Sept. 20, 2014 - The Joe Rogan Experience
02:58:21
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| Speaker | Time | Text |
|---|---|---|
| Yeah! | ||
| What's up, everybody? | ||
| This is... | ||
| Today is... | ||
| What is this? | ||
| The 18th? | ||
| 19th? | ||
| What is it? | ||
| The 20th. | ||
| 20th of September. | ||
| 20th now. | ||
| It's really the 19th for everybody that's paying attention. | ||
| It says September 20th, but it's really Friday night. | ||
| It's Friday night at midnight. | ||
| And this is a live fight companion podcast. | ||
| Brian Callen's supposed to be here, but of course he's fucking late. | ||
| Brendan Schott's here. | ||
|
unidentified
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Holla! | |
| Big Brown's in the house! | ||
| And of course my brother Edgy Bra is here. | ||
| Oh shit. | ||
| Eddie Bravo in the house. | ||
| And we're just looking at the blank screen right now while Mark Hunt is going to face Roy Big Motherfucking Country Nelson tonight. | ||
|
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Oh shit. | |
| Yeah, we can get some of that in there, too. | ||
| We might not be able to smoke weed with Brendan Schaub in the room, though. | ||
| I'll just hold my breath. | ||
| December 6th. | ||
| Hmm, what's today? | ||
| We have some time. | ||
| About 13 weeks. | ||
| I'll just hold my breath. | ||
| Can you do that? | ||
| Are you good at holding your breath? | ||
| I know you have awesome cardio. | ||
| I'm like a fish. | ||
| We're good. | ||
|
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I'll just suck on this coffee all night. | |
| Real quick, usually go to bed at 11, sip tea. | ||
| Usually in bed by 11, sipping tea, guys. | ||
| Are you really? | ||
| Yeah. | ||
| 11 p.m.? | ||
| 11, every night. | ||
| Wow. | ||
| Are you training tomorrow? | ||
| No. | ||
| I trained twice today because I knew tonight's going to be a doozy. | ||
| When you schedule, when you ramp up for a fight, so you're fighting in December 6th, when you're ramping up the train. | ||
| Oh shit, where's that? | ||
| The cards are Beast, Vegas, Mandalay Bay. | ||
| Two title fights, then my fight, Travis Brown. | ||
| That's Vitor and Weidman too, huh? | ||
| And Showtime and Melendez. | ||
| Oh shit. | ||
| And then us, big one. | ||
| Good lord. | ||
| Any chicks fighting? | ||
| Not yet. | ||
| Not that I know of. | ||
| I don't watch UFCs unless there's a chick fighting. | ||
| I hear ya. | ||
| Speaking of chicks, the one tonight is... | ||
| I'm telling you guys, she's a little monster. | ||
| Yeah, you got an issue with her. | ||
| I do! | ||
| This little filter thing keeps rolling out. | ||
| I got a little crush on her. | ||
| Yeah, she's kinda hot. | ||
| She was a little plump, and she got in some serious shape. | ||
| Yeah, right? | ||
| Thinned out. | ||
| She's like, curvy. | ||
|
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Yeah. | |
| She's like Kim Kardashian, but Japanese. | ||
|
unidentified
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Yeah. | |
| How cool would it be if she came out in the schoolgirl uniforms? | ||
|
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Yeah. | |
| Remember that dude that used to do that for Pride? | ||
| He used to come out with pigtails? | ||
| Yeah, weird stuff. | ||
| For K-1. | ||
| For K-1, yeah. | ||
| Dude, the national pastime is to be into schoolgirls. | ||
| How weird is that? | ||
| Her biggest thing that she's ever done, she dressed up like a bunny. | ||
| Why do I know this? | ||
| I don't know. | ||
| Dirty bunny. | ||
| Maybe I did some research. | ||
| And you know what's second? | ||
| And by research, I mean maybe I jacked off. | ||
| We'll let you know as soon as the fights start. | ||
| I don't know why the fights are a little bit late. | ||
| It says 12.05 on my phone. | ||
| Amateur hour. | ||
| It smells like weed in here. | ||
| It says 12.05 on my phone. | ||
| I don't know if that means somebody fucked up or they're having a problem. | ||
| We were watching it earlier, though, which doesn't make any sense. | ||
| It was live from Japan. | ||
| Goldberg and Brian Stan calling the action. | ||
| Maybe it's just a delay for the main card. | ||
| By the way, I fucking love Fight Pass, dude. | ||
| It's awesome. | ||
| I fucking love it. | ||
| I tweeted that Fight Pass is great. | ||
| Everybody's like, you fucking chill. | ||
| I know. | ||
|
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It's great. | |
| Fuck off. | ||
| It's great. | ||
| Dude, any fight you could think of in the UFC, you could just watch it. | ||
| Pride fight. | ||
|
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You could just watch it. | |
| And it works. | ||
| It was crazy. | ||
| When I cornered Ben Saunders at the Tulsa event, I get there Friday night. | ||
| I've never worked with Ben before. | ||
| He asked me to corner him like a week before, and he goes, dude, you want to come down? | ||
| And he had been playing rubber guard off and on over the years and he was playing a different version. | ||
| He was playing a version I never played. | ||
| And then he kind of moved away from it because I figured, I figured that he would hit a dead end with that style. | ||
| But I didn't want to say anything because it was kind of working for him. | ||
| And then he got cut from the UFC, went to Bellator, he'd win some, he'd lose some. | ||
| And I kind of lost track of what he was really doing. | ||
| And then he saw the Hickson video, the video that we did here. | ||
| And he Twittered me, direct message. | ||
| He goes, hey man, when are you going to do a seminar in Florida? | ||
| He realized he was planning stuff wrong and he wanted to fix it. | ||
| So I said, well, I don't have anything planned in Florida, but I do have a little rubber guard genius out there, a guy named Tyler Woolsey. | ||
| I go, let me hook you up with him. | ||
| They hooked up. | ||
| As soon as he got done with Tyler, he said, dude, I want you to corner me next week. | ||
| Can you do it? | ||
| I know it's last minute. | ||
| And did it. | ||
| And so Friday night, I get there Friday night, I go right to his hotel. | ||
| He has Fight Pass hooked up, right? | ||
| So, because he was studying his opponent. | ||
| His opponent, I think, it wasn't on, he wasn't, I don't think he fought in the UFC before, but he had Fight Pass. | ||
| So I said, oh shit. | ||
| So we put on, I wanted to keep it really simple for him with rubber guard. | ||
| It's so sophisticated and so vast. | ||
| There's pieces of the rubber guard that I don't even know how to play yet. | ||
| There's new pieces. | ||
| I'm like, shit, what? | ||
| What are you guys doing over here? | ||
|
unidentified
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Right? | |
| There's new shit that's incredible. | ||
| Half guillotine. | ||
| A guillotine from the rubber guard. | ||
| A guillotine with your leg involved. | ||
|
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It's on? | |
| Hold on a second. | ||
| It's on? | ||
| The fights are on? | ||
| Yeah, a guy's walking out right now. | ||
| So what is this? | ||
| I don't know what you got here. | ||
| Oh, is it a different thing? | ||
| Am I on the wrong thing? | ||
| That doesn't make any sense. | ||
| Live events. | ||
| Let's see. | ||
| Yeah, you gotta press live event. | ||
| Live now. | ||
| That'll be it. | ||
| So it didn't switch over from the prelims. | ||
| There we go! | ||
| We're rolling! | ||
| It didn't switch over from the prelims. | ||
| That's goofy. | ||
| That's goofy. | ||
| It's like a different stream. | ||
| It's coffee. | ||
| Bulletproof coffee. | ||
| Not goofy. | ||
| Brandon Schaub's got a little bit of a fucking coffee problem. | ||
| Addiction. | ||
| And when I stop fighting, it's going to become drugs. | ||
| Well, my point was, with the UFC fight passes, I get there Friday night, and we kept it really simple. | ||
| Simple rubber guard, mission control with elbows. | ||
| We put on Jason Day versus Alan Belcher. | ||
| It was an amazing display of elbows from the guard. | ||
| And Matt Horwich versus Dan Miller. | ||
| You know, just right there. | ||
| It would have been hard to find those fights. | ||
| You know, I guess you could go to MMA Corps. | ||
| It's always tricky though, right? | ||
| It's tough to find them. | ||
| But with UFC Fight Pass, man, boom, any UFC fight. | ||
| Is it every single fight that the UFC's ever had? | ||
| It's every single fight the UFC's had and every single... | ||
| There's another one of those too. | ||
| There's everything. | ||
| That's a full one too. | ||
| Oh, nice. | ||
| Yeah. | ||
| Every single fight in Pride, too. | ||
| Even the early ones, like UFC 2? | ||
| Everything. | ||
| Everything? | ||
| Everything. | ||
| Wow. | ||
| All the Strikeforce fights, too. | ||
| Because everything that I could think of came up, but I'm thinking maybe the old ones. | ||
| Maybe UFC 1, even. | ||
| I'm pretty sure. | ||
| If I'm wrong, I apologize, but I'm pretty sure everything's in there. | ||
| Let's throw it on like a... | ||
| There's also a... | ||
| Well, we can't. | ||
| We can't. | ||
| Otherwise, we'll go off the screen because it's running through my laptop. | ||
| Oh. | ||
| But we'll figure it out. | ||
| I don't think there's anything that's not in there. | ||
| There's also a crazy show called UFC Now with a couple of cutie pies on there. | ||
|
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Kapow. | |
| Brendan Schaub and Kenny Florian. | ||
| What a show. | ||
|
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What? | |
| Brendan's horny and shit, man. | ||
| He's talking about himself. | ||
| He's talking about himself being a cutie pie. | ||
| You're not even paying attention. | ||
| He said Brandon Schaub. | ||
| A couple of cutie pies like Brandon Schaub. | ||
| Yeah, I talked in the third person. | ||
| I'm sorry. | ||
| I'm sorry, Eddie. | ||
| I was barely paying attention to you. | ||
| I'm used to that with Callan. | ||
| Don't worry. | ||
| I just keep on keeping on. | ||
| Talon's the worst with that. | ||
| Like, he'll get into modes where he wants to say something, and it doesn't matter what the fuck you're saying. | ||
| What he has to say, like, it has no relation whatsoever to what you're saying. | ||
| And you go, wow, that's great. | ||
| I met a guy, he wrote a book, and he'll go on to this fucking... | ||
| Why are you talking about economics now? | ||
| Like, how do we get into economics? | ||
| Like, he has this thought in his head, it's like a runaway train. | ||
| He's just trying to get out of the way. | ||
| It's insane, man. | ||
| That's why he's so funny, too. | ||
| One of the things you recognize about comedians, it's like that same thing that makes them really funny. | ||
| It's this mad dog bum rush over to get attention. | ||
| Straight madness, man. | ||
| Nobody's better at commanding attention than Count. | ||
| You know what Brian called me? | ||
| He was dead serious. | ||
| He goes, Bro, instead of selling t-shirts, I got a great idea. | ||
| He's never came to me with an idea for shit. | ||
| He goes, koozies. | ||
| We should sell koozies. | ||
| Oh, God. | ||
| I went, are you fucking kidding me? | ||
| Beer koozies? | ||
| Yes! | ||
| Who buys beer koozies still? | ||
| How much of a drunk are you? | ||
|
unidentified
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I need my beer just a little insulated. | |
| I thought you meant jacuzzis. | ||
|
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I was like, that's the dumbest idea ever. | |
| Can you imagine the warehouse you would need? | ||
| Keep an inventory. | ||
| Fighter and the Kid jacuzzi. | ||
| That's hilarious. | ||
| That makes more sense than a koozie. | ||
| They're both hilarious. | ||
| But for a second, I'm like thinking, damn, they're jumping on Brian. | ||
| Poor Brian. | ||
| But then you said his idea. | ||
| I'm like, oh, no shit. | ||
|
unidentified
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Damn. | |
| Why do they always talk shit on them? | ||
| Try to sell jacuzzis. | ||
| It's like 1982. Well, not only that, who the fuck's got room for a jacuzzi? | ||
| Kyoji Horiguchi. | ||
| I'm not familiar with him. | ||
| Who's his opponent? | ||
| Do we know? | ||
| We've got to pay attention here. | ||
| I've got a badass jacuzzi. | ||
| I've used it once. | ||
| Seriously, in three years, once. | ||
| Let's see who these guys are that are fighting here. | ||
| Powerful Ariane in Japan. | ||
| Hola. | ||
| I hadn't seen her in a while. | ||
| I thought maybe she was taking a break. | ||
| Well, she's busy. | ||
| She's got a TV show now. | ||
|
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Really? | |
| Yeah. | ||
| She's on Overhauling. | ||
| Yeah, she's the host of Overhauling. | ||
|
unidentified
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Yeah. | |
| Yeah, and Spike, right? | ||
| That's Bud's show, Brian. | ||
| It's Hiraguchi and Delos Reyes. | ||
| That's Bud's show, where they take a car and they completely redo it for like a week. | ||
| He has nothing to do with that show anymore, right? | ||
| Yes, he does now. | ||
| Oh, he still does? | ||
| He's back on it. | ||
| Yeah, he's back. | ||
|
unidentified
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Huh. | |
| Yeah, Bud owns it again. | ||
| Or he's a producer of it again. | ||
| One of those things. | ||
| Yeah, it was his show. | ||
| It was his idea. | ||
| I don't know what happened. | ||
| You know, I'm just happy he's doing it again. | ||
| Ooh, hell of a body kick, son. | ||
| It's over. | ||
| It's over. | ||
| You never know. | ||
| No, it's over. | ||
| He's doing the smart thing, recovering. | ||
| Yeah, he's on the bottom. | ||
| You don't recover from that. | ||
| You can like this, though. | ||
| Like this, though, you can. | ||
| You can if the guy stays on him. | ||
| See, if the guy was smart and he's a striker, if he's that good of a striker, he'd probably try to get away, right? | ||
| Yes, 100%. | ||
| Because that guy would be much more helpless in a non-clinching situation. | ||
| Well, the raffle will force him to stand up, too. | ||
| Yeah. | ||
| Liotto Machido told me that. | ||
| You get hit to the body, drop to your butt to buy time until the ref stands you up. | ||
| Well, Tito did that with him, remember? | ||
| He caught Tito with that body shot, that knee to the body. | ||
| That's right. | ||
| That's pulling guard, though. | ||
| That was a slick move by Tito. | ||
| That's pulling guard. | ||
| He's being silly. | ||
| But you're going to get finished. | ||
| Eddie Bravo's being sarcastic, and he's a master guard player, and 90% of people won't catch that. | ||
| I thought maybe he was saying it in MMA. I thought he was saying it in MMA. 90% of people won't catch it. | ||
| I'm just telling you right now. | ||
| I know the Eddie Bravo humor. | ||
| You gotta stand up. | ||
| To him, it's like chess moves that are really stupid. | ||
| You see someone doing a dumb chess move, and you and I are like, what is he talking about? | ||
| Yeah. | ||
| Well, other people, you know, who know Eddie, you know exactly what he's doing. | ||
| He's always said that... | ||
| I mean, we're seeing it. | ||
| We saw it with your boy. | ||
| Sometimes you gotta pull guard. | ||
| Sometimes you gotta. | ||
| It shouldn't be your first option, but it should be in the third. | ||
| Look how good Ben Saunders control was. | ||
| It was amazing. | ||
| Bro, if I'm for Doom and Kane's beat me up against the cage, I'm pulling half guard. | ||
| Sometimes you have to. | ||
| Meanwhile, this is a good fucking fight. | ||
| Yeah, it is. | ||
| Really good fight. | ||
| He recovered. | ||
| Yeah, he got out of it, man. | ||
| But that Haraguchi dude, that guy's got a nasty left kick to the body. | ||
| Oh, he's trying to pay him back for it. | ||
| Oh, he did too. | ||
| He did too. | ||
| Are these guys 45ers? | ||
| Um, I don't know. | ||
| They look like 55ers. | ||
| See, I was going to say 35. 25? | ||
| No! | ||
|
unidentified
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No! | |
| They're flyweights? | ||
| Oh my god, they're giant. | ||
| No way. | ||
| Well, you know, no one is really a fucking flyweight anymore. | ||
| They're all like 150 pounds and then they're a flyweight for an hour. | ||
| I mean, that's what's going on now with all these weight classes. | ||
| Dude, you know, I had Mike Dolce on. | ||
| Jesus, Dolce was telling me that Nick Lentz walks around at like a buck 70, a buck 75, and he gets down to 145. That's insane. | ||
| And he was struggling to get down to 55 before he came to Dolce. | ||
| It's not good. | ||
| Either way, there's going to be a diminishing return. | ||
| You know what I'm saying? | ||
| I don't care what Dolce says, and I love Dolce as much as the next guy, but no matter what you say, that can't be healthy. | ||
| Does he have to be that big? | ||
| No, but there's healthier ways to do it. | ||
| Healthier ways, but there's no way he's performing at it. | ||
| I think you're right. | ||
| The way Nick Lentz cuts, though, he was saying, yes, he walks around at 175 or whatever, and he does get to 45, but he does it... | ||
| Oh, he hurt him again. | ||
| Oh, Jesus. | ||
| These boys are scrapping. | ||
| These guys are... | ||
| Going after it. | ||
| Oh! | ||
| Horiguchi's a bad motherfucker on his feet, man. | ||
| Jesus Christ. | ||
| Nasty. | ||
| Striking. | ||
| But Delos Rios got him on his back again. | ||
| Oh, but he's getting eaten up. | ||
| Oh, these are hard shots. | ||
| Oh, he's in trouble now. | ||
| Oh, this might be it. | ||
| That's it. | ||
| He's a bad motherfucker. | ||
| Oh, shit. | ||
| The kid is here. | ||
|
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The kid is here dressed like he's going to take the SATs. | |
| Is that a bottle of wine? | ||
| You savage. | ||
| Of course he did. | ||
| He would bring wine camping if you let him. | ||
| He'd be that guy on our hunting trip. | ||
| Brian, I'm on your side today, okay? | ||
| I'm not gonna gang up on it. | ||
| It's us two. | ||
| It's me and you, kid. | ||
| Me and you, kid, against these guys. | ||
| You never have to worry about my feelings. | ||
| Brian, before you came in... | ||
| I feel too bad, sir. | ||
| I can't sacrifice my own integrity. | ||
| You guys came down on me a little hard. | ||
| You didn't believe my nose story. | ||
| I mean, it was very, very bad. | ||
| Before you came in, look at that left hook. | ||
| Before you came in, Eddie goes, we should sell... | ||
|
unidentified
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Koozies. | |
| We should sell koozies. | ||
| I was like, nah, I don't think so, man. | ||
| Ask Brian. | ||
| Eddie Bravo was thinking you should probably sell some sort of hot tub type equipment. | ||
| I thought he meant jacuzzis. | ||
| I'm like, what a dumb idea. | ||
| Hot tub equipment. | ||
| Hot tub equipment. | ||
| You just missed this Haraguchi. | ||
| He's a bad motherfucker. | ||
| Dude, these are flyweights. | ||
| Can you believe these are 125ers? | ||
|
unidentified
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No. | |
| Maybe it's a perspective issue. | ||
| Yeah, apparently it is. | ||
| They might be 4'5". | ||
| No, the height is up there. | ||
| Crazy. | ||
| It's on the thing. | ||
| One guy is 65 inches, the other guy is 66 inches. | ||
|
unidentified
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What is that? | |
| I have a new boyfriend, so it doesn't really matter. | ||
| Oh, Brian loves Akiyama. | ||
|
unidentified
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That's my new boyfriend. | |
| He's obsessed with Akiyama. | ||
| He's a beautiful man. | ||
| He's a beautiful man. | ||
| You know he sings? | ||
| Voice of an angel. | ||
| You know he sings? | ||
| Gigantic superstar. | ||
|
unidentified
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Correct. | |
| In Korea, right? | ||
| Sells out auditoriums. | ||
| Is it Korea or Japan? | ||
| I think he's Japanese. | ||
| He's got an amazing voice. | ||
| Well, he's a Japanese guy, but he's of Korean descent, right? | ||
| I believe so. | ||
| Sent from the... | ||
| Akiyama, I believe, is a Japanese name. | ||
| Yeah, I think for some reason he's got some sort of a Korean background. | ||
| I'd look, but my TV... Jamie, can you look that up? | ||
| Yes, he's actually Korean. | ||
| Hey, Jamie, do you have any wine glasses? | ||
| He's half Korean, half Japanese. | ||
| No wine glasses, dude. | ||
| This is a man's place. | ||
| He could be full Korean. | ||
| Use a goddamn coffee mug. | ||
| Use a goddamn coffee mug. | ||
| You don't need a special glass for your fucking fruity drink. | ||
| But I do! | ||
| Brian Stan looks like Dikembe Mutomo. | ||
|
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Dude, look how much bigger Brian Stan is to this guy. | |
| He's enormous. | ||
| He looks like Godzilla compared to that dude. | ||
| Oh, so that's why. | ||
| It's a perspective issue. | ||
| Yes. | ||
| I'm with you. | ||
| That guy's a bad motherfucker. | ||
| Super bad. | ||
| Wicked striking. | ||
| There is no room for anybody but bad motherfuckers at 125. You better be a black belt in everything. | ||
| Everything. | ||
| Everything. | ||
| And a black belt in cardio. | ||
| 70 and below, you better be a black belt in everything. | ||
| Because when you're that small, especially in wrestling and jiu-jitsu, you have to be so technical to just survive in the sport. | ||
| Look at that left hook. | ||
| Bam! | ||
| Yeah, in everything, right? | ||
| You have to be so... | ||
| In everything. | ||
| I actually like watching the lighter weights. | ||
| Dude, when you got a guy like a Hector Lombard out there... | ||
| What? | ||
| Everyone's terrified of that guy? | ||
| Who's not terrified of him? | ||
| Hector Lombard is terrified of himself. | ||
| That's how scary Hector Lombard is. | ||
| Dude, I never saw anybody ragdoll Jake Shields the way he did. | ||
| When he tossed him around, just smashed him in the first round like a fucking hurricane, like refrigerators were flying down the street in Kansas. | ||
| Like a fucking tornado. | ||
| Jake Shields is tough as fuck. | ||
| He's beat some of the best. | ||
| Jake Shields almost caught him at the end of that barrage. | ||
| He almost caught him in a guillotine. | ||
| He had him locked up and the bell rang. | ||
| The fucking buzzer rang with Jake on his neck. | ||
| When you look at Hector Lombard, you can't believe he gets down to 170. He's a beast. | ||
|
unidentified
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He's got cakes for days. | |
| I told you I saw him on the street from a distance. | ||
| Nicest ass on the planet. | ||
| Yo, Brian Callen, I was lucky to wrestle one. | ||
| Oh, Bob, I'm sorry, man. | ||
| I'm so sorry. | ||
| Hold on. | ||
| The fuck, buddy? | ||
| Hold. | ||
| Get a little 2005 Bocaio in your... | ||
| Do you actually know what it is? | ||
| It's a 2005 Bocaio. | ||
| Did you like buy it on purpose? | ||
| Like you knew what it was when you went out to buy it? | ||
| How did you find out? | ||
| You'll see. | ||
| Taste it and you tell me. | ||
| No, I believe it's good. | ||
| I'm not questioning that. | ||
| Because I'm a freak for wine. | ||
| What do you know? | ||
| What do you know about wine? | ||
| Because I like old world wines. | ||
| What's that mean? | ||
| The Europeans like earth in their wine. | ||
| You taste that earth? | ||
| You say that? | ||
| It's like cheese, meat, mushrooms, leather. | ||
| This tastes good. | ||
| Yeah. | ||
| I don't taste any of those things. | ||
| I taste wine. | ||
| Fucking people are so crazy. | ||
| The American palate likes an obvious jammy big wine for the most part. | ||
| I go with the old world wines, ladies and gentlemen. | ||
| Serious question. | ||
|
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Who has the best ass in MMA? Without question, 100%. | |
| Whoa, I've been doing a lot of deadlifts. | ||
| Watch your health. | ||
| Watch your PZQs. | ||
| Without question, without question, 100%. | ||
| A couple of honeydews. | ||
|
unidentified
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A couple of honeydews with cotton stretched over them. | |
| He's right. | ||
| Without question, Hector Lombard. | ||
| He's right. | ||
| I couldn't peel my eyes from the man. | ||
| He was in the airport and he was going through security and he took his shoes off and I could not peel my eyes from his ass. | ||
| Well, you know, there's a few guys like that in the UFC that move, they move it like a notch over everybody. | ||
| Like Woodley, Tyron Woodley, when Woodley's on, when Woodley, when he knocked out Jay Heron, just the movement, it's like, get out of the way! | ||
| Just get the fuck out of the way! | ||
| When he's got this rush, there's certain guys that have this rush, and Lombard has it too. | ||
| You know they ask Woodley to fight Lombard, and he's like, nah, I'm cool. | ||
| Straight up. | ||
| By the way. | ||
| Dana said he was like, I asked him. | ||
| Dana was like, no. | ||
| He literally was like, no, I'm good. | ||
| Same thing, too. | ||
| Roy McDonald, they wanted to find him. | ||
| He's like, no, I'm cool, man. | ||
| How crazy is that? | ||
| It's not necessary. | ||
| The baddest dudes on the planet are like, no, I'm cool. | ||
|
unidentified
|
I'm good. | |
| I'm good. | ||
| How crazy is it that Dana will bust these guys out like that? | ||
| Well, hey, I mean, that's for his business. | ||
| That's the best move. | ||
| But it's not even like, you know, the guy's like, oh, no, hell no. | ||
| It's like they won't even consider it. | ||
| Oh, no, no. | ||
| No, never. | ||
| Is that 100% true? | ||
| Here's the thing. | ||
| What are you selling if you're selling a product like the UFC? I can see two arguments. | ||
| I can see one argument where you're like, you shouldn't talk about that because that's private. | ||
| That's the fighter's business. | ||
| But you're selling the baddest motherfuckers on the planet. | ||
| And the push is always like the Tank Abbott. | ||
| Anyone, anywhere, anytime. | ||
| It's one thing everybody loved about Tank Abbott. | ||
| He didn't fight anybody. | ||
| How about T.J. Dillashaw? | ||
| Cowboy Cerrone's like that. | ||
| Cowboy Cerrone's exactly like that. | ||
| It's a double-edged sword, though. | ||
| It's a double-edged sword. | ||
| Of course. | ||
| Ask Rich Franklin about that. | ||
| Oh, well, it depends upon your success. | ||
| I mean, ask anybody who fought in the UFC about the benefits. | ||
| Wait, finish your point. | ||
| What were you saying about, Joe, you were saying... | ||
| You were talking about him saying that someone turned down a fight. | ||
| It's like, now you will believe him when he says, this guy will take any fight. | ||
| I can call him up at any time, like Donald Cerrone. | ||
| He'll say that about Cerrone. | ||
| I can call Donald Cerrone up and say, hey, I'm setting a fight with, fill in the blank. | ||
| He goes, alright, let's do it. | ||
| He probably has a Budweiser in his hand, he probably finishes the Budweiser, then goes jet skiing, then probably fucking shoots some guns, gets laid. | ||
|
unidentified
|
What were you saying about TJ Dillashaw? | |
| Well, he's another one, he'll fight anybody. | ||
| TJ fought, I mean, they changed his fight to Joe Soto, the fucking day of the weigh-ins. | ||
| The day of the weigh-ins, Burrell can't make weight, falls, hits his head. | ||
| Joe Soto, who had won the Bellator title, lost it to Joe Warren, got signed by the UFC, won a bunch of fights in a row, good fights. | ||
| Came to the UFC. His fucking debut, his UFC debut, he fights for the title against TJ Dillashaw. | ||
| And Dillashaw's like, I'll take it. | ||
| See, that's a little different. | ||
| I think that's a little different. | ||
| It was day of the fight. | ||
| He's in shape. | ||
| He's in camp. | ||
| He's looking for a fight. | ||
| That guy steps up. | ||
| That guy's kind of screwed. | ||
| It's a different kind of animal to call somebody like, yo, Hector Lombard, you got eight weeks. | ||
| Like, cool, I'll take it. | ||
| That is a different animal. | ||
| Hey, Brendan, do you think there's fighters out there That get off on fighting the scariest guys. | ||
| Oh, yeah. | ||
| For sure. | ||
| Who's like that? | ||
| For sure. | ||
| Like, they want the scariest guys. | ||
| Mark Hunt. | ||
| Mark Hunt. | ||
| He wants the scariest guys? | ||
| Yeah, like, literally, like, when me and him were going back and forth on Twitter, the stuff you'd say to me, like, DM me, I was like, damn, this fool's for real. | ||
|
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|
It's like... | |
| I'm just looking for a blockbuster fight. | ||
| He just wants to whoop my ass. | ||
| I'm trying to get paid and get a title shot. | ||
| He just wants to whoop my ass. | ||
| By the way, this guy, Conor McGregor, seems like the kind of guy I'll take all comers. | ||
| So is Dustin Poirier, man. | ||
| Dustin Poirier's a bad motherfucker. | ||
| That's a significant test for McGregor. | ||
| I think McGregor's sensational. | ||
| McGregor's sensational. | ||
| I'm a huge McGregor fan. | ||
| McGregor's boxing is phenomenal. | ||
| Well, his movement. | ||
| He's like a snake, like his in and out. | ||
| I'm telling you, Poirier is fucking legit. | ||
| I agree. | ||
| I can see him winning. | ||
| The way he beat Eric Koch, I was like, oh shit. | ||
| Yeah, that's a coin toss. | ||
| Anybody could land a big shot. | ||
| It's a really good fight, though. | ||
| Those guys are both really technical. | ||
| And McGregor is very unorthodox, man. | ||
| He fights from a southpaw position. | ||
| He moves like a snake. | ||
| He's tough to train for. | ||
| He's got this in-and-out style that's very deceptive, man. | ||
| There's a lot of dudes, and you see them throwing punches and throwing kicks, but they're very mechanical. | ||
| They step forward, and they just throw predictable combinations. | ||
| You can get a rhythm on them. | ||
| But McGregor's got this wiggle. | ||
| He's got this wobble in and out. | ||
| He can counter off things. | ||
| Anderson Silva almost. | ||
| Anderson Silva like him. | ||
| He drags guys into these things and then counters. | ||
| He'll just duck, come back with a right. | ||
| He's a really good boxer. | ||
| Jack Slack did a great slip. | ||
| He slipped the guy. | ||
| It wasn't in UFC. He just does stuff that you don't usually see. | ||
| I don't think he's ready for a top, top level guy. | ||
| I want to see him get built up. | ||
| Dustin Poirier's going to be a... | ||
| It's a big test. | ||
| It's a big test. | ||
| Look, Poirier is no fucking joke. | ||
| He's legit. | ||
| And the kid has been fighting for a long time. | ||
| And he's not scared of him. | ||
| And he's young. | ||
| And he's not scared of him. | ||
| That's the difference. | ||
| It's true. | ||
| And a guy like Poirier is a guy that you could see a giant jump from him in just four or five months. | ||
| Because he's in this confidence groove now. | ||
| He beat Coke. | ||
| He's at this stage where he knew Coke was about to fight for the title. | ||
| Yep. | ||
| When the fight got called because of injury, Koch was like set to fight for the title. | ||
| Beast, yes. | ||
| Yeah, he was ready to fight for the title. | ||
| So Poirier beats him. | ||
| It beats him convincingly. | ||
| I mean, that's a big fucking win, man. | ||
| He's a beast, man. | ||
| You know how we're talking about guys who take whatever fight, just go, yep, give it to us. | ||
| There's a fine line, and this is where management comes into place. | ||
| Because the fighter should always accept the fight. | ||
| Always. | ||
| A fighter should always accept the fight. | ||
| Anytime my manager calls me, I go, yep, let's do it. | ||
| It should be a manager's job. | ||
| Probably not, homeboy. | ||
| The manager being the guy whose ego is presumably not attached to any bullshit. | ||
| True fighters are like, yeah, I can beat anyone in the world. | ||
| Get them to me. | ||
| But when you're dealing with, say you have a client at 170, and they go, hey, we want to fight Hector Lombard in Australia where he lives. | ||
| Why don't you fly down there for 20 hours to get that ass whooped? | ||
| You better fake an ankle injury right quick. | ||
| Worst case scenario. | ||
| A manager's going to be like, uh, I don't think so. | ||
| I think they'll hold out a little bit. | ||
| Yeah, and there's, I mean, you've, I'm sure, experienced it yourself, the difference between you now and you when you're on tough. | ||
| If you could go back and fight you when you're on tough, you'd probably beat your ass. | ||
| Oh my god, I'd last 20 seconds. | ||
|
unidentified
|
See? | |
| I thought I was such a badass. | ||
| I was so shitty. | ||
| Just super confident. | ||
| Just crazy confident. | ||
| It's so funny. | ||
| What do you think of the new tough with the girls? | ||
| Did you see the English two episodes? | ||
| Yeah, I did. | ||
| You know. | ||
| I fucking love it. | ||
| Do you? | ||
| I heard it's really good. | ||
| It's really good. | ||
|
unidentified
|
It's good. | |
| That Rose is a beast. | ||
| So I trained with her in Endeavor when she very first started. | ||
| She's your next Showtime Pettis. | ||
| She can jump off the wall. | ||
| She can do flying armbars. | ||
| She's a little beast. | ||
| Dude, have you seen her flying armbar finish? | ||
| She is going after this chick. | ||
| Have you seen it? | ||
| She's going after this chick. | ||
| I mean, they're going to war. | ||
| And Rose is chasing her down with combinations. | ||
| The girl clinches up with her. | ||
| Rose throws a fucking perfect flying armbar. | ||
| And taps her immediately. | ||
| She's your next superstar. | ||
| If she does well on this show, she's going to be your next. | ||
| She's your next Ronda. | ||
| Her grinding grappling on the ground and positioning. | ||
| I don't know. | ||
| That's the only thing I ever saw. | ||
| She's more fancy. | ||
| You know what I'm saying? | ||
| I know what you're saying. | ||
|
unidentified
|
I know exactly what you're saying. | |
| Because then someone might be able to take her down and stuff her. | ||
| A wrestler, yes. | ||
| Yeah, you might be right. | ||
| You might be right. | ||
| But god damn it. | ||
| She's like very flashy. | ||
|
unidentified
|
She's very flashy. | |
| See that arm bar though? | ||
| That fucking flying arm bar was ridiculous. | ||
| That tells you something. | ||
| If she's doing flying arm bars, she's got to be... | ||
| At least a pretty good blue belt. | ||
| Dude, the way she did it. | ||
| You gotta see the way she did it. | ||
| She did it like a goddamn black belt. | ||
| But you know, sometimes there's those people with like, they have one crazy move, and they're like, oh, do a shrimp for me. | ||
| Like, what the fuck? | ||
| That's true. | ||
| You can't even shrimp, but you can do a flying armbar. | ||
| It's because they came to the gym, and the first day they came in, they showed them a flying triangle, a flying armbar, but they can't do anything else. | ||
| The first fight, it was a huge upset. | ||
| There it is, there it is right here. | ||
| Do you remember when Peta Pano fought Vinny Magalese and Vinny Magalese caught him with a fucking beautiful flying truck? | ||
| Look at that! | ||
| Look at that! | ||
| How wicked was that? | ||
| Oh, she's athletic! | ||
| That bitch is wild, too. | ||
| Look at her. | ||
| She's jumping around. | ||
| She has the right attitude. | ||
| She's wild, man. | ||
| She's the right attitude, man. | ||
|
unidentified
|
Look at her. | |
| She's crazy. | ||
| If you watch that again... | ||
| If you watch it again, look at where her legs are on the arm bars. | ||
| Eddie said, I don't think so. | ||
| No, no, no. | ||
| I'm just saying. | ||
| Her legs are in a very bad spot as far as an arm bar. | ||
| Look at her legs. | ||
| Look at her left leg. | ||
| It's between the two arms. | ||
| No, her left leg is between the girl's legs. | ||
| Well, at the end of it, it wasn't though, right? | ||
|
unidentified
|
Yeah. | |
| Let me see. | ||
| Let's see it again. | ||
| Yeah, I just thought at the end it wasn't. | ||
| I thought at the end she finished it with her two arms in. | ||
| Look at her left leg. | ||
| Look at her left leg. | ||
| Boom. | ||
| Left leg. | ||
| Look at her left leg. | ||
| Oh, you're right. | ||
| It's trapped in between the legs. | ||
|
unidentified
|
Oh, shit. | |
| I don't know what that means. | ||
|
unidentified
|
Eddie Bravo. | |
| I don't know what that means. | ||
| Eddie Bravo, you might know a thing or two about jiu-jitsu. | ||
| You might know a thing or two. | ||
| I mean, that's a glaring. | ||
| That was glaring. | ||
| Yeah, that's true. | ||
|
unidentified
|
I didn't even know. | |
| I didn't even see it. | ||
| Well, you know, when you teach every day, I'm analyzing everybody. | ||
| Like, I'm in analyze mode the whole time. | ||
| I'm just looking at everyone's techniques. | ||
| I can't help it every time I'm just correcting. | ||
| That's so true, but if she got into this situation, do you think she should have tried to finish it before she got her leg free? | ||
| Or if she felt strong, should she have gone for it the way she did? | ||
| Because she was obviously tangled up like that. | ||
| It's hard to tell what was going on in her mind. | ||
| Maybe she thought, I know my leg's in a bad spot, but she's just leaving her leg hanging, so I'm just going to keep it there. | ||
| I don't know. | ||
| She must be pretty confident in that. | ||
| See, that girl's right leg was just dangling over. | ||
| She wasn't using it to defend. | ||
| But damn, how quick did she hit that fucking flying arm bar, man? | ||
| This shit was beautiful. | ||
| She has the attitude to be a champion, I'll put it that way. | ||
| She's wild, man. | ||
| And that whole wild dance she did after she won? | ||
| She's definitely the hottest one. | ||
| That's a hundred percent. | ||
| That's important too. | ||
| That's a hundred percent. | ||
|
unidentified
|
For real? | |
| Are you kidding? | ||
| Are you kidding? | ||
| She's legit. | ||
| And she's attractive. | ||
| She's a pretty star. | ||
| And she's hot. | ||
| By the way, she is beautiful. | ||
| I mean, her face is, she's like a little Angelina Jolie. | ||
| Yep. | ||
| She's a cutie pie. | ||
| Very beautiful. | ||
| She's a straight up cutie pie. | ||
| Pat Barry's girlfriend. | ||
|
unidentified
|
Yep. | |
| So be respectful. | ||
| Good work. | ||
| Yeah, he did well. | ||
| Yeah. | ||
| Okay, so we got Kichi. | ||
| You're so lame. | ||
| Hey, can I come back up? | ||
| Thanks for the invite to dinner, bro. | ||
| What? | ||
| Thanks for the invite to dinner. | ||
| Hey, guys, there's fights going on right now. | ||
| I know, but... | ||
| Fucking selfish, bitch. | ||
| All right. | ||
| Kichi Kunimoto and Richard Walsh. | ||
| Fight companion to life, man. | ||
| Fight companion to life. | ||
| Hey, Brennan. | ||
| Thanks, Brennan. | ||
| Salute, my brother. | ||
|
unidentified
|
Salute. | |
| Unbelievable. | ||
| Powerful Eddie Bravo catching the bad positioning on the ledge. | ||
|
unidentified
|
Yeah, right? | |
| I didn't see it. | ||
| I'm with my family. | ||
| That was nice. | ||
| Fix that, Rose. | ||
| Fix it. | ||
| Pat, get on it. | ||
| Or just finishing bitches like that. | ||
| Pat, come on. | ||
|
unidentified
|
Oh! | |
| Kunimoto. | ||
| Pat, for sure, teach her that flying iron bar. | ||
| Everybody goes to that deep half now, Eddie, huh? | ||
| Keep your hands up, bro. | ||
| I missed that. | ||
| A lot of guys go to the deep half on the ground now, don't they? | ||
| In and out. | ||
| You gotta go in and out. | ||
| You don't have time to play around. | ||
| That's not a thing where you can sit, right? | ||
| The deep half, you just gotta go with it, right? | ||
|
unidentified
|
In and out. | |
| Boom, boom. | ||
| Slingshot. | ||
| Everyone's growing their beard out, though, huh? | ||
| Sexy. | ||
| I can't do it. | ||
| It's very lumberjack-like. | ||
| You can't grow a beard, huh? | ||
| Too smooth, huh? | ||
| Travis Brown got me beating that area. | ||
| Yeah, he does. | ||
| So when you grow a beard, does it just look like a homeless banjo player type beard? | ||
| Yeah, I look like Venice, Venice freaking selling bullshit art. | ||
| Who's the giant asking for spare change? | ||
| Oh, Kunimoto got cracked! | ||
| Big kick! | ||
| Oh, man. | ||
| Look at that. | ||
| Walsh is a beast. | ||
| Strong striker. | ||
| He looks like Kit Dale. | ||
| He does. | ||
|
unidentified
|
A lot. | |
| Kuranamoto is in Japan. | ||
| He cannot lose. | ||
| Kid Tail's got a funny Instagram page. | ||
| Oh, Kunimoto's busted up, man. | ||
| Somebody's busted up. | ||
| It's a lot of blood. | ||
| It looks like his nose, though. | ||
| Oh, nice knee to the body. - Surprise, some walls keep in the country. | ||
| Yeah, that is like a standard masculine look now. | ||
| The big crazy beard. | ||
| Everyone's kind of doing it, though. | ||
| Everyone's kind of doing it. | ||
| It didn't exist just a few years ago. | ||
| It's weird. | ||
| It was kind of like the tramp stamp years ago. | ||
| It existed in the 70s. | ||
| It's all cyclical. | ||
| Styles come and go. | ||
| Okay, Dad. | ||
| I wonder what that is. | ||
| What the fuck was that? | ||
| Will you give it a lecture? | ||
| Trends come and go, boys. | ||
| But why is that? | ||
| Why do some trends happen? | ||
| Like, why do people also start growing beards? | ||
|
unidentified
|
Why? | |
| How about bell bottoms? | ||
| How the fuck did that happen? | ||
| Like, what is it? | ||
| How does a trend start? | ||
| Skinny jeans. | ||
| Skinny jeans. | ||
|
unidentified
|
Right. | |
| Now you got big guys wearing skinny jeans. | ||
|
unidentified
|
But what is it? | |
| It's so interesting how... | ||
| I think it's a culture... | ||
| If something happens in a culture... | ||
| And it manifests itself in how people decorate themselves. | ||
| Pop culture. | ||
| Pop culture. | ||
| They see celebrities doing it and then they jump on it. | ||
| Brendan, are you using the diamond cup? | ||
| What do you use to protect your cap? | ||
|
unidentified
|
Diamond cup. | |
| Yeah, diamond cup. | ||
| Yeah. | ||
| Is that really good? | ||
| Only the best for this hobby. | ||
| I hear you, brother. | ||
| Have you ever fucked around with a Thai steel cup? | ||
| I have. | ||
| Yeah, what's better? | ||
| I feel like it gets more in the way of things. | ||
| Especially grappling. | ||
| Have you grappled in a lot? | ||
| Well, that's what I was thinking. | ||
| No, I have never grappled in a Thai steel cup. | ||
| But I would imagine that... | ||
| First of all, you know, I rolled with... | ||
| Remember Amir? | ||
| Amir... | ||
| Sadala? | ||
| No, the other. | ||
| Renovardi? | ||
| Amir Renovardi. | ||
| My bad. | ||
| I rolled with Amir Renovardi at Legends, and he used to roll with a Thai steel cup on, and he would mount you. | ||
| He'd use it as a weapon. | ||
| It was really rude. | ||
|
unidentified
|
Really? | |
| Strong guy anyway. | ||
| It's so crazy. | ||
| That is so crazy that the IBJJF outlawed cups. | ||
| You're not allowed to protect your balls because cups are so dangerous. | ||
| I agree with it. | ||
| You're not allowed to protect your balls. | ||
| The leverage is intense, man. | ||
| I agree, but I think a cup that doesn't hurt, like a diamond cup, like a softer plastic cup, I think should be okay. | ||
| There should be a foam one. | ||
| There should be a foam one. | ||
| You know what I mean? | ||
| God damn it. | ||
| I broke my balls once. | ||
| I had dick bleeding once. | ||
| Bro, you know I only wear a cup when I'm fighting. | ||
| I only wear a cup when I'm fighting. | ||
| I never wore a cup in football all the years. | ||
| Really? | ||
| Only when I fight, I wear a cup. | ||
| Because you might get kicked in the balls. | ||
| Well, you have to wear it in the UFC. I wouldn't wear one if I didn't have to. | ||
| One of the military guys lost a ball. | ||
| One of the Miltich guys. | ||
| God, I forget his name. | ||
| He's a really talented fighter. | ||
| In training. | ||
| And it was one of those things where you're like, I don't need a cup. | ||
| We'll just go light. | ||
| You told me this before. | ||
| And you got me hooked up with the diamond cup since you told me this story. | ||
| I still don't give a shit. | ||
|
unidentified
|
Look what Lance Armstrong did with one nut. | |
| What is the difference between a regular hug watcher and a diamond cup? | ||
| Remember that? | ||
| If you think about Lance Armstrong, man, first of all, Lance Armstrong, you could never do what Lance Armstrong was doing in the UFC because you'd get caught. | ||
| You'd get caught, simply. | ||
| Are you saying because he's taking a lot of drugs He won the Tour de France I think that maybe Him taking a lot of drugs Was one of the reasons why he won the Tour de France Dude, maybe Some chemicals were involved That guy was a fucking science experiment, man. | ||
| He was a fucking science experiment. | ||
| Everyone was, though. | ||
| Let's be honest, everyone was. | ||
| You're 100% right. | ||
| Chael Sonnen said it best. | ||
| He would know. | ||
| He's like, look, the guy was the best cheater. | ||
| He goes, that's what he was. | ||
| He was the best cheater. | ||
| He probably had some genetic advantages, but he's the best shooter. | ||
| That's the thing with baseball, too. | ||
| They're like, oh, these guys, steroids, blah, blah, blah. | ||
| The pitcher's on steroids, too, man. | ||
| I hate to tell you, it's a level playing field. | ||
| Oh, it's over? | ||
| We missed the ending. | ||
| We're talking all this shit. | ||
| Oh, he hooked him on the left hook. | ||
| That guy is tan as shit. | ||
| Oh, nice. | ||
|
unidentified
|
Oh, beautiful. | |
| Ugh, that's gotta hurt. | ||
|
unidentified
|
Ugh. | |
| He's tough, though. | ||
| Yeah, if there's anything to suck at in MMA, or to not be as good or suck in comparison to your opponent, the scary thing is striking. | ||
| Goddamn. | ||
| That's why a guy like a Lombard is so fucking terrifying, because he does both. | ||
| He does both. | ||
| You ever see that video of him breaking that dude's leg in a grappling competition? | ||
|
unidentified
|
No. | |
| You hear it snap. | ||
| You've seen it, Eddie. | ||
| Which one? | ||
| Hector Lombard snapped some dude's leg. | ||
| What part of his leg? | ||
| I don't remember. | ||
| What part of his leg? | ||
| I don't know. | ||
| It looked like an ankle lock, so probably his ankle. | ||
| Oh, God. | ||
| Or down by the bottom of his leg. | ||
| I mean, he just snapped this dude's leg. | ||
| You hear it. | ||
| You hear the crack. | ||
| I don't remember what kind of leg lock it was, but it was nasty. | ||
| Did he hang onto it like Palahari style? | ||
| He just snapped it. | ||
| Just the guy screamed and it was over. | ||
| He's a fucking freak, dude. | ||
| Okay, this fight is not over, man. | ||
| That was just in between rounds. | ||
| Jesus. | ||
| Wow, that guy is still in there. | ||
| By the way, who is fucking tougher if you had a generalization about a nation? | ||
| For, like, guys who can take it. | ||
| Japanese guys can fucking take it. | ||
| Well, I actually know that... | ||
| Samoans are no pun. | ||
| Oh, they're the hardest. | ||
| They've done some studies on the people that can endure the toughest. | ||
| Don't forget about the Mexicans. | ||
| The toughest soldiers, they say, traditionally are Koreans and Turks. | ||
| Their legendary ability to endure hardship and stuff. | ||
| That's interesting. | ||
| But then again, Mexicans are tough. | ||
| There's some Korean fighters that are really good. | ||
| There's a few Korean fighters that are really good. | ||
| Korea's started to build this really good base now. | ||
| Well, Korea was invaded 400 times. | ||
| Whole man Choi making a comeback. | ||
| Is he? | ||
| Yep. | ||
| That's what I heard. | ||
| Looking for scrap. | ||
| Is he getting his pituitary gland operated on? | ||
| A lot of those guys had to do that. | ||
| He's like 600 pounds. | ||
| Who's going to fight him? | ||
| Nobody. | ||
| But, like, Bigfoot was, like, way over 300 pounds. | ||
| Remember he fought that dude, the big jiu-jitsu dude, Eric, guy from Hawaii, Eric Pele? | ||
| Oh, yeah. | ||
| Remember Eric Pele? | ||
| Yeah, yeah. | ||
| Huge guy. | ||
| Who fought him? | ||
| Bigfoot did. | ||
| That's right. | ||
| Back in the day, I think Eric Pele beat him. | ||
| I think he knocked him out, right? | ||
|
unidentified
|
Was that in Elite XC? Goddammit, I don't remember. | |
| Find that, Jamie. | ||
| Eric Pele versus Bigfoot Silva. | ||
| Man, I can't remember what happened to that, but Pele was huge. | ||
| He was like 300 pounds. | ||
| You see how Mark Hunt started camp at 340 pounds. | ||
| What? | ||
| It was light. | ||
| It's nice and light. | ||
| For Mark Hunt. | ||
| It's beautiful. | ||
| He's in good shape. | ||
| That's perfect. | ||
| That's what you want. | ||
| Barely made weight. | ||
| Had to cut weight. | ||
| That's the average 14-year-old tomorrow. | ||
| Keeping all that weight on. | ||
| Just the blueprint of healthiness. | ||
| He's an animal. | ||
|
unidentified
|
Dude. | |
| I'm a Mark Hunt fan to the end. | ||
| I'm a Mark Hunt fan. | ||
| He's so fun. | ||
| I think everyone's a Mark Hunt fan. | ||
| You have to be. | ||
| He's so fun. | ||
| And by the way, he's got some of the most beautiful walk-away KOs. | ||
| His KO is Stefan Struve and... | ||
| And yeah, yeah, Chris Tugger, and how about Chek Kongo? | ||
| Goddamn, that precision with that left hook he landed. | ||
|
unidentified
|
Blap! | |
| Blap! | ||
| Scary dude, man. | ||
| Oh, he's tough as fuck. | ||
| And by the way, barely throws any leg kicks. | ||
| He's got legs that are like fucking telephone poles. | ||
| They're the most frightening legs. | ||
| You think if that guy kicked you... | ||
| He doesn't really throw him. | ||
| He doesn't really throw him. | ||
| He would fuck guys up! | ||
| If he threw a lot of leg kicks, I mean, he throws them occasionally and they have a lot of power behind them. | ||
| His legs are enormous. | ||
| They're fucking enormous. | ||
| Even if you block it, you're going to get fucked up? | ||
| Dude, anybody who doesn't incorporate leg kicks in their game, if they could have been there when I was first starting to do commentary and I got to see Pedro Hizzo fight when he was in his prime. | ||
| Kicking Randy Couture's leg off and shit. | ||
| Everybody would be doing leg kicks. | ||
| It's such a ruthless weapon when it's in the hand of a guy like Pedro Hizzo. | ||
| Jesus Christ, I never heard anybody's leg kick sound like that before. | ||
| Correct. | ||
| They inspired me to go and kick the bag like hundreds of times more. | ||
| Just being there from him doing that made me want to work out. | ||
| Your leg kick's pretty crazy, my man. | ||
| I guarantee you. | ||
| When we trained with Dwayne at your house, you were kicking it all hard. | ||
| My best friend and my brother were there. | ||
| You're like, uh, Brendan, your turn. | ||
| I was like, God damn it. | ||
| Damn it. | ||
| Joke and kick ridiculous stuff. | ||
| Like a motherfucker. | ||
| It's ridiculous speed and power. | ||
| It's hard to kick after him, right? | ||
| It's like trying to follow him in comedy. | ||
| Yeah, I was trying to be funny. | ||
| I made some jokes. | ||
| Here I go, everybody. | ||
| Or some stupid. | ||
| We've told some stories before, man. | ||
| Man. | ||
| We got in the car and my brother was like, Rogan gets harder than you, huh? | ||
| I'm like, yeah, man. | ||
| Better kicker. | ||
| Fuck you guys, all right? | ||
| Big deal. | ||
| Hey, check this out. | ||
| What do you call it? | ||
| Maybe 15 years ago, I was hanging out with Joe. | ||
| We dropped off his car to get a new stereo, and we had to kill like two hours. | ||
| So there was a gym across the street, a kickboxing gym, owned by some Middle Eastern brothers that were good at kung fu and kickboxing. | ||
| Awesome. | ||
| We just go, we show up, we show up, and Joe's just hanging out, and I asked the guy, I made it seem like we were interested in joining, so I asked him, I go, what kind of kicks do you guys throw here? | ||
| And he goes, oh, we throw a lot, sir. | ||
| We do these kicks and those kicks. | ||
| And I go, can you show me what kind of kicks you throw here? | ||
| So he's all warming up, stretching out, and he's about to kick this bag. | ||
| And he looks over at Joe, and he sees Joe shadowboxing a little bit. | ||
| And he asks Joe, Joe didn't want to. | ||
| I wanted to set... | ||
| I was setting him up. | ||
| I wanted him to kick the bag first and then have Joe kick and look at his face. | ||
| I've done this before, like at John Jocks. | ||
| It was like an old thing that I did. | ||
| And I was setting him up. | ||
| But before he kicked the bag, he looked at Joe and says, have you ever trained? | ||
| And Joe did one. | ||
| He goes, yeah. | ||
| And he goes, in what? | ||
| In Taekwondo. | ||
| And then he goes, for how long? | ||
| And it was quite a long time. | ||
| And he goes, let me see what you got. | ||
| So then Joe said, okay. | ||
| So Joe murders this fucking bag. | ||
| He crushes it. | ||
| He destroys the bag. | ||
| He crushes it. | ||
| And after he gets done with this flurry of hurricane kicks, the guy goes, hey, listen. | ||
| Fuck that noise. | ||
| He goes, I do this for a living. | ||
| If I have a kicking contest with him, I can get hurt and it affects my classes. | ||
| I'm going to teach. | ||
| If you guys want to come to the class, I'll show you the kicks in class. | ||
| Smart guy. | ||
| Am I lying? | ||
| 100% true. | ||
| He backed out of it. | ||
|
unidentified
|
He wouldn't kick it. | |
| Where he's kicking with Mike Delagrate? | ||
| Mark Delagrate. | ||
| Whatever his name is. | ||
| You know the guy's name. | ||
| I watch that fight podcast. | ||
| He doesn't know Mark Delagrate. | ||
| I watch that fucking... | ||
| Shut up. | ||
| It's tough. | ||
| Shut up all of you. | ||
| I watch that video 15 times. | ||
| It hurts my heart sometimes. | ||
| You only work with a fucking professional fighter. | ||
| It's Mark Delagrate. | ||
| No worries. | ||
| You only work with a top 10 heavyweight. | ||
| No worries. | ||
| I've seen a lot of guys kick. | ||
| I've grown up in gyms. | ||
| I've seen Dwayne. | ||
| I'm just saying... | ||
| The hardest kick I've ever seen, I'll go on record saying this, is Joe Rogan. | ||
| It's not just because he's my boy. | ||
| It's the hardest kick I've ever seen. | ||
| We got in the car, and I thought everyone was going to be talking about my boxing, right? | ||
| But no one said shit. | ||
| Everyone's talking about Rogan's kicks. | ||
| I was like, yeah, pretty cool. | ||
| Fuck that guy. | ||
| Anyway, it's like, damn, man. | ||
| It's nutty shit, man. | ||
| It's insane. | ||
| If you haven't seen it, check it out. | ||
| Well, I started doing it when I was a little kid. | ||
| So what? | ||
| When I would commentate for King of the Cage back in the day, this was like in 2000, I would work with Joe every now and then. | ||
| He was trying to show me some shit. | ||
| And man, I was holding bags from what I felt. | ||
| This was like 2000, 2001. And I'm thinking, are kicks from a guy this size supposed to be this hard? | ||
| I didn't know. | ||
| He was showing me how to hold bags. | ||
| I'm like, this is... | ||
| I can only imagine if I didn't have the bags how it would hurt on my arms. | ||
| You knew your arm would break. | ||
| So at John Jocks there was a bag, one bag in his jiu-jitsu school. | ||
| And it was filled, the class was filled with guys that wear black belts in karate. | ||
| They were trying to add jiu-jitsu to their system. | ||
| We had a bunch of black belts. | ||
| So I wanted to know if maybe this was just normal. | ||
| Maybe all dudes can kick like this. | ||
| So I would say, I would have guys go, Dave, can you kick the bag right here? | ||
| Dude who owned karate. | ||
| So he would kick and I go, Joe, now you kick it. | ||
| And then everyone would go, oh shit! | ||
|
unidentified
|
It's like a shotgun. | |
| And then we're like, oh my god, it is incredible. | ||
| So then I kept doing that over and over. | ||
| I wanted to make sure I knew what I was talking about. | ||
| So I remember commentating for King of the Cage and Rico Rodriguez was a Backstage, and we were hanging out, and he was the only one I saw that would throw turning sidekicks. | ||
| And I felt Joe's turning sidekick. | ||
| Right away, he was showing me how powerful it can be. | ||
| And I remember taking a video of Joe doing turning sidekicks in his old house in the garage, showing it backstage to Rico Rodriguez. | ||
| There was no YouTuber or anything. | ||
| I'm like, look, dude, you got to take lessons from Joe Rogan. | ||
| You got to throw it out. | ||
| And I remember him looking at the screen and you couldn't really tell on that little... | ||
| It was a little LCD screen for my video camera. | ||
| My video camera I'm showing. | ||
| And he was like, hmm, I'm trying to show him. | ||
| There's no technology in 2000 at all. | ||
| I had to show him with the LCD screen. | ||
| And he was like, interesting, interesting. | ||
| And he thought I was crazy. | ||
|
unidentified
|
The guy from Fear Factor can kick like that. | |
| I watched that Instagram video. | ||
| I showed probably 50 people that... | ||
| You know who can kick like a fucking mule? | ||
| And I would beg him to kick. | ||
| I would beg him to kick. | ||
| Shane Carwin. | ||
|
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|
I said, when you fight Brock Lesnar, throw this fucking kick. | |
| Well, he's built in that weird way. | ||
| Everything is too big. | ||
| His shoulders are too big. | ||
| His hands are too big. | ||
| He walked into fucking the Boulder Jiu-Jitsu school. | ||
|
unidentified
|
Yeah. | |
| He walked to Mall Easton's place. | ||
| Mall Easton, yeah. | ||
| And I swear to God, it took me a half a second to realize it was Shane Carwin, because I thought I was watching, like, a movie. | ||
| I thought I was watching a movie where, like, the thing shows up. | ||
|
unidentified
|
Bro. | |
| He's that big! | ||
| He was practicing kicks, and we kept telling him, we gotta use him, you gotta use him. | ||
| This is right before I went in the tough house. | ||
| This motherfucker decided to start using him, tore my MCL the week before I went to the ultimate fighter house. | ||
| So I went in the house with a torn MCL. He kicked me once, I said, no more, you fucking behemoth. | ||
| I can only imagine, if you look at how big his hands are, if you see how hard he punches, the punching power is gonna directly translate to kicking power. | ||
| If a guy has freaky punching power, he's gonna have freaky kicking power. | ||
| Almost always. | ||
| It's just a matter of, has he put in the same amount of time? | ||
| Wow, this Japanese guy hung in there, man. | ||
| Yeah, yeah, he's got this dude on his back. | ||
| If he chokes him out, this would be incredible. | ||
| Eddie, how funny is it that almost everybody goes with the body triangle now when they take the back? | ||
| You got to. | ||
| Isn't it funny, though, that that used to be a thing? | ||
| Oh, we used to say that all the time. | ||
| I'm never going to disagree with Eddie Bravo, ever. | ||
| I'm just saying, for my game personally, in MMA, I'm not a fan of the body triangle. | ||
|
unidentified
|
Why? | |
| Flexibility sucks? | ||
| I can do it. | ||
| Why aren't you a fan? | ||
| I just feel like, especially guys are so good at defending, a blue belt in the UFC with those big gloves can defend forever, so it's almost a stalling technique now. | ||
| Unless you're just a Henrik Gracie, Hiram Gracie, Eddie Bravo, Verdun, fucking nasty on someone's back, you gotta move. | ||
| You gotta move, you gotta transition to arm bar, you gotta transition to side control from it. | ||
| I have no problems with that. | ||
| I'm not disagreeing. | ||
| I wouldn't disagree with you. | ||
| If I was going for the kill on the back, I would definitely put the body triangle in. | ||
| I would. | ||
| But if I wasn't, if I was thinking, he's too fresh. | ||
| In MMA, it seems like if you get a guy's back and he's fresh. | ||
| It's tough. | ||
| Forget about it. | ||
| I would transition to spiderweb, the armbar position. | ||
| I would go right to that. | ||
| Just with Ronda. | ||
| Ronda, don't mess around with the back. | ||
| But if you get someone's back late and they're kind of tired and hurt, that's when you put the rear naked choke in. | ||
| That makes sense. | ||
| Because guys are... | ||
| It's hard with the gloves, like you said. | ||
| They grab the glove, though. | ||
| If you notice, and you're not allowed to, but they grab the glove. | ||
| So it's super tough, man. | ||
| And it's tough to sneak the hand in around the neck because of the glove. | ||
| Do you think that there could be an argument... | ||
| Because of the fact that they're not fighting with anything on their feet. | ||
| They're kicking each other in the face. | ||
| Like, why aren't they punching each other in the face with no gloves on? | ||
| The reality being that if you punch incorrectly and if you were more wild and reckless with your punches, you would have to pay a price for it. | ||
| So we're really more protecting hands than we even are the fighter. | ||
| And in fact, it's probably better for your brain if you're getting bare knuckled. | ||
| If you're not allowed to tape your wrists up and you're not allowed to put anything on your hands, I'm sorry. | ||
| You just can't hit as hard. | ||
| You just can't. | ||
| You're going to have some movement. | ||
| You're going to have some movement in your wrists. | ||
| When you punch, you're going to have a lot of movement. | ||
| With your kicks, you don't have any fucking movement. | ||
| You're shinning people in the head. | ||
| There's no movement. | ||
| Thicker, denser bone. | ||
| And like Terry Edom, when Ezrin Barboza wheel kicked him. | ||
| There's no movement in your fucking heel, man. | ||
| None. | ||
| So the amount of impact that you can make with a heel, like that, like a hammer. | ||
| You're saying people should maybe wear... | ||
| No, I'm not saying that. | ||
| No, get rid of the gloves. | ||
| I'm saying get rid of the gloves. | ||
| I think there's an argument for getting rid of the gloves. | ||
| You know why there's not? | ||
| Mainstream media would be like, what? | ||
| You fucking morons. | ||
| It's a four ounce glove. | ||
| It doesn't do much. | ||
| It's just perception. | ||
| I think honestly it probably protects the hand more than it protects anything. | ||
| From breaking the hand. | ||
| Bellator gloves, they have a good idea, because it's more curved, and it's more padded, and it protects the hand better. | ||
| And why would there be padding in the back of the hand? | ||
| Why do they have padding right there? | ||
| Because you get backfist dudes. | ||
| You get spinning backfist guys. | ||
| Oh, Jesus. | ||
| There should just be pads on the knuckles, not on the back of the hand, that big, thick thing. | ||
| It's harder to get rid of. | ||
| It's true, but the Bellator glove, the reason why it's so fat like that, the idea being that it's everlasting. | ||
| They gave it to the Japanese guy. | ||
| Pat... | ||
| Of course. | ||
| Whoa! | ||
|
unidentified
|
Whoa! | |
| Maybe he won that second round. | ||
| I don't know. | ||
| We were barely paying attention. | ||
| Dude, that first round should have been 10-8. | ||
| There's no way. | ||
| This should have been a draw. | ||
| I think what I was saying is the Bellator glove, it supports... | ||
| And there's still four-ounce? | ||
| There's still four-ounce? | ||
|
unidentified
|
Yes. | |
| But there's more support. | ||
| You would hate it even more, Eddie, because there's more stuff on top. | ||
| It's like thicker on top. | ||
| That's what she said. | ||
| I think they found that they had way less handbrakes, though. | ||
| Once they started using it, they had a bunch of handbrakes. | ||
| The Bellator gloves? | ||
| Yeah. | ||
| That's significant, because a handbrake can take you out for six months, right? | ||
|
unidentified
|
It can. | |
| Right, but Eddie, do you see my argument? | ||
| It's not even an argument. | ||
| I'm not married to it. | ||
| I'd be happy if they kept fighting with UFC gloves. | ||
| But I think there can be a debate. | ||
| That it would probably be just as safe with no gloves and probably maybe even possibly safer and way better for grappling. | ||
| Have there been less pokes to the eye or more or has it been basically the same? | ||
| There's always like a steady amount. | ||
| It happens all the time. | ||
| Yeah. | ||
| I would say with no gloves, if it's easier to knock a guy out, good for the show, good for the sport. | ||
| If it's easier to get submissions because you don't have all that shit, that's good for the show. | ||
| It would... | ||
| If it adds KOs and adds submissions, get rid of them. | ||
| I think if you have gloves on, you probably can KO people better. | ||
| I really do. | ||
| I think you have way more protection on your wrist. | ||
| That's a big thing. | ||
| Your hands are wrapped up. | ||
| You feel real confident with it. | ||
| It's nice and tight. | ||
| Yeah, anything to get more knockouts and more submissions. | ||
| That's what we want to see. | ||
| We're not paying for decisions. | ||
| Yeah, I mean, and also, it's like, how much work is getting done? | ||
| I mean, how much work is getting done with those fucking gloves on? | ||
| Spend a lot of time wrapping the hands for what, really, again? | ||
| Yeah. | ||
| Gotta protect those hands, man. | ||
| Those hands are precious. | ||
| Yeah, I mean, think about... | ||
| Fuck the cheekbones. | ||
| Fuck the cheekbones. | ||
| Fuck your eye sockets. | ||
| Yeah, yeah. | ||
| This is kind of weird, right? | ||
| Why wouldn't they pad up the eye socket? | ||
| Well, this is all... | ||
| I think it's all remnants of boxing, you know? | ||
| I think we have a lot of ideas. | ||
| We have their scoring system. | ||
| We talk... | ||
| We don't have our own scoring system. | ||
| Our scoring system is based entirely on the boxing scoring, so the 10-point must system. | ||
| We just arbitrarily started using 10-point must because the athletic commissions had already prepared for it. | ||
| They already had judges that knew how to score a 10 for the winner, 9 for the loser. | ||
| If it's a bad round, he scored an 8. I mean, this is a way different game than boxing. | ||
| It needs its own type of fighting. | ||
| I'm super into that. | ||
| I know you are. | ||
| Don't you think that we need a more complex scoring system? | ||
| Fuck yeah! | ||
| You and Eddie Bravo, when we worked together, Eddie Bravo used to do the in-round scoring at the UFC, and it was fucking great, because Eddie had a system. | ||
| Unofficial judge. | ||
| Unofficial in-round scoring. | ||
| So he would sit next to us. | ||
| He would sit next to us, and then in between rounds, we would show a highlight or something, and then I'd say, Eddie, what do you think? | ||
| And Eddie would say, I gave it to this, to this, I think Verdum did that, and blah, blah, blah. | ||
| And he would break down why. | ||
| And he had a sheet, and on his sheet, he would write kicks on one side, takedowns on the other side, submissions on the other side, and he would write what type of submission, how close it was, and he had all that stuff laid out, and then afterwards, he would give a detailed reason why. | ||
| I thought that Kane won that round because of this, and he would go over all the values, You've got to write it down. | ||
| It's so hard. | ||
| I didn't write it down at first. | ||
| There's so much that went on in that round. | ||
| It's hard to tell, but if you could visually see it, I would write it down. | ||
| Here's a question. | ||
| If somebody attempts 10 takedowns, and the guy stuffs 10 takedowns, The aggressor is more valuable. | ||
| Right. | ||
| But then he gets one. | ||
| What about if he wins the round, for sure. | ||
| He's winning the round if he's attempting more. | ||
| If the guy's stuffing it, that guy is not giving up too much. | ||
| So aggression should count as... | ||
| Sure. | ||
| It should be something. | ||
| What about if I'm a submission artist, I pull half guard, and I'm throwing all these submission attempts, all these submission attempts, and the guy's kind of getting out of them, I'm getting nothing. | ||
| The judges see the guy on top, he's getting the points. | ||
| It's true. | ||
| But I see your point with that. | ||
| Say that again. | ||
| A guy's trying to submit you. | ||
| So let's say you and I are fighting, you pull guard, and you're throwing umoplata, triangle, arm bars non-stop for five minutes, non-stop. | ||
| The whole time I'm defending, I win the round. | ||
|
unidentified
|
That ain't right. | |
| That ain't right, but... | ||
| And I'm doing no damage. | ||
| But let's say in that Ben Saunders fight, let's say that exact same thing happened every round. | ||
| He ended up taking him down and just assaulted him with those elbows and rubber guard, but he didn't finish him. | ||
| I think... | ||
| When it's that clear, the judges will give it to the guy on the bottom. | ||
| Because it has happened before. | ||
| It just needs to be clear with some serious threats from the bottom. | ||
| That's up for debate. | ||
| You would think they would. | ||
| I bet it would be 50-50, depending on where you're fighting. | ||
|
unidentified
|
They should. | |
| How fucking crazy is that, though? | ||
| They should. | ||
|
unidentified
|
It's crazy. | |
| Yeah. | ||
| Because... | ||
| Think if the NFL NBA were like that, where it's 50-50. | ||
| Let's say Ben Saunders... | ||
| Don't leave it up to the judges! | ||
| Let's say Ben Saunders didn't get the OMA plot, that the guy survived and the time ran out. | ||
| Who would have won that round? | ||
| You think the judges would have really gave it to the dude on top? | ||
| Probably. | ||
| He was in deep shit the whole time. | ||
| I know, but all they do is... | ||
| A lot of them are just mentally geared towards he's on top, he's winning the round. | ||
| Because they're uneducated with jiu-jitsu. | ||
| You know what ends up happening? | ||
| I'll tell you, some of these judges, man, they look at the replays, and if in the truck they're showing one dude doing all that stuff, they go, okay, they must in the truck think that dude's winning, so they do that. | ||
| You think so? | ||
| They do that 100% for sure. | ||
| 100% for sure. | ||
| A million percent. | ||
|
unidentified
|
A million percent. | |
| Not all of them. | ||
| Not all the judges. | ||
| Not all the judges. | ||
| But a few. | ||
| But I know it's happened. | ||
| Dude, this is the fight I'm looking most for. | ||
| Brendan Schaub has a weird fascination with this fight. | ||
| I know. | ||
| I don't think it's about fighting. | ||
| I'm kidding. | ||
| It's weird. | ||
| I don't think it's about fighting. | ||
| I get this weird feeling. | ||
| She's a thick young lady. | ||
| She looks... | ||
| Look at her picture. | ||
|
unidentified
|
Look at her picture for the UFC. You see how thick she is? | |
| Like a little Palaharis. | ||
| Look at her arms. | ||
| I think Misha Tate is very attractive. | ||
| She might be the most attractive female in the past. | ||
| She doesn't do steroids. | ||
| No way. | ||
| Who? | ||
| Look at that Japanese shit right there. | ||
| Look at that. | ||
| And then tell me, she's a cutie pie too. | ||
| No, first of all, Rin grew up doing gymnastics, judo. | ||
| She trains every day. | ||
| Takes only one day off a month. | ||
| She trains four hours a day. | ||
| She has that freaking crazy workout. | ||
| She's undefeated, too. | ||
| Look at those arms, dude. | ||
| Come on. | ||
| She's undefeated. | ||
| Undefeated. | ||
| 16-0. | ||
|
unidentified
|
One draw. | |
| Dude, she's no joke. | ||
| She's nasty on the ground. | ||
|
unidentified
|
I'm a huge fan. | |
| Right now, I'm a huge fan. | ||
| All of a sudden, I hope she's awesome. | ||
| Me too. | ||
| I hope she doesn't get smoked. | ||
| Well, what is that thing that she does? | ||
|
unidentified
|
Look how young she is. | |
| Like those weird photographs that she does. | ||
| She does like weird modeling. | ||
| Oh, you mean the awesome, sexy pictures she takes, Joe? | ||
| I'm not saying it's bad. | ||
| It's called marketing. | ||
| It's called marketing. | ||
| You mean the awesome. | ||
| I'm just saying, if it was your mom, I would say it's odd. | ||
| I got a question for you, Brendan. | ||
| Are you going to a store, Brian? | ||
| No, bro. | ||
| Okay. | ||
| It's weird you have brands stored in your car. | ||
| He's going to go to another party right now. | ||
| Let's say Travis Brown wanted to fight you in a rash guard. | ||
| And the commission, since they're allowing girls to fight in rash guards, they decide, ooh, let's make it... | ||
| Leave it up to the fighters. | ||
| Would you allow... | ||
| If it was up to you, would you allow Travis Brown to wear a rash guard in your fight? | ||
| No. | ||
| Why not? | ||
| Because... | ||
| Girls wear them all the time. | ||
| It's true. | ||
| Why would you say no? | ||
| But they're both in them. | ||
| Would you say no? | ||
| Or would you say whatever he wants, it doesn't matter? | ||
| What would you say? | ||
| I would probably say no, because if he wants to wear it, there's some sort of advantage that he thinks that he's going to have by wearing it. | ||
| So he must be hella comfortable in this rash guard. | ||
| If I pull the power move, I'm like, nah, son, take that rash guard off, because I'm not wearing one. | ||
| You know what I'm saying? | ||
| Friendly sharp playing mind games. | ||
|
unidentified
|
But you can't, you would think, look, look, look. | |
| But what could be the advantage? | ||
| I don't know. | ||
| You're nasty in a rash guard. | ||
| What are you talking about nasty? | ||
| Look. | ||
| Look at this. | ||
| No, behind you. | ||
| Brendan Chubb. | ||
| Dude, she's yoked. | ||
|
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|
Whoa! | |
| There's your girl. | ||
| Look at those legs! | ||
| There's all the photographs of her. | ||
| She got some butt on her, son. | ||
| Look at her arms, man. | ||
|
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|
It's too much. | |
| It's a little much. | ||
| I know, a little much. | ||
| No, no. | ||
| Because I think she would be kind of submissive. | ||
| It'd be kind of hot. | ||
| Because she's like this super strong Asian martial arts killer. | ||
|
unidentified
|
What kind of advantage do you think you would have? | |
| Maybe a grip advantage. | ||
|
unidentified
|
How? | |
| How would it grip you? | ||
| In the beginning, because let's say you're fighting a guy like Fabricio Verdum, who you're worried about. | ||
| You're going to get a really good sweat and warm-up on before, so I'm a little more slippery. | ||
| You know what I'm saying? | ||
| You want to be slippery. | ||
| Yes. | ||
| Oh, I see. | ||
| So you think that it would be an advantage because it would limit your defense. | ||
| Yes. | ||
| Especially with a guy like Verdum, right? | ||
| That's what I'm saying. | ||
| What if Travis Brown wanted to wear that? | ||
| You would object to it? | ||
| Yeah, I'd slap him in the face. | ||
|
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|
Really? | |
| Yeah. | ||
| At the press conference, slap him in the face. | ||
| For even considering it. | ||
| I don't think that would go over well. | ||
| What if the guy you were fighting... | ||
|
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|
Help John Jones in D.C. What if the guy you were fighting... | |
| Let's see, who could it be? | ||
| Did it help him? | ||
| If he wants to wear a mask. | ||
| I'm down for that. | ||
| Does Carlos wore that in Pride? | ||
| I'm down for that. | ||
| Hey, what if you were fighting Crow Cop and he wanted to wear a rash guard? | ||
| Would you allow him? | ||
| Think about it. | ||
| He was not going to try to submit you. | ||
| I know, but I kept taking him down. | ||
| You would want to submit, but... | ||
|
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|
I kept taking him down. | |
| I fought Kroka. | ||
| Oh, wait. | ||
| That's right. | ||
| You beat him, right? | ||
| Yeah. | ||
| I forget. | ||
| I forget. | ||
| Yeah, and not only that... | ||
| That was a bad example. | ||
| It would be a bad example because a kickboxer would want to have a really good guard. | ||
| Like, you would want to have that extra grip. | ||
| And he wants to get up. | ||
| Yeah. | ||
| But if you're on the bottom, how is that going to help you with the guard? | ||
| The extra grip, holding a guy onto you. | ||
| No. | ||
| A lot of those guys would just try to get stood up. | ||
| Yeah. | ||
| You got two bottles of wine? | ||
| Or Lasky and Krokop did the same. | ||
| He just held on. | ||
| So you would be against... | ||
| If you had to sign a petition against... | ||
| Are you for or against rash guards in MMA? I honestly don't care that much. | ||
| But if you wear a rash guard, I'm going to wear wrestling shoes. | ||
| I'm going to kick you in the face. | ||
| Ooh, wrestling shoes. | ||
| What if you were going up against a guy like Paul Harris? | ||
| Then no wrestling shoes. | ||
| No wrestling shoes. | ||
| Very sweaty ankles. | ||
| I'm going to oil these things out. | ||
|
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|
Whirl them up and put a little cocoa butter on. | |
| And make leg locks illegal. | ||
| I want to say the dude's name, but I know a dude who would lay in a mineral bath. | ||
| He would take mineral oil and lay in the bath the night before, and then he would take a shower and dry off, and then he would make weight, and even though he was not wearing any oil on him, he was so oily from the night before that as soon as he broke a sweat, it would all come through his pores, and he would just be like a fish. | ||
| A seal. | ||
| Just a seal. | ||
| A seal. | ||
| Do you think you could beat, in an MMA fight, do you think you could beat Gabby Garcia? | ||
| Are you being for reals? | ||
| Yeah. | ||
| Yeah! | ||
| How dare you? | ||
| You're talking to a man. | ||
| Can you punch up Gabby Garcia? | ||
| Look how big she is. | ||
| Gabby Garcia. | ||
| And then push images. | ||
| She lost weight. | ||
| She got slim. | ||
| I don't care if she was 300 pounds. | ||
|
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|
She's shredding. | |
| Real quick, I like Misha Tate. | ||
| I think she's very attractive. | ||
| However... | ||
| Rin Nakai? | ||
| Yes. | ||
| Rin Nakai, I just feel like she can win this and it's going to be good for the sport. | ||
| Could you imagine if she became the welterweight or the bantamweight champion? | ||
|
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|
Yeah. | |
| If Rin to Kai, if she's got all these freak pictures of her in her underwear, you know, wearing fucking, like, little fucking bunny rabbit slippers and shit. | ||
| This is a dangerous fight for Misha, man. | ||
| She's got head movement. | ||
| It's a dangerous fight for Misha. | ||
| She's 10 yards away. | ||
| Because she doesn't know what to expect. | ||
| Yeah, but she could be setting her up. | ||
| Look at this little bulldog! | ||
|
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|
What is she doing? | |
| She could be setting her up. | ||
| This Japanese bulldog! | ||
| It doesn't necessarily mean she doesn't know what she's doing. | ||
| She could be setting her up. | ||
| She's going to try to get her down. | ||
| Oh, she doesn't know what she's doing. | ||
| Come on. | ||
| No, she's stiff. | ||
| But she could still land, man. | ||
| But she looked very stiff. | ||
| Nerves. | ||
| You got first UFC fight. | ||
| Fuck yeah. | ||
|
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|
Oh! | |
| I bet she's real strong. | ||
| Oh, dude, Misha Tate's gonna fuck her up. | ||
| Misha Tate's looking very good here. | ||
| Hey, Brian, for sure quit turning to the mic. | ||
| What the fuck is wrong with you? | ||
| How long you been in show business, my man? | ||
| What the fuck is wrong with you? | ||
| He wants to be on that mic so badly. | ||
| I got hungry, sorry. | ||
| Even when he's eating. | ||
| He can't push it away. | ||
| That's my friend. | ||
|
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|
It's right there. | |
| It's my friend. | ||
| It looks like Misha's gonna dominate. | ||
| Yeah, it does. | ||
| Misha looks very strong. | ||
| Misha said, oh, you train every day except for one? | ||
| Check this out. | ||
| Misha looks very strong and very aggressive. | ||
| And, you know, there's another thing that she's coming off of a fight where she wasn't... | ||
|
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|
Oh! | |
| That's what I'm saying. | ||
| Ragdonner! | ||
| Misha's jiu-jitsu is pretty solid, too. | ||
|
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|
Yeah. | |
| Well, her overall technique is very solid. | ||
| I mean, she's the only person to ever put Ronda in a compromising position in a fight. | ||
| Liz Carmouche. | ||
| Liz Carmouche. | ||
| Oh, that's true. | ||
| That's true. | ||
| But that was when Ronda, she still does. | ||
| She does that hip toss where she grabs a hold of the headlock. | ||
| It's a headlock, yes. | ||
| And she gives up the back all the time with that. | ||
| You know why? | ||
| It's because she wasn't trained with a cage, so she wasn't used to it and got in a weird position. | ||
| I just feel like she's so confident. | ||
| She feels like it doesn't matter if they get her neck or whatever. | ||
| She's going to fuck them up. | ||
| That girl has such incredible laser beam focus towards victory. | ||
| She doesn't have any doubt. | ||
|
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|
It's going to be that Beth Correa. | |
| That's going to be a great fight. | ||
| Is that going to actually happen? | ||
| Is that the next fight? | ||
| She's got Ronda so pissed off. | ||
| She looks like a giant. | ||
| She's tough. | ||
| Well, compared to this chick, Rin Nakai. | ||
| Well, Nakai's very thick, but it doesn't seem to be working out. | ||
| Rin Nakai better figure something out here. | ||
| Not that impressed, I've got to be honest. | ||
| Well, she's very stiff. | ||
| I mean, she can still win. | ||
| Anything can happen. | ||
| Fights are crazy. | ||
| She can win with a submission. | ||
| She's not going to win. | ||
| She's not going to win striking. | ||
| You never know, man. | ||
| You never know. | ||
| No. | ||
| She's not going to win striking. | ||
| Unless she just has some... | ||
|
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|
Oh! | |
| She got tagged with that knee. | ||
| Misha's lighting her up now. | ||
| Misha looks very smooth. | ||
| Yes, she does. | ||
| Misha looks great. | ||
| She's getting close to taking her down. | ||
| But I'm telling you, dude, weird things happen when people are durable. | ||
| And this chick seems very durable. | ||
| I'm not saying she's going to win the fight, but weird shifts can happen. | ||
| Misha's a professional. | ||
| She's too good. | ||
| Rinna Kai's being like, holy shit, I'm in the UFC. That's what she's thinking right now. | ||
| Oh shit, I'm in the UFC. By the way, this is one of the best versions of Misha we've ever seen, if not the best. | ||
| You don't think it's the opponent she's facing? | ||
| I'm sure it has something to do with it. | ||
| No, but seriously, she looks very good. | ||
| Shaw be nice. | ||
| No, he's being honest. | ||
| I'm being dead honest. | ||
| It's like when O'Ream fought Frank Mare. | ||
| I'm the biggest Frank Mare fan in the world. | ||
| Everyone's like, oh my god, the Ream is back! | ||
| Or was he fighting a human punching bag? | ||
|
unidentified
|
Frank Mare did nothing. | |
| Frank's had a long career, man. | ||
| And he got hit by a fucking car. | ||
| Well, motorcycle accident, right? | ||
| He got hit by a car. | ||
| He was on a motorcycle, and the car literally hit his leg. | ||
| The car slammed into his leg. | ||
|
unidentified
|
Yeah, but he had great fights after that. | |
| He still had great fights after that. | ||
| He had good fights after that. | ||
| Brock Lesnar? | ||
| It took him a long time to recover. | ||
| It took him a long time to recover. | ||
| I think that was a devastating injury. | ||
| For sure. | ||
| Frank's one of the best ever to do it. | ||
| Ever. | ||
| Well, without a doubt, one of the best submission artists. | ||
| Without a doubt. | ||
| Oh, she's hurt. | ||
| It's over. | ||
| She's really hurt. | ||
| It's over. | ||
| Oh, boy. | ||
| Misha's just too good. | ||
| She's durable, man. | ||
| Very durable. | ||
| The sport needs Misha. | ||
| It helps. | ||
| Women's fighting needs Misha Tate. | ||
| Wow, Brendan's shot. | ||
| Imagine what Rhonda would do to her. | ||
| I'm telling you, because she's attractive, she speaks well, and she has some skills. | ||
| Yeah, oh, she definitely has some skills. | ||
| Oh, shit. | ||
| You know, what is a chick like Misha, though? | ||
| What does she do with a girl like Rhonda out there? | ||
| That is kind of a problem, right? | ||
| Oh, you're always going to be second place. | ||
| Second place isn't that bad. | ||
| It's like Shake and Bake. | ||
| It's Shake and Bake. | ||
| Shake and Bake. | ||
| Ron does Shake. | ||
| Misha's Bake. | ||
| Hey, Bake still lived in a nice crib. | ||
| Bake still had a nice crib. | ||
| Bake wound up fucking Shake's wife, remember? | ||
| Shake got crazy. | ||
|
unidentified
|
Shake gets crazy. | |
| I like Shake got crazy. | ||
| I like to party. | ||
| That was a great movie. | ||
| Why is the TV on? | ||
| Why do you watch the TV on the radio at the same time? | ||
| Because I like the party. | ||
| Hey, how do you get the sound of the stereo but still watching the TV? He's telling them how to work his fucking home system! | ||
| That's such a good movie. | ||
| Great movie. | ||
| Shake and bake. | ||
| But nobody, I'm telling you, man, they're not good friends. | ||
| Look at my face. | ||
| Ronda always belittles her. | ||
| No, they fucking hate each other. | ||
| Hate each other. | ||
| No, I'm just saying shake and bake, but they hate each other. | ||
| Yeah, but be in second place to someone as ruthless as Ronda. | ||
| Like, when they were doing The Ultimate Fighter together, and they were doing that thing where they were climbing the wall, and Ronda wins, and she goes, fuck you, bitch. | ||
| She hates her. | ||
| She fucking hates her. | ||
| Nobody does that. | ||
| Everybody else, if it's Gilbert... | ||
| Even guys don't do that. | ||
| Ronda's a different animal, man. | ||
| She literally has hate in her heart. | ||
| Oh, yeah. | ||
| I don't hate anyone in the UFC. I don't hate anyone. | ||
| No one. | ||
| Ronda literally hates Misha Tater, hates a few people. | ||
| She's on some next-level shit. | ||
| She's on some demonic next-level shit. | ||
| She's got some fury in her, and... | ||
| And you don't want to be Misha Tate receiving on the end. | ||
| But you need to be... | ||
| Not only do you need to match her skill set, which is good fucking luck, but you need to be able to match that intensity, man. | ||
| That intensity is a motherfucker. | ||
| I'll tell you who's really fucked is this Ren Nakai, okay? | ||
| She's fucked in life. | ||
| Because we're talking about Ronda right now. | ||
|
unidentified
|
This girl's over here attempting this half-ass double leg. | |
| She's freaking... | ||
| I don't know what she's doing. | ||
| You turned on her. | ||
|
unidentified
|
I did, man. | |
| In one round. | ||
| You turned on her. | ||
| You turned on her. | ||
| You were trying to date her. | ||
|
unidentified
|
Bro, I was planning out our kids and shit. | |
| No, you were in love. | ||
| Not with head movement like that. | ||
| No. | ||
|
unidentified
|
No. | |
| Oh! | ||
| Excuse me, sir? | ||
| She doesn't have what it takes to take her down. | ||
| Get this and Brennan might like you more. | ||
| No, she's not going to finish any take. | ||
| She's checking her oil! | ||
| She's checking her oil. | ||
| She doesn't have any oil in there, man. | ||
| Misha was knuckle deep in that ass. | ||
| That's oil. | ||
| Knuckle. | ||
| Knuckle deep. | ||
| Women, it's not an oil situation. | ||
| The knuckle deep meter hits red hot Friday nights. | ||
| Misha's gonna take over with a knee. | ||
| Dude, can you imagine lube made from real butt oil? | ||
| Well, if a guy has oil, does a gal have oil as well? | ||
| Would you call it checking your oil? | ||
| Yeah, everyone has butt oil. | ||
| Checking your honey. | ||
| Checking your honey pot. | ||
| Come on! | ||
|
unidentified
|
Butt oil is... | |
| Checking your honey pot. | ||
| This is a pathetic conversation. | ||
| Checking the Kool-Aid. | ||
| 10% butt oil. | ||
| Let's not do this, because this is bad for the sport. | ||
| I agree. | ||
| We're on a weird path, man. | ||
| I was trying to stay out of it. | ||
| But you guys dragged me in! | ||
| It's none of our faults. | ||
| We've been drinking, and we're not responsible for our words. | ||
| Correct. | ||
| No, I am, though. | ||
| I'm just drinking coffee. | ||
| I'm sober as shit. | ||
| But things like that. | ||
|
unidentified
|
But it's late. | |
| Like getting kicked in the junk. | ||
| I don't ever know what to say. | ||
| If a girl kicks a girl... | ||
| I'm not coming up with a new thing to say. | ||
| Have they shown it in slow motion? | ||
| Have they stopped the fight? | ||
| Have they stopped the fight? | ||
| No. | ||
| What about a titty shot? | ||
| What about a titty shot? | ||
| That might hurt. | ||
| What's going to happen? | ||
| Are you going to show it in slow motion? | ||
| You show the ball shots in slow motion. | ||
| That's my point. | ||
| And everyone goes, ooh! | ||
| The whole stadium goes, ooh! | ||
| By the way, I joke about it sometimes. | ||
| You know, I'll make light of it, like, oh, that is not fun. | ||
| You know, I'll say something like that, but I'm not going to say that if it's a girl. | ||
| If it's a cunt punt? | ||
| Hey, you said that, Eddie Bravo. | ||
| Excuse me! | ||
|
unidentified
|
Nakai's on her back! | |
| Nakai's on her back! | ||
| How did that happen? | ||
| Never let that back! | ||
| Bro, what did I tell you, man? | ||
| Weird shit happens when people are durable. | ||
| Oh, no. | ||
| This little fire hydrant just keeps on keeping on. | ||
| Oh, Brendan Shaw is back on the couch! | ||
| He wants it back! | ||
|
unidentified
|
He's back on! | |
| He's back, man! | ||
| You get this, we give you Big Brown! | ||
| But listen, she's shaking her. | ||
| Easy, easy. | ||
| She'll take another win than that. | ||
| You don't win one and get the Brown. | ||
| Let's see if she can hold this back position. | ||
| Let's see if she holds the back position. | ||
|
unidentified
|
She's too short. | |
| She's going to shake her off. | ||
| She's trying to switch to a body triangle. | ||
| But no, look, she's hanging on, man. | ||
| She's kind of hanging out. | ||
| She's going to be in her guard now for sure. | ||
| She's going to end up in guard. | ||
| But let's see what kind of guard she's got. | ||
| Maybe she's got a good guard. | ||
| No, those legs are too thick. | ||
| She ain't got no guard. | ||
| She might have some nasty leg locks. | ||
|
unidentified
|
She might have some nasty leg locks. | |
| Well, Misha's a very good grappler. | ||
|
unidentified
|
Yes, she is. | |
| She's a better grappler than she is a striker. | ||
| 100%. | ||
| Man, oh man. | ||
| But you're right. | ||
| Rindikai is a durable little gal. | ||
| She's game. | ||
| Yep. | ||
| Taking shots. | ||
| Yeah, but now she's got Misha on top for dropping bows. | ||
| Ouchy, Wawa. | ||
| She's trying to set up an arm bar. | ||
| Look at this. | ||
| She's good hips. | ||
| She's going for it. | ||
| She's got good hips, man. | ||
| Active hips. | ||
| This is a tricky situation for Misha. | ||
| She better be careful. | ||
| This chick's legit. | ||
| Legit off her back. | ||
| But Misha, good defense. | ||
| Good, strong. | ||
| On top again. | ||
| Here comes the knees, son. | ||
| A little attempt there. | ||
| The more she can slow Misha down on her feet, the more she turns into a grappling match. | ||
| She got some good positions, man. | ||
| I mean, she didn't come close to finishing. | ||
| She's winning this round right now. | ||
| You're in Japan, too. | ||
| Remember. | ||
| Remember the last fight? | ||
| I wonder if they're using Japanese judges. | ||
| I got a text from Dana saying that in the fight that we were talking shit during the whole fight, the referee grabbed the guy's glove I don't know what the situation was, because we were just laughing and having too much fun. | ||
|
unidentified
|
Just right now? | |
| We missed everything. | ||
| Yeah, we missed a fight. | ||
| He's listening to it? | ||
| Yeah, yeah. | ||
| Dana was going crazy. | ||
| And he texted me, and he's like, I'm sure that if I saw it, I would have called it. | ||
| But I told him in the text message, I go, dude, we didn't even see it. | ||
| We were talking so much shit. | ||
| This is the worst way to watch a fight ever. | ||
| Ever. | ||
| We got some weird tangents. | ||
| We're barely paying attention to amazing fights. | ||
| But it's so fun. | ||
| This is my favorite way to watch fights ever. | ||
| Oh, and Nakai's got that single. | ||
|
unidentified
|
Oh, boy. | |
| We were doing this video breakdown of Brian Carraway the other day, and it's funny, Brian Carraway on his resume, like the fighter's resume they gave me, fought in Strikeforce, fought in Elite XC, 13-4 record, said boyfriend of Misha Tate. | ||
| It said girlfriend Misha Tate. | ||
| It said boyfriend of Misha Tate. | ||
| That was in his bio. | ||
| He's a good fighter. | ||
| He's 4-1 in the UFC. He's a very good fighter. | ||
| He's beaten some very good guys. | ||
| It's just his girlfriend is hot. | ||
| And they want the world to know! | ||
| Misha saved his mom's... | ||
| She had an asthmatic attack. | ||
|
unidentified
|
And Misha saved her life. | |
| Misha saved whose life? | ||
| Her mother-in-law's life. | ||
| Oh, look at this! | ||
| She went for a tank down and Nikai got her back. | ||
|
unidentified
|
Mmm. | |
| Damn. | ||
| I like it. | ||
|
unidentified
|
That was fun. | |
| There's something right there. | ||
| Do you see something right there? | ||
| What do you see right there? | ||
| What do I see where? | ||
| Here? | ||
| Well, she's completely on the side. | ||
| Arm triangle position. | ||
| You know what I love, Eddie? | ||
| Tell me about this. | ||
| Are you doing that arm bar where the arm's in? | ||
| That arm bar where everybody's doing it now? | ||
| Like a lot of guys are doing an MMA where the arm's trapped inside the legs. | ||
| Like past the arm to the side. | ||
| From side control, you're saying? | ||
| Yeah, like the arm gets passed to the side. | ||
| It's like this? | ||
| Yeah, yeah, yeah. | ||
| It's totally stretched out and then the guillotine goes on over it. | ||
| You know what I'm talking about? | ||
| I don't know what you're talking about. | ||
| A lot of guys have been doing it where they're getting the arm completely pinned up to the side. | ||
| He gets scared. | ||
| I think this is one-to-one. | ||
| He gets scared. | ||
| I think this is one-to-one. | ||
| I'm just going to throw that out there. | ||
| You guys, have you seen Brian Cowen's wheel kick? | ||
| He does a wheel kick with a wig. | ||
| Oh, look at that! | ||
| She got her back again. | ||
| Damn, she likes jumping on backs. | ||
| That was a good little combo. | ||
| She turned it on then. | ||
| Japanese bulldog. | ||
| That looks like a very shiny outfit, man. | ||
| Misha's clinging to that Kimura attempt here. | ||
| This chick is so strong, man. | ||
| Look at her. | ||
| She's coming back. | ||
|
unidentified
|
She's jumping on the back really quick. | |
| She's jumping on the back really quick. | ||
| That's a good sign. | ||
| That means she likes backs. | ||
| I'm telling you. | ||
| What did I tell you, boys? | ||
| I got instincts. | ||
| I've been doing this a while. | ||
| Never count out the Japanese bulldog! | ||
| Are you rooting against Misha Tate now, bro? | ||
| Me or Brian? | ||
| Any one of us. | ||
| Is anybody here rooting against Misha Tate? | ||
| No, I love Misha Tate. | ||
| Okay, if you could choose to be on a Tropic Island with one of them for a year... | ||
| Don't do this to me, bro! | ||
| Don't do this to me! | ||
| Don't do it! | ||
| You have a thing with a Japanese chick. | ||
|
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You would have a whole family by the time the rescue party came. | |
| She is a cutie pie. | ||
| I'm too light in the ass for her. | ||
| She's on that back, son. | ||
| She's on that back. | ||
| Brandon, you can handle it. | ||
| They're both very attractive. | ||
| You find her attractive. | ||
| Both of them. | ||
| Well, let's admire them for their skill, gentlemen. | ||
| No, that's why it's attractive, because their skills are ridiculous. | ||
| Oh, Misha's out. | ||
| But she's struggling, man. | ||
|
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|
Oh, elbow. | |
| Big elbow. | ||
| Misha looks a little tired. | ||
| Misha is tough. | ||
| A little angry, man. | ||
| I thought she looked a little annoyed. | ||
| That whole combo, that take down to the back, that was really smooth. | ||
| How much more difficult is it for a beautiful girl? | ||
| She's tired. | ||
| How much more difficult is it for a beautiful girl to fight? | ||
| Oh, big elbow. | ||
| It's a lot more pressure. | ||
| I met this girl the other day who said she wants to get into fighting. | ||
| She was stunning. | ||
| I went, why? | ||
| Why would you do that? | ||
|
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|
This is what I'm saying. | |
| A girl like Misha, she has a beautiful face. | ||
| A body to go with it. | ||
| Look at Vanderlei Silva. | ||
| Yeah. | ||
| I mean, everything. | ||
| She's beautiful. | ||
| She's a great person, too. | ||
| Very nice person. | ||
| Smart, too. | ||
| Yeah. | ||
| But let's think about it. | ||
| Vanderlei Silva is also a mixed martial arts fighter. | ||
| Now, I've been a fan of Vanderlei Silva from the golden days. | ||
| Retired today. | ||
| Retired today. | ||
| His face has changed so much from impacts and scar tissue and damage. | ||
| We remember when he fought Dan Henderson, he was actually a handsome guy. | ||
| He had this one look and then over the years of just getting smashed Smashed. | ||
| His nose completely flattened out. | ||
| And then he had to get an operation to open his nose passage up. | ||
| He had zero... | ||
| Mayhem Miller's the same way. | ||
| Mayhem can't breathe out of his nose. | ||
| His nose just doesn't work. | ||
| So crazy. | ||
| Just smashed from over... | ||
| Now, a girl like Misha Tate, that was my point, she is in the same sport as them. | ||
| It's very possible... | ||
| She's not getting hit like a man, though. | ||
| She would have... | ||
| She fought that bitch, Corhea. | ||
| She'd get hit. | ||
| You're talking about the exception. | ||
| When she fought Katzengano, Katzengano stopped her. | ||
|
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|
She had a knee. | |
| That's true. | ||
| She had a horrible knee. | ||
| Beautiful elbow, too. | ||
| What about that elbow? | ||
|
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|
That's true. | |
| Nasty elbow. | ||
| But on average, Wanderlei Silva's going against Crow Cop. | ||
|
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|
No doubt. | |
| All these monsters. | ||
|
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|
No doubt. | |
| Where a jab can break your nose. | ||
| Yeah, it's true. | ||
| It's a little different. | ||
| It's a good point. | ||
| It's a good point. | ||
| But still, you're a girl. | ||
| Still, wouldn't let my daughter fight. | ||
| Look at the scar on... | ||
| Let's think of a big scar that happened in MMA. Okay, like Joe Lozon. | ||
| He's got this big scar that he had to get. | ||
| He had to get that Graston method. | ||
| From what? | ||
| I believe it was a knee or a kick from one of his fights. | ||
| What's a Graston method? | ||
| They take a piece of metal and it's all about breaking up the scar tissue. | ||
| They use it for injuries. | ||
| Athletes use it for... | ||
| It's like a high-tech form of that rolfing stuff. | ||
| It's like breaking down... | ||
| Have you ever done rolfing? | ||
| Yes. | ||
| Fucking painful, right? | ||
| Yeah, it's painful. | ||
| But effective. | ||
| It leaves a mark forever. | ||
| You're fucked. | ||
| You're saying a girl like Ronda Rouse or Mishita who has a really pretty face. | ||
| Yeah, man. | ||
| They could get a giant fucking gash across their face. | ||
| We haven't seen that yet, but how weird is it going to be when there's a chick that has... | ||
| Like Jean-Jacques. | ||
| Jean-Jacques has that cut from fighting Frank Trigg. | ||
| He was shooting in for a takedown. | ||
| He got caught with a knee. | ||
| He had perfect surgery done on it. | ||
| You can't pay attention. | ||
| But Jean-Jacques is a manly man. | ||
| If he has a scar, it doesn't hurt the way he looks. | ||
| Makes him more handsome, really. | ||
| A girl, you're like... | ||
| Yeah, a girl with a four-inch scar across her face. | ||
| Hey, scarlet leather, you know what I'm saying? | ||
| It's not going to change much. | ||
| Guys are so horny. | ||
| It's not going to stop them. | ||
|
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|
Look at this! | |
| Think of a girl like Gina Carano, though, man. | ||
| That face. | ||
| Do you see where that's happening? | ||
| Does that count as a point when she takes her down with that and stands her up? | ||
| If Gina Carano had a Tony Montana scar, it wouldn't matter. | ||
| They scored like a boxing match. | ||
|
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|
Fuck. | |
| But I'm saying that that should be scored, right? | ||
| When you take somebody down in a single eight? | ||
| Yes, it counts. | ||
| Well, they pop right up, though. | ||
| It depends on the judges. | ||
|
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|
So if you take somebody down, somebody stands right up, it's kind of neutral, right? | |
| Take her down, little thing. | ||
| Take her down, little thing. | ||
|
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|
Damn. | |
| Oh, wow. | ||
| I bet you they give it to Rin. | ||
| Oh, you're crazy. | ||
| Really? | ||
| They might. | ||
| Two rounds, right? | ||
| She's a superstar, too. | ||
| She got the back twice. | ||
| You know what I like? | ||
| I like the Ultimate Fighter, how they have two rounds and a third. | ||
| If they go a third, the third decides it. | ||
| That's a great idea. | ||
|
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|
Don't you think? | |
| It's not a bad idea. | ||
| They used to do that in K-1, too. | ||
|
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|
I think that's a good idea because it eliminates... | |
| It eliminates that... | ||
| Misha's disappointed. | ||
| Those fights where you have three rounds and the first two were kind of close, but the judges gave it to the same dude. | ||
| And then the third round, the other guy ends up beating his ass and he still loses. | ||
| It's true. | ||
| You know what was weird, though, in the tough house when I was on it? | ||
| When you go two rounds, I'm like, you wouldn't know. | ||
| You go back to corner, I'm like, we're going to third! | ||
| Like, Jesus, man! | ||
| You know? | ||
| I think it's easier to score that way. | ||
| I agree. | ||
| Yeah. | ||
| For the fighters, it's kind of cool, too. | ||
| You know what I would do? | ||
| If round one went by and it was like uneventful, could have went either way, I would just not even score that round. | ||
| I would wait until the next round. | ||
| If we had another round like that, I would give them one apiece. | ||
| I agree. | ||
| And then, you know what I mean? | ||
| Why would you automatically... | ||
| Give someone a round when it went either way. | ||
|
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|
Who are they going to give it to? | |
| Man, I don't know. | ||
| We were talking so much shit. | ||
| We would be the worst judges of all time. | ||
| We don't even know who the guys were. | ||
| They're going to give it to Nakai. | ||
| They're going to give it to Nakai. | ||
| Misha Tate. | ||
| Shazam. | ||
| Shazam. | ||
| Unanimous decision. | ||
| Are there any boos? | ||
| They don't even blow Japan. | ||
| They just respect the warrior spirit. | ||
| Watching fights in Japan is awesome, man. | ||
| Because while the fights are going on, everyone's dead quiet. | ||
| It's really cool. | ||
| She gonna call out Ronda here? | ||
| She needs to go to wildcard and work on her striking. | ||
| Powerful Brian Stan looking slick. | ||
|
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|
Got that bob cut. | |
| Look, it's not my favorite sexy accent, but goddamn Japanese is pretty hot. | ||
| There's something about it. | ||
| Not in my top. | ||
| It's not my favorite. | ||
| Not in my top. | ||
| Uniquely sexy about it. | ||
| Really? | ||
| The English accent. | ||
| That's the best one. | ||
| It's very submissive. | ||
|
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|
That's pretty good. | |
| That's the best shit. | ||
| Well, Spanish is pretty hot, too. | ||
| Yeah, Spanish. | ||
| I'd say Spanish. | ||
| I'd say Spanish. | ||
| Well, you're Mexican, man. | ||
| That's not exotic to you. | ||
| Although that modern family chick, that Cuban chick. | ||
| Oh, my goodness. | ||
| Sophia. | ||
| Oh, Jesus Christ. | ||
| It's impossible to get hotter than that. | ||
| I'd have kids with her right now. | ||
| If they called me up, I'd do it right now. | ||
| I want to know the story. | ||
| They need to do an episode one special. | ||
| How did he get hurt? | ||
| They need to rewind and go back. | ||
| Who got her? | ||
| Like how Ed O'Neal got her. | ||
|
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|
How did they meet? | |
| How did he pull that off? | ||
| Maybe he's rich as shit and she's a freaking... | ||
| Maybe he's got a dick like Donald Cerrone's arm. | ||
|
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|
It's true. | |
| It's a big Just like a fucking strong 155 pounder. | ||
| Strong, lean, 155 pounder who throws hard knuckles. | ||
| With an aggressive attitude. | ||
|
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|
That's what his dick looks like. | |
| He just pulls it out. | ||
| He's just veiny. | ||
| He pulls it out like he's a fucking fight in a fire. | ||
| Just holds it up. | ||
| A vein, a vein, the size of my index finger. | ||
| And she's fighting a fire. | ||
| It's hypnotic. | ||
| She's that big old angry piss hole. | ||
| Like a fucking, one of those snake fish. | ||
| What's with your piss hole, bro? | ||
| One of those fish that can crawl out of a lake and walk for a mile. | ||
| That's what it looks like. | ||
| And you can see it breathe. | ||
| It's just breathing. | ||
| It's got gills where the cock flares out in the mushroom head. | ||
| It's got gills. | ||
| And it's slimy. | ||
| It's always slimy. | ||
| Always just wet. | ||
| In the middle of the desert, he pulls it out. | ||
| His dick is glistening. | ||
| It has a runny nose. | ||
| It carries salmonella. | ||
| Like alien's tongue. | ||
| Remember when the alien pulls his tongue out and everything drips? | ||
|
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|
What if fitness dicks was a sport? | |
| Tomato red. | ||
| You get judged on the veins. | ||
|
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|
There's got to be something like that already, right? | |
| Amir Sadala, if I'm not incorrect, he has been out for a long time. | ||
| Two years. | ||
| Jamie, pull out Amir Sadala's record. | ||
| He's been out for two years, for sure? | ||
| Wow, he was a really good fighter, and then he fought Ludwig, and Ludwig kind of picked him apart, and that was a big loss. | ||
| Ludwig broke him. | ||
| Ludwig really lit him up. | ||
| Because he was really becoming a very good striker. | ||
| Very high volume. | ||
| He was into that Muay Thai style. | ||
| But Ludwig was on another level. | ||
| There's certain guys when they begin their career and they face a guy where they can't do anything and they never come back from it. | ||
| It's weird, right? | ||
| It was a style matchup. | ||
| He had lost to wrestlers before he came back stronger, but Dwayne Ludwig, when he's on, was one of the most technical, most proficient, and most educated strikers in MMA. Ever. | ||
|
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|
Ever. | |
| Ever. | ||
| He's so educated, which is why he's such a good trainer. | ||
| The reason why he's such a good trainer is because he's so educated in all tactics, all movement. | ||
| And he's been there. | ||
| Most trainers have it. | ||
| When we were working out with him, man, I saw him correcting all these little things with you, and all I could think of is, God damn, if Schaub could work with this guy every day, if you could work with Dwayne every day, it would change your game a lot. | ||
| You're a sponge, and when you're with that guy and he's showing you stuff, and he's a freak. | ||
| I love Dwayne. | ||
| He's a sponge and a freak. | ||
| He's trying to just fill you up, and you're like, come on, show me what you got. | ||
| And you guys, that was a fun workout session to watch, man. | ||
| That was so much fun. | ||
| But that fight was just a bad fight for Amir. | ||
| It was the wrong style. | ||
| Dwayne was too goddamn good on his feet. | ||
| And Dwayne came into that fight healthy. | ||
| That was always Dwayne's thing. | ||
| He always cut too much weight. | ||
| He's never healthy. | ||
| He trained too hard. | ||
| He's been fighting for so long in kickboxing. | ||
| It finally caught up to him when he got to the UFC. And Dwayne's a guy where if he came in now... | ||
| You're talking superstar with his skill set and his work ethic. | ||
| It's just he was a little too late, you know what I'm saying? | ||
| Obviously, coaching's worked out for him with Tito Dillshaw. | ||
| Tremendously. | ||
| I'm just saying, you fast forward and start Dwayne 10 years later, he's a superstar. | ||
| He's a superstar with his work ethic. | ||
| Dwayne is not genetically gifted. | ||
| He's got a regular athletic body. | ||
| It's his intelligence and his knowledge and his drive and his focus. | ||
| His demeanor. | ||
| And his demeanor. | ||
| Listen, when we'd come to the gym and they were sparring, Dwayne would be the first one in the cage. | ||
| Me and Shane would look at each other and be like, I ain't going with him, you go. | ||
| Is that right? | ||
| I ain't going with him, you go. | ||
| We'd argue. | ||
| We had to go first with him. | ||
| He would walk through everything and keep going. | ||
|
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|
Walk, walk, walk. | |
| Damn. | ||
| Yeah, he was a fantastic striker. | ||
| With heavyweights, with guys in size, it's crazy. | ||
| And you talk to us, like, you better not, don't take me down, don't be a bitch and take me down. | ||
| And I'd be like, okay, better not take me down. | ||
|
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|
Damn. | |
| So I'm sitting there striking with his ass. | ||
| Damn. | ||
| What do you think about, are you practicing turning sidekicks or wheel kicks? | ||
| Uh, not wheel kicks. | ||
| Yeah, we talked about that. | ||
| Can we listen to his walkout music, please? | ||
| Well, he comes out with the Sopranos music, Brian. | ||
| It's boring. | ||
| I hate that old music. | ||
| So you've actually taken a lesson from Joe? | ||
| No. | ||
| On turning sidekicks? | ||
| No, no. | ||
| Man, that would be a good fucking idea. | ||
| He's right here. | ||
| He's your boy. | ||
| Well, we did a little kicking stuff. | ||
|
unidentified
|
I know, we did something. | |
| I mean, think about how hard he kicks. | ||
| I'm telling you, this December 6th fight, I'm telling you. | ||
| He's caught it. | ||
| We got some stuff. | ||
| I believe you. | ||
| I will have the best training. | ||
| The Mally guys I'm bringing in to mimic Travis Brown. | ||
| I'm telling you, we got it. | ||
| You'll be just fine. | ||
| We're working on dealing with that front side kick or the front snap kick he does? | ||
| It's the biggest fight of my life. | ||
| It's the biggest fight of my life. | ||
| It's the Jackson's camp. | ||
| They're hitting that oblique kick. | ||
| He's not at Jackson's anymore, though. | ||
| But he's still going to train there. | ||
| He's not. | ||
| He just announced he's doing the whole camp in Glendale at Ronda's camp. | ||
| Well, look, he still learned a lot from Winkle John. | ||
| Oh, 100%. | ||
| He's still going to have that stuff. | ||
| Jesus Christ, how jacked does Akiyama look at 170? | ||
| Bodied up. | ||
|
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|
We call that a dime piece. | |
| He's 11. He's 11. We've got to make a new meter. | ||
|
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|
He certainly is an 11. He makes GSP look like a little pudgy. | |
| He does. | ||
| And he's got a beautiful voice. | ||
| He does. | ||
| No, but he does. | ||
| That's kind of impossible. | ||
| Golden tonsils. | ||
| No bullshit. | ||
| He is fucking unbelievable shredded. | ||
| And those gold trunks? | ||
| Did you see his ESPN in Captain America? | ||
| He did a good job. | ||
| Oh, fuck yeah, he did. | ||
| Yep. | ||
| He's good at playing a martial arts killer. | ||
| Who would have thunk it? | ||
| Greatest welterweight of all time is also good at playing one of the greatest fighters of all time. | ||
| What are the odds? | ||
| The kid's shredded. | ||
| Look at Akiyama. | ||
| He's doing very well. | ||
| That's what you get when you sing. | ||
| When you practice singing, your body has to be in very good shape. | ||
| How much vagina is he getting? | ||
| I think he's only had a couple of fights at 170. If not, this might be his debut at 170. What's he usually fight at? | ||
| 185. 185. You ever see the fight with Lieben? | ||
| Lieben? | ||
| I did see that fight. | ||
| One of the greatest fights ever. | ||
| As far as entertainment value? | ||
| Entertainment. | ||
| Technique-wise, no. | ||
| Entertainment for sure. | ||
| Look at the back of his back. | ||
| Look at where his lats are. | ||
| Look at how low those lats are. | ||
| Those are chimp lats. | ||
| That's judo, son. | ||
| Is that what it is? | ||
| That's judo. | ||
| He's a famous singer, and he's a famous Japanese MMA fighter. | ||
| Do you think he's the married, I'm gonna be faithful celebrity, or do you think he's just running shit? | ||
| We don't know. | ||
| I think he's running vicious, vicious trains on Japanese women. | ||
|
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|
They do some They do some weird shit where they, like, shit on each other. | |
| They dress up as bunnies. | ||
| This ass is bad for the sport! | ||
|
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|
Brandon! | |
| I'm not saying he does it! | ||
| I'm not saying he does it! | ||
| You've gone too far, man! | ||
| You mean when they wrap their heads in saran wrap and they breathe out of smalls? | ||
| This might be the shoutiest podcast ever of all shouty podcasts. | ||
| It is 2am almost. | ||
| It's 2am and we're lit up like Christmas trees in here. | ||
| No, I'm only drinking coffee, my man. | ||
| I'm drinking. | ||
| But when you do wrap your face in saran wrap... | ||
| Look at the bottom of his lats, the line. | ||
| Jesus Christ. | ||
| He doesn't have a lower back, dude. | ||
| By the way, I got a nice back. | ||
| It's hard for me to give it up. | ||
| He's got a beautiful bow. | ||
| His judo. | ||
| His judo's insane. | ||
| But he was always like a very fit, thick guy. | ||
| But at 170, he looks like a fucking alien. | ||
|
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|
Wow. | |
| He's shredded. | ||
| Look at him. | ||
| Strong boyfriend. | ||
| Dude, I'm going to start bowing before my fights. | ||
| Wait a minute. | ||
| It says boyfriend on his banner? | ||
| I hope so. | ||
| That's his girl right there. | ||
| They said, oh, Amir Sadal, he took two years off. | ||
| Hey, we got one. | ||
| Fly to Japan and fight this dime piece for us. | ||
| But the dime piece is taking some time off, too. | ||
| Dime piece is busy making bank singing. | ||
| Singing. | ||
| Yeah, that doesn't keep you hungry. | ||
| Singing at the stadiums. | ||
| I agree. | ||
| That body keeps you hungry, though. | ||
| What's Amir Sadal been doing for a living these days? | ||
| He hasn't fought in two years. | ||
| He's been teaching. | ||
| Lats of the year. | ||
| Come on. | ||
| Who has better lats than him? | ||
| He looks pretty bouncy. | ||
| Who has better lats? | ||
| Amir's movement was always good, man. | ||
| Dwayne was just a step ahead of him in that fight. | ||
| And Dwayne hurt him with a left hook, I think. | ||
| Left hook, yeah. | ||
| Amir's never been known for his power. | ||
| I feel like Akiyama's going to have some power. | ||
| Yeah, that is true. | ||
| Akiyama has some brutal, brutal power. | ||
| Come on, seriously. | ||
| Am I just stoned out of my mind? | ||
| Or am I tripping on his lats? | ||
| No, he's very big, Eddie. | ||
| And he has a chin, too. | ||
| Akiyama can take some punishment. | ||
| Oh, he took him down. | ||
| Guys, I want to use this expression. | ||
| He's a high-level judoka. | ||
| But Sadala has some good jiu-jitsu. | ||
| He won some fights in the UFC in his Ultimate Fighter. | ||
| He won some fights with armbars. | ||
|
unidentified
|
He's fighting a high-level judoka. | |
| With beautiful skin. | ||
| God, that's good skin. | ||
| It's almost gold. | ||
| Dude, it's not almost. | ||
| You can take almost out of that statement. | ||
| He's got gold skin. | ||
| Fuck big brown. | ||
| How about big gold? | ||
| You're damn right. | ||
|
unidentified
|
Jesus, man. | |
| Medium gold. | ||
| We call him medium gold. | ||
|
unidentified
|
He makes me look like shit. | |
| He's a beautiful man. | ||
| Well, there's some Asians that cross into that, like, darker realm of skin. | ||
| They got a little Polynesian in them. | ||
| Yeah, Polynesian. | ||
| He's literally Polynesian. | ||
| Well, the ties can get really dark. | ||
| Or maybe he's just straight Japanese and just fucking goes to the tanning salon. | ||
| He's Korean. | ||
| He can go to the tanning salon. | ||
| You know what I mean? | ||
| Can I tell you guys something? | ||
| It's 2014. He comes from a different land. | ||
| He's a golden man. | ||
| Passing guard. | ||
| He's got a deep Brazilian guard. | ||
| That's my boyfriend right there. | ||
| Oh, he jumps right back into it. | ||
| Why would he step back in? | ||
| You guys are grapplers. | ||
| What? | ||
| He didn't like it. | ||
| Okay. | ||
| Didn't like something. | ||
| He thought maybe he was going to get his back took. | ||
| No, he had the underhook. | ||
| Yeah, he wouldn't. | ||
| But why would he go backwards then? | ||
| That's... | ||
| It's a sign of an unsure passer. | ||
| Some guys like to hold this position too, right? | ||
| Randy Couture said they're not comfortable in the side control. | ||
| Most guys who are heavy top grapplers stay in half guard. | ||
| They're comfortable. | ||
| They can do damage and control. | ||
| Side control has more escapes. | ||
| Yeah, that's what Randy was saying. | ||
|
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|
His skin is straight up gold. | |
| It's distracting. | ||
| All I can see is this gold skin. | ||
| As well, that's the only thing that matters in this fight. | ||
| How about the gold shorts to go with the gold skin? | ||
| I love those shorts. | ||
| The shorts are perfect. | ||
| It's like a black-on-black Mercedes. | ||
| Rolling down the street with high tint. | ||
| And that boyfriend patch on his shorts. | ||
| What is that? | ||
| What the fuck is that? | ||
| Sexy Akiyama. | ||
| Do you remember when Sakurabi used to go into the cage with a shirt that just said water? | ||
| Water, yes. | ||
| Water and glasses and weird fake glasses. | ||
| It's in the Japanese. | ||
| Water just looks so good. | ||
| It's just like an ancient symbol. | ||
| Like the word water. | ||
| Like, it's just beautiful. | ||
| He was just full of irony. | ||
| Full of irony. | ||
| The symmetry to them. | ||
|
unidentified
|
The words, right? | |
| It looked like hieroglyphs. | ||
| Wow, we wear goofy shit. | ||
| We wear Japanese shit. | ||
| Dudes have Japanese things tattooed on them. | ||
| They don't even know what it means. | ||
| Brian got, and I think it was Chinese, he thought he was getting Brian tattooed on his arm, and it says waterfall. | ||
| He didn't know. | ||
| He wanted his name tattooed on his arm, and the dude fucked it up. | ||
| Waterfall. | ||
| Probably an American dude. | ||
| Oh, Big Elbow by Akiyama. | ||
| Akiyama looks heavy on top. | ||
| Well, he's such a good grappler. | ||
| You know, those judo guys are so goddamn strong. | ||
| Yep. | ||
| Gonzaga's similar to this. | ||
| Jutoka. | ||
|
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Jutoka. | |
| Gonzaga's another one. | ||
| Like Shane Carwin in a lot of ways. | ||
| So heavy. | ||
| His knockout power. | ||
| When he gets onto the scale, he walks onto the stage where the scale is. | ||
| It's a different thing. | ||
| It's like a stone man is walking on. | ||
| He's fighting Mitreona. | ||
| I know. | ||
| You know what? | ||
| Sadala just turned that... | ||
| A standing clinch against him, you know? | ||
| Yeah, he's back up. | ||
| Look at this. | ||
| I think he's a real legit judoka. | ||
| Oh! | ||
| Back kick! | ||
|
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Back kick! | |
| No extension. | ||
| No extension. | ||
| He hit it and then he pulled out of it. | ||
| Well, no extension. | ||
| Jammed it, right? | ||
| Well, it's not that. | ||
| No. | ||
| These guys, they don't have the extension. | ||
| They're doing the technique in a way that works. | ||
| Too close? | ||
| No. | ||
| Even when it's in close, man. | ||
| Still extend. | ||
| You gotta extend it. | ||
| Whenever you throw that kick, it's never bouncing off. | ||
| Ever. | ||
| You never bounce off. | ||
| You always extend. | ||
| And landing. | ||
| Always. | ||
| It's just a matter of they're doing it wrong. | ||
| It's a complex technique. | ||
| There's a lot of steps to the spinning back kick or turning side kick. | ||
| They're two totally different kicks, really. | ||
| We always called it the turning side kick in the Taekwondo schools. | ||
| But when I started doing kickboxing, they would say, show them that spinning back kick. | ||
| So I would start calling it the spinning back kick because I figured that was the karate guys. | ||
| That's what they called it. | ||
| But it's a side kick. | ||
| The knee comes up high and there's an extension. | ||
| That's how Akiyama threw it. | ||
| There's the back kick version, how Chuck used to throw it, with the toes down and the heel up. | ||
| And that's a powerful kick, too. | ||
| It's like a donkey kick. | ||
| It's a little different. | ||
| But you can fuck a guy up with that, too. | ||
| It's all a matter of reps and, most importantly... | ||
| When you do the reps, you have to extend. | ||
| And a lot of guys don't extend. | ||
| They bounce off of it. | ||
| Your short says body friend, by the way. | ||
|
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Body friend. | |
| All of them. | ||
| All the ones he throws, if they land perfectly, very hard to survive. | ||
| If you have a video of hitting somebody with one, that video from that Taekwondo tournament, you finally have something that's online. | ||
| You've got to use it as a defense, too. | ||
| That was a nice one. | ||
| It landed. | ||
| It was good. | ||
| He just didn't extend. | ||
| See how he bounced off? | ||
| It should have been the opposite. | ||
| The right leg should have been forward. | ||
| At the end of it, it should have been so much force going forward that his right leg was forward. | ||
| It should have been a no-denial thing. | ||
| And if you throw a front kick, front kick is a perfect example, because it's a pretty easy technique to master. | ||
| You pick the knee up, it's very normal mechanics, but when you throw a front kick, you almost always go forward with the kick. | ||
| You very rarely throw a front kick and then pull it all the way back behind you. | ||
| That's not a natural movement. | ||
| Because to do the front kick and put weight into it, you're going to naturally step forward. | ||
| Well, you should do the same thing with a turning side kick. | ||
| It's just people, they just haven't been taught right. | ||
| That's all it is. | ||
| This is the one thing that drives me nuts. | ||
| Nice high kick by Sadala. | ||
| There's the one thing that drives me nuts at all martial arts techniques. | ||
| It is that one technique, the spinning back kick or the turning side kick. | ||
| Drives you nuts. | ||
| It's the one that drives me nuts because I know the potential of it. | ||
| And then I've shown it to people and they go, I didn't even know this. | ||
| I'm like, I know you didn't know. | ||
| There's a lot of people that don't know it. | ||
| It's just a matter of doing the technique correctly. | ||
| Like Dennis Seaver, he does it correctly. | ||
| Fuck yeah, he does. | ||
| When that guy throws it, that motherfucker extends. | ||
| You never know what's coming. | ||
| Because he'll throw that shit only like once or twice in a fight. | ||
| Wouldn't you say you and him have similar builds for that kick though? | ||
| That's why he's so good at it? | ||
| No, because my friend Larry Jones had a better turning sidekick than me. | ||
| Larry was like 6'3", 6'4", somewhere around then. | ||
| And he fought at heavyweight in Taekwondo tournaments. | ||
| Larry, I was always short, but Larry was always, he had these ridiculous legs. | ||
| They would go up to his tits. | ||
| And he would throw this front leg sidekick like you couldn't fuck with it. | ||
| The reason I developed my front leg sidekick was because of my friend Larry. | ||
| His is way superior to mine. | ||
| There was like three guys that had these vicious front leg sidekicks. | ||
| Like Conor McGregor almost, right? | ||
| No, no. | ||
| Way better. | ||
| Way better. | ||
| But he's pretty good with those. | ||
| Yes, he's good with it. | ||
| You see guys who've been doing it the whole life by talking to other guys that can break your insides, man. | ||
| They use it as defense. | ||
| As you come in, they'll time it and use your body. | ||
| As you move in, they'll back kick you. | ||
| They just don't have all the other stuff. | ||
| They're just missing all the other stuff. | ||
| Akiyama keeps getting hit with this head kick, man. | ||
| This left high kick. | ||
| Yeah, but Amir's just grazing him with it. | ||
| I know, he's not committing to it. | ||
| My friend Leroy Rodriguez, he had kicks, front leg kicks, that were so fucking fast, when people would spar him, like when he was in his prime, he was like one of J. Kim's top black belts. | ||
| Oh, that's right! | ||
| He tagged him. | ||
| Nice right. | ||
| Akiyama's got a vicious right hand, man. | ||
| Heavy. | ||
| This dude, him and Larry Jones, this other dude, his name was Major Battle. | ||
| That was his real name. | ||
| Larry Leroy Major Battle. | ||
|
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You walk into the gym, don't fuck with Larry Leroy Major Battle. | |
| Meanwhile, three of the nicest guys you would ever want to meet. | ||
| Leroy's still a good friend to this day. | ||
| But if you saw those guys throw front leg kicks, it would change your whole idea of what's possible with those things. | ||
| Oh! | ||
| Oh, he's hurting him. | ||
|
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Oh, no. | |
| Amir's in trouble. | ||
| Oh, Amir's still throwing that kick. | ||
| He got tagged again. | ||
| Amir's tough, man. | ||
| Amir's pretty good at keeping guys off of him, but he's getting tagged. | ||
| I don't know about this. | ||
| He's got to get some distance here. | ||
| Good ground and pound, man. | ||
| But look, Amir's got the feet on the hips. | ||
| But those judo guys are always so good standing up, man. | ||
| So heavy. | ||
| Dude, he's got him dead to rights here. | ||
| Look at this. | ||
| Oh, look at this, Amir. | ||
| Going for a try. | ||
| Throwing up some shit. | ||
| Not going to work. | ||
|
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|
Oh, man. | |
| Akiyama said, oh, you guys put words on your shorts? | ||
| Fuck that. | ||
| Check this picture of a watch out. | ||
| I have gold skin, bitches. | ||
| I got gold skin! | ||
| I'm a chosen one! | ||
| Check out my dick, it's right between your legs. | ||
| Amaratsu, Amaratsu, the sun god, Amaratsu has chosen me to be his messenger. | ||
| But my point, when I was talking about these kicks, Shaab, you got long ass fucking legs, dude. | ||
| You could throw some vicious kicks. | ||
| If you ever met my friend Larry, who's like your size, and you saw what that guy can do with his front leg, he would fold bags in half with his front leg side kick. | ||
|
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Just extend. | |
| You know, he's this big black guy. | ||
| And just long fucking legs and just extend. | ||
| Folding bags in half. | ||
|
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Folding. | |
| And you couldn't... | ||
| With a front foot sidekick? | ||
| He would kickbox guys, and dudes who had never faced a guy that had a front leg like that, they had no idea what to do with him. | ||
| They couldn't figure out how to get in on him. | ||
| Really hard. | ||
| The problem with it, though, is it was all being developed when there was no leg kicks. | ||
| So I think a good Thai guy would just start attacking his legs, and it would limit a lot of the techniques you could pull off. | ||
| But those guys were all above-the-waist kickboxers, and he was fucking them up. | ||
| And all that tells me is that that's a technique that's not being utilized. | ||
| Ooh, good upkicks by Amir. | ||
|
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Tyler! | |
| Thai guys don't use back kicks, though. | ||
| Sometimes they do. | ||
| Some of those guys do. | ||
| Especially the guys, the Muay Thai guys from Holland. | ||
| They'll mix shit up. | ||
| Badar Hari, that motherfucker throws wheel kicks. | ||
| It's almost better, if you're going to raise a fighter from the time he's five and on, it's almost better to get him into Taekwondo early, to get him used to the aerials and all the fancy, crazy kicks, and then at 12, get him into Muay Thai. | ||
|
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So he'd be learning Muay Thai, but he'll still throw... | |
| He'll still throw those spinning kicks. | ||
| But they're both two different distances, and it's two different techniques. | ||
| Yeah, but it's not. | ||
| So if you had a five-year-old and you had to train him, what do you start him with? | ||
| Taekwondo. | ||
| Taekwondo, yeah. | ||
| And gymnastics. | ||
| It's also, you're going to develop the dexterity for those weird moves that are super dangerous when you get really good at them. | ||
| Eddie always equates, oh, look at Sadal, gets out from the back door. | ||
| Almost. | ||
| Is he out? | ||
|
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Yes. | |
| I put my kid in jiu-jitsu at five. | ||
| Well, Eddie always equates it, that's not a bad call either, but Eddie always equates it to rubber guard techniques. | ||
| Because if you teach someone rubber guard techniques, and it's the first time they've tried it, they're like, oh, this shit isn't going to work, I'm not flexible enough. | ||
| Well, that's the same thing if you show someone a wheel kick. | ||
| You tell me the wheel kick's never going to work? | ||
| Hold a pad for a guy like Barboza. | ||
| Hold the pad and let him wheel kick you. | ||
| And you hit that pad and you go, oh shit, I need to know this. | ||
| It forces his opponent to really focus on that and take time away from other shit. | ||
| You've got to be terrified of that wheel kick. | ||
| You've got to be terrified of all of his kicks. | ||
| It's part of the training camp. | ||
| Stay away from that motherfucker. | ||
| Stay away from those fucking crazy kicks. | ||
| Every day they're going to be dealing with it. | ||
| Barbell has stopped two fucking guys in the UFC with leg kicks. | ||
| I mean, his kicks are brutal. | ||
| Look what John Jones is doing. | ||
| John Jones, I would suggest, and I don't know shit because I've never fought in MMA, but I would guess, I would hypothesize, if you want to be a striker, or you want to be a fighter, rather, in the UFC, if you're interested in fighting in the UFC and challenging for the belt one day, Do what Jon Jones is doing as far as everything on your feet, including the wrestling and the striking especially. | ||
| He's throwing everything. | ||
| Jon Jones is throwing everything. | ||
| Spinning back fists, spinning back elbows, turning side kicks, kung fu kicks to the side. | ||
| Improvising, improvising. | ||
| There's not a kick that he hasn't thrown. | ||
| I can't plan for it. | ||
| Maybe the jump spinning inside crescent kick, we really haven't seen that one. | ||
| Only in Jackie Chan movies. | ||
| That's the last kick. | ||
| That's the last of the kicks. | ||
| Well, you know, there's a spinning crescent kick that's really effective. | ||
| Do you know what I'm talking about? | ||
|
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When you're coming in with this side like this, and you're going, we haven't seen that one. | |
| Well, it doesn't work too much. | ||
| For me, at least, it didn't work too much this way. | ||
| Like, the inside crescent kick, I gave up on a long time ago. | ||
| What if you hurt a guy standing, and then you finish with that motherfucker? | ||
| Because of the angle. | ||
| Have you ever seen me do a spinning crescent kick? | ||
| I never showed you that. | ||
| Yeah, you showed me everything, I'm sure. | ||
| No, no, no, I bet I haven't. | ||
| It's like you hit like this, with the outside of the foot, like that, you spin around. | ||
| We haven't seen a knockout with that either. | ||
| We haven't seen a knockout with that. | ||
| It's a close range kick. | ||
| It's a weird kick. | ||
| You do it from a different range. | ||
| I never did it, but my friend Ed Shorter was really good at it. | ||
| My friend Ed Shorter knocked out guys with that. | ||
| He had a wicked spinning crescent kick. | ||
| He would throw that more than he would throw the wheel kick. | ||
| It was an awkward technique. | ||
| I think Jon Jones throws everything except those. | ||
| The last new kick I think was to make a big impact in all of MMA and how everyone trains is that front snap kick and the rear snap kick right to the jaw, right to the chest. | ||
| Travis Boundby throwing them. | ||
| I know you've been studying that shit. | ||
| And also Josh Thompson throws them a lot. | ||
| A lot. | ||
| Cerrone throws him a lot. | ||
| And of course, Kakuno is known for that shit. | ||
| So now, that is the hottest kick, right? | ||
| That's the newest, hottest kick that people are actually spending time trying to master it. | ||
| When before, there was no special time spent for that front snap kick. | ||
| But now it's real. | ||
|
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Oh! | |
| We even talked about that on video. | ||
| That's the craziest thing ever. | ||
| Yeah, we talked about it years ago. | ||
| You know what's the next kick, man? | ||
| I asked you. | ||
| I asked you in your gym. | ||
| I didn't think so. | ||
| I said, why haven't we seen the front snap kick to the fucking jaw? | ||
| And then you said some great shit about it. | ||
| And then, boom, that's when Anderson or... | ||
| Landed on Vitor. | ||
| Yeah, that was the first one. | ||
| And then Machida on Randy Couture. | ||
| And then now everyone's fucking throwing them. | ||
| And then your boy, Travis Brown, on Alistair Overeem. | ||
| Yeah. | ||
| You know what I think the next one is? | ||
| The axe kick. | ||
| Axe kicks are very effective. | ||
| We don't really see them. | ||
| Holly Holm throws them. | ||
| There was this guy, this Canadian guy. | ||
| His name was Jersey Long. | ||
| And that was one of the reasons why I realized how effective and powerful axe kicks were. | ||
| There was this guy, John Lee, who had a really good axe kick, who was a national Taekwondo champion. | ||
| Why haven't we seen it in MMA more? | ||
| Because we haven't seen a guy who's really good at it. | ||
| There's a guy named Jersey Long that was from Canada. | ||
| And he had a fucking axe kick that was like a rifle shot. | ||
| It would be up and on your jaw before you knew it was happening. | ||
| He just had this. | ||
| We're going to see that. | ||
| He would be sparring and he would just step in full split and slam you on the head with that heel. | ||
|
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Jesus Christ. | |
| He knocked my friend Larry Jones out cold. | ||
| Or maybe in the beginning. | ||
| My friend that I was telling you how good he is, that's the guy that got knocked out cold by this guy. | ||
| Jersey Long. | ||
| You know, we've seen it in K1 a few times, so it's legit. | ||
| Well, Andy Hoog, Andy Hoog, and Andy Hoog had also a technique we haven't seen, the spinning wheel kick to the leg. | ||
| Yes. | ||
| Hoog was the master at that. | ||
| He would dig that heel into the leg. | ||
| It was a straight movie kung fu kick. | ||
|
unidentified
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Yeah. | |
| Where he would get down, squat down, do like a spinning, a breakdancing move, and do a wheel kick to the guy's thigh. | ||
| A low wheel kick. | ||
| It's like doing a wheel kick, but almost on your ass. | ||
| Sadala trying to set something up. | ||
| What was the greatest crazy movie technique of all time? | ||
| I say it was Rio Chonan submitted Anderson Silva with that fucking flying heel hook. | ||
| I think that was like the greatest... | ||
| All-time movie technique in an MMA fight. | ||
| That's happened in grappling. | ||
| Yeah, but in fighting Anderson Silva in an MMA fight, and you're Rio Chonan, you're fighting the guy at Shoot the Box. | ||
| He caught him in a good time. | ||
| Anderson wasn't at Shoot the Box anymore. | ||
| You know, they had like... | ||
| He was at Anderson at the time, though, was he? | ||
| No, he wasn't quite. | ||
| He wasn't quite. | ||
| The match before me and Hoyler went the first time in 2003, he went against a guy named Charles Pearson, the match right before me. | ||
| And that guy did the exact same heel hook that Rio Chonan did on Anderson and almost had him. | ||
| He almost tapped out Hoyler Gracie. | ||
| A lot of people don't know that. | ||
| Hoyler escaped by the skin of his teeth and then got his back and then choked him. | ||
| Oh, my God. | ||
| Have you spoken of Hoyler since the fight since? | ||
| We talk all the time. | ||
|
unidentified
|
Okay. | |
| Yeah, we hang out and party and shit. | ||
| Just checking. | ||
|
unidentified
|
He got you again, you fuck. | |
| The guard. | ||
| Oh, you weren't here for the guard talk. | ||
| Eddie Bravo has the weirdest sense of humor, man. | ||
| He sneaks things out. | ||
| We talk all the time. | ||
| Eddie Bravo, no bullshit. | ||
| If he wasn't such a great jiu-jitsu fighter and he wasn't so into musicians... | ||
| I'd make a great troll. | ||
| He would be a great fucking comedian. | ||
| He just didn't have the time to get into it. | ||
| I talked to him into going on stage. | ||
| He went on stage like eight or nine times. | ||
|
unidentified
|
Really? | |
| Really? | ||
| A dick a few times. | ||
| Whatever. | ||
| A couple times it didn't work out. | ||
| Oh, he stopped it! | ||
| I had this... | ||
| No, he dominated. | ||
| He dominated, though. | ||
| Why did he get on top? | ||
| Did they just end the fight? | ||
| They just end the fight. | ||
| I've been watching it, though. | ||
| I've been watching the worst thing. | ||
| Missing the fight. | ||
| Imagine if the UFC said, listen, man, we've been thinking about your commentary. | ||
| We heard you've been doing this fight past thing. | ||
| You're fucking terrible. | ||
|
unidentified
|
Yeah. | |
| These are awful! | ||
| You don't even pay attention to the fights! | ||
| Well, Bryan Stan's doing these all from now on. | ||
| Oh! | ||
| See, that was good movement by Akiyama. | ||
| Very relaxed. | ||
| Even though the head kick was coming. | ||
| Just slid out of the way. | ||
| Nice right hand. | ||
| Akiyama just dominated this fight. | ||
| He's such a stud athlete. | ||
| But see that? | ||
| That's like some blue belt shit. | ||
| Yeah. | ||
| But that's also on a moving target. | ||
| He's also exhausted. | ||
| He's fighting an MMA fight. | ||
| That's the one technique that I think... | ||
| I'm telling you, man. | ||
| There's going to be some Francis Carmel dude who knows how to throw a fucking axe kick. | ||
| I believe it. | ||
| I believe it. | ||
| One by one. | ||
| Every Kung Fu kick that was once laughed at is one by one. | ||
| They're all coming back. | ||
| I'm telling you that. | ||
| They're all coming back. | ||
| Damn you guys love you some Kung Fu and Taekwondo. | ||
| It's all coming back. | ||
| I won a Taekwondo tournament. | ||
| I love that shit. | ||
| Isn't that more exciting than it does actually work? | ||
| I love some of that up in this bitch. | ||
| It's way better that all those kung fu kicks actually work than they don't work. | ||
| Brandon Schaub, could you imagine if you fucking axe kicked Travis Brown in the head? | ||
| Do you imagine how nutty the world would go if you had the first axe kick KO in the UFC? You step in and BAM! How crazy would this be? | ||
| I'm not bullshitting. | ||
| Brandon Schaub fucking goes nuts. | ||
| You decide for six months to just really dive into kicks. | ||
| In six months you want to transform yourself into this fucking vicious kicker. | ||
| Wouldn't that be crazy? | ||
| Dude, you're a sponge. | ||
| I mean, I could do it for sure. | ||
| You're a sponge. | ||
| You just live in his fucking garage. | ||
| I don't have no time for that shit. | ||
| You'd have to find a real trainer. | ||
| If you found the right trainer who could teach you that style of kicking, dude, you would be fucking guys up. | ||
|
unidentified
|
How crazy would that be? | |
| The amount of power you have in your legs. | ||
| I've seen you sprint. | ||
| I've seen you lift weights. | ||
| I've seen you do deadlifts. | ||
| All these things you're doing, what are you building? | ||
| You're building up your core, your whole column, but you're also building up your fucking legs. | ||
|
unidentified
|
I'm building up this apple bottom. | |
| That apple bottom is ridiculous. | ||
|
unidentified
|
For retirement. | |
| That apple bottom is launching bones at your opponent. | ||
| Just launching bones. | ||
|
unidentified
|
That's what you're doing. | |
| You're launching shin bones. | ||
| Like, if there's one bone you wouldn't want to get hit in the fucking face with, it's the shin bone. | ||
| What a terrible blade of a bone. | ||
| It's the one bone that's shaped like a weapon. | ||
| All these other ones are covered up with meat. | ||
| You know, even an elbow, you gotta catch a motherfucker on the point of an elbow, otherwise you're hitting with a forearm smash, and there's a lot of meat involved in the forearm smash. | ||
| When you shin someone to the dome, that's a fucking, that's a weird edged bone, man. | ||
| This is a weird feeling. | ||
| True. | ||
| That fucking comes at you 60 miles an hour on your head. | ||
| Especially from some creepy fuck who really knows how to kick hard. | ||
| Some man-hoof dude. | ||
| Melvin Manhoof type dude. | ||
| Some scary fucker. | ||
| Just throwing these laser beam kicks at your head. | ||
| I'm telling you, anybody who doubts me, you just needed to see Pedro Hizzo in his prime. | ||
| Brian, where'd you get those golden pickles from? | ||
| They're inside. | ||
| They're in their room. | ||
| They're good, right? | ||
| There's a couple bottles. | ||
|
unidentified
|
You want me to get them out? | |
| Get them out, man. | ||
|
unidentified
|
Should we get them out? | |
| Yeah, get them out. | ||
| Should we get them out? | ||
| Get them out. | ||
| We've got many, many jars in there. | ||
| Grillo's pickles are very generous. | ||
| They sent me a giant fucking case of them. | ||
| They're the best pickles of all time. | ||
| Real quick, this is the latest I've stayed up in, oh, about 10 years. | ||
| Dude, you're going to be fine. | ||
| Since college. | ||
| Oh, yeah, I'll be fine. | ||
| It's only 2 o'clock in the morning. | ||
| I know. | ||
| You got training tomorrow? | ||
| We're in California. | ||
| I did double today to make up. | ||
| If you were in Hawaii, it would only be 11 p.m. | ||
| That's how you gotta look at shit, man. | ||
| We should all be in Hawaii. | ||
| Right through that door. | ||
| Right through that door. | ||
| There's a curtain. | ||
| Pull that back. | ||
| Go through that. | ||
| There you go. | ||
| We should all be in Hawaii. | ||
| Let's be realistic. | ||
| If we could all make a choice to bail and go to one place and bring our families and everybody exists, it'd probably be like the Big Island. | ||
| I'd want to be BJ Penn's neighbor. | ||
| I'd love it, dude. | ||
| Just all hang out together, make our own little village. | ||
| What do we do during the day? | ||
| Just hang out? | ||
| Just bang Hawaiian chicks. | ||
| No, we can't do that. | ||
| Our wives are that. | ||
| You said that out loud. | ||
| We're married. | ||
| We're kidding. | ||
| These are jokes. | ||
| We're married. | ||
| What I think we would do is have a good time by the water, be with our families. | ||
| Oh, did you guys collide? | ||
| We scared each other. | ||
|
unidentified
|
Eddie Bravo and Brennan Schaub just scared the shit out of each other. | |
| There's a rumor. | ||
| Hey, Brennan, there's a rumor that... | ||
| Wait, you guys want me to move to Hawaii right now? | ||
| No, that Tyron Woodley... | ||
| I'll move to fucking Hawaii. | ||
| That's what I'm saying. | ||
| You know what we would do to some... | ||
| That's not what I just said! | ||
|
unidentified
|
Hey, we're married! | |
| I just said we won't do that! | ||
| Bro, what are you saying? | ||
|
unidentified
|
You guys can put mask on and watch me. | |
| Okay, fine. | ||
| I'll hold the video camera. | ||
| I was there a few months ago. | ||
| Oh, shit! | ||
| Oh, Miles Jerry and Takenori Gomi. | ||
| Oh, shit! | ||
| This dude was telling me that you gotta go there like in March or April to the Big Island. | ||
| He said that's when the whales, they're either breeding or giving birth. | ||
| I don't remember which, but he said they're everywhere. | ||
| He said it's almost dangerous to be out in your boat. | ||
| Because you're out in the boat and the whales will breach like 20 yards from you. | ||
| The guy was killed on his sailboat that way. | ||
| Killed on his sailboat. | ||
| That guy was a pussy. | ||
| I would have saw the whale. | ||
| I wouldn't have panicked. | ||
| I would have dove in the water. | ||
| Jumped on his back, rode to shore. | ||
| Just hold the whale up. | ||
| And I would have yelled, help, because their ears are really good. | ||
| And they would have come by. | ||
| Here's a trivia question we've already asked. | ||
| How much does a blue whale's heart weigh? | ||
| Same as my dick. | ||
| As much as a car. | ||
| If you put my dick next to a blue whale on a scale, it would balance out. | ||
| Blue Wells' heart weighs 1,500 pounds. | ||
| That's about what my dick weighs. | ||
| Close. | ||
| That's about... | ||
| Well, my dick is made out of dark matter. | ||
| Gomi fought Nick Diaz, right? | ||
| Yeah. | ||
| Yeah. | ||
| He fought Nate. | ||
| Nate and Nick. | ||
| Both of them lit him up. | ||
| Nate lit him up with strikes, then I believe caught him in an arm bar, and Nick caught him with a gogoplata. | ||
| How big of a star was Gomi back in the day? | ||
| Nick tested so high for marijuana, they believe he might have been high while he was fighting. | ||
| Oh no. | ||
| Oh yes! | ||
| He won! | ||
| You know, people were arguing like, oh, you know, the pain that he got when he got hit with those shots, he didn't feel it because he was high on marijuana. | ||
| That's the one thing that you have to argue. | ||
| Like, well, marijuana is prescribed for pain. | ||
| Yeah. | ||
| I mean, it is. | ||
| True. | ||
| Right? | ||
| I mean, I would imagine it would help your ability to absorb pain. | ||
| That's a real advantage. | ||
| You tell me. | ||
| When I was sparring, when I was doing kickboxing, I wasn't smoking weed back then. | ||
|
unidentified
|
If that was true, everybody would be high-fighting. | |
| But they can't. | ||
| They get tested. | ||
| Everybody gets tested. | ||
| That doesn't make any sense. | ||
| But getting punched in the face hard with a right, I don't think Wee's going to help you with that. | ||
| It helps if you're Nick Diaz. | ||
| I bet Nick Diaz gets in there lit up. | ||
| I bet he doesn't give a fuck. | ||
| People would be sparring that way all the time. | ||
| Maybe they wouldn't be fighting butt off in the offside. | ||
| Nick Diaz would eat your jabs sober or high. | ||
| A lot of guys don't like to train technique high, though. | ||
| It's kind of interesting. | ||
| They say they don't learn things as good high. | ||
| Like when someone's trying to show you like a stutter step and an attack, like sometimes they get a little bit twisted up, but when they can just flow with what they know. | ||
| Once it's in the DNA, that's where the weed comes in. | ||
| Right, yeah. | ||
| When you're high, you work on instincts, you flow, and your instincts just take over. | ||
| But when you're not high, there's glitches here and there because you have too much shit on your mind, you're thinking about stupid shit. | ||
| I actually came up with some bits when I smoked some weed and drank some wine. | ||
| Was that 10 years ago? | ||
| I was on stage and I came up with some bits. | ||
| Are you saying that as if it's a new thing? | ||
|
unidentified
|
It is. | |
| That's how you do comedy. | ||
| You get high and you go on stage and you come up with new shit. | ||
| You're ridiculous. | ||
| That's hilarious. | ||
| Hey, bro. | ||
| What'd you say about ten years ago? | ||
| What'd you say? | ||
| Because I'm about to... | ||
| This Sunday... | ||
| What happened? | ||
| This Sunday, I'm doing my one hour. | ||
| Come on down. | ||
| When he said he was high making new stuff, I said, was that ten years ago? | ||
| Are you saying that all right? | ||
| Oh, he's being mean to you. | ||
| Is that what you're saying? | ||
| When was the last time you started doing stand-up? | ||
| I've seen you stand-up about 60 times. | ||
| I'm saying if I come down to Irvine on Sunday and I see El Gato, I'm going to choke you out of this day. | ||
| Dude, first of all, don't kill my friend's confidence. | ||
| He's about to go film a special. | ||
| He can't kill my friend. | ||
| No, he knows this. | ||
| Don't bring up the nature of his bits, which will fucking ruin him for the thousands of people that listen to this podcast. | ||
| So let's not delve into any material. | ||
| It's not just that either. | ||
| It's that you're working thematically. | ||
| So my one hour, you'll see completely new stuff. | ||
| Totally new. | ||
| I'll be there then. | ||
|
unidentified
|
You'll be there. | |
| This makes my dick hard. | ||
| I feel conflict between you two guys. | ||
| Is this because of the fighter and the kid? | ||
| He didn't invite me to dinner tonight. | ||
| What? | ||
| Didn't you have a set? | ||
|
unidentified
|
What's up, bro? | |
| You told me you had a set, man. | ||
| You said you have a set. | ||
| You live at 11. You live in Phoenix. | ||
| At 11, bro. | ||
| I don't get calls anymore. | ||
| You guys still friends? | ||
| I'm in camp, though. | ||
| Yeah, but my Phoenix... | ||
| He's in camp. | ||
| Oh, now he's in camp. | ||
| He is in camp, though. | ||
| You can't get needy. | ||
| He's weird. | ||
| I know. | ||
| It's weird when he gets in camp. | ||
| Well, he has to be. | ||
| I know. | ||
| He knows. | ||
| I'm... | ||
| I'm really not in camp yet. | ||
| I'm... | ||
| What can you do, though? | ||
| They tell you you gotta fight. | ||
| I train three times a day. | ||
| Meanwhile, we gave Calen a hard time for chewing on Mike, and everyone's chewing on Mike. | ||
|
unidentified
|
You hear that? | |
| Yeah. | ||
| Oh, yeah. | ||
| I've been chewing on these pickles like a fucking... | ||
|
unidentified
|
His job was giving him the hardest time, and he was chewing right into that fucking Mike. | |
| I'm only 35 years old. | ||
| Yes, he is. | ||
| I deep-throated these hot-ass pickles. | ||
| They're delicious. | ||
| They are delicious. | ||
| They are delicious. | ||
| I'm not into that. | ||
| You want a pickle? | ||
| Yeah, I'm not into these. | ||
| Those taste like caca. | ||
| No, we're out. | ||
| Those taste like caca. | ||
| Yeah, we're out. | ||
| I'm not a fan of these. | ||
| These are sea salt pop pops. | ||
| Those pickles are fucking straight heaven. | ||
| Those pickles are the best ever. | ||
| Aren't they good, Kellen? | ||
| You know what, though? | ||
| When you chew on a pickle, though, the mic's gonna pick it up. | ||
| They're so fucking crunchy and fresh. | ||
| Like, you could go in the other room. | ||
| I can hear that shit. | ||
| I wish we had some of them sriracha cashews. | ||
| God damn it. | ||
| Right now, I could go for some fucking sriracha cashews. | ||
| It's like we have to eat pickles, though. | ||
| Do you have a warrior bar here? | ||
| I don't have shit here. | ||
| Everyone's asking for shit. | ||
| No, man. | ||
| All we have is hot-ass pickles. | ||
| We need to stock up and we have pickles. | ||
| Pickles and stevia. | ||
| Pickles and stevia. | ||
| I mean, if someone wanted to order pizza, I wouldn't yell at you. | ||
| I don't think pizzas are going to deliver at 2 o'clock in the morning, brother. | ||
| Where are we living? | ||
| In New York City? | ||
| We're in the valley, son. | ||
| Shit shuts down. | ||
| I live in Venice, son. | ||
| There's pizza everywhere. | ||
| And the door to your studio is kind of scary looking. | ||
|
unidentified
|
Of course it is. | |
| You should be scared. | ||
| There's a werewolf in there. | ||
| Open the door. | ||
| Can you imagine you deliver a fucking pizza, you open the door, see that thing? | ||
| Yep. | ||
| Ariane! | ||
| Ariane's working overtime. | ||
| Yeah, we got to stock some snacks on this bitch. | ||
| Well, I got a new Nature Box coming this week. | ||
| Nature Box! | ||
|
unidentified
|
Do those Wario bars taste like sweet? | |
| No, no, no, no. | ||
| Well, it's cranberries and buffalo. | ||
| Dude, it's super healthy for you. | ||
| 140. But what does it taste like? | ||
| It tastes good. | ||
| It tastes like a beef jerky type bar, but it's easy to chew. | ||
| Like more fresh, right? | ||
| There's no artificial preservatives. | ||
| There's no... | ||
| Artificial sweeteners? | ||
| No, no, no. | ||
| There's nothing. | ||
| There's nothing artificial in it. | ||
| It's brand new, right? | ||
| We've had it for a couple months now. | ||
| I would look and tell you exactly what's in it, but there's no... | ||
| Cranberries. | ||
| Bro, they sent me ten of them in a box. | ||
| I ate them in two days. | ||
| I felt sick. | ||
| I ate ten in two days. | ||
| They're 14 grams of protein, 140 calories. | ||
| Jamie, go grab another bottle of them. | ||
| Get another one, man. | ||
| They're really good for you, too. | ||
| Only 2 grams of fat, 140 calories, 14 grams of protein. | ||
| It's just super healthy. | ||
| And that's how they used to preserve them, I guess. | ||
| They used to use cranberries and sea salt. | ||
| When they used to have to get sea salt, man, they used to have to take salt water from the ocean and boil it down. | ||
| Actual sea salt. | ||
| Actual fucking sea salt. | ||
| So what do they do now? | ||
|
unidentified
|
I don't know. | |
| But they still call it sea salt, right? | ||
| I mean, some of it is sea salt. | ||
| Some of it is iodine. | ||
| I mean, some of it is made in a lab, I guess. | ||
| I don't know how the fuck they make salt. | ||
| Salt is a stone. | ||
| I know the Himalayan... | ||
|
unidentified
|
Oh! | |
| Miles Jury! | ||
| Big right hand! | ||
| Oh, Kobe's fucked! | ||
| Oh, it's over, dude. | ||
| It's over. | ||
| Damn, Miles Jury with a big win. | ||
| Fuck, he's good, man. | ||
| With a big win. | ||
| Well, you know what? | ||
| Jury hasn't lost yet. | ||
| The kid keeps getting better, too. | ||
| He's putting in the work, man. | ||
| He's putting in the work. | ||
| He's down there at Alliance in San Diego, huh? | ||
|
unidentified
|
Yeah. | |
| That's a big KO. He has a jiu-jitsu gym, too, in San Diego. | ||
| Miles Jury does? | ||
|
unidentified
|
Yeah. | |
| He has his own jiu-jitsu? | ||
| No shit. | ||
| What happened there, man? | ||
| He's a black belt in jiu-jitsu. | ||
| Damn, I didn't know that. | ||
| Yeah, jiu-jitsu's a strong point. | ||
| He's just a nasty-ass striker, too. | ||
| Damn, and he's a tall kid. | ||
| Look at this. | ||
| Look at this. | ||
| Good movement. | ||
| Very smart fighter. | ||
| Bang! | ||
| Oh, that was a nice right hand. | ||
| Nothing you can do. | ||
| Well, Gomi is this weird kind of striker. | ||
| He's a knockout puncher, but he's like, everything is home runs. | ||
| It's all home runs. | ||
| And it just doesn't seem like he's setting things up in any traditional way. | ||
| The game's passing by a little bit, let's be honest. | ||
| But is it the game passing by, or is he not as fired up as he was when he was younger? | ||
| Both. | ||
| He doesn't have the body that he had when he was younger, too. | ||
| Oh my god, these are good. | ||
| It's fucking tough. | ||
| These pickles are insane. | ||
| The hot ones too. | ||
| Yeah, I like the hot. | ||
| They got like habaneros and shit. | ||
| If you got balls, you eat those after you eat the pickles. | ||
| Dig in there. | ||
| Powerful Miles Jury. | ||
| The kid's really impressive. | ||
| He's undefeated. | ||
| Me too. | ||
| Super impressive. | ||
| He's going to be tough to beat. | ||
| Yeah, his jiu-jitsu is really good, Eddie. | ||
| Damn. | ||
|
unidentified
|
Damn. | |
| 11th first round finish. | ||
|
unidentified
|
That's incredible. | |
| Boy, these pickles are not easy to get into, though. | ||
| I gotta be honest. | ||
| He won the English... | ||
| Tough... | ||
| I forget. | ||
| No, no, no, no. | ||
| He's from America. | ||
| No, he's just a beast from San Diego. | ||
| He's from Alliance. | ||
| He's a Cali kid. | ||
| What? | ||
| I thought he was English. | ||
| No. | ||
| Oh, shit. | ||
| You're confusing him with Dan Hardy, because they're both sexy. | ||
| He's a cute guy. | ||
| That's a bad motherfucker right there. | ||
| Fuck yeah, dude. | ||
| Look at his movement, man. | ||
| Very nice. | ||
| Look at this setup for this right hand. | ||
| His movement against Diego Sanchez? | ||
| Ridiculous. | ||
| Yeah, very good. | ||
| Bam, bam. | ||
| Good ground and pounding. | ||
| That was his first big win. | ||
| He's putting a lot of weight behind those punches, too. | ||
| A lot of length and a lot of weight. | ||
| Diego was his first big win. | ||
| He outclassed Diego. | ||
| It was a good fight, man. | ||
| Do you practice up kicks, Brendan? | ||
| I don't. | ||
| You shouldn't be giving this up on the air. | ||
|
unidentified
|
Oh, okay. | |
| Charles Brown can text me if he wants. | ||
| Look, it's really the only thing to really counteract that ground and pound from the horse stance position. | ||
| Oh, you're saying the up kicks. | ||
| Oh, yeah, yeah. | ||
| My bad. | ||
| I thought you were saying from stitch. | ||
| Yeah, yeah. | ||
| Yeah, 100%. | ||
| We do. | ||
| You've got to be good at closing. | ||
| You've got to be really good, yeah. | ||
| Because that's the perfect spot for him to avoid submissions and be able to throw punches and stay standing on your feet and squat. | ||
| Yeah. | ||
| Because you could reach the face, and right there, there's no submissions. | ||
| Yeah. | ||
| But the only thing you've got to worry about is those up kicks. | ||
| Yep. | ||
| Because you're in a perfect spot for an up kick. | ||
| So, you would think that most MMA fighters would work on that a little bit, right? | ||
| Yeah, we do. | ||
| There's levels, man, because, you know, I still haven't seen anybody throw kicks off their back as hard as hoist, and he is very good. | ||
| I'll tell you what, man. | ||
| Crow Cop's freaking nasty at him. | ||
| He hit me with an up kick to my knee and to the face. | ||
| It was like, boom, boom. | ||
| You would think a kickboxer would be the best at them, right? | ||
| Yeah. | ||
| Bro, it. | ||
| It was literally like that movie Rush Hour. | ||
| Which one of y'all kicked me? | ||
| It was like... | ||
| Well, you know who the first guy was to kick really good off of his back? | ||
| One of the most impressive early day Henzo Gracie against Oleg Tektarov. | ||
| Remember him? | ||
| He KO'd him from his back and then stood up and blasted him in the face with a punch and broke his hand. | ||
| Do you remember the story? | ||
| Broke his hand in that punch. | ||
| That was bare knuckle, too. | ||
| The story was nobody... | ||
| Like, Henzo actually practiced up kicks to get really good at him. | ||
| And Murillo Bustamante... | ||
| He used to teach him in class. | ||
| And Murillo Bustamante... | ||
| Thought, because I guess they were close, thought it was a waste of time. | ||
| Look at that, son! | ||
| Until Henzo pulled it off. | ||
| Oh, shit! | ||
| Large portion of head strikes. | ||
| Dude! | ||
| Is that to your head or from your head? | ||
| No, no, that's delivering, son. | ||
|
unidentified
|
Damn. | |
| Minimum 300 attempts. | ||
| Wow. | ||
| Not a big deal. | ||
| It's whatever. | ||
| Not bad, brother. | ||
| We got work to do! | ||
| My man's in shape. | ||
| I'll go train right now, son. | ||
| I got some kettlebells here. | ||
|
unidentified
|
Oh! | |
| Don't tempt a brother. | ||
| I'm all hyped up on fucking bulletproof coffee and I've ate about 17 hot pickles. | ||
| I'm either gonna shit my pants or get a workout. | ||
| You pick, gentlemen. | ||
| Both will make you sweat. | ||
| No, dude, I got kettlebells here and an archery target. | ||
| Look at how thick he is. | ||
| Look at how thick that dude is. | ||
| You get into bows and arrows or what? | ||
| I love it. | ||
| It's fun. | ||
| It's fun, man. | ||
| Hey, I thought you were gonna make fun of me when we went to your house. | ||
| Sure. | ||
| I got some. | ||
| When we went to your house and you released those chickens, I was scared of shit around the chickens. | ||
| I told my brother and my friend, I was like, fuck, man. | ||
| Rogan, release those chickens. | ||
| I was scared as fuck. | ||
| But I was trying to act tough. | ||
| I'm not used to wild animals. | ||
| Release those chickens. | ||
| I was scared as fuck, man. | ||
| Well, I'm starting to develop a farm. | ||
| That's my first step. | ||
| My first step is having all these chickens. | ||
| I got like 24 chickens. | ||
| I think it'd be nice. | ||
| I want to do it personally, but I think ultimately the best move would be, and I've said this before, the best move would be if, like, friends. | ||
| You know how Uriah Faber lives? | ||
| He lives on a corner. | ||
| I agree, man. | ||
| They own all these houses. | ||
| They own the whole corner. | ||
| The whole neighborhood. | ||
| It's like the whole neighborhood. | ||
| It's a dope move. | ||
| It's you and your homies. | ||
| If someone could figure out how we could all do something like that. | ||
| And who lives with Uriah Faber? | ||
| All his family? | ||
| Well, Uriah Faber has his own house, but Chad Mendes lives right next to him. | ||
| And Uriah owns a few houses, too. | ||
| Joey Benavidez, he rents it to all of them. | ||
| Yeah. | ||
| It's all his training camp homies and his friends all live in the same area. | ||
| They call it the block. | ||
| It's a brilliant idea. | ||
| So they have, like, this whole area where they're all, like, they go grilling together. | ||
| They have parties. | ||
| They have people come over. | ||
| And they're super friendly dudes. | ||
| So it's, like, a real warm, fun environment. | ||
| And all this camaraderie. | ||
| They all live together like that. | ||
| And I've always felt, like... | ||
| That would be the best thing. | ||
| If all of our yards boarded each other, and then you fucking grow vegetables together. | ||
| That would be dope. | ||
| When I was a kid, when I was a kid, my dad was in this thing, my stepfather was in this, it was like a cooperative thing in school, and they would grow plants together. | ||
| It was in a university. | ||
| And they would all grow like a bunch of different plants. | ||
| And I remember going there and thinking, this is what a great idea this is. | ||
| Like everybody would contribute. | ||
| Like some days, like he brought me down there on like a Tuesday. | ||
| And I remember it very clearly because this goat attacked me. | ||
| This fucking male goat. | ||
| Like I was hanging out. | ||
| I was little, man. | ||
| I was like seven years old. | ||
| And this fucking goat starts head-butting me. | ||
| And I'm grabbing the goat and I'm freaking out. | ||
| And then he came over and jacked the goat. | ||
| I'm like, get the fuck out of here, bitch. | ||
| The female goat started attacking me when I was holding on to the male goat because she decided I was the enemy. | ||
| Gnarly-ass goats. | ||
| I'd been feeding her just a few minutes ago. | ||
| Yeah, so I remember it very clearly. | ||
| But I remember this thing. | ||
| What a great idea to have a bunch of vegetables growing right there. | ||
| And if you do that and you've got chickens, just vegetables and chickens, you've got days of food. | ||
| Yeah, yeah. | ||
| I'm down for the chickens and vegetables and all that shit. | ||
| How about we just get a bunch of badass cars? | ||
| We share cars. | ||
| We get cars. | ||
| We get girls. | ||
| There's girls. | ||
| There's drugs. | ||
|
unidentified
|
There's also... | |
| Hey, do you retire? | ||
| Wait till you retire at least. | ||
| Hey, but not in Calabasas. | ||
| When did Mike Goldberg start DJing? | ||
| No, what I'm thinking right now is... | ||
|
unidentified
|
Sometimes you forget you're on there. | |
| That's a fucking slick DJ time. | ||
| That's the funniest thing I've ever heard. | ||
| Mike Over looks sharp. | ||
|
unidentified
|
He looks sharp. | |
| He could be running the tables at Hakkistan. | ||
| What is that? | ||
| The MGM? The back of Mike's head. | ||
| He looks like he was taking a nap. | ||
| How dare you? | ||
| I'm just saying. | ||
| He's wearing headphones, man. | ||
| He doesn't have the luxury of the shaved head. | ||
| You don't want to call him a DJ now. | ||
| I can't say it's a nap. | ||
| He's a sweet guy. | ||
| You're a three-piece suit. | ||
| I like him. | ||
| He's a great guy. | ||
|
unidentified
|
He's a sweetie. | |
| No, I like Mike Over. | ||
| He's a sweetie. | ||
| Oh, he's a good guy. | ||
| We were talking about... | ||
| Were we talking about this before? | ||
| Yeah, we were. | ||
| We weren't on air. | ||
| We were talking about Mark Hunt Bigfoot and the difference between the kind of punishment that Bigfoot was able to take in that fight, which is incredible, and then his last fight with Orlovsky, two shots and he's down. | ||
| Oh, you're talking about when he's off DR2? Yeah. | ||
| Oh, yeah. | ||
| It's crazy. | ||
| Crazy advantage he gives, guys. | ||
| Is that the case? | ||
| Or is it just the case of the standard thing of seeing guys just have Daniel Cormier knocked him out? | ||
| You know, there's a bunch of fights. | ||
| He's taken a lot of damage in fights. | ||
| Cain Velasquez fucked him up in his last fight. | ||
| I'm just saying, man, when you're on TRT and fighting down in Australia, and you're eating right and left hand from Mark Hunt, and then you fight in Brazil off TRT and you get knocked out in one punch, God, it's a good argument, man. | ||
| I'm not saying it is, but it's a fucking good argument. | ||
| Kind of, but isn't it also, look, the Hunt fight. | ||
| Because Arlowski punched me in the face several times, didn't feel shit, you know what I'm saying? | ||
| And Bigfoot's been taking punishment before. | ||
| It's weird, man. | ||
| Right, but isn't it true, though, that sometimes you get punched in the face and you're just getting punched on the cheek or you're getting punched here? | ||
| It's placement, man. | ||
| You can get one dank across the tip of the chin and the legs just go. | ||
| It's not even the chin. | ||
| Most of the time it's behind the ear or on the side of the head or behind the ear. | ||
| That's what I'm saying. | ||
| Marshall got tagged tonight. | ||
| He got tagged right behind the ear. | ||
| Marshall got hit there. | ||
| When DC fought Bigfoot, he tagged him behind the ear. | ||
| Cain Velasquez got hit behind the ear against JDS. I got hit behind the ear against Big Country. | ||
| It's all about placement, man. | ||
| Big Country's really good at that looping right hand and lands it. | ||
| The best. | ||
| Casting style, right? | ||
| He lands it a lot of different ways. | ||
| If I was a betting man and you made me pick, I would say Roy is going to land that. | ||
| He's going to wobble Hunt, then he's going to take him down and TKO him. | ||
| Wow. | ||
| That's a crazy thing. | ||
| In the second round. | ||
| Do you remember when Roy was just a grappler? | ||
|
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|
Yeah. | |
| It was a long time ago when Eddie and I first met Roy. | ||
| A long, long time ago. | ||
| He really doesn't use it anymore. | ||
| It's crazy. | ||
| It's crazy because the dude didn't even start striking until 2009. When I interviewed him in the... | ||
| Boom! | ||
| Look how fucking hard he hits, bro. | ||
| When I interviewed him... | ||
| And his mentality. | ||
| He's ferocious. | ||
| His chin is iron, granite chin. | ||
| The only time he's been stopped is Arlovsky stopped him. | ||
| I think that's the only time. | ||
| And that was a ridiculous situation because he had Arlovsky down inside control and they stood him up. | ||
| It was ridiculous. | ||
| It was pathetic. | ||
| But see, he didn't even start striking until 2009. I mean, think of that. | ||
| He's knocked out Noguera. | ||
| Knocked out Mitrione. | ||
| You see, knocked out Dave Herman there. | ||
| There's Tookshire. | ||
| Oh, that was... | ||
| That was Congo. | ||
| Boom! | ||
| Look at that right hand. | ||
|
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|
Boom! | |
| Left hook. | ||
|
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|
Boom! | |
| Roy is also a smart fighter, so when the going gets rough in this fight and they're trading bombs, Hunt has to keep trading. | ||
| What's Hunt going to do? | ||
| Take him down? | ||
| Nope. | ||
| Roy can take him down. | ||
| Roy's going to say, fuck this, abandon ship, emergency break, boom, I'm taking it down, I can win the fight. | ||
| Hunt just says, nah, I've got to keep throwing. | ||
| You fought Roy. | ||
| That's the difference. | ||
| Is he the hardest hitter that you've ever fought? | ||
| No. | ||
| Well, it's tough. | ||
| Shane's the hardest you've ever been hit by. | ||
| Yes. | ||
| Roy hit me behind the ear. | ||
| Roy landed three right hands. | ||
| Two were straight on. | ||
| I didn't feel anything. | ||
| Like we said, playsman, hit me here, hit me here. | ||
| Then the one I turned on a jab hit me behind the ear, and that was the ending shot. | ||
| So I really didn't feel it. | ||
| He's so good at landing that shot, too. | ||
| But if you look case by case, Roy has to be the hardest hitter. | ||
| You know what I'm saying? | ||
|
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|
Yeah. | |
| It's amazing. | ||
| It's the leverage. | ||
| It's the leverage and the way he throws that right hand, just reckless as shit and all the power. | ||
| And also this fucking confidence in his chin. | ||
| I mean, Junior Dos Santos hit him with everything but the fucking kitchen sink. | ||
| How about Verdun? | ||
| Dude, he thought he won the Verdun fight. | ||
| Yeah, eating those knees. | ||
| He was like, that guy never hurt me. | ||
| I mean, he's a fucking animal, bro. | ||
| He's an animal. | ||
| You know what's tough, though? | ||
| And everyone here loves Roy. | ||
| At some point, that crazy durability chin... | ||
| It could be this fight. | ||
| It could be ten fights from now. | ||
| It just goes away. | ||
| It's like, oh, shit. | ||
| Or he is just that country motherfucker that you hear about that lives up in the mountain and chops wood with his face and doesn't give a fuck. | ||
|
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|
He can fight 170. There's no one like that, though, is there? | |
| You'd think Fado would be that guy. | ||
| Right. | ||
| He can fight 170. No, not 170. I'm kidding. | ||
| I'm being silly. | ||
| He's got a lot of weight on him. | ||
| Well, he's weighing about... | ||
| What is he weighing in? | ||
|
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|
250? | |
| 260. Is it possible that that beard can absorb punishment? | ||
| No, no, no. | ||
| Is it possible? | ||
|
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|
No. | |
| No? | ||
| Otherwise, Kimbo slides to be the champ. | ||
| You know what I'm saying? | ||
| That dude had a gnarly ass beard. | ||
| He's got straight out of the belly. | ||
| I remember when I trained with him, I was like, guilty. | ||
| He's jerry-curled all over your hands. | ||
| I mean, he has got a... | ||
| There's no reason. | ||
| Kimmel Slice had the best look of all time. | ||
| You know what? | ||
| Nicest fighter I know. | ||
| The greatest guy. | ||
| Nicest fighter I know. | ||
| He's a sweetheart. | ||
| You know what I'm having on my podcast, man? | ||
|
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|
Kid Cudi. | |
| Houston Alexander. | ||
| Aren't you having Kid Cudi on? | ||
| Yeah, I'm having Kid Cudi on Monday. | ||
| That's fucking huge. | ||
| Me and my brother are huge Kid Cudi fans. | ||
|
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|
Yeah, he's awesome. | |
| When he sits down, he'll say, Big Brown loves ya. | ||
| I'm going to tell him Big Brown loves ya. | ||
| I'll probably even walk out to one of his songs if he's cool. | ||
|
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|
Ooh, dude. | |
| I'll tell him. | ||
| I'll tell him on Monday. | ||
| Give Big Brown a shout out. | ||
| I'll walk out to one of his songs. | ||
| I'll tell him on Monday, man. | ||
| God, he's good. | ||
| Yeah, he's good. | ||
| But I'm going to get Houston Alexander on, too. | ||
| He's another motherfucker. | ||
| God damn, Houston Alexander. | ||
| He had some power. | ||
| You want to talk about Styles makes fight? | ||
| How about when Houston Kimbo slot? | ||
| Everyone's like, oh shit! | ||
| This will be the fight of the century! | ||
| Literally, the whole fight you watch like this. | ||
| It was a tough fight. | ||
| It was so boring. | ||
| They were both exhausted. | ||
| And no one committed because they both have knockout power. | ||
| It was weird. | ||
| How about when Houston Alexander fought Keith Jardine? | ||
| Nobody knew who he was. | ||
| Oh, I know. | ||
| Caught him. | ||
| Woo! | ||
| Alexander can punch, man. | ||
| Mark Hunt's a scary dude, man. | ||
| And he's familiar in Japan. | ||
| Listen, he's a star in Japan. | ||
| Superstar. | ||
| Superstar. | ||
| He's the K1 Grand Prix champion. | ||
| He's fought some of the best of the best of all time. | ||
| Yeah. | ||
| If you have a tattoo on your neck, do not talk shit to a guy. | ||
| Man, it looks like they packed out a stadium here, huh? | ||
| Good crowd. | ||
| There's a lot of dudes with neck tattoos. | ||
| That's a good point. | ||
| That's a legit point. | ||
| There's a lot of guys in Venice with dirty feet with neck tattoos. | ||
| Neck tattoos. | ||
| And like, fucking all skinny. | ||
| I'm just saying, Mark Hunt is the gnarliest tattoo. | ||
| I think that's his son's name, by the way. | ||
| Whatever. | ||
| I'm pretty sure that's his son's name that he had written in kanji on his neck. | ||
| You know me, I'm always coming up with schemes or something to get a guy to fight me. | ||
| I want this big fight. | ||
| And with Hunt, we're talking shit back and forth. | ||
| I said, fuck it. | ||
| Let's put our fight purses on the line. | ||
| I win, I get all your money. | ||
| You win, you get all mine. | ||
| Thinking he'd be like, nah. | ||
| He was like, cool. | ||
| Cool, man. | ||
| We'll ask Dana. | ||
| You know, knowing damn well Dana's not even... | ||
| We'll ask Dana. | ||
| We'll see how it goes, you know? | ||
| He shut that shit down real quick. | ||
| Well, didn't Bisping just offer that to Luke Rockhold? | ||
| Stole a page out of Shob's book. | ||
| Yeah, he did. | ||
| Yeah. | ||
| Me and Bisping talked about that. | ||
| Yeah, Bisping, he was being really funny about it, too. | ||
| Saying, since I get paid about five times more, it's much more valuable to me. | ||
| Bro, let's talk about this, though. | ||
| Mark Hunt... | ||
| I'm really excited about this fight, guys. | ||
| I can't wait for this fight. | ||
| Let's talk about Mark Hunt real quick, though. | ||
| Just a couple years ago, if you remember... | ||
| He got taken down by Chris Tuster. | ||
| He lost to McCorkle by submission. | ||
| McCorkle caught him in submission. | ||
| McCorkle caught him in submission. | ||
| He went to that weird fight in Denver with Rothwell where they call it the worst heavyweight fight of all time. | ||
| So you're like, damn, Mark Hunt is not doing well. | ||
| Look at this motherfucker now. | ||
| Killing the game. | ||
| Killing the game. | ||
| Well, that Rothwell fight, man, was in Denver. | ||
| And if you don't live in Denver, good luck fighting in Denver if you weigh 260 pounds. | ||
| Listen, if you're not in shape in New Zealand, when you get to Denver, you're also not going to be in shape. | ||
|
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|
If you're not in shape in California, when you fly to Florida, your fat ass still ain't in shape. | |
| That is true. | ||
| I used to fly train partners in and they'd be crazy out of shape. | ||
| Bro, this altitude. | ||
| You're fat as shit, bro. | ||
| No, it doesn't matter. | ||
| Where'd you come from? | ||
| Jacksonville? | ||
| Yeah, you're fat in Jacksonville. | ||
| You know what I'm saying? | ||
| It drives me nuts. | ||
| How disappointing must that be for professional athletes? | ||
| Like, they come in professional athletes to work with you. | ||
| And their shape, like the kind of conditioning they're in. | ||
| We would send them home the next day. | ||
| Would you? | ||
| Yep. | ||
| Beat it, nerd. | ||
| Go kick rocks, geek. | ||
| Beat it, nerd. | ||
| So, don't they say that the best way to do it is to sleep at sea level and train at altitude? | ||
| They say, like, living in San Bernardino. | ||
| No, sleep at altitude, train at sea level. | ||
| Yes, that's what I meant. | ||
| Train it where there's no altitude. | ||
| And then sleep. | ||
|
unidentified
|
Why? | |
| Because your body, you get the harder work rate at sea level. | ||
|
unidentified
|
You get more reps in. | |
| There's plenty of oxygen. | ||
|
unidentified
|
More reps. | |
| More energy exerted. | ||
| Because you're not struggling. | ||
| But there is a benefit to living and training up there, but it's not as much of a benefit as sleeping up there, but training it's here. | ||
| See, I used to train at obviously high altitude and live at high altitude. | ||
| I feel ten times better living in California. | ||
| I get better training, my body recovers better. | ||
| I breathe better. | ||
| Do you ever feel a difference? | ||
| Flourishing in L.A. What? | ||
|
unidentified
|
More oxygen. | |
| Oh, you're getting very excited. | ||
| Sorry, man. | ||
| Those sprinkles got me crunk as shit. | ||
| I'm also going to shit my pants any second. | ||
| It's also, there's a habaneros in there. | ||
| I know. | ||
|
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|
That's what it is. | |
| Beautiful. | ||
| And I drank seven cups of coffee. | ||
| Do you, like, if you were going to fight in Denver, would you go to Denver and prepare? | ||
| Yeah, I would. | ||
|
unidentified
|
Hmm. | |
| Kind of have to, right? | ||
| You know what? | ||
| But Joe Silva said he's never going to put heavyweights on a Denver card again. | ||
| Because of that? | ||
| Thanks, Rothwell and Hunt. | ||
| Thanks. | ||
| Thank you, sir. | ||
|
unidentified
|
Ah! | |
| It's hard, man, if you're fucking not from there, man. | ||
| Real quick, Mark Hunt's 9-8, number 6 in the world. | ||
| That's fucking gangster, man. | ||
| 9-8. | ||
| 5-10, 264. Hey, real quick, if you're in the NFL and you throw 9 touchdowns, 8 interceptions, you don't have a job. | ||
| I'm just saying. | ||
| Yeah, but this isn't the NFL. This is Mark Hunt. | ||
| I agree. | ||
| K-1 Grand Prix champion who knocked out Czech Congo. | ||
| K1 Grand Prix champion who was the shortest fighter ever. | ||
| God, this is a good fight. | ||
| Man, they look exactly the same. | ||
| His fight and Stefan Struve's height, it was the most disparity in size ever in a heavyweight fight. | ||
| And Hunt landed a leaping left hook that destroyed Struve's jaw. | ||
| Broke his jaw. | ||
| Warm cheese against caramel. | ||
| This is an interesting fight, man. | ||
| Very interesting. | ||
| Hunt certainly has more weapons, but he's also been in more wars. | ||
| I disagree. | ||
| I don't think he has more weapons. | ||
|
unidentified
|
Stand up? | |
| No, I'm saying overall. | ||
| I'm saying as an MMA fighter. | ||
| No, no, he definitely doesn't overall. | ||
| He's got some tits. | ||
| He's got more weapons standing up. | ||
| 100%. | ||
| But Roy arguably has more power in his one weapon. | ||
| Roy isn't known as a good wrestler. | ||
| He has trips. | ||
| He has trips. | ||
| Yeah, but Mark Hunt has been working on his takedown defense. | ||
| Dude, Mark Hunt's left hook is from fucking outer space. | ||
| He knocks aliens out with that shit. | ||
| Mark Hunt's not easy to takedown. | ||
| He's harder than shit, son. | ||
| He just tagged Nelson. | ||
| Holy shit! | ||
| Damn! | ||
| Can you imagine if this is the first fight where we see Roy get stopped? | ||
|
unidentified
|
It might be. | |
| It might be. | ||
| He might not be able to take Mark Hunt down. | ||
| I think Roy's too smart, man. | ||
| Very good at slipping in and out of shit, too. | ||
| He's really good at that check hook. | ||
| Ooh, Roy goes for the takedown early. | ||
| Let me tell you. | ||
| Let me tell you. | ||
| I told my brother on the way down, I said, boy, he's a shooter. | ||
|
unidentified
|
He's a Roy. | |
| He's smart, man. | ||
| Oh, you cut all that weight? | ||
| You take him down early, it's going to exhaust him. | ||
| He's not going to have the same power. | ||
| Well, not only that, Hunt is a very skillful striker. | ||
| He's not going to just stand right in front of you. | ||
| Like, you see when Roy went to throw that right hand? | ||
| Hunt slides right out of the range of shit. | ||
| Just out of the range of shit. | ||
| Poked him in the eye? | ||
| Wouldn't that be the worst if the fight stops in the eye poke and it's all the way in Japan? | ||
| Right now. | ||
| This entire night would be ruined. | ||
| Yeah, isn't that sad? | ||
| At least no one would have gotten hurt. | ||
| I fucking hate... | ||
| I hate the glove situation, man. | ||
| I feel like there's gotta be a way to... | ||
| Oh yeah, he poked him right in the fucking eye. | ||
|
unidentified
|
He said it too. | |
| He said enjoy your victory with one fucking eye. | ||
| It's so disappointing, man. | ||
| I mean, nobody means to do it. | ||
| That's a Muay Thai thing too, you know? | ||
| They train that with the glove on. | ||
| He's alright. | ||
| He's alright. | ||
| He's gonna keep going. | ||
| Beautiful, beautiful. | ||
| They need to come up with a solution, Big Brown. | ||
| What's the solution? | ||
| Is it something that covers the fingertips? | ||
|
unidentified
|
Oven mitts. | |
| Oven mitts, right? | ||
| Oven mitts. | ||
| Finger condoms. | ||
| It's obviously not no gloves. | ||
| No gloves, no solution at all for that. | ||
| You have to have the fingers out, man, for grappling. | ||
| Yeah, I know. | ||
| Yeah, but is it... | ||
| Oh! | ||
| Beautiful left kick to the body. | ||
| Goddamn. | ||
| He put some fucking pop in that. | ||
| Mark Hunt's a... | ||
| Ooh, good right hand. | ||
|
unidentified
|
Oh, he caught him. | |
| Nelson gets angry. | ||
| Remember, Hunt's been KO'd before by Melvin Manhoof. | ||
| Yeah. | ||
| He did. | ||
| He did. | ||
| In 18 seconds. | ||
|
unidentified
|
Melvin Manhoof is a motherfucker. | |
| Straight up scary. | ||
| Meanwhile, remember that fight with Robbie Lawler? | ||
| Hunt is so much faster than he should be. | ||
| He's beating the shit out of Robbie Lawler. | ||
| There's that leg kick, man. | ||
| You just get kicked by a telephone pole. | ||
| That's not a normal knee. | ||
| What kind of knee is that? | ||
| Look at the size of that knee. | ||
|
unidentified
|
That's three knees. | |
| Roy's throwing some serious shit. | ||
| He is. | ||
| Three knees. | ||
| But you know what? | ||
| If Hunt's smart and he keeps sliding towards his right after he lands shots, he takes away some of the right hand. | ||
| Slide to the right. | ||
| Because Roy very rarely throws lefts. | ||
| His left is a measuring device. | ||
| Yes, exactly. | ||
| I mean, he'll throw a left to get you thinking about it, but that right hand is the bomb diggity. | ||
| With me, he threw a double jab. | ||
| See, there's the right. | ||
| A double jab to a huge right hand. | ||
| That's his thing. | ||
| He goes, bop, bop, shakes it, and then big right hand. | ||
| See, the thing about a striker like Hunt, like, look how slick he is. | ||
| He's slick. | ||
| He's basically 300 pounds right now, too. | ||
| Moving like a fucking ballerina elephant. | ||
| Oh, and there's a clean right hand he landed. | ||
| See, there's a disparity in technical advantages. | ||
|
unidentified
|
100%. | |
| Like the technical advantage that Mario has. | ||
| His movement, too. | ||
| Yeah, his movement. | ||
| But that's also a technical advantage. | ||
| 100%. | ||
| He knows exactly where he's coming. | ||
| And look, if he avoids the right hand, see? | ||
| It's all the avoiding the right hand, though. | ||
| He doesn't have to worry about knees or kicks. | ||
| He's just worried about that right hand. | ||
| And at his level, if they go, all this guy has the right hand, he's going to go, oh, cool. | ||
| It's a totally different animal. | ||
| You're dealing with a K-1 Grand Prix champion. | ||
| But now you're talking about a guy who can stick in there and has better cardio than you. | ||
| Maybe. | ||
| Who knows who's got better cardio so far. | ||
| But right now you're just dealing with Mark Hunt. | ||
| I mean, Mark Hunt was fat, but it doesn't mean he's out of shape. | ||
| Just because he's 290 pounds, he could have been starting off at 340 and gotten really good shape at 290 and had a cut down at 265. And still be able to kick some fucking ass for three rounds or five rounds. | ||
| Apparently you're right. | ||
| It's five rounds. | ||
| I'm very excited when I found out. | ||
| I knew it was five rounds, but I forgot for a second. | ||
| Oh, that's what I wanted to talk to you about. | ||
| That's deep water. | ||
| Did you hear that? | ||
| I don't know if this is true, but if it is true... | ||
|
unidentified
|
Oh! | |
| Roy tagged him! | ||
| Roy got him with the left hook, too. | ||
| Fuck yeah, he did. | ||
| Someone said that Junior Dos Santos, the Stipe Miocic fight, he requested a three-round fight for the main event. | ||
| Did you hear that? | ||
| Is that true? | ||
| I heard he wants a three-round fight. | ||
| Why do you think that is? | ||
| Maybe those two fights with Kane, those fucking horrible five-round wars, man. | ||
| Maybe he doesn't want to do that to his body. | ||
| If I'm Stipe, I'm saying, nope, five rounds. | ||
| The other thing that Hunt is good at is rolling with shit. | ||
| Hunt looks tired now, man. | ||
| Hunt looks a little tired. | ||
| Not to me. | ||
| He doesn't get stiff with stuff. | ||
| He rolls. | ||
| Like when things are coming at him, he rolls away from things. | ||
| See that? | ||
| Yeah. | ||
| He takes a lot of the power off of those punches when he does that. | ||
| And for someone who's not used to a guy that's that slick like that, it also makes you very tired because you're decelerating your own punches instead of hitting something. | ||
| Yeah, missing a punch makes you more tired than actually hitting someone. | ||
| Yeah. | ||
| When you're fighting a guy, that's why Ali would wear guys out so well. | ||
| Yep. | ||
| Because he would just be standing in front of them and they would just be fucking eating air sandwiches. | ||
|
unidentified
|
Yeah. | |
| Look at that. | ||
| Beautiful movement. | ||
| You know what that is, man? | ||
| That's just knowledge. | ||
| Just knowing where the punches are coming from. | ||
|
unidentified
|
It's just experience, man. | |
| Roy looks a little tired. | ||
| His head's always in the right spot. | ||
| Yeah. | ||
| Well, it's so tough. | ||
| If he knows that you have two weapons, right? | ||
| I mean, Roy only hit him with one pretty good leg kick. | ||
| It's a pretty good leg kick, though. | ||
| Not game-changing. | ||
| No, but pretty good. | ||
| Now, here's a couple of good combinations. | ||
| Roy landed a great left hook right hand. | ||
| That was the... | ||
| Yeah. | ||
|
unidentified
|
Boom. | |
| There's a nice right hand. | ||
| Right to the eyeball. | ||
| Boom. | ||
| And look, slides away. | ||
|
unidentified
|
Boom. | |
| There's one over the top. | ||
| That tagged him a little bit. | ||
| He kind of rolled with it, though. | ||
| He rolled with the left hook. | ||
| But there's a good leg kick. | ||
| But then he rolled with that, too. | ||
| Yeah, he rolled with it and just went with it. | ||
| But it's like when Roy mixes it up, anytime a fighter mixes it up, he opens up all these other possibilities because he creates new variables. | ||
| If you introduce new variables, like that's why GSP was so good. | ||
| You never knew what the fuck he was going to do. | ||
| So that extra half of a second when you're thinking, what is he going to do? | ||
| Then he executes something. | ||
| That extra half of a second is such an advantage. | ||
| That along with the comfort level that a guy like GSP had from all those championship fights is one of the reasons that led him to be one of the great fighters of all time. | ||
| He was so good at being unpredictable. | ||
| You didn't know if he was going to strike or try to grapple. | ||
| And guys would be thinking, what's he going to do? | ||
| Fuck, he already did it. | ||
| And then you're always playing catch-up. | ||
| Yeah. | ||
| I talked to Nate Marquardt about that, who was his main training partner, and he would always say, you didn't know if he was going to shoot a double leg on you. | ||
| Oh! | ||
| He took him down. | ||
|
unidentified
|
Look at his back. | |
| Look at this. | ||
| See, Hunt rolls all fours. | ||
| Oh! | ||
| What if he gets him? | ||
|
unidentified
|
Oh! | |
| He's high. | ||
| Look at how thick his legs are. | ||
| Roy is very good though. | ||
| He's very good. | ||
| He's almost out. | ||
| He's out. | ||
| Oh my goodness. | ||
| Oh my goodness. | ||
| Hunt's out. | ||
| And Roy had to adjust his knee pad. | ||
| That's interesting. | ||
| What's that about? | ||
| It was uncomfortable. | ||
| Yeah, but I mean, what's up? | ||
| Do you think he's got a knee injury? | ||
| Oh, back fist. | ||
| That's a big, big moment for Hunt, right? | ||
| Yeah, getting up like that. | ||
| It's the fact that he could. | ||
| He was able to escape. | ||
| Dude, he's tough to keep down now. | ||
| It's all he's training, it looks like. | ||
| He's so fucking strong, too. | ||
| Look at the back on that fucking dude. | ||
| Takes a while to get it all together. | ||
| Some people would have quit. | ||
| He just kept going, and now he's finally... | ||
| He's hard to take down, and he's got a little bit of jiu-jitsu. | ||
| And he's 290 and 510. That helps. | ||
| Yeah, that helps a little bit. | ||
| Did he get down to 265? | ||
| For a little bit. | ||
| For about 10 minutes. | ||
| So he had to cut to 265? | ||
| Yeah, he lost 19 pounds in one day. | ||
| They said he lost 19 pounds in one day. | ||
| So he's at least, you know... | ||
|
unidentified
|
A solid 284. A solid 284. That's so ridiculous. | |
| That's so ridiculous. | ||
| What if he got down to 205? | ||
| But meanwhile, he fucking moves good. | ||
| He moves good. | ||
| But you know what? | ||
| Mike Dolce made some really good points. | ||
| He was talking about Cain Velasquez. | ||
| He was like, yeah, he's the best of all time. | ||
| Yeah, he's awesome. | ||
| And Fedor, yeah, he was fucking amazing in his prime. | ||
| And probably, oh, nice right hand. | ||
| But he goes, he would have been even better if he lost that body fat. | ||
| I disagree. | ||
| I disagree. | ||
| I think you need some body fat. | ||
| Listen, like I said, we all love Mike Dolce. | ||
| It's not a bodybuilding competition. | ||
| If Fedor or Cain Velasquez both had six packs, they wouldn't have the same cardio. | ||
| I think you need some of that fat to have some of that cardio. | ||
| But when you're trying to cut weight down... | ||
| Heavyweights aren't? | ||
| Yeah, heavyweights. | ||
| Yeah, for sure. | ||
| So why would Kane go, wait a second, I have the best card in the game? | ||
| Let me change my diet and get this six-pack because Dolce thinks I need to be lesser fat. | ||
| Plus, he's going to alienate a lot of people that love Roy Nelson because Roy Nelson looks like the average American. | ||
| Oh! | ||
| Big left hook. | ||
| Shit! | ||
| I've never seen Roy like that. | ||
| Big left hook. | ||
| Oh! | ||
| But Roy Nelson fires back. | ||
| This is what Roy wants, man. | ||
| If you didn't know Roy Nelson was a UFC fighter, and you saw that dude by a swimming pool, and you talked shit to him, what a fucking colossal mistake that would be. | ||
| I had a huge mistake. | ||
|
unidentified
|
Oh! | |
| Oh my goodness! | ||
| Oh my god! | ||
| Oh my goodness! | ||
| Oh my god! | ||
|
unidentified
|
That is a bad Mark Beck is a motherfucker, dude. | |
| He is a motherfucker. | ||
| I've never seen that faceplant. | ||
| I've never seen Roy Nelson take a shot like that. | ||
| Holy shit. | ||
|
unidentified
|
Wow. | |
| Oh, no. | ||
| That's fucking scary. | ||
| What do you mean, oh, no? | ||
| You hate Mark Hunt? | ||
| No, I'm just saying, wow. | ||
| That was crazy. | ||
| No, you said oh, no. | ||
|
unidentified
|
You said oh, no. | |
| It was brutal. | ||
| Explain yourself. | ||
|
unidentified
|
Anyway. | |
| Bravo turned on you. | ||
| He was with you. | ||
| He turned on you. | ||
| Look at this. | ||
| I'm a big country operative. | ||
| Oh, no. | ||
| Look how Mark Hunt walks away, too. | ||
| It looks so painful. | ||
| I love how he does that. | ||
| That walk away. | ||
| He's done that to three dudes now. | ||
| Look at this. | ||
| Look at this. | ||
| Right up cut. | ||
|
unidentified
|
Boom! | |
| Look at this. | ||
| Right on the chin. | ||
| Look at that walkaway. | ||
| Mark Hunt is the king of the walkaway KO. He tripped right there. | ||
| Look at that. | ||
| But that's the referee got in his way. | ||
| No, no, no. | ||
| Watch. | ||
|
unidentified
|
Watch it again. | |
| The referee pushed him. | ||
| Bullshit. | ||
| Watch this. | ||
|
unidentified
|
Boom! | |
| Oh, my, my. | ||
| The fucking referee pushes him, man. | ||
| So what? | ||
| Hey, Andy. | ||
| What's up, man? | ||
| He should have blocked the ref. | ||
| Put a forearm in his neck. | ||
| That shit was bananas. | ||
| Imagine if he would have fucking high spin the ref. | ||
| A beautiful ending. | ||
| That referee ruined a beautiful walk-off KO. That was crazy. | ||
| Still a beautiful walk-off KO. Got caught right in the chin. | ||
| Well, he got caught by one of the best strikers in MMA, period. | ||
| Hardest hitter, by far the hardest hitter in the division. | ||
| Seriously, out of all the heavyweight fighters, nobody moves like him with a striker. | ||
|
unidentified
|
He's like a professional boxer. | |
| Harder than Junior, harder than Kane. | ||
| 100%. | ||
|
unidentified
|
But he moves so smooth. | |
| He moves like a big black guy, right? | ||
| He's so smooth. | ||
| Oh, wow. | ||
| I'm not touching that. | ||
| Wow, yeah. | ||
| That's all you done. | ||
|
unidentified
|
With cream. | |
| No, but you know what I'm talking about, right? | ||
|
unidentified
|
With cream. | |
| You know what I'm talking about? | ||
|
unidentified
|
Cream. | |
| Nobody moves that smooth. | ||
| Roy Snowman knows my smooth, man. | ||
| Kane moves professionally. | ||
| Kane moves professionally, but he moved like a brother. | ||
| Well, I think what Samoans, you know, have, one of the things that they like, there's so many guys like David Tua, Mark Hunt, they have incredible ability to generate power. | ||
| Such a beast. | ||
| Like David Tua, do you remember David Tua when he was in his primary? | ||
| John Ruiz? | ||
| Luizus. | ||
| Fucking Luizus. | ||
| He had unbelievable success. | ||
| And no one has a bigger fucking jaw. | ||
| Like, who's got a wider Mount Rushmore jaw than Mark Hunt? | ||
| He takes a tremendous bomb. | ||
| How old is he? | ||
| I think he's like 38 or 39 or something like that. | ||
| Every bit of 38. Thank you, Jesus. | ||
|
unidentified
|
He looks 29. I'll tell you what, he's in his fucking prime. | |
| That's a fact. | ||
| Mark, you've had some huge wins in your career. | ||
| You just beat another top ten opponent. | ||
|
unidentified
|
Is there any heavyweight out there you got your sights set on that you'd like to fight next? | |
| Aw, that's cute. | ||
| Aw. | ||
| Boom. | ||
| You gotta like Mark Hunt, man. | ||
| He's a great guy. | ||
| I hung out with him at the airport. | ||
| Him and his training partner. | ||
| He's a sweetheart. | ||
| Really, really fun guy to hang out with and talk to. | ||
| Very friendly. | ||
| It's so common there too, man. | ||
| So common there. | ||
| You know, what you were saying earlier about him, about his career being... | ||
| Here's one further. | ||
| When he first got signed by the UFC, they had his Strikeforce contract. | ||
| They didn't want to honor it. | ||
| They had his Pride contract. | ||
| They didn't want to honor his Pride contract. | ||
| Not that they didn't want to honor it, but they didn't want him to fight. | ||
| They wanted to pay him off. | ||
| And he said, no, I want to fight. | ||
| Not that they want to honor. | ||
| Of course, they would honor any contract. | ||
| But they didn't think that he was UFC material. | ||
| What's happening? | ||
| It's going up. | ||
| They didn't think he was UFC material. | ||
| They thought he'd lost a few guys, and he said, look, I want to prove it to you. | ||
| And then he loses his first fight, and fuck. | ||
| And they give him a second chance, and then, man, on a roll. | ||
| That was super impressive. | ||
| That was insane. | ||
| He lost how many straight? | ||
| Well, he lost to McCorkle, and then he lost after that to Junior Dos Santos. | ||
| Is that the next loss, or was there a loss in between? | ||
| No, he lost to McCorkle. | ||
| Did he lose that decision in Denver? | ||
| That's a good question. | ||
| He won it? | ||
| Did he beat Brennan Schaub? | ||
| I mean, not Brennan Schaub. | ||
| He's right here. | ||
| Ben Rothwell? | ||
| Ben Rothwell in Denver. | ||
| I forget. | ||
| I know it was a decision. | ||
| Let me pull it up. | ||
| Mark Hunt. | ||
| Damn, I've never seen Roy get taken out like that. | ||
| Fuck, that was beautiful. | ||
|
unidentified
|
Amazing. | |
| Dude, that shit was beautiful. | ||
| Dope-ass picture on Wikipedia. | ||
| Hey, have you guys seen Josh Barnett and Renato Laranja do a scene from Brokeback Mountain? | ||
| No. | ||
| Of course I haven't seen it. | ||
| Have you seen it? | ||
| No. | ||
| Oh my god, dude. | ||
| Go Henato Laranja Show, Episode 4, Josh Barnett, Henato Laranja, doing a scene from Brokeback Mountain. | ||
| It's incredible. | ||
| What did I say? | ||
| We need to start doing it. | ||
| What do we got here? | ||
| I said we need to start reenacting. | ||
| So the Silva fight was a draw. | ||
| But wasn't that fight changed because of the drug thing? | ||
| Didn't they disqualify? | ||
| It was a draw, so there's no winner though. | ||
| But it was a draw anyway, right? | ||
| He got Bigfoot's money and bonus money for the fight of the night. | ||
| So he lost Junior Santos. | ||
| Before that, he beat Stefan Struve, Chet Congo, Ben Rothwell, and Tuckshire. | ||
| So McCorkle was the loss, and then he won four in a row, and then he fought Dos Santos, and then he had the war with Bigfoot. | ||
| But he lost a whole shitload right there. | ||
| He did lose one, two, three, four, five. | ||
| He lost six in a row. | ||
| Dude, he got submitted by Musashi. | ||
|
unidentified
|
Look at the guys he was fighting. | |
| Alex in a row. | ||
| Josh Barnett beat him. | ||
| Fedor was an interesting fight, man. | ||
| Remember when he had Fedor in an armlock? | ||
| Remember that? | ||
| I forget. | ||
| Yeah, he hit him like a Kimura, but he couldn't finish it. | ||
| Those are some monster opponents. | ||
| Those early days, though, he was a pure striker. | ||
| No nothing, you know? | ||
| He didn't know what he was doing. | ||
| He was learning. | ||
| But he beat Marco Krokop in pride. | ||
| In his prime, too. | ||
| And he beat Vandele Silva. | ||
| You know, a lot of people think he was the guy that ruined Vandele. | ||
| Because Vandele fought him as a heavyweight. | ||
| And Vandele was the 203-pound champion. | ||
| He was fucking everybody up at 203. And went up and fought. | ||
| And he actually, I believe, if I remember correctly, he was light when he fought Hunt. | ||
| I think he was only like 199. And he fought Hunt. | ||
|
unidentified
|
That's crazy. | |
| Crazy. | ||
| It was like light for him. | ||
| Yeah. | ||
| Like when he fought Krokop, he was super heavy. | ||
| He was like, he was heavier than Krokop. | ||
| If I remember correctly, Vanderlei was like 218 and Krokop was 214. Wow. | ||
| Vanderlei was just a- You said that Krokop was the strongest guy you ever felt, right? | ||
| Yeah. | ||
| What did he weigh when you fought him? | ||
| 221 or something like that. | ||
|
unidentified
|
Maybe 220. And at that weight, did he feel stronger than you were? | |
| Just like so like a rock. | ||
| He couldn't move. | ||
| You know how some guys you move and they kind of budge? | ||
| It's like a statue. | ||
| The legs? | ||
| That guy has giant legs. | ||
| He has a good base. | ||
| I just think he was like, there was no fat on him. | ||
| Just like that grown man strength when I fought him, you know? | ||
| You know, you're talking about a guy who's been kickboxing for so fucking long. | ||
| I would imagine that a guy who's a really strong kickboxer, like a Hunt, or like a Crow Cop, those guys that develop those monster-ass legs, and they have good balance from throwing kicks, once you teach those guys to take down defense, it becomes very difficult. | ||
| Because they're dealing with such a ridiculous base. | ||
| Crow Cop has some giant ass fucking legs, man. | ||
| Huge legs. | ||
| You want to talk about a guy with a ridiculous highlight reel? | ||
| Stud. | ||
| I'm so tired. | ||
|
unidentified
|
Brian looks exhausted. | |
| Why are you so tired? | ||
| I just had such a long day. | ||
| Aw, poor baby. | ||
| I was shooting the Goldbergs. | ||
| I'm so cute. | ||
| Did you shoot it today? | ||
| Yeah. | ||
|
unidentified
|
Such a fun part. | |
| Do you like sucking the dick of television still? | ||
| Do you like playing with television's balls? | ||
| I like that show. | ||
| I have to say I really like that show. | ||
| What network is it for? | ||
| ABC. I play the gym teacher from the 80s. | ||
| Oh my god. | ||
| Oh, I can imagine. | ||
| It's so funny. | ||
| I drank this protein shake. | ||
| I had to drink... | ||
| It's actually one of the best things I've ever done. | ||
| Oh, that's hilarious. | ||
| What's the name of the show? | ||
| The Goldbergs. | ||
| It's such a funny... | ||
| Jeff Garland. | ||
| It's a sitcom? | ||
| Wendy McClendon, who is in Bridesmaids. | ||
| It's a really funny show. | ||
| I heard Bridesmaids is a funny fucking movie. | ||
| So you're a part of the show? | ||
|
unidentified
|
Fuck yeah. | |
| Is it really funny? | ||
| Great movie. | ||
| Dude. | ||
| Have you ever seen it, Eddie? | ||
| It's on YouTube? | ||
| It's a fucking American classic. | ||
|
unidentified
|
What's it called? | |
| It's called The Goldbergs. | ||
|
unidentified
|
Okay. | |
| You ever see Bridesmaids? | ||
| No. | ||
| Never saw it? | ||
| It's supposed to be really funny. | ||
| It's a pretty funny movie. | ||
| It's an amazing movie. | ||
| Dana White tells me it's really funny. | ||
| Dude, it's a classic. | ||
| It's an American classic. | ||
| It's funny. | ||
| You know who else hasn't seen Bridesmaids? | ||
| Al-Qaeda. | ||
| ISIS. Fucking see Bridesmaids, man. | ||
| See Bridesmaids. | ||
|
unidentified
|
If you're an American, go see fucking Bridesmaids. | |
| Is that new? | ||
| Is it new? | ||
|
unidentified
|
No! | |
| Not at all! | ||
| It's been about three years! | ||
| Hey bro! | ||
| You live in America? | ||
| Bridesmaids was a huge hit! | ||
|
unidentified
|
Real quick, you a terrorist? | |
| Huge hit! | ||
| Are you a terrorist? | ||
| It's actually a really good movie. | ||
| I like The Winter Soldier, Captain America. | ||
| I saw it recently. | ||
| You know the last funny movie that I saw was? | ||
| Was this at the end? | ||
| That's a funny movie. | ||
| Fucking hilarious. | ||
| Seth Rogen. | ||
| What's the dude from Eastbound and Down? | ||
| Dan McBride is great. | ||
| How fucking funny is he in that movie? | ||
| That's his character, dude. | ||
| Have you seen Eastbound and Down? | ||
|
unidentified
|
Oh, yeah, yeah, yeah. | |
| It's amazing. | ||
| He's awesome. | ||
| I love that dude. | ||
| He's drinking and eating all this shit. | ||
| He fucking pours on the water. | ||
| I don't want to give up. | ||
| Spoiler alert. | ||
| It's been out for six years. | ||
| Fucking spoiler alert. | ||
| Spoiler alert. | ||
| Spoiler alert. | ||
| It's a million o'clock. | ||
| Nobody's out. | ||
| People get mad at me for fucking spoilers for fights that happened like the day before. | ||
| I'll say, oh, I just finally got around to watching Blank Fight. | ||
| Wow, what a fucking huge win from Blank. | ||
| They go, fucking spoiler alert. | ||
| You're online, shithead! | ||
| You're online, you're reading a Twitter feed of a fucking MMA commentator for the UFC. What did you think was coming your way, stupid? | ||
| You looking for flower arrangement tips? | ||
| What do you think I'm going to talk about? | ||
| Why are you on my fucking Twitter feed? | ||
|
unidentified
|
Do you go on MMA Weekly's Twitter feed, too, and go, whoa, spoiler alert! | |
| You're a fucking news site, stupid! | ||
| You know what has to hurt people's feelings when I see you talk shit to 120? | ||
| You go, dummy. | ||
| That hurts my feelings a lot. | ||
| That's something you and I talked about a long time ago. | ||
| Remember, sometimes when you call somebody a simple name, I almost cut this guy off. | ||
| Remember that guy who was this huge guy looking at me. | ||
| And I pull up next to him, and he goes, you got a fucking problem? | ||
| And he was this really big, giant guy, fat, really big. | ||
| And I looked at him, and I go, what? | ||
| And he goes, you got a fucking problem, man? | ||
| And I go... | ||
| You're fat. | ||
| And he goes, and I just drove away. | ||
| Like, little insults like that. | ||
| You're dumb or you're fat are powerful. | ||
| I would just start laughing. | ||
| If I pulled up to someone and said, hey, man, you got a fucking problem, he goes, you're fat. | ||
| I'd be like, oh, you fuck. | ||
|
unidentified
|
But it would hurt my feelings if they're like, you're a fucking dummy. | |
| I'd be like, damn, bro. | ||
| You dummy. | ||
| Some people are dummies, man. | ||
| Some people are dummies. | ||
| I did that to a girl's talking in a show, a heckler. | ||
| You went, no, no, no, no, no! | ||
| You're dumb! | ||
| I've had a show of that more than once. | ||
| I'm not sure which event you're talking about. | ||
| That's perfect. | ||
| You're dumb! | ||
| You're dumb! | ||
| You know, that was a real problem with fucking doing stand-up at that comedy store. | ||
| Nobody does the crowd. | ||
| Nobody takes care of the crowd. | ||
| Comics shouldn't have to deal with that shit. | ||
| That shit should all be done by bouncers. | ||
| Any improv you go to, that never gets out of hand. | ||
| They squash that shit like that. | ||
| They know what they're doing. | ||
| I think I can tell the story. | ||
| What happened tonight? | ||
| Tonight? | ||
| What happened? | ||
| I was at the lab factory and there was a dude in the front row talking like an asshole. | ||
| And to the point where I kicked his leg a little bit, I went, hey, you got to shut up in the middle of my set. | ||
| I go, hey, you got to shut up. | ||
| And he goes, oh, sorry, sorry. | ||
| And then he kept talking. | ||
| I went through my set. | ||
| It was fine. | ||
| It went well. | ||
| And Dane Cook follows me. | ||
| And I'm watching Dane. | ||
| And the guy is doing the same thing. | ||
| And Dane literally, literally in the middle of it went like this. | ||
| And tweet if I'm exaggerating. | ||
| Dane goes, you shut the fuck up right fucking now or I will knock you the fuck out. | ||
| You say one more fucking word, I'm going to knock you out and send you the fuck out of here. | ||
| Sounds like Dan Cook's been doing some Taibo or some shit. | ||
| The fucking show, you asshole! | ||
| And the whole place started clapping. | ||
| How great would it be if the guy stood up and whooped Dane Cook's ass? | ||
|
unidentified
|
Right! | |
| I was like, I was like, Dane! | ||
| In front of everyone. | ||
| But Dane was ready to go. | ||
| That guy was a plant put by Jamie Mossad. | ||
| He's like, buddy, Dane Cook is going to be on. | ||
| I want you to warm up with Brian Callen. | ||
| You go, you tell a joke, you talk to girl, you speak on phone. | ||
| And then when Dane Cook come on, he be so mad. | ||
| He's like, this fucking guy heckled me, I'm Dane Cook. | ||
| And then we get on TMZ. I have ten guys in the audience uploading it to YouTube. | ||
| I'm sure somebody videotaped it. | ||
| Brian, do me a favor. | ||
| Tell them the dream you had that you told me. | ||
| Tell them the dream. | ||
| You tell me if this is normal. | ||
| I think it's appropriate. | ||
| Okay. | ||
| This is my business partner. | ||
| Listen to this shit. | ||
| I had a dream. | ||
| I had a boyfriend. | ||
| Okay, that's not Martin Luther King. | ||
| Martin Luther King had a totally different dream. | ||
| I had a dream! | ||
| It started, Sibir. | ||
| I had a dream! | ||
| And what were you doing, Brad? | ||
| I had a boyfriend. | ||
| No, listen to this shit. | ||
| And he fucked me. | ||
| He had a dream he was having sex with a man. | ||
| Well, I'm glad you told me this after I told Steve Rinella that I don't want to share a tent with you. | ||
|
unidentified
|
Okay. | |
| Because he asked me, he goes, is it okay if you share a tale with Brian? | ||
| Fuck yeah, I do. | ||
| I snore like a werewolf, dude. | ||
| You look like a snorer. | ||
| I'm a snorer, bro. | ||
| Dude, you don't even know. | ||
| I have an irregular neck. | ||
| It's the craziest, loudest snorer. | ||
| I thought you handled that, though. | ||
| Didn't you handle it with the mouthpiece? | ||
| I have a new mouthpiece. | ||
| I have a new mouthpiece since the last time we went hunting. | ||
| Well, I got one about seven, eight months ago. | ||
| This is like the third or fourth version. | ||
| Bro, I think I had sleep apnea because I wake up. | ||
| It wasn't fitting right, man. | ||
| It kept falling off. | ||
| The last one. | ||
| Yeah, it kept falling out. | ||
| But the new one, it's uncomfortable, but it fits great, and it keeps my tongue in place, makes no sound. | ||
| I sleep like a baby, I make no sound. | ||
| Finish your gay story, though. | ||
| I want other people to judge you. | ||
| I'm sorry. | ||
| I was talking about snoring. | ||
| Dude, it was so vivid, and I was like, I'm straight, man, and I have a boyfriend, and this guy keeps fucking me, and this is bad. | ||
| And I was like, in my dream, I was like, I'm straight as shit, and this guy's fucking me, and I gotta keep this a secret. | ||
| I'm not sure how to make sense of this. | ||
| That's a bit. | ||
|
unidentified
|
Is that a bit? | |
| No, it's not a bit. | ||
| He needs it to be. | ||
|
unidentified
|
He was dead serious when he told me this, and I literally was just looking at him like this. | |
| Bro, this is your next hour. | ||
| It's gonna start with this. | ||
| Write it down. | ||
| Write it down right now. | ||
| The possibilities are endless with this dream. | ||
|
unidentified
|
Is that not weird? | |
| This dream could go wherever. | ||
| Have you ever had a dream like that? | ||
| No. | ||
|
unidentified
|
Never. | |
| Ever in my life. | ||
| Dude, I was like, and I was like, and the guy had a big back. | ||
| But I believe him. | ||
| He had a back on him. | ||
| And I was like, damn, man. | ||
| And I remember. | ||
| And, and, I didn't tell you this part. | ||
| We were having cocktails. | ||
| We were having cocktails. | ||
| And I was looking over and I go, I gotta fuck this guy again. | ||
| I'm like... | ||
|
unidentified
|
And I was like, this is not normal. | |
| I feel like I was sliding down an ice glacier. | ||
|
unidentified
|
I gotta fuck this guy again. | |
| Yeah, I gotta fuck this guy again. | ||
| Oh, that's great shit. | ||
| It was crazy, bro. | ||
| What else? | ||
|
unidentified
|
I'm straight. | |
| Man, I'm fucking straight. | ||
| This is disturbing how many jokes you have arguing your sexuality. | ||
| I know! | ||
| Because a big part of your act is arguing your sexuality. | ||
| I said he's 50% gay and I don't have an issue with it. | ||
|
unidentified
|
We got Brody Stevens up to 84%. | |
| He started the podcast and said he was probably 10% gay. | ||
| By the end of the podcast, he told me he was 84% gay. | ||
| On our podcast, he said 15%. | ||
| After that dream, I said full 50%. | ||
| Do you think you're gay? | ||
| No. | ||
| A little bit? | ||
| No, I wish I was. | ||
| When we went hunting... | ||
| When we went hunting, we were gone for six... | ||
| The first time, we were gone for six days in Montana. | ||
| The second time, we were gone for five days in Wisconsin. | ||
| That's 11 days of gay jokes. | ||
| I mean, the kid is relentless. | ||
| It never stops coming. | ||
| It's a storm of locusts that there's no end. | ||
| It shows up on a satellite. | ||
| It shows up on a satellite. | ||
| It's like swarming across the sea. | ||
| Crops die. | ||
| Rivers get choked. | ||
| The rivers get choked, leaving... | ||
|
unidentified
|
There's no water that gets to the farmlands. | |
| Crops dry up. | ||
| There's actually something with that. | ||
| You know who is actually more obsessed with male beauty than Brian Count? | ||
| Bushahiro Akiyama. | ||
| Well, yeah. | ||
| I mean, that's my boyfriend. | ||
| But Big Brown is... | ||
| Don't try pushing on me. | ||
| Yeah, but it's a different thing. | ||
| You had dreams. | ||
| You're attracted to men. | ||
| You had dreams you had sex with a man. | ||
| No one else has that shit here. | ||
| That's weird. | ||
| Brian, why are you saying that he's attractive to men? | ||
| Because you're attracted to men, too. | ||
| Yeah. | ||
| Are you attractive? | ||
| You're attractive, right? | ||
| I would imagine you're an attractive guy. | ||
| I'm a cutie pie. | ||
| You're a beautiful man. | ||
| Yeah. | ||
| Not bad. | ||
| Right now he looks like pure shit. | ||
| That's a good move. | ||
| I've never seen you look so tired. | ||
| By the way, this is how guys are. | ||
|
unidentified
|
I'm exhausted. | |
| Like, Brendan gave me his cold. | ||
| I was around his cold, and I had to go perform. | ||
| I was sick as shit for two weeks. | ||
| Crazy sick. | ||
| I had to perform in San Antonio, and I'm dying. | ||
| I'm just slogging through. | ||
| And I call him, and I go, bro. | ||
| I go, he goes, how you doing? | ||
| I go, I'm not doing well, man. | ||
| I'm sick. | ||
| And I got two shows tonight, and you gave me your cold. | ||
| And this is what I hear on the other end of the phone. | ||
| I mean, you were dying laughing. | ||
| Well, because your guys get it. | ||
| You know why? | ||
| Because I got in his fucking... | ||
| Yeah, I don't think chicks think that's funny. | ||
| No. | ||
| But guys love it. | ||
| I got in his fucking Prius. | ||
| I get in there, and he goes, I'm sick as shit. | ||
| And he goes, I'm never sick. | ||
| Sprays saline solution in his nose. | ||
| And he goes, this is why. | ||
| Two days later. | ||
|
unidentified
|
He kept telling me this. | |
| Two days later, he said, He kept telling me this for weeks. | ||
| All I heard from him was, there's a way you never get sick. | ||
| I don't get sick anymore. | ||
| I spray the saline solution in my nose. | ||
| I gargle with it. | ||
| Then he got my cold. | ||
| So four days later, I go, yeah, throat's starting to hurt now, moving down your chest. | ||
| He goes, yeah. | ||
| I said, enjoy that for about another eight days. | ||
| I was sick as fuck. | ||
| Meanwhile, though, I wasn't sleeping. | ||
| That's why. | ||
| Well, you would normally, your immune system is so superior to the average male. | ||
| That's very true, dude. | ||
| Thank you for saying that. | ||
| I crush all disease. | ||
| Well, you know, he eats a lot of jalapenos. | ||
| And I meditate. | ||
| He only eats factory farmed fish. | ||
| Right. | ||
| Nothing from the ocean. | ||
| And I'm God's favorite, too. | ||
| That helps. | ||
|
unidentified
|
Even his Brazilian character is a gay Brazilian character. | |
| Remember that? | ||
| Yeah. | ||
| That was one of the greatest impersonations ever. | ||
| One of the most hilarious moments of our life. | ||
| You've got to write that down. | ||
| Take that sheet of paper off the top. | ||
| I had a dream that I had a boyfriend, and he was fucking me. | ||
| Yeah, just remember that. | ||
| Joe Rogan, my snoggerfer, thanks for the idea. | ||
| I had a dream I had a boyfriend, and he was fucking me. | ||
| The best part is you go, ah, fold that up, put that in your pocket. | ||
| The best part is you go, ah, I gotta fuck this guy later. | ||
| I know! | ||
| You gotta tell them I'm exhausted. | ||
| I gotta get fucked. | ||
| You must tell them I'm exhausted. | ||
| I gotta fuck this guy. | ||
| He had a back. | ||
| I remember his back was very wide. | ||
| And he fucks you throughout the dream like constantly. | ||
|
unidentified
|
And there's nothing you can do. | |
| I feel like running and sometimes you do run but you're like in slow motion. | ||
| I didn't like it in the dream. | ||
| And then you try to shoot him but the bullet goes really slow. | ||
| You ever have a gun and you shoot and the gun falls apart and then the bullet's really slow? | ||
| A better example is like, you know when you see a movie that's really scary and you feel that chill up your spine where you're like, fuck, this is scary. | ||
| Like you're so uncomfortable and scared. | ||
| Sex with the guy felt the same way. | ||
| I was like, this fucking sucks. | ||
| But gotta do it. | ||
| All of us are dreaming of guns in running. | ||
|
unidentified
|
Brian's like, yeah, you have that dream where you're jacking a guy off super slow and it just never ends. | |
| Isn't that weird? | ||
| It never ends. | ||
| My dreams are always breathing in the water. | ||
| Every now and then throwing that you tried to escape when you had the gun. | ||
| I should. | ||
|
unidentified
|
I lied. | |
| But you just wanted to add shit. | ||
| I tried demons. | ||
| I tried to hip escape. | ||
| They represented the mistakes of my youth. | ||
| And you're Wherever you guys go, you're in your underwear. | ||
| Like, wherever you go, you're in your underwear. | ||
| It's freezing cold, you have to huddle. | ||
| I hate him, but we had to cuddle to stay alive. | ||
| Naked and afraid. | ||
|
unidentified
|
Yeah. | |
| He kept fucking me. | ||
| I'm like, gay as shit, naked and afraid. | ||
| I was treating his frostbite while he was fucking me. | ||
|
unidentified
|
I was like... | |
| Mosquitoes and hard-ons. | ||
| Oh my god. | ||
| Fuck, dude. | ||
| Listen, we ran out of time. | ||
| We're three hours in. | ||
|
unidentified
|
Shit. | |
| Powerful Mark Hunt. | ||
| Congratulations to Mark Hunt. | ||
| Beast! | ||
| Yeah, that was fucking phenomenal. | ||
| And you know, we kind of saw it materializing, right? | ||
| Kind of saw it materializing. | ||
| Saw how smooth he was. | ||
| Meanwhile, the only guy in this room who has to actually contemplate fighting that guy is Brett Brown. | ||
| This guy. | ||
| Not an easy job. | ||
| He's probably still mad at you. | ||
| I'm sure if I beat Travis Brown, he could be next. | ||
| Let's get through Travis. | ||
| That's a crazy job you had, bro. | ||
| Indeed. | ||
| So you want to be a fighter, huh? | ||
| There's only a couple more minutes to go, but if you had to think of like this Travis Brown situation where he leaves Jackson's and now he's training with Edmund, is that a good thing? | ||
| Or do you think that that shows any sign of like, you know, sometimes people are in a state of turmoil. | ||
| You know, they feel like they need to change. | ||
| They lose a little bit of confidence, and they try to switch things up. | ||
| Is it good to switch things up? | ||
| It can be good. | ||
| Listen, I moved to L.A. and switched things up. | ||
| Obviously, I know Rhonda very well, and I know that camp pretty well, I would say. | ||
| And I'm not going to go into detail, but I think it's a great thing for me that he's training there. | ||
| I'll put it like that, without going into detail. | ||
| What did you just say? | ||
| Oh, shit. | ||
| It's a good thing for you or a good thing for him? | ||
| It's a good thing for you. | ||
| Good thing for him. | ||
| It's a good thing for me. | ||
| That's what he said. | ||
|
unidentified
|
Whoa. | |
| He would say that, though, even if he didn't even mean it. | ||
| No, I promise I would. | ||
| I just wouldn't say shit. | ||
| Right. | ||
| I'm 100% dead serious with you. | ||
| I have no reason. | ||
| You think you made a mistake by going to that team? | ||
|
unidentified
|
100%. | |
| Whoa. | ||
| What if he hears this and changes his mind? | ||
| Don't give a fuck. | ||
| Wow. | ||
| So do you think... | ||
| I'm not worried about him. | ||
| I'm not worried about him, yeah. | ||
| It's more about me, man. | ||
| Did you used to train there? | ||
| Where? | ||
| No. | ||
| Where he's training. | ||
| You never trained with what he's doing? | ||
|
unidentified
|
No. | |
| Never trained with Edmund, but you did do some training at Jackson's. | ||
| Oh, because you might have someone telling you how they're training because you know people have connections. | ||
| No, not at all. | ||
| Is that what you mean? | ||
| Nope, not even close. | ||
| I would never do that. | ||
| So you know what the training is like at Jackson's. | ||
| You know, it's pretty high-level training. | ||
| Yeah. | ||
| And he decided to leave that. | ||
| Yeah, Jackson's has training partners for days. | ||
| Can I just speculate? | ||
| Can I just speculate? | ||
| Do you think there was any issue with the fact that Overeem came into the camp? | ||
| No. | ||
| Not at all. | ||
|
unidentified
|
Not at all? | |
| Not at all. | ||
| Because Travis beat him, we'll never fight him again. | ||
| I don't think that had anything to do with it. | ||
| He could easily fight him again, though. | ||
| That could happen. | ||
|
unidentified
|
Nah. | |
| You don't think so? | ||
| No, never. | ||
| They would never do that. | ||
| Rank number three, let's say... | ||
| Yeah, no. | ||
| Listen, there's a chance. | ||
| Yes, rankings don't mean shit. | ||
| But the chance of them fighting again, them doing rematches, are not good unless you're at a very high level. | ||
| Alright, here's my opinion. | ||
| I completely disagree. | ||
| One of the reasons I completely disagree is the depth of the heavyweight division. | ||
| The depth of the heavyweight division is not that broad. | ||
| There's not that many people. | ||
| Well, he trains with Andre Orlovsky. | ||
| Yeah. | ||
| It's true. | ||
| So you think he was just like, fuck it, I'm out of here. | ||
| But look, because Arlovsky stays and Arlovsky's fighting Overeem, or Arlovsky and Overeem are in the same camp, just because they're both heavyweights, it doesn't mean that Travis Brown agrees with that. | ||
| So Travis Brown could have been in a situation where he felt like he was one of the top heavyweights in camp, he beat Overeem, then all of a sudden Overeem moves in. | ||
| And then on top of that, he loses the fight with Verdum. | ||
| He doesn't like how he felt in that fight, feels like he needs to add some things to his game. | ||
| And one of the things that he said, he said he didn't know how to fight. | ||
| He said he knew how to go out there and fuck guys up, but he didn't know how to fight, like the technical aspects of fighting. | ||
| Which is kind of, you know, it's interesting saying that when he's like, you're dealing with Mike Winklejohn, you know, he's like an outstanding striking coach, like one of the best in the world. | ||
| Winklejohn, I've seen Winklejohn coach guys. | ||
| He's a monster, yes. | ||
| He's a wizard. | ||
| So Travis is working with him, and then he goes from that saying that he really didn't know how to fight. | ||
| And Edmund is teaching him how to fight. | ||
| I mean, it's interesting. | ||
| Well, look what Edwin's done for Ronda. | ||
| She wasn't that good of a striker in the beginning. | ||
| And all of a sudden, all of a sudden, Ronda can... | ||
| It took her a while, because I was even doubting. | ||
| I was even thinking, damn, is she ever going to be a serious threat on her feet? | ||
| She's becoming a serious threat. | ||
| And at the rate she's going, another couple years, two or three years, Ronda might just stay standing for a while, longer, you know? | ||
| That's that Chuck Liddell type thing, you know? | ||
| If you can't take her down, what the fuck are you going to do if she can knock you out in the feet? | ||
|
unidentified
|
Yeah. | |
| When Ronda blasted Sarah McMahon with that knee to the body, that was a big fucking message. | ||
| You know, that was a big message. | ||
|
unidentified
|
Sarah McMahon. | |
| Last time we were here, you said you didn't feel that Ronda Cyborg was a good... | ||
| Like, you weren't happy about that potential matchup. | ||
| Yeah. | ||
| Have you changed since then? | ||
| Because... | ||
| I just don't think it would be good for the UFC with Cyborg's history with steroids and Ronda being very pretty and being in movies. | ||
| It's not going to be good if she were to lose to Cyborg. | ||
| That's all I'm saying. | ||
| I think Cyborg's a great fighter. | ||
| I don't think as a marketing standpoint and for the future of the UFC, Cyborg as your champ is a good thing. | ||
| Do you think that she should be out forever? | ||
| Because of the fact that she did that? | ||
|
unidentified
|
No. | |
| I don't think she should be out forever. | ||
| She keeps winning. | ||
| She keeps winning. | ||
| Yeah, give her a shot. | ||
| Ultimately, she's got to have a shot at the title. | ||
| Listen, everyone. | ||
| Thiago Silva almost got a fucking shot. | ||
|
unidentified
|
She's zeroed in. | |
| I think she should be all right. | ||
| Cyborg is zeroed in on Ronda. | ||
| That's all she's thinking about. | ||
| Well, why wouldn't she? | ||
| Yeah, what else? | ||
| Every girl. | ||
| That's where the money is. | ||
| But every girl is. | ||
| It almost seems like it's inevitable. | ||
| Come on. | ||
|
unidentified
|
Carano, they're like, hey, you want to be relevant again? | |
| Why don't we bring you back? | ||
| You tap out in like a minute or so, and we'll do all this marketing, and then you get out. | ||
| Everyone wants to fight Ronda. | ||
| They know they're not going to win. | ||
| The marketing they get from it is insane. | ||
| But the fight that most MMA fans want to see from Ronda. | ||
| MMA, not mainstream. | ||
|
unidentified
|
But it would be beautiful. | |
| Mainstream, all the regular girls, they'd be probably behind Ronda because Cyborg's... | ||
| Yeah, everyone would be behind Ronda because Cyborg. | ||
| She had some steroid abuse before and all that stuff. | ||
| But still, that's what makes it an amazing fight is you have a chick who's super yoked, crazy-looking. | ||
| Cyborg is the perfect nickname for her against Ronda, the pretty judo girl. | ||
| I think that is going to be the fight of the millennium. | ||
| Cyborg, she's not built like that anymore. | ||
| She doesn't look like that anymore. | ||
| She looks like a strong woman now. | ||
| She just does not look like she used to look. | ||
| Yeah, well, still. | ||
| Have you seen the difference? | ||
| As far as women's MMA, that is probably the biggest money fight right there. | ||
| Money-wise, that would be huge money-wise. | ||
| Gina Carano would be bigger. | ||
|
unidentified
|
I don't think so. | |
| I think Gina Carano would be bigger. | ||
| Because the mainstream knows Gina. | ||
| Yeah. | ||
| The mainstream doesn't know Cyborg at all. | ||
| They see Cyborg and they're like, oh, I don't want to see this. | ||
| One countdown and it's over. | ||
| One countdown and that's over. | ||
|
unidentified
|
You know what I mean? | |
| Well, I think it's totally sellable. | ||
| It's a terrifying fight. | ||
| I think it's completely sellable. | ||
| Not only do I think it's sellable, I think if she keeps winning, it's a must-have fight. | ||
| I mean, I don't know if it's ever going to take place, but if Cyborg, if you go back and watch the fucking video of her beating up Gina Carano, beating up a lot of other women. | ||
|
unidentified
|
That was tough to watch. | |
| When she fought Gina, you're like, what are we doing? | ||
|
unidentified
|
Yep. | |
| It's like Bully Beatdown. | ||
| You know what I'm saying? | ||
| It's rough to watch, bro. | ||
|
unidentified
|
It's rough to watch. | |
| It's rough to watch. | ||
| You're like, what are we doing? | ||
| You want to be your champ? | ||
| You think that inspires other little girls when they see Bully Beatdown style? | ||
| Cyborg vs. | ||
|
unidentified
|
Gina? | |
| If you're looking at it as a promoter's point of view, yes. | ||
| Real quick, that's all Dana looks at. | ||
| That's all Dana looks at. | ||
| But as far as the fans go, I think Cyborg is going to be the biggest MMA fight of all time. | ||
| No. | ||
| We're out of time. | ||
| We're turning to a pumpkin. | ||
| It's three hours in. | ||
| Ustream's going to cut off. | ||
| Thanks, everybody. | ||
| Brian Count, B-R-Y-A-N-C-A-L-L-E-N on Twitter. | ||
| Come see me on Sunday. | ||
| Big Brown, a.k.a. | ||
| Brendan Schaub on Twitter. | ||
| S-C-H-A-U-B, son. | ||
| Come see him on Sunday at the Irvine Improv. | ||
| Running through this hour. | ||
| That he's going to be filming soon. | ||
| And then Edjebra. | ||
| E-D-D-I-E-B-R-A-V-O. Tenthplanetjj.com. | ||
| Represent, respect, and recognize. | ||
| Edjebra. | ||
| We'll see you soon. | ||
| Much love, everybody. | ||
| Anybody got anything important to plug? | ||
| Just find her in the kids, son! | ||
| Find her in the kids podcast, Eddie Bravo radio podcast. | ||
| Yeah, EBI's coming up and on its official now as a sponsor, so EBI 2 will be at the Florentine Gardens Friday, October 10th. | ||
| EBI 1 is on YouTube. | ||
| Search Eddie Bravo Invitational, EBI 1. That's about it. |
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