you, cheese. | ||
| Fuck those cows and their suckly titties. | ||
| I'll fuck that cheese right now. | ||
| I will suck on those titties. | ||
| I'll suck everybody's tits. | ||
| Sorry, guys. | ||
| Cheese gets me crazy. | ||
| So does red wine. | ||
| Is this raw cheese? | ||
| Fuck yeah, it's raw cheese. | ||
| I don't pasteurize my milk. | ||
|
unidentified
|
Only the best. | |
| Did you know they put Viagra in raw cheese? | ||
| Yes! | ||
| I got it at the gas station. | ||
| They put that Rhino 7 in the cheese. | ||
| I got it in the Rhino column. | ||
| They put Viagra in everything. | ||
| Yeah, the Rhino column. | ||
| Why not? | ||
| Just like sugar. | ||
| Just put it in fucking everything. | ||
| Just get your boners. | ||
| They have to list it. | ||
| Six grams of Viagra. | ||
| You're like, fuck it, that's six grams! | ||
| Like, shit. | ||
| You know how crazy that was? | ||
| You gotta cut down on your Viagra. | ||
| Think about that. | ||
| Viagra free food. | ||
|
unidentified
|
That was crazy. | |
| We'd come back around, people would fight to hippie Viagra conspiracies, how the Viagra Association bought off Yale professors to prove that it was good for longevity and anti-cancer properties. | ||
| It's good for endurance, and they came up with a blood pressure medication or something? | ||
|
unidentified
|
What was it? | |
| Because it's illegal to take. | ||
| Yes, it was. | ||
| I believe it was blood pressure. | ||
| It opened up your capillaries. | ||
| Yeah. | ||
| And people were getting hard on. | ||
| It's illegal to take in the Olympics. | ||
| Oh, yeah. | ||
| They need a big lick with Viagra. | ||
| Yes, because it gives you more endurance. | ||
| Viagra shots, right? | ||
| How about that? | ||
| You take fucking two shots, shots. | ||
| Also, Propecia was for prostate cancer, and they were growing hair. | ||
| And they were like, what the fuck's going on? | ||
| It was a sinasteride. | ||
| You still taking that shit, Cal? | ||
| Hold up. | ||
| I am. | ||
| Don't take it. | ||
| It was a cardiovascular thing for its ability to lower blood pressure. | ||
| That finasteride shit? | ||
| Dude, that stuff's not good for you. | ||
| How do you know? | ||
| It's because I took it, first of all, because I took it, and then when I got off it, and Ari took it, and it made him depressed. | ||
| Ari got severely depressed. | ||
| I got off it too. | ||
| I'm happy as fuck. | ||
| You might be. | ||
| Maybe you'd be more happy if you weren't on it. | ||
| I'm not kidding. | ||
| That stuff is linked very directly to depression because it fucks with your body's ability to produce hormones. | ||
| It suppresses dihydrotestosterone, which is a derivative of testosterone that causes you to go to bald. | ||
| And that is a part of your overall system. | ||
| And when you suppress that one aspect of your system, it could fuck up your whole endocrine system. | ||
|
unidentified
|
Is Ari like the same thing with steroids? | |
| I'd rather be sad with a lot of hair than happy with no hair. | ||
| Okay. | ||
| Well, you and I are very different, obviously. | ||
| But Joe, don't you think Ari's the exception? | ||
| No. | ||
| Super depressed? | ||
| No, because it's a common side effect. | ||
| Because he's probably predisposed to that. | ||
| No, it's a common side effect. | ||
| I'm telling you, Ari got off that shit and it changed him. | ||
| It changed him. | ||
| Because he had a nice set of hair. | ||
| That might be anecdotal. | ||
| No, it kept his hair barely. | ||
| Just like me. | ||
| It kept my hair barely. | ||
| And when I got off of it, my body felt way better. | ||
| I had more endurance. | ||
| I was thinking I had chronic fatigue syndrome or something. | ||
| I was like, why am I fucking tired all the time? | ||
| It's hard for me to muster up energy to work out. | ||
| I was doing it all on willpower. | ||
| I got off Propecia, and my body was like... | ||
|
unidentified
|
It felt 30% better. | |
| I was like, this is ridiculous. | ||
| It's like I've been on a drug for a while. | ||
| I got off it, too. | ||
| I was on it for a while. | ||
| I ran out, so it's been about three months, but I'll go back on. | ||
| It doesn't make me feel bad at all. | ||
| No, no, it's not about feeling bad. | ||
| You still get those boners, though? | ||
| Overall, like... | ||
| Yeah. | ||
| How long are you going to do it? | ||
| Ten years? | ||
| Eventually, it's got to cause something. | ||
| Well, it keeps your prostate smaller. | ||
| Yeah, for dudes who don't cum. | ||
| You know that's all about dudes who don't cum? | ||
| What's that? | ||
| Do you know that jerking off? | ||
| Just jerking off and having regular sex is the best reducer of prostate cancer. | ||
|
unidentified
|
That's what I heard. | |
| It's old dudes who's cum, backs up inside them like old sewage, and just stews up inside their drain pipes. | ||
| Who's not jacking up? | ||
| No worries over here. | ||
| It rots its way through their pipes. | ||
| Think if you took a bunch of hairy shits and left them in your toilet, and what that would do to your pipes. | ||
| It's hard to believe, bro. | ||
| Why are they hairy? | ||
| I haven't been eating bunnies. | ||
| Why are they hairy? | ||
| I'm not a coyote. | ||
| The hairs that are breaking off from your asshole. | ||
| God damn it. | ||
| I wax my asshole. | ||
| I shave it occasionally. | ||
| I shave my asshole. | ||
| It changes the way my farts sound. | ||
| Oh, they clap? | ||
| They sound like it's somebody else's farts. | ||
| I'm like, what is happening back there? | ||
| I take a clipper. | ||
| I take a clipper. | ||
| Do you actually believe there's guys that are getting to a certain age and they just stop jacking off? | ||
| Yeah, no energy. | ||
| Depression. | ||
| Depression would do it. | ||
| A lot of guys lose their testosterone and they can't. | ||
| Guys definitely do. | ||
|
unidentified
|
100%. | |
| Eddie can't even accept it. | ||
| I can't. | ||
| I can't. | ||
| I can't accept it. | ||
| Well, it's one of those YouTube times. | ||
| I need proof to jack off. | ||
|
unidentified
|
Here's the thing. | |
| I think everybody fucking jacks off. | ||
| There's something weird. | ||
| Way more than they should. | ||
| Well, there's something weird. | ||
|
unidentified
|
No. | |
| Yes. | ||
| It's ridiculous. | ||
| The slow, drawn-out note. | ||
|
unidentified
|
No. | |
| And then I have to keep up with it. | ||
| We need to stop this. | ||
| We need to start a movement. | ||
| Hashtag end jerking off. | ||
| Or slow it down. | ||
| It's maintenance, man. | ||
| It keeps your body healthy. | ||
| Oh, look at that tape. | ||
| Oh, somebody might get hurt. | ||
| Slow down. | ||
| He landed on his neck. | ||
| Maybe not end it. | ||
| Just slow it down. | ||
| No, I think we're fine. | ||
| No, you can't slow it down. | ||
|
unidentified
|
Oh, shit. | |
| Everyone's all aggressive. | ||
| You gotta slow it down just a little bit. | ||
| Powerful, Terry Safadine. | ||
| Pull it back just a little bit, Brandon. | ||
| Safadine's rough, man. | ||
| No, he needs maintenance. | ||
| I'm not that crazy. | ||
| Listen, first of all, Eddie, you and I can't talk about him because he's got gladiator genes. | ||
| Look at his body. | ||
| Bodies like that are meant to come. | ||
| He's supposed to be shitting loads all over the land. | ||
| Joe, why do you have a hard on? | ||
|
unidentified
|
I don't have a hard on. | |
| I have a three-quarter. | ||
| I got a half a chubby. | ||
| Just shitting there. | ||
| How tall are you? | ||
| Like 6'5"? | ||
| 6'4". | ||
| 6'4". | ||
| You should cum. | ||
| You should cum all the time. | ||
| He's a 6'4 natural 240. Just shut up. | ||
| Shut the fuck up, everybody. | ||
| The guy's gotta come a lot. | ||
| The guy has to come. | ||
| You don't want to run through the streets and just go fucking your neighbors. | ||
| Give me a child. | ||
| Give me a child. | ||
| I wish you were there last night to tell girls. | ||
| Take my wife. | ||
| I want to raise your child. | ||
| Listen to Rogan. | ||
| I gotta come. | ||
| Don't be fucking weird. | ||
| He's gotta come. | ||
|
unidentified
|
Stop. | |
| He has to. | ||
| Saffodine with Story on his back. | ||
| That's crazy. | ||
| Saffodine took Story down. | ||
| Saffodine trains with guys like Henderson. | ||
| Well, that's who he went to when he first started getting into the MMA game. | ||
| He figured, fuck it. | ||
| Let me go to an Olympic wrestler and figure out how to stop this bullshit. | ||
| Then he trains at Black Outs a lot, too, with Daniel Warren. | ||
| Well, you know, that fight with Nate Marquardt was a fucking excellent example of a guy who's got just super fucking high-level Technical striking. | ||
| He just fucked his legs up. | ||
| Nate was trying to eat it for a while, and then when you eat a few of those, you're like, oh my god, I'm stuck in a pattern. | ||
| And then you've got to break yourself out of the pattern. | ||
| You've got to break yourself out. | ||
| You can't go against a high-level kickboxer like this and go, I'm just going to check them all night. | ||
| Let me ask you this. | ||
| Have you ever had a fight where you went into it and you were too relaxed? | ||
| You were too confident? | ||
| Oh, yeah. | ||
| Are you asking me? | ||
| Roy Nelson. | ||
| Roy Nelson fight. | ||
| Did you? | ||
| Big knock fight. | ||
| Way too relaxed. | ||
| That's a bad place to be. | ||
| It's like everybody wants to be super confident, but you don't want to be too confident. | ||
| No, you need the nerves. | ||
| Obviously... | ||
| It varies with person to person, from instance to instance. | ||
| But I would think that you're almost better off being fucking terrified. | ||
| I agree. | ||
| And dealing with all the horrible feeling. | ||
| Because I remember on the Taekwondo days, whenever I felt like too good about things, I didn't fight good. | ||
| It never went good. | ||
| I fought like clumsy and I was too aware of what I was doing instead of being instinctive and like real fast twitch and terrified. | ||
| Not sharp focused. | ||
| Yeah, I hear ya. | ||
| But nobody wants to deal with that feeling that all the day of, the weigh-ins, the day of the- It's the worst part. | ||
| Oh, it's the fucking- But it's also what makes you great. | ||
|
unidentified
|
Yeah. | |
| And it's also what makes the experience of being victorious so powerful. | ||
| So much better. | ||
| When you see a guy like Chuck Liddell run around the cage and throw his arms back- With that power gun? | ||
| When he would roar, like when he knocked out Tito or when he knocked out Babalu. | ||
| Cyborg did the same shit. | ||
| Exactly. | ||
| Like, you gotta realize, like, that feeling doesn't just come from victory. | ||
| That feeling comes from all the turmoil and the fucking, who knows what's gonna happen. | ||
| You know where that feeling comes from when it comes to Chuck? | ||
| Look at that picture! | ||
| Goddamn! | ||
| Look at Chuck! | ||
| Probably the best picture in UFC here. | ||
| Those trunks? | ||
| He's like, you know how much pussy this is gonna get me? | ||
| It's true. | ||
| That's the truth. | ||
| Hey, Joe, but as good as the wins are when you're that scared, when you do lose, when you're like, yeah, what's the worst that can happen, you lose the worst way, those same fears, you're like, fuck going through that, man. | ||
| Fuck that, because you don't get the same payoff. | ||
| Does that make sense? | ||
| There's certainly that as well. | ||
| There's certainly that as well. | ||
| The lows are low and the highs are low. | ||
| There's also guys where you start realizing the lows are coming repeatedly, and it doesn't seem like there's an escape for them, and you've got to realize what are the consequences of these lows. | ||
| They're permanent. | ||
| Like a really smart guy like Mack Danzig. | ||
| Like when Mack Danzig decided to retire, he was like, that's a smart dude. | ||
| He should have done it before that, yeah. | ||
| Maybe, but it's hard to see when you're inside of it. | ||
| Very few people, me included, can see themselves as well as other people can see you. | ||
| Because we all have a certain amount of protective layers of ego and of narcissism. | ||
| Especially as a professional fighter. | ||
| Yeah, well, of anybody. | ||
| Anybody that's trying to do good at anything. | ||
| You have to have a certain amount of self-esteem and ego in order to pursue that goal. | ||
| Because I'd say fighters are even more magnitude. | ||
| For sure, for sure. | ||
| But also, most likely... | ||
| Their motivation for getting in the first place is they had really low self-esteem at one point in time in life and fighting showed them the way out. | ||
| So many fighters come from abusive backgrounds, stepfathers that were assholes and all that shit. | ||
| Oh shit, Safedine with the fucking question mark kick over the top. | ||
| Oh, that was Story. | ||
| Story landed that kick. | ||
| No, he didn't. | ||
| He didn't? | ||
| No, Safedine did and then he turned him. | ||
| Oh, Jesus Christ. | ||
| Which one of us going crazy? | ||
| Am I right? | ||
| Who's going crazy? | ||
| I don't know. | ||
| Either way, it's that fucking cheese. | ||
| There's Viagra? | ||
| Yeah. | ||
| It's both. | ||
| Damn cheese. | ||
| I'm going with the wine and the weed. | ||
| This wine has turned. | ||
|
unidentified
|
I'm going with the cheese. | |
| This 2008 Ukulecchio has turned. | ||
| Have we gone through four bottles? | ||
| Almost. | ||
| Oh, we get loose tonight. | ||
|
unidentified
|
Yeah. | |
| Do we have to reimburse you for this? | ||
| No. | ||
| You know what? | ||
| Bill is, Callan. | ||
| You know what? | ||
| Each of you throwing 200 bucks will call it even. | ||
|
unidentified
|
No big deal. | |
| This probably cost a gram. | ||
| Is there anything worse than... | ||
| Listen, man. | ||
| Brian Cowen, you still haven't shot your bow once. | ||
| I do. | ||
| I keep asking. | ||
| I gotta come over. | ||
| No, you definitely don't keep asking. | ||
| I keep asking. | ||
| You occasionally throw a text out there. | ||
| I throw a text. | ||
| You don't get specific at all, and you don't get proactive even slightly. | ||
| I need to start. | ||
| So let's... | ||
| No, no. | ||
| You keep texting. | ||
| Let's have a serious talk right now. | ||
| Let's be honest. | ||
| Let's be honest about how much you've... | ||
| This is one of the things I decided. | ||
| Because you kept telling me that you wanted to do archery and you wanted to get into bow hunting. | ||
| So I said, okay, what I'm going to do is I'm going to give Brian a bow and I'm going to let... | ||
| We'll see how proactive he gets with this. | ||
| And it really hasn't panned out. | ||
| Dude, look at me. | ||
| I'm gonna tell you something. | ||
| I gave you a nice point. | ||
|
unidentified
|
He's not a hunter. | |
| He's not a hunter. | ||
| Yes, I am. | ||
| You shut up. | ||
| You stay out of this. | ||
|
unidentified
|
He's not a hunter. | |
| I've seen Brian kill animals. | ||
| Yes. | ||
| I've seen Brian kill and butcher deal. | ||
| But Brian is a good shot. | ||
| He's a fucking calm dude under pressure. | ||
| Just because he's good at it doesn't mean he likes it. | ||
| Listen, Brian's crazy as fuck. | ||
| And I love him to death. | ||
| But that dude stays calm on the trigger. | ||
| Let me tell you something. | ||
| If I needed somebody to shoot for me... | ||
| He's your guy, all your friends? | ||
| He's one of my number one picks out of a guy who can keep it together. | ||
| We only get one pick. | ||
| Because he's so fucking crazy. | ||
| He can keep it together under pressure. | ||
| Is that crazy? | ||
| Oh yeah! | ||
| That's a fact. | ||
| Oh yeah! | ||
| Brian Callan can fucking... | ||
| There could be armies running in Brian's direction. | ||
| I guarantee Brian will shoot as good as he would if there was no one watching. | ||
| There's no doubt about that because I've been going through that my whole life in my head. | ||
| He's crazy. | ||
| He's crazy. | ||
| That'd be crazy. | ||
| In a weird way. | ||
| He's a smiling guy that knows how to shoot. | ||
| Yeah, that's true. | ||
| In a weird way. | ||
| Now listen, look at me. | ||
| I'm telling you right now, I'm coming over. | ||
| That's us in Wisconsin. | ||
| I'm coming over. | ||
| Oh, that's the dude we met in... | ||
| Yeah, it's Doug Duren. | ||
| How much fun do we have? | ||
| He's a great guy, man. | ||
| Yeah, he's a great guy. | ||
| Doug Duren is one of the best human beings that's ever walked the face of the planet. | ||
| We had a great meal with him and his wife. | ||
| He's a gem of a person. | ||
| You know what his wife drew? | ||
| She's a painter. | ||
| She was like, how beautiful is this painting? | ||
| It's a painting of him on a cell phone like this. | ||
| She goes, is this how we have dinner? | ||
|
unidentified
|
Ah! | |
| He's like this, looking at his phone. | ||
| Powerful first light gear. | ||
| How much fun do we have here? | ||
| We were laughing so hard. | ||
| How beautiful is my first light camo? | ||
| Ah, it's beautiful. | ||
| Yeah, we were talking about shit on a stick. | ||
| There's a mold that looks like shit. | ||
| We barely paid attention to any of these fights. | ||
| Meanwhile, Rick Story and Tarek Safney have been going to war, and we're like those assholes in the fucking first row that are drunk, but barely paid attention to the fight. | ||
| Dude, I swear to God, look at me. | ||
|
unidentified
|
Eddie Bravo's going back in. | |
| You're about to go to another dimension, brother. | ||
| There needs to be a vegan hunting show where they get a vegan that goes out in the wild. | ||
| I'm coming in this week. | ||
| I don't want to see any crying on TV. Look at me. | ||
| I'm coming in this week to shoot. | ||
| No, they hunt for wild edible plants. | ||
|
unidentified
|
What about that? | |
| That's a terrible idea, Eddie. | ||
| What about that? | ||
| They hunt for wild, edible plants? | ||
| Well, I think there's gonna be a real problem soon with plant intelligence, where they're understanding things about the way plants communicate with each other. | ||
| I don't eat plants. | ||
| They're not much different than, look, octopus, it's really super arguable that we probably shouldn't eat octopus. | ||
| Right. | ||
| Because octopus are fucking smart as shit. | ||
| And they're really cool. | ||
| They can read your facial expressions, right? | ||
| Well, not only that, they communicate through the texture of their skin. | ||
| They have ink that they blast in front of things so they can get the fuck away. | ||
| See ya. | ||
| Are you saying octopus is like spinach? | ||
| Because I'm going to freak out. | ||
| Guys, we can't talk all over each other. | ||
| Oh, I'm sorry. | ||
| Someone has to just back off. | ||
| You got this, Eddie? | ||
| I was just wondering if octopus was like spinach. | ||
| What do you mean? | ||
| Because you're saying there's a real good argument between the plant life and how smart a plant is. | ||
| I'm good. | ||
| I'll get really weird. | ||
| Smoke that. | ||
| No, I'm good, Doug. | ||
| Don't be scared. | ||
| I'm talking about spinach and octopus right now. | ||
| If you want to be a podcaster, there's certain things you're going to have to do. | ||
| If you want to be able to get so high, you say stupid shit. | ||
| Be with us, bro. | ||
| Be with us. | ||
| Watch this, bro. | ||
| So what were you saying about octopuses and spinach? | ||
| Oh! | ||
| Well, you were saying there's a real argument about plant life, how smart they are. | ||
| Because vegans say, oh, well, we eat plants, right? | ||
| Well, yeah. | ||
| Well, the argument is that we're starting to understand that plants communicate with each other in a very strange way. | ||
| Don't eat octopus. | ||
| They have more genes than you. | ||
| Dude, I love a nice octopus. | ||
| Whoa. | ||
| It tastes delicious. | ||
|
unidentified
|
No, no, no. | |
| Not to eat. | ||
| Apparently so is people. | ||
| Plants react. | ||
| Do you have those chickens as friends? | ||
| Yeah. | ||
| I'd like octopus as friends. | ||
| Plants react in a slower, but the same way, don't they, a lot of times? | ||
| They do calculations. | ||
| Here's what's weird about plants. | ||
| They do calculations and they communicate with each other in this weird way. | ||
| Like, here's a perfect example. | ||
| An acacia tree. | ||
| If an acacia tree is upwind, or, yeah, it's upwind and animals eat it, like a giraffe eats it, the wind goes down. | ||
| And the wind goes down, hits the other acacia trees, and they change the way they taste. | ||
|
unidentified
|
What? | |
| They become bitter. | ||
|
unidentified
|
What? | |
| In fact, there's a problem with animals that are downwind of a constant breeze where they literally can starve to death because they won't eat their preferred food because it tastes bad. | ||
| Even more reason to fuck those plants up. | ||
| How about that? | ||
| Yeah. | ||
| How about that? | ||
| There's all sorts of weird communication going on also with the ground itself because we look at the ground as being just dirt, but it's not. | ||
| It's an ecosystem. | ||
| It's filled with all sorts of different things. | ||
| And most importantly, here's a big factor, decomposing plant and animal material, which gets absorbed into the ground. | ||
| Like when we plant food, when you plant like vegetables and You have to add minerals to the soil. | ||
| You have to add fertilizer to the soil for most lands because we've depleted the minerals in the soil. | ||
| But when you go to the woods, no one's adding shit. | ||
| What's happening is things are decomposing. | ||
| They're recycling. | ||
| Animals are decomposing. | ||
| Bodies, organs, all sorts of things that are left behind are decomposing. | ||
| Yeah, I mean, it's legitimately what it is. | ||
| And plants need that as much as they need water. | ||
| There's like this constant thing going on. | ||
| So without animal life and animal life dying, these plants are not going to exist. | ||
| Life is life. | ||
| And they're existing eating this weird fucking ground and then water. | ||
| And then they're breathing in oxygen and spitting or breathing in carbon dioxide and spitting out oxygen. | ||
| Dude, how about the Venus flytrap? | ||
| Oh yeah. | ||
| Hey man, that's a plant! | ||
|
unidentified
|
It's flies! | |
| How about the one on the Amazon that eats rats? | ||
| God! | ||
| There's a plant that eats rats? | ||
| There's a plant that eats rats? | ||
|
unidentified
|
Fuck off! | |
| No way! | ||
| Jamie? | ||
| Jamie? | ||
| Jamie knows what it is. | ||
| Jamie? | ||
| We played this a dozen times. | ||
| There's a fucking plant in the Amazon that honey dicks rats. | ||
| And it closes up on it. | ||
| It's this fat crazy look at this Just sweat this sweat this hole watch what happens. | ||
| Oh, that's a wrap. | ||
| It's sweet in there Exactly, it's sweet and it's slippery and this mouse is fucksville Now, that mouse is not getting out? | ||
| Never! | ||
| They get eaten! | ||
| Well, that's a Venus flytrap. | ||
| Oh, shit! | ||
| They get frogs there! | ||
| Fuck flies! | ||
| Fuck flies! | ||
| They're getting frogs now! | ||
| Hey, so did that rat go down that hole and never come back? | ||
| Yeah, that rat's dead, son. | ||
| That rat went to rat heaven. | ||
| Show that rat went in there. | ||
| A plant eats frogs. | ||
|
unidentified
|
I don't know. | |
| It's like the little shop of horror. | ||
| How do we know? | ||
| I don't know about that. | ||
| What are you talking about? | ||
| It's a fucking video. | ||
| CGI. You think it might be CGI? I think it's bullshit. | ||
| No, no, no. | ||
| That could be bullshit. | ||
| What if that is bullshit? | ||
| What if that is propaganda? | ||
| Fucking lies. | ||
| Yeah, it's propaganda against the hate plants. | ||
| What is this, Jamie? | ||
| Y'all fucking lies. | ||
| Jamie, what is this? | ||
|
unidentified
|
Same plant. | |
| What is it eating? | ||
|
unidentified
|
That's a little rat, I guess. | |
| I can't see shit. | ||
| It's hard to see. | ||
| It's a weird photo. | ||
| Oh, I see. | ||
| The rat is stuck in there. | ||
| Oh, no. | ||
| He's like, oh, snap. | ||
| It's over. | ||
| That's a little rat house. | ||
| Why the fuck? | ||
| That's a rat house. | ||
| Yeah, that's a rat house. | ||
| That's his crib. | ||
| That's a rat crib. | ||
| There ain't no rat. | ||
| No, why the fuck is a plant eating rats, though? | ||
| It gets nutrients from it? | ||
| Yeah, for sure. | ||
|
unidentified
|
Can it digest it? | |
| Look, it gets nutrients from it the same way it gets nutrients from decomposing plant or animal matter that gets into the ground. | ||
| Fucking plant. | ||
| What I was going to say is, all of the fertilizer that we use today, it has to have nitrogen in it, because that's one of the key components, but a lot of what it is, especially when people make compost, that's the best. | ||
| When people throw their food waste in, and then they throw worms and leaves, and everything sort of decomposes. | ||
| Yeah, and that stuff decomposes it, and you can use that in your garden. | ||
| And that's one of the best ways of replenishing the nutrients in the soil. | ||
| That's what you do, isn't it? | ||
| You do that shit. | ||
| Damn, and then you hang out with the chickens. | ||
| Yes, I compost, I grow vegetables, and I hang out with chickens. | ||
| But it makes me happy. | ||
| It's doing the damn thing. | ||
| It makes me happy. | ||
| When I eat a salad, when I eat some tomatoes that I grew, it makes me happy. | ||
| It makes me feel good. | ||
| It feels good. | ||
| It's a weird way. | ||
| No, it's cool, man. | ||
| When I say Propecia, it makes me feel good. | ||
|
unidentified
|
It's a fun thing. | |
| It's one of those things that I think... | ||
| Have you ever caught fish before? | ||
| No, yeah. | ||
| I grew up fishing. | ||
| When you catch a fish, you're like, oh shit, oh shit. | ||
| You get excited. | ||
| Apparently, there's also a similar reaction to people that are... | ||
| If you're a bug collector, like a moth collector. | ||
| Yeah, not my friend. | ||
| Butterfly collector. | ||
| Yeah, not my friend. | ||
| I don't have any friends who do that. | ||
| But there's something because human beings, for a long period of time, were apparently insectivores. | ||
| Rick Story won that fight. | ||
| Oh, we barely pay attention. | ||
| That's outrageous. | ||
|
unidentified
|
We barely pay attention. | |
| I love how we do that. | ||
| Oh, what? | ||
| What is that, Jamie? | ||
| A horse about to eat a snake? | ||
|
unidentified
|
Oh, a chicken. | |
| A horse eats a chicken? | ||
| Son of a bitch. | ||
| Oh my god, let it roll. | ||
| Let it roll. | ||
| Oh my god, it eats a chick. | ||
| Oh, see ya! | ||
| It consumes it. | ||
| That is crazy. | ||
| A horse just ate a chick. | ||
| Oh, fuck. | ||
| With those dull-ass teeth? | ||
|
unidentified
|
Wow. | |
| Squished them like a Cadbury egg. | ||
| Oh no. | ||
|
unidentified
|
That's so crazy. | |
| We were brainwashed to believe they were herbivores. | ||
| Well, they are, for the most part, but when they get a chance, they eat chicks. | ||
| Hey, chicken! | ||
| Move the fuck out of the way! | ||
|
unidentified
|
Wow, that's crazy. | |
| That's like your smart chicken, Joe. | ||
| It's a baby chicken, they can't run away. | ||
| That was the smart one. | ||
| It's a little ground grouse. | ||
| That's crazy, isn't it? | ||
|
unidentified
|
Yeah. | |
| Where'd you find that? | ||
| I forget where I saw it, but it just makes me sick. | ||
| Have you ever seen deer chase birds and eat them? | ||
| What the fuck? | ||
| No. | ||
| Yeah, deer eat birds regularly. | ||
| Not only that, there was a fence that was put up, and it was one of these weird nettings, and birds got stuck in the netting, and deer were eating the birds out of the netting. | ||
| Some evil-ass deer. | ||
| Damn. | ||
| The birds just couldn't differentiate between the hole and the string, and they ran right into it and got stuck. | ||
| And the deer just ate them. | ||
| And they just needed the protein or something. | ||
| They don't give a fuck about birds. | ||
| That's what's really going on. | ||
| They're not Bambi. | ||
| No, it just looks like food. | ||
| We have a real problem in this country, and Disney's fucked our brains from the time we were babies. | ||
| I love a deer. | ||
| Juicy nose, friendly. | ||
| That's why I can't hunt him. | ||
| Yeah. | ||
| You gotta get over that pussy. | ||
| Nah, man. | ||
| I'm trying to kill bears, Doug. | ||
| I'll call it you to kill bears. | ||
| Did you say beers? | ||
| B-E-A-R. I have a speech impediment, Eddie. | ||
| We know this. | ||
| What were you saying, Eddie? | ||
| No, no, but what did you mean? | ||
| I don't even know. | ||
| Did you say bears or beers? | ||
| You know, the grizzly kind. | ||
| Oh, I thought you meant trying to kill bears. | ||
|
unidentified
|
He says beers. | |
| For real? | ||
| Yes, for real. | ||
| Okay, let's do it. | ||
| Not with an arrow, though. | ||
| I need a gun. | ||
| Hold on. | ||
| Hold on. | ||
| No problem. | ||
| You'll set it up? | ||
| 100%. | ||
| Tell me when. | ||
| I just set it up with Aubrey. | ||
| Hey, bro. | ||
| Aubrey wasn't successful. | ||
| I know, Aubrey texted me. | ||
| You want in, too? | ||
| I have to, now. | ||
| Okay, we're in. | ||
| Okay, this is what we do. | ||
| I'm talking about the bear hunters, Doug. | ||
| This is what we do. | ||
| Pure pressure. | ||
| We'll do an August bear hunt with rifle. | ||
|
unidentified
|
Fuck, yeah. | |
| The three of us. | ||
| You guys, you pussies can use a rifle. | ||
| I'm going to use a bow. | ||
| Listen. | ||
| You have a rifle I can borrow, though? | ||
| This week, I'm coming over to... | ||
| I got two rifles. | ||
| You guys can both borrow my rifles. | ||
| I'm coming over this week. | ||
| I got a goddamn armory in my house. | ||
| You have a machine gun? | ||
| I got a lot of shit. | ||
| I'll use that. | ||
|
unidentified
|
I got a lot of problems. | |
| Problems in my head. | ||
| And I'm ready. | ||
| I'm ready, dude. | ||
|
unidentified
|
I'm so ready. | |
| I'm scared. | ||
| I'm so fucking ready. | ||
| I'm so ready. | ||
| You and Tim Kennedy are just ready. | ||
| Me and Tim Kennedy could be boyfriends. | ||
| But this camp that we would go to in Alberta, my friend John and Jen Rivett, they're fucking awesome human beings, and their place is amazing, and they have giant people. | ||
| What kind of bears? | ||
| Like the edge bear? | ||
| No, but black bears. | ||
| And there's grizzlies up there, too. | ||
| I saw a grizzly. | ||
| I saw a grizzly not where we were hunting, but near it. | ||
| I saw lynx. | ||
| I saw many moose, mule deer. | ||
| All Achilles, right? | ||
| Yeah. | ||
| So I'm in. | ||
| Well, you've got to do them during certain times. | ||
| We're in the bear time. | ||
| And here's the thing about bears, it actually does help the population because they eat babies. | ||
| They eat cubs. | ||
| So if you kill the big boars, it actually is good for the population. | ||
| That's all we need to hear. | ||
| Yeah, it sounds counterintuitive. | ||
| That's all we need to hear. | ||
| As long as I have a reason, then I'll do it. | ||
| Doing conservation is what you're saying. | ||
| It's like child services. | ||
| Well, it's a side effect of hunting. | ||
|
unidentified
|
Fuck it, baby. | |
| Here's one thing. | ||
| My friend Ben O'Brien pointed this out this weekend. | ||
| He's a good buddy of mine. | ||
| He used to write for Peterson's hunting magazine. | ||
| He's a super intelligent guy, and he came hunting with us. | ||
| And one of the things that he said is that conservation is a side effect of hunting. | ||
| And until we're honest about that, people are going to always have this argument against us. | ||
| Or against people that hunt. | ||
| Because people like to say that hunting is conservation. | ||
| It is. | ||
| But it's a side effect of hunting. | ||
| You really want to hunt because you want meat. | ||
| Yeah, you're not trying to help. | ||
| But then there's people that hunt and they don't even really want meat. | ||
| I knew a dude who used to hunt all the time. | ||
| He hated wild game. | ||
| He hunted constantly. | ||
| Just to kill. | ||
| He just ate beef. | ||
| He likes to kill. | ||
| He was a real problem, dude. | ||
| He's got other... | ||
| Of course, though. | ||
| I could have told you that. | ||
| But there's something about hunting. | ||
| When you wake up in the middle of nowhere and you're walking through like in Alaska, there is something very primordial and very interesting about not knowing what you're going to see around the next corner. | ||
| Well, when you and I did that island in Alaska, two of my favorite times as a human being is when we were in Montana and when we were in Alaska. | ||
| We laughed so fucking hard and miserable. | ||
| Did you guys kill anything? | ||
| Well, we did in Montana. | ||
| We both did, but in Alaska, neither one of us did. | ||
| Joe, how long would the bear hunt be? | ||
| Well, the bear hunt I just did, it was three days of hunting. | ||
| I can do three. | ||
| One day of travel on each end, so it was a five-day hunt, and I was unsuccessful. | ||
| My friend Cameron Haynes shot a seven-foot-eight bear. | ||
|
unidentified
|
Goddamn. | |
| I was telling you guys about it before. | ||
| And we ate that bear, by the way, and it's fucking delicious. | ||
| What about the rug? | ||
| Are you going to make a rug from it? | ||
| Oh, we're going to have to use every aspect. | ||
| Paper, rock, scissors for the rug. | ||
| No, no, we'll both go. | ||
| Use every aspect of the bear. | ||
| But the thing about bears is they do two things. | ||
| One, they eat cubs. | ||
| Like, all of them. | ||
| 100% of them are cannibals. | ||
| That's all I need to hear. | ||
| They all come out. | ||
| Not only do they come out of hibernation, they come out of hibernation looking to get a cub. | ||
| Stone cold killers. | ||
| Because cubs are easy, so they go into dens because the females tend to sleep later than the males. | ||
| And it's something that's set up because nature knows they don't have any predator. | ||
| Nature's like a complex but really efficient system. | ||
| And nature realizes that these things are bears. | ||
| Nothing can fuck with them other than them. | ||
| Yeah. | ||
| So what it did is it made the men cannibals. | ||
|
unidentified
|
Wow. | |
| Where it's very different from wolves. | ||
| See, wolves, a wolf could have a battle and get killed by a mountain lion. | ||
| There's videos online of wolves getting killed by a mountain lion. | ||
| A really recent one that Jamie and I played the other day. | ||
| Of a mountain lion killing a wolf. | ||
| Yeah, where the guy had the light on it? | ||
| Yes, exactly. | ||
| You've seen it? | ||
|
unidentified
|
I've seen it. | |
| Mountain lions are just way more gangster than wolves. | ||
| Wolves can suck mountain lions dicks all day long. | ||
| That's a given though, right? | ||
| A mountain lion is like Kevin Randleman in his prime, and a wolf is like a 14-year-old girl in a fucking McDojo karate class at a strip mall. | ||
| Jesus Christ, because a wolf has its mouth. | ||
| That's my favorite analogy of all time. | ||
| But there's a mountain lion eating a wolf. | ||
| He's just killing a wolf with his fucking face. | ||
| Cats are just as gangster... | ||
| Who the fuck is that guy? | ||
| Cats are as gangster as any animal that's ever lived. | ||
| They kill crocodiles in the Amazon. | ||
| The tiger kills a croc. | ||
| But surely you've seen... | ||
| Have you surely seen these jaguars kill crocodiles? | ||
| Surely you've seen that. | ||
| No, I've only seen a tiger do it. | ||
| Please. | ||
| No, that was a jaguar. | ||
| Jaguar killed caiman in the Amazon. | ||
| It's hard to tell. | ||
|
unidentified
|
Look at that! | |
| He's killing a wolf with his face! | ||
| Cats are so gangster. | ||
| They don't fuck around. | ||
| And he's not even moving! | ||
| He's not freaking out. | ||
| He's barely breathing. | ||
| He's just slowly killing that wolf. | ||
| And by the way, the puma, and that's what you're looking at, the puma is considered the most athletic of all cats. | ||
| Yes, you're correct. | ||
| Next to a house cat. | ||
| By the way, they say if a house cat was as big as a puma, the house cat would be running shit. | ||
| Yes, it'd be eating you too. | ||
| I'm not a cat guy, man. | ||
| I'm allergic to cats. | ||
| I know, it's weird. | ||
| Love them. | ||
| It's the one thing I don't like about you. | ||
|
unidentified
|
I love them. | |
| Never knew. | ||
|
unidentified
|
Just that. | |
| I've never had a cat. | ||
| I don't trust cat guys. | ||
| I love them. | ||
| But I trust you. | ||
| I have two cats and I feel you. | ||
| You know what? | ||
|
unidentified
|
I feel you. | |
| You know what, man? | ||
| The one thing I gotta appreciate about cats, though, is- Look at that! | ||
| Hold on. | ||
| Watch this. | ||
| Watch this. | ||
| Watch this jaguar sneak up on a crocodile! | ||
|
unidentified
|
Dog! | |
| Dog! | ||
| Jack that motherfucker! | ||
| He eats crocodiles! | ||
| Suck it! | ||
| Fuck! | ||
|
unidentified
|
Yeah. | |
| Come on, son. | ||
|
unidentified
|
Uh-oh. | |
| Look at the creeping. | ||
| Don't fuck with Jags. | ||
| You guys don't know shit. | ||
| Jags are no joke. | ||
| Oh my god, they're so scary. | ||
| They're about 250 pounds, by the way. | ||
| They're so scary. | ||
| But this won't sway me towards liking cats, because you can't be like, oh, my house cats look like this. | ||
| Watch this. | ||
|
unidentified
|
They're water animals. | |
| Look, the crocodile swims out. | ||
| They're water babies, you fucks. | ||
| And he swims out to this little fucking island. | ||
|
unidentified
|
Yeah. | |
| And the jaguar's right behind him. | ||
| Yeah, you big fucking, you big lizard. | ||
|
unidentified
|
Look at the jaguar! | |
| You bully lizard. | ||
|
unidentified
|
Look at the jaguar creeping through the water in super slow-mo. | |
| Watch this shit. | ||
|
unidentified
|
Too late! | |
| Bitch! | ||
| Too late! | ||
| Get the fuck over here, bitch! | ||
| Too late. | ||
| He carries him off? | ||
| Yeah, he carries him the fuck off. | ||
| He carries him off like you would carry a roll of toilet paper. | ||
| Look at him. | ||
| Through the water. | ||
| God damn it. | ||
|
unidentified
|
Everyone's watching the video. | |
| We can't show this. | ||
| He took him in the water. | ||
| He took him in his house. | ||
| You can't show what? | ||
| You can't show the end? | ||
| Dude, he grabs him and drags him back and he's not even dead yet and he throws him back in the water. | ||
| He knows it's not going to make it. | ||
| Where's the rest of the homies? | ||
| He controls that body so well that he just swims across the goddamn river. | ||
| Eddie, if you got a 10-year-old boy in a headlock, do you think you'd be worried about swimming with him? | ||
| Yeah, fuck that kid. | ||
| It could be a problem. | ||
| Dude, those fucking jaguars are so gangster. | ||
| Super gangster. | ||
| They're so gangster. | ||
| I saw a tiger do that. | ||
| So with bears, because they don't have natural predators, nature has developed this really dark, dark system where the males eat the babies. | ||
| So the struggle is constantly the males trying to eat other babies in order to bring the woman back, the female bear. | ||
|
unidentified
|
Makes sense. | |
| Back into estrus so he can mate with her and pass on his own genetics and just the fact that it's hard to come by protein because they run fairly quick but they don't run as quick as deer. | ||
| So the only deer they get to eat realistically are the babies or the injured ones. | ||
| It's mostly fawns so they say that A bear in Alberta eat 50% of all moose calves and deer fawns. | ||
| Gotta kill them. | ||
| When we were in Alaska, we saw a female bear with her cub, and I can't remember, Jan, what was his name? | ||
| Janis. | ||
| Janis. | ||
| Janis said that probably what was going on was she was keeping him in the highlands. | ||
| Her baby away from the males who had gotten down. | ||
| She was keeping him up high way too late in the season just to try to protect his life because the males eat him. | ||
| So you're saying Mother Nature's a motherfucker is what you're saying. | ||
| Mother Nature's a motherfucker. | ||
| Well, what I'm saying is that people who love animals, the sentiment is beautiful. | ||
| But when you really try to let all your predispose or your preconceived notions... | ||
| It's called your anthropomorphic tendencies. | ||
| There's a little of that that's given to us. | ||
| Putting human qualities on them. | ||
| Well, it's not just anthropomorphic. | ||
| It's also even the love of actual animals that are in your environment that are not trying to eat you. | ||
| Yeah. | ||
| Like squirrels and birds and dogs and cats and pets that you and I both have, we both love. | ||
|
unidentified
|
Mm-hmm. | |
| But there's a big goddamn difference between all of those things and then the wild itself, which is this weird system. | ||
| And this weird system, wildlife biologists have studied this weird system over decades, and they've concluded that there's some benefit to removing certain dominant males from the equation. | ||
| And that's what you hunt. | ||
| They say that about rhino, you know. | ||
| Well, that's one of the reasons why that Corey Knowlton guy got off the hook, whereas the lion killer guy, the Caesar Lion Killer didn't. | ||
| They were going to kill that rhino anyway, because that rhino was killing other male rhinos. | ||
| So Corey, in spending $250,000 plus to bid on killing that rhino, fed like a hundred fucking Families. | ||
| Yes. | ||
| Not only did he feed 100 families, he gave $250,000 to conservation to protect the rhinos and killed a rhino they were going to have to kill anyway. | ||
|
unidentified
|
Yes. | |
| Which helps out the rhinos. | ||
| It helps out the rhinos. | ||
| But it's so complicated because you would think that if you love rhinos, the last thing you'd want is some dude paying money to kill a rhino. | ||
| You'd be like, that's ridiculous. | ||
|
unidentified
|
Yeah. | |
| That's not what we want. | ||
| But when you say hunting takes out the big males that kill all these things. | ||
| That's what you hunt. | ||
| How can you tell the difference? | ||
| Just size? | ||
| Yeah, 100%. | ||
| Size. | ||
| You tell by size, I tell by smell. | ||
| Well, Brian is what's called game eye. | ||
| I have game eye and game nose, you fucks. | ||
| Meanwhile, Hannah Burrell is about to fight Jeremy Stevens at the goddamn co-main event. | ||
| By the way, Hannah Burrell is a big... | ||
| I like saying obvious things like this. | ||
| Guys, Hannah Burrell is a good fighter. | ||
| That's what I say when I work. | ||
| This is, I gotta be honest with you, this is the number one argument for me never doing commentary again. | ||
| What do you got? | ||
| This thing. | ||
|
unidentified
|
It's the best. | |
| It's the best. | ||
| We're hammers. | ||
| I'm gonna say something really cheesy. | ||
| I have an overwhelming feeling of kinship for all my friends here. | ||
| I know it's cheesy, but I love all you guys. | ||
| Dude, there's a million... | ||
| And I'm not drunk. | ||
| I'm just saying that. | ||
| It's a little embarrassing. | ||
| More than a million people. | ||
| More than a million human beings are going to listen to this. | ||
| And feel the same way. | ||
| There you go. | ||
| Jeremy Stephens and Hennem Burrell is a motherfucker of a fight. | ||
| Because Jeremy Stephens is ready to throw bombs, super confident. | ||
| And Hennem Burrell, first time at 145, not knowing exactly how he's going to do, against one of the best knockout strikers in this division. | ||
| And Hennem Burrell's more skilled. | ||
| He's more skilled. | ||
|
unidentified
|
Maybe. | |
| Don't say that. | ||
| No, Hennem Burrell's a guy who will trade and take shots. | ||
| Can you take a shot from Jeremy Stephens? | ||
| I don't know if anybody can. | ||
|
unidentified
|
I don't either. | |
| Jeremy Stephens knocks out 155 guys. | ||
| He knocked out the champ, Dos Anjos. | ||
| Exactly, with a ruthless uppercut. | ||
| Jeremy Stephens is no joke. | ||
| Probably the hardest hit at 45. He's one of them. | ||
| Easy, there's Conor McGregor guys. | ||
| I guess you forgot Let me tell you something. | ||
| Conor vs. | ||
| this guy. | ||
| Jeremy Stephens vs. | ||
| Conor would be fucking chaos. | ||
| And don't be surprised if Jeremy Stephens wins. | ||
| There's your fight if he wins this. | ||
| Oh my god. | ||
| Look at this. | ||
| I think Burrell's gonna beat Jeremy Stephens. | ||
| Shut the fuck up. | ||
| You have no idea what's gonna happen. | ||
| Neither do I. Brian, no one knows what's gonna happen. | ||
| I know exactly what's gonna happen. | ||
|
unidentified
|
Oh! | |
| Oh, we just tagged him in the straight right. | ||
| He's keeping his head down. | ||
| Incorrect. | ||
| Hit behind the ear. | ||
| Not a good place. | ||
| Stevens. | ||
| That's so obnoxious when somebody starts singing that you're wrong. | ||
| I'm obnoxious. | ||
|
unidentified
|
Incorrect. | |
| Hit behind the ear. | ||
| There's very few things I'm allowed to be obnoxious about other than calling in my man. | ||
| Oh, I told you. | ||
| Every time he hits, I'm going to go, I told you. | ||
| Jeremy Stevens. | ||
| Head like a brick. | ||
| Mind like a pit bull. | ||
| Oh, tag by that left. | ||
| He got tagged. | ||
| Baral looks good. | ||
| Yeah, he looks great. | ||
| Have we forgotten how good Baral is? | ||
| Well, he was, without a doubt, one of the best in the world at 135. And I think it's better for him at 145. It's too much of a beast for him to cut, they said. | ||
| They said it always killed him. | ||
| So, you know, he might be a monster at 45. How about him versus Aldo at 45? | ||
| Well, he would never do that. | ||
| You'd be surprised. | ||
| I don't want them to. | ||
| I don't want friends to fight. | ||
| I really don't. | ||
| I don't like it. | ||
| I'd be down for TJ. I feel like it's kind of fun. | ||
| Oh, Burrell with the takedown. | ||
| I feel like it's kind of fun that there's sacred things. | ||
| I feel like it's kind of fun that some people just won't fight people. | ||
| Jake Shields and those guys won't fight each other? | ||
| The UFC doesn't think it's fun, though. | ||
| I don't care what they think. | ||
| I know, but they make the match-ups, dog. | ||
| I don't care. | ||
| But my personal opinion, I mean, listen, I love every match-up. | ||
| I call every match-up with love. | ||
| I love them all. | ||
| But I don't, personally, I know a lot of these guys. | ||
| I don't want to see them fight their fight. | ||
| Yeah, but if Hannah Brown is fighting, you've got to call it. | ||
| Unless, this is what I want to say, unless they want to fight their friends and they think it's okay. | ||
| Juliana Pena is very close with Misha Tate, and apparently Juliana Pena said, I would fight her for the title, and if she wins her next fight and I expect her to win, I'll fight her for the title. | ||
| Oh, so you're cool with it. | ||
| And they're cool with it. | ||
| Yeah, because they're both cool with it, apparently. | ||
| They realize it's business. | ||
| That's life-changing, too. | ||
| Yeah, and they'll go back to being friends and being cool with each other. | ||
| Where's Tim Kennedy and why is he not fighting? | ||
| Tim Kennedy is still serving. | ||
| Tim Kennedy is still involved in multiple things you can't talk about. | ||
| But he's also trying to get a fight. | ||
| But he would take a fight again. | ||
| There's a legit problem. | ||
| I don't want to start any noise, but Tim Kennedy is a very vocal critic of all sorts of different things. | ||
| Listen, Tim Kennedy is a legit war hero. | ||
| And you can't get legit war heroes to play games. | ||
| No. | ||
|
unidentified
|
But also, when they speak, it matters. | |
| You know what I'm saying? | ||
| He's a critical thinker. | ||
| He's not a hater. | ||
| He's a critical thinker. | ||
| At the highest level. | ||
| He is. | ||
| And at the highest level, every sport, every endeavor, every application of your own creativity and your own ideals, whatever you're trying to pursue in this life, should be done to the highest level. | ||
| So all criticism should be taken into consideration, whether it's valid or invalid. | ||
| And a guy like Tim Kennedy, I think, is an important voice. | ||
| He's an important voice because he's a legit human being. | ||
| I mean, he's as legit as a man gets. | ||
| He's the greatest American in the fucking UFC for what he does. | ||
| He's one of them, for sure. | ||
| So when he speaks, everyone follows. | ||
| And they should. | ||
| They should. | ||
| He's legit. | ||
| I mean, I have legit, like, massive respect for that guy. | ||
| Fair-minded guy. | ||
| Yeah, and he's a smart dude. | ||
| And you know what? | ||
| You need people like that, man. | ||
| Don't think you don't, because there's people like that on the other side. | ||
| There's people like that in the world. | ||
| And ideally, yes, we would all love peace and love, but occasionally you have to deal with assholes. | ||
| And you have to realize that there's religious zealots and crazy people. | ||
| Talk to the Yazidi women about ISIS and see how nice people are. | ||
| And how badly they'd love to have a guy like fucking Tim. | ||
| Ruthless dictators all throughout history, man. | ||
| What'd you say about ISIS? Well, the Yazidis, what they did to that community in Iraq, the Yazidi women were always considered the most beautiful women. | ||
| They had fair hair, blue eyes, yellow eyes. | ||
| I'm not hearing red hair and big tits. | ||
| I don't even know what the fuck you're just saying. | ||
| I'm serious. | ||
| The Yazidis were fables for their beauty. | ||
| What about women? | ||
| Melky white skin where you could see your whole hand print when you spank them. | ||
| Hey, man. | ||
| Did you say that? | ||
| Hey, bro. | ||
| Sir, I did not say anything like that. | ||
| There's a lot of hot Iranian chicks, too. | ||
| But if you didn't say that, I don't really know what you're saying. | ||
| I don't understand what you're saying. | ||
| That part of the world has some of the most beautiful women on the planet. | ||
| White-like paper with red nail polish. | ||
| Oh, yeah. | ||
| Did you just say that? | ||
| No, I didn't say that, sir. | ||
| You're putting words in my mouth. | ||
| Did you say an ass-to-waste ratio? | ||
| Yes. | ||
|
unidentified
|
Yes. | |
| That's always very important. | ||
| It leaves a man baffled for days. | ||
| Like a sports guy. | ||
| Ass to waist ratio. | ||
| What is that? | ||
| That'll kill you. | ||
| That'll stop a man in his fucking... | ||
| That'll ruin your whole life. | ||
| A buddy of mine was telling me about this girlfriend. | ||
| This girl, rather, that he was dating. | ||
| And they, you know, they got to know each other. | ||
| Went out a few times. | ||
| And one day they went back to her place. | ||
| And she... | ||
| Her waist was too big and it freaked him out. | ||
| It's a problem. | ||
| What the fuck? | ||
| What's wrong with him? | ||
| He's like, she's really cool, but her waist was too thick. | ||
|
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|
I was like, what? | |
| He must have been a ladies man. | ||
|
unidentified
|
I know. | |
| Well, she wasn't even, I guess so. | ||
| He must have been, yeah. | ||
| But she wasn't even overweight. | ||
| It's just like, he didn't like her dimensions. | ||
| I've had that situation. | ||
| I had a girl take her clothes off. | ||
| She had a hairy ass. | ||
| Hold on, hold on. | ||
| What happened? | ||
| I said I had a girl take her clothes off, and she had a hairy ass. | ||
| I've talked about it before. | ||
| She was blowing me. | ||
| Her asshole? | ||
| Nope. | ||
|
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|
Everything. | |
| I'm sorry, sir. | ||
|
unidentified
|
She had a ducktail. | |
| Sir, her cheeks... | ||
| She had black hairs on her rump. | ||
| Like Arlovsky. | ||
| Yep, and guess what I did? | ||
| I faked a stomach ache and said I gotta get out of there. | ||
| I would've fucked her like she was a female werewolf. | ||
|
unidentified
|
Well, after I came, I faked a stomach ache. | |
| I would've fucked her like I was trying to make her evolve. | ||
| I was trying to help her bring her up past the Paleolithic. | ||
| When you're younger, you don't give a fuck, right? | ||
| Dump some caveman lows in there. | ||
|
unidentified
|
Just hair all over her ass cheeks? | |
| Yep, that's right, my friend. | ||
|
unidentified
|
I was just... | |
| Dominator. | ||
| And she had... | ||
| She was a white girl? | ||
| I didn't mind that, but she had a huge dick. | ||
| What did her breath taste like? | ||
| A lot of cum. | ||
| A lot of cum. | ||
|
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|
Hey, she was a white girl, B? Yeah, and she had a big beard, but she was a great girl. | |
| Other than that, she was a pretty, pretty girl. | ||
| If you can get past the dick and the beard, other than that, I thought she was fucking a wonderful girl. | ||
| I don't want to badmouth her, but I couldn't. | ||
| We only did it for like six months. | ||
| Is that the girl who had smelly feet too? | ||
| Yeah. | ||
| Yeah, I smell my feet. | ||
| She wore diapers. | ||
| Ooh, good jab. | ||
| Look at his shit. | ||
| That jab fucked him up. | ||
| An animated cartoon of Joey. | ||
| Oh, he just got caught. | ||
| Like a pit bull that's part bear. | ||
|
unidentified
|
Guess what? | |
| Henner just got caught in the chin. | ||
| God damn it. | ||
|
unidentified
|
Look at this. | |
| Henner Brown got rocked. | ||
|
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|
He's in trouble. | |
| He's on Queer Street right now. | ||
| There's another one. | ||
| Stevens really needs to work on America. | ||
|
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|
Oh! | |
| Oh, Burrell's in trouble. | ||
| He's in trouble. | ||
| He was wobbly before. | ||
| He's standing still in front of him, too, man. | ||
| He's got to move. | ||
| Jeremy's going to time him. | ||
| He's headhunting. | ||
|
unidentified
|
Oh! | |
| He just got tagged. | ||
| Well, Burrell's looking to fire back. | ||
| Maybe he's not as hurt as we think. | ||
| He's playing like he's on Queer Streak. | ||
| He didn't come over the top of the right hand. | ||
| He definitely got hurt, but you've got to think this dude is a Novo and Yao fighter, and one of the things about those training camps in Novo and Yao, those guys go to war. | ||
|
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|
Maybe they stopped lately because of all the pressure. | |
| Boy, that's hard to believe. | ||
| Yeah, that's their style, right? | ||
| It's hard. | ||
| I feel like Jeremy's bigger, isn't he? | ||
| He's a strong guy. | ||
| He fought at 55? | ||
| Well, he fought at 55 and really struggled to get down to 45, whereas Burrell was fighting at 35 and struggled there, and he's more comfortable at 45. Well, Stephen's a thicker-boned character. | ||
| Yes. | ||
| I believe he's an inch taller, too. | ||
| Yeah, he looks at... | ||
| Let's find the height and weight of these guys. | ||
| Yeah, Jamie. | ||
| Young Jamie, please. | ||
| Yeah, Jamie. | ||
| Please, Jamie. | ||
| What does it say? | ||
| Height? | ||
| 71. Damn, that was quick. | ||
| 5'6 and 5'9. | ||
| That's a big difference. | ||
| What is this? | ||
| 59 inches. | ||
| First of all, it's not 5'6. | ||
|
unidentified
|
69 inches. | |
| Why is he sucking in his gut, though? | ||
| Why is he sucking in his gut? | ||
| Ooh, that's rough. | ||
| That's 5'7. | ||
| That's 5'6, isn't it? | ||
| 69. 5'9". | ||
| Yeah, 5'9". | ||
| Oh, it's 5'9". | ||
| 66 is 5'6", that's what I said. | ||
| 60 inches is 5 feet. | ||
| He looks like he's in mid-Hicks and Gracie ab workout, right? | ||
| Yeah, 69 is 5'9", right? | ||
| Because 12 inches... | ||
| Yeah, so 5'6 and 5'9". | ||
| And then 66. So, okay. | ||
| 5'9 and 5'6". | ||
| But when you're looking at them, Hen and Burrell doesn't look that much shorter than him. | ||
| He looks more slender and not as thick. | ||
| Like, Jeremy looks... | ||
| Jeremy's a bigger boy. | ||
| But it's hard when you're bending at the knees and moving. | ||
| Thick is great. | ||
| Brow has a wider stance. | ||
| Ooh, back kick, back kick! | ||
| My vision is getting so shitty that it's hard for me to tell with that blown up... | ||
| We're getting older? | ||
| Whether it says 69 inches or 5'9". | ||
| See, not me. | ||
| I have beautiful eyes. | ||
| It's like I'm just at that point where the six is blurry, even as big as it is. | ||
| Damn, son. | ||
| So depressing. | ||
| So you gotta wear glasses? | ||
| Only when I read things. | ||
| What about the laser surgery? | ||
|
unidentified
|
Like up close? | |
| That's no good. | ||
| I did it. | ||
| It's beautiful. | ||
| But it's only good for certain types of... | ||
| Corneas? | ||
| Well, issues with your retina. | ||
| So you're having trouble seeing long distances? | ||
| No. | ||
| No, much more it's close distances. | ||
| But even long distances, it's not so hot anymore. | ||
| See, I have no problem with long distances. | ||
| So you can't see, close or far. | ||
| No, I still probably have pretty good vision. | ||
| Like, I see you crystal clear. | ||
| I see you crystal clear. | ||
| Yeah, but you can't read that six, bro. | ||
| No, I can read it, but there's a certain amount of aura to the numbers. | ||
| They're not clear. | ||
| LASIK gave it to me on light. | ||
| Like, look, I'll put these glasses on, and bam. | ||
| And money. | ||
| It's crystal clear. | ||
| So just wear those like Malcolm Axel. | ||
| No. | ||
| That's your shit now. | ||
| That's your shit now. | ||
| It is in. | ||
| They get in the way though. | ||
| I took my contacts off for good. | ||
| Fuck the contacts. | ||
| I would just wear glasses. | ||
| Glasses are easier for sure. | ||
| I feel lucky I don't have to wear glasses. | ||
| I'm going to do LASIK eventually. | ||
| But the problem with LASIKs is like Kathy Griffin had a real issue with it apparently. | ||
| Oh, Hannah Brown was a takedown. | ||
| She's the exception. | ||
| She's the Chris Benoit of LASIK. Right. | ||
| Hannah Brown was a takedown, but Jeremy Stevens... | ||
|
unidentified
|
Oh, oh, oh. | |
| Oh, Brown looking to take that back. | ||
| Don't kid yourself. | ||
| Jeremy Stevens will wear you out if he's bigger. | ||
| Well, Stevens is also a training partner for Dominic Cruz. | ||
| He's training at Alliance. | ||
| I mean, he's down there with Eric Del Fiero, one of the most underrated coaches in the world. | ||
| And Neil Malanson. | ||
| Yeah. | ||
| Malanson went to Black House, didn't he? | ||
| He goes to both, I remember. | ||
| Oh, he goes back and forth? | ||
| He was there forever. | ||
| He is at Black House, too, though. | ||
| He was there forever, but I think they brought him into Black House in order to... | ||
| Phil Davis is out of Alliance camp. | ||
| They're monsters. | ||
| Gustafson was down there. | ||
|
unidentified
|
Gustafson goes down there. | |
| What's up with him? | ||
| Ross Pearson. | ||
| Did they give Gustafson a fight? | ||
| I feel like they didn't answer. | ||
| I feel like Gustafson just said something about not knowing what he's doing. | ||
| I thought he said he lost the drive, right? | ||
| So he flew from Sweden to San Diego to see if the fire was still there, and he still was questioned, I guess. | ||
| Really? | ||
| Oh, man. | ||
| I think he comes from money, Dustin. | ||
| How dare you just make things up? | ||
| Yeah, I don't think so, Pete. | ||
| No, I think he does. | ||
| It's not even real money. | ||
| No, no, his family, his dad has a lot of money. | ||
| Yeah, but it's not even American money. | ||
| He was always kind of a problem child growing up, but now he's a superstar. | ||
| Oh, he's huge in Sweden. | ||
| It's hard to go back to that training when you're already kind of arrived. | ||
| People from Stockholm that are listening, I was only joking about your money. | ||
| He's a stud. | ||
| Brian didn't hear it. | ||
| American money is the only money? | ||
| American money is the only money? | ||
| Is that what you're saying? | ||
| It is a high tax rate. | ||
| It's like something like crazy, like 60%. | ||
| No, that's not what I'm saying, Brian. | ||
| I'm saying American's better. | ||
| Yeah. | ||
| Jesus Christ. | ||
| America, son. | ||
| I don't care about their fucking tax rate. | ||
| I know you are. | ||
| You could only pay 1% taxes. | ||
| You could suck my dick. | ||
| You have to live in Scotland or wherever the hell you live. | ||
| Sweden, you son of a bitch! | ||
| There's a huge difference! | ||
| God damn it! | ||
| You do what you paid for, man. | ||
| Stockholm is a beautiful city. | ||
| You can swim in the water there. | ||
| Yo, I've been there. | ||
| You might as well be living on the moon. | ||
| Hey! | ||
| Excuse me! | ||
| I did two shows there. | ||
| Stockholm, I'm sorry. | ||
| Sweden, I'm sorry. | ||
| I'm outraged. | ||
| I did two shows in Stockholm. | ||
| I was supposed to come with you. | ||
| Does this thing come from money? | ||
| I didn't hear that. | ||
| He's a fucking monster. | ||
| I don't think he'd go to war with Jon Jones like that if you're a rich kid. | ||
| Trust me, trust me. | ||
|
unidentified
|
Really? | |
| Yeah. | ||
| Why don't you Google it? | ||
| Don't say trust me, trust me if you're not sure. | ||
| No, I'm better than Google I know. | ||
| But are you sure? | ||
| I have an inside scoop on that, to be honest with you. | ||
| No, do you really, though, or do you have a guy who hates on him, who he trains with? | ||
| I trained with the guy. | ||
| No, he comes from, I'm not saying he comes from billions, but he comes from a well-to-do family. | ||
| It's not a bad thing. | ||
| That's not saying anything bad about him. | ||
| That's a good thing. | ||
| He comes from a good family, a successful... | ||
| His father was very successful. | ||
| And apparently he was... | ||
| I guess he had some problems growing up. | ||
| Okay, hold on. | ||
| You have a phone, right? | ||
| Yeah. | ||
| Why don't you look that up? | ||
| How do I look it up? | ||
| Let's Google Alexander Gustafson's childhood. | ||
| I have 1%. | ||
| Well, oh my god. | ||
| Plug it in. | ||
| Too late. | ||
| Just plug it in, man. | ||
| I just don't know. | ||
| I feel like young Jamie would find it in about three seconds. | ||
| Young Jamie will find it. | ||
| Here's the deal. | ||
| I think he's a spectacular person, so I don't want to disparage his background. | ||
| And if he did come up from a hardscrabble existence, the last thing I want to hear is the kid over there... | ||
| Making shit up. | ||
| Talking shit. | ||
| Making things up. | ||
| Dude, he's a billionaire. | ||
| His dad screws like that? | ||
| His godfather's Uncle Gates. | ||
| Uncle Gates. | ||
| Jeremy Stevens dropping bows. | ||
| Dropping knees on Hannah Brown. | ||
| I feel like light heavyweight needs a gust of him, man. | ||
| They're running thin. | ||
| He's a tough guy. | ||
| He's a real tough guy. | ||
| One of the best. | ||
| Think how close he was to winning a world title. | ||
| Twice. | ||
| And a true blonde. | ||
| I call him a true blonde. | ||
| Well, he beat Maniwa when no one had, you know? | ||
| I mean, he took a fight with Maniwa, and Maniwa was... | ||
| Jimmy Maniwa was knocking out anybody. | ||
| Everybody. | ||
| Hennon's bleeding, man. | ||
| What happened? | ||
| They say he got in a fight. | ||
|
unidentified
|
What happened? | |
| Punched you in the face. | ||
| By the way, by the way, Hennon's having trouble hurting Stevens with his... | ||
| Damn, he's got a big head, Jeremy. | ||
| He can kind of walk through it. | ||
| Keep pressure on him like this. | ||
| Ouch! | ||
|
unidentified
|
Ouch! | |
| Great kick. | ||
| Yeah, he's a... | ||
| Oh, boy, he loves that uppercut. | ||
| He loves that damn uppercut, man. | ||
|
unidentified
|
He does. | |
| Well, I mean, it's one of his most spectacular highlight reel KOs ever. | ||
|
unidentified
|
What if the UFC starts adding CGI blood, like, live? | |
| They could do it live. | ||
| Like Snapchat filters. | ||
| Oh, fuck. | ||
| Imagine if you could watch the UFC. Take them down. | ||
| Rash guards and filters. | ||
| Dude, imagine if you could watch the UFC through Snapchat and you could make, like, a Brad Pitt filter. | ||
| That's a Brad Pitt. | ||
| And Angelina Jolie were duking it out to the death. | ||
| You can put Angelina's head... | ||
| You can change their bodies. | ||
| You can make, like, Cyborg's body. | ||
| Like, you could have Cyborg fight Cain Velasquez next time Verdun fights Cain. | ||
| You just turn into Cyborg. | ||
| You're, like, really into watching a girl beat the fuck out of a dude. | ||
|
unidentified
|
It's so ridiculous. | |
| Hey, you bastards, I'm watching this fight. | ||
| Let me ask a question. | ||
| The girl from Frozen, Anna from Frozen, that could be who's fighting and winning. | ||
| Those Snapchat filters are crazy, man. | ||
|
unidentified
|
They are crazy, man. | |
| Brian, you could take your face, put it on Shob's body, and he could say anything. | ||
| Yeah, I will. | ||
| As Brian Callen. | ||
| I'm going to. | ||
| Steven's with a good knee to the body. | ||
| I don't fuck with Snapchat. | ||
| Do you, Joe? | ||
| No, I do not. | ||
| Neither do I. You guys should do an episode where you play each other. | ||
| The whole time. | ||
| You're in character. | ||
| You might get mean. | ||
| Not a bad idea. | ||
| That might get mean. | ||
| Yeah, you're right. | ||
| That could end terrible. | ||
|
unidentified
|
That's a good episode for 3D, B. Patty Jenkins says hi to you. | |
| She's been directing Wonder Woman. | ||
| I don't give a fuck about Wonder Woman, but I love Patty. | ||
| Can we salute to the fighter and the kid making it to number one on the iTunes TV show list? | ||
| Isn't that fucking insane? | ||
| How is that possible? | ||
|
unidentified
|
I don't know. | |
| I have no idea. | ||
| Dude, you guys are number one on iTunes comedy TV. That's fucking incredible. | ||
| It's kind of crazy, but you know what? | ||
| We're proud of what we did. | ||
| That's kind of crazy. | ||
| That's incredible. | ||
| You're not number three. | ||
| You're not number six. | ||
| You're not number two. | ||
| I've got to start taking my success in. | ||
| I always think of myself as a failure. | ||
| Well, you're definitely a failure. | ||
| I'm definitely a failure, but at least that was a failure. | ||
| It's just about what you're counting. | ||
| It's about what you're counting. | ||
| I mean, you failed at basketball. | ||
| You're never going to be in the NBA. You suck at software development. | ||
| You're never going to win NASCAR. Oh, fuck. | ||
| You're right. | ||
| There's so many things I'm never going to do. | ||
| Tiger Kim doesn't even know who you are. | ||
| God damn it. | ||
| I called Tiger Kim. | ||
| Tiger Kim. | ||
| He knew who I was. | ||
| He didn't know who the fuck you were. | ||
| Dude, my kicks are sick. | ||
| My kicks are sick. | ||
| Dude, that's the fight right there. | ||
| Look at these two guys. | ||
| Two killers. | ||
| Good luck picking five of the night tonight. | ||
| These are good fights. | ||
| Well done, Joe Silva. | ||
| I barely paid any attention. | ||
| Anybody that tuned in here wanting to hear us talk about fights, I'm so sorry. | ||
| I feel bad. | ||
| Not me. | ||
| If you expected we were just going to talk about fights, ram your face into your wall. | ||
| I mean, we would never do that. | ||
| Brian Callen, isn't it important to admit things that you're a failure at? | ||
| I think that's important. | ||
| And you and I have had this conversation many times. | ||
| I'm a failure at almost everything I've ever done. | ||
| Yes. | ||
| Ultimately. | ||
| And you find ways to be successful at it. | ||
| Yeah. | ||
| But I've failed at everything. | ||
| Well, wisdom. | ||
| What is wisdom? | ||
| I think wisdom... | ||
|
unidentified
|
Would you fail? | |
| I didn't fail in shit. | ||
| But wait, wisdom, wisdom. | ||
| On the way to getting really good at shit, I failed at it. | ||
| Wisdom is to succeed in everything. | ||
| But no, I failed on the way. | ||
| No, listen, listen. | ||
| You always fail. | ||
| That's why I always say to younger people, listen to me because I've made more mistakes than you have. | ||
| Wisdom is wisdom. | ||
|
unidentified
|
You win everything. | |
| No, wisdom is, let me define wisdom. | ||
| Wisdom is coming to terms with your limitations and learning what to do with it. | ||
| That's what it is. | ||
| Wisdom is learning that you have limitations coming to terms with that, accepting it, and then learning what to do with that. | ||
| Learning how to make that work for you. | ||
| That's what it is. | ||
| That's how you learn. | ||
| You know how you learn? | ||
| You keep failing and you keep adjusting your approach and you keep getting closer to something. | ||
| Or you move on. | ||
| No. | ||
|
unidentified
|
Yes. | |
| What happens? | ||
| Sometimes. | ||
| Sometimes you got to move on. | ||
| Sometimes you get to go keto. | ||
| Sometimes, son. | ||
| Do all these dice. | ||
|
unidentified
|
You still all keto'd up? | |
| By the way, he's trimmed up, man. | ||
| How about we have no idea who won this and we barely pay attention to an awesome fight? | ||
| If Jimmy doesn't win this, I'll be furious. | ||
| I'm going to go home tonight and I'm going to watch this shit before I go to sleep. | ||
| Jeremy Stevens. | ||
| What a fucking win. | ||
| That motherfucker. | ||
| Powerful dad bod by DC on the side there. | ||
| Powerful Jeremy Stevens who's been on the Joe Rogan Experience. | ||
| It's tough on him. | ||
| Hen and Bravas? | ||
| No. | ||
| Jeremy Stephens has been on. | ||
| I'll have him on again anytime he wants. | ||
| Jeremy, open invitation. | ||
| Boom. | ||
| My dog. | ||
| What a big win. | ||
|
unidentified
|
Huge. | |
| Huge fucking win. | ||
| Huge win. | ||
| Shut down one of the guys who was considered to be one of the best pound for pound fighters in the world just a year and a half ago. | ||
| Damn. | ||
| For TJ. That seems like forever ago. | ||
| Shit. | ||
| T.J. ate his lunch twice. | ||
| It is. | ||
| It is forever ago in the world of MMA. That's one of the weird things about this sport. | ||
| This sport is strange, man. | ||
| You're only as good as your last fight. | ||
| Well, you're only as good as your last training session. | ||
| You could have a bad training session and they'll go into a fight like, man, I don't even know. | ||
| There's certain guys that you can take on as training partners. | ||
| They could fuck up your confidence for a fight. | ||
| Because you can know there's a Rumble Johnson like that out there. | ||
| If you're some dude who trains light heavyweight at Black House, and you're training with Rumble all day, you're like, what am I doing? | ||
| Why am I doing this? | ||
| What, do I like concussions? | ||
| What am I doing? | ||
| I'm gonna learn, I'm gonna get better with this fucking dude who's like the freak of freaks. | ||
| Boom. | ||
| Boom. | ||
| Although, like, Anderson, that's what makes him so extraordinary, his dominance for so long. | ||
| And then he got knocked out once, and then broke his leg, and, well, he's still fighting. | ||
| Well, sometimes it ends. | ||
| Sometimes it ends. | ||
| Sometimes it's just over. | ||
| He's also 40. He's also 40. There's a hundred factors involved. | ||
| There's life. | ||
| There's psychology. | ||
| There's psychology. | ||
| There's also understanding who you are as a human being and how that gets distorted by massive amounts of fame and praise and adulation and love from your countrymen and from people around the world because you're the champion of the world and recognize, my opinion, if you want to ask me, who's the greatest of all time, I will always say Anderson Silva. | ||
| No doubt. | ||
| I think Anderson Silva's the greatest MMA fighter. | ||
| Finished everybody. | ||
| He's the best. | ||
| Beat the best. | ||
| He did things. | ||
| Finished everybody. | ||
| Everybody. | ||
| He did things during the apex of the prime of MMA that nobody had been able to do before. | ||
| He just was a monster, man. | ||
| When he was with the Vitor knockout, the front kick to the face. | ||
| I was in person. | ||
| It was life-changing. | ||
| Oh my god. | ||
| Nate Marquardt. | ||
| Dude. | ||
| I mean, everybody. | ||
| Everybody. | ||
| Oh my god, dude. | ||
| Everybody. | ||
| He was a monster. | ||
| James Irvin. | ||
| How about the Forrest Griffin fight? | ||
| Jesus fucking Christ. | ||
| When he went full matrix? | ||
|
unidentified
|
Jesus Christ. | |
| You talking about full matrix? | ||
| Full matrix. | ||
| Jesus Christ. | ||
|
unidentified
|
Boom. | |
| What was this coming up part? | ||
| Chris Lieben. | ||
| Even the first wife fight, but not for me. | ||
| So that was an interesting fight for me, because that was a fight where I was telling everybody that worked for the UFC. I was like, do you understand what you have acquired? | ||
| I'm like, you've acquired, in my opinion, the baddest motherfucker in this division. | ||
| Like, do you understand how good this guy is? | ||
| But he wasn't that dominant in Japan before that. | ||
| Oh, but it didn't matter. | ||
| He's still a motherfucker. | ||
| It didn't matter. | ||
| Wait, who are you talking about? | ||
| Anderson? | ||
|
unidentified
|
Anderson. | |
| When Anderson came over to the UFC, I was adamant. | ||
| I'm like, you guys have a guy who, when I watch movement, I watch the way guys move. | ||
| I'm like, this guy can do some shit. | ||
| He can do some shit. | ||
| Was he just so much faster than most guys? | ||
| His Muay Thai, man. | ||
| He moved different. | ||
| His Muay Thai is just like super, super high level. | ||
| There he is up there. | ||
| This is Anderson versus Forrest Griffin. | ||
| Look at that behind you. | ||
| This is Anderson in his prime. | ||
| And by the way, light heavyweight fight for a guy who's 20 pounds less as a champion. | ||
| And this is just an opportunity for Anderson to fight and not have to cut weight. | ||
| And in Brazil. | ||
| Was this Brazil? | ||
| Yeah. | ||
| Against Forrest? | ||
| Yeah, same card, because I fought Nogueira that night. | ||
| Pretty sure. | ||
| Am I right on that? | ||
| Why do I feel like this is Vegas? | ||
| God, you might be right, Joe. | ||
| I feel like this is Mandalay Bay. | ||
| Oh, that's right, because... | ||
| I feel like this is Vegas. | ||
| I don't think this is Brazil. | ||
| Janie, find out, please. | ||
| Young Janie. | ||
| Because maybe Shogun fought Forrest in Brazil? | ||
| Yes, he did. | ||
| That's right, right? | ||
| Yes, he did. | ||
| Yeah, that's what I'm thinking of, Joe. | ||
| Yes, he did. | ||
| My bad. | ||
| But when Anderson accidentally eye-poked or something? | ||
| Then he does the major... | ||
| This is in Vegas. | ||
| You're right, Joe. | ||
| He opens him up and just relaxes, and Anderson was really good at figuring out your timing and lulling you to sleep with a false sense of security, and then out of nowhere he would just drop bombs on you. | ||
| But then he took it to another level. | ||
| Yeah. | ||
| Well, this was the fight. | ||
| I think with Weidman, Weidman took him down early and threatened him with a knee bar, and I think he was really worried about the ground game. | ||
| It was actually in Philadelphia. | ||
| It was in Philly. | ||
| Thank you, Jamie. | ||
| Good God. | ||
| Look at him. | ||
| Boom. | ||
| And, you know... | ||
| Forrest is in trouble. | ||
| Yeah, sure. | ||
| Forrest shook his head like, God damn it. | ||
| Forrest is every bit of 6'4", at least. | ||
| He's huge. | ||
| 235. He's a big boy. | ||
| Yeah. | ||
| Long arms. | ||
| He's a light heavyweight champ. | ||
| That's right. | ||
| He beat Rampage well. | ||
| Close fight. | ||
| I don't know what that means. | ||
| Close fight. | ||
| I was at that fight, though. | ||
| It was kind of cool. | ||
|
unidentified
|
Were you? | |
| Yes, I was. | ||
| I was right. | ||
| I was with you. | ||
| Oh, okay. | ||
|
unidentified
|
Uh-huh. | |
| Uh-huh. | ||
| Oh, look at this. | ||
| Look at this. | ||
| Another going out. | ||
|
unidentified
|
That's what I'm going to start doing when I spot him. | |
| Yeah, when he gets mad, I'm mad at Anderson. | ||
| I don't know why I got mad. | ||
| Look at how he moves his head, though. | ||
| Yeah, it's almost like Anderson got upset about. | ||
| Oh, shit. | ||
|
unidentified
|
Look at this. | |
| Matrix! | ||
| Oh, he's beating him up now, man. | ||
| That was the Matrix right there. | ||
| Slow motion? | ||
| You've never seen some shit like that. | ||
| He ramped it up. | ||
| It's like he got mad. | ||
| Some Roy Jones shit. | ||
| He got mad at Forrest. | ||
| I wonder what the fuck happened, man. | ||
| For being white. | ||
| Oh, man. | ||
| White anger. | ||
| Excuse me. | ||
| The only difference between a white man and a black man is like this. | ||
| One man needs more sun for vitamin D. I'm mad at white people. | ||
| I'm mad at white people and I'm white. | ||
| Me too. | ||
|
unidentified
|
Uh-oh. | |
| Anderson blocking those. | ||
| Look at him blocking those shots. | ||
| He's so loose. | ||
| Don't bring that shit into my fucking ring. | ||
| Well, Forrest pulled back on a round kick. | ||
| Look at him. | ||
| He realized how slow Forrest is. | ||
|
unidentified
|
There it is. | |
| Oh, that right hand. | ||
| And that's it. | ||
| Life force spread out like that. | ||
| That's a wrap, please. | ||
| Enough is enough. | ||
| You know who talks shit on white people the best? | ||
| Me. | ||
| Joey. | ||
| Oh, Joey does, yeah. | ||
| He's the best at talking shit about everything. | ||
| Fucking white people. | ||
| What did you think you want to do? | ||
| This fucking guy's been living in the jungle. | ||
| He's been dogging jaguars. | ||
| Jaguars are eating crocodiles. | ||
| This motherfucker's hitting him with a right hook. | ||
| Heel hooking him. | ||
| Fucking white people. | ||
|
unidentified
|
He's heel hooking flamingos in the fucking Everglades. | |
| Alameda, Alameda is a bad mama. | ||
|
unidentified
|
Fucking white people, you think you're going to take your centrum multivitamin once a day? | |
| Get the fuck out of here! | ||
|
unidentified
|
He's eating acai and he's getting steroids shot into the hole in his dick with a turkey baster! | |
| Stupid! | ||
| I'll give him three stars of death. | ||
| Three stars of death. | ||
| There's a photo from Joey's Twitter. | ||
| I retweeted it yesterday. | ||
| He says, come on, Pittsburgh, who wants to meet the devil? | ||
| And it's in his hotel room. | ||
| He's got mushrooms and these stars of death, which I think these stars, the pot gummy stars, are like 500 milligrams of THC. Look at that fucking photograph. | ||
| That is 2,000 milligrams of THC and at least 3 grams of mushrooms. | ||
| Are you ready to see the devil? | ||
|
unidentified
|
Oh, shit! | |
| That's a Thursday night film. | ||
| Mushrooms and stars of death. | ||
| Mushrooms and stars of death. | ||
| And that's how he's living. | ||
| That's the name of an album. | ||
| He doesn't take mushrooms before he performs. | ||
| Of course he does. | ||
| You shut the fuck up. | ||
| Oh my god, you hurt my feelings. | ||
| That's a little bit. | ||
| What? | ||
| That's a little bit. | ||
| I got a piece for the main event. | ||
| Stop it. | ||
| But that is an amazing picture. | ||
| More wine, please. | ||
| Is that on his Twitter? | ||
| Yes. | ||
| I retweeted it. | ||
| I have another bottle, but it turned. | ||
| That's a very good action. | ||
| Pour that turned shit in my glass. | ||
| Turned. | ||
| Turned. | ||
| You're so gross. | ||
| You're so gross with your wine. | ||
| Turn that up. | ||
| Hold on, hold on. | ||
|
unidentified
|
Turn it up! | |
| That's good. | ||
| It's just different. | ||
| Let's get your job off the turnt line. | ||
| Go ahead and get involved. | ||
| Look at that fucking photo. | ||
| Pittsburgh, are you ready to see the devil? | ||
| The improv at 7 and 9 p.m. | ||
| Oh, shit. | ||
| Look at that. | ||
| I'm sorry, Bubba. | ||
| I'm sorry. | ||
| Come on, Bubba. | ||
|
unidentified
|
He's the best. | |
| You don't have to suck my dick, but... | ||
| Oh, by the way... | ||
| Eddie's a junkie. | ||
| I'll suck your dick. | ||
| Joey Diaz will be here on Tuesday. | ||
| Joey Diaz will be here Tuesday. | ||
| Hey, you fucks. | ||
| I'll be in St. Louis June 9th, 10th, and 11th at Helium Comedy Club, you fucks. | ||
| No, I didn't say that. | ||
| That was Jamie. | ||
| Hey, you guys, this is Jamie. | ||
| Brian's going to be in Helium Comedy Club at St. Louis. | ||
| I heard St. Louis is a rough joint, dude. | ||
| Really? | ||
| Killian? | ||
| No, St. Louis. | ||
| Oh. | ||
| I've been there. | ||
| It's nice. | ||
| It's rough. | ||
| Come on, man. | ||
| What's his name from there? | ||
| Who's that rapper? | ||
| Everyone's getting crazy. | ||
| Nelly. | ||
| Yeah, fucking Nelly's my boy. | ||
| Hey, Brian. | ||
| With that girl behind us, do you think that girl understands the cameras on her? | ||
| Right behind Justin Buchholz? | ||
| She's fantastic. | ||
| She's looking at Cody going, I'd let him fuck my mouth. | ||
|
unidentified
|
Yes. | |
| I'm sure she's not a pro. | ||
| What are you trying to say, bros? | ||
|
unidentified
|
I didn't say anything. | |
| Just because a girl's a good-looking girl. | ||
| That's all I meant. | ||
| That's all I meant. | ||
| A professional hot girl. | ||
| But meanwhile, if there was a guy, okay, that was standing back there and that was looking at a stud woman that's like the female equivalent to Cody, that'd be like a natural thing to say. | ||
| Too many tattoos. | ||
| Cody, too many tattoos, of course. | ||
| Of course too many tattoos. | ||
| No, no, no. | ||
| That's how you attract a certain type of female. | ||
| Is that true? | ||
| Of course. | ||
| Cody, Cody, the neck. | ||
| Girls like dangerous shit. | ||
| The neck. | ||
| Some girls like dangerous shit. | ||
| They like it. | ||
| You know what? | ||
| He's so good looking, he could do that shit. | ||
| Oh, he's a dynasty. | ||
| It doesn't matter. | ||
| He could put a tattoo right on his face. | ||
| Oh, he's first team. | ||
| He's first team. | ||
| Alan Jobin's the captain. | ||
| Luke Rockhold's co-captain. | ||
| He's very cute. | ||
| He's a little short to be. | ||
| Luke Rockhold is the captain. | ||
| No way. | ||
|
unidentified
|
You're wrong. | |
| He's taller. | ||
| He wins. | ||
| Alan Jobin is with Versace. | ||
| No, it doesn't matter. | ||
| Luke's taller. | ||
| Luke could be with Versace, too. | ||
| You gotta put height in there. | ||
| He seeks it out. | ||
| No, he can't. | ||
| He don't have the face structure. | ||
| He's too legit to even be signed. | ||
| That's aggressive. | ||
| You know Yes, I'm saying he's too legit to be signed. | ||
|
unidentified
|
I agree with you. | |
| What's signed? | ||
| Once you get signed by a modeling agent, then you're a model. | ||
| If you're just as good looking and you're not signed, you're more legit. | ||
| I agree with you. | ||
| What? | ||
| I think Joban's more legit. | ||
| No! | ||
|
unidentified
|
No! | |
| Hey guys, we don't talk about anything, huh? | ||
| We're all fucking idiots. | ||
| What if he's so hot that he got the tattoos on his neck to keep the girls at bay and shit? | ||
| So he's gay? | ||
| No, he's just like, shit, there's too many. | ||
| I gotta do something. | ||
| No guy's ever said that. | ||
| You never know. | ||
| What's going on? | ||
| What's going on? | ||
| What's going on... | ||
| Why do we have to go there that's not right? | ||
| What's going on is he's trying to get a specific quality of female. | ||
|
unidentified
|
I'm married. | |
| You know what I'm saying? | ||
| We can't do this. | ||
| He's tired of women that are looking for some sort of long-term, serious commitment. | ||
| So you tattoo on your neck. | ||
| Morals and religious beliefs. | ||
| So your neck tattoo and only drags in the freaks. | ||
| He's got some tits on him. | ||
| Bro, I saw Joban. | ||
| Giant poster. | ||
| New York. | ||
| New York City. | ||
| Him. | ||
| Shirt off. | ||
| Jesus. | ||
| Handsome man. | ||
| Beautiful man. | ||
| Oh, we're talking Billboard, son. | ||
| Versace. | ||
| What? | ||
|
unidentified
|
Really? | |
| Holy shit. | ||
| Brian, why are you scared of weed? | ||
| No, I'm not, guys. | ||
| I'll do it if you're friendly with me. | ||
| Well, Brendan just reached for it and he put it out. | ||
| I will, too. | ||
| And I'll do jiu-jitsu, too, from now on. | ||
|
unidentified
|
I'm sorry. | |
| I thought you guys were done. | ||
| I keep going back to Joban. | ||
| You're fucking crazy thinking anyone's on that level. | ||
| I like how you're trying to distract the conversation. | ||
| Luke has got him beat. | ||
| Nobody has Ronaldo beat. | ||
| You're crazy. | ||
| Nobody has Ronaldo beat. | ||
| Joban looks like Ronaldo. | ||
| Not quite. | ||
| This conversation got way too gay for me. | ||
| I'm with you. | ||
| And I'm way too serious about it. | ||
| I'm way too serious about it. | ||
| All this talk and no emotion, that's bullshit. | ||
| Dude, look at him there. | ||
| Look at him there. | ||
| I'm with you. | ||
| You guys are whack. | ||
| Joban's a beautiful man. | ||
| We gotta be a little better about talking over each other. | ||
| I know I keep saying this. | ||
| Where's the lotion? | ||
| I'm as guilty as everybody. | ||
| You're the lonely voice in the wilderness. | ||
| He keeps bringing us back. | ||
| Because I'm the one who has to read the tweets. | ||
| You're right. | ||
| No, but we're talking about Joe Baird's ass. | ||
| Listen, this is the most beautiful thing ever. | ||
| I think we're all working together to create a piece of art. | ||
| We just gotta be real careful about stomping on each other's words. | ||
| A piece of art. | ||
| A turkey baster of steroids in somebody's dick. | ||
| It's okay when you're talking about gay shit. | ||
| It's okay. | ||
| It's not even gay. | ||
| Joe Bann's a good looking dude. | ||
| I think he's first team. | ||
| How about Thomas Almeida? | ||
| He's married, bro. | ||
| How many times I gotta tell you he's married? | ||
| Thomas Almeida's not a bad looking fella either. | ||
| How dare you? | ||
| Almeida is a killer. | ||
| Come on, man. | ||
| Come on, man. | ||
| He looks like Adele next to Joe Bann. | ||
| How dare you? | ||
| How fucking dare you? | ||
|
unidentified
|
With all due respect, the guy's a great looking guy. | |
| Exactly what they're looking for. | ||
| Hey, man, listen, he's a twink. | ||
| He's called a twink in the gay community. | ||
| This kid is a fucking savage. | ||
| Yes, he is. | ||
| Thomas Almeida is a goddamn savage. | ||
| He's gonna win this fight. | ||
| Tough fight for Garbrandt. | ||
| Oh, Brian, with this nonsense of winning. | ||
| What did you say about the last fight? | ||
| You were wrong, correct? | ||
| No, I was baiting you guys, but here's the thing. | ||
| He's going to win this fight. | ||
| He certainly can win. | ||
| But you know what? | ||
| Cody can win too. | ||
| Both these guys are undefeated. | ||
| Almeida's the favorite. | ||
| Almeida's got 22 fights. | ||
| Of course he is. | ||
| But let me tell you something. | ||
| Brad Pickett stunned Almeida. | ||
| And he stunned him and hurt him with a left hook. | ||
| Pickett's a great boxer. | ||
| That's true. | ||
| It's true. | ||
| But, I'm telling you, Cody Garbrandt, I believe at this stage of his career in life, he's only 24 years old, he's faster and more dangerous with his hands. | ||
| He also hits harder than anyone at 135. Yes. | ||
| Because of his boxing background. | ||
| Yes, he has a very strong boxing background. | ||
| So, if Cody can impose his boxing skills in a similar manner to what Brad Pickett did, we might see some interesting results. | ||
| By interesting, you mean KO. But I'm telling you, this guy's hard to take out. | ||
| He's a goddamn savage. | ||
| This fucking kid, Thomas Almeida, is something super special. | ||
| He takes hits, though, Joe. | ||
| But he comes back. | ||
| He's never fought against... | ||
| Brad Pickett hits fucking hard, man. | ||
| He didn't punch. | ||
| Brad Pickett dropped him, and Almeida came back and knocked him out with a flying knee KO in the next round. | ||
| We're about to watch some crazy epic shit that could... | ||
| Easily be a world championship fight. | ||
| Easily. | ||
| Maybe Garbrand is a year away from world championship caliber. | ||
| He wins this, he's off to the races. | ||
| You beat No. | ||
| 8 undefeated? | ||
| Yes. | ||
| And you look like that? | ||
| Cody is, in my opinion, a year, a year and a half away from fighting for a title. | ||
| I agree. | ||
| Which means it could happen tomorrow. | ||
| Hey, name the last guy who was on rank to lead a main event that wasn't a legend. | ||
| Well, what is Cody's ranking at all? | ||
|
unidentified
|
He's not ranked. | |
| He's not in the top 15. He's certainly dangerous, and he certainly comes from a really good team. | ||
| He's a team alpha male guy. | ||
| They've got a long history of success. | ||
| He's a knockout artist. | ||
| He's a knockout artist. | ||
| He has awesome hands. | ||
|
unidentified
|
How tall is he? | |
| I think he's 5'8". | ||
| That's pretty tall. | ||
| That's not short. | ||
| 5'8", yeah. | ||
| 5'8", 5'8", is tall enough. | ||
| 5'8", is tall enough. | ||
| 5'8", is tall enough. | ||
| Almeida's 5'7". | ||
| 21-0. | ||
| Almeida's a gangster, dude. | ||
| He's so solid. | ||
| I like Garbrandt, man. | ||
| We're about to watch some fucking technical martial arts chaos. | ||
| That's what we're about to watch. | ||
| You can watch Garbrandt sock him in the face. | ||
| You might watch that, or you might watch Almeida hit him with a fucking switched knee as he's coming in. | ||
| You might watch some leg kicks that take... | ||
| Cody Garbrandt out of the game. | ||
| It's all dependent upon approach. | ||
| This is guessing and theoretical ideas. | ||
| It's theoretical that if Cody keeps it on the feet and sprawls and brawls, he wins. | ||
| But that doesn't necessarily mean it's true. | ||
| Kevin Randleman knocked out Mirko Krokop with a left hook. | ||
| Yeah, I mean, this is a crazy game we're about to watch. | ||
| I mean, this is as crazy a game as people play. | ||
| Throw my bones at you with all my might. | ||
| That's it? | ||
| The same kind of power that produces a 90-plus mile-an-hour fastball, and I'm gonna stuff it into your fucking lips. | ||
| The game is shutting you off. | ||
| That's the game, yeah. | ||
| Make you quit or shut you off. | ||
| Uh-oh, uh-oh! | ||
| Capuera! | ||
| Capuera in the house! | ||
| Capuera in the fucking house! | ||
| Cody opens up with one of those crazy roundhouse games where you touch the ground. | ||
| It's called a Capuera roundhouse, damn it. | ||
| Here's the problem with that. | ||
| You probably shouldn't be able to touch the ground on purpose and then punch a guy with that same hand without the referee wiping it off. | ||
| Oh my god, Joe, come on. | ||
| No, if you go to the ground in boxing, they wipe your hands off. | ||
| You ever notice that? | ||
| They wipe your hands off? | ||
| What's that fucking tattoo on the back? | ||
| Is that a rose on the back of his mat? | ||
| Because there's a bunch of people walking. | ||
| Like, the referee walks through the arena and then uses those same shoes as walking around on his mat. | ||
| I say make him wash his feet. | ||
| I say, um... | ||
| Think how many people are in the ring, though, in between. | ||
| Baby wipes. | ||
| Yeah. | ||
|
unidentified
|
Oh, hey, hey, hey. | |
| What happened? | ||
| I like that part. | ||
| Oh, my God. | ||
| We lost power. | ||
| Hey, Fox Sports 1. Oh, wow. | ||
| Came back. | ||
| Calm down, everybody. | ||
| What was that, Jamie? | ||
| Calm down. | ||
| No ideas? | ||
| No big deal. | ||
|
unidentified
|
No big deal. | |
| Shut us down. | ||
| Scary. | ||
| Cody Garbrandt with the left hook. | ||
| Garbrandt. | ||
| See, the thing is, every fight when it's dangerous starts off with hands because you don't feel comfortable enough to start throwing kicks unless you're some crazy Muay Thai-style kicking expert where it's a part of your natural thing. | ||
| Damn, Garbrandt's killer. | ||
| But guys who are straight up MMA fighters, they tend to favor hands when they're nervous. | ||
| So when you're favoring hands, Garbrandt's got a pretty fucking nice advantage over a large percentage of the people he's faced so far. | ||
| Especially with his boxing background. | ||
| Joe, wouldn't you say most guys favor grappling in the beginning? | ||
| There's a little bit of that, but there's also hands before kicks. | ||
| Garbrandt's got some speed. | ||
| Fuck, he's got speed. | ||
| And Almeida likes to throw knees and likes to throw kicks, but he might get conservative in his approach because of the fact that Garbrandt's hands are so good that he doesn't want to open himself up to like... | ||
| He probably considered straight right counters to right leg kicks. | ||
| Look how heavy Garbrandt is on the front leg. | ||
| I would assume that he's ready for a straight right hand counter. | ||
| Dude, how quick are his right leg kicks too? | ||
|
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|
Look at his hands. | |
| How quick... | ||
| His hands are lightning fast. | ||
| Yes they are. | ||
| His right leg kick is really fast, too, man. | ||
| It's not just his hand. | ||
|
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|
Oh! | |
| Oh! | ||
| That left arm! | ||
| The man is in trouble! | ||
|
unidentified
|
Oh! | |
| He's in big trouble! | ||
|
unidentified
|
Oh! | |
| Cody! | ||
| Oh, man! | ||
| Cody garb brants all over him! | ||
| Relaxed, too. | ||
| Only eight fights. | ||
|
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|
What's up? | |
| Right hand! | ||
| Jesus. | ||
| Look at this killer! | ||
| How good is that neck tattoo look if he wins? | ||
| Yeah, what's up now, Brian? | ||
| That's an apple, son. | ||
| Nah, he's bathing him, he's bathing him. | ||
| He's playing possum, playing possum. | ||
| That's a pair of plums on his neck. | ||
| Damn, Almeida can take a punch, guys. | ||
| He can get a star right below his eye if he wins. | ||
| 100%. | ||
| If Almeida can take a punch, look at his shit. | ||
| Did you see him just take that beating in his state standing there? | ||
| This is crazy. | ||
| Someone's going out, son. | ||
| Someone's going out early, son. | ||
| Cody's teeing off on him, man. | ||
| Cody's getting a little reckless. | ||
| Stay control, buddy. | ||
| Doesn't matter. | ||
| It looks like... | ||
|
unidentified
|
Oh! | |
| Oh, my God. | ||
|
unidentified
|
Boom! | |
| What's up, bitch? | ||
| Cody nailed him! | ||
| It's over, baby! | ||
| That's it! | ||
| That's it! | ||
| Oh, my God, Cody. | ||
|
unidentified
|
Huge win. | |
| Cody is legit as fuck. | ||
| You up on top ten now. | ||
| Hey, you fucks, that vote. | ||
|
unidentified
|
Legit as fuck. | |
| He just beat number eight. | ||
|
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|
He's undefeated. | |
| I told you. | ||
| I told you, fuckers. | ||
| He didn't just beat him. | ||
| He took him out in the first round. | ||
| Hey, you Cheeto finger fucks. | ||
| Rank him. | ||
| Brian, didn't you say that you were rooting for, didn't you? | ||
| Who? | ||
| Me? | ||
| Thomas? | ||
| No, I've been a Garbrandt fan since fucking 90, 96. Wait a minute, did you say Almeida for sure was going to win? | ||
| No, dude, and since 2011, he's been my boy. | ||
| I was watching this kid wrestle. | ||
| Cody's in hell. | ||
| I told you, fucks. | ||
| Hard to say that at 35, son. | ||
| Oh my god, look at this. | ||
| Beautiful. | ||
|
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|
Dude! | |
| Oh, my God. | ||
| He grew up boxing. | ||
| Dude, the technique, though, even with the grounded pound going right to the hammer fist. | ||
|
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|
Look at his power. | |
| Oh, my God. | ||
| Oh, my God. | ||
| It's beautiful. | ||
|
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|
That was fake. | |
| It's beautiful. | ||
| What a fucking huge win, man. | ||
| It's beautiful. | ||
| Good for him. | ||
| To me, that's like a mountain covered in snow with a sunrise. | ||
|
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|
Good God. | |
| Yeah, that shit was great. | ||
| It definitely has visual triggers, like porn. | ||
| It's right up there with the ass-to-waste ratio. | ||
| Yep. | ||
| Well... | ||
|
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|
Damn. | |
| Damn, bro. | ||
| That's beautiful. | ||
| I respect that. | ||
| I have to strongly disagree. | ||
| Eddie is so high he can barely open his eyes. | ||
| Let's shut this off. | ||
| Shut this off. | ||
| I don't want to watch anymore. | ||
| I've had enough violence. | ||
|
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|
I've had enough violence. | |
| Garbrandt doing the damn thing. | ||
|
unidentified
|
Good stuff, guys. | |
| My favorite fight at 35, son. | ||
| God damn, he looked good tonight. | ||
| This was like a coming out party for Garbrandt. | ||
| He's not ranked. | ||
| They give him undefeated, 21-0, 8th ranked guy in the world, and he starches. | ||
| Well, not 21-0. | ||
| He's lost two fights in a row. | ||
| No. | ||
| Well, what do you mean? | ||
| You're not talking about tonight. | ||
| I'm talking about tonight. | ||
| Well, Henan Burrell was lost a couple of times. | ||
| I'm not talking about Henan Burrell. | ||
| I was talking about Cody Garbrandt and the Almeida fight. | ||
| Almeida's undefeated. | ||
| He hasn't lost. | ||
| My bad. | ||
| I'm confused. | ||
| I got baffled. | ||
| Yeah, yeah, yeah. | ||
| Well, Cody did. | ||
| You gotta rank him. | ||
| Yeah, what Cody did tonight was, like, impose his skills in a way that I don't think you've ever seen him do before. | ||
| That was, like, the best version of all of his combinations. | ||
| He's a coming out party. | ||
| Yeah, for sure. | ||
| He's a coming out party. | ||
| He's a star now. | ||
| He's a good-looking dude. | ||
| All knockouts. | ||
| He looked so professional and calm in all that fire, in that fire range, in that fucking squadron of death range when you gotta... | ||
| He was so... | ||
| His eyes were so focused. | ||
| He was so relaxed. | ||
| And I don't know shit about striking. | ||
| But, I mean, he looked like Bruce Lee. | ||
| You know what? | ||
| This was a great card. | ||
| He looked like Bruce Lee. | ||
| This was a great card, not just because the match-ups were fun, but look what we had. | ||
| We had Jeremy Stephens beat Hennenborough. | ||
| I was like, wow, that was a big fucking win for Jeremy Stephens. | ||
| Holy shit. | ||
| And then we had Cody Garbrandt take it to the totally next level. | ||
| So it was a perfect co-main and then main. | ||
| Like I said, big performance of the night. | ||
| Come on, man. | ||
| How are you going to do that? | ||
| I mean, it's also amazing that Hennon Burrell, who just two fights ago was the world champion. | ||
| And some said pound for pound, best for best in the world. | ||
| They were like weighing him in and out. | ||
| I was thinking he was number three. | ||
| I was like, it was Jon Jones. | ||
| I felt like, well, four. | ||
| I was like, because it was before Aldo got stopped by McGregor. | ||
| But Demetrius wasn't. | ||
| It was like a little bit below... | ||
| It's all subjective, but it was in the mix. | ||
| Hennon was definitely in the mix. | ||
| Top five for sure. | ||
| For sure. | ||
| And for all those people that were on the fence, all those people that were on the fence about a neck tattoo, boom, they got sidekicked over. | ||
| Bam! | ||
| They got boom! | ||
| I know, for sure. | ||
| For real. | ||
| I'm getting a neck tattoo. | ||
| But here's the thing. | ||
| I think this is important to talk about for all MMA fans. | ||
| There's an issue that keeps coming up. | ||
| With MMA and social media that I think people need to relax about. | ||
| Like, all of us, as friends, disagree about shit. | ||
| But we're not douchey about it. | ||
| Like, if you think that Hennon Burrell was going to be able to figure out a way to beat Jeremy Stevens, but I think that Jeremy Stevens' power and experience at 145 pounds is going to prevail, we don't have to be enemies. | ||
| But there's this weird thing going on. | ||
| If you say something, and I disagree with it, if that hits online, if two people disagree online, people assume that there's some sort of a horrible argument going on. | ||
| And they assume that there's some negativity. | ||
|
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|
And it gets mean. | |
| You hate each other, but you know. | ||
| No. | ||
| Good friends disagree all the time. | ||
| But that's a tendency for people... | ||
| How many times have you and I... I mean, you're as close as a human being as I could be with you guys. | ||
| All of you guys. | ||
| You later in my life. | ||
| But all of us. | ||
| I'm still up there. | ||
| You're up there, dawg. | ||
| You know what I'm saying, dawg. | ||
| But you know what I'm saying? | ||
| How many times have we disagreed about shit? | ||
|
unidentified
|
Can we have a minute? | |
| We've had some... | ||
| We've had some intense disagreements. | ||
| Yes. | ||
| We've had some intense disagreements, but through those disagreements, you learn to consider other people's perspectives. | ||
| Yeah, but online, Joe, they call it hating. | ||
| They'll say it's hating. | ||
| It's called critical thinking. | ||
|
unidentified
|
It's not hating. | |
| Well, it doesn't mean... | ||
| It's critical thinking. | ||
| Listen, my love for both of you, and you too, my love for all of you, it doesn't change depending upon whether or not I agree with you or disagree with you. | ||
| Of course. | ||
| Exactly. | ||
| And the clearest example of that is the chemtrail issue. | ||
|
unidentified
|
LAUGHTER Yes, it is. | |
| It's pretty goddamn clear. | ||
| You're so anti-Chemtrail, and I'm all about Chemtrail. | ||
| That doesn't matter. | ||
| This is what I really feel like. | ||
| I feel like it is entirely possible that at one point in time, they have experimented with spraying things in the air. | ||
| It's entirely not possible they do it all the time, and then they just scatter through the sky. | ||
| No one says all the time. | ||
| No one says all the time. | ||
| Or control the weather. | ||
| No one says all the time. | ||
| But then there's the issue of when jet engines actually go through condensation in the atmosphere. | ||
| No one said there isn't legit contrails. | ||
|
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|
It actually changes the temperature of the water getting sucked into the turbines. | |
| It's heat! | ||
|
unidentified
|
It's like we didn't hear that! | |
| Exactly! | ||
| Like we haven't heard that a million times! | ||
| It's the engine and the air! | ||
|
unidentified
|
I love you! | |
| Eddie! | ||
| Eddie says costals! | ||
|
unidentified
|
You asked for this! | |
| It's like, wait a minute! | ||
| You asked for this! | ||
| We've never heard this before. | ||
| Eddie, stay calm. | ||
|
unidentified
|
Are you trying to tell me that the engine has heat and then makes clouds? | |
| Yes, Eddie. | ||
| Are you sure? | ||
|
unidentified
|
This motherfucker told me the other day that 9-11 was real. | |
| What do you mean real? | ||
| Like it actually happened? | ||
|
unidentified
|
Yeah. | |
| Well, I was here September 11th, and then I woke up September 12th, and I'm like, I'm pretty sure that was real. | ||
|
unidentified
|
I said, wait till Eddie gets here. | |
| Hey, that was a hologram. | ||
| Those towers were a hologram. | ||
| That shit never existed. | ||
| Look in the scriptures. | ||
| Look in the scriptures. | ||
| They never talk about the Twin Towers. | ||
| That's right. | ||
| Winding him up. | ||
| Ladies and gentlemen, another episode of chaos. | ||
| Hey, you know you're doing the Riders on the Storm? | ||
| You know the craziest thing about the Riders on the Storm? | ||
| The craziest thing about the doors? | ||
| Do you know that Jim Morrison's dad orchestrated the Gulf of Tonkin? | ||
| Did you know fucking that? | ||
|
unidentified
|
No. | |
| Wow. | ||
| That makes sense. | ||
| This is the craziest thing, and that's not a conspiracy. | ||
| Jamie He was a Navy Level need and was he high-level Jim Morrison's dad Jim Morrison's dad orchestrated the Gulf of Tonkin Look at his dad. | ||
| It's true. | ||
| It's real. | ||
| It's not a conspiracy. | ||
| Did you write this Wikipedia page? | ||
| This is the problem with being friends with both Alex Jones and Eddie Bravo. | ||
| Occasionally they have solid points. | ||
| Check this out. | ||
| This is the craziest thing. | ||
| This is the tip of the iceberg. | ||
| It's true. | ||
| You want 90 seconds of the craziest shit that I'm into right now? | ||
| I want 120 minutes. | ||
| Listen, listen, real quick. | ||
| Real, real, real quick. | ||
| I gotta blaze through some shit really quick and you just gotta go and start. | ||
| Let me open my mind. | ||
| I'm opening my mind. | ||
| I'm opening my mind. | ||
| Okay, you gotta know that there's a woman named Kay Griggs who is married to a high-ranking Army Joint Chiefs of Staff Officer George Griggs. | ||
| General. | ||
| He's legit. | ||
| They were married, and she knows all about his life. | ||
| He was raised as an assassin. | ||
| He was a Navy SEAL. He was a CIA operative. | ||
| He was UN Special Forces. | ||
| UN. And then he became a high-ranking, this is not a conspiracy. | ||
| You talking about the movie Triple H? His name is George Griggs. | ||
| There's a shitload. | ||
|
unidentified
|
Did you just give us the plot to Triple X? Exactly. | |
| Is that what he just did? | ||
| Let him finish. | ||
| You gotta know this. | ||
| There's a woman named Kay Griggs. | ||
| She was all in it, too. | ||
| There's an eight-hour interview of hers chopped up a million times this one chick. | ||
| You can believe it or not, maybe she's some crazy bitch, but let me take you through this. | ||
| She can be crazy, full of shit. | ||
| She's basically saying how the world is run based on her husband, who is high-ranking in army intelligence, real good friends with George Sr. Like, right there! | ||
| She was... | ||
| Basically is a whistleblower. | ||
| She's on, there's a one interview, eight hours, she goes off and she breaks it off. | ||
| And she basically, if you believe what she says, she basically says, the CIA, that's just a scapegoat. | ||
| They're not doing shit. | ||
| The people that are really running the world are army intelligence, naval intelligence, and air force intelligence. | ||
| She said, they're the ones, Kay Griggs, that's it. | ||
| There's the snitch. | ||
| She says, that's who's running the world. | ||
| They're all... | ||
| And what it's all about, it's all about gun-running and just selling arms. | ||
| It's all about, it's like mafia. | ||
| It's all high-ranking army intelligence, mafia, gun-running, drug-running. | ||
| They've always done it. | ||
| Her husband's part of it. | ||
| These assassins, they can... | ||
| And they're all Jews! | ||
| No, but if you believe that, okay, if you believe that, just let me take you through this. | ||
| So, she's saying army intelligence runs through all this shit, right? | ||
| So then you find out that... | ||
| You know that actor, rock star dude, Jared Leto? | ||
| Yeah. | ||
| You bet your sweet ass I do. | ||
| He bought, for $4 million, he bought, in the Laurel Canyon, in the Hollywood Hills, he bought a former, top secret, Air Force intelligence base. | ||
| Alright, you lost me on this. | ||
| It was there. | ||
| In Hollywood. | ||
| Yeah, I'm out. | ||
| In Laurel Canyon. | ||
| This is Brendan X and Al. | ||
| No, no, no. | ||
| Okay, I'm trying to tell you. | ||
| Let him come on, man. | ||
| This is how it connects to Jim Morrison. | ||
| I'm trying to connect to Jim Morrison. | ||
| Look at Joe being very human. | ||
| Listen, I don't know if this is real, but this is what I've looked into, you idiot. | ||
| Look, look, look. | ||
| Investigating the shadowy conspiracy that Jared Leto led Jared Leto to buy the nuclear bomb film studio in Laurel Canyon. | ||
| Yeah, so check this out. | ||
| Curbed Los Angeles, yeah. | ||
|
unidentified
|
Okay, so you don't think that Jared Leto bought a top secret air... | |
| You don't believe that's true? | ||
| That's not a conspiracy theory. | ||
| That's real. | ||
| Okay, hold on. | ||
| What's the big deal? | ||
| Oh, I'm so weird! | ||
| I know you have this instinct to mock things. | ||
| I'm not even mocking. | ||
| You are, for sure. | ||
| You gotta follow me. | ||
| Let him go. | ||
| Follow me. | ||
| I'm with Jared Leto. | ||
| Open your mind, you fuckers. | ||
| It doesn't have to be true! | ||
| There's no need to talk. | ||
| You watch bullshit TV that's not true and you accept not true. | ||
| Don't qualify it. | ||
| Sir, please continue. | ||
|
unidentified
|
Sir, please continue. | |
| This is Game of Thrones, which may have an ounce of truth. | ||
| It makes it better. | ||
| But Game of Thrones, okay? | ||
| You watch Game of Thrones, this is... | ||
| So Jared Leto, if you look at it, he bought a top secret for, since the 40s, it was top secret. | ||
| And what they find then, and this is all, this is not conspiracy theory, that this top secret Air Force intelligence base was mainly a full fucking force film studio where they made propaganda films. | ||
| Right here in Hollywood. | ||
| Marilyn Monroe, fucking Ronald Reagan, John Wayne, all of them making propaganda films that no one can... | ||
| There's no records of what films were made there. | ||
| You can't tell which films were made in the studio which weren't. | ||
| And then you start looking and you're like, okay, okay, Jared Leto bought this Air Force, okay. | ||
| And then you... | ||
| There's this book called Weird Scenes in Laurel Canyon. | ||
| And in this book, the author of this book... | ||
| This is the craziest shit. | ||
| If you look, it's not a conspiracy theory. | ||
| All the bands from the mid-60s, the Doors, the Eagles, all of them, Frank Zappa, the Mamas and the Papas, Crosby, Stills, and Nash, they all came from Laurel Canyon. | ||
|
unidentified
|
Motherfucker. | |
| That's also like Hate Asbury during... | ||
| No, no, no. | ||
| Hate Asbury was after this. | ||
| Hate Asbury was after this! | ||
| Hate Ashbery was doing the 60s. | ||
|
unidentified
|
I'm trying to tell you some shit. | |
| So what do you think happened? | ||
| So this is what this book is about. | ||
| Isn't it fucking weird? | ||
| Isn't it fucking suspicious and crazy that there's this top secret Air Force intelligence base right there in Laurel Canyon and in the mid-60s... | ||
| All the bands that started the hippie movement, the anti-war movement, they all came from Laurel Canyon. | ||
| And guess what? | ||
| All their parents are in intelligence. | ||
| So these were all of them, the doors, all of them. | ||
| Came from Laurel Canyon. | ||
| They're all... | ||
| Most of them in the band. | ||
| None of them got drafted to Vietnam. | ||
| None of them got drafted. | ||
| Jim Morrison's father orchestrated the Gulf of Tonkin incident. | ||
| It gets pretty fucking weird. | ||
| Like, this is crazy fucking weird. | ||
| And Jared fucking Leto... | ||
| Eddie, can I ask you a question? | ||
| ...was raised by his grandfather. | ||
| Let him finish, Brian. | ||
| Eddie, are you suggesting... | ||
| Brian, let him finish. | ||
| Brian, Brian, Brian. | ||
| I'm asking him a question. | ||
| No, no, no. | ||
| Let him finish. | ||
| We're almost through this. | ||
| The guy who wrote the book, his name is... | ||
| I don't care. | ||
| The book is called... | ||
| David Icke? | ||
| Is it? | ||
| Dave McGowan. | ||
| Oh, Jesus Christ. | ||
| Dave McGowan, right? | ||
| I've heard of him. | ||
| Yeah, so according to him, and when you look into this, out of nowhere, in the 60s, these bands didn't struggle. | ||
| They got signed quick. | ||
| All of them, all these clubs in Hollywood pop up. | ||
| The Troubadour, the Whiskey. | ||
| This guy investigated this shit. | ||
| There's a conspiracy theory out there. | ||
| It could be total bullshit. | ||
| It could be totally bullshit. | ||
| But there's a conspiracy theory out there. | ||
| In Laurel Canyon, there was some intelligence. | ||
| There was a base. | ||
| Brian, let him finish, please. | ||
| There was a base. | ||
| Brian, let him finish, please. | ||
| Don't tell me that the military fucking wrote that awesome music that fucking Crosby, Stills, Nash& Young did. | ||
| And then all those motherfuckers did. | ||
| How dare you? | ||
| Everybody let you talk for a long time. | ||
| You gotta let Brian talk. | ||
| How dare you give the U.S. military or the Air Force or anybody in the U.S. government credit for the fucking awesome rock and roll that came out and culminated in 1968, peaking at Haight-Ashbury. | ||
| How fucking dare you? | ||
| Crank that shit, Jamie. | ||
|
unidentified
|
Eddie, you are a fucking plant, and you work for the U.S. fucking government! | |
| You C.I.A. motherfuckers! | ||
| I was like, morning down and shit! | ||
| I'm going to fuck you up right now, but you beat me up! | ||
| God damn it, I'm going to let you fuck my asshole! | ||
| Alright, ladies and gentlemen, this has been the Joe Rogan Experience! | ||
| No, we're not done. | ||
| We're not going anywhere. | ||
| Sorry, there was music! | ||
| I thought I was fucking... | ||
| Here's the thing, Eddie, you realize this as much as I realize this, as much as anybody who is big brown, and we're all parents. | ||
| Okay, what we realize is it takes a lot of fucking time and effort to raise children and communicate with children and raise children. | ||
| It's a lot of time. | ||
| And if you're working for the government, you don't have that kind of time. | ||
| And you certainly don't have the kind of time to hypnotize some fucking kid and brainwash him into making the most excellent music the world's ever known. | ||
| Hold on, hold on! | ||
| That is the opposite of what actually- You don't have to brainwash! | ||
| Hold on, Eddie! | ||
| I let you talk! | ||
| Eddie, I let you talk! | ||
| Keep going, Joe. | ||
| It's the opposite. | ||
| What the opposite is is a child that grows up in an oppressive, strict, conservative family that's connected to the military and realizes that this is bullshit. | ||
| And they start doing drugs and acid and they start drinking and they start hanging out with fucking weirdos and they produce amazing music. | ||
| Yes! | ||
| And that's what we see. | ||
| And you can connect the two of them. | ||
| But I think it's an erroneous connection. | ||
| I think it's a connection that appeals to your desire to think that the world is controlled by a cabal of intelligent super... | ||
| Come on, Eddie. | ||
| The cabal of intelligent super geniuses that have somehow figured out a way to... | ||
| Manage their own love lives, their own financial accounts, their own real estate fucking holdings, their own stock market portfolios, their own relationships with their co-workers, their hobbies, the hookers that they occasionally stick their penis into. | ||
| They have time for all that plus chemtrails. | ||
| I say no! | ||
| There's not enough time in the world, and the government did not make Led Zeppelin! | ||
| Amen! | ||
|
unidentified
|
The government is not responsible for their doors! | |
| How dare you any problem? | ||
| I talked about this before. | ||
| I want to be in the goddamn Illuminati, if they're goddamn listening. | ||
| Of course you do. | ||
| That's why you're doing it. | ||
| Yeah, that's the problem. | ||
| Eddie, you just gave the military credit for all the great music that came out of the 60s. | ||
| You fucking military. | ||
| How dare you? | ||
| You are a fucking plant. | ||
|
unidentified
|
You're a shill. | |
| I want to start my own false flag campaign. | ||
| Alex Jones is going to call you a shill Monday morning. | ||
| We got a disturbing turn of events. | ||
| Eddie Bravo, I've had on this podcast. | ||
|
unidentified
|
I did not know he was an Illuminati shill. | |
| Fuck yeah. | ||
| He is on the Joe Rogan Experience. | ||
| Yes. | ||
| Yes, I want to do it. | ||
| Ten trails proven to be false. | ||
| Fuck yeah. | ||
|
unidentified
|
False flag. | |
| Fuck yeah. | ||
| I want to fucking... | ||
| Oh my God. | ||
| You're in. | ||
| Oh, please. | ||
| Let me orchestrate my own false flags. | ||
| You have to bowhunt. | ||
| I talked about this before. | ||
| I would get that fucking oil from Alaska. | ||
| I would go in there and make it look... | ||
| Sound like Trump. | ||
| Make it look like the ISIS is... | ||
| Eskimos are training ISIS. I would... | ||
| You're a national treasure, and I love you. | ||
| I blow up blue whales. | ||
| Eddie Brown is a national treasure. | ||
| None of these things are true. | ||
| It has to be frustrating, Eddie, to believe something. | ||
| You constantly have to back it up and defend it. | ||
| It must be exhausting. | ||
| It's very exhausting. | ||
| You know what I'm talking about? | ||
| You know what I'm talking about? | ||
| With what we were talking about before the podcast, just think about that. | ||
| It's the same shit. | ||
| It's like that. | ||
| It's like, God damn. | ||
| Sometimes it's like, please, Illuminati, take me. | ||
| I want to fuck with these motherfuckers. | ||
| I want to fuck with these motherfuckers. | ||
| You're too outspoken. | ||
| Science, science. | ||
| Oh, I want to get them. | ||
| What does that mean? | ||
| Science, science, science. | ||
| Why are you measuring shit? | ||
| What are you guys doing? | ||
| Figuring out numbers? | ||
|
unidentified
|
Science? | |
| What are you, weighing things? | ||
|
unidentified
|
No, no. | |
| No, the crazy thing is. | ||
|
unidentified
|
Science. | |
| Oh, your distance and your speed. | ||
| Time and space. | ||
| You're so fucking smart. | ||
|
unidentified
|
What about psychics, bro? | |
| Your measurable experiments. | ||
| What about UFO abductions? | ||
| How come they all see the same shit, bro? | ||
| I want to do a psychic, bro. | ||
| Best cheese I've ever had. | ||
| This tastes like shit. | ||
| I love that cheese. | ||
| That's weird. | ||
| It's both. | ||
| I think both things are true. | ||
| I mean, Gulf of Tonkin was obviously a coordinated false flag event. | ||
| The Operation Northwoods was obviously an idea that they had tried to pass, where it got through the Joint Chiefs of Staff. | ||
| It was signed and vetoed by Kennedy, where they're going to have a false flag on American civilians. | ||
| There's obviously have been, throughout human history, liars and manipulators that were in charge. | ||
| We should certainly have some healthy skepticism, but we also have to take into consideration how much fucking time does a person have in a day? | ||
| Who are all these masterminds? | ||
| How much of this is just convenient? | ||
| Yes, and you're talking about the exception. | ||
| Yeah. | ||
| Well, how much of what's going on like the 60s shit? | ||
| How much is just convenient rebellion, obvious rebellion? | ||
| You know, if you grow up with someone who's some sort of a fucking military asshole, and he's super strict, I mean, how many rock stars have come from that background? | ||
| It's like a giant number. | ||
| It's their outlet. | ||
| Being creative, writing music, drugs. | ||
| If you're going to be a fighter, I can guarantee you, talk to Cody Garbrandt, he did not have a fucking cool 7th grade. | ||
| You know? | ||
| For sure. | ||
| Some shit was dark. | ||
| I got my own experiment. | ||
| It was a stepdad involved. | ||
| Most fighters have a cool 7th grade. | ||
| You don't have a tattoo on your neck that says, like, self-made. | ||
| Yeah. | ||
| That! | ||
| That's like you're trying to fight off something. | ||
|
unidentified
|
That's right. | |
| Yeah. | ||
| You're not homecoming king and having a neck tattoo. | ||
| Fuck. | ||
| But we also have to be taking into consideration that, like we were talking about with bears earlier, that bears don't have natural predators. | ||
| So nature has rigged them weird. | ||
| Nature's wired them in some weird way where they eat babies. | ||
| Whereas wolves don't do that because they have to survive. | ||
| Elk don't do that. | ||
| Pigs don't do that. | ||
| They have to take care of their babies because it's not as easy for them to survive. | ||
| But the bears got to the top of the food chain and they realized, oh no, we're fucked. | ||
| No one can eat us. | ||
| So we can just keep fucking and making millions of us and we'll overcome all the food and we'll all starve to death. | ||
| Okay, we can start eating our babies. | ||
| And nature's rigged them in some sort of a weird way. | ||
| You gotta eat a baby. | ||
| One out of three babies. | ||
| Which is why when you come to my house, do not give me a hard time when you see my fucking male 7'8", maybe 8'6", because I'm dead-eye and I got a nose for fucking bear. | ||
| Do not give me a hard time when you wiggle your toes through my fucking rug, because I am saving bears by killing bears. | ||
| Right, Joe? | ||
| It sounds so weird. | ||
| We got a paper, rock, scissor who gets the third. | ||
| It sounds so weird, but it's fucking amazing. | ||
| No, we don't have to. | ||
| No, you don't understand. | ||
| The Rivets, my friends who live up there, they have 30 or 40 different spots where they put people. | ||
| Yeah, but Joe, hold on. | ||
| They have a serious organization. | ||
| And they have to. | ||
| They get two tags per hunter a year. | ||
| You're supposed to kill two mature boars a year. | ||
|
unidentified
|
Jesus. | |
| Hey, dude, I'm an experienced hunter. | ||
| You stand the fuck down till I get my trophy, and then you let me secure your hips. | ||
| You said trophy. | ||
| That's a taboo word. | ||
| I'm not supposed to say that. | ||
| Why? | ||
| There's no trophy killing you, son of a bitch. | ||
| That's how I know it's not real hunter. | ||
| I will brine that meat. | ||
| I'll eat it all year. | ||
| Let me ask you this. | ||
| As a legit stand-up comedian, I respect you and love you. | ||
| Thank you. | ||
| When someone says, what's the difference between a comic and a comedian, do you explain it or do you say, fuck you and walk away? | ||
| I say, fuck you and walk away. | ||
| Good for you. | ||
| That's real. | ||
| Yeah. | ||
| That's what we're talking about here. | ||
| It's true. | ||
| Listen to me. | ||
| You stand down. | ||
| You stand down. | ||
| You follow my fucking lead. | ||
| You stay a couple inches behind me. | ||
|
unidentified
|
Hey! | |
| Don't talk when I'm talking. | ||
| You're not a hunter. | ||
| I'm an experienced hunter. | ||
| You're not a hunter. | ||
| How do you say that? | ||
| When it's time for you to fucking shoot and your breathing's going to be very irregular, you look me in the eye and I help you with your breathing. | ||
| You understand me? | ||
| You help me with my breathing? | ||
| Yeah, because your breathing's like this. | ||
|
unidentified
|
Fuck, apparently. | |
| And I go, hey, hey, hey, hey, hey! | ||
| And I smack your face a couple times and go, shh! | ||
| Look at me. | ||
| I kiss your mouth. | ||
| As a man, as a friend, I kiss your mouth. | ||
| Because it wakes you the fuck up. | ||
| There it is. | ||
| Look at me. | ||
| You're behind him. | ||
| Joe's behind you breathing into your neck. | ||
| And you key into that rhythm. | ||
| And I'm breathing into your mouth. | ||
| And we breathe all together as men. | ||
| Let me ask you this. | ||
| Can I just step in for a moment? | ||
| Sure, buddy. | ||
| Go ahead. | ||
| Why do you want to belittle him in this weird way? | ||
|
unidentified
|
When? | |
| Where you say you're not a hunter. | ||
| Where you know he's killed at least, what did he kill, three deer? | ||
| Yeah, three deer. | ||
| One in Montana, two in Wisconsin. | ||
| Three deer, bro. | ||
| He's killed three deer in Eaton, though. | ||
| That's a hunter. | ||
| Is it? | ||
| Yeah. | ||
| Dude, he's made great shots. | ||
| I'm telling you, Brian Callen made 150, 160 yard shot on your first deer. | ||
| I think so. | ||
| Something like that. | ||
| I mean, he made two 100-yard shots on his second and third deal. | ||
|
unidentified
|
No, that's crazy. | |
| No, no, no, no. | ||
| You don't understand. | ||
| When you're shooting at a living creature, and it's all about getting it right and trigger discipline. | ||
| No, it's a big deal. | ||
| It's not easy. | ||
| And Brian's been successful every time he's attempted it, and he's eating those animals. | ||
| Joe! | ||
| Hey, look at me. | ||
| I've had him. | ||
|
unidentified
|
Hey, City Boy. | |
| Hey, City Boy. | ||
| I've had him tell me. | ||
| He doesn't like hunting. | ||
| City Boy. | ||
| Joe, I've had him tell me he doesn't like hunting. | ||
| No, I love hunting. | ||
| That's why I say it. | ||
| City boy. | ||
|
unidentified
|
I hope they can't. | |
| City boy. | ||
| City boy. | ||
| You shut the fuck up. | ||
| Let me explain. | ||
| I snitched on him. | ||
|
unidentified
|
I snitched on him. | |
| City boy. | ||
| The only stitch strikes you. | ||
| You're the platinum stitch. | ||
| I love hunting. | ||
| You're the platinum stitch. | ||
| I love hunting. | ||
| You're above Novitski with your arms up in the air like Robbie Lawler after he won by knockout. | ||
| Listen to me. | ||
| I love hunting. | ||
|
unidentified
|
You beat Gonzaga. | |
| I don't actually like killing the animal, but I like hanging out with... | ||
| My dears. | ||
| I had to drop that bomb, I'm sorry. | ||
| I don't like killing the actual animal, but I like hanging with Joe, and I like going. | ||
| That's a fact. | ||
| That's real. | ||
| I do admit that I don't like killing the animal is the part, but when it's time to do it, I do it. | ||
| But I love the experience. | ||
| We laugh harder. | ||
| I make that fucker laugh harder than anybody I've ever met. | ||
| He gets that high-pitched wheeze. | ||
| They're lying to each other? | ||
| It's fake laughs. | ||
|
unidentified
|
He's not a hunter? | |
| He doesn't find him funny? | ||
| Let me tell you what happened in Montana. | ||
| I kill him. | ||
| We were in the bush. | ||
| That's how we talk about it. | ||
| We were on the same routes. | ||
| That's a reality show. | ||
| It's bonding, bro. | ||
| It's a bonding experience. | ||
| When Lewis and Clark traveled across the west, that's where we went. | ||
| We were on the Missouri River. | ||
| We were in the Missouri Breaks in Montana. | ||
| It was fucking fantastic. | ||
| Miserable. | ||
| Five days of dick jokes. | ||
| 100%. | ||
| It was all cock and gay stuff. | ||
| And Brian doing this bit to this day is one of the hardest things I've ever... | ||
| Like hyperventilating, tears running down my face. | ||
| It's maybe 6 degrees outside. | ||
| Which one is it doing? | ||
| It's doing the ravine-comer. | ||
| Where I was jerking off into a ravine. | ||
| I killed this deer, and we were gutting this deer, and Brian's eating its eyeballs. | ||
| Really? | ||
| Yeah, he ate the tallow behind his eyeballs. | ||
| Yes. | ||
| I'm fucking crazy. | ||
| I cut a piece off and they ate it raw. | ||
| Don't fuck around, bro. | ||
| Hey, I'm a fucking hunter. | ||
| What were you saying? | ||
| The flesh behind the eyeballs tastes like bread dough, like dough. | ||
| Steve Rinella gave it to me and I ate it. | ||
| He loved it. | ||
| Yeah, that's right. | ||
| Oh, no, so the hunger's killing it off and then fed it to you. | ||
| Go throw up in the fucking... | ||
| You can't even handle this conversation. | ||
| Joe, keep going. | ||
| Callan does this... | ||
| He starts doing this character called the Ravine-comer. | ||
|
unidentified
|
Do it. | |
| We have this deer tied to this tree. | ||
| We pull this deer down. | ||
| We're fucking freezing. | ||
| We're fucking freezing. | ||
| I remember like, oh my god, we're in Montana. | ||
| The fucking ground is frozen. | ||
| It's eight degrees outside. | ||
| We're cutting this deer up and we decided to have a fire. | ||
| So we had this little tiny little campfire. | ||
| And Brian Cowan goes, when I get warm and I'm around, deer like to come. | ||
| And he gets it. | ||
| He gets near the bridge! | ||
| Not a bridge, like the cliff. | ||
| I'm going to come in this fucking ravine! | ||
| And he starts jacking off in front of this ravine and saying he's the ravine comer. | ||
| Because you asked me what I was doing. | ||
|
unidentified
|
And we're crying! | |
| We're crying! | ||
|
unidentified
|
It's me and Rinella and Moe. | |
| Tears are rolling down our eyes. | ||
| And he's like, I'd like to come! | ||
|
unidentified
|
Dirt! | |
| I'm fucking the world! | ||
| Skin that deer! | ||
| Skin that deer! | ||
| I'm taking cock to hand! | ||
| I'm coming in this ravine! | ||
| He was screaming, I'm coming! | ||
| I'm coming! | ||
| When you say you're coming like you're pooing, it's hilarious. | ||
| I'm coming! | ||
| Didn't you say something about people on boats in the distance hearing your cries? | ||
| I don't know. | ||
| There's just something so fucked up about it! | ||
| Because we were like, a couple of miles, we were going to pack out with the meat. | ||
| He's like, we're miles away from the river. | ||
| He's like, they hear my cries! | ||
| My cries of pleasure. | ||
| And he just keeps jacking off it in the bushes. | ||
| As I thumb off. | ||
| As I thumb off. | ||
| I call it thumbing. | ||
| But it was five days of that. | ||
| I know. | ||
| It was five days of dick jokes. | ||
| But you're the best audience. | ||
| When I got you along, you are the best audience because you fucking laugh hard. | ||
| And I just wait for my openings. | ||
| And I take them. | ||
| I just take them. | ||
| What about when I laugh? | ||
| And some days, I fucking... | ||
| The other day, I was... | ||
| Joe kept laughing and I was fucking finally out of ammunition. | ||
| I didn't know what to do. | ||
| And I just fucking... | ||
| I was spazzing out and I go... | ||
| And I kicked the table over and I go, I need some fucking attention. | ||
| Who's out of ammo? | ||
|
unidentified
|
Who's out of ammo? | |
| I didn't know what else to do. | ||
| To make a scene? | ||
| Yeah, Doug Durham was there. | ||
| I was making him laugh and I go, ah, fuck. | ||
| Man, I kicked the table. | ||
| I need some fucking attention. | ||
| We barely had the energy to sleep when we were in Wisconsin. | ||
| How do you shit? | ||
| It is. | ||
| You will laugh your ass off. | ||
| Here's the problem with hunting. | ||
| Here's why hunting sucks. | ||
| You're cold. | ||
| You sleep on the floor. | ||
| It rains. | ||
| You don't see animals. | ||
| There's all kinds of things that suck about hunting. | ||
| But guess what? | ||
| That's what brings you together. | ||
| You're all together in a tent. | ||
| Gale force wins and you're laughing your fucking balls off. | ||
| I listened to that podcast we did with Rinella after you had talked about it. | ||
| It was great. | ||
| It was awesome. | ||
| And we did that podcast, soaking wet, miserable, for five days in a row on an island in Alaska. | ||
| You don't remember this, but I remember it was the morning, and you couldn't get dry because all your shit was wet. | ||
| You didn't bring waterproof anything. | ||
| And so you're wet. | ||
| It's in the morning, 6 in the morning. | ||
| You were shaking so badly. | ||
| I don't know if you remember this. | ||
| You were shaking so badly, and I was too cold and miserable to say anything. | ||
| Your lips, your fucking lips were going back and forth. | ||
| They're quivering. | ||
| They look like a shark when it's grabbed the fucking... | ||
| His lips were... | ||
| His lips, his big, fat, fucking fat DSLs were going like this back and forth. | ||
| They were fucking... | ||
| They were literally going from left to right, east to west, east to west, just shaking, shugging. | ||
| The way a pit bull shakes a fucking rabbit. | ||
| And I was like, dude, those lips are fucking thick, meaty, and cold. | ||
| That's all I kept saying. | ||
| Do you remember the one night where it didn't rain for like a few hours and we started a fire? | ||
| Yeah. | ||
| Do you remember that? | ||
| With Cheetos. | ||
| Yeah, man. | ||
| And by the way, a fire is the best thing in the world. | ||
| And you're so miserable, you don't jerk off. | ||
| You don't jerk off. | ||
|
unidentified
|
Did you say Cheetos? | |
| Hell no, you don't jerk off. | ||
| You started a fire with Cheetos? | ||
| You try not to die. | ||
| You take shits. | ||
| You get up in the middle of the night. | ||
| Where's the shits? | ||
| You gotta piss. | ||
| You go... | ||
| I kneel and just go just an inch out of my fucking tent. | ||
| I'm terrified. | ||
| Remember you and me? | ||
| Yes. | ||
| Dan Doty and Mike, remember Mike, we figured out how to make a fire with Cheetos? | ||
| Yes. | ||
| Was it Dan Doty's idea? | ||
| Yes, Dan Doty. | ||
| When you light Cheetos, Cheetos light on fire and all the bullshit that's in Cheetos. | ||
| Best kindling. | ||
| Best kindling. | ||
|
unidentified
|
Really? | |
| Dude, forget fire starters. | ||
| A slow burn. | ||
| Cheetos are incredible. | ||
| Yes. | ||
| They stay alight forever. | ||
| It's a slow That's great to fucking know Wait is it the Is it the puff ones Or the crunchy ones No regular cheetos Crunchy cheetos Yeah man That's the one thing All the zombie movies And TV shows From this point on, they're gonna use Cheetos. | ||
| It's a slow burn, it's a beautiful burn. | ||
| We took some trees and we chopped trees down and hacked off the bottom of the trees because that was the driest spots. | ||
| We hacked off the insides of the limbs, because the outside of the limbs are more wet. | ||
| Dude, we were desperado. | ||
| We took paper, and we started paper to develop a wet fire. | ||
| And wet fire means it's touch and go the whole way. | ||
| You're burning wet stuff. | ||
| And you're trying to get the driest stuff that's available. | ||
| And Cheetos saved our ass. | ||
| And tell me if you didn't feel this. | ||
| And I'm not being dramatic when I say this. | ||
| That's not possible. | ||
| Well, that's true. | ||
|
unidentified
|
Yeah. | |
| That's very true. | ||
| But when you're in the middle of that majestic wilderness, literally that doesn't care about you, you do get a sense, there is a feeling of sadness, a feeling of being so insignificant that it makes you a little bit depressed sometimes. | ||
| Yeah. | ||
| Did you feel that? | ||
| Did you ever feel that? | ||
| When we were sitting up at the top of this one of these ridges and you and I and Giannis were up there and we were taking a break and we sat up there and we glassed this Canyon and it was the rain was coming in and going out and we're looking around and and Matin was there too and we were just like Jesus Christ like this land doesn't give a fuck if you're here or gone. | ||
| Yes, it's gonna be the same like you It's like a realization that no matter what mark you think you're laying, it doesn't matter if you're fucking King Tut. | ||
| It doesn't matter who you are. | ||
| Ultimately, it's all bullshit. | ||
| Yes. | ||
| Like, you get this entirely temporary existence, and the world and the universe is bigger. | ||
| Yes. | ||
| Just a grain of sand. | ||
| And that's hard to deal with because you want to pass your genes and you want to be special and you want to show greatness and you want people to remember your name after you're gone. | ||
| But ultimately, that's not really what's important. | ||
| And that when you're confronted with that reality, whether it's through psychedelic drugs or whether it's through sitting on a mountain in... | ||
| Prince of Wales in Alaska and you and best buddies sitting there going, man, we can't even fucking find a deer. | ||
| We didn't find a deer for days and days. | ||
| It is so lonely. | ||
| It's such a lonely part of the world. | ||
| You can see for miles and miles. | ||
| What you think about it, for me, what I thought about it was exactly what he's talking about. | ||
| Like the notion that I'm so insignificant and so much of my effort... | ||
| In a way, so much of my effort, first of all, you also realize how vulnerable you are. | ||
| Without food and water, without know-how, without the culture and the accumulated know-how of how to survive in that environment. | ||
| We should talk about what we bring. | ||
| We bring freeze-dried foods, and we bring some hard snacks, like protein bars. | ||
| No, no, we're fine. | ||
| We're not doing any Survivor Man shit. | ||
| You're fine for six days. | ||
| You're fine for six days. | ||
| But it is true. | ||
| We have a limited supply, and it lets you know that without this stuff, because we're not trying to live off this Mountain Ops food, or whatever the fuck it's called, whatever the meals are called. | ||
| I don't think it's Mountain Ops. | ||
| Mountain Ops is a good protein company for hunters. | ||
| But what you realize is if I didn't have the stuff that I brought with me, I'm not going to survive just living off the land. | ||
| You would die. | ||
| It's hard. | ||
| It's hell. | ||
| It's hard as hell. | ||
| So you're saying you weren't worried about your Twitter follows, Instagram, you realize how much bullshit all there is? | ||
| You need less sleep. | ||
| It's not even just that. | ||
| It's not just that. | ||
| How come your cell phone doesn't work? | ||
| Isn't there satellites? | ||
| No, no, no. | ||
| Cell phones are direct to rec. | ||
| That's why you have those fake trees on the 405. Cell phones? | ||
| I thought cell phones went to the satellites. | ||
| No, no, no. | ||
| Not at all, not at all. | ||
| What's going to the satellites? | ||
| GPS, which is Global Positioning Satellites. | ||
| GPS is not satellites. | ||
| I hear it's all land ground pressure. | ||
| No, that's a lie. | ||
| Wait a minute, GPS? GPS is Global Positioning Satellites. | ||
| That's what it literally is. | ||
|
unidentified
|
In space. | |
| Yes, absolutely. | ||
| So GPS is not, like the GPS on your iPhone is run by satellites in space? | ||
| This is how it works. | ||
| This is how it works. | ||
|
unidentified
|
Is that correct? | |
| Let me explain to you, Eddie, how it works. | ||
| Is that all land-based? | ||
| No. | ||
| I think it's all land-based. | ||
| Based on YouTube science. | ||
| Let's avoid this. | ||
| What were we just talking about? | ||
| Just being up there without any connection to what you are used to. | ||
| Realize how small you are. | ||
| I think it's good to get away from the cell phone and the bullshit. | ||
| I think cell phones are awesome. | ||
| I think computers are awesome. | ||
| I think Google's awesome. | ||
| I think reality shows are awesome. | ||
| I think Basketball Wives is awesome. | ||
| I think it's hilarious. | ||
| I think we should enjoy the most fucked up aspects of the greatest time people have ever been alive. | ||
| I think it's amazing. | ||
| But I think it's also good To push all this external dialogue aside and just how do you feel about the world? | ||
| And how much of how you feel about the world is honest? | ||
| And how much of you feel about the world is objective? | ||
| And how much of it is based on the actual world itself and not the opinions of all these other people around you? | ||
| Get a good look at who you are and what you think about that. | ||
| I try to do that every night. | ||
| I try to shut myself off. | ||
| When I get home from jujitsu and teaching, if there's some important email I gotta get to, I'll get to it. | ||
| If there's an important text or call I gotta get to. | ||
| But generally, I'm gonna watch some bullshit-ass TV for about an hour and a half. | ||
|
unidentified
|
I don't want to hear anything about melting. | |
| I want to watch some bullshit. | ||
| I'll get on YouTube and watch the hottest YouTube videos. | ||
| But Eddie, when you're hunting, those usual escapes don't exist. | ||
| And a lot of times, for real, what you have is just yourself and the sound of your breathing, man. | ||
| That sounds very hard. | ||
| It sounds awesome. | ||
| I'm a big pussy. | ||
| It's a bit like being in a free fall if you're not used to it. | ||
| And in the beginning, like the first two days, you might panic a little bit or you might kind of need to hold on to something. | ||
| Let me just back up here. | ||
| You sleep intense, Joe? | ||
| You sleep intense? | ||
| Yes, absolutely. | ||
| Eddie, you're the first American to tap a Gracie. | ||
| There's no pussy in you. | ||
| You don't have any pussy. | ||
| I have a lot of pussy. | ||
| I'm a big pussy. | ||
| No, no, no. | ||
| What you are is honest. | ||
| I'm not a fighter. | ||
| No, you're honest about the way you feel. | ||
| I'm not trying to win no championships ever. | ||
| I never try to do that. | ||
| A lot of people pretend that they feel different than the way they actually feel. | ||
| But when push comes to shove and you perform, it's one of the things, like when we went to Sao Paulo, like I'd seen you compete in the trials. | ||
| You competed in San Diego in the trials. | ||
| And those were the only times I saw you compete. | ||
| I saw you compete in the trials and I saw you compete on video. | ||
| We looked at some video before. | ||
| But when I saw you compete when we flew down to Sao Paulo, and I saw you tap Gustavo Dantes, Who's a Brazilian Jiu-Jitsu world champion? | ||
| I was like, oh shit, Eddie Bravo knows how to perform under pressure. | ||
| There's a moment in the fight. | ||
| Let me tell you something about this. | ||
| It's 2003, okay? | ||
| You tapped a world champion. | ||
| Let me tell you something what happens. | ||
| Eddie Bravo has got this dude in a position where a lot of traditional Brazilian Jiu-Jitsu referees, practitioners might not have understood what was going on. | ||
| And he was moving towards this guy's back. | ||
| And Eddie's holding on to him and the referee is insinuating that there's some stalling and there's going to have to be some moving. | ||
| And Eddie turns to him and looks at him and says, I'm not stalling. | ||
| I'm about to take this dude's back. | ||
| And Gustavo Dantes, he says, like, what? | ||
| And then all of a sudden Eddie takes his back and chokes him out and taps him. | ||
| I put him in the truck first. | ||
| Not a pussy. | ||
| In the truck. | ||
| But when you were in the truck, that's when the referee stepped in and said that you were stalling. | ||
| You go, I'm not stalling. | ||
| I'm about to take his back. | ||
| No, no. | ||
| When he came in, what happened was, I swept him. | ||
| We both pulled guard. | ||
| I forced pull guard. | ||
| He pulled guard. | ||
| I pulled guard. | ||
| We're trying to force each other. | ||
| I forced him on top of me. | ||
| Swept him. | ||
| And he stayed in a position. | ||
| I had him inside control. | ||
| And he stayed in a position, basically... | ||
| The reason I said that The reason I said that | ||
| was that I knew Mark Lehman's stories before. | ||
| They said, dude, the referees in Brazil, they're going to fuck you. | ||
| The Brazilians, refs, they don't like Americans. | ||
| And I heard that, and I'm all scared. | ||
| So I'm thinking this guy's actually going to stand me up. | ||
| So the only reason I said anything is because I thought, oh shit, this motherfucker's going to stand me up in Brazil. | ||
| But the referee was talking to you. | ||
|
unidentified
|
So that's exactly what I said. | |
| He's taking the long way. | ||
| But that's what I said. | ||
| But you know, the important thing is you said, I'm about to take his back. | ||
| Which is gangster as fuck. | ||
| I'm about to take his back. | ||
| And then he took his back and choked him out. | ||
| Which is not a pussy move. | ||
| Which is some gangster shit. | ||
| shit. | ||
| But the only reason I said that was because I said, don't stand me up. | ||
| Yeah, but you said it. | ||
| Oh, I got you. | ||
| You didn't want to stand you up, right? | ||
| Yeah, but you said it. | ||
| You wait. | ||
| That's gangster. | ||
| Yeah, that's what he's saying. | ||
| But I was actually worried that they were going to stand me up. | ||
|
unidentified
|
He said that. | |
| I think that, like, I was thinking about what bothers me the most, like, That's why I appreciate you. | ||
| You're talking about your friend. | ||
| What you did is pretty extraordinary. | ||
| And you have to take moments in life to fucking say that. | ||
| Wayne McCulloch is one of my favorite people on the fucking planet. | ||
| I love that dude. | ||
| Great guy. | ||
| Somebody was talking to Wayne with a lack of respect to me, like in the boxing gym. | ||
| They were acting like he was just a guy who holds mitts. | ||
| And I said to the guy, I gotta just stop you for a second. | ||
| This is fucking important to me. | ||
| Can I stop you? | ||
| Did this really happen? | ||
| Yes. | ||
| You can ask Wayne. | ||
| But listen, he'll get mad at me for saying this, but I want to say this. | ||
| Listen to this. | ||
| You're such a dick. | ||
| You're such a dick. | ||
| You're such a dick, by the way. | ||
| You're such a dick. | ||
| But listen, this is my point. | ||
| My point is exactly what you were saying with Eddie. | ||
| A legit boxer didn't say this to you. | ||
| What's that? | ||
| A legit guy didn't say this to some fan. | ||
| Who said this to you? | ||
| Was it a CrossFit dude? | ||
| No, no, no. | ||
| The way the person was talking. | ||
| Hashtag super paleo. | ||
| I'm trying to kind of talk around this because somebody wasn't treating Wayne with the kind of respect he deserves. | ||
| And I tried to explain. | ||
| I said, listen to me. | ||
| Let me explain to me. | ||
| He was a fucking world champion. | ||
| He was a world WBC champion. | ||
| Who are we talking about? | ||
| Are we talking about the garbage man? | ||
| Is it a famous person? | ||
| Why don't you say his name? | ||
|
unidentified
|
The dude working at Carl's Jr. What kind of guy is this? | |
| Is he dropping off a package? | ||
| He was a guy who was trying to box at the gym. | ||
| An actual boxer? | ||
| Uh, no. | ||
| Oh, he's just a guy. | ||
| Executive? | ||
| Yeah, just somebody who's like... | ||
| Let's call him Greg. | ||
| Let's call him Greg. | ||
| Fuck Greg. | ||
| Okay, so Greg was treating Wayne... | ||
| Greg was treating Wayne... | ||
|
unidentified
|
Hold on. | |
| Greg was treating Wayne like, oh, hey, hold these mitts for me, essentially. | ||
| You know what I mean? | ||
| And I kind of, for me... | ||
| That's what he does now, though. | ||
| No, he does a lot more than that. | ||
|
unidentified
|
Well, he teaches boxing. | |
| No, he's got a legit guy who's fighting right now for a big fight. | ||
| But he teaches boxing. | ||
| But the point I'm making is that in life, when you see somebody who accomplished a great deal, you've got to fucking give it up. | ||
| You have to have respect for that. | ||
| You have to have gratitude for it. | ||
| You have to mark it. | ||
| You have to treat it with some reverence. | ||
| I think reverence is important. | ||
| I'm sorry to use him as an example. | ||
| Here's what is important. | ||
| There's no reason to disrespect him. | ||
| It's not like he's doing anything. | ||
| Even if he wasn't a legend, you shouldn't disrespect him. | ||
| Of course. | ||
| No, but it's more than that. | ||
| But you know that he's highly accomplished in the sport that you're attempting to pursue. | ||
| Silver medalist in the Olympics? | ||
| It's amazing. | ||
| But for sure, get your fucking hits. | ||
| No, I'm just kidding. | ||
| But here's what I'm saying. | ||
| It's like, why would you want to say bad things about him, ever? | ||
| But people, what I'm saying is people who don't... | ||
| They might not know me. | ||
| Yeah, but people who don't express gratitude like that and don't... | ||
| He's an older boxer. | ||
| So it might be the young guy who has no idea. | ||
| Here's what it is. | ||
| That's what bothered me. | ||
| People know that when you have something and it's amazing and then you lose it, you realize you're not as great as you once were. | ||
| So they recognize that Wayne McCullough was a world champion boxer, a silver medalist in the Olympics, and his athletic peak, he was loved throughout And he's not there anymore. | ||
| So they recognize this as an opportunity to see someone who has diminished from their previous height. | ||
| And they try to attack. | ||
| Exactly. | ||
| They try to attack him to make him feel bad because they know psychologically that this has to have some sort of an effect on the way his self-esteem interprets reality. | ||
| But also because they never touched that. | ||
| Because they never fucking came close to that kind of accomplishment. | ||
| I know, but that's why they're doing it. | ||
| Because they're trying to bring him down. | ||
| Exactly. | ||
| It's an animal instinct. | ||
| Exactly. | ||
|
unidentified
|
It's an animal instinct. | |
| God, that's a bummer. | ||
| But I hate that shit. | ||
| Haters are losers. | ||
| Exactly. | ||
| They have to be. | ||
| And that's what I was experiencing recently. | ||
| You can't be a winner and also be a hater. | ||
| Exactly. | ||
| And that's what I was trying to say. | ||
| I go, if you can't celebrate and have some reverence for what that dude did, or anybody like that, that's your fucking problem and that holds you back. | ||
| Well, they've never been beat up then, probably. | ||
| You're right, buddy. | ||
| Nate McCullough was so good. | ||
| Pocket Rocket? | ||
|
unidentified
|
What? | |
| Such a good legend. | ||
| And a fucking gentleman. | ||
| God damn it. | ||
| I'm throwing this cheese away. | ||
| You ever watch Joe Calzaghe? | ||
|
unidentified
|
Fuck yes. | |
| Dude, I was watching some Joe Calzaghe training footage of somebody he put on Twitter today. | ||
| I was like, Jesus Christ. | ||
| Trained by his dad, man. | ||
| Oh my God. | ||
| His fucking hand speed was retarded. | ||
| He was so fast. | ||
| He lost to Hopkins, right? | ||
| No, he beat Hopkins. | ||
| He beat Roy Jones Jr. Beat Hopkins. | ||
| Retired later. | ||
| Undefeated. | ||
| He beat Hopkins? | ||
| Yes, he did. | ||
| He beat Hopkins. | ||
| He beat Roy Jones Jr. We just don't accept him because he wasn't in Medicano. | ||
| Because he was an English gentleman. | ||
| Yeah, he gets no credit. | ||
| Listen, Joe Calzaghe is like an all-time great. | ||
| Rugged motherfucker. | ||
| 46-0. | ||
| Damn. | ||
| He might have retired. | ||
| Does it have his record? | ||
|
unidentified
|
What? | |
| 46-0. | ||
| That's his fucking record. | ||
| No, no, I'm saying who he'd be. | ||
| I've been sleeping on Calzaghe. | ||
| I've been sleeping on Calzaghe, motherfuckers. | ||
| Roy Jones, Bernard. | ||
| Bernard Hopkins. | ||
|
unidentified
|
Holy shit. | |
| Kessler. | ||
| He beat a lot. | ||
| Jeff Lacey. | ||
| Jeff Lacey was one of his big wins early on in his career. | ||
| Talker. | ||
| Bernard Hopkins? | ||
| He beat Bernard Hopkins. | ||
| Who's named Tucker Putwell? | ||
| He beat Roy Jones Jr. What was the year of that fight? | ||
| 08. 08. He beat Bernard and Roy in the same year. | ||
| Honestly, Roy was not the Roy of his prime. | ||
| In 08, he was still pretty badass, wasn't he? | ||
| No. | ||
| He was good in the 90s. | ||
| Compared to everybody in this room, he's badass right now. | ||
| If we ought to get it, Roy Jones Jr. could have... | ||
| Five tequila shots and box the shit out of everyone in this room. | ||
| I think everyone in this room can take that silly bitch down. | ||
| Fuck that dude. | ||
| Hey, man. | ||
| Hey, have some fucking reverence. | ||
| This is what I'm talking about, you hater, motherfucker. | ||
| You're the one! | ||
| That's not hating. | ||
| That's real life. | ||
| I'm a critical thinker. | ||
| I sat directly behind Roy Jones Jr., and this was my monologue in my head. | ||
| I was going like this. | ||
| I was going, that's the one of the greatest of all time. | ||
| And then I was doing this, I was saying stuff like this. | ||
| He's got a lot of fast twitch muscle. | ||
| Look at his fucking traps. | ||
| He's got a weird head. | ||
| I bet he can move that head. | ||
| He can kick my ass right now. | ||
| I wonder what I would do if I had to fight him in a jail cell. | ||
| These are all the questions I ask. | ||
| At 49 years old, I'm asking these questions. | ||
| You ever seen his dick pic? | ||
| In an elevator, he's taking me down. | ||
| Taking you down? | ||
| He's going to take you down? | ||
| He's going to knock me down. | ||
| What? | ||
| Wait, listen, in elevators, you get your best shot. | ||
| I know. | ||
| He's not getting away in an elevator. | ||
| I double leg the fuck out of my high school double leg. | ||
| He's gonna dirty butt too. | ||
| High and tight. | ||
| The shoulders come up. | ||
| The hands go in. | ||
| You shoot in. | ||
| What's he doing? | ||
| He's hitting elbows. | ||
| He's got no gloves on. | ||
| He's hitting fucking elbows. | ||
| What is he doing? | ||
|
unidentified
|
He's hitting the ground. | |
| You're fucking hitting bone, motherfucker. | ||
| That's what I say as I fucking bring his knees in. | ||
| I bring him in. | ||
| What happened? | ||
| Up, down. | ||
| And then I armbar him. | ||
| With my bad armbar. | ||
| My blue belt armbar. | ||
| Brendan, what do you think about that? | ||
| I don't see it happening. | ||
| Have you guys ever rolled? | ||
| You guys have rolled? | ||
| Have we rolled? | ||
| Have I rolled with heavyweight Brendan Shaw? | ||
| With heavyweight... | ||
| For real, like a real roll, eight minute round, let's go for real. | ||
| Dude, with Brendan Shaw... | ||
| Yes or no? | ||
| Is that a yes or no? | ||
| We've rolled a ton. | ||
| I always fuck with him. | ||
| I have grabbed him in a perfect head and arm lock, thrown my hips out judo style, brought his head and his arm in with a gable grip, kept my chin tight, and looked at him and gone, he was trying to take a nap, and I go, you're going fucking nowhere, motherfucker, and had him tight, I mean arm and head tight judo, hips splayed, hips splayed, fucking, what's his name, here you go, this is There's another one. | ||
| Look at this. | ||
| This is Greco. | ||
| This is Greco. | ||
| Look at this. | ||
| I'm just chilling. | ||
|
unidentified
|
Look at this. | |
| That's amazing. | ||
| He's tapping me immediately. | ||
| He's just amazing with no hormone supplements. | ||
| You don't just break. | ||
| Fuck you. | ||
| Fuck you. | ||
| That's high. | ||
| Look at that high fucking... | ||
| You look like you'd be super fragile. | ||
| Look at what he's doing. | ||
| If I was near that, I'd be like... | ||
|
unidentified
|
He tapped me. | |
| Yeah, a ton. | ||
|
unidentified
|
Yeah. | |
| Has he ever gotten you? | ||
| No, Eddie. | ||
|
unidentified
|
The 49-year-old comic did not beat me up, man. | |
| It's not a compliment. | ||
| I'm not beating you up. | ||
| I just want to catch you every now and then. | ||
|
unidentified
|
What? | |
| You guys got to stop talking over each other. | ||
| I know, but I mean, I couldn't do it. | ||
| If I had a fucking gun, it would be a problem. | ||
| He does whatever he wants. | ||
| That's why you got to let him come. | ||
| I've been talking about that all night. | ||
| It always comes back to the coming. | ||
|
unidentified
|
Help him come, man. | |
| Help him come. | ||
| He's less aggressive. | ||
| There's a reason why big people exist. | ||
| They were better at war. | ||
| We've been podcasting for four hours. | ||
| Who gives a fuck? | ||
| Why are you measuring time? | ||
| It's all bullshit. | ||
| Is this still going, though? | ||
| Who gives a fuck? | ||
| I thought we weren't allowed to. | ||
| We could do whatever we want. | ||
| It's like we're in Alaska. | ||
| It's just us, man. | ||
| Jamie, I thought we had to be cut off at three hours. | ||
| No more rules. | ||
| I'm tired. | ||
| I can't do it anymore. | ||
| We'll break this podcast up into part one and part two. | ||
| I can't be employed anymore. | ||
| I can't do it anymore. | ||
| I have it left in me. | ||
| It's drained like a sponge. | ||
| It doesn't exist. | ||
| I want to be free. | ||
| This podcast for us, thanks to your urging, has been a life changer. | ||
| I told you. | ||
| Can I show you guys that movie trailer? | ||
|
unidentified
|
No. | |
| Excuse me. | ||
| We're talking about podcasts. | ||
| The what? | ||
| See some random fucking movie trailer. | ||
|
unidentified
|
Jamie wants to talk about tickling. | |
| I definitely want to see it. | ||
| No, Jamie. | ||
| I was trying to encourage Eddie Bravo into bringing back Eddie Bravo radio, and you want to talk about tickling, you fuck. | ||
| Eddie, I don't have to get punched in the face anymore because of the podcast. | ||
| You know what? | ||
| I loved doing my podcast, but I feel like sometimes, you know when you do a podcast and you get a new audience and you gotta tell the fucking same story over and over? | ||
| I hate saying the same, you know, when people start saying, here he goes again. | ||
| Why would you say the same story over and over? | ||
| Because, you know, it comes up, you're in a podcast. | ||
| I've done that. | ||
| You've got to say, you've got to kind of abbreviate it and say, I've talked about this before. | ||
| But unfortunately, unless that's cut up in a clip, it's hard for people who just started listening to your podcast to find that. | ||
| So it becomes annoying. | ||
| Because you're speaking to so many people. | ||
| You were getting, what, 50, 100,000 downloads? | ||
| How many downloads were you getting? | ||
| No, I don't know. | ||
| How many were you getting? | ||
| Nothing. | ||
| Whatever you were getting. | ||
|
unidentified
|
Nothing. | |
| Let's say you're getting 5,000. | ||
| Even if you're getting 5,000. | ||
| That's 5,000 fucking people in an arena. | ||
| I mean, Ari and I had this conversation when we first started talking about Twitter. | ||
| Because Ari would get on Twitter and he's like, I've only got 2,000 followers. | ||
| I'd go, what would you think if you went to a show and you're like, it's only 2,000 people? | ||
| You would never think that. | ||
| You would never think that. | ||
| You'd be like, holy shit, there's 2,000 people. | ||
| He's like, you're right. | ||
| I go, yeah, I'm right. | ||
| There's 2,000 people listening. | ||
| And eventually, you're going to say something funny, and someone's going to find out about it, and they're going to spread it to five people, and they'll spread it to ten, and you'll have 1,500 people in six months. | ||
| How many Twitter followers do you have, Till Rogan? | ||
| I don't know. | ||
| Over a million. | ||
| 1.9 or something like that? | ||
| What is it, Jamie? | ||
| What is it, Jamie? | ||
|
unidentified
|
Check it. | |
| 1.9 million? | ||
| 1.9 million. | ||
| How about Instagram followers? | ||
| 1.1 million. | ||
| Damn, it's crazy you know. | ||
| Listen, you guys will have that too. | ||
| It's an accumulative effect. | ||
| There's girls out there who just do nothing but stick their ass in front of a camera. | ||
| They have like 10 times as many as me. | ||
| God bless them. | ||
|
unidentified
|
Weird, huh? | |
| I found this Russian broad. | ||
| Oh my god, I almost jerked off in front of my friends. | ||
| Let me see her. | ||
| She's so hot. | ||
| She was that hot? | ||
| It didn't make any sense. | ||
| What's her name? | ||
| I'm going to tell you. | ||
| It's frustrating, man. | ||
| I don't want to get more followers. | ||
| Dude, please tell me who she is. | ||
| Now I have to know. | ||
| It's 10 fucking p.m. | ||
| We'll talk later. | ||
| I don't remember it. | ||
| Come on, bro. | ||
| Don't be a baby. | ||
|
unidentified
|
I don't. | |
| I don't remember it. | ||
| Jamie, you know. | ||
| I bet it's the one I just randomly found, too. | ||
| Dark hair or light hair? | ||
|
unidentified
|
Dark. | |
| Yeah. | ||
| You guys are getting a bunch more followers. | ||
| Either way. | ||
| Either way, bring her up. | ||
| Either way, she's a hot. | ||
| Let's move on. | ||
| Let's move on. | ||
| This is what's important. | ||
| It's about consistency. | ||
| Like, when you're using social media, it's about honesty and consistency. | ||
| And you guys are super honest and you're super consistent. | ||
| So, it's gonna be people who don't like you. | ||
| It's inevitable. | ||
| People don't like me, they don't like Eddie. | ||
| Oh, Jesus! | ||
| Jesus! | ||
| Good Lord! | ||
| Turn that off, Jamie! | ||
| She's a good girl. | ||
| Those are muscular quads. | ||
| Those are muscular quads, sir. | ||
| Yeah, she does some squats. | ||
| That bitch can jump over buildings. | ||
| I'm gonna come. | ||
| That bitch can jump rope your dick. | ||
| Look at her fucking quads. | ||
| Hey, guys. | ||
| Hey, guys. | ||
| Jamie, stop it. | ||
| Goddamn, Jamie. | ||
| Those quads are a little much. | ||
| Those quads are a little much, bro. | ||
|
unidentified
|
One more. | |
| One more, Jamie. | ||
| Thinking about is the milking properties of that... | ||
| Take it down, Mr. Little Jamie. | ||
| Hey, you guys. | ||
| All I'm thinking about is the milking properties of that pussy. | ||
|
unidentified
|
Not so much muscle. | |
| The fact that pussy's like... | ||
| Like a vice. | ||
| Like a farmer's hand. | ||
| Squeezing out a wet pair of socks. | ||
| A farmer's hand. | ||
| A farmer's hand. | ||
| You guys want to come or what? | ||
| Well, now I don't want in. | ||
| It's down by the river with a fucking set of sheets. | ||
| That bitch is on some acai. | ||
| Her quads are way too jacked. | ||
| It's the Let's Come podcast, guys. | ||
| Hey, one more picture of that girl for the hell of a minute. | ||
| No, no more. | ||
| Who brought the fucking Puritan to the party? | ||
| You know what's the beautiful thing about podcasts? | ||
| What, do you wear belts on your hats? | ||
| The beautiful thing about podcasts is that what we have, all of us together, is like a legit network. | ||
| And not just us, but everybody else out there. | ||
| You know, there's always been networks like CBS and ABC and NBC, but those networks are like businesses. | ||
| But we're a network of friends. | ||
| That's a new thing. | ||
| That's a new thing. | ||
| Everything that you do helps me. | ||
| Everything that I do helps you. | ||
| We all help each other. | ||
| You guys come on my podcast. | ||
| We blow it up on Twitter. | ||
| We put it up on Instagram. | ||
| We do a fight companion all together. | ||
| Everybody blows up. | ||
| This is a network, like an organic network, as opposed to like a business network where we sat down and said, I need to control 40% of this concomerate. | ||
| And there's no agenda. | ||
|
unidentified
|
We're lawyers! | |
| But there's no agenda. | ||
| It's just friends. | ||
| There's no agenda like a business network. | ||
| No paperwork. | ||
| Everybody's cool. | ||
| Everybody helps everybody. | ||
|
unidentified
|
Hold on. | |
| If there's ever shows that need to be tweeted, everybody's happy to tweet for everybody. | ||
| I see everybody doing it. | ||
| We all do it for each other. | ||
| All our comedian friends do it for each other. | ||
| I didn't notice that shirt. | ||
| The Keto Kid? | ||
| Get your slim on. | ||
| Yeah, he's Keto. | ||
| You don't even know about that shirt and you're in the business with him? | ||
| I don't have him sign off. | ||
| This is the first time he sees it. | ||
| He's barely paying attention. | ||
| You just make shirts and I'm like, hey, good job. | ||
| They go on sale this week, Brian. | ||
| I called him the Keto Kid at the beginning of our last podcast together. | ||
| That's awesome. | ||
| Awesome. | ||
| I was in Arizona this weekend, people were yelling, I'm Keto Kid! | ||
| I'm the kid too, and this is fucked up. | ||
| Well, he's the Keto Kid. | ||
| He's the Keto Kid. | ||
| It's more legit. | ||
| If you put something before Kid for me, what would you call me? | ||
| The old kid? | ||
| No. | ||
|
unidentified
|
Creepy Kid. | |
| I'd call you Creepy Kid. | ||
| Creepy Kid for sure. | ||
| Creepy Kid. | ||
| The pervy Kid? | ||
| Mildly delusional Kid? | ||
| Wrinkly Kid? | ||
| The wrinkle Kid? | ||
| The lying Kid? | ||
| How about the fact that I told a story, like a really good long story, dramatic, and my father in front of a bunch of people goes like this, like friends, and he goes, now how much of that story do you think is actually true? | ||
| I was like, you motherfucker. | ||
| Well, the problem is you understand drama so well that you'll occasionally sprinkle it in as long as you keep the ethics of the original idea of the story intact. | ||
| Don't know what you're talking about, sir. | ||
| Don't know what you're talking about. | ||
| You are more concerned with the entertainment value of what you're saying than you are the veracity of the truth. | ||
| I'm outraged! | ||
| Involved in his statements. | ||
| Who's that? | ||
| Benjamin Button? | ||
| A.K.A. Brad Pitt? | ||
| Why are we showing that guy? | ||
| Jamie decides to spice it up. | ||
| Shows a naked man in the mirror with glasses on. | ||
| Yeah. | ||
| Benjamin Button flexing. | ||
| I think overall, you would never change the actual results of the story you're talking about, but you would flavor that story with additional spices that weren't in the original recipe. | ||
| He's like a lawyer. | ||
| You'll throw some shit in there to make it better, and I appreciate that. | ||
| We took our lie detector test. | ||
| But as a good friend, I have to throw things through a filter. | ||
|
unidentified
|
All the time. | |
| And when you tell me something, I have to go, Skeptical hippo. | ||
| Skeptical hippo. | ||
| I gotta go. | ||
| I love this dude, but let me see where I go with this. | ||
| Where is he going with this? | ||
| Every story. | ||
| Yeah. | ||
| You know? | ||
| Hey, I took a lie to Texas. | ||
| I said, ask me all the Taekwondo questions you want. | ||
| Oh, you're a psycho? | ||
| No, the problem was that she goes, you're a complete liar. | ||
| That's us when Brian tells any story. | ||
| So what happened? | ||
| Well, she said, she goes, I lied across the board. | ||
| You lied about everything? | ||
| She said he lies about everything. | ||
| There were things he knew were true that he asked me to see, and it just didn't work out. | ||
| So I wiggle a lot and I sweat. | ||
| Here's the thing about a lie detector test, okay? | ||
| Here's the thing. | ||
| As soon as you're measuring something, you're changing what that thing is because you're making someone conscious of the fact that you're measuring it. | ||
| And so if you're a completely self-conscious person who's always aware of how people are viewing him, like Brian Callen, which is one of the reasons why you're so entertaining, is because you really want everybody around you. | ||
| You're very accommodating. | ||
| Yes. | ||
| And you're a very, like, Brian, like, way more than me. | ||
| He suffers fools. | ||
|
unidentified
|
Yes. | |
| Like, we're around fools. | ||
| I'm like, I am seeing a fucking wasted time. | ||
| There's a cloud coming. | ||
| We gotta get in the car. | ||
| We gotta get out of here. | ||
| Oh, Brian loves him an idiot. | ||
| Oh, my God. | ||
| He loves it. | ||
| He loves it. | ||
| He loves him a doofus. | ||
| Brian loves him an idiot. | ||
| But it's because he's so accommodating. | ||
|
unidentified
|
Yeah. | |
| He's, like, such a nice guy. | ||
| And I can't do it anymore. | ||
| One of my favorite pastimes is to go through my life and think about how much time I would have saved if I had just walked away from certain people. | ||
| You just listen to me. | ||
| You love an idiot. | ||
| How many times have I told you? | ||
| This has been a dozen times. | ||
| This guy's retarded. | ||
| This girl's crazy. | ||
| I'm like, we gotta get away from him. | ||
| This guy's gonna fucking take you to jail. | ||
| What are you doing? | ||
| You and I will both tell him about the same guy. | ||
| Oh, you don't over and over. | ||
| Hold on. | ||
| You don't know the same guy I know. | ||
| See, I know Brian Callen. | ||
| No, you do not. | ||
| I know Brian Callen from 1994. Which was a totally different crazy person. | ||
| Brian Callen from 1994. 28 years old. | ||
| Rock car dick. | ||
| You know how you have those goggles that people wear when they go swimming and they're doing laps in the pool? | ||
| Yes. | ||
| Imagine if you took those and you painted black around everything except like a pencil eraser in the center of each one of those and that's how you looked at the world. | ||
| That's how Brian would navigate life. | ||
| Just girls. | ||
| Girls and retarded friends. | ||
| And idiots. | ||
| Are you an idiot? | ||
| You a girl? | ||
| And good food. | ||
| When you'd have these friends and I'd meet these guys, I'd be like, oh yeah, hey, nice to meet you. | ||
| Come here. | ||
| You gotta get the fuck away from this guy. | ||
| What are you doing? | ||
|
unidentified
|
Why are you hanging out? | |
| But throw in two dogs and parents and parents and moving girls and books. | ||
| I'd read all kinds of crazy shit. | ||
| I'd come over his house and he's got no doorknob. | ||
| Okay? | ||
| First of all, he has no doorknob. | ||
| He lives in Venice Beach. | ||
| He's got no doorknob. | ||
| I walk in his house. | ||
| He's got a book sitting on the table and it's like a Jack Kerouac book. | ||
| I'm like, you're not reading that book. | ||
| You want girls to think you're reading that book. | ||
| Well, I called you. | ||
| I called him up. | ||
| I go, dude, I'm laying books. | ||
| There was this girl who went to Princeton. | ||
| She was fucking really smart. | ||
| And I called Joe. | ||
| I go, I have to call you because you need to know that I'm a fraud. | ||
| But if I tell you I'm a fraud, I'm not a fraud. | ||
| So I go, bro, I'm laying books out about around my fucking place. | ||
| So the girl thinks I read and I'm keeping, I'm opening the page I was like, but the fact that I'm telling my best friend that I'm doing that, it means I'm not a fraud. | ||
| I'm lying, but I'm not lying to you. | ||
| That's the rule. | ||
| This is a true statement, but the chronology is broken. | ||
| I had informed him first that he was a fraud with his books on the coffee table, and I knew it, and he denied it, and then admitted it, and then called me. | ||
|
unidentified
|
All right. | |
| That's the actual... | ||
| See, there you go. | ||
| I don't know about that. | ||
| It's 100% true. | ||
| Yeah. | ||
| But... | ||
| You did come clean. | ||
| Eventually. | ||
| You have to come clean. | ||
| You cannot lie to your friends. | ||
| Your friends have to know who you are, man. | ||
| But isn't that funny? | ||
| Being a guy who is secretly deep is attractive somehow to the genetics of a woman who's searching for a man with character because the guy who's secretly deep who can deal with shit, maybe gets up in the morning, sets his alarm clock at 4am and goes running up a hill, that guy can understand what it's like to overcome pressure. | ||
| And that's appealing to women's genetics. | ||
| Yes. | ||
| Because they know that this whole supermarket, highway thing, this ain't gonna last. | ||
| No, shit hits the fan. | ||
| This is great for like a small, brief window of history, but there's a thing called a supervolcano. | ||
|
unidentified
|
Yeah. | |
| Yes. | ||
| And it's sitting in Yellowstone National Park. | ||
| And it's a continent killer. | ||
| And every six to eight hundred thousand years, it fucking explodes. | ||
| And everything dies. | ||
| And the earth gets cool. | ||
| Because it goes into nuclear winter. | ||
| And the last time it happened was eight hundred thousand years ago. | ||
| And it's fucking coming. | ||
| Any day now. | ||
| You better enjoy this. | ||
| Yeah. | ||
| Enjoy this. | ||
| So fuck the muscular guys that wake up in the morning. | ||
|
unidentified
|
Be ready. | |
| Listen, you don't understand what you're doing. | ||
| Be ready for what? | ||
|
unidentified
|
For the fucking volcano and lava, you pussy. | |
| And I hunt. | ||
| You stay behind me once again. | ||
| There's no ready. | ||
| And I'll find the fucking food. | ||
| This is what I think. | ||
| You can't control your breathing. | ||
| We're gonna starve. | ||
| The universe is just as content with us being hit by a fucking asteroid and being knocked back down to single-celled organisms as it is us succeeding and figuring out a way to get to Mars. | ||
| The universe is just as happy with either result. | ||
| You can find all this paperwork in that fucking Air Force Base in Laurel Canyon. | ||
|
unidentified
|
You're talking about Mr. Leto's place! | |
| You're talking about Mr. Leto! | ||
| Look into it! | ||
| Look into it! | ||
| I am going to. | ||
| There can be no doubt that the government has tried to manipulate the consciousness of the population. | ||
| It can be no doubt. | ||
| Boom. | ||
| Power over people. | ||
| You should do it, and Nixon was a fucking total sneaky piece of shit. | ||
| I mean, that's what Nixon's whole... | ||
| Look, they've proven that Nixon's war on drugs is about controlling the civil rights movement and controlling the anti-war movement. | ||
| It's 100% been proven. | ||
| It's one of the things that's being discussed right now in mainstream newspapers and mainstream magazines. | ||
| The reason why they went after marijuana and mushrooms and LSD is because they wanted to silence the anti-war people and the civil rights people. | ||
| Period. | ||
| Boom. | ||
| But they didn't create the doors. | ||
| No. | ||
| But they did, but they didn't mean to. | ||
| Here's the thing. | ||
| You can't engineer beautiful creativity. | ||
| Don't you love her badly? | ||
| You can't do that. | ||
| You can't do that. | ||
| that ready you're you're a brilliant creative guy and And one of the reasons why you're brilliant and creative is because you were repressed as a child. | ||
| You encountered a lot of stress and bullshit and a lot of people that were counting against you. | ||
| They were rooting against you, and you figured out a way to rise through that and figure your way through this maze of life on your own. | ||
| And it's because of that pressure that created this creativity, in my opinion. | ||
| I mean, I might be wrong. | ||
| You like the doors of jiu-jitsu. | ||
| But I think that's the same thing that happens to a lot of guys, whether it's Kurt Cobain or Jimi Hendrix or Jim Morrison. | ||
| I think... | ||
| You deal with the wrong, you see the wrong thing. | ||
| You see a dad who's an alcoholic or who beats his mom and this fucking chaos and the house gets repossessed and you see all the flaws of the people before you. | ||
| And oftentimes the most together people are the people that grew up with parents that weren't together. | ||
| Because they realize, whoa, I gotta realize what these people are doing wrong and I gotta get it right myself. | ||
| So when you see a guy like Jim Morrison who's this fucking brilliant freak who came out of nowhere, if you really look at musical history, but this is what I'm saying. | ||
| If you look at musical history, like the 1950s were like the doorway to this rock and roll thing. | ||
| Like Elvis came through and Jerry Lee Lewis and there was Chuck Berry. | ||
| But there's all this weird music came through and then the Beatles and then there was these rock Fuck motherfuckers. | ||
| And there was all these drugs that are involved. | ||
| And there's also the war. | ||
| And everybody's trying to get the fuck away from the war. | ||
| And the civil rights movement. | ||
| And the civil rights movement. | ||
| Black people hadn't been able to vote. | ||
| In 1964 was when they were granted the right to vote. | ||
| Think about that. | ||
| 1964. It has all the elements of a classic suppression and response to the suppression creative outburst. | ||
| And that creative outburst is one of the most beautiful, artistic accomplishments of the human race. | ||
| If you look at the 1960s, look at the Beatles, you look at the Led Zeppelin, look at the Doors, look at the Who, look at the music of the 60s, look at... | ||
| Jefferson Starship. | ||
| Oh my god. | ||
| No one's no one's writing great music on antidepressants. | ||
| It's not happening. | ||
| All I'm saying is I don't know what the fuck's going on. | ||
| All I'm saying if it's true, if it might not even be true, if it's true that all those bands came from Laurel Canyon and they were all kids of Air Force intelligence officers, that's fucking weak. | ||
| Maybe that's what they related on. | ||
| Yeah, but you don't understand that the parents would be busy at work. | ||
| They don't even have time to spend time with their fucking kids. | ||
| They love their kids, Joe. | ||
| The kids eventually wind up being drug addicts. | ||
| They go to school, they smoke cigarettes, they hang out with the cool kids, they go hang out by the fucking auto shop, and they learn how to fix tires. | ||
| None of them got drafted. | ||
| Well, without a doubt, the parents would use their influence to keep their children from being drafted. | ||
|
unidentified
|
Of course. | |
| It's happened throughout history. | ||
| Who wouldn't, though? | ||
| And coincidentally, they become rock stars. | ||
| And coincidentally, they become rock stars. | ||
| That's a coincidence? | ||
| But you're assuming the most preposterous thing, Eddie. | ||
| Eddie, you're assuming the most preposterous thing. | ||
| You're assuming that the most creative, beautiful moment in music history, arguably, the 1960s, was created by retards so fucking stupid that got a job at the government. | ||
| Yeah, correct. | ||
| How dare you. | ||
| I'm not saying shit. | ||
| I'm just saying it's weird. | ||
| It's so far-fetched. | ||
| It's not fucking weird, Eddie. | ||
| It's obvious. | ||
|
unidentified
|
Isn't that weird? | |
| There's suppression. | ||
| Don't you recognize... | ||
| It's weird, dude. | ||
| It's fucking weird. | ||
| Eddie, Eddie. | ||
| Do you not recognize the pressure? | ||
| Top secret Air Force intelligence base making propaganda films in Laurel Kang and all those bands. | ||
| You can name them all. | ||
| The Doors, The Eagles, Linda Ronstadt, all of them. | ||
| They were all kids. | ||
| Let me ask you this. | ||
| Let me ask you this. | ||
| The people that work there. | ||
| That's weird shit! | ||
| What would be the benefit the government would have when making awesome music like The Doors music? | ||
| Besides being awesome? | ||
| I don't know. | ||
| I don't know. | ||
| You tell me. | ||
|
unidentified
|
The government doesn't have a music department. | |
| Jim Morrison's father orchestrated the Gulf of Tonkin. | ||
| What about your dad? | ||
| What about my dad? | ||
| I don't even talk to that fucking dude. | ||
| Exactly. | ||
| My dad didn't orchestrate nothing. | ||
| That's what I'm talking about. | ||
| That's what I'm talking about. | ||
| Both of us don't even talk to our dads. | ||
| Why the fuck would you assume that Jim Morrison talked to his dad? | ||
| I would assume that Jim Morrison is such a bad motherfucker. | ||
| He was close to his father. | ||
| Oh, come on. | ||
| If you're close to your dad, you don't do acid. | ||
| You don't pull your dick out of Miami and get arrested. | ||
| It's a legit point. | ||
| Guys with good dads don't pull their dicks out. | ||
| Damn it, you guys. | ||
| This podcast is out of fucking control. | ||
| And these antlers have fur on them. | ||
| It's in control. | ||
| And that's velvet. | ||
|
unidentified
|
Velvet! | |
| I hated the door. | ||
| That's a mule deer. | ||
| It's velvet. | ||
| That's a nice fucking mule deer. | ||
|
unidentified
|
Thank you very much. | |
| Hey, are we gonna shoot some mule deer with my bow? | ||
| No, there's no way you're doing anything by that time unless you get some serious practice. | ||
| I don't think you understand how difficult it is even to hit a target. | ||
| You just said how great he is. | ||
| I'm getting my bow fixed. | ||
| I gotta pee. | ||
| I did not. | ||
| Certainly did not. | ||
| He's never even shot an arrow. | ||
| He came over my house once. | ||
| He couldn't pull my bow back. | ||
| Hey, that's bullshit. | ||
| I wasn't there. | ||
| You tell the truth. | ||
| What happened? | ||
| I had a fucking trick. | ||
| I have a trick shoulder. | ||
| Shoulders jacked. | ||
| Fuck that 90 pound bow. | ||
| I got a 60 pound bow. | ||
| He hasn't pulled a bow back yet, but we have to... | ||
| It's not ethical at this stage, because we're talking about going out in August, and right now it's almost June. | ||
| Do you think you'll ever progress? | ||
| Do you think you're killing because you started small with little birds and shit? | ||
| Do you think you'll ever get to the... | ||
| Now you're bears and shit. | ||
| Rhinos. | ||
| Why not killer whales? | ||
| First of all, a killer whale, you don't eat them, and they're intelligent. | ||
| I don't want to eat smart shit. | ||
| Bears are very smart. | ||
| They're smart compared to what? | ||
| They know to eat their babies because their babies are going to come back to hunt them later. | ||
| So that's how smart they are. | ||
| That's like FBI shit right there. | ||
| That's not intelligence. | ||
| That's not intelligence. | ||
| That's not vision, bro. | ||
| That's not vision. | ||
| I'm not mad at that argument. | ||
| Yeah, come on. | ||
| That's like this motherfucker. | ||
| He's a little baby right now. | ||
| Right now. | ||
| But he's going to grow up really quick. | ||
| He's smart. | ||
| And this motherfucker's going to try to fuck my shit up. | ||
| I better eat him while he's a little baby. | ||
| After a while you learn that shit in the wild. | ||
| That's the law of the fucking wilderness. | ||
| That's not why they kill each other. | ||
| They kill their babies because it brings the female back in the heat so they can fuck them. | ||
| That's another good reason. | ||
| I like that. | ||
| So what happens is the female will have a cub and then they'll go into their den and they'll hibernate in their den and they come out in the spring and the male will be horny but the female's like, I already have babies, fuck you. | ||
| And so the male eats the veggies. | ||
|
unidentified
|
Typical. | |
| Not anymore. | ||
| Typical. | ||
| That's like the same old shit. | ||
| Species, the species, the species is the same shit. | ||
| Whoa, he got crazy. | ||
|
unidentified
|
I'm kidding. | |
| I'm just playing. | ||
| Scared the fuck out of me. | ||
|
unidentified
|
You know what I'm talking about! | |
| That's some bullshit! | ||
| I gotta pee. | ||
| Hold on, you guys talk about yourself. | ||
| Whoa, you're taking a piss for the first time. | ||
| I've been lost like four hours in, man. | ||
|
unidentified
|
Yes! | |
| 10-20. | ||
| It's a piss marathon. | ||
| It's 4-20? | ||
| 10-20. | ||
| Oh my god. | ||
| My wife's gonna kill me. | ||
| Okay, someone keep the podcast going. | ||
| Okay, let me do some doors here. | ||
| Okay, ladies and gentlemen. | ||
| Jim Morrison. | ||
| I walk away for a second. | ||
| He starts texting people. | ||
| This is a goddamn podcast going on. | ||
| Brian, show me how badass you want to be. | ||
| Do some of your... | ||
| You want to be a fucking warrior. | ||
| Show me... | ||
| Tell me, Brian, I hear you want to be a warrior. | ||
| Tell me how bad you want to be a fucking warrior. | ||
| Tell me how bad you want it. | ||
| You want it bad? | ||
| Dude, I fucking practice sidekick until I start coming off the ground. | ||
| That's what I heard. | ||
| Can I be honest? | ||
| I'm not trying to be a dick. | ||
| My jab, to practice my jab, I catch birds out of the air. | ||
| I know it sounds weird, but I do. | ||
| Eddie, I hate to be a dick, but the other day, Brian was telling me how he thinks the whole 9-11 thing is just, he thinks you're full of shit. | ||
| Of course, he's on that side. | ||
| He's on that side. | ||
| I love Eddie. | ||
| You know I love Eddie. | ||
| No matter what? | ||
| I like Eddie so much that I never argue with him. | ||
| No matter what? | ||
| There's no way I'm going to argue with him. | ||
| I don't argue because I like Eddie too much. | ||
| I don't argue. | ||
| How many times have I said that on our podcast? | ||
| I go, even when he goes into his... | ||
| No, because I like him too much. | ||
| I don't care. | ||
| I would love to believe the government and everything they say, too. | ||
| I would fucking love that. | ||
| No, I don't believe everything they say. | ||
|
unidentified
|
No, no, no. | |
| I'm talking about Brian. | ||
| He believes everything they say. | ||
| No, I don't think he does. | ||
| No, no. | ||
| Brian, you don't believe everything the government says. | ||
| Tell me one big incident, one tragic incident. | ||
| He said he doesn't trust them. | ||
| No, he totally does, because he trusts everything about 9-11, and there's holes everywhere. | ||
| So if you trust watching Tower 7 completely free fall on video from five different angles, and you believe the government eight years later when they finally came out and they said, Oh, I got too hot. | ||
| Yeah. | ||
| You believe that shit, you're on that side. | ||
| That's the litmus test. | ||
| There's nothing you can say to those guys. | ||
| Nothing. | ||
| I give up. | ||
| That's why I go to Tower 7. I go, do you believe Tower 7 collapsed at free-fall speed because it got hot? | ||
| If they say yes, then I'm done. | ||
| I'm done. | ||
| Well, that doesn't mean he believes all government. | ||
| No, no, no. | ||
| If you believe that, that's the worst one. | ||
| It's on video, five different angles. | ||
| There's many on video demolition experts looking at this and saying... | ||
| There are a lot of demolition experts that don't agree with that. | ||
| No, but... | ||
| You don't have any video? | ||
| Scientific American did an amazing debunking all of your theories there. | ||
| So you believe Tower 7 collapsed at free-fall speed because it got too hot? | ||
| I don't know anything about that. | ||
| I know nothing about that stuff. | ||
| Let me educate you a little bit. | ||
| When they had a press conference with NIST, the National Institute of Standard and Technology, they're the ones that came out and explained what happened to Tower 7. When they asked them, did you guys check for explosives? | ||
| Why didn't you check for explosives? | ||
| It's really simple. | ||
| It's like kindergarten shit. | ||
| When they asked the head of NIST, why didn't you check for explosives? | ||
| For explosives. | ||
| Why didn't you test for explosives on Tower 7? | ||
| They said there was no reason to. | ||
| There was no testimonial. | ||
| There was no witnesses. | ||
| Meanwhile, there's about an hour of witnesses, firemen, policemen, saying, Bombs went off! | ||
| Bombs went off! | ||
| There's video of bombs going off! | ||
| Bombs went off! | ||
|
unidentified
|
Bombs! | |
| And the guy said... | ||
| We didn't check for bombs because there was no eyewitness testimony. | ||
| What about that, Brian? | ||
| Who flew those planes in the building? | ||
| Exactly. | ||
| That's what I'm saying. | ||
| Was it remote control? | ||
| There's nothing anybody can say. | ||
| It was remote control? | ||
| There's nothing I can say to you. | ||
| There's nothing I can say. | ||
| I provided complete video evidence for you. | ||
| I broke it down for you. | ||
| Here's the problem. | ||
| And you're still saying... | ||
| That's still not enough. | ||
| There's nothing I can say to you. | ||
| How much? | ||
| Nothing. | ||
| I haven't said anything. | ||
| I've said nothing to you. | ||
| What else do you mean? | ||
| There's nothing. | ||
| Let me play devil's advocate momentarily. | ||
| I'm saying nothing. | ||
| Let me play devil's advocate momentarily. | ||
| When you look at Tower 7, it clearly looks like a controlled demolition, right? | ||
| It looks like the way it implodes. | ||
| I haven't seen it so long. | ||
| It falls into its base. | ||
| It looks like a controlled demolition. | ||
| Is it possible that you could get a diesel fire in a building where the fuel burns so hot that it fucks up all of the supporting beams to this building and it all just gives out and pancakes on each other? | ||
| I'm not a structural engineer, so I don't know. | ||
| That's what I'm saying. | ||
| I don't understand it. | ||
| There's 100,000 architects and engineers in the association and one by one it was like 200, then it was 1,500, then it was 2,000. | ||
| You're wrong about that. | ||
| No, no, it's true. | ||
| That they denied that? | ||
| You're simply wrong. | ||
|
unidentified
|
Hold on, hold on. | |
| Let's watch it. | ||
| Let's watch it. | ||
| Buyers made the building do that? | ||
| I don't know, Eddie. | ||
| I don't know, Eddie. | ||
| That's crazy. | ||
| You're not all over that. | ||
| You don't trust the government. | ||
| You think the government are criminals. | ||
| Eddie's swaying me. | ||
| But, but, you don't think that's fucking fishy? | ||
| A detective would be all over that like a fuck, like flies on shit. | ||
| Let me tell you something. | ||
| If that was my building, I'd want my fucking money back. | ||
|
unidentified
|
Me too. | |
| That shit crumbled. | ||
| To me, that tells me there's some kind of hypnosis going on. | ||
| Eddie, who threw it? | ||
| Who flew his buildings in there? | ||
| No, no, no. | ||
| Did you know that? | ||
| A plane didn't go into that building. | ||
| A plane didn't go into that. | ||
| No plane. | ||
| There was three that went down, but the third one wasn't reported on because they knew the majority of the people, like you, real smart, would not even... | ||
| I like how he said real smart after he just shit on you. | ||
| Yeah, he did shit on you. | ||
| Eddie is swaying the fuck out of me, though. | ||
|
unidentified
|
Come on. | |
| Three buildings... | ||
|
unidentified
|
He swaying you? | |
| Listen, listen, listen. | ||
| Three buildings went down. | ||
| Two of them got hit by a plane. | ||
| One didn't. | ||
| A detective would be so... | ||
| Lawyers would be all over that shit. | ||
| And you don't trust the government. | ||
| You believe the government are criminals. | ||
| But yet you got their back on this. | ||
|
unidentified
|
That's scarier than the actual tower dropping at Free Fall Speed. | |
| But Eddie, here's the problem. | ||
| How is that possible? | ||
| But Eddie, here's the problem. | ||
| None of us really understand structural engineering. | ||
| I don't understand what happens when people are firing it. | ||
| Exactly, but when you hear guys that do, one by one, when you see... | ||
| But not all of them. | ||
| They're only the ones who are engineers and architects for truth. | ||
| They're all bought off, dude. | ||
| If you just look at it... | ||
| Scientific Americans bought off? | ||
| When you look at what's going on, like when people look at what trends are going on, this is the trend that's going on. | ||
| The trend is that there's a hundred thousand architects and engineers in the association, and bit by bit it's growing and growing, because you know what? | ||
| The guy that's the head of all that, he's sitting down... | ||
| Wait a minute, wait a minute. | ||
| What are you saying? | ||
| There's 100,000 architects and engineers in 9/11 Architects and Engineers for Truth? | ||
| No, no, no, no. | ||
| In some clubs? | ||
| In the Association of Architects and Engineers, there's a national association. | ||
| There's a hundred thousand of them. | ||
| Well, and twenty five hundred plus. | ||
| No, no, no, no. | ||
| That's different. | ||
| A hundred thousand in the whole association, not including 9-11. | ||
| They don't give a fuck. | ||
| I know. | ||
| I'm saying it says twenty five hundred think. | ||
| No, but is it twenty? | ||
| Because Joe Rogan had to take a piss and I was lost. | ||
| Look, Brendan. | ||
| You're a smart man. | ||
| It's the same thing. | ||
| Hey, Brendan. | ||
| I don't know, man. | ||
| It's the same thing. | ||
| It's the same thing that we were talking about before. | ||
| It's the same thing. | ||
| It's the same thing in everything. | ||
| It's the exact same thing. | ||
| You could look at it like, hey, let me ask some questions. | ||
| Out of the 100,000, did these 2,500 come from the 100,000 being shown, the evidence, and only 2,500 believe it? | ||
| Or were only 2,500 shown? | ||
| Does that make a difference? | ||
| Does that make a difference in your... | ||
| Of course it does. | ||
| So the reality is, the 100,000 don't even know, most of them don't even know three towers went down. | ||
| These are architects, engineers that didn't even look into it. | ||
| So one by one, one by one, it's growing and growing because 15 at a time, they're getting 15 at a time. | ||
| They're showing them the evidence and they're going, holy shit, these motherfuckers were brought down. | ||
| That's what's going on. | ||
| It's not what's going on. | ||
| Eddie, anybody examining the evidence is going to know three towers went down. | ||
| Everybody knows three towers went down. | ||
| Most people don't know three towers went down! | ||
| No, when you're talking about architects and engineers, you don't think the predominant group of... | ||
| If you looked at a million architects and engineers, you don't think that like 999,999 would fucking know that Tower 7 was brought down with Tower 1 and Tower 2? | ||
| Can I talk? | ||
| Just because... | ||
| It's like I just dominated the conversation. | ||
| Can I go? | ||
| Oh my god. | ||
| What did I just say? | ||
| Does that make sense? | ||
| Just because you're an architect and an engineer and you're registered in the association, just because you're an architect... | ||
| Or an engineer, and you're registered in the association, doesn't mean you're privy to extra knowledge on 9-1-1. | ||
| Because the overall knowledge of 9-11 is most people don't know three towers went down. | ||
| That's an actual fact. | ||
| We agree, Eddie. | ||
| These architects and engineers don't even know. | ||
| But when they get sit down, all of them, 100% when they get sit down, I know the guy, I had him on my podcast, he's the head of all this shit. | ||
| Every one of them goes, oh shit, we've been honeydicked. | ||
| That's what's going on. | ||
|
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Honeydicked? | |
| We're 9-11. | ||
| 9-11. | ||
| Goddamn, Eddie. | ||
| Okay. | ||
| You saw Tower 7 go down like that. | ||
| But hold on a second. | ||
| You saw it. | ||
| The architects and the engineers don't know about Tower 7, but you do. | ||
| No, of course, because they didn't look into it. | ||
| They're normal people. | ||
|
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You think just because you're an architect and engineer, you're going to get an email. | |
| You're going to get an email. | ||
| Most people don't know, even today, they don't even know about three times. | ||
| So you think they're going to get an email? | ||
| You're going to get an email? | ||
| They're not researching it. | ||
| The ones that did find out easy. | ||
| If you're an architect or an engineer and you've passed through some sort of architectural course and I assume you got some sort of a master's degree in engineering and someone asks you to commentate on one of the most historic attacks in human civilization ever. | ||
| I'm going to do some research. | ||
| You're going to do some research. | ||
| And you're going to look at all the different buildings that fell. | ||
| Come on. | ||
| We're talking about real shit. | ||
| Eddie, 100%. | ||
| If you ask them to examine what happened to Tower 7, they're going to look at Tower 7. If you think they're going to talk to them about 9-11 and not bring up Tower 7, that's crazy. | ||
| Most don't know about it. | ||
| They don't know about it. | ||
| They can research it. | ||
| They can research it, but they don't. | ||
| Nobody covered it up, Eddie. | ||
| Nobody covered it up. | ||
|
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You don't get to that level, Eddie, without researching shit like that. | |
| When they sit them down... | ||
| It's not covering up. | ||
| It's just there's so much going on that day that Tower 7 seemed less important in comparison to Tower 1 and Tower 2, which were both hit by planes. | ||
| And more deaths. | ||
| But whatever it was, it didn't, whether it was an intentional cover-up, Tower 7, or it was a cover-up because there was so much hoopla, most people don't know about it because this is what's going on. | ||
| But so what? | ||
| So what? | ||
| Richard Gage is the guy. | ||
| Eddie, why would you think that architects don't know? | ||
| Why would you think that engineers don't know that building? | ||
|
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I don't know what they don't, but what we do know. | |
| You don't know, I don't know, but what we do know is when they sit them down, they say, oh shit, I didn't know there was a third. | ||
| Maybe. | ||
| No, Eddie, come on, man. | ||
| Most of them. | ||
| Come on, man, that's not true. | ||
| You don't know that that's true. | ||
| That's what Richard Gaines shows. | ||
| You're getting so crazy about this. | ||
| You're getting so emotional. | ||
| We're not involved in this. | ||
| It's not a part of our lives. | ||
| And you don't know what they knew before they looked at it. | ||
| You want to think the Tower 7 collapsed because it got hot? | ||
| Go for it. | ||
| Do you think that's what I think? | ||
|
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No, I don't know. | |
| Do you think that's what I want? | ||
| I don't know. | ||
| I don't want to make a conclusion without having any facts. | ||
| When I look at Tower 7, I say, Eddie, not true. | ||
| Expert testimonial, it can be used in court. | ||
| There's plenty of expert testimonial. | ||
| What does that mean? | ||
| That kind of shit can be used in court to prove a case, and there's plenty of expert testimonial on video about 9-11. | ||
| But you know, there's also expert testimonial that the diesel fuel from the tanks in the basement... | ||
| Show me the... | ||
| Show me the other shit. | ||
| You say that it is, but there isn't. | ||
| Show me the... | ||
| How many architects... | ||
| Send me a link after this. | ||
| Telling me. | ||
| Send me a link. | ||
| You guys don't even know about no link. | ||
| You wouldn't even know where to go like that. | ||
| But I can send you links that can crush your shit. | ||
| Right now. | ||
| We're crushing each other. | ||
| You're talking about some links that don't exist. | ||
|
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You're talking about proof. | |
| We should take this time to address all the nerds out there that feel disenfranchised, but all this violent testosterone-induced yelling and screaming. | ||
| We love you too. | ||
| We all love each other. | ||
| We love everybody. | ||
| Brian, you didn't say a word. | ||
| You don't have a dog in this fight. | ||
| Brian has some thoughts on this. | ||
| I won't get involved. | ||
| No, just wrap it up for us. | ||
| End it here. | ||
| I just think it's amazing that Eddie has the inside scoop when every major publication from The Guardian from the New York Times To Lawrence Wright who won a Pulitzer Prize winning book called The Looming Tower that actually traced this... | ||
| Don't you fucking quote people, you son of a bitch. | ||
| To, I mean, Time Magazine, Newsweek. | ||
| I mean, they've all been bought off by the Illuminati or the government. | ||
| And Eddie's YouTube and his inside scoop... | ||
|
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|
has the truth and all the rest of us are fucking wrong! | |
| I want to thank Eddie for being who the fuck he is because he's a national treasure and I fucking love the guy. | ||
| I love you too. | ||
| I love him. | ||
| Eddie's a good person. | ||
| You know what? | ||
| Listen, I want to fucking get on that government side. | ||
| I want to get on that government side. | ||
| Please let me in this motherfucker. | ||
| You and I don't like the government. | ||
| You give them too much credit. | ||
| Guys, you've got to stop talking over each other. | ||
| I'm going to get into the Illuminati one of these days, and I'm going to make a false flag directly for you. | ||
| I want it, brother. | ||
| And you're going to believe all that shit. | ||
| I want it. | ||
| Oh, I'm going to make it for you. | ||
| Listen, that's definitely going to happen. | ||
| Glad we're talking about it. | ||
| That's totally not a waste of time. | ||
|
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No, not at all. | |
| I'm going to make it happen. | ||
|
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|
Watch. | |
| I got it. | ||
| Eddie Brab is a national treasure. | ||
| I already have it in my head. | ||
| I just want you to not give the government so much credit. | ||
| They're not that organized. | ||
| There's also a real benefit. | ||
| They're too dumb. | ||
| They couldn't do it. | ||
| There's a real benefit to not getting emotional and yelling about things that you're not exactly sure about. | ||
| And when we talk about these things, it's a better approach to step back and go, what are the possibilities? | ||
| How much do I have invested in one particular argument that I've already The only reason I go to Tower 7 is because that's the most obvious one. | ||
| That's the litmus test. | ||
| That's the most obvious one. | ||
| It's fucking curious for sure, but it's not obvious because neither you nor I is an architect or an engineer. | ||
| It's obvious that it looks like a controlled demolition. | ||
| It's not obvious why it fell apart. | ||
| I don't understand it. | ||
| A jury is not an expert. | ||
| So when a jury sits in and they listen to expert testimony, there is expert testimony. | ||
| Your YouTube research is tough, man. | ||
| That's why I was talking to you. | ||
| You know, there's people out there that believe crazy shit. | ||
| Have you ever listened to people that say crazy shit? | ||
| I ride the middle, man. | ||
| A fucking 47-story skyscraper collapses at free-fall speed, and you're gonna believe fire fucking did that shit? | ||
| Is the earth flat? | ||
| No. | ||
| It's fucking round. | ||
| It's like a pear, right? | ||
| Isn't that what Tyson McGrassi says? | ||
|
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|
McGrassi? | |
| God damn it, Eddie. | ||
|
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|
You had me until Degrassi. | |
| Didn't he say it was a pear? | ||
| Is the earth flat, ladies and gentlemen? | ||
| Eddie, there's no evidence that the earth is flat, but you know what there is evidences? | ||
| There's pure... | ||
| Evidence all over the place that NASA is posting CGI pictures everywhere of Earth. | ||
|
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|
Come on, it's all CGI. Is that crazy? | |
| Game of Thrones is on tonight. | ||
| I gotta go. | ||
| Seriously, so you don't think... | ||
| Eddie, the Earth is round. | ||
| No, no, I'm not talking about the Earth is round. | ||
| It's so round. | ||
| It's so round. | ||
| I'm talking about that, but I'm talking about pictures... | ||
| You know, NASA's trolling. | ||
| They have a Snapchat account, and just like girls, Joe Rogan's flat Earth denial. | ||
| Please. | ||
| Don't. | ||
| You just hooked him up. | ||
| Don't hook that guy up. | ||
| I never said the Earth was flat. | ||
| I am saying it's not flat. | ||
| People are mad at me for saying it's not flat. | ||
| Really? | ||
| BJ Penn apparently thinks the Earth is flat. | ||
| Oh, no. | ||
| Tila Tequila retweeted her the other day, thinks the Earth is, in fact, flat. | ||
| Tila Tequila? | ||
| She's so smart. | ||
| I love Tila. | ||
| Fuck, man. | ||
| Seems like a fun gal. | ||
| Earth's flat. | ||
| A lot of people think the Earth's flat. | ||
| Hey, listen. | ||
| I don't know what you're feeling anymore. | ||
| You can't be my friend if she's this flat. | ||
| Do you believe we went to the moon six times and back? | ||
| Yes. | ||
| Do you believe we went to the moon six times and back? | ||
| Of course you do. | ||
| Do you believe we went to the moon six times and back? | ||
| He goes, of course you do. | ||
|
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|
Do you? | |
| We did? | ||
| You don't know? | ||
| You're on the fence? | ||
| He's from Ohio. | ||
| You don't know? | ||
| What about you? | ||
| For sure we went. | ||
|
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|
For sure we went. | |
| We for sure went to the moon. | ||
| It wasn't a stage. | ||
| I'm not going to debate it. | ||
| I just want to know where you guys are at. | ||
| I want to know where you got your research. | ||
| Listen, man, here's 100%. | ||
| I don't believe for one motherfucking second we went to the fucking moon six goddamn times and back. | ||
| And we can't do it now? | ||
| We can't do it now? | ||
| We can't do it now? | ||
|
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|
No! | |
| NASA says we can't do it. | ||
| We got to figure out how to get through the... | ||
| Van Allen radiation belts. | ||
| Wait a minute. | ||
| No, that's what they said. | ||
| They're on record. | ||
| There's videos of it. | ||
| They're on record saying that. | ||
| We're going to get to the moon. | ||
| We're going to get to the moon as soon as we figure out how to get three things. | ||
| Three things they've got to figure out. | ||
| They've already said it. | ||
| They've already admitted it. | ||
| They've got to figure out how to get to the Van Allen radiation belts. | ||
| They admitted that. | ||
| Once they figure that out, Then they could have a man mission in the moon. | ||
| Wait a minute, didn't we go six times in the 60s? | ||
| Conditions change! | ||
| Conditions change! | ||
|
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|
Have you ever seen gravity? | |
| Okay, beautiful, beautiful. | ||
| And then the next thing they said, they gotta figure out the right uniform to handle that kind of radiation. | ||
| They haven't figured out the right space suit. | ||
| Good night, America. | ||
| Good night, everybody. | ||
| Good night, world. | ||
| I'm converting. | ||
| We love you. | ||
| From Young Jamie. | ||
| I never said that. | ||
| From Brendan Shaw. | ||
| I'm just saying. | ||
| We didn't go to the goddamn moon. | ||
| We didn't go to the goddamn moon. | ||
| We sure went to the moon. | ||
| We went to the fucking moon. | ||
|
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|
Good night, everybody. | |
| Everybody in this room. | ||
| I love everybody in this room. | ||
| Say good night. | ||
| Everybody, please say good night. | ||
| We're wrapping this bitch up. | ||
| Yeah! | ||
| Game of Thrones, motherfuckers! | ||
| Congratulations. | ||
| They fell so smoothly. | ||
| Unlike any other government agency, you guys got this shit down. | ||
|
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You figured out a way how to manipulate media. | |
| You figured out a way how to create Jim Morrison, who's obviously one of the greatest musicians of all time. | ||
| You've done an amazing job. | ||
| And congratulations on Tower 7. I mean, the fucking thing felt like butter. | ||
| You guys are wizards. | ||
| That's not odd, motherfucker. | ||
| There's a way... | ||
| There's a way, and whatever way that is, you guys, you got it. |
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